themes in the book thief essay

Themes and Analysis

The book thief, by markus zusak.

‘The Book Thief’ is a historical novel based on the events of the Holocaust and Second World War and the suffering and death experienced by people.

About the Book

Article written by Juliet Ugo

Former Lecturer. Author of multiple books. Degree from University Of Nigeria, Nsukka.

When analyzing The Book Thief , there are several themes one needs to look at. The majority are themes of the power of words, kindness, and cruelty of humans, reading and writing, the duality of the Nazi era, mortality, and love.

The Book Thief Themes

The power of words.

In The Book Thief , we see that words and, in extension, stories are among the most powerful ways people connect. So many examples show how the words connect people up throughout the story. Through learning the alphabet and how to use it to make words, Liesel and Hans Hubermann began developing their deep bond. Liesel’s descriptions of the weather to Max later in the novel also help establish a bond between them. 

In the book, the greatest gift Max gives Liesel is words in the form of the ‘The Word Shaker,’ the story he writes for her. In the story he wrote, he suggests that words are the most powerful force there is. He said that Adolf Hitler uses just words and not guns or money or some other instrument to take over the world.

The story shows how Liesel has used words to create a refuge for herself amid Nazism and later uses words to calm her neighbors during the air raids by reading from her book. Again, the power of words is seen in the book she left behind, giving her a connection to Death as we saw at the end of the story.

The Kindness and Cruelty of Humans

We see the various degrees of human cruelty and kindness in the novel, from the slight to the most extreme examples.

One of the small acts of kindness we see in the novel includes hiding and caring for Max by the Hubermanns even at great risk to themselves, Rudy giving the teddy bear to the dying pilot, Ilsa Hermann inviting Liesel into her library. Liesel is specially kind to Max, and the two share a strong bond. Because of the political context of the time, with hatred and violence against Jews being rampant, Max finds Liesel’s kindness to be extraordinary. On the contrary, we also see acts of cruelty, like the treatment of Rudy by Viktor Chemmel and Franz Deutscher. Again, the concentration camps linger unseen in the book’s background as the most extreme example of cruelty.

There was a scene that showed both kindness and cruelty at once. There, Hans Hubermann tries to help a weak Jew suffering hunger and deprivation, being marched through town on the way to Dachau. Hans reaches out to him and gives him a piece of bread, a small act of great kindness. Immediately though, one of the Nazi soldiers mercilessly whips Hans and the Jewish man, a great act of cruelty heightened by the fact that it comes in response to Hans’s kindness.

We can not analyze the themes in The Book Thief without talking of mortality as Death is the book’s narrator. The book shows us that mortality is very present in the lives of each character as Death introduces the book to the reader. All through the novel, the deaths of the main characters reaffirm the presence of mortality. Since The Book Thief story takes place during World War II, Death and genocide are almost omnipresent.

Death is presented in a less distant and threatening manner as he narrates and explains the reasons behind each character’s destruction. Again, Death expatiates how he feels that he must take each character’s life, so there is a sense of care instead of fear. At a point Death states, ‘even Death has a heart.’

Reading and Writing

We see language, writing, and reading presented as symbols of expression and freedom all through the novel. Reading and writing provide identity and personal liberation to those characters who have them and provide a framework for Liesel’s coming of age. At the start of the story, shortly after her brother’s funeral, Liesel finds a book in the snow, but she cannot read. Learning under her foster father Hans, she slowly learns to read and write. By the time the novel comes to an end, her character arc has been shaped by her progress in reading, writing and learning a language. 

Writing and reading skills also serve as social markers since wealthy citizens are literate, owning books and even their libraries. On the other hand, the poor and illiterate do not own books or libraries. Rosa Huberman’s harsh and, at times, scathing remarks towards her family and others are an example of the despairing lives of the poorer classes. In contrast, Liesel’s repeated rescues of books from Nazi bonfires show her reclaiming freedom and also refusal to accept being controlled by the all-pervasive state.

The Dualities of Nazi-era Germany

We notice that the characters often have two sides or faces starting from the time Rudy paints himself black in imitation of Jesse Owens.

Superficially, Rudy looks like an ideal Aryan, such that the Nazis try to recruit him into a special training center. However, deep inside him, he is similar to an African-American, which directly contradicts Nazi ideology. Max also does something similar when he travels from Stuttgart to Molching when he pretends to be a non-Jewish or gentile German, calmly reading MKPF, while on the inside, he is a terrified Jew who finds the book despicable. This clearly shows the theme of duality in the book.

The Hubermanns are part of the theme and started living double lives immediately after they started hiding Max.

To their neighbors and friends, they pretend to be law-abiding citizens to their friends and neighbors; they harbor their dangerous secret inside. Hans teaches Liesel about this double face after he slaps her for saying she hates Hitler in public. He told her that she can hate inside the house but once they are outside, she must behave in a certain way. In fact, duality is a theme of life in general for Liesel and Rudy as they both spend a lot of time engaged in typical teenage activities like playing soccer in the street. However, these moments are broken up with events like the parade of Jews through town or the bombings that threaten and ultimately destroy Himmel Street. 

In spite of the fact that war, Death, and loss caused a lot of damage to Liesel and the others, love is seen as an agent of change and freedom. This is because love is the only way of forming a family where real freedom exists. Liesel got the best of her traumas by learning to love and be loved by her foster family and her friends. At the start of the novel, Liesel is traumatized by the Death of her brother and her separation from her only family and the larger issues of war-torn Germany and the destruction wrought by the Nazi party. 

Liesel’s relationship with her foster father Hans helps create healing and growth reflected in the relational dynamic between the Hubermann family and Max. The Hubermanns’ association with Max defies the Nazi regime in a society governed by policies that presume to judge who is really human. Furthermore, the love that Max and Liesel develop through their friendship creates a strong contrast to the fascist hate in the story’s backdrop.

Analysis of Key Moments in Animal Farm

• When Liesel’s brother died. This event marked the start of the story, which led her to foster parents. It also started Liesel’s stealing of books when she picks up The Grave Digger’s Handbook at the site of her brother’s burial.
• Arrival on Himmel. This event sets the stage for the rest of the book as it marks Liesel coming to live with Hans and Rosa Hubermann after the loss of her family.
• Early school failure. Liesel didn’t succeed in school when she tried earlier and she became determined to learn how to read.
• Book burning day. The event of burning books on Hitler’s birthday helped Hans discover that Liesel is stealing books. 
• Arrival of Max Vandenburg on Himmel Street. This event changes the Hubermann’s lives when Max arrives on their doorstep in 1940. Hiding him put their lives in immense danger.
• Max writing The Standover Man for Liesel. This event helped to bring Max and Liesel together and they not only read words but also share them.
• Giving bread to the Jew. The event of Han giving bread to a weak Jew is significant because it leads to Max’s departure and Hans being sent away to fight in the war.
• Rudy idolizing a black man despite his perfect Aryan features. Rudy used the Jesse Owens event to exemplify the views of the main characters of the book.
• The Nazi recruiting Rudy. The Nazis noticed Rudy’s physical and mental capacities and therefore recruited him to go to school to become the perfect German. His parents refuse, and Alex Steiner is sent to war.
• Bombing of Himmel Story. This is a major event in the book where Liesel’s street is bombed and she lost most of her friends and family.
• Death of Liesel. This marked the final major event in the book when death came to her soul. 

Style, Tone, and Figurative Language

The style and language of The Book Thief is simple because it was primarily meant for young adults. He used a lot of foreshadowing to give the reader a sense of what is coming up in the story.

In the book, the narrator of the story, Death, uses foreshadowing in many different events to keep the reader focused on how the characters meet their ends. In Death’s side notes, foreshadowing is constantly scattered throughout the book in boldface text. A good example is when Death alludes to the death of Rudy, who is Liesel’s best friend. …He didn’t deserve to die the way he did.” 

The tone of The Book Thief is serious most of the time and mocking or hopeful the rest of the times. When you have death talking about humans in the time of war, the tone will be serious and somber. Death spends a lot of time mocking, or making fun of, humans. For instance, when Death talks about humans and destruction in the quote above, he is making fun of how people like to see things get destroyed.

In the book, we see so many figurative languages used in The Book Thief . These are vivid and stimulating word choices that author’s use to add color and meaning to their work. In the book we have many of the likes of simile, metaphor, contrast, hyperbole, personification, etc. Even the narrator, death, is personified. Here are examples of other figurative languages used in the book. 

She would wake up swimming in her bed, screaming, and drowning in the flood of sheets.

This quote from The Book Thief shows metaphor as the figurative language when death was describing the nightmare Liesel was having.

She did have it easy compared to Max Vandenberg. Certainly, her brother practically died in her arms. Her mother abandoned her. But anything was better than being a Jew.

Here, the figurative language is contrast as death is trying to tell the readers that any hardship is better than being a jew.

Within seconds, snow was carved into her skin.

The figurative language used is hyperbole. Sure, snow was all over her body but it was extreme exaggeration to say it carved into her skin.

Analysis of Symbols

The Book Thief uses symbols extensively because it is not just a story about a little girl. It is an important historical novel that delved into the suffering of people who lived in Germany during World War II. The story has a lot of lessons especially in mortality, kindness and love and the symbols embody all these.

Giving bread anywhere is a sign of care and comfort. Once you give bread to somebody, you have shown absolute compassion for that person. You have also comforted the person and probably solved his hunger issues. It is a symbol of empathy in the story and it was clearly demonstrated by Max when he offered bread to the weak Jew as they were marching to the gas chamber.

The accordion in the novel was inherited by Hans Hubermann from Max’s father during World War I and it became part of Han’s identity. He played regularly to those around him to give them comfort. He plays it during trying times to give comfort and care to those who hear it. Example is when Liesel realises that her mother is not coming back again and when she first came to their house.

Books were a source of comfort to Liesel and later Max. It is another major symbol in The Book Thief and it was the source of Liesel’s transformation from a weak girl to an empowered young woman. She developed a great relationship over books when she learned how to read and write and thus got the power she needed from the books. This power helped her to develop a strong character, mature emotionally and became kinder and more understanding to those around her.

What is the main theme of The Book Thief ?

The Book Thief has many themes and they include love and kindness as expressed by Liesel and her foster family; literacy and power, as seen when Liesel learns to read and explore the world of words, cruelty and suffering as experienced by the Jews in the hands of the Nazis.

What is an example of a theme?

In most literature work, we have themes that the author uses to pass his message across. Some of the common themes that run through them are love, mortality, war, peace, revenge, grace, betrayal, fatherhood, patriotism, life, isolation, cruelty, motherhood, forgiveness, treachery, wartime loss, rich versus poor, and appearance versus reality.

Is survival a theme in The Book Thief ?

There are many themes in The Book Thief like love, mortality, kindness, etc. One of the themes you will find in the book is the theme of survival. Most of the major characters in the book namely Liesel, Max, Rudy, the Hubermanns, passed through many awful ordeals but they still survived. 

How do you identify a theme?

A theme is the idea the writer wishes to convey about an event, subject, or person. It is from the theme that you learn about the author’s view of the world. To identify the theme, you have to be sure that you have first identified the plot of the story, the way the story characterization, and the primary conflict in the story.

What are the steps in analyzing a theme?

Generally, here are the ways in which you can begin to analyze the theme of any literature you read. First, you look for recurring images in the story or poem, then ask questions about the author’s message. Through your answers, you’ll be able to identify the different tools the author uses to express the theme

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About Juliet Ugo

Juliet Ugo is an experienced content writer and a literature expert with a passion for the written word with over a decade of experience. She is particularly interested in analyzing books, and her insightful interpretations of various genres have made her a well-known authority in the field.

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The Book Thief

Markus zusak, ask litcharts ai: the answer to your questions.

Markus Zusak constantly reminds the reader of the importance of language through his writing style. The disjointed narration, postmodern style (the starred, bold-faced interjections), and poetic phrasing emphasize the words used to tell the story, to the point that the reader is never allowed to sink unconsciously into the plot. There are also many reminders of language within the novel's action – Liesel and Hans write on the back of sandpaper, the newspaper becomes imprinted against Hans's skin, and Liesel, Hans, and Max paint words in the basement. In the end Zusak gives language itself (like Death ) as much physicality and agency as any character.

Like many novels about oppressive regimes, much of the story's evil comes in the form of propaganda and the suppression of free language, like the book burnings of the Nazis. Max Vandenburg's story The Word Shaker condenses Zusak's ideas about the power of words – in the story Hitler is someone who uses language for evil purposes, while Liesel, who loves language purely, is able to resist Hitler through reading and writing her own words. With them she creates a shelter for herself and Max to protect them from the cruel world. The last lines of Liesel's own book ( The Book Thief ) sum it up – "I have hated the words and I have loved them, and I hope I have made them right." She must take the language of the Führer and turn it to good.

Words and Language ThemeTracker

Words and Language Quotes in The Book Thief

Yes, often, I am reminded of her, and in one of my vast array of pockets, I have kept her story to retell. It is one of the small legion I carry, each one extraordinary in its own right. Each one an attempt – an immense leap of an attempt – to prove to me that you, and your human existence, are worth it.

All told, she owned fourteen books, but she saw her story as being made up predominantly of ten of them. Of those ten, six were stolen, one showed up at the kitchen table, two were made for her by a hidden Jew, and one was delivered by a soft, yellow-dressed afternoon. When she came to write her story, she would wonder exactly when the books and the words started to mean not just something, but everything.

As for the girl, there was a sudden desire to read it that she didn't even attempt to understand. On some level, perhaps she wanted to make sure her brother was buried right. Whatever the reason, her hunger to read that book was as intense as any ten-year-old human could experience.

Papa would say a word and the girl would have to spell it aloud and then paint it on the wall, as long as she got it right. After a month, the wall was recoated. A fresh cement page.

The day of the announcement, Papa was lucky enough to have some work. On his way home, he picked up a discarded newspaper… and slipped it beneath his shirt. By the time he made it home and removed it, his sweat had drawn the ink onto his skin. The paper landed on the table, but the news was stapled to his chest. A tattoo… "What does it say?" Liesel asked him… "'Hitler takes Poland,'" he answered, and Hans Hubermann slumped into a chair.

Although something inside told her that this was a crime – after all, her three books were the most precious items she owned – she was compelled to see the thing lit. She couldn't help it. I guess humans like to watch a little destruction. Sand castles, houses of cards, that's where they begin. Their great skill is their capacity to escalate.

For most of the journey, he made his way through the book, trying never to look up. The words lolled about in his mouth as he read them. Strangely, as he turned the pages and progressed through the chapters, it was only two words he ever tasted. Mein Kampf . My struggle – The title, over and over again, as the train prattled on, from one German town to the next. Mein Kampf . Of all the things to save him.

During that week, Max had cut out a collection of pages from Mein Kampf and painted over them in white… When they were all dry, the hard part began… he formulated the words in his head till he could recount them without error. Only then, on the paper that had bubbled and humped under the stress of drying paint, did he begin to write the story.

Liesel, however, did not buckle. She sprayed her words directly into the woman's eyes. "You and your husband. Sitting up here." Now she became spiteful. More spiteful and evil than she thought herself capable. The injury of words. Yes, the brutality of words.

He laughed. "Good night, book thief." It was the first time Liesel had been branded with her title, and she couldn't hide the fact that she liked it very much. As we're both aware, she'd stolen books previously, but in late October 1941, it became official. That night, Liesel Meminger truly became the book thief.

Please believe me when I tell you that I picked up each soul that day as if it were newly born. I even kissed a few weary, poisoned cheeks. I listened to their last, gasping cries. Their vanishing words… I watched the sky as it turned from silver to gray to the color of rain. Even the clouds were trying to get away. Sometimes I imagined how everything looked above those clouds, knowing without question that the sun was blond, and the endless atmosphere was a giant blue eye. They were French, they were Jews, and they were you.

She didn't dare look up, but she could feel their frightened eyes hanging on to her as she hauled the words in and breathed them out. A voice played the notes inside her. This, it said, is your accordion. The sound of the turning page carved them in half. Liesel read on.

Yes, the Führer decided that he would rule the world with words. "I will never fire a gun," he devised. "I will not have to."

The best word shakers were the ones who understood the true power of words. They were the ones who could climb the highest. One such word shaker was a small, skinny girl. She was renowned as the best word shaker of her region because she knew how powerless a person could be WITHOUT words. That's why she could climb higher than anyone else. She had desire. She was hungry for them.

The brother shivers. The woman weeps. And the girl goes on reading, for that's why she's there, and it feels good to be good for something in the aftermath of the snows of Stalingrad.

The sun stirs the earth. Around and around, it stirs us, like stew … On Munich Street, she remembered the events of the previous week there. She saw the Jews coming down the road, their streams and numbers and pain. She decided there was a word missing from her quote. The world is an ugly stew, she thought. It's so ugly I can't stand it.

She tore a page from the book and ripped it in half. Then a chapter. Soon, there was nothing but scraps of words littered between her legs and all around her. The words. Why did they have to exist? Without them, there wouldn't be any of this. Without words, the Führer was nothing… What good were the words?

I wanted to tell the book thief many things, about beauty and brutality. But what could I tell her about those things that she didn't already know? I wanted to explain that I am constantly overestimating and underestimating the human race – that rarely do I ever simply estimate it. I wanted to ask her how the same thing could be so ugly and so glorious, and its words and stories so damning and brilliant.

The Book Thief

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A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.

Chapter Summaries & Analyses

Prologue-Chapter 8

Chapters 9-24

Chapters 25-32

Chapters 33-40

Chapters 41-48

Chapters 49-56

Chapters 57-64

Chapter 65-Epilogue

Character Analysis

Symbols & Motifs

Important Quotes

Essay Topics

Books come in all shapes and sizes in the novel. Pick two. Describe their physical characteristics and their meaning to the characters. 

Describe Death’s personality as it can be inferred from his narration. 

What is the significance of Hans’s accordion? How does it connect various characters in the story? 

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The Book Thief

By markus zusak, the book thief essay questions.

Consider Zusak's use of foreshadowing. By revealing how characters die early on, or the outcomes to certain events, does Zusak make the novel less suspenseful or more?

A proper response should cite specific examples of foreshadowing and make some explanation of why the technique is used. This could be Death's rationale: "It's the machinations that wheel us there that aggravate, perplex, interest, and astound me" (243). An essay arguing that the novel is more suspenseful because of foreshadowing should involve Death's selective and incomplete revelation of facts and should compare instances of foreshadowing with the actual descriptions of the events being foreshadowed.

Why do Max and Liesel become friends? What do they have in common?

Initially Max and Liesel are apprehensive around each other, but they discover that they have something important in common: both have recurring nightmares involving the last time they saw their families alive. Both are political refugees evading Nazi persecution: Max is a Jew, Liesel's parents were Communists. Their similar backgrounds make Max's initial gift of The Standover Man important, as Max ultimately helps Liesel realize the power of words to delight and to harm others.

Hans manages to survive two World Wars, seemingly by luck. Is Hans merely a fortunate man, or does he have other qualities that help him survive?

The argument that Hans is indeed lucky should be bolstered by references to other instances of luck or fate saving characters' lives: that the Nazis fail to find Max when inspecting the Hubermanns' basement, that Hans does not formally withdraw his application to join the Nazi Party and is thus spared from being sent to a concentration camp. One quality that helps Hans is his amiability. His friend Erik Vandenberg saves him in World War I, while his willingness to give up his seat to an antagonistic young soldier saves him again in World War II.

Evaluate the pros and cons of Hans giving bread to an elderly Jew condemned to a concentration camp. Were the consequences worth the benefits?

Hans' action results in him and the frail, moribund Jew being whipped. Max is forced to leave because Hans' basement is no longer safe for him, and Hans is ultimately conscripted into a physically dangerous position in the military. Yet Hans' public compassion towards the Jew gives the man the feeling of humanity in a nation that has dehumanized him. Hans also sets an example for other German citizens in the crowd, some of whom help him after he is attacked.

Why does Rudy seem to love Liesel immediately after they meet, and why does Liesel not recognize that she loves him until years after?

Rudy is introduced as "one of those audacious little bastards who actually fancied himself with the ladies," and he is an impetuous character. He has a strong sense of justice and compassion, and early on he decides to take care of Liesel, an anxious new girl. Liesel is initially annoyed by Rudy's requests for a kiss, but her feelings towards him begin to change after Rudy gallantly retrieves Liesel's book from the icy cold river. Liesel's fixation on Rudy's physical exam is a rare moment of eroticization in the novel, one which might coincide with Liesel reaching puberty. Two important scenes where Liesel becomes nervous and desirous of Rudy: when Liesel gives Rudy a navy blue suit from his father's store, and when Liesel tells Rudy about Max.

When Liesel reads aloud to the others in the bomb shelter for the first time, a voice inside her says, "This is your accordion." What does that mean?

Hans' puts his soul into his accordion playing, and the music he produces is joyful. Through reading, Liesel is also able to bring comfort to others. More importantly, Liesel learns towards the end of the novel the capacity for words to cause both pain and happiness. This scene is part of Liesel's realization that she, like Max, can soothe others through words of friendship.

The mayor's wife Ilsa Hermann strives to help and encourage Liesel throughout the novel, even after Liesel verbally abuses her. Why does Ilsa seem to take such a liking to Liesel?

Although Ilsa may not actually realize it at first, both she and Liesel have experienced great losses in their lives: i.e., Ilsa's son, and Liesel's brother. Ilsa is an educated woman with her own library, and she might see a part of herself in Liesel's precocity and love of reading. Ilsa has been tormented by her son's death for over two decades, and she urges Liesel at the end of the novel not to let sorrow consume her life.

Compare and contrast the two stories Max writes for Liesel, "The Standover Man" and "The Word Shaker." Why does Max only want Liesel to have the latter "when she's ready?"

Both stories reference Max's persecution and his friendship with Liesel. "The Standover Man" is a more heavily illustrated story that Max gives to Liesel as Liesel is still just starting to read. The story is an early affirmation of their friendship. By contrast, "The Word Shaker" contains more text, and the political message is more serious and explicit. Max thinks Liesel might be too old for the allegory, but nevertheless does not want to frighten her with his caustic depiction of Hitler hypnotizing her entire country.

What is the significance of Hitler's book Mein Kampf within the novel? How do different characters use it?

Liesel realizes that Mein Kampf and Hitler's propaganda are the source of her misery: the reason for her parents' deaths, the reason for the war, and the reason Max is sent to a concentration camp. Max has a more ironic view, dryly telling Liesel that it "saved his life," as Hans used the book to help Max reach Molching. Max later whitewashes the pages of the book and uses them to write stories for Liesel.

Why does Death tell Liesel that it is "haunted" by humans?

Death has witnessed humans commit both acts of great cruelty and acts of great compassion. Death is unable to judge humanity because it cannot understand how humans are capable of both. Death considers the fate of survivors to be more tragic than the fate of the dead, perhaps because of Death's obvious familiarity with dying and blase attitude towards it. It can be argued that Death itself represents just one extreme between life and death, and is thus unable to comprehend the human condition of the living.

The Book Thief Questions and Answers

The Question and Answer section for The Book Thief is a great resource to ask questions, find answers, and discuss the novel.

What Death mean when he says “one wild card was yet to be played.” And what is the wild card???

Death means that If anyone finds out a Jew is at Liesel's house, her parents could get taken away.Wild Card in this context means: a person or thing whose influence is unpredictable or whose qualities are uncertain.

What idea does Hans have after he discovers Liesel’a new book? Why do you think he does this?

When Hans discovers that Liesel doesn't know how to read, he begins teaching her the alphabet, and together they make their way through the book Liesel stole from the gravedigger.

What is Leisel's age?

In the beginning of the story Liesel is nine-year-old. By the time the story concludes, she is an old woman.

Study Guide for The Book Thief

The Book Thief study guide contains a biography of Markus Zusak, literature essays, quiz questions, major themes, characters, and a full summary and analysis.

• About The Book Thief
• The Book Thief Summary
• Character List

Essays for The Book Thief

The Book Thief essays are academic essays for citation. These papers were written primarily by students and provide critical analysis of The Book Thief by Markus Zusak.

• Liesel's Emotional Journey Through the Book Thief
• Zusak's Death Breaks the Mould
• Guilt in The Book Thief
• The Toil of Good and Evil: Multi-Faceted Kindness in The Book Thief
• Stealing the Narrative: The Irony of Reading in The Book Thief

Lesson Plan for The Book Thief

• About the Author
• Study Objectives
• Common Core Standards
• Introduction to The Book Thief
• Relationship to Other Books
• Bringing in Technology
• Notes to the Teacher
• Related Links
• The Book Thief Bibliography

Wikipedia Entries for The Book Thief

• Introduction
• Recognition

Home — Essay Samples — Literature — Books — The Book Thief

Essays on The Book Thief

Prompt examples for "the book thief" essays, the power of words and literature.

Discuss the significance of words, books, and literature in "The Book Thief." How does Liesel's love for books and Max's writing influence their lives, and what do these elements symbolize in the novel?

Narration by Death

Analyze the unique narrative perspective in the novel, which is narrated by Death. How does Death's perspective provide insight into the human experience during wartime, and what effect does it have on the reader's understanding of the story?

Character Development

Examine the growth and development of characters like Liesel, Hans, Rosa, and Max throughout the novel. How do their experiences and relationships shape their personalities and perspectives?

Survival and Resistance

Discuss the themes of survival and resistance in "The Book Thief." How do characters resist oppression and maintain their humanity during the harsh conditions of Nazi Germany, and what strategies do they employ to survive?

The Impact of War on Innocence

Explore how the novel portrays the loss of innocence in the face of war. How do Liesel, Rudy, and other child characters grapple with the harsh realities of war, and how does their understanding of the world change?

Symbolism of Colors

Analyze the symbolism of colors in the novel, particularly the use of the colors red, white, and black. How do these colors represent different aspects of the characters' experiences and emotions?

Imagery in The Book Thief

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The Book Thief: an Analysis of Love and Loss

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A Look at The Emotional Journey of Liesel as Shown in "The Book Thief"

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Analysis of The Key Scene Depicting Violence in "The Book Thief"

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2005, Markus Zusak

Historical Fiction

Narrated by Death, the story follows Liesel Meminger, a young girl living with foster parents, Hans and Rosa Hubermann, in Nazi Germany during World War II. Liesel settles down into her new home and during her time there, she is exposed to the horrors of the war and politics. Hans, who has developed a close relationship with Liesel, teaches her to read during this time. Recognizing the power of writing and sharing the written word, Liesel not only begins to steal books that the politicians are seeking to destroy, but also writes her own story.

A theme that stands out from the beginning is literacy and power. While language initially is a struggle for the main character, Liesel, it becomes one that empowers her and allows her to quietly rebel against Hitler's regime. Other major themes include kindness, and cruelty of humans, reading and writing, the duality of the Nazi era, mortality, and love.

The Book Thief features innovative stylistic techniques. The most obvious innovation is narrator Death's use of boldface text to relay certain information. The mood of "The Book Thief" is defiantly a somber time, and fear is in the air in Nazi Germany.

Liesel Meminger, Death, Hans Hubermann (Papa), Rosa Hubermann (Mama), Rudy Steiner, Max Vandenburg, Ilsa Hermann, Werner Meminger, Paula Meminger (Liesel's Mother), Hans Jr (Hans' and Rosa's son)

Published in 2005, The Book Thief became an international bestseller and was translated into 63 languages and sold 16 million copies. It was adapted into the 2013 feature film, The Book Thief. The novel has also win several awards, such as Commonwealth Writers' Prize for Best Book, Michael L. Printz Honor Book, Best Books for Young Adults (American Library Association).

“The only thing worse than a boy who hates you: a boy that loves you.” “I have hated words and I have loved them, and I hope I have made them right.” “Even death has a heart.” “Imagine smiling after a slap in the face. Then think of doing it twenty-four hours a day.”

1. Buráková, Z. (2019). Whose trauma is it? A trauma-theoretical reading of The Book Thief by Marcus Zusak. Holocaust Studies, 25(1-2), 59-73. (https://www.tandfonline.com/doi/abs/10.1080/17504902.2018.1472874) 2. Koprince, S. (2011). Words from the basement: Markus Zusak's The Book Thief. Notes on Contemporary Literature, 41(1). (https://go.gale.com/ps/i.do?id=GALE%7CA255494819&sid=googleScholar&v=2.1&it=r&linkaccess=abs&issn=00294047&p=AONE&sw=w&userGroupName=anon%7E7cb76d72) 3. Yarova, A. (2016). Haunted by humans: Inverting the reality of the holocaust in Markus Zusak's' The book thief'. Papers: Explorations into Children's Literature, 24(1), 54-81. (https://search.informit.org/doi/abs/10.3316/ielapa.033178079846317) 4. Brady, B. K. (2013). Beyond the basics with Bakhtin: a dialogical look at Markus Zusak's The Book Thief (Doctoral dissertation, Rutgers University-Camden Graduate School). (https://rucore.libraries.rutgers.edu/rutgers-lib/40257/) 5. Gipson, E. M. (2017). A Close Encounter with Death: Narration in Markus Zusak's The Book Thief (Doctoral dissertation, The University of Southern Mississippi). (https://www.proquest.com/openview/eba2b3153629faedca16050fdb2c21ff/1?pq-origsite=gscholar&cbl=18750) 6. Adams, J., & Adams, J. (2011). ‘Into Eternity’s Certain Breadth’: Ambivalent Escape in Markus Zusak’s The Book Thief. Magic Realism in Holocaust Literature: Troping the Traumatic Real, 144-172. (https://link.springer.com/chapter/10.1057/9780230307353_6) 7. Stevenson, D. (2006). The Book Thief. Bulletin of the Center for Children's Books, 59(9), 389-390. (https://muse.jhu.edu/pub/1/article/197387/summary) 8. Lee, G. (2015). Literacy in The Book Thief: Complicated Matters of People, Witnessing, Death (Doctoral dissertation). (https://whitelibrary.dspacedirect.org/handle/11210/49)

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