how to write an introduction for philosophy essay

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Philosophy essay writing guide

Introduction.

This guide is intended to give new students of philosophy some preliminary advice about writing philosophy essays at university. For many of you, writing a philosophy essay will be something of a new experience, and no doubt many of you will be a little unsure of what to expect, or of what is expected of you. Most of you will have written essays in school for English, History, etc. A philosophy essay is something a little different again. However, it is not an unfathomable, mysterious affair, nor one where anything goes.

Just what a philosophy essay is will depend a lot, as you'd expect, on just what philosophy is. Defining philosophy is always a more or less controversial business, but one way to think of what is done in university philosophy departments is to think of the difference between having a philosophy and doing philosophy. Virtually everyone "has a philosophy" in the sense that we have many basic beliefs about the world and ourselves and use certain key concepts to articulate those beliefs. Many of us initially come to thus "have a philosophy" (or elements of several philosophies) often only unconsciously, or by following "what's obvious" or "what everybody knows", or by adopting a view because it sounds exciting or is intellectually fashionable.

"Doing philosophy", on the other hand, is a self-conscious unearthing and rigorous examination of these basic beliefs and key concepts. In doing so, we try to clarify the meanings of those beliefs and concepts and to evaluate critically their rational grounds or justification. Thus, rather than having their heads in the clouds, philosophers are really more under the surface of our thinking, examining the structures that support - or fail to support - those who trust that they have their feet on the ground. Such examination may even help to develop new and firmer ground.

Doing philosophy, then, begins with asking questions about the fundamental ideas and concepts that inform our ways of looking at the world and ourselves, and proceeds by developing responses to those questions which seek to gain insight into those ideas and concepts - and part of that development consists in asking further questions, giving further responses, and so on. Human beings across the world have been engaged in this sort of dialogue of question and response for many centuries - even millennia - and a number of great traditions of reflection and inquiry have evolved that have fundamentally influenced the development of religion, art, science and politics in many cultures. The influence of philosophical thinking on Western civilization, in particular, can be traced back more than 2,500 years to the Ancient Greeks.

In philosophy, a good essay is one that, among other things, displays a good sense of this dialectic of question and response by asking insightful, probing questions, and providing reasoned, well-argued responses. This means that you should not rest content with merely an unintegrated collection of assertions, but should instead work at establishing logical relations between your thoughts. You are assessed not on the basis of what you believe, but on how well you argue for the position you adopt in your essay, and on how interesting and insightful your discussion of the issues is. That is to say, you are assessed on how well you do philosophy, not on what philosophy you end up having. Nonetheless, you ought to make sure that your essay's discussion is relevant to the topic. (See Section 5.2 below on relevance.)

It is hoped that you enjoy the activity of essay writing. If you have chosen to study Arts, it is likely that you will have a particular interest in - even a passion for - ideas and the variety of forms and genres in which ideas are expressed and explored. The argumentative or discursive formal academic essay is one such form, and one which can be a pleasure to read and to write. Thus, the assessment that is set in philosophy courses is primarily an invitation to you to pursue what is already (or, hopefully, soon to be) your own interest in writing to explore ideas. However, your immediate goal in writing an academic philosophy essay ought not to be to write a personal testament, confession or polemic. Rather, you should primarily aim at articulating, clearly and relatively dispassionately, your philosophical thinking on the topic at hand. Nevertheless, the kind and degree of personal development one can gain from taking up the challenge to think and to write carefully, clearly and thoroughly is certainly something to be greatly valued.

This guide is intended to help you get started in the business of writing philosophy essays. As you practise your philosophical writing skills, you will develop your own technique, and learn what is appropriate in each particular case. So you may well come to "work around" many of these guidelines. Nonetheless, it is important that you pass through that which you seek to pass beyond.* In addition to your own writing, your reading of other philosophers will help you to develop your sense of what constitutes good philosophical writing. As you read, note the various styles and techniques that philosophical authors employ in their treatment of philosophical issues. Practice and studying good examples, then, are the most valuable ways to develop your essay writing skills.

This guide is, moreover, only one of many publications that introduce philosophy students to essay writing. Some others you may like to consult include:

• A. P. Martinich, Philosophical Writing, 2nd ed. (Oxford: Blackwell, 1997)
• J. Feinberg and R. Shafer-Landau, Doing Philosophy: A Guide to the Writing of Philosophy Papers, 2nd ed. (Belmont, Calif.: Wadsworth, 2001)
• Z. Seech, Writing Philosophy Papers, 4th ed. (Belmont, Calif.: Wadsworth, 2003)
• R. Solomon, "Writing Philosophy", Appendix to his The Big Questions: A Short Introduction to Philosophy, 6th ed. (Belmont, Calif.: Wadsworth, 2001)
• S. Gorovitz et al., Philosophical Analysis: An Introduction to its Language and Techniques, 3rd ed. (New York: Random House, 1979)

Also, the websites of many philosophy departments in universities around Australia and the world contain downloadable essay writing guides or links to them.

*This phrase is adapted from Jacques Bouveresse, "Why I am so very unFrench", in Alan Montefiore, ed., Philosophy in France Today (Cambridge: Cambridge University Press, 1983), p. 12.

What do I do in a Philosophy essay?

Philosophy essay topics are not designed to provide an intellectual obstacle course that trips you up so as to delight a malicious marker. They are designed to invite you to "grapple with" with some particular philosophical problem or issue. That is to say, they are designed to offer you an opportunity to demonstrate your understanding of a particular philosophical problem or issue, and to exhibit your own philosophical skills of analysis, argumentation, etc. These twin goals are usually best achieved by ensuring that your essay performs two basic functions (your understanding and your skills apply to both):

an exposition of the problem or issue in question (often as it is posed in some particular text); and a critical discussion of the problem or text

These two functions can, but need not always, correspond to physically or structurally distinct sections of your essay. See Section 5.1.

The expository ("setting forth") aspect of your essay is where you should make clear what the issue is and why it is an issue. Where you are dealing with an issue as it is presented in some particular text, your aim should be to make clear what it is that the author in question meant in their text, what they see as the issue and why they see it as an issue. This does not involve merely quoting or paraphrasing a text. Of course, occasional quotation and paraphrase may be appropriate - sometimes necessary - but these ought not to constitute the sole or major content of your exposition. Where you do quote or paraphrase, make sure you attribute your sources in footnotes or endnotes. (See Section 7.)

Exposition is, then, primarily a matter of developing in your own words what you think the issue is or what you think the text means. In all expository work you should always try to give a fair and accurate account of a text or problem, even when the exposition becomes more interpretive rather than simply descriptive. You ought to be patient and sympathetic in your exposition, even if you intend later to criticise heavily the philosopher in question. Indeed, the better the exposition in this regard, usually the more effective the critique.

An important part of exposition is your analysis of the text or issue. Here you should try to "break down" the text, issue or problem into its constitutive elements by distinguishing its different parts. (E.g. "There are two basic kinds of freedom in question when we speak of freedom of the will. First, … . Second, …", or "There are three elements in Plato's conception of the soul, namely... He establishes these three elements by means of the following two arguments... ") This also involves showing the relationships between those elements, relationships which make them "parts of the whole".

As well as laying out these elements within a text or issue, you can also (when appropriate or relevant) show how a text or issue "connects up with" other texts, issues, or philosophical and/or historical developments, which can help to shed further light on the matter by giving it a broader context. (eg "Freedom of the will is importantly connected to the justification of punishment", or "Plato's tripartite theory of the soul bears interesting resemblances to Freud's analysis of the psyche", or "Kant's transcendental idealism can be seen as reconciling the preceding rationalist and empiricist accounts of knowledge".)

An exposition of a text need not always simply follow the author's own view of what it means. You should, of course, demonstrate that you understand how the author themself understands their work, but an exposition can sometimes go beyond this, giving another reading of the text. (eg "Heidegger might deny it, but his Being and Time can be read as developing a pragmatist account of human understanding.") A given text or issue may well be susceptible to a number of plausible or reasonable interpretations. An exposition should aim to be sensitive to such variety. When appropriate, you should defend your interpretations against rivals and objections. Your interpretation ought, though, to be aimed at elucidating the meaning or meanings of the text or issue and not serve merely as a "coat-hanger" for presenting your own favoured views on the matter in question, which should be left to your ...

Critical discussion

This is where your thought gets more of the centre stage. Here you should attempt to develop a response to the issues which your exposition has made clear, and/or, in the case of a discussion of some particular text, attempt to give a critical appraisal of the author's treatment of the issue. In developing a response to a philosophical problem, argumentation is, again, of central importance. Avoid making unsupported assertions; back up your claims with reasons, and connect up your ideas so that they progress logically toward your conclusions. Consider some of the various objections to and questions about your views that others might or have put forward, and try to respond to them in defence of your own line of thinking. Your goal here should be to discuss what you have expounded so as to come to some conclusion or judgement about it. ("Critical" is derived from the Ancient Greek for "to decide, to judge".) Critical discussion is thus not necessarily "destructive" or "negative"; it can be quite constructive and positive.

In the case of a critical appraisal of a particular author's text, you can negatively criticise the author's arguments by pointing out questionable assumptions, invalid reasoning, etc. If, on the other hand, you think that the text is good, then your critical discussion can be positive. This can be done by revealing its "hidden virtues" (that is, by showing that there is more to the author's arguments and views than what lies on the surface) and/or by defending an author against possible and/or actual criticisms. (eg "Norman Malcolm argues that Descartes is mistaken in assuming that dreams and waking episodes have the same content.* However, Malcolm fails to appreciate the subtlety of Descartes' argument in the First Meditation, which allows Descartes to claim . . .") Just to expound an author's arguments and then say "I disagree" or "That seems right" is not really enough - you need to "have something to say" about it. Of course, by all means go on, after finding fault with some philosopher, to answer in your own way the questions tackled or raised by the author. (eg "Simone de Beauvoir's analysis of women's oppression in The Second Sex suffers from serious weaknesses, as I have shown in Section 2 above. A better way to approach the issue, I shall now argue, is to . . .".)

Where you are not primarily concerned with evaluating or responding to a particular text, your critical discussion can be more focused on your own constructive response to the issue. (eg "Having used Dworkin's account to clarify the meanings of the concepts of 'the sanctity of life' and 'voluntariness', I shall now argue that voluntary euthanasia is morally permissible because its voluntariness respects what is of value in the notion of the sanctity of life" - where you now leave Dworkin behind as a source and move on to give your own account.)

* See Norman Malcolm, "Dreaming and Skepticism", in Willis Doney, ed., Descartes: A Collection of Critical Essays (London: Macmillan, 1967), p. 56.

Guide to researching and writing Philosophy essays

5th edition by Steven Tudor , for the Philosophy program, University of Melbourne, 2003.

This fifth edition of How to Write a Philosophy Essay: A Guide for Students (previous editions titled A Guide to Researching and Writing Philosophy Essays ) was prepared in consultation with members of the Philosophy program, the University of Melbourne. For advice and assistance on this and earlier editions, thanks are due to Graham Priest, Barry Taylor, Christopher Cordner, Doug Adeney, Josie Winther, Linda Burns, Marion Tapper, Kimon Lycos, Brendan Long, Jeremy Moss, Tony Coady, Will Barrett, Brian Scarlett, and Megan Laverty. Some use was also made of materials prepared by the Philosophy Departments of La Trobe University, the University of Queensland, and The Australian National University.

Disclaimer: University, Faculty and program rules

Please note: this booklet does not provide authoritative statements of the official policies or rules of the University of Melbourne, the Faculty of Arts, or the Philosophy program with regard to student essays and examinations or any other matters. Students should, therefore, not rely on this booklet for such information, for which they should consult the various appropriate notice boards, handbooks, websites, and/or members of staff.

Essay topics

What do philosophy essay topics look like? There are, very roughly, two basic kinds of philosophy essay topics: "text-focused" topics and "problem-focused" topics. Text-focused topics ask you to consider some particular philosopher's writing on some issue. (eg "Discuss critically David Hume's account of causation in Part III of Book I of his A Treatise of Human Nature " or "Was Wittgenstein right to say that 'the meaning of a word is its use in the language', in his Philosophical Investigations, Sec. 43?"). Problem-focused topics are more directly about a particular philosophical problem or issue, without reference to any particular philosopher's text. (eg "Is voluntary euthanasia morally permissible?" or "What is scientific method?")

There is another sort of topic, one which presents a statement and asks you to discuss it, where that statement is a "made up" or, at least, unattributed quote. (eg. "'Without belief in God, people cannot be moral'. Discuss.") I shall regard these as variations of the problem-focused type of topic. Where you are asked to discuss some such statement "with reference to" some specified text or philosopher, then that topic becomes more text-focused. (eg "'Without belief in God, people cannot be moral'. Discuss with reference to J.L. Mackie's Ethics: Inventing Right and Wrong. ") Occasionally, a topic presents an unattributed statement, but the statement is, in fact, a quote from a particular philosopher you've been studying, or, at least, a good paraphrase of their thinking. (An example of the latter: "'All the ideas in our minds originate from either sense perception or our reflection upon sensory information.' Discuss.", in a course devoted to John Locke, whose views are summed up in the quoted statement, though those words are not actually his.) Should you take such topics as problem- or text-focused? Rather unhelpfully, I'll say only that it depends on the case. You might ask your lecturer or tutor about it. Whichever way you do take it, be clear in your essay which way you are taking it.

The difference between text-focused and problem-focused essay topics is, however, not very radical. This is because, on the one hand, any particular philosopher's text is about some philosophical problem or question, while, on the other hand, most philosophical problems (certainly virtually all those you will be given as essay topics at university) will have been written about by previous philosophers.

The basic way to approach text-focused topics, then, is to treat the nominated text as an attempt by one philosopher to deal with a particular philosophical problem or issue. The essay topic will, generally speaking, be inviting you to do philosophy with that philosopher, to engage with them in thinking about the issue, whether that engagement proves to be as an ally or an adversary. The chosen text will usually be one which has been (or deserves to be) influential or significant in the history of philosophy, but the task is not to pay homage to past masters. But, even if homage is your thing, the best way to do that here is to engage with the master philosophically.

With regard to problem-focused topics, you will often find your exploration of the problem aided by taking some text or texts which have dealt with it as reference points or prompts. This is not always strictly necessary, but many of you starting out in philosophy will find it helpful to do so - it can help you give focus to your response to the question. (Thus, you might, in an essay on the topic "Is voluntary euthanasia morally permissible?" take it upon yourself to use, for example, Ronald Dworkin's Life's Dominion and Peter Singer's Practical Ethics as reference points. Or, in an essay on the topic "What is scientific method?", you might set up your answer via a comparison of the two different accounts in Karl Popper's The Logic of Scientific Discovery and Paul Feyerabend's Against Method.*) How will you know which texts to adopt as reference points or prompts, if none is mentioned in the essay topic itself? One way is to consider what texts have already been mentioned with regard to the topic in your course reading guide and in lectures and tutorials. Another way is to do some of your own research. On this see Section 4 below.

* In this guide, in giving examples of how to go about answering an essay question, I am not necessarily giving any concrete or reliable advice for any particular topic. The examples are primarily to do with the form or style or strategy you might find helpful.

Researching your essay

To do research for your philosophy essay you need to do only two things: read and think. Actually, for problem-focused essays, thinking is the only truly necessary bit, but it's highly likely that you will find your thinking much assisted if you do some reading as well. Philosophical research at university is a little different to research in most other disciplines (especially the natural sciences), in that it is not really about "collecting data" to support or refute explanatory theories. Rather, the thinking that's involved in philosophical research (as part of one's preparation for philosophical writing) is more a matter of reflecting critically upon the problems in front of one. Researching the writings of other philosophers should, therefore, be primarily directed towards helping you with that reflection rather than aiming at gathering together and reporting on "the relevant findings" on a particular topic. In many other disciplines, a "literature review" is an important research skill, and sometimes philosophy academics do such reviews - but it is rare that philosophy students are asked to do one.

What, then, to read? It should be clear from your lectures and tutorials what some starting points for your reading might be. (All courses provide reading guides; many also have booklets of reading material.) Your tutor and lecturer are also available for consultation on what readings you might begin with for any particular topic in that subject. Independent research can also uncover useful sources, and evidence of this in your essay can be a pleasing sign of intellectual independence. Make sure, though, that what you come up with is relevant to the topic. (See Section 5.2 below on relevance.) Whichever way you proceed, your reading should be purposive and selective.

In the case of essay questions that refer to a particular text, you should familiarise yourself thoroughly with this text. Usually, such a text will be a primary text, i.e. one in which a philosopher writes directly about a philosophical issue. Texts on or about a primary text are called secondary texts. (Many philosophical works will combine these two tasks, and discuss other philosophical texts while also dealing directly with a philosophical issue.) Some secondary texts can be helpful to students. However, don't think you will only ever understand a primary text if you have a nice friendly secondary text to take you by the hand through the primary text. More often than not, you need to have a good grasp of the primary text in order to make sense of the secondary text.

How much to read? The amount of reading you do should be that which maximises the quality of your thinking - that is, you should not swamp yourself with vast slabs of text that you can't digest, but nor should you starve your mind of ideas to chew over. There is, of course, no simple rule for determining this optimal amount. Be wary, though, of falling into the vice of looking for excuses not to read some philosopher or text, as in "Oh, that's boring old religious stuff" or "She's one of those obscure literary feminist types", or "In X Department they laugh at you if you mention those authors in tutes". If someone wants a reason not to think, they'll soon come up with one.

Philosophical writings

Most philosophical writings come in either of two forms: books or articles. Articles appear either in books that are edited anthologies or in academic journals, such as Philosophical Quarterly or Australasian Journal of Philosophy. Some academic journals are also on the internet. Most articles in the journals are written by professional philosophers for professional philosophers; similarly with many books. But by no means let this put you off. Everyone begins philosophy at the deep end - it's really the only kind there is!

There are, however, many books written for student audiences. Some of these are general introductions to philosophy as a whole; others are introductions to particular areas or issues (eg biomedical ethics or philosophy of science). Among the general introductions are various philosophical dictionaries, encyclopedias and "companions". These reference works collect short articles on a wide range of topics and can be very useful starting points for newcomers to a topic. Among the most useful of the general reference works are:

• Edward Craig, ed., The Routledge Encyclopedia of Philosophy (10 vols.) (London: Routledge, 1998)
• Paul Edwards, ed., The Encyclopedia of Philosophy (8 vols.) (New York: Macmillan, 1967)
• Robert Audi, ed., The Cambridge Dictionary of Philosophy, 2nd ed. (Cambridge: Cambridge University Press, 1999)
• Ted Honderich, ed., The Oxford Companion to Philosophy (Oxford: Oxford University Press, 1995)
• Simon Blackburn, The Oxford Dictionary of Philosophy (Oxford: Oxford University Press, 1996)
• Thomas Mautner, ed., The Penguin Dictionary of Philosophy (London: Penguin, 1998)
• J.O. Urmson and Jonathan Ree, eds., The Concise Encyclopedia of Western Philosophy and Philosophers (London: Routledge, 1993)
• Edward N. Zalta, ed., The Stanford Encyclopedia of Philosophy (an internet-based reference work: plato.stanford.edu/ )

Note taking

Note taking, like your reading, should not be random, but ought to be guided by the topic in question and by your particular lines of response to the issues involved. Note taking for philosophy is very much an individual art, which you develop as you progress. By and large it is not of much use to copy out reams of text as part of your researches. Nor is it generally helpful to read a great number of pages without making any note of what they contain for future reference. But between these two extremes it is up to you to find the mean that best helps you in getting your thoughts together.

Libraries and electronic resources

The University's Baillieu Library (including the Institute of Education Resource Centre), which is open to all members of the University, contains more than 2,500 years' worth of philosophical writings. The best way to become acquainted with them is by using them, including using the catalogues (including the Baillieu's on-line catalogues and subject resources web-pages), following up a work's references (and references in the references), intelligent browsing of the shelves, etc.

In the main Baillieu Library, the philosophical books are located (mostly) between 100–199 in the Dewey decimal system, and philosophical journals are located in the basement. The Reference section on the ground floor also has some relevant works. The Education Resource Centre also has a good philosophy collection.

In addition to hard-copy philosophical writings, there is also a variety of electronic resources in philosophy, mostly internet-based. The Stanford Encyclopedia of Philosophy was already mentioned above. Links to other useful internet sites (such as the Australasian Association of Philosophy website) can be found through the Baillieu Library's web-page and the Philosophy Department's web-page.

A strong word of warning, however, for the would-be philosophical web-surfer: because anyone can put material on a website, all kinds of stuff, of varying levels of quality, is out there - and new-comers to philosophy are usually not well placed to sort their way through it. Unless you have a very good understanding of what you're looking for - and what you're not looking for - most of you will be much better off simply carefully reading and thinking about a central text for your course, eg Descartes' First Meditation, rather than wandering about the internet clicking on all the hits for "Descartes". Exercise your mind, not your index finger.

Writing your essay

Planning and structuring your essay.

It is very important that you plan your essay, so that you have an idea of what you are going to write before you start to write it. Of course, you will most likely alter things in later drafts, but you should still start off by having a plan. Planning your essay includes laying out a structure. It is very important that your essay has a clearly discernible structure, ie that it is composed of parts and that these parts are logically connected. This helps both you and your reader to be clear about how your discussion develops, stage by stage, as you work through the issues at hand.

Poor essay structure is one of the most common weaknesses in student philosophy essays. Taking the time to work on the structure of your essay is time well spent, especially since skill in structuring your thoughts for presentation to others should be among the more enduring things you learn at university. A common trap that students fall into is to start their essay by writing the first sentence, then writing another one that seems to follow that one, then another one that sort of fits after that one, then another that might or might not have some connection with the previous one, and so on until the requisite 1,500 words are used up. The result is usually a weak, rambling essay.

There are, of course, no hard and fast rules about how to structure a philosophy essay. Again, it is a skill you develop through practice, and much will depend on the particular topic at hand. Nonetheless, it might be helpful to begin by developing an essay structure around the basic distinction between your exposition and your critical discussion (as discussed above). In this it will be important that you make clear who is putting forward which point, that is, make it clear whether you are presenting your own thoughts or are expounding someone else's. (Again, confusion in this regard is a common problem in student essays.) It can often help your structuring if you provide headings for different sections (possibly numbered or lettered). Again, this helps both your reader to follow your discussion and you to develop your thoughts. At each stage, show clearly the logical relations between and the reasons for your points, so that your reader can see clearly why you say what you say and can see clearly the development in your discussion.

Another key to structuring your essay can be found in the old adage "Tell 'em what you're gonna tell 'em. Tell 'em. Then tell 'em what you've told 'em", which provides you with a ready-made structure: Introduction, Main Body, and Conclusion.

In your Introduction, first introduce the issues the essay is concerned with. In doing so, try to state briefly just what the problem is and (if there is space) why it is a problem. This also applies, of course, to issues covered in text-focused essay topics. Next, tell the reader what it is that you are going to do about those problems in the Main Body. This is usually done by giving a brief sketch or overview of the main points you will present, a "pre-capitulation", so to speak, of your essay's structure. This is one way of showing your reader that you have a grasp (indeed, it helps you get a grasp) of your essay as a structured and integrated whole, and gives them some idea of what to expect by giving them an idea of how you have decided to answer the question. Of course, for reasons of space, your Introduction might not be very long, but something along these lines is likely to be useful.

In your Main Body, do what you've said you'll do. Here is where you should present your exposition(s) and your critical discussion(s). Thus, it is here that the main philosophical substance of your essay is to be found. Of course, what that substance is and how you will present it will depend on the particular topic before you. But, whatever the topic, make clear at each stage just what it is you are doing. You can be quite explicit about this. (eg "I shall now present Descartes' ontological argument for the existence of God, as it is presented in his Fifth Meditation. There will be three stages to this presentation.") Don't think that such explicitness must be a sign of an unsophisticated thinker.

A distinct Conclusion is perhaps not always necessary, if your Main Body has clearly "played out" your argument. So you don't always have to present a grand summation or definitive judgement at the end. Still, often for your own sake, try to state to yourself what it is your essay has achieved and see if it would be appropriate to say so explicitly. Don't feel that you must come up with earth-shattering conclusions. Of course, utter banality or triviality are not good goals, either. Also, your essay doesn't always have to conclude with a "solution" to a problem. Sometimes, simply clarifying an issue or problem is a worthy achievement and can merit first-class honours. A good conclusion to a philosophy essay, then, will usually combine a realistic assessment of the ambit and cogency of its claims with a plausible proposal that those claims have some philosophical substance.

What you write in your essay should always be relevant to the question posed. This is another common problem in student essays, so continually ask yourself "Am I addressing the question here?" First-class answers to a question can vary greatly, but you must make sure that your essay responds to the question asked, even if you go on to argue that the question as posed is itself problematic. (eg "To ask ‘What is scientific method?' presupposes that science follows one basic method. However, I shall argue that there are, in fact, several different scientific methods and that these are neither unified nor consistent.") Be wary, however, of twisting a topic too far out of shape in order to fit your favoured theme. (You would be ill-advised, for example, to proceed thus: "What is scientific method? This is a question asked by many great minds. But what is a mind? In this essay, I shall discuss the views of Thomas Aquinas on the nature of mind.")

This requirement of relevance is not intended as an authoritarian constraint on your intellectual freedom. It is part of the skill of paying sustained and focused attention to something put before you - which is one of the most important skills you can develop at university. If you do have other philosophical interests that you want to pursue (such as Aquinas on mind), then please do pursue them, in addition to writing your essay on the set topic. At no stage does the requirement of relevance prevent you from pursuing your other interests.

Citing Philosophical "Authorities"

There might be occasions when you want to quote other philosophers and writers apart from when you are quoting them because they are the subject of your essay. There are two basic reasons why you might want to do this. First, you might quote someone because their words constitute a good or exemplary expression or articulation of an idea you are dealing with, whether as its proponent, critic, or simply its chronicler. (eg "As Nietzsche succinctly put the point, 'There are no moral phenomena at all, only a moral interpretation of phenomena'.*") You may or may not want to endorse the idea whose good expression you have quoted, but simply want to use the philosopher as a spokesperson for or example of that view. But be clear about what you think the quote means and be careful about what you are doing with the quote. It won't do all the work for you.

The second reason you might want to quote a philosopher is because you think their words constitute an "authoritative statement" of a view. Here you want to use the fact that, eg Bertrand Russell maintained that there are two kinds of knowledge of things (namely, knowledge by acquaintance and knowledge by description) in support of your claim that there are two such kinds of knowledge of things. However, be very careful in doing this, for the nature of philosophical authority is not so simple here. That is to say, what really matters is not that Bertrand Russell the man held that view; what matters are his reasons for holding that view. So, when quoting philosophers for this second reason, be careful that you appreciate in what exactly the authority lies - which means that you should show that you appreciate why Russell maintained that thesis. Of course, you can't provide long arguments for every claim you make or want to make use of; every essay will have its enabling but unargued assumptions. But at least be clear about these. (eg "For the purposes of this essay, I shall adopt Russell's thesis* that ...").

* Friedrich Nietzsche, Beyond Good and Evil, trans. R.J. Hollingdale (Harmondsworth: Penguin, 1973 [first German ed.1886]), Sec. 108.

* See Bertrand Russell, The Problems of Philosophy (Oxford: Oxford University Press, 1967 [first pub. 1912]), Ch. 5.

Philosophy is by its nature a relatively abstract and generalising business. (Note that abstractness and generality are not the same thing. Nor do vagueness and obscurity automatically attend them.) Sometimes a longish series of general ideas and abstract reasonings can become difficult for the reader (and often the writer) to follow. It can often help, therefore, to use some concrete or specific examples in your discussion. (Note that there can be different levels of concreteness and specificity in examples.)

Examples can be taken from history, current events, literature, and so on, or can be entirely your own invention. Exactly what examples you employ and just how and why you use them will, of course, depend on the case. Some uses might be: illustration of a position, problem or idea to help make it clearer; evidence for, perhaps even proof of, a proposition; a counter-example; a case-study to be returned to at various points during the essay; or a problem for a theory or viewpoint to be applied to. Again, be clear about what the example is and how and why you use it. Be careful not to get distracted by, or bogged down in, your examples. Brevity is usually best.

English expression

There's another old saying: "If you can't say what you mean, then you can't mean what you say" - and this very much applies to philosophical writing. Thus, in writing philosophically, you must write clearly and precisely. This means that good philosophical writing requires a good grasp of the language in which it is written, including its grammar and vocabulary. (See Section 9.3 for advice for people from non-English speaking backgrounds.) A high standard of writing skills is to be expected of Arts graduates. Indeed, this sort of skill will last longer than your memory of, for example, the three parts of the Platonic soul (though it is also hoped that some of the content of what you study will also stick). So use your time at university (in all your subjects) to develop these skills further.

Having a mastery of a good range of terms, being sensitive to the subtleties of their meaning, and being able to construct grammatically correct and properly punctuated sentences are essential to the clear articulation and development of your thoughts. Think of grammar, not as some old-fashioned set of rules of linguistic etiquette, but rather as the "internal logic" of a sentence, that is, as the relationships between the words within a sentence which enable them to combine to make sense.

Virtually all sentences in philosophical writing are declarative (ie. make statements), as opposed to interrogative, imperative or exclamatory types of sentences. There is some place, though, for interrogative sentences, ie. questions. (Note that, in contrast, this guide, which is not in the essay genre, contains many imperative sentences, ie. commands.) As you craft each (declarative) sentence in your essay, remember the basics of sentence construction. Make clear what the sentence is about (its subject) and what you are saying about it (the predicate). Make clear what the principal verb is in the predicate, since it is what usually does the main work in saying something about the subject. Where a sentence consists of more than one clause (as many do in philosophical writing), make clear what work each clause is doing. Attend closely, then, to each and every sentence you write so that its sense is clear and is the sense you intend it to have. Think carefully about what it is you want each particular sentence to do (in relation to both those sentences immediately surrounding it and the essay as a whole) and structure your sentence so that it does what you want it to do. To help you with your own sentence construction skills, when reading others' philosophical works (or indeed any writing) attend closely to the construction of each sentence so as to be alive to all the subtleties of the text.

Good punctuation is an essential part of sentence construction. Its role is to help to display the grammar of a sentence so that its meaning is clear. As an example of how punctuation can fundamentally change the grammar and, hence, meaning of a sentence, compare (i) "Philosophers, who argue for the identity of mind and brain, often fail to appreciate the radical consequences of that thesis." and (ii) "Philosophers who argue for the identity of mind and brain often fail to appreciate the radical consequences of that thesis." In the first sentence it is asserted (falsely, as it happens) that all philosophers argue for the identity of mind and brain; in the second, only some philosophers are said to argue for the identity of mind and brain. Only the punctuation differs in the two strings of identical words, and yet the meanings of the sentences are very different. Confusions over this sort of thing are common weaknesses in student essays, and leave readers asking themselves "What exactly is this student trying to say?"

It will be assumed that you can spell - which is not a matter of pressing the "spell-check" key on a word-processor. A good dictionary and a good thesaurus should always be within reach as you write your essay.

Also, try to shorten and simplify sentences where you can do so without sacrificing the subtlety and inherent complexity of the discussion. Where a sentence is becoming too long or complex, it is likely that too many ideas are being bundled up together too closely. Stop and separate your ideas out. If an idea is a good or important one, it will usually deserve its own sentence.

Your "intra-sentential logic" should work very closely with the "inter-sentential logic" of your essay, ie. with the logical relations between your sentences. (This "inter-sentential logic" is what "logic" is usually taken to refer to.) For example, to enable sentences P and Q to work together to yield sentence R as a conclusion, you need to make clear that there are elements within P and Q which connect up to yield R. Consider the following example: "Infanticide is the intentional killing of a human being. However, murder is regarded by all cultures as morally abhorrent. Therefore, people who commit infanticide should be punished." This doesn't work as an argument, because the writer has not constructed sentences which provide the connecting concepts in the various subjects and predicates, even though each sentence is grammatically correct (and possibly even true).

If you are concerned to write not only clearly and precisely, but also with some degree of grace and style (and I hope you are), it's still best to get the clarity and precision right first, in a plain, straightforward way, and then to polish things up afterwards to get the style and grace you want. But don't sacrifice clarity and precision for the sake of style and grace - be prepared to sacrifice that beautiful turn of phrase if its presence is going to send your discussion down an awkward path of reasoning. Aim to hit the nail on the head rather than make a loud bang. What you are likely to find, however, is that a philosophy essay which really is clear and precise will have a large measure of grace and style in its very clarity and precision.

Remember that obscurity is not a sign of profundity. (Some profound thought may well be difficult to follow, but that doesn't mean that one can achieve profundity merely through producing obscure, difficult-to-read writing.) Your marker is interested in what's actually in your essay, not what's possibly inside your head (or indeed what's possibly in some book you happen to have referred to in your essay). So avoid hinting at or alluding suggestively to ideas, especially where they are meant to do some important work in your essay. Instead, lay them out explicitly and directly. Of course, you won't have space to spell out every single idea, so work out which ideas do the most important work and make sure that you at least get those ideas clearly articulated. In expounding a text or problem that ultimately just is vague, muddled, or obscure, try to convey such vagueness, muddle or obscurity clearly, rather than simply reproducing it in your own writing. That is, be clear that and how a text or problem has such features, and then perhaps do your best to make matters clearer.

Despite these stern pronouncements, don't be afraid of sometimes saying things which happen to sound a little odd, if you have tried various formulations and think you have now expressed your ideas just as they should be expressed. Philosophy is often an exploratory business, and new ways of seeing and saying things can sometimes be a part of that exploration.

The need for clarity and precision in philosophical writing sometimes means that you need to stipulate your own meaning for a term. When you want to use a particular word in a particular way for the purposes of your essay - as a "technical term" - be clear about it. (eg "In this essay, I shall intend ‘egoism' to mean ...") Also, be consistent in your technical meanings, or else note when you are not. Be wary, though, of inventing too many neologisms or being too idiosyncratic in your stipulations.

With regard to what "authorial pronoun" to adopt in a philosophy essay, it's standard to write plainly in the first person singular ("I", "me", "my", etc.) rather than use the royal "we" (as in "we shall argue that ..."), or the convoluted quasi-legal indirect form ("It is submitted that ..."), or the scientific objectivity of a physics experimental report. Nonetheless, stick closer to "I argue", "I suggest", "my definition", etc., than to "I wish", "I hate", "my feeling", etc. A philosophy essay is still something more intellectual and formal than a personal reminiscence, polemic, or proclamation. In terms of audience, it's probably best to think of your reader as someone who is intelligent, open to discussion and knows a little about the topic you're writing on, but perhaps is not quite clear or decided about the issues, or needs convincing of the view you want to put forward, or is curious about what you think about the issues.

Try also to use non-discriminatory language, ie. language which does not express or imply inequality of worth between people on the basis of sex, gender, race, ethnicity, sexuality, and so on. As you write, you will be considering carefully your choice of words to express your thoughts. You will almost always find that it is possible to avoid discriminatory language by rephrasing your sentences.

Other things to avoid:

• waffle and padding
• vagueness and ambiguity
• abbreviations (this guide I'm writing isn't an eg. of what's req'd. in a phil. essay)
• colloquialisms (which can really get up your reader's nose)
• writing whose syntax merely reflects the patterns of informal speech
• unnecessary abstractness or indirectness
• unexplained jargon
• flattery and invective
• overly-rhetorical questions (do you really need me to tell you what they are?) and other flourishes

There are many guides to good writing available. Anyone who writes (whether in the humanities or the sciences, whether beginners or experienced professionals) will do well to have some on hand. Most good bookshops and libraries will have some. Among the most consulted works are (check for the latest editions):

• J. M. Williams and G. C. Colomb, Style: Toward Clarity and Grace (Chicago: University of Chicago Press, 1995)
• W. Strunk and E. B. White, The Elements of Style, 4th ed. (New York: Longman, 2000)
• E. Gowers, The Complete Plain Words, 3rd ed. (Harmondsworth: Penguin, 1987)
• R. W. Burchfield, ed., The New Fowler's Modern English Usage (Oxford: Oxford University Press, 1996)
• Pam Peters, The Cambridge Australian English Style Guide (Melbourne: Cambridge University Press, 1995)
• Australian Government Publishing Service, Style Manual for Authors, Editors and Printers, 5th ed. (Canberra: AGPS, 1995)

Vocabulary of logical argument

Closely related to the above points about English expression is the importance of having a good grasp of what can rather generally be called "the vocabulary of logical argument". These sorts of terms are crucial in articulating clearly and cogently a logical line of argument. Such argumentation will, of course, be of central importance in whatever discipline you are studying, indeed in any sphere of life that requires effective thinking and communication. I have in mind terms such as these (grouped a little loosely):

all, any, every, most, some, none, a, an, the that, this, it, he, she, they if . . . , then. . . ; if and only if . . . , then . . . ; unless either . . . or . . .; neither . . . nor . . . not, is, are therefore, thus, hence, so, because, since, follows, entails, implies, infer, consequence, conditional upon moreover, furthermore which, that, whose and, but, however, despite, notwithstanding, nevertheless, even, though, still possibly, necessarily, can, must, may, might, ought, should true, false, probable, certain sound, unsound, valid, invalid, fallacious, supported, proved, contradicted, rebutted, refuted, negated logical, illogical, reasonable, unreasonable, rational, irrational assumption, premise, belief, claim, proposition argument, reason, reasoning, evidence, proof

Most of these are quite simple terms, but they are crucial in argumentative or discursive writing of all kinds. (Many are themselves the subject of study in logic, a branch of philosophy). The sloppy use of these sorts of terms is another common weakness in students' philosophy essays. Pay close and careful attention to how you employ them. Moreover, pay close and careful attention to how the authors you read use them. For further discussion of some of these terms and others, see:

• Basic Philosophical Vocabulary, prepared by the staff of the Philosophy Department and available from the programs Office
• Wesley C. Salmon, Logic, 2nd ed. (Englewood Cliffs, NJ: Prentice Hall, 1973)
• Antony Flew, Thinking About Thinking (London: Fontana, 1985)
• Graham Priest, Logic: A Very Short Introduction (Oxford: Oxford University Press, 2000)
• Joel Rudinow and Vincent E. Barry, Invitation to Critical Thinking, 4th ed. (Fort Worth, Texas: Harcourt Brace, 1999)

Revising your essay

It is virtually essential that you write a first draft of your essay and then work on that draft to work towards your finished essay. Indeed, several drafts may well be necessary in order to produce your best possible work. It is a rare philosopher indeed who can get things perfectly right on the first attempt, so be prepared to revise and re-develop what you write. Don't be too precious about what you have written, if it appears that it should be sacrificed in the revision process. There is usually a very marked difference between essays which are basically first draft rush-jobs done the night before they are due and those which have been revised and polished. Give yourself time to revise by starting writing early on. For most philosophy students, the greater part of the work in essay writing is in the writing, not in the preliminary researches and planning stages. So be wary of thinking "I've done all the research. I only need to write up my notes, which I can do the night before the essay's due". This is likely to lead to a weak, perhaps non-existent, essay (and very likely a sleepless night).

Stick to the word limit given for your essay. Why are word limits imposed? First, to give the markers a fair basis for comparing student essays. Second, to give you the opportunity to practise the discipline of working creatively under constraints. Skill in this discipline will stand you in very good stead in any sphere where circumstances impose limitations. Again, word limits are not constraints on your intellectual freedom. Outside your essay you are free to write without limit. But even there you'll probably find that your creativity is improved by working under a self-imposed discipline.

As a general rule, most student essays that fall well short of the word limit are weak or lazy attempts at the task, and most essays that go well over the limit are not much stronger or the result of much harder work - the extra length is often due to unstructured waffle or padding which the writer hasn't thought enough about so as to edit judiciously. If you structure your essay clearly, you'll find it easier to revise and edit, whether in order to contract or expand it. ("Hmm, let's see: section 2 is much longer than section 4, but is not as important, so I'll cut it down. And I should expand section 3, because that's a crucial step. And I can shift that third paragraph in the Introduction to the Conclusion.")

Plagiarism and originality

Plagiarism is essentially a form of academic dishonesty or cheating. At university level, such dishonesty is not tolerated and is dealt with severely, usually by awarding zero marks for a plagiarised essay or, in some cases, dismissing a student from the university.

When you submit your essay, you are implicitly stating that the essay is your own original and independent work, that you have not submitted the same work for assessment in another subject, and that where you have made use of other people's work, this is properly acknowledged. If you know that this is not in fact the case, you are being dishonest. (In a number of university departments, students are in fact required to sign declarations of academic honesty.)

Plagiarism is the knowing but unacknowledged use of work by someone else (including work by another student, and indeed oneself - see below) and which is being presented as one's own work. It can take a number of forms, including:

• copying : exactly reproducing another's words
• paraphrasing : expressing the meaning of another's words in different words
• summarising : reproducing the main points of another's argument
• cobbling : copying, paraphrasing or summarising the work of a number of different people and piecing them together to produce one body of text
• submitting one's own work when it has already been submitted for assessment in another subject
• collusion : presenting an essay as your own independent work when in fact it has been produced, in whole or part, in collusion with one or more other people

None of the practices of copying, paraphrasing, summarizing or cobbling is wrong in itself, but when one or more is done without proper acknowledgment it constitutes plagiarism. Therefore, all sources must be adequately and accurately acknowledged in footnotes or endnotes. (See Section 7.) Plagiarism from the internet in particular can be a temptation for a certain kind of student. However, be warned: there is a number of very good internet and software tools for identifying plagiarism.

With regard to collusion, it's undoubtedly often very helpful to discuss one's work with others, be it other students, family members, friends or teachers. Indeed, philosophy thrives on dialogue. However, don't kid yourself that you would simply be extending that process if you were to ask your interlocutor to join with you in the writing of your essay, whether by asking them to tell you what you should write or to write down some of their thoughts for you to reproduce in your essay. At the end of the day, you must be the one to decide what goes into your essay.

Originality

Students sometimes worry about whether they will be able to develop "original ideas", especially in light of the fact that nearly every philosophical idea one comes up with seems to have been thought of before by someone else. There is no denying that truly original work in philosophy is well rewarded, but your first aim should be to develop ideas that you think are good and not merely different. If, after arguing for what you believe is right, and arguing in way that you think is good, you then discover that someone else has had the same idea, don't throw your work away - you should feel vindicated to some extent that your thinking has been congruent with that of another (possibly great) philosopher. (If you have not yet handed your essay in when you make this discovery, make an appropriately placed note to that effect.) Don't be fooled, however, into thinking that plagiarism can be easily passed off as congruent thinking. Of course, if that other philosopher's ideas have helped you to develop your ideas, then this is not a matter of congruent ideas but rather of derivative ideas, and this must be adequately acknowledged. If, after developing your ideas, you discover that they are original, then that is an added bonus. But remember that it is more important to be a good philosopher than an original one.

Quotations, footnotes, endnotes and bibliography

Quotations in your essay should be kept to a minimum. The markers know the central texts pretty well already and so don't need to have pages thereof repeated in front of them. Of course, some quotation will usually be important and useful - sometimes essential - in both exposition and critical discussion.

When you quote the words of someone else directly, you must make the quotation clearly distinct from your own text, using quotation marks . (eg "Descartes said that 'it is prudent never to trust completely those who have deceived us even once.'* He makes this claim …" - where the words quoted from Descartes are in 'single quotation marks'. Note that it is relatively arbitrary whether one uses 'single' or "double" quotation marks for "first order" quotations, but whichever style you adopt, use it consistently in the one essay.) Alternatively, where the quoted passage is greater than three lines, put the quoted words in a separate indented paragraph , so that your essay would look like this:

In his First Meditation , Descartes argues as follows:

Whatever I have up till now accepted as most true I have acquired either from the senses or through the senses. But from time to time I have found that the senses deceive, and it is prudent never to trust completely those who have deceived us even once.* In this essay I shall argue that prudence does not in fact require us to distrust our senses and that Descartes's sceptical method is therefore seriously flawed.

In both cases, the quotations must be given proper referencingin a footnote or endnote.

When you are not quoting another person directly, but are still making use of their work - as in indirect quotations (eg "Descartes says that it is wise not to trust something that has deceived us before"*), paraphrases, summaries, and cobblings - you must still acknowledge your debts, using footnotes or endnotes.

* Rene Descartes, Meditations on First Philosophy , trans. John Cottingham (Cambridge: Cambridge University Press, 1986 [first French ed., 1641]), p. 12.

Footnotes and endnotes

Footnotes appear at the foot of the same page on which the cited material appears, clearly separated from the main body of the text, each one clearly numbered. Endnotes appear at the end of the essay, again clearly separated from the main body of text, numbered and headed "Endnotes" or "Notes". Either method is acceptable, but you should choose one and stick with it throughout the one essay.

Below are some examples of how to put the relevant referencing information in footnotes and endnotes. This is not intended as an exercise in pedantry, but as a guide to how to provide the information needed for adequate referencing. The reason we provide this information is to enable our readers to find the sources we use in order to verify them and to allow them to pursue the material further if it interests them. In your own researches you will come to value good referencing in the texts you read as a helpful source of further references on a topic. Again, it is this sort of research skill that an Arts graduate will be expected to have mastered.

There are various conventions for writing up footnotes and endnotes. The Philosophy Department does not require that any particular convention be followed, only that you be consistent in your use of the convention that you do choose. For other conventions see the style guides mentioned above, or simply go to some texts published by reputable publishers and see what formats they employ.

Imagine, then, that the following are endnotes at the end of your essay. I will explain them below.

• James Rachels, The Elements of Moral Philosophy , 2nd ed. (New York: McGraw-Hill, 1993), p. 25.
• Philippa Foot, "Moral Relativism", in Michael Krausz and Jack W. Meiland, eds., Relativism: Cognitive and Moral (Notre Dame, Indiana: University of Notre Dame Press, 1982), p. 155.
• Ibid., p. 160.
• Immanuel Kant, Groundwork of the Metaphysic of Morals, trans. H. J. Paton (New York: Harper and Row, 1964 [first German ed., 1785]), p. 63.
• Thomas Hobbes, Leviathan, (London: Dent, 1973 [first pub. 1651]),p. 65.
• Rachels, The Elements, p. 51.
• Peter Winch, "The Universalizability of Moral Judgements", The Monist 49 (1965), p. 212.
• Antony Duff, "Legal Punishment", The Stanford Encyclopedia of Philosophy (Spring 2001 Edition), Edward N. Zalta (ed.), plato.stanford.edu/archives/spr2001/entries/legal-punishment/ at 15 June 2003, sec. 6.

Notes explained

• This is your first reference to a book called The Elements of Moral Philosophy. The title is given in full and in italics. If you are unable to use italics, then you should underline the title. The book's author is James Rachels. It's the 2nd edition of that book, which was published in New York, by the publishers McGraw-Hill, in 1993. The page you have referred to in your main text is page 25
• This is your first reference to Philippa Foot's article, "Moral Relativism", the title of which is put in "quotation marks". This article appeared in a book (title in italics) which is an anthology of different articles, and which was edited by Krausz and Meiland (names in full). The rest is in the same style as note (1)
• "Ibid." is short for "ibidem", which means "in the same place" in Latin. Use it on its own when you want to refer to exactly the same work and page number as in the immediately preceding note. So here the reference is again to Foot's article at page 155
• Ditto, except this time you refer to a different page in Foot's article, namely page 160
• This is reference to a book by Kant. Same book details as per note (1), except that, because this is a translation, you include the translator's name, and the date of the first edition in the original language
• This is a book reference again, so it's the same as note (1), except that, because it's an old book, you include the date of the original edition. (How old does a book have to be before it merits this treatment? There is no settled view. Note, though, that this convention is not usually followed for ancient authors)
• Here you are referring to Rachels' book again, but, because you are not in the very next note after a reference to it, you can't use "ibid.". Simply give the author's surname and a short title of the book, plus page reference. There is also a common alternative to this, whereby you give the surname, and write "op. cit." (which is short for "opere citato", which is Latin for "in the work already cited") and page reference (eg "Rachels, op. cit., p. 51.") Your reader then has to scan back over the notes to see what that "op." was exactly. The first option (author plus short title) is usually easier on the reader
• This is a reference to an article by Peter Winch in a journal called The Monist. The article's title is in "quotes", the journal title is in italics. The volume of the journal is 49, the year of publication is 1965, the page referred to is p. 212
• This is a reference to an article in the internet-based Stanford Encyclopedia of Philosophy. The article is titled "Legal Punishment" and was written by Antony Duff. The Encyclopedia was edited by Edward N. Zalta. Note that I have basically followed the mode of citation that the Encyclopedia itself recommends. (This is one sign of the site being a reputable one. Where a site makes such a recommendation, it's best to follow it.) I have, however, also added the date on which the article was retrieved from the site, and put the author's given name first, to be consistent with the other footnotes. I have also added the reference to section 6, in an effort to be more precise as to where in the article the material I used came from. Since web pages aren't numbered in the manner of hard copy works, it will help if you are able to refer to some other feature, such as paragraphs or sections, so as to pin-point your reference. In the absence of a site recommending a mode of citation to its own material, the basic information needed for adequate citation of internet-based material is (where identifiable) the author, the document title, the year the document was created, the website name, the uniform resource locator (URL) in <arrow-brackets>, date of retrieval, and a pin-point reference*

* I am here following the mode of citation of internet materials recommended in Melbourne University Law Review Association Inc, Australian Guide to Legal Citation , 2nd ed. (Melbourne: Melbourne University Law Review Association Inc, 2002), pp. 70-73. I have, though, added the desirability of a pin-point reference.

Bibliography

At the end of your essay (after your endnotes, if used) you should list in a bibliography all of the works referred to in your notes, as well as any other works you consulted in researching and writing your essay. The list should be in alphabetical order, going by authors' surnames. The format should be the same as for your notes, except that you drop the page references and should put surnames first. So the bibliography of our mock-essay above would look like this:

• Duff, Antony, "Legal Punishment", The Stanford Encyclopedia of Philosophy (Spring 2001 Edition), Edward N. Zalta (ed.), plato.stanford.edu/archives/spr2001/entries/legal-punishment/ at 15 June 2003
• Foot, Philippa, "Moral Relativism", in Michael Krausz and Jack Meiland, eds., Relativism: Cognitive and Moral (Notre Dame, Indiana: University of Notre Dame Press, 1982)
• Hobbes, Thomas, Leviathan (London: Dent, 1973 [first pub.1651])
• Kant, Immanuel, Groundwork of the Metaphysic of Morals , trans. H.J. Paton (New York: Harper and Row, 1964 [first German ed. 1785])
• Rachels, James, The Elements of Moral Philosophy , 2nd ed., (New York: McGraw-Hill, 1993)
• Winch, Peter, "The Universalizability of Moral Judgements", The Monist 49 (1965)

Presentation of essays and seeking advice

Generally, you should present an essay that is legible (hand-writing is OK, but typed or word-processed essays are preferable), in English, on one side of pieces of paper that are somewhere in the vicinity of A4 size and are fixed together . You should attach a completed Cover Sheet provided by the Philosophy program. Plastic document covers, spiral binding and other forms of presentational paraphernalia are not necessary (nor are they usually even desirable, as they mostly just get in the marker's way).

Late essays

Late essays are penalised . (For details of penalties consult the Philosophy program's notice board.)

Essays not handed in

Essays not handed in at all get zero marks. An essay that is handed in but gets a mark below 50 (and so is technically a "failed" essay) still gets some marks. (At least, it will so long as it's not so extremely late that the deducted marks wipe out all the marks it would have received if handed in on time.) All marks received for your essay (whether pass or fail) go toward your final score in the subject. Therefore, even if you think your essay is bound to fail (but please let your marker be the judge of that), or the due date has already passed, or both, it is still in your interests to hand your essay in .

Tutors and lecturers

Philosophy staff are not there just to be listened to by you; they are also there to listen to you. So don't hesitate to contact your tutor or lecturer to discuss questions or problems you have concerning your work.

If you have a legitimate excuse, you may be granted an extension on the due date for your essay by the lecturer in charge. Similarly, special consideration may also be granted when illness or other circumstances adversely affect your work. Applications for special consideration are made online via the Special Consideration web page.

Student counselling

Some personal or non-philosophical academic difficulties you might have you might want to discuss with someone other than your tutor or lecturer. Student Counselling and Psychological Services are there for you to discuss all sorts of problems you might encounter. Please consult your student diary for details on the counselling service.

English language assistance

As noted above, good philosophical writing requires a good grasp of the language in which it is written. If you are from a non-English speaking background and are having difficulties with your English expression in an academic context, you might like to make use of the services provided by Student Services Academic Skills . Many native English speakers, too, can benefit from short "refresher" courses and workshops run by the Centre. Please consult your student diary for details about this service.

A bit on Philosophy exams

Essays of the sort discussed so far in this guide are not the only form of assessment in the Philosophy program - examinations are also set. What is to be said about them?

First, not much that is different from what's been said above about philosophy essays. This is because what you write in a philosophy exam is none other than a philosophy essay . Have a look at past philosophy exam papers, in the Gibson and Baillieu libraries, to get a feel for them. The only basic difference between essays and exams is the matter of what constraints you're working under. Essays have word limits; exams have time limits . Again, stick to them. (Actually, you'll be made to stick to them by the exam invigilators.)

It's best, then, to think about how long to spend writing on an exam essay topic, rather than about how many words to write on it. Simple arithmetic will tell you how much time to spend on each exam question. (eg if you have a 2-hour exam and have to answer 3 questions, each worth one-third of the exam mark, then spend 40 minutes on each question.) Avoid the trap of "borrowing time" from a later question in order to perfect your answer to an earlier question, and then working faster on the later questions to catch up on lost time - this is likely to get you in a tangle. There are no word limits in philosophy exam essays, but don't think that the more you scrawl across the page, the more marks you'll get. Nonetheless, use the time you've got so as to maximise your display of your philosophical understanding and skills in answering the question.

Planning and structuring remain very important in exam essays. With regard to the niceties of footnotes, endnotes and bibliographies, etc., these are not necessary, so don't waste time on these. However, if you quote or refer to a specific passage from a text, do indicate clearly that it is a quotation or reference. (The principle of being clear as to who is saying what remains central.) If you have the reference handy, just put it briefly in the text of your exam essay. (eg "As Descartes says in Meditation I (p. 12), . . ." or "'[I]t is prudent never to trust completely those who have deceived us even once' (Descartes, Meditation I, p. 12)".) Generally speaking, you will show your familiarity with any relevant texts by how you handle them in your discussion. This is also true for your non-exam essays.

Your preparation for the exam should have been done well before entering the exam hall. Note that various subjects have restrictions on what texts and other items can be brought into the exam hall. (Consult the Philosophy program's notice board for details.) Many subjects will have "closed book" exams. Even if an exam is "open book", if you are properly prepared, you should not need to spend much time at all consulting texts or notes during the exam itself.

You won't have time for redrafting and revising your exam essay (which makes planning and structuring your answers before you start writing all the more important). If you do want to delete something, just cross it out clearly. Don't waste time with liquid paper or erasers. Write legibly . Don't wr. "point form" sav. time. Diff. kn. mean. use incomp. sent.

Finally, read the instructions at the beginning of the exam paper. They are important. (eg it's not a good strategy to answer two questions from Part A, when the Instructions tell you to answer two questions, one from Part A and one from Part B.) Note the (somewhat quaint) University practice of starting Reading Time some time before the stated time for the exam. Philosophy exams usually have 15 minutes of reading time. (Check for each of your exams.) So, if your exam timetable says the exam is at 2.15 pm, with reading time of 15 minutes, then the reading time starts at 2.00 pm and the writing time starts at 2.15pm - so get to the exam hall well before 2.00 pm. Reading time is very important. Use it to decide which questions you'll answer and to start planning your answers.

Checklist of questions

• Do I understand the essay question ? Do I know when the essay is due ?
• Do I know which texts to consult? Do I know where to find them?
• Have I made useful notes from my reading of the relevant texts?
• Have I made a plan of how I'll approach the question in my essay?
• Have I given myself enough time to draft and redraft my essay?
• Have I written a clearly structured essay? Is it clear what each stageis doing? Do I do what I say I'll do in my Introduction?
• Have I clearly distinguished exposition and critical discussion ? Have I given a fair and accurate account of the author(s) in question?
• Is my response to the topic relevant ? Do I answer the question? Have I kept my essay within the general bounds of the topic?
• Have I displayed a good grasp of the vocabulary of logical argument ? Are my arguments logically valid and sound? Are my claims supported by reasons ? Am I consistent within my essay?
• Is my English expression clear and precise ? Are my grammar, punctuation and spelling correct? Have I said what I meant to say? Is my writing legible?
• Have I fully acknowledged all my sources in footnotes or endnotes? Are my quotations accurate? Have I included a bibliography ?
• Do I need to revise any part of my essay again?
• Have I made a copy or photocopy of my essay for myself?
• Have I kept the receipt for my handed-in essay?

1000-Word Philosophy: An Introductory Anthology

Philosophy, One Thousand Words at a Time

How to Write a Philosophical Essay

Authors: The Editors of 1000-Word Philosophy [1] Category: Student Resources Word Count: 998

If you want to convince someone of a philosophical thesis, such as that God exists , that abortion is morally acceptable , or that we have free will , you can write a philosophy essay. [2]

Philosophy essays are different from essays in many other fields, but with planning and practice, anyone can write a good one. This essay provides some basic instructions. [3]

1. Planning

Typically, your purpose in writing an essay will be to argue for a certain thesis, i.e., to support a conclusion about a philosophical claim, argument, or theory. [4] You may also be asked to carefully explain someone else’s essay or argument. [5]

To begin, select a topic. Most instructors will be happy to discuss your topic with you before you start writing. Sometimes instructors give specific prompts with topics to choose from.

It’s generally best to select a topic that you’re interested in; you’ll put more energy into writing it. Your topic will determine what kind of research or preparation you need to do before writing, although in undergraduate philosophy courses, you usually don’t need to do outside research. [6]

Essays that defend or attack entire theories tend to be longer, and are more difficult to write convincingly, than essays that defend or attack particular arguments or objections: narrower is usually better than broader.

After selecting a topic, complete these steps:

• Ensure that you understand the relevant issues and arguments. Usually, it’s enough to carefully read and take notes on the assigned readings on your essay’s topic.
• Choose an initial thesis. Generally, you should choose a thesis that’s interesting, but not extremely controversial. [7] You don’t have to choose a thesis that you agree with, but it can help. (As you plan and write, you may decide to revise your thesis. This may require revising the rest of your essay, but sometimes that’s necessary, if you realize you want to defend a different thesis than the one you initially chose.)
• Ensure that your thesis is a philosophical thesis. Natural-scientific or social-scientific claims, such as that global warming is occurring or that people like to hang out with their friends , are not philosophical theses. [8] Philosophical theses are typically defended using careful reasoning, and not primarily by citing scientific observations.

Instructors will usually not ask you to come up with some argument that no philosopher has discovered before. But if your essay ignores what the assigned readings say, that suggests that you haven’t learned from those readings.

2. Structure

Develop an outline, rather than immediately launching into writing the whole essay; this helps with organizing the sections of your essay.

Your structure will probably look something like the following, but follow your assignment’s directions carefully. [9]

2.1. Introduction and Thesis

Write a short introductory paragraph that includes your thesis statement (e.g., “I will argue that eating meat is morally wrong”). The thesis statement is not a preview nor a plan; it’s not “I will consider whether eating meat is morally wrong.”

If your thesis statement is difficult to condense into one sentence, then it’s likely that you’re trying to argue for more than one thesis. [10]

2.2. Arguments

Include at least one paragraph that presents and explains an argument. It should be totally clear what reasons or evidence you’re offering to support your thesis.

In most essays for philosophy courses, you only need one central argument for your thesis. It’s better to present one argument and defend it well than present many arguments in superficial and incomplete ways.

2.3. Objection

Unless the essay must be extremely short, raise an objection to your argument. [11] Be clear exactly which part of the other argument (a premise, or the form) is being questioned or denied and why. [12]

It’s usually best to choose either one of the most common or one of the best objections. Imagine what a smart person who disagreed with you would say in response to your arguments, and respond to them.

Offer your own reply to any objections you considered. If you don’t have a convincing reply to the objection, you might want to go back and change your thesis to something more defensible.

2.5. Additional Objections and Replies

If you have space, you might consider and respond to the second-best or second-most-common objection to your argument, and so on.

2.6. Conclusion

To conclude, offer a paragraph summarizing what you did. Don’t include any new or controversial claims here, and don’t claim that you did more than you actually accomplished. There should be no surprises at the end of a philosophy essay.

Make your writing extremely clear and straightforward. Use simple sentences and don’t worry if they seem boring: this improves readability. [13] Every sentence should contribute in an obvious way towards supporting your thesis. If a claim might be confusing, state it in more than one way and then choose the best version.

To check for readability, you might read the essay aloud to an audience. Don’t try to make your writing entertaining: in philosophy, clear arguments are fun in themselves.

Concerning objections, treat those who disagree with you charitably. Make it seem as if you think they’re smart, careful, and nice, which is why you are responding to them.

Your readers, if they’re typical philosophers, will be looking for any possible way to object to what you say. Try to make your arguments “airtight.”

4. Citations

If your instructor tells you to use a certain citation style, use it. No citation style is universally accepted in philosophy. [14]

You usually don’t need to directly quote anyone. [15] You can paraphrase other authors; where you do, cite them.

Don’t plagiarize . [16] Most institutions impose severe penalties for academic dishonesty.

5. Conclusion

A well-written philosophy essay can help people gain a new perspective on some important issue; it might even change their minds. [17] And engaging in the process of writing a philosophical essay is one of the best ways to develop, understand, test, and sometimes change, your own philosophical views. They are well worth the time and effort.

[1] Primary author: Thomas Metcalf. Contributing authors: Chelsea Haramia, Dan Lowe, Nathan Nobis, Kristin Seemuth Whaley.

[2] You can also do some kind of oral presentation, either “live” in person or recorded on video. An effective presentation, however, requires the type of planning and preparation that’s needed to develop an effective philosophy paper: indeed, you may have to first write a paper and then use it as something like a script for your presentation. Some parts of the paper, e.g., section headings, statements of arguments, key quotes, and so on, you may want to use as visual aids in your presentation to help your audience better follow along and understand.

[3] Many of these recommendations are, however, based on the material in Horban (1993), Huemer (n.d.), Pryor (n.d.), and Rippon (2008). There is very little published research to cite about the claims in this essay, because these claims are typically justified by instructors’ experience, not, say, controlled experiments on different approaches to teaching philosophical writing. Therefore, the guidance offered here has been vetted by many professional philosophers with a collective hundreds of hours of undergraduate teaching experience and further collective hundreds of hours of taking philosophy courses. The editors of 1000-Word Philosophy also collectively have thousands of hours of experience in writing philosophy essays.

[4] For more about the areas of philosophy, see What is Philosophy? by Thomas Metcalf.

[5] For an explanation of what is meant by an “argument” in philosophy, see Arguments: Why Do You Believe What You Believe? by Thomas Metcalf.

[6] Outside research is sometimes discouraged, and even prohibited, for philosophy papers in introductory courses because a common goal of a philosophy paper is not to report on a number of views on a philosophical issue—so philosophy papers usually are not “research reports”—but to rather engage a specific argument or claim or theory, in a more narrow and focused way, and show that you understand the issue and have engaged in critically. If a paper engages in too much reporting of outside research, that can get in the way of this critical evaluation task.

[7] There are two reasons to avoid extremely controversial theses. First, such theses are usually more difficult to defend adequately. Second, you might offend your instructor, who might (fairly or not) give you a worse grade. So, for example, you might argue that abortion is usually permissible, or usually wrong, but you probably shouldn’t argue that anyone who has ever said the word ‘abortion’ should be tortured to death, and you probably shouldn’t argue that anyone who’s ever pregnant should immediately be forced to abort the pregnancy, because both of these claims are extremely implausible and so it’s very unlikely that good arguments could be developed for them. But theses that are controversial without being implausible can be interesting for both you and the instructor, depending on how you develop and defend your argument or arguments for that thesis.

[8] Whether a thesis is philosophical mostly depends on whether it is a lot like theses that have been defended in important works of philosophy. That means it would be a thesis about metaphysics, epistemology, value theory, logic, history of philosophy, or something therein. For more information, see Philosophy and Its Contrast with Science and What is Philosophy? both by Thomas Metcalf.

[9] Also, read the grading rubric, if it’s available. If your course uses an online learning environment, such as Canvas, Moodle, or Schoology, then the rubric will often be visible as attached to the assignment itself. The rubric is a breakdown of the different requirements of the essay and how each is weighted and evaluated by the instructor. So, for example, if some requirement has a relatively high weight, you should put more effort into doing a good job. Similarly, some requirement might explicitly mention some step for the assignment that you need to complete in order to get full credit.

[10] In some academic fields, a “thesis” or “thesis statement” is considered both your conclusion and a statement of the basic support you will give for that conclusion. In philosophy, your thesis is usually just that conclusion: e..g, “Eating meat is wrong,” “God exists,” “Nobody has free will,” and so on: the support given for that conclusion is the support for your thesis.

[11] To be especially clear, this should be an objection to the argument given for your thesis or conclusion, not an objection to your thesis or conclusion itself. This is because you don’t want to give an argument and then have an objection that does not engage that argument, but instead engages something else, since that won’t help your reader or audience better understand and evaluate that argument.

[12] For more information about premises, forms, and objections, see Arguments: Why do You Believe What You Believe? by Thomas Metcalf.

[13] For a philosophical argument in favor of clear philosophical writing, and guidance on producing such writing, see Fischer and Nobis (2019).

[14] The most common styles in philosophy are APA (Purdue Online Writing Lab, n.d.a) and Chicago (Purdue Online Writing Lab, n.d.b.).

[15] You might choose to directly quote someone when it’s very important that the reader know that the quoted author actually said what you claim they said. For example, if you’re discussing some author who made some startling claim, you can directly quote them to show that they really said that. You might also directly quote someone when they presented some information or argument in a very concise, well-stated way, such that paraphrasing it would take up more space than simply quoting them would.

[16] Plagiarism, in general, occurs when someone submits written or spoken work that is largely copied, in style, substance, or both, from some other author’s work, and does not attribute it to that author. However, your institution or instructor may define “plagiarism” somewhat differently, so you should check with their definitions. When in doubt, check with your instructor first.

[17] These are instructions for relatively short, introductory-level philosophy essays. For more guidance, there are many useful philosophy-writing guides online to consult, e.g.: Horban (1993); Huemer (n.d.); Pryor (n.d.); Rippon (2008); Weinberg (2019).

Fischer, Bob and Nobis, Nathan. (2019, June 4). Why writing better will make you a better person. The Chronicle of Higher Education . 

Horban, Peter. (1993). Writing a philosophy paper. Simon Fraser University Department of Philosophy . 

Huemer, Michael. (N.d.). A guide to writing. Owl232.net .

Pryor, Jim. (N.d.). Guidelines on writing a philosophy paper. Jimpryor.net .

Purdue Online Writing Lab. (N.d.a.). General format. Purdue Online Writing Lab . 

Purdue Online Writing Lab. (N.d.b.). General format. Purdue Online Writing Lab .

Rippon, Simon. (2008). A brief guide to writing the philosophy paper. Harvard College Writing Center .

Weinberg, Justin. (2019, January 15). How to write a philosophy paper: Online guides. Daily Nous .

Related Essays

Arguments: Why do You Believe What You Believe? by Thomas Metcalf

Philosophy and its Contrast with Science by Thomas Metcalf

What is Philosophy? By Thomas Metcalf

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Abstracts and Introductions (WritePhilosophy Guide)

Where to start? Writing an introduction or abstract for your philosophy paper can be daunting – and with good reason. The first paragraph of your paper is also the most important. Before those opening lines are through, a reader will have made up their mind about the value, or lack thereof, of your work. While what comes next could sway their opinion (if they give you that chance), changing someone’s mind away from their initial impressions is a significant task. This can be to your detriment or to your advantage, depending on whether your introduction is strong or weak.

There are three things that we see all across student essays which always make an assessor cringe and put you on the defensive from the outset. These are:

Plato was an ancient Greek philosopher, born in around 428BC in Athens, whose work has been extremely influential in Western philosophy.

Unnecessary biography. Unless your paper is in intellectual history, writing about the life, times and influence of Plato (in which case, you’ve come to the wrong place!) this material is irrelevant. It does nothing to defend your thesis, which is the sole aim of your paper. Cut it and nobody will miss it. As for claims that the philosopher whose work you will be discussing is “one of the most important/influential/brilliant minds in philosophical history”, unless your essay will focus on proving this claim, it really shouldn’t be the first thing you say.

The question of who should rule is one of the most important philosophical questions.

Vacuous importance . A rumour has made the rounds that it’s vital to establish that your paper is very important, drawing the reader in by emphasising the vast significance of the topic. Your reader already believes that the topic is important or at least interesting – that’s why they’re reading your paper, or have set you this assignment. While there is merit to establishing the relevance of your contribution to the topic at hand, this needs to be done with specifics, which detail what it is that your paper contributes to this debate. You don’t need to show that the debate itself is important, but if you really feel the need to, simply declaring it so won’t suffice. For that, you’d want specific examples of the real-world significance or impact of the debate.

Last, and definitely least:

Since the dawn of time, man has argued over the question of who should rule.

Lost to history. Having lost count of how many times I have read this phrase in first-year undergraduate essays, I sympathise with the inability to offer specifics. But so vague and inconsequential a phrase has no place in your paper. Rhetorical flourishes might add a little spark to your paper, but should be attended to once the substance of the piece has been thoroughly finalised.

In each of these cases, it’s clear what has happened. Students are often faced with blank page syndrome. A bare Word document and a flickering cursor which demands that you type something – anything. So you type something meaningless, inconsequential, indisputable, just to get you started. That’s all fine, but you must go back and take it all out once you’re in flow. If you really must type something to combat the fear of the void, try this:

In this paper, I will argue that…

It lacks finesse, but this seven-word phrase is everything you need to get your paper going. At the very least, there must be one sentence, somewhere in your first paragraph, which you could add this phrase to, and make perfect sense. Your essay does one thing: it defends your thesis through a single line of argument . Your opening should be the single most important thing in the whole paper: that thesis. You will hardly ever go wrong by opening your paper with your thesis statement. If you want to start with “In this paper, I will argue that…”, then that’s absolutely fine. Plenty of well-written, published academic papers by professional philosophers do exactly that, and their readers likely thank them for it.

The rule is that you want your reader to be in absolutely no doubt what your thesis is before the end of the first paragraph . If you can accomplish that in the first sentence, more’s the better. Admittedly, sometimes your thesis will be a little more specific or convoluted, and you’ll need a sentence or two of preamble so that the thesis itself makes sense to the reader the first time they encounter it. But always get it in before the first paragraph is up. If you really can’t, consider whether you have understood your material and formulated your thesis clearly.

The rest of the abstract

Now that you have one sentence of your abstract nailed down, your thesis statement, what else should you include? The other thing which is ineliminable is a summary of your argument . You should explain in broad strokes how you intend to demonstrate the truth of your thesis to your reader. Before they go beyond that first paragraph, they should have a decent expectation of what lies ahead. What are the key premises in your argument? Which are controversial, which will you spend time defending? Are there any assumptions you will be making?

Related to, but distinct from this is an overview of the structure of the paper itself. In what order do you accomplish these tasks? Is your paper divided into a series of sections? If so, what does each section achieve which adds to the argument you are making? In laying out the structure of your paper, you can largely dispense with anything which is obvious or common across philosophical papers (e.g. there’s no need to explain that you will begin by stating definitions of key terms, or that you will end with a conclusion).

You might not need anything more than that. You have your thesis and your argument, which is everything that really matters in your paper. But you might want to add a little more. Situate the reader in the context of the philosophical literature that informs your work. If your paper responds to or draws upon the arguments of other philosophers, you might want to make that clear, citing that author, at this stage. If they in turn are writing in response to another source, then you can lay out that line of intellectual back-and-forth, until you trace it back to the original question that this line of research is trying to answer.

Beyond that, you may wish to make some form of claim for importance to motivate the reader to value your paper and read on. This must be specific, in two senses. First, it must be about the importance of this work , not the debate in general, couched in terms of how the truth of your thesis impacts on this debate. Second, it should have some specific real-world implications. If this debate informs policy, practice, behaviour or research, then spell out with a clear example a way in which the truth of your thesis would impact that. Your reader wants to know that they (or maybe someone else) will have to change what they think or what they do after they’ve read your paper. That’s what merits a claim to importance. If you can’t think of ways in which the truth of your thesis might have this impact, that’s fine. You don’t have to include this kind of claim, and trying to do so without grounds will ring hollow. You can largely assume that a reader who set an assignment or fished out a paper on this topic is interested enough to go on.

Composing an abstract

The only way to learn to write good abstracts or introductions is to practice. But we can gain some understanding by analysing and dissecting abstracts written by philosophers in published works. Let’s focus on the paper which has been an example running through this guide so far: James Rachels’ celebrated 1975 paper Active and passive euthanasia from the New England Journal of Medicine . Let’s look only at the abstract of this paper.

The traditional distinction between active and passive euthanasia requires critical analysis. The conventional doctrine is that there is such an important moral difference between the two that, although the latter is sometimes permissible, the former is always forbidden. This doctrine may be challenged for several reasons. First of all, active euthanasia is in many cases more humane than passive euthanasia, Secondly, the conventional doctrine leads to decisions concerning life and death on irrelevant grounds. Thirdly, the doctrine rests on a distinction between killing and letting die that itself has no moral importance. Fourthly, the most common arguments in favor of the doctrine are invalid. I therefore suggest that the American Medical Association policy statement that endorses this doctrine is unsound. Rachels, J. (1975) ‘Active and passive euthanasia’, New England Journal of Medicine , 292(2): 78-80.

There’s so much to like here. Within the first sentence, we know what Rachels’ topic is: the distinction between active and passive euthanasia. Though, strictly speaking, we might’ve got that from the title. Rachels then defines the ‘conventional doctrine’ against which he will argue. He systematically lists the arguments he will make against the conventional doctrine – first of all, secondly, thirdly, fourthly. By the end of the abstract, we know exactly what arguments he will make and in what order, which gives us the structure of the paper. Finally, he offers a thesis statement: “ the American Medical Association policy statement that endorses this doctrine is unsound. ” Thesis statement and importance claim rolled into one: not only will he be smashing down a distinction between active and passive euthanasia that is well-used in medical practice and policy, his doing so will invalidate the official policy of the American Medical Association. If you have any interest at all in this topic, you can’t not read this now.

But if we dig a little deeper, we might find some things we could tweak. This actually looks a little more like a draft abstract than the final polished article. With an editorial eye, take a look at that first sentence, the one that gives the crucial first impression:

The traditional distinction between active and passive euthanasia requires critical analysis.

This is not a particularly interesting statement. It establishes little more than that some people have drawn a distinction between active and passive euthanasia . It is vague about who (“traditional” is something of a weasel word, enabling the writer to escape specificity). This is a shame, because at least some of the people are the American Medical Association, a massive and influential organisation. “The distinction between active and passive euthanasia upon which the American Medical Association bases its euthanasia policy requires critical analysis” might be a second go at this. Now it’s a more startling and engaging statement, with an underlying threat: if you don’t read this, then you – like the AMA – might be deeply misguided. After all, so major and conscientious an organisation has committed this error.

But “requires critical analysis” is similarly insipid. This phrase doesn’t even specify that the distinction lacks critical analysis, which would add some urgency. Given that Rachels will suggest that the distinction “ has no moral importance “, leading to “ decisions concerning life and death on irrelevant grounds “, it is surprising that he chose such temperate language. Given that his title already told us we’re dealing with the distinction between active and passive euthanasia, he might’ve been able to cut this sentence already, and lead in with the high-impact stuff that comes later.

The second sentence, beginning “The conventional doctrine” again rather buries the lede. This is the doctrine of the American Medical Association and many besides, which only becomes clear in the final sentence. If something is important and widely endorsed, getting that across quickly will get us slavering to know more. Much the same goes for “This doctrine may be challenged for several reasons.” This is a passive voice construction, which does not explicitly say that this paper actually will challenge the conventional doctrine. Moreover, “challenged” is inconclusive. It suggests that he will raise some noisome arguments, but not that he will knock down the distinction so hard that “ the American Medical Association policy statement that endorses this doctrine is unsound “.

Were I Rachels’ editor (and to be clear, this is a superb piece in almost all respects and could benefit little from my attentions beyond this uncharacteristically mild opener), I would offer this advice:

• Put the thesis front and centre. If you have dismantled a widely-used moral distinction between active and passive euthanasia and shown it to have no moral importance, lead with that.
• Make it clear from the outset that this has serious implications for medical practice and policy, with specific reference to the invalidation of the AMA policy.
• Replace some of the filler sentences (“This doctrine may be challenged…”) with a little bit more to explain how the four strands of argumentation come together (which they do) to compel the conclusion, rather than standing alone as four mere potential challenges to the conventional doctrine.

As a last bit of pedantry, I’d suggest that the American Medical Association policy statement is not unsound . Arguments are sound or unsound, valid or invalid. Statements are true or false, correct or incorrect. You can claim that the AMA statement is wrong, or that the arguments for that statement are unsound.

A very useful exercise which I set for all of my philosophy students to improve their abstract writing is to read through Rachels’ paper ( presently freely available here ) and rewrite his abstract accordingly, to foreground the thesis, clarify the structure of the argument (as opposed to argument s ) and emphasise the practical implications of his claim. [As a bonus question: what precisely is Rachels’ thesis? It may not be exactly what he says it is…]

This gives us a few principles for abstract or introduction writing:

1. Lead with your thesis . 2. Explain how your argument will demonstrate the truth of that thesis. 3. Summarise the structure of the paper (ideally, this will be evident from your overview of the argument) . 4. Give a brief precis of the context into which your work fits. 5. (optional) Offer specific examples of the importance of the thesis to this debate and/or to practical matters.

You do not need eloquent turns of phrase or grand claims to achieve this. If anything, they are more likely to detract from that to amplify your claims. Ultimately, the more precisely and concisely you can get all of this done in your introduction, the more space you have, and the more time your reader will have, for the good part: the argument itself.

Let’s look at one more example, from the same topic. Natalie Abrams’ 1978 paper responds to Rachels’ arguments under the selfsame title of Active and Passive Euthanasia . She writes:

This paper is divided into three sections. The first presents some examples of the killing/letting die distinction. The second draws a further distinction between what I call negative and positive cases of acting or refraining. Here I argue that the moral significance of the acting/refraining distinction is different for positive and for negative cases. In the third section I apply the above distinction to euthanasia, and argue that mercy killing should be regarded as analogous to positive rather than negative cases. On the basis of this, I then support active rather than passive euthanasia. Abrams, N. (1978) ‘Active and Passive Euthanasia’, Philosophy , 53(204): 257-63

Abrams’ abstract has no frills, no context, no claims for importance beyond her own endorsement of a particular view. She could equally have cited American Medical Association policy statements, used the Rachels paper to show that this distinction is contentious to the point that some (Rachels) have suggested it should be changed, and noted that her argument would invert that policy. But instead she focuses on her thesis and her argument. It’s not inspiring but it’s clear as glass and leaves us in no doubt at all as to what comes next. The only reason not to read on is if you’re already sold.

But that first impression is ugly. “ This paper is divided into three sections ” is a rough first sentence. If Abrams flipped the running order here, we would have a more compelling opener. With barely any modification, we get:

This paper shows that the moral significance of the acting/refraining distinction is different for positive and for negative cases. On this basis, I argue that euthanasia should be regarded as analogous to positive rather than negative cases, and therefore that active but not passive euthanasia is morally permissible. The paper is divided into three sections. The first presents some examples of the killing/letting die distinction. The second draws the distinction between negative and positive cases of acting or refraining, showing that the moral significance of the acting/refraining distinction is different for positive and for negative cases. In the third section I apply the above distinction to euthanasia, and argue that mercy killing should be regarded as analogous to positive rather than negative cases, supporting active rather than passive euthanasia.

This is a little repetitive. But by leading with the most interesting thing, the thesis and its implications for the euthanasia debate, this turnaround delivers an abstract that can’t be ignored. Layering in some of the significance in terms of the impact on actual policy might elevate it further. Again: it’s a worthwhile exercise to draft your own abstract for this paper, and try it out for other papers which you are reading as a way of summarising the argument for your own reference whilst practicing a pivotal writing skill.

Using your abstract to improve your writing

An introduction or abstract is not only a necessary component of your finished product, it can also help you to improve the structure of your paper. These tips can help you use this tool:

• If you know what you want your paper to achieve, write your abstract as a statement of purpose, laying out what you intend to achieve. Keep it open in a second document on your screen, and refer back to it with each paragraph that you write. Always ask: does this contribute to what my abstract said I’d do? If not, you probably should cut the paragraph. If you don’t keep referring back to your abstract in this way, you risk veering off your topic and expending valuable time on a line of argument that won’t help you to establish your thesis.
• When the body of your essay is written, move your introduction to a separate document and read the paper without it. Now, write a new introduction which summarises exactly what you read. Compare your new and old introduction. Is there anything missing in the new version which was in the old? If so, do you need to add that into your paper? Is there anything in the new version which wasn’t in the old? Has this taken you off on a tangent? Do you need to restate your thesis to make it fit what you’ve actually written? Draw on both versions to find the best phrasing for your abstract.
• Use the sentences of your abstract as a rough guide for the paragraphs of your essay. If you have, say, a five-sentence abstract, you can try to use each sentence as the opening for each paragraph of the body of your text (deleting it or editing it later to prevent direct repetition). This should help ensure you stay on topic, and deliver exactly what is needed for your essay. If you find that you have to add a new paragraph in the midst which isn’t described by your abstract in order to make your paper’s structure work, consider adding a line for it into your abstract.
• If you have the body of your essay in place but still can’t write an introduction which states a clear thesis and summarises the argument, take this as a sign that your paper lacks a clear focus.
• Compare your introduction and your conclusion. The two should match very closely in terms of what is claimed – albeit the conclusion in the past tense. If there is any deviation between the two, this is a sign that your paper has wandered off track. You can either rewrite those sections which have strayed to bring it back to your original thesis, or rewrite your thesis and abstract to match the essay you have actually written.

Latest edit: 13/04/2021 by CJ Blunt

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2.6 Writing Philosophy Papers

Learning objectives.

By the end of this section, you will be able to:

• Identify and characterize the format of a philosophy paper.
• Create thesis statements that are manageable and sufficiently specific.
• Collect evidence and formulate arguments.
• Organize ideas into a coherent written presentation.

This section will provide some practical advice on how to write philosophy papers. The format presented here focuses on the use of an argumentative structure in writing. Different philosophy professors may have different approaches to writing. The sections below are only intended to give some general guidelines that apply to most philosophy classes.

Identify Claims

The key element in any argumentative paper is the claim you wish to make or the position you want to defend. Therefore, take your time identifying claims , which is also called the thesis statement. What do you want to say about the topic? What do you want the reader to understand or know after reading your piece? Remember that narrow, modest claims work best. Grand claims are difficult to defend, even for philosophy professors. A good thesis statement should go beyond the mere description of another person’s argument. It should say something about the topic, connect the topic to other issues, or develop an application of some theory or position advocated by someone else. Here are some ideas for creating claims that are perfectly acceptable and easy to develop:

• Compare two philosophical positions. What makes them similar? How are they different? What general lessons can you draw from these positions?
• Identify a piece of evidence or argument that you think is weak or may be subject to criticism. Why is it weak? How is your criticism a problem for the philosopher’s perspective?
• Apply a philosophical perspective to a contemporary case or issue. What makes this philosophical position applicable? How would it help us understand the case?
• Identify another argument or piece of evidence that might strengthen a philosophical position put forward by a philosopher. Why is this a good argument or piece of evidence? How does it fit with the philosopher’s other claims and arguments?
• Consider an implication (either positive or negative) that follows from a philosopher’s argument. How does this implication follow? Is it necessary or contingent? What lessons can you draw from this implication (if positive, it may provide additional reasons for the argument; if negative, it may provide reasons against the argument)?

Think Like a Philosopher

The following multiple-choice exercises will help you identify and write modest, clear philosophical thesis statements. A thesis statement is a declarative statement that puts forward a position or makes a claim about some topic.

• How does Aristotle think virtue is necessary for happiness?
• Is happiness the ultimate goal of human action?
• Whether or not virtue is necessary for happiness.
• Aristotle argues that happiness is the ultimate good of human action and virtue is necessary for happiness.
• René Descartes argues that the soul or mind is the essence of the human person.
• Descartes shows that all beliefs and memories about the external world could be false.
• Some people think that Descartes is a skeptic, but I will show that he goes beyond skepticism.
• In the meditations, Descartes claims that the mind and body are two different substances.
• Descartes says that the mind is a substance that is distinct from the body, but I disagree.
• Contemporary psychology has shown that Descartes is incorrect to think that human beings have free will and that the mind is something different from the brain.
• Thomas Hobbes’s view of the soul is materialistic, whereas Descartes’s view of the soul is nonphysical. In this paper, I will examine the differences between these two views.
• John Stuart Mill reasons that utilitarian judgments can be based on qualitative differences as well as the quantity of pleasure, but ultimately any qualitative difference must result in a difference in the quantity of pleasure.
• Mill’s approach to utilitarianism differs from Bentham’s by introducing qualitative distinctions among pleasures, where Bentham only considers the quantitative aspects of pleasure.
• J. S. Mill’s approach to utilitarianism aligns moral theory with the history of ethics because he allows qualitative differences in moral judgments.
• Rawls’s liberty principle ensures that all people have a basic set of freedoms that are important for living a full life.
• The US Bill of Rights is an example of Rawls’s liberty principle because it lists a set of basic freedoms that are guaranteed for all people.
• While many people may agree that Rawls’s liberty principle applies to all citizens of a particular country, it is much more controversial to extend those same basic freedoms to immigrants, including those classified by the government as permanent residents, legal immigrants, illegal immigrants, and refugees.

[ANS: 1.d 2.c 3.c 4.a 5.c]

Write Like a Philosopher

Use the following templates to write your own thesis statement by inserting a philosopher, claim, or contemporary issue:

• [Name of philosopher] holds that [claim], but [name of another philosopher] holds that [another claim]. In this paper, I will identify reasons for thinking [name of philosopher]’s position is more likely to be true.
• [Name of philosopher] argues that [claim]. In this paper, I will show how this claim provides a helpful addition to [contemporary issue].
• When [name of philosopher] argues in favor of [claim], they rely on [another claim] that is undercut by contemporary science. I will show that if we modify this claim in light of contemporary science, we will strengthen or weaken [name of philosopher]’s argument.

Collect Evidence and Build Your Case

Once you have identified your thesis statement or primary claim, collect evidence (by returning to your readings) to compose the best possible argument. As you assemble the evidence, you can think like a detective or prosecutor building a case. However, you want a case that is true, not just one that supports your position. So you should stay open to modifying your claim if it does not fit the evidence . If you need to do additional research, follow the guidelines presented earlier to locate authoritative information.

If you cannot find evidence to support your claim but still feel strongly about it, you can try to do your own philosophical thinking using any of the methods discussed in this chapter or in Chapter 1. Imagine counterexamples and thought experiments that support your claim. Use your intuitions and common sense, but remember that these can sometimes lead you astray. In general, common sense, intuitions, thought experiments, and counterexamples should support one another and support the sources you have identified from other philosophers. Think of your case as a structure: you do not want too much of the weight to rest on a single intuition or thought experiment.

Consider Counterarguments

Philosophy papers differ from typical argumentative papers in that philosophy students must spend more time and effort anticipating and responding to counterarguments when constructing their own arguments. This has two important effects: first, by developing counterarguments, you demonstrate that you have sufficiently thought through your position to identify possible weaknesses; second, you make your case stronger by taking away a potential line of attack that an opponent might use. By including counterarguments in your paper, you engage in the kind of dialectical process that philosophers use to arrive at the truth.

Accurately Represent Source Material

It is important to represent primary and secondary source material as accurately as possible. This means that you should consider the context and read the arguments using the principle of charity. Make sure that you are not strawmanning an argument you disagree with or misrepresenting a quote or paraphrase just because you need some evidence to support your argument. As always, your goal should be to find the most rationally compelling argument, which is the one most likely to be true.

Organize Your Paper

Academic philosophy papers use the same simple structure as any other paper and one you likely learned in high school or your first-year composition class.

Introduce Your Thesis

The purpose of your introduction is to provide context for your thesis. Simply tell the reader what to expect in the paper. Describe your topic, why it is important, and how it arises within the works you have been reading. You may have to provide some historical context, but avoid both broad generalizations and long-winded historical retellings. Your context or background information should not be overly long and simply needs to provide the reader with the context and motivation for your thesis. Your thesis should appear at the end of the introduction, and the reader should clearly see how the thesis follows from the introductory material you have provided. If you are writing a long paper, you may need several sentences to express your thesis, in which you delineate in broad terms the parts of your argument.

Make a Logical and Compelling Case Using the Evidence

The paragraphs that follow the introduction lay out your argument. One strategy you can use to successfully build paragraphs is to think in terms of good argument structure. You should provide adequate evidence to support the claims you want to make. Your paragraphs will consist of quotations and paraphrases from primary and secondary sources, context and interpretation, novel thoughts and ideas, examples and analogies, counterarguments, and replies to the counterarguments. The evidence should both support the thesis and build toward the conclusion. It may help to think architecturally: lay down the foundation, insert the beams of your strongest support, and then put up the walls to complete the structure. Or you might think in terms of a narrative: tell a story in which the evidence leads to an inevitable conclusion.

Connections

See the chapter on logic and reasoning for a developed account of different types of philosophical arguments.

Summarize Your Argument in the Conclusion

Conclude your paper with a short summary that recapitulates the argument. Remind the reader of your thesis and revisit the evidence that supports your argument. You may feel that the argument as written should stand on its own. But it is helpful to the reader to reinforce the argument in your conclusion with a short summary. Do not introduce any new information in the conclusion; simply summarize what you have already said.

The purpose of this chapter has been to provide you with basic tools to become a successful philosophy student. We started by developing a sophisticated picture of how the brain works, using contemporary neuroscience. The brain represents and projects a picture of the world, full of emotional significance, but this image may contain distortions that amount to a kind of illusion. Cognitive illusions produce errors in reasoning, called cognitive biases. To guard against error, we need to engage in effortful, reflective thinking, where we become aware of our biases and use logical strategies to overcome them. You will do well in your philosophy class if you apply the good habits of mind discussed in this chapter and apply the practical advice that has been provided about how to read and write about philosophy.

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The Writing Place

Resources – how to write a philosophy paper, introduction to the topic.

The most common introductory level philosophy papers involve making an original argument (“Do you believe that free will exists?”) or thinking critically about another philosopher’s argument (“Do you agree with Hobbes’ argument about free will?”). This short checklist will help you construct a paper for these two types of assignments.

The Basics of a Philosophy Paper

1. introduction and thesis.

There is not a need for a grand or lofty introduction in a philosophy paper. Introductory paragraphs should be short and concise. In the thesis, state what you will be arguing and how you will make your argument.

2. Define Terms

It is important to define words that you use in your argument that may be unclear to your reader. While it may seem like words like “morality” and “free will” have an obvious definition, you need to make clear to your audience what those words mean in the context of your paper. A generally useful rule is to pretend that your reader does not know anything about your course or the subject of philosophy and define any words or concepts that such a reader may find ambiguous.

In a philosophy paper, you need to give reasons to support the argument you made in your thesis. This should constitute the largest portion of your paper. It is also important here to name preexisting conditions (premises) that must exist in order for the argument to be true. You can use real-world examples and the ideas of other philosophers to generate reasons why your argument is true. Remember to use simple and clear language and treat your readers as if they are not experts in philosophy.

4. Objections and Responses to Objections

Unlike other types of persuasive essays, in a many philosophy papers you should anticipate criticisms of your argument and respond to those criticisms. If you can refute objections to your argument, your paper will be stronger. While you do not have to address every potential counterargument, you should try to cover the most salient problems.

5. Conclusion

Like the introduction, you should be simple and concise. In the final paragraph you should review and summarize what your paper has established. The conclusion should tell readers why your argument is relevant. It answers the question, “Why do I care?”

General Tips

• Do not overstate or over generalize your ideas.
• Do not try to argue for both sides of an issue. Be clear about where you stand or your reader will be confused.
• Be specific. Do not try to tackle a huge issue, but rather, aim to discuss something small that can be done justice in just a few pages.
• Be wary of using religious or legal grounds for your argument.

A Quick Practice Exercise...

Practice: what is wrong with this paragraph.

This paragraph contains 5 major errors that you should try to avoid in a philosophy paper. Can you find them all?

“In his argument from design, Paley uses the example of a watch that he finds upon a road that has dozens of pieces that work together to make the clock function.  He asserts that this watch is too perfect of a creation not to have a creator and that it would be obvious to conclude that the timepiece must have a maker. Similarly, the Bible proves that God must exist because he made the world beautiful in seven days.  Paley notes, “There cannot be design without a designer; contrivance, without a contriver; order, without choice; arrangement without anything capable of arranging” (Paley 49). This reasoning is strong because it is apparent that beings found in nature have a complex design.  For example, the iris, retina, lens and ocular muscles of the eye all work together to produce sight in the human eye and without any one of these mechanisms, one would be blind.  For all of these tiny pieces that are required for a functioning eye to have randomly come together seems impossible. Therefore, it is logical that there had to be a designer who created a world in which DNA replicates and dozens of small parts create a functioning human or animal.  By simply viewing the natural world, it is highly plausible to see that Paley’s theory is correct.”

1.  “Similarly, the Bible proves that God must exist because he had the power to make the flood happen in Noah’s Ark.”  Arguments based off religious texts, such as the Bible, are generally frowned upon and only weaken an essay.

2. The writer does not define what he means by “God.” Is God a benevolent overseer of the earth? Or is God a vengeful figure? Although it may seem as though everyone knows who God is, in reality, people have different perspective and the writer needs to define God’s character for the reader.

3.  “For all of these tiny pieces that are required for a functioning eye to have randomly come together seems impossible.”  The phrase “ seems impossible ” is weak and unclear. In a philosophy paper, you should take a strong stance and avoid words that weaken your argument like “probably” or “seem.” Additionally, the phrase “ highly plausible ” appears at the end of the paragraph, which is also a phrase that weakens the argument.

4. The writer gives not premises for Paley’s argument to be true. A stronger paper would name the preexisting conditions that must exist in order for the argument to stand.

5. The “real world” example of the human eye is not the best. The writer neglects strong counterarguments such as evolution and the existence of blindness in humans. A good philosophy paper would be more careful when considering real world examples.

Developed by Ann Bruton

Adapted from:

Harvard University’s Short Guide to Philosophical Writing

Kenneth Seeskin’s “How to Write a Philosophy Paper,” Northwestern University

Click here to return to the “Writing Place Resources” main page.

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Introduction to Philosophy

Gaura Rader

• Sample Essays

Here is a good example a what an “A” paper should look like. The paper’s strengths are its focus, clarity, and organization. This paper could have been a bit more ambitious as it doesn’t do much more than explain the difference between act and rule utilitarianism and Smart’s argument against rule utilitarianism. But what it does it does really well and this is sufficient at this level for an A, as these are the basic skills that you are supposed to be developing at this level.  What it does do, beyond merely summarizing Smart, is offer a supporting example and considering a possible objection, which together make the paper an A paper. If it didn’t do those things it would only be a high B paper. One very nice thing about this paper is how well everything is referenced.

A Defense of Smart’s Critique of Rule Utilitarianism

I intend to argue that J.J.C. Smart’s criticism of rule utilitarianism is correct because, as he argues, there are clearly some cases where it is optimific to break a generally optimific rule. I will show this by first explaining rule utilitarianism. Then, I will explain J.J.C. Smart’s critique of rule utilitarianism, including the hypothetical example of “the dying promise,” and provide explanations as to why his criticisms are correct. Finally, I will provide another hypothetical example, one that Smart did not use, in support of Smart’s argument.

I will begin by explaining rule utilitarianism and how it differs from act utilitarianism. Act utilitarianism is the process by which one judges the morality of a given action based on the net positive utility gained by that particular action’s consequences. This is a troubling ethical theory due in part to the daunting nature of attempting to ascertain all the consequences of any given action, something which can not realistically be done. Because of this, the act utilitarian must make estimations to the best of his/her ability, never truly knowing how far off he/she is from having acted on the most optimific choice. As an answer to this problem, a related theory called rule utilitarianism was put forth. Rule utilitarianism is the process by which one judges the morality of a given action based on whether or not it follows a generally optimific rule. In “The Fundamentals Of Ethics,” Russ Shafer-Landau describes rule consequentialism as “the view that an action is morally right just because it is required by an optimific social rule. An optimific social rule is a rule that meets the following condition: if (nearly) everyone in a society where to accept it, then the results would be optimific.” (Shafer-Landau, Page 149). In rule utilitarianism, moral agents are obligated to follow these generally optimific rules.

I will now explain J.J.C. Smart’s objection to rule utilitariansim. Smart believes that generally optimific rules are useful “rules of thumb” for act utilitarians, as they will often allow us to act in optimific ways when there is not time available to carefully weigh out the consequences of a particular action (Smart,94). Smart believes that rule utilitarianism simply takes these common sense guidelines too far, and that doing so can have disastrous results (Shafer-Landau, The Ethical Life , 96). Smart provides an example of a hypothetic rule entitled “R” (Smart, 96). 99% of the time, following R will produce optimific results, while 1% of the time it will not; Rule utilitarianism states that all moral agents are required to follow R, even if they know with complete certainty that doing so will not produce optimific results (Smart, 96). Smart said of such a scenario that it would be “monstrous to suppose that if we have worked out the consequences and if we have perfect faith in the impartiality of our calculations, and if we know that in this instance to break R will have better results than to keep it, we should nevertheless obey the rule” (Smart, 96). As Smart suggested, it is completely irrational to believe in an ethical theory meant to promote overall net happiness, and then to choose to follow through on an action that you know will decrease said happiness, simply for the sake of following a rule that will usually promote happiness. It is a clear sign of a flawed ethical theory when following its guidelines of morality actually contradicts its intended results.

Smart provides another hypothetical example commonly referred to as “the dying promise.” I will now present Smart’s dying promise example from my perspective. Imagine that I am on a desert island, and the only other person on this island is my dying friend, to whom I promise that, should he die, I will donate his entire fortune (which I control) to a jockey club if I am rescued (Smart, 98). When I am rescued, though, I decide that more good can be done by giving his fortune to a hospital instead of to a jockey club (Smart, 98). The idea of giving this money to a hospital, though it will most likely produce the greatest amount of net happiness over unhappiness, will most likely conflict with one or more generally optimific rules. For example, there could be a generally optimific rule that it is never morally permissible to tell a lie; or that it is never morally permissible to deny a dying man his last request, so long as no one will be harmed in following through with it; or that it is never morally permissible to spend the wealth of others in a way that contrasts with their wishes. All of these potentially generally optimific rules would prevent a rule utilitarian from donating the money to the hospital. They would be morally obligated to donate it to the jockey club, despite the fact that this would certainly be the less optimific of the two options. Once again, rule utilitarianism is proven to be flawed, as its generally optimific rules prevent moral agents from acting to produce the intended consequences of the theory itself, maximum utility.

Another example that supports Smart’s argument against rule utilitarianism, but that he did not use himself, is the hypothetical situation known as “the inquiring murderer.” This hypothetical is often used to discredit Kantian ethics and other ethical systems that employ absolute moral laws. I will present this example from my perspective. Imagine that a murderer knocks on my door and asks if I know the location of a man that he is bent on murdering; further imagine that I do know the location of the intended victim and that I must decide whether to lie in order to save the life of an innocent man or tell the truth and aid in an innocent man being murdered (Shafer-Landau, 166). One could easily imagine that a rule which stated that it is never morally permissible to tell a lie would be generally optimific; or an even more extreme rule which stated that it is never morally permissible to withhold the truth, which would also be optimific in a majority of cases. In the case of the inquiring murderer, however, such rules would oblige the rule utilitarian to divulge the location of the murderer’s intended victim, aiding in his demise.

I will now point out a reasonable argument against my use of the inquiring murderer and will go on to prove the validity of the example. There is certainly an argument against this example in that a generally optimific rule which stated the following could exist: It is never morally permissible to aid in the murder of an innocent man. If such a rule did exist, it would lead to a conflict of two rules, in which case the rule utilitarian would be expected to judge his action based solely on its consequences. While it is true that this specific example can be accounted for within the guidelines of rule utilitarianism, we can not assume that a rule will be in place to conflict with every rule that ends up requiring a moral agent to act in a way which produces less than optimific results. It is likely that a majority of moral rules, if thought through to conclusion, would end up having exceptions that would require a conflicting rule to be made. Additionally, every instance that presents a conflict of two moral rules and requires the rule utilitarian to essentially be an act utilitarian further discredits rule utilitarianism. These instances discredit rule utilitarianism because its entire purpose is to not have to judge each action on its own consequences, and so each instance in which a rule utilitarian must act as an act utilitarian discredits rule utilitarianism.

I have argued that J.J.C. Smart’s criticisms of rule utilitarianism are correct. There are certainly many cases where, as Smart argues, it is optimific to not follow a generally optimific rule. This simple truth makes rule utilitarianism self-defeating as its guidelines do not consistently produce, and will sometimes even specifically hinder, its intended results.

Works Cited

Shafer-Landau, Russ. The Fundamentals of Ethics . 2nd ed. New York, NY: Oxford University      Press, 2012. Print

Smart, J.J.C., “Extreme and Restricted Utilitarianism” The Ethical Life . 2nd ed. Ed. Russ Shaffer-Landau. New York, NY: Oxford University Press, 2012.

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• Some General Tips for writing a Philosophy Paper
• More good advice on writing a philosophy paper
• Even More Good Advice About Writing a Philosophy Paper
• The Elements of Style by Strunk and White
• Logic for Intro to Philosophy: Deductive Reasoning, Validity, and Soundness
• Essay Grading Rubric
• How to Cite in a Philosophy Paper (MLA)
• Unit 1: Introduction
• Unit 2: The Science of Morality
• Unit 3: Philosophy and Morality
• Unit 4: Social Contract Theory
• Unit 5 : Kantian Ethics
• Unit 6 : Utilitarianism
• Unit 7: Marxism
• Unit 8: Egalitarianism
• Unit 9: Libertarianism
• Unit 10: Abortion and Animal Rights
• Unit 11: Criminal Justice
• Unit 12: Racism and the #BlackLivesMatter Movement
• Unit 13: Feminism and the #MeToo Movement
• Unit 14: Sex and Marriage
• Unit 15: Climate Change
• Unit 16: Is Utopia Possible?
• Lesson 1 Introduction
• Lesson 2: Utilitarianism
• Lecture 3 Notes (Contractarianism/Hobbesian Social Contract Theory)
• Lecture 4 Notes (Contractualism/Kantian Ethics)
• Lecture 5 Notes: Judith Jarvis Thomson and Don Marquis
• Lecture 6 Notes (Warren and Singer)
• Lecture 7 (Tooley and English)
• Lecture 8 (Norcross and Regan)
• Lecture 9 (Machan and Cohen)
• Lecture 10 (Rawls and Nozick)
• Lecture 11 (Singer)
• Lecture 12 (Occupy the Future)
• Final Exam Review
• Course Readings
• Euthyphro: Summary
• Euthyphro: Dialogue
• Euthyphro: Notes
• Apology: Summary
• Apology: Dialogue
• Apology: Notes
• Crito: Summary
• Crito: Dialogue
• Crito: Notes
• Phaedo: Summary
• Phaedo: Dialogue
• Phaedo: Notes
• Gorgias: Summary
• Gorgias: Dialogue
• Gorgias: Notes
• Plato’s Allegory of the Cave
• Allegory of the Cave Notes
• SEP – The Cosmological Argument
• The No Infinite Regress Argument
• The Contingency Argument
• Russell and Copleston Debate
• The Inductive Argument
• Overview of Design Arguments
• SEP: Design Arguments
• Hume Reading Intro and Notes
• Paley Reading Intro and Notes
• Behe Reading Intro and Notes
• Kitcher Reading Intro and Notes
• SEP: The Ontological Argument
• Ontological Argument Notes
• IEP: The Problem of Evil
• Dostoyevsky’s Rebellion Chapter from The Brothers Karamazov
• Rebellion Notes
• Mackie and Swinburne Reading Notes and Intro
• SEP: Pascal’s Wager
• Pascal’s Wager Notes
• SEP: Mind-Body Dualism
• Parallelism and Occasionalism
• SEP: Mind-Body Dualism Notes
• Foster and Churchland Notes
• Physicalism: Mind Brain Identity Theory (Type Identity Theory)
• Smart and Place Notes
• Multiple Realizability and Functionalism
• Token Identity Theory and Token Physicalism
• Searle Notes
• Jackson Notes
• Chalmers Notes
• Descartes’ Meditations 1 & 2
• Descartes’ Meditations Notes
• Skepticism Notes
• Notes on Moore’s Proof of the Existence of the an External World
• Naive Realism and Representational Realism
• Transcendental Idealism
• Logical Positivism
• The Euthyphro Dilema Notes
• Thomas Hobbes’ Leviathan
• SEP: Hobbes’s Political and Moral Philosophy
• Leviathan Notes
• Gauthier Notes
• Objections: The Fool Argument
• Lesson 1 Lecture Notes
• Immanuel Kant – What is Enlightenment?
• Lesson 2 Lecture Notes
• Lesson 3 Lecture Notes
• Lesson 4 Lecture Notes (Kantian Ethics part I)
• Lesson 5 Lecture Notes (Kantian Ethics part II)
• Allen Wood – Kantian Ethics (excerpts)
• Lesson 6 Lecture Notes (Social Contract Theory par I)
• Lesson 7 Lecture Notes (Social Contract Theory part II)
• Jean-Jacques Rousseau – The Social Contract
• Lesson 8 Lecture Notes (Applied Ethics part 1)
• Lesson 9 Lecture Notes (Applied Ethics part II)
• Peter Singer – Unsanctifying Human Life
• Mary Anne Warren – On the Legal and Moral Status of Abortion
• Lesson 10 Lecture Notes (Applied Ethics part III)
• Lesson 11 Lecture Notes (Metaethics)
• Reagan – The Case for Animal Rights
• Lesson 12 Lecture Notes (Political Philosophy)
• John Rawls – A Theory of Justice (excerpts)
• Robert Nozick – Anarchy, State, Utopia
• Cumulative Final Review
• Cumulative Final

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Writing Philosophy essays

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Preparation

Referencing & help.

• Good essay writing begins with good course preparation. You should remember that just attending courses is not enough. You will engage with the lectures and seminars only if you do the required primary and secondary reading. By the time you come to write your first essay you should already know enough to approach the subject confidently.
• Make sure you have properly understood the question. If you do not, ask. Review your lecture notes and the course outline in order to put the question into context and to relate it to other aspects of the subject. If you can break down the question into parts, do so. Decide which are the most important and weight each part accordingly.
• Read the suggested texts with your question or questions in mind. If you find the reading hard to understand, try reading a whole article or chapter to get the gist and then re-read slowly, making notes.
• Think for yourself. Don't borrow thought or ideas without giving yourself time to digest them. Discuss them with your fellow students. It can be very helpful to discuss the articles and books you read with others. Also, when you take notes, don't simply excerpt long passages, write them in your own words.
• Always start from a plan, however rudimentary; but you will inevitably find your argument developing a dynamic of its own, so do not be afraid to revise your plan as you go along. As Socrates says in Plato's Republic: 'Where the argument takes us, like a wind, hither we must go.'
• Write a draft, leave it for a while, then come back and revise it. On the first draft concentrate on getting the content and structure right and do not dwell on the style. Do not be held up by the precise formulation of a sentence, jot down a phrase and move on.
• Write the final draft. Check the spelling, grammar and make sure all the bibliographical details are correct. leave a wide margin on the right hand side of your page for the marker's comments. Be kind on your marker: use a font that is easy to read and a line spacing of at least 1.5 or 2. Make a photocopy of your essay as a precaution, since they sometimes can go astray.
• Your essay should contain a clear exposition of the theory you are studying, a detailed discussion and critical assessment of that theory. The criticisms you look at may be your own, or those of other philosophers.
• Make sure you indicate when you are expounding the view of someone else and when you are writing in your own voice. Don't just write a long list of objections to a particular argument. Indicate whether you endorse or reject them and give your reasons.
• Use examples to illustrate your point. Preferably, choose your own examples. Always make the point of your example clear to the reader.
• Don't worry too much about the 'originality' of the content of your essay. Nobody expects you to come up with a new philosophical theory in your first four pages of writing. Your essay will be original enough if you think for yourself, use your own words, give your own examples and always provide reasons for accepting or rejecting a particular view.
• Avoid rambling introductions and conclusions. Some books begin with a portentous opening sentence e.g., 'Philosophy, from the earliest times, has made greater claims, and achieved fewer results, than any other branch of learning.' (B. Russell) You can get away with such a sentence as the opening line of a 400 page book, but not as the opening line of a 4 page essay. State briefly what you think the question involves, if this is not obvious, and get stuck in to your answer. With conclusions, sum up your argument if you want to and leave it at that.
• Think small or be methodical. There is a gap between your brain's ability to grasp something and your ability to express in writing what you have already understood. It is as if your intuition can leap up whole flights of stairs at once, whereas your written explanations climb one step at a time. This means that you can easily get ahead of yourself, producing the illusion that your ideas are far more lofty than they really are. Only by patiently stepping through the details of an argument can you avoid such illusions. So be patient! If you are not sure whether you have made your point, try putting it another way; 'The upshot of this argument is...', 'the point of this example is...'. Do not simply repeat yourself, try instead to look at your subject from different angles. Sometimes it will feel as if your point is trivial and not worth making. But a trivial point can be a solid step in an interesting argument. The ability to tease out the subtleties of a small point will serve you better than a grand philosophy of life, the universe and everything.
• One way to structure your essay is to outline an argument, consider an objection, then reply to the objection and then move on to the next point. Avoid the two extremes of length and unbroken paragraphs on the one hand, and staccato sound bytes on the other. Divide your essay into clearly defined paragraphs and devote a whole paragraph to each point. Make the connections between them explicit, by telling the reader what they are. Write things like, 'There are two major objections to this line of thought...' or 'what this example shows is...' Think of these connections as signposts telling the reader where she is, where she has been or reminding her where she is heading.
• 'Style is the feather in the arrow, not the feather in the cap.' Do not worry about repeating important words or phrases. In philosophy it is more important to be consistent in your terminology than to find new and imaginative ways of saying the same thing. Clear prose has its own elegance, wordiness can sometimes cloud the issue.
• Empathise with your reader. Once you understand something, you forget what it was like not to understand it; but doing just this will help you to get your point across. To write clearly you have to put yourself in the place of your reader. Imagine the reader is someone who knows nothing about the subject. What would you have to do firstly to convince them and secondly to maintain their interest. Generally speaking a concrete example will get you much further than a passage of purple prose or a string of high-falutin' epithets. One useful way to attain clarity and simplicity of style is to write in short sentences. It is easier to waffle in long rambling sentences.
• Use 'signposts' to let the reader know what you are trying to do. You can say things like , 'one objection is...', 'A possible reply to this is...', 'What this example shows...', 'This importance of this point is that...', 'What X is assuming is that...'. Be explicit about what you are arguing and why.
• Stylistically it is vital to use your own words. Quite apart from the dangers of plagiarism, if you borrow chunks of text from another author and then insert them into your essay, you will end up with a patchwork of different styles that reads awkwardly. By all means paraphrase someone else's view, although make it clear that you are paraphrasing. This will help you to understand the position you are adumbrating; and there is a lot of skill involved in a lucid and concise exposition of somebody else's argument.
• Occasionally you will want to cite somebody else's words directly. Be sparing in your use of quotation. There is much less skill to quotation than to paraphrase or précis. When you select a passage for quotation, make sure it is both brief and relevant. There is nothing worse than reading a string of long quotations interspersed with brief and gnomic comments.
• Use a dictionary (or spell check) and a grammar. Good spelling and good grammar are not wholly unrelated to the content of your essay. The thread of an essay is easier to follow if the reader does not have to guess the word which you actually meant to write. Good grammar makes not only for elegant but for precise prose. So do not be ashamed to use a dictionary. I prefer the Chambers to the Collins single volume dictionary, but both are good. (Webster's and M.S. Word dictionaries are American.) Michael Dummet, the philosopher, has written an excellent little English grammar for his students, published by Duckworth.

Use of sources

• All verbatim quotations, whether long or short should be enclosed in inverted commas or indented, and the precise source given. Make sure that you give enough information for the reader to find the passage, i.e. author, work, edition page number or section.
• Passages of close paraphrase should be acknowledged, and the purpose of these paraphrases made clear e.g. as a summary of a view to be discussed disputed or agreed with.
• When a point has been derived directly from an author, even though it mode of expression may be original, this should be acknowledged in a footnote or parenthesis.
• Extensive use of an essay written by another student should be acknowledged. This applies to essays borrowed from the 'Essay Bank' and to essays which are borrowed on a personal basis. Just as the rule that you should acknowledge your dependence on published sources is not supposed to discourage you from reading widely, the rule that you should acknowledge your dependence where it exists, on other students' essays, is not supposed to discourage you from reading each others' essays. In the end however the only thing of value to you and of interest to us is work in which you express and develop your own thoughts.
• At the end of any essay to be submitted for formal assessment (not tutorial essays) write a list in alphabetical order of all the works consulted or read during the preparation and writing of the essay, as well as those from which you quote directly (see Referencing).

Referencing

The Philosophy Department accepts the Harvard or MLA styles of referencing.  Please refer to the specific information below on each permitted style.

Additional help

You may find the extra help below useful when writing Philosohy essays.

This guide to writing Philosophy essays was written by Gordon Finlayson

Department of Philosophy University of York , York , YO10 5DD , UK Tel: work +44 (0)1904 323251 | Fax: fax +44 (0)1904 324023 | [email protected]

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• Knowledge Base
• How to write an essay introduction | 4 steps & examples

How to Write an Essay Introduction | 4 Steps & Examples

Published on February 4, 2019 by Shona McCombes . Revised on July 23, 2023.

A good introduction paragraph is an essential part of any academic essay . It sets up your argument and tells the reader what to expect.

The main goals of an introduction are to:

• Catch your reader’s attention.
• Give background on your topic.
• Present your thesis statement —the central point of your essay.

This introduction example is taken from our interactive essay example on the history of Braille.

The invention of Braille was a major turning point in the history of disability. The writing system of raised dots used by visually impaired people was developed by Louis Braille in nineteenth-century France. In a society that did not value disabled people in general, blindness was particularly stigmatized, and lack of access to reading and writing was a significant barrier to social participation. The idea of tactile reading was not entirely new, but existing methods based on sighted systems were difficult to learn and use. As the first writing system designed for blind people’s needs, Braille was a groundbreaking new accessibility tool. It not only provided practical benefits, but also helped change the cultural status of blindness. This essay begins by discussing the situation of blind people in nineteenth-century Europe. It then describes the invention of Braille and the gradual process of its acceptance within blind education. Subsequently, it explores the wide-ranging effects of this invention on blind people’s social and cultural lives.

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Table of contents

Step 1: hook your reader, step 2: give background information, step 3: present your thesis statement, step 4: map your essay’s structure, step 5: check and revise, more examples of essay introductions, other interesting articles, frequently asked questions about the essay introduction.

Your first sentence sets the tone for the whole essay, so spend some time on writing an effective hook.

Avoid long, dense sentences—start with something clear, concise and catchy that will spark your reader’s curiosity.

The hook should lead the reader into your essay, giving a sense of the topic you’re writing about and why it’s interesting. Avoid overly broad claims or plain statements of fact.

Examples: Writing a good hook

Take a look at these examples of weak hooks and learn how to improve them.

• Braille was an extremely important invention.
• The invention of Braille was a major turning point in the history of disability.

The first sentence is a dry fact; the second sentence is more interesting, making a bold claim about exactly  why the topic is important.

• The internet is defined as “a global computer network providing a variety of information and communication facilities.”
• The spread of the internet has had a world-changing effect, not least on the world of education.

Avoid using a dictionary definition as your hook, especially if it’s an obvious term that everyone knows. The improved example here is still broad, but it gives us a much clearer sense of what the essay will be about.

• Mary Shelley’s  Frankenstein is a famous book from the nineteenth century.
• Mary Shelley’s Frankenstein is often read as a crude cautionary tale about the dangers of scientific advancement.

Instead of just stating a fact that the reader already knows, the improved hook here tells us about the mainstream interpretation of the book, implying that this essay will offer a different interpretation.

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Next, give your reader the context they need to understand your topic and argument. Depending on the subject of your essay, this might include:

• Historical, geographical, or social context
• An outline of the debate you’re addressing
• A summary of relevant theories or research about the topic
• Definitions of key terms

The information here should be broad but clearly focused and relevant to your argument. Don’t give too much detail—you can mention points that you will return to later, but save your evidence and interpretation for the main body of the essay.

How much space you need for background depends on your topic and the scope of your essay. In our Braille example, we take a few sentences to introduce the topic and sketch the social context that the essay will address:

Now it’s time to narrow your focus and show exactly what you want to say about the topic. This is your thesis statement —a sentence or two that sums up your overall argument.

This is the most important part of your introduction. A  good thesis isn’t just a statement of fact, but a claim that requires evidence and explanation.

The goal is to clearly convey your own position in a debate or your central point about a topic.

Particularly in longer essays, it’s helpful to end the introduction by signposting what will be covered in each part. Keep it concise and give your reader a clear sense of the direction your argument will take.

As you research and write, your argument might change focus or direction as you learn more.

For this reason, it’s often a good idea to wait until later in the writing process before you write the introduction paragraph—it can even be the very last thing you write.

When you’ve finished writing the essay body and conclusion , you should return to the introduction and check that it matches the content of the essay.

It’s especially important to make sure your thesis statement accurately represents what you do in the essay. If your argument has gone in a different direction than planned, tweak your thesis statement to match what you actually say.

To polish your writing, you can use something like a paraphrasing tool .

You can use the checklist below to make sure your introduction does everything it’s supposed to.

Checklist: Essay introduction

My first sentence is engaging and relevant.

I have introduced the topic with necessary background information.

I have defined any important terms.

My thesis statement clearly presents my main point or argument.

Everything in the introduction is relevant to the main body of the essay.

You have a strong introduction - now make sure the rest of your essay is just as good.

• Argumentative
• Literary analysis

This introduction to an argumentative essay sets up the debate about the internet and education, and then clearly states the position the essay will argue for.

The spread of the internet has had a world-changing effect, not least on the world of education. The use of the internet in academic contexts is on the rise, and its role in learning is hotly debated. For many teachers who did not grow up with this technology, its effects seem alarming and potentially harmful. This concern, while understandable, is misguided. The negatives of internet use are outweighed by its critical benefits for students and educators—as a uniquely comprehensive and accessible information source; a means of exposure to and engagement with different perspectives; and a highly flexible learning environment.

This introduction to a short expository essay leads into the topic (the invention of the printing press) and states the main point the essay will explain (the effect of this invention on European society).

In many ways, the invention of the printing press marked the end of the Middle Ages. The medieval period in Europe is often remembered as a time of intellectual and political stagnation. Prior to the Renaissance, the average person had very limited access to books and was unlikely to be literate. The invention of the printing press in the 15th century allowed for much less restricted circulation of information in Europe, paving the way for the Reformation.

This introduction to a literary analysis essay , about Mary Shelley’s Frankenstein , starts by describing a simplistic popular view of the story, and then states how the author will give a more complex analysis of the text’s literary devices.

Mary Shelley’s Frankenstein is often read as a crude cautionary tale. Arguably the first science fiction novel, its plot can be read as a warning about the dangers of scientific advancement unrestrained by ethical considerations. In this reading, and in popular culture representations of the character as a “mad scientist”, Victor Frankenstein represents the callous, arrogant ambition of modern science. However, far from providing a stable image of the character, Shelley uses shifting narrative perspectives to gradually transform our impression of Frankenstein, portraying him in an increasingly negative light as the novel goes on. While he initially appears to be a naive but sympathetic idealist, after the creature’s narrative Frankenstein begins to resemble—even in his own telling—the thoughtlessly cruel figure the creature represents him as.

If you want to know more about AI tools , college essays , or fallacies make sure to check out some of our other articles with explanations and examples or go directly to our tools!

• Ad hominem fallacy
• Post hoc fallacy
• Appeal to authority fallacy
• False cause fallacy
• Sunk cost fallacy

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Your essay introduction should include three main things, in this order:

• An opening hook to catch the reader’s attention.
• Relevant background information that the reader needs to know.
• A thesis statement that presents your main point or argument.

The length of each part depends on the length and complexity of your essay .

The “hook” is the first sentence of your essay introduction . It should lead the reader into your essay, giving a sense of why it’s interesting.

To write a good hook, avoid overly broad statements or long, dense sentences. Try to start with something clear, concise and catchy that will spark your reader’s curiosity.

A thesis statement is a sentence that sums up the central point of your paper or essay . Everything else you write should relate to this key idea.

The thesis statement is essential in any academic essay or research paper for two main reasons:

• It gives your writing direction and focus.
• It gives the reader a concise summary of your main point.

Without a clear thesis statement, an essay can end up rambling and unfocused, leaving your reader unsure of exactly what you want to say.

The structure of an essay is divided into an introduction that presents your topic and thesis statement , a body containing your in-depth analysis and arguments, and a conclusion wrapping up your ideas.

The structure of the body is flexible, but you should always spend some time thinking about how you can organize your essay to best serve your ideas.

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Writing a Philosophy Essay

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Is there a God? Are there objective, universal moral norms or rules? What is meant by ‘reality’? Do we have free will? In studying philosophy, students aim to do the following:

• understand such philosophical questions and the concepts, arguments, and theories that philosophers use to address them
• think critically about such arguments and theories
• develop their own answers to philosophical questions

Writing philosophy essays is a key part of studying philosophy. Make sure first to understand the assignment, looking out for the questions asked and paying attention to prompts such as “outline” or “evaluate” or “compare”. Most philosophy assignments will ask you to demonstrate your understanding of the subject through exposition of arguments and theories, and many will also test your ability to assess these arguments and theories by writing a critical evaluation of them. Write your paper so that the reader understands how your exposition and evaluation answer the questions and address all parts of the assignment.

Read the Texts Carefully, Asking Questions

Before you write a paper, though, you need to understand the course texts and recommended readings. Philosophical works need to be read slowly and with focused attention. As you read, ask yourself the following:

• What philosophical question(s) is the author addressing?
• What exactly is meant by key ideas or concepts in the text (e.g., Plato’s “Forms”, Aristotle’s “substance” and “accident”, Kant’s “categorical imperative,” Sartre’s “being-for-itself”)? Each discipline has its own technical language, which students must learn.
• What arguments does the author make (e.g., Aquinas’s five arguments for the existence of God)?
• What theories does the author propose (e.g., a dualist mind-body theory or—one of its competitors—a physicalist theory of mind)?

Organize Your Ideas into a Logical Structure

Take notes as you read. Then put your ideas for the essay into a logical order. Because philosophy papers proceed by logical argument, creating a point-form outline that captures the structure of your argument is generally a good strategy. An outline will allow you to spot problems in your argument more easily.

Augment Your Thesis with a Road Map that Reveals the Structure of Your Argument

Most assignments will require you to present a clear thesis statement that sums up the position for which you are arguing. In the introduction you should also provide a ‘road map’—a few sentences that announce in sequence what you intend to accomplish in each of the key stages of your paper. Road maps often rely on first person (“First, I will analyze . . . “), but if your professor prefers that you don’t use the first person, you can instead describe what your essay will accomplish (“First, the essay will analyze . . . “).

Show Your Understanding through Clear and Accurate Exposition

Try to make your expository writing as clear and accurate as possible, and try to show the logical connections between the different parts of a philosophical system. Avoid vague or overly brief exposition, serious omissions, or misunderstandings.

In some first year courses, an early assignment may ask you to write a short paper expounding but not evaluating a concept or theory. For example: “Explain what Plato means by Forms.” Subsequent assignments in the course usually involve evaluation as well as exposition (e.g., “Outline and evaluate Plato’s theory of Forms”). In some courses, assignments may call for detailed interpretation of a text rather than an assessment of it. “Was Hume an idealist?”, “Was Wittgenstein a behaviourist?” and “Was Marx a nihilist about morality?” are examples. Such questions are posed when there is disagreement among scholars about how to interpret a philosopher. In such essays, you will need to examine texts very closely, find passages which support a yes or no answer, choose where you stand in the debate, and defend your answer.

Critically Evaluate a Philosophical Theory

When studying a philosophical theory, you will need to think about both its strengths and weaknesses. For example, is a particular theory of art (such as the view that art is the expression of emotion) comprehensive: does it apply to all the arts and all types of art, or only to some? Is it logically consistent or does it contain contradictions? Are there counterexamples to it?

As you think about your topic, read the course materials, and take notes, you should work out and assemble the following:

• the strengths of a philosopher’s theory
• the arguments the philosopher gives in support of the theory and those the philosopher did not provide but which might still support it
• possible criticisms of those arguments
• how the philosopher has replied or could reply to these criticisms

Finally, ask yourself how you would evaluate those replies: do they work or not? Be selective, especially in a shorter paper. In a 1,000-word essay, for instance, discuss one or two arguments in favour and one or two against. In a 2,000- or 2,500-word paper, you can include more arguments and possible replies. Finally, plan carefully: leave enough space for your assessment.

A different type of critical evaluation assignment may ask for a comparative appraisal of two or more theories. For example, “Which account of human decision-making is stronger: X’s free will theory or Y’s determinist theory?” In such essays, your thesis could be that one account is better than the other or, perhaps, that neither account is clearly superior. You might argue that each has different strengths and weaknesses.

Develop Your Own Answers to Philosophical Questions

In the type of critical assessments above, you are already, to some extent, articulating your own philosophical positions. As you read texts in a course on, say, philosophy of mind or philosophy of art, you should be asking, based on what you have read so far, which theory is the best? Don’t be content to just understand theories and know their strengths and weaknesses. Push yourself to think out your own account of mind or art.

Some upper-year essay assignments may throw a fundamental philosophical question at you: “What is art?”, “Do we have free will?”, “What is morality?”, or “What is reality?”. Here, you will present your own answer, giving reasons, answering objections, and critically evaluating alternative approaches. Your answer/thesis might be an existing theory or a synthesis of two or more theories, or (more rarely) a completely new theory. Now you are not only expounding theories or critically evaluating them; you are also developing your own philosophy!

How to Write an Essay Outline: Examples, FAQs & Tips

An essay outline is a structured plan that organizes the main points and supporting details of an essay before writing. It guides the flow of ideas and ensures that each section of the essay is logically connected and coherent.

In this article, we'll walk you through the steps to build a strong essay outline. You'll discover how to define your thesis, arrange your main points, and structure your outline for clarity and effectiveness. If you're still having trouble putting your outline together after reading this, EssayService can provide expert help to make sure your essay is well-structured and persuasive!

Basic Elements of an Essay

An essay begins with an introduction, which is followed by one or more body paragraphs that expand on the points introduced. It ends with a conclusion that restates the thesis and summarizes the main ideas from the body paragraphs.

Introduction

The introduction of an essay introduces the topic and engages the reader from the start. It usually starts with a hook—a statement or question that grabs attention. After the hook, some background information is given to provide context for the topic.

The introduction ends with a thesis statement, which clearly presents the main argument or purpose of the essay. This section not only introduces the topic but also outlines what the essay will cover, setting the tone for what follows.

Avoid these pitfalls:

• Don't try to cover too much ground in your introduction.
• Avoid vagueness. Be specific and precise in your language.

Body Paragraphs

The body of the essay is where your main ideas and arguments take shape. Each paragraph should open with a topic sentence that clearly states the main point. This is followed by supporting details like evidence, examples, and analysis that back up the topic sentence.

Smooth transitions between paragraphs are key to maintaining a logical flow throughout the essay. Together, the body paragraphs build and support the thesis by adding depth and detail to your argument.

Remember these tips for effective body paragraphs:

• Begin each paragraph with a clear and concise topic sentence.
• Use specific examples, facts, or quotes to support your point.
• Explain why the evidence is important and how it relates to your argument.

The conclusion of an essay wraps up the argument and reinforces the thesis. It usually starts by restating the thesis and reflecting on the discussion and evidence presented in the body paragraphs. A brief summary of the main points follows, highlighting the key arguments made throughout the essay.

The conclusion should close with a final thought or call to action, leaving the reader with something to think about or a sense of closure. The aim is to make a lasting impression that emphasizes the importance of the essay's conclusions.

Remember these tips:

• Briefly recap the key arguments you've made.
• Leave the reader with a thought-provoking final sentence or a call to action.
• Don't introduce any new ideas or arguments in your conclusion.

How to Write an Essay Outline?

Now, let's dive into the heart of this article and show you how to write an essay outline in just four smart steps:

• Determining your thesis and key arguments
• Organizing points into sections
• Adding supporting details
• Drafting a rough outline

Determine Your Thesis and Key Arguments

Your thesis should present a specific point of view or a central idea that your essay will support or explore. Here's how to identify your thesis:

• Ask a question: What is the main point you want to convey?
• Brainstorm: Jot down ideas related to your topic.
• Refine your ideas: Narrow down your focus and develop a clear argument.

Once you have your thesis, identify the main points that support it. These points should be logical, relevant, and comprehensive.

• Divide your thesis: Break down your thesis into its key components.
• Create a mind map: Visually organize your ideas.
• Ask yourself questions: What are the main reasons for your argument? What evidence supports your claims?

Group Main Ideas into Sections

The best way to organize your main points when writing an essay outline depends on the specific topic and purpose of your essay. Experiment with different arrangements to find the one that works best for you. Here are some strategies for organizing your main points:

Add Details to Each Main Idea

When working on your essay outline, remember to choose supporting details that are relevant, specific, and convincing. The more evidence you can provide, the stronger your arguments will be. Consider these tips for developing supporting details for each one.

• Provide examples: "For example, the Great Depression led to a significant increase in homelessness and poverty."
• Cite expert opinions: "As the renowned historian, Eric Hobsbawm, once said, 'The French Revolution was a watershed moment in European history.'"
• Make comparisons and contrasts: "While both cats and dogs make excellent pets, cats are generally more independent, while dogs are more social."
• Offer definitions: "A democracy is a form of government in which the people have the power to elect their leaders."

Make a Rough Outline

Once you've developed supporting details for each main point, you're ready to create a draft outline. This outline will serve as a roadmap for your essay, guiding you through the writing process.

Here's a basic outline template:

• Background information
• Thesis statement

Body Paragraph 1

• Topic sentence
• Supporting detail 1
• Supporting detail 2
• Supporting detail 3

Body Paragraph 2

Body Paragraph 3

• Restate thesis
• Summarize key points
• Final thought

Remember to:

• Use consistent formatting: Indent supporting details.
• Label sections clearly: Use Roman numerals for main points and letters for supporting details.
• Be flexible: Adjust your outline as needed to accommodate new ideas or changes in your argument.

Essay Outline Examples

Now that you have an understanding of the basic structure of an essay outline let's explore some specific examples tailored to different essay genres. Remember, these are just templates, and you should feel free to adapt each essay outline example to fit your unique needs and writing style.

Argumentative Essay Outline

I. Introduction

• Hook: A captivating opening sentence to grab the reader's attention.
• Background information: Relevant context to the topic.
• Thesis statement: A clear and concise statement of your argument.

II. Body Paragraph 1

• Topic sentence: The main point of this paragraph.
• Supporting evidence: Facts, statistics, examples, or expert opinions to support your argument.
• Explanation: Analysis of the evidence and its relevance to your thesis.

III. Body Paragraph 2

• Topic sentence: The second main point of your argument.
• Supporting evidence: Facts, statistics, examples, or expert opinions.

IV. Body Paragraph 3

• Topic sentence: The third main point of your argument.

V. Counterargument

• Acknowledge opposing viewpoint: Briefly mention a counterargument.
• Refute counterargument: Provide evidence or reasoning to disprove the opposing viewpoint.

VI. Conclusion

• Restate thesis: Reiterate your main argument.
• Summarize key points: Briefly recap the main supporting points.
• Final thought: Leave the reader with a memorable and impactful statement.

Expository Essay Outline

• A. Hook: Start with an engaging statement or fact to grab the reader's attention.
• B. Background Information: Provide context or background information necessary for understanding the topic.
• C. Thesis Statement: Clearly state the main point or purpose of the essay.
• A. Topic Sentence: Introduce the main idea of the paragraph.
• B. Explanation/Detail: Provide a detailed explanation or description of the first point.
• C. Evidence/Example: Include evidence or examples to support the explanation.
• D. Analysis: Explain how the evidence or example supports the topic sentence.
• B. Explanation/Detail: Provide a detailed explanation or description of the second point.
• B. Explanation/Detail: Provide a detailed explanation or description of the third point.

V. Conclusion

• A. Restate Thesis: Restate the thesis in a new way, summarizing the main points of the essay.
• B. Summary of Main Points: Briefly summarize the key points discussed in the body paragraphs.
• C. Final Thought: End with a concluding statement that reinforces the significance of the topic or provides a closing thought.

Persuasive Essays Outline

• Background information: Provide context or history related to your topic.
• Thesis statement: Clearly state your argument or position.
• Main argument: Present your strongest argument in support of your thesis.
• Supporting evidence: Use facts, statistics, examples, or expert opinions to back up your argument.
• Counterargument: Briefly acknowledge an opposing viewpoint.
• Rebuttal: Refute the counterargument with evidence or reasoning.
• Main argument: Present your second strongest argument in support of your thesis.
• Main argument: Present your third strongest argument in support of your thesis.
• Restate thesis: Briefly rephrase your argument.
• Summarize key points: Recap the main supporting arguments.
• Call to action: Encourage the reader to take a specific action or adopt a particular viewpoint.

Final Words

As we sum up this article, let's recap the main steps for writing an outline:

• Determine the main argument or purpose of your essay.
• Break down your thesis into key ideas or arguments.
• Group related ideas together under clear headings.
• Include evidence, examples, and explanations for each main point.
• Arrange everything in a logical order, ensuring a smooth flow from one section to the next.

To ensure your writing is well-structured and effective, rely on EssayService, which is here to help with any type of essay.

Frequently asked questions

• Linford, J. (2014). Essay Planning: Outlining with a Purpose What Is an Outline? How Do I Develop an Outline? https://www.sjsu.edu/writingcenter/docs/handouts/Essay%20Planning%20-%20Outlining.pdf
• ‌ Writing an Outline for your essay | MacOdrum Library . (n.d.). Library.carleton.ca . https://library.carleton.ca/guides/help/writing-outline-your-essay

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