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Logitech R400 Wireless Presenter Remote Control in Black

The convenient controls of this wireless presenter will help you make your point. | Logitech R400 Wireless Presenter Remote Control in Black

Logitech R500s Laser Pointer Presentation Remote in Graphite

Deliver impactful presentations with the R500s Laser Presentation Remote. Move freely and navigate slides from up to 20 meters away and point out precise areas of focus with the red laser pointer. The R500s is optimized to work with Windows®, macOS and leading presentation software. | Logitech R500s Laser Pointer Presentation Remote in Graphite

Logitech R800 Pro Presentation Remote with LCD Display in Black

You’ll have powerful control for high-impact presentations with this wireless presenter. | Logitech R800 Pro Presentation Remote with LCD Display in Black

Logitech Spotlight Advanced Wireless Presentation Remote in Slate

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Logitech Spotlight Advanced Wireless Presentation Remote in Gold

Logitech Litra Glow - Premium Streaming Light Creators in Graphite

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"Not only did Mark help me get the remote working on my laptop, he also helped me get the remote working on my iPad"

Presenter Laser Pointers

"I really enjoy my R800 Laser Presentation Remote"

Presentation Equipment

"it is perfect for presentation both in person and virtually"

Online Presentation Tools

"Easy to get in sync with my laptop and presentation tools and easy-to-use. Worth the purchase"

Wireless Remotes

"Great build quality and very functional in Windows environment. A basic remote in iOS environment. So much is done on iOS because the devices are portable and it would be great if this remote supported those devices better"

FPS Gaming Gear

Logitech G is a pioneer in innovative FPS gaming gear. Decades of engineering & design have resulted in renowned speed, precision, and reliability.

G305 LIGHTSPEED Wireless Gaming Mouse Next-generation LIGHTSPEED wireless now available for all gamers

Shop G305 Wireless Gaming Mouse.Features LightSpeed technology for ultra-fast 1-ms response times, advanced HERO optical sensor, and 250 hour battery life.

G840 XL Star Wars Gaming Mouse Pad

Shop G840 XL Battle of Endor and Darth Vader Mouse Pad. Create the ideal space for gaming with a performance-tuned surface, sturdy rubber base, and lots of room to maneuver.

PRO X Superlight 2 Mouse

Shop PRO X Superlight 2 Gaming Mouse. Features LIGHTFORCE switches, HERO 2 sensor, up to 95 hr battery life, smooth glide mouse feet, USB-C charging, POWERPLAY compatibility, and more

G705 Wireless Gaming Mouse

Shop G705 Wireless Mouse. Features new compact sculpted design, pro-grade wireless, Bluetooth, 85g weight, gliding feet, 3 RGB zones, 6 PGM buttons, and more

G840 XL Gaming Mouse Pad

Logitech G840 XL gaming mouse pad creates the ideal space for gaming with a performance-tuned surface, sturdy rubber base, and lots of room to maneuver.

Gaming Mouse Pad Hard Surface G440

G440 Gaming Mouse Pad features ultra-low friction, making it an ideal surface for subtle, quick movements. Learn more about Logitech Gaming.

LIGHTSPEED Wireless Gaming Mouse

Shop G502 LIGHTSPEED Wireless Mouse. Features POWERPLAY wireless charging compatibility, HERO 25k sensor, LIGHTSYNC RGB lighting, PVC free, & more

LIGHTSPEED Wireless Gaming Mouse with HERO Sensor

Shop G703 Gaming Mouse. Features, HERO 25k sensor, LIGHTSPEED wireless, powerplay ready, supreme comfort, advanced button technology, LIGHTSYNC RGB & more

HERO Gaming Mouse

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High Performance Gaming Mouse

Logitech G502 HERO high performance gaming mouse. Featuring HERO, our best sensor, 11 programmable buttons, LIGHTSYNC RGB technology & tunable weight.

Shop G903 Gaming Mouse. Features HERO 25k sensor, LIGHTSPEED wireless, powerplay ready, ambidextrous design, advanced button technology, LIGHTSYNC RGB & more

G600 MMO Gaming Mouse

With 20 buttons, the G600 MMO Gaming Mouse is the most customizable and easy to use mouse specifically designed for your favorite MMOs. Learn more.

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Shop G740 Mouse Pad. Features a 5mm-thickness that is optimized for Logitech G gaming mouse sensors—and all the rapid movements of low-DPI gaming.

G640 Large Cloth Gaming Mouse Pad performance addition

The moderate surface friction and consistent surface texture of G640 are matched to Logitech G senors. The rubber base ensures it lays flat and states in place.

Shop G502 X Wireless Mouse. Features LIGHTFORCE hybrid optical-mechanical switch tech, POWERPLAY compatible, 68% faster response, HERO 25K sensor, and more

G502 X Plus Millennium Falcon

Shop G502 X Plus Millennium Falcon Mouse. A cutting-edge technological marvel from a distant galaxy, far, far away, inspired by the legendary Star Wars universe

G502 X Plus

Shop G502 X Plus Mouse. Features LIGHTFORCE hybrid optical-mechanical switch technology, power-saving play detection, 68% faster response, 8-LED RGB, and more

G502 X Wired

Shop G502 X Wired Mouse. Features LIGHTFORCE hybrid optical-mechanical switch tech, 89 grams exoskeleton design, lightened scroll wheel, HERO 25K, and more.

G303 Shroud

Shop G303 Wireless Mouse. Designed in collaboration with Shroud, it’s engineered for elevated performance, featuring responsive LIGHTSPEED and HERO 25K Sensor

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Shop Pro Wireless Gaming Mouse. Built with Esports pros, it features a HERO sensor, LIGHTSPEED wireless technology, ultra lightweight materials, & more.

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Mouse pad for g705.

Shop Mouse Pad for G705 Wireless Gaming Mouse. From the Aurora Collection - available in Pink Dawn, Green Flash and White Mist

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Wireless Laser Presenter with USB Dongle

• CAT.NO: XC5409

Bulk Pricing

$36.95 / Unit

$32.95 / Unit

$28.95 / Unit

Specifications

Size / Shape

Battery quantity

Batteries included

Batteries can be replaced by user

Battery used for

Main Product

Frequency of Transmission

Range of Transmission

10.0m,10.0m

Dimension for

Other (details below)

Dimensions details

Packaged Dimensions

20.3cm(Length) x 11.1cm(Width) x 4.5cm(Height)

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2GB Digital Voice Recorder

CAT.NO: XC0387

Not Available for delivery

8GB Digital Voice Recorder

CAT.NO: XC0389

Available for delivery

Digitech 100 Inch Portable Projector Screen

CAT.NO: AP4013

Digitech Padded Projector Carry Case

CAT.NO: AP4011

Keyring Laser Pointer

CAT.NO: ST3202

Orders Ship Within Australia Only - Delays Expected in Northern NSW Regions

Wireless Presenter with Laser Pointer

Translation missing: en.products.product.regular_price $69.95

• Pre-set RF connection without the need for a software driver enables true plug- and- play capability
• Long range 2.4GHz wireless technology provides true freedom for effective presentation has up to a 15 metre which is ideal for a large conference room
• Features an ergonomic design with soft touch material, making easy to hold the device and navigate through the buttons
• This easy-to-use wireless device offers effortless PowerPoint presentation controls with built-in laser pointer
• Built-in keys allow you to page up, page down, switch applications, darken screen and resume the presentation

The Targus Wireless Presenter with Laser Pointer makes it easy to control your presentation from up to 15 metres away. The ergonomic design with soft touch surface makes it easy to hold the device in your hand and navigate through the buttons comfortably. The built-in laser pointer allows you to highlight key points while the other keys allow you to page up, page down, switch applications darken the screen and resume the presentation. The pre-set RF connection enables true plug-and-play capability; no driver is required.

Support and FAQs

• Works With PCs and Macs
• Colour Black
• Beam Color Red
• Connection RF (2.4 GHz)
• Dimensions 10.5 x 2.6 x 3.93 cm (W x H x D)
• Warranty Limited 2-Year Warranty
• UPC 092636296704

JBL Bar 1300 review

Pull off the ends of this bar and they work as wireless rears – or standalone speakers. neat trick, but how does it all sound tested at £1300 / $1700 / au$2000.

Sound+Image Verdict

It’s a higher-priced package, but impressive in going loud while still remaining musical. Removable rears are not unique but as yet still unusual in not cluttering your lounge while offering true surround and height from behind. It all makes for an award-winning package.

Breaks apart to deliver genuine Atmos surround from wireless battery-powered rears

Detachable rears can be used as Bluetooth speakers

Big sound for movies or music

Large subwoofer to fit in

Best surround effect requires near side walls

Why you can trust What Hi-Fi? Our expert team reviews products in dedicated test rooms, to help you make the best choice for your budget. Find out more about how we test.

This review originally appeared in Sound+Image magazine, Australian sister publication to What Hi-Fi? . Click here for more information on Sound+Image , including digital editions and details on how you can subscribe.

We've reviewed plenty of reviews of JBL soundbars in the past – but they've never before won a Sound+Image Award . In the past we have judged them solid and competent, but hitherto not exceptional in what is, after all, an extremely crowded market. 

That changed this year, with the arrival of JBL’s Bar 1300, at the head of a new set of soundbar designs from the brand. The Bar 1300 is the company’s largest soundbar and subwoofer combo to date, and also its most ambitious. 

One of its key tricks is that each end of the soundbar can be removed and resituated at the back of the room, to become battery-powered wireless rear speakers, so delivering genuine rather than virtualised surround sound. 

Plus each detached rear also has an upward-firing driver, fulfilling duties as Atmos-enabled channels. In this way, the Bar 1300 is able to claim a huge 11.1.4-channel Dolby Atmos delivery.

My first sight of – and listen to – the Bar 1300 came at a remarkable launch which Harman Australia put on in Sydney for its new soundbar range. It was both superficially impressive (held in the glitzy Studios 301, spectacular snacks, etc.) and genuinely brave, because Harman chose to pit its Bar 1300 system against Studios 301’s new $200k Atmos mixing suite (pictured above).

On one level, this might be considered crazy, to have the resident Atmos engineer A-B switching between the full mastering system and the JBL bar, with its centre section balanced atop the system’s centre speaker and the separated wireless rears perched on the studio’s own standmount rears. There was clearly no hope that JBL’s bar would ‘win’. 

But instead Harman scored something of a coup. Of course there was absolutely no chance of confusing one with the other – the full Atmos system was vastly more powerful and spacious and accurate. But the surprise was how well the Bar 1300 did manage: it was not a sad crushing of the Atmos music being played; things remained powerful and musical. Needless to say, we couldn’t wait to get the Bar 1300 in for a full review.

Build & connections

We had seen several of JBL’s latest soundbars at the launch, and TBH they look pretty plain and functional, with flat black plastic areas between the grilled areas covering drivers. As you head down the range, the aesthetics become plainer still as the driver counts reduce and ever more flat black plastic fills the gaps. 

But you know what? Who cares. Soundbars should play to the ears, not the eyes, and plain black is just the thing to disappear below your TV, especially as the bar stands just 65mm high off a bench (a wall-mounting kit is also included) and is usefully matte on top, so won’t reflect much of the picture above. JBL sensibly opts for no lights on top (because you can’t see them when you’re seated, not that this discourages many soundbar designers). Instead a useful and large five-character LED display shines from the front through one of the grilles. 

How long is the bar? Depends if the ends are attached (138cm long, 6cm high) or not (102cm long). Socketry is generous, with three HDMI inputs as well as the output, which has eARC so it plays your TV audio back down the wire. 

The direct HDMI inputs will be the only way to enjoy DTS:X content, with which the bar is compatible in addition to Dolby Atmos. But there is very little DTS:X content around, and none via streaming services in Australia (Disney has promised some for IMAX Enhanced movies in some regions). Many bar manufacturers are now saving themselves the DTS licence fee and ignoring it. 

There’s also Ethernet and Wi-Fi here, optical audio as a TV fallback, and a USB-A slot which can charge, say, an HDMI dongle.

Then we have those detachable rears, the Bar 1300’s particular magic trick, although it’s not unique in this regard – several other bars in the new range and the previous JBL Bar 5.1 can all do the pull-off trick. It’s an idea pioneered by Philips Fidelio soundbars going back a decade .

JBL told us you’ll get three to four hours of full-on performance from the Bar 1300’s pull-off pair, though the website is more optimistic, quoting up to 12 hours, which “may vary according to content type and volume level”. But there’s also a USB-C power socket on each speaker, so you could use any spare USB-C power adaptor to keep them juiced up indefinitely in their rear positions, rather than returning them regularly to recharge from the bar. 

That also allows further freedom, because each rear speaker can individually become a standalone Bluetooth speaker. Plug one in bedside to a USB-C power cable and send it bedtime tunes and podcasts from your phone. 

In a nice touch, JBL supplies a couple of magnetic end pieces which can pop onto the bar when the rears are removed. This both keeps things neat and prevents anyone sticking their fingers in the ends where the angled side drivers are visible. You’ll need somewhere to tuck these when not in use, but when attached it certainly improves aesthetics.

If the rear speakers are clever and compact, the bar’s other partner is clever but not very compact at all. Indeed the subwoofer is absolutely enormous by soundbar combo standards, so is perhaps just that little bit harder than usual to accommodate – a 31cm square footprint and 43cm high. I

t’s about the height of a piano stool, so we reckon people are very likely to sit on it, at least until its portly performance resonates their rear regions and they realise their error. In any case the 10kg sub has a sturdy polycarbonate shell, and its thick black feet seem sturdy enough to handle such a scenario. Its back is defined by the flared port and the socket for the power cable, plus a little illuminated press button which can be used to re-pair it with the bar, should they ever become accidentally estranged. The main driver is generously quoted at 10 inches (actually nine to the outer edges of the roll surround); it fires down and out through the space between the feet.

The subwoofer needs its power cable, but it links wirelessly to the bar, of course, and it has none of the common subwoofer controls (roll-off, phase etc.) because all that is taken care of by the bar’s electronics, subject to the calibration process.

Set-up was initially a bit of a kerfuffle, mainly because the quick start guide is so short of useful words. JBL hopes that pictorial instructions will be clear to all, without the Babelian confusions of language. But there was stuff we couldn't work out – a red cross by a little square, a green cross by a circle, an arrow pointing at the back of the rear speaker units, say wha? Some words do appear, but in type almost too small for the human eye to discern. 

Despite the #fail on the Quick Start Guide, however, it’s not rocket science (and you can download a full manual). We just plugged up and stuck the rear speakers on the front to ensure they were charged. Soon enough a message appeared on the bar saying ‘Connect to WiFi’. This is one of the last things in the Quick Start Guide, which does then point you to the ‘JBL One’ app. This takes over – you get the Bar onto your home Wi-Fi (or Ethernet), then it offers to calibrate the system to your room.

The question with built-in calibration systems is – where’s the mike? There’s no plug-in microphone here to move around here, as in AV receiver calibrations. If a bar offers to calibrate based only on a mike in the bar itself, we are dubious how it can discover much about the room, let alone the listening position. 

So here we were impressed to discover that the detachable rears each contain microphones, enabling a real triangulation of calibration to occur. It does so using only two sessions – the rears closely positioned at the central listening position, and then placed out in their wider, presumably permanent positions. A couple of minutes of wild whooping and it’s all over. Our only issue was that we couldn’t find a way to turn the calibration results on and off, for comparison purposes. Once on, it seems stuck on, short of a full reset, or re-calibration.

There are supported music services as well as settings within the app (see below), also a crude but effective equaliser, a virtual remote control (more clearly labelled than its physical counterpart), and an audio sync slider, its adjustment only positive, though, when most soundbar sync problems require negative.

Sound quality

Inputs: 3 x HDMI, 1 x HDMI eARC, Ethernet, Wi-Fi, AirPlay, Chromecast, Alexa Cast, Bluetooth

Outputs: HDMI, optical audio, USB power

Drivers (bar): 6 racetrack drivers (46 x 90mm), 5 tweeters, (20mm) 4 up-firing (70mm drivers)

Drivers (rears, each): racetrack driver (46 x 90mm); 20mm tweeter, 70mm up-firing driver

Driver (subwoofer): 10-inch (see article)

Bar dimensions (whd): 140 x 60x 14cm (centre section without rears is 102cm)

Separate rear dimensions: 20 x 6 x 14cm

Subwoofer dimensions (whd): 30.5 x 44 x 30.5cm 

With the rears popped off and in position, we played Picard Season 3 from Prime, delivered in 5.1 and lighting up ‘Dolby Surround’ on the bar’s LED display. 

The surround track was immediately effective, steering ships from rear corners to the front, or delivering clinking glasses and chit-chat atmospherics from pub scenes, while the chunky subwoofer kept up the subtle low rumble of space travel and supported the slams of battle with great impact, if not the nimblest tightest of bass control. The disconnected rears were in almost constant activity, and their upfiring speakers also active, which is odd for 5.1, and points to an upscaling technology being in default use. 

This was confirmed by playing some simple stereo material, and again it leapt out of the rears and upfiring drivers. We confess this was beguilingly effective with stereo music, and a room-filling rendition of the first Georgia Fair album/EP was one of the first warm-ups we enjoyed on the Bar 1300. Once started, we had no inclination to stop it, so rich were the brushstrokes, so enveloping the sound, despite us knowing the surround effect was being faked. 

With stereo TV shows, however, the effect of the upscaling was to throw slices of the front dialogue rear-ward, which sounded very distracting, like they were whispering in our ears. Lacking any button to shut off the upscaling, you can instead silence the rear and ‘Atmos’ channels using dedicated buttons on the remote. Or just put the rears back on the bar, of course, and reserve separation for true Atmos soundtracks.

We have noticed that some soundbars which handle Dolby Atmos not only perform far to their best with a true Atmos soundtrack, but also underperform with anything else. That is not the case here; we kept the Bar 1300 in position for a full month covering all TV and movie duties and a good few music ones. Never did it offend, and often it impressed.

Yet it is certainly the case that genuine Atmos takes things up a significant notch. Suddenly the signals from the rears were plainly discrete, not artificially created from something else. We watched Thor: Love and Thunder from Disney+, which is an IMAX Enhanced presentation with Dolby Atmos sound. As Gorr summons the god-killing Necrosword to kill Rapu in the intro sequence, the whole soundscape gets pretty frantic, even more so at the death of the God, and the JBL bar kept pace, banging the rocked-up Marvel theme at us from all corners. 

In fact, we reckon the rears were clearly ‘hot’ (a little high) as set by the calibration; we had thought the same at JBL’s demonstration in Studios 301. Many people like their rears hot – you’ve paid for them, might as well hear them! But it’s not quite the way the artist intended. Happily, as noted, here you can tweak various levels using the supplied remote control; the changing levels are shown on the bar’s LED display. We dropped the bass to 2, to stop it woofing things up quite so much. We put the rears to medium for atmospheric movies, but with Thor… we dropped them back to low, which kept things immersively real, less distractingly busy. There’s even a level control for upfiring level; that one we kept high. 

So set, the JBL 1300 delivered masses of power, a solid and tight sound, and a strong but realistic level of immersion. In one wide room we experienced something of a gap between front sound and rear, but once in a listening room with side walls the side-surround drivers firing at an angle from the bar’s edges could do their thing. 

When the bar gets an Atmos signal, it scrolls ‘Dolby Atmos’ on its display. This is usefully reassuring (it had read ‘Dolby Surround’ in one room at Studios 301, indicating some lesser form, and simply ‘PCM’ in the other demonstration).

The opening of AppleTV+’s Tetris movie provided a wonderful example of the Bar 1300’s talents, opening with a rear-left dice rattle from the detached speaker and progressing into an immersively pumping theme which is part Reznor/Ross, part Everything is Awesome . Then there’s an important dialogue scene and here the surround largely drops away, so you’re focused on the dialogue, which remained solid and distinct, then effects lift again as the Russian back-story begins and we move to a street in Moscow with a crack of thunder, falling rain and support music. The regularly-recurring Reznor/Ross-like blips are particularly effective, and this led us into one of the great joys of owning a Dolby Atmos system these days – Dolby Atmos music.   

The bar flashed up Dolby Atmos instantly when we set our AppleTV 4K to play Spatial Audio from its Apple Music app, and Atmos music sounded bloomin’ fantastic. Some soundbars can do movies but can’t hold a tune – this is decidedly not the case with the Bar 1300. It gave the best performance of Fleetwood Mac’s Atmos-mixed Dreams we’ve heard: we actually preferred it to our full surround system, so rich were Stevie Nicks’ vocals at the front, so enveloping the harmonies spread around the room, and so full and firm the bass (still on the ‘2’ notch, though some songs needed an extra tilt). 

Earth Wind & Fire’s September has plenty of rear action in its Atmos remix, and simply boogied along through the JBL combo, and with a crazy amount of level available – this is a rare soundbar which can really party when requested. We’d noted that JBL’s Studios 301 demos had been set to the max level of 32 (or one stop down, after a request to tame things a little), but that had been in a nearly impossible room in which to perform – a dry large studio with high ceilings. In our more realistic lounge environment we only once dared push it to the maximum level of 32; even 22 was crazy loud, so we had plenty of headroom to spare.

One great new Atmos release is boygenius’ 'the record'; the opening a capella piece being a nicely simple demonstration for voices placed around the soundstage, while track 3, Emily I’m Sorry , similarly spreads beautifully front to back, a fine advert for listening in Atmos. And there’s no listening to this quietly: the Atmos music effect only becomes more immersive as you raise the level, a slightly dreamlike audio world. If things started to feel a little floodied and swampy, we backed off the subwoofer a stop or two using the remote. 

The raunchier $20 between these two tracks, however, offered an example of where Atmos helps rather less: the mix sensibly keeps the band driving tightly in the front space, and uses the rears to place backing vocals and effects to fill out the stage – but does this add to the livelier jangle of the stereo mix? Streaming Atmos is, after all, perceptually compressed by a factor of 10 to 1; the stereo is far higher quality in terms of bit-rate, and on this track that’s loud and clear through the JBL Bar 1300. It’s a good pointer to its abilities, being able to discern such differences in source material quality. 

So not everything was brilliant; the Atmos mix of The Beatles Help! didn’t sound very lively at all, and when playing some of the stuff we know best in Atmos, like the brilliant mix of Rush’s Tom Sawyer , or Floyd’s ‘The Dark Side of the Moon’, it was obvious there wasn’t the precision that’s available from a larger system with receiver and speakers; vocal tones aren’t quite hi-fi, the bass less tight, the immersion less complete. But that’s comparing this soundbar system against a receiver and speaker package that would cost far more than the Bar 1300.

One result of the very large subwoofer in the system is that it can ‘pull’ a little if you don’t have it centrally located; this was evident on the lonely heartbeat that opens ‘The Dark Side of the Moon’, though its directionality was masked as soon as Breathe began. The effects panning and footsteps during On The Run were marvellous fun. Here was another recording which encouraged higher-level listening, although here we found some of the sound from the rears (though not rear height) drivers was delivered with a slight peakiness that encouraged us to tame the rears back, even while raising the whole. 

This kind of rebalancing on the fly is greatly assisted by those individual buttons on the remote, so that it’s easy to get just the right balance for different material quickly. It’s also useful when the separate speakers are upscaling less-than-Atmos material; sometimes things just get spread around too much, and we preferred just to lower the rear and/or height levels far down or even to zero; all these things are made easy by the versatile remote.  

And that bonus of using the removable rears as separate Bluetooth speakers? We had a little trouble connecting at first; the usual long press to start pairing instead here pairs the two speakers together. It’s a short touch to start one (or both of them) pairing. 

And the sound? They’ll be thin and weedy little standalone speakers, right? Well, no! Don’t forget that JBL makes the world’s best-selling and regularly-awarded Bluetooth speakers, and that experience shows here, with the solo rears sounding solid, full and enjoyable, with a fair degree of level too, so one of them will be great as a little bedroom speaker, say. When we paired the two together in stereo, they were three times as good, the sort of sound you’ll get pairing two large JBL Bluetooth speakers, so a tad artificial, a bit pushy sometimes, but strong and enjoyable, and powerful enough for a good stereo performance in a small-medium room. 

The only problem we foresee is that family members will be pinching the bar’s ends all the time to use in other places – a full movie night may require a hunt through the home. But what a marvellous bonus!

It’s highly impressive to find a soundbar system which can go this loud this effectively and still remain musical. Its removable battery rears are not unique but as yet still unusual in not taking over your lounge entirely with speaker boxes and cables, yet still offering true surround and height from behind. It all makes for a package which took out a 2023 Sound+Image Award at its price. We need hardly say more.

• See all our Australian reviews from Sound+Image and Australian Hi-Fi magazines!

Jez is the Editor of Sound+Image magazine, having inhabited that role since 2006, more or less a lustrum after departing his UK homeland to adopt an additional nationality under the more favourable climes and skies of Australia. Prior to his desertion he was Editor of the UK's Stuff magazine, and before that Editor of What Hi-Fi? magazine, and before that of the erstwhile Audiophile magazine and of Electronics Today International. He makes music as well as enjoying it, is alarmingly wedded to the notion that Led Zeppelin remains the highest point of rock'n'roll yet attained, though remains willing to assess modern pretenders. He lives in a modest shack on Sydney's Northern Beaches with his Canadian wife Deanna, a rescue greyhound called Jewels, and an assortment of changing wildlife under care.

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Mini projectors

What is the best mini projector for gaming.

Mini projectors are a great way to take your entertainment anywhere. But they’re a lot more than just a portable projector. They offer a heap of options when it comes to multimedia in and around your home. JB’s DLP projectors, laser projectors, and LED projectors are perfect for gaming. Easily connect your consoles and controllers via HDMI and enjoy high-lumen gaming with a big screen size in any room of your home, even outside. Play games such as HALO on an Xbox or AFL 23 on a PlayStation 5 like you never have before. Some of our more popular mini projectors for gaming include:

• Nebula Capsule 3
• Samsung The Freestyle
• Philips Pico Pix Max TV
• Nebula Apollo

Can mini projectors play Netflix?

Movie night will never be the same again with your own high-lumen home cinema portable projector. Whether it’s Netflix, Amazon Prime, or Disney Plus, you can watch it on a mini projector. You don’t need any special adapters, just turn it on, connect to the Wi-Fi, choose your favourite app and you’re away. All our mini projectors make home entertainment streaming easy with either:

• Built-in Android TV
• Wi-Fi and Bluetooth connectivity
• Device mirroring
• HDMI or USB cable connection

Mini smart projectors

As well as the latest technology, high picture quality, and uber convenience, mini portable projectors give you total connectivity, in a heap of different ways. That includes smart connectivity, with:

• Built-in Google Assistant
• Android or iPhone connection
• Wi-Fi Smart Home compatibility
• Smart remote control

You can also connect your home theatre projector to any device and enjoy its smart features, with Bluetooth and audio jacks, or VGA, USB-C, and HDMI cables.

Mini vs portable projector

A mini projector and portable projector are often categorised as the same thing, but there can be a few differences. For some, a portable projector is the kind of device you see at work, a smaller version of the projector fixed to the ceilings of boardrooms in Australia pointed at a projector screen. JB’s mini projectors can offer more, including:

• Size and portability. They’re more like a pocket projector.
• Quick setup. Connect and point and you’re ready to go.
• Versatility. Don’t let their small size fool you. They can do it all
• Value. Great prices, a heap of features, Full HD, and high ANSI lumens.
• Sound quality. Built-in speakers deliver.

Top image quality

When it comes to image quality, JB’s range of home theatre projectors has it covered, big time. Choose from our range of LCD LED projectors, DLP projectors, or laser projectors and enjoy up to:

• Full HD 1080p resolution (HDR)
• 120 inch projection
• 300 ANSI lumens
• 30,000 lamp life hours

All that combines to produce image quality that’s not out of place in one of JB’s top brand newest TVs. When you also include the convenience of short throw lengths, automatic straightening, and autofocus, you’ll love the Full HD picture quality a mini projector provides.

Features to look out for

JB’s range of home cinema and gaming portable projectors are perfect for a whole heap of uses. From watching movies with family and friends in the garden to upping your gaming or streaming experience, they offer a lot of convenience, technology, and features such as:

• Super brightness
• Lightweight designs
• High resolution
• Bluetooth speaker
• Easy placing and mounting
• Multiple display cable connections
• Short throw distance
• Quality colour and image
• Laser, DLP or LED light
• Battery Life
• Multiple filters
• Carrying case
• Long battery life
• More lumens

Brands we know and trust

If we’re talking entertainment, electronics, and appliances, JB is the home of leading brands in Australia. Top brands mean products you can trust, quality warranties, great value, and all the features you need. Our range of DLP, laser, or LED projectors instore and online includes brands such as:

^Discounts apply to previous ticketed/advertised price prior to the discount offer. As we negotiate, products will likely have been sold below ticketed/advertised price prior to the discount offer. Prices may differ at airport stores.