creative writing character development

Character Development: Create Characters That Readers Love

by Joe Bunting | 16 comments

Readers love great characters.

Think back to your favorite stories of all time. You might remember the story arc or not. You might remember the best bits of dialogue, or you might not. You might remember the setting descriptions, but let’s be honest, you probably don’t .

But the characters? Original characters? Your favorite characters? You’ll remember them for the rest of your life.

How do you create great characters? The short answer is character development, but what is character development and how can you use it to create characters readers love?

That’s what we’re going to talk about in this article. We'll start by discussing the definition of character development and why writers need to do it. We'll talk about each phase of the character development process, from creating to developing to storytelling with them.

Throughout, we'll look at lots of character development examples. Finally, we'll get you started writing with a character development exercise.

Here's a quick table of contents so you can jump to your favorite tips for character development in the article.

Table of Contents

Character Development Video Guide What Is Character Development? 3 Steps Types of Characters How to Create a Character Sketch 6 Steps to Character Development Through a Story Character Development Test Character Development Writing Exercise

Character Development Video Guide

But first, would you prefer to watch this guide? Here's a video I made for it:

Make sure to like the video and subscribe to our channel for more videos about the writing craft.

Now, ready to get started with this characterization lesson? Let’s do it.

What Is Character Development? The 3 Steps to Well-Developed Characters

Character development is the process of creating and telling a story about a fictional character. It's far more than a personality trait list.

When it comes to compelling characters, there are only three steps:

• Create a character
• Develop the character (making them more sympathetic and/or villainous)
• Then, put them into a story

That's it. Easy right?

Actually no, it's not easy at all. You'll need to make hundreds of decisions to develop characters people can fall in love with. Each of these steps might take you days or months or even  years .

Or they might happen in just a few moments.

J.K. Rowling said Harry Potter began when she had a vision of a young boy with a scar on his forehead board her train.

You might already have an idea for a character or a whole crowd of characters.

Of course, for Rowling it took her another five years to develop Harry Potter and write her first book.

And that's what we're talking about in this article: the process of taking ideas and turning them into living, breathing characters that can drive whole stories.

Let's begin with the first step: creating characters, as well as the different types of characters you might need to create.

Step 1: How to Create Characters for Your Story

Of all the character development steps, this is the one I have the least advice about. That's because characters are  rarely  created, they are discovered .

Before I came up with the idea for my last novel, I had a vision of a curly haired boy on a beach. I didn't know what my story was about by that point, but I knew it had to have him in it.

Just as J.K. Rowling discovered Harry Potter when he boarded her train, so most great characters come from a source that their writers have little control over. 

You might come across inspiration in real life—real people who inspire you, but there are complex characters around you all the time in every movie, book, or story you read. Start noticing and you'll get a strong sense of what might inspire strong characters.

That being said, there are  types  of characters that you might need in your story, and if you know that you need that type, you can sometimes reverse engineer the characters.

Types of Characters

There are two broad categories of characters and many different subtypes:

1. Protagonists

2. Secondary Characters

Most stories only have one or two protagonists, or main characters, which means that most of your characters will be secondary characters. What is a protagonist?

Protagonist definition: The primary character of a story. The character at the center of the plot whose choices drive the story and whose fate determines the story’s outcome.

Protagonists tend to be dynamic characters who have a character arc that changes throughout the story. More on character arcs here .

Protagonists also tend to be point of view characters , meaning the narrator follows their point of view or they are a first-person narrator. (More on point of view here .) These characters carry the narrative, and in a story told in third person limited point of view , they will be the only character whose thoughts and emotions the reader can see.

Warning: Unless you're writing a love story, which frequently has two protagonists in the couple, be careful about having more than one protagonist. There's a reason George R. R. Martin is still  (still!) trying to finish  A Song of Ice and Fire . The more point-of-view characters you have, the more complicated your narrative, and the more problems you face.

There are three types of protagonists:

• The Classic Hero. Think Harry Potter, Jane Eyre, Atticus Finch, or Katniss Everdeen. Classic heros are brave, are selfless, and try to do the right thing.
• The Anti-Hero. Think Severus Snape, Huckleberry Finn, or Han Solo. Anti-heroes are not noble, rarely do the right thing, and might, in ordinary circumstances, be considered the villain.
• The Ordinary Hero. Think Neville Longbottom, Holden Caulfield, and Jane Austen's Emma Woodhouse. These characters have an even mix of admirable and less noble qualities, just like most of us.

Which type is your protagonist? Let us know in the comments. Also, read more on the three types of protagonists in this guide .

Secondary characters are the next category, and they contain all the other types of characters, including:

• Villain or Antagonist . Not every story has a villain , but for the ones that do, the villain is the chief source of external conflict.
• Love interest and love rival . In stories with a love plot or subplot , the love interest is the chief love interest for the protagonist and may even be a protagonist themselves. They may be static, meaning they don't change over the course of the story, or dynamic, meaning they do change, but they add to the romantic tension. Similarly, most love stories involve rivals, another love interest who creates a love triangle and increases the romantic tension.
• Foil Character.  A secondary character who acts as a mirror to the protagonist and is often very similar but different in one major way that allows us to better understand the protagonist's personality and choices.
• Mentor . The mentor is a character who steers the protagonist, helps get them out of trouble, and provides chances for reflection. A mainstay of the hero’s journey plot structure , in many types of stories, without a good mentor, the character’s journey will end in tragedy (e.g. think about Hamlet, who had no mentor).
• Sidekick . A sidekick is a character who supports the protagonist. Besides the protagonist and villain, they have the most opportunity for characterization and provide dialogue opportunities and insight into the character’s mindset. Sidekicks appear in all genres, from romance (e.g. Mercutio from Romeo and Juliet ) to adventure (e.g. Samwise Gamgee from Lord of the Rings ) to mystery (e.g. Inspector Beauvoir from the Inspector Gamache series) and more.
• Side Characters . Side characters often have fully developed personalities, long interactions with the protagonist, and perhaps even deep backstories. However, they rarely make decisions or change throughout the story.
• The Chorus . A term from playwriting, these characters may have names and vague descriptions, but they do not have fully developed personalities and are chiefly there to serve as bystanders.
• Suspects . Specific to mysteries and thrillers, suspects have fully developed personalities and they serve as objects of exploration for the investigator. They should all have motives and appear at least somewhat guilty of the crime, if only to serve as red herrings .

These tend to be static characters with a flat character arc, at least within the confines of the story. However, great writers know that all characters have their own arc. Your job as a writer is to choose how much of that arc to show the reader in the story.

For more on each of these character types, check out our guide, 6 Character Types Your Protagonist Needs Around Them .

Step 2: Develop Your Characters by Making them More Sympathetic (and/or Villainous)

Once you have a few characters, your work is not done. Now you have to  develop  them.

To do that, I've created a framework called the Seven Characteristics of Sympathetic Characters.

I learned this from Brandon Sanderson's fantastic characterization lessons as well as Blake Snyder's  Save the Cat and my own research into story structure and characterization.

These characteristics are  reader candy . We  love  characters with these personality traits, and by adding them you can quickly create a bond with your readers.

Think of this list as a checklist. The key is to include at least two or three of these characteristics early in your story, ideally in your protagonist's first scene.

This list also works for your secondary characters, and it can be used to quickly add depth and connection.

For your villains and antagonists, you can use this list in the opposite way, making the audience dislike them or even combining negative traits with sympathetic ones to give us a truly round, dynamic villain.

Here are the characteristics:

7 Characteristics of Sympathetic Characters

Use these seven traits to create believable characters who connect with the audience:

• Takes action. Show your protagonist being proactive. Show them making a hard choice when faced with a dilemma and taking action to get what they want.
• Treated unjustly . Show your character being bullied, persecuted, treated unfairly, or as the victim of injustice. One easy way to do this is to make your character an orphan , a trait shared by Hamilton, Harry Potter, nearly all of Charles Dickens's protagonists, Anne of Green Gables, Mark Twain's Huckleberry Finn, and many more iconic characters.
• Shows competence . Readers are interested in people who have competence, who show off their skill (even if those skills are unusual).
• Has friends . We’re attracted to people who show that they already have other people who like them. Just having a friend makes us more interested in someone. Show your protagonist is likable by surrounding them with other interesting characters.
• Does a good deed . “Save the cat,” as Blake Snyder says. By helping someone in need, your protagonist establishes themselves as “the good guy,” despite any other negative qualities.
• Has a humanizing quirk . Quirks are memorable things that create an instant visualization of someone, like Harry Potter’s scar on his forehead, Ron Weasley’s bright red hair, or Hermione’s frizzy hair. These can also include distinctive mannerisms, like a speech pattern, unique voice, or habits. Humanizing quirks are especially important for side characters, but a simple quirk can be a shortcut to help us quickly get to know a protagonist.
• Secret vulnerability . Everyone has a secret, whether it’s a phobia like Bruce Wayne’s fear of bats, Superman’s weakness toward kryptonite, or Inspector Gamache’s terror of heights. By letting the reader in on your protagonist’s secret vulnerability, you create a bond that can last the entire story.

Once you've picked two or three of these that fit your character, include them in your early scenes. You can also include these throughout your story to make us fall in love with your character even more.

How to Create a Character Sketch

Once you've picked the traits, you can create a character sketch or character profile. This is where you record details about a character to remember for the writing process or continue to develop them.

I’ll summarize the process below, but for a full guide, you can read about how to create a character sketch using Scrivener , one of our favorite writing tools, here .

You can mix and match elements to create your own character sketch template, but here’s what a character sketch might contain:

• Character name
• Photo (I just find something on Google image search to serve as a likeness)
• Character type (see 8 types below)
• One sentence summary
• One paragraph description (including a physical description , occupation, flaws, good attributes, and mannerisms)
• Goals (what do they want)
• Conflicts (what keeps them from getting what they want)
• Narrative (what do they do in the story)

Remember, the best way to do character development is to throw characters into a story. Don’t sketch characters for their own sake, but to find where they fit into the story.

Character Development Questions: 78 Questions to Ask Your Characters

Another development technique is to interview your characters, imagining them sitting before you, asking them a series of questions, and imagining their response.

You can invent your own questions, but there are also established lists of questions that have been used by writers for decades. Here are three helpful lists that, together, total seventy-eight questions:

The Proust Questionnaire . Used by novelist Marcel Proust when he was just fourteen years old, this questionnaire includes thirty-five questions that writers have used to find out who their characters are.

37 Questions to Ask Your Character . This list of unique and often surprising questions will help you discover many different sides of your character. Here's an example: “What did you eat for breakfast? Did you make it yourself? What time do you eat breakfast? Do you wash the pan after you cook the eggs or do you leave it for the maid to clean? Do you have a maid?” We first published this list by Pamela Hodges in 2016 and since then it's been shared over 6,000 times!

6 Revealing Questions to Get to Know Your Protagonist . This one is especially helpful to get to know your protagonist.

Try one or more of these lists and see if it helps you get to know a new side of your character's personality.

Step 3: Throw Your Character Into Your Story

This is the most important step, and one that many writers take far too long to get to.

Some writers believe they have to know every aspect of each of their characters personality  before  they start writing their book, from their earliest memories to their favorite afternoon snack.

However, this is often a waste of time. Why? Because your job as a writer is to put your character into stressful, high-conflict situations, and in those moments, their favorite afternoon snack is going to be the furthest thing from their mind!

That isn't to say you shouldn't spend some time getting to know your characters. Just recognize that's just the beginning. The real character development begins when you start telling your story.

6 Steps to Character Development Through a Story

Character arc and story arc are usually the same thing. By telling a great story, your character will change and transform.

This arc follows the six elements of plot, which we go into detail in this in our plot structure article , but which we'll summarize here:

1. Exposition. Begin with the character's “normal.”

What does “normal” look like for your protagonist? In about one-half to no more than three scenes, show what normal looks like for your character.

2. Inciting Incident. A problem or opportunity interrupts the character's status quo.

In the inciting incident , something interrupts the character's normal life and forces them to respond.

For example, Harry Potter receives an admissions letter from Hogwarts. A dead body is discovered in three pines, leading to a call to Inspector Gamache. William Wallace's wife is killed by the English. The devil appears to Dr. Faustus offering him a deal.

3. Rising Action/Progressive Complications. Problems and complications increase, causing conflict for the protagonist.

As the story continues, things must get more and more challenging for the protagonist. Maybe they're getting better, maybe they're getting worse, but they're definitely getting more complicated.

Here it's useful to remember the century-old writing advice:

In the first act, put your character up a tree. In the second act, throw rocks at them. In the final act, bring them down.

This is the rock throwing part.

But as you increase the internal conflict and external conflict, your character will develop right before your eyes. You may discover new aspects to their personality you had no idea about as you watch how they handle adversity.

4. Dilemma. Give your character an impossible choice.

The purpose of the rising action is to put your protagonist into an impossible choice, a dilemma where they have two equally difficult choices.

I find this moment in Frozen to be a useful example for this (spoiler alert if you somehow haven't seen Frozen !):

Princess Anna is moments away from freezing solid. The only thing that can save her, she thinks, is true love's kiss from Kristoff, who is racing toward her. However, at the same moment, she sees Prince Hans about to kill her sister. What does she do?

• Option A: Save herself, continuing toward Kristoff but allowing Elsa to die
• Option B: Save her sister, choosing to stop Hans but sacrificing herself in the process

An impossible choice. But it's dilemmas like this that are the engines of great stories and great characters.

5. Climax. The protagonist makes their choice and high conflict and action follows.

The protagonist chooses and the result of their choice leads to the moment of highest action and conflict in the story. Remember, conflict in fiction directly impacts your character development.

This choice is so essential because it truly tests and reveals their character. Don't skip it!

6. Denouement. The protagonist's new normal is established.

What does the character's new normal look like after going through the conflict and drama of the story?

This is a moment, usually just one scene, where we get to enjoy and bond with the character for a final time before the story ends.

Character Development Test: What Makes a Good Character?

On my podcast, Character Test , my cohost and I have found that there are four criteria that you can use to evaluate a character, to test and see whether a character is good or not.

Here, I’m not talking about whether they are morally good, but whether they are interesting, relatable, entertaining, and worth following. In other words, this is about figuring out will readers love them.

Also, this is what makes a good character. If you want to know how to make a good character, scroll down to the Character Development Steps section.

1. Good Characters Have Goals

Good stories are about characters who want something, and they experience challenges to get what they want.

Desire is central to good stories, good characters, and to the human condition itself. Good characters have deeply held desires and are willing to make sacrifices to achieve those desires.

That being said, those desires don’t have to start out as anything big .

As Kurt Vonnegut said, “Make your characters want something right away even if it's only a glass of water. Characters paralyzed by the meaninglessness of modern life still have to drink water from time to time.”

2. Good Characters Face Challenges to Their Goals

As nice as it would be for your character to get everything they wanted without having to do any work, it would make for a very boring story! This is part of the conflict we discussed above.

I like what best-selling author Kristina McMorris told me : “I only give my characters a happy ending if they’ve worked really hard for it.” Kristina’s novel Sold on a Monday was on the New York Times Best Sellers list for twenty straight weeks, so she knows what she’s talking about!

3. Good Characters Make Decisions

Good characters take control of their own fate. They take action. They make choices, and they suffer the good or bad consequences of those choices.

Bad characters let life happen to them . Bad characters allow others to make choices for them. They never take action in their own lives, and it’s their lack of decision-making ability that makes them boring.

4. Good Characters Are Empathizable

I made this word up, but I think it’s going to stick!

Editorial note from Alice: Stop trying to make “empathizable” happen, Joe. It's not going to happen.

You can empathize with good characters. Even if they are villains (especially if they’re villains), you can understand where they’re coming from, and maybe even relate.

Good characters, in other words, are human.

Bad characters are so foreign or perfect or evil that you can’t relate to where they’re coming from.

Bonus: Good Characters Change . . . Sometimes

Many will argue with this, but not all good characters change. In fact, you can tell a great story where the protagonist doesn’t change.

Take James Bond. In a few novels and films he changes (e.g. Casino Royale ) but in most, James stays the same stoic, cocky person he started out as. And the novels are still great!

Or Inspector Gamache, my favorite detective from the series by Louise Penny. Inspector Gamache starts out as the perfect gentleman, thoughtful leader, and unerring investigator and ends each novel the same way. There are a few individual books where he goes through deep inner turmoil, but even then he re-emerges the same amazing person, just a little bit stronger and surer in his ways.

There are many great stories where the character changes . It’s especially a hallmark of the hero’s journey (which is itself a form of character development). But it’s not always a requirement of a good character.

Character Development Writing Exercise

Now that you know everything about developing characters, let's put your new knowledge to practice! Use the creative writing exercise below to practice bringing your characters to life!

And if you're to create a character sketch for your novel, check out our guide on how to create a character sketch with Scrivener .

Good luck and happy writing!

What is your favorite characterization tip above? Are there any I missed? Let me know in the comments .

Let’s put your character development to use with this creative writing prompt :

• Choose one of the character types above and spend five minutes sketching out their character using the character sketch template above (Character Name, type, one-sentence summary, goals, conflicts).
• After your five minutes are up, write about your new character as they go through a scene using the character development steps in a story: desire, conflict, dilemma, choice, and change. Write for ten minutes .

When your time is up, post your practice in the Pro Practice Workshop . And if you post, be sure to give feedback to at least three other writers.

I'm looking forward to meeting your characters!

Joe Bunting

Joe Bunting is an author and the leader of The Write Practice community. He is also the author of the new book Crowdsourcing Paris , a real life adventure story set in France. It was a #1 New Release on Amazon. Follow him on Instagram (@jhbunting).

Want best-seller coaching? Book Joe here.

Work with Joe Bunting?

WSJ Bestselling author, founder of The Write Practice, and book coach with 14+ years experience. Joe Bunting specializes in working with Action, Adventure, Fantasy, Historical Fiction, How To, Literary Fiction, Memoir, Mystery, Nonfiction, Science Fiction, and Self Help books. Sound like a good fit for you?

16 Comments

I write & file pieces about my characters (main & major secondary) & for the main ones, may return to them several times. There are lots of folks in my novels, good guys & bad, so at some point I also write a for-file piece on which other characters are their ‘shadows’…even antagonists have feared antagonists. The first files help me bring them to life in my head, so I can monitor their behavior. The shadow file is important to off-main-plot resolutions. In truth, I seldom go back to my original files…having written them is usually enough. I’m on the last 40-50ppg of a novel draft right now…so there are over a dozen people living (& interacting) in my head. It’s around this point in the process that I begin muttering to myself that my next book is going to be 500 very short personal essays!

Good one, Emily. I’m going to review my work-in-progress with these notes in mind. Thank you. I have one guiding principle, and that is — what will cause my protagonist to utterly fall apart. Because that’s where my stories have to go. Whatever will bring my character to a radical change of heart. All those things you mention are key to that happening. Cheers. ~ PJ

The four Questions: Diana Daughter of Darkness

My character Diana, is from the kingdom of Firefall and is it’s princess. All Diana wants is to find her father and get justice for her mother’s untimely death. But she finds herself haunted by her destiny more and more as she tries to achieve those goals. Diana’s relationship with her father is the most outstanding in the book but her relationship with her handmaiden and the two boys she grew up with are also very important to her. Diana’s biggest fear is failure. She doesn’t want to fail her father or her Kingdom. The power inside of her grows every day but she fears that it will soon take over her and leave nothing but destruction in it’s wake. This is perhaps what scares her the most…herself.

Some good tips. My character questionnaire is at least 100 questions long and I often take characters to lunch—or let them take me to lunch.

But I like your four tips for character development. They get to the heart of things quickly and provide an excellent framework for more complex development if that’s what a writer wants to do.

I’d like to add one suggestion.

A character’s worldview plays a major role in the way he or she responds to life in general and to individual incidents. A person who believes life is the result of time plus matter plus chance generally behaves differently than someone who believes they were created for a purpose.

All five factors–your four and my addition–contribute to the development of person’s personality and behavior.

Thanks again for the excellent tips. I’ve been away for several weeks polishing my own novel. This was a wonderful way to get back into the routine.

Great tips, Emily!

I’ve found that writing side stories about my characters helps me to explore who my characters are. I’ll make up a scenario, drop a character in the middle of it, and then give them free reign. This practice helps me flesh out how they make decisions and how they interact with the other characters in my story. Plus, it’s just fun to do!

Awesome article.

The article was extremely helpful it gave me ideas of how to strengthen my short story.

My character is about a teenage girl that has strong family values due to her upbringing in a strict home where her mother is the head of the household, suddenly her mother dies she fills empty and alone, as all of her siblings are grown they have there own children. She start’s to explore the world and gets caught up in it.

Excellent tips, especially number 3. People often understand themselves through their relationships with others. How they’re greeted, how they’re treated, how others understand their humour, their moods, their needs and wants. To understand a person’s key relationships, and what they’re willing to do for the people they love (as you say), means understanding what makes them tick.

I also liked the point you made in Q4. Our fears sometimes reveal our true nature, in that they are a direct consequence of our values. In your example, Katniss fears being forced to kill others, because she values life and humanity. Our values sets us apart.

Great tips, thanks for sharing Emily. I think what a person wears says a lot about his/her personality. So that’s where I often like to start:

On the door stood a mid-aged woman in a black coat reaching down to her knees, a red scarf around her neck and a winter cap that covered most of her luscious brown hair. She had a book in her hand that she kept between her palms. Every now and then she would flip it open, read a few lines before closing it again and stare back at the meadow beyond her porch. It seemed as though she was deep in thought, and I afraid of interrupting stood still waiting for her to look back and notice my presence.

Nice post! Number 2 is the most important, but # 3 is the one I need to spend more time on. I never really even considered that with character development, and now I’m kicking myself because it’s such an important aspect of creating a “real” person in your character.

Thanks for the tips, Emily. I believe #2 is the most critical one since it will somewhat define who your character is. I’d like to share another article on character development that I hope could be of help to others. Here’s the link: https://www.chatebooks.com/blog-Character-Development-that-Entices-Readers

Awesome 🙂 Finally something that helps developing characters other than long ass questionnaires, interviews or worksheets that became too tedious to do.

Thanks for this article, Emily! I never thought with only 4 questions I’d be able to come up with a set of believable characters. I’ve always had a long line of questions just to have a concrete description of what and how my characters would look and sound like. I’d like to share an article I found on character development. Hope this could help as well: https://www.chatebooks.com/blog-Character-Development-that-Entices-Readers

My character is a teen-aged girl brought up by a young, single mother who has had to work very hard to take care of her child. The girl doesn’t want to make things harder on her mother and tends to smile a lot and pretend everything is just fine, even when it’s not. Her relationship with her mother and the lack of one with her father shapes many of her views from romantic relationships to political ideology. Her greatest fear is to not end up as someone her mother can be proud of raising. Another quirk is her fear of sharing her feelings with others.

For starters, Joe, I find you tremendously empathizable and vow to fully support you should you take action to replace your foil character, Alice, with someone equipped with a bit more imagination and a lot more humor.

Jokes aside. This article is a gem. I am not a writer, definitely not a great storyteller and do not come with an endless supply of creativity, however, I take great joy in writing, especially when inspired. I have found that when I share my “pieces,” that something tends to draw people into my creation (much to their and my surprise!).

So, as of, oh, about three hours ago, I made the decision to give it a more serious try and actually write something more substantial and less silly than Local Google Guide reviews. But to be any good at most anything, research is a must! I have about thirty tabs open, ready to be inhaled, masticated, repeated, digested and possibly incorporated in my book of writing “recipes.” Roughly ten of those tabs are direct links from your articles and I am starting to wonder if I’ll be able to find a good stopping point or if I’ll just lose myself in the world of creating worlds.

Not to worry! I do come equipped with a stubbornness factor and, if anything, your guidance has served to exponentially “peak” my interest. Many thanks! And please do something about that editor. 🙂

Warm regards, Joana (Jo)

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Home / Book Writing / 17 Character Development Exercises for Writers

17 Character Development Exercises for Writers

Character development exercises are short forms of deliberate practice to improve your writing skills and round out your characters.

They are typically not used in the final novel, but are little extras that help you understand the personalities that you are writing.

Because for some of us, nailing down that perfect character can be hard. And to help with that, we’ve assembled 17 different exercises to improve your characters.

• Why character exercises are important
• A list of 17 different exercises that you can implement today
• Examples and advice to improve your characters

Table of contents

• Why Are Character Development Exercises Important?
• Exercise #1: Write a FULL Description
• Exercise #2: Play Dress Up
• Exercise #3: Write a Description Scene Through the Character’s Eyes
• Exercise #4: Practice Showing Emotion
• Exercise #5: Write a “Slice of Life” Episode
• Exercise #6: Write Other People Gossiping About Your Character
• Exercise #7: Write a Progression Short Story
• Exercise #8: Draw the Character
• Exercise #9: Create a Character Profile
• Exercise #10: Conduct a Character Interview
• Exercise #11: Play the “Why” Game
• Exercise #12: Create a Character Based on Someone You Know
• Exercise #13: Imagine What Happens Before and After the Novel
• Exercise #14: Put Them in Horrible Situations (Muahahahahah)
• Exercise #15: Create a Timeline
• Exercise #16: Do a Little Fan-fiction
• Exercise #17: Use Character Writing Prompts

So why use a character development exercise in the first place?

This may be a valid question, especially for authors like myself, who just want to dive into the writing and let the characters unfold as I write.

But honestly, a little work up front can save you a load of headache afterward.

Running through a handful of these exercises will help you to:

• Understand your character’s emotions
• Give you practice writing in their voice and from their point of view
• Find out what sets them apart from other characters
• Flesh them out to create round and dynamic characters
• Establish the relationship between your characters and the setting, or other characters
• Deliberate practice of the process to create complex and well-written characters

In short, it’s a great way to deliberately practice writing and reduces the need to go back and do extensive revisions on your characters.

That said, this might not be the best thing to do if you’re a pantser and just want to dive in and discover your characters along the way. But it can be a great tool in your author tool belt.

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So without further ado, here are 17 of our best picks for character development exercises. 

Exercise #1 : Write a FULL Description

When it comes to writing characters, most of us focus on the facial features, things like hair color, eye color, etc.

A great way to begin getting to know your character is to do a full description of them. In a book, we might not do this to the extent you might in a creative writing exercise, which is why it’s good to practice here.

Here are some things to consider: 

• Skin/hair/eye color
• Do they have any warts or moles?
• What is their hair style?
• What is their build?
• Do they have any scars, tattoos, etc.
• What is their general complexion. Is their skin smooth and silky, rough and calloused, or even bruised and battered?
• What default facial expression do they have?
• What does he/she smell like?

Exercise #2 : Play Dress Up

What we choose to wear says a lot about a person. Someone wearing an extravagant French-style outfit from the 18th century will give you a completely different impression than a cut business suit from the 21st century.

The problem is that most authors, when they’re writing about their characters, often forget to add a lot of detail about the clothes they are wearing. It’s easy to see these things in your mind and forget that your readers don’t see what you see. They see what you write.

One way to help overcome this oversight is to continue the exercise above, but focus on clothing.

And don’t just focus on any one type, because your protagonist will most likely use several types of clothing throughout the course of your novel. Here are just some examples:

• Travel clothing
• Clothes for a night on the town
• Clothes for wilderness survival
• Combat wear

Exercise #3 : Write a Description Scene Through the Character’s Eyes

Ideally, every character should experience the same thing differently, depending on their background, their wants and desires, and their tastes.

Additionally, great prose is often written from the perspective of the character making the observation.

For example, let’s say you have two people, one who has grown up in a desert their whole life, where water is scarce, and the other who grew up in a place where water was plentiful. 

Imagine these two people on a hot day, observing a third person splashing water on their face. If you’re writing from the first character’s perspective, you could describe this as “and the man took a handful of water and wasted it on his face.” The second person might describe it this way, “I watched as the man poured the cool liquid and splashed it all over his face. I wish I were him right now.”

Do you see the difference there? In one, the character sees using water in one way as a waste, and for the other, it’s something to be sought after. 

Exercise #4 : Practice Showing Emotion

We’ve all heard the adage to “show, don’t tell,” but what does this really look like for most characters?

This is something that really only comes with practice. Once you’ve done it enough times, you’ll recognize instances where you’re saying things like “he felt hungry,” and can replace them with something like “He winced and put a hand to his stomach as it growled, and he swallowed hard.”

Character emotion is one of these areas where showing rather than telling can really enhance your novel.

Exercise #5 : Write a “Slice of Life” Episode

There are a lot of scenes in a book, and most of them have a purpose. That said, there are many scenes that probably occur in that character’s life, but that we don’t talk about because they’re not important for the story.

However, you as the author should have an idea of what happens in these less important moments.

Some examples of a “slice of life” episode might include:

• Having dinner with family
• Going to the bathroom
• The morning routine
• A conversation with a co-worker
• Late-night conversations with a spouse
• Cooking a meal
• Going on vacation
• Playing with their kids
• Coming home a little too drunk
• Visiting a museum

Exercise #6 : Write Other People Gossiping About Your Character

Very often, we learn more from others about ourselves that we might not have known on our own. Others can provide unique perspectives, and in some cases expose huge biases (on both sides).

For example, a proud character might not realize that he/she is proud, but it’s easy for an outside observer to spot this.

Exercise #7 : Write a Progression Short Story

In real life, people change a lot, and characters should change in stories too (most of the time). 

A great way to show this is to write a short story that examines the character at different parts of her/his life. You can focus on key moments in their life, but you could also just follow exercise #5 and focus on a few more everyday events.

The purpose of this exercise is to show how that person may have changed. Do they view the world differently as a working adult, vs as a teenager? A child? An elderly person?

What about before or after experiencing some kind of trauma?

Exercise #8 : Draw the Character

I’ll be honest, I’m not an artist. But I am a visual person, and getting some solid visuals of the character can be a huge boost in helping me understand them.

If you’re like me and really have no design skills , then finding a few photos is fine.

I’d recommend several photos though, since one might not be enough. You could have some for their face and general appearance, one for their clothes and how they look, etc.

If you know a program like Photoshop, you could even crop these together to get an even better sense of what you character looks like.

This is a great exercise for understanding the feel of a character, which is often harder to put into words.

Exercise #9 : Create a Character Profile

Imagine you work for the FBI, and you have to draft up a dossier about your character. What might that look like?

Fortunately, we’ve done a whole article about this topic, so you should definitely check that out, and also don’t forget to pick up our character profile template, which can easily help you through this process.

If you want a thorough process to identify the character’s appearance, personality, background, and more, this is the way to go. 

The best aspects to focus on are the flaws, motivations, and fears of your character. What prompts them to action? Understanding these things will help you get at the core of your character’s personality traits.

Exercise #10 : Conduct a Character Interview

Imagine you sat in a darkened room, across the table from you is your character. You can ask them anything, they won’t be offended, and they will understand the question.

What do you ask them about?

Writing a character interview is almost like writing yourself into a short story where you get to personally meet your character and ask them questions.

This is huge for helping you understand the character’s voice, but also a good strategy for building solid character backstory and character traits.

To help, we’ve already assembled over 200 character development questions that can aid you in this process.

Exercise #11 : Play the “Why” Game

This goes along with the idea of an interview, but sometimes in order to dig really deep into the motivations of your character, you’ve got to ask why.

Is your character aggressive? Ask them why. 

From there you might find out that his mother shouted at him as a kid, and he saw his parents fight a lot. Ask why.

You might learn that his father had a drinking problem and it meant that his mother took it out on him. Ask why.

From there, it might come out that his father had lost a lot of money in a business deal, leading him to turn to drink.

I hope you get the idea. The more you ask why, the more you’ll dig deeper into your character’s past, and the better you will understand them.

Exercise #12 : Create a Character Based on Someone You Know

This can be a little dangerous, because to be honest, most of the people we know are not that interesting. And we also want to avoid lawsuits for defamation if the comparison is too obvious.

That said, the people we know can be a huge inspiration to pick and choose ideas to incorporate into your characters.

For example, my own father and uncle have a really fun way of talking to each other. They’re always ribbing on each other and calling eachother weird, made-up names. You can tell that they love each other, but it’s an uncommon way of showing it.

This might make a good relationship between two people in a book.

Exercise #13 : Imagine What Happens Before and After the Novel

The writer is mostly concerned with what happens during the plot of her novel. But if written well, a character will feel like they exist long before and long after the pages of the book.

So it’s a good idea to try dreaming up what happens to these characters in that time. 

It can be dramatic, or it can be mundane. Impactful, or ordinary. It doesn’t matter much. All that matters is that you have a past and future in mind for that character (unless you plan to kill them off of course).

And who knows, you might even come up with some good ideas for other books involving those characters.

Exercise #14 : Put Them in Horrible Situations (Muahahahahah)

I’ve heard it said that you should basically put your characters through hell in a story, and never let up.

While this is good advice, it’s not always practical. That said, putting your characters through the meat-grinder is a great way to learn how they react to conflict.

These scenarios don’t have to be trials you will actually use in your novel. These are just different ways to put your character in pain and see how they react (I know I sound like a very unethical scientist, don't @ me).

Here are some possibilities:

• The loss of a loved one
• A diagnosis of cancer
• The loss of a limb
• Getting tortured
• Breaking up with the love of their life
• Losing everything they own
• Being betrayed by a friend

Exercise #15 : Create a Timeline

Sometimes it’s hard to keep every part of a character’s life straight. That’s where a timeline can be helpful.

A timeline is a simple list of events in the character’s life, though they can get more complex and interesting, and you can even put some design skills to work if you want.

But timelines only have to be a simple list of events. They can include events from before their birth to their death, or they can be focused on a specific period of their life.

It will depend on the character and the story you will want to tell.

Exercise #16 : Do a Little Fan-fiction

When we’re writing a story, we might not have a full grasp on it yet, and that’s where writing fan fiction can help.

Imagine your character interacting with characters from a story you already know? Imagine the ultimate crossover between your story and your favorite franchise.

For example, what Hogwarts house would your character belong in? What might it look like when he/she is sorted and interacts with other characters in that house or other characters from the Harry Potter books.

It’s a great way to lean on characters you already know, to help unveil more about the characters you’re trying to discover.

Exercise #17 : Use Character Writing Prompts

There are a bunch of character-related creative writing prompts out there, and many of them can be quite helpful in getting your brain to think outside of the box.

In theory, we could have a list much longer than 17 if we wanted to include more of these prompts, but that would end up being too much.

Instead, I recommend this post , or checking out our list of character questions to give you ideas.

Final Thoughts on Character Development Exercises

If you’ve made it far, first of all, well done.

Second of all, you might be a little overwhelmed, but don’t worry. This list is not meant to be a checklist for everything you should do to expand on your characters.

Instead, this is a handful of ideas that you can take (or leave) and use them to better understand your characters.

As you apply these exercises, I can pretty much guarantee that you will grow as a writer, become more familiar with your characters, and increase your chances of having a great dynamic character in your books.

Let us know how it goes!

Jason Hamilton

When I’m not sipping tea with princesses or lightsaber dueling with little Jedi, I’m a book marketing nut. Having consulted multiple publishing companies and NYT best-selling authors, I created Kindlepreneur to help authors sell more books. I’ve even been called “The Kindlepreneur” by Amazon publicly, and I’m here to help you with your author journey.

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For any work of fiction to resemble real life, it has to portray real character development with a convincing character arc. Additionally, those characters need to have believable character traits, which evolve as the character grows.

Stories are about people—even if your main character is a cat, a tree, or some other nonhuman entity. Great storytellers will capitalize on great character development, because a story’s humanness is what any reader will relate to. Great character traits and an enjoyable character arc bring a story to life, creating windows for the reader to watch through.

So, what is character development? And for that matter, what are character traits, and what are some good character arc examples? In this article, we’ll look at each of these items and more. Creating real, flesh-and-blood people is essential to great storytelling , so let’s explore the alchemy of turning words into real people—creating characters from characters.

Character Development: Contents

Character Development Definition: What is Character Development?

Character arc definition, 5 character development examples, 10 character development questions to ask each of your characters, what are character traits, character traits list, advice for selecting character traits in your work.

• Conflict and Character Development (from Instructor Jack Smith)

Further Readings on Character Development

What is character development? It’s not so different from real life: the goal is to showcase a character’s growth in the face of adversity, much like real people grow and adapt to their own real situations.

Character development is the process of creating fictional characters with the same depth and complexity as real-life human beings.

Throughout the story writing process, the author will develop any number of character traits to fully flesh out the people that populate their stories. Good character development often includes the following elements:

• Backstory : Backstory refers to events that occurred prior to the story’s plot , but which nonetheless affect the plot itself. For example, a common trope for character backstories is having a traumatic childhood.
• Flaws: Every character has personality flaws, because every person has flaws. Traits like hubris, pride, laziness, or impulsivity can encourage someone to make bad decisions, prolonging the story’s conflicts.
• Goals: A central component of character development is that character’s goals. What do they want, need, or desire? What’s standing in the way of those goals? These questions often drive the bulk of the story’s plot and character arcs.
• Personality: At its simplest, personality is a pattern of thoughts, actions, and beliefs that form a human being. What character traits does each person in your story have? These traits will coalesce into a complex personality.
• Philosophy/Worldview: A key aspect of personality and character development is that character’s worldview. By worldview, we mean the constellation of religious, philosophical, and political beliefs that shape how someone interacts with the world. For example, one character might believe in the inherent goodness of humankind, while another will believe all people are selfish and irresponsible; each philosophy will affect how each character perceives others and lives in the world.
• Physical Character Traits: What do your characters look like? How do those traits impact how other characters view them? In the real world, our physical appearances affect how other people treat us (for better or for worse). It’s the same in fiction, so give some thought to each character’s physical traits.
• Morals/Values: What morals guide your characters? What do they value the most? Remember, morals aren’t inherently good: the idea that one gender is better than another is a moral belief, too, though not a very good one.
• Spiritual Beliefs : Finally, what religious or spiritual beliefs drive your characters? This can be a major world religion, but it can also be beliefs about the universe at large. Does your character believe that life has a meaning, that humans exist for a purpose, and that we’re compelled to act in certain ways?

When these character traits are combined with the story’s overall conflict , a character arc develops.

Before we look more at character development, it’s equally important to understand character arcs. A character arc is the trajectory of your character’s inner journey and emotional growth, charted from the beginning to the end of the story. In other words, it’s your character’s personal growth and adaptation to the story’s particular conflicts.

A character arc is a character’s personal growth and adaptation to the story’s particular conflicts.

Take a look at any number of character arc examples, and you’ll find that no two character arcs are the same. In Charles Dickens’ A Christmas Carol , for example, Ebenezer Scrooge undergoes a major shift in personality, foregoing his stinginess and embracing a life of charity and generosity. But to achieve this character arc, he first has to realize what a lonely, miserable existence life can be when one spends it solely concerned about money.

That said, if someone in your story has negative character traits, they can certainly undergo a negative character arc. Consider the tragedy of Hamlet by William Shakespeare. The titular Hamlet begins the play as a bright, charming heir, whose indecisiveness haunts him alongside his father’s ghost. By the end of the play, Hamlet’s indecisiveness has turned to impulsivity, resulting in his self-isolation, the erroneous death of Polonius, and his continued reluctance to kill Claudius. Hamlet does not embrace the character development he needs to prevent the play’s many preventable deaths.

To summarize: A story’s character arc is the evolution of certain character traits alongside that character’s inner journey, which impacts whether or not they overcome the story’s conflict.

In order for a story to push a character through a character arc, it needs to propose certain challenges without clear solutions, resulting in that character’s moral development and making a statement about the human condition. You can learn more about this in our article “ Stories vs. Situations: How to Know Your Story Will Work in Any Genre .”

Now, let’s see character arc in action through the following character development examples.

Let’s look at some character development examples in popular works of literature. Chances are, you haven’t read all 5 of the books we’re referencing below, so we’ve mapped out each character’s journey and the conflicts that shape their development.

1. Jane Eyre in Jane Eyre by Charlotte Bronte

How She Starts: Jane Eyre is a coming-of-age story (also called a bildungsroman) that charts the life of its eponymous character from childhood to adulthood. We are introduced to Jane as someone who is strong-willed and independent, but also impulsive and unloved.

Main Goals: Jane struggles to find love, acceptance, and a place she can truly call home.

Main Conflicts: Jane Eyre is populated with many different antagonists, including her adopted family, her headmasters, and occasionally her own love interests.

Key Dilemma: Jane’s situation is never wonderful, but to overcome her poor situations, she must learn to be self-sufficient —a fantastic proposition, given this was published in Victorian England. This includes acquiring work and entering adulthood, but most important to Jane’s character development, she must learn to maintain her own self-worth and independence, even in the face of true, altruistic, two-as-one love.

How She Ends: One Jane is truly self-sufficient, everything else falls into place, including her financial situation and her marriage to Rochester. With self-sufficiency comes the love and acceptance she desires, and the safe home she has always been without.

2. Janie Crawford in Their Eyes Were Watching God by Zora Neale Hurston

How She Starts: Janie Crawford has much in common with Jane Eyre: she is strong-headed, independent, rebellious, and has a complex inner world that no one can see. Janie is of mixed race, and constantly encounters an inability to fit in with both white and black communities, but she is very defiant of any labels assigned to her and constantly chalks up the prejudice she encounters as a lack of perspective among others.

Main Goals: Janie’s primary desire is a marriage of equal partnership: a love that’s not unbalanced because of wealth or gender or position.

Main Conflicts: Most of Janie’s relationships are, in fact, unbalanced. First her marriage is arranged to a man who doesn’t love her, then she marries a man who excludes her from her community’s social life. Though Janie desires an equal marriage, she may have to accept that her independent spirit is incompatible in the long-term with another man, especially given the gender roles of 1920s America. This forms the core of her character development.

Key Dilemma: Janie is often treated as either a trophy wife or a domestic worker, but never as an equal, always feeling disconnected both from the people she loves and the communities around her. When she meets and falls in love with Vergible “Tea Cake” Woods, she moves to the Everglades with him, only to lose him in the aftermath of a deadly hurricane.

How She Ends: Janie returns to one of her previous homes, still the object of other people’s gossip and disapproval, but satisfied, if weary, having once known real love.

3. Ethan Allan Hawley in The Winter of Our Discontent by John Steinbeck

How He Starts: Ethan Allan Hawley is a grocery store clerk in New Baytown, a fictional city on Long Island, NY. His family used to be a member of the local aristocratic class, before Ethan’s father lost all of the family’s money; despite this, Ethan values honesty and integrity above all else.

Main Goals: Ethan wants to live a life of virtue and integrity, garnering respect from others simply by being a kind and honest person. He has no problem with his position as a grocery clerk, and wants only to provide a good life to his family.

Main Conflicts: Ethan’s family, however, is not satisfied with their life: money always seems to be a problem. In addition to his family’s continued dissatisfaction, members of Ethan’s local community frequently mention his family’s lost wealth and what Ethan should do to reclaim it.

Key Dilemma: Ethan’s character arc centers around his commitment to virtue and his conflicting desire for wealth. If he wants to reclaim his family’s fortunes, he must sacrifice his integrity and honesty, which he does—he turns his boss into the INS, he acquires his best friend’s land by (essentially) killing him, and he almost robs a bank. Ethan’s inner dialectic between his virtues and his actions prompts him to consider suicide, as a result of sacrificing integrity for money.

How He Ends: The novel ends ambiguously. Ethan commits to killing himself, but then finds that his daughter replaced his weapon of choice with a family talisman, prompting him to reconsider his decision and choose life, if only for his family.

4. Holden Caulfield in The Catcher in the Rye by J. D. Salinger

How He Starts: Holden Caulfield is a depressed 17 year old who is about to fail out of private school. He frequently feels alienated from his classmates, family, and society at large, and while he refuses to plan for the future, he dreams of escaping somewhere that no one he knows will ever find him.

Main Goals: Holden is desperate for connection, feeling alienated from every person he talks to. While he puts on a show of being superior to the many “phony” individuals around him, he also hopes that one of those phonies might actually connect with him on a deeper level.

Main Conflicts: It seems that everyone in The Catcher in the Rye is a source of conflict for Holden. He is not on speaking terms with his parents, he frequently gets in fights with his peers, and his attempts at relationships are always spurned, which only leads to more fighting.

Key Dilemma: To put it simply, Holden is not a likable person. He is a collection of mostly negative character traits. He’s rash, annoying, and often comes off as both immature and pretentious. At the same time, he’s deeply aware of society’s superficiality, which he tries to push past by talking to people about deep, meaningful subjects. Holden’s character arc is defined by this conflict between self, others, and society ; in order for him to connect with people, he must find a way to hold both his love and criticism for people side-by-side, and also learn how to talk to people properly.

How He Ends: The Catcher in the Rye is a story in which the main character rejects his character arc . In other words, Holden ends the same way he begins, because he has not committed to the growth he has to undergo in order to find meaningful connections. He has not accepted that he is part of the problem. Nonetheless, the novel ends on a somewhat optimistic note, and Holden forgoes running away from society and enrolls to finish school.

5. Macon “Milkman” Dead III in Song of Solomon by Toni Morrison

How He Starts: From childhood, Milkman feels alienated and disinterested in his family, as well as most of society. He feels disconnected from his father, estranged from his aunt and sisters, and has a complicated relationship with his mother, who loves Milkman but uses him as an escape from her monotonous, loveless life. In adolescence, he strikes up a brief but fleeting sexual interest in one of his cousins.

Main Goals: Milkman is sent on a quest to find a bag of gold coins from his father’s young adulthood. Perhaps by finding this bag of coins, he can also find his father’s approval, something he secretly yearns for yet openly detests.

Main Conflicts: Milkman’s search for those gold coins raises many of the novel’s central conflicts. At one point, he breaks into his aunt’s house in search of the money; at another, he is hunted by Guitar, a former friend who believes that Milkman has found and stolen the gold. Milkman’s life is also threatened once a month by Hagar, the cousin he had a fleeting relationship with. But the most important conflict is Milkman’s relationship to himself and his family, both of which have been marred by his father’s wealth and negligence .

Key Dilemma: Milkman’s character development stems from his search for his father’s gold. While searching for clues as to where this gold might have ended up, he comes to learn more about his family history, learning to appreciate and even love the complex foundation his life rests upon.

How He Ends: Milkman eventually gives up on the gold to bury the remains of his grandfather whom Milkman discovered by accident, unburdening himself from the weight of his familial hatred. Guitar, still in pursuit of the gold, kills Milkman’s aunt and attacks Milkman, perhaps suggesting the enduring wickedness of greed. The novel ends ambiguously regarding Milkman’s life.

Character Development Examples: Summing Up

Each protagonist in the above character development examples endures their own set of conflicts. Those conflicts force the protagonist to grow and change in certain ways, adopting new outlooks on life or making difficult moral decisions. It is through loss, hope, sacrifice, change, and a commitment to one’s own beliefs that each character rises to their challenge.

It is through loss, hope, sacrifice, change, and a commitment to one’s own beliefs that each character rises to their challenge.

As you learn to write and develop characters, pay attention to the character arcs in the novels you read, and how certain challenges are paired directly against certain character traits. For example, Jane Eyre and Janie Crawford are both strong-willed and independent, which are undoubtedly positive character traits, yet these traits also expose them to their senses of alienation, and they must resolve the conflict between their selves, their desires, and society at large. This resolution forms the arc of the character’s journey, which also lays the foundation for a compelling plot.

Tips for Nuanced, 3-Dimensional Character Development

Every writer approaches character development a different way. While there’s no singular formula for crafting believable characters, all writers have tools at their disposal to get in the minds of their characters. Above all, remember to give each character depth, relatability, and flaws, and to provide specific details and backstories that bring those characters to life.

Remember to give each character depth, relatability, and flaws, and to provide specific details and backstories that bring those characters to life.

• Have your characters take personality tests . No, personality tests aren’t comprehensive, and most aren’t scientifically accurate, but the practice of answering questions like your character will help you get into their mindset, potentially generating new ideas for plots and conflicts. Here’s a free directory of personality tests you can use .
• Consider regionality . Where someone is from influences the way they speak and think , so language should directly reflect character traits.
• Do some sketches . You don’t need to be a good artist, just do your best to pen down how you envision them. How tall are they? What is the size and shape of their eyes, lips, nose, and ears? What style of hair do they have? How do they like to dress, and where do they buy their clothes from?
• Think about point of view . 1st, 2nd, and 3rd person points of view each have their strengths and weaknesses, and each affects how your character is written. Spend some time considering POV, and build the story’s setting and sensory details based on your character’s observations. Remember, how your character observes the world reflects their personality, making this a key component of character development.
• Create interiority . Show us your character’s thoughts, flashbacks, inner conflicts, and deep desires. Tell us what your character does and doesn’t know about themselves. We are all messy, imperfect, and constantly growing. Your characters are, too!

Another method is to ask yourself certain character development questions, like the ones we’ve listed below.

Character Development Questions

Good characters have depth, experience growth, have flaws—they’re real people. Asking yourself a defined set of character development questions is one way to develop these kinds of characters, who jump off the page with realistic and compelling personalities.

Use the below character development questions to plan, write, or edit your story. Read on for some interesting character development questions to ask yourself, and do this exercise person by person for anyone in your story that you’d like to know better.

Ask your character…

1. Who are you?

Think of the “who” of your character as the firm foundation with which you will bring your character to life. This “who” might take the form of one or two honest sentences that really tap the essence of the character. Starting with a strong “who” can help you add depth to your character throughout your story, as well as inform their primary character traits.

2. What are your strongest motivations?

What, fundamentally, drives your character? To be accepted by their peers? To create something new and beautiful? To protect their loved ones from a dangerous world? To find perspective on mortality? What are the core, underlying drives that shape this character and the actions he or she takes? This will form the core of the story’s conflict and provoke its character arcs.

3. What are your hopes and dreams for the future?

What world does your character hope to see? What would fulfillment look like for your character? What is your character doing to reach toward these hopes—or do they seem too far out of reach?

4. What are your biggest fears and/or regrets?

Your character certainly has a future he or she doesn’t want to end up in. What is it, and why? What are the darkest secrets and the biggest failures from your character’s past? What haunts him or her?

5. What are your greatest strengths?

What comes easily to this character? What makes this character strong, and why? Your answer can simply be a positive character traits list, but try to go more in depth, fleshing out what informs this character’s morals.

6. What are your greatest weaknesses?

Every good character has weaknesses. What puts your character out of place, out of their comfort zone, vulnerable? Why? Your answer can simply be a negative character traits list, but try to go more in depth, fleshing out what informs this character’s flaws and achille’s heel.

7. What are you like socially?

How does your character view other people? Are they very social and extroverted, or a little more on the quiet, shy, introverted side? Thinking about how your character acts in social situations can help you “beef” up your character and add depth.

8. What is your role in the story?

Consider your character’s role in the development of the story. Why does your character exist in your story? Is the character a protagonist, antagonist, or secondary character? How does your character change the story? And how is the character changed by the story—what is their character arc?

9. What is your connection to the overall storyline?

This is the important link between your character and your overall storyline. What specific impact will your character have on the overall progression of your story?

10. What sort of dynamic exists between you and the other characters?

Consider the relationships your character will have with other main or supporting characters. How do they interact? How do their personalities and motivations bounce off one another? How do they come away feeling upon interacting with each other?

Create Your Own Character Development Questions list

Creating your own questionnaire can be extremely useful in the writing process and enhance your understanding of your characters, prompting you to develop new, unique elements of their personalities. It’s a great tool for figuring out what makes your characters tick, and it can help align your storyline and plot with your character’s overall personality.

As you work to create your own questionnaire for characters, you can search for existing examples. The ten questions above are one example, and here are a few others:

• 160+ Questions on ThinkWritten
• Creating a Memorable Character Worksheet from Lee White
• Character Profile Template on Reedsy

Lastly, as you look for questions to ask your character, it may be useful to take a hint from the “self-help” section of your bookstore. The same sort of self-inquiry that is important in our own lives can be applied to the development of your characters.

Character Traits

Lastly, let’s examine character development from the lens of character traits, as this will help you define and refine your characters as you start and finish your stories. First, what are character traits?

Character traits are recurring features of a character’s personality that shape how that character responds to their world. Those traits will show themselves whenever someone reacts to their surroundings, engages in conversation, has private thoughts, takes action, or makes a decision.

Character traits definition: recurring features of a character’s personality that shape how that character responds to their world.

Many great novelists have studied human psychology so intently that every of their character’s actions is defined by one of their traits. Even the minutest actions, such as making dinner or brushing one’s teeth, can in some way reflect a set of character traits. Many of Fyodor Dostoevsky’s characters, for example, reflect an intimate understanding of human psychology, and his work greatly informed Freud’s theories of psychoanalysis which, though scientifically outdated, continue to impact modern literary analysis .

As you develop your characters, you can remember their personality by boiling them down into a character traits list. Because these traits are often detrimental in face of the story’s conflict, they’re an essential component of your story’s character arcs, and your characters will often have to push back against certain traits to undergo necessary character development.

Without further ado, let’s look at common character traits in literature.

Take note that many positive character traits can also be negative character traits, and vice versa. For example, while a strong sense of independence is generally considered positive, it can also lead to a character’s sociopathy, hatred of society, and disinterest in family.

Many positive character traits can also be negative character traits, and vice versa.

Alternatively, while “disobedient” is generally seen as negative, disobedience can also bring about positive changes in society. Terms like “positive” and “negative” relate to society’s perception of those traits, but in actuality, most traits can be both positive or negative depending on that character’s circumstances.

Lastly, remember that a protagonist does have negative traits, and an antagonist does have positive traits.

Positive Character Traits List

In the below character traits chart, we’ve listed positive character traits and characters with those traits in literature.

Negative Character Traits List

In the below character traits chart, we’ve listed negative character traits and characters with those traits in literature.

Which character traits should my protagonist, antagonist, and secondary characters have? Does it matter?

When writing the people that populate your stories, it’s important to have a balance of character traits so that no two people are the same. Additionally, it’s important that everyone has both positive and negative character traits since, like people in real life, no one is perfect.

Remember that stories are, above all else, about people. Even if those stories are set on different planets, in magical realms, or between alternate universes, it’s your cast of characters that matter most because people drive plot . Your characters are the ones making decisions, reacting to situations, and embarking on journeys; they define their own character arcs, so having a strong set of character traits is essential.

Here are three tips for selecting the best set of character traits in your story:

• For protagonists , give them positive traits to strive for and negative traits to overcome. The best conflicts occur when a protagonist has to overcome their own negative character traits to achieve something.
• For antagonists , think about traits that will make them perfect obstacles against the protagonist. A protagonist who is kind and respectful, but conflict-avoidant, might have a hard time overcoming an antagonist who is loud, coarse, and arrogant.
• For secondary and tertiary characters , consider their purpose in the story, and give them traits that help them uphold that purpose. For example, a secondary character that exists to support the protagonist should be helpful and generous; someone who misleads the protagonist might be well-intentioned but foolish.

Conflict and Character Development

Here are instructor Jack Smith’s thoughts on using conflict to deepen your character development.

Characters become interesting when they undergo conflict . A character without conflict is a dull character. Conflict gets the reader interested, as long as the conflict is important to the character in a way we can relate to—and in a way that motivates the character to take action.

This takes us to motivation. What prompts your character to do what they do?

What are the protagonist’s stakes? What is the protagonist’s goal?

You can always go back and rethink motivation later, but if your character just seems to be doing something for no apparent reason, it might be harder to fix. Get inside your protagonist. Be your protagonist. See what happens. Whether you’re a plotter or a pantser, you’ll do well to identify with the protagonist and become that protagonist.

Think  story : What’s happening? Where is this character going? What is the main conflict the protagonist faces?

Let the conflict build. Think about foreshadowing, about hinting at something that will occur down the road—for instance, a marital break-up, a run-in with the law, a loss of job. Little things mentioned early on plant seeds of things that will bloom later.

The earlier you hook your reader with interesting conflict, the better for character development. Just set the stage for what is to follow. But don’t treat these pages like a “thesis statement” for the novel; your reader wants to experience  the novel, not be told what it’s about. That’s like reading a plot summary instead of the story itself.

Think of conflict as worked out in plot threads. What are the main plot threads in your novel? Assuming you have one main plot thread, what are the subplots that will thread their way through your novel? Watch for these.

A few things to keep in mind:

Fiction thrives on conflict : Not every conflict can be resolved, but avoid dead spots in your fiction—particularly scenes that go nowhere, ones that lack friction.

How about this one?

“How are you?” “Doing pretty well. You?” “Doing pretty well.” “Good.” “Great.”

It’s hard to say. If this is the mindless chatter that most people engage in just to be polite, that might work if you’re satirizing small-town life. But otherwise, cut it.

Weed out extraneous conflicts and plot threads: Do they contribute in some way? Are they like streams flowing into a river? Do they contribute to or parallel the main plot in some way or ways? Consider this: Paul, a police detective, wants to solve a major wave of murders in his small city. He’s been running into some problems, including false leads. Paul has a background in music; he was planning to be a professional violinist, but that didn’t pan out. He’s still conflicted about that goal. My thought is that, unless you can find some connection between his wanting to be a violinist and his being a detective—perhaps something similar in the way he approaches conflicts that sometimes seem insurmountable—I wouldn’t get into his goal in music. Including his music aspirations might help create a complex character, but might seem irrelevant, especially to his character development. Do everything you can to create a unified novel. Perhaps music is his way of reducing stress from a very stressful job.

Let’s say your pantser side comes up with this musical background and that dream to be concert violinist. Follow it up. See where it goes.

Be sure that the main plot thread, as well as those plot threads that relate to the main thread, are sufficiently developed and credible : What does this take? Ask yourself if your protagonist’s character arc is satisfying to a reader. Is more needed? Is that arc believable? It’s been said that the ending needs to be “surprising” but “inevitable.”

See my article on endings at this URL: https://www.writermag.com/improve-your-writing/fiction/ending-your-novels/2/

Incidentally, be sure that you don’t end up with everything tied up in a neat bundle, but don’t just stop either. What questions does the protagonist’s arc answer? As you write through your novel, be aware, at least, of the direction of your overall plot. If you’re a plotter, you know what it is. If you’re a pantser, you’re discovering it as you go along.

The following articles take a deeper look at the specific kinds of characters you might develop a story around.

• Character Development Advice
• How to Write Dialogue
• Crafting Your Protagonist
• Writing An Antagonist
• Foil Characters
• Static Vs Dynamic Characters
• Round Vs Flat Characters
• Anti Hero Characters

Craft Compelling Character Arcs at Writers.com

Looking for feedback on your characters, their journeys, and the worlds they occupy? Get feedback on your work in a Writers.com course! Take a look at our upcoming fiction courses and receive detailed, personalized feedback on your characters-in-progress.

Great content, it will help in my business Thank you for sharing useful information. Respectfully, David from https://deteced.com/

To what extend does the content apply to Characters in non-fiction memoir book?

Hi Maneo, great question! Because the people in nonfiction are real life human beings, they aren’t “characters” in the same way fictional characters are. However, no piece of literature can encompass the ENTIRETY of a single person. So, these character development questions are great starting points if you’re struggling to write about real life people. What do you want your reader to know? How can you make this person seem like a flesh and blood human?

If you’re interested to learn more about the dichotomy between fiction and nonfiction, check out this article: https://writers.com/fiction-vs-nonfiction

Happy writing!

Very comprehensive! A thorough and very helpful exposition. I love the examples used, as many of those stories informed my childhood. Thank you for an incredible resource.

[…] onto character development, which is defined as “the process of creating fictional characters with the same depth and complexity as real-life huma… to me and many other fans is an important aspect of any story. Crafting a character that people can […]

[…] Character Development Definition and Examples | Writers […]

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Blog • Perfecting your Craft

Last updated on Mar 08, 2024

How to Create the Ultimate Character Profile [+ Template]

Ask any great novelist and they’ll likely tell you that good writing starts with good characters. But sharp character development is also one of the toughest hills to climb, especially if you’ve struggled to think through those tried-and-true questions that keep you up at night:

• Are my characters convincing?
• Do my characters have depth?
• How do I make sure my character  has an arc ?

If you’re having these doubts, you might want to turn to the age-old solution: a character profile. 

What is a character profile?

A character profile is a detailed biography of a persona that covers everything from their age and appearance to their relationships with others. By understanding parts of their life that readers might not discover during the course of the story, an author can better understand that character’s life, personality, motivations, and their function within a story.

In this post, we will show you our three-part process for assembling a character profile.

What makes a good character profile template?

Many character bibles present exercises that ask you, “If your character was a color, what color would they be?” For many writers, this is either overkill or a bit too 'woo-woo' for their tastes, and they prefer to create a profile that deals in verifiable facts: height, age, and profession.

Our suggestion lies somewhere between those two approaches, where you build a holistic picture of your character in the context of your story. Our character profile worksheet is in three parts. If you treat a person like an apple, they’re going to have three layers of depth: the “skin,” the “flesh,” and the “core.” (Otherwise known as their physical appearance, backstory, and psychology.) That’s how this character profile template is structured — and if you have a particular area that you’d like to hone, you can skip to it below. Otherwise, this character bible will start with the eagle eye’s view of your character.

The Three-Part Character Profile Template:

• The Outer Layer, or Physical Appearance
• The Flesh, or Backstory
• The Core, or Psychology

How to create a character profile

As another reminder, we strongly recommend our character profile template in a PDF format and fill it out as you go along! Download it below for free right here. 

FREE RESOURCE

Reedsy’s Character Profile Template

A story is only as strong as its characters. Fill this out to develop yours.

1. Construct the character's outer appearance

To be able to identify a criminal, detectives build a painstakingly thorough file of said criminal’s physical characteristics.

That’s the goal of this section, which covers the “skin” of your character: everything from their outer appearance to the way that they speak. Think of it as a kind of offender profile — one that can help you spot your character in the middle of a crowded Times Square.

The Basics 📖

• Place of birth
• Current location
• Nationality

Physical Appearance 👀

What's their:

Do they have any distinguishing features (tattoos, scars, birthmarks)?

What's their preferred outfit?

Do they wear glasses? 👓

What accessories are ALWAYS associated with them (cane, pipe, necklace, etc.)? 🌂

What's their usual level of grooming?

• Smart, very put together
• Untidy but clean

Do they have any distinguishing “tics” and mannerisms?

What's their health like? Do they suffer from chronic illnesses? 🏥

Describe their handwriting (sloppy, neat, careful, unintelligible). ✍

How do they walk? 👣

• Confident, powerful strides
• Lazy stroll
• Fast, walks at a clip
• Distracted, eyes on the ground

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Speech and Communication 💬

How do they talk (rapid, slow, measured, drawl, etc.)?

What's the style of their speech (elevated, educated, peppered with slang, etc.)?

Do they have an accent?

• Stiff, military
• Casual and relaxed
• ‘Turtle,’ tired

Do they gesture?

• Only when agitated or eager
• Doesn’t gesture
• Compulsive “hand-talker”
• Controlled, only to make a point
• Other? If so, explain:

How much eye contact do they like to make (direct, shifty, etc.)?

What's their preferred curse word?

What's their catchphrase?

Any speech impediments?

What are any distinguishing speech “tics”?

What's their laugh like? What do they tend to find funny?

Describe their smile?

How emotive are they? Do they wear their emotions on their sleeve? How easily can others read them?

They have a resting _____ face.

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2. Build out the character's backstory

Characters don’t exist in a vacuum — they’re a product of their environment.

This section in the character template dives a bit deeper into your character and covers their “flesh”: the people, circumstances, and formative influences that filled them out and made them who they are today. It’s the springboard to your character’s biography.

What's the name of their hometown? 🏡

What type of childhood did they have (sheltered, neglected, etc.)?

Describe their education. 🍏

Were they involved in organizations and clubs at school?

• Gay / Straight Alliance

At graduation, they were named Most Likely To ___________ in the yearbook. 🎓

Jobs (if applicable)? What would their résumé look like? 💼

What was their dream job as a child? Why?

Who were their role models growing up? Describe them. 👨‍👦

What's their greatest regret?

What were their hobbies growing up? ⛳

Favorite place to be as a child?

What's their earliest memory?

What's their saddest memory?

What's their happiest memory?

What's their clearest memory?

What are their skeletons in the closet? 💀

If they could change one thing from their past, what would it be? Why? ⏳

Describe the major turning points or “life beats” in childhood.

What are three adjectives to describe them as a child?

What advice would they give to their younger self?

List their criminal record. ⚖

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• Age (if living)
• Briefly describe their relationship with your character
• What are their names and ages?
• Briefly describe their relationship(s) with your character

Children 👶(if applicable)

Extended family 👴

• Grandparents
• Uncles and aunts

What's their family's economic status? 💰

How often do they see their family in a year?

External Relationships 💜 

Who are their closest friends? Describe them.

Who are their other significant friends? 👋

Enemies? Describe them. 😡

How are they perceived by:

• strangers in the street?
• acquaintances at a work function?
• colleagues in the office?
• authority figures?
• friends in their friend circles?
• the opposite sex?
• extended family?

What social media platforms are they on?

• X (formerly known as Twitter)
• Other? If so, explain.

How would they use their social media platforms?

How would they fill out an online dating profile for themselves? ✨

What’s their role in a group dynamic? 💡

Who do they depend on for:

• practical advice?
• emotional support?
• moral support?

How quickly do they respond to emails? 📨

What do they want from a relationship?

Who would be their ideal partner? 💖

Who is their significant other? Describe them. 💕

How many people would attend their funeral?

Part 3. Understand the character's goals and motivations

We’ve come now to the “core”: who your character is deep down.

This section in the character profile worksheet covers the “heart” of your character. If a backstory shapes a dynamic character , this will define them. More importantly, it will help inform the two most important points leading up to your novel: the character’s story goal and story motivation .

Psychology 💭 

What do they do on rainy days?

• Street-smart or book-smart
• An optimist or pessimist
• Introverted or Extroverted

What is their favorite sound? 🔊

Favorite place in the world? 🌎

What secrets do they keep? What are they most afraid of people finding out? 🔒

What do they want the most? 🔍

What's their biggest flaw?

What's their biggest strength?

What's their biggest fear?

What is their biggest accomplishment? 📈

What is their idea of perfect happiness?

What's their favorite quote? 👌

Do they want to be remembered? What for? ⌚

How do they approach:

What is the one object or possession that they would rescue from their burning home? 🔥

What (or who) bores them? 💤

What makes them angry? 💢

What do they look for in a person?

How strong is their moral compass? When, specifically, are they willing to compromise their morals?

List the last 10 books they read. 📚

Which fictional world would they most wish to visit?

If they didn’t have to sleep, what would they do with the extra time?

What are their pet peeves? ⚠

If they won the lottery, what would they do?

Describe the character’s bucket list at the ages of 15, 20, 30, and 40.

List the 10 songs that would occupy their All-Time Most Played playlist on Spotify. 🎵

What is the best compliment that someone ever paid them?

In an elevator, do they push the elevator button more than once? 🚪

What would they want their tombstone to say?

The Present and Future 🔮 

What is their story goal? (answer in a single paragraph)

Story motivation (answer in a single paragraph)

In other words: what does your character want in the story?  And why do they want it?

Every other answer in the character profile template builds up to this. It's critical information to know because it’ll make up the unshakable foundation — and raison d'être — for your story. Whenever you feel like your story is straying off course, go straight back to your character’s story goal and motivation, and you'll find the beating heart of your book.

24 responses

Rachel Mendell says:

02/06/2018 – 12:23

excellent! so much info - thank you.

↪️ Reedsy replied:

07/06/2018 – 04:37

Our pleasure, Rachel. Glad that it helped!

Diane says:

07/06/2018 – 08:50

Wow! I tried to find such kind of list many times. Thank you so much! Creating character is always difficult for me. I imagine tutoriage character but it was not full. With this list Finally I will finish it.

22/01/2019 – 15:37

Nice I was gonna make one myself but this is great since normally I obsess to the point of procrastination.

Gwendolyn Clark says:

13/05/2019 – 00:09

I was never sent a copy to download

↪️ Martin Cavannagh replied:

13/05/2019 – 08:20

Hi Gwendolyn, could you drop us an email at [email protected] and we'll sort you out with a link :)

Sabrina Douglas says:

08/06/2019 – 16:40

I have not received the PDF yet.

10/06/2019 – 13:48

With Gmail, our emails often can be found in the Promotions folder. if it's not there, send us an email at [email protected] and we'll sort you out :)

Tactical Weasel says:

08/06/2019 – 23:18

I was never sent a copy to download either.

Ibidun says:

02/07/2019 – 01:47

This is a developed list of questions for sure. Thank you!

susannelorraineharford says:

21/08/2019 – 08:01

Thanks! Great help in this articke. X peace, susanne

james bolin says:

22/08/2019 – 21:05

This my be a crazy question, but I am writing a science fiction book, and I already made character profiles for my ow use. But, that being said, would it make sense to also include a section in the book that includes all the main characters profiles. It would serve as a reference in case someone wants to know the characters hair color, birth date, and other details. any advice would help thanks

23/08/2019 – 09:04

It would be a somewhat unusual move — but it's not for me to say if it's wrong. Often, you see books provide family trees and brief histories of the 'world' of the story... but that tends to be so that readers can check up on facts that are highly relevant to relationships and plot of the book. In almost all cases, readers won't really need to know things like hair color or date of birth. So, I'd think hard before putting a character stat sheet in your book.

↪️ Nyla replied:

02/09/2019 – 16:12

I don't see why not! Some books did it (sort of); Wings of Fire, Tailchaser's Song, Warriors... I don't think including one would be a bad move. Definitely not something that would kill your story. Keep in mind that I'm a beginner when it comes to books, so I may not know any better. I'm just saying that in my opinion, I don't think it's a bad move.

Satyajay Mandal says:

25/08/2019 – 04:31

You can tweet me to get more updates on the story I'm directing

02/09/2019 – 16:13

What do you mean by "education"? Like what school they went to?

17/09/2019 – 09:02

Yup. Are they a college grad? What did they study? Did they leave school at 18 and take up an apprenticeship — that sort of thing.

27/09/2019 – 14:03

Will i ever get the document to download!

07/10/2019 – 15:48

Hi Sky, if you're still having trouble downloading the template, could you drop us a message at [email protected]? Thanks! Martin

20/10/2019 – 03:56

I will update you about all the details

Max Sangers says:

23/03/2020 – 20:16

I like it, just pls refrain from bad language :)

26/03/2020 – 04:49

No need to refrain from using bad language, if it is assigned to the villains instead of the heroes/heroines

26/03/2020 – 05:02

No need to refrain from using bad language if it is assigned to the villains instead of the heroes/heroines

28/03/2020 – 05:01

This is @*#$ing AWESOME!!!

Comments are currently closed.

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