short essay on artist

Essay on Art

500 words essay on art.

Each morning we see the sunshine outside and relax while some draw it to feel relaxed. Thus, you see that art is everywhere and anywhere if we look closely. In other words, everything in life is artwork. The essay on art will help us go through the importance of art and its meaning for a better understanding.

What is Art?

For as long as humanity has existed, art has been part of our lives. For many years, people have been creating and enjoying art.  It expresses emotions or expression of life. It is one such creation that enables interpretation of any kind.

It is a skill that applies to music, painting, poetry, dance and more. Moreover, nature is no less than art. For instance, if nature creates something unique, it is also art. Artists use their artwork for passing along their feelings.

Thus, art and artists bring value to society and have been doing so throughout history. Art gives us an innovative way to view the world or society around us. Most important thing is that it lets us interpret it on our own individual experiences and associations.

Art is similar to live which has many definitions and examples. What is constant is that art is not perfect or does not revolve around perfection. It is something that continues growing and developing to express emotions, thoughts and human capacities.

Importance of Art

Art comes in many different forms which include audios, visuals and more. Audios comprise songs, music, poems and more whereas visuals include painting, photography, movies and more.

You will notice that we consume a lot of audio art in the form of music, songs and more. It is because they help us to relax our mind. Moreover, it also has the ability to change our mood and brighten it up.

After that, it also motivates us and strengthens our emotions. Poetries are audio arts that help the author express their feelings in writings. We also have music that requires musical instruments to create a piece of art.

Other than that, visual arts help artists communicate with the viewer. It also allows the viewer to interpret the art in their own way. Thus, it invokes a variety of emotions among us. Thus, you see how essential art is for humankind.

Without art, the world would be a dull place. Take the recent pandemic, for example, it was not the sports or news which kept us entertained but the artists. Their work of arts in the form of shows, songs, music and more added meaning to our boring lives.

Therefore, art adds happiness and colours to our lives and save us from the boring monotony of daily life.

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Conclusion of the Essay on Art

All in all, art is universal and can be found everywhere. It is not only for people who exercise work art but for those who consume it. If there were no art, we wouldn’t have been able to see the beauty in things. In other words, art helps us feel relaxed and forget about our problems.

FAQ of Essay on Art

Question 1: How can art help us?

Answer 1: Art can help us in a lot of ways. It can stimulate the release of dopamine in your bodies. This will in turn lower the feelings of depression and increase the feeling of confidence. Moreover, it makes us feel better about ourselves.

Question 2: What is the importance of art?

Answer 2: Art is essential as it covers all the developmental domains in child development. Moreover, it helps in physical development and enhancing gross and motor skills. For example, playing with dough can fine-tune your muscle control in your fingers.

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Essays About Art: Top 5 Examples and 9 Prompts

Essays about art inspire beauty and creativity; see our top essay picks and prompts to aid you.

Art is an umbrella term for various activities that use human imagination and talents. 

The products from these activities incite powerful feelings as artists convey their ideas, expertise, and experience through art. Examples of art include painting, sculpture, photography, literature, installations, dance, and music.

Art is also a significant part of human history. We learn a lot from the arts regarding what living in a period is like, what events influenced the elements in the artwork, and what led to art’s progress to today.

To help you create an excellent essay about art, we prepared five examples that you can look at:

1. Why Have There Been No Great Women Artists? by Linda Nochlin

2. what is art by writer faith, 3. my art taught me… by christine nishiyama, 4. animals and art by ron padgett, 5. the value of art by anonymous on arthistoryproject.com, 1. art that i won’t forget, 2. unconventional arts, 3. art: past and present, 4. my life as an artist, 5. art histories of different cultures, 6. comparing two art pieces, 7. create a reflection essay on a work of art, 8. conduct a visual analysis of an artwork, 9. art period or artist history.

“But in actuality, as we all know, things as they are and as they have been, in the arts as in a hundred other areas, are stultifying, oppressive, and discouraging to all those, women among them, who did not have the good fortune to be born white, preferably middle class, and above all, male. The fault lies not in our stars, our hormones, our menstrual cycles, or our empty internal spaces, but in our institutions and our education–education understood to include everything that happens to us from the moment we enter this world…”

Nochlin goes in-depth to point out women’s part in art history. She focuses on unjust opportunities presented to women compared to their male peers, labeling it the “Woman Problem.” This problem demands a reinterpretation of the situation’s nature and the need for radical change. She persuades women to see themselves as equal subjects deserving of comparable achievements men receive.

Throughout her essay, she delves into the institutional barriers that prevented women from reaching the heights of famous male art icons.

“Art is the use of skill and imagination in the creation of aesthetic objects that can be shared with others. It involves the arranging of elements in a way that appeals to the senses or emotions and acts as a means of communication with the viewer as it represents the thoughts of the artist.”

The author defines art as a medium to connect with others and an action. She focuses on Jamaican art and the feelings it invokes. She introduces Osmond Watson, whose philosophy includes uplifting the masses and making people aware of their beauty – he explains one of his works, “Peace and Love.” 

“But I’ve felt this way before, especially with my art. And my experience with artmaking has taught me how to get through periods of struggle. My art has taught me to accept where I am today… My art has taught me that whatever marks I make on the page are good enough… My art has taught me that the way through struggle is to acknowledge, accept and share my struggle.”

Nishiyama starts her essay by describing how writing makes her feel. She feels pressured to create something “great” after her maternity leave, causing her to struggle. She says she pens essays to process her experiences as an artist and human, learning alongside the reader. She ends her piece by acknowledging her feelings and using her art to accept them.

“I was saying that sometimes I feel sorry for wild animals, out there in the dark, looking for something to eat while in fear of being eaten. And they have no ballet companies or art museums. Animals of course are not aware of their lack of cultural activities, and therefore do not regret their absence.”

Padgett recounts telling his wife how he thinks it’s unfortunate for animals not to have cultural activities, therefore, can’t appreciate art. He shares the genetic mapping of humans being 99% chimpanzees and is curious about the 1% that makes him human and lets him treasure art. His essay piques readers’ minds, making them interested in how art elevates human life through summoning admiration from lines and colors.

“One of the first questions raised when talking about art is simple — why should we care? Art, especially in the contemporary era, is easy to dismiss as a selfish pastime for people who have too much time on their hands. Creating art doesn’t cure disease, build roads, or feed the poor.”

Because art can easily be dismissed as a pastime, the author lists why it’s precious. It includes exercising creativity, materials used, historical connection, and religious value. 

Check out our best essay checkers to ensure you have a top-notch essay.

9 Prompts on Essays About Art

After knowing more about art, below are easy prompts you can use for your art essay:

Is there an art piece that caught your attention because of its origin? First, talk about it and briefly summarize its backstory in your essay. Then, explain why it’s something that made an impact on you. For example, you can write about the Mona Lisa and her mysterious smile – or is she smiling? You can also put theories on what could have happened while Leonardo da Vinci painted the Mona Lisa.

Rather than focusing on mainstream arts like ballet and painting, focus your essay on unconventional art or something that defies usual pieces, such as avant-garde art. Then, share what you think of this type of art and measure it against other mediums.

How did art change over the centuries? Explain the differences between ancient and modern art and include the factors that resulted in these changes.

Are you an artist? Share your creative process and objectives if you draw, sing, dance, etc. How do you plan to be better at your craft? What is your ultimate goal?

To do this prompt, pick two countries or cultures with contrasting art styles. A great example is Chinese versus European arts. Center your essay on a category, such as landscape paintings. Tell your readers the different elements these cultures consider. What is the basis of their art? What influences their art during that specific period?

Like the previous prompt, write an essay about similar pieces, such as books, folktales, or paintings. You can also compare original and remake versions of movies, broadway musicals, etc.

Pick a piece you want to know more about, then share what you learned through your essay. What did the art make you feel? If you followed creating art, like pottery, write about the step-by-step process, from clay to glazing.

Visual analysis is a way to understand art centered around what the eyes can process. It includes elements like texture, color, line, and scale. For this prompt, find a painting or statue and describe what you see in your essay.

Since art is a broad topic, you can narrow your research by choosing only the most significant moments in art history. For instance, if you pick English art, you can divide each art period by century or by a king’s ruling time. You can also select an artist and discuss their pieces, their art’s backstory, and how it relates to their life at the time.

If you are interested in learning more, check out our essay writing tips !

Maria Caballero is a freelance writer who has been writing since high school. She believes that to be a writer doesn't only refer to excellent syntax and semantics but also knowing how to weave words together to communicate to any reader effectively.

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Essay Samples on Art

While it may seem easy to compose essays about art, it’s not really so because you have to offer background information in your introduction part and explain why some exhibition or a school of thought is important. This should go to your first paragraph because your purpose is to inspire your readers and provide enough background information. When you already have a prompt that must be followed, determine what kind of essay must be written. It can be a descriptive essay, which is great for a description of the works of art or photography. Some other cases may require working with an explanatory tone where you have to explain why an artist has chosen certain palettes or what has been an inspiration. See various free art essay examples below for inspiration. It also helps to learn how to structure your writing and implement quotes or footnotes that are used to highlight the images. Remember to focus on the ways how to cite images and multimedia elements, depending on the chosen style. Your writing should address every image that you have by checking twice with the grading rubric to ensure that you use the sources that may have already been specified.

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The Beauty and Skill of Ansel Adams’ Photography

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Defining ‘Art’

For a practice that has followed humanity since the dawn of consciousness, the question ‘What is Art?’ is notoriously difficult to answer. The Oxford English Dictionary, typically an authority when it comes to definition, calls art “the expression or application of human creative skill and imagination, typically in a visual form such as painting or sculpture, producing works to be appreciated primarily for their beauty or emotional power.”

When asked to ‘think of an artwork’ there’s a pretty good chance that Oxford’s definition covers what you imagined. Oxford’s definition establishes some crucial distinctions: art is created by humans, so a beautiful tree is not art unless a human has applied their creativity to it, as with a bonsai tree. Also, art may be appreciated for its beauty or emotional power. While many artworks are visually pleasing, ugly or disturbing work is valid, and can be appreciated for its emotional power. So if Oxford has the definition nailed, why have generations of aestheticians, philosophers, writers, artists and academics defined and redefined what they think art is? First, some examples. We’ll begin with the pragmatic. In 1957, the architect Frank Lloyd Wright wrote: “Art is a discovery and development of elementary principles of nature into beautiful forms suitable for human use.” Another practical definition comes to us from Charles Eames: “Art resides in the quality of doing; process is not magic.”

For many artists and writers art is an intensely personal and difficult act, with Oscar Wilde calling art a mode of individualism , the French writer André Gide saying it’s “the point where resistance is overcome” and Italian film director Federico Fellini called art “autobiography . “

For Leo Tolstoy art was something greater than the individual. In his essay What is Art he wrote: “Art is not, as the metaphysicians say, the manifestation of some mysterious idea of beauty or God; it is not, as the aesthetical physiologists say, a game in which man lets off his excess of stored-up energy; it is not the expression of man’s emotions by external signs; it is not the production of pleasing objects; and, above all, it is not pleasure; but it is a means of union among men, joining them together in the same feelings, and indispensable for the life and progress toward well-being of individuals and of humanity.” And this is the crux of why art is difficult to define. The Oxford English defines art as an object created with intention, but generations of artists have seen art as many things. And they are all correct, because art is as complicated, diverse and contentious as human nature. No one definition will ever properly encapsulate what art is. So here, in no particular order are Obelisk’s definitions of art:

— Art is a process — Art is communication — Art is an expression of humanness

Reed Enger, "Defining ‘Art’," in Obelisk Art History , Published August 15, 2019; last modified October 12, 2022, http://www.arthistoryproject.com/essays/defining-art/.

The Elements of Art

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Short And Long Essay On Art In English

Artists express their feelings and views through their unique forms of artwork. Throughout history, art has held a constant place of importance and value in society.

By creating art, artists explore the world and society around them in an innovative way. Artists and people interpret art according to their experiences, associations, visionary thoughts, and cultures.

Table of Contents

150 Words Essay on Art in English

The term “art” refers to any form of creation that allows for the interpretation or expression of emotions. Is considered a human skill, as opposed to nature, and skill is applied to music, painting, poetry, etc. I believe that nature is an art as well. If something is made by someone or by nature in a certain way, then it’s unique and special in its own way.

If art is considered to be an action, then the person who performs the act is known as an artist. A person whose performed activities are considered arts is called an artist.

Artists use their craft and work as a means of communication. Art can either depict or tell stories, or it can be abstract. People enjoy art most when it stirs their feelings and emotions.

Essay On Art In 500 Words

The sun can be drawn every morning by some people in order to feel relaxed, whereas the sun can be viewed every morning and can be relaxing as well. When we look closely, we find that art can be observed everywhere. The beauty of life can be found in everything. For a better understanding of the importance and meaning of art, let’s go through the essay on art.

What is art?

We have been surrounded by art since the beginning of time. Through art, emotions or aspects of life are expressed. People have enjoyed and created art for many years. Interpretation of any kind is possible with this creation.

A musician is a skilled painter, poet, dancer, and more. Moreover, nature can be considered art in its own right. Natural creations, for instance, can also be considered art. Artists use art as a means of conveying their feelings.

Throughout history, art and artists have contributed to society in this way. The arts provide alternative viewpoints and perspectives on the world. Our interpretations are based on our own experiences and associations, which is the most meaningful thing.

The definitions and examples of art are similar to those of life. Art does not revolve around perfection or is not without flaws. They can be used to express human emotions, thoughts, and capabilities as they grow and develop.

Importance of art

There are many different forms of art, including audio, visual, and more. Visuals include painting, photography, movies, and more, whereas audios include songs, music, and poetry.

Music, songs, and other audio art are among the forms of audio art we consume. Our minds are relaxed as a result of them. As well as brightening our mood, it also changes our mood.

Additionally, it strengthens our emotions and motivates us. Authors express their feelings through poetry through audio arts. Musical instruments can also be used to create art.

Artists and viewers are able to communicate more easily through visual arts. A work of art can also be interpreted according to the viewer’s preferences. It, therefore, evokes a variety of reactions in us. Thus, art is of great importance to humankind.

A world without art would be a world without art. A recent pandemic, for example, was more entertaining for us than sports or news. By watching their shows, listening to their songs, and listening to their music, our dull lives became more interesting.

We are saved from the boring monotony of everyday life by art, which adds happiness and colors to our lives.

Conclusion ,

The universality of art can be found in every corner of the world. Those who practice art, but also those who consume it, should be able to participate in this activity. It would have been impossible for us to appreciate beauty if there had been no art. Our problems seem to disappear when we are surrounded by art.

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ARTS - Herzberg: Writing Essays About Art

• Art History
• Current Artists and Events
• Local Art Venues
• Video and Image Resources
• Writing Essays About Art
• Citation Help

What is a Compare and Contrast Essay?

What is a compare / contrast essay.

In Art History and Appreciation, contrast / compare essays allow us to examine the features of two or more artworks.

• Comparison -- points out similarities in the two artworks
• Contrast -- points out the differences in the two artworks

Why would you want to write this type of essay?

• To inform your reader about characteristics of each art piece.
• To show a relationship between different works of art.
• To give your reader an insight into the process of artistic invention.
• Use your assignment sheet from your class to find specific characteristics that your professor wants you to compare.

How is Writing a Compare / Contrast Essay in Art History Different from Other Subjects?

You should use art vocabulary to describe your subjects..

• Find art terms in your textbook or an art glossary or dictionary

You should have an image of the works you are writing about in front of you while you are writing your essay.

• The images should be of  high enough quality that you can see the small details of the works. 
• You will use them when describing visual details of each art work.

Works of art are highly influenced by the culture, historical time period and movement in which they were created.

• You should gather information about these BEFORE you start writing your essay.

If you describe a characteristic of one piece of art, you must describe how the OTHER piece of art treats that characteristic.

Example:  You are comparing a Greek amphora with a sculpture from the Tang Dynasty in China.

If you point out that the color palette of the amphora is limited to black, white and red, you must also write about the colors used in the horse sculpture.

Organizing Your Essay

Thesis statement.

The thesis for a comparison/contrast essay will present the subjects under consideration and indicate whether the focus will be on their similarities, on their differences, or both.

Thesis example using the amphora and horse sculpture -- Differences:

While they are both made from clay, the Greek amphora and the Tang Dynasty horse served completely different functions in their respective cultures.

Thesis example -- Similarities:

Ancient Greek and Tang Dynasty ceramics have more in common than most people realize.

Thesis example -- Both:

The Greek amphora and the Tang Dynasty horse were used in different ways in different parts of the world, but they have similarities that may  not be apparent to the casual viewer.

Visualizing a Compare & Contrast Essay: 

Introduction (1-2 paragraphs) .

• Creates interest in your essay
• Introduces the two art works that you will be comparing.
• States your thesis, which mentions the art works you are considering and may indicate whether the focus will be on similarities, differences, or both. 

Body paragraphs 

• Make and explain a point about the first subject and then about the second subject 
• Example: While both superheroes fight crime, their motivation is vastly different. Superman is an idealist, who fights for justice …… while Batman is out for vengeance. 

Conclusion (1-2 paragraphs) 

• Provides a satisfying finish 
• Leaves your reader with a strong final impression. 

Downloadable Essay Guide

• How to Write a Compare and Contrast Essay in Art History Downloadable version of the description on this LibGuide.

Questions to Ask Yourself After You Have Finished Your Essay

• Are all the important points of comparison or contrast included and explained in enough detail?
• Have you addressed all points that your professor specified in your assignment?
• Do you use transitions to connect your arguments so that your essay flows into a coherent whole, rather than just a random collection of statements?
• Do your arguments support your thesis statement?

Art Terminology

• British National Gallery: Art Glossary Includes entries on artists, art movements, techniques, etc.

Lee College Writing Center

Writing Center tutors can help you with any writing assignment for any class from the time you receive the assignment instructions until you turn it in, including:

• Brainstorming ideas
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• Second set of eyes before turning in

Contact a tutor:

• Phone: 281-425-6534
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Other Compare / Contrast Writing Resources

• Southwestern University Guide for Writing About Art This easy to follow guide explains the basic of writing an art history paper.
• Purdue Online Writing Center: writing essays in art history Describes how to write an art history Compare and Contrast paper.
• Stanford University: a brief guide to writing in art history See page 24 of this document for an explanation of how to write a compare and contrast essay in art history.
• Duke University: writing about paintings Downloadable handout provides an overview of areas you should cover when you write about paintings, including a list of questions your essay should answer.
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• Last Updated: Jun 19, 2023 4:30 PM
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Art Essay Examples

Art Essay Examples to Get You Inspired - Top 10 Samples

Published on: May 4, 2023

Last updated on: Jan 30, 2024

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Are you struggling to come up with ideas for your art essay? Or are you looking for examples to help guide you in the right direction? 

Look no further, as we have got you covered!

In this blog, we provide a range of art writing examples that cover different art forms, time periods, and themes. Whether you're interested in the classics or contemporary art, we have something for everyone. These examples offer insight into how to structure your essay, analyze art pieces, and write compelling arguments.

So, let's explore our collection of art essay examples and take the first step toward becoming a better art writer!

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Good Art Essay Examples

In the following section, we will examine a selection of art essay examples that are inspiring for various academic levels.

College Art Essay Examples

Let’s take a look at college art essay examples below:  

The Intersection of Art and Politics: An Analysis of Picasso's Guernica

The Role of Nature in American Art: A Comparative Study

University Art Essay Examples

University-level art essay assignments often differ in length and complexity. Here are two examples:

Gender and Identity in Contemporary Art: A Comparative Study

Art and Activism: The Role of Street Art in Political Movements

A Level Art Essay Examples

Below are some art paper examples A level. Check out: 

The Use Of Color In Wassily Kandinsky's Composition Viii

The Influence of African Art on Pablo Picasso's Les Demoiselles D'avignon

A Level Fine Art Essay Examples

If you're a student of fine arts, these A-level fine arts examples can serve as inspiration for your own work.

The Use Of Texture In Vincent Van Gogh's Starry Night

Exploring Identity Through Portraiture: A Comparative Study

Art Essay Examples IELTS 

The Impact of Art on Mental Health

The Effects of Technology on Art And Creativity

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AP Art Essay Examples

A Comparison of Neoclassical and Romantic Art

An Examination Of The Effects Of Globalization On Contemporary Art

Types of Art Essay with Examples

Art essays can be categorized into different types. Let's take a brief look at these types with examples:

Art Criticism Essay : A critical essay analyzing and evaluating an artwork, its elements, and its meaning.

The Persistence of Memory" by Salvador Dali: A Critical Analysis

Art History Essay: A comprehensive essay that examines the historical context, development, and significance of an artwork or art movement.

The Renaissance: A Rebirth of Artistic Expression

Exhibition Review: A review of an art exhibition that evaluates the quality and significance of the artwork on display.

A Review of the Metropolitan Museum of Art's Exhibition

Contemporary Art Essay: An essay that explores and analyzes contemporary art and its cultural and social context.

The Intersection of Technology and Art in Contemporary Society

Modern Art Essay: An essay that examines modern art and its significance in the development of modernism.

Cubism and its Influence on Modern Art [insert pdf]

Art Theory Essay: An essay that analyzes and critiques various theories and approaches to art.

Feminist Art Theory: A Critical Analysis of its Impact on Contemporary Art [insert pdf]

Additional Art Essay Example

Let’s take a brief look at some added art essay samples:

Artwork Essay Example

Artist Essay Example

Advanced Higher Art Essay Example

Common Art Essay Prompts

Here are some common art essay topics that you may encounter during your coursework:

• Describe a piece of artwork that has inspired you.
• A comparative analysis of Leonardo da Vinci's Mona Lisa and Michelangelo's David.
• Analyze the cultural significance of a particular art movement.
• Discuss the relationship between art and politics.
• Compare and contrast two works of art from different time periods or cultures.
• The representation of identity in art
• The Evolution of Artists' Paintings:
• From Traditional to Contemporary Art
• The representation of identity in Frida Kahlo's self-portraits.
• The significance of oil on canvas in the history of art.
• The significance of the Mona Lisa in the Italian Renaissance

Art Essay Topics IELTS

Here are some art essay topics for IELTS students. Take a look: 

• The value of art education.
• The role of museums in preserving art and culture.
• The impact of globalization on contemporary art.
• The influence of technology on art and artists.
• The significance of public art in urban environments.

Tips For Writing a Successful Art Essay

Here are some tips for writing a stand-out art essay:

• Develop a clear thesis statement that guides your essay: Your thesis statement should clearly and concisely state the main argument of your essay.
• Conduct thorough research and analysis of the artwork you are writing about : This includes examining the visual elements of the artwork, researching the artist, and considering the historical significance.
• Use formal and precise language to discuss the artwork: Avoid using colloquial language and instead focus on using formal language to describe the artwork.
• Include specific examples from the artwork to support your arguments: Use specific details from the artwork to back up your analysis.
• Avoid personal bias and subjective language: Your essay should be objective and avoid using personal opinions or subjective language.
• Consider the historical and cultural context of the artwork: Analyze the artwork in the context of the time period and cultural context in which they were created.
• Edit and proofread your essay carefully before submitting it: Ensure your essay is well-organized, coherent, and free of grammatical errors and typos.
• Use proper citation format when referencing sources: Follow the appropriate citation style guidelines and give credit to all sources used in your essay.
• Be concise and focused in your writing: Stick to your main thesis statement and avoid going off-topic or including irrelevant information.
• Read your essay aloud to ensure clarity and coherence: Reading your essay out loud can help you identify inconsistencies or any other mistakes.

The Bottom Line!

We hope that the art essay examples we've explored have provided you with inspiration for your own essay. Art offers endless possibilities for analysis, and your essay is a chance to showcase your unique opinions.

Use these examples as a guide to craft an essay that reflects your personality while demonstrating your knowledge of the subject.

Short on time? Let CollegeEssay.org help you! All you have to do is to ask our experts, " write college essay for me " and they'll help you secure top grades in college.

Don't wait, reach out to our art essay writing service.

Take the first step towards excellence in your art studies with our AI essay writer !

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179 Contemporary Art Essay Topic Ideas & Examples

🏆 best contemporary art topic ideas & essay examples, 👍 good essay topics on contemporary art, 📌 most interesting contemporary art topics to write about, 🎓 simple & easy contemporary art essay titles, 📃 good research topics about contemporary art, ❓ essay questions about contemporary art.

• Contemporary Art Practices Essay Speaking about contemporary art, people usually mean the objects of art and artistic techniques that began to be used in the middle of the twentieth century.
• Impact of Digital Technologies on Contemporary Art On the contrary, digital art has been applauded in that it is fast and flexible in the sense that artists get to finish their jobs fast. We will write a custom essay specifically for you by our professional experts 808 writers online Learn More
• Modernism in Art and Painting Paintings done in the past about the state of people and past society presently help to give direction to in the world of art.
• Zainul Abedin: Father of Bangladeshi Modern Art He decided to move beyond those limitations and started to draw in the style of realism, and his first works in that style can be seen in his famine series.
• Modernism and Arts and Crafts: Comparison Today, critics view modernism as a breakdown of the traditional styles inherent to the Western culture that used to connect the appearance of works of art to the appearance of the natural world. In particular, […]
• Differences of Realism, Naturalism, and Modernism Periods in Art The realism movement in art is a product of the ideological and philosophical spirit of its time. Modernism is the movement in search of new forms of art, and it emphasizes the interior world.
• The Difference Between Art Deco and Depression Modern Design By and whole, Art Deco and Depression differ in their characteristics and their meanings as they bring unlike messages to the viewers.
• Analysis of Modern Interior Design Style The factors mentioned above and the interior design style are associated because the industry of interior design is a broad discipline that combines knowledge and technologies of many fields. The first major factor that has […]
• Effects of World War I on the Development of Modern Art For the artists and most of the people in Europe, the time that preceded the World War I, the actual war period and the aftermath of the was presented a period of profound disillusionment 13.
• American Art Deco and Mid-Century Modern Designs Therefore, this style continues to be present in the decoration and design of buildings, interiors, transportation, and accessories. The Mid-century Modern design remains popular due to its sole combination of organic materials, clear lines, and […]
• The Influence of Conceptual Image on Modern Art and Design If a practical application is concerned, an image is a way of communication, and a designer often plays the role of the mediator between the public and the seller of a product the image is […]
• Effects of Globalization in the Contemporary Japanese Art They have in turn influenced the art of painting in Japan to develop it and push it to a global level.
• Modernist Typography in Graphic Design In the example above, it can be seen that these serifs take on a strong triangular shape, joined to the main stroke with a series of brackets that serves both to fill in the negative […]
• Modern Art: A Cultural-Aesthetic Movement The problem of defining of the term Modernism created much difficulty for artists, philosophers and writers of the 20th century. In the course of time, the aspect of realism came into consideration to change a […]
• Pablo Picasso, Jackson Pollock: The Revolutionary Modern Artists The essay addresses the contribution of these famous artists to their particular art movements and in general, the world of art.
• Theory of Modern Art: Theory of Realism The proper use of art, according to this declaration, was to document “a true picture of the events” and shape the mind towards the revolutionary ideal[7].
• Contemporary Art as an Example of Social Commentary In summary, art is a vehicle for the expression of the political, religious, and social views of both the artist and the audience.
• Visual Analysis of Nature in Modern Art In the age of modern arts, when both the creators and the audience is less concerned with the physical form and more with the underlying messages and feelings that art invokes, the multi-faceted topic of […]
• Visual and Contemporary Arts: My Bed by Emin Tracey and Nan and Brian in Bed by Nan Goldin The bed is a work of art used to identify the life situation of the artist in the wider context of the society.
• Modern Asian Art Exhibition in Museum Overall, modern Asian art reflects the diverse cultural and artistic traditions of the region and shows the ways in which this legacy was influenced by Western art trends.”Mandala” by Kamal Boullata is an example of […]
• Contemporary Religious Education and Liberal Arts The provision of contemporary religious education becomes a necessity and guide and ensures that more people are in a position to transform their lives.
• Traditional and Contemporary Art: Paintings Rouen Cathedral The glamorous overall appearance of pop art is pleasant and engaging. I find abstract art overhyped and thought-provoking due to the lack of subject.
• Mark Bradford on Reimagine Modernist Art Instead of painting in a realistic style, abstract painters seek to capture the ethereal, unveil the unseen, and express the mysterious.
• Painting as Contemporary 21st Century Art Topic Considering different perspectives and applications in the exploration of the topic of geometric art, I intend to study the impact of geometric art in different industries.
• National Museum of Modern and Contemporary Art, Korea Thankfully, modern technologies allow us to share museums’ exhibits and opportunities online and our National Museum of Modern and Contemporary Art located in Korea is not an exception.
• Michael Jackson’s Glove for Museum of Contemporary Art Australia It describes the cultural importance of the piece of work and how it resonates with the institution’s wider objectives and mission statement.
• Museum of Modern Art: Reflection The Cypress tree is also a significant element in the painting as van Gogh projects it as a rising flame from the ground to the night sky.
• Ai Weiwei as a Contemporary Art Artist The meaning of human rights and the destiny of the Chinese people are of primary significance for the artist, so many of his works reflect the issues that Weiwei recognizes and wants to eliminate.
• The Concept of Modern Art Development Walter Benjamin stated in the book, The Work of Art in the Age of Mechanical Reproduction. In the statement, Benjamin was responding to the effect of reproduction on the aura of an object.
• Contemporary Islamic Art Overview The influence of European art in the East grows in the 19th century and reaches its climax by the 20th century.
• The Coming of Modern Era and the Birth of “New Art” The most notable movements included Impressionism, then Cubism, Expressionism, Fauvism, Suprematism, Abstract art, proponents of which contributed immensely to the establishment of a new perspective on the role of art in society.
• Art and Printmaking. Contemporary Art These types of printmaking have differences relative to the nature of the surface, which creates or forms the print that is to be transferred onto a fabric or paper.
• The Formation of the Contemporary Art The painting created by Wilfredo Lam, one of the famous representatives of Modern Primitivism, represents the image of primitive way of life and depiction of early beliefs of Afro-Cubans.
• “Salt Shaker” by Stuart Davis and Modern Art The Salt Shaker is a prominent example of how most ordinary and banal items may be turned into major art pieces.
• Contemporary Moorish Interior Design As a result, the Moroccan Style interior design provides a number of possibilities to demonstrate and highlight these nuances and peculiarities that exist in different cultures.
• Modernist Art: A Feminist Perspective Clarke limited the definition of modernism even further by his restriction of it to the facets of the Paris of Manet and the Impressionists, a place of leisure, pleasure, and excesses, and it seems that […]
• Hensbergen’s “Guernica” Is a Paradigm of the Modern Art Guernica is a depiction of the airborne devastation of a Basque city by the fascists in the period of the Spanish Civil war.
• Classical and Contemporary Art as Influenced by Kate Beynon In Li Ji’s drawing, Beynon creates the image of a strong, stout and bold warrior completely in control of the mountain next to her.
• Contemporary Culture and Pop Art To understand the essence of pop Art better, the connection between the This is not a Pipe by Foucault and Plato and the Simulacrum by Deleuze and the works of pop art can be of […]
• A Work of Modern Art Analysis: “Global Death and Destruction” by Robert Arneson This, in its turn, brings about ideas of how precarious the position of man himself is in this world in contrast to the stable and imminent existence of the things created by him: war, and […]
• Animations and Modern Film Designs In the film industry, the audience has to be captivated by the proposition in the pictures. In order to catch the attention of the viewers the film has to be striking and enjoyable.
• The History of Modernism Era: The Modern Philosophy of Art Modernism is used for the description of the style and ideas of a work of art that was produced during this period or era of modernism.
• Studies in Contemporary Art and Artists The paper is claimed to review some of the most known contemporary artists, and define the particularities, that may be regarded as mnemonic traces of their arts.
• Modern Views on Aesthetics and Art Robert Solomon in his article dedicated to Kitsch, which is often viewed as a degeneration of the present-day culture, states that it also has a right to be called art.
• Modern Vision of Art: “Embankment” and “TH.2058” On the other hand, I believe that in order to create a piece of art, the author should not necessarily make all components on their own: for instance, when a talented florist creates a composition […]
• Yue Minjun’s Self-Portraits As Modern Art This paper will try to present the aesthetic as well as commercial interpretation of artist Yue Min Jun as an artist, in the eyes of a westerner but with the consideration of personal history and […]
• Modern Art: Nature, Life Man and Abstract Exhibition The theme for the exhibition is ‘Nature, Life Man and Abstract’ on how various artists have attempted to depict nature, life, man in the abstract form. Featured in this exhibit is one of the works […]
• Humanities: Modern Culture and the Arts In light of the foregoing, the essence of the paper is to zero in on the explorations of the cultural transformations in a particular society substantiating notions that culture is dynamic and is always subject […]
• Modern Art Directions Analysis The new art of the 20th century is a variety of sections and directions. The creativity of separate representatives of the avant-garde does not fit at all in the frameworks of any art currents.
• The Pregnant Form as Modern Art Form However, with the advent of Christianity and the vilification of the female form, it became necessary to hide the woman’s body, especially the ‘grotesque’ form of the pregnant woman.
• Foundations of Modern Art: Getty Museum Jacques-Louis David’s excellent masterpiece of the young lovers Telemachus and Eucharis was created at the dawn of the artist’s life when the defeat of Napoleon and the return of the monarchy in France forced him […]
• Classic & Modern Art Classifying and Appreciating The classical style of art have been those of portraits, still, life, landscape, and the genre itself were used as subjects for the different forms of artworks.
• Eco-Friendly Design in Contemporary Fashion In this case, fibers are plants that need to be treated during processing; designing and they too require the usage of herbicides, fertilizers, and other chemicals that are hazardous to the environment at large.
• Jenny Holzer as a Contemporary Artist Although she lives and works in New York, her work is known throughout the country for its biting reflections on political issues of the day, coupled with her blatant attempt to involve the average consumer […]
• Contemporary Literature. Poems and Paintings The poem and painting chosen for the analysis in this paper belong to the works of the second group, that is the picture came to existence much earlier than the poem which, in its turn, […]
• Mid-Century Modern Design However, the key focus of the style is the combination of function and a unique design that is appealing to the eye.
• Interior Architecture in Context: Subjective Well-Being in Modernist Design According to Petermans and Pohlmeyer, subjective well-being is an emerging topic of research in the field of design, although, no consensus has been reached in the scientific area as to what represents the essence of […]
• Russian Avant-Garde in History of Modern Art The Russian avant-garde is a massive wave of non-traditional, experimental, and innovative art that covers the period from the end of the 19th century to the middle of the 20th century in Russia.
• Cubism in History of Modern Art Cubism has become one of the iconic art movements of the twentieth century that had a profound effect on the development of art.
• Cultural Encounter: San Francisco Museum of Modern Art As I learned from the description of the exhibition by the SFMOMA and the video called “Julie Mehretu: Politicized Landscapes,” Mehretu painted with ink on the background of the blurred 19th-century paintings of the American […]
• Modern Art in Actions, Events, Performances The relationship between the audience and a work of art was drastically transformed from observation to involvement as for the first time the viewer was placed in the art context.
• Early Modernist Art and Sociopolitical Climate The political uprising of the 1900s gave the artists of the time room to experiment. For the first time, artists felt that they could break the rigid rules established by the academies without any negative […]
• Art Exhibition in Contemporary Society One of the key roles and benefits of the art exhibition is that it helps to advance and promote the value of different aspects of art, thus enabling artists to achieve their goals in those […]
• Art-Society Nexus in the Museum of Modern Art Whether it is in the genesis of individual works, the act of reception, or the course of the history of style, the dialectical development of art does not proceed from the antagonism between social and […]
• Paintings: Emotional Intensity of Modern Art Name: Hong Seung-Hye Title: “More Interesting than War” Year: 2008 Gallery: Kukje Hallery Exhibition: Debris Materials: Polyurethane on acrylic Method of construction and dimensions: 14 x 18 x 27 cm, 14 x 20 x […]
• Modernist Revolution in Art History Simultaneously, the works of Karl Marx challenged the assumption of the relative nature of the shortcomings of capitalist society and suggested its fundamental flaws and inherent contradictions as reasons for the current social issues.
• Australia’s Aboriginal and Modernist Visual Arts Indigenous Australian art is characterized by a lot of imagery that depicted the origin of the artist and the themes in the paintings.
• Modern Art: Painting, Sculpture, Architecture, Photography Duchamp and his work have a connection through the refusal to accept the views of the majority of artists and art lovers.
• Modernity in Traditional Islamic Building Design The bifurcation of scholarly opinions on the place of modernity in traditional Islamic building design is a testament to the complexity of the issue.
• Zhuang Huan’s “Poppy Fields” in Modern Chinese Art Zhang Huan disclosed the meaning of his art, and particularly, of this series in several interviews declaring that these “paintings represent the hallucination of happiness and the hallucination of fear and loneliness in this life […]
• Ideas in Neo-Expressionism and Contemporary Art The insights of identity can be seen in the artworks of many contemporary artists. The majority of them try to reveal their philosophical views and attract the public’s attention to those issues they consider to […]
• Montreal Museum of Contemporary Art’s Exhibitions In terms of mission, the Museum of Contemporary Art of Montreal is dedicated to revealing to the world the crucial position that the present-day art holds in the community.
• Contemporary Installation Art Changes From the 20th Century Quite the opposite, art serves as the means of rendering the alteration and the challenges that people face in the identified realms, therefore, portraying the process of the evolution of the humankind.
• The Body in Contemporary Art Finally, the art of performance includes the human body in its motion; in this role, the body is viewed from a variety of angles and perspectives and in the combination with what is happening to […]
• Greek Mosaics in Later Greek Art and Modern Art For instance, all the decorated floors were usually confined to a unique principle whereby the dining room and the anteroom were considered.
• Contemporary Female Artists in Turkey The secrecy associated with Islam and gender roles in some parts of Asia has further compounded this mystery because few people know what to make of the place of women in traditional Islamic societies and […]
• Pregnant Female Body in Renaissance and Modern Art Thus, he considered Mona Lisa to be a symbol of the origin of life, and the female image as a symbolic source of natural powers of creation and destruction.
• Classicism, Realism and Contemporary Art Paintings In my opinion, this difference is concerned with the fact that, whereas, many artistic works of the past can be enjoyed by just about anyone, this is far from being the case with the examples […]
• Modernity Development in Art of 18-20th Centuries In turn, romanticism and realism are aimed at showing that modernity can be viewed as the search for new topics or questions that have not been examined by the representatives of the previous cultural movements.
• Contemporary Art at Saatchi Gallery of London The work states the idea that the “location of the soul was not necessarily in the body”, and the focus is not on the man trying to breathe above the water, but on the vivid […]
• Modern Art: Condensation Cube by Hans Haacke Thus, obviously being the bright example of the modern art, Condensation Cube helps to author to introduce several questions which are interesting to him and raise the question of the relations between art and science […]
• Modern Art Works: Painting, Sculpture and Vintage Illustration The aim of this essay is to describe the painting Joy of Life by Henri Matisse, the sculpture The Kiss by Constantin Brancussi, and to present the vintage print illustration of 1930s.
• Artistic Modernism and Art Nouveau The opposition of mass production to the handmade artistic work can also be regarded as the opposition of the inhuman and soulless to the infinite and spiritual that is comprised of beauty.
• Modern Arts Development in the USA The research explores how the social status, the cultivation of esthetics, and attendance of artistic events affect the inherent attitudes of the cultural policies in the USA.
• Zhao Zhao and the Chinese Contemporary Art It is considered to portray the repression of the artist and Ai Weiwei by the authorities in China. The marks of the brush in Sky No.
• Exploration of Artwork From Modern Art History: Fauvism This painting by Henri Matisse was his first work that portrayed impressionism and also the advent of colored painting by the Fauvists.
• Modern Ceramic Art: Beatrice Wood and Bernard Leach She was widely exposed to art and yearned to run away to France which charted the direction of her life as she thwarted her mother plans for “coming out” into the society and leading a […]
• Contemporary Art in China However, the fruits of the struggles are worth the effort, if the current fame and reputation of China as a beacon of contemporary art is anything to go by.
• Modern Approaches to Creating of the Artwork The technological peculiarities of the installation are characterized by the fact that the author uses a projection screen and a room with four specific zones for producing of the effect of interacting with the characters […]
• Design Activism to Contemporary Designers As a result, scholars have coined the term “design activism” to enhance the role of designers to the society. The rise of many designers as a profession has been in a crossroads to decide on […]
• Authenticity in Contemporary Design One example of contemporary design that incorporates the aspect of actual handcraft is films production.”Films incorporate the aspect of nostalgic impulses, and as such it increases the film’s authenticity and production”.
• Recent Modern Art Exhibition: Projects 89 Art exhibitions are the places, which will be interesting to people of any age and any gender any time.”A natural effect of the Museum exhibition will be to lead the public to enquire why it […]
• Post-Colonial and Contemporary British Muslim Artists The art presented by these Muslims bears the attitude portrayed by the British society towards them and the Islamic religion as a whole and the artists’ own views on Islam.
• Role of Modern Art Museum From the above we can say that the modern art museum acts as memory banks for all events and objects in the society which is of great utility to the members of a given social […]
• Contemporary Graffiti as Political Art Banksy’s graffiti art work is still considered as one of the best way of protesting against the government in order to remove the CCTV cameras from the cities or to use those cameras in proper […]
• The Artistic Life of Xu Beihong and His Influence to Modern Art in China Xu Beihong was a major player in the revolutionalization of Chinese art. The dissenting voice was however that of Xu Beihong who was convinced that the answer to Chinese art was in the 19th century […]
• Modern Art: From Impressionism to Contemporary This color unifies the parasol and the grass on the hill, creating a flow of the eyes from one point to the bottom.
• Music as a Contemporary Art Creativity involves manipulating words to appeal to the audience and for the audience to be able to relate to the music easily.
• Jeff Koons’ Contemporary Artwork The common artwork of the artist include the inflatable balloons toys and the pink panther, beside the life-size ceramic model of the late pop star Michael Jackson holding his favourite pet, chimpanzee babbles as shown […]
• Modern Philosophers: Martin Luther, Erasmus, Leonardo Davinci and Thomas Biley A fiery critic of the Papacy doctrines, Martin Luther believed that any good choice made by man has to be founded on God’s principles and not from institutions like Roman Catholic Church, which was based […]
• Postmodern and Modern Art: Essays by Claes Oldenburg and by Ad Rheinhardt Harrison and Wood observe that “The history of art is that of a long series of attacks upon social and aesthetic values held to be moribund, although the avant-garde position is frequently nostalgic and absolute”.[1] […]
• The Contemporary Artists and Their Contributions Since childhood, she admired the work of Mexican and Southwest artists and this drove her to apply their employment of warm colors in her individual paintings.
• Modern and Postmodern Art: The Book Theories of Modern Art Naum Gabo in his essay on neoplasticism and constructivism published in the book Theories of modern art tries to analyze the changes that have taken in the art world in modern years.
• “Theory in Contemporary Art Since 1985” Summary The article has laid out that the persona’s decision to stick to his race would take a two fold interpretation in which some of the whites who are closely tied to him and his work […]
• Contemporary Design Issues in Film Industry It is used in the film with an objective of closely aligning the audience with a serial killer. They both do this by providing the resolution expected by the audience at the end of a […]
• Exhibitions of Contemporary Arts in Three Different Museums This discussion looks at the exhibitions of contemporary arts in three different museums namely Armand Hammer Museum of Art and Culture, Museum of Contemporary Art, Los Angeles County Museum of Art.
• Theory of Modern Art Institutions His proposals fit into a continuum of detachment from the real and the concrete that has been evident in the art and the writing on art in the 20th century.
• The Museum of Contemporary Art Each exhibition at MOCA is a unique opportunity for people to enjoy the beauty of the world they live in and to see how the professionals recognize the main aspects of the modern world.
• Theory of Modern Art: Rationalization Buchloh observes the cyclical appearance of action and reaction in art since the advent of Cubism, and infers from this that art reflects somehow the state of society.
• Contemporary Art: New Ways of Seeing
• The Relationships Between Feminism and the Contemporary Art
• Contemporary Art: Work Comparison of Beth Lipman and Josiah McElheny
• Link Between Global Markets and Contemporary Art
• How Contemporary Art Owes the Renaissance
• Malaysia Contemporary Art Issues: Art as Idea-A View From Jalaini Abu Hassan
• How Contemporary Art Redefined the Meaning of Art Media
• Parallels Between Photography and New Media Concerning Contemporary Art Forms
• How the Dada Artists Challenged the Contemporary Art
• Consumer Desires and Value Perceptions Regarding Contemporary Art Collection and Exhibit Visits
• How Mobile Phones and Internet Changed Contemporary Art
• The Relationships Between Postmodernism and Contemporary Art
• Pricing Color Intensity and Lightness in Contemporary Art Auctions
• Correlation Between Radio and Contemporary Art
• Overview of Russian Modern and Contemporary Art
• Perspectives of Healing Children Through Contemporary Art
• Selling Out: The Financialization of Contemporary Art
• Site-Specific Installation Artworks Promote Appreciation of Contemporary Art
• Transcending Time and Place: Baroque and Contemporary Art
• Why People Don’t Understand Contemporary Art
• Andy Warhol and His Work on the Contemporary Art
• Building Consumer-Arts Institution Relationships: Exploratory Study in Contemporary Art Museums
• Linking Chinese Contemporary Art and Social Change
• Commercial Contemporary Art Market Overview and Analysis
• Contemporary Art and Art Theory of Africa and Asia
• Gabriel Orozco’s Impact on Contemporary Art
• Contemporary Art and Its Influence on Contemporary Culture
• The Relations Between Contemporary Art and Political Views
• Contemporary Art and the Plight of Its Public
• Overview of Contemporary Art From the Middle East
• Contemporary Art and the Search for History
• Creative Drawing and Contemporary Art and Design
• Contemporary Art Issues: Digital Art in Malaysia
• Cultural and Contemporary Art: The Nocturne Festival
• Contemporary Art Issues: Malay’s Identity in Lat’s Cartoon
• Don Thompson: The $12 Million Stuffed Shark: Curious Economics of Contemporary Art
• Contemporary Art: Role of Marina Abramovic
• Empathic Vision: Affect, Trauma, and Contemporary Art
• Contemporary Art Music Within the Music World
• Exploring Contemporary Art: Franz West Chameleon 2004
• What Inspires You in Contemporary Art?
• Which Contemporary Art Museums Do You Visit?
• What Is Andy Warhol’s Contribution to Contemporary Art?
• What Is the Commercial Side of Contemporary Art?
• What Artistic Practices Are Used in Contemporary Art?
• What Is the Influence of Contemporary Art on Modern Culture?
• Does Contemporary Art Reflect Political Views?
• What Is the Role of Contemporary Art in Society?
• What Is the History of Contemporary Art?
• Can Digital Art in Malaysia Be Called Contemporary?
• What Are the Currents of Contemporary Art?
• Contemporary Art: What Are the New Ways of Seeing?
• Why People Don’t Understand Contemporary Art?
• What Does Modern Art Owe to the Renaissance?
• What Is the Main Purpose of Contemporary Art?
• How Has Contemporary Art Rethought the Meaning of Art Media?
• How Did the Dada Artists Challenge the Contemporary Art?
• How Have Mobile Phones and Internet Changed Contemporary Art?
• Why the Feminist Movement Is Important for Contemporary Art?
• Is Modern Architecture a Contemporary Art?
• How Affordable Is It for Consumers to Visit Contemporary Art Exhibitions?
• What Is the Main Difference Between Contemporary Art and Postmodernism?
• How Is Pricing at Contemporary Art Auctions Formed?
• How Does Globalization Affect Contemporary Art?
• How Is Contemporary Art Used to Heal Children?
• Who Is the Creator of Contemporary Art?
• How Popular Are Installations in Contemporary Art?
• Which Representatives of Contemporary Art Do You Know?
• Can Body Art Be Called Contemporary Art?
• How Did the Attitude Towards Contemporary Art Change According to the Era?
• Chicago (A-D)
• Chicago (N-B)

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How to write an art essay best ideas for students.

April 10, 2020

Do you need to write an art essay? Perhaps this is the first time you have been tasked by your professor with such an assignment. Don’t worry though; writing an art essay is not as difficult as you may think. Even though many students don’t know much about art, they still manage to write excellent papers. How do they do it? Simple: they read guides and learn the best tips and tricks from industry experts. Alternatively, they get some help from qualified assignment writers . If you want to write the paper all by yourself, we have all the tips and tricks you need right here. Read on!

The Importance of Art Education Essay Samples

So, what is art essay writing? Why is it important? Truth be told, writing about art can be fun and captivating. However, we realize art is not something everyone is fond of writing about. The main reason why art essay writing is important is because your professor wants to get an interesting, original essay from you. Your final grade depends on your ability to write an excellent paper. What is more important is the art history essay example. Here is why:

By reading some art essay examples, you get an idea of how the final version of your paper should look like. Reading works written by seasoned writers can teach you a thing or two about writing in academic format. You can “steal” some ideas from the samples. However, make sure you don’t copy and paste any content from samples you find online.

An excellent way to get an art analysis essay example that is 100% original (i.e. you can’t find it anywhere on the Internet) is to have an academic writer compose it from scratch for you.

Finding Some Great Art Essay Topics

Do you need to write an essay about art? Or perhaps your professor asked you to write an art analysis essay. In any case, the topic you choose for your paper is very important. As long as you manage to find an intriguing topic, you stand a very good chance of getting bonus points. Let’s face it: professors want original, interesting papers. They are most certainly bored of reading the same art history essay written on the same old topics time and time again. You can even write a “compare and contrast two works of art essay” and stand out from the rest of your class. Here are the three best ways to get some topics for a college essay about art:

Search online but don’t pick the obvious topics. Dig deeper and try to find something none of your classmates thought of. Don’t be afraid to ask for ideas on art blogs and forums. There are plenty of experts who will gladly give you some topic ideas for free. Simply contact an academic writing company and ask them to send you a list of original topics. It won’t take them long to send you a comprehensive list of exceptional ideas.

Quick Guide on How to Write an Art Essay

Do you need to write an “is graffiti art essay” (or an “is graffiti art or vandalism essay”)? Regardless of the topic you choose, there are just a couple of steps you need to follow to write a great essay on art. Let’s show you how to write an art analysis essay in just 5 easy steps:

• Find a couple of interesting art essay topics and pick the most interesting one. Then, come up with the best thesis statement possible. What does your short essay about art aim to demonstrate?
• Write the introduction. You need to learn how to write a good intro if you want to learn how to write an art essay. In the intro, you need to present the thesis statement and a bit of background information about the topic.
• Write three body paragraphs, each one dealing with just one important idea. This works for anything from an art comparison essay to an art appreciation essay. Make sure you use each body paragraph to present just one idea that supports your thesis statement.
• Craft a catchy conclusion. You need to summarize everything you’re discussed and – optionally – write a call to action. This is the way to end every essay from a compare and contrast art essay to an art critique example essay.
• Edit everything and proofread it twice. Make sure your paper is well organized and your writing flows well. Also, there should be no typos in the text.

That’s it! Follow the guide above and create college essay art that will earn you a top grade every time. As a tip, you should consider writing an importance of art education essay. Your professor will be flattered for sure. But of course, you can write anything including an art critique essay and still get a top grade. You just need to be careful about which topic you choose and how you support your thesis statement. Very few professors expect works of art from students. However, they want to see that you’ve really invested some time and effort into writing the best paper possible. Finally, we advise you to steer clear of the renaissance art essay. Writing one is usually more difficult than you think.

Take a break from writing.

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Essay on I Want To Be An Artist

Students are often asked to write an essay on I Want To Be An Artist in their schools and colleges. And if you’re also looking for the same, we have created 100-word, 250-word, and 500-word essays on the topic.

Let’s take a look…

100 Words Essay on I Want To Be An Artist

My dream to be an artist.

I dream of being an artist. I love to draw and paint, creating pictures that show my feelings and ideas. When I hold a brush or a pencil, I feel free and happy, like I can make anything.

Colors and Imagination

Colors are like magic to me. With them, I can make dull things bright and bring my imagination to life. Every color tells a story, and I want to use them to tell mine.

Sharing My Art

I want to share my art with others. When people see my work, I hope they feel joy and wonder. Being an artist isn’t just about making art; it’s about touching hearts.

250 Words Essay on I Want To Be An Artist

My dream of being an artist.

Ever since I was a little child, I have always loved making things with my hands. Drawing with crayons, painting with watercolors, and shaping clay into funny figures filled my heart with joy. This joy is why I want to be an artist when I grow up. Artists can use colors, shapes, and imagination to share their feelings and stories with the world.

The Magic of Art

Art is like magic. With just a pencil and paper, an artist can create a picture that makes people feel happy, sad, or even scared. Being an artist means you can take what is in your mind and make it real for others to see. It’s a way of talking without using words. This is powerful because it can bring people together from all over the world, no matter what language they speak.

Learning and Growing

To become a good artist, I know I must practice a lot. I will need to learn from teachers and from other artists who have made beautiful things. It’s important to keep trying, even when it’s hard, and to learn from mistakes. Every artist started as a beginner, and they got better by not giving up.

I dream of the day when I can share my art with others. Maybe my paintings will hang in a gallery, or my drawings will be in a book. I want to make art that will make others think and feel something special. I believe that being an artist will not only make me happy but also allow me to bring a little bit of happiness to others.

In short, I want to be an artist because it’s a way to spread joy and connect with people. It’s a journey I am excited to begin.

500 Words Essay on I Want To Be An Artist

My dream to become an artist.

Everyone has a dream about what they want to be when they grow up. My dream is to become an artist. An artist is someone who creates art, like paintings, drawings, sculptures, or even digital art on a computer. I love the idea of being able to share my thoughts and feelings through colors and shapes.

Why I Love Art

Art is special to me because it does not need words. You can look at a picture or a sculpture and feel happy, sad, or excited without anyone telling you what to feel. When I draw or paint, I forget about everything else and just focus on my art. It’s like magic, how a blank piece of paper can turn into something beautiful.

What Kind of Artist I Want to Be

There are many types of artists, and I am still trying to find out what type I want to be. Some artists paint big pictures that hang in museums. Others make cartoons or work on movies. I think I would like to try a bit of everything before I choose. Right now, I enjoy drawing animals and nature the most.

Learning to Be an Artist

To be an artist, I know I need to learn and practice a lot. I take art classes at school and watch videos online to learn new ways to make art. I also visit museums and art shows to see what other artists make. Every piece of art I see teaches me something new.

Challenges of Being an Artist

Being an artist is not always easy. Sometimes, it’s hard to make a picture look the way I want it to. Other times, I run out of ideas. But I think these challenges are part of being an artist. They help me grow and become better. And when I finally finish a piece of art that I am proud of, it feels amazing.

Sharing My Art with Others

One of my favorite things is to show my art to my family and friends. When they see my work and smile, it makes me very happy. In the future, I hope to share my art with more people. Maybe I can sell my art or have it in a gallery so that others can enjoy it too.

I have a long way to go before I become the artist I dream of being. But every day, I work on my art and get a little bit better. I know that with time, patience, and lots of practice, I can make my dream come true. And one day, I hope to inspire someone else just like I am inspired by so many artists around the world.

That’s it! I hope the essay helped you.

If you’re looking for more, here are essays on other interesting topics:

• Essay on Dream To Become A Nurse
• Essay on Dream Vacation Hawaii
• Essay on Imperialism

Apart from these, you can look at all the essays by clicking here .

Happy studying!

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By Will Fenstermaker

June 14, 2017

There has never been a time when art critics held more power than during the second half of the twentieth century. Following the Second World War, with the relocation of the world’s artistic epicenter from Paris to New York, a different kind of war was waged in the pages of magazines across the country. As part of the larger “culture wars” of the mid-century, art critics began to take on greater influence than they’d ever held before. For a time, two critics in particular—who began as friends, and remained in the same social circles for much of their lives—set the stakes of the debates surrounding the maturation of American art that would continue for decades. The ideas about art outlined by Clement Greenberg and Harold Rosenberg are still debated today, and the extent to which they were debated in the past has shaped entire movements of the arts. Below are ten works of criticism through which one can trace the mainstreaming of Clement Greenberg’s formalist theory, and how its dismantling led us into institutional critique and conceptual art today.

The American Action Painters

Harold Rosenberg

Harold Rosenberg, a poet who came to art through his involvement with the Artist’s Union and the WPA, was introduced to Jean-Paul Sartre as the “first American existentialist.” Soon, Rosenberg became a contributor to Sartre’s publication in France, for which he first drafted his influential essay. However, when Sartre supported Soviet aggression against Korea, Rosenberg brought his essay to Elaine de Kooning , then the editor of ARTnews , who ran “The American Action Painters” in December, 1952.

RELATED: What Did Harold Rosenberg Do? An Introduction to the Champion of “Action Painting”

Rosenberg’s essay on the emerging school of American Painters omitted particular names—because they’d have been unfamiliar to its original French audience—but it was nonetheless extraordinarily influential for the burgeoning scene of post-WWII American artists. Jackson Pollock claimed to be the influence of “action painting,” despite Rosenberg’s rumored lack of respect for the artist because Pollock wasn’t particularly well-read. Influenced by Marxist theory and French existentialism, Rosenberg conceives of a painting as an “arena,” in which the artist acts upon, wrestles, or otherwise engages with the canvas, in what ultimately amounts to an expressive record of a struggle. “What was to go on the canvas,” Rosenberg wrote, “was not a picture but an event.”

Notable Quote

Weak mysticism, the “Christian Science” side of the new movement, tends … toward easy painting—never so many unearned masterpieces! Works of this sort lack the dialectical tension of a genuine act, associated with risk and will. When a tube of paint is squeezed by the Absolute, the result can only be a Success. The painter need keep himself on hand solely to collect the benefits of an endless series of strokes of luck. His gesture completes itself without arousing either an opposing movement within itself nor the desire in the artist to make the act more fully his own. Satisfied with wonders that remain safely inside the canvas, the artist accepts the permanence of the commonplace and decorates it with his own daily annihilation. The result is an apocalyptic wallpaper.

‘American-Type’ Painting

Clement Greenberg

Throughout the preceding decade, Clement Greenberg, also a former poet, had established a reputation as a leftist critic through his writings with The Partisan Review —a publication run by the John Reed Club, a New York City-centered organization affiliated with the American Communist Party—and his time as an art critic with The Nation . In 1955, The Partisan Review published Greenberg’s “‘American-Type’ Painting,” in which the critic defined the now-ubiquitous term “abstract expressionism.”

RELATED: What Did Clement Greenberg Do? A Primer on the Powerful AbEx Theorist’s Key Ideas

In contrast to Rosenberg’s conception of painting as a performative act, Greenberg’s theory, influenced by Clive Bell and T. S. Eliot, was essentially a formal one—in fact, it eventually evolved into what would be called “formalism.” Greenberg argued that the evolution of painting was one of historical determinacy—that ever since the Renaissance, pictures moved toward flatness, and the painted line moved away from representation. Henri Matisse and Pablo Picasso were two of the landmarks of this view. Pollock, who exhibited his drip paintings in 1951, freeing the line from figuration, was for Greenberg the pinnacle of American Modernism, the most important artist since Picasso. (Pollock’s paintings exhibited in 1954, with which he returned to semi-representational form, were regarded by Greenberg as a regression. This lead him to adopt Barnett Newman as his new poster-boy, despite the artist’s possessing vastly different ideas on the nature of painting. For one, Greenberg mostly ignored the Biblical titles of Newman’s paintings.)

Greenberg’s formalist theories were immensely influential over the subsequent decades. Artforum in particular grew into a locus for formalist discourse, which had the early effect of providing an aesthetic toolkit divorced from politic. Certain curators of the Museum of Modern Art, particularly William Rubin, Kirk Varnedoe, and to an extent Alfred Barr are credited for steering the museum in an essentially formalist direction. Some painters, such as Frank Stella , Helen Frankenthaler , and Kenneth Noland, had even been accused of illustrating Greenberg’s theories (and those of Michael Fried, a prominent Greenbergian disciple) in attempt to embody the theory, which was restrictive in its failure to account for narrative content, figuration, identity, politics, and more. In addition, Greenberg’s theories proved well-suited for a burgeoning art market, which found connoisseurship an easy sell. (As the writer Mary McCarthy said, “You can’t hang an event on your wall.”) In fact, the dominance of the term “abstract expressionism” over “action painting,” which seemed more applicable to Pollock and Willem de Kooning than any other members of the New York School, is emblematic of the influence of formalist discourse.

The justification for the term, “abstract expressionist,” lies in the fact that most of the painters covered by it took their lead from German, Russian, or Jewish expressionism in breaking away from late Cubist abstract art. But they all started from French painting, for their fundamental sense of style from it, and still maintain some sort of continuity with it. Not least of all, they got from it their most vivid notion of an ambitious, major art, and of the general direction in which it had to go in their time.

Barbara Rose

Like many critics in the 1950s and 60s, Barbara Rose had clearly staked her allegiance to one camp or the other. She was, firmly, a formalist, and along with Fried and Rosalind Krauss is largely credited with expanding the theory beyond abstract expressionist painting. By 1965, however, Rose recognized a limitation of the theory as outlined by Greenberg—that it was reductionist and only capable of account for a certain style of painting, and not much at all in other mediums.

RELATED: The Intellectual Origins Of Minimalism

In “ABC Art,” published in Art in America where Rose was a contributing editor, Rose opens up formalism to encompass sculpture, which Greenberg was largely unable to account for. The simple idea that art moves toward flatness and abstraction leads, for Rose, into Minimalism, and “ABC Art” is often considered the first landmark essay on Minimalist art. By linking the Minimalist sculptures of artists like Donald Judd to the Russian supremacist paintings of Kasimir Malevich and readymades of Duchamp, she extends the determinist history that formalism relies on into sculpture and movements beyond abstract expressionism.

I do not agree with critic Michael Fried’s view that Duchamp, at any rate, was a failed Cubist. Rather, the inevitability of a logical evolution toward a reductive art was obvious to them already. For Malevich, the poetic Slav, this realization forced a turning inward toward an inspirational mysticism, whereas for Duchamp, the rational Frenchman, it meant a fatigue so enervating that finally the wish to paint at all was killed. Both the yearnings of Malevich’s Slavic soul and the deductions of Duchamp’s rationalist mind led both men ultimately to reject and exclude from their work many of the most cherished premises of Western art in favor of an art stripped to its bare, irreducible minimum.

How I Spent My Summer Vacation

Philip Leider

Despite the rhetorical tendency to suggest the social upheaval of the '60s ended with the actual decade, 1970 remained a year of unrest. And Artforum was still the locus of formalist criticism, which was proving increasingly unable to account for art that contributed to larger cultural movements, like Civil Rights, women’s liberation, anti-war protests, and more. (Tellingly, The Partisan Review , which birthed formalism, had by then distanced itself from its communist associations and, as an editorial body, was supportive of American Interventionism in Vietnam. Greenberg was a vocal hawk.) Subtitled “Art and Politics in Nevada, Berkeley, San Francisco, and Utah,” the editor’s note to the September 1970 issue of Artforum , written by Philip Leider, ostensibly recounts a road trip undertaken with Richard Serra and Abbie Hoffman to see Michael Heizer’s Double Negative in the Nevada desert.

RELATED: A City of Art in the Desert: Behind Michael Heizer’s Monumental Visions for Nevada

However, the essay is also an account of an onsetting disillusion with formalism, which Leider found left him woefully unequipped to process the protests that had erupted surrounding an exhibition of prints by Paul Wunderlich at the Phoenix Gallery in Berkeley. Wunderlich’s depictions of nude women were shown concurrently to an exhibition of drawings sold to raise money for Vietnamese orphans. The juxtaposition of a canonical, patriarchal form of representation and liberal posturing, to which the protestors objected, showcased the limitations of a methodology that placed the aesthetic elements of a picture plane far above the actual world in which it existed. Less than a year later, Leider stepped down as editor-in-chief and Artforum began to lose its emphasis on late Modernism.

I thought the women were probably with me—if they were, I was with them. I thought the women were picketing the show because it was reactionary art. To the women, [Piet] Mondrian must be a great revolutionary artist. Abstract art broke all of those chains thirty years ago! What is a Movement gallery showing dumb stuff like this for? But if it were just a matter of reactionary art , why would the women picket it? Why not? Women care as much about art as men do—maybe more. The question is, why weren’t the men right there with them?

Why Have There Been No Great Women Artists?

Linda Nochlin

While Artforum , in its early history, had established a reputation as a generator for formalist theory, ARTnews had followed a decidedly more Rosenberg-ian course, emphasizing art as a practice for investigating the world. The January 1971 issue of the magazine was dedicated to “Women’s Liberation, Woman Artists, and Art History” and included an iconoclastic essay by Linda Nochlin titled “Why Have There Been No Great Women Artists?”

RELATED: An Introduction to Feminist Art

Nochlin notes that it’s tempting to answer the question “why have there been no great women artists?” by listing examples of those overlooked by critical and institutional organizations (a labor that Nochlin admits has great merit). However, she notes, “by attempting to answer it, they tacitly reinforce its negative implications,” namely that women are intrinsically less capable of achieving artistic merit than men. Instead, Nochlin’s essay functions as a critique of art institutions, beginning with European salons, which were structured in such a way as to deter women from rising to the highest echelons. Nochlin’s essay is considered the beginning of modern feminist art history and a textbook example of institutional critique.

There are no women equivalents for Michelangelo or Rembrandt, Delacroix or Cézanne, Picasso or Matisse, or even in very recent times, for de Kooning or Warhol, any more than there are black American equivalents for the same. If there actually were large numbers of “hidden” great women artists, or if there really should be different standards for women’s art as opposed to men’s—and one can’t have it both ways—then what are feminists fighting for? If women have in fact achieved the same status as men in the arts, then the status quo is fine as it is. But in actuality, as we all know, things as they are and as they have been, in the arts as in a hundred other areas, are stultifying, oppressive, and discouraging to all those, women among them, who did not have the good fortune to be born white, preferably middle class and above all, male. The fault lies not in our stars, our hormones, our menstrual cycles, or our empty internal spaces, but in our institutions and our education.

Doctor, Lawyer, Indian Chief

Thomas McEvilley

One of the many extrapolations of Nochlin’s essay is that contemporary museum institutions continue to reflect the gendered and racist biases of preceding centuries by reinforcing the supremacy of specific master artists. In a 1984 Artforum review, Thomas McEvilley, a classicist new to the world of contemporary art, made the case that the Museum of Modern Art in New York served as an exclusionary temple to certain high-minded Modernists—namely, Picasso, Matisse, and Pollock—who, in fact, took many of their innovations from native cultures.

RELATED: MoMA Curator Laura Hoptman on How to Tell a Good Painting From a “Bogus” Painting

In 1984, MoMA organized a blockbuster exhibition. Curated by William Rubin and Kirk Varnedoe, both of whom were avowed formalists, “‘Primitivism’ in 20th Century Art: Affinity of the Tribal and the Modern” collected works by European painters like Paul Gaugin and Picasso with cultural artifacts from Zaire, arctic communities, and elsewhere. McEvilley takes aim at the “the absolutist view of formalist Modernism” in which MoMA is rooted. He argues that the removal tribal artifacts from their contexts (for example, many were ritual items intended for ceremonies, not display) and placement of them, unattributed, near works by European artists, censors the cultural contributions of non-Western civilizations in deference to an idealized European genius.

The fact that the primitive “looks like” the Modern is interpreted as validating the Modern by showing that its values are universal, while at the same time projecting it—and with it MoMA—into the future as a permanent canon. A counter view is possible: that primitivism on the contrary invalidates Modernism by showing it to be derivative and subject to external causation. At one level this show undertakes precisely to coopt that question by answering it before it has really been asked, and by burying it under a mass of information.

Please Wait By the Coatroom

Not content to let MoMA and the last vestiges of formalism off the hook yet, John Yau wrote in 1988 an essay on Wifredo Lam, a Cuban painter who lived and worked in Paris among Picasso, Matisse, Georges Braque, and others. Noting Lam’s many influences—his Afro-Cuban mother, Chinese father, and Yoruba godmother—Yau laments the placement of Lam’s The Jungle near the coatroom in the Museum of Modern Art, as opposed to within the Modernist galleries several floors above. The painting was accompanied by a brief entry written by former curator William Rubin, who, Yau argues, adopted Greenberg’s theories because they endowed him with “a connoisseur’s lens with which one can scan all art.”

RELATED: From Cuba With Love: Artist Bill Claps on the Island’s DIY Art Scene

Here, as with with McEvilley’s essay, Yau illustrates how formalism, as adapted by museum institutions, became a (perhaps unintentional) method for reinforcing the exclusionary framework that Nochlin argued excluded women and black artists for centuries.

Rubin sees in Lam only what is in his own eyes: colorless or white artists. For Lam to have achieved the status of unique individual, he would have had to successfully adapt to the conditions of imprisonment (the aesthetic standards of a fixed tradition) Rubin and others both construct and watch over. To enter this prison, which takes the alluring form of museums, art history textbooks, galleries, and magazines, an individual must suppress his cultural differences and become a colorless ghost. The bind every hybrid American artist finds themselves in is this: should they try and deal with the constantly changing polymorphous conditions effecting identity, tradition, and reality? Or should they assimilate into the mainstream art world by focusing on approved-of aesthetic issues? Lam’s response to this bind sets an important precedent. Instead of assimilating, Lam infiltrates the syntactical rules of “the exploiters” with his own specific language. He becomes, as he says, “a Trojan horse.”

Black Culture and Postmodernism

Cornel West

The opening up of cultural discourse did not mean that it immediately made room for voices of all dimensions. Cornel West notes as much in his 1989 essay “Black Culture and Postmodernism,” in which he argues that postmodernism, much like Modernism before it, remains primarily ahistorical, which makes it difficult for “oppressed peoples to exercise their opposition to hierarchies of power.” West’s position is that the proliferation of theory and criticism that accompanied the rise of postmodernism provided mechanisms by which black culture could “be conversant with and, to a degree, participants in the debate.” Without their voices, postmodernism would remain yet another exclusionary movements.

RELATED: Kerry James Marshall on Painting Blackness as a Noun Vs. Verb

As the consumption cycle of advanced multinational corporate capitalism was sped up in order to sustain the production of luxury goods, cultural production became more and more mass-commodity production. The stress here is not simply on the new and fashionable but also on the exotic and primitive. Black cultural products have historically served as a major source for European and Euro-American exotic interests—interests that issue from a healthy critique of the mechanistic, puritanical, utilitarian, and productivity aspects of modern life.

Minimalism and the Rhetoric of Power

Anna C. Chave

In recent years, formalist analysis has been deployed as a single tool within a more varied approach to art. Its methodology—that of analyzing a picture as an isolated phenomena—remains prevalent, and has its uses. Yet, many of the works and movements that rose to prominence under formalist critics and curators, in no small part because of their institutional acceptance, have since become part of the rearguard rather than the vanguard.

In a 1990 essay for Arts Magazine , Anna Chave analyzes how Minimalist sculpture possesses a “domineering, sometimes brutal rhetoric” that was aligned with “both the American military in Vietnam, and the police at home in the streets and on university campuses across the country.” In particular, Chave is concerned with the way Minimalist sculptures define themselves through a process of negation. Of particular relevance to Chave’s argument are the massive steel sculptures by Minimalist artist Richard Serra.

Tilted Arc was installed in Federal Plaza in lower Manhattan in 1981. Chave describes the work as a “mammoth, perilously tilted steel arc [that] formed a divisive barrier too tall to see over, and a protracted trip to walk around.” She writes, “it is more often the case with Serra that his work doesn’t simply exemplify aggression or domination, but acts it out.” Tilted Arc was so controversial upon its erecting that the General Services Administration, which commissioned the work, held hearings in response to petitions demanding the work be removed. Worth quoting at length, Chave writes:

A predictable defense of Serra’s work was mounted by critics, curators, dealers, collectors, and some fellow artists…. The principle arguments mustered on Serra’s behalf were old ones concerning the nature and function of the avant-garde…. What Rubin and Serra’s other supporters declined to ask is whether the sculptor really is, in the most meaningful sense of the term, an avant-garde artist. Being avant-garde implies being ahead of, outside, or against the dominant culture; proffering a vision that implicitly stands (at least when it is conceived) as a critique of entrenched forms and structures…. But Serra’s work is securely embedded within the system: when the brouhaha over Arc was at its height, he was enjoying a retrospective at the Museum of Modern Art…. [The defense’s] arguments locate Serra not with the vanguard but with the standing army or “status quo.” … More thoughtful, sensible, and eloquent testimony at the hearing came instead from some of the uncouth:

My name is Danny Katz and I work in this building as a clerk. My friend Vito told me this morning that I am a philistine. Despite that I am getting up to speak…. I don’t think this issue should be elevated into a dispute between the forces of ignorance and art, or art versus government. I really blame government less because it has long ago outgrown its human dimension. But from the artists I expected a lot more. I didn’t expect to hear them rely on the tired and dangerous reasoning that the government has made a deal, so let the rabble live with the steel because it’s a deal. That kind of mentality leads to wars. We had a deal with Vietnam. I didn’t expect to hear the arrogant position that art justifies interference with the simple joys of human activity in a plaza. It’s not a great plaza by international standards, but it is a small refuge and place of revival for people who ride to work in steel containers, work in sealed rooms, and breathe recirculated air all day. Is the purpose of art in public places to seal off a route of escape, to stress the absence of joy and hope? I can’t believe this was the artistic intention, yet to my sadness this for me has become the dominant effect of the work, and it’s all the fault of its position and location. I can accept anything in art, but I can’t accept physical assault and complete destruction of pathetic human activity. No work of art created with a contempt for ordinary humanity and without respect for the common element of human experience can be great. It will always lack dimension.

The terms Katz associated with Serra’s project include arrogance and contempt, assault, and destruction; he saw the Minimalist idiom, in other words, as continuous with the master discourse of our imperious and violent technocracy.

The End of Art

Arthur Danto

Like Greenberg, Arthur Danto was an art critic for The Nation . However, Danto was overtly critical of Greenberg’s ideology and the influence he wielded over Modern and contemporary art. Nor was he a follower of Harold Rosenberg, though they shared influences, among them the phenomenologist Maurice Merleau-Ponty. Danto’s chief contribution to contemporary art was his advancing of Pop Artists, particularly Andy Warhol and Roy Lichtenstein .

In “The End of Art” Danto argues that society at large determines and accepts art, which no longer progresses linearly, categorized by movements. Instead, viewers each possess a theory or two, which they use to interpret works, and art institutions are largely tasked with developing, testing, and modifying various interpretive methods. In this way, art differs little from philosophy. After decades of infighting regarding the proper way to interpret works of art, Danto essentially sanctioned each approach and the institutions that gave rise to them. He came to call this “pluralism.”

RELATED: What Was the Pictures Generation?

Similarly, in “Painting, Politics, and Post-Historical Art,” Danto makes the case for an armistice between formalism and the various theories that arose in opposition, noting that postmodern critics like Douglas Crimp in the 1980s, who positioned themselves against formalism, nonetheless adopted the same constrictive air, minus the revolutionary beginnings.

Modernist critical practice was out of phase with what was happening in the art world itself in the late 60s and through the 1970s. It remained the basis for most critical practice, especially on the part of the curatoriat, and the art-history professoriat as well, to the degree that it descended to criticism. It became the language of the museum panel, the catalog essay, the article in the art periodical. It was a daunting paradigm, and it was the counterpart in discourse to the “broadening of taste” which reduced art of all cultures and times to its formalist skeleton, and thus, as I phrased it, transformed every museum into a Museum of Modern Art, whatever that museum’s contents. It was the stable of the docent’s gallery talk and the art appreciation course—and it was replaced, not totally but massively, by the postmodernist discourse that was imported from Paris in the late 70s, in the texts of Michel Foucault, Jacques Derrida, Jean Baudrillard, Jean-François Lyotard, and Jacques Lacan, and of the French feminists Hélène Cixous and Luce Irigaray. That is the discourse [Douglas] Crimp internalizes, and it came to be lingua artspeak everywhere. Like modernist discourse, it applied to everything, so that there was room for deconstructive and “archeological” discussion of art of every period.

Editor’s Note: This list was drawn in part from a 2014 seminar taught by Debra Bricker Balken in the MFA program in Art Writing at the School of Visual Arts titled Critical Strategies: Late Modernism/Postmodernism. Additional sources can be found here , here , here (paywall), and here . Also relevant are reviews of the 2008 exhibition at the Jewish Museum, “Action/Abstraction: Pollock, de Kooning, and American Art, 1940–1976,” notably those by Roberta Smith , Peter Schjeldahl , and Martha Schwendener .

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Introduction

Art is the expression of one’s views and feelings, which may take many forms like dance, music, painting , literature or theatre. By seeing the art of a particular country, we can easily understand its inherent culture. Thus, it is right to say that art and culture play a great role in the growth of a country. When people share common beliefs, attitudes and values, it becomes the culture of that nation, which artists try to capture and manifest through their art.

India is a country that is rich in diverse culture and art. With many communities coexisting with each other, one can witness the diversity in languages and beliefs of the country. The essay on Indian art and culture will be useful for students to familiarise themselves with the distinct features of India’s unique culture and art.

India’s Art and Culture

Just like there are many beautiful flowers in different shapes and colours in a garden , India also has such variety in art and culture. Although people in India follow different cultures, all of them live together in harmony, and this is what sets India apart from other countries. Each state in the country has a distinct culture or tradition, which is passed down to them by their ancestors. We will go through the diversity of India in this art and culture essay.

Interestingly, the language also varies from state to state. Despite these differences, the people of India live in unity and peace as they respect and love each other.

Indian clothing is another important factor that defines the country’s culture. The style of clothing differs according to the geographical place they live in, and yet, they contribute to the culture of the country.

Art is closely related to the culture of a country as they speak about the rich heritage of the nation. Indian art has many forms to which many notable personalities have contributed. If we are familiar with the works of Raja Ravi Varma or Rabindranath Tagore, it reveals that they have been successful in portraying Indian culture through their art. Being one of the oldest cultures, India’s culture reminds us of the virtues of unity and integrity in this essay on Indian art and culture. Let us also teach our children more about our nation through these interesting sets of GK questions .

Importance of Art and Culture

Art and culture are the identity of a nation, which helps us to understand the world around us better. As it brings people together, it offers us the opportunity to learn from each other and understand how there is unity even in diversity. Moreover, art and culture help in building the country as they preserve our heritage and creativity. Indian art and culture are what keep us binding together, and we are proud of it.

You can find more essays similar to the art essay on BYJU’S website. Also, you can explore a range of kid-friendly learning resources, such as short stories, poems, worksheets, etc., for little learners on the website.

Frequently Asked Questions

How is india rich in art and culture.

India is a multicultural country that practises different art forms like dance, music, theatre, sculpting, painting, etc. Many notable names are associated with Indian art as they have contributed immensely to their fields. In addition, India’s culture is ingrained in its different religious practices and festivals celebrated by all.

What are the different languages spoken in India?

Since India is a diverse country, many languages are spoken in the country. Some languages spoken in India include Bengali, Hindi, Assamese, Gujarati, Marathi, Telugu, Urdu and Konkani, among many others.

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Crafting Artistic Statements: 10 Powerful Examples & Guide

If you’ve been dreading writing your artist statement, you’re not alone. Although you love working on your artwork , coming up with an artist statement isn’t always easy.

But don’t fear! I’ll share some examples of famous artist statements here. Plus, I’ll walk you through how to write your own artist statement, what to include, and what to skip. 

So, let’s get started!

10 Excellent Artist Statement Examples

Here are ten great artist statement examples you can use for inspiration! Looking at good artist statements can help you decide what to include in your own. But don’t feel like you should copy a sample artist statement – remember to make it unique and personal! 

1. Wassily Kandinsky

“I let myself go. I thought little of the houses and trees, but applied color stripes and spots to the canvas… Within me sounded the memory of the early evening in Moscow – before my eyes were the strong, color-saturated scale of the Munich light and atmosphere, which thundered deeply in the shadows.”

2. Gustav Klimt

“I have never painted a self-portrait. I am less interested in myself as a subject for a painting than I am in other people, above all women… There is nothing special about me. I am a painter who paints day after day from morning to night… Whoever wants to know something about me… ought to look carefully at my pictures.”

3. Mark Rothko

“I’m not interested in relationships of color or form or anything else. I’m interested only in expressing basic human emotions – tragedy, ecstasy, doom, and so on – and the fact that lots of people break down and cry when confronted with my pictures shows that I communicate those basic human emotions… The people who weep before my pictures are having the same religion I had when I painted them.”

4. Edvard Munch

“I was walking along a path with two friends – the sun was setting – suddenly the sky turned blood red – I paused, feeling exhausted, and leaned on the fence – there were blood and tongues of fire above the blue-black fjord and the city – my friends walked on, and I stood there trembling with anxiety – and I sensed an infinite scream passing through nature.”

5. Pablo Picasso

“I have never made trials or experiments. Whenever I had something to say, I have said it in the manner in which it needed to be said… I can hardly understand the importance given to the word “research” in connection with the modern painting. In my opinion to search means nothing in painting. To find is the thing.”

6. Jackson Pollock

“I want to express my feelings rather than illustrate them. It doesn’t matter how the paint is put on, as long as something is said. On the floor, I am more at ease. I feel nearer, more part of the painting, since this way I can walk around it, work from the four sides and literally be in the painting. When I’m painting, I’m not aware of what I’m doing. It’s only after a get-acquainted period that I see what I’ve been about. I’ve no fears about making changes for the painting has a life of its own.”

7. Nancy McIntyre

“What do I want to say with my art? Celebrate the human, the marks people make on the world. Treasure the local, the small-scale, the eccentric, the ordinary: whatever is made out of caring. Respect what people have built for themselves. Find the beauty in some battered old porch or cluttered, human-scale storefront, while it still stands.”

8. Duane Keiser

“My subject matter tends to be those fragmentary passages that reside within the mundane – the in-between spaces of our lives that we see but often do not notice. For me, these paintings are about the pleasure of seeing; of being cognizant of the world around me, and pushing to find an alchemy between the paint, my subject, and the moment. I view each piece as being part of a single, ongoing work.”

9. Charlene Fuhrman-Schulz

“My subject matter is nature, whether it is a traditional landscape or a bird and flower painting. I use traditional materials, ink, and brush on rice paper, to capture movement and life — making the brush dance and the ink sing. Everything is captured in the spontaneous dance and movement of the brush as it meets the rice paper. There is no going back and correcting when painting with ink and rice paper.”

10. Georgia O’Keeffe 

“I have but one desire as a painter – that is to paint what I see, as I see it, in my own way, without regard for the desires or taste of the professional dealer or the professional collector. I attribute what little success I have to this fact. I wouldn’t turn out stuff for order, and I couldn’t. It would stifle any creative ability I possess.”

What is an Artist Statement?

Every artist needs to write an artist statement at some point. But, what is it exactly?

An artist statement gives insight into the artist’s process and creative decisions. It can also explain the themes, ideas, and vision of the artist. You can think of it as an initial introduction to yourself and your work to give a great first impression!

Artist statements officially date back to the 1990s . But while they haven’t been around a long time, artists have always tried to define and explain their work. 

These statements can vary in length from a few sentences to a page or more. Each statement will differ, but you want yours to be memorable and easy to understand.

Most importantly, it should help people to understand your work.

Artist statements are used for many reasons. You may use yours when applying for grants, submitting a portfolio, or for PR and press mentions.  It can also appear on your website. 

So, it’s an essential document you’ll need to create. It’s key to growing your following and building a successful career as an artist. 

Writing an artist statement can also help you to get clear on your overall vision and values. You might need to spend some time reflecting on what your art means to you.

And yes, it does mean you’ll have to put down the paintbrush briefly. But with these tips, you’ll know exactly how to write your artist statement. 

Once it’s written, you can use the same statement again and again. If your artwork evolves over time, you may want to update it slightly. But you’ll have already done the hard work researching, planning, and writing it.

How to Write an Artist Statement

Writing an artist statement sounds daunting, but it doesn’t have to be difficult. 

Here are my simple steps for crafting an engaging and effective artist statement! These tips will take you from a bland statement to an amazing artist’s mission statement.

Use simple language

Don’t overcomplicate your statement or use very academic language. That can put people off reading it. Your statement must be powerful and accessible to everyone.

Use active voice and 1st person perspective

I always recommend using the active voice as it comes across as more confident and powerful. Avoid wishy-washy phrases like:

• I want to … in my work

Instead, switch it to active voice. Instantly, you’ll have a more interesting and captivating statement. 

Using 1st person perspective also ensures that your statement is clear and direct. 

Keep it short and sweet

You want to grab the reader’s attention and hold their interest. Avoid an artist statement that is several paragraphs (or pages!) long. A short artist statement is more powerful. So, it should be concise and to the point, without any filler. 

Condense what you want to say down into as little as possible without losing the meaning. Your artist statement should be short enough to quote! 

Ask yourself questions

Your statement allows you to provide a greater understanding of your creative choices. It can give a window into your thought process, so people can take more from your art.

But you need to ensure you include this information in your statement. Otherwise, you’re missing an opportunity. 

One effective method is to think about what people might want to know from you. What questions do you get asked in interviews?

Here are a few questions you could ask yourself:

• What do you want to achieve with your art?
• How do you create your artwork?
• What type of artist am I?
• How does the process, medium, or technique affect the work?
• What does the reader need to know to understand your artwork?
• What emotions do you want to invoke in the reader?
• Who has influenced you in your artistic career, and particularly in this work?
• Who or what are you addressing in this artwork?
• What else do you want your audience to know?
• How does this work relate to your other works?
• What is your art philosophy?
• How does your artwork fit into the history of art?

Don’t worry – you don’t have to answer all these questions in your statement. You can decide which ones make sense. Remember that short and sweet is better than long and dry – you want to get people interested in you!

Once you’ve identified what people want to know about you and your art, you can consider your responses. 

Do your research

A great way to get inspiration for your artist statement is by looking at other examples. You can read up on how the old masters or contemporary artists describe their work. 

Doing some research will help you understand how to structure your statement. It can also give you food for thought to delve deeper into the meanings of your artwork, too! 

If you’re still struggling, there are artist statement templates you can use to get you started. A template will help you build your statement’s structure so that you can concentrate on the details. 

Step away and come back later to edit

It’s easy to get caught up in the details and overthink something as important as an artist’s statement. This document is meaningful and may provoke lots of thoughts or emotions. 

If you find yourself writing and editing, again and again, take some time to step away. Any piece of writing benefits from a fresh eye. When you work on something for a long time, it’s easy to miss any minor details or mistakes.

I always recommend coming back another day to read through and make any final changes. 

The Wrap Up

Writing your artist statement doesn’t have to be a painstaking process. Now, you’ve had a look at some great artist statements. With these simple tips, you’re all set to craft your own statement now! 

Let me know if you have any questions in the comments below. Go ahead and share your artist statement once you’ve written it, too! 

Follow me on Pinterest for more tips, guides, and tutorials for creative professionals! 

Outmane is the founder of Proactive Creative. He is an artist/designer.

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The Haiti That Still Dreams

By Edwidge Danticat

I often receive condolence-type calls, e-mails, and texts about Haiti. Many of these messages are in response to the increasingly dire news in the press, some of which echoes what many of us in the global Haitian diaspora hear from our family and friends. More than fifteen hundred Haitians were killed during the first three months of this year, according to a recent United Nations High Commissioner for Human Rights report, which described the country’s situation as “ cataclysmic .” Women and girls are routinely subjected to sexual violence. Access to food, water, education, and health care is becoming more limited, with more than four million Haitians, around a third of the population, living with food insecurity, and 1.4 million near starvation. Armed criminal groups have taken over entire neighborhoods in Port-au-Prince and the surrounding areas, carrying out mass prison breaks and attacks on the city’s airport, seaport, government buildings, police stations, schools, churches, hospitals, pharmacies, and banks, turning the capital into an “ open air prison .”

Even those who know the country’s long and complex history will ask, “Why can’t Haiti catch a break?” We then revisit some abridged version of that history. In 1804, after a twelve-year revolution against French colonial rule, Haiti won its independence, which the United States and several European powers failed to recognize for decades. The world’s first Black republic was then forced to spend sixty years paying a hundred-and-fifty-million francs (now worth close to thirty billion dollars) indemnity to France . Americans invaded and then occupied Haiti for nineteen years at the beginning of the twentieth century. The country endured twenty-nine years of murderous dictatorship under François Duvalier and his son, Jean-Claude, until 1986. In 1991, a few months after Haiti’s first democratically elected President, Jean-Bertrand Aristide, took office, he was overthrown in a coup staged by a military whose members had been trained in the U.S. Aristide was elected again, then overthrown again, in 2004, in part owing to an armed rebellion led by Guy Philippe, who was later arrested by the U.S. government for money laundering related to drug trafficking. Last November, six years into his nine-year prison sentence, Philippe was deported by the U.S. to Haiti. He immediately aligned himself with armed groups and has now put himself forward as a Presidential candidate.

In 2010, the country was devastated by a 7.0-magnitude earthquake, which killed more than two hundred thousand people. Soon after, United Nations “peacekeepers” dumped feces in Haiti’s longest river, causing a cholera epidemic that killed more than ten thousand people and infected close to a million. For the past thirteen years, Haiti has been decimated by its ruling party, Parti Haïtien Tèt Kale (P.H.T.K.), which rose to power after a highly contested election in 2011. In that election, the U.S.—then represented by Secretary of State Hillary Clinton—and the Organization of American States helped the candidate who finished in third place, Michel Martelly, claim the top spot. Bankrolled by kidnapping, drug trafficking, business élites, and politicians, armed groups have multiplied under P.H.T.K, committing massacres that have been labelled crimes against humanity. In 2021, a marginally elected President, Jovenel Moïse, was assassinated in his bedroom , a crime for which many of those closest to him, including his wife, have been named as either accomplices or suspects.

The unasked question remains, as W. E. B. Du Bois wrote in “ The Souls of Black Folk ,” “How does it feel to be a problem?”

I deeply honor Haiti’s spirit of resistance and long history of struggle, but I must admit that sometimes the answer to that question is that it hurts. Sometimes it hurts a lot, even when one is aware of the causes, including the fact that the weapons that have allowed gangs to take over the capital continue to flow freely from Miami and the Dominican Republic, despite a U.N. embargo. Internally, the poorest Haitians have been constantly thwarted by an unequal and stratified society, which labels rural people moun andeyò (outside people), and which is suffused with greedy and corrupt politicians and oligarchs who scorn the masses from whose tribulations they extract their wealth.

Recently, at a loved one’s funeral, in Michigan, the spectre of other Haitian deaths was once again on the minds of my extended family members. Everywhere we gather, Haiti is with us, as WhatsApp messages continuously stream in from those who chose to stay in Haiti and can’t leave because the main airport is closed, and others who have no other home. In Michigan, during chats between wake, funeral, and repast, elders brought up those who can’t get basic health care, much less a proper burial or any of the rituals that are among our most sacred obligations. “Not even a white sheet over those bodies on the street,” my mother-in-law, who is eighty-nine, said, after receiving yet another image of incinerated corpses in Port-au-Prince. At least after the 2010 earthquake, sheets were respectfully placed on the bodies pulled from the rubble. Back then, she said, the armed young men seemed to have some reverence for life and some fear of death.

Lately, some of our family gatherings are incantations of grief. But they can also turn into storytelling sessions of a different kind. They are opportunities for our elders to share something about Haiti beyond what our young ones, like everyone else, see on the news. The headlines bleed into their lives, too, as do the recycled tropes that paint us as ungovernable, failures, thugs, and even cannibals. As with the prayers that we recite over the dead, words still have power, the elders whisper. We must not keep repeating the worst, they say, and in their voices I hear an extra layer of distress. They fear that they may never see Haiti again. They fear that those in the next generation, some of whom have never been to Haiti, will let Haiti slip away, as though the country they see in the media—the trash-strewn streets and the barricades made from the shells of burnt cars, the young men brandishing weapons of war and the regular citizens using machetes to defend themselves—were part of some horror film that they can easily turn off. The elders remind us that we have been removed, at least physically, from all of this by only a single generation, if not less.

We are still human beings, the elders insist—“ Se moun nou ye .” We are still wozo , like that irrepressible reed that grows all over Haiti. For a brief moment, I think someone might break into the Haitian national anthem or sing a few bars of the folk song “ Ayiti Cheri .” (“Beloved Haiti, I had to leave you to understand.”) Instead, they hum the music that the wozo has inspired : “ Nou se wozo / Menm si nou pliye, nou pap kase. ” Even if we bend, we will not break.

Except we are breaking. “It pains me to see people living in constant fear,” the Port-au-Prince-based novelist and poet Évelyne Trouillot recently wrote to me in an e-mail. “I dream of a country where children are not afraid to dream.” Internationally, U.S. deportations continue , Navy ships are ready to be deployed to intercept migrant boats, and Haitian asylum seekers could once again end up imprisoned on Guantánamo, as they did in the early nineteen-nineties. In conversations, whether with strangers or with younger family members, someone inevitably asks, “Is there any hope?”

I have hope, I say, because I grew up with elders, both in Haiti and here in the U.S., who often told us, “ Depi gen souf gen espwa ”—as long as there’s breath, there’s hope. I have hope, too, because the majority of Haitians are under twenty-five years old, as are many members of our family. Besides, how can we give in to despair with eleven million people’s lives in the balance? Better yet, how can we reignite that communal grit and resolve that inspired us to defeat the world’s greatest armies and then pin to our flag the motto “ L’union fait la force ”? Unity is strength.

The elders also remind us that Haiti is not just Port-au-Prince. As more and more of the capital’s residents are forced to return to homesteads and ancestral villages, the moun andeyò have much to teach other Haitians. “Historically, the moun andeyò have always been the preserver of Haiti’s cultural and traditional ethos,” Vivaldi Jean-Marie, a professor of African American and African-diaspora studies at Columbia University, told me. Rural Haitians, who have lived for generations without the support of the state, have had no choice but to rely on one another in close and extended family structures called lakou . “This shared awareness—I am because we are—will prevail beyond this difficult chapter in Haitian history,” Jean-Marie said.

Finally, I have hope because in Haiti, as the American writer and art collector Selden Rodman has written, “ art is joy .” This remains true even as some of the country’s most treasured cultural institutions, including the National School of the Arts and the National Library, have been ransacked. In the summer of 2023, Carrefour Feuilles, a district in Port-au-Prince that many writers, visual artists, and musicians call home, was attacked by armed criminal groups. The onslaught led to a petition that collected close to five thousand signatures. It read in part, “How many more hundreds of our women and children must be raped, executed, burned before the public authorities do everything possible to put an end to the plague of gangs and their sponsors?”

A few days later, the homes of two of the signatories, the multimedia artist Lionel St. Eloi and the writer Gary Victor, were taken over by a gang. The last time I saw St. Eloi was in 2019, in the courtyard of Port-au-Prince’s Centre d’Art, where he had a series of metal birds on display, their bejewelled bodies and beaks pointing toward the sky. Allenby Augustin, the Centre d’Art’s executive director, recently described how some artists, afraid of having to suddenly flee their homes and leave their work behind, bring their pieces to the center or keep them in friends’ homes in different parts of the city. Others add the stray bullets that land inside their studios— bal pèdi or bal mawon —to their canvasses.

St. Eloi, the patriarch of a family of artists, had lived in Carrefour Feuilles since the seventies, working with young people there. “The youth who were neglected or who could not afford to go to school were taken in by our family,” one of St. Eloi’s sons, the musician Duckyns (Zikiki) St. Eloi, told me. “We taught them to paint, to play guitar, and to play the drums. Now they are hired to run errands for gangsters who put guns in their hands.” In spite of what has happened, he still believes that art can turn some things around. He recently sent me a picture of a work by his younger brother Anthony—an image depicting gang members wearing brightly colored balaclavas and holding pencils, a book, a paint palette, a camera, and a musical instrument. “If there are gangs, we’d be better off with art gangs,” Zikiki said. “Gangs that paint, make music, recite poetry. Art is how we bring our best face to the world. Art is how we dream.” ♦

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Best Animation Short

NAU School of Art + Design Associate Professor Jaewook Lee recently won Best Animation Short at the Kooki International Film Festival! 

Jaewook Lee crafts 3D/CGI animation, AR, VR, video, and installations, re-envisioning the connection between humans and nature for artistic inspiration. Lee participated in events such as the Montreal International Animation Film Festival (2023), ARKO Art & Tech Festival: Nothing Makes Itself at Arko Art Center in Seoul (2021), SACO9 Contemporary Art Festival in Chile (2020), Mindful Joint at Art Sonje Center in Seoul (2017), and the Hypnotic Show at the Guggenheim Museum in New York (2017), among others. He’s also been featured at venues like the Museum of Contemporary Art Taipei, Santa Fe Art Institute, the Hong-Gah Museum in Taiwan, the Total Museum of Contemporary Art in Seoul, and the Museo Juan Manuel Blanes in Montevideo. His achievements include a feature in Sculpture Magazine (May 2017) and a presence in permanent collections at the Gyeonggi Museum of Modern Art and the Jordan National Gallery of Fine Arts. Lee earned MFAs from Carnegie Mellon University and the School of Visual Arts. Currently, Lee serves as an Associate Professor of New Media Art at Northern Arizona University. 

We recently sat down for a friendly chat with Professor Lee to find out more about the winning film, Ana Mendieta Might (2023).

How has your art practice evolved into the work you currently make?

Over the years, my art practice has evolved significantly. I started with traditional mediums and techniques, but I began incorporating digital tools and technologies as I explored more. This shift has allowed me to experiment with different forms and styles, creating works like Ana Mendieta Might (2023).

How does your art practice inform your teaching?

My art practice greatly informs my teaching. It allows me to share real-world experiences and insights with my students. I encourage them to experiment, take risks, and find their unique voice, just as I do in my practice.

What is the inspiration behind Ana Mendieta Might ?

The film Ana Mendieta Might (2023) is inspired by the life and work of Cuban-American artist, Ana Mendieta. Her innovative approach to performance art and her deep connection with nature have been a significant influence. The film imagines an alternate reality where Mendieta’s artistic journey extends to an extraterrestrial setting.

Can you describe your creative process for creating a work such as Ana Mendieta Might ?

Creating a work like Ana Mendieta Might involves a lot of research, brainstorming, and conceptualization. I start by studying Mendieta’s life and work, then imagine how her artistic journey might evolve in a different context. The actual creation of the film involves storyboarding, 3D animation, sound design, and editing.

Could you share something interesting about yourself outside of teaching and creating art?

Outside of teaching and creating art, I have a passion for astronomy. The mysteries of the universe fascinate me, and this interest often seeps into my artwork, as seen in Ana Mendieta Might .

Is there anything else you would like to add?

I’d like to say that art is a journey of constant learning and exploration. Whether you’re an artist, a student, or an art enthusiast, there’s always something new to discover and appreciate.

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Danielle Broadway covers topics that range from film premieres, celebrity news, Hollywood legal proceedings, theater, press junkets, enterprise stories and more at Thomson Reuters. She has a bachelor's and a master's degree in English Literature from Cal State Long Beach and previously worked at the Los Angeles Times and freelanced at Teen Vogue, USA Today, Black Girl Nerds and other outlets. Danielle won an LA Press Club award for her Los Angeles Times cover story about South Los Angeles representation in the show "Insecure" and is a GLAAD Media Award nominee for her work on the PBS series "Subcultured" episode about the gay rodeo. She is a member of the African American Film Critics Association, Critics Choice Association, LA Press Club and GALECA (LGBTQ+ Critics).

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How Pew Research Center will report on generations moving forward

Journalists, researchers and the public often look at society through the lens of generation, using terms like Millennial or Gen Z to describe groups of similarly aged people. This approach can help readers see themselves in the data and assess where we are and where we’re headed as a country.

Pew Research Center has been at the forefront of generational research over the years, telling the story of Millennials as they came of age politically and as they moved more firmly into adult life . In recent years, we’ve also been eager to learn about Gen Z as the leading edge of this generation moves into adulthood.

But generational research has become a crowded arena. The field has been flooded with content that’s often sold as research but is more like clickbait or marketing mythology. There’s also been a growing chorus of criticism about generational research and generational labels in particular.

Recently, as we were preparing to embark on a major research project related to Gen Z, we decided to take a step back and consider how we can study generations in a way that aligns with our values of accuracy, rigor and providing a foundation of facts that enriches the public dialogue.

A typical generation spans 15 to 18 years. As many critics of generational research point out, there is great diversity of thought, experience and behavior within generations.

We set out on a yearlong process of assessing the landscape of generational research. We spoke with experts from outside Pew Research Center, including those who have been publicly critical of our generational analysis, to get their take on the pros and cons of this type of work. We invested in methodological testing to determine whether we could compare findings from our earlier telephone surveys to the online ones we’re conducting now. And we experimented with higher-level statistical analyses that would allow us to isolate the effect of generation.

What emerged from this process was a set of clear guidelines that will help frame our approach going forward. Many of these are principles we’ve always adhered to , but others will require us to change the way we’ve been doing things in recent years.

Here’s a short overview of how we’ll approach generational research in the future:

We’ll only do generational analysis when we have historical data that allows us to compare generations at similar stages of life. When comparing generations, it’s crucial to control for age. In other words, researchers need to look at each generation or age cohort at a similar point in the life cycle. (“Age cohort” is a fancy way of referring to a group of people who were born around the same time.)

When doing this kind of research, the question isn’t whether young adults today are different from middle-aged or older adults today. The question is whether young adults today are different from young adults at some specific point in the past.

To answer this question, it’s necessary to have data that’s been collected over a considerable amount of time – think decades. Standard surveys don’t allow for this type of analysis. We can look at differences across age groups, but we can’t compare age groups over time.

Another complication is that the surveys we conducted 20 or 30 years ago aren’t usually comparable enough to the surveys we’re doing today. Our earlier surveys were done over the phone, and we’ve since transitioned to our nationally representative online survey panel , the American Trends Panel . Our internal testing showed that on many topics, respondents answer questions differently depending on the way they’re being interviewed. So we can’t use most of our surveys from the late 1980s and early 2000s to compare Gen Z with Millennials and Gen Xers at a similar stage of life.

This means that most generational analysis we do will use datasets that have employed similar methodologies over a long period of time, such as surveys from the U.S. Census Bureau. A good example is our 2020 report on Millennial families , which used census data going back to the late 1960s. The report showed that Millennials are marrying and forming families at a much different pace than the generations that came before them.

Even when we have historical data, we will attempt to control for other factors beyond age in making generational comparisons. If we accept that there are real differences across generations, we’re basically saying that people who were born around the same time share certain attitudes or beliefs – and that their views have been influenced by external forces that uniquely shaped them during their formative years. Those forces may have been social changes, economic circumstances, technological advances or political movements.

When we see that younger adults have different views than their older counterparts, it may be driven by their demographic traits rather than the fact that they belong to a particular generation.

The tricky part is isolating those forces from events or circumstances that have affected all age groups, not just one generation. These are often called “period effects.” An example of a period effect is the Watergate scandal, which drove down trust in government among all age groups. Differences in trust across age groups in the wake of Watergate shouldn’t be attributed to the outsize impact that event had on one age group or another, because the change occurred across the board.

Changing demographics also may play a role in patterns that might at first seem like generational differences. We know that the United States has become more racially and ethnically diverse in recent decades, and that race and ethnicity are linked with certain key social and political views. When we see that younger adults have different views than their older counterparts, it may be driven by their demographic traits rather than the fact that they belong to a particular generation.

Controlling for these factors can involve complicated statistical analysis that helps determine whether the differences we see across age groups are indeed due to generation or not. This additional step adds rigor to the process. Unfortunately, it’s often absent from current discussions about Gen Z, Millennials and other generations.

When we can’t do generational analysis, we still see value in looking at differences by age and will do so where it makes sense. Age is one of the most common predictors of differences in attitudes and behaviors. And even if age gaps aren’t rooted in generational differences, they can still be illuminating. They help us understand how people across the age spectrum are responding to key trends, technological breakthroughs and historical events.

Each stage of life comes with a unique set of experiences. Young adults are often at the leading edge of changing attitudes on emerging social trends. Take views on same-sex marriage , for example, or attitudes about gender identity .

Many middle-aged adults, in turn, face the challenge of raising children while also providing care and support to their aging parents. And older adults have their own obstacles and opportunities. All of these stories – rooted in the life cycle, not in generations – are important and compelling, and we can tell them by analyzing our surveys at any given point in time.

When we do have the data to study groups of similarly aged people over time, we won’t always default to using the standard generational definitions and labels. While generational labels are simple and catchy, there are other ways to analyze age cohorts. For example, some observers have suggested grouping people by the decade in which they were born. This would create narrower cohorts in which the members may share more in common. People could also be grouped relative to their age during key historical events (such as the Great Recession or the COVID-19 pandemic) or technological innovations (like the invention of the iPhone).

By choosing not to use the standard generational labels when they’re not appropriate, we can avoid reinforcing harmful stereotypes or oversimplifying people’s complex lived experiences.

Existing generational definitions also may be too broad and arbitrary to capture differences that exist among narrower cohorts. A typical generation spans 15 to 18 years. As many critics of generational research point out, there is great diversity of thought, experience and behavior within generations. The key is to pick a lens that’s most appropriate for the research question that’s being studied. If we’re looking at political views and how they’ve shifted over time, for example, we might group people together according to the first presidential election in which they were eligible to vote.

With these considerations in mind, our audiences should not expect to see a lot of new research coming out of Pew Research Center that uses the generational lens. We’ll only talk about generations when it adds value, advances important national debates and highlights meaningful societal trends.

• Age & Generations
• Demographic Research
• Generation X
• Generation Z
• Generations
• Greatest Generation
• Methodological Research
• Millennials
• Silent Generation

Kim Parker is director of social trends research at Pew Research Center

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Why You Should Add Some Sprints Into Your Workout

Running all out, at least for short distances, can be a great way to level up your workout routine.

By Michael Venutolo-Mantovani

The reporter ran sprints and hurdles in high school, but then gave it up. He rediscovered track in his mid-30s and now runs a 100-meter dash in 15 seconds.

When was the last time you sprinted?

I mean a full-blown, all-out, redline sprint.

For many of us, it’s been a while. Possibly even as far back as high school. In nearly every town in the United States, you can find a 5K, 10K , half marathon or full marathon to run. But it’s far less likely that you’ll find an organized track meet to run a 100-, 200- or 400-meter dash (though they do exist ).

One reason many adults avoid sprinting is that the thought of past injuries (or possible future ones) can be frightening. Another, of course, is that sprinting is hard, often leaving us doubled over gasping for air.

But hard is the idea. Sprinting puts an enormous amount of stress on our physical systems, which — when done safely — makes us stronger, more resilient and more fit.

Why sprint?

Put simply, sprinting is running at or near your top speed. “It is one of the movements that gives the biggest bang for buck,” said Matt Sanderson, a director at the fitness brand SOFLETE.

Sprinting helps build and maintain fast-twitch muscle fibers. Maintaining these fibers can help prevent slips and falls, which are the leading cause of injury among older people.

Because sprinting engages so many muscles, “it’s going to do a better job of helping maintain your muscle mass and avoid muscle loss as you age,” said Christopher Lundstrom, a lecturer in kinesiology at the University of Minnesota who studies sports and exercise science.

Several small studies also suggest that sprinting is even better at maintaining and building bone density than endurance running.

However, running flat out should be undertaken only after a thorough warm-up , regardless of your fitness level, as it can cause muscle pulls and strains as well as major injuries, like Achilles’ tears. If you have any concerns about injuries or health issues, talk with your doctor first.

If you have a larger body and are concerned about stress on your joints or bones, Mr. Sanderson recommended starting with lower-impact exercises such as sled pushes to build up strength and develop conditioning before trying to sprint.

“Spend some time preparing your tissues,” he said. “Jumping rope, even jumping or bouncing in a swimming pool.”

Lastly, remember that “top speed” is a relative term. If you ran a 12-second 100-meter dash several decades ago, adjust your expectations. Every athlete is different, but here are a few general tips for sprinting safely.

Start slow.

Even though the ultimate goal is to go fast, it’s important to start slow. Running a 100-meter dash right away is probably a bad idea.

“If you haven’t sprinted recently, maybe go and run slightly faster than you’re used to,” Dr. Lundstrom said. Then “a little bit harder, and gradually getting up to a full sprint.”

Roll up the intensity.

Experts also suggested “rolling sprints” during a standard jog to work into running at top speed. As you jog, pick a point to begin increasing the intensity of your running every 10 meters or so until you reach an effort where speaking would be hard. From there, decrease every 10 meters until you’re back to your regular jogging pace.

If you are not a jogger, you can do rolling sprints as a stand-alone workout, repeating each sprint a handful of times.

Set a baseline.

Once you start sprinting, the first thing you should do is set a benchmark time over a certain distance. This is less about bragging rights and more about having a tool to structure later workouts.

Start with a distance between 40 and 60 meters long. Simply work into a sprint and note your best time.

Use your threshold.

Once you have a benchmark time, use it to plan your workouts. One easy routine, Mr. Sanderson said, is to run repeated sprints at your chosen distance, trying to keep your efforts within a certain range of your benchmark time. He calls that range a “percentage threshold.”

Thresholds vary for each athlete, but for someone with a high fitness level, 5 percent is good. Others may aim for 10 percent.

If it takes you seven seconds to sprint 40 yards, a 10 percent threshold is 7.4 seconds. So keep repeating that sprint (with a few minutes of easy walking in between) until you run slower than about eight seconds, then stop your workout.

At first, the number of sprints that you can run may be low. But as you gain strength and speed, you’ll find that your ability to maintain speed will grow.

Stay off the local high school track — at first.

While you may be tempted to lace up your old track spikes and head to your local high school, Mr. Sanderson recommended against starting on a rubberized surface, as the bouncy track could increase the chance for injury.

“Your performance will probably go up,” he said of running on a track. “But it’s asking more of your Achilles and your calf.”

He recommends starting sprint work on turf or natural grass. From there, you can graduate to pavement and, finally, the rubberized track you may remember from high school.

Michael Venutolo-Mantovani is a freelance writer out of Chapel Hill, N.C.

A Guide to Becoming a Better Runner

Training to run a marathon? Here’s how to get ready . Preparing to run a shorter distance ? Here’s some guidance .

When your mind hates running even more than your body does, you have to strategize. Try these three hacks .

Starting a new running habit  doesn’t have to be hard — all it takes is comfortable shoes, a willingness to move and the right food to fuel up .

Whether you’re an experienced runner  or don’t know where to start, a running routine is critical. These tips will help you establish one .

Are you lacing up your running shoes after a long break? Follow these tips to get your groove back .

Shin splints. Achilles tendinitis. Runner’s knee. Dangers abound for runners, but there are ways to prevent them .