essay brother review

Essay About Brothers: Top 5 Examples and 8 Prompts

S ee this article for samples and prompts to help you write an essay about brothers.

Most people would imagine a male relative with the same parent or parents as you when they hear the word “brother.” However, “brother” can also refer to someone you’re very close with, who shares the same interests, and thinks like you. 

Writing an essay about brothers can be challenging if you don’t have a male sibling. Don’t worry. It’s perfectly fine to get inspiration from essays and other literary pieces you can find.

Below are samples you can read to assist you in writing an essay about “brother.”

1. My Brother Essay by User Era

2. he’s my brother by alexandra of metairie, louisiana, 3. the day i met my little brother by symone mc collum, 4. losing my brother essay by writer jill, 5. personal essay on my twin brother by luke peretti, 1. my brother, 2. fondest memories of my brother, 3. my unique language with my brother, 4. what i want for my brother, 5. the worst things about my brother, 6. when i have a brother…, 7. why he’s my brother, 8. when i become a brother.

“The relationship between my brother and me is deep and special. It only grows stronger with time. There are occasional fights and arguments. But at the end of the day, Kevin and I are always looking after each other.”

In this short essay, the author describes her brother’s personality and hobbies and how he’s such a wonderful person. She acknowledges that they sometimes argue and fight, but at the end of the day, she considers him her hero and forever companion. 

“I believe that siblings are the best addition to life. Without a doubt, siblings can be annoying and petty, but with all of the bickering and not so witty banter, they love with all their heart.”

Alexandra remembers the first time her parents took her baby brother home. She then details how her brother helped her connect with others, know how to compromise, and love someone else. Over the years, she realized that everything he taught her made her life more enjoyable. 

“I used to think of disappointment as losing one of my Barbie dresses… But I realized that disappointment can stem from the person you love the most… I don’t dislike my little brother and sister till this day. They’re still my little superstars and I hope I can be a good enough big sister to them.”

Mc Collum starts her essay by narrating how much she wants to have a sibling. But, as an only child, she finds it lonely and boring. She then recounts the events of when her dad introduced her little brother to her as a surprise. She follows it by describing her mixed feelings about meeting the baby, mainly because her father already had another child with another woman. 

Instead of focusing on her little brother, she shares her disappointment with her father. It took her some time, but she now accepts her younger siblings because they aren’t at fault for what their father did. Mc Collum concludes her essay by stating that she doesn’t want to be a victim and does her best to overcome her frustration with her father.

“For me, losing my brother almost three years ago still saddens me… Losing someone is hard to accept, remembering him is easy, I do it everyday.”

The writer shares her pain at how she lost her brother, best friend, and right hand due to an overdose. She tells of how much they spent time together and how he was always there to protect her.

She further explains how hard it is to move on when she remembers him every day and still wishes he was there with her. Her brother’s death made her try to make the best of everything and trust God. 

“Having a twin brother is a blessing and a curse. He is always there for me and I always have a friend to talk to, but a majority of the time he pushes my buttons invades my personal space and gets on my nerves.”

Peretti discusses his thoughts on how he initially loved being a twin until it gradually took away his character because no one could tell him apart from his brother. It took him a while to realize that people only react the way they do because they don’t understand what he feels. They don’t have a twin, after all.

Peretti then strived to be a better person and embraced being a twin. He ends the essay by realizing his struggles with his brother made him the best version of himself.

8 Prompts To Consider

The following writing prompts can help you get started on your essay.

Are you anxious that your essay will fall short? Here are the best essay writing apps you can take advantage of to ensure you deliver an excellent essay.

The best thing about essays about brothers is you can write about your own brother and describe everything you love (or don’t love) about them! Describe his hobbies, interests, and personal appearance. Include personal anecdotes and fond memories in this essay for a fun and engaging read.

Recount something unforgettable such as when you two prank your parents or when you cover for each other to avoid getting scolded. Include what you felt during that time and how that event made your sibling bond stronger. Make sure to use descriptive and engaging language to immerse the reader in your experiences.

It’s not uncommon for siblings to have a secret language and mutual understanding of each other’s body language. List things that only the two know, such as a secret handshake or a code word. Then share with your readers how it came about. 

This essay piece can focus on what you want your brother to be in the future. Describe your brother’s hope and dreams, and what you envision for his future. Perhaps you hope that he exceeds in his career, travels the world, or starts a family of his own. Describe this in detail, and write this essay to show your appreciation of your brother!

There are good things you can include when speaking about your brother, but it’s undeniable that there are times when he gets annoying. With this essay prompt, you can tell a story of when your brother irritated you the most and why. You can also add what you’ve learned after that incident, and how you moved forwards.

If you’re someone who doesn’t have a brother, you can imagine one for yourself. You can create an ideal brother and then explain to the readers why you want your brother to have the characteristics and personality you listed.

With this prompt, you’re free to write about anyone – blood-related or not. If you choose to talk about your blood-related brother, expand on why you consider him your brother aside from sharing the same blood. Meanwhile, you can talk about someone who’s not your kin but feels like one. Narrate your story on how you two became close and why you consider them a brother.

This prompt is perfect for anyone expecting or wanting to have a sibling in the future. What will you be as a brother? Describing how you’ll act like a brother and why is also a fascinating subject that can persuade your readers into thinking about what kind of sibling they are or will be.

Do you want to write about other relatives? Check out our 20 engaging essay topics about family .

Maria Caballero is a freelance writer who has been writing since high school. She believes that to be a writer doesn't only refer to excellent syntax and semantics but also knowing how to weave words together to communicate to any reader effectively.

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Encyclopedia brown: a story for my brother, philip seymour hoffman, first person.

The art and life of Mark di Suvero

Philip, Emily, and their dog, Tess, in the summer of 1990. Photograph by Marilyn O’Connor.

“What do you do with the old magazines when the new issues come out?” I asked the librarian.

“At the end of the year, we donate them to neighborhood schools so kids can cut them up and make collages,” she replied.

Our small public library is relatively new, sparsely filled with only the most popular items: a smattering of pregnancy and parenting books, mostly on sleep training; the latest mystery novels; DVDs on how to build your own she-shed; and a few shelves of history and religion to round it out. We live in a master-planned community filled with parks in a kid-friendly city, so the children’s section is by far the biggest part of the library.

This library is very different from the Rochester Public Library close to where I grew up in New York. I can remember our mom bringing my older brother, Phil, and me to the main branch downtown during school breaks to pass the time. The children’s room was so tucked away you had to crawl through a tiny child-size secret wooden door to get to it. That was my favorite part. The library, which opened in 1936, was massive, dark, and quiet, but inside that small room, there were tall windows where the sun splashed from the Genesee River onto the colorfully illustrated book covers. I wanted to check out dozens of books but knew that my mom would get frustrated trying to find the overdue items missing somewhere in our messy room while late fees piled up.

Phil and I loved reading. We shared a bedroom until our sister went off to college. We had bunk beds; he slept on the bottom. This way, we could each stay up reading with our own flashlight and not disturb the other—though, of course, we found plenty of other reasons to complain about this setup.

Phil loved the Encyclopedia Brown books, and he read a lot of Hardy Boys . He really enjoyed a good mystery, especially if it was funny. He had a lot of favorite movies, but I would say one of his absolute favorites, even as an adult, was The Adventure of Sherlock Holmes’ Smarter Brother (1975), with Gene Wilder, Marty Feldman, and Madeline Kahn. In one scene, Gene Wilder, playing Sherlock Holmes’s younger brother, Sigerson, is about to meet the foreign secretary, Lord Redcliff. Sigerson walks into the room alone. Checks his fly to be sure it’s closed. Spies a box of chocolates. Puts one in his mouth. He is startled, and spills the box clumsily to the floor. Just as Lord Redcliff walks in, Sigerson decides the best course of action is to hide all the chocolates in his mouth. With his mouth full and chocolate smeared all over his hands and face, he attempts to hide the empty candy box behind his back. Lord Redcliff spends the rest of the scene shuffling back and forth, peeking around to try and see what Sigerson is hiding.

Emily and Phil at seven and nine years old, 1976. Photograph courtesy of Emily Barr.

I could swear that Phil based much of his acting technique on watching Gene Wilder scenes like this over and over as a kid. The physical comedy is subtle in that the main character is unaware of his buffoonery—only the audience is in on the joke. Phil did this a lot: we would know that something was up, but the character himself was often clueless. This was true both of Phil’s comedic scenes and more dramatic ones: Sandy Lyle sharting at the party in Along Came Polly , Scotty J. trying to kiss Mark Wahlberg’s character in Boogie Nights , and the CIA agent Gust Avrakotos smashing the window in Charlie Wilson’s War . All three characters possess the same loud, obnoxious physicality. And then you see it in more nuanced ways, like when the brother in The Savages sneaks a cookie before the support group meeting is over, or when Freddie Miles jabs at the piano key in The Talented Mr. Ripley , or when Truman Capote takes tiny bites from the baby-food jars in Capote . These gestures brought his characters to life, and made us empathize and identify with their excitement, embarrassment, anger, and heartache.

Even now, when I watch Phil playing these parts in films that now capture a distant past, in roles that have become familiar to us, I can see so much of who he was. He was a cuddly person, much more so than me. He loved to sit close on a couch, walk arm in arm down the street, and hug big. We grew up like two hamsters making nests out of blankets and books. We burrowed together, especially when things felt scary or loud. We made up stories that took us away from the chaos of our house and into building forts in the woods, rowing boats together on Keuka Lake, or walking to The Brick Oven to eat pizza by ourselves like we were grown-ups.

And then there were the loud parts. My brother had a lot of loud parts, like his laughter and big gestures of annoyance. The way he would jump up and dance around when teasing you—even after you’d pleaded for him to stop, he just couldn’t help poking fun one last time. He knew it was wrong, but he was going to do it anyway, and laugh until you were laughing too. And then do it again, until you weren’t laughing, because we Hoffmans are not good at knowing how to stop. We know when to stop, we can tell the mood has shifted, but we always take things one step too far.

Shortly after Phil died, I scoured the library shelves for every periodical that even mentioned him. Early in my twenties, I’d begun saving every magazine or newspaper article Phil was ever featured in—at least the ones I knew about. I even had all his interviews on VHS. And here were the final magazine stories detailing his life cut short. At first, I just wanted to be sure I collected all the glowing obituaries reviewing the life and unexpected death of this talented young actor who mesmerized us with his art. But then I became obsessive. Even the weekly TV Guide put his name in the crossword: 15 down, twenty letters, “Oscar overdose.” I added it to my pile.

“So, these magazines will just get cut up by little kids?” I asked the librarian.

“Yes. Or recycled.”

“What if someone wanted to keep them when the library was done with them?”

“We can’t do that. It’s just too hard to keep track of requests like this.”

I didn’t want to read these articles. But I didn’t want children cutting them up in class next year. More importantly, I didn’t want one of my children to be sitting in art class and get handed one of these magazines and open it up to see their uncle Phil.

So I scooped them all up, handed her my library card, and checked them out. I took them home and went up to my room. I hid in the small space between my bed and the dresser with a pair of scissors I’d stolen from my daughter’s backpack. I sat on the floor and cut all the articles and photos of Phil out of each magazine. I tried to make the missing pages look inconspicuous. But there was no way to really hide it, especially when he was on the cover.

Magazine clippings were everywhere. Our lives had been cut into tiny pieces and gobbled up, and we spent a lot of time trying to hide it all away, including from each other. Eventually, I tucked all the clippings into an old cigar box, which I carefully placed up high on a shelf in my closet. I returned the cut-up magazines to the library, slipping them into the book deposit slot and hoping the cameras wouldn’t catch me. I imagined the librarian deciding to read The New Yorker on her lunch break and realizing that someone had ripped out this key, important article from the magazine. I walked home in the snow, thinking about the mystery I’d created for her with the missing pieces and also how Phil would think I was ridiculous for doing all this. He’d wrap his big arm around me, and we would walk a little quicker as the temperature dropped and the sun set lower in the sky. We would talk, like when we were kids, imagining the story of Encyclopedia Brown trying to solve The Case of the Vanishing Actor , which takes place in a library with a small wooden door.

Em and Phil in New York City, fall of 1987.

Emily Anne Barr is a pediatric nurse practitioner, a midwife, and a nurse scientist caring for families impacted by HIV. Her writing has appeared in the journal  AIDS and in The Perch.  When her brother died, his last gift to her was a two-year subscription to The Paris Review; she sent a version of this essay to the magazine earlier this year.

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Goodbye, My Brother

By john cheever, goodbye, my brother analysis.

These notes were contributed by members of the GradeSaver community. We are thankful for their contributions and encourage you to make your own.

Written by Julia  Wolf

“ Goodbye, My Brother ” by John Cheever is heart-wrenching story about misunderstanding between family members. They say it is a blessing to have a family in which everyone treats one another with love and respect, in which all interactions between relatives are based on mutual recognition. No one can argue with that. However, a happy family is a result of hard – never-ending – work that every member does willingly. John Cheever wrote “Goodbye , My Brother ” to analyze his own strained relationship with his brother, pouring all his pain into words.

Lawrence is a black sheep. Regardless the protagonist’s words that they are all very close and love each other, it is not really so. Even if he doesn’t want to admit it out loud, he doesn’t add his younger brother to a list of his loved ones. The main reason is that Lawrence doesn’t want to be included, he doesn’t accept their love. Obviously, if a person doesn’t want or need love, he/she might be viewed as a stranger. The Pommeroys are so close because they have lost a father, a man who used to take care about all of them. He dies, leaving a wife and four children alone. It is really a terrifying thought. Obviously, the children find solace in each other’s company. Though Lawrence is the youngest, he seems to be too independent for his own good, he doesn’t only refuse to show some kindness when his siblings and mother need it so desperately, he isolates himself. The children manage to forget about that unpleasant fact quite quickly, laughing at Lawrence’s expense, making fun of him. However, the mother can’t either understand or forgive her son. She simply can’t accept it. This boy – the one she bore under her heart – doesn’t need her and – what is more – despises her.

When Lawrence moves out, the house and the atmosphere in it become more peaceful. Time flies fast and the children grow up. Even the old grudges are forgotten now. The only one thing that remains unchanged is Lawrence’s unwillingness to be a part of the Pommeroy family. If anything, his contempt becomes even stronger. He accuses his mother of being an alcoholic, predicts that their house will collapse any day, and refuses to take part in any family activity. The day when he turns down his brother’s offer to play tennis refuels hostility between Lawrence and the protagonist. The latter is hurt by his younger brother’s cold treatment. The pain is so strong and Lawrence’s dark predictions are so unbearable that the man hits Lawrence with all his might. All pent-up emotional pain is poured into that blow.

Goodbye, My Brother Questions and Answers

The Question and Answer section for Goodbye, My Brother is a great resource to ask questions, find answers, and discuss the novel.

Study Guide for Goodbye, My Brother

Goodbye, My Brother study guide contains a biography of John Cheever, literature essays, quiz questions, major themes, characters, and a full summary and analysis.

• About Goodbye, My Brother
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Essays for Goodbye, My Brother

Goodbye, My Brother essays are academic essays for citation. These papers were written primarily by students and provide critical analysis of Goodbye, My Brother by John Cheever.

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Brother review – touches on a spectrum of pertinent issues

Review by Isabelle Gray

Directed by

Clement Virgo

Aaron Pierre Lamar Johnson Marsha Stephanie Blake

Anticipation.

A Sundance hit and, per the hype, the arrival of a hot new directorial talent.

Superb performances across the board in a tale that touches on a spectrum of pertinent issues.

In Retrospect.

Not entirely original, but does what it does very well indeed.

Clement Virgo adapts David Chariandy’s 2017 eponymous novel about the complex bond between two Jamaican-Canadian brothers.

C limbing an electricity pylon is not an obvious metaphor for life. But, like life, scaling an electrical tower does present a certain level of risk. That’s what the opening scene of Clement Virgo’s adaptation of David Chariandy’s 2017 novel suggests, where we see two young, Black males gear up to make the ascent in what feels like an initiation task passed down from Francis (Aaron Pierre) to his younger brother Michael (Lamar Johnson). The tension established here between the two makes it feel like this film is going to be about peer pressure and sibling rivalry, but this is not the case.

Instead, Brother is about family, masculinity, and the complex web of boundaries dictated by race and class. Although the film’s choppy narrative is hard to follow at times, we’re still able to appreciate the connection between Francis and Michael, through tender moments from the boys’ childhood: Francis often takes the role of father figure, protecting nervous Michael in their sparse Scarborough apartment against a backdrop of indistinct shouting and police sirens that wail beyond the walls. The film’s bleak outlook is bolstered by a grey and gloomy aesthetic as the two sons of Jamaican immigrant parents navigate identity on the cusp of adulthood in ’90s Toronto.

Speaking to the love and sacrifices immigrant parents make for their children in a new country, Brother captures the intense frustration that comes from one family’s failure to cultivate a ‘normal’ and comfortable life. Marsha Stephanie Blake negates any possibility of one-dimensional female or ‘perfect mother’ tropes as Ruth, Francis and Michael’s mother, embodying varying emotions that nod towards the spectrum of feeling in response to loss.

Johnson’s overwhelming insecurities as Michael feel almost palpable, tapping into the relatable discomfort around establishing one’s own identity. His blossoming sense of self becomes crushed once he finds himself burdened with the responsibility of being his mother’s carer, shining a light on the limitations in health and social care for poor Black families. The stoic, tough-guy demeanour intertwined with an inner sensitivity make Francis’ loss acutely felt.

With hopes of becoming a hip-hop producer, Francis takes inspiration from Ruth’s record collection, which also provides a starting point for the film’s soundtrack. Reggae, hip-hop and Nina Simone tracks bring forth bursts of joy and nostalgia that when juxtaposed against the stark, ominous tones that build tension elsewhere in the film, become symbolic of how music unites people both in times of celebration, and times of mourning.

Tension engendered by the looming police presence throughout comes to a crescendo towards the climax. The opening scene’s pylon becomes a metaphor for the delicate line young Black men must tread in order to navigate a system that wasn’t designed for them: if you make it, you’re good. If you put a foot wrong, you die. Aside from well-trodden social politics, Brother’s examination of the myriad ways we respond to grief is what sets it apart from other films that delineate the Black experience.

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Published 26 Sep 2023

Tags: Brother Clement Virgo

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Essay on My Brother in 200 Words: Tips to Write an Essay on My Brother in 10 Lines

• Updated on  
• Mar 12, 2024

A brother is an important person in our life. He is our role model and best friend, with whom we share a special bond. A brother makes our lives fun, exciting, and lively. Having an elder or younger brother is a blessing. Their companionship makes us feel comfortable and their love is like a treasure. 

On this page, we will provide you with an essay on my brother sample, 10 lines to add to an essay on my brother, and some additional tips that will help you with your essay writing. All these details will be helpful with your essay writing in academic and professional fields. 

Table of Contents

• 1 Essay on My Brother in 250 Words
• 2 Essay on My Brother in 10 Lines
• 3 10 Lines to Add in Essay on My Brother
• 4 Tips to Write an Essay on My Brother

Check out our 200+ Essay Topics for School Students in English

Essay on My Brother in 250 Words

‘My brother is my best friend. He is my partner in crime, who supports me in every challenging situation in life. My brother’s name is Aditya Mallik. He is 22 years old and works as a Data Scientist in the Indian Space Research Organisation (ISRO).’ 

‘I am lucky to have such a caring brother who helps with my school homework, plays cricket, and supports me with everything in life. His support, unconditional love, and care are priceless and irreplaceable. My brother is not just an elder brother but my sunshine and role model.’

‘My brother keeps me safe from every difficult situation. His guidance has been invaluable, and he always encourages me to aim for the best. Sometimes my brother and I are at odds, especially when we are flying kites or eating sweets during festivals. I love my brother and our bond is priceless.’

‘My brother has a great sense of humor. The way he cracks up jokes and makes me laugh in challenging situations is just remarkable. Spending time with him is always a joyous experience, filled with laughter and shared memories. No matter how tough the situation, he has a way of making everything seem lighter and more manageable.’

My brother is everything to me; he is my guiding light, my best friend, my mentor, and a source of endless joy in my life. Thanks to his presence it has made my life a beautiful journey. I will always love my brother.’

Also Read: 2-Minute Speech on Importance of Education in English

Essay on My Brother in 10 Lines

Also Read: Essay on Cycling in English for School Students

10 Lines to Add in Essay on My Brother

Here are 10 lines to add to the essay on my brother. Feel free to add them to your essay on my brother or similar writing topics.

• My brother’s name is Parth Sharma.
• My brother takes me to the mall every weekend.
• My brother makes me feel safe and confident.
• My brother enlightens my days with funny jokes.
• My brother is an amazing football player.
• My brother is the fastest runner in the entire school.
• My brother is very good at Mathematics and Science.
• Spending time with my brother is the best time of my life.
• My brother is my best friend and our bond is unbreakable.
• I am grateful to god for giving me the best brother in the world.

Tips to Write an Essay on My Brother

To write an essay on my brother, you are required to discuss the bond you have with your brother and provide realistic examples. Here are some tips that will help you write an essay on my brother.

• General Introduction About Your Brother

Start your essay on my brother with a general introduction. Here, add basic details about your brother, such as his name, age, profession, etc., and the reason for writing this essay.

• One Paragraph on Your Brother’s Personality

Discuss your brother’s personality and the type of person he is. What kind of love and support he offers you, how he behave with other people, etc.

• Discuss the Cherished Memories You Share With Your Brother

This is the main body of your essay, where you must highlight all the cherished and happy memories you share with your brother. You are required to provide examples of daily life situations, For example; Your brother is an outstanding badminton player and you like watching him play badminton. Or you like watching movies with your brother, etc.

• Your Brother’s Qualities

Writing about some additional qualities about your brother will give weightage to your essay. How your brother takes care of you in challenging situations, how he helps you with your homework, etc.

Conclude your essay with a positive note adding things like ‘my brother is the best’, he is my role model’, ‘I am thankful to god for giving me the best brother in the world’, etc.

Ans: ‘I am lucky to have such a caring brother who helps with my school homework, plays cricket, and supports me with everything in life. His support, unconditional love and care are priceless and irreplaceable. My brother is not just an elder brother but my sunshine and role model.’ ‘My brother keeps me safe from every difficult situation. His guidance has been invaluable, and he always encourages me to aim for the best. Sometimes my brother and I are at odds, especially when we are flying kites or eating sweets during festivals. I love my brother and our bond is priceless.’

Ans: My brother takes me to the mall every weekend. My brother makes me feel safe and confident. My brother enlightens my days with funny jokes. My brother is an amazing football player. My brother is the fastest runner in the entire school. My brother is very good in Mathematics and Science.

Ans: Give a general introduction about your brother by writing his name, age, and profession. Describe his qualities and the cherished memories you share with him. Talk about the best moments of your life and things you like playing with your brother. Conclude by writing some additional information about your brother, why you love him, and what makes him the best brother in the world.

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Shiva Tyagi

With an experience of over a year, I've developed a passion for writing blogs on wide range of topics. I am mostly inspired from topics related to social and environmental fields, where you come up with a positive outcome.

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Joseph Epstein, conservative provocateur, tells his life story in full

In two new books, the longtime essayist and culture warrior shows off his wry observations about himself and the world

Humorous, common-sensical, temperamentally conservative, Joseph Epstein may be the best familiar — that is casual, personal — essayist of the last half-century. Not, as he might point out, that there’s a lot of competition. Though occasionally a scourge of modern society’s errancies, Epstein sees himself as essentially a serious reader and “a hedonist of the intellect.” His writing is playful and bookish, the reflections of a wry observer alternately amused and appalled by the world’s never-ending carnival.

Now 87, Epstein has just published his autobiography, “ Never Say You’ve Had a Lucky Life: Especially if You’ve Had a Lucky Life ,” in tandem with “ Familiarity Breeds Content: New and Selected Essays .” This pair of books brings the Epstein oeuvre up to around 30 volumes of sophisticated literary entertainment. While there are some short-story collections (“The Goldin Boys,” “Fabulous Small Jews”), all the other books focus on writers, observations on American life, and topics as various as ambition, envy, snobbery, friendship, charm and gossip. For the record, let me add that I own 14 volumes of Epstein’s views and reviews and would like to own them all.

Little wonder, then, that Epstein’s idea of a good time is an afternoon spent hunched over Herodotus’s “Histories,” Marguerite Yourcenar’s “Memoirs of Hadrian” or almost anything by Henry James, with an occasional break to enjoy the latest issue of one of the magazines he subscribes to. In his younger days, there were as many as 25, and most of them probably featured Epstein’s literary journalism at one time or another. In the case of Commentary, he has been contributing pieces for more than 60 years.

As Epstein tells it, no one would have predicted this sort of intellectual life for a kid from Chicago whose main interests while growing up were sports, hanging out, smoking Lucky Strikes and sex. A lackadaisical C student, Myron Joseph Epstein placed 169th in a high school graduating class of 213. Still, he did go on to college — the University of Illinois at Urbana-Champaign — because that’s what was expected of a son from an upper-middle-class Jewish family. But Urbana-Champaign wasn’t a good fit for a jokester and slacker: As he points out, the president of his college fraternity “had all the playfulness of a member of the president’s Council of Economic Advisers.” No matter. Caught peddling stolen copies of an upcoming accounting exam for $5 a pop, Epstein was summarily expelled.

Fortunately, our lad had already applied for a transfer to the University of Chicago, to which he was admitted the next fall. Given his record, this shows a surprising laxity of standards by that distinguished institution, but for Epstein the move was life-changing. In short order, he underwent a spiritual conversion from good ol’ boy to European intellectual in the making. In the years to come, he would count the novelist Saul Bellow and the sociologist Edward Shils among his close friends, edit the American Scholar, and teach at Northwestern University. His students, he recalls, were “good at school, a skill without any necessary carry-over, like being good at pole-vaulting or playing the harmonica.”

Note the edge to that remark. While “Never Say You’ve Had a Lucky Life” is nostalgia-laden, there’s a hard nut at its center. Epstein feels utter contempt for our nation’s “radical change from a traditionally moral culture to a therapeutic one.” As he explains: “Our parents’ culture and that which came long before them was about the formation of character; the therapeutic culture was about achieving happiness. The former was about courage and honor, the latter about self-esteem and freedom from stress.” This view of America’s current ethos may come across as curmudgeonly and reductionist, but many readers — whatever their political and cultural leanings — would agree with it. Still, such comments have sometimes made their author the focus of nearly histrionic vilification.

Throughout his autobiography, this lifelong Chicagoan seems able to remember the full names of everyone he’s ever met, which suggests Epstein started keeping a journal at an early age. He forthrightly despises several older writers rather similar to himself, calling Clifton Fadiman, author of “The Lifetime Reading Plan,” pretentious, then quite cruelly comparing Mortimer J. Adler, general editor of the “Great Books of the Western World” series, with Sir William Haley, one of those deft, widely read English journalists who make all Americans feel provincial. To Epstein, “no two men were more unalike; Sir William, modest, suave, intellectually sophisticated; Mortimer vain, coarse, intellectually crude.” In effect, Fadiman and Adler are both presented as cultural snake-oil salesmen. Of course, both authors were popularizers and adept at marketing their work, but helping to enrich the intellectual lives of ordinary people doesn’t strike me as an ignoble purpose.

In his own work, Epstein regularly employs humor, bits of slang or wordplay, and brief anecdotes to keep his readers smiling. For instance, in a chapter about an editorial stint at the Encyclopaedia Britannica, Epstein relates this story about a colleague named Martin Self:

“During those days, when anti-Vietnam War protests were rife, a young woman in the office wearing a protester’s black armband, asked Martin if he were going to that afternoon’s protest march. ‘No, Naomi,’ he said, ‘afternoons such as this I generally spend at the graveside of George Santayana.’”

Learned wit, no doubt, but everything — syntax, diction, the choice of the philosopher Santayana for reverence — is just perfect.

But Epstein can be earthier, too. Another colleague “was a skirt-chaser extraordinaire," a man "you would not feel safe leaving alone with your great-grandmother.” And of himself, he declares: “I don’t for a moment wish to give the impression that I live unrelievedly on the highbrow level of culture. I live there with a great deal of relief.”

In his many essays, including the sampling in “Familiarity Breeds Content,” Epstein is also markedly “quotacious,” often citing passages from his wide reading to add authority to an argument or simply to share his pleasure in a well-turned observation. Oddly enough, such borrowed finery is largely absent from “Never Say You’ve Had a Happy Life.” One partial exception might be the unpronounceable adjective “immitigable,” which appears all too often. It means unable to be mitigated or softened, and Epstein almost certainly stole it from his friend Shils, who was fond of the word.

Despite his autobiography’s jaunty title, Epstein has seen his share of trouble. As a young man working for an anti-poverty program in Little Rock, he married a waitress after she became pregnant with his child. When they separated a decade later, he found himself with four sons to care for — two from her previous marriage, two from theirs. Burt, the youngest, lost an eye in an accident while a toddler, couldn’t keep a job, fathered a child out of wedlock and eventually died of an opioid overdose at 28. Initially hesitant, Epstein came to adore Burt’s daughter, Annabelle, as did his second wife, Barbara, whom he married when they were both just past 40.

Some pages of “Never Say You’ve Had a Lucky Life” will be familiar to inveterate readers of Epstein’s literary journalism, all of which carries a strong first-person vibe. Not surprisingly, however, the recycled anecdotage feels less sharp or witty the second time around. But overall, this look back over a long life is consistently entertaining, certainly more page-turner than page-stopper. To enjoy Epstein at his very best, though, you should seek out his earlier essay collections such as “The Middle of My Tether,” “Partial Payments” and “A Line Out for a Walk.” Whether he writes about napping or name-dropping or a neglected writer such as Somerset Maugham, his real subject is always, at heart, the wonder and strangeness of human nature.

Never Say You’ve Had a Lucky Life

Especially if You’ve Had a Lucky Life

By Joseph Epstein

Free Press. 304 pp. $29.99

Familiarity Breeds Content

New and Selected Essays

Simon & Schuster. 464 pp. $20.99

We are a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for us to earn fees by linking to Amazon.com and affiliated sites.

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OPINION: He ain’t heavy, he’s my brother

The setting sun reflects off the water of Turnagain Arm on January 15, 2024. (Marc Lester / ADN)

I was traveling with my older brother Randy and our mutual friend Vernon. Ahead of us was a diner I had often frequented during my college years called Alf’s Giant Burgers. I punted when I asked, “Hey you guys wanna stop and get a bite to eat before we turn around?”

“Sure,” they both replied.

We were driving Randy to a rehabilitation center called Springbrook, where we hoped to deliver him for treatment. En route, I missed the turn-off to the facility and found myself instead in McMinnville, Oregon, some 20 miles beyond our destination. Fortunately, McMinnville was familiar terrain to me, as I had lived there while attending college.

Alf’s was the classic drive-in but with a couple of unique twists — including Alf himself, who we were lucky enough to meet. I’d guess Alf was 60 or 65 years old and, according to his menu, had been making the same great burgers since 1965. Alf was dressed in butcher’s whites. On his head, he wore a little white paper hat with a baby blue racing stripe that ran the full circumference of his unusually large, round, hairless head — by far his most distinguishing feature. Other than the blue ribbon, the only item he was wearing that wasn’t white was a pair of black, plastic-rimmed glasses which, because of their size, could have been mistaken for a pair of safety goggles. As he stood taking our order, tiny beads of sweat collected in the deep pink pouches beneath his eyes.

The décor around the drive-in was neat and trim. Green indoor/outdoor carpet covered most of the outdoor dining area. Off to one side was a row of artificial green hedges, neatly manicured to resemble a small parade of animals. In the lead were several dancing monkeys, all holding each other by the tails. Next were two elephants that stood head to head with their green curling trunks raised to the sky. Bringing up the rear, a couple of hippos rested nonchalantly among a landscaped patch of rose-colored quartz pebbles. A pair of pink plastic flamingos stood guard outside each of the restrooms.

Inside, the floor was checkered with black and white tiles. A lot of 1950s and 1960s junk hung from the walls and rested on the countertops. At one end of the dining room and around a corner, I discovered a small area that I hadn’t seen from my previous vantage point.

Staring into this space for several seconds, I turned to my brother and said, “Well Randy, it looks like we’re here.”

“Huh? What do you mean we’re here? Where’s here?”

“Springbrook,” I said back to him. “You know, the place where we’re taking you to stay. It’s right over here. Come on over and check it out, they even got a couple of roommates for you.”

Randy and Vernon walked over and looked where I was pointing. On the other side of the room stood a Plexiglas wall and behind this wall, a cage, about 10 feet square. In the middle of this enclosure was a dried-out, stout-looking tree with severed limbs. A couple of jungle gym chains with monkey rings attached hung from the cage’s ceiling. Swinging wildly around between the leafless tree and metal-hooped rings were two coal-black, miniature-sized gorillas. One had on a green diaper, the other sported a red one. As we all stood staring at these poor creatures, they grew agitated and began bouncing off the bars of their pitiful cage.

As Randy gawked at the scene in front of us, I pressed the limits of good humor when I said, “Yeah, Rand, that’s how you’re going to be acting soon as you start going through withdrawal.”

Randy didn’t say anything back. He just watched the little gorillas quietly for a few more minutes, then shook his head at me and walked away.

My brother was many things, some of which were noble and others crass and salty, as befitting of a rebel and a sailor. Unfortunately, one of the things my brother was at this time in his life, was a meth addict of 20 years.

In 1992, I performed an intervention on his behalf. And reflecting back now, I’d say this was probably one of the most difficult things I have done in my entire life. But my actions saved his life. And as such, I was able to enjoy 17 years of sobriety with him until he passed away, while on a road trip in his classic old Ford truck en route to his Idaho getaway.

To this day, if I were in my brother’s shoes at that time, I honestly don’t know if I would have gone ahead and allowed myself to be committed.

But courage comes in many forms, as does humor. And as such, we oftentimes surprise even ourselves in the face of adversity about what we are capable of in our darkest hours.

I am reminded of the lyrics to a song by the Hollies. With one line in particular that stands out from a story told long ago.

“The road is long, with many a winding turn that leads us to who knows where, who knows where. But I’m strong. Strong enough to carry him. He ain’t heavy, he’s my brother. So on we go.”

So on I go.

Pete Garay lives in Homer Alaska with his wife and three children. His hobbies include fishing, gardening, writing and oil painting.

The views expressed here are the writer’s and are not necessarily endorsed by the Anchorage Daily News, which welcomes a broad range of viewpoints. To submit a piece for consideration, email commentary(at)adn.com . Send submissions shorter than 200 words to [email protected] or click here to submit via any web browser . Read our full guidelines for letters and commentaries here .

Captain Pete Garay has been working as a state licensed marine pilot in Alaska for over two decades. He currently serves as one of the public commissioners on Alaska's Arctic Policy Commission.

Movie Reviews

Tv/streaming, collections, great movies, chaz's journal, contributors, the feel-bad comedy of the year.

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When did comedies get so mean? "Step Brothers" has a premise that might have produced a good time at the movies, but when I left, I felt a little unclean. The plot: Will Ferrell and John C. Reilly play Brennan and Dale, two never-employed 40-ish sons who still live at home, eating melted cheese nachos and watching TV. When their parents ( Mary Steenburgen and Richard Jenkins ) get married, they become step-brothers and have to share the same room. This causes them to inflict agonizing pain upon each other and use language that would seem excessive in the men's room of a truck stop.

Is this funny? Anything can be funny. Let me provide an example. I am thinking of a particular anatomical act. It is described in explicit detail in two 2008 movies, "Step Brothers" and the forthcoming " Tropic Thunder ." In "Step Brothers," it sounds dirty and disgusting. In "Tropic Thunder," described by Jack Black while he is tied to a tree and undergoing heroin withdrawal, it's funny.

Same act, similar descriptions. What's the difference? It involves the mechanism of comedy, I think. The Jack Black character is desperately motivated. He will offer to do anything to be released. In "Step Brothers," the language is simply showing off by talking dirty. It serves no comic function, and just sort of sits there in the air, making me cringe.

I know, I know, four-letter language is the currency of a movie like this, and many of the other films Judd Apatow produces. I would be lying if I said I was shocked. I would also be lying if I said I had no taste, or judgment of comic strategy. I'm sure I've seen movies with more extreme language than "Step Brothers," but here it seems to serve no purpose other than simply to exist. In its own tiny way, it lowers the civility of our civilization.

Now what about the violence? These two adult children do horrible things to each other. The movie must be particularly proud of one scene, because they show part of it in the trailer. Dale thinks he has killed Brennan by slamming him with the cymbal of his drum set. He rolls him in a rug and prepares to bury him in the lawn. Brennan comes to, bangs Dale with the shovel and starts to bury him alive.

I dunno. Maybe it sounds funny when you read it. Coming at the end of a series of similar cruelties, it was one living burial too many. There is also an attempted drowning. And ... never mind.

Mary Steenburgen and Richard Jenkins, two gifted actors, do what they can. They despair of their grown-up, unemployed brats. They lay down the law. They realize their sons are destroying their marriage. But they exist in another dimension than Brennan and Dale -- almost in another movie. Their reaction shots are almost always curious, because the only sane reaction would be sheer horror, followed by calls to the men with the butterfly nets.

Sometimes I think I am living in a nightmare. All about me, standards are collapsing, manners are evaporating, people show no respect for themselves. I am not a moralistic nut. I'm proud of the X-rated movie I once wrote. I like vulgarity if it's funny or serves a purpose. But what is going on here?

Back to the movie. I suppose it will be a success. Will Ferrell and John C. Reilly have proven how talented they are in far better movies. If it makes millions, will they want to wade into this genre again? I hope not. Ferrell actually co-wrote the movie with Adam McKay , the director. Maybe he will. But why not a comedy with more invention, with more motivation than hate at first sight?

There is one genuinely funny moment in the movie; the blind man who lives next door has a guide dog that misbehaves, snarls and bites people. Bad taste, yes. But ... I'm desperate here. Do you see why the dog doing it is funny, but Will Ferrell doing it to John C. Reilly is not?

Roger Ebert

Roger Ebert was the film critic of the Chicago Sun-Times from 1967 until his death in 2013. In 1975, he won the Pulitzer Prize for distinguished criticism.

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Andrew Tate served with civil proceedings papers on behalf of four British women

The four women, who allege Tate raped and assaulted them, were the subject of a police investigation in Hertfordshire that was closed in 2019.

Wednesday 8 May 2024 18:06, UK

Andrew Tate has been served with civil proceedings papers in Romania on behalf of four British women, their lawyers have said.

Lawyers on behalf of the four alleged victims have said they are bringing a case against the social media influencer at the High Court in the UK after the Crown Prosecution Service decided not to prosecute in 2019.

The four women allege Tate raped and assaulted them and are seeking "damages for injuries they suffered as a result".

Tate, 37, is accused alongside his brother Tristan Tate.

A representative for the Tate brothers said they "unequivocally deny all allegations", and are "fully committed to challenging these accusations with unwavering determination and resolve".

Three of the British accusers were the subject of an investigation by Hertfordshire Constabulary.

The Hertfordshire investigation was closed in 2019.

In a statement, McCue Jury and Partners, the law firm representing the four women, said: "Three of the women bringing the civil action reported that Tate had raped and physically assaulted them to the UK police in 2014/2015.

"After a four-year investigation, Hertfordshire Police sent the case to the CPS for a charging decision. In 2019, the CPS decided not to prosecute.

"Despite additional evidence, the CPS have declined the women's recent requests to review its decision."

Read more: Football club defends decision to refund Tate donation Tate to regain access to supercars and properties Andrew Tate's request for 'emergency visit' to London rejected

It comes after a court in Romania ruled last month that a trial can start in the influencer's separate human trafficking case , which also accuses him of rape and forming a criminal gang to sexually exploit women.

Tate and his brother were initially arrested in December 2022 near Bucharest.

They will be extradited to the UK after the proceedings in Romania, after Bedfordshire Police secured a European arrest warrant for further separate allegations of rape and human trafficking.

Those allegations, which the two brothers "unequivocally deny", date back to 2012 and 2015.

In a statement in March, the Bedfordshire force said: "As part of an ongoing investigation into allegations of rape and human trafficking, Bedfordshire Police has obtained a European arrest warrant for two men in their 30s.

"We are working with authorities in Romania as part of this investigation and will provide an update in due course."

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Ryan's World the Movie: Titan Universe Adventure

Ryan is back for his most epic adventure yet. When his twin sisters, Emma and Kate, get sucked into a mystical comic book, Ryan has no choice but to rise up as the great big brother he is an... Read all Ryan is back for his most epic adventure yet. When his twin sisters, Emma and Kate, get sucked into a mystical comic book, Ryan has no choice but to rise up as the great big brother he is and jump in after them. Adventures, battles, and hilarious debacles ensue, as Ryan and his f... Read all Ryan is back for his most epic adventure yet. When his twin sisters, Emma and Kate, get sucked into a mystical comic book, Ryan has no choice but to rise up as the great big brother he is and jump in after them. Adventures, battles, and hilarious debacles ensue, as Ryan and his friends navigate the Titan Universe and bring everyone back home safely before his parents ... Read all

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'Cruel Summer' Season 2 Cast and Character Guide

Sadie Stanley, Lexi Underwood, and more are involved in a new gut-wrenching mystery.

Freeform 's popular teen drama thriller series Cruel Summer is back for Season 2, with another gut-wrenching teen storyline . Since the show (produced by Jessica Biel ) is an anthology, the second season presents a whole set of new characters for fans to familiarize themselves with. The new season is centered on two best friends, Megan and Isabella, as they try to clear their names from a police investigation. Like Season 1, Season 2 features different timelines to showcase the main characters meeting for the first time, befriending each other, and becoming the primary targets in a twisty murder mystery. Read on for our breakdown of all the new faces in the latest season of Cruel Summer.

Editor's Note: This article was updated on June 16.

RELATED: Sadie Stanley and Lexi Underwood Get Their Stories Straight in 'Cruel Summer' Season 2 Trailer

Sadie Stanley as Megan Landry

Megan Landry is a computer coder and a straight-A student who is used to keeping things on the down low. Once she meets Isabella, Megan gets out of her shell and begins to live in the moment. That is, until a tragic event makes her reconsider her newfound friendship, leaving her uncertain about who to trust.

Sadie Stanley stars as Megan in Cruel Summer Season 2, and she made her onscreen debut in Disney's live-action Kim Possible . Since then, the actress has had a recurring role in Dead to Me Season 2 and starred in Netflix's 2020 comedy The Sleepover . Before joining the cast of Freeform's hit series, she also appeared in various episodes of The Goldbergs . Here's what Sadie Stanley told Collider about the process of playing Megan across timelines:

Physically what’s going on, on the outside, is obviously a reflection of what’s happening to the character on the inside and what they’re going through. Even in the casting process, it was super important to everybody that each timeline felt really distinct and felt really different, not only for the audiences to be able to keep track, but also story wise, they’re in completely different times in their life and emotional states. That third timeline needs to feel so completely different than that first time that we meet Megan in Summer ‘99. She’s not the same anymore. Something really terrible has happened to her. Her life, and everything that she had planned for it, has dissolved right in front of her. It’s all in the scripts. It’s just about tapping into what it would be like, for a young girl to go through all those things, and everything on the outside helped a lot too. It’s also a learning curve for the audience. I remember watching the first season, and you had to get used to it and really make the connections, and then it feels easy to keep track.

Lexi Underwood as Isabella LaRue

Isabella LaRue is the daughter of foreign diplomats and an exchange student spending a year at the Landry household. Extroverted and oftentimes alluring, Isabella is responsible for encouraging Megan to leave her comfort zone and become more of a free spirit like herself. When a body is found inside a black bag in the lake, she is quick to come up to Megan and make sure that they get their stories straight when the police begin to suspect their involvement in the case.

Lexi Underwood ignited her career with her breakout role in Little Fires Everywhere , acting opposite Reese Witherspoon and Kerry Washington . Her performance as Pearl Warren even lead her to be nominated for a NAACP Image Award for Outstanding Performance by a Youth in 2021. She also starred as Malia Obama in The First Lady and as Kira King, the lead in Disney's Sneakerella . In the same interview with Collider, Underwood talked about how much of her character's secrets she was aware of while filming for the series:

I knew a couple of the secrets, but they didn’t have all the scripts written, so I only knew bits and pieces of it. But based off of my interpretation of how I would go about that secret, that helped them really shape out what the full lie or secret would actually be. But I was really in the dark about it. I had to trust the showrunner and trust my character, as well.

Griffin Gluck as Luke Chambers

Luke Chambers is Megan's lifelong best friend and part of a very wealthy family. Throughout the episodes, Luke tries to leave his mark in the world, outside his parents' expectations. He will also get in between Megan and Isabella in a love triangle.

Griffin Gluck , who plays Luke Chambers, kicked off his career with the 2019 comedy Just Go With It , starring opposite Jennifer Aniston and Adam Sandler . Since then, he has worked with Sydney Sweeney and Pete Davidson in Big Time Adolescence and was a series regular on Netflix's Locke and Key , which released its final season in 2022. Here's what Gluck told Collider about playing Luke:

He’s hard to pinpoint. You never know exactly how he’s feeling. He’s confused. He’s figuring it out himself. So, bouncing between one love and another love, and how one affects the other, it’s fun because, as we were shooting, we were seeing it develop, and as you’re watching it, you see it develop. You see how these two people change him, and how he changes them. It was difficult, for sure, but it was great to have such good scene partners. If you can’t figure it out, once you get in the room and the cameras are rolling and you’re in that moment, it’s a lot easier to figure out together.

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KaDee Strickland as Debbie Landry

Debbie Landry is Megan's mother and Isabella's host mother during her exchange program. As a single parent, she has a lot on her plate taking care of a girl in her teens. To help Megan expand her horizons, Debbie welcomes Isabella into her household. Little does she know that things would turn upside down from the moment this exchange student comes into their world.

KaDee Strickland is a veteran when it comes to TV, having played Charlotte King in ABC's Private Practice from 2007-2013. She also participated in Secrets and Lies and played the lead in Hulu's Shut Eye . She is also known for her performances in films such as Fever Pitch and Anacondas: The Hunt for the Blood Orchid .

Paul Adelstein as Steve Chambers

Steve Chambers is Luke's father and a powerful figure in Chattam. The character is played by Paul Adelstein , who is best known for the role of Agent Paul Kellerman in Prison Break . Like KaDee Strickland, the actor also starred in Private Practice , playing Cooper Freedman.

Sean Blakemore as Sheriff Meyer

Sheriff Meyer is an old-fashioned cop who finds himself responsible for investigating the first major crime in Chattam. He shows a mentor-like relationship with Luke, who has a strenuous relationship with his father. As the police officer in charge of the investigation, it doesn't take him long to zero in on Megan and Isabella, knowing everything he knows about their past.

Before Sean Blakemore joined the cast of Cruel Summer Season 2, he played Sean Butler on the ABC series General Hospital . This role led the actor to get his first Daytime Emmy nomination for Outstanding Supporting Actor in a Drama Series in 2012, and he also won the award later on, in 2016. He also appeared in other procedural TV shows, such as NCIS , ER , and Monk .

Lisa Yamada as Parker Tanaka

Parker Tanaka is a popular musician and fashion icon in her social circle. Although she does come off as a mean girl, Parker also has her insecurities and often seeks validation from the people around her.

After appearing in other well-known projects like Never Have I Ever and All American , Lisa Yamada is starring alongside her former Little Fires Everywhere co-star Lexi Underwood in Cruel Summer Season 2. She is currently also working with Tommy Dorfman on the upcoming YA film I Wish You All the Best , which follows a teen on a journey of self-discovery after being kicked out of their parent's house.

Braeden De La Garza as Brent Chambers

Brent is Luke's older brother and the entitled "favorite son" of the Chambers household. The character is played by Braeden De La Garza , who has previously played Prince Emmett in the Disney+ series The Quest (2022), one of the many shows purged from the service in May 2023 .

Cruel Summer Season 2 premiered on June 5 on Freeform at 9 p.m. ET/PT. Subsequent episodes are being released weekly in the 10 p.m. slot, with episodes streaming the next day on Hulu.