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Enchanting Marketing

Writing advice for small business

How to Explain Your Ideas Clearly: The Zoom-In-Zoom-Out Technique

by Henneke | 104 enchanting opinions, add yours? :)

How to Explain Something in Writing

Do readers jump up to implement your advice?

Let’s be honest, writing a good explanation is tougher than it seems.

Explanations often turn out to be a tad dry and uninspiring—and when we fail to captivate our readers, we fail to communicate our ideas, too.

So, what can you do to explain with clarity and zing?

The Zoom-In-Zoom-Out technique

You know it from photography, don’t you?

Zoom out, and you display the big picture. Zoom in, and you show details.

Writing works the same.

The best writing combines satellite-style zooming out with telephoto-like zooming in.

When zooming in, you see the mother lion licking her young; you see the bee gathering honey from a clover; you see the withering petals of a tulip. You see one specific situation—one flower, one person, or one animal doing one specific thing.

Satellite photography is the complete opposite. Instead of tiny details, you see patterns. You see the colorful fields with millions of tulips in the Netherlands. You see how the roads and fields are flooded after months of rain. You see sprawling suburbs surrounding the skyscrapers in downtown Houston.

In photography, you have all sorts of lenses and you create pictures with different levels of zoom. But in writing, you alternate mostly between the extremes:

  • Captivate readers by using the telephoto lens—tell the story of one person in one specific situation.
  • Describe the satellite image to explain the wider picture, the trends, the lessons, the statistics.
  • As much as possible, skip the half-zoomed scenes.

The Zoom-In-Zoom-Out technique helps you explain anything to anyone; it helps you captivate readers, even with the most boring topics.

Shall I show you?

How the masters of explanation use this technique

Chip and Dan Heath apply the Zoom-In-Zoom-Out technique in all their books to educate business readers.

Below follows an example from their book The Power of Moments . The story shows how important praise is, and it starts when a student, called Sloop, has been told to mouth words because her voice doesn’t blend with the rest of the choir. Then another teacher asks her to stay after practice:

Sloop was hesitant at first but eventually lowered her guard. She said, “We sang scale after scale, song after song, harmonizing and improving, until we were hoarse.” Then the teacher took Sloop’s face in her hands and looked her in the eyes and said: “You have a distinctive, expressive, and beautiful voice. You could have been the love child of Bob Dylan and Joan Baez.” As she left the room that day, she felt as if she’d shed a ton of weight. “I was on top of the world,” she said. Then she went to the library to find out who Joan Baez was.

Sensory details —the singing of scale after scale and becoming hoarse; and how the teacher took her face in her hands—make this scene come alive. I can sense the impact the praise had on Sloop, and I imagine her walking to the library with a spring in her step.

Once the story has demonstrated the impact of praise, the authors zoom out to share the big picture:

The importance of recognition to employees is inarguable. But here’s the problem: While recognition is a universal expectation, it’s not a universal practice. (…) “More than 80 per cent of supervisors claim they frequently express appreciation to their subordinates, while less than 20 per cent of the employees report that their supervisors express appreciation more than occasionally.” Call it the recognition gap.

Zoomed-out statements—facts, figures, trends and big pictures—only become powerful when the zoomed-in stories give them meaning.

Facts give stories substance. Stories give facts meaning. Substance and meaning are two of the most powerful factors in any explanation. ~ Lee LeFever (From: The Art of Explanation)

Another example of the Zoom-In-Zoom-Out technique

The Year of Magical Thinking is a memoir by Joan Didion, in which she describes her journey of grieving for her husband.

But she doesn’t tell only her own story, she also comments on theories around loss and grieving. For instance:

From Bereavement: Reactions, Consequences, and Care, compiled in 1984 by the National Academy of Sciences’ Institute of Medicine, I learned for example that the most frequent immediate responses to death were shock, numbness, and a sense of disbelief: “Subjectively, survivors may feel like they are wrapped in a cocoon or blanket; to others, they may look as though they are holding up well. Because the reality of death has not yet penetrated awareness, survivors can appear to be quite accepting of the loss.”

The statement above about bereavement is abstract, and Didion paints a clear picture with the details of her own grieving process:

I could not give away the rest of his shoes. I stood there for a moment, then realized why: he would need shoes if he was to return.

Feel that, too?

It’s the personal story that connects and adds meaning to dry advice and bare facts.

A powerful mix of authority and authenticity

The stories you share can be about yourself, but also about clients or friends, or they can be stories you’ve heard or read.

For instance, in a blog post about finding your passion , Mark Manson explains his general view:

Today, I received approximately the 11,504th email this year from a person telling me that they don’t know what to do with their life. (…) The common complaint among a lot of these people is that they need to “find their passion.” I call bullshit. You already found your passion, you’re just ignoring it. Seriously, you’re awake 16 hours a day, what the fuck do you do with your time?

To be honest, as I was reading that, I didn’t quite get it. What does Manson really mean? Why would people ignore their passion?

But then he zooms into a miniature story about a friend, and I understand:

I have a friend who, for the last three years, has been trying to build an online business selling whatever. It hasn’t been working. And by not working, I mean he’s not even launching anything. Despite years of “work” and saying he’s going to do this or that, nothing actually ever gets done. What does get done is when one of his former co-workers comes to him with a design job to create a logo or design some promotional material for an event. Holy shit, he’s all over that like flies on fresh cow shit. And he does a great job! He stays up to 4:00 AM losing himself working on it and loving every second of it. But then two days later it’s back to, “Man, I just don’t know what I’m supposed to do.” I meet so many people like him. He doesn’t need to find his passion. His passion already found him. He’s just ignoring it. He just refuses to believe it’s viable. He is just afraid of giving it an honest-to-god try.

The story about Manson’s friend is vivid and emotional, and it adds authenticity and meaning to the general advice that you don’t need to find your passion.

So, whenever you want to share a lesson or explain a trend, share a specific story and use vivid details to captivate and inspire readers.

How to explain better

You can use this Zoom-In-Zoom-Out technique for any type of writing:

  • In a case study, explain the key benefits of your service by relating how it worked for one specific client.
  • In a blog post, teach a lesson by giving a specific example.
  • In journalism, weave sociological trends with the stories of how it affects specific families.
  • In a memoir, tell your personal story and relate it to a bigger lesson.
  • In a historical novel, tell the story of your protagonist to open a doorway to a historical era.

The foundation of explanatory writing is simple: Zoom in. Zoom out.

The zoom-in-zoom-out technique for explanatory writing

PS Thank you to Amy Peacock for inspiring this blog post.

Recommended course:

Stories in miniature, learn how to captivate your audience with stories in blog posts, books, social media, web pages, and emails.

a 3D picture of a computer  monitor showing the course video with an illustrated transcript next to it

“The biggest gift from taking Henneke’s class is finding my voice to tell stories throughout my book. I am not so worried about what people will think anymore. I can choose to be more vulnerable, and I feel so much more confident in my business writing.” ~ Irene Yam

5 stars

I very much appreciate the personalised support Henneke gives in this course. I never felt left alone, and the companion emails motivated me to keep going. I also love Henrietta’s drawings, they help me remember concepts easily and I think they really spice up the course.” ~ Laura

“Even if you know something (“Show, don’t tell”, for example), Henneke’s way to teach helps you understand better what you already know.” ~ Maurizio

I feel more confident in my story skills. With more practice I now believe that I can become one of those people that can tell an engaging story. Henneke always exceeds my expectations.” ~ Susan

Learn more >>

Further reading on good explanations:

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Reader Interactions

Leave a comment and join the conversation cancel reply.

zoom in phrases for creative writing

May 10, 2024 at 8:40 pm

I write for the self-knowledge niche, but I’m not able to write posts that connect deeply with people, I lack words to engage them. Even though I know my audience, they are insecure women between 20 and 48 years old, with low self-esteem, they feel devalued, lost, and incomplete in their relationships. I can’t write anything impactful that helps them! I always read your articles and they keep me hooked until the end, but I don’t know how to do the same

zoom in phrases for creative writing

May 12, 2024 at 6:58 pm

You can do it, too.

Start by writing for one person. Think about one problem you can help her solve. It can be a tiny problem or you can help her take the first step towards solving a big problem.

In your opening, address your reader directly. It can help to write her name at the top of your draft, as if you’re writing a letter. Tell her you understand what she’s struggling with, then promise you have a solution (or a first step towards a solution). That’s all you need to do in the opening: Show empathy and show that reading your blog post will be worth her time. Then, in the main body of your post, share step by step what you recommend doing to solve the issue. Give examples so it doesn’t seem too abstract. Then in the final paragraph, inspire her to take action.

A first draft will not be like you want it to be. Too complicated. Not conversational enough. So, when you’re editing, try to simplify and be precise in what you’re communicating. Also, at least for one round of editing, imagine phoning your reader and reading your blog post aloud to her. How does it sound? How can you make it more natural?

You’ll get there step by step.

zoom in phrases for creative writing

May 8, 2024 at 8:23 pm

I’m in awe of how you simplify things, Henneke. The photography analogy works really well and your drawn illustrations are perfect. I will now happily zoom in and out with more awareness of what I’m doing. 😉

May 8, 2024 at 9:07 pm

Thank you so much, Sue. That’s a lovely compliment. Happy writing!

zoom in phrases for creative writing

April 23, 2024 at 5:46 pm

Hi Henneke! Thanks for sharing this important knowledge with us. I’v always felt at home with the technique you brought to our attention. It has further reinforced the need to continue to use it.

April 23, 2024 at 6:02 pm

Great that you feel at home with this technique already, Michael. And thank you for stopping by. Happy writing!

zoom in phrases for creative writing

April 23, 2024 at 5:11 pm

This post is so timely. Perfect.Perfect.Perfect. I’m in the middle of a writing a series of blog posts (actually the foundation for a book). It came out an invitation to write a post for an organization I belong to. It expanded to over twice the word limit in no time… Now as I am organizing it to be shorter pieces, I see how zooming in & zooming out would be vital for improving the quality & effectiveness of the info. Thank You again for your brilliance in bringing these valuable tidbits to all of us in your posts.

April 23, 2024 at 5:34 pm

Thank you, Bamboo. Your comment makes my day. There’s no bigger compliment to me than someone suggesting they’re going to use my tips to improve their writing. It sounds like you’re creating something special!

zoom in phrases for creative writing

April 23, 2024 at 3:05 pm

Like a fine wine, your advice gets better and better, Henneke.

Your examples make the Zoom-in / Zoom-out technique memorable. I can’t wait to try them out on my own writing.

April 23, 2024 at 4:41 pm

Thank you, Bill. That’s a lovely compliment. I like a fine wine 🙂

zoom in phrases for creative writing

April 23, 2024 at 1:22 pm

Wonderful examples. I’ll be reading this one a few more times!

April 23, 2024 at 1:34 pm

Thank you, Christy. I love these examples, too.

zoom in phrases for creative writing

April 23, 2024 at 12:00 pm

Thank you, Henneke. I really found this post inspiring. I would really like to join your courses. Please keep me posted.

April 23, 2024 at 12:05 pm

Thank you, Jasmine. My courses are open for enrollment all year so you can jump in anytime!

zoom in phrases for creative writing

April 23, 2024 at 11:58 am

Brilliant: perfect examples. Sadly, most people will not take the time to understand how to apply your know how to their writing. Thank you for sharing.

April 23, 2024 at 12:04 pm

Well, I’m writing for the people who do take the time to implement my tips. I think there are enough of them 🙂

zoom in phrases for creative writing

April 23, 2024 at 11:35 am

Love this play between zoom-in and zoom out for writing! Thanks for sharing, Henneke 🙂

April 23, 2024 at 11:40 am

Thank you, Sampada. I find it such a useful way to think about writing and storytelling.

zoom in phrases for creative writing

June 20, 2023 at 11:04 pm

Once again, your enchanting words create inspiration. Henneke, Thank you,

June 21, 2023 at 9:17 am

I’m glad you enjoyed this, Helene. Happy storytelling!

zoom in phrases for creative writing

May 26, 2023 at 3:27 pm

Just a quick thank you for all your outstanding teaching. You are such a talent! Trying to find the time to take one of your courses.

May 26, 2023 at 5:06 pm

Thank you for your lovely compliment, Pamela. 🙂

zoom in phrases for creative writing

January 4, 2023 at 12:39 am

would I be able to do two zoom-ins in one essay like have my first primary source be the intro-zoom? but then zoom in on another primary later on in the essay

January 4, 2023 at 9:50 am

Yes, you can zoom in more often.

zoom in phrases for creative writing

March 14, 2024 at 1:42 pm

Well 😅🔥 will work on it

March 14, 2024 at 1:50 pm

Hope you’ll have fun with this!

zoom in phrases for creative writing

August 11, 2022 at 7:15 pm

Exhilarating. The way you have stressed metaphor to zoom in and out and the points below “You can use this technique for any type of writing:” is very engaging.

Kudos for those ideas.

August 11, 2022 at 9:20 pm

Thank you, Indranil. Happy writing!

zoom in phrases for creative writing

January 11, 2021 at 12:21 pm

Great advice! I can’t wait to use it. I’m like the thousands of other writers who like Henneke’s articles.

January 11, 2021 at 2:07 pm

Thank you, Wally. This is one of my favorite posts 🙂

zoom in phrases for creative writing

December 8, 2020 at 3:49 pm

First off, great explanation of the technique. I’m trying to practice my writing and was wondering if you have any additional examples for the zoom in and out technique, other than the ones given in the article? Thank you!

December 8, 2020 at 6:26 pm

You’ll find many more examples in any of the books by Chip and Dan Heath, or check out good-quality long-form journalism, and see where they share stats or trends, and when they share stories about specific people in specific situations.

zoom in phrases for creative writing

November 5, 2020 at 7:49 pm

BEST explanation of this technique!

November 6, 2020 at 10:59 am

Thank you, Jan. Happy writing!

zoom in phrases for creative writing

June 7, 2020 at 3:15 pm

Wow! This technique just blew my mind. It is simple as it sounds, but so powerful to improve my writing skill. Thanks for sharing!!!!!

June 7, 2020 at 4:31 pm

I’m glad you enjoyed it, Nhan. Happy writing!

zoom in phrases for creative writing

July 18, 2019 at 5:59 pm

It finally makes sense. Zoom in and zoom out. For sure personal experience helps with writing because it’s emotional.Thanks am ready to try it

July 19, 2019 at 10:45 am

I’m glad this post makes sense 🙂 Happy writing, Lubosi, and thank you for stopping by. .

zoom in phrases for creative writing

April 2, 2019 at 4:09 pm

Your tips are on point, simple and relevant.

I’m been struggling with extracting the ideas from my head and put them in writing. They are like bees,buzzing in and out,but poorly materialize into actual words on paper.

Any words of advice?

Your articles are great. Thanks for sharing!

April 2, 2019 at 4:50 pm

It’s very common that ideas are buzzing around our minds, but somehow when we try to commit them to paper, it’s not working. It takes time to untangle our thoughts. You may find this blog post useful: https://www.enchantingmarketing.com/writing-strategies/

zoom in phrases for creative writing

October 9, 2018 at 12:15 pm

This is a good technique. Very helpful.

October 9, 2018 at 12:16 pm

Happy zooming in and out! 😉

zoom in phrases for creative writing

September 7, 2018 at 10:45 am

Hello, The world of better writing sketched by you is a vast one to travel to a beginner like me. But the world is enticing and enchanting and inspires one to traverse.

September 7, 2018 at 4:27 pm

Thank you for your compliment. 🙂 Happy writing!

zoom in phrases for creative writing

August 25, 2018 at 5:24 am

More insightful ideas to share with my writing group and our followers on facebook. Thank you.

August 26, 2018 at 6:08 pm

Thank you for sharing, Susan. I appreciate it 🙂

zoom in phrases for creative writing

August 18, 2018 at 6:15 pm

Thank you again for writing this Henneke. Its a gem! I felt like I was crouched down panning in a cool stream for weeks and finally found a nugget of gold. 🙂

August 18, 2018 at 6:54 pm

What a great metaphor! 🙂

zoom in phrases for creative writing

August 9, 2018 at 9:45 pm

All good points for blogs and journalism, and I rate Lee LeFever’s book highly too.

In my niche, technical writing, there’s a need for minimalism and non-emotive content. But you can still use stories – weave them into examples to give the reader more context.

August 10, 2018 at 3:41 pm

I agree – there’s still space for using mini-stories as examples. Even in technical writing, describing specific situations can be useful. As you suggest, minimalism doesn’t need to exclude zooming in, and zooming in doesn’t mean a scene has to be emotional; it can be a specific user case, too.

Thank you for stopping by to add your thoughts, Craig.

zoom in phrases for creative writing

August 9, 2018 at 11:53 am

Hi Henneke – Thank you so much for recommending Lee LeFever’s The Art of Explanation. I bought it, spent the last two days reading it and was not disappointed. Lee’s concepts for creating clear explanations are outstanding. Framing the audience or reader on the “explanation scale” before putting pen to paper fixes the need to think about relevant context before hitting the details. Although it deals more with video instruction than writing a book, I recommend this book to anyone writing a how-to book. Wish I had it years ago.

I also bought the Heath brothers’ Power of Moments and I find it complements LeFever’s book in how to express human experiences meaningfully.

Thanks again Henneke for your insight into writers’ needs – from sunny Sydney. But we now need rain.

August 9, 2018 at 9:00 pm

Hi Paul – I’m so glad you enjoyed The Art of Explanation. Like you say, it’s written for making videos, but equally applies to writing. There’s so much similarity between making educational videos and writing (and public speaking, too).

We had some welcome rain yesterday!

zoom in phrases for creative writing

August 9, 2018 at 12:44 am

The title of this writing style – Zoom-in/Zoom-out – makes this lesson so much easier to remember. I love your bee graphic. A picture speaks a thousand words, and while your images are inspirational, your words would be just as complete without them!

I love your blog – and thanks for this lesson!

August 9, 2018 at 8:57 pm

Wow, what a lovely compliment. Thank you, Brylee 🙂 Happy writing, and happy zooming! 🙂

zoom in phrases for creative writing

August 8, 2018 at 5:41 pm

Thank you, Henneke. Your advice are very useful for blogging and for posting in social network.

I will follow you advice to get my writing better. And… to study how some (bad) Italian politicians can engage readers with their racist messages… 😉

August 8, 2018 at 8:00 pm

I’ve found that there’s a lot to learn from how politicians communicate and connect with people’s emotions—even if they use their communication techniques for purposes we disagree with. But I don’t really enjoy studying their words—I rather read something that pleases me than something that upsets me. 😉

zoom in phrases for creative writing

August 8, 2018 at 5:14 pm

Hi Henneke, Love this and so many of your posts! I can’t add anything brilliant but – yes – what they said!! You SO rock this writing thing. Thank you.

August 8, 2018 at 7:57 pm

Thank you for your lovely compliment, Cecelia. You put a smile on my face 🙂

Happy writing!

zoom in phrases for creative writing

August 8, 2018 at 3:23 pm

Hello Henneke, It is absolutely an engaging and informative blog to learn the essential elements in terms of style and effectiveness to engage the reader’s attention particular to the circumstances. One thing that I want to know from you is: how to write a good “case study?” REGARDS,

Richard Padgett and Jonathan Tee have both written good blog posts about writing case studies ( here and here ).

zoom in phrases for creative writing

August 8, 2018 at 12:51 pm

“Once upon a time I discovered a talented woman from the Netherlands writing and living in the UK. She riveted my attention with logical and engaging writing ideas. She also made it her mantra to reply quickly and personally to my comments. I thought then and there, I wanted to be a part of her community and to adopt her ideas for my new following. “Zoom out with me for ‘the rest of the story’, I double dare you. Thanks, Henneke, you rock.

August 8, 2018 at 7:55 pm

Hey Stephen, how lovely to see your name pop up again.

Thank you for your lovely compliment and for your story … I’m glad the story is still continuing. Right? I’m happy to have you as part of my community. Thank you.

zoom in phrases for creative writing

August 8, 2018 at 12:30 pm

Hi, Henneke… I read all your posts I receive, but I do not make any comment, or reply on them. Because I still have fear to write something in English….! I fear about sentence structure, choosing right words etc. I assume, my expression will not be much worthy to anyone, even to you. But I have a deep desire to write blogs. By reading your posts, I feel, I am a bit inspired to write. The above term Zoom in and Zoom out is very interesting, very important for me to use in my writing. I’ll try to start writing now and use this term in it… Thank you for inspiring me as mentor through your posts.

August 8, 2018 at 7:50 pm

Thank you for overcoming your resistance to writing a comment in English. I much appreciate it! 🙂

zoom in phrases for creative writing

August 8, 2018 at 11:04 am

If a day someone asks me “How did you learn to write so well and vividly?” ever comes, your name will be the first to roll off my tongue. 🙂 

August 8, 2018 at 6:36 pm

Thank you so much, Maya. I appreciate your generous compliment 🙂

zoom in phrases for creative writing

August 8, 2018 at 10:06 am

Awesome. This is so well explained. Thank you Henneke.

I have a desire to start writing and is learning up the techniques. Have to start writing as practice makes perfect.

Thank you, Christina, for your lovely compliment. Be careful that you don’t aim for perfection, and enjoy your writing!

zoom in phrases for creative writing

August 8, 2018 at 8:29 am

Dear Henneke, I visit your blog only now and then, but follow you on Twitter regularly. Coming here (and reading the comments in addition to the article) is like stopping at a warm, friendly coffee house where all is safe and where reigns kindness and good will. Thank you for instilling this ambiance. Enjoy the rest of the Summer up in the lovely North of England.

August 8, 2018 at 6:35 pm

What a lovely compliment, Doris. Thank you. It’s exactly how I’d like my blog to be, and I appreciate everyone stopping by to ask questions, share their opinions, and provide encouragement. I’m enjoying the good company here!

zoom in phrases for creative writing

August 7, 2018 at 11:24 pm

I can understand how the woman mentioned in your email left a bit confused. Even in your post here the examples are a bit opaque.

Your examples are clear, but don’t give a direct relation to each other. Even the bereavement examples don’t show a continuance of the story between the two paragraphs — as in, the second paragraph obviously didn’t come immediately after the first. There is more in between that apparently is a transition between the zooming.

I’m probably just a knuckle-headed noob. You said that the in-between transitions should be left out, but reading the bereavement paragraphs one after the other it’s obvious that more of the story has been edited out.

Please enlighten those of us that are still wandering in the dark.

August 8, 2018 at 6:33 pm

Hi Randy —

I’m sorry if my guidance and explanations weren’t clear enough. It’s always the fault of the teacher!

You do need transitions to move from the one to the other so the relations between paragraphs are are clear. But you want to avoid the half-zoomed scenes as much as possible. Most writers don’t zoom in enough, so the writing feels too abstract. It lacks vividness.

The examples are quoted are snippets from the books, that I felt best demonstrated the zoomed in and zoomed out paragraphs, but they’re text in between. It’s tricky to start quoting whole pages of books in short blog posts. I would highly recommend reading the book “The Power of Moments” as it’s one of the best examples for the zoom in zoom out technique I’ve come across. When you read it pay attention to the vivid stories Chip and Dan Heath share. You can also see how they then move on to explain the big picture—the trends, the research and the lessons they suggest.

Also, for people who read your comment and haven’t seen the email … The writer I mentioned was confused after attending a paid writing workshop (which was not by me). My explanation helped her apply the zoom in zoom out technique — and this post expanded from my explanation to her.

zoom in phrases for creative writing

August 7, 2018 at 8:09 pm

Excellent advice Henneke.

August 7, 2018 at 8:35 pm

Thank you, David

zoom in phrases for creative writing

August 7, 2018 at 5:39 pm

This is centainly the best piece of advice one may need to improve writing. Thank you so much. I share Shirley Pordominsky’s suggestion. You should publish books with your terrific ideas. Wish you the best.

August 7, 2018 at 7:21 pm

Thank you, Tarcisio. I appreciate your vote for Shirley’s suggestion to publish a collection of my blog posts as books. I’ll look into it soon. 🙂

zoom in phrases for creative writing

August 7, 2018 at 3:59 pm

Thank you for sharing this. Here is what I gleaned from this post in my own words:

My readers definitely want to know if the ideas that I’m sharing have impacted me personally. They want to know whether I have gone through similar experiences or similar situations as theirs. They want to know how I got myself out. They want working solutions not just abstract ideas. They want to know I’m human. By relating my experience and offering solutions intermittently within my story I will be able to capture their attention and win their hearts and probably make a sale.

August 7, 2018 at 7:19 pm

Yep, that’s a good summary. It may not always possible to share a personal experience, so it’s also okay to share a story about a client or a story you’ve read somewhere—as long as sometimes you do share a personal experience.

Happy writing, Martin. Thank you for your comment. 🙂

zoom in phrases for creative writing

August 7, 2018 at 3:19 pm

Thank you so much! Within seconds of digesting this zoom in-zoom out approach, I was able to write an opening line to ‘sell’ a new family centered event. Five minutes later, I had a jingle-like poem to set the mood for the activity. I focused in on the action steps a single kid would complete while participating and presto! things just fell into place. Taking the why it’s important, educational stuff out of the picture–at first–was the solution. Thank you, Henneke!

August 7, 2018 at 7:17 pm

Wow, that makes me happy, Jeannette. Isn’t it lovely when things just fall into place?

Thank you so much for sharing 🙂

zoom in phrases for creative writing

August 7, 2018 at 2:24 pm

Hi Henneke, its time for you to sell the collection of your articles, by theme or the kind of writing advise. you decide. Volume One and Two are already ready – and at the end of each year one more book. I can see translations in many languages. I’m always learning from you. Thank you

August 7, 2018 at 7:16 pm

Good idea! Someone mentioned that same idea a few years ago, but I couldn’t get my head around it at that time. Maybe now the time is right as it’s easier to collect a series of blog posts around different themes. I’ll look into it.

Thank you, Shirley.

zoom in phrases for creative writing

August 26, 2018 at 7:44 pm

I also vote with my hands and feet for such collections. I’ve already opened my wallet to buy several such books 🙂

This technique is priceless! As it turned out, I intuitively used the Zoom-In-Zoom-Out in my articles.

August 28, 2018 at 7:22 pm

Thank you for another vote, Michael! I need to get some other stuff of my plate first, and then I’ll look into getting this organized 🙂

zoom in phrases for creative writing

August 7, 2018 at 2:09 pm

Excellent use of examples to illustrate the zoom in zoom out concept. Thank you for sharing your knowledge. Dave

August 7, 2018 at 7:15 pm

Thank you, David. I’m glad you like the examples, too.

zoom in phrases for creative writing

This technique is amazing and your explanation and examples are clear and eloquent. Your blog is a treasure trove. Zoom in. Zoom out. 🙂 Thank you!

August 7, 2018 at 7:14 pm

I love it when I find good examples to illustrate the point I want to make in a blog post. The quality of the examples can make or break a blog post.

Thank you for your comment, Nata. Happy writing!

zoom in phrases for creative writing

August 7, 2018 at 1:54 pm

Thank you for your posts Henneke, I am now an avid follower. The thing about your writings is that it gears one to make a conscious effort to make writing beautiful, not to leave it to chance or to experiments upon experiments.

The things we know, sit at the back of our minds, but you bring them to fore and guide us in using those tools effectively. Thank you.

August 7, 2018 at 7:12 pm

Thank you for your lovely comment, Boladale. I appreciate it. Happy writing!

zoom in phrases for creative writing

August 7, 2018 at 1:31 pm

So very helpful – thank you!

August 7, 2018 at 7:11 pm

My pleasure, Lisa. Happy writing!

zoom in phrases for creative writing

August 7, 2018 at 1:13 pm

?? Zoom in, zoom out is such a masterful metaphor for this, Henneke! Once I’d read the article, I realised it encapsulates everything from your post in a single, memorable phrase. That alone is such a great technique because as a reader I can remember and apply your advice so easily.

I love the intimate zoomed-in moments in people’s writing. But sometimes I get to the end of a post and realise I’ve been engaged all the way through, but haven’t got the overall idea of what they were wanting to say/teach.

That’s where the Zoom-Out is so essential. And now i have the words to describe it when I see it/ use it or miss it.

Thank you. I’ll definitely be applying this tip to my writing in future.

I love the intimate zoomed-in moments, too. They make writing worth reading, even if I know “the lesson” already. This is especially true for me when people share personal experiences because those are the stories only they can tell.

Thank you for your lovely comment, Alison 🙂

zoom in phrases for creative writing

August 8, 2018 at 10:55 am

“They make writing worth reading, even if I know “the lesson” already. This is especially true for me when people share personal experiences”

Yes, I agree. Even when I know ‘the lesson’ those personal stories are such a source of connection and also help me deepen my insights.

zoom in phrases for creative writing

August 7, 2018 at 1:10 pm

Good catchphrase, Henneke! You are like a fly 😉

(with those multi-faceted eyes that look at the same things in 100 different ways)

August 7, 2018 at 1:16 pm

I could not agree more, Kitty!

I love the way Henneke draws in knowledge and information from all over the place, extracts writing and life wisdom from it and shares with us ?

August 7, 2018 at 7:05 pm

Now, there’s another idea for a blog post! ??

August 7, 2018 at 8:39 pm

Darn. And you’ll draw those eyes, too. I have to start keeping my metaphors to mahself! ?

August 7, 2018 at 9:10 pm

Go for it! I’d love to read your post about the fly’s eyes. I’ve just been reading about them. So fascinating … they have an almost 360-degree view but they can’t focus on an image.

zoom in phrases for creative writing

August 7, 2018 at 12:28 pm

I had just published the first version of a blog post on “Love till the end of my life”. The title was personal, but there was not much more where I zoomed in.

In fact, I’m quite a zoomed-out writer, who sees and paints the big picture. Because it is through abstractions that I personally can understand life, the world, and everything.

About an hour later, this blogpost landed in my inbox. It was a revelation. I recognized how true and important it is what Henneke writes here. But it had never been explained to me this clearly.

I went back to my blogpost and started it with a zoomed-in scene.

Our texts are often good in content, but fail to engage to the max. We need reminders as engaging as Hennekes to improve our writing.

August 7, 2018 at 7:04 pm

Thank you so much for sharing your story, Ton. It makes me happy when people can instantly implement my advice.

In my experience, most writers are good at zooming out, but forget to zoom in. That zoomed-in scene can make a big difference 🙂

zoom in phrases for creative writing

August 7, 2018 at 12:00 pm

This is good technique…

Drawing in the readers and then spilling the beans – to help them understand is a solid idea.

Zoom in..zoom out – my new catchphrase for this week.

Thank you. Stay Awesome.

August 7, 2018 at 7:02 pm

That’s it. Zoom in. Zoom out.

Happy zooming, Rohan! 🙂

zoom in phrases for creative writing

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zoom in phrases for creative writing

Plain Writing

zoom in phrases for creative writing

Zoom in, zoom out

An exercise in changing our perspective.

zoom in phrases for creative writing

Advice is great, but advice on its own won’t make you a better writer. We become better writers by writing and it’s always easier to write when we’re inspired. To that end, a creative prompt using an ordinary item.

Changing our perspective is one technique that can be helpful in our writing, creativity, and even our overall life.

Stuck in a rut? Zoom in.

Caught up in the minutiae? Zoom out.

Let’s practice.

We’ll start with a zoomed-out view

What do you see when you look at this picture? Take a few minutes to explain the scene, create a little commentary in your mind.

zoom in phrases for creative writing

Don’t move on until you’ve come up with your perspective. When you’re ready, scroll down…

Now, let’s zoom in to a specific part of the scene

What do you see when you look from this perspective? Take a few minutes to explain the scene, create a little commentary in your mind.

zoom in phrases for creative writing

Did you notice the boy before? How does he change now that he’s the only face in the picture? What other details are you noticing? How does the scene or the story change?

Let’s zoom in even farther to a specific part of the scene

zoom in phrases for creative writing

Now that this is the only part of the image you see, what has changed. What do you see now that you didn’t see before?

Did you notice the way he’s holding his hands?

What about the coffee cup?

The single blue block?

The flowering pillow behind him?

The pocket on his shirt?

What new story can you tell?

Now, let’s zoom back out to a different part of the picture

zoom in phrases for creative writing

Did you remember there was a guitar in the room? What changes about the guitar now that there are no people in the scene? What story can you tell?

Let’s go crazy and zoom in even farther to a very specific detail

zoom in phrases for creative writing

There’s a single sticker on the guitar case. It appears to be an upright bass or cello. If this was the only part of the picture you could see, what story would you tell? What else do you know about the case from this hyper zoomed-in perspective?

Let’s do one more ultra zoom in on one other detail

zoom in phrases for creative writing

A single train car was on the table the whole time. Did you notice that? It’s the only train for the entire track. But it’s slightly off the track and perhaps about to fall off the table. How does this change your perspective? What story can you tell now?

Lastly, let’s zoom back out to the original perspective.

What’s changed in your mind? Does the scene feel any different? Are there other things you notice? Go back and look at your original story - would you change anything about it?

zoom in phrases for creative writing

Changing our perspective can be a very helpful tool to bring us new inspiration, break us out of ruts, and shake up the ordinary.

What did you think? How did you like this exercise? Share your thoughts and stories by clicking the “Leave a comment,” button below.

P.S. Special thanks to HiveBoxx for the photo (did you notice their boxes during the exercise?)

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Richard Marriott English

English Lecturing and Tutoring

Improve descriptive writing

15th May 2020

How can we improve descriptive writing? Part 3

Pan and zoom.

A common technique in descriptive writing is panning and zooming . Look out for it, especially at the start of a piece of writing. What happens is that the writer, like a film camera, pans across the scene noticing detail after detail, until zooming in, to focus on one particular detail. It doesn’t have to be visual detail. Here’s an example where the writer surveys the soundscape of the scene.

Pan and Zoom example:

  • Amid the cacophony of traders haggling , babies crying , pigs squealing , roosters crowing , and butchers’ machetes thumping , I heard the terrified screams of an infant black mangabey monkey tied atop the a bundle of charred flesh that probably included its mother.

                                             From ‘Zaire’, National Geographic magazine

In this example notice that the present participles (~ing words) all present sounds. Notice too that they make the scene dynamic; it’s a scene of on-going movement. The main focus of the sentence, the screams of the monkey, comes at the end – with lots of pre- and post- modification  (see the first post in this series). And finally notice the emotive language – infant and mother . In other words, there’s a lot for the examiner to reward in just this one sentence.

We can practise this by recalling the sounds of a familiar scene – or a place we are in now. And begin by copying the structure of the example, learn that and vary it. (Amid the cacophony/hubbub/silence . . .)

Notice where the panning ends and the zooming begins in the following examples

 . . .  and notice how the detail that is zoomed in on contrasts with the what has gone before, as if the panning camera has been arrested in its movement by something different. Pattern and contrast are essential to writing.

  • Amid the whispered symphony of domestic appliances, the whirring of the washing machine, sloshing of the dish-washer, hissing of the steam iron, hum of the refrigerator I heard the desperate pleading in Philippine of the aproned maid muttering into her mobile to a husband thousands of miles away.
  • Amid the silence of nibs gliding over paper, fans whirring, pages turning, lips mouthing words, you might hear – perhaps once every century – the booming of a massy tome dropping onto the time-worn surface of an oak table, its ancient graffiti varnished over, from the gnarled hand of an aged reader that has finally lost the strength to live.

Now practise your own. You could:

  • try panning across what you see, or hear waiting at an airport check-in;
  • try panning across what you see or hear in a place of worship;
  • try panning across the flavours of meal and zooming in on one of them;
  • try the smells of a zoo or a perfume counter or bakers (think of the people, as well as the animals, perfumes, baked products).

Tip: before you begin writing, write a list of all the present participles, the ~ing words, you want to use: it will help you write and provide you with a more precise and interesting vocabulary in your writing.

Richard Marriott English

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Zoom In Phrases for Creative Writing 3 - MPHOnline.com

Zoom In Phrases for Creative Writing 3

Publisher,CASCO Publication Date, Format, Paperback Weight, 420 g No. of Pages,

Kindly ask our staff if you cannot locate the shelf.

Every composition is incomplete without the perfect phrase to spice it up. From the standpoint of the student, it makes great sense to produce ‘a work of art’ by introducing creative phrases that differentiate their composition from others. From the viewpoint of the teacher, a composition filled with beautiful, poetic words, to depict the writer’s feelings at the time of writing, to portray the characters in the story, as well as to paint the background for the story, is definitely much better than one that is plain and uninteresting, and leaves much to the imagination.

This book is a collection of possible examination composition questions, complete with model compositions and suitable phrases that help make the compositions different from others. The phrases range from simple words put together to idioms and phrasal verbs. More often than not, they are simply a play on words (or a rephrasing of simple words) to make them sound different, or more sophisticated. Each highlighted phrase is explained with an example of how to use it. There are also some spin-offs from the phrases used, and these are included in the explanations. The book also includes some exercises for the student to practise using the given phrases as well as to test the student’s understanding of common phrases. This book is definitely one to take along on composition day.

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zoom in phrases for creative writing

Young school student writing in class

5 ways to teach the link between grammar and imagination for better creative writing

zoom in phrases for creative writing

PhD Student, School of Education, Curtin University

Disclosure statement

Brett Healey does not work for, consult, own shares in or receive funding from any company or organisation that would benefit from this article, and has disclosed no relevant affiliations beyond their academic appointment.

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Fiction authors are pretty good at writing sentences with striking images, worded just the right way.

We might suppose the images are striking because the author has a striking imagination. But the words seem just right because the author also has a large repertoire of grammar.

Read more: Writing needs to be taught and practised. Australian schools are dropping the focus too early

As writing teachers, we often neglect one of these skills in favour of the other. If we inspire students to write creatively at length but don’t teach them how to use the necessary grammatical structures , they struggle to phrase their ideas well. If we teach students about grammar in isolation, they tend not to apply it to their stories .

But research shows it’s possible to teach grammar as a way to strengthen students’ writing.

My research with year 5 students examined one method of teaching grammar for writing. We can teach students how to imagine the scene they are creating, and then teach them which grammatical features help turn their imagination into text .

Read more: 4 ways to teach you're (sic) kids about grammar so they actually care

I found five effective ways to teach the link between imagination and grammar.

1. Set up the imaginative tripod

Most of the stories students brought to me lacked a clear sense of perspective. I taught students to imagine their scene like a film director – they had to decide exactly where their camera tripod should be set up to film their scene. Placing it above, close, far away from or beside the character creates different images and effects.

Director and camera crew on film set

Then I showed them how careful use of adverbs, verbs and prepositions creates this perspective in writing.

This is done in Philip Pullman’s novel, Northern Lights , to place you right beside the character in the room.

“The only light in here came from the fireplace”

Read more: Why does grammar matter?

2. Zoom in on the details

Young writers often need help adding detail to their stories. A film director might zoom right in on a character’s hand pulling the trigger on a gun to intensify the action of shooting. A writer does the same. I taught students to imagine significant details up close, which helped them select specific nouns to place in the subject position of the sentence.

In Aquila , by Andrew Norriss, specific nouns of body parts are the actors in the sentence.

“As his feet searched for a foothold, his fingers gripped the grass.”

3. Track the movement

It is common for students to write about movement in rather static terms, such as “she ran home”. In a film, a director might choose to follow the movement by panning the camera, using a dolly, or filming multiple shots to allow us to experience the full path of movement.

I taught students to imagine watching the movement in their stories through a series of windows – first, second, third – and choose which parts they wanted to include. This helped them choose which verbs and prepositional phrases to use.

In The Fellowship of the Ring , by J.R.R. Tolkien, we watch Bill the pony galloping off through three windows, each with a prepositional phrase.

“Bill the pony gave a wild neigh of fear, and turned tail and dashed away along the lakeside into the darkness .”

Horse running in paddock

I also taught students to describe how much space an object takes up using the same movement grammar, such as stretched along and rose from .

In The Graveyard Book , by Neil Gaiman, we pan across the perimeter of the cemetery.

“Spike-topped iron railings ran around part of the cemetery, a high brick wall around the rest of it.”

4. Focus the attention

When we read a novel, there is always something standing out in our attention: a thing, a description, a feeling, an action. I taught students to think about which part of their scene stands out in their mind, and then use “attention-seeking” grammar to focus on it.

Read more: To succeed in an AI world, students must learn the human traits of writing

One way to make things stand out is to use grammar that deviates from conventional use, like placing adjectives after nouns. Another way is to use repeated grammatical structures.

In Tolkien’s The Return of the King we get both of these at the same time to contrast the physical states of the orc and Sam.

“But the orc was in its own haunts, nimble and well-fed . Sam was a stranger, hungry and weary .”

5. Convey the energy of action

Many of the students wanted to create action scenes in their stories, which they did using the previous strategies. However, they lacked the energy felt in an action-packed novel. I showed them a sentence like this one from The Blackthorn Key by Kevin Sands.

“A musket ball tore at my hair as it punched into the window frame behind me, sending out a shower of splinters .”

The students could see how energy transfers across the clauses, like dominoes, from noun to noun. In this case, the energy starts with the musket ball , and transfers to hair , window frame and finally the shower of splinters , carried by the action verbs.

I asked the students to imagine how a chain of action might appear in their stories and select the appropriate nouns and verbs to do the job.

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Zoom In, Zoom Out: A Focus on Descriptive Writing and Storytelling

Young Writers’ Workshop: 1/07/2010

In this session we will step behind the camera of our mind’s eye and focus on two of the most important aspects of writing—descriptive details and creative storytelling. We will begin by exploring some fascinating pictures from the archives of LIFE magazine where we will find the perfect inspiration for our Zoom-In, Zoom-Out writing exercise. Concentrate on writing  rich details and descriptions of your selected photo, and then create your own story behind the scene. Time permitting, we will share our work with others. Join us as we focus on descriptive storytelling and zoom in on an image that captures your imagination.

LIFE Magazine

New Year’s Around the World

http://www.life.com/image/first/in-gallery/53581/new-years-around-the-world#index/0

Pictures of the Year 2010

http://www.life.com/image/first/in-gallery/52491/2010-pictures-of-the-year#index/0

At War: Photographers’ Best Shots

http://www.life.com/image/first/in-gallery/39632/at-war-photographers-best-shots#index/0

Wild Animal Photos of the Year

http://www.life.com/image/first/in-gallery/38012/wild-animal-photos-of-the-year#index/0

Nature’s Wrath and Its Aftermath

http://www.life.com/image/first/in-gallery/22945/natures-wrath-and-its-aftermath#index/0

Tim Gunn’s Favorite Fashion Photos

http://www.life.com/image/first/in-gallery/32232/tim-gunns-favorite-fashion-photos#index/0

Turn of the Century America 1900-1917

http://www.life.com/timeline/15351/turn-of-the-century-america-1900-1917#index/0

Life in the Fast Lane

http://www.life.com/image/first/in-gallery/25811/life-in-the-fast-lane#index/0

http://www.life.com/image/first/in-gallery/41552/coachella-killer-shots#index/0

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The growing international reach of creative writing as an academic discipline is becoming more and more apparent (Harper, 2015). While the presence of creative writing in an “increasingly internationalised academy” (Mort, 2013: 220) had led to greater “inflections of cultural identity [which] colour the creative and critical work of staff and students” (Kroll and Harper, 2013: 10), the advent of the “virtualization”—the process referring to the change or creation of a real-form object or thing into a version discernible using computer technologies—of creative writing, has precipitated a veritable explosion in the compositional tools available to would-be and operative writers. As various models in online creative writing pedagogy continue to evolve, understandings of what creative writing is and does, as much as the modes and forms of creative writing techniques, styles, and genres, ever-expand well beyond conventional understandings of time and space; into synchronous and asynchronous synaptic realms and virtual platforms. This chapter focuses specifically on the unique and ideal aspects of the online environment for exploring potential avenues for developing an online creative writing pedagogy, including practical approaches to incorporating collaborative online writing workshops utilizing video communications technologies.

By adopting a practice-led case study approach, this chapter maps the ways in which creative writing pedagogy incorporating online video communications technologies not only builds rapport between teacher and student-writers, but how these synchronous online experiences encourage peer networks within the synaptic-technologic creative writing environment, including developing trust relationships in the self-assessment of creative work. The discussion focuses specifically on how online video communications technologies have been embedded within a fully online offering of a second-year undergraduate course in Creative Writing at an Australian university. That this course is offered fully online is an important point of difference compared to other courses, while also signaling an increased pedagogical reliance on synaptic technologies, such as Zoom, a real-time video conferencing platform. This course regularly embeds 90-minute video conferencing sessions between the lecturer and students over the 12-week duration of the semester, typically one session every two to three weeks, in the form of ZoomLive creative writing workshops in which students participate in regular supportive and collaborative review of draft work-in- progress. During these sessions, students are invited to experiment with their own digital applications, and often do, resulting in practical experiences (largely without extensive technical expertise or knowledge) combining more conventional literary applications with forms of digital writing.

Feedback data, in the form of Course Evaluation Instrument (CEI) and Student Evaluation of Teaching (SET) responses, as well as personal emails and e- unit forum posts, evidence the high popularity of these ZoomLive creative writing workshop sessions as much as their effectiveness; not only as regards creative writing skills development, but engaging students in a community of writers. What characterizes the Zoom video-conferencing application is not only its literal focus on sharing, but its agency as a way of students speaking to the world through and about writing—an impulse of creative production centering on personal experience, self-reflection, and collaborative reading.

Literature

Before commencing the discussion, it is helpful to briefly overview general trends in the scholarship regarding developments in online creative writing pedagogy within undergraduate tertiary education, including the approaches to teaching the various forms and genres of creative writing, before going on to explain the synaptic technology called Zoom. While there exists emergent scholarship examining the utility of writing in various genres among undergraduate students to include alternative creative writing styles—such as fictocriticism (Hancox and Muller, 2011), autoethnography (Mawhinney and Petchauer, 201.3), studies in self-narration, using autobiographies, and self-reflexive examinations of the postmodern self (Ostman, 2013)—a critical gap in the scholarship concerning completely online creative writing pedagogies in undergraduate tertiary degrees is apparent. The body of contemporary literature about online writing pedagogy in the main includes research specific to writing (rather than “creative writing”) pedagogies for masters and doctoral students (Badenhorst and Guerin, 2016); developing online pedagogies sensitive to culturally diverse contexts (Chambers, 2016); together with considering the question of “creativity” in the online learning environment (Baxter et ah, 2018); as well as approaches adopting a “non-linear,” or non-final-outcomes-based methods focusing on the intrinsic goals of creative writing (Clark et ah, 2015). Some consider utilizing the online platform to offer “individualized feedback and mentoring” to practicing and aspiring writers (Venis, 2010: 98), while others expound gathering together student contributions to publish “a virtual class anthology” of creative writing (Moneyhun, 2015: 234). That said, although not specific to online creative writing pedagogies in undergraduate tertiary degrees, texts such as Graeme Harper’s (2014), edited by Michael Dean Clark, Trent Hergenrader, and Joseph Rein (2015), and edited by Alexandria Peary and Tom C. Hunley (2015), among others, represent very important contributions to the critical scholarship around the opportunities for emergent creative writing pedagogies within and beyond the twenty-first century. The concerns of this current chapter therefore offer an original contribution to a critical gap in the scholarship specific to online creative writing pedagogies in undergraduate tertiary degrees.

Zoom is a user-friendly “cloud platform for video and audio conferencing, collaboration, chat, and webinars across mobile devices, desktops, telephones, and room systems” (Zoom 2020). The course under discussion here, the undergraduate elective in creative writing called “Creative Writing II: Writing Beyond the Page,” integrated regular online Writing Workshops (via Zoom) incorporating a part- Amherst and part-Iowa approach as a form of “self-assessment” as much as a mode of formative feedback.

Writers interested in participating in a supportive critique of their work by the group were invited to send an anonymized version of either a section of their work, or a full draft, to the course coordinator. The work might consist of a chapter of a story, a series of creative writing exercises the student aims to incorporate into a major creative piece, a series of poems, a dramatic script, a short story, etc. The course coordinator then distributed all anonymized work to the group electronically one week before the workshop and led the discussions. Each session was around 90 minutes in duration, allowing sufficient time for around nine supportive critiques of around 10 minutes in duration. During the course of the session, each workshop participant shared impressions, advice, and analysis for each piece in a balanced way; there was as much a stress on affirmation as on suggestions for change.

It is important to note at this point that, while students enroll in online classes due to their flexibility and their asynchronous nature, it was also possible to receive feedback on draft work in the event that a student could not physically attend the Zoom session/s. In that case, students submitted their section to the course coordinator via email as per the description for the Zoom session one week before the next scheduled session. Students then received a single file containing all submitted (anonymized) sections for discussion at the next workshop and were expected to provide comments on each piece (using “track changes” function in Word). Students submitted their file containing all feedback to other students’ work to the course coordinator via email by 9:00am on the morning of the Zoom session, and the coordinator then shared this feedback to peers on the students’ behalf during the session itself. Sessions were recorded and links to the film clips made available to students for download and later viewing. This presented another issue in consideration: recording students without permission, which could present a potential barrier. In this case, students were notified both via Moodle notifications and prior to sessions via email that online Zoom sessions are recorded for educational purposes. Notifications stipulated that: 1) recordings of Zoom sessions conducted over the course of the unit may be uploaded and appear on YouTube, Moodle, and Microsoft Teams; 2) that if students had any concerns about being recorded could they please turn off their webcam or audio, or both, during the session; and 3) that their participation in any Zoom sessions will signify the student’s consent to the recording and publication for educational purposes.

Screen-snip of commentary posted on a weekly forum via the course Moodle site—an open-source Learning Platform (LP) or course management system (CMS)—by a student (Student A) who could not attend a ZoomLive session in real-time (synchronously). Note, in this case, in responding to the feedback of peers, Student A herself alludes to the polyphonic dimensions underlying the online creative writing pedagogy utilized in this course; one having “many voices,” and indeed, inspiring various “texts which are not dominated by a single narrative or authorial authority” (Hunt, 2006: 179).

In reflecting on the feedback of peers, via a “Critical Reflection Journal” (an assessable item of the course) students regularly meditated on the aural and oral scope of the online creative writing pedagogy utilized in this course; one having multidimensional perspectives of and about a particular text, rather than the piece having a uniform meaning, dominant reading, or complexity.

Similarly, again in reflecting on the peer feedback process (via a “Critical Reflection Journal”), students also regularly meditated on their own processes of responding to, and providing peer feedback; “I see the issues being raised but I also see what I am trying to do very clearly ... thank you. 1 will have to work hard to make what I see into something that everyone sees” (Student A).

Rather than “digital,” the term “synaptic” best describes the pedagogic implications of the Zoom technology in the virtual creative writing classroom:

In essence, contemporary technologies are synaptic; meaning they are technologies of flow, of bringing together, of transmission, exchange, networking, of social, financial, political, cultural and personal activity. The experience-focus of these technologies has long superseded any logical reason for a continued reference to the digital.

(Harper, 2012: 13)

Together with its synaptic qualities and purposes, Zoom promotes this application as “frictionless” (Zoom 2020). “Friction is usually considered to be the tendency shown by bodies in contact, whether moving or at rest, to adhere or stick to each other” (Bureau of Naval Personnel, 1964: 246). Because “friction” is by definition integral to elements of creative writing, particularly regards creating conflict and tension in characterization, pace, scene, and plot (Ackerman, 2014), the nature of Zoom as somehow “frictionless” presents very interesting possibilities in the development of creative writing approaches and online pedagogies. Terms such as “non-friction” writing define a mode of writing free of pressure, interruption, distraction, and inhibition (Brown, 2020), while its opposite, “friction writing,” has become a powerful form of creative enterprise focusing on free-thinking, imagination, and developing a “self empowered state of mind” (Chambers, 2019). Online literary journals such as also appeal to this trend in applying concepts of friction for creative purposes to push genre boundaries and challenge literary conventions “to create just that— in the mind of the reader, in the industry, in our own hearts” (Hedlund, 2019). Even monographs such as Michael Shermer’s (2005) investigate belief systems, perceptions about news and history, and how one, or both, can create empirical discord. Of course, while Zoom promoters utilize the term “frictionless” to underscore the user-end friendliness of its cloud platform, the concept of what “friction” and in the context of the online creative writing classroom utilizing Zoom bears more than a coincidental relationship between user access to a virtual application and the creative enterprise of writing creatively. In this sense, not only can formulating, incorporating and adopting an approach to Zoom as pedagogy prove effective in capitalizing on the unique and

Students could use the “Zoom Tip-Sheet for Collaborative Feedback” to assist them in organizing their peer feedback along conceptual, literary lines. This example is one student’s response to a children’s fairytale using elements of postmodernism as literary experimentation.

ideal aspects of the online environment for creative writing. Instructional methods utilizing Zoom can also successfully produce a student-centered environment encouraging strong peer networks amongst a community of writers while encouraging “friction” in the mind of both the reader and the writer for creative purposes.

Figure 7.3 shows a screen-snip of a ZoomLive session with students. The course coordinator has shared her desktop to display the collaborative feedback document with all participants, including commentary. Note, in this case, the student’s use of intertextual elements created with synaptic technologies (online Newspaper generator, together with a Letter Generator tool [Vintage Mail Maker]) and “virtualized” as/into another textual form. These tools are themselves synaptic technologies specifically because they are “technologies that are producing new human experiences, ideas and ideals ... technologies involving multi-directional exchange (what has often been called ‘networking’), a grid of activities that might include the social, financial, political, cultural and personal, all in the same flow of exchanges” (Harper, 2013: 217, 218).

The description for the undergraduate course in creative writing, “Creative Writing II: Writing Beyond the Page,” stipulated that students would undertake a writing project, building on the skills acquired in its prerequisite course (“Creative Writing I: Fundamentals of Writing”) which may take the form of a short story, play, suite of poems, or any approved mixture of these, using experimental writing techniques (e.g., stream of consciousness, multiple viewpoint, anti-realism, impressionism, cut-ups, metafiction, microfictions). Over the previous offerings of the course, students conceived “experimentation” as a

Screen-snip of a ZoomLive session with students.

quite alarming concept and therefore approached conceptualizing their potential project with some caution. As one student put it: “Meandering frantically is that me trying to write experimentally?” (Student B). Another student (Student C) described her approach to conceptualizing the project through the “A peculiarity of mess” analogy:

All mess is not created equal. My mess is tiered into the acceptable and the gross. Paint mess, the stain of Lamp Black oil, is a treasured mess; a symbol of creativity. Fingers celebrate the birth of an artefact and wear this mess with pride. It is strange how an identical mess, the smear of motor oil, creates only repulsion. Fingers scrape against clothes, dispelling this mess, like a dog decanting fleas.

(Student C)

That student, (Student C), sought to embrace experimental writing as a way of satisfying her interest in writing stories for children. Given that her concept involved utilizing an online platform for creating interactive digital fiction, my advice to Student A in the first instance focused specifically on storytelling; considering how the plot might include a “story within a story” motif to provide a bigger message in simplified terms (the student’s ideological message was the impact of urbanization on wildlife); how this inner story might be written in terms of genre (the student’s genre of choice was the fairy tale); the possibilities for creating and incorporating simple illustrations to provide visual clues that support the writing (the student opted to create monochromatic, stylized images in black and red); and the form the writing itself might take (the student integrated first-person limited point of view with stream-of-consciousness passages, and sections of dialogue).

To that end, the student initially opted to build a hype-text interactive fiction using “Twine”—“an open-source tool for telling interactive, nonlinear stories” (Twine)—incorporating an illustrated frame tale (e.g., story within a story). She sourced online resources to help realize her conception, such as Melissa Ford’s (2016), to ensure interactive and visually interesting elements. In formulating her story, the student drew on her experiences travelling to Alaska the previous year, creating a “mood board” of photos she had taken on the trip: a large black bear brazenly crossing the road in front of her; an ebony raven holding a bright red lollipop; children playing on a skidoo. The mood board included post-it notes on which she had written snippets of a conversation she had had with a Ketchikan local. She undertook a Google search on Alaskan Black bears, pinning to the board article printouts of the food they ate, their hibernation cycles; references alluding to the negative effects of global warming and how seasonal changes can leave the bears starving and force them into town to scavenge food.

In researching her experimental writing ideas, the student entertained the idea of including a virtual “cut-up” to represent seasonal change. She read some disturbing newspaper headlines about global warming. She discovered a “Newspaper Headline generator” and noted its URL, eventually using the generator to display the headlines within the creative projects she planned to write. She settled on including rnetafiction to draw the reader’s attention to the story’s qualities and characteristics as an “artefact” (Harreveld et al., 2016: 8). She started writing fragments for the opening; jotting down everything and trying not to be too judgmental as suggested by Singleton (2014) in his description of the necessity of mess to the process of creativity. She devised to explore the wayward, fragmentary nature of thoughts displayed in a stream-of-consciousness monologue as a device to introduce her characters, their setting, an incident happening within the context of the story, and foreshadowing the twist concluding the story.

What the account of Student A’s creative enterprise shows is the extent to which the online environment presents for instructors unique instances for exploring potential avenues for developing an online creative writing pedagogy, while simultaneously highlighting how the environment itself offers students ideal methods for creating, and realizing, rich and innovative “artefacts” of creative endeavor via synaptic applications and technologies.

In catering to the need for in-progress draft critiques, semi-structured 90-minute video-conferencing sessions (via Zoom) between the lecturer and students presented students with opportunities to participate in regular supportive and collaborative peer review of draft work-in-progress. These (voluntary) sessions—given the lack of structure in the critical literature about online creative writing pedagogy—incorporated a part-Amherst and part-lowa approach (Elbow, 1973; Schneider, 2003):

This philosophical underpinning of the “workshop” context represented a form of “self-assessment” as much as a mode of formative feedback. Here, students were invited to reflect on their own and others processes of creative practice therefore offering students individualized feedback as much as mentoring experiences as aspiring writers.

After attending a very constructive and encouraging drafting zoom session, I have decided on a change of direction for my writing piece. The story will no longer be published as a Twine hypertext ... The Zoom session has given me the confidence that my writing explores the experimental requirements of the course without resorting to hypertext.

(Student C)

The student’s reflection illustrates how, in using the Zoom video-conferencing within the pedagogy of teaching an online creative writing course, the unique and ideal aspects of the online environment for creative writing are emphasized. For instance, as it is within the Zoom context that a unique form of “joining,” to coin Ulmer, occurs; that is, where student writers not only establish an immediate connection between literacy and orality through their involvement with electronic media (Madden, 2018: 53), but where electronic media itself, as a form of writing, “concerns all disciplines to the extent that it is the interface of all pedagogy” (Ulmer, quoted in Figueiredo, 2020: 64). Further, with respect to how this interface might shape and develop students’ writing, Student B’s commentary also presents a vivid example of how “synaptic technologies are those contemporary technologies that support reciprocal human experiences, not material manifestations, of our human presence in the world” (Harper, 2015: 8). While synaptic technologies be utilized productively for material, creative writing, ends (textual products such as books, short stories, novellas, novels, poetry and dramatic scripts, among other artefacts), students can, in the context of a wholly online creative writing course using Zoom, consider and reconsider their programming choices utilizing synaptic technologies as aspiring creative writers. In the case of Student B, her decision to reconsider the use of Twine to create a hypertext—“a term that refers to the systems and contents that operate on a computer to organise information in a non-linear manner” (Comte)—precipitated a ground-shift in apprehending the possibilities for author programming as an experimental frame for open-ended story-making: “I think that this is the value of experimental writing. It invites the reader to contribute their own experiences to construct meaning that wasn’t necessarily planned by the author” (Student C).

Gregory Ulmer’s concept of “electracy” (2008) is a useful term in theorizing how the Zoom video-conferencing system can be applied pedagogically to cut across the interface between information and communications technology (ICT) and creative expression. For Ulmer, “electracy” is to digital media what literacy is to print:

In the digital age, there is potential for more than the progression of “writing” from a text-driven literacy to multimedia electracy—what

In this screen-snip of a ZoomLive session with students, the course coordinator has shared her desktop to display the collaborative feedback document with all participants, including commentary. Note, in this case, the student’s (Student C) use of a Newspaper headline generator to add intertextual elements within the piece.

electracy signifies is a potential seismic shift between the structures of writing (object) and the individual who writes (subject). This means more than new tools in the toolbox—there is a new “organism” in place. As Ulmer notes, the “group subject” and a new public sphere become “writable.”

(Kuhn and Callahan, 2012: 293)

Because creative writing typically encompasses a solo enterprise on the part of the creative writer, Student B’s commentary also shows the “creative writer’s personal desire to discover and develop knowledge that can assist their creative practice” (Harper. 2015: 118). As another student later commented;

The level of peer support and trust relationship driven by Zoom participation is also clearly evident in the commentary of other students:

I have learned a valuable lesson through the process of writing and receiving feedback ... I originally asked a friend, who also had this knowledge of my characters, to read my work. She saw no problem. Participants in the

[Zoom] Creative Writing workshops do not have this context and could pick up gaps in my writing instantly. I see now why Leach (2014) recommends avoiding having close friends and family in writing groups and workshops.

(Student D)

I found the 2nd Zoom Workshop session extremely beneficial and appreciate the advice of the lecturer and other participants. Thank you for taking precious time to read and give constructive feedback. I would be struggling if it was not for the Zoom Workshop Sessions.

(Student E)

This week’s zoom session was definitely worth participating in, and the feedback I received from my lecturer and class mates was fantastic. During the session, I took notes of what the group had said so I have a hard copy to refer to as I make changes to my artefact. Some of what the group said I had already taken into consideration, and 1 began researching some finer details to make sure I had my facts right.

(Student F)

Incorporating the Zoom platform as a complement to other online platforms (e.g., e-unit Moodle forums and blogs) capitalizes on the unique and ideal aspects of the online environment for creative writing given it emphasizes the broad dimensions of “transmedia” as both tool and application. While the term

7.5 In this screen-snip of a ZoomLive session with students, the course coordinator has once again shared her desktop to display the collaborative feedback document with all participants, including commentary. Note, in this case, the student’s (C) combined use of a Newspaper headline generator, as well as her use of Word.Art—an online word cloud creator—to add two separate, but interrelated, intertextual elements within the piece: graphic and concrete.

83

“transmedia” (from the Latin) denotes “works about the same content that are produced in different media and modes” (Williams, 2015: 255), “transmedia,” unlike the other terms, “is meant to denote not only a collection or a relationship between various media, but a new ‘whole’ that is greater than its parts” (Falzon, 2012: 926). Thus, in relation to student’s draft work, even though it is of the same content, it is disseminated across various platforms (Zoom, Moodle, forums and blogs, etc.), in various modes (as e-document, as a living document [via Google Docs], as attachment via email, as storyboard, etc., and/or as image or clip in recordings of a Zoom session). These processes of the dissemination create another kind of “text,” one greater than the sum of these various material and virtual iterations.

While a storyboard is characteristically used as a pre-production tool giving “a frame-by-frame, shot-by-shot series of sequential drawings” (Hart 1), typically mapping the story arc of a feature film or similar product, for this student, her storyboard illustrations proved an integral element of her creative writing piece as they not only provided visual clues for the reader to use to construct meaning, but also, in submitting the draft to a Zoom session, brought to the (writer’s) fore “how many interpretations could and were made about the story” (Student C).

The breadth of functionality offered by the Zoom cloud platform makes this application particularly ideal in the context of an online environment for creative writing instruction. Virtual live classrooms enable content sharing, whiteboard,

Example of the storyboard Student C created to accompany her story.

and chat functionality, and opportunities for webinars using software Zoom applications (or App); either running on a desktop or laptop computer (via Windows, Mac, or Linux), or the introduction to the Zoom application (or App) running on a mobile tablet or phone (via Apple [iOS] or Google [Android]). That the host of a meeting or webinar can make a recording, or allow participants to record, means that the possible pedagogic applications of this synaptic technology are limited only by the imagination.

Josie Barnard has suggested that in the “postdigital age,” “the remediation of a writer’s own practice is key” (2017: 275). By this, Barnard argues that the new challenges to creative writing borne by advancing digital technologies present new opportunities for pedagogical approaches in which the writer both draws on, and challenges, elements of creative writing praxis within a process of selfcollaboration. While the word “remediation” implies some sense of correction, rectification, or improvement, the term also suggests a return, or revisitation, to current abilities and past practice as a locus for the adaptation and (re)appli- cation of competencies within contemporary frameworks and interactive writing environments.

Zoom, as an essentially synaptic, interactive cloud platform, offers students a sense of structure to the sessions that can help them guide and organize peer feedback, while allowing them to exercise creativity within this structure. Here, students can utilize elements of the platform structure to set their presentations of feedback apart from others by devising different approach styles: while some students might prefer an informal, conversational style, others might employ whiteboard functionality or desktop sharing to present a more formal approach to providing peer feedback (using PowerPoint presentations or word.doc expositions, etc.). The peer feedback students provide within the context of a ZoomLive collaborative workshop session is formative, and typically ongoing, as students focus on the continuing development of a single creative artefact over time. By extension, formative feedback builds students’ self-confidence in moving toward the final submission of the creative artefact for summative assessment, assuring them that they have done all they could to improve the piece. That lecturers/instructors can connect with students synchronously directly opens up possibilities to identify those needing more intensive support, as well as encouraging a sense of self-direction. Self-recording becomes a key process within, and beyond, the online collaborative writing sessions as students problem-solve how they will respond to the draft work of peers These are the self-evaluative responses, that is, the “personal judgements” (Kaplan, 1986: 82) students make about a creative piece, including how they decide on an approach that best communicates their responses effectively A student’s self-evaluative responses conveying the effect of the transaction between precision of language and narrative meaning.

In the final analysis, conceiving and implementing an approach to Zoom within a structured creative writing pedagogy effectively capitalizes on the unique and ideal aspects of the online environment for creative writing precisely because it provides a synchronous space facilitating the creation of an “interpretive community.” This mobilization of a community of writers/readers who share the same strategies for “writing texts, for constituting their properties and assigning their intentions,” means that “[while] these strategies exist prior to the act of reading and therefore determine the shape of what is read” (Fish , 1980: 71), what is being written is ultimately left to the writer’s own imaginative practice.

I finally managed to emotionally separate myself from my work and welcome others’ perspectives! 1 keenly seek their feedback because they were the only people who could read this work objectively, without prior knowledge of my characters. There was group consensus that the source of my characters’ conflict was a sibling rivalry between my protagonist and her sister. This was not the message I was trying to send. This occurrence is summed up well by Don Murray (2004, quoted in Williams, “Writing Creative Nonfiction” 32) who says “the writer sits down intending to say one thing and hears the writing saying something more, or less, or completely different.” I will rewrite this section.

(Student G)

Here, the student touches on an analogy resonating with Michel de Certeau’s concept of the “writing-reading” context: “A different world (the reader’s) slips into the author’s place. This mutation makes the text habitable, like a rented apartment. It transforms another person’s property into a space borrowed for the moment by a transient” (1984: xxi). The writer’s text is occupied but the reader, and in the duration of the lease, the reader furnishes the text with their own “acts and memories.” Within this online community, structured as it is within a synaptic cloud platform, creative writing pedagogy both embraces and emphasizes the various human experiences student writers themselves encounter, as much as the experiences these technologies simultaneously form and facilitate.

“About Zoom.” Zoom Video Communications, 2019. zoom.us/about. Accessed 11 June 2020.

Ackerman, Angela. “Writing Fiction: Creating Friction with Clashing Personalities.” January 2014. www.thecreativepenn.com/2014/01/04/clashing-persona lities/#comments. Accessed 11 June 2020.

Badenhorst, Cecile, and Cally Guerin. Koninklijke Brill, 2016.

Barnard, Josie. “Testing Possibilities: On Negotiating Writing Practices in a ‘Postdigital’ Age (Tools and Methods).” vol. 14, no. 2, 2017, pp. 275-289.

Baxter, Jacqueline, et al. Bloomsbury, 2018.

Brown, Mike. “Creative Thinking: Friction or Non-Friction Writing?” brainzooming.com/creative-thinking-friction-or-non-friction-writing/21401/. Accessed 10 June 2020.

Bureau of Naval Personnel. Bureau of Naval Personnel, 1964.

Chambers, Mary-Lynn. “A Rhetorical Mandate: A Look at Multi-Ethic/Multimodal Online Pedagogy.” edited by Daniel Ruefman and Abigail G. Scheg. Utah State University Press, 2016, pp. 75-89.

Clark, Michael Dean, et al. Bloomsbury, 2015.

Comte, Annette. “Hyperfiction: A New Literary Poetics?” vol. 5, no. 2, 2001. www.textjournal.com.au/oct01/comte.htm. Accessed 10 June 2020.

de Certeau, Michel. Translated by Steven Rendall. Berkeley University Press, 1984.

Elbow, Peter. Oxford Univeristy Press, 1973.

Falzon, Charles. “Brand Development and Transmedia Production.” vol. 2, no. 9, 2012, pp. 925-938.

Figueiredo, Sergio C. “Theopraxesis and the Future of H’MMM in the University: An Interview with Gregory L. Ulmer.” vol. 16, no. 1, 2016, pp. 58-73. jcrt.org/archives/16.1/InterviewUlmer.pdf. Accessed 11 June 2020.

Fish, Stanley Eugene. ? Harvard University Press, 1980.

Ford, Melissa. E-book, Que, 2016, www.oreilly. com/library/view/writing-interactive-fiction/9780134303116/.

Graham, Robert et al. 2nd ed. Palgrave Macmillan, 2014.

Hancox, Donna Marie, and Vivenne Muller. “Excursions into New Territory: Fictocri- ticism and Undergraduate Writing.” vol. 8, no. 2, 2011, pp. 147-158.

Harper, Graeme. “Creative Writing: Words as Practice-led Research.” vol. 7, no. 2, 2008, pp. 161-171. www.tandfonline.com/doi/abs/10.1386/ jvap.7.2.161_l?journalCode=rjvp20. Accessed 11 June 2020.

Harper, Graeme. “Digital Is Dead: Synaptic Technologies Rule.” 22 June, vol. 20, no. 12, 2010, p. 13.

Harper, Graeme. “Synaptic Landscapes: Exploring the 21st Century Moving Image.” edited by Graeme Harper and Jonathan Rayner. Cambridge Scholars Publishing, 2013, pp. 216-220.

Harper, Graeme. Wiley Blackwell, 2014.

Harper, Graeme. Ed. New Writing Viewpoints 11. Multilingual Matters, 2015.

Harper, Graeme. “Creative Writing in the Age of Synapses.” edited by Michael Dean Clark, et al. Bloomsbury, 2015, pp. 7-16.

Harreveld, Bobby, et al. Introduction. edited by Bobby Harreveld, et al. Palgrave Macmillan, 2016, pp. 1-14.

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zoom in phrases for creative writing

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Sharing Thoughts About Teaching Writing

Learning How to 'Zoom In' When Writing

zoom in phrases for creative writing

  • Focuses on a brief, yet important moment in the text
  • Enlarges images in the same way a camera lens works. The scene becomes crisper!
  • Provides a specific use of the strategy, ‘Show, Don’t Tell’
  • Involves the use of precise words, the senses, characters feelings/emotions
  • Builds the tension in the story.

Writing Like Writers: Guiding Elementary Children Through a Writer's Workshop

zoom in phrases for creative writing

Thanks for sharing!...

zoom in phrases for creative writing

I love the idea of zooming in by describing the picture and covering parts at a time. This is something I can try with students and teachers. Thank you for this hint Alan!

That is a really good tip particularly to those new to the blogosphere. Brief but very accurate information… Thanks for sharing this one. A must read post!

This is really interesting, You are an excessively professional blogger. I have joined your rss feed and sit up for seeking extra of your excellent post. Also, I have shared your website in my social networks

Thanks this will really help me explain this to my students

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Writing idioms: Inspiring phrases about writing and writers

zoom in phrases for creative writing

Struggling with writer’s block? These writing idioms will get your mind flowing again.

In this list we cover English idioms about writing, writers, letters, and even paper. We have also included a few proverbs on these topics! All of these phrases include a definition and example sentences to help you learn how to use them.

So, pen at the ready, and let’s go!

Writing idioms - an overhead, close up of a pen, paper, ink pot and flowers

Writing idioms

Get it in writing.

You’ll hear people use the expression get it in writing when they want to have physical proof of an agreement. They don’t just want to rely on a handshake or verbal agreement.

“Unless you get it in writing, I can’t proceed with the deal.”

Related to this, someone may ask you to put it in writing when you are forming an agreement.

Wet signature

Similar to the expression above, sometimes you are required to sign something with a wet signature (as opposed to an e-signature). This means that you must physically sign with a pen or other writing implement.

“That bank is so old-fashioned; they need a wet signature for me to open an account.”

Handwriting like chicken scratch

Hopefully, no one says you have handwriting like chicken scratch . It’s a way of describing someone’s writing as very messy – even illegible – like the dirt marks chickens make!

“My doctor has handwriting like chichen scratch and the pharmacist couldn’t understand it.”

Yes – doctors are notorious for their bad handwriting, but have you ever wondered why ?

Paper trail

You may hear this phrase in your favorite police drama show. A paper trail is a series of records and documents that can be used to track someone’s activities. When the police are looking for a criminal, they can follow phone records, financial reports, diary entries or even video footage to locate the person.

“We just followed the paper trail and found the missing money.”

Even though these records may be mainly electronic nowadays, we still refer to it as a ‘paper trail’.

Poison-pen letter

A poison-pen letter is not a very nice thing to write or receive. It’s a letter or note that is very mean-spirited, critical or even malicious. It isn’t usually signed by the sender.

“I can’t belive someone left a poison-pen letter on my car.”

To describe someone as an open book is to say that they are easy to get to know. They don’t withhold information or keep secrets, so you can learn a lot about them and their nature.

“Jo at reception is an open book. I find her really easy to get to know.”

We have more expressions about friendship and getting to know people on a separate page.

It’s not worth the paper it’s written/printed on

Sadly, some of these writing idioms are about deception and being tricked. When people describe an agreement, contract signing, guarantee or promise as not (being) worth the paper it’s written on , they are saying that the agreement is worthless.

“This contract isn’t worth the paper it’s written on. I’m afraid you’re going to lose your money.”

Not worth writing home about

When something is of little interest, rather dull or unremarkable, you could say that it’s not worth writing home about . In other words, there is no exciting news to report.

“My weekend wasn’t worth writing home about. What about you?”

Don’t forget to write

This is one of the more dated idioms about writing. Traditionally, when people went on holiday they would write postcards to friends and family back home. So, as a clichéd farewell, people will remind you, don’t forget to write . There are some more modern travel idioms you can use, too.

“Have a wonderful holiday and don’t forget to write.”

A word of warning: this expression can also be used in a sarcastic way when someone is happy you are leaving!

The oldest trick in the book

The oldest trick in the book is a form of deception or trickery, or a way of solving a problem, that has been done for a long time and still works well.

“Were you really expecting a new iPhone for that price from a guy on the street?! It’s the oldest trick in the book!” “I always go for a run whilst the family are still sleeping. It’s the oldest trick in the book to make sure I still get a run in.”

When this expression is used in reference to some kind of deception, there is also the suggestion that nobody should be naive enough to fall for the trick as it has been around for so long. So, if you do get tricked in this way, it’s your own fault for being gullible.

Don’t judge a book by its cover

This is such a popular phrase and a really great piece of advice. You should never judge a book by its cover as you are basing your opinions of someone or something purely on what you see on the outside.

“I was so shocked when my 92-year-old grandfather started breakdancing at the wedding. Guess you shouldn’t judge a book by its cover!”

Writing idioms - a close up of a hand writing in a note book

Idioms about writing

Put pen to paper.

This idiom about writing could be losing relevance, since most writing nowadays is done electronically. Still, to instruct someone to put pen to paper is to tell them it’s time to start writing.

“Ok boys and girls, the exam has started to it’s time to put pen to paper. Good luck.” “Writing a novel may seem daunting but it just begins with putting pen to paper.”

The writing is on the wall

A lot of these idioms about writing are forms of warning or guidance, and this one is no exception! When there are strong indications that something bad is about to happen, people will warn that the writing is on the wall .

“Our sales are down and they’ve just transfered calls to another team. I guess the writing is on the wall and we’ll be fired soon.”

Did you know this is one of many idioms that come from the Bible ?

Paper over the cracks

In a literal form, to paper over cracks would be to cover defects in a wall by decorating over them. As an idiom, it tells us that someone is trying to hide or gloss over problems, issues, or disagreements.

“Listen, just paper over the cracks and we’ll sort it out after the presentation.”

Take a leaf out of someone’s book

When someone suggests that you take a leaf (or a page) out of someone’s book they are saying that you should do the same as them or follow their example.

“Why don’t you take a leaf out of your brother’s book? He’s just graduated from college.”

There are lots more idioms about books for you to discover here.

Pen pusher / Paper pusher

Writing idioms can be used in so many different ways. This one describes the type of job someone has. A pen pusher or paper pusher is someone who has a low-level administrative job that isn’t very interesting or significant.

It probably involves a lot of form-filling, filing or repetitive paperwork.

“Just ignore Micky, he’s only a paper pusher and has no real say in what happens.”

The pen is mightier than the sword

This is such an inspiring writer idiom, and perhaps an important idiom for kids to learn . The meaning behind the expression the pen is mightier than the sword is that writing is better than fighting.

Why so? Well, when you write something, people will read your words and you can influence or inspire them. Or it could be saying that communicating solves more problems than going to war. Basically, being intellectual is better than being physically aggressive, according to this saying.

“I wrote a letter to the President as I believe that the pen is mightier than the sword.”

Give someone their walking papers

Although there are a few positive idioms about writing, this one isn’t so good. To give someone their walking papers is to fire them from a job or ask them to leave a place or situation.

“Well, that’s that. I was given my walking papers on Friday.”

In British English, you may hear a similar phrase – to give someone their marching orders – which means the same thing.

The ink isn’t even dry yet / the ink’s still wet

You would use the saying the ink isn’t even dry yet or the ink is still wet to comment on something happening immediately after an agreement or legal document is signed.

A good example is someone getting re-married just after signing their divorce papers.

“The ink was still wet on the contract for the new car and he backed it into a wall!” “The ink isn’t even dry on your employment contract and you’re already thinking of leaving?!”

Even if nothing was physically signed, this phrase can be used figuratively.

Write a bum check (cheque)

Have you ever written a check to make a payment? Checks are being phased out in most places, but here is a full explanation of how they used to work.

To write a bum check (or ‘cheque’ in British English) is to issue a check to someone even though there isn’t enough money in the account to cover it. Since it takes a few days for a check to clear, there would be no way for the seller to know that you didn’t have the funds to make the payment. It’s no surprise that other payment methods are taking over!

“Just make sure you don’t write a bum check again.”

Discover some more idioms about money here.

Write someone up / Write someone a ticket

This writing expression is predominantly used with reference to police officers, although you may hear it in a work context too. When you write someone up you are reporting them for a wrong action they have done.

The similar idiom, write someone a ticket , would usually refer to a parking or speeding ticket resulting in a fine.

“Sue, you know you can’t enter here without a permit! I’m going to have to write you up.” “I begged the policeman not to write me a ticket, but he wouldn’t listen.”

Writer’s block

This is a perfect idiom about writing to end on! The reason for this is that when someone suffers from writer’s block they simply can’t think of anything else to write.

“I tried so hard to finish my essay last night but by 11pm I got writer’s block and had to stop.” “Do you have any tips for dealing with writer’s block?”

Hopefully, this list of writing idioms has helped you not only to understand them better but also to be a little more creative in your own writing.

Are there any others you have heard of that we could add to this list? Leave a comment to let us know.

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zoom in phrases for creative writing

Five practical ideas for starting English lessons with Zoom

Like so many teachers, I recently started delivering my English lessons on Zoom. On reflection, I’ve been pleasantly surprised that so many of the things I do in a normal face-to-face lesson are easily transferable to a platform like Zoom. I can present language by screensharing or using the whiteboard, I can set up pair and group work with breakout rooms, and in many ways the chatroom function allows me to work on writing skills in ways that I normally couldn’t in my typical class.

One thing that is noticeably different is that some students have different levels of digital literacy and abilities with a computer so I’ve needed to spend more class time on giving instructions related to the technology. In addition, using a platform like Zoom requires higher frequency use of certain functional areas such as checking and clarifying. Here are five activities I’ve tried in Zoom which you could use, adapt, or extend in your own teaching.

1. Finding out your students’ experience with Zoom

You might assume that your students are familiar with the platform you are using; some might be but others might not be. So one way to start off your English course online is to show this exercise on your screen and have students response with their answers either orally or in the chat. Their answer will indicate how much time you need to spend on orienting them to the platform:

Which of these statements describe you?

A I use Zoom all the time for work or for meeting friends.

B I’ve used Zoom once or twice before.

C I’ve never used Zoom before. This is my first time!

2. Language for talking about the screen and its functions

In order to introduce the screen to my students, I took a screenshot of Zoom and added the arrows. Then show students the phrases below and they match the arrows (A-H).

You might hear or want to say these phrases in Zoom. Match the phrases to A–H on the screen below.

1. Can you unmute your mic?

2. It’s in the top left corner of the screen.

3. Click on the chat button.

4. Start typing into the chatbox.

5. Click on the arrow next to ‘Start Video’.

6. It’s in the bottom right of the screen.

7. You can change you background here.

8. Try starting your video.

zoom in phrases for creative writing

Answers : 1. E, 2. A, 3. G, 4. H, 5. B, 6. D, 7. C, 8. F

3. Simon says

Once students have matched the phrases in the previous exercise, you can try giving instructions and see if students can follow them. For example, with the previous exercise, I’d introduced the language that students needed to change their background in video settings so they went ahead and tried doing it. You could vary this by playing a game such as ‘Simon says…’ where you give instructions and students have to follow them; for example, Simon says switch off your video, must your microphone, open the chat, etc. Then hand over to a student to give instructions to the rest of the class and so on.

4. Problem-solving

Inevitably there will be problems with using a platform like Zoom but you can use these moments as a language learning opportunity. In the following exercise I thought of problems that students might have and then the types of phrases that students will need to ask for help or that you will need to provide. (I’m sure there are many other types of problems you could add with other useful phrases to teach.)

Match the problem (1–5) to a useful phrase (a-e).

1. You can’t see another participant.

2. No one can see you.

3. Your teacher’s audio stopped working for a second.

4. You don’t know how to watch in ‘speaker view’.

5. Nothing is working properly!

Explaining and asking for help.

a. “Can you repeat that? I didn’t hear it.”

b. “My video isn’t working.”

c. “Can you show me how to…?”

d. “Have you turned on your video?” e. “Let’s leave the meeting and log on again.”

Answers : 1 d, 2 b, 3 a, 4 c, 5 e

5. Etiquette

In an activity suggested to me by my colleague James Styring, it’s important to establish the ground rules of using Zoom. Introduce your students to the word ’Etiquette’ and ask them what they think it means (e.g. polite behaviour). Then put up examples of good or bad Zoom behaviour on the screen and students decide if they are good or bad. (If you want an even longer list of Zoom etiquette to use in class, just google ‘Zoom meeting etiquette’ and there are lots of website offering suggestions.)

1. Don’t interrupt someone else when talking or try to talk over them.

2. Because it’s online, you can log on a bit later than the start time.

3. Avoid using all capital letters when you use the chat and send a message.

4. Try to look directly at your camera, especially when you are speaking.

5. Because you aren’t in the same room, it’s ok to eat and drink. 6. Dress in the same way you would if you were coming to a normal class.

Answers : 1 Good 2 Bad 3 Good 4 Good 5 Bad 6 Good

Hopefully the five activities above have sparked off more ideas or maybe you have already done something similar, in which case it’ll be reassuring. There is much more language you could provide your students; the most comprehensive summary that I’ve seen so far of the language needed on Zoom is on Alex Case’s excellent blog.

If you have tried out similar activities in Zoom or would like to share your ideas for starting off a course on Zoom, let us know in the comments box below.

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Author: John Hughes

14 comments.

I have worked with National Geographic Reading and I had had good experiences with my students, above all for their contents and articles, besides their exercises… I am very happy working with you!

And we’re happy you’re working with us Diana! Thanks for commenting.

Great ideas, thanks for sharing! Love the NG Life series, have been using with my intermediate learners for a few years now.

Hi Louise! I’m so glad you like the Life series – thanks for commenting.

Thanks for sharing those practical ideas! I have been using Zoom effectively for 3 months. ‘Breakout rooms’ in Zoom is a great tool for group activities and for communication among students:)

Hi Elif. Thanks for your comment. Would you like to describe and share an activity you have tried with the breakout rooms?

Yes, I would like to know more about this.thanks

  • Pingback: The end (kind of) | Sandy Millin

The Internet conection is very important too .Very useful tips.Thanks

IT IS WONDERFUL!

Great post! You’ve touched on a lot of practical issues I’ve run into while teaching on Zoom. I’m definitely going to use some of these activities next time I start a new online course.

Great ones. Hope I can do them all Thnx

Thank you for your inspiring ideas and videos. I was going to cite the study you mentioned in your Webinar in December 3, 2020 on National Geographic Learning ELT challenges faced by 6800 people of whom 87 percent were English teachers from 123 countries during the pandemic revealed 3 most cited challenges of online teaching for teachers as “maintaining and engaging learners (around 80%), providing interactive lessons (66%) and using technology effectively (26%). I was wondering if I could access that study anywhere? Many thanks

Hi Abbas, we are sending you an email about this request. Thanks!

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zoom in phrases for creative writing

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Every composition is incomplete without the perfect phrase to spice it up. From the standpoint of the student, it makes great sense to produce ‘a work of art’ by introducing creative phrases that differentiate their composition from others. From the viewpoint of the teacher, a composition filled with beautiful, poetic words, to depict the writer’s feelings at the time of writing, to portray the characters in the story, as well as to paint the background for the story, is definitely much better than one that is plain and uninteresting, and leaves much to the imagination.

This book is a collection of possible examination composition questions, complete with model compositions and suitable phrases that help make the compositions different from others. The phrases range from simple words put together to idioms and phrasal verbs. More often than not, they are simply a play on words (or a rephrasing of simple words) to make them sound different, or more sophisticated. Each highlighted phrase is explained with an example of how to use it. There are also some spin-offs from the phrases used, and these are included in the explanations. The book also includes some exercises for the student to practise using the given phrases as well as to test the student’s understanding of common phrases. This book is definitely one to take along on composition day.

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