super over movie review in telugu

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Users' Reviews

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Teja Saga 159 1184 days ago

Good thriller

Sai Teja Anne 1187 days ago

a really good movie

vsmohan49 Mohan 54 1192 days ago

Really I enjoyed a lot .. in OTT one of best movie

Incognito 62 1192 days ago

tried too much

praveen Varma 1193 days ago

Super suspense thriller

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నటీనటులు : నవీన్ చంద్ర, చాందిని చౌదరి, అజయ్, రాకెండు మౌళి, హర్ష చెముడు

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పలు ఆసక్తికర ఓటిటి వెబ్ సిరీస్‌లు అలాగే డిజిటల్‌గా రిలీజ్ అవుతున్న సినిమాల రివ్యూస్ తో కొనసాగిస్తున్న క్రమంలో మేము ఎంచుకున్న తాజా చిత్రం “సూపర్ ఓవర్”. ప్రవీణ్ వర్మ దర్శకత్వం వహించిన ఈ సినిమా ఆహా యాప్ ద్వారా రేపు అనగా జనవరి 22న ప్రేక్షకులను ఆకట్టుకునేందుకు సిద్దమయ్యింది. అయితే మీడియా వారి కోసం నిన్న రాత్రి ఈ సినిమాను ప్రదర్శించారు. ఈ చిత్రం ఎలా ఉందో ఇప్పుడు సమీక్షలో తెలుసుకుందాం రండి.

కాసి(నవీన్ చంద్ర), వాసు(రాకేందు మౌలి), మరియు మధు(చాందిని చౌదరి) వీరు ముగ్గురు చిన్నప్పటి నుంచి మంచి స్నేహితులు. అంతేకాదు వీరు ముగ్గురు మంచి సంతోషకరమైన జీవితాన్ని గడుపుతూ ఉంటారు. అయితే ఒకరోజు ఈ ముగ్గురు స్నేహితులు పెద్ద ఆర్థిక సవాలును ఎదుర్కొంటారు. దానిని అధిగమించడానికి వారు క్రికెట్ బెట్టింగ్ వైపు మొగ్గు చూపుతారు. క్రికెట్ ప్రీమియర్ లీగ్ సీజన్ ముగిసే సమయానికి వారు భారీ మొత్తంలో డబ్బును గెలుచుకుంటారు. ఈ తరుణంలో బుకీ ద్వారా వారు పెద్ద ఇబ్బందుల్లో పడటంతోనే అసలు కథ మొదలవుతుంది. అయితే వారు తమ డబ్బును తిరిగి పొందడానికి ఎలాంటి పోరాటాలు ఎదుర్కొంటారు అన్నదే ఈ కథ.

ప్లస్ పాయింట్స్:

నవీన్ చంద్ర, చాందిని చౌదరి, మరియు రాకేందు మౌలి వారి వారి పాత్రలకు పర్ఫెక్ట్‌గా సరిపోయారు. అలాహే ముగ్గురు స్నేహితుల మధ్య కెమిస్ట్రీ చాలా సహజంగా కనిపిస్తుంది. ఇక క్రికెట్ బెట్టింగ్ దృశ్యాలు మరియు బుకీలను ప్రామాణికమైన రీతిలో చూపించిన విధానం వాస్తవికంగా కనిపిస్తుంది.

ఒకే రాత్రిలో ప్రధాన కథను వివరించిన విధానం చాలా బాగుంది మరియు అందులో తగినన్ని నేరాలు మరియు ఉత్కంఠభరితమైన అంశాలు ఉన్నాయి. మొత్తం రాత్రి ఎపిసోడ్‌లు మంచి ట్విస్టులు మరియు మలుపులతో జోడించిన గ్రిప్పింగ్ స్క్రీన్‌ప్లేతో అమలు చేయబడ్డాయి. ఇకపోతే కఠినమైన పోలీసుగా నటుడు అజయ్ మంచి నటన కనబర్చారు. ఇక అజయ్ మరియు స్నేహితుల మధ్య పిల్లి మరియు ఎలుక సన్నివేశాలు చాలా బాగున్నాయి.

రాత్రి సమయంలో తయారు చేసిన చేజింగ్ ఎపిసోడ్ చాలా బాగా వచ్చింది మరియు తెరపై అది పట్టుగా ఉంది. నటుడు ప్రవీణ్, వైవా హర్ష ప్రముఖ పాత్రల్లో ఒకే అనిపించారు.

మైనస్ పాయింట్స్:

అజయ్ మరియు స్నేహితుల బృందం మధ్య ఒక సన్నివేశం తెరపై బాగా కనిపిస్తుంది, కానీ అవి వాస్తవానికి కొంత దూరంగా ఉన్నాయి. ఈ చిత్రం క్రికెట్ బుకింగ్ ఆధారంగా ఉండడంతో చాలా తక్కువ కథాంశాన్ని కలిగి ఉంది. పాటలు మరియు ఫైట్స్ వంటి వాణిజ్య అంశాలు పెద్దగా లేకపోవడంతో ఓ వర్గం ప్రేక్షకులకు నచ్చకపోవచ్చు.

చిత్రం చూసిన తరువాత, నేరంపై తదుపరి దర్యాప్తు చేయకుండా పోలీసులు స్నేహితులను ఎంత తేలికగా విడిచిపెట్టారు వంటి కొన్ని ప్రశ్నలకు సమాధానం ఇవ్వకపోవడం ద్వారా చిత్రం ముగిసిందనే భావన కనిపించింది.

సాంకేతిక విభాగం:

పైన చెప్పినట్లుగా, ఈ చిత్రానికి పాటలు లేవు అయితే నేపథ్య స్కోరు సముచితం మరియు చిత్రం యొక్క మానసిక స్థితికి సరిపోతుంది. రీ-రికార్డింగ్‌తో సినిమాలోని సస్పెన్స్ ఎలిమెంట్స్ చక్కగా ఉంటాయి. చిత్రం యొక్క రన్‌టైమ్ ఎటువంటి అవాంఛిత సన్నివేశాలు లేకుండా తక్కువగా ఉంచడం వలన ఎడిటింగ్ పని చాలా బాగుంది. అంతేకాదు తగిన ఫ్రేమ్‌లను ఉపయోగించడం ద్వారా నైట్ మూడ్ బాగా సంగ్రహించబడినందున సినిమాటోగ్రఫీ బాగుంది.

దర్శకుడు ప్రవీణ్ వర్మ గురించి ప్రస్తావించే ముందు ఓ విచారకరమైన వార్త ఏమిటంటే ఈ చిత్రం షూటింగ్ చివరి దశలో అతను ఒక పెద్ద రోడ్డు ప్రమాదంలో మరణించాడు. ప్రతిభావంతులైన సాంకేతిక నిపుణుడు ప్రవీణ్ వర్మ కుటుంబానికి మా హృదయపూర్వక సంతాపాన్ని తెలియజేస్తున్నాము.

ప్రవీణ్ వర్మ కథాంశం చాలా సన్నగా ఉన్నప్పటికీ, క్రికెట్ బుకింగ్ కాన్సెప్ట్ ఆధారంగా గ్రిప్పింగ్ స్క్రీన్ ప్లే రాయగలిగాడు. అతని ఉరి తీసే విధానం చక్కగా ఉంది మరియు దానిలో స్పష్టత ఉంది. సూపర్ ఓవర్ మొదట ప్రముఖ దర్శకుడు సుధీర్ వర్మ చేత బ్యాంక్రోల్ చేయబడింది మరియు ఈ చిత్రానికి అతని నిర్మాణ విలువలు బాగున్నాయి.

మొత్తం మీద సూపర్ ఓవర్ ఒక క్రైమ్ థ్రిల్లర్ అని చెప్పాలి. ఈ సినిమా కథనం బాగుంది. అయితే ఈ చిత్రంలో కొన్ని నమ్మశక్యం కాని ఎపిసోడ్లు మరియు ఫౌల్ లాంగ్వేజ్ కలిగి ఉన్నప్పటికీ, ఈ చిత్రం దాని పులకరింతలు మరియు శైలీకృత అమలు కోసం చూడదగిన సినిమాగా ముగుస్తుంది.

Rating: 3/5

సంబంధిత సమాచారం

క్రేజీ బజ్ : ‘ది రాజా సాబ్’ : ముగ్గురు హీరోయిన్స్ తో చిందేయనున్న ప్రభాస్, బజ్ : మరోసారి రిపీట్ కానున్న ‘నా సామిరంగ’ కాంబో , వైరల్ వీడియో : ‘పుష్ప’ సాంగ్ కి డ్యాన్స్ అదరగొట్టిన రణ్వీర్ సింగ్, దేవిశ్రీప్రసాద్, ఐపీఎల్ కామెంట్స్ పై క్లారిటీ ఇచ్చిన చాందిని చౌదరి, ‘కృష్ణమ్మ’ ప్రీ రిలీజ్ ఈవెంట్ గెస్టులుగా టాలీవుడ్ టాప్ డైరెక్టర్స్, ప్రశాంత్ వర్మ – రణ్‌వీర్‌ సింగ్‌ మూవీ టైటిల్ ఇదేనా, ‘త్రివిక్రమ్’ సినిమాలో బన్నీ డ్యూయెల్ రోల్, ‘చరణ్ – సుకుమార్’ సినిమా పై లేటెస్ట్ అప్ డేట్, ‘సలార్ 2’ లో మరో సర్ ప్రైజింగ్ రోల్ , తాజా వార్తలు, వీక్షకులు మెచ్చిన వార్తలు.

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Luck favours Kaasi and his friends in cricket betting but soon lands them in inevitable trouble. What follows is a chase with unforeseen events and turns, leading to an unprecedented ending. Luck favours Kaasi and his friends in cricket betting but soon lands them in inevitable trouble. What follows is a chase with unforeseen events and turns, leading to an unprecedented ending. Luck favours Kaasi and his friends in cricket betting but soon lands them in inevitable trouble. What follows is a chase with unforeseen events and turns, leading to an unprecedented ending.

• Praveen Varma
• Naveen Chandra
• Chandini Chowdary
• 19 User reviews
• 1 Critic review

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• Production, box office & more at IMDbPro

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User reviews 19

• sunilkumarkambham-91103
• Jan 22, 2021
• January 22, 2021 (India)
• Sas Pictures
• See more company credits at IMDbPro

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• Runtime 1 hour 23 minutes

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2021 ‘సూపర్ ఓవర్’ Directed by Praveen Varma

Luck favours Kaasi and his friends in cricket betting but soon lands them in inevitable trouble. What follows is a chase with unforeseen events and turns, leading to an unprecedented ending.

Naveen Chandra Chandini Chowdary Rakendu Mouli Vennelakanti Ajay Viva Harsha Praveen Jeevan Reddy

Director Director

Praveen Varma

Producer Producer

Sudheer Varma

Writer Writer

Editor editor.

S. R. Sekhar

Cinematography Cinematography

Divakar Mani

Production Design Production Design

Narayana Reddy

Composer Composer

Releases by date, 22 jan 2021, releases by country.

83 mins   More at IMDb TMDb Report this page

Popular reviews

Review by Soumajit Nath ★★½ 3

****************************************************** SUPER OVER is a gripping telugu thriller, has released in telegu film streaming platform, Aha, which manages to create up equal tensed environment just like a 6 balls' super over between two teams after finishing a tight match with an uncertain verdict of "Who Will Win More Money"...but to make up a super over like panickness where each viewers chews their finger nails by thinking "Who will keep the cash?", it somehow lost it's sense of reality at the middle of this film, ofcourse it's a decent thriller though.

It's Praveen Varma’s debut film as director Praveen had allready proved his skills as an assistant director to Sudheer Varma and has collaborated with some of his mentor’s favourites…

Review by Shritan ★★½ 2

Runs around in circles to a point where it runs out of circles to run around in, but the circles it did run around in were well-rounded alright.

Review by ChandraKanth❄ ★★★

A good thriller, that defies logic quite a few times,

Review by Nibras ★★★

A jovial ride with some excellent sub-plots

Review by Amrutha S. ★★★★★

THIS MOVIE WAS SOOOO GOOD  im so sad the director passed away but i want a part 2 so bad

Review by ISkarthi ★★★

A Fun ride about 3 friends getting stucked in cricket betting & how it affects other too with others who are involved in it.. Very Little Roshmonic type narrative gets hyper linked at a point from where the fun starts.. The ending is a bit open.. Solid fun watch..

Review by Selva ★★½

Though the film’s runtime is short,I felt that the movie had dragged in the middle.The twist and turns are good but the screenplay should have been better.

WATCHABLE THRILLER.

Review by Hello Hari Here ★★½ 3

Ranu ranu Raju gari guram Gaddhi ayindante idhena

Review by 𝗡 𝗜 𝗞 𝗛 𝗜 𝗟 🍿 ★★★

SHORT AND SLICK

A short, stylish and racy thriller with twists and turns and mostly takes place over a single night.

Praveen Varma’s screenplay style is similar to that of his mentor Sudheer Varma. Sadly, Praveen has left too soon and we can’t see more of his work 😢

Review by Vamsi ★★★

Super Over is an engrossing and entertaining thriller. I like films which start and end overnight. This is one such film crafted perfectly with twists and turns. With the use of minimal resources and good acting, this one was a satisfactory timepass watch. Give it a try.

Review by Snowflake ★★★★

Three friends, one bookie, one cop and a hell of a chase ! Engaging screen play throughout the movie. Totally loved it. Short run time with good content.

Review by Sudeep ★★★½

A gripping thriller film👌

Select your preferred poster

Super Over Movie Review: Few impressive shots, too many dot balls

Rating: ( 2.5 / 5).

Super Over doesn’t boast to be more than what it actually is. With simplistic, straightforward storytelling, the late Praveen Varma has aspired to do what many good drivers of the ball in cricket do – he has an interesting idea to rest upon (pressure on the back-foot), has translated the concept into a well-written screenplay for 83 mins (moves towards the ball and shifts weight to the front-foot), and yes, he even uses the resources in an effective way (brings the high-raised bat to ball with good timing). But, there are issues and the narration tends to slow down before reaching its destination. In other words, he didn’t quite middle the ball.

Super Over starts off with a car chase – a police vehicle is in pursuit of a car, and a bike follows the chase. The car is occupied by three friends with new-found reassurance about luck favouring the brave. They’re being chased by a police officer with a ‘lust for money’, and they are all followed by a greedy assistant to a cricket-betting bookie. What transpires between them makes up the rest of the story.

Director: Praveen Varma

Cast: Naveen Chandra, Chandini Chowdary, Rakendu Mouli, Ajay

Streaming on: Aha

The film has a predictable start. Kasi (Naveen Chandra), Madhu (Chandini Chowdary), and Vasu (Rakendu Mouli) meet their long lost friend Bangarraju (Viva Harsha), who recently lucked out and scored big numbers through cricket betting. In the same scene, we realise that Kasi’s uncle is stuck in a puddle with loan sharks. It’s obvious what Kasi is going to do next, and it gets tiring to sit through these initial scenes.

The story, however, does pick pace and gets exciting. This is mainly due to the technique of entering the plots of each of the parties – the friends, the police and the cricket bookie – and circling back to that one chase sequence. Even past the halfway mark, we don’t quite know what will happen next. And while this is the case, Super Over has all the nervous excitement of a super over in a match.

Unfortunately, it eventually gets sticky and the story solely relies on unbelievable coincidences and twists of fate. If only there were something else to make it feel grounded and help us believe – perhaps comedy, or an interesting sub-plot, an interesting character with depth, or a gripping emotional anchor. This film has none of those, and as a result, the final act of the film disappoints. Logic also takes a major hit and the series of events are all so convenient that we no longer even root for the protagonists as they’re clearly going to succeed in their objective.

The film tries to induce the excitement of a super over, but even with just 83 mins of runtime we're left wondering if it should have been shorter still. When the individual plots come back to the car chase, we once again see extended, unnecessary shots of the chase which do get tiresome.

Not bringing back the character of Bangarraju is a major miss. But the film has an even bigger issue in way the antagonists – the police officer, Ajay (Ajay), and the bookie Murali (Praveen) - are written. The latter at least has some relevance in the story and makes his presence felt, but Ajay’s arc, though it begins in an interesting manner, leaves us hanging with no high moment after that.

Also, what’s up with Chandini Chowdary and luck? We earlier saw her romance a man with an almost supernatural misfortune in Bhombhaat, and in Super Over, there’s a constant notion that her character Madhu is a lucky charm to Kasi and that Vasu is an unlucky one. 

Super Over is definitely elevated by the visuals and the music. Sunny MR's music, even when it feels a little too familiar, keeps us hooked. Major credits to the entire team of cinematographers – some shots of the city at night are extremely beautiful. Praveen Varma’s decision to set the story at night – probably to comply with lockdown regulations and to avoid unwanted distractions in the frames – seems to have given a lot of freedom to the cinematographers. Major credits to colourist Vivekanand for the film's consistent and seamless grading. 

Super overs are meant to yield end a final result. However, Super Over ends with a cliff-hanger. The penultimate ball is also not fulfilling.

However, as the credits begin to roll, and the team pays tribute to the late Praveen Varma, it really feels heart-rending to realise he left us before witnessing his work meet the audience. Life is a brutal game of chance, indeed.

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• February 24, 2024 / 05:47 PM IST

• Naveen Chandra (Hero)
• Chandini Chowdary (Heroine)
• Praveen Varma (Director)
• Sunny M.R. (Music Director)
• Sudheer Varma (producer)

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Praveen Varma is the writer and director of the 2021 Indian Telugu-language crime thriller Super Over. Sudheer Varma is the producer, working with the production business SAS Pictures. Rakendu Mouli, Ajay, Praveen, Chandini Chowdary, and Naveen Chandra are the film’s main cast members. Sunny M.R. composed the film’s music. Super Over debuted on Aha on January 22, 2021.

Childhood buddies Kaasi (Naveen Chandra), Madhu (Chandini Chowdary), and Vasu (Rakendu Mouli). Travel advisor deceives Kaasi, who intends to travel overseas. He pledged his house as collateral to cover the debt associated with his travel plans, which must be paid back. Kaasi starts betting on cricket matches to make money, and he ends up winning ₹1.7 crores. The drama that unfolds next centers on whether he gets to keep his riches and what happens to his two pals as a result.

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Release Date:

22 Jan 2021

Super Over Story

Super Over is a Telugu thriller movie directed by Praveen Varma. The film features Naveen Chandra, Chandini Chowdary, and Ajay in the lead roles alongside Rakendu Mouli, Praveen, and Viva Harsha in the supporting roles. Sudheer Varma is producing the film. Sunny MR is likely to compose the music for the film and cinematography by Divakar Mani.

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Home » Reviews » Telugu Movie Reviews

Razakar: The Silent Genocide Of Hyderabad Movie Review: No Holds-Barred Expose Of Masked History

This is a shocking expose of a gruesome reality behind a politically-motivated distortion of history, around the time of indian independence..

Star Cast: Bobby Simha, Tej Sapru, Makrand Deshpande, Raj Arjun, Annusriya Tripathi, Vedhika, Anasuya Bharadwaj, Thalaivasal Vijay, John Vijay

Director: Yata Satyanarayana

What’s Good: Tells us in a no-holds-barred manner about the way Hindus were tortured by a megalomaniac in the name of Islam. The film also has fabulous performances by Raj Arjun in particular as well as by Tej Sapru and Makrand Deshpande

What’s Bad: An avoidable ‘filmi’ touch merely to add masala entertainment elements, especially in the conception of songs and some clearly implausible stunts by the ‘good’ forces.

Loo Break: Not really

Watch or Not?: Yes, if you are a devotee of truth

Language: Telugu with Hindi dubbing

Available On: Theatrical release

Runtime: 166 Minutes

The real story is set around the time India got her Independence and some princely states had to be integrated into India. The Nizam then, Mir Osman Ali Khan ( Makrand Deshpande ) refuses to do so, preferring to keep Hyderabad intact and make it an Islamic state of his dreams. His militant and despotic lieutenant and general advisor, Kasim Rizvi (Raj Arjun), unleashes a frenzy of torture, brutality, murder, rape and conversions in different parts of the state against Hindus and against Marathi, Telugu, Kannada and Hindi as languages being taught—a genocide that few Indians today are even aware about.

As Prime Minister Jawaharlal Nehru keeps prevaricating, intoning about a treaty India has signed, Sardar Vallabhbhai Patel, the original Iron Man of India and the Home Minister then, decides to take stringent action even as the Nizam plans to ally with Pakistan and other Islamic nations.

Razakar: The Silent Genocide of Hyderabad Movie Review: Script Analysis

While the original Telugu script does not beat about the bush and shows the extreme levels of inhuman brutality shown by the militant ‘police’ (the Razakar), the Hindi lines also do complete justice to the saga of unbridled despotism out of religious fanaticism. Footage of sadism, unspeakable horrors and mayhem resorted to by the Razakar, again and again, take up most of the film’s long length while an ageing Nizam struggles to retain his royal status out of a misguided sense of power and authority.

The dialogues are chilling, and so are the situations. And the non-fanatic and righteously secular (a term not employed then!!) and nationalistic Muslims are also given the same treatment as the helpless and hapless Hindu folks by these fanatical forces.

Razakar: The Silent Genocide of Hyderabad Movie Review: Star Performance

If there is one actor who dazzles here, it is Raj Arjun, a man who played the evil stepfather in Secret Superstar with the same ease and aplomb as his portrayal of Shirdi Sai Baba in the web series we saw some years ago. As Rizvi, he comes across as so malevolent and tyrannical that this must be one of the most horrendous of the real-life villains we have seen so far in Hindi cinema. I can only salute him for his expressions, the way he rages, roars and otherwise modulates his voice. And his expressions and the manic look in his eyes in close-ups are simply out of this world.

Tej Sapru is excellent as the determined Sardar Patel in a performance that is as much subdued as it is intense. Makrand Deshpande brings to life the erring Nizam, who sees the light too late but cannot be punished for the genocide he sanctioned. The character of K.M. Munshi, popularly known by his pen name Ghanshyam Vyas, an Indian independence movement activist, politician and writer from Gujarat and the founder of the Bharatiya Vidya Bhavan, is evocatively brought out by veteran South actor Thalaivasal Vijay.

As the film is so stark and graphic about everything, the characters are all perfect for the parts, and among them, Annusriya Tripathi as one of Mir Osman Ali Khan’s wives, Vedhika as Shanthavva and Bobby Simha as Rajireddy stand out. The issue here is that all have got limited to even less (!) footage, but they all still shine in the roles given.

Razakar: The Silent Genocide of Hyderabad Movie Review: Direction, Music

Director Yata Satyanarayana goes all out in his passionate zeal to expose (as in The Kashmir Files, The Kerala Story and Bastar: A Naxal Story) truths hidden from all or most of the nation out of vested interests. A present Censor rule is that whatever is depicted on screen must be backed by documented facts, and clearly the depiction must be authenticated. It is horrifying how the Indian powers then distorted even relatively contemporary history out of pure malicious intent.

The film is very candid in its exhibition of reality, and while the gore may put off a section of the audience (word-of-mouth is always vital for a film’s box-office standing), I must congratulate the director, who has also co-written the script, for showing things as they were.

That said, mention must be made of the needless dramatization that elongates the film, so to speak. The dance invoking the Goddess Durga and another rousing song not only slow down the pace but also seem clearly inspired by S.S. Rajamouli! One song, contextually, is very similar to the classic Kumuram Bheemodu from RRR! The background score is also an inspiration, as are the end-credits. Then there are some action sequences akin to normal films in which the lead actors take on multiple antagonists all at once! The director should have steered clear of such needless add-ons to a terrifying saga, which, unlike the fictional RRR or the Bahubali franchise, is totally real.

The music per se is alright, ditto the fitted Hindi lyrics.

Razakar: The Silent Genocide of Hyderabad Movie Review: The Last Word

Such films, sadly, in our country, are labelled as ‘propaganda’ films, even more so as the election season is on. But the truth will always be the truth, and in any case, films always work because of their resonance with the viewer.

Three and a half stars!

Razakar: The Silent Genocide of Hyderabad Trailer

Razakar: The Silent Genocide of Hyderabad released on 26th April 2024.

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The author of this review himself gave away the purpose of this film. No matter what, it’s crystal clear that this is a propaganda movie releasing in the midst of elections and with ulterior motives. This movie is a fiction of BJP minded sadists imagination. Even if it was 1% true, it would have been highlighted a 1000 times by BJP in it’s 10 years rule.

Lol…so if Muslims are shown as Evil then its propoganda and if they shown as victims then its true. Doesn’t matter we will watch the movie and help BJP.

Bro, how is history a propaganda? Looking st your name I can understand that thus might be hard for you to digest.. but it’s history not myth.

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