personal essay national 5

English National 5 Essay Examples Available

The English Department have sent more resources for National 5 critical essay revision to this site for inclusion.

They take the form of exemplar timed essays on the novels studied in the course: Stone Cold, Of Mice and Men and Animal Farm.

Find them on the dedicated critical essay revision page . The PDF files are named according to: the novel they are concerned with; whether they are the first or second example (1 or 2); and each example is numbered into parts – (i) – (iv).

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personal essay national 5

Personal Essay Examples – S4 Nat 5

This one PASSED.

Type: Reflective Essay

Title: “Cowal Games”

It was a warm August morning. I had laid out my kilt and the rest of my uniform the night before. I was going to Cowal Games – to play my bagpipes. I had never been very good at getting up in the morning … except for that August day. I ran down the stairs almost tripping up on my dressing gown.

My first really important performing event! I was mentally listing all the ceilidhs and parades I had ever done, thinking how important these events had seemed to me – even the time I piped in the New Year.

I dressed, rather hurriedly, in my kilt, sporran, belt, shirt, tie, socks, flashes, shoes and finally my thick tweed jacket. I scraped my hair back, and left the house, pipes in one hand, hat in the other.

As I drew close to the rendezvous point, I noticed everyone waiting eagerly, their sky blue kilts waving in the wind. The minibus was waiting. Turned out I was late! We all scrambled on and squeezed our equipment into the back, even Billy’s Big Bass Drum.

Before we knew it, we were off. We were travelling with another pipe band who kindly paid for the ferry ride there and back. The journey went fairly smoothly except for a few minor hiccups (Billy stalling the bus). Apart from that we had to wait in a long queue before boarding the ferry. I passed the time texting furiously on my mobile. The bus finally made it to the front of the queue, but as we were leaving the pier and moving onto the ramp, the bus stalled. We all looked round at each other.

Billy restarted the engine and everyone sighed with relief as we entered the car deck of the ferry. The ferry was dazzling white and the sea choppy, so I clambered up to the top deck to see Dunoon on the horizon. The salt air whipped my face but I still watched us travel towards the horizon. My kilt was almost whipped up in the wind, but I managed to catch it in time!

We arrived at the pier at the same time as the Waverley. We stopped with a jerk. Hundreds of people, young and old, piled out onto the pier. We sped out – without stalling. Soon we stopped on a grassy verge to unload all of our equipment.

We all strolled to the largest piece of trampled grass we could find. I hid myself under my tweed jacket and hat, hoping no one would recognise me. The drummers showed off their skills and I tapped my foot to the beat. Just being there with the band as a piper was an achievement for me. The

Pipe Major made sure everything was perfect before we formed into a circle and went straight into a reel.

Quite quickly a huge crowd gathered round us. I tried to make no eye contact and stared straight into the sky so the sun was beating down on my forehead.

That was just the begining of it. Before I could take a rest, we were parading up a long road that ran through the heart of Dunoon. We played “Scotland the Brave”, which is an all-time favourite of mine. My lungs filled and deflated like bellows. I tried to ignore the audience of people around me

but – instead I crinkled my eyes to keep the sun out. People “awed” at the band’s youngest pipers,

Peter and Alan, only 8 years old.

Later on that evening after enjoying the Highland Games and talking to lots of new people, one of the pipers invited the band to a ceilidh which didn’t finish till midnight. So I danced the night away to Strip the Willow and the Dashing White Sergeant. At exactly midnight I watched the serene sky

become a huge drama of fireworks. This display ended with an enormous explosion and flash of purple with what looked like glitter or a falling star come towards me and the earth.

Finally, exhausted, and after spending about 20 minutes looking for two pipers who were found boozing at the hotel bar, we made the last ferry and the two rather drunk pipers scrambled to the front to play the Skye Boat Song with another 25 pipers and drummers.

The long drive home was made shorter by the 2 pipers playing reels and jigs non-stop all the way home. As I waved goodbye to everyone I realised how tired and exhausted I was. Back home, I launched into my bed after dumping all my gear on the floor.

Looking back now I realise how I have changed so much from one experience, which has made me so determined to go and play at even bigger events, like the Tattoo and the World Championships. It has also given me confidence to perform in front of hundreds of people.

This one FAILED.

Title: “The Big Day”

The day had arrived. I had nothing but sheer panic whizzing around my head. I had butterflies in my stomach. I couldn’t calm myself down no matter what I tried. I kept thinking to myself, would my teacher like me? I was thinking what if I don’t make any friends and what if nobody likes me? Help!

Have you thought what this dreaded day is? Yes, my first day Primary School.

When I got up that morning I remember seeing my new school uniform hanging outside my wardrobe and I felt dread in me. I would have been so much happier just to stay warm, snug in my bed with the covers over my head but I knew I couldn’t. I would have to get up and face my nightmare. My mum had made me breakfast that morning but I couldn’t eat it because of my nerves. I was looking at the clock every two seconds. It felt as though the clock was going a million times faster than it should be. I was thinking, slow down please.

As my mum pulled up outside the school I remember seeing all the children scrambling about and shouting like foghorns. This made me even more nervous. My mum took my hand and we walked through the playground. It felt as though everyone was gazing at me in wonder. I was thinking, is

there something wrong with me? Why is everybody staring? My mum said to me not to worry and to be brave, everything was going to be allright.

We slowly walked into the classroom. I saw my teacher. She looked like a witch. She had long straggly brown hair, big massive brown staring eyes and a mole on her chin. Her big eyes were looking right at me. I felt quite frightened. Once she began to talk she seemed quite nice and bubbly.

Luckily our parents were allowed to stay for half an hour or so. The time flew in and I was trying to be brave for my mum, but my tears just came bursting out and splashing down my face.

When all the parents had left, she got us to introduce ourselves. Once we had done that we were put into groups. I was thinking. What if I am put in a group full of boys, or girls who don’t like me and pick on me? That never happened though. I made a really nice friend called Hannah.

That first day I had loads of fun and was loving playing around with the play doh, sand, etc. The parents arrived back at twelve o’clock to take us home. I was having so much fun I didn’t want to leave. I couldn’t wait for the next day to come.

Thinking back now of all the things I have learned in primary school such as to read and write and have discipline are precious to me. I would go back to my primary school any day to get one more thought of the place. Now I am in High School its so much different as your treated like an adult and

its so much stricter. But I guess you just have to live with it as your much older.

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  • Sep 19, 2019

Our top 8 tips on how to write your National 5 English Critical Essay

Your critical essay is an essay that allows you to demonstrate your analysis, interpretation and evaluation of pieces of literature. Your national 5 English critical essay is worth 20 marks (or half of the critical reading exam) so it is important to make this count. In this post, we have outlined our top 8 tips on how to write and pass your National 5 English critical essay.

Remember: The N5 English Critical Essay questions are found in Section 2 of the Critical Reading paper. You must only answer one question.

1) Choose the right genre!

Ensure you select the correct genre for your essay. The Critical Essay paper will give you a choice of genres: Drama, Poetry, Prose and Language . You can only write an essay on a novel or short story using one of the Prose questions.

Writing about the wrong genre will stop you getting the grade you deserve.

Remember that your Critical Essay cannot be from the same genre as your Scottish text.

2) Choose the right question!

Under each genre heading, you will have a choice of two questions. Make sure that you read both of them carefully and select the one which you feel you could write about best.

3) Identify the key words in your chosen question! These words will be the focus of your essay.

For example:

Choose a poem in which the poet creates a powerful sense of place …

Choose a novel in which there is an interesting character .

In each of these examples, you would use the underlined phrase as your key words.

4) Introduce the text! Your introduction should consist of a brief paragraph consisting of two parts. Firstly, include the title, author, form and subject of your text.

E.g. ‘Dracula’ by Bram Stoker is a powerful gothic novel based upon an ancient vampire’s attempt to move from Transylvania to England.

The second part of your introduction should be a link to the question – using those key words.

E.g. Throughout the novel, we can clearly see how Stoker portrays Count Dracula as a mysterious and interesting character .

5) Structure your discussion! After your introduction, identify where you first see the key words in your chosen text.

E.g. In the opening stages of the novel, Stoker establishes Count Dracula as an interesting character when the protagonist – Jonathan Harker- is travelling to his castle:

 ‘I was not able to light on any map or work giving the exact locality of the Castle  Dracula…’

Start every other paragraph, with a topic sentence that includes the key words.

Later in the novel, we see Stoker further develop the idea of Count Dracula as an  interesting character , when Jonathan meets him in person…

6) Provide analysis of any evidence!

Here, the author makes effective use of setting , when he locates Dracula in a mysterious home. This helps develop the sense of the count being an interesting character.

Note that evidence can be quotations, but it doesn’t need to be – especially if you are writing about drama or prose. You just need to explain what events are significant and why they are effective.

7) Remember to evaluate!

Use phrases throughout your discussion to evaluate the writer’s methods:

E.g. this clearly shows… this is effective in revealing… this provides a vivid image of…

8) End in a proper manner!

Your essay must be complete. This means that you need to include a separate concluding paragraph, which sums up your discussion.

You can start your conclusion with

In conclusion, throughout (name of text) we can clearly see (key words) in terms of…

Ultimately, throughout (name of text) we can clearly see (key words) in terms of…

Just remember to include the key words in your conclusion and include an evaluative term too.

Eg. In conclusion, throughout the novel ‘Dracula’, Bram Stoker has clearly presented Count Dracula as an interesting character . This is evident in his effective use of setting to make Dracula mysterious, and later through the character development where the count changes from a proud Transylvanian to a murderous monster.

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  • National Qualifications  >  Subjects  >  English  >  National 5  > National 5 English

National 5 English

Updates and announcements, consultation on the scottish set text list (07/03/24).

As part of our ongoing review and maintenance of National Courses, we’re running an eight-week consultation to gather feedback from teachers, lecturers and learners on the current Scottish set text list for National 5 and Higher English courses.

We plan to update the list for use in session 2025-26 onwards, so that it more fully reflects life in Scotland. There are two surveys – one for practitioners and one for learners.

Complete our practitioner survey .

Complete our learner survey .

This is the first time we’ve asked learners for their views on the content of the Scottish set text list. We’re seeking views from learners across a range of age groups – including learners in S1 to S3, those in the senior phase (S4 to S6), recent school leavers attending college and university, and those in the workplace.

Both surveys will remain open until Monday 6 May 2024 . We’ll then organise focus groups with teachers, lecturers and learners in August/September to explore the survey feedback in more detail.

We’ll publish the revised Scottish set text list in November 2024, for implementing in session 2025-26. The 2026 exams will be the first to feature content from the revised list.

View our news release on the Scottish set text consultation 

Change to conditions of assessment in English portfolios from session 2024-25 (01/05/24)

We’re tightening the conditions of assessment in National 5, Higher and Advanced Higher English writing portfolios from session 2024-25.

What’s changing:

There will be a new mandatory requirement for learners to complete their first draft during class time, under the supervision of the teacher or lecturer.

This will enable teachers and lecturers to review learners’ first drafts before learners continue to work on them independently. Learners will then complete their final piece under some supervision and control, as is currently the case.

We aren’t making any other changes to the writing portfolios. The assessment standards remain the same.

Why we’re making this change:

We’ve been receiving ongoing feedback from the English teaching profession that, under the current assessment conditions, it can be difficult to verify that learners’ work is their own, as it’s possible they may have had input from others when working on their draft outside of school or college hours.

This change will further support teachers and lecturers with authenticating learners’ work in the writing portfolio. It will allow them to observe how learners’ work is developing without any outside influences. This will help them to identify if there are any unusual changes in the quality and content of a learner’s writing portfolio at the final submission stage, or if the final piece is unrecognisable from the first draft, which may indicate that it’s not the learner’s own work.

Updated documents

We’re updating the course specifications and the portfolio-writing coursework assessment tasks at each level. These will provide a clear process that learners need to follow when producing their portfolios. The updated documents will be available in early June.

Alternative certification model

Essential information, course specification ( 13/09/2023 ).

Explains the structure of the course, including its purpose and aims and information on the skills, knowledge and understanding that will be developed.

  • N5 English Course Specification September 2023

Past Papers and Marking Instructions

Access all past papers by subject/level

Additional question papers resources

Illustrates the standard, structure and requirements of the question papers candidates will sit (includes marking instructions).

  • English: Reading for Understanding, Analysis and Evaluation Specimen Question Paper National 5 June 2018
  • English: Critical Reading Specimen Question Paper National 5 October 2018

There were no exams in 2021. The 2020-21 question paper resources are, for most subjects, modified papers which reflect the modifications put in place for session 2020-21

  • National 5 English Critical Reading question paper
  • National 5 English Reading for Understanding, Analysis and Evaluation question paper
  • National 5 English Critical Reading marking instructions
  • National 5 English Reading for Understanding, Analysis and Evaluation marking instructions

Coursework ( 18/1/24 )

This section provides information on marking instructions and/or the coursework assessment task(s). It includes information that centres need to administer coursework and must be read in conjunction with the course specification.

Instructions

  • Instructions for the submission of National 5 and Higher English coursework   January 2024
  • English Coursework Template - Microsoft Word
  • English Coursework Template - Google Docs
  • Coursework assessment task for National 5 English
  • Guidance on conditions of assessment

Information on the production and submission of SQA-assessed coursework for National 5, Higher and Advanced Higher.

  • Coursework for External Assessment (261 KB)

Understanding Standards ( 27/11/2023 )

  • Examples of candidate evidence with commentaries

Webinar (recording)

Changes to course assessment from academic session 2017-18 onwards

  • Download webinar

Audio Presentation

  • Overview of Course Assessment (2 minutes)
  • Overview of Question Paper (4 minutes)

Changes to Understanding Standards materials

  • Changes to published Understanding Standards materials for all subjects

Please note: Understanding Standards materials are regularly reviewed to ensure they remain up to date.

Additional Resources session 2020-22

Further information can be found on the Understanding Standards Website.

Course reports ( 14/09/2023 )

Provides information on the performance of candidates - which is useful to teachers, lecturers and assessors in their preparation of candidates for future assessment.

Course Reports

  • 2023 National 5 English Course Report September 2023
  • 2022 National 5 English Course Report September 2022
  • 2019 National 5 English Course Report September 2019
  • 2018 National 5 English Course Report August 2018
  • 2017 National 5 English Course report October 2017

Verification Reports

  • English Verification Key Messages Round 1 March 2017
  • English and Communication Qualification Verification Summary Report June 2019 June 2019

Scottish Texts in English Courses

Scottish text list for National 5 and Higher English courses (valid from session 2018-19):

  • Scottish set text list 2018-19

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National 5 English

The National 5 English Course enables learners to develop their literacy skills and to understand, analyse and evaluate a range of texts, including Scottish texts, in the contexts of literature, language and media. The Course also enables learners to create and produce texts and to apply their knowledge and understanding of language.  

Performance-spoken language

Additional candidate evidence and commentaries for the Performance-spoken language component are available on this website. This material is for teachers, lecturers and assessors only and must be kept securely. Login details are required if you want to view it and these can be obtained from your SQA Coordinator

Once you have the login details, enter them by clicking the  Login  button at the top-right of this page. You will need to navigate back to this page and should then be able to see the additional option in the menu, as shown below:

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personal essay national 5

10 Personal Statement Essay Examples That Worked

What’s covered:, what is a personal statement.

  • Essay 1: Summer Program
  • Essay 2: Being Bangladeshi-American
  • Essay 3: Why Medicine
  • Essay 4: Love of Writing
  • Essay 5: Starting a Fire
  • Essay 6: Dedicating a Track
  • Essay 7: Body Image and Eating Disorders
  • Essay 8: Becoming a Coach
  • Essay 9: Eritrea
  • Essay 10: Journaling
  • Is Your Personal Statement Strong Enough?

Your personal statement is any essay that you must write for your main application, such as the Common App Essay , University of California Essays , or Coalition Application Essay . This type of essay focuses on your unique experiences, ideas, or beliefs that may not be discussed throughout the rest of your application. This essay should be an opportunity for the admissions officers to get to know you better and give them a glimpse into who you really are.

In this post, we will share 10 different personal statements that were all written by real students. We will also provide commentary on what each essay did well and where there is room for improvement, so you can make your personal statement as strong as possible!

Please note: Looking at examples of real essays students have submitted to colleges can be very beneficial to get inspiration for your essays. You should never copy or plagiarize from these examples when writing your own essays. Colleges can tell when an essay isn’t genuine and will not view students favorably if they plagiarized. 

Personal Statement Examples

Essay example #1: exchange program.

The twisting roads, ornate mosaics, and fragrant scent of freshly ground spices had been so foreign at first. Now in my fifth week of the SNYI-L summer exchange program in Morocco, I felt more comfortable in the city. With a bag full of pastries from the market, I navigated to a bus stop, paid the fare, and began the trip back to my host family’s house. It was hard to believe that only a few years earlier my mom was worried about letting me travel around my home city on my own, let alone a place that I had only lived in for a few weeks. While I had been on a journey towards self-sufficiency and independence for a few years now, it was Morocco that pushed me to become the confident, self-reflective person that I am today.

As a child, my parents pressured me to achieve perfect grades, master my swim strokes, and discover interesting hobbies like playing the oboe and learning to pick locks. I felt compelled to live my life according to their wishes. Of course, this pressure was not a wholly negative factor in my life –– you might even call it support. However, the constant presence of my parents’ hopes for me overcame my own sense of desire and led me to become quite dependent on them. I pushed myself to get straight A’s, complied with years of oboe lessons, and dutifully attended hours of swim practice after school. Despite all these achievements, I felt like I had no sense of self beyond my drive for success. I had always been expected to succeed on the path they had defined. However, this path was interrupted seven years after my parents’ divorce when my dad moved across the country to Oregon.

I missed my dad’s close presence, but I loved my new sense of freedom. My parents’ separation allowed me the space to explore my own strengths and interests as each of them became individually busier. As early as middle school, I was riding the light rail train by myself, reading maps to get myself home, and applying to special academic programs without urging from my parents. Even as I took more initiatives on my own, my parents both continued to see me as somewhat immature. All of that changed three years ago, when I applied and was accepted to the SNYI-L summer exchange program in Morocco. I would be studying Arabic and learning my way around the city of Marrakesh. Although I think my parents were a little surprised when I told them my news, the addition of a fully-funded scholarship convinced them to let me go.

I lived with a host family in Marrakesh and learned that they, too, had high expectations for me. I didn’t know a word of Arabic, and although my host parents and one brother spoke good English, they knew I was there to learn. If I messed up, they patiently corrected me but refused to let me fall into the easy pattern of speaking English just as I did at home. Just as I had when I was younger, I felt pressured and stressed about meeting their expectations. However, one day, as I strolled through the bustling market square after successfully bargaining with one of the street vendors, I realized my mistake. My host family wasn’t being unfair by making me fumble through Arabic. I had applied for this trip, and I had committed to the intensive language study. My host family’s rules about speaking Arabic at home had not been to fulfill their expectations for me, but to help me fulfill my expectations for myself. Similarly, the pressure my parents had put on me as a child had come out of love and their hopes for me, not out of a desire to crush my individuality.

As my bus drove through the still-bustling market square and past the medieval Ben-Youssef madrasa, I realized that becoming independent was a process, not an event. I thought that my parents’ separation when I was ten had been the one experience that would transform me into a self-motivated and autonomous person. It did, but that didn’t mean that I didn’t still have room to grow. Now, although I am even more self-sufficient than I was three years ago, I try to approach every experience with the expectation that it will change me. It’s still difficult, but I understand that just because growth can be uncomfortable doesn’t mean it’s not important.

What the Essay Did Well

This is a nice essay because it delves into particular character trait of the student and how it has been shaped and matured over time. Although it doesn’t focus the essay around a specific anecdote, the essay is still successful because it is centered around this student’s independence. This is a nice approach for a personal statement: highlight a particular trait of yours and explore how it has grown with you.

The ideas in this essay are universal to growing up—living up to parents’ expectations, yearning for freedom, and coming to terms with reality—but it feels unique to the student because of the inclusion of details specific to them. Including their oboe lessons, the experience of riding the light rail by themselves, and the negotiations with a street vendor helps show the reader what these common tropes of growing up looked like for them personally. 

Another strength of the essay is the level of self-reflection included throughout the piece. Since there is no central anecdote tying everything together, an essay about a character trait is only successful when you deeply reflect on how you felt, where you made mistakes, and how that trait impacts your life. The author includes reflection in sentences like “ I felt like I had no sense of self beyond my drive for success, ” and “ I understand that just because growth can be uncomfortable doesn’t mean it’s not important. ” These sentences help us see how the student was impacted and what their point of view is.

What Could Be Improved

The largest change this essay would benefit from is to show not tell. The platitude you have heard a million times no doubt, but for good reason. This essay heavily relies on telling the reader what occurred, making us less engaged as the entire reading experience feels more passive. If the student had shown us what happens though, it keeps the reader tied to the action and makes them feel like they are there with the student, making it much more enjoyable to read. 

For example, they tell us about the pressure to succeed their parents placed on them: “ I pushed myself to get straight A’s, complied with years of oboe lessons, and dutifully attended hours of swim practice after school.”  They could have shown us what that pressure looked like with a sentence like this: “ My stomach turned somersaults as my rattling knee thumped against the desk before every test, scared to get anything less than a 95. For five years the painful squawk of the oboe only reminded me of my parents’ claps and whistles at my concerts. I mastered the butterfly, backstroke, and freestyle, fighting against the anchor of their expectations threatening to pull me down.”

If the student had gone through their essay and applied this exercise of bringing more detail and colorful language to sentences that tell the reader what happened, the essay would be really great. 

Table of Contents

Essay Example #2: Being Bangladeshi-American

Life before was good: verdant forests, sumptuous curries, and a devoted family.

Then, my family abandoned our comfortable life in Bangladesh for a chance at the American dream in Los Angeles. Within our first year, my father was diagnosed with thyroid cancer. He lost his battle three weeks before my sixth birthday. Facing a new country without the steady presence of my father, we were vulnerable — prisoners of hardship in the land of the free. We resettled in the Bronx, in my uncle’s renovated basement. It was meant to be our refuge, but I felt more displaced than ever. Gone were the high-rise condos of West L.A.; instead, government projects towered over the neighborhood. Pedestrians no longer smiled and greeted me; the atmosphere was hostile, even toxic. Schoolkids were quick to pick on those they saw as weak or foreign, hurling harsh words I’d never heard before.

Meanwhile, my family began integrating into the local Bangladeshi community. I struggled to understand those who shared my heritage. Bangladeshi mothers stayed home while fathers drove cabs and sold fruit by the roadside — painful societal positions. Riding on crosstown buses or walking home from school, I began to internalize these disparities. During my fleeting encounters with affluent Upper East Siders, I saw kids my age with nannies, parents who wore suits to work, and luxurious apartments with spectacular views. Most took cabs to their destinations: cabs that Bangladeshis drove. I watched the mundane moments of their lives with longing, aching to plant myself in their shoes. Shame prickled down my spine. I distanced myself from my heritage, rejecting the traditional panjabis worn on Eid and refusing the torkari we ate for dinner every day. 

As I grappled with my relationship with the Bangladeshi community, I turned my attention to helping my Bronx community by pursuing an internship with Assemblyman Luis Sepulveda. I handled desk work and took calls, spending the bulk of my time actively listening to the hardships constituents faced — everything from a veteran stripped of his benefits to a grandmother unable to support her bedridden grandchild.

I’d never exposed myself to stories like these, and now I was the first to hear them. As an intern, I could only assist in what felt like the small ways — pointing out local job offerings, printing information on free ESL classes, reaching out to non-profits. But to a community facing an onslaught of intense struggles, I realized that something as small as these actions could have vast impacts. Seeing the immediate consequences of my actions inspired me. Throughout that summer, I internalized my community’s daily challenges in a new light. I began to stop seeing the prevalent underemployment and cramped living quarters less as sources of shame. Instead, I saw them as realities that had to be acknowledged, but could ultimately be remedied. I also realized the benefits of the Bangladeshi culture I had been so ashamed of. My Bangla language skills were an asset to the office, and my understanding of Bangladeshi etiquette allowed for smooth communication between office staff and its constituents. As I helped my neighbors navigate city services, I saw my heritage with pride — a perspective I never expected to have.

I can now appreciate the value of my unique culture and background, and of living with less. This perspective offers room for progress, community integration, and a future worth fighting for. My time with Assemblyman Sepulveda’s office taught me that I can be a change agent in enabling this progression. Far from being ashamed of my community, I want to someday return to local politics in the Bronx to continue helping others access the American Dream. I hope to help my community appreciate the opportunity to make progress together. By embracing reality, I learned to live it. Along the way, I discovered one thing: life is good, but we can make it better.

This student’s passion for social justice and civic duty shines through in this essay because of how honest it is. Sharing their personal experience with immigrating, moving around, being an outsider, and finding a community allows us to see the hardships this student has faced and builds empathy towards their situation. However, what really makes it strong is that they go beyond describing the difficulties they faced and explain the mental impact it had on them as a child: Shame prickled down my spine. I distanced myself from my heritage, rejecting the traditional panjabis worn on Eid and refusing the torkari we ate for dinner every day. 

The rejection of their culture presented at the beginning of the essay creates a nice juxtaposition with the student’s view in the latter half of the essay and helps demonstrate how they have matured. They use their experience interning as a way to delve into a change in their thought process about their culture and show how their passion for social justice began. Using this experience as a mechanism to explore their thoughts and feelings is an excellent example of how items that are included elsewhere on your application should be incorporated into your essay.

This essay prioritizes emotions and personal views over specific anecdotes. Although there are details and certain moments incorporated throughout to emphasize the author’s points, the main focus remains on the student and how they grapple with their culture and identity.  

One area for improvement is the conclusion. Although the forward-looking approach is a nice way to end an essay focused on social justice, it would be nice to include more details and imagery in the conclusion. How does the student want to help their community? What government position do they see themselves holding one day? 

A more impactful ending might look like the student walking into their office at the New York City Housing Authority in 15 years and looking at the plans to build a new development in the Bronx just blocks away from where the grew up that would provide quality housing to people in their Bangladeshi community. They would smile while thinking about how far they have come from that young kid who used to be ashamed of their culture. 

Essay Example #3: Why Medicine

I took my first trip to China to visit my cousin Anna in July of 2014. Distance had kept us apart, but when we were together, we fell into all of our old inside jokes and caught up on each other’s lives. Her sparkling personality and optimistic attitude always brought a smile to my face. This time, however, my heart broke when I saw the effects of her brain cancer; she had suffered from a stroke that paralyzed her left side. She was still herself in many ways, but I could see that the damage to her brain made things difficult for her. I stayed by her every day, providing the support she needed, whether assisting her with eating and drinking, reading to her, or just watching “Friends.” During my flight back home, sorrow and helplessness overwhelmed me. Would I ever see Anna again? Could I have done more to make Anna comfortable? I wished I could stay in China longer to care for her. As I deplaned, I wondered if I could transform my grief to help other children and teenagers in the US who suffered as Anna did.

The day after I got home, as jet lag dragged me awake a few minutes after midnight, I remembered hearing about the Family Reach Foundation (FRF) and its work with children going through treatments at the local hospital and their families. I began volunteering in the FRF’s Children’s Activity Room, where I play with children battling cancer. Volunteering has both made me appreciate my own health and also cherish the new relationships I build with the children and families. We play sports, make figures out of playdoh, and dress up. When they take on the roles of firefighters or fairies, we all get caught up in the game; for that time, they forget the sanitized, stark, impersonal walls of the pediatric oncology ward. Building close relationships with them and seeing them giggle and laugh is so rewarding — I love watching them grow and get better throughout their course of treatment.

Hearing from the parents about their children’s condition and seeing the children recover inspired me to consider medical research. To get started, I enrolled in a summer collegelevel course in Abnormal Psychology. There I worked with Catelyn, a rising college senior, on a data analysis project regarding Dissociative Identity Disorder (DID). Together, we examined the neurological etiology of DID by studying four fMRI and PET cases. I fell in love with gathering data and analyzing the results and was amazed by our final product: several stunning brain images showcasing the areas of hyper and hypoactivity in brains affected by DID. Desire quickly followed my amazement — I want to continue this project and study more brains. Their complexity, delicacy, and importance to every aspect of life fascinate me. Successfully completing this research project gave me a sense of hope; I know I am capable of participating in a large scale research project and potentially making a difference in someone else’s life through my research.

Anna’s diagnosis inspired me to begin volunteering at FRF; from there, I discovered my desire to help people further by contributing to medical research. As my research interest blossomed, I realized that it’s no coincidence that I want to study brains—after all, Anna suffered from brain cancer. Reflecting on these experiences this past year and a half, I see that everything I’ve done is connected. Sadly, a few months after I returned from China, Anna passed away. I am still sad, but as I run a toy truck across the floor and watch one of the little patients’ eyes light up, I imagine that she would be proud of my commitment to pursue medicine and study the brain.

This essay has a very strong emotional core that tugs at the heart strings and makes the reader feel invested. Writing about sickness can be difficult and doesn’t always belong in a personal statement, but in this case it works well because the focus is on how this student cared for her cousin and dealt with the grief and emotions surrounding her condition. Writing about the compassion she showed and the doubts and concerns that filled her mind keeps the focus on the author and her personality. 

This continues when she again discusses the activities she did with the kids at FRF and the personal reflection this experience allowed her to have. For example, she writes: Volunteering has both made me appreciate my own health and also cherish the new relationships I build with the children and families. We play sports, make figures out of playdoh, and dress up.

Concluding the essay with the sad story of her cousin’s passing brings the essay full circle and returns to the emotional heart of the piece to once again build a connection with the reader. However, it finishes on a hopeful note and demonstrates how this student has been able to turn a tragic experience into a source of lifelong inspiration. 

One thing this essay should be cognizant of is that personal statements should not read as summaries of your extracurricular resume. Although this essay doesn’t fully fall into that trap, it does describe two key extracurriculars the student participated in. However, the inclusion of such a strong emotional core running throughout the essay helps keep the focus on the student and her thoughts and feelings during these activities.

To avoid making this mistake, make sure you have a common thread running through your essay and the extracurriculars provide support to the story you are trying to tell, rather than crafting a story around your activities. And, as this essay does, make sure there is lots of personal reflection and feelings weaved throughout to focus attention to you rather than your extracurriculars. 

Essay Example #4: Love of Writing

“I want to be a writer.” This had been my answer to every youthful discussion with the adults in my life about what I would do when I grew up. As early as elementary school, I remember reading my writing pieces aloud to an audience at “Author of the Month” ceremonies. Bearing this goal in mind, and hoping to gain some valuable experience, I signed up for a journalism class during my freshman year. Despite my love for writing, I initially found myself uninterested in the subject and I struggled to enjoy the class. When I thought of writing, I imagined lyrical prose, profound poetry, and thrilling plot lines. Journalism required a laconic style and orderly structure, and I found my teacher’s assignments formulaic and dull. That class shook my confidence as a writer. I was uncertain if I should continue in it for the rest of my high school career.

Despite my misgivings, I decided that I couldn’t make a final decision on whether to quit journalism until I had some experience working for a paper outside of the classroom. The following year, I applied to be a staff reporter on our school newspaper. I hoped this would help me become more self-driven and creative, rather than merely writing articles that my teacher assigned. To my surprise, my time on staff was worlds away from what I experienced in the journalism class. Although I was unaccustomed to working in a fast-paced environment and initially found it burdensome to research and complete high-quality stories in a relatively short amount of time, I also found it exciting. I enjoyed learning more about topics and events on campus that I did not know much about; some of my stories that I covered in my first semester concerned a chess tournament, a food drive, and a Spanish immersion party. I relished in the freedom I had to explore and learn, and to write more independently than I could in a classroom.

Although I enjoyed many aspects of working for the paper immediately, reporting also pushed me outside of my comfort zone. I am a shy person, and speaking with people I did not know intimidated me. During my first interview, I met with the basketball coach to prepare for a story about the team’s winning streak. As I approached his office, I felt everything from my toes to my tongue freeze into a solid block, and I could hardly get out my opening questions. Fortunately, the coach was very kind and helped me through the conversation. Encouraged, I prepared for my next interview with more confidence. After a few weeks of practice, I even started to look forward to interviewing people on campus. That first journalism class may have bored me, but even if journalism in practice was challenging, it was anything but tedious.

Over the course of that year, I grew to love writing for our school newspaper. Reporting made me aware of my surroundings, and made me want to know more about current events on campus and in the town where I grew up. By interacting with people all over campus, I came to understand the breadth of individuals and communities that make up my high school. I felt far more connected to diverse parts of my school through my work as a journalist, and I realized that journalism gave me a window into seeing beyond my own experiences. The style of news writing may be different from what I used to think “writing” meant, but I learned that I can still derive exciting plots from events that may have gone unnoticed if not for my stories. I no longer struggle to approach others, and truly enjoy getting to know people and recognizing their accomplishments through my writing. Becoming a writer may be a difficult path, but it is as rewarding as I hoped when I was young.

This essay is clearly structured in a manner that makes it flow very nicely and contributes to its success. It starts with a quote to draw in the reader and show this student’s life-long passion for writing. Then it addresses the challenges of facing new, unfamiliar territory and how this student overcame it. Finally, it concludes by reflecting on this eye-opening experience and a nod to their younger self from the introduction. Having a well-thought out and sequential structure with clear transitions makes it extremely easy for the reader to follow along and take away the main idea.

Another positive aspect of the essay is the use of strong and expressive language. Sentences like “ When I thought of writing, I imagined lyrical prose, profound poetry, and thrilling plot lines ” stand out because of the intentional use of words like “lyrical”, “profound”, and “thrilling” to convey the student’s love of writing. The author also uses an active voice to capture the readers’ attention and keep us engaged. They rely on their language and diction to reveal details to the reader, for instance saying “ I felt everything from my toes to my tongue freeze into a solid block ” to describe feeling nervous.

This essay is already very strong, so there isn’t much that needs to be changed. One thing that could take the essay from great to outstanding would be to throw in more quotes, internal dialogue, and sensory descriptors.

It would be nice to see the nerves they felt interviewing the coach by including dialogue like “ Um…I want to interview you about…uh…”.  They could have shown their original distaste for journalism by narrating the thoughts running through their head. The fast-paced environment of their newspaper could have come to life with descriptions about the clacking of keyboards and the whirl of people running around laying out articles.

Essay Example #5: Starting a Fire

Was I no longer the beloved daughter of nature, whisperer of trees? Knee-high rubber boots, camouflage, bug spray—I wore the garb and perfume of a proud wild woman, yet there I was, hunched over the pathetic pile of stubborn sticks, utterly stumped, on the verge of tears. As a child, I had considered myself a kind of rustic princess, a cradler of spiders and centipedes, who was serenaded by mourning doves and chickadees, who could glide through tick-infested meadows and emerge Lyme-free. I knew the cracks of the earth like the scars on my own rough palms. Yet here I was, ten years later, incapable of performing the most fundamental outdoor task: I could not, for the life of me, start a fire. 

Furiously I rubbed the twigs together—rubbed and rubbed until shreds of skin flaked from my fingers. No smoke. The twigs were too young, too sticky-green; I tossed them away with a shower of curses, and began tearing through the underbrush in search of a more flammable collection. My efforts were fruitless. Livid, I bit a rejected twig, determined to prove that the forest had spurned me, offering only young, wet bones that would never burn. But the wood cracked like carrots between my teeth—old, brittle, and bitter. Roaring and nursing my aching palms, I retreated to the tent, where I sulked and awaited the jeers of my family. 

Rattling their empty worm cans and reeking of fat fish, my brother and cousins swaggered into the campsite. Immediately, they noticed the minor stick massacre by the fire pit and called to me, their deep voices already sharp with contempt. 

“Where’s the fire, Princess Clara?” they taunted. “Having some trouble?” They prodded me with the ends of the chewed branches and, with a few effortless scrapes of wood on rock, sparked a red and roaring flame. My face burned long after I left the fire pit. The camp stank of salmon and shame. 

In the tent, I pondered my failure. Was I so dainty? Was I that incapable? I thought of my hands, how calloused and capable they had been, how tender and smooth they had become. It had been years since I’d kneaded mud between my fingers; instead of scaling a white pine, I’d practiced scales on my piano, my hands softening into those of a musician—fleshy and sensitive. And I’d gotten glasses, having grown horrifically nearsighted; long nights of dim lighting and thick books had done this. I couldn’t remember the last time I had lain down on a hill, barefaced, and seen the stars without having to squint. Crawling along the edge of the tent, a spider confirmed my transformation—he disgusted me, and I felt an overwhelming urge to squash him. 

Yet, I realized I hadn’t really changed—I had only shifted perspective. I still eagerly explored new worlds, but through poems and prose rather than pastures and puddles. I’d grown to prefer the boom of a bass over that of a bullfrog, learned to coax a different kind of fire from wood, having developed a burn for writing rhymes and scrawling hypotheses. 

That night, I stayed up late with my journal and wrote about the spider I had decided not to kill. I had tolerated him just barely, only shrieking when he jumped—it helped to watch him decorate the corners of the tent with his delicate webs, knowing that he couldn’t start fires, either. When the night grew cold and the embers died, my words still smoked—my hands burned from all that scrawling—and even when I fell asleep, the ideas kept sparking—I was on fire, always on fire.

This student is an excellent writer, which allows a simple story to be outstandingly compelling. The author articulates her points beautifully and creatively through her immense use of details and figurative language. Lines like “a rustic princess, a cradler of spiders and centipedes, who was serenaded by mourning doves and chickadees,” and “rubbed and rubbed until shreds of skin flaked from my fingers,” create vivid images that draw the reader in. 

The flowery and descriptive prose also contributes to the nice juxtaposition between the old Clara and the new Clara. The latter half of the essay contrasts elements of nature with music and writing to demonstrate how natural these interests are for her now. This sentence perfectly encapsulates the contrast she is trying to build: “It had been years since I’d kneaded mud between my fingers; instead of scaling a white pine, I’d practiced scales on my piano, my hands softening into those of a musician—fleshy and sensitive.”

In addition to being well-written, this essay is thematically cohesive. It begins with the simple introduction “Fire!” and ends with the following image: “When the night grew cold and the embers died, my words still smoked—my hands burned from all that scrawling—and even when I fell asleep, the ideas kept sparking—I was on fire, always on fire.” This full-circle approach leaves readers satisfied and impressed.

There is very little this essay should change, however one thing to be cautious about is having an essay that is overly-descriptive. We know from the essay that this student likes to read and write, and depending on other elements of her application, it might make total sense to have such a flowery and ornate writing style. However, your personal statement needs to reflect your voice as well as your personality. If you would never use language like this in conversation or your writing, don’t put it in your personal statement. Make sure there is a balance between eloquence and your personal voice.

Essay Example #6: Dedicating a Track

“Getting beat is one thing – it’s part of competing – but I want no part in losing.” Coach Rob Stark’s motto never fails to remind me of his encouragement on early-morning bus rides to track meets around the state. I’ve always appreciated the phrase, but an experience last June helped me understand its more profound, universal meaning.

Stark, as we affectionately call him, has coached track at my high school for 25 years. His care, dedication, and emphasis on developing good character has left an enduring impact on me and hundreds of other students. Not only did he help me discover my talent and love for running, but he also taught me the importance of commitment and discipline and to approach every endeavor with the passion and intensity that I bring to running. When I learned a neighboring high school had dedicated their track to a longtime coach, I felt that Stark deserved similar honors.

Our school district’s board of education indicated they would only dedicate our track to Stark if I could demonstrate that he was extraordinary. I took charge and mobilized my teammates to distribute petitions, reach out to alumni, and compile statistics on the many team and individual champions Stark had coached over the years. We received astounding support, collecting almost 3,000 signatures and pages of endorsements from across the community. With help from my teammates, I presented this evidence to the board.

They didn’t bite. 

Most members argued that dedicating the track was a low priority. Knowing that we had to act quickly to convince them of its importance, I called a team meeting where we drafted a rebuttal for the next board meeting. To my surprise, they chose me to deliver it. I was far from the best public speaker in the group, and I felt nervous about going before the unsympathetic board again. However, at that second meeting, I discovered that I enjoy articulating and arguing for something that I’m passionate about.

Public speaking resembles a cross country race. Walking to the starting line, you have to trust your training and quell your last minute doubts. When the gun fires, you can’t think too hard about anything; your performance has to be instinctual, natural, even relaxed. At the next board meeting, the podium was my starting line. As I walked up to it, familiar butterflies fluttered in my stomach. Instead of the track stretching out in front of me, I faced the vast audience of teachers, board members, and my teammates. I felt my adrenaline build, and reassured myself: I’ve put in the work, my argument is powerful and sound. As the board president told me to introduce myself, I heard, “runners set” in the back of my mind. She finished speaking, and Bang! The brief silence was the gunshot for me to begin. 

The next few minutes blurred together, but when the dust settled, I knew from the board members’ expressions and the audience’s thunderous approval that I had run quite a race. Unfortunately, it wasn’t enough; the board voted down our proposal. I was disappointed, but proud of myself, my team, and our collaboration off the track. We stood up for a cause we believed in, and I overcame my worries about being a leader. Although I discovered that changing the status quo through an elected body can be a painstakingly difficult process and requires perseverance, I learned that I enjoy the challenges this effort offers. Last month, one of the school board members joked that I had become a “regular” – I now often show up to meetings to advocate for a variety of causes, including better environmental practices in cafeterias and safer equipment for athletes.

Just as Stark taught me, I worked passionately to achieve my goal. I may have been beaten when I appealed to the board, but I certainly didn’t lose, and that would have made Stark proud.

This essay effectively conveys this student’s compassion for others, initiative, and determination—all great qualities to exemplify in a personal statement!

Although they rely on telling us a lot of what happened up until the board meeting, the use of running a race (their passion) as a metaphor for public speaking provides a lot of insight into the fear that this student overcame to work towards something bigger than themself. Comparing a podium to the starting line, the audience to the track, and silence to the gunshot is a nice way of demonstrating this student’s passion for cross country running without making that the focus of the story.

The essay does a nice job of coming full circle at the end by explaining what the quote from the beginning meant to them after this experience. Without explicitly saying “ I now know that what Stark actually meant is…” they rely on the strength of their argument above to make it obvious to the reader what it means to get beat but not lose. 

One of the biggest areas of improvement in the intro, however, is how the essay tells us Stark’s impact rather than showing us: His care, dedication, and emphasis on developing good character has left an enduring impact on me and hundreds of other students. Not only did he help me discover my talent and love for running, but he also taught me the importance of commitment and discipline and to approach every endeavor with the passion and intensity that I bring to running.

The writer could’ve helped us feel a stronger emotional connection to Stark if they had included examples of Stark’s qualities, rather than explicitly stating them. For example, they could’ve written something like: Stark was the kind of person who would give you gas money if you told him your parents couldn’t afford to pick you up from practice. And he actually did that—several times. At track meets, alumni regularly would come talk to him and tell him how he’d changed their lives. Before Stark, I was ambivalent about running and was on the JV team, but his encouragement motivated me to run longer and harder and eventually make varsity. Because of him, I approach every endeavor with the passion and intensity that I bring to running.

Essay Example #7: Body Image and Eating Disorders

I press the “discover” button on my Instagram app, hoping to find enticing pictures to satisfy my boredom. Scrolling through, I see funny videos and mouth-watering pictures of food. However, one image stops me immediately. A fit teenage girl with a “perfect body” relaxes in a bikini on a beach. Beneath it, I see a slew of flattering comments. I shake with disapproval over the image’s unrealistic quality. However, part of me still wants to have a body like hers so that others will make similar comments to me.

I would like to resolve a silent issue that harms many teenagers and adults: negative self image and low self-esteem in a world where social media shapes how people view each other. When people see the façades others wear to create an “ideal” image, they can develop poor thought patterns rooted in negative self-talk. The constant comparisons to “perfect” others make people feel small. In this new digital age, it is hard to distinguish authentic from artificial representations.

When I was 11, I developed anorexia nervosa. Though I was already thin, I wanted to be skinny like the models that I saw on the magazine covers on the grocery store stands. Little did I know that those models probably also suffered from disorders, and that photoshop erased their flaws. I preferred being underweight to being healthy. No matter how little I ate or how thin I was, I always thought that I was too fat. I became obsessed with the number on the scale and would try to eat the least that I could without my parents urging me to take more. Fortunately, I stopped engaging in anorexic behaviors before middle school. However, my underlying mental habits did not change. The images that had provoked my disorder in the first place were still a constant presence in my life.

By age 15, I was in recovery from anorexia, but suffered from depression. While I used to only compare myself to models, the growth of social media meant I also compared myself to my friends and acquaintances. I felt left out when I saw my friends’ excitement about lake trips they had taken without me. As I scrolled past endless photos of my flawless, thin classmates with hundreds of likes and affirming comments, I felt my jealousy spiral. I wanted to be admired and loved by other people too. However, I felt that I could never be enough. I began to hate the way that I looked, and felt nothing in my life was good enough. I wanted to be called “perfect” and “body goals,” so I tried to only post at certain times of day to maximize my “likes.” When that didn’t work, I started to feel too anxious to post anything at all.  

Body image insecurities and social media comparisons affect thousands of people – men, women, children, and adults – every day. I am lucky – after a few months of my destructive social media habits, I came across a video that pointed out the illusory nature of social media; many Instagram posts only show off good things while people hide their flaws. I began going to therapy, and recovered from my depression. To address the problem of self-image and social media, we can all focus on what matters on the inside and not what is on the surface. As an effort to become healthy internally, I started a club at my school to promote clean eating and radiating beauty from within. It has helped me grow in my confidence, and today I’m not afraid to show others my struggles by sharing my experience with eating disorders. Someday, I hope to make this club a national organization to help teenagers and adults across the country. I support the idea of body positivity and embracing difference, not “perfection.” After all, how can we be ourselves if we all look the same?

This essay covers the difficult topics of eating disorders and mental health. If you’re thinking about covering similar topics in your essay, we recommend reading our post Should You Talk About Mental Health in College Essays?

The short answer is that, yes, you can talk about mental health, but it can be risky. If you do go that route, it’s important to focus on what you learned from the experience.

The strength of this essay is the student’s vulnerability, in excerpts such as this: I wanted to be admired and loved by other people too. However, I felt that I could never be enough. I began to hate the way that I looked, and felt nothing in my life was good enough. I wanted to be called “perfect” and “body goals,” so I tried to only post at certain times of day to maximize my “likes.”

The student goes on to share how they recovered from their depression through an eye-opening video and therapy sessions, and they’re now helping others find their self-worth as well. It’s great that this essay looks towards the future and shares the writer’s goals of making their club a national organization; we can see their ambition and compassion.

The main weakness of this essay is that it doesn’t focus enough on their recovery process, which is arguably the most important part. They could’ve told us more about the video they watched or the process of starting their club and the interactions they’ve had with other members. Especially when sharing such a vulnerable topic, there should be vulnerability in the recovery process too. That way, the reader can fully appreciate all that this student has overcome.

Essay Example #8: Becoming a Coach

”Advanced females ages 13 to 14 please proceed to staging with your coaches at this time.” Skittering around the room, eyes wide and pleading, I frantically explained my situation to nearby coaches. The seconds ticked away in my head; every polite refusal increased my desperation.

Despair weighed me down. I sank to my knees as a stream of competitors, coaches, and officials flowed around me. My dojang had no coach, and the tournament rules prohibited me from competing without one.

Although I wanted to remain strong, doubts began to cloud my mind. I could not help wondering: what was the point of perfecting my skills if I would never even compete? The other members of my team, who had found coaches minutes earlier, attempted to comfort me, but I barely heard their words. They couldn’t understand my despair at being left on the outside, and I never wanted them to understand.

Since my first lesson 12 years ago, the members of my dojang have become family. I have watched them grow up, finding my own happiness in theirs. Together, we have honed our kicks, blocks, and strikes. We have pushed one another to aim higher and become better martial artists. Although my dojang had searched for a reliable coach for years, we had not found one. When we attended competitions in the past, my teammates and I had always gotten lucky and found a sympathetic coach. Now, I knew this practice was unsustainable. It would devastate me to see the other members of my dojang in my situation, unable to compete and losing hope as a result. My dojang needed a coach, and I decided it was up to me to find one.

I first approached the adults in the dojang – both instructors and members’ parents. However, these attempts only reacquainted me with polite refusals. Everyone I asked told me they couldn’t devote multiple weekends per year to competitions. I soon realized that I would have become the coach myself.

At first, the inner workings of tournaments were a mystery to me. To prepare myself for success as a coach, I spent the next year as an official and took coaching classes on the side. I learned everything from motivational strategies to technical, behind-the-scenes components of Taekwondo competitions. Though I emerged with new knowledge and confidence in my capabilities, others did not share this faith.

Parents threw me disbelieving looks when they learned that their children’s coach was only a child herself. My self-confidence was my armor, deflecting their surly glances. Every armor is penetrable, however, and as the relentless barrage of doubts pounded my resilience, it began to wear down. I grew unsure of my own abilities.

Despite the attack, I refused to give up. When I saw the shining eyes of the youngest students preparing for their first competition, I knew I couldn’t let them down. To quit would be to set them up to be barred from competing like I was. The knowledge that I could solve my dojang’s longtime problem motivated me to overcome my apprehension.

Now that my dojang flourishes at competitions, the attacks on me have weakened, but not ended. I may never win the approval of every parent; at times, I am still tormented by doubts, but I find solace in the fact that members of my dojang now only worry about competing to the best of their abilities.

Now, as I arrive at a tournament with my students, I close my eyes and remember the past. I visualize the frantic search for a coach and the chaos amongst my teammates as we competed with one another to find coaches before the staging calls for our respective divisions. I open my eyes to the exact opposite scene. Lacking a coach hurt my ability to compete, but I am proud to know that no member of my dojang will have to face that problem again.

This essay begins with an in-the-moment narrative that really illustrates the chaos of looking for a coach last-minute. We feel the writer’s emotions, particularly her dejectedness, at not being able to compete. Starting an essay in media res  is a great way to capture the attention of your readers and build anticipation for what comes next.

Through this essay, we can see how gutsy and determined the student is in deciding to become a coach themselves. She shows us these characteristics through their actions, rather than explicitly telling us: To prepare myself for success as a coach, I spent the next year as an official and took coaching classes on the side.  Also, by discussing the opposition she faced and how it affected her, the student is open and vulnerable about the reality of the situation.

The essay comes full circle as the author recalls the frantic situations in seeking out a coach, but this is no longer a concern for them and their team. Overall, this essay is extremely effective in painting this student as mature, bold, and compassionate.

The biggest thing this essay needs to work on is showing not telling. Throughout the essay, the student tells us that she “emerged with new knowledge and confidence,” she “grew unsure of her own abilities,” and she “refused to give up”. What we really want to know is what this looks like.

Instead of saying she “emerged with new knowledge and confidence” she should have shared how she taught a new move to a fellow team-member without hesitation. Rather than telling us she “grew unsure of her own abilities” she should have shown what that looked like by including her internal dialogue and rhetorical questions that ran through her mind. She could have demonstrated what “refusing to give up” looks like by explaining how she kept learning coaching techniques on her own, turned to a mentor for advice, or devised a plan to win over the trust of parents. 

Essay Example #9: Eritrea

No one knows where Eritrea is.

On the first day of school, for the past nine years, I would pensively stand in front of a class, a teacher, a stranger  waiting for the inevitable question: Where are you from?

I smile politely, my dimples accentuating my ambiguous features. “Eritrea,” I answer promptly and proudly. But I  am always prepared. Before their expression can deepen into confusion, ready to ask “where is that,” I elaborate,  perhaps with a fleeting hint of exasperation, “East Africa, near Ethiopia.”

Sometimes, I single out the key-shaped hermit nation on a map, stunning teachers who have “never had a student  from there!” Grinning, I resist the urge to remark, “You didn’t even know it existed until two minutes ago!”

Eritrea is to the East of Ethiopia, its arid coastline clutches the lucrative Red Sea. Battle scars litter the ancient  streets – the colonial Italian architecture lathered with bullet holes, the mosques mangled with mortar shells.  Originally part of the world’s first Christian kingdom, Eritrea passed through the hands of colonial Italy, Britain, and  Ethiopia for over a century, until a bloody thirty year war of Independence liberated us.

But these are facts that anyone can know with a quick Google search. These are facts that I have memorised and compounded, first from my Grandmother and now from pristine books  borrowed from the library.

No historical narrative, however, can adequately capture what Eritrea is.  No one knows the aroma of bushels of potatoes, tomatoes, and garlic – still covered in dirt – that leads you to the open-air market. No one knows the poignant scent of spices, arranged in orange piles reminiscent of compacted  dunes.  No one knows how to haggle stubborn herders for sheep and roosters for Christmas celebrations as deliberately as my mother. No one can replicate the perfect balance of spices in dorho and tsebhi as well as my grandmother,  her gnarly hands stirring the pot with ancient precision (chastising my clumsy knife work with the potatoes).  It’s impossible to learn when the injera is ready – the exact moment you have to lift the lid of the mogogo. Do it too  early (or too late) and the flatbread becomes mangled and gross. It is a sixth sense passed through matriarchal  lineages.

There are no sources that catalogue the scent of incense that wafts through the sunlit porch on St. Michael’s; no  films that can capture the luminescence of hundreds of flaming bonfires that fluoresce the sidewalks on Kudus  Yohannes, as excited children chant Ge’ez proverbs whose origin has been lost to time.  You cannot learn the familiarity of walking beneath the towering Gothic figure of the Enda Mariam Cathedral, the  crowds undulating to the ringing of the archaic bells.  I have memorized the sound of the rains hounding the metal roof during kiremti , the heat of the sun pounding  against the Toyota’s window as we sped down towards Ghinda , the opulent brilliance of the stars twinkling in a  sky untainted by light pollution, the scent of warm rolls of bani wafting through the streets at precisely 6 o’clock each day…

I fill my flimsy sketchbook with pictures from my memory. My hand remembers the shapes of the hibiscus drifting  in the wind, the outline of my grandmother (affectionately nicknamed a’abaye ) leaning over the garden, the bizarre architecture of the Fiat Tagliero .  I dice the vegetables with movements handed down from generations. My nose remembers the scent of frying garlic, the sourness of the warm tayta , the sharpness of the mit’mt’a …

This knowledge is intrinsic.  “I am Eritrean,” I repeat. “I am proud.”  Within me is an encyclopedia of history, culture, and idealism.

Eritrea is the coffee made from scratch, the spices drying in the sun, the priests and nuns. Eritrea is wise, filled with ambition, and unseen potential.  Eritrea isn’t a place, it’s an identity.

This is an exceptional essay that provides a window into this student’s culture that really makes their love for their country and heritage leap off the page. The sheer level of details and sensory descriptors this student is able to fit in this space makes the essay stand out. From the smells, to the traditions, sounds, and sights, the author encapsulates all the glory of Eritrea for the reader. 

The vivid images this student is able to create for the reader, whether it is having the tedious conversation with every teacher or cooking in their grandmother’s kitchen, transports us into the story and makes us feel like we are there in the moment with the student. This is a prime example of an essay that shows , not tells.

Besides the amazing imagery, the use of shorter paragraphs also contributes to how engaging this essay is. Employing this tactic helps break up the text to make it more readable and it isolates ideas so they stick out more than if they were enveloped in a large paragraph.

Overall, this is a really strong essay that brings to life this student’s heritage through its use of vivid imagery. This essay exemplifies what it means to show not tell in your writing, and it is a great example of how you can write an intimate personal statement without making yourself the primary focus of your essay. 

There is very little this essay should improve upon, but one thing the student might consider would be to inject more personal reflection into their response. Although we can clearly take away their deep love and passion for their homeland and culture, the essay would be a bit more personal if they included the emotions and feelings they associate with the various aspects of Eritrea. For example, the way their heart swells with pride when their grandmother praises their ability to cook a flatbread or the feeling of serenity when they hear the bells ring out from the cathedral. Including personal details as well as sensory ones would create a wonderful balance of imagery and reflection.

Essay Example #10: Journaling

Flipping past dozens of colorful entries in my journal, I arrive at the final blank sheet. I press my pen lightly to the page, barely scratching its surface to create a series of loops stringing together into sentences. Emotions spill out, and with their release, I feel lightness in my chest. The stream of thoughts slows as I reach the bottom of the page, and I gently close the cover of the worn book: another journal finished.

I add the journal to the stack of eleven books on my nightstand. Struck by the bittersweet sensation of closing a chapter of my life, I grab the notebook at the bottom of the pile to reminisce.

“I want to make a flying mushen to fly in space and your in it” – October 2008

Pulling back the cover of my first Tinkerbell-themed diary, the prompt “My Hopes and Dreams” captures my attention. Though “machine” is misspelled in my scribbled response, I see the beginnings of my past obsession with outer space. At the age of five, I tore through novels about the solar system, experimented with rockets built from plastic straws, and rented Space Shuttle films from Blockbuster to satisfy my curiosities. While I chased down answers to questions as limitless as the universe, I fell in love with learning. Eight journals later, the same relentless curiosity brought me to an airplane descending on San Francisco Bay.

“I wish I had infinite sunsets” – July 2019

I reach for the charcoal notepad near the top of the pile and open to the first page: my flight to the Stanford Pre-Collegiate Summer Institutes. While I was excited to explore bioengineering, anxiety twisted in my stomach as I imagined my destination, unsure of whether I could overcome my shyness and connect with others.

With each new conversation, the sweat on my palms became less noticeable, and I met students from 23 different countries. Many of the moments where I challenged myself socially revolved around the third story deck of the Jerry house. A strange medley of English, Arabic, and Mandarin filled the summer air as my friends and I gathered there every evening, and dialogues at sunset soon became moments of bliss. In our conversations about cultural differences, the possibility of an afterlife, and the plausibility of far-fetched conspiracy theories, I learned to voice my opinion. As I was introduced to different viewpoints, these moments challenged my understanding of the world around me. In my final entries from California, I find excitement to learn from others and increased confidence, a tool that would later allow me to impact my community.

“The beauty in a tower of cans” – June 2020

Returning my gaze to the stack of journals, I stretch to take the floral-patterned book sitting on top. I flip through, eventually finding the beginnings of the organization I created during the outbreak of COVID-19. Since then, Door-to-Door Deliveries has woven its way through my entries and into reality, allowing me to aid high-risk populations through free grocery delivery.

With the confidence I gained the summer before, I took action when seeing others in need rather than letting my shyness hold me back. I reached out to local churches and senior centers to spread word of our services and interacted with customers through our website and social media pages. To further expand our impact, we held two food drives, and I mustered the courage to ask for donations door-to-door. In a tower of canned donations, I saw the value of reaching out to help others and realized my own potential to impact the world around me.

I delicately close the journal in my hands, smiling softly as the memories reappear, one after another. Reaching under my bed, I pull out a fresh notebook and open to its first sheet. I lightly press my pen to the page, “And so begins the next chapter…”

The structuring of this essay makes it easy and enjoyable to read. The student effectively organizes their various life experiences around their tower of journals, which centers the reader and makes the different stories easy to follow. Additionally, the student engages quotes from their journals—and unique formatting of the quotes—to signal that they are moving in time and show us which memory we should follow them to.

Thematically, the student uses the idea of shyness to connect the different memories they draw out of their journals. As the student describes their experiences overcoming shyness at the Stanford Pre-Collegiate Summer Institutes and Door-to-Door Deliveries, this essay can be read as an Overcoming Obstacles essay.

At the end of this essay, readers are fully convinced that this student is dedicated (they have committed to journaling every day), thoughtful (journaling is a thoughtful process and, in the essay, the student reflects thoughtfully on the past), and motivated (they flew across the country for a summer program and started a business). These are definitely qualities admissions officers are looking for in applicants!

Although this essay is already exceptionally strong as it’s written, the first journal entry feels out of place compared to the other two entries that discuss the author’s shyness and determination. It works well for the essay to have an entry from when the student was younger to add some humor (with misspelled words) and nostalgia, but if the student had either connected the quote they chose to the idea of overcoming a fear present in the other two anecdotes or if they had picked a different quote all together related to their shyness, it would have made the entire essay feel more cohesive.

Where to Get Your Personal Statement Edited

Do you want feedback on your personal statement? After rereading your essays countless times, it can be difficult to evaluate your writing objectively. That’s why we created our free Peer Essay Review tool , where you can get a free review of your essay from another student. You can also improve your own writing skills by reviewing other students’ essays. 

If you want a college admissions expert to review your essay, advisors on CollegeVine have helped students refine their writing and submit successful applications to top schools. Find the right advisor for you to improve your chances of getting into your dream school!

Next Step: Supplemental Essays

Essay Guides for Each School

How to Write a Stellar Extracurricular Activity College Essay

4 Tips for Writing a Diversity College Essay

How to Write the “Why This College” Essay

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personal essay national 5

  • FRONT MATTER
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Chapter 5: Personal Statements and Application Essays for National Scholarships

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A good essay must have this permanent quality about it; it must draw its curtain around us, but it must be a curtain that shuts us in not out.

Nowhere does a student’s ability to communicate well about personal attitudes and accomplishments become more important than in applications for national scholarships. With a mostly even playing field among scholars when it comes to GPA, personal statements and answers to application questions truly do help selectors winnow out the best choices, seeking a tidy match between individual candidates and available opportunities. A Marshall Scholar might not be right for an NSF Fellowship, and vice versa; a student activist might be a poor fit for many scholarships but perfect for the Truman Scholarship.

This chapter summarizes nine of the nation’s most coveted scholarships, with samples of personal statements and essays following each scholarship description. All of the samples here are strong, and about half of them come from scholarship winners and finalists, culled from about 100 students representing about 20 states.

Using the material in this chapter, educate yourself on your target scholarship and study its samples thoroughly, recognizing the rhetorical strategies employed as well as how carefully writers match their backgrounds to the scholarship criteria. Visit the scholarship websites and read the profiles of past winners when available, envisioning yourself as a featured student on the website in the following year. Most importantly, be prepared to spend 50+ hours studying, reflecting, and writing as part of the scholarship application process, as winners typically report they do. Whether you win or not, the time will be well spent.

In addition to the national scholarships discussed in this chapter, there are numerous other "prestige" scholarships available to ambitious and deserving students. The guidebook, "Prestige Scholarships for College," lists and explains the various prestige scholarships available, discusses how to make them a realistic option, and includes expert advice on increasing your chances of landing one.

Visit the "Prestige Scholarships for College" Website.

Websites such as STEPS (Student Training & Education in Public Service) support students seeking careers in public service, helping aspiring police officers, teachers, social workers, and related public service professionals find the necessary funding for their specialized college education. STEPS lnks students to scholarships in areas ranging from criminal justice to cybersecurity to public health.

Visit the STEPS Website.

Websites such as edumed.org help students find the best scholarships available in medical fields including nursing, dental hygiene, and special interests. Scholarship amounts range from hundreds to thousands of dollars, including loan forgiveness programs tied to a specific follow-up profession by the student upon graduation.

Visit edumed.org's "50 Top Scholarships for Medical & Health Students" site.

  • The Udall Scholarship
  • The National Science Foundation Graduate Research Fellowship
  • The Fulbright Scholarship
  • The Goldwater Scholarship
  • The Rhodes Scholarship
  • The Marshall Scholarship
  • The Truman Scholarship
  • The Mitchell Scholarship
  • The Gates Cambridge Scholarship
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Abortion rights on the ballot may not be bad news for Republicans everywhere

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California, Texas students earn top prize in national civics education essay contest

Molly Justice Director of Communications & Online Media (757) 259-1564

Williamsburg, Va. (May 1, 2024) – California and Texas students have won top honors in the National Center for State Courts (NCSC) 2024 Civics Education Essay Contest.

Over the past decade, NCSC has challenged youth to reflect on civics education and the U.S. Constitution.

This year, students from across the country reflected on the late U.S. Supreme Court Justice Sandra Day O’Connor's influence on civics education for American youth and her perspective on the importance of civic engagement by all citizens. Students addressed two age-appropriate questions about citizen participation in their communities and government.

NCSC President Mary McQueen said recognizing the late Supreme Court justice this year was especially fitting given Justice O’Connor’s passion for civics education.

"Justice O’Connor was deeply committed to educating the younger generation about democracy and the fundamental democratic principles that form our society,” McQueen said. “She believed civic participation beyond voting is vital to our democracy, and she urged citizens to become involved in their schools, neighborhoods, and communities."

The contest attracted 800 students from 48 states and the District of Columbia. Essays were scored based on the student's understanding of the topic, creativity, grammar, spelling, and style. The nine winners will receive cash prizes totaling $3,450.

The 2024 winners include:

High school (grades 9-12)

  • First place - Daniella Cuevas, California
  • Second place - Mattie Jane Carpenter, Georgia
  • Third place - Jacob Hertz, California

Middle school (grades 6-8)

  • First place - Sophia Ling, California
  • Second place - Ashley Wagner, Massachusetts
  • Third place - Anoushka Pandey, Maryland

Elementary school (grades 3-5)

  • First place - Nicholas Jakimier, Texas
  • Second place - Ana Cervantes, Kansas
  • Third place - Faith Yono, Michigan

To read the winning essays, visit  ncsc.org/contest .

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COMMENTS

  1. English National 5 Essay Examples Available

    The English Department have sent more resources for National 5 critical essay revision to this site for inclusion. They take the form of exemplar timed essays on the novels studied in the course: Stone Cold, Of Mice and Men and Animal Farm. Find them on the dedicated critical essay revision page. The PDF files are named according to: the novel ...

  2. PDF National 5 English Portfolio-writing and Performance-spoken language

    This assessment applies to the portfolio-writing for National 5 English. This portfolio-writing is worth 30 marks. The marks contribute 30% of the overall marks for the course assessment. It assesses the following skills, knowledge and understanding. Write, with sufficient technical accuracy, in one of two forms:

  3. Personal Essay Examples

    Personal Essay Examples - S4 Nat 5. This one PASSED. Type: Reflective Essay. Title: "Cowal Games". It was a warm August morning. I had laid out my kilt and the rest of my uniform the night before. I was going to Cowal Games - to play my bagpipes. I had never been very good at getting up in the morning … except for that August day.

  4. DOCX Glow Blogs

    National 5. Personal Reflective Writing. Success Checklist. Use this checklist to self-assess the first draft of your essay. Content. The essay is about a single personal experience. The essay is interesting or enjoyable to read. The writer describes their thoughts and feelings sensitively.

  5. Our top 8 tips on how to write your National 5 English Critical Essay

    Your critical essay is an essay that allows you to demonstrate your analysis, interpretation and evaluation of pieces of literature. Your national 5 English critical essay is worth 20 marks (or half of the critical reading exam) so it is important to make this count. In this post, we have outlined our top 8 tips on how to write and pass your National 5 English critical essay.Remember: The N5 ...

  6. Writing

    National 5 English Writing learning resources for adults, children, parents and teachers. ... Personal reflective. ... Writing a Descriptive Essay. External link. External link.

  7. Good reflective writing

    National 5; Personal reflective Good reflective writing. In a piece of reflective writing the writer not only gives an account of an experience but examines what he or she thought and felt about ...

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    Information on the production and submission of SQA-assessed coursework for National 5, Higher and Advanced Higher. Coursework for External Assessment (261 KB) Understanding Standards (27/11/2023) Examples of candidate evidence with commentaries. Examples of candidate evidence with commentaries ...

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    Help sheets - National 5 - Personal Reflective Writing. Assessment Grid - (page 9 https: ... Critical Essay, Hieroglyphics, National 5 and tagged 5A3, Anne Donovan, Critical Essay, Hieroglyphics, Introduction, National 5, Prose, Resources, Revision on September 4, 2017 by Miss Maxwell.

  12. SQA

    The National 5 English Course enables learners to develop their literacy skills and to understand, analyse and evaluate a range of texts, including Scottish texts, in the contexts of literature, language and media. The Course also enables learners to create and produce texts and to apply their knowledge and understanding of language.

  13. NAT 5 Personal/Reflective Writing by Karn Dover on Prezi

    An effective reflective essay should have three main parts. 1. Introduce your theme in general. 2. Describe the particular event. 3. Refer back to the theme and how your views on it changed. You should be continually describing your thoughts/feelings/emotions throughout the essay. NATIONAL 5 FOLIO.

  14. What to write about

    In National 5 English learn how to write a reflective essay in which you examine your thoughts and feelings about an experience or event in your life.

  15. 10 Personal Statement Essay Examples That Worked

    Personal Statement Examples. Essay 1: Summer Program. Essay 2: Being Bangladeshi-American. Essay 3: Why Medicine. Essay 4: Love of Writing. Essay 5: Starting a Fire. Essay 6: Dedicating a Track. Essay 7: Body Image and Eating Disorders. Essay 8: Becoming a Coach.

  16. Chapter 5: Personal Statements and Application Essays for National

    Chapter 5: Personal Statements and Application Essays for National Scholarships. A good essay must have this permanent quality about it; it must draw its curtain around us, but it must be a curtain that shuts us in not out. —Virginia Woolf. Nowhere does a student's ability to communicate well about personal attitudes and accomplishments ...

  17. Writing Folio

    Writing Folio. The National 5 English portfolio is an externally assessed task. This portfolio is worth 30 marks out of the total of 100 marks. The marks make up 30% of the overall marks for the Course assessment. The Course will be graded A-D. This is one of two Components of Course assessment. The other Component is a question paper.

  18. Chapter 5: Personal Statements and Application Essays for National

    This chapter summarizes nine of the nation's most coveted scholarships, with samples of personal statements and essays following each scholarship description. All of the samples here are strong, and about half of them come from scholarship winners and finalists, culled from about 100 students representing about 20 states.

  19. how to write a personal essay national 5

    English National 5 Essay Examples Available. The English Department have sent more resources for National 5 critical essay revision to this site for inclusion. They take the form

  20. Weekend Edition Saturday for April 27, 2024 : NPR

    Former National Enquirer publisher testifies about his role in helping Trump in 2016. ... Listen · 5:12 5:12. Toggle more options. Download; Embed. Embed < ...

  21. National 5 English

    N5 Revision Advice. mini essay instructions. Websites for N5 Revision. Understanding Standards Website. Revision materials (click on Learner tab) This site gives key questions to use for practice. English N5 summary. 2017 prelim reflection. n5-exam-advice-for-pupils.

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  23. California, Texas students earn top prize in national civics education

    Williamsburg, Va. (May 1, 2024) - California and Texas students have won top honors in the National Center for State Courts (NCSC) 2024 Civics Education Essay Contest. Over the past decade, NCSC has challenged youth to reflect on civics education and the U.S. Constitution.

  24. PDF National 5 Folio: Persuasive Essay Writing

    There are 5 key stages involved in structuring a discursive paragraph: 1) Topic sentence. (link word/phrase + reference to research topic + link to argument) 2) Clarification. (explain and give information about this area of research) 3) Make your point.

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