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The Library

Browse by phd thesis by university of warwick department.

Addyman, Mary (2016) 'All bundled together in endless confusion’ : museums, collecting and material practices in late Victorian culture. PhD thesis, University of Warwick.

Adjei, Cassie (2015) Duality, genre and the "Modern Mulatto" : bresponse and representation in contemporary British fiction. PhD thesis, University of Warwick.

Alhathlool, Khalid (2013) "Attachment to the soil and aspiration toward departure" : tradition, modernity, cosmopolitanism, globalisation & identity in Amin Maalouf. PhD thesis, University of Warwick.

Angelov, Dimitar (2008) Language, selfhood and otherness in the works of D. H. Lawrence. PhD thesis, University of Warwick.

Akel, Regina (2007) The journals of Maria Graham (1785-1842). PhD thesis, University of Warwick.

Ashby, Kevin John (1998) Disciplines of the king : Arthurianism, historiography, poetics and surveillance in Tennyson's Idylls of the king (1859). PhD thesis, University of Warwick.

Attridge, Steve (1993) The soldier in late Victorian society : images and ambiguities. PhD thesis, University of Warwick.

Andermahr, Sonya (1993) Difference, identification and desire : contemporary lesbian genre fiction. PhD thesis, University of Warwick.

Armitt, Lucie (1992) Pushing back the limits: the fantastic as transgression in contemporary women's fiction. PhD thesis, University of Warwick.

Al-Issa, Ahmad (1989) Polyphony and the anxiety of influence in the fiction of Henry James. PhD thesis, University of Warwick.

Aston, Elaine (1987) Outside the doll's house : a study in images of women in English and French theatre, 1848-1914. PhD thesis, University of Warwick.

Audette, Florestine (1979) Religious elements in Marlowe's 'Tamburlaine'. PhD thesis, University of Warwick.

Bondré, Natasha (2020) Reading ‘Emperor Oil’ in the expanded Caribbean : petroleum, ecology and Caribbean literature in the twentieth century. PhD thesis, University of Warwick.

Bailey, Thomasin Mary (2020) Authority and influence in Lady Mary Wroth’s Pamphilia to Amphilanthus. PhD thesis, University of Warwick.

Bibizadeh, Roxanne Ellen (2019) Freedom and unfreedom in the literature of the Iranian and Arab diaspora. PhD thesis, University of Warwick.

Borg Cardona, Karen (2018) The failed quest in contemporary world literature. PhD thesis, University of Warwick.

Breidenbach, Birgit (2017) Stimmung and modernity: the aesthetic philosophy of mood in Dostoevsky, Beckett and Bernhard. PhD thesis, University of Warwick.

Bhattacharya, Sourit (2017) The crisis of modernity : realism and the postcolonial Indian novel. PhD thesis, University of Warwick.

Brljak, Vladmir (2015) Allegory and modernity in English literature c. 1575-1675. PhD thesis, University of Warwick.

Bumrungsalee, Intira (2013) Translating culture in films : subtitling in Thailand. PhD thesis, University of Warwick.

Bahrawi, Nazry (2013) Sacred impulses, sacrilegious worlds : postsecular intimations in Graham Greene and Naguib Mahfouz. PhD thesis, University of Warwick.

Barnard, Donald Edwin (2012) A critical edition of Derek Walcott's Omeros. PhD thesis, University of Warwick.

Brown, La Tasha Amelia (2011) The diasporic black Caribbean experience : nostalgia, memory and identity. PhD thesis, University of Warwick.

Bugeja, Norbert (2010) Rethinking the liminal : threshold conciousness in four Mashriqi memoirs. PhD thesis, University of Warwick.

Beer, Lewis (2010) Fortune and desire in Guillaume de Machaut. PhD thesis, University of Warwick.

Byatt, Jim (2009) Taboo and transgression : reconfiguring the monstrous in contemporary British fiction. PhD thesis, University of Warwick.

Brigley, Zoë (2007) Exile and ecology: the poetic practice of Gwyneth Lewis, Pascale Petit and Deryn Rees-Jones. PhD thesis, University of Warwick.

Biswell, Andrew (2002) Conflict and confluence: Anthony Burgess as novelist and journalist. PhD thesis, University of Warwick.

Brock, Claire (2002) The feminization of fame from Rousseau to de Staël. PhD thesis, University of Warwick.

Breen, Peter Thomas (1993) Place and displacement in the works of Brian Friel and Seamus Heaney. PhD thesis, University of Warwick.

Bakshi, Parminder Kaur (1992) Distant desire : the theme of friendship in E.M. Forster's fiction. PhD thesis, University of Warwick.

Becket, Fiona (1992) Metaphor and "metaphysic" : the sense of language in D.H. Lawrence. PhD thesis, University of Warwick.

Barker, Jill (1992) Characterizations of otherness in the sixteenth century moral plays and their morality actecedents. PhD thesis, University of Warwick.

Bendjeddou, Mohamed Yazid (1985) Two literary responses to American society in the early modern era : a comparison of selected novels by Theodore Dreiser and Upton Sinclair in relation to their portrayal of the immigrant, the city, the business tycoon, women, and the problem of labour, 1900-1929. PhD thesis, University of Warwick.

Belsey, Catherine (1973) Patterns of conflict in the English morality plays. PhD thesis, University of Warwick.

Buckley, Brian R. (1972) Lawrence's novels : themes and precedents. PhD thesis, University of Warwick.

Castle, Nora (2022) Food futures : food, foodways, and environmental crisis in contemporary science fiction. PhD thesis, University of Warwick.

Cao, Siyu (2020) Performing post-Britishness : a quest for independence in the contemporary literature of England. PhD thesis, University of Warwick.

Champion, Giulia (2020) The empire bites back : literary cannibalism in the extractiono(s)cene. PhD thesis, University of Warwick.

Campion, Louise G. E. (2019) Christ in the kitchen, Christ in the chamber: the language and imagery of domestic space in late medieval religious literature. PhD thesis, University of Warwick.

Cohut, Maria-Silvia (2018) Before and beyond the glass: women and their mirrors in the literature and art of nineteenth-century Britain. PhD thesis, University of Warwick.

Choksey, Lara (2017) 'Life itself' in Doris Lessing's space fiction : evolution, epigenetics and culture. PhD thesis, University of Warwick.

Charlwood, Catherine (2017) Models of memory : cognition and cultural memory in the poetry of Thomas Hardy and Robert Frost. PhD thesis, University of Warwick.

Chen, Chi-Fang (2016) A study of political humour in British literature in the 1790s. PhD thesis, University of Warwick.

Collins, Nicholas J. (2015) Forming the nation : early modern England and modern Ireland. PhD thesis, University of Warwick.

Christie, James, (Researcher in English) (2013) Fredric Jameson and the art of Modernism. PhD thesis, University of Warwick.

Cowaloosur, Vedita (2013) "The home and the world" : representations of English and bhashas in contemporary Indian culture. PhD thesis, University of Warwick.

Cornford, Thomas (2012) The English theatre studios of Michael Chekhov and Michel Saint-Denis, 1935-1965. PhD thesis, University of Warwick.

Carta, Giorgia (2012) The other half of the story : the interaction between indigenous and translated literature for children in Italy. PhD thesis, University of Warwick.

Cirstea, Arina-Nicoleta (2010) Urban imaginaries : mapping space and self in the writing of Doris Lessing, Michèle Roberts and Sara Maitland. PhD thesis, University of Warwick.

Carlin, Gerald (1994) Art and authority : a comparative study of the modernist aesthetics of Ezra Pound. PhD thesis, University of Warwick.

Concepción, Díez-Medrano (1993) Women's condition in D.H. Lawrence's shorter fiction : a study of representative narrative processes in selected texts. PhD thesis, University of Warwick.

Campbell, Irene (1992) Frank Swinnerton : the life and works of a bookman. PhD thesis, University of Warwick.

Coe, Jonathan (1986) Satire and sympathy : some consequences of intrusive narration in Tom Jones and other comic novels. PhD thesis, University of Warwick.

Curtis, Francis Brett (1979) Shelley and the idea of epic : a study, with particular reference to three pre-1818 narratives. PhD thesis, University of Warwick.

Clews, David (1972) The Dickens - Thackeray debate. PhD thesis, University of Warwick.

Daroy, Alys (2022) Biophilic Shakespeare : towards an ecology of form. PhD thesis, University of Warwick.

Dakkak, Nadeen (2020) “An immense cargo of wanderers seeking their own destruction” : migration to the Arab Gulf states in Arabic fiction. PhD thesis, University of Warwick.

Dashwood, Rita J. (2018) Women in residence: Forms of belonging in Jane Austen. PhD thesis, University of Warwick.

Daniel, Robert W. (2018) The manuscript poetry of Thomas St Nicholas and the writing of ‘scripturalism’ in seventeenth-century England. PhD thesis, University of Warwick.

Dean, Dominic (2016) The child and authority in contemporary literature and critical culture. PhD thesis, University of Warwick.

Davis, Christopher P. (Researcher in literature) (2016) Reading, writing and understanding the postcolonial. PhD thesis, University of Warwick.

Degirmencioglu, Nesrin (2013) Uneven cities : the dialectic of urban modernity and literary form in Dos Passos, Tanpınar, Auster and Pamuk. PhD thesis, University of Warwick.

DiMeo, Michelle Marie (2009) Katherine Jones, Lady Ranelagh (1615-91): science and medicine in a seventeenth-century Englishwoman’s writing. PhD thesis, University of Warwick.

Deckard, Sharae Grace (2007) Exploited Edens: paradise discourse in colonial and postcolonial literature. PhD thesis, University of Warwick.

Dauncey, Sarah (2003) The uses of silence : a twentieth-century preoccupation in the light of fictional examples, 1900-1950. PhD thesis, University of Warwick.

Dent, Shirley (2000) Iniquitous symmetries: aestheticism and secularism in the reception of William Blake's works in books and periodicals during the 1860s, 1870s, and 1880s. PhD thesis, University of Warwick.

Dixon, John Spencer (1991) Representations of the East in English and French travel writing 1798-1882 : with particular reference to Egypt. PhD thesis, University of Warwick.

Dusinberre, Juliet (1969) Attitudes to women in Jacobean drama. PhD thesis, University of Warwick.

Emmett, Christine (2020) Inequality, moralism and legitimacy in South African literature : re-reading apartheid from Millin to Wicomb. PhD thesis, University of Warwick.

El-Masry, Heba Fawzy (2017) A comparative study of Arthur John Arberry’s and Desmond O’Grady’s translations of the seven Mu‘allaqāt. PhD thesis, University of Warwick.

Eardley, Alice (2008) An edition of Lady Hester Pulter's Book of 'Emblemes'. PhD thesis, University of Warwick.

Erdogan, Armagan (2002) Encountering the foreign : the educative effect of the foreign in George Eliot's novels of English life. PhD thesis, University of Warwick.

Efstratiou, Dimitris (2001) Disintegration of essence and subjectivity : the poetry of Charles Baudelaire and T. S. Eliot. PhD thesis, University of Warwick.

Earnshaw, Brian (1982) Translations from the German and their reception in Britain, 1760-1800. PhD thesis, University of Warwick.

Farnsworth, Fiona Emily (2020) Contemporary literary foodways between Sub-Saharan Africa and the USA. PhD thesis, University of Warwick.

Fletcher, Andrew (2019) Shakespeare and the fiction of theatre. PhD thesis, University of Warwick.

Fakhrkonandeh, Alireza (2015) Howard Barker's drama of aporias : from a phenomenology of the body to an ontology of the flesh. PhD thesis, University of Warwick.

Fowler, Benjamin Brynmor (2015) (Re)directing the text : politics & perception in the work Katie Mitchell & Thomas Ostermeier. PhD thesis, University of Warwick.

Frank, Lucy Elizabeth (2003) Sarah Piatt and the politics of mourning. PhD thesis, University of Warwick.

Fernández de Pinedo, Eva (2002) From the Virgin of Guadalupe to El Santo : new motifs and directions in contemporary Chicano/a writing. PhD thesis, University of Warwick.

Frith, Gill (1988) The intimacy which is knowledge : female friendship in the novels of women writers. PhD thesis, University of Warwick.

Funk, Gisela (1988) The sealed room : Lou Andreas-Salomé and Anaïs Nin : a study in the genesis of fiction. PhD thesis, University of Warwick.

Flower, Celeste (1985) A study of aspects of the 'Romances amorosos' of Luis de Góngora. PhD thesis, University of Warwick.

Fairclough, Peter (1976) Humour in the novel 1800-1850 : the moral vision and the autonomous imagination. PhD thesis, University of Warwick.

Gyawali, Amulya (2023) The invention of nature: state-building and environment-making in the extended Himalaya. PhD thesis, University of Warwick.

Gill, Jagvinder (2010) Re-oriented Britain : how British Asian travellers and settlers have utilised and reversed Orientalist discourse 1770-2010. PhD thesis, University of Warwick.

Gott, Henry Michael (2010) Ascetic modernism in Eliot and Flaubert. PhD thesis, University of Warwick.

Goodman, Gemma (2010) Cornwall : an alternative construction of place. PhD thesis, University of Warwick.

Gunne, Sorcha (2010) ‘A mirror with two sides’ : liminal narratives and spaces of gender violence and communitas in South African writing, 1960–present. PhD thesis, University of Warwick.

Graham, James (James John George) (2006) Writing the land : representations of 'the land' and nationalism in Anglophone literature from South Africa and Zimbabwe 1969-2002. PhD thesis, University of Warwick.

Ganobcsik-Williams, Gruffudd Aled (2001) The sweat of the brain: representations of intellectual labour in the writings of Edmund Burke, William Cobbett, William Hazlitt and Thomas Carlyle. PhD thesis, University of Warwick.

Gallagher, Ron (1986) Science fiction and language : language and the imagination in post-war science fiction. PhD thesis, University of Warwick.

Greenslade, William (1982) The concept of degeneration, 1880-1910, with particular reference to the work of Thomas Hardy, George Gissing and H. G. Wells. PhD thesis, University of Warwick.

Garnett, George Rhys (1977) The search for the self in the fiction of Malcolm Lowry. PhD thesis, University of Warwick.

Green, Robert (1977) The novels of Ford Madox Ford. PhD thesis, University of Warwick.

Heath, Thomas (2022) Actor training in the flow state : towards a rhetoric for play in contemporary actor training. PhD thesis, University of Warwick.

Hugo, Esthie Esmaré (2022) Gothic ecologies : world-literature and commodity frontiers from the plantation to the present. PhD thesis, University of Warwick.

Hillion, Marianne (2021) Between the epic and the ordinary : locating the politics of contemporary Indian urban writing in English (Delhi, Mumbai, Kolkata). PhD thesis, University of Warwick.

Hatfull, Ronan (2018) ‘The other RSC’: the history and legacy of the Reduced Shakespeare Company. PhD thesis, University of Warwick.

Hudson, Julie Patricia (2017) The environment on stage: scenery or shapeshifter? PhD thesis, University of Warwick.

Huang, Bo-Yuan (2014) China on the periphery : transitions of Chinese "Orientalism" from Oliver Goldsmith to Thomas De Quincey. PhD thesis, University of Warwick.

Hassen, Rim (2012) English translations of the Quran by women : different or derived? PhD thesis, University of Warwick.

Hentea, Marius (2010) Social reality and narrative form in the fiction of Henry Green. PhD thesis, University of Warwick.

Hartwig, David W. (2010) The place of Shakespeare : performing King Lear and The tempest in an endangered world. PhD thesis, University of Warwick.

Holroyd, Sophia Jane (2002) Embroidered rhetoric: the social, religious and political functions of elite women's needlework, c.1560-1630. PhD thesis, University of Warwick.

Hampton-Reeves, Stuart (1997) Henry VI in performance : history, culture and Shakespeare reproduced. PhD thesis, University of Warwick.

Hapgood, Lynne (1990) "Circe among cities" : images of London and the languages of social concern, 1880-1900. PhD thesis, University of Warwick.

Higgins, Ian (1989) The sentiments of a Church-of-England man : a study of Swift's politics. PhD thesis, University of Warwick.

Head, Dominic (1989) The modernist short story : theory and practice in five authors. PhD thesis, University of Warwick.

Hadfield, Duncan John (1982) Real and imaginary golf-courses : systems of order in Malcolm Lowry's Under the volcano. PhD thesis, University of Warwick.

Hancock, Ann (1981) The life of Henry Yorke and the writing of Henry Green. PhD thesis, University of Warwick.

Hunter, Shelagh (1981) Transformations of pastoral : studies in the idyllic fiction of Mary Russell Mitford, Elizabeth Gaskell, George Eliot and Thomas Hardy. PhD thesis, University of Warwick.

Hermans, Theo (1977) Aspects of the structure of Modernist poetry, 1908-1918 : a structural and comparative study of the poetic writing of Guillaume Apollinaire, Hans Arp, Hugo Ball, Georg Heym, T.E. Hulme, Max Jacob, Ezra Pound, Pierre Reverdy, and Georg Trakl. PhD thesis, University of Warwick.

Intepe, Demet (2020) Environmental justice and writers as activists in multi-ethnic U.S. literatures, film, and theater. PhD thesis, University of Warwick.

Ivanova, Rossitza Pentcheva (2006) Cross-cultural and tribal-centred politics in American Indian studies: assessing a current split in American Indian literary scholarship and re-interpreting Leslie Marmon Silko's Ceremony and Louise Erdrich's Tracks. PhD thesis, University of Warwick.

Inan, Dilek (2000) The city and landscapes beyond Harold Pinter's rooms. PhD thesis, University of Warwick.

Imoru, Nike M. (1994) A theatre of black women : constructions of black female subjectivity in the dramatic texts of African-American women playwrights in the 1920s and 1970s. PhD thesis, University of Warwick.

Ibrahim, Hasnah binti Haji (1992) Oh Babel! : the problems of translating Malay verse into English. PhD thesis, University of Warwick.

Iliopoulos, Spyridon (1985) 'Out of a medium's mouth' : Yeats's art in relation to mediumship, spiritualism and psychical research. PhD thesis, University of Warwick.

Janssen, Catharina Gertruda Maria (2021) ‘Future scholars, future poets’ : the contemporary reception of Sir William Jones’s translations of oriental literature, 1770-1835. PhD thesis, University of Warwick.

Jackson, Joseph Horgan (2011) Devolving black British theory : race and contemporary Scottish literature. PhD thesis, University of Warwick.

Jones, Jonathan D. (2003) Orphans : childhood alienation and the idea of the self in Rousseau, Wordsworth and Mary Shelley. PhD thesis, University of Warwick.

Jones, David Francis (1987) Swift's use of the literature of travel in the composition of "Gulliver's travels". PhD thesis, University of Warwick.

Khattak, Aiman (2022) The bio-political empire sovereignty, race and war in Afghan, Iraqi and Pakistani literatures. PhD thesis, University of Warwick.

Kaur, Gurpreet (2017) Beyond the binary : postcolonial ecofeminism in Indian women's writing in English. PhD thesis, University of Warwick.

Khan, Gohar Karim (2013) Narrating Pakistan transnationally : identity, politics and terrorism in Anglophone Pakistani literature after "9/11". PhD thesis, University of Warwick.

Kim, Paul Chi Hun (2013) The notion of nature in Coleridge and Wordsworth from the perspective of ecotheology. PhD thesis, University of Warwick.

Kritsis, Konstantinos (2013) Exploring theatre translation : the translator of the stage in the case of a Stanislavskian actor. PhD thesis, University of Warwick.

Kirwan, Peter (2011) Shakespeare and the idea of apocrypha : negotiating the boundaries of the dramatic canon. PhD thesis, University of Warwick.

Kenward, Claire (2011) 'Memory wrapped round a corpse' : a cultural history of English Hecubas. PhD thesis, University of Warwick.

Kurata, Kenichi (2010) Vicissitudes of desire in George Eliot’s fiction. PhD thesis, University of Warwick.

Kahn, Kristian Thomas (2009) The boy figure and male same-sex desire in Britain from Walter Pater to E.M. Forster. PhD thesis, University of Warwick.

Kaisary, Philip James (2008) The literary impact of the Haitian Revolution. PhD thesis, University of Warwick.

Kamali, Leila Francesca (2007) Spectres of the shore : the memory of Africa in contemporary African-American and Black British fiction. PhD thesis, University of Warwick.

Kim, Rina (2007) Beyond mourning and melancholia : women and Ireland as Beckett's lost others. PhD thesis, University of Warwick.

Kawanami, Ayako (2006) The art of dissembling in three Elizabethan writers: John Lyly, Robert Greene, and Shakespeare. PhD thesis, University of Warwick.

Komporaly, Jozefina (2001) Configurations of mothering in post-war British women's playwriting. PhD thesis, University of Warwick.

Key, Jonathan Benjamin (1999) Paranoia and irony in the Anglophone dectective narrative and the novels of Umberto Eco. PhD thesis, University of Warwick.

Kavanagh, Kevin Sean (1997) Raymond Williams and the limits of cultural materialism. PhD thesis, University of Warwick.

Kastelein, Barbara (1994) Popular/post-feminism and popular literature. PhD thesis, University of Warwick.

Khan, Nosheen (1986) Women's poetry of the First World War. PhD thesis, University of Warwick.

Kirk, Peter Nigel (1983) The voice of authority : Evelyn Waugh's fiction. PhD thesis, University of Warwick.

Kerr, Douglas (1978) A comparison of some French and English literary responses to the 1914-1918 War. PhD thesis, University of Warwick.

Liu, Li (2023) ‘What do texts want?’: the want and liminality of working-class females in mid-victorian bourgeois paternalistic literature. PhD thesis, University of Warwick.

Love, Angus (2020) Alain Badiou’s twisted contemporaneity : inaesthetics and the contemporary. PhD thesis, University of Warwick.

Laug, Katja (2019) Mementoes of the broken body: Cormac McCarthy’s aesthetic politics. PhD thesis, University of Warwick.

Littau, Karin (2018) Sub-versions of reading. PhD thesis, University of Warwick.

Loh, Waiyee (2016) Empire of culture : contemporary British and Japanese imaginings of Victorian Britain. PhD thesis, University of Warwick.

Leonard, Alice (2014) Error in Shakespeare : Shakespeare in error. PhD thesis, University of Warwick.

Lewis, Jennifer (2014) Variations around a theme : the place of Eatonville in the work of Zora Neale Hurston. PhD thesis, University of Warwick.

Liao, Chia-hui (2011) A critical study of the reception and translation of the poetry of Wang Wei in English. PhD thesis, University of Warwick.

Ludlow, Elizabeth (2008) 'We can but spell a surface history': the biblical typology of Christina Rossetti. PhD thesis, University of Warwick.

Lawlor, Clark (1993) The classical and the grotesque in the work of Alexander Pope and Jonathan Swift. PhD thesis, University of Warwick.

Lawley, Paul Anthony, Ph.D. (1978) The paradox of self-annihilating expression : representations of ontological instability in the drama of Samuel Beckett. PhD thesis, University of Warwick.

Mukim, Mantra (2022) Lyric failure : Samuel Beckett and poetic form. PhD thesis, University of Warwick.

Mak, Wing Haang (2018) Kinaesthetic bodies in contemporary literature. PhD thesis, University of Warwick.

Martín-Castaño, Mónica (2017) Translating Disney songs from The Little Mermaid (1989) to Tarzan (1999) : an analysis of translation strategies used to dub and subtitle songs into Spanish. PhD thesis, University of Warwick.

Murgia, Claudio (2016) [Beyond] posthuman violence : epic rewritings of ethics in the contemporary novel. PhD thesis, University of Warwick.

McGowan, Jack (2016) Slam the book: the role of performance in contemporary UK poetics. PhD thesis, University of Warwick.

Maughan, Christopher J. (2015) Activism Ltd : environmental activism and contemporary literature. PhD thesis, University of Warwick.

Morrissey, Joseph J. (2013) Gentry women and work and leisure 1770-1820. PhD thesis, University of Warwick.

Mearns, Gabrielle (2012) Appropriate fields of action : nineteenth-century representations of the female philanthropist and the parochial sphere. PhD thesis, University of Warwick.

Marques dos Santos, Ana Teresa Brisio (2012) Translation, radio and drama during the Estado Novo. PhD thesis, University of Warwick.

Mathieson, Charlotte Eleanor (2010) Bodies in transit : mobility, embodiment and space in the mid-nineteenth century novel. PhD thesis, University of Warwick.

McIntosh, Malachi (2010) "Home" : emigration, identity and modern Caribbean literature. PhD thesis, University of Warwick.

Murray, Chris M. (2009) The tragic Coleridge : the philosophy of sacrifice in the life and works. PhD thesis, University of Warwick.

Muzica, Evghenii (2006) 'A place where three roads meet': Sophocles's Oedipus and Shakespeare's Hamlet after Freud. PhD thesis, University of Warwick.

MacCartey, Kelli (2004) "different sentiments & different connections supports them" : sensibility, community, and diversity in British women's Romantic-period poetry. PhD thesis, University of Warwick.

McKenzie, Sarah (2003) Death, inheritance and the family : a study of literary responses to inheritance in seventeenth-century England. PhD thesis, University of Warwick.

McKenzie, Mary Virginia (2003) Gertrude Stein's 'Melanctha' : a feminist and deconstructive approach. PhD thesis, University of Warwick.

Muto, Hiroshi (2001) The 'disembodied voice' in fin-de-siècle British literature : its genealogy and significances. PhD thesis, University of Warwick.

Mason, Emma (2000) Religious intellectuals : the poetic gravity of Emily Brontë and Christina Rossetti. PhD thesis, University of Warwick.

Mounsey, Chris (1992) William Blake's The Four Zoas : a reassessment of its implied metaphysics. PhD thesis, University of Warwick.

Matthews, Julia (1991) Characterization and structure in the development of Tudor comedy. PhD thesis, University of Warwick.

Middleton, Tim (1991) The operation of discourse as a motive for critical practice : a Bakhtinian perspective. PhD thesis, University of Warwick.

Minow-Pinkney, Makiko (1985) Feminine writing and the problem of the self : an examination of Virginia Woolf's novels in the light of recent critical and psychoanalytic theories. PhD thesis, University of Warwick.

Munns, Jessica (1980) A critical study of Thomas Otway's plays. PhD thesis, University of Warwick.

Nichols, K. Madolyn (2014) The women who leave : Irish women writing on emigration. PhD thesis, University of Warwick.

Nardi, Valeria (2012) Translation in advertising : marketing cars in Italy and the UK since the 1980s. PhD thesis, University of Warwick.

Neculai, Catalina (2008) ‘Some fanatical New York promoting’: literary economies of urban regime transformation in New York City, 1970s-1980s. PhD thesis, University of Warwick.

Niebrzydowski, Sue (1998) Verry matrymony : representations of the Virgin Mary and her mother, Saint Anne, as wives in medieval England, 1200-1540. PhD thesis, University of Warwick.

Nicholson, John Andrew Lamont (1983) Poetry and action in Byron's development. PhD thesis, University of Warwick.

Oloff, Kerstin Dagmar (2007) Modernity and the novel in the expanded Caribbean : Wilson Harris, Patrick Chamoiseau and Carlos Fuentes. PhD thesis, University of Warwick.

O'Brien, George (1979) Life on the land : the interrelationship between identity and community in the Irish fiction of Maria Edgeworth, William Carleton and Charles Lever. PhD thesis, University of Warwick.

O'Toole, Bridget (1974) The poet and the city : the city as a theme in English poetry of the nineteenth century. PhD thesis, University of Warwick.

Pitt Scott, Harry (2022) Energy futures : finance and petroculture. PhD thesis, University of Warwick.

Phillips, Leah Beth (2016) Myth (un)making : the adolescent female body in mythopoeic YA fantasy. PhD thesis, University of Warwick.

Poltrack, Emma (2015) The history and working practices of the Propeller Theatre Company (1997-2011). PhD thesis, University of Warwick.

Putz, Adam (2010) Shakespeares wake : appropriation and cultural politics in Dublin, 1867-1922. PhD thesis, University of Warwick.

Piasecki, Bohdan A. (2010) Anthologies of contemporary Polish poetry in English translation : paratexts, narratives, and the manipulation of national literatures. PhD thesis, University of Warwick.

Parkes, Simon John (2009) Home from the wars: the Romantic revenant-veteran of the 1790s. PhD thesis, University of Warwick.

Poyner, Jane (2003) The fictions of J. M. Coetzee: master of his craft? PhD thesis, University of Warwick.

Poulson, Sally (2000) Reversed perspectives : a re-examination of the later novels of William Wilkie Collins. PhD thesis, University of Warwick.

Pearl, Monica B. (1999) Alien tears : mourning, melancholia, and identity in AIDS literature. PhD thesis, University of Warwick.

Potts, Tracey (1997) Can the Imperialist read? Race and feminist literary theory. PhD thesis, University of Warwick.

Petrone Fresco, Gabriella (1991) Shakespeare's reception in 18th century Italy : the case of Hamlet. PhD thesis, University of Warwick.

Qiao, Qingquan (2018) China in Britain in the interwar period : Bertrand Russell, W.H.Auden, Christopher Isherwood and Shih-I Hsiung. PhD thesis, University of Warwick.

Quinn, Patrick J. (1988) Robert Graves and Siegfried Sassoon : from early poetry to autobiography. PhD thesis, University of Warwick.

Richards, Julian (2022) “This Man Is Great” : Glen Byam Shaw directs Shakespeare at Stratford-upon-Avon, 1951-1959. PhD thesis, University of Warwick.

Rybczak, Emil (2020) A bibliographical enquiry into Thomas Johnson's A Collection of the Best English Plays. PhD thesis, University of Warwick.

Rao, Divya Ramakrishna (2019) New alphabet in sight: representation and the reframing of Dalit identity. PhD thesis, University of Warwick.

Rumbold, Matthew (2017) Epic relation : the sacred, history and late modernist aesthetics in Hart Crane, David Jones and Derek Walcott. PhD thesis, University of Warwick.

Robertson, Lisa C. (2016) New and novel homes : women writing London's housing, 1880-1918. PhD thesis, University of Warwick.

Rzepa, Joanna M. (2014) Literary and theological modernisms : Rainer Maria Rilke, T. S. Eliot, and Józef Wittlin. PhD thesis, University of Warwick.

Rudland, Sophie (2013) Faith, feeling and gender in the writing of Hartley, Wollstonecraft and Blake. PhD thesis, University of Warwick.

Reddick, Yvonne J. (2012) The genius of the stream : Ted Hughes and fluvial influence. PhD thesis, University of Warwick.

Ray, Sumana (2011) The rise of the 'liminal Briton' : literary and artistic productions of black and Asian women in the Midlands. PhD thesis, University of Warwick.

Rahwan, Yamen Rahmoun (2010) Constellations of allegory : Gabriel García Márquez, Angela Carter and J.M. Coetzee. PhD thesis, University of Warwick.

Reuter, Anne-Marie (2009) Fictions of authority : enchanters, teachers and mentors in selected fiction of Iris Murdoch and A.S. Byatt. PhD thesis, University of Warwick.

Roynon, Tessa Kate (2006) Transforming America : Toni Morrison and classical tradition. PhD thesis, University of Warwick.

Regan, Lisa (2005) 'Men who are men and women who are women': fascism, psychology and feminist resistance in the work of Winifred Holtby. PhD thesis, University of Warwick.

Rogers, Natasha (2004) The representation of trauma in narrative : a study of six late twentieth century novels. PhD thesis, University of Warwick.

Robson, Lynn Alison (2003) 'No nine days wonder': embedded Protestant narratives in early modern prose murder pamphlets 1573-1700. PhD thesis, University of Warwick.

Ray, Nicholas (2002) Tragedy and otherness: Sophocles, Shakespeare, psychoanalysis. PhD thesis, University of Warwick.

Reeves, Kate (2000) Laughter and madness in post-war American fiction. PhD thesis, University of Warwick.

Robson, Julia Caroline (2000) The dialectic of self and other in Montaigne, Proust and Woolf. PhD thesis, University of Warwick.

Ruben, Mel (1998) Grace under pressure : re-reading Giselle. PhD thesis, University of Warwick.

Robbins, Catherine Ruth (1996) Decadence and sexual politics in three fin-de-siècle writers : Oscar Wilde, Arthur Symons and Vernon Lee. PhD thesis, University of Warwick.

Rao, Eleonora (1991) Strategies for identity : the fiction of Margaret Atwood. PhD thesis, University of Warwick.

Sangangamsakun, Thirayut (2021) Trans-Victorian : rewriting Victorian fiction in Thailand. PhD thesis, University of Warwick.

Shin, Jung Ju (2020) (Re)turn of the abject: representation of Asian (American) masculinity in the West. PhD thesis, University of Warwick.

Shorland, Sophie (2019) ‘Blazing stars’: early modern celebrity culture, 1580-1626. PhD thesis, University of Warwick.

Schauss, Martin (2018) Like a Thing Forsaken: Beckett, Sebald and the Politics of Materiality. PhD thesis, University of Warwick.

Scherer, Madeleine (2018) A global schema: the Graeco-Roman underworld in Ireland and the Caribbean. PhD thesis, University of Warwick.

Stock, Robert P. (2018) Do you hear what I hear? : inferring voice in celebrity translation in the theatre. PhD thesis, University of Warwick.

Stones, Andrew (2018) Lines of flight: Gilles Deleuze and the becoming of world literature. PhD thesis, University of Warwick.

Starr, Robert (2017) 'Nailed to the rolls of honour, crucified' : Irish literary responses to the Great War. PhD thesis, University of Warwick.

Shafer, Joseph R. (2017) Resistances in bodily form: post-1945 American Poetry and D.H. Lawrence. PhD thesis, University of Warwick.

Smith, Katherine Jo (2016) Ovidian female-voiced complaint poetry in early modern England. PhD thesis, University of Warwick.

Santos, Emanuelle Rodrigues dos (2016) Late postcoloniality : state, violence and wealth in the literatures of early 21st century Portuguese-speaking Africa. PhD thesis, University of Warwick.

Selleri, Andrea (2013) The author as a critical category, 1850-1900. PhD thesis, University of Warwick.

Sheeha, Iman (2013) Staging the servant : an examination of the roles of household servants in early modern domestic tragedy. PhD thesis, University of Warwick.

Skomorokhova, Svetlana (2012) "Arising from the depths" (Kupala) : a study of Belarusian literature in English translation. PhD thesis, University of Warwick.

Smith, Christian, (Researcher in English) (2012) Shakespeare's influence on Marx, Freud and the Frankfurt school critical theorists. PhD thesis, University of Warwick.

Scarth, Katherine Ada (2012) Near London and Brighton : suburbs in fiction, 1780s-1820s. PhD thesis, University of Warwick.

Scott, Francesca M. (2011) The fuzzy theory and women writers in the late eighteenth century. PhD thesis, University of Warwick.

Smith, Victoria Ellen (2011) If walls had mouths : representations of the Anglo-Fante household and the domestic slave in nineteenth-century Cape Coast (Ghana). PhD thesis, University of Warwick.

Senior, Emily (2010) Communicating disease : the Caribbean and the medical imagination, 1764–1834. PhD thesis, University of Warwick.

Sheils, Barry (2010) Playing at being : style, ethics, and W.B. Yeats. PhD thesis, University of Warwick.

Spratley, Peter F. (2008) Wordsworth's sonnet corpus. PhD thesis, University of Warwick.

Scott, Charlotte (2005) Shakespeare and the idea of the book. PhD thesis, University of Warwick.

Sim, Wai-chew (2002) Globalisation and dislocation in the novels of Kazuo Ishiguro. PhD thesis, University of Warwick.

Sedgwick, James Martin (2001) Emily Dickinson's grotesque: ambivalent interactions with uncertainty. PhD thesis, University of Warwick.

Swain, Stella (1992) The uses of madness in nineteenth- and twentieth-century fiction : the relation between narrative strategy and disturbed states of consciousness. PhD thesis, University of Warwick.

Shuttleworth, Antony (1991) The poetics of impurity : Louis MacNeice, writing and the thirties. PhD thesis, University of Warwick.

Salgado, Kshanike Minoli (1991) Towards a definition of Indian literary feminism : an analysis of the novels of Kamala Markandaya, Nayantara Sahgal and Anita Desai. PhD thesis, University of Warwick.

Surma, Anne (1991) Disputing authorities : the longer fiction of Rebecca West. PhD thesis, University of Warwick.

Shaaban, Bouthaina (1981) Shelley's influence on the Chartist poets, with particular emphasis on Ernest Charles Jones and Thomas Cooper. PhD thesis, University of Warwick.

Tan Xing Long, Ian (2020) Poetry as appropriative proximity : Wallace Stevens, Martin Heidegger and the language of being. PhD thesis, University of Warwick.

Ttoouli, George (2017) Twentieth century North American serial poetic form & ecological thinking. PhD thesis, University of Warwick.

Thomas, Sita Chandra (2017) ‘In search of a new national story’: Issues of cultural diversity in the casting and performance of Shakespeare in Britain 2012–2016. PhD thesis, University of Warwick.

Taylor-Brown, Emilie (2016) Miasmas, mosquitoes, and microscopes: parasitology and the British literary imagination, 1885-1935. PhD thesis, University of Warwick.

Tsang, Michael Yat Him (2015) At interregnum : Hong Kong and its English writing. PhD thesis, University of Warwick.

Taylor, Juliette (2003) Foreign music: linguistic estrangement and its textual effects in Joyce, Beckett, Nabokov and Rushdie. PhD thesis, University of Warwick.

Terry, Jennifer Ann (2003) "Shuttles in the rocking loom of history": dislocation in Toni Morrison's fiction. PhD thesis, University of Warwick.

Turner, Rachael Lucy (2000) Myth, biography and the female role in the plays of Pam Gems. PhD thesis, University of Warwick.

Townsend, Joanna Kate (1999) Speaking the body, representing the self : hysterical rhetoric on stage. PhD thesis, University of Warwick.

Taylor, Jenny Bourne (1987) Wilkie Collins and nineteenth-century psychology : cultural significance and fictional form. PhD thesis, University of Warwick.

Turton, Glyn (1984) Turgenev and the context of English literature, 1850-1900. PhD thesis, University of Warwick.

Udomlamun, Nanthanoot (2013) Materiality and memory in contemporary diasporic and postcolonial fiction. PhD thesis, University of Warwick.

Verlander, Freya (2020) (Skin)aesthetics: a study of skin(s) in spectatorship. PhD thesis, University of Warwick.

Vince, Máté (2013) From 'aequivocatio' to the 'Jesuitical equivocation' : changing concepts of ambiguity in early modern England. PhD thesis, University of Warwick.

Voyiatzaki, Evi (2000) The body in the text : James Joyce's Ulysses and the modern Greek novel. PhD thesis, University of Warwick.

Verma, Rajiva (1972) Concepts of myth and ritual, and criticism of Shakespeare, 1880-1970. PhD thesis, University of Warwick.

Wolfgang, William Floyd (2020) Grassroots Shakespeare: amateur and community-based Shakespeare performance in the United States of America. PhD thesis, University of Warwick.

Wills, James (2020) Fictions of justice : literary lawyers in the American South, 1946-1966. PhD thesis, University of Warwick.

Wu, Aurelia D. (2019) The cultural legacy of Oscar Wilde in modern China and beyond (1909–2019). PhD thesis, University of Warwick.

Watt, Gary (2018) Performance rhetoric in Shakespeare and law. PhD thesis, University of Warwick.

Weaver, Camilla (2017) Reading seeing: visuality in the contemporary novel. PhD thesis, University of Warwick.

Whitehouse, Paul C. (2016) Violence and frontier in twentieth century Native American literature. PhD thesis, University of Warwick.

Wood, Laura Clare (2015) Works of taste and fancy : the woman and the child reader in nineteenth century literature. PhD thesis, University of Warwick.

Williams, Alun Rhys (2014) Architects of impurity : a study of the political imagination in contemporary fantastic fiction. PhD thesis, University of Warwick.

Wako, Miho (2012) Figured in lively paint : Eastern decorative art, English aestheticism, and consumer culture 1862-1900. PhD thesis, University of Warwick.

West, John Peter (2011) Dryden and enthusiasm. PhD thesis, University of Warwick.

White, Troy Nelson (2010) The Gothic threshold of Sabine Baring-Gould : a study of the Gothic fiction of a Victorian squarson. PhD thesis, University of Warwick.

Webb, Andrew (Andrew S.) (2010) ‘His country...not the country he had fought for’ : British literatures and world lit. theory : the case of Edward Thomas. PhD thesis, University of Warwick.

Wells, Sherah Kristen (2009) 'Another world,/its walls are thin': psychosis and Catholicism in the texts of Antonia White and Emily Holmes Coleman. PhD thesis, University of Warwick.

Wallbank, Adrian J. (2008) Political, religious, and philosophical mentoring of the Romantic period : the dialogue genre. PhD thesis, University of Warwick.

Wood, Madeleine Alice (2008) Victorian familial enigmas: inheritance and influence. PhD thesis, University of Warwick.

Westall, Claire Louise (2007) What should we know of cricket who only England know? : cricket and its heroes in English and Caribbean literature. PhD thesis, University of Warwick.

Wong, Hiu Wing (2006) "Talk-stories" in the fictions of Maxine Hong Kingston and Amy Tan. PhD thesis, University of Warwick.

Weller, Saranne Esther Elizabeth (2001) 'Written with a Mrs Stowe's feeling' : Uncle Tom's cabin and the paradigms of Southern authorship in the anti-Tom tradition, 1852-1902. PhD thesis, University of Warwick.

Wang, Nian En (1992) The xing : a comparative approach to Chinese theories of the literary symbolic. PhD thesis, University of Warwick.

Webster, Duncan (1984) Representing the economy and the economies of representation : readings in the fiction and criticism of Henry James. PhD thesis, University of Warwick.

Wheale, John William (1983) Redemption in the work of Francis Stuart. PhD thesis, University of Warwick.

Yoon, Jaewon (2022) Post-millennial American and British finance-crisis fiction. PhD thesis, University of Warwick.

Yiannitsaros, Christopher (2016) Deadly domesticity : Agatha Christie's 'middlebrow' Gothic, 1930-1970. PhD thesis, University of Warwick.

Yoon, Sun Kyoung (2011) (Re)-constructing Homer : English translations of the Iliad and Odyssey between 1850 and 1950. PhD thesis, University of Warwick.

Yun, Hunam (2010) Appropriations of Irish drama by modern Korean nationalist theatre : a focus on the influence of Sean O’Casey in a colonial context. PhD thesis, University of Warwick.

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Recent PhD Dissertations

Of Unsound Mind: Madness and Mental Health in Asian American Literature

Carrie Geng

Cultural Capitals: Postwar Yiddish between Warsaw and Buenos Aires

Rachelle Grossman

Counter-Republics of Letters: Politics, Publishing, and the Global Novel

Elisa Sotgiu

‘Through the Looking Glass’: The Narrative Performance of Anarkali Aisha Dad

Indeterminate “Greekness”: A Diasporic and Transnational Poetics Ilana Freedman

Imagined Mothers: The Construction of Italy, Ancient Greece, and Anglo-American Hegemony Francesca Bellei

The Untimely Avant-Garde: Literature, Politics, and Transculturation in the Sinosphere (1909-2020) Fangdai Chen

Recovering the Language of Lament: Modernism, Catastrophe, and Exile Sarah Corrigan

Beyond Diaspora:The Off Home in Jewish Literature from Latin America and Israel Lana Jaffe Neufeld

Artificial Humanities: A Literary Perspective on Creating and Enhancing Humans from Pygmalion to Cyborgs Nina Begus

Music and Exile in Twentieth-Century German, Italian, and Polish Literature Cecily Cai

We Speak Violence: How Narrative Denies the Everyday Rachael Duarte Riascos

Anticlimax: The Multilingual Novel at the Turn of the 21st Century Matylda Figlerowicz

Forgetting to Remember: An Approach to Proust’s Recherche Lara Roizen

The Event of Literature:An Interval in a World of Violence Petra Taylor

The English Baroque:The Logic of Excess in Early Modern Literature Hudson Vincent

Porte Planète; Ville Canale –parisian knobs /visually/ turned to \textual\ currents Emma Zofia Zachurski

‘…not a poet but a poem’: A Lacanian study of the subject of the poem Marina Connelly The Tune That Can No Longer Be Recognized: Late Medieval Chinese Poetry and Its Affective Others Jasmine Hu The Invention of the Art Film: Authorship and French Cultural Policy Joseph Pomp Apocalypticism in the Arabic Novel William Tamplin The Sound of Prose: Rhythm, Translation, Orality Thomas Wisniewski

The New Austerity in Syrian Poetry Daniel Behar

Mourning the Living: Africa and the Elegy on Screen Molly Klaisner

Art Beyond the Norms: Art of the Insane, Art Brut, and the Avant-Garde from Prinzhorn to Dubuffet (1922-1949) Raphael Koenig

Words, Images and the Self: Iconoclasm in Late Medieval English Literature Yun Ni

Europe and the Cultural Politics of Mediterranean Migrations Argyro Nicolaou

Voice of Power, Voice of Terror: Lyric, Violence, and the Greek Revolution Simos Zenios

Every Step a New Movement: Anarchism in the Stalin-Era Literature of the Absurd and its Post-Soviet Adaptations Ania Aizman

Kino-Eye, Kino-Bayonet: Avant-Garde Documentary in Japan, France, and the USSR Julia Alekseyeva

Ambient Meaning: Mood, Vibe, System Peli Grietzer

Year of the Titan: Percy Bysshe Shelley and Ancient Poetry Benjamin Sudarsky

Metropolitan Morning: Loss, Affect, and Metaphysics in Buenos Aires, 1920-1940 Juan Torbidoni

Sophisticated Players: Adults Writing as Children in the Stalin Era and Beyond Luisa Zaitseva

Collecting as Cultural Technique: Materialistic Interventions into History in 20th Century China Guangchen Chen

Pathways of Transculturation: Chinese Cultural Encounters with Russia and Japan (1880-1930) Xiaolu Ma

Beyond the Formal Law: Making Cases in Roman Controversiae and Tang Literary Judgments Tony Qian

Alternative Diplomacies: Writing in Early Twentieth-Century Shanghai, Istanbul, and Beyond? Alice Xiang

The Literary Territorialization of Manchuria: Rethinking National and Transnational Literature in East Asia from the Frontier Miya Qiong Xie World Literature and the Chinese Compass, 1942-2012 Yanping Zhang

Anatomy of ‘Decadence’ Henry Bowles

Medicine As Storytelling: Emplotment Strategies in Doctor-Patient Encounters and Beyond (1870-1830) Elena Fratto

Platonic Footnotes: Figures of Asymmetry in Ancient Greek Thought Katie Deutsch

Children’s Literature Grows Up Christina Phillips Mattson

Humor as Epiphanic Awareness and Attempted Self-Transcendence Curtis Shonkwiler

Ethnicity, Ethnogenesis and Ancestry in the Early Iron Age Aegean as Background to and through the Lens of the Iliad Guy Smoot

The Modern Stage of Capitalism: The Drama of Markets and Money (1870-1930) Alisa Sniderman

Repenting Roguery: Penance in the Spanish Picaresque Novel and the Arabic and Hebrew Maqāma Emmanuel Ramírez Nieves

The “Poetics of Diagram” John Kim

Dreaming Empire: European Writers in the Fascist Era Robert Kohen

The Poetics of Love in Prosimetra across the Medieval Mediterranean Isabelle Levy

Renaissance Error: Digression from Ariosto to Milton Luke Taylor

The New Voyager: Theory and Practice of South Asian Literary Modernisms Rita Banerjee

Be an Outlaw, Be a Hero: Cinematic Figures of Urban Banditry and Transgression in Brazil, France, and the Maghreb Maryam Monalisa Gharavi

Bāgh-e Bi-Bargi: Aspects of Time and Presence in the Poetry of Mehdi Akhavān Sāles Marie Huber

Freund-schaft: Capturing Aura in an Unframed Literary Exchange Clara Masnatta

Class, Gender and Indigeneity as Counter-discourses in the African Novel: Achebe, Ngugi, Emecheta, Sow Fall and Ali Fatin Abbas

The Empire of Chance: War, Literature, and the Epistemic Order of Modernity Anders Engberg-Pedersen

Poetics of the unfinished: illuminating Paul Celan’s “Eingedunkelt” Thomas Connolly

Towards a Media History of Writing in Ancient Italy Stephanie Frampton Character Before the Novel: Representing Moral Identity in the Age of Shakespeare Jamey Graham

Transforming Trauma: Memory and Slavery in Black Atlantic Literature since 1830 Raquel Kennon

Renaissance Romance: Rewarding the Boundaries of Fiction Christine S. Lee

Psychomotor Aesthetics: Conceptions of Gesture and Affect in Russian and American Modernity, 1910s-1920s Ana Olenina

Melancholy, Ambivalence, Exhaustion: Responses to National Trauma in the Literature and Film of France and China Erin Schlumpf

The Poetics of Human-Computer Interaction Dennis Tenen

Novelizing the Muslim Wars of Conquest: The Christian Pioneers of the Arabic Historical Novel Luke Leafgren

Secret Lives of the City: Reimagining the Urban Margins in 20th-Century Literature and Theory, from Surrealism to Iain Sinclair Jennifer Hui Bon Hoa

Archaic Greek Memory and Its Role in Homer Anita Nikkanen

Deception Narratives and the (Dis)Pleasure of Being Cheated: The Cases of Gogol, Nabokov, Mamet, and Flannery O’Connor Svetlana Rukhelman

Aesthetic Constructs and the Work of Play in 20th Century Latin American and Russian Literature Natalya Sukhonos

Stone, Steel, Glass: Constructions of Time in European Modernity Christina Svendsen

See here for a full list of dissertations since 1904 .

Founded as a graduate program in 1904 and joining with the undergraduate Literature Concentration in 2007, Harvard’s Department of Comparative Literature operates at the crossroads of multilingualism, literary study, and media history.

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Home > USC Columbia > Arts and Sciences > Comparative Literature > Comparative Literature Theses and Dissertations

Comparative Literature Theses and Dissertations

Theses/dissertations from 2023 2023.

Constructing Selfhood Through Fantasy: Mirror Women and Dreamscape Conversations in Olga Grushin’s Forty Rooms , Grace Marie Alger

The Supernatural in Migration: A Reflection on Senegalese Literature and Film , Rokhaya Aballa Dieng

Breaking Down the Human: Disintegration in Nineteenth-Century Fiction , Benjamin Mark Driscol

Archetypes Revisited: Investigating the Power of Universals in Soviet and Hollywood Cinema , Iana Guselnikova

Planting Rhizomes: Roots and Rhizomes in Maryse Condé’s Traversée de la Mangrove and Calixthe Beyala’s Le Petit Prince de Belleville , Rume Kpadamrophe

Violence, Rebellion, and Compromise in Chinese Campus Cinema ----- The Comparison of Cry Me a Sad River and Better Days , Chunyu Liu

Tracing Modern and Contemporary Sino-French Literary and Intellectual Relations: China, France, and Their Shifting Peripheries , Paul Timothy McElhinny

From Roland to Gawain, or the Origin of Personified Knights , Clyde Tilson

Theses/Dissertations from 2022 2022

Afro-Diasporic Literatures of the United States and Brazil: Imaginaries, Counter-Narratives, and Black Feminism in the Americas , David E. S. Beek

The Pursuit of Good Food: The Alimentary Chronotope in Madame Bovary , Lauren Flinner

Form and Voice: Representing Contemporary Women’s Subaltern Experience in and Beyond China , Tingting Hu

Geography of a “Foreign” China: British Intellectuals’ Encounter With Chinese Spaces, 1920-1945 , Yuzhu Sun

Truth and Identity in Dostoevsky’s Raskolnikov and Prince Myshkin , Gwendolyn Walker

Theses/Dissertations from 2021 2021

Postcolonial Narrative and The Dialogic Imaginatio n: An Analysis of Early Francophone West African Fiction and Cinema , Seydina Mouhamed Diouf

The Rising of the Avant-Garde Movement In the 1980s People’s Republic of China: A Cultural Practice of the New Enlightenment , Jingsheng Zhang

Theses/Dissertations from 2020 2020

L’ Entre- Monde : The Cinema of Alain Gomis , Guillaume Coly

Digesting Gender: Gendered Foodways in Modern Chinese Literature, 1890s–1940s , Zhuo Feng

The Deconstruction of Patriarchal War Narratives in Svetlana Alexievich’s The Unwomanly Face of War , Liubov Kartashova

Pushing the Limits of Black Atlantic and Hispanic Transatlantic Studies Through the Exploration of Three U.S. Afro-Latio Memoirs , Julia Luján

Taiwanese Postcolonial Identities and Environmentalism in Wu Ming-Yi’s the Stolen Bicycle , Chihchi Sunny Tsai

Games and Play of Dream of the Red Chamber , Jiayao Wang

Theses/Dissertations from 2019 2019

Convertirse en Inmortal, 成仙 ChéngxiāN, Becoming Xian: Memory and Subjectivity in Cristina Rivera Garza’s Verde Shanghai , Katherine Paulette Elizabeth Crouch

Between Holy Russia and a Monkey: Darwin's Russian Literary and Philosophical Critics , Brendan G. Mooney

Emerging Populations: An Analysis of Twenty-First Century Caribbean Short Stories , Jeremy Patterson

Time, Space and Nonexistence in Joseph Brodsky's Poetry , Daria Smirnova

Theses/Dissertations from 2018 2018

Through the Spaceship’s Window: A Bio-political Reading of 20th Century Latin American and Anglo-Saxon Science Fiction , Juan David Cruz

The Representations of Gender and Sexuality in Contemporary Arab Women’s Literature: Elements of Subversion and Resignification. , Rima Sadek

Insects As Metaphors For Post-Civil War Reconstruction Of The Civic Body In Augustan Age Rome , Olivia Semler

Theses/Dissertations from 2017 2017

Flannery O’Connor’s Art And The French Renouveau Catholique: A Comparative Exploration Of Contextual Resources For The Author’s Theological Aesthetics Of Sin and Grace , Stephen Allen Baarendse

The Quixotic Picaresque: Tricksters, Modernity, and Otherness in the Transatlantic Novel, or the Intertextual Rhizome of Lazarillo, Don Quijote, Huck Finn, and The Reivers , David Elijah Sinsabaugh Beek

Piglia and Russia: Russian Influences in Ricardo Piglia’s Nombre Falso , Carol E. Fruit Diouf

Beyond Life And Death Images Of Exceptional Women And Chinese Modernity , Wei Hu

Archival Resistance: A Comparative Reading of Ulysses and One Hundred Years of Solitude , Maria-Josee Mendez

Narrating the (Im)Migrant Experience: 21st Century African Fiction in the Age of Globalization , Bernard Ayo Oniwe

Narrating Pain and Freedom: Place and Identity in Modern Syrian Poetry (1970s-1990s) , Manar Shabouk

Theses/Dissertations from 2016 2016

The Development of ‘Meaning’ in Literary Theory: A Comparative Critical Study , Mahmoud Mohamed Ali Ahmad Elkordy

Familial Betrayal And Trauma In Select Plays Of Shakespeare, Racine, And The Corneilles , Lynn Kramer

Evil Men Have No Songs: The Terrorist and Literatuer Boris Savinkov, 1879-1925 , Irina Vasilyeva Meier

Theses/Dissertations from 2015 2015

Resurrectio Mortuorum: Plato’s Use of Ἀνάγκη in the Dialogues , Joshua B. Gehling

Two Million "Butterflies" Searching for Home: Identity and Images of Korean Chinese in Ho Yon-Sun's Yanbian Narratives , Xiang Jin

The Trialectics Of Transnational Migrant Women’s Literature In The Writing Of Edwidge Danticat And Julia Alvarez , Jennifer Lynn Karash-Eastman

Unacknowledged Victims: Love between Women in the Narrative of the Holocaust. An Analysis of Memoirs, Novels, Film and Public Memorials , Isabel Meusen

Making the Irrational Rational: Nietzsche and the Problem of Knowledge in Mikhail Bulgakov's The Master and Margarita , Brendan Mooney

Invective Drag: Talking Dirty in Catullus, Cicero, Horace, and Ovid , Casey Catherine Moore

Destination Hong Kong: Negotiating Locality in Hong Kong Novels 1945-1966 , Xianmin Shen

H.P. Lovecraft & The French Connection: Translation, Pulps and Literary History , Todd David Spaulding

Female Representations in Contemporary Postmodern War Novels of Spain and the United States: Women as Tools of Modern Catharsis in the Works of Javier Cercas and Tim O'Brien , Joseph P. Weil

Theses/Dissertations from 2014 2014

Poetic Appropriations in Vergil’s Aeneid: A Study in Three Themes Comprising Aeneas’ Character Development , Edgar Gordyn

Ekphrasis and Skepticism in Three Works of Shakespeare , Robert P. Irons

Theses/Dissertations from 2013 2013

The Role of the Trickster Figure and Four Afro-Caribbean Meta-Tropes In the Realization of Agency by Three Slave Protagonists , David Sebastian Cross

Putting Place Back Into Displacement: Reevaluating Diaspora In the Contemporary Literature of Migration , Christiane Brigitte Steckenbiller

Using Singular Value Decomposition in Classics: Seeking Correlations in Horace, Juvenal and Persius against the Fragments of Lucilius , Thomas Whidden

Theses/Dissertations from 2012 2012

Decolonizing Transnational Subaltern Women: The Case of Kurasoleñas and New York Dominicanas , Florencia Cornet

Representation of Women In 19Th Century Popular Art and Literature: Forget Me Not and La Revista Moderna , Juan David Cruz

53x+m³=Ø? (Sex+Me=No Result?): Tropes of Asexuality in Literature and Film , Jana -. Fedtke

Argentina in The African Diaspora: Afro-Argentine And African American Cultural Production, Race, And Nation Building in the 19th Century , Julia Lujan

Male Subjectivity and Twenty-First Century German Cinema: Gender, National Idenity, and the Problem of Normalization , Richard Sell

Theses/Dissertations from 2011 2011

Blue Poets: Brilliant Poetry , Evangelin Grace Chapman-Wall

Sickness of the Spirit: A Comparative Study of Lu Xun and James Joyce , Liang Meng

Dryden and the Solution to Domination: Bonds of Love In the Conquest of Granada , Lydia FitzSimons Robins

Theses/Dissertations from 2010 2010

The Family As the New Collectivity of Belonging In the Fiction of Bharati Mukherjee and Jhumpa Lahiri , Sarbani Bose

Lyric Transcendence: the Sacred and the Real In Classical and Early-Modern Lyric. , Larry Grant Hamby

Abd al-Rahman Al-Kawakibi's Tabai` al-Istibdad wa Masari` al-Isti`bad (The Characteristics of Despotism and The Demises of Enslavement): A Translation and Introduction , Mohamad Subhi Hindi

Re-Visions: Nazi Germany and Fascist Italy In German and Italian Film and Literature , Kristina Stefanic Brown

Plato In Modern China: A Study of Contemporary Chinese Platonists , Leihua WENG

Making Victims: History, Memory, and Literature In Japan's Post-War Social Imaginary , Kimberly Wickham

Theses/Dissertations from 2009 2009

The Mirrored Body: Doubling and Replacement of the Feminine and androgynous Body In Hadia Said'S Artist and Haruki Murakami'S Sputnik Sweetheart , Fatmah Alsalamean

Making Monsters: The Monstrous-Feminine In Horace and Catullus , Casey Catherine Moore

Not Quite American, Not Quite European: Performing "Other" Claims to Exceptionality In Francoist Spain and the Jim Crow South , Brittany Powell

Developing Latin American Feminist Theory: Strategies of Resistance In the Novels of Luisa Valenzuela and Sandra Cisneros , Jennifer Lyn Slobodian

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Comparative Literature

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Harvard’s Department of Comparative Literature is one of the most dynamic and diverse in the country. Its impressive faculty has included such scholars as Harry Levine, Claudio Guillén, and Barbara Johnson. You will study literatures from a wide range of historical periods and cultures while learning to conduct cutting-edge research through an exhilarating scope of methods and approaches.

Your dissertation research is well supported by Harvard’s unparalleled library system, the largest university collection in the world, comprising 70 libraries with combined holdings of over 16 million items.

Recent student dissertations include “Imagined Mothers: The Construction of Italy, Ancient Greece, and Anglo-American Hegemony,” “The Untimely Avant-Garde: Literature, Politics and Transculturation in the Sinosphere (1909-2020),” and “Artificial Humanities: A Literary Perspective on Creating and Enhancing Humans from Pygmalion to Cyborgs.”

In addition to securing faculty positions at academic institutions such as Princeton University, Emory University, and Tufts University, graduates have gone on to careers in contiguous fields including the visual arts, music, anthropology, philosophy, and medicine.  Others have chosen alternative careers in film production, administration, journalism, and law.

 Additional information on the graduate program is available from the Department of Comparative Literature and requirements for the degree are detailed in Policies .

Admissions Requirements

Please review admissions requirements and other information before applying. You can find degree program-specific admissions requirements below and access additional guidance on applying from the Department of Comparative Literature .

Writing Sample

The writing sample is supposed to demonstrate your ability to engage in literary criticism and/or theory. It can be a paper written for a course or a section of a senior thesis or essay. It is usually between 10 and 20 pages. Do not send longer papers with instructions to read an excerpt; you should edit the sample so that it is not more than 20 pages. Writing samples should be in English, although candidates are permitted to submit an additional writing sample written in a different language.

Statement of Purpose

The statement of purpose should give the admissions committee a clear sense of your individual interests and strengths. Applicants are not required to indicate a precise field of specialization, but it is helpful to tell us about your aspirations and how the Department of Comparative Literature might help in attaining these goals. The statement of purpose should be one to four pages in length.

Standardized Tests

GRE General: Not Accepted

Theses & Dissertations

Theses & Dissertations for Comparative Literature

See list of Comparative Literature faculty

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Time travel (chuanyue) romances in chinese cyberspace , reshaping narratives: women artists from west asia and north africa in western museums , old town tales: an exploration in film portraying the transition of place from community to commodity , doubling, subjectivity and the role of ideology in the novels of thomas pynchon , dickens and temporality: reading dickens's fiction through the lens of bergson's philosophy , “i’m talking but no-one is listening”: how sound in british experiential realist cinema captures class dynamics from tony blair to brexit , faith, frolics, and femininity: re-evaluating irene dunne's hollywood stardom , reading post-disaster japanese narrative cinema as radical democracy: 3.11, trauma and the legacy of the 'lost decades' , nature and the female supernatural in shakespearean drama , sons and daughters of the caliphate: succession politics in the marwanid and early abbasid family (64-216/684-831) , chan monastic tea in medieval china: a deconstruction of chan-tea culture , analysis on foreign policy change from the domestic perspective with the case of china , oracular abject: an aut0theoretical approach to theory and process in the noracle , reworking literary conventions and rethinking linearity in contemporary african american literature , (de)constructed binaries: dialogue and monologue in contemporary popular fantasy , literary music: joyce's use and development of leitmotifs , gifted, black and under scrutiny: radicalism of black women writers and their counter literary struggle with the fbi , from material resources to a model of world order: a conceptual history of the five phases in confucian learning from the reign of emperor wu (141-87bc) to the end of the eastern han (ad220) , reconstructing the female subject: contemporary chinese women’s literature in english translation in the 2010s , yonezu tomoko and the ūman ribu movement: the intersection of radical feminism and the disability movement in japan from the 1970s until 1996 .

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Dissertations.

Michael Abraham: “The Avant-Garde of Feeling: Queer Love and Modernism” directed by Langdon Hammer, Marta Figlerowicz, Ben Glaser” 

Peter Conroy: “Unreconciled: American Power and the End of History, 1945 to the Present” directed by Joe Cleary, Joseph North, Paul North

Trina Hyun: “Media Theologies, 1615-1668” directed by John Durham Peters, Catherine Nicholson, Marta Figlerowicz, John Rogers (University of Toronto)

Margaret McGowan: “A Natural History of the Novel: Species, Sense, Atmosphere” directed by Jonathan Kramnick, Katie Trumpener, Marta Figlerowicz

Benjamin Pokross: “Writing History in the Nineteenth-Century Great Lakes” directed by Caleb Smith, Greta LaFleur, Michael Warner

Sophia Richardson: “Reading the Surface in Early Modern English Literature” directed by Catherine Nicholson, Lawrence Manley, John Rogers(University of Toronto)

Melissa Shao Hsuan Tu: “Sonic Virtuality: First-Person Voices in Late Medieval English Lyric” directed by Ardis Butterfield, Jessica Brantley, John Durham Peters

Sarah Weston: “The Cypher and the Abyss: Outline Against Infinity” directed by Paul Fry, Tim Barringer, John Durham Peters

December 2022

Anna Hill: “Sublime Accumulations: Narrating the Global Climate, 1969-2001” directed by Joe Cleary, Marta Figlerowicz, Ursula Heise (UCLA)

Christopher McGowan: “Inherited Worlds: The British Modernist Novel and the Sabotage and Salvage of Genre” directed by Joe Cleary, Michael Denning, Katie Trumpener

Samuel Huber: “Every Day About the World: Feminist Internationalism in the Second Wave” directed by  Jacqueline Goldsby, Margaret Homans, Jill Richards

Shayne McGregor: “An Intellectual History of Black Literary Discourse 1910-1956” directed by Joseph North, Robert Stepto

Brandon Menke: “Slow Tyrannies: Queer Lyricism, Visual Regionalism, and the Transfigured World” directed by Langdon Hammer, Wai Chee Dimock, Marta Figlerowicz

Arthur Wang: “Minor Theories of Everything: On Popular Science and Contemporary Fiction” directed by Amy Hungerford, John Durham Peters, Sunny Xiang

December 2021

Sarah Robbins: “Re(-)Markable Texts: Making Meaning of Revision in Nineteenth-Century African American Literature” directed by Caleb Smith, Jacqueline Goldsby, Anthony Reed

David de León: “Epic Black: Poetics in Protest in the Time of Black Lives Matter” directed by  Langdon Hammer, Daphne Brooks, Marta Figlerowicz

Clio Doyle: “Rough Beginnings: Imagining the Origins of Agriculture in Late Medieval and Early Modern Britain” directed by Lawrence Manley, David Kastan, Catherine Nicholson

Clay Greene: “The Preexistence of the Soul in the Early English Enlightenment: 1640-1740” directed by John Rogers, Jonathan Kramnick, Lawrence Manley

December 2020

Wing Chun Julia Chan: “Veritable Utopia: Revolutionary Russia and the Modernism of the British Left” directed by Katie Trumpener, Jill Richards, Katerina Clark

James Eric Ensley: “Troubled Signs: Thomas Hoccleve’s Objects of Absence” directed by Jessica Brantley, Alastair Minnis, Ardis Butterfield

Paul Franz: “Because so it is made new”: D. H. Lawrence’s charismatic modernism directed by David Bromwich, Ben Glaser, and Langdon Hammer

Chelsie Malyszek: Just Words: Diction and Misdirection in Modern Poetry directed by Lanny Hammer, David Bromwich, and Ben Glaser

Justin Park: “The Children of Revenge: Managing Emotion in Early English Literature” directed by Roberta Frank, Alastair Minnis, David Kastan

Peter Raccuglia: “Lives of Grass: Prairie Literature and US Settler Capitalism” directed by Michael Warner, Jonathan Kramnick, Michael Denning

Ashley James: “ ‘Moist, Fleshy, Pulsating Surfaces’: Seeing and Reading Black Life after Experientiality” directed by Professors Jacqueline Goldsby, Elizabeth Alexander, and Anthony Reed

Brittany Levingston: “In the Day of Salvation: Christ and Salvation in Early Twentieth-Century African American Literature” directed by Professors Jacqueline Goldsby, Robert Stepto, and Anthony Reed

Lukas Moe: “Radical Afterlives: U.S. Poetry, 1935-1968” directed by Professors Langdon Hammer, Jacqueline Goldsby, and Michael Denning

Carlos Nugent: “Imagined Environments: Mediating Race and Nature in the U.S.-Mexico Borderlands” directed by Professors Wai Chee Dimock, Amy Hungerford, and Michael Warner

Anna Shechtman: “The Media Concept: A Genealogy” directed by Professors Amy Hungerford, John Durham Peters, and Michael Warner

December 2019

Bofang Li: “Old Media/New Media: Intimate Networked Publics and the Commodity Text Since 1700” directed by Professors Wai Chee Dimock, R. John Williams, and Francesco Casetti

Scarlet Luk: “Gender Unbound: The Novel Narrator Beyond the Binary” directed by Professors Margaret Homans, Jill Campbell, and Jill Richards

Phoenix Alexander: “Voices with Vision: Writing Black, Feminist Futures in Twentieth-Century African America” directed by Professors Jacqueline Goldsby, Daphne Brooks, Anthony Reed, and Wai Chee Dimock

Andrew S. Brown: “Artificial Persons: Fictions of Representation in Early Modern Drama” directed by Professors David Kastan, John Rogers, and Joseph Roach

Margaret Deli: “Authorizing Taste: Connoisseurship and Transatlantic Modernity, 1880-1959” directed by Professors Ruth Yeazell, Joseph Cleary, and R. John Williams

Ann Killian: “Expanding Lyric Networks: The Transformation of a Genre in Late Medieval England” directed by Professors Ardis Butterfield, Jessica Brantley, and Alastair Minnis

Alexandra Reider: “The Multilingual English Manuscript Page, c. 950-1300” directed by Professors Roberta Frank, Ardis Butterfield, and Alastair Minnis

December 2018

Seo Hee Im: “After Totality: Late Modernism and the Globalization of the Novel” directed by Professors Joseph Cleary, Katie Trumpener, and Marta Figlerowicz

Angus Ledingham: “Styles of Abstraction: Objectivity and Moral Thought in Nineteenth-Century British Literature” directed by Professors David Bromwich, Jill Campbell, and Stefanie Markovits

Jason Bell: “Archiving Displacement in America” directed by Professors Caleb Smith, Wai Chee Dimock, and Jacqueline Goldsby

Joshua Stanley: “If but Once We Have Been Strong: Collective Agency and Poetic Technique in England during the Period of Early Capitalism” directed by Professors Paul Fry, David Bromwich, and Anthony Reed

December 2017

Carla Baricz: “Early Modern Two-Part and Sequel Drama, 1490-1590” directed by Professors David Quint, Lawrence Manley, and David Kastan

Edward King: “The World-Historical Novel: Writing the Periphery” directed by Professors Joseph Cleary, R. John Williams, and Michael Denning

Palmer Rampell: “The Genres of the Person in Post-World War II America” directed by Professors Amy Hungerford, Michael Warner, and R. John Williams

Anya Adair: “Composing the Law: Literature and Legislation in Early Medieval England” directed by Professors Roberta Frank, Ardis Butterfield, and Alastair Minnis

Robert Bradley Holden: “Milton between the Reformation and Enlightenment: Religion in an Age of Revolution” directed by Professors David Quint, Bruce Gordon, and John Rogers

Andrew Kau: “Astraea’s Adversary: The Rivalry Between Law and Literature in Elizabethan England” directed by Professors Lawrence Manley, David Quint, and David Kastan

Natalie Prizel: “The Good Look: Victorian Visual Ethics and the Problem of Physical Difference” direcgted by Professors Janice Carlisle and Tim Barringer

Rebecca Rush: “The Fetters of Rhyme: Freedom and Limitation in Early Modern Verse” direcgted by Professors David Quint, David Kastan, and John Rogers

Prashant Sharma: “Conversions to the Baroque: Catholic Modernism from James Joyce to Graham Greene” directed by Professors Paul Fry, Joseph Cleary, and Marta Figlerowicz

Joseph Stadolnik: “Subtle Arts: Practical Science and Middle English Literature” directed by Professors Ardis Butterfield and Alastair Minnis

Steven Kirk Warner: “Versions of Narcissus: The Aesthetics and Erotics of the Male Form in English Renaissance Poetry” directed by Professors John Rogers and Catherine Nicholson

December 2016

Kimberly Quiogue Andrews: “The Academic Avant-Garde: Poetry and the University since 1970” directed by Professors Langdon Hammer, Paul Fry, and Wai Chee Dimock

Alexis Chema: “Fancy’s Mirror: Romantic Poetry and the Art of Persuasion” directed by Professors David Bromwich and Paul Fry

Daniel Jump: “Metadiscursive Struggle and the Eighteenth-Century British Social Imaginary: From the End of Licensing to the Revolution Controversy” directed by Professors Michael Warner, Jill Campbell, and Paul Fry

Jordan Brower: “A Literary History of the Studio System, 1911-1950” directed by Wai Chee Dimock, JD Connor, and Joe Cleary

Ryan Carr: “Expressivism in America” directed by Michael Warner, Caleb Smith, and Paul Fry

Megan Eckerle: “Speculation and Time in Late Medieval Visionary Discourse” directed by Jessica Brantley and Alastair Minnis

Gabriele Hayden: “Routes and Roots of the New World Baroque: U.S. Modernist Poets Translate from Spanish” directed by Landon Hammer and Wai Chee Dimock

Matthew Hunter: “The Pursuit of Style in Shakespeare’s Drama” directed by David Kastan, Lawrence Manley, and Brian Walsh

Leslie Jamison: “The Recovered: Addiction and Sincerity in 20th Century American Literature” directed by Wai Chee Dimock, Amy Hungerford, and Caleb Smith

Jessica Matuozzi: “Double Agency: A Multimedia History of the War on Drugs” directed by Jacqueline Goldsby, Amy Hungerford, and Anthony Reed

Aaron Pratt: “The Status of Printed Playbooks in Early Modern England” directed by David Kastan, Lawrence Manley, and Keith Wrightson

Madeleine Saraceni: “The Idea of Writing for Women in Late Medieval Literature” directed by Jessica Brantley, Ardis Butterfield, and Alastair Minnis

J. Antonio Templanza: “Know to Know No More: The Composition of Knowledge in Milton’s Epic Poetry” directed by John Rogers and Paul Fry

Andrew Willson: “Idle Works: Unproductiveness, Literature Labor, and the Victorian Novel” directed by Janice Carlisle, Stefanie Markovits, and Ruth Yeazell

December 2015

Melina Moe: “Public Intimacies: Literary and Sexual Reproduction in the Eighteenth Century” directed by Katie Trumpener, Wendy Lee, Jonathan Kramnick, and Jill Campbell

Merve Emre: “Paraliterary Institutions” directed by Wai Chee Dimock and Amy Hungerford

Samuel Fallon: “Personal Effects: Personal and Literary Culture in Elizabethan England” directed by David Kastan, Catherine Nicholson, and Lawrence Manley

Edgar Garcia: “Deep Land: Hemispheric Modernisms and Indigenous Media” directed by Wai Chee Dimock, Langdon Hammer, and Anthony Reed

Jean Elyse Graham: “The Book Unbound: Print Logic between Old Books and New Media” directed by David Kastan, Catherine Nicholson, and R. John Williams

December 2014

Len Gutkin: “Dandiacal Forms” directed by Amy Hungerford, Sam See, and Katie Trumpener

Justin Sider: “Parting Words: Address and Exemplarity in Victorian Poetry” directed by Linda Peterson, Leslie Brisman, and Stefanie Markovits

William Weber: “Shakespearean Metamorphoses” directed by David Kastan

Thomas Koenigs: “Fictionality in the United States, 1789-1861” directed by Michael Warner, Jill Campbell, and Caleb Smith

Andrew Kraebel: “English Traditions of Biblical Criticism and Translation in the Later Middle Ages” directed by Alastair Minnis, Jessica Brantley, and Ian Cornelius

Tessie Prakas: “The Office of the Poet: Ministry and Verse Practice in the Seventeenth Century” directed by John Rogers, David Kastan, and Catherine Nicholson

Nienke Christine Venderbosch: “‘Tha Com of More under Misthleothum Grendel Gongan’: The Scholarly and Popular Reception of Beowulf ’s Grendel from 1805 to the Present Day” directed by Roberta Frank and Paul Fry

Eric Weiskott: “The Durable Alliterative Tradition” directed by Roberta Frank, Alastair Minnis, Ian Cornelius

December 2013

Anthony Domestico: “Theologies of Crisis in British Literature of the Interwar Period” directed by Amy Hungerford and Pericles Lewis

Glyn Salton-Cox: “Cobbett and the Comintern:  Transnational Provincialism and Revolutionary Desire from the Popular Front to the New Left” directed by Katie Trumpener, Katerina Clark, and Joe Cleary

Samuel Alexander: “Demographic Modernism: Character and Quantification in Twentieth Century Fiction” directed by Professors Pericles Lewis and Barry McCrea

Andrew Karas: “Versions of Modern Poetry” directed by Professors Paul Fry and Langdon Hammer

James Ross Macdonald: “Popular Religious Belief and Literature in Early Modern England” directed by Professors David Kastan and John Rogers

December 2012

Michael Komorowski: “The Arts of Interest: Private Property and the English Literary Imagination in the Age of Milton” directed by Professors David Quint and John Rogers

Fiona Robinson: “Raising the Dead: Writing Lives and Writing Wars in Britain, 1914-1941” directed by Professors Katie Trumpener, Margaret Homans, and Sam See

Nathalie Wolfram: “Novel Play: Gothic Performance and the Making of Eighteenth Century Fiction” directed by Professors Joseph Roach and Katie Trumpener

Michaela Bronstein: “Imperishable Consciousness: The Rescue of Meaning in the Modernist Novel” directed by Professors Ruth Yeazell and Pericles Lewis

David Currell: “Epic Satire: Structures of Heroic Mockery in Early Modern English Literature” directed by Professor David Quint

Andrew Heisel: “Reading in Darkness: Sacred Text and Aesthetics in the Long Eighteenth Century” directed by Professors Jill Campbell and Elliott Visconsi

Hilary Menges: “Authorship before Copyright: The Monumental Book, 1649-1743” directed by Professors Jill Campbell and John Rogers

Nathan Suhr-Sytsma: “Poetry and the Making of the Anglophone Literary World, 1950-1975” directed by Professors Wai Chee Dimock and Langdon Hammer

December 2011

Patrick Gray: “The Passionate Stoic: Subjectivity in Shakespeare’s Rome” directed by Professors Lawrence Manley and David Quint

Christopher Grobe: “Performing Confession: American Poetry, Performance, and New Media 1959” directed by Professors Amy Hungerford and Joseph Roach

Sebastian LeCourt: “Culture and Secularity: Religion in the Victorian Anthropological Imagination” directed by Professors Linda Peterson and Katie Trumpener

Laura Saetveit Miles: “Mary’s Book: The Annunciation in Middle England” directed by Jessica Brantley and Alastair Minnis

Stephen Tedeschi: “Urbanization in English Romantic Poetry” directed by Professors Paul Fry and Christopher R. Miller

Julia Fawcett: “Over-Expressing the Self: Celebrity, Shandeism, and Autobiographical Performance, 1696-1801” directed by Professors Jill Campbell and Joseph Roach

Daniel Gustafson: “Stuart Restorations: History, Memory, Performance” directed by Professor Joseph Roach and Elliott Visconsi

Sarah Mahurin: “American Exodus: Migration and Oscillation in the Modern American Novel” directed by Professors Wai Chee Dimock and Robert Stepto

Erica Levy McAlpine: “Lyric Elsewhere: Strategies of Poetic Remove” directed by Professors David Bromwich and Langdon Hammer

Sarah Novacich: “Ark and Archive: Narrative Enclosures in Medieval and Early Modern Texts” directed by Professors Roberta Frank and Alastair Minnis

Jesse Schotter: “The Hieroglyphic Imagination: Language and Visuality in Modern Fiction and Film” directed by Professors Peter Brooks and Pericles Lewis

Matthew Vernon: “Strangers in a Familiar Land: The Medieval and African-American Literary Tradition” directed by Professor Alastair Minnis

Chia-Je Weng: “Natural Religion and Its Discontents: Critiques and Revisions in Blake and Coleridge” directed by Professors Leslie Brisman and Paul Fry

Nicole Wright: “‘A contractile power’: Boundaries of Character and the Culpable Self in the British Novel, 1750-1830” directed by Professors Jill Campbell and Katie Trumpener

December 2010

Molly Farrell: “Counting Bodies: Imagining Population in the New World” directed by Professor Wai Chee Dimock

John Muse: “Short Attention Span Theaters: Modernist Shorts Since 1880” directed by Professors Joseph Roach and Marc Robinson

Denis Ferhatović: “An Early English Poetics of the Artifact” directed by Professor Roberta Frank

Colin Gillis: “Forming the Normal: Sexology and the Modern British Novel, 1890-1939” directed by Professors Laura Frost and Pericles Lewis

Katherine Harrison: “Tales Twice Told: Sound Technology and American Fiction after 1940” directed by Professor Amy Hungerford

Jean Otsuki: “British Modernism in the Country” directed by Professors Paul Fry and Margaret Homans

Erin Peterson: “On Intrusion and Interruption: An Exploration of an Early Modern Literary Mode” directed by Professor John Rogers

Patrick Redding: “A Distinctive Equality: The Democratic Imagination in Modern American Poetry” directed by Professors David Bromwich and Langdon Hammer

Emily Setina: “Modernism’s Darkrooms: Photography and Literary Process” directed by Professors Langdon Hammer and Pericles Lewis

Jordan Zweck: “Letters from Heaven in the British Isles, 800-1500” directed by Professor Roberta Frank

December 2009

Elizabeth Twitchell Antrim: “Relief Work: Aid to Africa in the American Novel Since 1960” directed by Professor Wai Chee Dimock

Emily Coit: “The Trial of Abundance: Consumption and Morality in the Anglo-American Novel, 1871-1907” directed by Professors Catherine Labio and Ruth Bernard Yeazell

Andrew Goldstone: “Modernist Fictions of Aesthetic Autonomy” directed by Professors Langdon Hammer and Amy Hungerford

Matthew Mutter: “Poetry Against Religion, Poetry As Religion: Secularism and its Discontents in Literary Modernism” directed by Professors David Bromwich and Pericles Lewis

Anna Chen: “Kinship Lessons: The Cultural Uses of Childhood in Late Medieval England” directed by Professors Jessica Brantley and Lee Patterson

Anne DeWitt: “The Uses of Scientific Thinking and the Realist Novel” directed by Professor Linda Peterson

Irina Dumitrescu: “The Instructional Moment in Anglo-Saxon Literature” directed by Professor Roberta Frank

Susannah Hollister: “Poetries of Geography in Postwar America” directed by Professors Paul Fry and Langdon Hammer

James Horowitz: “Rebellious Hearts and Loyal Passions: Imagining Civic Consciousness in Ovidian Writing on Women, 1680-1819” directed by Professors Jill Campbell and Elliott Visconsi

Ben LaBreche: “The Rule of Friendship: Literary Culture and Early Modern Liberty” directed by Professors David Quint and John Rogers

December 2008

Sarah Van der Laan: “What Virtue and Wisdom Can Do: Homer’s Odyssey in the Renaissance Imagination” directed by Professor David Quint

Annmarie Drury: “Literary Translators and Victorian Poetry” directed by Professor Linda Peterson

Jeffrey Glover: “People of the Word: Puritans, Algonquians, and the Politics of Print in Early New England” directed by Professors Elizabeth Dillon and Wai Chee Dimock

Dana Goldblatt: “From Contract to Social Contract: Fortescue’s Governance and Malory’s Morte ” directed by Professors David Quint and Alastair Minnis

Kamran Javadizadeh: “Bedlam and Parnassus: Madness and Poetry in Postwar America” directed by Professor Langdon Hammer

Ayesha Ramachandran: “Worldmaking in Early Modern Europe: Global Imaginations from Montaigne to Milton” directed by Professors Annabel Patterson and David Quint

Jennifer Sisk: “Forms of Speculation: Religious Genres and Religious Inquiry in Late Medieval England” directed by Professor Lee Patterson

Ariel Watson: “The Anxious Triangle: Modern Metatheatres of the Playwright, Performer, and Spectator” directed by Professor Joseph Roach

Jesse Zuba: “The Shape of Life: First Books and the Twentieth-Century Poetic Career” directed by Professors Langdon Hammer and Amy Hungerford

December 2007

Rebecca Boggs: “The Gem-Like Flame: the Aesthetics of Intensity in Hopkins, Crane, and H.D.” directed by Professor Langdon Hammer

Maria Fackler: “A Portrait of the Artist Manqué : Form and Failure in the British Novel Since 1945” directed by Professors Pericles Lewis and Ruth Bernard Yeazell

Melissa Ganz: “Fictions of Contract: Women, Consent, and the English Novel, 1722-1814” directed by Professor Jill Campbell

Siobhan Phillips: “The Poetics of Everyday Time in Frost, Stevens, Bishop, and Merrill” directed by Professors David Bromwich and Langdon Hammer

Morgan Swan: “The Literary Construction of a Capital City: Late-Medieval London and the Difficulty of Self-Definition” directed by Professor Lee Patterson

Andrea Walkden: “Lives, Letters and History: Walton to Defoe” directed by Professors David Quint and John Rogers

Rebecca Berne: “Regionalism, Modernism and the American Short Story Cycle” directed by Professors Wai Chee Dimock and Vera Kutzinski

Leslie Eckel: “Transatlantic Professionalism: Nineteenth-Century American Writers at Work in the World” directed by Professors Wai Chee Dimock and Jennifer Baker

December 2006

Gregory Byala: “Samuel Beckett and the Problem of Beginning” directed by Professors Paul Fry and Pericles Lewis

Eric Lindstrom: “Romantic Fiat” directed by Professors David Bromwich and Paul H. Fry

Megan Quigley: “Modernist Fiction and the Re-instatement of the Vague” directed by Professors David Bromwich and Pericles Lewis

Randi Saloman: “Where Truth is Important: The Modern Novel and the Essayistic Mode” directed by Professors David Bromwich and Laura Frost

Michael Wenthe: “Arthurian Outsiders: Heterogeneity and the Cultural Politics of Medieval Arthurian Literature” directed by Professor Lee Patterson

Christopher Bond: “Exemplary Heroism and Christian Redemption in the Epic Poetry of Spenser and Milton” directed by Professors David Quint and John Rogers

Lara Cohen: “Counterfeit Presentments: Fraud and the Production of Nineteenth-Century American Literature” directed by Professors Elizabeth Dillon and Wai Chee Dimock

Nicholas Salvato: “Uncloseting Drama: Modernism’s Queer Theaters” directed by Professors Joseph Roach and Michael Trask

Anthony Welch: “Songs of Dido: Epic Poetry and Opera in Seventeenth-Century England” directed by Professor David Quint

December 2005

Brooke Conti: “Anxious Acts: Religion and Autobiography in Early Modern England” directed by Professor Annabel Patterson

Brett Foster: “The Metropolis of Popery: Writing of Rome in the English Renaissance” directed by Professors Lawrence Manley and David Quint

Curtis Perrin: “Langland’s Comic Vision” directed by Professor Traugott Lawler

Department of Comparative Literature

You are here, recent dissertations in comparative literature.

Dissertations in Comparative Literature have taken on vast number of topics and ranged across various languages, literatures, historical periods and theoretical perspectives. The department seeks to help each student craft a unique project and find the resources across the university to support and enrich her chosen field of study. The excellence of student dissertations has been recognized by several prizes, both within Yale and by the American Comparative Literature Association.

2012 – Present

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Queer Realities: Twenty-First Century Fiction and the Boundaries of Utopia

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The Rhetorics and Realities of Community Health Care: The Limits of Countervailing Powers to Meet the Health Care Needs of the Twenty-First Century 

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Digital Commons @ USF > College of Arts and Sciences > English > Theses and Dissertations

English Theses and Dissertations

Theses/dissertations from 2023 2023.

Of Mētis and Cuttlefish: Employing Collective Mētis as a Theoretical Framework for Marginalized Communities , Justiss Wilder Burry

What on earth are we doing (?): A Field-Wide Exploration of Design Courses in TPC , Jessica L. Griffith

Organizations Ensuring Resilience: A Case Study of Cortez, Florida , Karla Ariel Maddox

Theses/Dissertations from 2022 2022

Using Movie Clips to Understand Vivid-Phrasal Idioms’ Meanings , Rasha Salem S. Alghamdi

An Exercise in Exceptions: Personhood, Divergency, and Ableism in the STAR TREK Franchise , Jessica A. Blackman

Vulnerable Resistance in Victorian Women’s Writing , Stephanie A. Harper

Curricular Assemblages: Understanding Student Writing Knowledge (Re)circulation Across Genres , Adam Phillips

PAD Beyond the Classroom: Integrating PAD in the Scrum Workplace , Jade S. Weiss

Theses/Dissertations from 2021 2021

Social Cues in Animated Pedagogical Agents for Second Language Learners: the Application of The Embodiment Principle in Video Design , Sahar M. Alyahya

A Field-Wide Examination of Cross-Listed Courses in Technical Professional Communication , Carolyn M. Gubala

Labor-Based Grading Contracts in the Multilingual FYC Classroom: Unpacking the Variables , Kara Kristina Larson

Land Goddesses, Divine Pigs, and Royal Tricksters: Subversive Mythologies and Imperialist Land Ownership Dispossession in Twentieth Century Irish and American Literature , Elizabeth Ricketts

Oppression, Resistance, and Empowerment: The Power Dynamics of Naming and Un-naming in African American Literature, 1794 to 2019 , Melissa "Maggie" Romigh

Generic Expectations in First Year Writing: Teaching Metadiscoursal Reflection and Revision Strategies for Increased Generic Uptake of Academic Writing , Kaelah Rose Scheff

Reframing the Gothic: Race, Gender, & Disability in Multiethnic Literature , Ashely B. Tisdale

Intersections of Race and Place in Short Fiction by New Orleans Gens de Couleur Libres , Adrienne D. Vivian

Mental Illness Diagnosis and the Construction of Stigma , Katie Lynn Walkup

Theses/Dissertations from 2020 2020

Rhetorical Roundhouse Kicks: Tae Kwon Do Pumsae Practice and Non-Western Embodied Topoi , Spencer Todd Bennington

9/11 Then and Now: How the Performance of Memorial Rhetoric by Presidents Changes to Construct Heroes , Kristen M. Grafton

Kinesthetically Speaking: Human and Animal Communication in British Literature of the Long Eighteenth Century , Dana Jolene Laitinen

Exploring Refugee Students’ Second Language (L2) Motivational Selves through Digital Visual Representations , Nhu Le

Glamour in Contemporary American Cinema , Shauna A. Maragh

Instrumentalization Theory: An Analytical Heuristic for a Heightened Social Awareness of Machine Learning Algorithms in Social Media , Andrew R. Miller

Intercessory Power: A Literary Analysis of Ethics and Care in Toni Morrison’s Song of Solomon , Alice Walker’s Meridian , and Toni Cade Bambara’s Those Bones Are Not My Child , Kelly Mills

The Power of Non-Compliant Logos: A New Materialist Approach to Comic Studies , Stephanie N. Phillips

Female Identity and Sexuality in Contemporary Indonesian Novels , Zita Rarastesa

"The Fiery Furnaces of Hell": Rhetorical Dynamism in Youngstown, OH , Joshua M. Rea

“We developed solidarity”: Family, Race, Identity, and Space-Time in Recent Multiethnic U.S. American Fiction , Kimber L. Wiggs

Theses/Dissertations from 2019 2019

Remembrance of a Wound: Ethical Mourning in the Works of Ana Menéndez, Elías Miguel Muñoz, and Junot Díaz , José Aparicio

Taking an “Ecological Turn” in the Evaluation of Rhetorical Interventions , Peter Cannon

New GTA’s and the Pre-Semester Orientation: The Need for Informed Refinement , Jessica L. Griffith

Reading Rape and Answering with Empathy: A New Approach to Sexual Assault Education for College Students , Brianna Jerman

The Karoo , The Veld , and the Co-Op: The Farm as Microcosm and Place for Change in Schreiner, Lessing, and Head , Elana D. Karshmer

"The weak are meat, and the strong do eat"; Representations of the Slaughterhouse in Twentieth and Twenty-First Century Literature , Stephanie Lance

Language of Carnival: How Language and the Carnivalesque Challenge Hegemony , Yulia O. Nekrashevich

Queer Authority in Old and Middle English Literature , Elan J. Pavlinich

Because My Garmin Told Me To: A New Materialist Study of Agency and Wearable Technology , Michael Repici

No One Wants to Read What You Write: A Contextualized Analysis of Service Course Assignments , Tanya P. Zarlengo

Theses/Dissertations from 2018 2018

Beauty and the Beasts: Making Places with Literary Animals of Florida , Haili A. Alcorn

The Medievalizing Process: Religious Medievalism in Romantic and Victorian Literature , Timothy M. Curran

Seeing Trauma: The Known and the Hidden in Nineteenth-Century Literature , Alisa M. DeBorde

Analysis of User Interfaces in the Sharing Economy , Taylor B. Johnson

Border-Crossing Travels Across Literary Worlds: My Shamanic Conscientization , Scott Neumeister

The Spectacle of The Bomb: Rhetorical Analysis of Risk of The Nevada Test Site in Technical Communication, Popular Press, and Pop Culture , Tiffany Wilgar

Theses/Dissertations from 2017 2017

Traveling Women and Consuming Place in Eighteenth-Century Travel Letters and Journals , Cassie Patricia Childs

“The Nations of the Field and Wood”: The Uncertain Ontology of Animals in Eighteenth-Century British Literature , J. Kevin Jordan

Modern Mythologies: The Epic Imagination in Contemporary Indian Literature , Sucheta Kanjilal

Science in the Sun: How Science is Performed as a Spatial Practice , Natalie Kass

Body as Text: Physiognomy on the Early English Stage , Curtis Le Van

Tensions Between Democracy and Expertise in the Florida Keys , Elizabeth A. Loyer

Institutional Review Boards and Writing Studies Research: A Justice-Oriented Study , Johanna Phelps-Hillen

The Spirit of Friendship: Girlfriends in Contemporary African American Literature , Tangela La'Chelle Serls

Aphra Behn on the Contemporary Stage: Behn's Feminist Legacy and Woman-Directed Revivals of The Rover , Nicole Elizabeth Stodard

(Age)ncy in Composition Studies , Alaina Tackitt

Constructing Health Narratives: Patient Feedback in Online Communities , Katie Lynn Walkup

Theses/Dissertations from 2016 2016

Rupturing the World of Elite Athletics: A Feminist Critical Discourse Analysis of the Suspension of the 2011 IAAF Regulations on Hyperandrogenism , Ella Browning

Shaping Climate Citizenship: The Ethics of Inclusion in Climate Change Communication and Policy , Lauren E. Cagle

Drop, Cover, and Hold On: Analyzing FEMA's Risk Communication through Visual Rhetoric , Samantha Jo Cosgrove

Material Expertise: Applying Object-oriented Rhetoric in Marine Policy , Zachary Parke Dixon

The Non-Identical Anglophone Bildungsroman : From the Categorical to the De-Centering Literary Subject in the Black Atlantic , Jarad Heath Fennell

Instattack: Instagram and Visual Ad Hominem Political Arguments , Sophia Evangeline Gourgiotis

Hospitable Climates: Representations of the West Indies in Eighteenth-Century British Literature , Marisa Carmen Iglesias

Chosen Champions: Medieval and Early Modern Heroes as Postcolonial Reactions to Tensions between England and Europe , Jessica Trant Labossiere

Science, Policy, and Decision Making: A Case Study of Deliberative Rhetoric and Policymaking for Coastal Adaptation in Southeast Florida , Karen Patricia Langbehn

A New Materialist Approach to Visual Rhetoric in PhotoShopBattles , Jonathan Paul Ray

Tracing the Material: Spaces and Objects in British and Irish Modernist Novels , Mary Allison Wise

Theses/Dissertations from 2015 2015

Representations of Gatsby: Ninety Years of Retrospective , Christine Anne Auger

Robust, Low Power, Discrete Gate Sizing , Anthony Joseph Casagrande

Wrestling with Angels: Postsecular Contemporary American Poetry , Paul T. Corrigan

#networkedglobe: Making the Connection between Social Media and Intercultural Technical Communication , Laura Anne Ewing

Evidence of Things Not Seen: A Semi-Automated Descriptive Phrase and Frame Analysis of Texts about the Herbicide Agent Orange , Sarah Beth Hopton

'She Shall Not Be Moved': Black Women's Spiritual Practice in Toni Morrison's The Bluest Eye, Beloved, Paradise, and Home , Rondrea Danielle Mathis

Relational Agency, Networked Technology, and the Social Media Aftermath of the Boston Marathon Bombing , Megan M. Mcintyre

Now, We Hear Through a Voice Darkly: New Media and Narratology in Cinematic Art , James Anthony Ricci

Navigating Collective Activity Systems: An Approach Towards Rhetorical Inquiry , Katherine Jesse Royce

Women's Narratives of Confinement: Domestic Chores as Threads of Resistance and Healing , Jacqueline Marie Smith

Domestic Spaces in Transition: Modern Representations of Dwelling in the Texts of Elizabeth Bowen , Shannon Tivnan

Theses/Dissertations from 2014 2014

Paradise Always Already Lost: Myth, Memory, and Matter in English Literature , Elizabeth Stuart Angello

Overcoming the 5th-Century BCE Epistemological Tragedy: A Productive Reading of Protagoras of Abdera , Ryan Alan Blank

Acts of Rebellion: The Rhetoric of Rogue Cinema , Adam Breckenridge

Material and Textual Spaces in the Poetry of Montagu, Leapor, Barbauld, and Robinson , Jessica Lauren Cook

Decolonizing Shakespeare: Race, Gender, and Colonialism in Three Adaptations of Three Plays by William Shakespeare , Angela Eward-Mangione

Risk of Compliance: Tracing Safety and Efficacy in Mef-Lariam's Licensure , Julie Marie Gerdes

Beyond Performance: Rhetoric, Collective Memory, and the Motive of Imprinting Identity , Brenda M. Grau

Subversive Beauty - Victorian Bodies of Expression , Lisa Michelle Hoffman-Reyes

Integrating Reading and Writing For Florida's ESOL Program , George Douglas Mcarthur

Responsibility and Responsiveness in the Novels of Ann Radcliffe and Mary Shelley , Katherine Marie McGee

Ghosts, Orphans, and Outlaws: History, Family, and the Law in Toni Morrison's Fiction , Jessica Mckee

The "Defective" Generation: Disability in Modernist Literature , Deborah Susan Mcleod

Science Fiction/Fantasy and the Representation of Ethnic Futurity , Joy Ann Sanchez-Taylor

Hermes, Technical Communicator of the Gods: The Theory, Design, and Creation of a Persuasive Game for Technical Communication , Eric Walsh

Theses/Dissertations from 2013 2013

Rhetorical Spirits: Spirituality as Rhetorical Device in New Age Womanist of Color Texts , Ronisha Witlee Browdy

Disciplinarity, Crisis, and Opportunity in Technical Communication , Jason Robert Carabelli

The Terror of Possibility: A Re-evaluation and Reconception of the Sublime Aesthetic , Kurt Fawver

Unbearable Weight, Unbearable Witness: The (Im)possibility of Witnessing Eating Disorders in Cyberspace , Kristen Nicole Gay

the post- 9/11 aesthetic: repositioning the zombie film in the horror genre , Alan Edward Green, Jr.

An(other) Rhetoric: Rhetoric, Ethics, and the Rhetorical Tradition , Kathleen Sandell Hardesty

Mapping Dissertation Genre Ecology , Kate Lisbeth Pantelides

Dead Man's Switch: Disaster Rhetorics in a Posthuman Age , Daniel Patrick Richards

"Of That Transfigured World" : Realism and Fantasy in Victorian Literature , Benjamin Jude Wright

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Oxford theses

The Bodleian Libraries’ thesis collection holds every DPhil thesis deposited at the University of Oxford since the degree began in its present form in 1917. Our oldest theses date from the early 1920s. We also have substantial holdings of MLitt theses, for which deposit became compulsory in 1953, and MPhil theses.

Since 2007 it has been a mandatory requirement for students to deposit an electronic copy of their DPhil thesis in the Oxford University Research Archive (ORA) , in addition to the deposit of a paper copy – the copy of record. Since the COVID pandemic, the requirement of a paper copy has been removed and the ORA copy has become the copy of record. Hardcopy theses are now only deposited under exceptional circumstances. 

ORA provides full-text PDF copies of most recent DPhil theses, and some earlier BLitt/MLitt theses. Find out more about Oxford Digital Theses, and depositing with ORA .

Finding Oxford theses

The following theses are catalogued on SOLO (the University libraries’ resource discovery tool) :

• DPhil and BLitt and MLitt theses
• BPhil and MPhil theses 
• Science theses

SOLO collates search results from several sources.

How to search for Oxford theses on SOLO

To search for theses in the Oxford collections on SOLO :

• navigate to the SOLO homepage
• click on the 'Advanced Search' button
• click the 'Material Type' menu and choose the 'Dissertations' option
• type in the title or author of the thesis you are looking for and click the 'Search' button.

Also try an “Any field” search for “Thesis Oxford” along with the author’s name under “creator” and any further “Any field” keywords such as department or subject. 

Searching by shelfmarks

If you are searching using the shelfmark, please make sure you include the dots in your search (e.g. D.Phil.). Records will not be returned if they are left out.

Oxford University Research Archive (ORA)

ORA was established in 2007 as a permanent and secure online archive of research produced by members of the University of Oxford. It is now mandatory for students completing a research degree at the University to deposit an electronic copy of their thesis in this archive. 

Authors can select immediate release on ORA, or apply a 1-year or 3-year embargo period. The embargo period would enable them to publish all or part of their research elsewhere if they wish. 

Theses held in ORA are searchable via  SOLO , as well as external services such as EThOS and Google Scholar. For more information, visit the Oxford digital theses guide , and see below for guidance on searching in ORA.

Search for Oxford theses on ORA

Type your keywords (title, name) into the main search box, and use quotes (“) to search for an exact phrase.

Refine your search results using the drop-downs on the left-hand side. These include:

• item type (thesis, journal article, book section, etc.)
• thesis type (DPhil, MSc, MLitt, etc.)
• subject area (History, Economics, Biochemistry, etc.)
• item date (as a range)
• file availability (whether a full text is available to download or not)

You can also increase the number of search results shown per page, and sort by relevance, date and file availability. You can select and export records to csv or email. 

Select hyperlinked text within the record details, such as “More by this author”, to run a secondary search on an author’s name. You can also select a hyperlinked keyword or subject. 

Other catalogues

Card catalogue  .

The Rare Books department of the Weston Library keeps an author card index of Oxford theses. This includes all non-scientific theses deposited between 1922 and 2016. Please ask Weston Library staff for assistance.

ProQuest Dissertations & Theses

You can use ProQuest Dissertations & Theses Global  to find bibliographic details of Oxford theses not listed on SOLO. Ask staff in the Weston Library’s Charles Wendall David Reading Room for help finding these theses. 

Search for Oxford theses on ProQuest Dissertations & Theses Global

Basic search.

The default Basic search page allows for general keyword searches across all indexes using "and", "and not", "and or" to link the keywords as appropriate. Click on the More Search Options tab for specific title, author, subject and institution (school) searches, and to browse indexes of authors, institutions and subjects. These indexes allow you to add the word or phrase recognised by the database to your search (ie University of Oxford (United Kingdom), not Oxford University).

Advanced search

The Advanced search tab (at the top of the page) enables keyword searching in specific indexes, including author, title, institution, department, adviser and language. If you are unsure of the exact details of thesis, you can use the search boxes on this page to find it by combining the key information you do have.

Search tools

In both the Basic and Advanced search pages you can also limit the search by date by using the boxes at the bottom. Use the Search Tools advice in both the Basic and Advanced pages to undertake more complex and specific searches. Within the list of results, once you have found the record that you are interested in, you can click on the link to obtain a full citation and abstract. You can use the back button on your browser to return to your list of citations.

The Browse search tab allows you to search by subject or by location (ie institution). These are given in an alphabetical list. You can click on a top-level subject to show subdivisions of the subject. You can click on a country location to show lists of institutions in that country. At each level, you can click on View Documents to show lists of individual theses for that subject division or from that location.

In Browse search, locations and subject divisions are automatically added to a basic search at the bottom of the page. You can search within a subject or location by title, author, institution, subject, date etc, by clicking on Refine Search at the top of the page or More Search Options at the bottom of the page.

Where are physical Oxford theses held?

The Bodleian Libraries hold all doctoral theses and most postgraduate (non-doctoral) theses for which a deposit requirement is stipulated by the University:

• DPhil (doctoral) theses (1922 – 2021)
• Bachelor of Divinity (BD) theses
• BLitt/MLitt theses (Michaelmas Term 1953 – 2021)
• BPhil and MPhil theses (Michaelmas Term 1977 – 2021)

Most Oxford theses are held in Bodleian Offsite Storage. Some theses are available in the libraries; these are listed below.

Law Library

Theses submitted to the Faculty of Law are held at the Bodleian Law Library .

Vere Harmsworth Library

Theses on the United States are held at the Vere Harmsworth Library .

Social Science Library

The Social Science Library holds dissertations and theses selected by the departments it supports. 

The list of departments and further information are available in the Dissertations and Theses section of the SSL webpages. 

Locations for Anthropology and Archaeology theses

The Balfour Library holds theses for the MPhil in Material and Visual Anthropology and some older theses in Prehistoric Archaeology.

The Art, Archaeology and Ancient World Library holds theses for MPhil in Classical Archaeology and MPhil in European Archaeology.

Ordering Oxford theses

Theses held in Bodleian Offsite Storage are consulted in the Weston Library. The preferred location is the Charles Wendell David Reading Room ; they can also be ordered to the Sir Charles Mackerras Reading Room .

Find out more about requesting a digitised copy, copyright restrictions and copying from Oxford theses .

• Schools & departments

Writing a research proposal for the PhD in English Literature

You apply for the PhD in English Literature through the University’s online Degree Finder. Here is our guidance on how to write an effective application.

The two elements of an application that are most useful to us when we consider a candidate for the PhD in English Literature are the sample of written work and the research proposal.

You will probably choose your sample of written work from an already-completed undergraduate or masters-level dissertation or term-paper.

Your research proposal will be something new. It will describe the project that you want to complete for your PhD.

Your research proposal

Take your time in composing your research proposal, carefully considering the requirements outlined below. Your proposal should not be more than 2,000 words .

PhD degrees are awarded on the basis of a thesis of up to 100,000 words. The ‘Summary of roles and responsibilities’ in the University’s Code of Practice for Supervisors and Research Students stipulates what a research thesis must do. 

Take me to the Code of Practice for Supervisors and Research Students (August 2020)

It is in the nature of research that, when you begin, you don’t know what you’ll find. This means that your project is bound to change over the time that you spend on it.

In submitting your research proposal, you are not committing yourself absolutely to completing exactly the project it describes in the event that you are accepted. Nevertheless, with the above points in mind, your research proposal should include the following elements, though not necessarily in this order:

1. An account of the body of primary texts that your thesis will examine. This may be work by one author, or several, or many, depending on the nature of the project. It is very unlikely to consist of a single text, however, unless that text is unusually compendious (The Canterbury Tales) or unusually demanding (Finnegans Wake). Unless your range of texts consists in the complete oeuvre of a single writer, you should explain why these texts are the ones that need to be examined in order to make your particular argument.

2. An identification of the existing field or fields of criticism and scholarship of which you will need to gain an ‘adequate knowledge’ in order to complete your thesis. This must include work in existing literary criticism, broadly understood. Usually this will consist of criticism or scholarship on the works or author(s) in question. In the case of very recent writing, or writing marginal to the established literary canon, on which there may be little or no existing critical work, it might include literary criticism written on other works or authors in the same period, or related work in the same mode or genre, or some other exercise of literary criticism that can serve as a reference point for your engagement with this new material.

The areas of scholarship on which you draw are also likely to include work in other disciplines, however. Most usually, these will be arguments in philosophy or critical theory that have informed, or could inform, the critical debate around your primary texts, or may have informed the texts themselves; and/or the historiography of the period in which your texts were written or received. But we are ready to consider the possible relevance of any other body of knowledge to literary criticism, as long as it is one with which you are sufficiently familiar, or could become sufficiently familiar within the period of your degree, for it to serve a meaningful role in your argument.

3. The questions or problems that the argument of your thesis will address; the methods you will adopt to answer those questions or explain those problems; and some explanation of why this particular methodology is the appropriate means of doing so. The problem could take many forms: a simple gap in the existing scholarship that you will fill; a misleading approach to the primary material that you will correct; or a difficulty in the relation of the existing scholarship to theoretical/philosophical, historiographical, or other disciplinary contexts, for example. But in any case, your thesis must engage critically with the scholarship of others by mounting an original argument in relation to the existing work in your field or fields. In this way your project must go beyond the summarising of already-existing knowledge.

4. Finally, your proposal should include a provisional timetable , describing the stages through which you hope your research will move over the course of your degree. It is crucial that, on the one hand, your chosen topic should be substantial enough to require around 80,000 words for its full exploration; and, on the other hand, that it has clear limits which would allow it to be completed in three years.

When drawing up this timetable, keep in mind that these word limits, and these time constraints, will require you to complete 25–30,000 words of your thesis in each of the years of your degree. If you intend to undertake your degree on a part-time basis, the amount of time available simply doubles.

In composing your research proposal you are already beginning the work that could lead, if you are accepted, to the award of a PhD degree. Regard it, then, as a chance to refine and focus your ideas, so that you can set immediately to work in an efficient manner on entry to university. But it bears repeating that that your project is bound to evolve beyond the project described in your proposal in ways that you cannot at this stage predict. No-one can know, when they begin any research work, where exactly it will take them. That provides much of the pleasure of research, for the most distinguished professor as much as for the first-year PhD student. If you are accepted as a candidate in this department, you will be joining a community of scholars still motivated by the thrill of finding and saying something new.

Ready to apply?

If you have read the guidance above and are ready to apply for your PhD in English Literature, you can do so online through the University of Edinburgh's Degree Finder.

Take me to the Degree Finder entry for the PhD in English Literature

If you've got any questions, please do not hesitate to contact Dr Aaron Kelly by email in the first instance.

Email Dr Aaron Kelly