Michigan Quarterly Review

5 Uncommon Tips on Your MFA Creative Writing Application

A couple of years ago, I made the decision to apply to MFA programs in creative writing. Compared to medical school or law school, the application process for an MFA can sometimes feel like a crapshoot, with the odds of getting into a fully-funded program hovering somewhere below four or five percent (and some programs like Iowa, Michigan, Michener—gulp—even less!). Still, it seems that every year, a few applicants manage to get admitted to a handful of programs, which brings up the question of whether the process is as random as one might initially think.

As a caveat, I’ve never served as a reader for any programs’ admissions committee (for a genuine insider look, follow Elizabeth McCracken’s twitter and listen to everything she says!), but I happen to have been lucky enough to get accepted to several fully funded schools on my first try. Whenever someone asks me for advice, I get a little queasy, because I barely knew what I was doing back then. However, I’d like to think that I’ve had some time to reflect on the process and have spoken to many people, including students who’ve been accepted and faculty members. I’ve since graduated from my MFA and hold (at the time of writing) a Zell postgraduate fellowship in fiction at the University of Michigan.

I’ll skip the general consensus—polish the writing sample, apply to more than one school, get feedback on your materials, etc. Instead, I’ll offer some less common ones that I thought worked for me. I hope they help with your application, and I’m certainly indebted to many writers who came before me and similarly shed light on their own experiences.

  • Presenting yourself . Most of us writers tend to dislike being pigeonholed, or to accept the idea that there are certain themes or styles we keep reverting to again and again.  I definitely struggled with this (and continue to) but for the application process, presenting ourselves in a way that is unified and meaningful can sometimes spell the difference between sticking out in the pile or not. I write a lot about the Philippines, where I grew up, and this location not only influences the setting of my stories, but also informs my thematic sensibility as well as my identity. My personal statement talked about my background growing up in a predominantly Christian and Chinese-Filipino family, the conflicts at the dinner table as a result of our ethnic and religious upbringing, and how these issues are explored in my work. My fiction samples were chosen with this in mind (of course, they also happened to be my best work at the time), and I imagine my recommendation letters further attested to my experience as an immigrant. As a result, I believe I demonstrated myself as someone who deeply cares about what I write and has something important to say about the world around me. A place or region might not be the element that binds your application materials together. It might be a style, philosophy, or occupation—but whatever it is, it should resonate meaningfully in all aspects of your work (you can even ask your recommenders to talk about it). If readers can come away with the feeling that they know you and what motivates you to write, then you only need to show that you also can write.
  • Range and length of sample . This might sound like a contradiction to the above, but it really isn’t. Rather, this is the part where you get a chance to display your skill and flexibility as a writer. For my sample, I chose three stories with varying styles: fabulist, comedic, and straight realist. They also differed in their lengths: short, medium, and long. What kept them all together was the setting of the Philippines, which again referred back to my personal statement and kept them from feeling haphazardly chosen. You might wonder if this is a good idea, since schools often just ask for 25 to 30 pages of creative sample, and might even say something to the effect that they’re looking for “a demonstration of sustained, quality work.” I debated with myself on the correct approach, and you might not agree with my conclusions: If programs clearly ask for just a single story, and if they feel more traditional in their aesthetics, then perhaps sending a longer story is better. However, the risk of sending one story is the risk of increasing subjectivity, and has to do more with the practical reality of the selection process than anything else. We all know that readers have different tastes, and if for some reason they don’t connect with the first few pages of your work, they most likely won’t read on. If you present them with a shorter work first, they might be willing to read the beginning of the second story, and if they still don’t like that, then the third. If each story is different stylistically, you’re increasing the chances that one of these would be appealing to the readers, and they might reconsider the stories that they passed on the first read.
  • Potential . I’ve heard anecdotes of applicants being turned down because the admission committee thought they were “overqualified” to be studying in an MFA program. This probably doesn’t apply to most of us, but the principle remains: administrators are looking for people they believe can get something out of the two-to-three-year experience. In other words, they’re looking for writers’ potential as much as writers’ ability. I can certainly speak to this. When I applied, I’d barely taken any creative writing workshops. I’d just started writing literary fiction and I was unpublished. I took screenwriting as an undergrad (a related field, I know) but I still emphasized the things I anticipated learning from an MFA, including the benefit of being in a community. I did not downplay my background in screenwriting (and as it happened, also journalism), but I was able to articulate how each tradition influenced me as a writer. You might be someone who’s majored in creative writing as an undergrad and knew for a long time that you want to write literary fiction. That’s okay (in fact I think that’s great!). But you still have to find a way to communicate your limitations while playing to your strengths. To a large extent, it seems to me more of an attitude check: nobody wants to be with the writer who feels privileged and entitled to a seat at the MFA table.
  • Preparedness . Sometimes, perhaps because I got in on my first try, I wonder if my acceptance was a fluke, and if I was really ready for the MFA experience. Of course, I’ve heard many people who felt similarly, some who even have a lot of creative writing background under their belt. The impostor syndrome aside, I do think that it’s good to gain as much exposure to the literary world as possible before applying to an MFA program. This not only gives you a better sense of why you write and what you write (going back to my first point), but moreover it increases the likelihood that once you are accepted, you’ll know how to make the most out of your time and the resources being offered. I had a wonderful experience at the University of Michigan—indeed, I’ve never read or written more in my life than I did at that point, and I could not have asked for a better set of cohort or mentors. I have grown exponentially as a writer. Rightly or wrongly, though, I did consciously set myself apart as someone who was a beginner, who had the most to learn about writing literary fiction. This attitude has enabled me to develop in leaps and bounds. At the same time, I could see how—had I been further along in my progress—I could’ve used the MFA in a different way: writing that novel I’ve always wanted, giving more thought to the direction of my career, the business side of the industry, finding an agent, etc. I think there’s something valiant and admirable about finding yourself as a result of experimenting during the MFA years, but it might also be worth considering and being aware of the different trajectories in entering a program. As a suggestion for preparing yourself pre-MFA-application, I highly suggest going to a conference (the Napa Writers’ Conference, Wesleyan Writers Conference, and the Key West Literary Seminar being some of the more well-known ones I’ve personally attended and recommend).
  • On success . My final note on the application process is less of a tip and more of a reminder. When the time comes around to February or March, and should you find yourself not getting into the programs of your choice, recuperate from the rejections and take them in stride. View the result both as a sobering reminder of the odds stacked up against anyone applying for an MFA, and also as an opportunity to become better prepared, so that if you do get in later, you will be in an improved position. Similarly, should you be fortunate enough to get into your top programs, view the achievement as the means to an end, and not the end in itself. If a study were to be conducted on MFA admittances, I’m almost sure that the findings would show that acceptances to programs are in no way predictive of future success in publishing. Only diligence and perseverance are positive indicators of writerly success, and in this sense, we all can take comfort in the fact that all of us have a fair shot if we’re in it for the long haul.

Image: The Hopwood Room, where some workshops are held at the Helen Zell Writers’ Program, University of Michigan.

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I thoroughly enjoyed reading this post. It’s exactly what I dd in my sample. Anyone who wants to see real successful samples of statements of purpose should read this post: 10 Statement Of Purpose Examples: How To Wow The Admission Committees Of Fully-Funded MFA Programs (Guide + Samples +Tips) https://www.creativewritingnews.com/statement-of-purpose-examples-2/

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The 10 Best Creative Writing MFA Programs in the US

The talent is there. 

But the next generation of great American writers needs a collegial place to hone their craft. 

They need a place to explore the writer’s role in a wider community. 

They really need guidance about how and when to publish. 

All these things can be found in a solid Master of Fine Arts in Creative Writing degree program. This degree offers access to mentors, to colleagues, and to a future in the writing world. 

A good MFA program gives new writers a precious few years to focus completely on their work, an ideal space away from the noise and pressure of the fast-paced modern world. 

We’ve found ten of the best ones, all of which provide the support, the creative stimulation, and the tranquility necessary to foster a mature writer.

We looked at graduate departments from all regions, public and private, all sizes, searching for the ten most inspiring Creative Writing MFA programs. 

Each of these ten institutions has assembled stellar faculties, developed student-focused paths of study, and provide robust support for writers accepted into their degree programs. 

To be considered for inclusion in this list, these MFA programs all must be fully-funded degrees, as recognized by Read The Workshop .

Creative Writing education has broadened and expanded over recent years, and no single method or plan fits for all students. 

Today, MFA programs across the country give budding short story writers and poets a variety of options for study. For future novelists, screenwriters – even viral bloggers – the search for the perfect setting for their next phase of development starts with these outstanding institutions, all of which have developed thoughtful and particular approaches to study.

So where will the next Salinger scribble his stories on the steps of the student center, or the next Angelou reading her poems in the local bookstore’s student-run poetry night? At one of these ten programs.

Here are 10 of the best creative writing MFA programs in the US.

University of Oregon (Eugene, OR)

University of Oregon

Starting off the list is one of the oldest and most venerated Creative Writing programs in the country, the MFA at the University of Oregon. 

Longtime mentor, teacher, and award-winning poet Garrett Hongo directs the program, modeling its studio-based approach to one-on-one instruction in the English college system. 

Oregon’s MFA embraces its reputation for rigor. Besides attending workshops and tutorials, students take classes in more formal poetics and literature.  

A classic college town, Eugene provides an ideal backdrop for the writers’ community within Oregon’s MFA students and faculty.  

Tsunami Books , a local bookseller with national caché, hosts student-run readings featuring writers from the program. 

Graduates garner an impressive range of critical acclaim; Yale Younger Poet winner Brigit Pegeen Kelly, Cave Canem Prize winner and Guggenheim fellow Major Jackson, and PEN-Hemingway Award winner Chang-Rae Lee are noteworthy alumni. 

With its appealing setting and impressive reputation, Oregon’s MFA program attracts top writers as visiting faculty, including recent guests Elizabeth McCracken, David Mura, and Li-young Lee.

The individual approach defines the Oregon MFA experience; a key feature of the program’s first year is the customized reading list each MFA student creates with their faculty guide. 

Weekly meetings focus not only on the student’s writing, but also on the extended discovery of voice through directed reading. 

Accepting only ten new students a year—five in poetry and five in fiction— the University of Oregon’s MFA ensures a close-knit community with plenty of individual coaching and guidance.

Cornell University (Ithaca, NY)

Cornell University

Cornell University’s MFA program takes the long view on life as a writer, incorporating practical editorial training and teaching experience into its two-year program.

Incoming MFA students choose their own faculty committee of at least two faculty members, providing consistent advice as they move through a mixture of workshop and literature classes. 

Students in the program’s first year benefit from editorial training as readers and editors for Epoch , the program’s prestigious literary journal.

Teaching experience grounds the Cornell program. MFA students design and teach writing-centered undergraduate seminars on a variety of topics, and they remain in Ithaca during the summer to teach in programs for undergraduates. 

Cornell even allows MFA graduates to stay on as lecturers at Cornell for a period of time while they are on the job search. Cornell also offers a joint MFA/Ph.D. program through the Creative Writing and English departments.

Endowments fund several acclaimed reading series, drawing internationally known authors to campus for workshops and work sessions with MFA students. 

Recent visiting readers include Salman Rushdie, Sandra Cisneros, Billy Collins, Margaret Atwood, Ada Limón, and others. 

Arizona State University (Tempe, AZ)

Arizona State University

Arizona State’s MFA in Creative Writing spans three years, giving students ample time to practice their craft, develop a voice, and begin to find a place in the post-graduation literary world. 

Coursework balances writing and literature classes equally, with courses in craft and one-on-one mentoring alongside courses in literature, theory, or even electives in topics like fine press printing, bookmaking, or publishing. 

While students follow a path in either poetry or fiction, they are encouraged to take courses across the genres.

Teaching is also a focus in Arizona State’s MFA program, with funding coming from teaching assistantships in the school’s English department. Other exciting teaching opportunities include teaching abroad in locations around the world, funded through grants and internships.

The Virginia C. Piper Center for Creative Writing, affiliated with the program, offers Arizona State MFA students professional development in formal and informal ways. 

The Distinguished Writers Series and Desert Nights, Rising Stars Conference bring world-class writers to campus, allowing students to interact with some of the greatest in the profession. Acclaimed writer and poet Alberto Ríos directs the Piper Center.

Arizona State transitions students to the world after graduation through internships with publishers like Four Way Books. 

Its commitment to the student experience and its history of producing acclaimed writers—recent examples include Tayari Jones (Oprah’s Book Club, 2018; Women’s Prize for Fiction, 2019), Venita Blackburn ( Prairie Schooner Book Prize, 2018), and Hugh Martin ( Iowa Review Jeff Sharlet Award for Veterans)—make Arizona State University’s MFA a consistent leader among degree programs.

University of Texas at Austin (Austin, TX)

University of Texas at Austin

The University of Texas at Austin’s MFA program, the Michener Center for Writers, maintains one of the most vibrant, exciting, active literary faculties of any MFA program.

Denis Johnson D.A. Powell, Geoff Dyer, Natasha Trethewey, Margot Livesey, Ben Fountain: the list of recent guest faculty boasts some of the biggest names in current literature.

This three-year program fully funds candidates without teaching fellowships or assistantships; the goal is for students to focus entirely on their writing. 

More genre tracks at the Michener Center mean students can choose two focus areas, a primary and secondary, from Fiction, Poetry, Screenwriting, and Playwriting.

The Michener Center for Writers plays a prominent role in contemporary writing of all kinds. 

The hip, student-edited Bat City Review accepts work of all genres, visual art, cross genres, collaborative, and experimental pieces.  

Recent events for illustrious alumni include New Yorker publications, an Oprah Book Club selection, a screenwriting prize, and a 2021 Pulitzer (for visiting faculty member Mitchell Jackson). 

In this program, students are right in the middle of all the action of contemporary American literature.

Washington University in St. Louis (St. Louis, MO)

Washington University in St. Louis

The MFA in Creative Writing at Washington University in St. Louis is a program on the move: applicants have almost doubled here in the last five years. 

Maybe this sudden growth of interest comes from recent rising star alumni on the literary scene, like Paul Tran, Miranda Popkey, and National Book Award winner Justin Phillip Reed.

Or maybe it’s the high profile Washington University’s MFA program commands, with its rotating faculty post through the Hurst Visiting Professor program and its active distinguished reader series. 

Superstar figures like Alison Bechdel and George Saunders have recently held visiting professorships, maintaining an energetic atmosphere program-wide.

Washington University’s MFA program sustains a reputation for the quality of the mentorship experience. 

With only five new students in each genre annually, MFA candidates form close cohorts among their peers and enjoy attentive support and mentorship from an engaged and vigorous faculty. 

Three genre tracks are available to students: fiction, poetry, and the increasingly relevant and popular creative nonfiction.

Another attractive feature of this program: first-year students are fully funded, but not expected to take on a teaching role until their second year. 

A generous stipend, coupled with St. Louis’s low cost of living, gives MFA candidates at Washington University the space to develop in a low-stress but stimulating creative environment.

Indiana University (Bloomington, IN)

Indiana University

It’s one of the first and biggest choices students face when choosing an MFA program: two-year or three-year? 

Indiana University makes a compelling case for its three-year program, in which the third year of support allows students an extended period of time to focus on the thesis, usually a novel or book-length collection.

One of the older programs on the list, Indiana’s MFA dates back to 1948. 

Its past instructors and alumni read like the index to an American Literature textbook. 

How many places can you take classes in the same place Robert Frost once taught, not to mention the program that granted its first creative writing Master’s degree to David Wagoner? Even today, the program’s integrity and reputation draw faculty like Ross Gay and Kevin Young.

Indiana’s Creative Writing program houses two more literary institutions, the Indiana Review, and the Indiana University Writers’ Conference. 

Students make up the editorial staff of this lauded literary magazine, in some cases for course credit or a stipend. An MFA candidate serves each year as assistant director of the much-celebrated and highly attended conference . 

These two facets of Indiana’s program give graduate students access to visiting writers, professional experience, and a taste of the writing life beyond academia.

University of Michigan, Ann Arbor (Ann Arbor, MI)

University of Michigan College of Literature, Science, and the Arts

The University of Michigan’s Helen Zell Writers’ Program cultivates its students with a combination of workshop-driven course work and vigorous programming on and off-campus. Inventive new voices in fiction and poetry consistently emerge from this two-year program.

The campus hosts multiple readings, events, and contests, anchored by the Zell Visiting Writers Series. The Hopgood Awards offer annual prize money to Michigan creative writing students . 

The department cultivates relationships with organizations and events around Detroit, so whether it’s introducing writers at Literati bookstore or organizing writing retreats in conjunction with local arts organizations, MFA candidates find opportunities to cultivate a community role and public persona as a writer.

What happens after graduation tells the big story of this program. Michigan produces heavy hitters in the literary world, like Celeste Ng, Jesmyn Ward, Elizabeth Kostova, Nate Marshall, Paisley Rekdal, and Laura Kasischke. 

Their alumni place their works with venerable houses like Penguin and Harper Collins, longtime literary favorites Graywolf and Copper Canyon, and the new vanguard like McSweeney’s, Fence, and Ugly Duckling Presse.

University of Minnesota (Minneapolis, MN)

University of Minnesota

Structure combined with personal attention and mentorship characterizes the University of Minnesota’s Creative Writing MFA, starting with its unique program requirements. 

In addition to course work and a final thesis, Minnesota’s MFA candidates assemble a book list of personally significant works on literary craft, compose a long-form essay on their writing process, and defend their thesis works with reading in front of an audience.

Literary journal Great River Review and events like the First Book reading series and Mill City Reading series do their part to expand the student experience beyond the focus on the internal. 

The Edelstein-Keller Visiting Writer Series draws exceptional, culturally relevant writers like Chuck Klosterman and Claudia Rankine for readings and student conversations. 

Writer and retired University of Minnesota instructor Charles Baxter established the program’s Hunger Relief benefit , aiding Minnesota’s Second Harvest Heartland organization. 

Emblematic of the program’s vision of the writer in service to humanity, this annual contest and reading bring together distinguished writers, students, faculty, and community members in favor of a greater goal.

Brown University (Providence, RI)

Brown University

One of the top institutions on any list, Brown University features an elegantly-constructed Literary Arts Program, with students choosing one workshop and one elective per semester. 

The electives can be taken from any department at Brown; especially popular choices include Studio Art and other coursework through the affiliated Rhode Island School of Design. The final semester consists of thesis construction under the supervision of the candidate’s faculty advisor.

Brown is the only MFA program to feature, in addition to poetry and fiction tracks, the Digital/Cross Disciplinary track . 

This track attracts multidisciplinary writers who need the support offered by Brown’s collaboration among music, visual art, computer science, theater and performance studies, and other departments. 

The interaction with the Rhode Island School of Design also allows those artists interested in new forms of media to explore and develop their practice, inventing new forms of art and communication.

Brown’s Literary Arts Program focuses on creating an atmosphere where students can refine their artistic visions, supported by like-minded faculty who provide the time and materials necessary to innovate. 

Not only has the program produced trailblazing writers like Percival Everett and Otessa Moshfegh, but works composed by alumni incorporating dance, music, media, and theater have been performed around the world, from the stage at Kennedy Center to National Public Radio.

University of Iowa (Iowa City, IA)

University of Iowa

When most people hear “MFA in Creative Writing,” it’s the Iowa Writers’ Workshop they imagine. 

The informal name of the University of Iowa’s Program in Creative Writing, the Iowa Writers’ Workshop was the first to offer an MFA, back in 1936. 

One of the first diplomas went to renowned writer Wallace Stegner, who later founded the MFA program at Stanford.

 It’s hard to argue with seventeen Pulitzer Prize winners and six U.S. Poets Laureate. The Iowa Writers’ Workshop is the root system of the MFA tree.

The two-year program balances writing courses with coursework in other graduate departments at the university. In addition to the book-length thesis, a written exam is part of the student’s last semester.

Because the program represents the quintessential idea of a writing program, it attracts its faculty positions, reading series, events, and workshops the brightest lights of the literary world. 

The program’s flagship literary magazine, the Iowa Review , is a lofty goal for writers at all stages of their career. 

At the Writers’ Workshop, tracks include not only fiction, poetry, playwriting, and nonfiction, but also Spanish creative writing and literary translation. Their reading series in association with Prairie Lights bookstore streams online and is heard around the world.

Iowa’s program came into being in answer to the central question posed to each one of these schools: can writing be taught? 

The answer for a group of intrepid, creative souls in 1936 was, actually, “maybe not.” 

But they believed it could be cultivated; each one of these institutions proves it can be, in many ways, for those willing to commit the time and imagination.

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Poetry: Linda Gregerson, Tung-hui Hu, Khaled Mattawa

Fiction: Julie Buntin, Gabe Habash, Peter Ho Davies, Kiley Reid

Creative Nonfiction: Aisha Sabatini Sloan

The program offers full funding for two years, which includes full tuition remission and monthly stipend through fellowships and graduate student instructorships. The program will be able to offer six qualifying graduates of our program one year of post-MFA funding.

Michigan Quarterly Review

The program hosts the Zell Visiting Writers Series, through which invited guests give readings, hold craft talks, lead workshops, and offer individual consultations with students. Other program features include opportunities to teach with 826michigan and InsideOut Detroit, work on the Best American Nonrequired Reading anthology, learn letterpress skills at Wolverine Press, curate the student reading series, and partner with other area literary organizations.

Brittany Bennett, Vievee Francis, Donovan Hohn, Airea D. Matthews, Celeste Ng, Chigozie Obioma, Paisley Rekdal, Jia Tolentino, Jesmyn Ward

The Best 15 Creative Writing MFA Programs in 2023

April 7, 2023

Whether you studied at a top creative writing university , or are a high school dropout who will one day become a bestselling author , you may be considering an MFA in Creative Writing. But is a writing MFA genuinely worth the time and potential costs? How do you know which program will best nurture your writing? This article walks you through the considerations for an MFA program, as well as the best Creative Writing MFA programs in the United States.

First of all, what is an MFA?

A Master of Fine Arts (MFA) is a graduate degree that usually takes from two to three years to complete. Applications require a sample portfolio for entry, usually of 10-20 pages of your best writing.

What actually goes on in a creative writing MFA beyond inspiring award-winning books and internet memes ? You enroll in workshops where you get feedback on your creative writing from your peers and a faculty member. You enroll in seminars where you get a foundation of theory and techniques. Then you finish the degree with a thesis project.

Reasons to Get an MFA in Creative Writing

You don’t need an MFA to be a writer. Just look at Nobel Prize winner Toni Morrison or bestselling novelist Emily St. John Mandel.

Nonetheless, there are plenty of reasons you might still want to get a creative writing MFA. The first is, unfortunately, prestige. An MFA from a top program can help you stand out in a notoriously competitive industry to be published.

The second reason: time. Many MFA programs give you protected writing time, deadlines, and maybe even a (dainty) salary.

Third, an MFA in Creative Writing is a terminal degree. This means that this degree allows you to teach writing at the university level, especially after you publish a book.

But above all, the biggest reason to pursue an MFA is the community it brings you. You get to meet other writers, and share feedback, advice, and moral support, in relationships that can last for decades.

Types of Creative Writing MFA Programs

Here are the different types of programs to consider, depending on your needs:

Fully-Funded Full-Time Programs

These programs offer full-tuition scholarships and sweeten the deal by actually paying you to attend them.

  • Pros: You’re paid to write (and teach).
  • Cons: Uprooting your entire life to move somewhere possibly very cold.

Full-Time MFA Programs

These programs include attending in-person classes and paying tuition (though many offer need-based and merit scholarships).

  • Pros: Lots of top-notch programs non-funded programs have more assets to attract world-class faculty and guests.
  • Cons: It’s an investment that might not pay itself back.

Low-Residency MFA Programs

Low-residency programs usually meet biannually for short sessions. They also offer one-on-one support throughout the year. These MFAs are more independent, preparing you for what the writing life is actually like.

  • Pros: No major life changes required. Cons: Less time dedicated to writing and less time to build relationships.

Online MFA Programs

Held 100% online. These programs have high acceptance rates and no residency requirement. That means zero travel or moving expenses.

  • Pros: No major life changes required.
  • Cons: These MFAs have less name-recognition

The Top 15 Creative Writing MFA Programs Ranked by Category

The following programs are selected for their balance of high funding, impressive return on investment, stellar faculty, major journal publications , and impressive alums.

Fully Funded MFA Programs

1) johns hopkins university, mfa in fiction/poetry (baltimore, md).

This is a two-year program, with $33,000 teaching fellowships per year. This MFA offers the most generous funding package. Not to mention, it offers that sweet, sweet health insurance, mind-boggling faculty, and a guaranteed lecture position after graduation (nice). No nonfiction MFA (boo).

  • Incoming class size: 8 students
  • Admissions rate: 11.1%
  • Alumni: Chimamanda Adiche, Jeffrey Blitz, Wes Craven, Louise Erdrich, Porochista Khakpour, Phillis Levin, ZZ Packer, Tom Sleigh, Elizabeth Spires, Rosanna Warren

2) University of Texas, James Michener Center (Austin, TX)

A fully-funded 3-year program with a generous stipend of $29,500. The program offers fiction, poetry, playwriting and screenwriting. The Michener Center is also unique because you study a primary genre and a secondary genre, and also get $3,000 for the summer.

  • Incoming class size : 12 students
  • Acceptance rate: a bone-chilling less-than-1% in fiction; 2-3% in other genres
  •   Alumni: Fiona McFarlane, Brian McGreevy, Karan Mahajan, Alix Ohlin, Kevin Powers, Lara Prescott, Roger Reeves, Maria Reva, Domenica Ruta, Sam Sax, Joseph Skibell, Dominic Smith

3) University of Iowa (Iowa City, IA)

The Iowa Writers’ Workshop is a 2-year program on a residency model for fiction and poetry. This means there are low requirements, and lots of time to write groundbreaking novels or play pool at the local bar. Most students are funded, with fellowships worth up to $21,000. The Translation MFA, co-founded by Gayatri Chakravorti Spivak, is also two years, but with more intensive coursework. The Nonfiction Writing Program is a prestigious three-year MFA program and is also intensive.

  • Incoming class size: 25 each for poetry and fiction; 10-12 for nonfiction and translation.
  • Acceptance rate: 3.7%
  • Fantastic Alumni: Raymond Carver, Flannery O’Connor, Sandra Cisneros, Joy Harjo, Garth Greenwell, Kiley Reid, Brandon Taylor, Eula Biss, Yiyun Li, Jennifer Croft

4) University of Michigan (Ann Arbor, MI)

Anne Carson famously lives in Ann Arbor, as do the MFA students U-Michigan’s Helen Zell Writers’ Program. This is a big university town, which is less damaging to your social life. Plus, there’s lots to do when you have a $23,000 stipend, summer funding, and health care.

This is a 2-3-year program, with an impressive reputation. They also have a demonstrated commitment to “ push back against the darkness of intolerance and injustice ” and have outreach programs in the community.

  • Incoming class size: 18
  • Acceptance rate: 4% (which maybe seems high after less-than-1%)
  • Alumni: Brit Bennett, Vievee Francis, Airea D. Matthews, Celeste Ng, Chigozie Obioma, Jia Tolentino, Jesmyn Ward

5) Brown University (Providence, RI)

Brown offers an edgy, well-funded program in a place that doesn’t dip into arctic temperatures. Students are all fully-funded for 2-3 years with $29,926 in 2021-22. Students also get summer funding and—you guessed it—that sweet, sweet health insurance.

In the Brown Literary Arts MFA, students take only one workshop and one elective per semester. It’s also the only program in the country to feature a Digital/Cross Disciplinary Track.

  • Incoming class size: 12-13
  • Acceptance rate: “highly selective”
  • Alumni: Edwidge Danticat, Jaimy Gordon, Gayl Jones, Ben Lerner, Joanna Scott, Kevin Young, Ottessa Moshfegh

Best MFA Creative Writing Programs (Continued) 

6) university of arizona (tucson, az).

This 3-year program has many attractive qualities. It’s in “ the lushest desert in the world ”, and was recently ranked #4 in creative writing programs, and #2 in Nonfiction. You can take classes in multiple genres, and in fact, are encouraged to do so. Plus, Arizona dry heat is good for arthritis.

This notoriously supportive program pays $20,000 a year, and offers the potential to volunteer at multiple literary organizations. You can also do supported research at the US-Mexico Border.

  • Incoming class size: 9
  • Acceptance rate: 4.85% (a refreshingly specific number after Brown’s evasiveness)
  • Alumni: Francisco Cantú, Jos Charles, Tony Hoagland, Nancy Mairs, Richard Russo, Richard Siken, Aisha Sabatini Sloan, David Foster Wallace

7) Arizona State University (Tempe, AZ):

Arizona State is also a three-year funded program in arthritis-friendly dry heat. It offers small class sizes, individual mentorships, and one of the most impressive faculty rosters in the game. Everyone gets a $19,000 stipend, with other opportunities for financial support.

  • Incoming class size: 8-10
  • Acceptance rate: 3% (sigh)
  • Alumni: Tayari Jones, Venita Blackburn, Dorothy Chan, Adrienne Celt, Dana Diehl, Matthew Gavin Frank, Caitlin Horrocks, Allegra Hyde, Hugh Martin, Bonnie Nadzam

FULL-RESIDENCY MFAS (UNFUNDED)

8) new york university (new york, ny).

This two-year program is in New York City, meaning it comes with close access to literary opportunities and hot dogs. NYU is private, and has one of the most accomplished faculty lists anywhere. Students have large cohorts (more potential friends!) and have a penchant for winning top literary prizes.

  • Incoming class size: 40-60
  • Acceptance rate: 6%
  • Alumni: Nick Flynn, Nell Freudenberger, Aracelis Girmay, Mitchell S. Jackson, Tyehimba Jess, John Keene, Raven Leilani, Robin Coste Lewis, Ada Limón, Ocean Vuong

9) Columbia University (New York, NY)

Another 2-3 year private MFA program with drool-worthy permanent and visiting faculty. Columbia offers courses in fiction, poetry, translation, and nonfiction. Beyond the Ivy League education, Columbia offers close access to agents, and its students have a high record of bestsellers.

  • Incoming class size: 110
  • Acceptance rate: 21%
  • Alumni: Alexandra Kleeman, Rachel Kushner, Claudia Rankine, Rick Moody, Sigrid Nunez, Tracy K. Smith, Emma Cline, Adam Wilson, Marie Howe, Mary Jo Bang

10) Sarah Lawrence (Bronxville, NY)

Sarah Lawrence offers speculative fiction beyond the average fiction, poetry, and nonfiction course offerings. With intimate class sizes, this program is unique because it offers biweekly one-on-one conferences with its stunning faculty. It also has a notoriously supportive atmosphere.

  • Incoming class size: 30-40
  • Acceptance rate: N/A
  • Alumni: Cynthia Cruz, Melissa Febos, T Kira Madden, Alex Dimitrov, Moncho Alvarado

LOW RESIDENCY

11 bennington college (bennington, vt).

This two-year program boasts truly stellar faculty, and meets twice a year for ten days in January and June. It’s like a biannual vacation in beautiful Vermont, plus mentorship by a famous writer, and then you get a degree. The tuition is $23,468 per year, with scholarships available.

  • Acceptance rate: 53%
  • Incoming class: 40
  • Alumni: Larissa Pham, Andrew Reiner, Lisa Johnson Mitchell, and others

12)  Institute for American Indian Arts (Santa Fe, NM)

This two-year program emphasizes Native American and First Nations writing. With truly amazing faculty and visiting writers, they offer a wide range of genres offered, in screenwriting, poetry, fiction, and nonfiction.

Students attend two eight-day residencies each year, in January and July, in Santa Fe, New Mexico. At $12,000 a year, it boasts being “ one of the most affordable MFA programs in the country .”

  • Incoming class size : 22
  • Acceptance rate: 100%
  • Alumni: Tommy Orange, Dara Yen Elerath, Kathryn Wilder

13) Vermont College of Fine Arts

One of few MFAs where you can study the art of the picture book, middle grade and young adult literature, graphic literature, nonfiction, fiction, and poetry for young people. Students meet twice a year for nine days, in January and July, in Vermont. You can also do many travel residencies in exciting (and warm) places like Cozumel.

VCFA boasts amazing faculty and visiting writers, with individualized study options and plenty of one-on-one time. Tuition is $48,604.

  • Incoming class size: 18-25
  • Acceptance rate: 63%
  • Alumnx: Lauren Markham, Mary-Kim Arnold, Cassie Beasley, Kate Beasley, Julie Berry, Bridget Birdsall, Gwenda Bond, Pablo Cartaya

ONLINE MFAS

14) university of texas at el paso (el paso, tx).

The world’s first bilingual and online MFA program in the world. UTEP is considered the best online MFA program, and features award-winning faculty from across the globe. Intensive workshops allow submitting in Spanish and English, and genres include poetry and fiction. This three-year program costs $14,766 a year, with rolling admissions.

  • Alumni: Watch alumni testimonies here

15) Bay Path University (Long Meadow, MA)

This 2-year online program is dedicated entirely to nonfiction. A supportive, diverse community, Bay Path offers small class sizes, close mentorship, and a potential field trip in Ireland.

There are many tracks, including publishing, Narrative Medicine, and teaching. Core courses include memoir, narrative journalism, and the personal essay. The price is $785/credit, for 39 credits, with scholarships available.

  • Incoming class size: 20
  • Acceptance rate: an encouraging 78%
  • Alumni: Read alumni testimonies here

Prepare for your MFA in advance:

  • Best English Programs
  • Best Creative Writing Schools
  • Writing Summer Programs

Best MFA Creative Writing Programs – References:

  • https://www.pw.org/mfa
  • The Creative Writing MFA Handbook: A Guide for Prospective Graduate Students , by Tom Kealey (A&C Black 2005)
  • Graduate School Admissions

Julia Conrad

With a Bachelor of Arts in English and Italian from Wesleyan University as well as MFAs in both Nonfiction Writing and Literary Translation from the University of Iowa, Julia is an experienced writer, editor, educator, and a former Fulbright Fellow. Julia’s work has been featured in  The Millions ,  Asymptote , and  The Massachusetts Review , among other publications. To read more of her work, visit  www.juliaconrad.net

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Creative Writing at University of Michigan - Ann Arbor

Go directly to any of the following sections:

  • Available Degrees
  • Student Demographics
  • Related Majors

Creative Writing Degrees Available at U-M

  • Bachelor’s Degree in Creative Writing
  • Master’s Degree in Creative Writing

U-M Creative Writing Rankings

The bachelor's program at U-M was ranked #34 on College Factual's Best Schools for creative writing list . It is also ranked #1 in Michigan .

Popularity of Creative Writing at U-M

During the 2020-2021 academic year, University of Michigan - Ann Arbor handed out 24 bachelor's degrees in creative writing. This is a decrease of 33% over the previous year when 36 degrees were handed out.

In 2021, 22 students received their master’s degree in creative writing from U-M. This makes it the #29 most popular school for creative writing master’s degree candidates in the country.

U-M Creative Writing Students

Take a look at the following statistics related to the make-up of the creative writing majors at University of Michigan - Ann Arbor.

U-M Creative Writing Bachelor’s Program

In the 2020-2021 academic year, 24 students earned a bachelor's degree in creative writing from U-M. About 63% of these graduates were women and the other 38% were men.

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The majority of bachelor's degree recipients in this major at U-M are white. In the most recent graduating class for which data is available, 58% of students fell into this category.

The following table and chart show the ethnic background for students who recently graduated from University of Michigan - Ann Arbor with a bachelor's in creative writing.

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U-M Creative Writing Master’s Program

In the 2020-2021 academic year, 22 students earned a master's degree in creative writing from U-M. About 64% of these graduates were women and the other 36% were men.

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The following table and chart show the ethnic background for students who recently graduated from University of Michigan - Ann Arbor with a master's in creative writing.

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Majors Similar to Creative Writing

View All Creative Writing Related Majors >

  • National Center for Education Statistics
  • O*NET Online
  • Image Credit: By Dwight Burdette under License

More about our data sources and methodologies .

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The 10 Best MFA Creative Writing Programs [2024]

Zoë

Many people have a talent for stories, but not everyone will become a successful author. In many cases, people simply need to hone their skills – and the best MFA creative writing programs are the key.

If you have an undergrad degree and are looking for the next step in your academic adventure, you’re in luck: We’ve scoured MFA creative writing rankings to find you the best programs.

Table of Contents

The 10 Best MFA Creative Writing Programs

1. johns hopkins university – krieger school of arts & sciences.

Johns Hopkins University

Master of Fine Arts in Fiction/ Poetry

Located in Baltimore, Maryland, Johns Hopkins is a world-renowned private research university. Their Master of Fine Arts in Fiction/Poetry is one of the best MFA creative writing programs anywhere. Students take courses and receive writing practice (in fiction or poetry) at the highest level. This MFA program also offers the opportunity to learn with an internationally renowned faculty.

  • Duration:  2 years
  • Financial aid:  Full tuition, teaching fellowship (for all students set at $33,000/year)
  • Acceptance rate: 11.1%
  • Location: Baltimore, Maryland
  • Founded: 1876

2. University of Michigan –  Helen Zell Writers’ Program

University of Michigan

Master of Fine Arts

The University of Michigan is a public research university – and the oldest in the state. Its Master of Fine Arts program is one of the best MFA creative writing programs in the country, exposing students to various approaches to the craft. While studying under award-winning poets and writers, students may specialize in either poetry or fiction.

  • Duration: 2 years
  • No. of hours: 36
  • Financial aid: Full funding
  • Acceptance rate:  26.1%
  • Location: Ann Arbor, Michigan
  • Founded: 1817

3. University of Texas at Austin – New Writers Project

University of Texas at Austin

Master of Fine Arts in Creative Writing

The University of Texas at Austin is a well-known public research university with around 50,000 students at the graduate and undergraduate levels. It offers one of the best MFA programs for creative writing, aiming to enhance and develop its students’ artistic and intellectual abilities.

  • Duration:  3 years
  • Financial aid:  Full funding
  • Acceptance rate:  32%
  • Location:  Austin, Texas
  • Founded:  1883

4. University of Nebraska – Kearney

UNK logo

Master of Arts

The University of Nebraska strives to provide quality, affordable education, including its online MA English program. Students can focus on four areas, including Creative Writing (which provides experiential learning in either poetry or prose).

  • Credit hours: 36
  • Tuition : $315 per credit hour
  • Financial aid :  Grants, Work-study, Student loans, Scholarships, Parent loans
  • Acceptance rate: 88%
  • Location: Online
  • Founded: 1905

5. Bay Path University (Massachusetts)

Bay Path University

MFA in Creative Nonfiction Writing

Bay Path University is a private university with various programs at undergraduate, graduate, and doctorate levels (including women-only undergraduate programs). This creative non-fiction writing program is one of the first fully online programs in the country. No matter their location, students are able to develop their creative writing skills and knowledge – in a range of literary genres.

  • Credits:  39
  • Tuition: $775 per credit
  • Financial aid :  Federal Stafford loan, Student loans
  • Acceptance rate: 78%
  • Founded:  1897

6. Brown University (Rhode Island)

Brown logo

MFA in Literary Arts

Brown is a world-famous Ivy League university based in Providence, Rhode Island. Its two-year residency MFA in Literary Arts is designed for students looking to maximize their intellectual and creative exploration. The highly competitive program offers extensive financial support. In fact, over the past 20 years, all incoming MFA students were awarded full funding for their first year of study (and many for the second year).

  • Tuition:  $57,591  (but full funding available)
  • Financial aid :  Fellowship, teaching assistantships, and stipends.
  • Acceptance rate: 9%
  • Location: Providence, Rhode Island
  • Founded:  1764

7. University of Iowa (Iowa)

UoIowa

MFA in Creative Writing

The University of Iowa is a public university located in Iowa City. As one of the most celebrated public schools in the Midwest, students learn under established professors and promising writers during their two-year residency program.

  • Credits:  60
  • Tuition: $12,065 for in-state students, and $31,012 out-of-state
  • Financial aid :  Scholarships, teaching assistantships, federal aid, and student loans.
  • Acceptance rate: 84%
  • Location: Iowa City, Iowa

8. Cornell University (New York State)

Cornell University

Cornell is an Ivy League university located in Ithaca, New York. This highly competitive program accepts only eight students annually, and just two from each concentration. Not only do students enjoy a generous financial aid package, but they also have the opportunity to work closely with members of the school’s celebrated faculty.

  • Tuition:  $29,500
  • Financial aid :  All accepted students receive a fellowship covering full tuition, stipend, and insurance.
  • Acceptance rate: 14%
  • Location: Ithaca, New York
  • Founded:  1865

9. Columbia University ( NYC )

Columbia University logo

MFA in Fiction Writing

Founded in 1754, Columbia University is the oldest tertiary education institution in New York – and one of the oldest in the country. The school offers a Writing MFA in nonfiction, fiction, poetry, and literary translation. The fiction concentration promotes artistic and aesthetic diversity, with a diverse teaching staff and adjunct faculty from a wide range of diverse experience.

  • Credits:  60 points
  • Tuition:  $34,576
  • Financial aid :  Scholarships, fellowships, federal aid, work-study, and veterans’ grants.
  • Acceptance rate: 11%
  • Location: NYC, New York
  • Founded:  1754

10. New York University (NYC)

NYU logo

New York University (NYU) is known for delivering high-quality, innovative education in various fields. Located in the heart of NYC, the institution’s MFA in Creative Writing boasts celebrated faculty from poetry, fiction, and creative non-fiction backgrounds. This dynamic program fosters creativity and excellence through literary outreach programs, public reading series, a literary journal, and special seminars from visiting writers

  • Credits:  32
  • Tuition:  $53,229
  • Financial aid :  Fellowships, scholarships, and federal aid.
  • Location: NYC
  • Founded:  1886

Common Courses for MFAs in Creative Writing 

As part of your master’s in creative writing program, you’ll usually need to complete a number of compulsory courses, along with certain electives. Common courses you’ll need to take include:

  • Literary theory
  • History of storytelling
  • Genre conventions
  • Market trends
  • Marketing manuscripts to publishers
  • Thesis or dissertation

Typical Requirements for Applying to an MFA Creative Writing Program

Besides the application form and fee, most MFA in creative writing programs have standard requirements. While the following are the most typical requirements, always check with the specific program first:

Make sure your resume  includes all relevant information to showcase your interests, skills, and talent in writing.

2. Writing Sample(s)

MFA creative writing program selection committees look for applicants who are serious about writing. Therefore, they typically ask for at least one 10-20 page writing sample. The best samples showcase talent in your preferred area of writing (e.g., fiction, non-fiction). MFA poetry programs have varied sample requirements.

3. Transcripts

You’ll need to show your undergraduate degree (and possibly high school) transcript.

4. Statement of Purpose

A statement of purpose is usually 1-2 pages and shows your passion for writing and potential to succeed in the program.

5. Recommendation Letters

Most programs require letters of recommendation from academic or professional contacts who know you well.

Related reading: How to Ask a Professor for a Grad School Recommendation

6. GRE Scores

Some MFA programs require GRE scores (though this is not the case for all universities). If you happen to need some assistance while studying for your GRE or GMAT, be sure to check out Magoosh for easy test prep!

What Can Creative Writers Do After Graduation?

As a creative writer with an MFA, you’ll have a variety of career options where your skills are highly valued. Below are a few of the common jobs an MFA creative writing graduate can do, along with the average annual salary for each.

Creative Director ( $90,389 )

A creative director leads a team of creative writers, designers, or artists in various fields, such as media, advertising, or entertainment.

Editor ( $63,350)

An editor helps correct writing errors and improve the style and flow in media, broadcasting, films, advertising, marketing , and entertainment.

Academic Librarian ( $61,190)

An academic librarian manages educational information resources in an academic environment (such as a university).

Copywriter ( $53,800 )

Copywriters typically work to present an idea to a particular audience and capture their attention using as few words as possible.

Technical Writers ($78,060)

Technical writers are tasked with instruction manuals, guides, journal articles, and other documents. These convey complex details and technical information to a wider audience.

Writer ( $69,510 )

A writer usually provides written content for businesses through articles, marketing content, blogs, or product descriptions. They may also write fiction or non-fiction books.

Social Media Manager ( $52,856 )

A social media manager is responsible for creating and scheduling content on social media, and may also track analytics and develop social media strategies.

Journalist ($ 48,370 )

Journalists may work for newspapers, magazines, or online publications, researching and writing stories, as well as conducting interviews and investigations.

Public Relations Officer ( $62,800)

A public relations officer works to promote and improve the public image of a company, government agency, or organization. This is done through work such as: preparing media releases, online content, and dealing with the media.

Lexicographer ( $72,620 )

Lexicographers are the professionals who create dictionaries. They study words’ etymologies and meanings, compiling them into a dictionary.

Can You Get a Creative Writing Degree Online?

Yes, a number of institutions offer online master’s degrees , such as Bay Path University and the University of Nebraska. Online courses offer a high degree of flexibility, allowing you to study from anywhere – and often on your own schedule. Many students can earn their degrees while continuing with their current job or raising a family.

However, students won’t receive the full benefits of a residency program, such as building close connections with peers and working with the faculty in person. Some on-campus programs also offer full funding to cover tuition and education expenses.

Pros and Cons of an MFA in Creative Writing

Like anything, studying an MFA in Creative Writing and pursuing a related career can have its benefits as well as drawbacks.

  • It’ll motivate you to write.

Many people are talented but struggle sitting down to write. An MFA program will give you the motivation to meet your deadlines.

  • You’ll have a community.

Writing can be a solitary pursuit. It can be hard to connect with others who are just as passionate about writing. An MFA program provides students with a community of like-minded people.

  • Graduates have teaching prospects.

An MFA is one option that can help you find a teaching job at the university level. Unlike some majors that require a Ph.D. to enter academia, many post-secondary instructors hold an MFA.

  • Not always the most marketable job skills

Although an MFA in Creative Writing will provide several useful skills in the job market, these are not as marketable as some other forms of writing. For example, copywriting arguably has a wider range of job prospects.

  • It could limit your creativity.

There is a risk that your writing could become too technical or formulaic, due to the theories learned during your MFA. It’s important to know the theory, but you don’t want to let it limit your creativity.

How Long Does It Take to Get an MFA Degree in Creative Writing?

A master’s in creative writing typically takes between 2-3 years to complete. Unlike other master’s degrees’ accelerated options, creative writing program requirements require a greater number of workshops and dissertations.

Alternatives to Creative Writing Majors

There are plenty of similar majors that can set you on the path to a career in the creative writing field. Consider alternatives like an MA in English , literature, humanities, media studies, and library sciences.

Related Reading: Master’s in Fine Arts: The Ultimate Guide

Frequently Asked Questions

What can i do with an mfa in creative writing .

An MFA graduate could teach creative writing at a secondary or college level. They may pursue a career in advertising, publishing, media, or the entertainment industry. They could also become an author by publishing fiction, non-fiction, or poetry.

Are MFA Creative Writing Programs Worth It?

Having an MFA opens doors to a range of well-paid careers (more on that above). If you’re skilled in writing – and want to make a decent living with it – an MFA program might be an excellent choice.

How Do I Choose an MFA in Creative Writing?

First, consider whether an on-campus or online MFA program is best for you (depending on your lifestyle and commitments). Another key consideration is a university with renowned authors on their teaching staff who will give you the highest levels of training in creative writing. Also, consider your preferred focus area (e.g., fiction, poetry, nonfiction) .

What Are MFA Writing Programs?

An MFA in writing or creative writing is an advanced program that teaches students the art and practice of writing. During these programs, students hone their writing skills and equip themselves to publish their own work – or pursue a career in media, teaching, or advertising.

Can You Teach with an MFA? 

Yes! Teaching is one of the many career options an MFA provides . An MFA in creative writing can qualify you to be a teacher in creative writing (in schools or the higher education sector).

Is It Hard to Be Admitted to MFA Creative Writing Programs?

MFA creative writing programs are relatively competitive. Therefore, not all applicants will get into the program of their choice. However, if you are talented and ambitious that becomes more likely. Having said that, the most prestigious universities with the best MFA creative writing programs accept a small percentage of the applicants.

What Is the Best Creative Writing Program in the World? 

A number of creative writing programs are known for their famous faculty and excellent courses, like the Master of Fine Arts in Fiction/ Poetry from Johns Hopkins and the MFA in Literary Arts from Brown University . Outside the US, the most celebrated English program is likely the University of Cambridge’s MSt in Creative Writing.

How Hard Is It to Get an MFA in Creative Writing?

An MFA is an intensive, highly-involved degree that requires a certain amount of dedication. Anyone with a passion for creative writing should find it rewarding and satisfying.

Should I Get an MA or MFA in Creative Writing?

Whether you choose an MA or MFA in creative writing depends on your own interests and career ambitions. An MFA in creative writing is ideal for anyone passionate about pursuing a career in fiction, poetry, or creative non-fiction. An MA is a broader degree that equips students for a wider range of career choices (though it will qualify them for many of the same roles as an MFA).

Can I Get Published Without an MFA?

Absolutely. However, studying for an MFA will equip you with a range of skills and knowledge that are extremely helpful in getting your work published, from honing your craft to submitting your manuscript to working with publishers.

What Are the Highest-Paying Jobs with a Master’s in Creative Writing?

An MFA in creative writing can help you land a range of jobs in the creative and literary fields. The highest-paying jobs for graduates with a master’s in creative writing include creative directors ($90,000) and technical writers ($78,000).

Key Takeaways

An MFA in creative writing program will hone your talents and develop the skills you need to become a successful writer. The best MFA creative writing programs will give you incredible knowledge of the field while developing your practical skills in fiction, non-fiction, or poetry.

The acceptance rate for the best MFA writing programs is fairly low, so it’s crucial to understand the requirements well and prepare thoroughly. To help you with your application, check out our guide to applying to grad school .

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Lisa is a full-time writer specializing in career advice, further education, and personal development. She works from all over the world, and when not writing you'll find her hiking, practicing yoga, or enjoying a glass of Malbec.

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university of michigan ann arbor mfa creative writing

Writing Program

The writing program offers a range of courses and other academic support not only to casl students but also to undergraduate and graduate students across the university..

Among other projects and initiatives, the Writing Program oversees the UM-Dearborn Writing Center, the campus Writing Awards competition, and the Composition Placement Examination. One important aspect of the Program’s work is helping to bring together faculty from across the disciplines to share scholarship and innovative teaching approaches for improving students’ abilities with written communication and academic research.

About the Writing Program

First-year writing courses at UM-Dearborn provide a basis not only for upper-level writing classes but also for the writing students will do in other courses. Our courses therefore support students as they learn to write effectively, think critically, and develop rhetorical awareness about print, visual, and digital texts.

In our teaching, Writing Program faculty stress inquiry-based research, close reading, critical reflection, revision, collaboration, and active learning. Our courses include the first-year composition sequence and intermediate courses focused on creative and expository writing and writing in professional settings.

Writing Program 3-year Course Plan

Mission Statement

The Writing Program values writing as a process of producing knowledge and communicating ideas to academic, civic, workplace, and transnational audiences. Because writing well involves a complex set of practices, the Writing Program emphasizes college writing as a process that a student develops throughout her or his college career.

The Writing Program office is located in 3018CB. For more information, contact:

Lisa Ballard Administrative Assistant [email protected] 313-593-5238

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One hundred and thirty-three years of editorial freedom

A creative approach: Why MFA programs are thriving at places like the University of Michigan

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In the basement of the newly remodeled University of Michigan Museum of Art, a sizable crowd has gathered in a sleek, sterile-looking auditorium. It’s a Friday night in Ann Arbor, and you can almost hear the sound of cheap beers cracking open throughout the city. But for those sitting in UMMA’s Helmut Stern Auditorium, the only sound that echoes is the voice of Kyle Booten, who is center-stage, reciting his ambitious, abstract brand of poetry.

Booten — along with a large percentage of his audience — is a student in the University’s MFA program. The atmosphere is warm and congenial, and the sense of community among those assembled is akin to that of a congenial family reunion. As the night wears on, it becomes clear that the University’s MFA students are unlike most other graduate students.

Short for Master of Fine Arts, an MFA program is an often overlooked and misunderstood two-year graduate program in which students prepare for careers writing poetry, fiction or both. The MFA program was first introduced at the University of Iowa 70 years ago. Now MFA degrees are offered at more than 150 universities across the nation. Despite the success of the MFA movement, it’s been surrounded by a fair degree of controversy.

Most of the flak arises from the very nature of an MFA program. In essence, it attempts to teach something historically considered unteachable: creative writing.

For more pragmatic types, it may be hard to fathom how or why such programs exist. Unlike in law or medical school, there is no standardized set of information students must master before graduating from an MFA program. The idea of teaching something as slippery and subjective as creative writing seems to some an impossible or even absurd undertaking.

Quotes abound by writers and professors who decry the utility of MFA programs. The New Yorker’s Louis Menand complains that “Creative-writing programs are designed on the theory that students who have never published a poem can teach other students who have never published a poem how to write a publishable poem.”

The idea is reductive, yes, but not so far off. The crux of any MFA program is the writing workshop, in which students — most of whom have never been published — read and critique each other’s work in a small, generally supportive classroom setting. This is, so to speak, how the magic happens.

Steely eyed skeptics can lambaste the system all they want, but what they can’t deny is that stand-out MFA programs like Michigan’s have left an indelible mark on American fiction. A lot of today’s best and most influential writers have cut their teeth in these graduate programs: Recent Pulitzer Prize winners Junot Diaz, Richard Russo and Michael Chabon have all sprung out of MFA systems — not to mention the countless other MFA-holders who dominate the shelves of Borders.

Nowhere is the virtue of the MFA known better than at Michigan. The University’s program is widely considered to be the world’s second best (the MFA’s birthplace, Iowa, still holds the No. 1 spot). The University of Michigan has produced a parade of successful writers, including the Whiting Writer’s Award winner Patrick O’Keefe and Uwem Akpan, whose short story collection just achieved the literary equivalent of winning the lottery, becoming the newest addition to Oprah Winfrey’s Book Club. But what, exactly, makes Michigan such an elite place to study creative writing?

Well, for one, the faculty.

According to Eileen Pollack, the director of the University’s MFA program, “The faculty (members) are not only accomplished writers, but dedicated teachers. Some programs hire superstar writers who teach one course a year and are never around. All our teachers are full-time.”

What really separates Michigan’s MFA program from the others, though, is the funding. In an almost too-good-to-be-true scenario, the University makes sure all its MFA students are provided for while they pursue their degree.

“We have full funding for all our graduate students, so you don’t go into debt if you’re earning an MFA here. We pick up tuition, you get health benefits and you get a really generous stipend to live on. So in a way you get paid for two years to write,” Pollack said.

The obvious economic advantages of pursuing an MFA at Michigan help attract the cream of the aspiring-writer crop.

Josh Boucher, a second-year MFA student at the University, was duly wooed: “I applied to 10 schools, and with the funding offered here, it was the clear choice.”

The unprecedented funding wasn’t the only reason students chose Michigan over the likes of Brown University, New York University and other top-notch programs.

Emily McLaughlin, a second-year MFA student who, before enrolling at Michigan, was working in Hollywood as a television writer, was more generally impressed: “Michigan has just a well-rounded program — the internships, the visiting writers, everything.”

Still, inspiration can’t be taught. And the MFA degree, unlike the JD or MD, doesn’t always segue nicely into the career you have trained for. Ernest Hemingway, James Joyce and Robert Frost achieved literary brilliance and success without the benefit of an MFA. Considering all this, why enroll in an MFA program at all?

Apparently, there are plenty of reasons.

“An MFA program gives you the gift of making writing into your primary responsibility,” said Miriam Lawrence, a second-year MFA student at the University. “I wanted the opportunity to meet and work with a lot of talented writers with a variety of voices and interests.”

MFA programs, especially stipend-giving programs like Michigan’s, afford precious time for budding writers to focus exclusively on writing. Plus, the degree provides graduates with a sort of tangible affirmation of their dedication to fiction.

“I always wrote stories ever since I was really young. And I just wanted the official degree. In Hollywood, there was no time to really focus on your writing,” said McLaughlin, referring to her motives for pursuing an MFA degree.

And while an MFA doesn’t necessarily translate into a successful writing career, it certainly helps jumpstart the process.

“There is one thing that an MFA from a place like Michigan does: It gets you really serious attention when you send work out,” Pollack said. “(It’s like) you have a seal of approval. You get read much quicker and with a lot more enthusiasm.”

Granted, not all MFA graduates go on to careers full of publishing and book tours. While a lucky few secure fellowships and professorships, a lot of graduates seek part-time jobs to support themselves while they try to get their work published. This is all in the risk of pursuing an MFA. But with a program like Michigan’s, the risk happens to be much smaller.

It’s not clear if the success of MFA programs like Michigan’s depends upon the surfeit of time students have to sharpen their writing, the workshop process of critiquing other’s work and consuming new, variegated ideas, the interaction with exceptional faculty or an intricate combination of it all. It’s not even clear if MFA programs are in fact responsible for good writing — maybe it’s all in the writer, not the program.

But with an expanding rolodex of successful alumni, one thing is clear: Something is working.

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university of michigan ann arbor mfa creative writing

REVIEW: Tales from the Realm of Pops

This semester’s Michigan Pops Orchestra concert,  Tales from the Realm of Pops , has been my favorite concert of the past six I’ve attended. The theme this semester was fairytale and fantasy , and the  repertoire was  full  of my personal favorites that are both famous in the classical world and familiar with most audiences: from Prokofiev’s  Romeo and Juliet  to  The Legend of Zelda  to  Sleeping Beauty,  the orchestra certainly took us on a magic carpet ride.

The first piece to capture my heart was Tchaikovsky’s notoriously hard  Violin Concerto in D Major, Op. 35 , performed by this year’s High School Concerto Competition winner  Minji  Kim, a Junior studying at Skyline High School. The past three High School Concerto Competition winners have all been violinists , but she’s  left the biggest impression on me  so far . The first movement of Tchaikovsky’s violin concerto, the Allegretto, features intense lyrical runs up and down the violin, which Minji nailed each time. What impressed me the most were her double stops. Double stops mean two notes are  being played   at the same ; this requires the bow to be  completely  evenly balanced on the strings while the fingers are to be a precise distance apart. It’s  very easy  to be out of tune when playing double stops, especially while shifting , but Minji  made it sound  incredibly easy  with her crystal-clear tone and perfect intonation.  This  was my first time listening to this concerto live, and it couldn’t have been any better.

Right after came one of the unarguably best orchestral works to ever exist:  Scheherazade, Op. 35  by Nikolai Rimsky-Korsakov. Pops played the third movement,  The Young Prince and the Young Princess .  Just like  the title suggests, it’s an incredibly romantic movement that passes the melody between the strings and winds, as if they were lovers conversing. The lyrical line evokes so many feelings, such as yearning and passion  before  turning into playful flirting when the tempo picks up. I highly recommend listening to all of  Scheherazade.  It’s  truly  a piece that shows music can weave a colorful story and brings out the violin’s full potential during the many  concertmaster  solos, which Katie Zhao did  an amazing  job of.

I’m so glad I got to attend this concert despite being busy with finals and the coming end of the semester. It whisked me away from my stress and worries and was the best refuge I could get.  I’m now  all the more excited to come back  to another Michigan Pops concert next year, and I wonder if they’ll be able to top this semester’s  amazing  collection.

Hi everybody~ I'm a Junior majoring in Creative Writing and minoring in Sweetland Writing. I like reading, playing musical instruments, and video games! Most of my reviews will be about the performing arts because I'm interested in dance, classical music, and theater. Thank you for checking out my profile and I hope you enjoy my reviews <3

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  2. Everything you need to know about an MFA in creative writing!

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  3. MFA in Creative Writing Update: Time and Perspective

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  4. 10 Best MFA Creative Writing Programs in 2024

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  6. The Creative Writing MFA Handbook: A Guide for Prospective Graduate

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COMMENTS

  1. MFA in Writing

    MFA in Writing. Click here for the Helen Zell Writers' Program Homepage. 435 S. State Street. 3187 Angell Hall. Ann Arbor, MI 48109. (734) 764-6330.

  2. 5 Uncommon Tips on Your MFA Creative Writing Application

    Michigan Quarterly Review, founded in 1962, is the University of Michigan's flagship literary journal, publishing each season a collection of essays, interviews, memoirs, fiction, poetry, and book reviews. 3277 Angell Hall 435 S. State St. Ann Arbor, MI 48109-1003 Main Office: (734) 764-9265 [email protected]

  3. The 10 Best Creative Writing MFA Programs in the US

    University of Oregon (Eugene, OR) Visitor7, Knight Library, CC BY-SA 3.0. Starting off the list is one of the oldest and most venerated Creative Writing programs in the country, the MFA at the University of Oregon. Longtime mentor, teacher, and award-winning poet Garrett Hongo directs the program, modeling its studio-based approach to one-on ...

  4. English and Literature

    Our Master in Fine Arts faculty is comprised of a dedicated group of poets and fiction writers ... and who have—collectively—written, translated, and edited more than fifty books. English and Literature - Creative Writing is offered at University of Michigan. University of Michigan ... Living costs for Ann Arbor. 1025 -1870 USD ...

  5. University of Michigan Fully Funded MFA in Creative Writing

    All MFA students accepted into the program are offered a full tuition waiver, a stipend of $30,054 (currently for '22-'23), as well as $6,000 in summer funding, and health care benefits. Additionally, various fellowships and prizes are awarded each year to MFA students. The University of Michigan offers a 2 year fully funded MFA in creative ...

  6. University of Michigan, Ann Arbor

    Find information about more than two hundred full- and low-residency programs in creative writing in our MFA Programs database, which includes details about deadlines, funding, class size, core faculty, and more. Also included is information about more than fifty MA and PhD programs. More

  7. The Best 15 Creative Writing MFA Programs in 2023

    4) University of Michigan (Ann Arbor, MI) Anne Carson famously lives in Ann Arbor, as do the MFA students U-Michigan's Helen Zell Writers' Program. This is a big university town, which is less damaging to your social life. Plus, there's lots to do when you have a $23,000 stipend, summer funding, and health care.

  8. Art of the Word: Inside the University's MFA program

    The Helen Zell Writers' Program is a top-ranked two-year Master of Fine Arts program in creative writing, with cohorts in fiction and poetry. In the program, students work on their respective creative writing pieces while also serving as Graduate Student Instructors. At the end of the program, they essentially have completed a full body of ...

  9. Creative Writing at University of Michigan

    During the 2020-2021 academic year, University of Michigan - Ann Arbor handed out 24 bachelor's degrees in creative writing. This is a decrease of 33% over the previous year when 36 degrees were handed out. In 2021, 22 students received their master's degree in creative writing from U-M. This makes it the #29 most popular school for creative ...

  10. The 10 Best MFA Creative Writing Programs [2024]

    Location: Ann Arbor, Michigan; Founded: 1817; 3. University of Texas at Austin - New Writers Project. Master of Fine Arts in Creative Writing. The University of Texas at Austin is a well-known public research university with around 50,000 students at the graduate and undergraduate levels. It offers one of the best MFA programs for creative ...

  11. Considering Michigan for MFA in Creative Writing : r/uofm

    Considering Michigan for MFA in Creative Writing. University of Michigan is on my short list of schools that I plan on applying to for the MFA program. Could any of you guys tell me anything about your MFA program, the English department in general, or just what it's like to live in Ann Arbor (apartments, commuting, etc)? I'm currently ...

  12. Jeffrey Chin

    University of Michigan. Aug 2022 - Apr 2024 1 year 9 months. Ann Arbor, Michigan, United States.

  13. How to Apply

    The English Department will be closed December 24th through January 1st, although the deadline is January 1st. Make sure you receive an electronic confirmation of your submitted application. Click here to proceed to the online application. Email admissions questions to [email protected] or call 734.763.4139.

  14. Writing Program

    In our teaching, Writing Program faculty stress inquiry-based research, close reading, critical reflection, revision, collaboration, and active learning. Our courses include the first-year composition sequence and intermediate courses focused on creative and expository writing and writing in professional settings. Writing Program 3-year Course Plan

  15. A creative approach: Why MFA programs are thriving ...

    Short for Master of Fine Arts, an MFA program is an often overlooked and misunderstood two-year graduate program in which students prepare for careers writing poetry, fiction or both. The MFA program was first introduced at the University of Iowa 70 years ago. Now MFA degrees are offered at more than 150 universities across the nation.

  16. Michigan Creative

    Michigan Creative is the largest and most dedicated provider of marketing services to the U-M community. Every strategy, every campaign, every website — we design and develop with Michigan in mind. ... Michigan Creative Office of the Vice President for Communications University of Michigan ... 535 W. William St., Suite 2100 Ann Arbor, MI ...

  17. REVIEW: Tales from the Realm of Pops

    This semester's Michigan Pops Orchestra concert, Tales from the Realm of Pops, has been my favorite concert of the past six I've attended.The theme this semester was fairytale and fantasy, and the repertoire was full of my personal favorites that are both famous in the classical world and familiar with most audiences: from Prokofiev's Romeo and Juliet to The Legend of Zelda to Sleeping ...

  18. MFA in Creative Writing Graduation Reading

    The Department of Literatures in English / Creative Writing Program proudly presents the 2024 MFA in Creative Writing Graduation Reading! Poets Meredith Cottle, Imogen Osborne and Derek Chan and fiction writers Samantha Kathryn O'Brien, Jiachen Wang, Charity Young and Natasha Ayaz will share work from their theses or other works-in-progress. Reception to follow in the English Lounge, 258 ...