how to write a comparative essay english literature a level

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AS and A Level: Comparative Essays

• English Literature
• Comparative Essays

"English poets are being forced to explore not just the matter of England, but what is the matter with England" (Seamus Heaney) - Discuss.

"English poets are being forced to explore not just the matter of England, but what is the matter with England" (Seamus Heaney). Discuss. It is an inevitable fact that the consumers of literature - laymen and literary critics alike - tend to group together texts and authors into separate categories, and attach to each category a number of supposedly 'common' characteristics and idiosyncracies which all its members apparently share. Philip Larkin and Ted Hughes, and their poetry, are no exceptions. Larkin and Hughes are often linked together when discussing English poets, and do have a number of things in common: they were born within eight years of each other, they wrote and published their poetry at similar times, and both are identified with the north of England. Both men were writing at a time when the notion of a stable and established England was being undermined, largely due to the rapid social change initiated by the termination of the Second World War. Thus both poets were heirs to a unique poetic impulse which sought to reject the old order of modernism by employing creative and innovative forms of expression: the new consciousness of a new generation. Yet although Larkin and Hughes are frequently grouped together as 'English post-war poets', a term which suggest homogeneity, there is in reality more diversity in their approaches than is commonly assumed.

• Word count: 3208
• Level: AS and A Level
• Subject: English

Compare the two poets Ted Hughes and Simon Armitage.

Compare the two poets Ted Hughes and Simon Armitage In the untitled poem by Simon Armitage, the poem describes to us a short story that happened many years ago. The story is of a 13-year-old boy during puberty, and not knowing how to deal with his feelings for a girl in his class. The boy heated up scissors in a flame in a chemistry lab and then handed them to the girl marking rings around her fingers. We presume that the boy in the story is the poet, Simon Armitage as the poem is written in 1st person. The poet now feels a little sorry for what he did but tries to excuse it using the sentence, '...that was just my butterfingered way, at 13 of asking you to marry me.' In this quote he tries to use his age as an excuse as he was only young. The poet telling the story does not actually say that he is sorry but we get that impression from the quote, 'Don't believe me, please, if I say...' when the poet was 13 though we get a different opinion of what he was feeling, we get the impression that he felt amused, proud and triumphant of what he had done, but know looking back does not feel the same as he did. I believe that the overall message of the poem is to ask the girl that he burnt at 13 to marry him; he tries to excuse what he did and then goes on to say; 'Don't believe me please, if I say, that was just my butterfingered way, at 13 of asking you to marry me.' I believe

• Word count: 1817

Comparing and analysing Heaney's 'Blackberry Picking' and Plath's 'Blackberrying.'

Comparing and analysing Heaney's 'Blackberry Picking' and Plath's 'Blackberrying.' In this essay I shall compare these two poets by studying one poem by each of them and analysing the different literary devices used. Both 'Blackberry picking' and 'Blackberrying' contain strong and powerful uses of imagery. Blackberrying is the first poem, which I shall be studying. It begins, again, rather dully and yet brings across more of a scenic image. "Nobody in the lane, and nothing, nothing but blackberries." Obviously this opening line is trying to show a picture of large numbers of blackberries, but notice how she emphasises the negatives as though it is the fact that here are no forms of life around which she is enjoying and not the blackberries. The first image, which she writes of 'A Blackberry alley, going down in hooks', this, is quite a sinister image for each to start. The second image, which she writes of, is that of the size of the berries "big as the ball on your thumb" but she then adds to this by saying the berries are "dumb as eyes." This is an interesting image to be putting to the reader for she is mixing the senses suggesting that the berries have eyes. However this does not bother her because unlike people the berries cannot speak to her or harm her in any way. She moves on from this to include anthropomorphism by describing the berries as "fat", this is normal

• Word count: 1710

Compare and contrast Ulysses and The Love Song of J. Alfred Prufrock in their treatment of ageing and ambition

Compare and contrast Ulysses and The Love Song of J. Alfred Prufrock in their treatment of ageing and ambition The title of Eliot's poem initially suggests that it is not a traditional love poem at all. Eliot's choice to use the initial "J" instead of a first name implies a sense of importance, however Prufrock is a connotation of a "prude" in a "frock" which pokes fun at the pompous nature of the name and implies a subliminal other meaning to the name. Prufrock begins in the unpleasant modern world, which is comparable to "da Montefeltro" in Dante's "Inferno" being trapped in hell; however Prufrock is fixed in a lonely, isolating city. This reflects Prufrock's ambition, because he is insecure and feels as if he is trapped and cannot go anywhere. Eliot's imagery is extremely important in illustrating pieces of Prufrock's personality. He uses images of the city being bleak and frightening. The image of "the evening is spread out against the sky like a patient etherized upon a table" shows that Prufrock's view of the world is that it is bleak and empty. This also illustrates Prufrock's lack of ambition because it shows that he feels there is nothing good in the world worth trying for. Prufrock is afraid to speak to the women he sees because he thinks that he wont be able to say anything capable of making them become interested in him, and his overwhelming insecurity and fears

• Word count: 1287

Thomas hardy poem - neutral tones

Taking Neutral Tones as a starting point, discuss the emotions and reactions to love shown by Hardy in his poems about unrequited love as compared with the 1912-3 collection. You should view this as a chance to really hit AO5. I want lovers named and through circumstances of each discussed as fully as possible. Hardy's focus in many poems is around the subject of unrequited love and exhibits the emotions that are felt at that period of time. He also wrote a selection of poems called the 1912-13 collection, which focused on his first wife Emma and her death, however, these poems rarely talked about his love for her. It was mostly about blame or opportunities that he could have had with her but he had let pass. The theme of missed opportunities also runs through poems other than the 1912-13 collection. In Hardy's poem 'Neutral Tones', Hardy talks about a memory he has when he is 27 years old. This poem is a snapshot of a moment, where he recalls standing with his former young love by the side of a pond, in the middle of winter, 'we stood by a pond that winter day'. The unknown girl and Hardy are surrounded by dead landscape that acts as a metaphor for their emaciated relationship, 'the sun was white'. The white colour of the sun represents emptiness and lack of passion, the sun has been drained of its natural golden colour. Hardy uses pathetic fallacy in this metaphor to

• Word count: 990

How Do These Poems Reveal Shelley(TM)s Views About The Role Of The Poet?(TM) Discuss.

'How Do These Poems Reveal Shelley's Views About The Role Of The Poet?' Discuss. Throughout Shelley's poetry, the figure of the poet is displayed not just as an intelligent witty entertainer or an intellectual social observer but is in fact, a prophet. Shelley does not try to hide the fact he believes himself to be a prophet, a splendid soul with the divine gift to restore freedom to the people and bring justice to those who need it. Shelley felt that poets have a supreme connection with nature and with this connection are able to translate the 'cosmic truths' of the world into work for people to admire and act upon. Shelley was said to compare himself to Prometheus and even Jesus Christ in the sense that he, as a poet, was a prophet, whose duty it was to liberate the peoples of the world by perceiving the world around him and translating the 'messages' from nature to the general public who would, in turn, throw off the shackles of their oppressors and rise up. Shelley also felt that poets carry a burden, similar to Christ carrying the crucifix, as they are persecuted for their works and are often misunderstood. Evidence of this can be seen when studying Shelley's poetry as well as his life. Shelley uses nature as his primary source of poetic inspiration, which was typical of Romantic poets at the time. In such poems as "The Mask of Anarchy" (1819) and "Ode to the West

• Word count: 1162

Larkin often seems to criticise society. In the light of this statement, what connections have you found between the ways in which Larkin and Abse write about the society in which they live? In your response include at least two of Larkins

'Larkin often seems to criticise society'. In the light of this statement, what connections have you found between the ways in which Larkin and Abse write about the society in which they live? In your response include at least two of Larkin's poems. Larkin criticises society in many of his poems and also does it from a superior place in an attempt to distance him from the society which he criticises and this can be seen in Nothing To Be Said. On the other hand, Abse writes about society and community whilst he participates in it and is a part of it. Larkin tries to stunt and remove the parts of society he criticises whilst it is clear Abse attempts to preserve many of the positives in society, for example in The Story of Lazarus, a story that surrounds the optimistic tale of someone surviving something so horrific. Abse is also very proud of the society from which he grew for example he is proud of being Welsh. Larkin labels and stereotypes the working class with a superior view in Nothing To Be Said, for example in the first stanza he describes the working class as 'small-statured cross-faced tribes', giving the impression that he views the working class as poorly developed, and a sense of savagery and it is possible to assume that Larkin viewed them as not very intelligent also. In addition to this, the use of the word 'tribes' is particularly powerful and evokes this

• Word count: 847

Warning by Jenny Joseph and On Ageing by Maya Angelou

Warning by Jenny Joseph and On Ageing by Maya Angelou Warning by jenny joseph is a humorous way of looking towards old age. It is written as a monologue within which the poet describes how she will behave when she is an old woman. In The first stanza she talks about herself and lists all the things she will do when she is old. She says she will wear the colours purple and red which are significant in the fact that they are bright garish colours. The two colours clash with each other and would not be put together by someone who cares about keeping up their appearance. One of the main themes to this poem is the idea of rebelling against the way society expects you to behave and the idea of not conforming therefore she decides to deliberately make a statement with her appearance by wearing clashing colours to show rebellion against the idea of everyone looking the same- everyone conforming. This idea of rebellion is further emphasised when she says "I shall spend my pension on brandy... and say we've no money for butter". She has decided that she is going to be deliberately difficult and irresponsible. She is desperate to rebel against the norms of responsible adulthood and change the way she has always been " escape from the sobriety of my youth" . The acts she chooses are harmless and humorous and she will be likely to get away with them as people will think she is

• Word count: 1299

Compare the two "Wuthering Heights" poems by Sylvia Plath and Ted Hughes.

> Compare the two "Wuthering Heights" poems by Sylvia Plath and Ted Hughes. Poets Sylvia Plath and Ted Huges both wrote poems by the name 'wuthering heights'. Based on the book by Emily Bronte, Both poems are highly descriptive and try to capture the essence of the landscape about which they were written, both with very different effect. Ted Hughes Describes a vibrant landscape. He paints a picture of a wild but beautiful place leading to a very positive tone in his poem. Huges poem has an almost aspirational quality. He talks of Emily Bronte as if he, or his character, wishes to be just like her. This gives the poem a far more positive tone than that of Sylvia Plath. Plath creates a deeply depressing, almost disturbing tone through her use of description. This results in a far more negative feel about the poem. This negativity seems to reflect both the wildness of the landscape and also her feelings. Huges uses his poem to tell a story that puts the reader in the position of the character in the poem. This leads to the reader feeling like a part of the poem, therefore creating a personal interest in the surroundings, which are described to them. The poem seems to be about more than just the landscape. It is about beginning to understand the book by Emily Bronte and in doing so understand the moor itself. Plath on the other hand uses her poem as a metaphor for her

• Word count: 1016

George and Lennie- COmparison and Contrast

David Urlanda George and Lennie (Comparison and Contrast) In the novel Of Mice and Men, the main characters George and Lennie were brought up closed to us. Through the first several pages of the book, these two characters were visualized. "George was small and quick, dark of face, with restless eyes and sharp, strong features. Every part of him was defined: small, strong hands, slender arms, a thin body and nose." While Lennie the opposite of George, "is a huge man, shapeless of face, with large pale eyes and with sloping shoulders." John Steinbeck describes these two characters as the opposite of each other. He describes Lennie as big man who thinks just like a child, and George as a small and a strong man. Steinbeck differentiates George and Lennie from each other on their mental and physical appearance and strength, George a small man and his opposite Lennie a huge man. In their physical appearance George was visualized with defined body parts and with strong features while Lennie with a shapelss face. In terms of mental ability, Steinbeck said that Lennie has a mild mental disorder that made him the weakest character in the novel. While George, compared to Lennie, he is the boss, he decides on everything they will do and Lennie depends on what he say. George and Lennie traveled together, since Lennie's Aunt Clara died. They are both migratory workers seeking

• Word count: 638

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The Comparative Essay

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What is a comparative essay?

A comparative essay asks that you compare at least two (possibly more) items. These items will differ depending on the assignment. You might be asked to compare

• positions on an issue (e.g., responses to midwifery in Canada and the United States)
• theories (e.g., capitalism and communism)
• figures (e.g., GDP in the United States and Britain)
• texts (e.g., Shakespeare’s Hamlet and Macbeth )
• events (e.g., the Great Depression and the global financial crisis of 2008–9)

Although the assignment may say “compare,” the assumption is that you will consider both the similarities and differences; in other words, you will compare and contrast.

Make sure you know the basis for comparison

The assignment sheet may say exactly what you need to compare, or it may ask you to come up with a basis for comparison yourself.

• Provided by the essay question: The essay question may ask that you consider the figure of the gentleman in Charles Dickens’s Great Expectations and Anne Brontë’s The Tenant of Wildfell Hall . The basis for comparison will be the figure of the gentleman.
• Developed by you: The question may simply ask that you compare the two novels. If so, you will need to develop a basis for comparison, that is, a theme, concern, or device common to both works from which you can draw similarities and differences.

Develop a list of similarities and differences

Once you know your basis for comparison, think critically about the similarities and differences between the items you are comparing, and compile a list of them.

For example, you might decide that in Great Expectations , being a true gentleman is not a matter of manners or position but morality, whereas in The Tenant of Wildfell Hall , being a true gentleman is not about luxury and self-indulgence but hard work and productivity.

The list you have generated is not yet your outline for the essay, but it should provide you with enough similarities and differences to construct an initial plan.

Develop a thesis based on the relative weight of similarities and differences

Once you have listed similarities and differences, decide whether the similarities on the whole outweigh the differences or vice versa. Create a thesis statement that reflects their relative weights. A more complex thesis will usually include both similarities and differences. Here are examples of the two main cases:

While Callaghan’s “All the Years of Her Life” and Mistry’s “Of White Hairs and Cricket” both follow the conventions of the coming-of-age narrative, Callaghan’s story adheres more closely to these conventions by allowing its central protagonist to mature. In Mistry’s story, by contrast, no real growth occurs.

Although Darwin and Lamarck came to different conclusions about whether acquired traits can be inherited, they shared the key distinction of recognizing that species evolve over time.

Come up with a structure for your essay

Note that the French and Russian revolutions (A and B) may be dissimilar rather than similar in the way they affected innovation in any of the three areas of technology, military strategy, and administration. To use the alternating method, you just need to have something noteworthy to say about both A and B in each area. Finally, you may certainly include more than three pairs of alternating points: allow the subject matter to determine the number of points you choose to develop in the body of your essay.

When do I use the block method? The block method is particularly useful in the following cases:

• You are unable to find points about A and B that are closely related to each other.
• Your ideas about B build upon or extend your ideas about A.
• You are comparing three or more subjects as opposed to the traditional two.

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Comparative essay structure

UPDATE – September 2014.

Again and again it’s been pointed out at marking conferences and in marking schemes that YOU MUST RESPOND TO THE QUESTION. Stock learned off answers are not being rewarded – and rightfully so! Using what you know to offer your opinion is what counts – agree, disagree, partially agree, partially disagree – it’s doesn’t matter as long as your essay is directly responding to the Q asked throughout and is doing so in a comparative way.

Here’s an extract from the Chief Examiner’s Report

“ examiners were pleased when they saw candidates trust in their own personal response and demonstrate a willingness to challenge the ‘fixed meaning’ of texts. The best answers managed to remain grounded, both in the question asked and in the texts ”.

Examiners complained that students had pre-prepared answers which they refused to adapt to the question asked. Don’t get confused here: in the comparative section you have to have done a lot of preparation prior to the exam. The similarities and differences are unlikely to simply occur to you on the day under exam conditions and the structure of comparing and contrasting, weaving the texts together using linking phrases and illustrating points using key moments is not something you can just DO with no practice. It’s a skill you have to learn. But you MUST be willing to change, adapt, and select from what you know to engage fully with the question asked.

This compliment, followed by a warning, was included in the 2013 report:

“ Many examiners reported genuine engagement with the terms of the questions, combined with a fluid comparative approach. As in previous years, examiners also noted that a significant minority of candidates were hampered by a rigid and formulaic approach “.

At the 2011 marking conference, a huge emphasis was placed on students engaging with the question – and the point was made that all too often they DON’T. You may have a general structure in your head but if this structure doesn’t suit the question that comes up DON’T just doggedly write what you’re prepared anyway. Use what you know to answer the Q. The basic structure will remain (text 1 key moment, link, text 2 km, link, text 3 km, general observation) – it’s not rocket science. But you must prove (if you want a grade above 70% in comparative) that you can engage with the question throughout your answer (not justthrow it in @ beginning and end) and conclude by showing how your essay engaged with the question asked. So the moral of the story is, if you puke up a pre-prepared answer & completely ignore the question, don’t be surprised when you then do badly!

Anyway, you still want to know what the basic comparative structure IS but remember you do not know what you will write until you see the question. Even then, your brain should be on fire non-stop as you write your answer. This is not about ‘remembering’ stuff – this is about knowing it so well, that it’s all there in your brain and you just have to shuffle it about so that it makes sense as a response to whatever question is asked.

Sorry, I don’t intend to scare you – but nor do I want to you be under some illusion that you just write one essay for each comparative mode during the year and that will do. IT WON’T…

UPDATE OVER

Right, here goes…

The quality of your links is REALLY SUPREMELY important. This section of the course is called ‘comparative studies’ for a reason. The more detailed a link is the more marks you’ll get for it. Thus just using the words ‘similarly’ or ‘by contrast’ isn’t really enough. Link individual characters from different texts, establish the ways they or their circumstances are similar but also point out subtle differences. You can extend this comparison throughout your paragraph/section if necessary (in fact this is a good idea) – but don’t simply repeat yourself.

Here’s some general advice on how you might structure your comparative essay, but I repeat, adapt, adapt adapt to the question asked .

Introduction:

Theme or Issue : Address the Q, introduce your theme, then your texts – genre, name, author and mention the central character who you will focus on in your discussion of this theme.

General Vision & Viewpoint : Address the Q, introduce the idea of GV&V (briefly), then your texts – genre, name, author and mention the major emotions you associate with each.

Cultural Context: Address the Q, introduce the idea of cultural context (briefly), then your texts – genre, name, author, plus where and when they are set. You may want to mention the aspects of cultural context you intend to discuss.

Literary Genre: Address the Q, briefly introduce what literary genre means, then introduce your texts – genre, name, author. Outline the aspects of literary genre you will discuss (depends on the Q asked).

Look at the following examples. Imagine the Q is “Exploring a theme or issue can add to our enjoyment of a text”

“I found it fascinating to explore the central theme of plagiarism in my comparative texts. In the novel ‘Old School ‘ (OS) by Tobias Wolff I was intrigued by the narrator’s self delusion after he entered a competition with a short story he had not written. By contrast, I found the film ‘Generous’ (GEN) directed by Frank Faulkner quite disturbing. It explores a young girl’s obsession with becoming famous as she ‘borrows’ outrageous online articles to make her blog more popular. Finally I found the play “IMHO” by Judy Price hilarious. It looks at how we all ‘copy’ ideas from others and pass them off as our own at dinner parties. Thus exploring this theme greatly added to my enjoyment of each text”.

Now look at how this changes for a different mode. Imagine the Q is “The general vision & viewpoint of a text often offers the reader both joy & despair”

“ All of my comparative texts took me on a rollercoaster ride through the highs and lows experienced by the central characters . In the novel “Old School” (OS) by Tobias Wolff I experienced the narrator’s joy at the visit of Robert Frost, and his despair when his cheating was uncovered. Similarly, the film “Generous” (GEN) directed by Frank Faulkner begins in elation for Emily as her blog goes viral but ends in complete mental and physical collapse. By contrast, the lighthearted play “IMOH” by Judy Price offers a hilarious look at the falseness of modern dinner parties and the only despair the audience feels is lamenting the complete lack of self-awareness of the central characters. Thus the vision & viewpoint of each text offered me a  wide and varied range of emotions  from joy to depair”.

Now look at how this changes again: Imagine the Q is: “Characters are often in conflict with the world or culture they inhabit”

“ The novel ‘Old School’ (OS) written by Tobias Wolff is set in an elite American boarding school in the 1960’s and the unnamed narrator certainly comes into conflict with his world. This text explores cultural issues such as social class, ethnic identity and authority figures. Similar issues are explored in the film “Generous” (GEN) directed by Frank Faulkner and set in modern day London as Emily comes into conflict with her parents, peers and teachers. My third text the play “IMOH” by Judy Price set in Celtic Tiger Ireland also looks at the conflicts which occur as a result of people’s social snobbery and their desire to escape their cultural identity and heritage. In this text the major authority figure is Susan, the host of the dinner party, who desperately tries to keep her guests in line. Thus I absolutely agree that these three texts made me more aware of the ways in which people can come into conflict with the world or culture they inhabit”.

Finally look at this literary genre question : “The creation of memorable characters is part of the art of good story-telling” .

The unnamed narrator in Tobias Wolff’s novel ‘Old School’ (OS) is a fascinating and memorable character because he is struggling to come to terms with his own flaws. Similarly, the film ‘Generous’ (GEN) directed by Frank Faulkner has a central character Emily who we emphathise with despite her many flaws. Finally, the play ‘IMHO’ by Judy Price with its emsemble cast creates many memorable characters but for the purposes of this essay I will focus on the dinner party host Susan. These characters live on in our memories because of the writer’s choice of narrative point of view, because of the vivid imagery we associate with them and because the climax of the action revolves around their character.

NEXT you need to think about structuring the essay itself. The most important thing to decide in advance is what aspect you wish to compare for each page/section but this may need to change to adapt to the Q.

For theme or issue you might plan it out like this but at all times focus on answering the Q:

• How is this theme introduced? How does this theme affect the central character/characters?
• How is this theme developed? Do the central characters embrace or fight against it? How?
• Do other characters influence how this theme unfolds?
• How does the text end & what are our final impressions of this theme as a result?

Asking the same question of each text allows you to come up with the all important links (similarities & differences).

For general vision & viewpoint you might plan as follows but at all times focus on answering the Q:

• What view is offered of humanity (are the main characters likable or deplorable?)
• What view is offered of society (is this society largely benign or does it negatively impact on the characters)
• How does the text end & what vision are we left with (positive or negative) as a result?

Alternatively you could just take a beginning, middle, end approach but you must at all times focus on whether the vision/feelings/atmosphere is positive or negative and how this impacts on the reader/viewers experience.

For literary genre you must focus on the aspects mentioned in the question – possibly some of these:

• Genre – diff between novel/play/film
• Narrator / point of view
• Characterisation
• Chronology – flashback / flashforward
• Climax / twist

For cultural context you must decide which of the following issues are most prominent in all three texts – try to find links before you decide. At all times focus on answering the Q asked

• Social class / social status
• Wealth / poverty
• Job opportunities / emigration
• Authority figures
• Sex / Marriage (attitudes towards)
• Gender roles
• Stereotypes / Ethnic identity

You may find some overlap between 2 of these – for example social class often influences a person’s wealth or poverty; religion often effects attitudes towards sex and marriage; marriage can often be a financial necessity for those with limited job opportunities (mostly women, so this overlaps with gender roles). Choose your sections carefully so you don’t end up repeating yourself.

You might plan as follows for the example given above but everything depends on the texts & the question.

• Social status
• Ethnic identity
• How does the text end? Do the main characters escape or remain constrained by their cultural context?

Once you’ve decided what sections to include your structure for each goes a little something like this:

STATEMENT – ALL 3 TEXTS e.g. All of the central characters are deeply aware of their social class and wish to ‘climb the ladder’ as it were in the hope that they will achieve recognition, the envy of their peers and ultimately a better life.

STATEMENT – TEXT 1 e.g. In OS, the narrator hides his background (he comes from a broken home) from his wealthier peers.

KEY MOMENT TEXT 1 e.g. This is evident when he discusses how, at school, your social class was defined not just by your clothes but also by how you spent your summers – in his case “working as a dishwasher in the kitchen crew at a YMCA camp” a fact which he vows never to reveal to his classmates.

LINKING PHRASE & STATEMENT TEXT 2 e.g. Similarly, in GEN, Emily comes from a broken home, but it is her family’s absolute impoverishment which she keeps hidden from her classmates. Like the narrator in OS, she fears their pity but unlike him she is already dealing with the harsh reality of being a social outcast at school.

KEY MOMENT TEXT 2 e.g. During one key moment she describes leaning down to tie her shoes, all the while talking, only to look up and find her friends have walked off and are now laughing at her for talking to thin air. Thus her desire to escape the limitations of her background is more urgent than in OS.

LINKING PHRASE & STATEMENT TEXT 3 e.g. By contrast, in IMHO, Jane, Lucy, Joel, Zach & Max all come from upper middle class backgrounds. Their social status is more secure than the narrator in OS or Emily in GEN, yet they are all obsessed with creating the impression that they have links to the aristocracy – or in Zach’s case, royalty.

KEY MOMENT TEXT 3 e.g. Several key moments spring to mind, the funniest of which is when Lucy boasts about the diamond necklace she’s wearing being a family heirloom bequeathed by her Aunt Tess, only to have one of the so-called diamonds fall into her soup. Joel the jeweller then delights in pointing out the evident ‘fake’ in the room (the woman AND the diamond).

STATEMENT ALL 3 & PERSONAL RESPONSE TO QUESTION ASKED e.g. Thus I found it fascinating, tragic and at times hilarious to see how all of these characters were so deeply affected by their obsession with their social status and to observe the conflicts – both internal & external – which resulted.

This all sounds very technical but if you break it down as follows it’s not so complicated (easy for me to say!)

STATEMENT ALL 3 TEXTS

STATEMENT TEXT 1 & KEY MOMENT

LINKING PHRASE & STATEMENT TEXT 2 & KEY MOMENT

LINKING PHRASE & STATEMENT TEXT 3 & KEY MOMENT

STATEMENT ALL 3 & PERSONAL RESPONSE TO QUESTION

Now look at how the paragraph/section flows when you put it all together.

All of the central characters are deeply aware of their social class and wish to ‘climb the ladder’ as it were in the hope that they will achieve recognition, the envy of their peers and ultimately a better life. In OS, the narrator hides his background (he comes from a broken home) from his wealthier peers. This is evident when he discusses how, at school, your social class was defined not just by your clothes but also by how you spent your summers – in his case “working as a dishwasher in the kitchen crew at a YMCA camp” a fact which he vows never to reveal to his classmates. Similarly, in GEN, Emily comes from a broken home, but it is her family’s absolute impoverishment which she keeps hidden from her classmates. Like the narrator in OS, she fears their pity but unlike him she is already dealing with the harsh reality of being a social outcast at school. During one key moment she describes leaning down to tie her shoes at her locker, all the while talking, only to look up and find her friends have walked off and are now laughing at her for talking to thin air. Thus her desire to escape the stigma of her background is more urgent than in OS. By contrast, in IMHO, Jane, Lucy, Joel, Zach & Max all come from upper middle class backgrounds. Their social status is more secure than for narrator in OS or Emily in GEN, yet they are all obsessed with creating the impression that they have links to the aristocracy – or in Zach’s case, royalty. S everal key moments spring to mind, the funniest of which is when Lucy boasts about the diamond necklace she’s wearing being a family heirloom bequeathed by her Aunt Tess, only to have one of the so-called diamonds fall into her soup. Joel the jeweller then delights in pointing out the evident ‘fakes’ in the room (the woman AND the diamond). Thus I found it fascinating, tragic and at times hilarious to see how all of these characters were so deeply affected by their obsession with their social status and to observe the conflicts – both internal & external – which resulted.

This paragraph only establishes that the characters want to hide or improve their social class. You could now look at some of their attempts to improve their social status.

If a paragraph gets too long, break it into two. The linking phrase will make it clear that you’re still talking about the same issue.

For the 30 / 40 marls question just take all of your statements & key moments for Text 1 and put them together, all the while answering the question and offering personal response. This is your 30 marks part.

Then take all of your statements & links for texts 2 & 3 and put them together, all the while answering the question and offering personal response. This is your 40 marks part. You will refer back, in passing, to Text 1 but only when establishing your links.

Also, I’ve said it before but I’ll say it again: the more detailed a link is the more marks you’ll get for it. Thus just using the words ‘similarly’ or ‘by contrast’ isn’t really enough. Link individual characters from different texts, establish the ways they or their circumstances are similar but also point out subtle differences.

This structure applies no matter what the mode – theme or issue / general vision or viewpoint / cultural context / literary genre.

P.S. If you’re wondering why you’ve never heard of the film Generous or the play IMHO, I can explain. I made them up.

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• A-Level English Literature

How to Write an A-Level English Literature Essay

Writing an A-level English Literature essay is like creating a masterpiece. It’s a skill that can make a big difference in your academic adventure. 

In this article, we will explore the world of literary analysis in an easy-to-follow way. We’ll show you how to organise your thoughts, analyse texts, and make strong arguments. 

The Basics of Crafting A-Level English Literature Essays

Understanding the Assignment: Decoding Essay Prompts

Writing begins with understanding. When faced with an essay prompt, dissect it carefully. Identify keywords and phrases to grasp what’s expected. Pay attention to verbs like “analyse,” “discuss,” or “evaluate.” These guide your approach. For instance, if asked to analyse, delve into the how and why of a literary element.

Essay Structure: Building a Solid Foundation

The structure is the backbone of a great essay. Start with a clear introduction that introduces your topic and thesis. The body paragraphs should each focus on a specific aspect, supporting your thesis. Don’t forget topic sentences—they guide readers. Finally, wrap it up with a concise conclusion that reinforces your main points.

Thesis Statements: Crafting Clear and Powerful Arguments

Your thesis is your essay’s compass. Craft a brief statement conveying your main argument. It should be specific, not vague. Use it as a roadmap for your essay, ensuring every paragraph aligns with and supports it. A strong thesis sets the tone for an impactful essay, giving your reader a clear sense of what to expect.

Exploring PEDAL for Better A-Level English Essays

Going beyond PEE to PEDAL ensures a holistic approach, hitting the additional elements crucial for A-Level success. This structure delves into close analysis, explains both the device and the quote, and concludes with a contextual link. 

Below are some examples to illustrate how PEDAL can enhance your essay:

Clearly state your main idea.

Example: “In this paragraph, we explore the central theme of love in Shakespeare’s ‘Romeo and Juliet.'”

Pull relevant quotes from the text.

Example: “Citing Juliet’s line, ‘My only love sprung from my only hate,’ highlights the conflict between love and family loyalty.”

Identify a literary technique in the evidence.

Example: “Analysing the metaphor of ‘love sprung from hate,’ we unveil Shakespeare’s use of contrast to emphasise the intensity of emotions.”

Break down the meaning of the evidence.

Example: “Zooming in on the words ‘love’ and ‘hate,’ we dissect their individual meanings, emphasising the emotional complexity of the characters.”

Link to Context:

Connect your point to broader contexts.

Example: “Linking this theme to the societal norms of the Elizabethan era adds depth, revealing how Shakespeare challenges prevailing beliefs about love and family.”

Navigating the World of Literary Analysis

Breaking Down Literary Elements: Characters, Plot, and Themes

Literary analysis is about dissecting a text’s components. Characters, plot, and themes are key players. Explore how characters develop, influence the narrative, and represent broader ideas. Map out the plot’s structure—introduction, rising action, climax, and resolution. Themes, the underlying messages, offer insight into the author’s intent. Pinpointing these elements enriches your analysis.

Effective Text Analysis: Uncovering Hidden Meanings

Go beyond the surface. Effective analysis uncovers hidden layers. Consider symbolism, metaphors, and imagery. Ask questions: What does a symbol represent? How does a metaphor enhance meaning? Why was a particular image chosen? Context is crucial. Connect these literary devices to the broader narrative, revealing the author’s nuanced intentions.

Incorporating Critical Perspectives: Adding Depth to Your Essays

Elevate your analysis by considering various perspectives. Literary criticism opens new doors. Explore historical, cultural, or feminist viewpoints. Delve into how different critics interpret the text. This depth showcases a nuanced understanding, demonstrating your engagement with broader conversations in the literary realm. Incorporating these perspectives enriches your analysis, setting your essay apart.

Secrets to Compelling Essays

Structuring your ideas: creating coherent and flowing essays.

Structure is the roadmap readers follow. Start with a captivating introduction that sets the stage. Each paragraph should have a clear focus, connected by smooth transitions. Use topic sentences to guide readers through your ideas. Aim for coherence—each sentence should logically follow the previous one. This ensures your essay flows seamlessly, making it engaging and easy to follow.

Presenting Compelling Arguments: Backing Up Your Points

Compelling arguments rest on solid evidence. Support your ideas with examples from the text. Quote relevant passages to reinforce your points. Be specific—show how the evidence directly relates to your argument. Avoid generalisations. Strong arguments convince the reader of your perspective, making your essay persuasive and impactful.

The Power of Language: Writing with Clarity and Precision

Clarity is key in essay writing. Choose words carefully to convey your ideas precisely. Avoid unnecessary complexity—simple language is often more effective. Proofread to eliminate ambiguity and ensure clarity. Precision in language enhances the reader’s understanding and allows your ideas to shine. Crafting your essay with care elevates the overall quality, leaving a lasting impression.

Mastering A-level English Literature essays unlocks academic success. Armed with a solid structure, nuanced literary analysis, and compelling arguments, your essays will stand out. Transform your writing from good to exceptional. 

For personalised guidance, join Study Mind’s A-Level English Literature tutors . Elevate your understanding and excel in your literary pursuits. Enrich your learning journey today!

How long should my A-level English Literature essay be, and does word count matter?

While word count can vary, aim for quality over quantity. Typically, essays range from 1,200 to 1,500 words. Focus on expressing your ideas coherently rather than meeting a specific word count. Ensure each word contributes meaningfully to your analysis for a concise and impactful essay.

Is it acceptable to include personal opinions in my literature essay?

While it’s essential to express your viewpoint, prioritise textual evidence over personal opinions. Support your arguments with examples from the text to maintain objectivity. Balance your insights with the author’s intent, ensuring a nuanced and well-supported analysis.

Can I use quotes from literary critics in my essay, and how do I integrate them effectively?

Yes, incorporating quotes from critics can add depth. Introduce the critic’s perspective and relate it to your argument. Analyse the quote’s relevance and discuss its impact on your interpretation. This demonstrates a broader engagement with literary conversations.

How do I avoid sounding repetitive in my essay?

Vary your language and sentence structure. Instead of repeating phrases, use synonyms and explore different ways to express the same idea. Ensure each paragraph introduces new insights, contributing to the overall development of your analysis. This keeps your essay engaging and avoids monotony.

Is it necessary to memorise quotes, or can I refer to the text during exams?

While memorising key quotes is beneficial for a closed text exam, you can refer to the text during open text exams. However, it’s crucial to be selective. Memorise quotes that align with common themes and characters, allowing you to recall them quickly and use them effectively in your essay under time constraints.

How can I improve my essay writing under time pressure during exams?

Practise timed writing regularly to enhance your speed and efficiency. Prioritise planning—allocate a few minutes to outline your essay before starting. Focus on concise yet impactful analysis. Develop a systematic approach to time management to ensure each section of your essay receives adequate attention within the given timeframe.

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Comparative Essay

How to Write a Comparative Essay – A Complete Guide

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Comparative essay is a common assignment for school and college students. Many students are not aware of the complexities of crafting a strong comparative essay. 

If you too are struggling with this, don't worry!

In this blog, you will get a complete writing guide for comparative essay writing. From structuring formats to creative topics, this guide has it all.

So, keep reading!

• 1. What is a Comparative Essay?
• 2. Comparative Essay Structure
• 3. How to Start a Comparative Essay?
• 4. How to Write a Comparative Essay?
• 5. Comparative Essay Examples
• 6. Comparative Essay Topics
• 7. Tips for Writing A Good Comparative Essay
• 8. Transition Words For Comparative Essays

What is a Comparative Essay?

A comparative essay is a type of essay in which an essay writer compares at least two or more items. The author compares two subjects with the same relation in terms of similarities and differences depending on the assignment.

The main purpose of the comparative essay is to:

• Highlight the similarities and differences in a systematic manner.
• Provide great clarity of the subject to the readers.
• Analyze two things and describe their advantages and drawbacks.

A comparative essay is also known as compare and contrast essay or a comparison essay. It analyzes two subjects by either comparing them, contrasting them, or both. The Venn diagram is the best tool for writing a paper about the comparison between two subjects.  

Moreover, a comparative analysis essay discusses the similarities and differences of themes, items, events, views, places, concepts, etc. For example, you can compare two different novels (e.g., The Adventures of Huckleberry Finn and The Red Badge of Courage).

However, a comparative essay is not limited to specific topics. It covers almost every topic or subject with some relation.

Comparative Essay Structure

A good comparative essay is based on how well you structure your essay. It helps the reader to understand your essay better. 

The structure is more important than what you write. This is because it is necessary to organize your essay so that the reader can easily go through the comparisons made in an essay.

The following are the two main methods in which you can organize your comparative essay.

Point-by-Point Method 

The point-by-point or alternating method provides a detailed overview of the items that you are comparing. In this method, organize items in terms of similarities and differences.

This method makes the writing phase easy for the writer to handle two completely different essay subjects. It is highly recommended where some depth and detail are required.

Below given is the structure of the point-by-point method. 

Block Method 

The block method is the easiest as compared to the point-by-point method. In this method, you divide the information in terms of parameters. It means that the first paragraph compares the first subject and all their items, then the second one compares the second, and so on.

However, make sure that you write the subject in the same order. This method is best for lengthy essays and complicated subjects.

Here is the structure of the block method. 

Therefore, keep these methods in mind and choose the one according to the chosen subject.

Mixed Paragraphs Method

In this method, one paragraph explains one aspect of the subject. As a writer, you will handle one point at a time and one by one. This method is quite beneficial as it allows you to give equal weightage to each subject and help the readers identify the point of comparison easily.

How to Start a Comparative Essay?

Here, we have gathered some steps that you should follow to start a well-written comparative essay.  

Choose a Topic

The foremost step in writing a comparative essay is to choose a suitable topic.

Choose a topic or theme that is interesting to write about and appeals to the reader. 

An interesting essay topic motivates the reader to know about the subject. Also, try to avoid complicated topics for your comparative essay. 

Develop a List of Similarities and Differences 

Create a list of similarities and differences between two subjects that you want to include in the essay. Moreover, this list helps you decide the basis of your comparison by constructing your initial plan. 

Evaluate the list and establish your argument and thesis statement .

Establish the Basis for Comparison 

The basis for comparison is the ground for you to compare the subjects. In most cases, it is assigned to you, so check your assignment or prompt.

Furthermore, the main goal of the comparison essay is to inform the reader of something interesting. It means that your subject must be unique to make your argument interesting.  

Do the Research 

In this step, you have to gather information for your subject. If your comparative essay is about social issues, historical events, or science-related topics, you must do in-depth research.    

However, make sure that you gather data from credible sources and cite them properly in the essay.

Create an Outline

An essay outline serves as a roadmap for your essay, organizing key elements into a structured format.

With your topic, list of comparisons, basis for comparison, and research in hand, the next step is to create a comprehensive outline. 

Here is a standard comparative essay outline:

How to Write a Comparative Essay?

Now that you have the basic information organized in an outline, you can get started on the writing process. 

Here are the essential parts of a comparative essay: 

Comparative Essay Introduction 

Start off by grabbing your reader's attention in the introduction . Use something catchy, like a quote, question, or interesting fact about your subjects. 

Then, give a quick background so your reader knows what's going on. 

The most important part is your thesis statement, where you state the main argument , the basis for comparison, and why the comparison is significant.

This is what a typical thesis statement for a comparative essay looks like:

Comparative Essay Body Paragraphs 

The body paragraphs are where you really get into the details of your subjects. Each paragraph should focus on one thing you're comparing.

Start by talking about the first point of comparison. Then, go on to the next points. Make sure to talk about two to three differences to give a good picture.

After that, switch gears and talk about the things they have in common. Just like you discussed three differences, try to cover three similarities. 

This way, your essay stays balanced and fair. This approach helps your reader understand both the ways your subjects are different and the ways they are similar. Keep it simple and clear for a strong essay.

Comparative Essay Conclusion

In your conclusion , bring together the key insights from your analysis to create a strong and impactful closing.

Consider the broader context or implications of the subjects' differences and similarities. What do these insights reveal about the broader themes or ideas you're exploring?

Discuss the broader implications of these findings and restate your thesis. Avoid introducing new information and end with a thought-provoking statement that leaves a lasting impression.

Below is the detailed comparative essay template format for you to understand better.

Comparative Essay Format

Comparative Essay Examples

Have a look at these comparative essay examples pdf to get an idea of the perfect essay.

Comparative Essay on Summer and Winter

Comparative Essay on Books vs. Movies

Comparative Essay Sample

Comparative Essay Thesis Example

Comparative Essay on Football vs Cricket

Comparative Essay on Pet and Wild Animals

Comparative Essay Topics

Comparative essay topics are not very difficult or complex. Check this list of essay topics and pick the one that you want to write about.

• How do education and employment compare?
• Living in a big city or staying in a village.
• The school principal or college dean.
• New Year vs. Christmas celebration.
• Dried Fruit vs. Fresh. Which is better?
• Similarities between philosophy and religion.
• British colonization and Spanish colonization.
• Nuclear power for peace or war?
• Bacteria or viruses.
• Fast food vs. homemade food.

Tips for Writing A Good Comparative Essay

Writing a compelling comparative essay requires thoughtful consideration and strategic planning. Here are some valuable tips to enhance the quality of your comparative essay:

• Clearly define what you're comparing, like themes or characters.
• Plan your essay structure using methods like point-by-point or block paragraphs.
• Craft an introduction that introduces subjects and states your purpose.
• Ensure an equal discussion of both similarities and differences.
• Use linking words for seamless transitions between paragraphs.
• Gather credible information for depth and authenticity.
• Use clear and simple language, avoiding unnecessary jargon.
• Dedicate each paragraph to a specific point of comparison.
• Summarize key points, restate the thesis, and emphasize significance.
• Thoroughly check for clarity, coherence, and correct any errors.

Transition Words For Comparative Essays

Transition words are crucial for guiding your reader through the comparative analysis. They help establish connections between ideas and ensure a smooth flow in your essay. 

Here are some transition words and phrases to improve the flow of your comparative essay:

Transition Words for Similarities

• Correspondingly
• In the same vein
• In like manner
• In a similar fashion
• In tandem with

Transition Words for Differences

• On the contrary
• In contrast
• Nevertheless
• In spite of
• Notwithstanding
• On the flip side
• In contradistinction

Check out this blog listing more transition words that you can use to enhance your essay’s coherence!

In conclusion, now that you have the important steps and helpful tips to write a good comparative essay, you can start working on your own essay. 

However, if you find it tough to begin, you can always hire our college paper writing service .

Our skilled writers can handle any type of essay or assignment you need. So, don't wait—place your order now and make your academic journey easier!

Frequently Asked Question

How long is a comparative essay.

A comparative essay is 4-5 pages long, but it depends on your chosen idea and topic.

How do you end a comparative essay?

Here are some tips that will help you to end the comparative essay.

• Restate the thesis statement
• Wrap up the entire essay
• Highlight the main points

Write Essay Within 60 Seconds!

Dr. Barbara is a highly experienced writer and author who holds a Ph.D. degree in public health from an Ivy League school. She has worked in the medical field for many years, conducting extensive research on various health topics. Her writing has been featured in several top-tier publications.

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As and a level english literature - h072, h472.

Full assessment teaching materials, including secure assessment materials, are now only available on Teach Cambridge. Examples are shown below.

Question papers, mark schemes and reports

2022 - june series.

• Question paper - Drama and poetry pre-1900 H472/01 - PDF 2MB
• Mark scheme - Drama and poetry pre-1900 H472/01 - PDF 639KB
• Examiners' report - Drama and poetry pre-1900 H472/01 - PDF 1MB
• Question paper - Comparative and contextual study H472/02 - PDF 926KB
• Mark scheme - Comparative and contextual study H472/02 - PDF 476KB
• Examiners' report - Comparative and contextual study H472/02 - PDF 2MB
• Examiners' report - Literature post-1900 H472/03 - PDF 389KB
• Modified Papers H472/01-H472/02 - ZIP 1MB

2021 - November series

• Question paper - Drama and poetry pre-1900 H472/01 - PDF 940KB
• Mark scheme - Drama and poetry pre-1900 H472/01 - PDF 587KB
• Examiners' report - Drama and poetry pre-1900 H472/01 - PDF 382KB
• Question paper - Comparative and contextual study H472/02 - PDF 919KB
• Mark scheme - Comparative and contextual study H472/02 - PDF 496KB
• Examiners' report - Comparative and contextual study H472/02 - PDF 414KB
• Modified papers H472/01/02 - ZIP 2MB

2020 - November series

• Question papers H472 - interchange login required
• Question paper - Drama and poetry pre-1900 H472/01 - PDF 1MB
• Mark scheme - Drama and poetry pre-1900 H472/01 - PDF 539KB
• Examiners' report - Drama and poetry pre-1900 H472/01 - PDF 360KB
• Question paper - Comparative and contextual study H472/02 - PDF 649KB
• Mark scheme - Comparative and contextual study H472/02 - PDF 471KB
• Examiners' report - Comparative and contextual study H472/02 - PDF 352KB
• Modified papers H472/01/02 - ZIP 3MB

2019 - June series

• Question paper - Drama and poetry pre-1900 H472/01 - PDF 4MB
• Mark scheme - Drama and poetry pre-1900 H472/01 - PDF 529KB
• Examiners' report - Drama and poetry pre-1900 H472/01 - PDF 908KB
• Question paper - Comparative and contextual study H472/02 - PDF 2MB
• Mark scheme - Comparative and contextual study H472/02 - PDF 497KB
• Examiners' report - Comparative and contextual study H472/02 - PDF 1MB
• Examiners' report - Literature post-1900 H472/03 - PDF 469KB
• Summer highlights report H472 - PDF 206KB
• Modified Papers H472/01-H472/02 - ZIP 38MB

Sample assessment materials

Marking instructions are included at the beginning of specimen assessment material mark schemes and were accurate at the time of publication. Marking instructions may be revised in live papers as appropriate during the lifetime of the qualification.

We're currently revising our SAMs to update third-party copyright agreements. For question examples see our question papers, marks schemes and reports.

• Drama and poetry pre-1900 H472/01 - Sample question paper and mark scheme. PDF 488KB
• Comparative and contextual study H472/02 - Sample question paper and mark scheme. PDF 1MB
• Annotated sample assessment materials H472 - ZIP 694KB

Non-exam assessment (NEA)

• Literature post-1900: guide to task setting This guide outlines best practice for task setting to support teaching of A Level component 03: Literature post-1900. PDF 624KB
• Literature post-1900: non-exam assessment guide A useful guidance for teachers to support them in preparing candidates for the non-exam assessment component 03: Literature post-1900. PDF 593KB
• Question paper - Shakespeare and poetry pre-1900 H072/01 - PDF 751KB
• Mark scheme - Shakespeare and poetry pre-1900 H072/01 - PDF 510KB
• Examiners' report - Shakespeare and poetry pre-1900 H072/01 - PDF 2MB
• Question paper - Drama and prose post-1900 H072/02 - PDF 634KB
• Mark scheme - Drama and prose post-1900 H072/02 - PDF 453KB
• Examiners' report - Drama and prose post-1900 H072/02 - PDF 1MB
• Modified papers H072 - ZIP 1MB
• Question paper - Shakespeare and poetry pre-1900 H072/01 - PDF 1MB
• Mark scheme - Shakespeare and poetry pre-1900 H072/01 - PDF 518KB
• Question paper - Drama and prose post-1900 H072/02 - PDF 635KB
• Mark scheme - Drama and prose post-1900 H072/02 - PDF 486KB
• Modified papers H072/01-H072/02 - ZIP 3MB
• Question paper - Shakespeare and poetry pre-1900 H072/01 - PDF 2MB
• Mark scheme - Shakespeare and poetry pre-1900 H072/01 - PDF 941KB
• Examiners' report - Shakespeare and poetry pre-1900 H072/01 - PDF 962KB
• Question paper - Drama and prose post-1900 H072/02 - PDF 1MB
• Mark scheme - Drama and prose post-1900 H072/02 - PDF 504KB
• Examiners' report - Drama and prose post-1900 H072/02 - PDF 662KB
• Modified papers H072 - ZIP 16MB
• Shakespeare and poetry pre-1900 H072/01 - Sample question paper and mark scheme. PDF 458KB
• Drama and prose post-1900 H072/02 - Sample question paper and mark scheme. PDF 952KB
• Annotated sample assessment materials H072 - ZIP 651KB

Candidate exemplars

2018 - june series.

• Shakespeare and poetry pre-1900 H072/01 - PDF 12MB
• Drama and prose post-1900 H072/02 - PDF 10MB

2017 - June series

• Shakespeare and poetry pre-1900 H072/01 - Exemplar candidate work with commentary PDF 13MB

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