what is a literacy essay

The Importance of Literacy Essay (Critical Writing)

How can literacy affect one’s life essay introduction, how can literacy affect one’s life essay main body, the importance of literacy: essay conclusion, works cited.

Literacy is a skill that is never late to acquire because it is essential for education, employment, belonging to the community, and ability to help one’s children. Those people, who cannot read, are deprived of many opportunities for professional or personal growth. Unwillingness to become literate can be partly explained by lack of resources and sometimes shame; yet, these obstacles can and should be overcome.

First, one can say that literacy is crucial for every person who wants to understand the life of a society. It is also essential for ability to critically evaluate the world and other people. In his book, Frederick Douglass describes his experiences of learning to read. Being a slave, he had very few opportunities for education.

Moreover, planters were unwilling to teach their slaves any reading skills because they believed that literacy would lead to free thinking and slaves’ aspirations for freedom (Douglass, 96). Overall, they were quite right in their assumption because literacy gives people access to information, and they understand that they can achieve much more than they have. This can be one of the reasons for learning to read.

Yet, literary is essential for many other areas of life, for example, employment. Statistical data show that low-literate adults remain unemployed for approximately six months of the year (Fisher, 211). This problem becomes particularly serious during the time when economy is in the state of recession. It is particularly difficult for such people to retain their jobs especially when businesses try to cut their expenses on workforce.

One should take into account that modern companies try to adapt new technologies or tools, and the task of a worker is to adjust to these changes. Thus, literacy and language proficiency are important for remaining competitive. Furthermore, many companies try to provide training programs to their employees, but participation in such programs is hardly possible with basic reading skills. Thus, these skills enable a person to take advantage of many opportunities.

Additionally, one has to remember that without literacy skills people cannot help their children who may struggle with their homework assignments. Moreover, ability to read enables a person to be a part of the community in which he or she lives. In his essay The Human Cost of an Illiterate Society , Jonathan Kozol eloquently describes the helplessness of illiterate people.

This helplessness manifests itself in a variety of ways; for example, one can mention inability to read medicine prescriptions, contracts, ballot papers, official documents, and so forth (Kozol, unpaged). While speaking about these people, Jonathan Kozol uses the expression “an uninsured existence” which means that they are unaware of their rights, and others can easily exploit them (Kozol, unpaged). To a great extent, illiterate individuals can just be treated as second-class citizens.

This is a danger that people should be aware of. To be an active member of a community, one has to have access to a variety of informational resources, especially, books, official documents, newspapers, printed announcements, and so forth. For illiterate people, these sources are inaccessible, and as a result, they do not know much about the life of a village, town, city, or even a country in which they live.

In some cases, adults are unwilling to acquire literacy skills, because they believe that it is too late for them to do it. Again, one has to remember that there should always be time for learning, especially learning to read.

Secondly, sometimes people are simply ashamed of acknowledging that they cannot read. In their opinion, such an acknowledgment will result in their stigmatization. Yet, by acting in such a way, they only further marginalize themselves. Sooner or later they will admit that ability to read is important for them, and it is better to do it sooner.

Apart from that, people should remember that there are many education programs throughout the country that are specifically intended for people with low literacy skills (Fisher, 214). Certainly, such programs can and should be improved, but they still remain a chance that illiterate adults should not miss. If these people decide to seek help with this problem, they will be assisted by professional educators who will teach them the reading skills that are considered to be mandatory for an adult person.

Although it may seem a far-fetched argument, participation in such programs can open the way to further education. As it has been said by Frederick Douglass learning can be very absorbing and learning to read is only the first step that a person may take (Douglass, 96). This is another consideration that one should not overlook.

Overall, these examples demonstrate that ability to read can open up many opportunities for adults. Employment, education, and ability to uphold one’s rights are probably the main reasons why people should learn to read. Nonetheless, one should not forget that professional growth and self-development can also be very strong stimuli for acquiring or improving literacy skills. Therefore, people with poor literacy skills should actively seek help in order to have a more fulfilling life.

Douglass, Frederick. “Learning to Read.” Life and Times of Frederick Douglass.

Frederick Douglass. New York: Kessinger Publishing, 2004. Print.

Fisher, Nancy. “Literacy Education and the Workforce: bridging the gap.” Journal of Jewish Communal Service 82. 3 (2007): 210-215. Print.

Kozol, Jonathan. The Human Cost of an Illiterate Society. Vanderbilt Students of Nonviolence, 2008. Web.

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The Power of Literacy Narratives

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I first learned to read at the age of three while sitting on my grandmother’s lap in her high-rise apartment on Lake Shore Drive in Chicago, IL. While flipping casually through Time magazine, she noticed how I took a keen interest in the blur of black and white shapes on the page. Soon, I was following her wrinkled finger from one word to the next, sounding them out, until those words came into focus, and I could read. It felt as though I had unlocked time itself.

What Is a “Literacy Narrative?”

What are your strongest memories of reading and writing? These stories, otherwise known as “literacy narratives,” allow writers to talk through and discover their relationships with reading, writing, and speaking in all its forms. Narrowing in on specific moments reveals the significance of literacy’s impact on our lives, conjuring up buried emotions tied to the power of language, communication, and expression.

To be “ literate ” implies the ability to decode language on its most basic terms, but literacy also expands to one’s ability to "read and write" the world — to find and make meaning out of our relationships with texts, ourselves, and the world around us. At any given moment, we orbit language worlds. Soccer players, for example, learn the language of the game. Doctors talk in technical medical terms. Fishermen speak the sounds of the sea. And in each of these worlds, our literacy in these specific languages allows us to navigate, participate and contribute to the depth of knowledge generated within them.

Famous writers like Annie Dillard, author of "The Writing Life," and Anne Lammot, "Bird by Bird," have penned literacy narratives to reveal the highs and lows of language learning, literacies, and the written word. But you don’t have to be famous to tell your own literacy narrative — everyone has their own story to tell about their relationships with reading and writing. In fact, the Digital Archive of Literacy Narratives at the University of Illinois at Urbana-Champaign offers a publicly accessible archive of personal literacy narratives in multiple formats featuring over 6,000 entries. Each shows the range of subjects, themes, and ways into the literacy narrative process as well as variations in terms of voice, tone, and style.

How to Write Your Own Literacy Narrative

Ready to write your own literacy narrative but don’t know where to begin?

• Think of a story linked to your personal history of reading and writing. Perhaps you want to write about your favorite author or book and its impact on your life. Maybe you remember your first brush with the sublime power of poetry. Do you remember the time you first learned to read, write or speak in another language? Or maybe the story of your first big writing project comes to mind. Make sure to consider why this particular story is the most important one to tell. Usually, there are powerful lessons and revelations uncovered in the telling of a literacy narrative.
• Wherever you begin, picture the first scene that comes to mind in relation to this story, using descriptive details. Tell us where you were, who you were with, and what you were doing in this specific moment when your literacy narrative begins. For example, a story about your favorite book may begin with a description of where you were when the book first landed in your hands. If you’re writing about your discovery of poetry, tell us exactly where you were when you first felt that spark. Do you remember where you were when you first learned a new word in a second language?
• Continue from there to explore the ways in which this experience had meaning for you. What other memories are triggered in the telling of this first scene? Where did this experience lead you in your writing and reading journey? To what extent did it transform you or your ideas about the world? What challenges did you face in the process? How did this particular literacy narrative shape your life story? How do questions of power or knowledge come into play in your literacy narrative?

Writing Toward a Shared Humanity

Writing literacy narratives can be a joyful process, but it can also trigger untapped feelings about the complexities of literacy. Many of us carry scars and wounds from early literacy experiences. Writing it down can help us explore and reconcile these feelings in order to strengthen our relationship with reading and writing. Writing literacy narratives can also help us learn about ourselves as consumers and producers of words, revealing the intricacies of knowledge, culture, and power bound up in language and literacies. Ultimately, telling our literacy stories brings us closer to ourselves and each other in our collective desire to express and communicate a shared humanity.​

Amanda Leigh Lichtenstein is a poet, writer, and educator from Chicago, IL (USA) who currently splits her time in East Africa. Her essays on arts, culture, and education appear in Teaching Artist Journal, Art in the Public Interest, Teachers & Writers Magazine, Teaching Tolerance, The Equity Collective, AramcoWorld, Selamta, The Forward, among others.

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beginner's guide to literary analysis

Understanding literature & how to write literary analysis.

Literary analysis is the foundation of every college and high school English class. Once you can comprehend written work and respond to it, the next step is to learn how to think critically and complexly about a work of literature in order to analyze its elements and establish ideas about its meaning.

If that sounds daunting, it shouldn’t. Literary analysis is really just a way of thinking creatively about what you read. The practice takes you beyond the storyline and into the motives behind it. 

While an author might have had a specific intention when they wrote their book, there’s still no right or wrong way to analyze a literary text—just your way. You can use literary theories, which act as “lenses” through which you can view a text. Or you can use your own creativity and critical thinking to identify a literary device or pattern in a text and weave that insight into your own argument about the text’s underlying meaning. 

Now, if that sounds fun, it should , because it is. Here, we’ll lay the groundwork for performing literary analysis, including when writing analytical essays, to help you read books like a critic. 

What Is Literary Analysis?

As the name suggests, literary analysis is an analysis of a work, whether that’s a novel, play, short story, or poem. Any analysis requires breaking the content into its component parts and then examining how those parts operate independently and as a whole. In literary analysis, those parts can be different devices and elements—such as plot, setting, themes, symbols, etcetera—as well as elements of style, like point of view or tone. 

When performing analysis, you consider some of these different elements of the text and then form an argument for why the author chose to use them. You can do so while reading and during class discussion, but it’s particularly important when writing essays. 

Literary analysis is notably distinct from summary. When you write a summary , you efficiently describe the work’s main ideas or plot points in order to establish an overview of the work. While you might use elements of summary when writing analysis, you should do so minimally. You can reference a plot line to make a point, but it should be done so quickly so you can focus on why that plot line matters . In summary (see what we did there?), a summary focuses on the “ what ” of a text, while analysis turns attention to the “ how ” and “ why .”

While literary analysis can be broad, covering themes across an entire work, it can also be very specific, and sometimes the best analysis is just that. Literary critics have written thousands of words about the meaning of an author’s single word choice; while you might not want to be quite that particular, there’s a lot to be said for digging deep in literary analysis, rather than wide. 

Although you’re forming your own argument about the work, it’s not your opinion . You should avoid passing judgment on the piece and instead objectively consider what the author intended, how they went about executing it, and whether or not they were successful in doing so. Literary criticism is similar to literary analysis, but it is different in that it does pass judgement on the work. Criticism can also consider literature more broadly, without focusing on a singular work. 

Once you understand what constitutes (and doesn’t constitute) literary analysis, it’s easy to identify it. Here are some examples of literary analysis and its oft-confused counterparts: 

Summary: In “The Fall of the House of Usher,” the narrator visits his friend Roderick Usher and witnesses his sister escape a horrible fate.  

Opinion: In “The Fall of the House of Usher,” Poe uses his great Gothic writing to establish a sense of spookiness that is enjoyable to read. 

Literary Analysis: “Throughout ‘The Fall of the House of Usher,’ Poe foreshadows the fate of Madeline by creating a sense of claustrophobia for the reader through symbols, such as in the narrator’s inability to leave and the labyrinthine nature of the house. 

In summary, literary analysis is:

• Breaking a work into its components
• Identifying what those components are and how they work in the text
• Developing an understanding of how they work together to achieve a goal 
• Not an opinion, but subjective 
• Not a summary, though summary can be used in passing 
• Best when it deeply, rather than broadly, analyzes a literary element

Literary Analysis and Other Works

As discussed above, literary analysis is often performed upon a single work—but it doesn’t have to be. It can also be performed across works to consider the interplay of two or more texts. Regardless of whether or not the works were written about the same thing, or even within the same time period, they can have an influence on one another or a connection that’s worth exploring. And reading two or more texts side by side can help you to develop insights through comparison and contrast.

For example, Paradise Lost is an epic poem written in the 17th century, based largely on biblical narratives written some 700 years before and which later influenced 19th century poet John Keats. The interplay of works can be obvious, as here, or entirely the inspiration of the analyst. As an example of the latter, you could compare and contrast the writing styles of Ralph Waldo Emerson and Edgar Allan Poe who, while contemporaries in terms of time, were vastly different in their content. 

Additionally, literary analysis can be performed between a work and its context. Authors are often speaking to the larger context of their times, be that social, political, religious, economic, or artistic. A valid and interesting form is to compare the author’s context to the work, which is done by identifying and analyzing elements that are used to make an argument about the writer’s time or experience. 

For example, you could write an essay about how Hemingway’s struggles with mental health and paranoia influenced his later work, or how his involvement in the Spanish Civil War influenced his early work. One approach focuses more on his personal experience, while the other turns to the context of his times—both are valid. 

Why Does Literary Analysis Matter? 

Sometimes an author wrote a work of literature strictly for entertainment’s sake, but more often than not, they meant something more. Whether that was a missive on world peace, commentary about femininity, or an allusion to their experience as an only child, the author probably wrote their work for a reason, and understanding that reason—or the many reasons—can actually make reading a lot more meaningful. 

Performing literary analysis as a form of study unquestionably makes you a better reader. It’s also likely that it will improve other skills, too, like critical thinking, creativity, debate, and reasoning. 

At its grandest and most idealistic, literary analysis even has the ability to make the world a better place. By reading and analyzing works of literature, you are able to more fully comprehend the perspectives of others. Cumulatively, you’ll broaden your own perspectives and contribute more effectively to the things that matter to you. 

Literary Terms to Know for Literary Analysis 

There are hundreds of literary devices you could consider during your literary analysis, but there are some key tools most writers utilize to achieve their purpose—and therefore you need to know in order to understand that purpose. These common devices include: 

• Characters: The people (or entities) who play roles in the work. The protagonist is the main character in the work. 
• Conflict: The conflict is the driving force behind the plot, the event that causes action in the narrative, usually on the part of the protagonist
• Context : The broader circumstances surrounding the work political and social climate in which it was written or the experience of the author. It can also refer to internal context, and the details presented by the narrator 
• Diction : The word choice used by the narrator or characters 
• Genre: A category of literature characterized by agreed upon similarities in the works, such as subject matter and tone
• Imagery : The descriptive or figurative language used to paint a picture in the reader’s mind so they can picture the story’s plot, characters, and setting 
• Metaphor: A figure of speech that uses comparison between two unlike objects for dramatic or poetic effect
• Narrator: The person who tells the story. Sometimes they are a character within the story, but sometimes they are omniscient and removed from the plot. 
• Plot : The storyline of the work
• Point of view: The perspective taken by the narrator, which skews the perspective of the reader 
• Setting : The time and place in which the story takes place. This can include elements like the time period, weather, time of year or day, and social or economic conditions 
• Symbol : An object, person, or place that represents an abstract idea that is greater than its literal meaning 
• Syntax : The structure of a sentence, either narration or dialogue, and the tone it implies
• Theme : A recurring subject or message within the work, often commentary on larger societal or cultural ideas
• Tone : The feeling, attitude, or mood the text presents

How to Perform Literary Analysis

Step 1: read the text thoroughly.

Literary analysis begins with the literature itself, which means performing a close reading of the text. As you read, you should focus on the work. That means putting away distractions (sorry, smartphone) and dedicating a period of time to the task at hand. 

It’s also important that you don’t skim or speed read. While those are helpful skills, they don’t apply to literary analysis—or at least not this stage. 

Step 2: Take Notes as You Read  

As you read the work, take notes about different literary elements and devices that stand out to you. Whether you highlight or underline in text, use sticky note tabs to mark pages and passages, or handwrite your thoughts in a notebook, you should capture your thoughts and the parts of the text to which they correspond. This—the act of noticing things about a literary work—is literary analysis. 

Step 3: Notice Patterns 

As you read the work, you’ll begin to notice patterns in the way the author deploys language, themes, and symbols to build their plot and characters. As you read and these patterns take shape, begin to consider what they could mean and how they might fit together. 

As you identify these patterns, as well as other elements that catch your interest, be sure to record them in your notes or text. Some examples include: 

• Circle or underline words or terms that you notice the author uses frequently, whether those are nouns (like “eyes” or “road”) or adjectives (like “yellow” or “lush”).
• Highlight phrases that give you the same kind of feeling. For example, if the narrator describes an “overcast sky,” a “dreary morning,” and a “dark, quiet room,” the words aren’t the same, but the feeling they impart and setting they develop are similar. 
• Underline quotes or prose that define a character’s personality or their role in the text.
• Use sticky tabs to color code different elements of the text, such as specific settings or a shift in the point of view. 

By noting these patterns, comprehensive symbols, metaphors, and ideas will begin to come into focus.  

Step 4: Consider the Work as a Whole, and Ask Questions

This is a step that you can do either as you read, or after you finish the text. The point is to begin to identify the aspects of the work that most interest you, and you could therefore analyze in writing or discussion. 

Questions you could ask yourself include: 

• What aspects of the text do I not understand?
• What parts of the narrative or writing struck me most?
• What patterns did I notice?
• What did the author accomplish really well?
• What did I find lacking?
• Did I notice any contradictions or anything that felt out of place?  
• What was the purpose of the minor characters?
• What tone did the author choose, and why? 

The answers to these and more questions will lead you to your arguments about the text. 

Step 5: Return to Your Notes and the Text for Evidence

As you identify the argument you want to make (especially if you’re preparing for an essay), return to your notes to see if you already have supporting evidence for your argument. That’s why it’s so important to take notes or mark passages as you read—you’ll thank yourself later!

If you’re preparing to write an essay, you’ll use these passages and ideas to bolster your argument—aka, your thesis. There will likely be multiple different passages you can use to strengthen multiple different aspects of your argument. Just be sure to cite the text correctly! 

If you’re preparing for class, your notes will also be invaluable. When your teacher or professor leads the conversation in the direction of your ideas or arguments, you’ll be able to not only proffer that idea but back it up with textual evidence. That’s an A+ in class participation. 

Step 6: Connect These Ideas Across the Narrative

Whether you’re in class or writing an essay, literary analysis isn’t complete until you’ve considered the way these ideas interact and contribute to the work as a whole. You can find and present evidence, but you still have to explain how those elements work together and make up your argument. 

How to Write a Literary Analysis Essay

When conducting literary analysis while reading a text or discussing it in class, you can pivot easily from one argument to another (or even switch sides if a classmate or teacher makes a compelling enough argument). 

But when writing literary analysis, your objective is to propose a specific, arguable thesis and convincingly defend it. In order to do so, you need to fortify your argument with evidence from the text (and perhaps secondary sources) and an authoritative tone. 

A successful literary analysis essay depends equally on a thoughtful thesis, supportive analysis, and presenting these elements masterfully. We’ll review how to accomplish these objectives below. 

Step 1: Read the Text. Maybe Read It Again. 

Constructing an astute analytical essay requires a thorough knowledge of the text. As you read, be sure to note any passages, quotes, or ideas that stand out. These could serve as the future foundation of your thesis statement. Noting these sections now will help you when you need to gather evidence. 

The more familiar you become with the text, the better (and easier!) your essay will be. Familiarity with the text allows you to speak (or in this case, write) to it confidently. If you only skim the book, your lack of rich understanding will be evident in your essay. Alternatively, if you read the text closely—especially if you read it more than once, or at least carefully revisit important passages—your own writing will be filled with insight that goes beyond a basic understanding of the storyline. 

Step 2: Brainstorm Potential Topics 

Because you took detailed notes while reading the text, you should have a list of potential topics at the ready. Take time to review your notes, highlighting any ideas or questions you had that feel interesting. You should also return to the text and look for any passages that stand out to you. 

When considering potential topics, you should prioritize ideas that you find interesting. It won’t only make the whole process of writing an essay more fun, your enthusiasm for the topic will probably improve the quality of your argument, and maybe even your writing. Just like it’s obvious when a topic interests you in a conversation, it’s obvious when a topic interests the writer of an essay (and even more obvious when it doesn’t). 

Your topic ideas should also be specific, unique, and arguable. A good way to think of topics is that they’re the answer to fairly specific questions. As you begin to brainstorm, first think of questions you have about the text. Questions might focus on the plot, such as: Why did the author choose to deviate from the projected storyline? Or why did a character’s role in the narrative shift? Questions might also consider the use of a literary device, such as: Why does the narrator frequently repeat a phrase or comment on a symbol? Or why did the author choose to switch points of view each chapter? 

Once you have a thesis question , you can begin brainstorming answers—aka, potential thesis statements . At this point, your answers can be fairly broad. Once you land on a question-statement combination that feels right, you’ll then look for evidence in the text that supports your answer (and helps you define and narrow your thesis statement). 

For example, after reading “ The Fall of the House of Usher ,” you might be wondering, Why are Roderick and Madeline twins?, Or even: Why does their relationship feel so creepy?” Maybe you noticed (and noted) that the narrator was surprised to find out they were twins, or perhaps you found that the narrator’s tone tended to shift and become more anxious when discussing the interactions of the twins.

Once you come up with your thesis question, you can identify a broad answer, which will become the basis for your thesis statement. In response to the questions above, your answer might be, “Poe emphasizes the close relationship of Roderick and Madeline to foreshadow that their deaths will be close, too.” 

Step 3: Gather Evidence 

Once you have your topic (or you’ve narrowed it down to two or three), return to the text (yes, again) to see what evidence you can find to support it. If you’re thinking of writing about the relationship between Roderick and Madeline in “The Fall of the House of Usher,” look for instances where they engaged in the text. 

This is when your knowledge of literary devices comes in clutch. Carefully study the language around each event in the text that might be relevant to your topic. How does Poe’s diction or syntax change during the interactions of the siblings? How does the setting reflect or contribute to their relationship? What imagery or symbols appear when Roderick and Madeline are together? 

By finding and studying evidence within the text, you’ll strengthen your topic argument—or, just as valuably, discount the topics that aren’t strong enough for analysis. 

Step 4: Consider Secondary Sources 

In addition to returning to the literary work you’re studying for evidence, you can also consider secondary sources that reference or speak to the work. These can be articles from journals you find on JSTOR, books that consider the work or its context, or articles your teacher shared in class. 

While you can use these secondary sources to further support your idea, you should not overuse them. Make sure your topic remains entirely differentiated from that presented in the source. 

Step 5: Write a Working Thesis Statement

Once you’ve gathered evidence and narrowed down your topic, you’re ready to refine that topic into a thesis statement. As you continue to outline and write your paper, this thesis statement will likely change slightly, but this initial draft will serve as the foundation of your essay. It’s like your north star: Everything you write in your essay is leading you back to your thesis. 

Writing a great thesis statement requires some real finesse. A successful thesis statement is: 

• Debatable : You shouldn’t simply summarize or make an obvious statement about the work. Instead, your thesis statement should take a stand on an issue or make a claim that is open to argument. You’ll spend your essay debating—and proving—your argument. 
• Demonstrable : You need to be able to prove, through evidence, that your thesis statement is true. That means you have to have passages from the text and correlative analysis ready to convince the reader that you’re right. 
• Specific : In most cases, successfully addressing a theme that encompasses a work in its entirety would require a book-length essay. Instead, identify a thesis statement that addresses specific elements of the work, such as a relationship between characters, a repeating symbol, a key setting, or even something really specific like the speaking style of a character. 

Example: By depicting the relationship between Roderick and Madeline to be stifling and almost otherworldly in its closeness, Poe foreshadows both Madeline’s fate and Roderick’s inability to choose a different fate for himself. 

Step 6: Write an Outline 

You have your thesis, you have your evidence—but how do you put them together? A great thesis statement (and therefore a great essay) will have multiple arguments supporting it, presenting different kinds of evidence that all contribute to the singular, main idea presented in your thesis. 

Review your evidence and identify these different arguments, then organize the evidence into categories based on the argument they support. These ideas and evidence will become the body paragraphs of your essay. 

For example, if you were writing about Roderick and Madeline as in the example above, you would pull evidence from the text, such as the narrator’s realization of their relationship as twins; examples where the narrator’s tone of voice shifts when discussing their relationship; imagery, like the sounds Roderick hears as Madeline tries to escape; and Poe’s tendency to use doubles and twins in his other writings to create the same spooky effect. All of these are separate strains of the same argument, and can be clearly organized into sections of an outline. 

Step 7: Write Your Introduction

Your introduction serves a few very important purposes that essentially set the scene for the reader: 

• Establish context. Sure, your reader has probably read the work. But you still want to remind them of the scene, characters, or elements you’ll be discussing. 
• Present your thesis statement. Your thesis statement is the backbone of your analytical paper. You need to present it clearly at the outset so that the reader understands what every argument you make is aimed at. 
• Offer a mini-outline. While you don’t want to show all your cards just yet, you do want to preview some of the evidence you’ll be using to support your thesis so that the reader has a roadmap of where they’re going. 

Step 8: Write Your Body Paragraphs

Thanks to steps one through seven, you’ve already set yourself up for success. You have clearly outlined arguments and evidence to support them. Now it’s time to translate those into authoritative and confident prose. 

When presenting each idea, begin with a topic sentence that encapsulates the argument you’re about to make (sort of like a mini-thesis statement). Then present your evidence and explanations of that evidence that contribute to that argument. Present enough material to prove your point, but don’t feel like you necessarily have to point out every single instance in the text where this element takes place. For example, if you’re highlighting a symbol that repeats throughout the narrative, choose two or three passages where it is used most effectively, rather than trying to squeeze in all ten times it appears. 

While you should have clearly defined arguments, the essay should still move logically and fluidly from one argument to the next. Try to avoid choppy paragraphs that feel disjointed; every idea and argument should feel connected to the last, and, as a group, connected to your thesis. A great way to connect the ideas from one paragraph to the next is with transition words and phrases, such as: 

• Furthermore 
• In addition
• On the other hand
• Conversely 

Step 9: Write Your Conclusion 

Your conclusion is more than a summary of your essay's parts, but it’s also not a place to present brand new ideas not already discussed in your essay. Instead, your conclusion should return to your thesis (without repeating it verbatim) and point to why this all matters. If writing about the siblings in “The Fall of the House of Usher,” for example, you could point out that the utilization of twins and doubles is a common literary element of Poe’s work that contributes to the definitive eeriness of Gothic literature. 

While you might speak to larger ideas in your conclusion, be wary of getting too macro. Your conclusion should still be supported by all of the ideas that preceded it. 

Step 10: Revise, Revise, Revise

Of course you should proofread your literary analysis essay before you turn it in. But you should also edit the content to make sure every piece of evidence and every explanation directly supports your thesis as effectively and efficiently as possible. 

Sometimes, this might mean actually adapting your thesis a bit to the rest of your essay. At other times, it means removing redundant examples or paraphrasing quotations. Make sure every sentence is valuable, and remove those that aren’t. 

Other Resources for Literary Analysis 

With these skills and suggestions, you’re well on your way to practicing and writing literary analysis. But if you don’t have a firm grasp on the concepts discussed above—such as literary devices or even the content of the text you’re analyzing—it will still feel difficult to produce insightful analysis. 

If you’d like to sharpen the tools in your literature toolbox, there are plenty of other resources to help you do so: 

• Check out our expansive library of Literary Devices . These could provide you with a deeper understanding of the basic devices discussed above or introduce you to new concepts sure to impress your professors ( anagnorisis , anyone?). 
• This Academic Citation Resource Guide ensures you properly cite any work you reference in your analytical essay. 
• Our English Homework Help Guide will point you to dozens of resources that can help you perform analysis, from critical reading strategies to poetry helpers. 
• This Grammar Education Resource Guide will direct you to plenty of resources to refine your grammar and writing (definitely important for getting an A+ on that paper). 

Of course, you should know the text inside and out before you begin writing your analysis. In order to develop a true understanding of the work, read through its corresponding SuperSummary study guide . Doing so will help you truly comprehend the plot, as well as provide some inspirational ideas for your analysis.

How to Write a Good English Literature Essay

By Dr Oliver Tearle (Loughborough University)

How do you write a good English Literature essay? Although to an extent this depends on the particular subject you’re writing about, and on the nature of the question your essay is attempting to answer, there are a few general guidelines for how to write a convincing essay – just as there are a few guidelines for writing well in any field.

We at Interesting Literature  call them ‘guidelines’ because we hesitate to use the word ‘rules’, which seems too programmatic. And as the writing habits of successful authors demonstrate, there is no  one way to become a good writer – of essays, novels, poems, or whatever it is you’re setting out to write. The French writer Colette liked to begin her writing day by picking the fleas off her cat.

Edith Sitwell, by all accounts, liked to lie in an open coffin before she began her day’s writing. Friedrich von Schiller kept rotten apples in his desk, claiming he needed the scent of their decay to help him write. (For most student essay-writers, such an aroma is probably allowed to arise in the writing-room more organically, over time.)

We will address our suggestions for successful essay-writing to the average student of English Literature, whether at university or school level. There are many ways to approach the task of essay-writing, and these are just a few pointers for how to write a better English essay – and some of these pointers may also work for other disciplines and subjects, too.

Of course, these guidelines are designed to be of interest to the non-essay-writer too – people who have an interest in the craft of writing in general. If this describes you, we hope you enjoy the list as well. Remember, though, everyone can find writing difficult: as Thomas Mann memorably put it, ‘A writer is someone for whom writing is more difficult than it is for other people.’ Nora Ephron was briefer: ‘I think the hardest thing about writing is writing.’ So, the guidelines for successful essay-writing:

1. Planning is important, but don’t spend too long perfecting a structure that might end up changing.

This may seem like odd advice to kick off with, but the truth is that different approaches work for different students and essayists. You need to find out which method works best for you.

It’s not a bad idea, regardless of whether you’re a big planner or not, to sketch out perhaps a few points on a sheet of paper before you start, but don’t be surprised if you end up moving away from it slightly – or considerably – when you start to write.

Often the most extensively planned essays are the most mechanistic and dull in execution, precisely because the writer has drawn up a plan and refused to deviate from it. What  is a more valuable skill is to be able to sense when your argument may be starting to go off-topic, or your point is getting out of hand,  as you write . (For help on this, see point 5 below.)

We might even say that when it comes to knowing how to write a good English Literature essay,  practising  is more important than planning.

2. Make room for close analysis of the text, or texts.

Whilst it’s true that some first-class or A-grade essays will be impressive without containing any close reading as such, most of the highest-scoring and most sophisticated essays tend to zoom in on the text and examine its language and imagery closely in the course of the argument. (Close reading of literary texts arises from theology and the analysis of holy scripture, but really became a ‘thing’ in literary criticism in the early twentieth century, when T. S. Eliot, F. R. Leavis, William Empson, and other influential essayists started to subject the poem or novel to close scrutiny.)

Close reading has two distinct advantages: it increases the specificity of your argument (so you can’t be so easily accused of generalising a point), and it improves your chances of pointing up something about the text which none of the other essays your marker is reading will have said. For instance, take In Memoriam  (1850), which is a long Victorian poem by the poet Alfred, Lord Tennyson about his grief following the death of his close friend, Arthur Hallam, in the early 1830s.

When answering a question about the representation of religious faith in Tennyson’s poem  In Memoriam  (1850), how might you write a particularly brilliant essay about this theme? Anyone can make a general point about the poet’s crisis of faith; but to look closely at the language used gives you the chance to show  how the poet portrays this.

For instance, consider this stanza, which conveys the poet’s doubt:

A solid and perfectly competent essay might cite this stanza in support of the claim that Tennyson is finding it increasingly difficult to have faith in God (following the untimely and senseless death of his friend, Arthur Hallam). But there are several ways of then doing something more with it. For instance, you might get close to the poem’s imagery, and show how Tennyson conveys this idea, through the image of the ‘altar-stairs’ associated with religious worship and the idea of the stairs leading ‘thro’ darkness’ towards God.

In other words, Tennyson sees faith as a matter of groping through the darkness, trusting in God without having evidence that he is there. If you like, it’s a matter of ‘blind faith’. That would be a good reading. Now, here’s how to make a good English essay on this subject even better: one might look at how the word ‘falter’ – which encapsulates Tennyson’s stumbling faith – disperses into ‘falling’ and ‘altar’ in the succeeding lines. The word ‘falter’, we might say, itself falters or falls apart.

That is doing more than just interpreting the words: it’s being a highly careful reader of the poetry and showing how attentive to the language of the poetry you can be – all the while answering the question, about how the poem portrays the idea of faith. So, read and then reread the text you’re writing about – and be sensitive to such nuances of language and style.

The best way to  become attuned to such nuances is revealed in point 5. We might summarise this point as follows: when it comes to knowing how to write a persuasive English Literature essay, it’s one thing to have a broad and overarching argument, but don’t be afraid to use the  microscope as well as the telescope.

3. Provide several pieces of evidence where possible.

Many essays have a point to make and make it, tacking on a single piece of evidence from the text (or from beyond the text, e.g. a critical, historical, or biographical source) in the hope that this will be enough to make the point convincing.

‘State, quote, explain’ is the Holy Trinity of the Paragraph for many. What’s wrong with it? For one thing, this approach is too formulaic and basic for many arguments. Is one quotation enough to support a point? It’s often a matter of degree, and although one piece of evidence is better than none, two or three pieces will be even more persuasive.

After all, in a court of law a single eyewitness account won’t be enough to convict the accused of the crime, and even a confession from the accused would carry more weight if it comes supported by other, objective evidence (e.g. DNA, fingerprints, and so on).

Let’s go back to the example about Tennyson’s faith in his poem  In Memoriam  mentioned above. Perhaps you don’t find the end of the poem convincing – when the poet claims to have rediscovered his Christian faith and to have overcome his grief at the loss of his friend.

You can find examples from the end of the poem to suggest your reading of the poet’s insincerity may have validity, but looking at sources beyond the poem – e.g. a good edition of the text, which will contain biographical and critical information – may help you to find a clinching piece of evidence to support your reading.

And, sure enough, Tennyson is reported to have said of  In Memoriam : ‘It’s too hopeful, this poem, more than I am myself.’ And there we have it: much more convincing than simply positing your reading of the poem with a few ambiguous quotations from the poem itself.

Of course, this rule also works in reverse: if you want to argue, for instance, that T. S. Eliot’s  The Waste Land is overwhelmingly inspired by the poet’s unhappy marriage to his first wife, then using a decent biographical source makes sense – but if you didn’t show evidence for this idea from the poem itself (see point 2), all you’ve got is a vague, general link between the poet’s life and his work.

Show  how the poet’s marriage is reflected in the work, e.g. through men and women’s relationships throughout the poem being shown as empty, soulless, and unhappy. In other words, when setting out to write a good English essay about any text, don’t be afraid to  pile on  the evidence – though be sensible, a handful of quotations or examples should be more than enough to make your point convincing.

4. Avoid tentative or speculative phrasing.

Many essays tend to suffer from the above problem of a lack of evidence, so the point fails to convince. This has a knock-on effect: often the student making the point doesn’t sound especially convinced by it either. This leaks out in the telling use of, and reliance on, certain uncertain  phrases: ‘Tennyson might have’ or ‘perhaps Harper Lee wrote this to portray’ or ‘it can be argued that’.

An English university professor used to write in the margins of an essay which used this last phrase, ‘What  can’t be argued?’

This is a fair criticism: anything can be argued (badly), but it depends on what evidence you can bring to bear on it (point 3) as to whether it will be a persuasive argument. (Arguing that the plays of Shakespeare were written by a Martian who came down to Earth and ingratiated himself with the world of Elizabethan theatre is a theory that can be argued, though few would take it seriously. We wish we could say ‘none’, but that’s a story for another day.)

Many essay-writers, because they’re aware that texts are often open-ended and invite multiple interpretations (as almost all great works of literature invariably do), think that writing ‘it can be argued’ acknowledges the text’s rich layering of meaning and is therefore valid.

Whilst this is certainly a fact – texts are open-ended and can be read in wildly different ways – the phrase ‘it can be argued’ is best used sparingly if at all. It should be taken as true that your interpretation is, at bottom, probably unprovable. What would it mean to ‘prove’ a reading as correct, anyway? Because you found evidence that the author intended the same thing as you’ve argued of their text? Tennyson wrote in a letter, ‘I wrote In Memoriam  because…’?

But the author might have lied about it (e.g. in an attempt to dissuade people from looking too much into their private life), or they might have changed their mind (to go back to the example of  The Waste Land : T. S. Eliot championed the idea of poetic impersonality in an essay of 1919, but years later he described  The Waste Land as ‘only the relief of a personal and wholly insignificant grouse against life’ – hardly impersonal, then).

Texts – and their writers – can often be contradictory, or cagey about their meaning. But we as critics have to act responsibly when writing about literary texts in any good English essay or exam answer. We need to argue honestly, and sincerely – and not use what Wikipedia calls ‘weasel words’ or hedging expressions.

So, if nothing is utterly provable, all that remains is to make the strongest possible case you can with the evidence available. You do this, not only through marshalling the evidence in an effective way, but by writing in a confident voice when making your case. Fundamentally, ‘There is evidence to suggest that’ says more or less the same thing as ‘It can be argued’, but it foregrounds the  evidence rather than the argument, so is preferable as a phrase.

This point might be summarised by saying: the best way to write a good English Literature essay is to be honest about the reading you’re putting forward, so you can be confident in your interpretation and use clear, bold language. (‘Bold’ is good, but don’t get too cocky, of course…)

5. Read the work of other critics.

This might be viewed as the Holy Grail of good essay-writing tips, since it is perhaps the single most effective way to improve your own writing. Even if you’re writing an essay as part of school coursework rather than a university degree, and don’t need to research other critics for your essay, it’s worth finding a good writer of literary criticism and reading their work. Why is this worth doing?

Published criticism has at least one thing in its favour, at least if it’s published by an academic press or has appeared in an academic journal, and that is that it’s most probably been peer-reviewed, meaning that other academics have read it, closely studied its argument, checked it for errors or inaccuracies, and helped to ensure that it is expressed in a fluent, clear, and effective way.

If you’re serious about finding out how to write a better English essay, then you need to study how successful writers in the genre do it. And essay-writing is a genre, the same as novel-writing or poetry. But why will reading criticism help you? Because the critics you read can show you how to do all of the above: how to present a close reading of a poem, how to advance an argument that is not speculative or tentative yet not over-confident, how to use evidence from the text to make your argument more persuasive.

And, the more you read of other critics – a page a night, say, over a few months – the better you’ll get. It’s like textual osmosis: a little bit of their style will rub off on you, and every writer learns by the examples of other writers.

As T. S. Eliot himself said, ‘The poem which is absolutely original is absolutely bad.’ Don’t get precious about your own distinctive writing style and become afraid you’ll lose it. You can’t  gain a truly original style before you’ve looked at other people’s and worked out what you like and what you can ‘steal’ for your own ends.

We say ‘steal’, but this is not the same as saying that plagiarism is okay, of course. But consider this example. You read an accessible book on Shakespeare’s language and the author makes a point about rhymes in Shakespeare. When you’re working on your essay on the poetry of Christina Rossetti, you notice a similar use of rhyme, and remember the point made by the Shakespeare critic.

This is not plagiarising a point but applying it independently to another writer. It shows independent interpretive skills and an ability to understand and apply what you have read. This is another of the advantages of reading critics, so this would be our final piece of advice for learning how to write a good English essay: find a critic whose style you like, and study their craft.

If you’re looking for suggestions, we can recommend a few favourites: Christopher Ricks, whose  The Force of Poetry is a tour de force; Jonathan Bate, whose  The Genius of Shakespeare , although written for a general rather than academic audience, is written by a leading Shakespeare scholar and academic; and Helen Gardner, whose  The Art of T. S. Eliot , whilst dated (it came out in 1949), is a wonderfully lucid and articulate analysis of Eliot’s poetry.

James Wood’s How Fiction Works  is also a fine example of lucid prose and how to close-read literary texts. Doubtless readers of  Interesting Literature will have their own favourites to suggest in the comments, so do check those out, as these are just three personal favourites. What’s your favourite work of literary scholarship/criticism? Suggestions please.

Much of all this may strike you as common sense, but even the most commonsensical advice can go out of your mind when you have a piece of coursework to write, or an exam to revise for. We hope these suggestions help to remind you of some of the key tenets of good essay-writing practice – though remember, these aren’t so much commandments as recommendations. No one can ‘tell’ you how to write a good English Literature essay as such.

But it can be learned. And remember, be interesting – find the things in the poems or plays or novels which really ignite your enthusiasm. As John Mortimer said, ‘The only rule I have found to have any validity in writing is not to bore yourself.’

Finally, good luck – and happy writing!

And if you enjoyed these tips for how to write a persuasive English essay, check out our advice for how to remember things for exams  and our tips for becoming a better close reader of poetry .

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30 thoughts on “How to Write a Good English Literature Essay”

You must have taken AP Literature. I’m always saying these same points to my students.

I also think a crucial part of excellent essay writing that too many students do not realize is that not every point or interpretation needs to be addressed. When offered the chance to write your interpretation of a work of literature, it is important to note that there of course are many but your essay should choose one and focus evidence on this one view rather than attempting to include all views and evidence to back up each view.

Reblogged this on SocioTech'nowledge .

Not a bad effort…not at all! (Did you intend “subject” instead of “object” in numbered paragraph two, line seven?”

Oops! I did indeed – many thanks for spotting. Duly corrected ;)

That’s what comes of writing about philosophy and the subject/object for another post at the same time!

Reblogged this on Scribing English .

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Great post on essay writing! I’ve shared a post about this and about the blog site in general which you can look at here: http://writeoutloudblog.com/2015/01/13/recommended-resource-interesting-literature-com-how-to-write-an-essay/

All of these are very good points – especially I like 2 and 5. I’d like to read the essay on the Martian who wrote Shakespeare’s plays).

Reblogged this on Uniqely Mustered and commented: Dedicate this to all upcoming writers and lovers of Writing!

I shall take this as my New Year boost in Writing Essays. Please try to visit often for corrections,advise and criticisms.

Reblogged this on Blue Banana Bread .

Reblogged this on worldsinthenet .

All very good points, but numbers 2 and 4 are especially interesting.

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Reblogged this on rainniewu .

Reblogged this on pixcdrinks .

• Pingback: How to Write a Good English Essay? Interesting Literature | EngLL.Com

Great post. Interesting infographic how to write an argumentative essay http://www.essay-profy.com/blog/how-to-write-an-essay-writing-an-argumentative-essay/

Reblogged this on DISTINCT CHARACTER and commented: Good Tips

Reblogged this on quirkywritingcorner and commented: This could be applied to novel or short story writing as well.

Reblogged this on rosetech67 and commented: Useful, albeit maybe a bit late for me :-)

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such a nice pieace of content you shared in this write up about “How to Write a Good English Essay” going to share on another useful resource that is

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A well rounded summary on all steps to keep in mind while starting on writing. There are many new avenues available though. Benefit from the writing options of the 21st century from here, i loved it! http://authenticwritingservices.com

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Definition of Essay

Essay is derived from the French word essayer , which means “ to attempt ,” or “ to try .” An essay is a short form of literary composition based on a single subject matter, and often gives the personal opinion of the author. A famous English essayist, Aldous Huxley defines essays as, “a literary device for saying almost everything about almost anything. ” The Oxford Dictionary describes it as “ a short piece of writing on a particular subject. ” In simple words, we can define it as a scholarly work in writing that provides the author’s personal argument .

• Types of Essay

There are two forms of essay: literary and non-literary. Literary essays are of four types:

• Expository Essay – In an expository essay , the writer gives an explanation of an idea, theme , or issue to the audience by giving his personal opinions. This essay is presented through examples, definitions, comparisons, and contrast .
• Descriptive Essay – As it sounds, this type of essay gives a description about a particular topic, or describes the traits and characteristics of something or a person in detail. It allows artistic freedom, and creates images in the minds of readers through the use of the five senses.
• Narrative Essay – Narrative essay is non- fiction , but describes a story with sensory descriptions. The writer not only tells a story, but also makes a point by giving reasons.
• Persuasive Essay – In this type of essay, the writer tries to convince his readers to adopt his position or point of view on an issue, after he provides them solid reasoning in this connection. It requires a lot of research to claim and defend an idea. It is also called an argumentative essay .

Non-literary essays could also be of the same types but they could be written in any format.

Examples of Essay in Literature

Example #1: the sacred grove of oshogbo (by jeffrey tayler).

“As I passed through the gates I heard a squeaky voice . A diminutive middle-aged man came out from behind the trees — the caretaker. He worked a toothbrush-sized stick around in his mouth, digging into the crevices between algae’d stubs of teeth. He was barefoot; he wore a blue batik shirt known as a buba, baggy purple trousers, and an embroidered skullcap. I asked him if he would show me around the shrine. Motioning me to follow, he spat out the results of his stick work and set off down the trail.”

This is an example of a descriptive essay , as the author has used descriptive language to paint a dramatic picture for his readers of an encounter with a stranger.

Example #2: Of Love (By Francis Bacon)

“It is impossible to love, and be wise … Love is a child of folly. … Love is ever rewarded either with the reciprocal, or with an inward and secret contempt. You may observe that amongst all the great and worthy persons…there is not one that hath been transported to the mad degree of love: which shows that great spirits and great business do keep out this weak passion…That he had preferred Helena, quitted the gifts of Juno and Pallas. For whosoever esteemeth too much of amorous affection quitted both riches and wisdom.”

In this excerpt, Bacon attempts to persuade readers that people who want to be successful in this world must never fall in love. By giving an example of famous people like Paris, who chose Helen as his beloved but lost his wealth and wisdom, the author attempts to convince the audience that they can lose their mental balance by falling in love.

Example #3: The Autobiography of a Kettle (By John Russell)

“ I am afraid I do not attract attention, and yet there is not a single home in which I could done without. I am only a small, black kettle but I have much to interest me, for something new happens to me every day. The kitchen is not always a cheerful place in which to live, but still I find plenty of excitement there, and I am quite happy and contented with my lot …”

In this example, the author is telling an autobiography of a kettle, and describes the whole story in chronological order. The author has described the kettle as a human being, and allows readers to feel, as he has felt.

Function of Essay

The function of an essay depends upon the subject matter, whether the writer wants to inform, persuade, explain, or entertain. In fact, the essay increases the analytical and intellectual abilities of the writer as well as readers. It evaluates and tests the writing skills of a writer, and organizes his or her thinking to respond personally or critically to an issue. Through an essay, a writer presents his argument in a more sophisticated manner. In addition, it encourages students to develop concepts and skills, such as analysis, comparison and contrast, clarity, exposition , conciseness, and persuasion .

Related posts:

• Elements of an Essay
• Narrative Essay
• Definition Essay
• Descriptive Essay
• Analytical Essay
• Argumentative Essay
• Cause and Effect Essay
• Critical Essay
• Expository Essay
• Persuasive Essay
• Process Essay
• Explicatory Essay
• An Essay on Man: Epistle I
• Comparison and Contrast Essay

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Literacy Narrative Essay: Writing From Start to End

• Icon Calendar 11 August 2024
• Icon Page 6759 words
• Icon Clock 31 min read

Mastering an art of writing requires students to have a guideline of how to write a good literacy narrative essay, emphasizing key details they should consider. This article begins by defining this type of academic document, its format, its distinctive features, and its unique structure. Moreover, further guidelines teach students how to choose some topics and provide an outline template and an example of a literacy narrative essay. Other crucial information is technical details people should focus on when writing a document, 10 things to do and not to do, essential tips for producing a high-standard text, what to include, and what mistakes to avoid. Therefore, reading this guideline benefits students and others because one gains critical insights, and it helps to start writing a literacy narrative essay and meet a scholarly standard.

General Aspects

Learning how to write many types of essays should be a priority for any student hoping to be intellectually sharp. Besides being an exercise for academic assessment, writing is a platform for developing mental faculties, including intellect, memory, imagination, reason, and intuition. As such, guidelines of how to write a literacy narrative, and this type of essay requires students to tell their story through a text. In turn, different aspects define a literacy narrative, its format, distinctive text features, unique structure, possible topics students can choose from, and a particular technicality of writing this kind of text. Moreover, students should also observe an outline template and an example of a good literacy narrative essay to understand what they can include and what they should avoid. Hence, this guideline gives students critical insights for writing a high-standard literacy narrative essay.

What Is a Literacy Narrative Essay and Its Purpose

According to its definition, a literacy narrative essay is a reflective type and form of writing that tells an author’s relationship with reading, writing, language development, or other personal stories. Basically, such a composition differs from argumentative, analytical, and cause and effect essays or reports and research papers. While these other texts require students to borrow information from different sources to strengthen a thesis statement and back up claims, this type of essay means students narrate their understanding of literacy, such as learning to read, mastering a new language, or discovering a specific power of words and reflect on how these experiences influenced their identity, values, and beliefs about communication or event that has impacted them significantly (West, 2024). In simple words, these essays focus on one or several aspects of their lives and construct a compelling story through a text. As such, the main purpose of writing a literacy narrative essay is not just to recount these experiences but to analyze their impact on an author’s life, offering more insights into how literacy has shaped their perspective and personal growth (Babin et al., 2020). Therefore, students should examine and reexamine their life course to identify experiences, events, or issues that stand out because they were pleasant or unpleasant. After identifying a memorable aspect of their life, they should use their accumulated knowledge to construct a narrative through speaking, reading, or writing (Miller-Cochran et al., 2022). In terms of pages and words, the length of a literacy narrative essay depends on academic levels, course instructions, and assignment requirements, while general guidelines are:

High School

• Length: 1-3 pages
• Word Count: 250-750 words

College (Undergraduate)

• Length: 2-4 pages
• Word Count: 500-1,000 words

University (Upper-Level Undergraduate)

• Length: 3-5 pages
• Word Count: 750-1,250 words

Master’s

• Length: 4-6 pages
• Word Count: 1,000-1,500 words
• Length: 6-10+ pages
• Word Count: 1,500-2,500+ words

Note: Some sections of a literacy narrative essay can be added, deleted, or combined with each other, and its purpose or focus can be changed depending on topics, life experiences, and other important activities to write about. For example, a standard literacy narrative essay format typically includes a clear structure with an introduction that introduces a key moment in life, body paragraphs that provide detailed descriptions and reflections on such an experience, and a conclusion that summarizes an overall impact on a person’s journey (West, 2024). Basically, literary narrative writing involves telling a personal story with a focus on some elements of literacy, such as reading, writing, language development, or other significant moments in life, and reflecting on how these experiences have shaped an individual’s understanding and identity. An example of a literacy narrative is a personal story about how a challenging experience with learning to read or write, such as mastering a difficult book or overcoming a language barrier, shaped an author’s understanding and appreciation of this activity. Finally, to start off a literacy narrative essay, people begin with a vivid memory or pivotal moment that captures a specific essence of their personal journeys and sets a unique tone for an entire story they want to tell.

Distinctive Features

Every type of scholarly text has distinctive features that differentiate it from others. While some features may be standard among academic papers, most of them are not. Therefore, when writing a literacy narrative essay, students must first familiarize themselves with key features that make this kind of document distinct from others, like reports and research papers (Miller-Cochran et al., 2022 ). With such knowledge, people can know when to use an element when telling their personal stories through writing. As a result, some distinctive features of a literacy narrative essay include a personal tone, a private tale, descriptive language, show-not-tell, active voice, similes and metaphors, and dialogue.

💠 Personal Tone

A personal tone is a quality that makes a narrative essay personal, meaning it is a person telling a story. In this respect, students should use first-person language, such as ‘I’ and ‘we,’ throughout an entire story (West, 2024). Using these terms makes an intended audience realize a whole story is about a person and those close to them, such as family, peers, and colleagues. A real value of using a personal tone in writing a literacy narrative essay is that it reinforces a story’s theme, such as celebration or tragedy. In essence, people hearing, listening, or reading an entire story can appreciate its direct effect on a reader, speaker, or writer.

💠 Private Story

An actual essence of a literacy narrative essay is to tell a personal story. In this respect, telling people about a private experience, event, or issue gives this kind of text a narrative identity. Although a specific story people tell need not be about them, they must have been witnesses (Eldred & Mortensen, 2023). For example, one can write a literacy narrative essay about their worst experience after joining college. Such a narrative should tell a private story involving an author directly. Alternatively, people can write a literacy narrative essay about the day they witnessed corruption in public office. This paper should not necessarily focus on a person but on corrupt individuals in public office. Therefore, a private story should have an author as a central character or a witness to an event.

💠 Descriptive Language

Since a literacy narrative essay is about a personal, private story that tells an author’s experience, it is critical to provide details and help a target audience to identify with such an experience. Individuals can only do this activity by using descriptive language in their stories because a target audience uses the information to imagine what they hear or read (Gasser et al., 2022). An example of descriptive language in an essay is where, instead of writing, “I passed my aunt by the roadside as I headed home to inform others about the event,” one should write, “As I headed home to inform others about the happening, I came across my aunt standing on the roadside with a village elder in what seemed like a deep conversation about the event that had just transpired.” This latter statement is rich with information an intended audience can use to imagine a given situation.

💠 Show-Not-Tell

A literacy narrative essay aims to help a target audience to recreate an author’s experience in their minds. As such, they focus less on telling an audience what happened and more on ‘showing’ them how events unfolded. A practical method for doing this activity is comprehensively narrating experiences and events. For example, authors should not just write about how an experience made them feel, but they should be thorough in their narration by telling how this feeling affected them, such as influencing them to do something (Goldman, 2021). As a result, such a narrative essay allows people to show an intended audience how past experiences, events, or situations affected them or influenced their worldviews.

💠 Active Voice

Academic writing conventions demand students to write non-scientific scholarly documents, including literacy narrative essays, in a active voice, meaning writing in a form where a specific subject of a sentence performs a corresponding action. Practically, it should follow a following format: subject + verb + object. For example, this arrangement makes a sentence easy to read but, most importantly, keeps meanings in sentences clear and avoids complicating sentences or making them too wordy (Babin et al., 2020). An opposite of an active voice is a passive voice, which is common in scientific papers. A following sentence exemplifies an active voice: “Young men helped an old lady climb the stairs.” A passive voice would read: “An old woman was helped by young men to climb up the stairs.” As is evidence, an active voice is simple, straightforward, and short as opposed to a passive voice.

💠 Similes and Metaphors

Similes and metaphors are literary devices or figures of speech people use to compare two things that are not alike in literacy narrative essays. A main point of difference between these aspects is that similes compare two things by emphasizing one thing is like something else, while metaphors emphasize one thing is something else (West, 2024). Simply put, similes use the terms ‘is like’ or ‘is as…as’ to emphasize comparison between two things. A metaphor uses the word ‘is’ to highlight a specific comparison. Therefore, when writing a literacy narrative essay, students should incorporate similes by saying, “Friendship is like a flowery garden,” meaning friendship is pleasant. An example of a metaphor one can use is a statement: “My uncle’s watch is a dinosaur,” meaning it is ancient, a relic.

Dialogue is communication between two or more people familiar with plays, films, or novels. A primary purpose of this kind of communication is to show an actual importance of an issue to different people. Generally, discussions are the most common platforms for dialogue because individuals can speak their minds and hear what others say about the same problem (West, 2024). Dialogue is a distinctive feature of a literacy narrative essay because it allows people to show-not-tell. Authors can show readers how their interaction with someone moved from pleasant to unpleasant through dialogue. Consequently, dialogue can help readers to understand people’s attitudes, mindsets, or states of mind during an event described in a provided text. As such, incorporating a dialogue in a literacy narrative essay makes a whole text more personal to an author and more descriptive to a reader.

Besides the distinctive features above, a literacy narrative is distinct from other types of scholarly documents because it has a unique essay structure. In academic writing, a text’s structure denotes an essay outline people need to adopt to produce the work. For example, to make a literacy narrative, people choose a significant literacy-related or another significant personal experience, describe this moment vividly, reflect on its impact, and analyze how it shaped their understanding of reading, writing, language, or life in general (Miller-Cochran et al., 2022). As such, it is common knowledge that essays should have three sections: introduction, body, and conclusion. In the same way, literacy narratives, which also follow this outline, have a structure, which students should demonstrate in a body section. Besides, a standard structure addresses a literacy issue, solution, lesson, and summary. As a result, this essay structure allows people to produce a coherent paper, and readers find a composition to have a logical flow of ideas.

1️⃣ Literacy Issue

A literacy issue signifies a problem or struggle for an individual and is a personal or private issue an entire narrative focuses on. Ideally, students use this issue to give an intended audience a sneak peek into their personalities and private lives. Most issues are personal experiences involving a problem or struggle and their effect on an author and those close to them, like family members or friends (Babin et al., 2020). Therefore, when writing a literacy narrative essay, students should identify personal problems or struggles in their past and make them a paper’s focal subject.

2️⃣ Solution

A solution element in a literacy narrative essay describes how people overcame their problems or managed personal struggles. Simply put, it is where authors tell and show readers how they solved a personal, private issue that is a paper’s subject. Such information is crucial to readers because they need to know what happened to an author, who they see as a hero or protagonist of an entire story. For example, such narratives are informative because they show an intended audience how authors dealt with a problem or struggle and how they can use the same strategy to overcome their challenges (Miller-Cochran et al., 2022). From this perspective, students should write a literacy narrative essay to inform and empower readers through insights relevant and applicable to their lives.

A lesson element is a cruciall message readers get from a person’s narrative about a literacy issue and its solution in an essay. For example, students can talk about how lacking confidence affects their social life by undermining their ability to create and nurture friendships (Babin et al., 2020). This problem is personal and becomes a literacy issue. Then, they show readers how they dealt with a discussed situation, such as reading books and articles on building personal confidence. Moreover, people should use practical examples of how they solved their problems or struggles. Overall, including all the information about a unique situation or struggle and a corresponding solution helps readers to learn a lesson, what they take away after reading an entire text. As such, students should know their narrative essays must have a lesson for their readers.

4️⃣ Summary

A summary element briefly describes a personal experience and its effects. Every literacy narrative essay must summarize an inividual’s experience to allow readers to judge, such as learning a real value of something. When summarizing their personal story, such as an experience, students should understand their summaries must be brief but detailed enough to allow readers to put themselves in their place (West, 2024). In other words, an entire summary must be relevant to a reader and a broader society. The most crucial element in a summary element is emphasizing a key lesson from a personal issue by telling how an author addressed a personal issue in an essay.

Famous Literacy Narrative Essays

Research is an essential activity and helps students to find credible sources to support their work. When writing such essays, they should adopt this approach to find famous literacy narratives and discover what makes them popular in a literary world. For example, a literacy narrative is a personal story that explores individual’s challenges with reading, writing, language development, or other personal moments in life and reflects on how these experiences have shaped their understanding and identity (Miller-Cochran et al., 2022). As such, students should focus on how people adopt an unique structure described above. In turn, a list provided below highlights five popular literacy narratives because they are high-standard texts.

Learning to Read by Malcolm X

Malcolm X’s Learning to Read is a literacy narrative that describes his journey to enlightenment. Basically, this text reflects a unique structure of a literacy narrative because it communicates a personal issue, a solution to a problem, a lesson to a reader, and a summary of an individual’s experience. For example, an issue is person’s hardships that inspired his journey to becoming a literate activist. After dropping from school at a young age, Malcolm X committed a crime that led to his imprisonment. A solution to his hardships was knowledge, and he immersed himself in education by reading in a prison library, gaining essential knowledge that helped him to confront his reality. A lesson is that education is transformative, and people can educate themselves from ignorance to enlightenment. Finally, a summary is that personal struggles are a ladder to more extraordinary life achievements.

Scars: A Life in Injuries by David Owen

David Owen’s Scars: A Life in Injuries is a literacy narrative that adopts a unique structure above. An issue in a story is Owen’s scars, including over ten injuries and witnessing Duncan’s traumas. For example, a solution that an article proposes for dealing with personal scars is finding a purpose in each. In this case, an entire text describes how Owen saw each scar not as bad but as something that gave him a reason to live. A lesson is that scars are not just injuries but stories people can tell others to give hope and a reason for living. A summary is that life’s misfortunes should not be a reason to give up but a motivation to press on. It clarifies that, while misfortunes can lead to despair, one must be bold enough to see them as scars, not disabilities.

Notes of a Native Son by James Baldwin

James Baldwin’s Notes of a Native Son reflects a person’s tense relationship with his father in a specific context of racial tension that gripped New York City in the mid-20th century. In this case, an entire story fits a unique structure of a literacy narrative. A personal issue in a given text is an individual’s tense relationship with his father. A solution to this struggle is accepting life as it is and humans as they are, not struggling to change anyone or anything. For example, a key lesson in a given text is that the family can cause pain and anguish, and the best people can do is not to let others influence their feelings, attitudes, behaviors, or motivations in life. A summary is that people’s struggles are a fire that sparks a revolution of ideas that uplift them and others in a broader society.

Dreams From My Father by Barack Obama

Barack Obama’s Dreams From My Father is a famous story of a person’s search for his biracial identity that satisfies a unique structure of a literacy narrative. For example, a personal issue in a mentioned text is Obama’s desire to understand specific forces that shaped him and his father’s legacy, which propelled him to travel to Kenya. A journey exposed him to brutal poverty and tribal conflict and a community with an enduring spirit. A solution to this personal struggle is becoming a community organizer in a tumultuous political and racial strife that birthed despair in inner cities. In turn, a reader learns that community is valuable in healing wounds that can lead to distress. A summary is that the family is crucial to one’s identity, and spending time to know one’s background is helpful for a purposeful and meaningful life.

A Moveable Feast by Ernest Hemingway

Ernest Hemingway’s A Moveable Feast recalls an individul’s time in Paris during the 1920s. A personal issue in an entire text is dealing with a changing Paris. A solution to an individual’s struggle was to build a network of friends and use them as a study. For example, a given text summarizes a person’s story by discussing his relationships, including befriending Paul Cézanne, Ezra Pound, and F. Scott  Fitzgerald. He found some unpleasant and others very hedonistic. A reader learns from a given text that friendships are vital in one’s professional journey because they provide insights into attitudes that make up a human community. A summary is that one’s friendships are crucial in social and intellectual development, despite some weaknesses of friends.

Since students may get a chance to write a literacy narrative essay, they should learn how to choose good essay topics. Typically, students receive instructions specifying a unique topic, but, sometimes, such specifications may be lacking. In such an instance, one must know how to choose a good theme from lists of popular topics. For example, the best approach in selecting a subject is to read widely while noting valuable ideas (Babin et al., 2020). These aspects are a good starting point when deciding a subject of a literacy narrative essay. In turn, a following list provides easy literacy narrative essay topics because they require students to tell a personal story, addressing key elements of a unique structure, and they are:

• Overcoming a Fear That Changed My Life
• Learning From Failures: A Personal Account
• The Journey to Mastering My Favorite Hobby
• Delving Into the Enigma of Alternate Universes: A Hypothetical Journey
• Surviving the Harsh Realm of the Alaskan Wilderness
• A Specific Moment When a Childhood Book Sparked a Lifelong Passion for Reading
• Overcoming a Challenge of Learning to Write in a Second Language
• How a Particular Teacher or Mentor Changed Your Perspective on Writing?
• A Unique Role of Storytelling in Preserving Family History and Culture
• Discovering a Power of Words Through Writing Poetry
• A Direct Impact of Technology on Your Journey to Becoming Literate
• Struggling With and Eventually Mastering an Art of Public Speaking
• A Key Experience of Learning to Read or Write Later in Life and Its Effects
• How Reading a Specific Nook Transformed Your Worldview or Beliefs?
• Navigating Basic Challenges of Literacy in a Multilingual Household
• A Memorable Day in Winter
• My Experience in an Adventure in Africa
• The Greatest Lessons in Friendship
• My Family Is My Anchor
• The Day I Will Never Forget
• My Life as a Community Advocate

Outline Template

Topic: Unique Title

I. Introduction

• A hook: An exciting statement to grab a reader’s attention.
• Background of a chosen essay’s topic.
• A thesis that states a topic’s significance to both an author and a reader.

A. Literacy Issue:

• State a specific literacy theme and signify a personal problem, struggle, or issue.

B. Solution

• Give some background information about a chosen literacy issue.
• Describe a particular setting of an issue.
• Mention some characters involved in solving an issue.
• Give a short story about a given issue and its significance.

D. Summary:

• State some outcomes of a discussed issue through detailed language.

III. Conclusion

• Restate a thesis.
• State both an outcome and a lesson learned.

Literacy Narrative Essay Example

Topic: My Life as a Community Advocate

Introduction

Community service is a noble idea that should form part of every person’s life mantra. A specific context of community is myriad social issues that may undermine people’s quality of life without adequate interventions. My life as a community advocate is about how I have helped to address social issues without holding any public office, evidence that all one needs is love, concern, focus, and commitment.

Body Paragraphs

Literacy Issue

Community service is a noble duty every person should view as an intervention against social problems that potentially undermine an overall quality of life of vulnerable groups in society, such as children, persons living with disabilities, and senior citizens. Community advocacy is standing up for any community in critical forums where decision-makers gather. As such, my life as a community advocate involves attending community meetings, political gatherings, seminars, and any association that consists of an interaction between ordinary people and those in leadership. My goal in such meetings is to raise issues affecting vulnerable groups in my community, which need more attention from local, state, or national leadership.

My life as a community advocate happens in a particular community where I live and any place where leaders with a significant power to change a community’s political, economic, and social architecture gather. In this respect, people involved in my role as a community advocate include elected leaders at local, state, and national levels and leaders of various groups, including senior citizens and persons with disabilities. I also interact with school administrators, social workers, and health professionals like psychologists. These people are valuable in providing insights into different groups’ challenges and what is missing to make their lives satisfactory, if not better. It is common knowledge that vulnerable groups are significantly disadvantaged across dimensions of life, including employment, healthcare, and leadership. Therefore, my life as a community advocate focuses on being a voice for these groups in forums where those with a great potential to improve their experiences and outcomes are present.

An event that makes me proud of being a community advocate is when I helped to create a school-based program for children from low-income households below the age of five in my county. A program’s objective was to feed children and provide essential amenities they lacked due to their parent’s or guardians’ economic circumstances. Over time, I have learned several counties across a state have adopted a program and made the lives of vulnerable children promising.

I took part in activities and improved an overall quality of health support for children. I have learned from several clinicians and social workers that children in a program have shown improved scores in body immunity because of good nutrition. Such news makes me proud to be a community advocate and continue being a voice for the voiceless in a society where politicians have prioritized self-interests in local, state, and national leaderships.

My life as a community advocate has shown me people can solve social problems without minding their position in any community. The only tools I have used are love, concern, focus, and commitment to make the lives of vulnerable groups satisfactory, if not better. Looking back, I feel proud knowing I have helped vulnerable children to experience a life they may have missed if no one showed love and care. My community advocacy is evidence that people can solve social problems by caring.

Steps on How to Write a Literacy Narrative Essay

Writing a literacy narrative essay is a technical exercise that involves several steps. Each step requires students to demonstrate sufficient knowledge of how to write this type of scholarly document. For example, to write a literacy narrative essay, people reflect on a significant personal experience related to reading, writing, language, or other significant activities, describe an event in detail, and analyze its impact on their development as an individual (Miller-Cochran et al., 2022). In essence, technical details of writing these papers are specific issues one must address in each step of writing: preparation, stage setup, writing a first draft, and wrap-up. Although not every detail applies in a literacy narrative, most do, and students must grasp all for an improved understanding of what writing a high-standard academic document means.

Step 1: Preparation

Preparation is a first step in starting a literacy narrative essay. One technical detail students should address is defining a specific topic. Typically, instructors choose the topic, but students can select one if such a specification is lacking. For example, the best way to choose a topic is research, where one searches for documents, including famous narratives, on the Internet, using online databases (Babin et al., 2020). A second technical detail is to generate ideas, which means reading reliable sources while making notes. In this task, one should consider an intended audience to determine whether to use simple or technical language in an essay.

Step 2: Stage Set Up

Setting a stage is a second step in writing a literacy narrative essay. A first technical detail one needs to address is to create a well-organized outline according to an example above. For example, this task helps people to assess their ideas to see whether they are sufficient for each paper section (West, 2024). A second technical detail is gathering stories by recalling experiences and events significantly affecting one’s life. In turn, a last technical point is constructing a hook, a statement that will help an entire text to grab readers’ attention from the start.

Step 3: Writing a First Draft

Writing a first draft of a literacy narrative essay is a third step in this activity. A first technical detail students should address is creating a draft. This text is a first product of a writing process and helps authors to judge their work. For example, the main issue is whether they have used all the ideas to construct a compelling narrative (Miller-Cochran et al., 2022). A next answer will determine if they will add new ideas or delete some, meaning adding or deleting academic sources. Whatever an outcome, people may have to alter clear outlines to fit all the ideas necessary to make papers compelling and high-standard.

Writing an Introduction

Students should focus on three outcomes when writing a good introduction: a hook, a context, and a thesis. Basically, a hook is a statement that captures a reader’s attention. As such, one must use a quote, fact, or question and trigger a reader’s interest to want to read more (Babin et al., 2020). Context is telling readers why a chosen topic is vital to write about. A thesis is a statement that summarizes a person’s purpose for writing such papers. In turn, some examples of sentence starters for beginning a literacy narrative essay are:

• As I sat in my childhood bedroom surrounded by a mountain of books, I never imagined that one story in particular would ignite a passion for reading that would follow me for the rest of my life … .
• The first time I faced a daunting task of writing a full-length essay, I was overwhelmed with self-doubt, yet that experience became a turning point in my understanding of a unique power of words … .
• The day I received my first journal, with its crisp, blank pages, I felt an indescribable excitement, not realizing then how much writing would come to shape my identity … .
• Learning to read in a language that was not my native tongue was one of the most challenging experiences of my life, but it also taught me resilience and opened up a new world of possibilities … .
• Growing up in a household where multiple languages were spoken, I often felt caught between worlds, but this complex relationship with language eventually became a source of strength … .
• When my teacher handed me that classic novel and insisted I read it, I was skeptical, but little did I know it would profoundly alter my perspective on literature and life … .
• I can still hear a particular echo of my father’s voice as he patiently helped me to sound out each word in that first book, a moment that would forever define my relationship with reading … .
• The first time I wrote a poem, I felt as if I had unlocked a secret door to my emotions, and, from that day forward, writing became my most trusted outlet for self-expression … .
• As I struggled to compose a speech for my school’s public speaking contest, I began to realize that it was not just about reading and writing but also about finding my own voice … .
• The stories my grandmother told me in the evenings, passed down through generations, not only connected me to my heritage but also ignited a deep appreciation for a particular art of storytelling … .

Writing a Body

Writing a body part of a literacy narrative essay requires addressing essential elements of a unique structure. A first element is to state a personal issue and make it a center of an entire narrative. The best approach is to look into the past and identify an experience or event with a lasting impact (West, 2024). A second element is a solution to a defined problem or struggle resulting from a personal issue. Therefore, authors should identify personal problems that expose them to conflict with others or social structures and systems. A third element is a lesson, how a personal issue and a solution affect an author and potentially a reader. A last element is a summary, where people conclude by giving readers a life perspective relating to a discussed personal story.

Writing a Conclusion

When writing a conclusion part for a literacy narrative essay, students should summarize an entire story by reemphasizing a thesis, a personal issue, and a lesson learned. Ideally, the main goal of this section is not to introduce new ideas but reinforce what a paper has said and use main points to conclude a presented story (Babin et al., 2020). As such, people should not leave readers with questions but give information that allows them to draw a good lesson from a given text.

Step 4: Wrap Up

A last step in writing a literacy narrative essay is wrapping up a final draft. A first technical detail students should address is revising key sections without a logical order of ideas. Ideally, one should read and reread their work to ensure all sentences and paragraphs make logical sense. For example, this task should ensure all body paragraphs have a topic sentence, a concluding sentence, and a transition (West, 2024). A next technical detail is editing a final draft by adding or deleting words and fixing grammar and format errors. Lastly, people should confirm a literacy narrative essay adopts a single formatting style from beginning to end. In turn, a crucial content in such narratives includes block quotes and dialogue. As such, students should format them appropriately as follows:

• Block quotes: Select a text to quote, click “Layout” on a ribbon, set a left indent to 0.5cm, click an “Enter” key, then use arrows in an indent size box to increase or decrease an indentation.
• Dialogue: Use quotation marks to start and end spoken dialogue and create a new paragraph for each speaker.

Writing a literacy narrative essay requires students to learn several tips. These elements include choosing topics meaningful to an author, generating ideas from selected themes and putting them in sentence form, creating a clear essay outline and populating it with key ideas, writing a first draft that reflects a unique structure (defined issue, solution, lesson, and summary), reading and rereading a first draft, revising and editing a final draft to produce a high-quality literacy narrative essay, proofreading a complete document.

10 things to do:

• developing a hook to grab a reader’s attention,
• writing an essay in paragraphs,
• using a correct grammar,
• incorporating verbs and triggering a reader’s interest,
• showing rather than telling by using descriptive language in an essay,
• incorporating dialogue,
• varying sentence beginnings,
• following figurative speech,
• formatting correctly,
• rereading a whole essay.

10 things not to do:

• choosing an irrelevant essay topic that does not stir interest in a reader,
• presenting a long introduction,
• providing a thesis that does not emphasize a personal issue,
• writing paragraphs without topic sentences and transitions,
• ignoring a unique structure of a literacy narrative essay (specific issue, solution, lesson, and summary),
• focusing on too many personal experiences or events,
• using several formatting styles,
• writing sentences without logical sense,
• finalizing an essay’s document with multiple grammatical and formatting mistakes,
• not concluding an entire paper by reemphasizing a thesis and lesson learned.

What to Include

Common Mistakes

• Lack of Focus: Failing to narrow down an essay to a specific literacy or personal experience, making a whole narrative unfocused.
• Overly General: Writing an essay in vague terms without providing specific details or examples, which weakens an entire impact of a presented story.
• Skipping Reflection: Merely recounting events without analyzing how they impacted a specific journey or personal growth.
• Ignoring Structure: Neglecting a clear structure with an introduction, body, and conclusion, leading to a confusing and disorganized essay.
• Too Much Background Information: Overloading readers with unnecessary context or history, which detracts from a main narrative.
• Inconsistent Tone: Shifting between formal and informal language or varying emotional tones, which can confuse readers and disrupt an overall narrative’s flow.
• Lack of Emotional Engagement: Failing to convey an emotional significance of a personal experience, making an essay unengaging.
• Ignoring Audience: Writing without considering a reader’s perspective, leading to a paper that may not resonate or be relatable.
• Weak Conclusion: Ending an essay without a strong closing reflection, which leaves readers unsatisfied and a paper incomplete.
• Poor Grammar and Mechanics: Overlooking grammar, spelling, and punctuation errors, which can reduce a literacy narrative essay’s credibility.

A literacy narrative essay is a reflective piece that tells a personal story about individual’s experiences with reading, writing, language learning, or other events. In writing, such a composition should include distinctive features, like a personal tone, descriptive language, and a particular use of dialogue, to bring an entire narrative to life. Moreover, these papers follow a specific essay structure that includes identifying a literacy issue, describing a solution, and conveying a lesson learned. As a result, a whole narrative aims to engage readers by showing how these experiences shaped an individual’s perspective and personal growth. In turn, some takeaways to remember include:

• For writing a good literacy narrative essay, think of a personal experience or an event with a lasting impact.
• Use descriptive language to narrate a specific experience or event.
• Identify a conflict in a chosen experience or event.
• State how this conflict shaped your perspective.
• Provide a solution to a discussed conflict.
• Mention a particular setting of a personal experience or event, including people or groups involved.
• State an actual significance of a presented experience or event to people and groups involved and broader society.

Babin, M., Burnell, C., Pesznecker, S. M., Rosevear, N., & Wood, J. R. (2020). The word on college reading and writing . Open Oregon Educational Resources.

Eldred, J. C., & Mortensen, P. (2023). Returning to literacy narratives. College English , 85 (6), 471–497. https://doi.org/10.58680/ce202332617

Gasser, L., Dammert, Y., & Murphy, P. K. (2022). How do children socially learn from narrative fiction: Getting the lesson, simulating social worlds, or dialogic inquiry? Educational Psychology Review , 34 (3), 1445–1475. https://doi.org/10.1007/s10648-022-09667-4

Goldman, D. (2021). “The hidden door that leads to several moments more”: Finding context for the literacy narrative in first year writing. The Journal of the Assembly for Expanded Perspectives on Learning. , 26 (9), 83–98. https://doi.org/10.7290/jaepl263l9h

Miller-Cochran, S. K., Stamper, R., & Cochran, S. (2022). An insider’s guide to academic writing: A rhetoric and reader . Bedford/St. Martin’s.

West, E. (2024). Representations of language learning and literacy: How to read literacy narratives . Routledge.

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Literacy Narratives: Overview

“What is Your Story?” Photo by Etienne Girardet on Unsplash “A word after a word after a word is power.”

— Margaret Atwood, author of The Handmaid’s Tale

Maybe you aren’t someone who writes much at all. Perhaps you don’t believe that there is really much purpose to writing. However, as a human being, you are, by your very nature, enthralled to the power of narrative. Stories shape the realities that we experience on a daily basis and on every level imaginable. Everything that you know or experience has been conveyed to you as a narrative of some sort, and you, in turn, depend on narrative to tell your story to the world. These narratives and the situations that they inhabit can be simple and commonplace–like you telling a parent or sibling about how your day went, from the difficulties that you faced to the good moments that kept you going. They can also be complex and unique–such as listening to someone you trust and respect talk about what you should aspire to in life and what compromises you should and shouldn’t be willing to make along the way. Regardless, words and the stories in which they are enmeshed carry immense power, and they surround you in more ways that you might imagine.

This idea runs counter to common stereotypes of the literacy of our contemporary moment (or lack thereof). Phrases like “no one reads or writes anymore” are thrown about as if they are an unquestionable truth, but reality is another matter. In a landmark study of student writing habits at Stanford University from 2001 to 2008, noted scholar Andrea Lunsford and colleagues discovered that their students were writing constantly and in an unimaginable range of environments: “These students did plenty of emailing, and texting; they were online a good part of every day; they joined social networking sites enthusiastically” ( “Our Semi-literate Youth?” ). Furthermore, these digital writing habits, rather than producing a shallower form of writing and reading comprehension, as many might assume, were “help[ing] them develop a range or repertoire of writing styles, tones, and formats along with a range of abilities” ( “Our Semi-literate Youth?” ). Writing and reading, then, are activities that happen all the time–even if their form has changed markedly during the past few decades.

Literacy narratives offer you an opportunity to reflect back on your own journey as a writer and reader, whether in a traditional or digital context. Perhaps most importantly, in revisiting your path up to this point and envisioning where you see the journey taking you into the future, you can gain a sort of perspective and agency that often isn’t possible in the moment. And, as this semester unfurls and your writing and reading abilities improve, you will, as Atwood indicates, gain increased power–both over the narratives that you author and put out into the world as well as those that you receive and which seek to gain your attention on behalf of their author. Such an author may be an individual very much like yourself or a corporation interested in convincing you to use one of their products. Regardless, your ability to engage, analyze, and respond to these outside narratives will give you increased agency in a world in which the number of narratives and authors are increasing exponentially. The literacy narrative assignment will provide an initial inroad for you on this path.

Everything is a Text!

The foundation of this course is built on your ability to read closely and critically. To engage with this skill, and the multiple literacies we navigate on a daily basis, this essay is a personal piece in which you will explore a significant moment regarding your own literacy; you may approach literacy either in the traditional sense or by using our expanded, modern definition.

As you move through this chapter and related course resources, remember that a “text” in the context of this assignment, and in twenty-first-century composition studies in general, is anything that conveys a narrative to you–regardless of the medium. This, then, can be a book, a song, a social media site, a film, a video game, anything at all. As philosopher Jacques Derrida famously said, “Everything is a text.” In this sense, writing about your experience creating art or making music would fall under the purview of a “literacy narrative.” When you think through the essay that you would like to create below, make sure that you choose a topic that is authentic to your own experience, your own journey, and, perhaps most importantly, something that you are interested in continuing to explore through writing and reflection.

Use the following content, which has been adapted from Leslie Davis and Kiley Miller’s First-Year Composition, to plan your literacy narrative assignment.

ASSIGNMENT SHEET

Assignment Sheet – Literacy Narrative

Literacy is a key component of academic success, as well as professional success. In this class and others, you will be asked to read and engage with various types of texts, so the purpose of this assignment is twofold. First, this assignment will allow you to write about something important to you, using an open form and personal tone instead of an academic one, allowing you to examine some of your deepest convictions and experiences and convey these ideas in a compelling way through writing. Second, this essay provides us an opportunity to get to know each other as a class community.

For this assignment, you should imagine your audience to be an academic audience. Your audience will want a good understanding of your literacy, past, present, or future, and how you seek to comprehend the texts around you.

Requirements:

Choose ONE prompt below to tell about an important time in your life when you engaged with or were confronted with literacy, using the traditional or broad definition. We’ll discuss various types of literacy, so you will identify and define the type of literacy you’re discussing.

• Describe a situation when you were challenged in your reading or experience with a text (a book, song, film, etc.) by describing the source of that challenge (vocabulary, length, organization, content, something else). How did you overcome that challenge to understand what the text was saying? What strategies or steps do you plan to take in the future to make the process easier?
• Describe the type of texts you read (watch, listen to, play, etc.) most often. These texts can occur in traditional formal contexts or in the most informal situations (like group text message threads with your friends or posting on specific social media sites). What makes them easy or challenging to read and interpret? What strategies do you use to ensure that you fully understand them or can apply them in some form of productive context? How have they shaped you as a person?
• Describe your preferred mode of expressing yourself and communicating with the world. This, again, can be something more traditional like poetry, creating art, making music, or something more contemporary, like producing TikTok videos or curating an Instagram channel. It can even be something like cooking, playing a sport, or any other hobby or activity that gives unity, order, and meaning to your world. What have been some of the challenges that you faced as you learned how to create these types of texts? What have been some of your most memorable moments, and how has this mode of expression shaped you as an individual?

Formatting:

• Your professor will determine the exact length of this assignment, but a typical length for an essay of this sort is 1,000 words.
• Your work must be typed in size 12, Times New Roman font and double spaced, 1” margins, following MLA requirements.

Important Note About Topic Choice:

The format of this assignment provides you with quite a bit of leeway. Make sure that you choose your topic carefully.

Section One: Rhetoric and Personal Narrative

Exploring literacy.

What comes to mind when you hear the term “literacy”? Traditionally, we can define literacy as the ability to read and write. To be literate is to be a reader and writer. More broadly, this term has come to be used in other fields and specialties and refers generally to an ability or competency.

For example, you could refer to music literacy as the ability to read and write music; there are varying levels of literacy, so while you may recognize the image below as a music staff and the symbols for musical notes, it’s another thing to name the notes, to play any or multiple instruments, or to compose music.

Or, you may be a casual football fan, but to be football literate , you would need to be able to understand and read the playbook, have an understanding of the positions, define terms like “offsides” or “holding” as they relate to the sport, and interpret the hand signals used by the referees.

Educator and writer Shaelynn Faarnsworth describes and defines literacy as “social” and “constantly changing.” In this unit, we’ll explore literacy as a changing, dynamic process. By expanding our definition of literacy, we’ll come to a better understanding of our skills as readers and writers. We’ll use this discussion so that you, as writers, can better understand and write about “what skills [you] get and what [you] don’t, [and include your] interests, passions, and quite possibly YouTube.”

Checking In: Questions and Activities

• Consider our expanded definition of literacy. In what ways are you literate? What activities and/or hobbies do you value? How do they help give meaning to your world?
• When, where, and how do you read and write on a daily basis? These activities can occur in traditional formal contexts or in the most informal situations (like writing in group text message threads with your friends or posting on specific social media sites).
• Thinking of traditional literacy (reading and writing), what successes or challenges have you faced in school, at home, in the workplace, etc.?

Close Reading Strategies: Introducing the Conversation Model

Reading is a necessary step in the writing process. One helpful metaphor for the writing process is the conversation model. Imagine approaching a group of friends who are in the middle of an intense discussion. Instead of interrupting and blurting out the first thing you think of, you would listen. Then, as you listen, you may need to ask questions to catch up and gain a better understanding of what has already been said. Finally, once you have this thorough understanding, you can feel prepared to add your ideas, challenge, and further the conversation.

Similarly, when writing, the first step is to read. Like listening, this helps you understand the topic better and approach the issues you’re discussing with more knowledge. With that understanding, you can start to ask more specific questions, look up definitions, and start to do more driven research. With all that information, then you can offer a new perspective on what others have already written. As you write, you may go through this process — listening, researching, and writing — several times!

This unit focuses first on the importance of reading. There are two important ways we’ll think about reading in this course. Close reading and critical reading are both important processes with difference focuses. Close reading is a process to understand what is being said. It’s often used in summaries, where the goal is to comprehend and report on what a text is communicating. Compared to critical reading, an analytical process focused on how and why an idea is presented, close reading forces us to slow down and identify the meaning of the information. This skill is especially important in summaries and accurately quoting and paraphrasing.

Close reading, essentially, is like listening to the conversation. Both focus on comprehension and being able to understand and report back on what is written or said. In this project,

• Within close reading, your processes could be further broken down into pre-reading, active reading, and post-reading strategies. What do you focus on before and after you read a text?
• There are many ways to read closely, and being an intentional reader will help ensure you process what you read and recall it later. However, there are many ways to actively read.

Consider assignments you’ve been given in the past:

• Have your instructors asked you to annotate a text?
• Do you find yourself copying down important lines, highlighting, or making notes as you read?
• What strategies do you rely on to actively and closely read?
• What are your least favorite strategies?

The Rhetorical Situation

You may have heard of “rhetorical questions” or gotten frustrated watching the news when a commentator dismisses another by saying “that’s just empty rhetoric” — but what does rhetoric mean? With definitions dating back to Aristotle and Plato, this is a complex concept with many historical and contemporary definitions. We define rhetoric as the ways language and other communication strategies are used to achieve a purpose with an audience. Below, we’ll explore the rhetorical situation, examining how many different factors contribute to how a writer can achieve their goals, and what may influence them to make different decisions.

The rhetorical situation is composed of many interactive pieces that each depend on the other. Let’s start by defining each component:

• Ask yourself: Who created this?
• Ask yourself: Who is likely to, or supposed to, see this?
• Ask yourself: What am I looking at?
• Ask yourself: Why was the text created?
• Ask yourself: When was this created? How did it get developed? Where was the text published? What shaped the creative process?

Each of these categories intersects and influences the other. When we think about a complete rhetorical situation, you’ll need to define all these different pieces to best understand the text. As we begin practicing close reading, drawing the rhetorical situation will be a helpful tool.

Let’s examine this project, the literacy narrative.

• Author : You! While you have a unique background, you’re a student in this course, and your individual writing experience will influence what you write about.
• Audience : Your classmates and instructor. This is a collaborative course, and your instructor will read what you produce.
• Text : Literacy Narrative. This type of text has different goals and requirements. We’ve examined literacy already, and we’ll review narratives soon. Together, these guidelines will help us construct this specific type of text (rather than a poem about reading or your personal memoir about how you became a writer!).
• Purpose : To reflect. To introduce yourself. To define your literacy. These are all goals of this assignment. Throughout your assignment, you’ll want to check in with yourself and ensure that you’re accomplishing these goals. If not, you won’t meet the demands of the assignment.
• Context : This assignment — the assignment sheet above has specific requirements that will influence what you create. Your writing background — no one else has the same life experience with reading and writing as you. The goals of the course — there are specific tasks to accomplish with this project that are specific to course outcome objectives. Each of these aspects will influence how you put the project together. Since you didn’t just wake up and decide to write about literacy, the context of this assignment will determine what you create.
• Which of the elements of the rhetorical triangle influence your writing decisions most? Why?
• Are there any elements you don’t consider? Why don’t they seem as important?

Section 2: Defining Narrative and Organization

Now that we’ve reviewed some basics, let’s take a look at the assignment more fully, begin drafting, and work more closely with feedback from others. A literacy narrative is a specific type of genre, so there are certain requirements for this text. Using examples from other students, we’ll begin to develop your first draft.

Introducing the Literacy Narrative

narrative : a method of story-telling  

A literacy narrative is a common genre for writers who want to explore their own experiences with writing. Just Google “literacy narrative,” and you’ll find endless examples! While this assignment will respond to specific prompts and follow a more specific structure than some of the examples you’ll find on Google, there is a common theme in each essay that revolves around your relationship with literacy. Section One defined literacy,  but what about narrative? Narrative can be defined as a method of story-telling. In the simplest terms, your goal in this literacy narrative, in this assignment, is to tell the story of your personal experience with literacy, either from a past event, something you’re working with now, or looking to the future. Let’s review the three sets of prompts from the assignment sheet:

• Describe a situation when you were challenged in your reading by describing the source of that challenge (vocabulary, length, organization, something else). How did you overcome that challenge to understand what the text was saying? What strategies or steps do you plan to take in the future to make the process easier? This can range from reading a difficult novel to trying to play a particularly complicated song.
• Describe the type of texts you read (watch, listen to, etc.) most often. What makes them easy or challenging to read and interpret? What strategies do you use to ensure that you fully understand them or can apply them? Again, remember that these activities can occur in traditional formal contexts or in the most informal situations (like writing in group text message threads with your friends or posting on specific social media sites). Listening to music and watching true crime documentaries also count as listening to and watching texts.
• Describe what kind of texts you think you will have to read or interpret in the future and where you will encounter these texts (i.e. future classes, your career, etc.). How do you think they might challenge you? What strategies will you use to overcome these difficulties?
• What non-traditional topics could you write about for this project? What activities and/or hobbies do you value? How do they help give meaning to your world?

Each of these prompts gives you the chance to tell your story and examine your experience with a specific type of literacy. As you consider the prompts, think about how you could tell a story to answer these questions. With this frame of mind, review the questions and activities below.

• Which prompt from the assignment sheet will you address? Why does this prompt appeal to you?
• Consider the brainstorming you did about the ways that you are literate. Which prompt matches those skills best? Are these skills you struggled with at first, skills you currently practice, or skills that you’re learning and will use in the future? Use these notes to decide which set of questions you’ll focus on in this project.

Organization: PIE Method

Each prompt includes three questions, which we’ll use as the starting point for three paragraphs. In each set of prompts, your first paragraph will describe the text; remember, when thinking about reading a text, we can interpret this broadly, like with music and sports. The second paragraph will explore the challenges or successes you’ve experienced. Then, the third paragraph will focus on strategies and techniques for improvement. This way, you can tell a more complete story of your experience, sharing the details and emotions along the way and making readers feel like they’re right there with you. But how do you capture all this detail in a way that helps you organize your thoughts and keep your reader interested in the story?

We’ll use a formula for the paragraph structure called PIE, which stands for Point, Information, and Explanation. This method will help you plan what you want to say, and then give examples so you can show why each step was so important to you. Let’s review each part of the paragraph, and then we’ll look at how this applies to your literacy narrative with a student sample.

• In the literacy narrative: Since each paragraph responds to a question from the prompt, the Point of each paragraph should tell readers which question you’re answering. By rephrasing the question in your Point, you can signal to your classmates and instructor so that they know which question you’re answering.
• In the literacy narrative: Most of your evidence, in a narrative, will be from your experience. Report what happened, what you read, or what you learned. Naming these details can help your readers see through your eyes when you give specific examples.
• In the literacy narrative: Help your readers get inside your head and feel like they’re with you. Keeping the Point in mind and showing how all these ideas relate will bring the paragraph together by developing each example clearly and offering a thoughtful response to each prompt. How did you feel about the examples from the Information? Why was it was so significant? Why should your readers care about this experience? Answering these questions will help show your readers what you experienced so they can understand the significance and connect with you.

Together, these pieces all come together to create a strong, developed paragraph that responds to the question from the prompt more fully.

• Below is a sample paragraph that follows the PIE structure. It is coded for the different parts of the paragraph above, with the Point in bold , the  Information in italics , and the  Explanation underlined . The second paragraph has been shortened and has not been coded. First, review the parts of the coded example. Pay particular attention to how these elements work in harmony to build the paragraph. Then, review and identify the PIE elements in the second paragraph.

Planning a Draft

Now that we’ve reviewed all the components and the foundation for this assignment, you’re ready to begin your draft! We’ll focus just on the first paragraph here, but you can use these steps for each paragraph to construct your draft.

Consider the first question from each prompt, copied below, to decide if you’ll focus on a past experience, the present, or the future:

• Describe a situation when you were challenged in your reading by describing the source of that challenge (vocabulary, length, organization, something else).  
• Describe the type of texts you read (watch, listen to, etc.) most often.  
• Describe what kind of texts you think you will have to read or interpret in the future and where you will encounter these texts (i.e. future classes, your career, etc.).  
• Describe your preferred mode of expressing yourself and communicating with the world.

Literacy Narrative Rough Draft

Using your brainstorming from previous weeks, and using the student sample as a reference, begin drafting using the PIE structure, following these steps below to build the first paragraph of your draft. This is just a first draft, so let yourself write freely! This doesn’t need to be perfect or even good — instead, the goal is to put ideas on paper.

• In your Point, rephrase one of the questions above. You can borrow some of this same language to signal to your readers and show which question you’re answering. Remember, this only introduces the main idea — no details yet!
• Review your brainstorming. Did you name specific examples? Add these to your paragraph to develop the Information. Name at least two examples. Each example you give should connect to the Point, providing evidence from your experience.
• Review the examples and start to Explain. How did you feel about the examples from the Information? Why was it was so significant? Why should your readers care about this experience? Ask yourself these questions for each example you include.
• Depending on your drafting process, it might be easy to tackle all three paragraphs at once and get everything down, or you might prefer to write one paragraph at a time.
• Throughout the course, practice with drafting one paragraph per day, or setting a timer to see what you can write in a specific amount of time.
• Review what you’ve written, and see if there are more details to add. Remember, the goal is to get as much as you can out of your head. Revisions will take place next.

Section Three: Peer Review and Revision

Peer review.

Peer review is an important part of the drafting process. It helps us learn from our classmates and see our own work in a different way. Writing can be a lonely and isolating experience that makes the process frustrating and unsatisfying. Getting to share your work with others can break that uncomfortable pattern!

That said, you may be new to sharing your work or have different experiences with peer review. Good peer reviews can spark creativity, help build on good ideas, and revise the rougher ideas. But, sometimes peer review can be challenging if your peer is too critical or too complementary, or maybe you can’t read and understand what they wrote! The tips below will help reinforce best practices, as well as avoid some common mistakes with peer review.

When completing peer review, one important rule is to focus on the big picture and NOT to edit. Think about it like this: If you add a comma, then you’ve helped make one sentence of the paper better. In a paper that’s 1,000 words long, that’s not so helpful! Instead, consider the rhetorical triangle. If you can make observations and ask questions to help your classmate understand the audience or the genre better, then the entire paper is going to improve, because you focused on a higher order concept that affects not just one sentence, but the paragraph and the whole paper. Throughout these projects, we’ll practice several strategies for peer review so you can see several example methods and find what works best for you.

Peer workshop

When you sit down with your peer’s paper, we’ll practice a three-step process. This gives you a chance to explain exactly what you mean while offering specific advice for your peer. Review the steps below:

• Observe : Make a statement or summarize what you see. Identifying a pattern in your peer’s work or repeating what you think your peer is saying can help your peer know if they’re communicating clearly. Using the rhetorical triangle to support these observations could be a helpful strategy!
• Explain : Critique what you see, explaining if the writer has a strong idea or if it might need work. U sing adjectives to describe what’s going well or what’s not working is important so that you peer can learn more about your observation. Was this “clear” or “confusing”? Is the writer “engaging and interesting” or is the writing “plain and repetitive”?
• EXAMPLE: 1) You give a few examples for information, then a sentence of explanation. 2) It doesn’t look like this meets the word limits from the assignment sheet, and I’m not sure which part you’ll focus on as the main form of literacy. 3) Could you clarify this? More explanation about why these are important could help you meet the word limit, too!

All together, these comments will need to be a few sentences long. Since we’re NOT focused on grammar or editing, the changes that your peer can make will have a big effect on the final product. With these more developed comments, your goal is to make 1-2 comments per paragraph. Give your classmate something to consider, using our course vocabulary, to really help them improve. As you read and practice this method, it’s likely that you’ll get ideas for your own paper, which makes this process doubly helpful!

Assignment Rubric

• Will clearly and accurately define a specific type of literacy, explaining the connection and development of literacy. Will clearly establish the identity of the writer and the influence and importance of literacy.
• Will communicate significant experiences to an academic audience. Will give the reader something new to consider. Will interest the reader through storytelling.
• Will remain focused on literacy and the individual prompts. Will include specific details from a variety of experiences. Will engage readers with details and examples. Will explain the connections and development of growth through chosen examples.
• Will follow PIE structure closely.
• Will be clear and readable without distracting grammar, punctuation or spelling errors.

A “B” (good) summary (80% +):

• The concept of literacy may not be as clearly connected or central  to the writer’s development.
• More attention could be paid to engage or interest the readers. May lack context to help the reader understand the writer’s experience.
• Focus may lack through discussing events outside of the prompts. May include few specific examples. May lack explanation to show connection between examples.
• PIE may not be followed in one paragraph. Either the point, information, or explanation could be further developed or clarified within a paragraph.
• The writer may need to work on communicating information more effectively. The narrative will be generally clear and readable but may need further editing for grammatical errors.

A “C” (satisfactory) summary (70% +):

• Literacy is not defined or explained clearly in connection to skill.
• Awareness of audience is lacking, making sections confusing for an unfamiliar reader.
• Prompts may not be clearly connected to the paragraphs. Examples are not included or are not clearly explained.
• PIE may be missing or underdeveloped in multiple paragraphs.
• “C” narratives may also need more editing for readability.

A “D” (poor) summary (60% +):

• Will show an attempt toward the assignment goals that has fallen short. May have several of the above problems.

An “F” (failing) summary:

• Ignores the assignment.
• Has been plagiarized.
• Review the same sample paragraph below from a previous student. Identify one strength and one area for improvement in the draft, following the 3-step method above. As you review, consider how to balance praise and criticism. Something is going well in your peer’s draft, and something can be improved!

Applying Peer Review: Taking Suggestions and Revising

Once you’ve completed peer review, you’ll likely have lots of ideas — reviewing others’ work often ignites a creative spark for your own work! You should feel free to apply strategies from your peers and reexamine your work, but you want to focus on your peers’ suggestions for you. This way, you can see how your ideas and their commentary lines up. In our 3-step feedback process, the last step is to make a suggestion. While the notes from your peers should be valuable, it’s ultimately your draft and your decision about what feedback to include. As you read through the commentary, review the assignment sheet, and begin making changes to the draft. This is one of the most important steps in the writing process and what makes the difference between a rough first draft and a polished, complete draft.

Sources Used to Create This Chapter

• The majority of the content for this section has been adapted from OER Material from “Literacy Narrative,” in First-Year Composition  by Leslie Davis and Kiley Miller is licensed under a  Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License

Media Resources

Any media resources not documented here were part of the original chapter from which this section has been adapted.

• “What is Your Story?” Photo by Etienne Girardet  on  Unsplash

Works Referenced

​Lunsford, Andrea. “Our Semi-literate Youth? Not So Fast.” Stanford University. Nov. 2010. https://swap.stanford.edu/was/20220129004722/https:/ssw.stanford.edu//sites/default/files/OPED_Our_semi-literate_Youth.pdf

Starting the Journey: An Intro to College Writing Copyright © by Leonard Owens III; Tim Bishop; and Scott Ortolano is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License , except where otherwise noted.

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English Writing Guide

• Literacy Narrative
• Visual Analysis
• Rhetorical Analysis
• Argument Research Paper
• The Writing Handbook
• Using the Library

Attribution

This guide is adapted from the Writing Guide with Handbook by OpenStax .

What is a literacy narrative?

• The Writing Guide: Literacy Narrative Link to the online, interactive chapter on Literacy Narrative.
• Literacy Narrative Chapter 3 from The Writing Guide As a PDF for downloading or printing.

Topics Covered

• Identity and Expression
• Literacy Narrative Trailblazer: Tara Westover
• Glance at Genre: The Literacy Narrative
• Annotated Sample Reading: from Narrative of the Life of Frederick Douglass by Frederick Douglass
• Writing Process: Tracing the Beginnings of Literacy
• Editing Focus: Sentence Structure
• Evaluation: Self-Evaluating
• Spotlight on … The Digital Archive of Literacy Narratives (DALN)
• Portfolio: A Literacy Artifact
• Lecture Slides for Literacy Narrative As a PDF for downloading or printing.
• How to Write a Literacy Narrative Guide with exercises to assist you in writing a literacy narrative.
• Digital Archive of Literacy Narratives The DALN is an open public resource made up of stories from people just like you about their experiences learning to read, write, and generally communicate with the world around them.
• Next: Visual Analysis >>
• Last Updated: Sep 6, 2024 11:26 AM
• URL: https://library.jeffersonstate.edu/Writing-Guide-OpenStax

1 What is a Literacy Narrative?

There are two important aspects to this essay that you must keep in mind when writing a literacy narrative: first, it deals with your literacy, and second, it is a narrative. The word “literacy” typically relates to the ability to read and write, but we are going to be using a broader definition of the word. [1] A narrative is a story. See how the word “narrative” and “narration” and “narrator” all share the same root? They are all related to telling stories. So, this narrative essay will also tell the story of one of your personal experiences.

If you take a bit to think about it, you should be able to recognize that, despite any self-doubt you might have, you have developed some parts of your literacy more than others. Literacy is not a binary thing that you either have or don’t have. It exists along a spectrum or range, so you can have small amounts of literacy in some areas and greater amounts in others. Of course, it is very likely that there are other people that possess a much higher level of literacy than you in the areas you excel at, but this paper is not about being the best at something. This paper is simply about some part of your literacy in whatever stage it might be.

So, for this essay, you will want to identify some aspect of your own literacy that you can relate to your readers. This could, of course, be about your ability to read or write, or even about developing a love or hatred for the same. However, you could also choose to focus on some other aspect of your literacy, [4] such as music, mechanics, art, emotional comprehension, athletics, travel, sales, design, and so on. The possibilities are open very, very wide. You might even choose to write about something that you don’t have a lot of literacy in. [5] That’s a perfectly valid approach, too.

The core of this essay will be a story that you tell your readers about whatever  aspect of your literacy you want to focus on. You will want to choose a story that you can relate with details, dialogue, action, and all the other things that make a story enjoyable to read . You want to engage the reader and bring them through the experience with you so that they get to live it, too, to a certain degree. Include some dialogue from the event you went through, even if you have to invent some or fill in some blanks in your memory to get the dialogue close to what happened. Hit the reader’s five senses with great details that help them feel like they’re there. “Make it really interesting to read” is what I’m trying to say.

But that’s not all this paper is. In order for this story to become an essay, you also need to reflect on it and talk about what this experience did to you or means to you. That’s what makes it an essay: the examination of meaning. Think (and write) about what parts of your life are different because you went through the experience you shared, how you are different because of it, and how you see the world differently because of what you went through.

• We’ll look at this in just a second. Seriously. ↵
• That’s what reading and writing allow us to do, right? ↵
• This is someone who, my son assures me, is a very popular video-game streamer. ↵
• Remember—your ability to make sense of some part of the world; some competence or knowledge you have about a specific skill or area. ↵
• Hello, living on your own and having to cook for yourself for the first time. ↵

The ENGL 1010 Student's Guide to the Essays Copyright © 2023 by Rik Andes is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License , except where otherwise noted.

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