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Dasara Movie Review : Nani delivers a memorable performance in this slow burn

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NANI SIR Acting supab Climax Scene Awesome �� �� �� love U nani sir

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Release Date : March 30, 2023

123telugu.com Rating : 3.25/5

Starring: Nani, Keerthy Suresh, Deekshith Shetty, Sai Kumar, Shine Tom Chacko, Samuthirakani, Purnaa, Zarina Wahab

Director: Srikanth Odela

Producers: Sudhakar Cherukuri

Music Director: Santhosh Narayanan

Cinematography: Sathyan Sooryan

Editor: Naveen Nooli

Related Links : Trailer

For the first time in his film career, Natural Star Nani has played an out-and-out mass role in Dasara. The debut directorial film of Srikanth Odela hit the screens worldwide today amid exceptional hype. Let’s see how Nani’s first pan-Indian film has turned out.

Dasara is set in the village of Veerlapalle in Godhavarikhani. Dharani (Nani), his friend Soori (Dheekshith Shetty) and others are addicted to alcohol. Vennela (Keerthy Suresh) is their common friend since childhood. Chinna Nambi (Shine Tom Chacko), son of Shivanna (Samuthirakani) is elected as the Sarpanch and he looks after the Silk Bar. Rajanna (Sai Kumar) helps Soori and his friends in a case and they elect him as their Sarpanch. After this, someone kills Soori on the night of his wedding with Vennela. Who killed Soori? What’s the future of Vennela? What did Dharani do then? All the questions are answered in the film.

Plus Points:

All these years, Nani entertained audiences with boy-next-door roles and for the first time, he challenges himself by accepting to play Dharani in Dasara. His performance is exemplary in the film. From attire to body language to dialogues, Nani takes utmost care and excels in the role of Dharani. The way he performed in the emotional scenes is outstanding.

National Award-winning actress Keerthy Suresh gets a meaty role. Her performance as Vennela is flawless and after Mahanati, this is the best film she signed in Tollywood. Her performance and dialogues are quite natural.

Dheekshith Shetty is no lesser than the other two leads. His performance is quite natural and after this film, he will surely get many good roles in the Telugu film industry.

Malayalam actor Shine Tom Chacko gets a good role and he justifies it with his impressive performance. Sai Kumar, Samuthirakani, Purnaa and others are okay in their roles.

Director Srikanth Odela makes a nice debut with Dasara. He is more excellent as a director than a writer. He will definitely get some crazy offers from renowned banners in the days to come. The director shows his outstanding skills on the big screen.

The action sequences and dialogues are terrific, thanks to the men behind them. Nani’s rugged look and his performance in the action sequences are praiseworthy. The interval and the climax are worth watching.

Minus Points:

As mentioned above, Srikanth Odela is good as a director but as a writer, he fails to choose a compelling story. He runs the screenplay well in the first half but when it comes to the second half, the screenplay is very slow and gives one boredom.

Also, there is nothing much to enthral audiences except for the climax. The story is highly predictable in the second half. This is a big letdown in the movie. However, Nani pulls it off with his performance. If the second half is as engaging as the first half, Dasara would have become a terrific film.

From start to end, the movie runs on a serious note and there is no space for creating humour. Director Srikanth Odela should have injected some funny scenes between the friends in the first half.

The placement of the popular track Chamkeela Angeelesi is a big disappointment. Some of the dialogues are inaudible.

Technical Aspects:

Srikanth Odela comes up with a mediocre story that has commercial elements to entertain mass audiences only. Music director Santhosh Narayanan gives the best music that uplifts many scenes in the film. Sathyan Sooryan is terrific in his work. His camerawork, especially during the night scenes, looks quite rich. Editing should have been better and the editor Naveen Nooli should have trimmed many scenes in the second half to make Dasara an engaging fare. Production values are top-notch. The makeup artists need a pat on their backs for their amazing work.

On the whole, Dasara is a gritty action drama that has Nani’s outstanding performance. He shouldered the film all the way. Keerthy Suresh, Dheekshith Shetty and Shine Tom Chacko also performed well. The film is quite good technically. Barring a few laggy portions in the second half, the film is a perfect choice to enjoy the weekend.

123telugu.com Rating: 3.25/5

Reviewed by 123telugu Team

Click Here For Telugu Review

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Dasara Movie Review: Raw and Rustic

Movie: Dasara Rating: 2.75/5 Banner: Sri Lakshmi Venkateswara Cinemas Cast:  Nani, Keerthy Suresh, Dheekshith Shetty,  Samuthirakani, Shine Tom Chacko, Sai Kumar, Poorna and others Dialogues: Thota Srinivas Music: Santhosh Narayanan Director of Photography: Sathyan Sooryan Editor: Navin Nooli Production Designer: Avinash Kolla Stunts: Real Satish, Anbariv Producer: Sudhakar Cherukuri Written and Direction: Srikanth Odela Release Date: March 30, 2023

Nani had never spoken so confidently about a film or toured across India to promote it before 'Dasara.' The film has received a lot of attention in recent weeks. Nani's promotion of the film gave the impression that it would be a major milestone. Is it really that good?

Let us look into it.

Story: Set in the 1990s in a village called Veerlapally in the Singareni coal mine area, the film begins with the story of three childhood friends, Dharani (Nani), Soori (Deekshith Shetty), and Vennela (Keerthy Suresh).

The villagers are always drinking and spend most of their time at Silk bar. Local politics between Rajanna (Saikumar), Shivanna(Samuthirakani) and the latter's son Chinna Nambi (Shine Tom Chacko) threaten to disrupt their lives.

What effect does a political leader's game plan have on the lives of the three friends?

Artistes’ Performances: For this film, Nani reinvented himself. He played a rustic character for the first time, which was unlike any of his previous roles. He sinks into the role and delivers an amazing outcome. The effort he has put in for the role is evident throughout, and he is the film's main pillar.

The award-winning actress Keerthy Suresh delivers another believable performance in the author-backed role. She is the central character around whom the plot revolves.

Deekshith Shetty, who plays the hero's friend, gives an effective performance. Malayalam actor Shine Tom Chacko has also given a good performance. There are many actors, but none of them receive adequate recognition.

Technical Excellence: The film's cinematography is the first thing that stands out because the film is entirely set in a coal mine. The dark color palette of the color scheme works so well with Sooryan's imaginative camera work.

The music by Santosh Narayanan yields mixed results. The production design is flawless, and the production values are excellent. The dialogues are neat.

Highlights: Nani’s performances Keerthy Suresh Interval bang Villain reveal scene

Drawback: Slow pace Predictable sequences Loses the steam at many places

Analysis "Dasara" makes its intentions clear from the start, with the hero entering the scene in a coal mine area and his friend assisting him. The scene establishes the story's theme of friendship, and gradually introduces the lives of the two friends, as well as the villagers addicted to alcohol in the coal mine area. It is also quickly established that the two friends are in love with the same girl, Keerthy Suresh. So, the first sections are predictable and move at a slow pace.

However, the film is more about creating atmosphere and focusing on characters than it is about plot. The design of the hero's character is impressive. He's timid and only gains courage when he consumes alcohol. And when he drinks, he loses control and can do whatever he wants. This characteristic trait of the protagonist is used so effectively in the later portions of the film, including the interval twist.

Additionally, there are cultural and social references that are properly established, such as women in Telangana performing Bhatukamma during the Dasara festival and Ravana's effigy being burnt on the festival day. The director effectively employs these cultural aspects in his storytelling.

If we take these elements out of the film, it becomes more or less a typical revenge drama. Srikanth Odela, the new director, has prioritized mood and visual palette over story.

The film's biggest surprise is the interval bang. The pre-interval chase sequence and the intermission bang are handled expertly, revealing the villain's true intentions at the start of the second half. As a consequence, the remainder becomes more predictable, and many sequences are bland. The running time is also too long, and the film definitely needs sharp editing.

Furthermore, the film, whether intentionally or unintentionally, attempts to follow the template of "Rangasthalam," but lacks the gripping screenplay that the Sukumar movie had. Caste politics are also mentioned in the film, but they are not properly established.

Additionally, the period (probably set in the 1990s) is shown as if it happened in the 60's or 70's, even though most villages had more modern facilities by the 1990s, even in remote coal mine areas.

Overall, "Dasara" is a regular revenge drama that relies more on visual style and grand making than the plot. It is watchable because of its ambition and Nani’s performance.

Bottom line:  DasaRAW

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Dasara Reviews

Srikanth Odela makes an assured directorial debut with the Telugu film, exploring caste politics in a mainstream format, backed by good performances from the cast led by Nani and Keerthy Suresh.

Full Review | Sep 12, 2023

Dasara is worth watching and showcased technical and performance brilliance at certain moments, but it lacked a crucial element – building emotion and drama. Relying heavily on slow-mo action scenes was not enough to carry the entire film.

Full Review | Original Score: 3/5 | Jul 26, 2023

Dasara uses a lot of familiar techiques in over-the-top action movies about love triangles and vengeful family members. However, the acting performances are better than most movies in this genre. The movie's story also maintains suspense and intrigue.

Full Review | Apr 5, 2023

While the Nani-starrer uses every trick in the book, it succeeds in sucking you into a world you haven’t experienced before.

Full Review | Apr 3, 2023

For all its fury, the film isn’t sure where to derive its emotional force from.

Dasara is not the film that leaves you with a smile at the end of it all, it also doesn’t reinvent the wheel. Could it have been better? Sure. But Srikanth Odela and Nani make this slow burn work. So, credit where credit is due.

Full Review | Original Score: 3/5 | Apr 3, 2023

Even in the most melodramatic of moments, Keerthy Suresh retains control of her faculties and the scene.

• Cast & crew

User reviews

Commercial movie with singareni coal mine back drop

• mudumalathomson
• Mar 31, 2023

Poor Story and Content

• Apr 28, 2023

Nanis career best performance

• navachythanya
• Mar 30, 2023

Meh 2nd half

• vibhus-17780
• Apr 2, 2023

A Mass Masala Movie with Flaws, but Nani Shines!

• Mar 29, 2023

Emotional Rollercoaster with a ting on Adrenaline

• sandeep-settipalli

unexpected visual treat from Nani

• Apr 1, 2023
• businessarpith

Tollywood should reinvent itself...!!!

• PANDIAN120621
• May 26, 2023

Over hyped and no content

• Apr 19, 2023

Nani and Srikanth odela's combined rampage!!

• thottempudikiranprasad

Gritty Action Drama

• IPyaarCinema
• Sep 4, 2023

Very slow and boring.

• Apr 5, 2023

Dasara- Which is bigger love or lust ??

Nani's mass.

• santoshrammohan

Only for natuRAWl star

I came only for nani and he didn't let me down.

• SoumikBanerjee1996
• Apr 27, 2023

Blockbuster movie 🔥

• bandreddymanasnaidu

A regular story with awsome performance & setting

• vineelbhupathi
• Oct 8, 2023

3/4 Baked Rustic Village Drama Which Fumbles in Second Half

• IdlyViswanath

A Visual Feast.

• thefilmophile

One time watchable because of Nani and Keerthy only

• abhishekraj-19602
• May 1, 2023

Director is confused in his approach

• manojkris-04216

Visually Striking Masala Action

• Apr 26, 2023

A lackluster film

• Aug 8, 2023

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• Focus on Story

Dasara Review: A De-Glammed Nani Makes Film A High-Voltage Affair

Dasara review: even in the most melodramatic of moments, keerthy suresh retains control of her faculties and the scene..

Cast: Nani, Keerthy Suresh, Dheekshith Shetty, Shine Tom Chacko and Samuthirakani

Director: Srikanth Odela

Rating : Three stars (out of 5)

Popular movies often fall prey to the second half curse. The power-packed and engaging Dasara , directed and co-written by first-timer Srikanth Odela, does not. It treats its first half essentially as a springboard for a successful post-interval leap to a meaningfully higher plane. And that is where the film stays perched all the way to an impressively executed finale.

Other significant attributes set the Telugu-language film apart from blockbusters like Baahubali and Pushpa . Its exploration of entrenched caste dynamics, bitter political rivalries and debilitating social ills in a coal mining village in Telangana pushes it closer to Tamil films from the Pa. Ranjith, Vetrimaaran and Mari Selvaraj stables.

Dasara remains steadfastly within the parameters of mass-oriented cinema and employs familiar Ramayan -centric analogies to carry the story forward. It still manages to break free at crucial junctures from its stylistic inspirations to dress an old, even perhaps trite, construct in fresh, eye-catching attire.

Dasara is a rustic love story-cum-bromance dovetailed into a revenge drama with a strong emotional underpinning. The composite is presented with a directorial vision that suggests that Odela could, and should, produce works of greater originality and distinction. This film testifies to his skill - and the vision - to tap massy, easy to grasp methods to tell important stories.

The denuded landscape reflects the state of the lives that Dasara depicts. The film is set in Veerlapally village, a speck on the map. It is a place that swarms with men who drink themselves silly and the women bear the brunt of their unruliness. At the centre of the village is a bar - it is named after Silk Smitha - that is out of bounds for all but upper caste drunks.

The narrative straddles a decade and a half from mid-1995, the final year of NT Rama Rao's third term as the Chief Minister of Andhra Pradesh, to 2010. The film's two principal male characters - Dharani (Nani) and Soori (Deekshith Shetty) - pilfer coal from running goods trains when they are not sloshed.

They are in love with the same girl, Vennela (Keerthi Suresh). The three have been friends since childhood. The altruistic Nani, who is meek-natured and believes in staying off confrontations, steps back and lets his best friend profess his love to the girl.

Several years on, the love triangle is aggravated by unseemly power politics between Rajanna (Saikumar) and Shivanna (Samuthirakarani), two half-brothers at war for control of the village and the bar. The latter has a son, Nambi (Shine Tom Jacob), whose aggression triggers a tragedy at the film's halfway mark.

A blood-curdling act of violence throws Dharani's life into disarray. He is a cowering mess until he gathers the courage to plan a retaliation. The timid, responsibility-shirking man is forced to make a choice between being resigned to his fate and taking a stand.

The first half, expended on creating a context for what is follow, takes its own time to pick up momentum. Parts of it meander a tad and even feel somewhat wayward. But the turning point just ahead of the interval gives the deliberate and staccato pace a rationale.

The troubles that confront Dharani, whose name means Earth, Soori (meaning Sun) and Vennela (alluding to the Moon) are caused by one man. The villain's motives are hackneyed and the threats that he makes spring from the power that he wields on account of his political and caste clout.

One wishes Dasara had pushed the caste divide envelope a little further and also stressed upon the relationship between the three main characters with some more clarity in terms of its wider societal implications. Is it possible that Dharani's suppression of his love for Vennela has something to do with where he stands in the caste hierarchy? The film does not raise that question, let alone devote a minute or two to answer it.

Another point at which Dasara slips up a touch is in the manner in which the key female character is deprived of agency when it comes to deciding her own future? Dasara makes amends of sorts when the woman demands an explanation why her consent wasn't sought before a life-altering choice was made on her behalf. The man spells out why he did what he did. While his defence of his action isn't entirely convincing, his apology is.

In the matter of plotting and pacing, Dasara isn't perfect, but Sathyan Sooryan's lensing and lighting and Santhosh Narayanan's lush and phenomenally effective musical score are both of the highest order. The latter lends the film a propulsive rhythm with its blend of the earthy and the electronic.

Sooryan's camerawork creates a palette that alternates between the inky and the auburn and is skilfully illuminated by the muted glow of non-electrical sources of light.

A de-glammed Nani makes Dasara a high-voltage affair. The screenplay and his own acumen allow him to ease himself into the character arc and capture the man's evolution from a feckless, evasive youth to a man of action after fifteen Dasara celebrations have come and gone with him letting his life drift aimlessly.

Dasara also gives Keerthy Suresh a wide range of emotions to convey. Even in the most melodramatic of moments, she retains control of her faculties and the scene. Deekshith Shetty operates within a more limited bandwidth but makes a lasting impression. On the flip side, the force of evil that Shine Tom Chacko embodies does not convey the requisite menace.

The rousing climax is invested with great power in term of of both visualisation and execution. The weapons used in the final act as well as earlier in the film tell their own story. To begin with, the villain's henchmen wield sharp scythes and sickles, which are farming appliances-turned-arms.

In the violent climactic clash culminates in tree-cutting axes, digging shovels and rock-breaking hammers making an appearance - a not-so-subliminal metaphor for a once agricultural community that has been forced into mining as a way of life.

A few wobbles notwithstanding, Dasara is a triumph because it achieves a delicate balance between the flashy and the essential and, in the process, delivers a piece of highly dramatic fiction that frequently seems to have emerged from the real world.

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Dasara movie review: Nani film is a familiar but riveting tale of friendship and revenge

Dasara movie review: while the nani-starrer uses every trick in the book, it succeeds in sucking you into a world you haven’t experienced before..

Nani’s Dasara, like its recent counterparts like Rangasthalam (2018) and Narappa (2021), is a very familiar tale about the ugly side of caste politics. The familiarity also seeps into the fashion in which it narrates a tale of friendship and revenge. Nevertheless, the film still manages to leave you in awe, thanks to the world it’s set in and how debutant Odella Srikanth presents it. It’s deeply rooted setting and how Srikanth manages to transport the viewer to a never seen before milieu of coal-laden hamlet that really works in the film’s favour.

The story is set in a small village called Veerlapalli, which is surrounded by coal mines. Nani plays Dharani, whose life revolves around his best friend Suri (Dheekshith) and his gang of friends. In their introduction sequence, we see the gang pull off a daredevil stunt by stealing coal from a moving train. In this village, drinking is a tradition, a way of life and the local bar is a place where all the men conglomerate to waste time. The bar, which is reserved for the upper caste men, is the place where power as well caste dynamics come into play.

Men from the lower caste drink outside and wouldn’t dare to set foot inside. When Suri and Dharani unknowingly become responsible for a shift in the power dynamics involving the bar, they cross paths with men – Samuthirakani and Shine Tom Chacko - from the most powerful family in the village. The repercussions that both Suri and Dharani have to face for their actions forms the crux of the story.

Dasara pretty much uses every trick that’s been used before when it comes to such stories. However, it still manages to leave a strong impact because of how it succeeds in sucking you into a world you haven’t experienced before. Veerlapalli is carefully built with characters that are full of life. Unlike Pushpa or KGF, this isn’t a story that rides on the hero’s bravado.

In fact, for a good 60-70 percent of the film, Nani plays a character that’s mostly scared out of his wits and he takes solace in alcohol to swallow his fear. Throughout the first half, Nani can be actually seen standing behind Suri. When the transformation happens at a crucial juncture of the film, Srikanth has spent a great deal of time in building Nani’s character. Hence, when his moment of uprising comes, we buy into the transformation.

Dasara does try and get massy towards the end. But the predictability doesn’t come across as a major grouse as the slow world-building really helps in keeping the viewer invested right till the end. Two of the film’s best moments come in the form of extremely well-choreographed action set pieces right before the interval and during the finale portion.

The interval action sequence is so well shot that it infuses a deep sense of shock and fear in the viewer, pushing one to the edge of their seat. Nani turns in such a believable performance and he sells his quest for revenge so convincingly. Keerthy Suresh once again proves why she’s one of the best mainstream actresses we have today with her effortless performance. Sathyan Sooryan’s visuals play a pivotal role in making Dasara not just eye-catchy but highly immersive in every frame.

Film: Dasara

Director: Odella Srikanth

Cast: Nani, Dheekshith Shetty, Keerthy Suresh, Shine Tom Chacko, Samuthirakani and Sai Kumar

• Keerthy Suresh
• Movie Review

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Dasara Review – Banchat Nani RAWWW!

Banchat Nani RAWWW!

OUR RATING 3/5

U/A, 2h 36m

Set in Veerlapally, a small village in the nineties, Dasara’s story centres on Dharani (Nani), Vennela (Keerthy Suresh), and Suri (Dheekshit Shetty), childhood friends. Dharani loves Vennela, but she has Suri in her mind.

Meanwhile, people’s lives in Veerlapally revolve around Silk Bar and coal mining. What happens when local politics and love cross paths and give a shocking twist in Dharani’s life? The movie’s basic plot is how Dharani and Vennela find love with each other.

Performances

Nani is back on the big screen after Ante Sundaraniki. It shows how effortlessly he slips into different parts. His role in Dasara couldn’t have been any more contrasting.

From the first frame until the end, Nani stays in character and breathes it. He’s lucky it has a perfect mixture of action, comedy, and drama. He nails them all perfectly. The action blocks, whenever they appear, are done with superb intensity. The only problem here is that the character doesn’t get elevated to the next level despite all the positivity. It is a sincerely done part that deserves all the praise, but simultaneously it lacks the iconic appeal.

Keerthy Suresh, too goes for a drastic makeover with Dasara. She is also good and shares neat chemistry with Nani. She is integral to the narrative and does well whenever the opportunity arises.

Debutant Srikanth Odela directs Dasara. Coming from school of Sukumar, he has picked a raw and rustic tale and setting for his first attempt.

The immediate thing registering in everyone’s mind as Dasara begins is the village of Veerlapally. The people, their habits and daily lives are neatly presented. Srikanth Odela takes his time but ensures one is immersed in the world. It helps set Dasara apart from similar big-budgeted rugged attempts from Telugu cinema in recent years.

Dasara mainly focuses on the trio, Dharani, Vennela and Suri. Their journey involving friendship and love and the politics surrounding them constitute the narrative. The former consumes much of the movie’s first half, with short bursts of political drama related to local body elections etc., thrown in.

The interval is sure to come as a huge shocker to many. It isn’t something we usually see in Telugu cinema every day, hence the impact. The execution is slick, highlighting the craftsmanship of the newcomer director. It raises hopes for the second half big time.

Nothing changes in the second half, and we realise what the movie is truly about within the first fifteen minutes. A scene at that point reveals the critical elements related to the interval and ends the little suspense.

What follows is a drama related to Dharani and Vennela. There are no big surprises or twists or turns in the plot. The director focuses on their relationship. Here the screenplay is uneven, as some parts are outright boring. A good scene is followed by a few that lacks excitement. Finally, the whole drama is built towards the climax, which is thrillingly handled.

Overall, Dasara offers terrific visuals and performances that make it worth a watch. If you like raw and rustic dramas and don’t mind the pace and predictability, go ahead with Dasara.

Dheekshith Shetty plays a vital role, easily becoming part of the trio along with Nani and Keerthy Suresh. He plays the aggressive heroic character neatly. Apart from them, the Malayalam actor Shine Tom Chacko has a pivotal part. He is excellent when given the scope, but that is only in a few places. It makes one feel that his talent is not fully explored. Saikumar and Jhansi are adequately doing the usual supporting parts. However, Samudrakani is wasted in a role that seems chopped off on the editing table.

Santhosh Narayanan composes for a direct Telugu film after a very long gap. He infuses life into the proceedings with his songs and background score. His unique sound is refreshing, adding a layer of freshness to the proceedings.

Technically Dasara is a superior product. The music director is one of the many components. Santhyan Sooryan’s cinematography is brilliant, capturing the rawness beautifully and in its full glory. It sets the tone ideally for things to take off. Naveen Nooli’s editing is neat. The writing is fine with the smaller moments shining, keeping the local sensibilities in mind. The action choreography is excellent, making the interval and climax stand out.

Nani Interval and Climax Emotional Blocks BGM Cinematography

Predictable Story Slow Pace Boring Moments At Times

Did I Enjoy It? Yes

Will You Recommend It? Yes

Dasara Movie Review by M9News

Final Report: Dasara is a good one-time watch for the terrific technical work, authentic setting, solid performances from the lead cast, and a banger of an ending. On the flip side, story-wise, it lacks any surprise factor as it focuses more on drama and emotions.

— Chamkeela Angeelesi is picturized with so much love. It oozes in every frame of the montage song.

First Half Report:

Debutant Srikanth Odela successfully manages to immerse us in Veerlapalli on the big screen. It helps one glued to the proceedings.

Just when you think everything is normal, he stuns you with a slickly shot stunning interval. All eyes are now on the second half to see where Dasara heads and if it does to the next level.

— A simple yet very effective introduction for Natural Star Nani.

— Dasara begins in Veerlapalli. CM NTR calls for liquor prohibition. This affects Silk bar and the leadership in village.

Stay tuned for Dasara Review, USA Premiere Report.

Dasara Cast: Nani, KeerthySuresh

Directed by Srikanth Odela. Music by Santhosh  Narayanan, DOP by Sathyan Sooryan  ISC, Editing by Navin Nooli, Produced by Sudhakar Cherukuri On SLV Cinemas Banner.

Production Designer: Avinash Kolla Stunts: Real Satish, Anbariv Dialogues: Thota Srinivas Writers: Jella Srinath, Arjuna Paturi, Vamsi Krishna P Lyrics: Kasarla Shyam, Sreemani, Rahman, Gaddam Suresh Choreographer: Prem Rakshith, Eshwar Penti VFX Supervisor: Junaid Sound Design: Suren G, S. Alagiakoothan Direction Department – Rohith Raj Boddupalli, Ravi Kumar Uppala, Yeswanth Vittapu, Arjuna Paturi, Jella Srinath, Vamsi Krishna Pinnika, Ravi Gudelli, Ram Nadella, Pawan Kumar Lekkala, Madhukar Satla.