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Film and Media Studies PhD Program banner

Welcome to the Film and Media Studies Ph.D. Program

UC Irvine’s PhD program in Film and Media Studies offers students the opportunity to study and develop original research on film, television, and digital media. Rooted in the Humanities, we focus on interpreting the histories and theories of media and their cultural contexts.

Our curriculum provides a broad foundation in Film and Media Studies while also centering questions of media and power. Our course offerings emphasize post-colonial and decolonial approaches to film and media, queer theory and histories of gender and sexuality, critical race studies, video game studies, and archival research. We seek students who are deeply invested in understanding the perspectives of those who have been pushed to the margins of media technology, industries, and texts and in exploring the relationships between culture, identity, history, and power.

Located near Los Angeles, UC Irvine offers access to the rich cultural offerings and research institutions of Southern California. Students may choose to supplement their Film and Media Studies degree with interdisciplinary graduate certificates in Asian American Studies , Chicano/Latino Studies , Critical Theory , Feminist Studies , Latin American Studies , and/or Visual Studies .

We admit all students, with BAs or MAs, directly into the PhD program in small cohorts with multi-year funding packages. We encourage prospective students to review our faculty profiles and contact the faculty members who work in their potential areas of interest before applying to learn more about their research, teaching, and advising.

Prospective students interested in the Ph.D. Program in Visual Studies, administered by the Department of Art History, can find more information here .

Meet the Film and Media Studies Faculty and learn about their research interests.

The annual admissions deadline is December 1 .

Complete applications will include:

• A Statement of Purpose (1200 words maximum) that describes your research interests and reasons for seeking a PhD. The Statement of Purpose should indicate how your proposed research correlates to our program's emphases and how you will benefit from working with specific core faculty. You can find information about faculty research interests here.  

• A Personal History Statement (1200 word maximum) that describes your educational accomplishments and goals. It is important to communicate whether you have experienced unique or significant opportunities, challenges, and/or obstacles in your pursuit of an education. Please also describe the career paths you plan to pursue after graduation.

• A sample of academic writing that demonstrates original thinking, clear writing and your preparedness to do graduate-level work in film and media studies.

  • Length: A minimum of ten pages to a maximum of thirty pages. Any submission longer than the maximum will not be reviewed past the maximum page limit.
  • You may submit two pieces of work as long as their combined length does not exceed the page limit.
  • In the event you have a longer piece of work to submit, such as a Master's thesis or Undergraduate research paper, please submit a chapter or section of the work within the page restriction.

• Three letters of recommendation, preferably from faculty with whom you have studied.

• Transcripts.

• Results of the TOEFL or IELTS exam for international applicants for whom English is not their primary language.

For academic questions (questions about program requirements, the application review process, funding opportunities, etc.) please contact the Graduate Director, Professor Kristen Hatch ([email protected]). 

For administrative questions (questions about how to apply, paying the application fee, application materials, etc.) please contact the Graduate Coordinator, Amy Fujitani ([email protected]). 

To apply, click here .

Course Requirements

Required Core Courses (6 courses)

FLM&MDA 285A: Film Studies: Theory and Methods.

FLM&MDA 285B: Television Studies: Theory and Methods.

FLM&MDA 285C: Digital Media and Game Studies: Theory and Methods.

FLM&MDA 286A: Film and Media Studies Historiography.

FLM&MDA 286B: Media/Power/Culture.

FLM&MDA 286C: Methods and Research Design.

Elective Courses (7 courses)

FLM&MDA 291: Graduate Seminar in Film and Media Studies. Repeatable as topics vary.

FLM&MDA 292: Graduate Seminar in Film & Media Critical Practice. Repeatable as topics vary.

FLM&MDA 295: Directed Reading. Repeatable as topics vary.

Required Practicums in Film and Media Studies (4 courses)

FLM&MDA 287: Practicum in Pedagogy.

FLM&MDA 288A: Practicum in Professionalization I.

FLM&MDA 288B: Practicum in Professionalization II.

FLM&MDA 288C: Practicum in Professionalization III.

Required Supporting Course (1 course)

FLM&MDA 298: Prospectus Writing Practicum.

Students must take three elective courses from within the Department of Film and Media Studies and two outside Film and Media Studies. The remaining two electives can be taken within or outside the department.

Students entering with a MA may petition to have up to three elective courses waived, subject to the approval of Graduate Division. Students who have had three courses waived must take two elective courses from within the Department of Film and Media Studies and one outside Film and Media Studies. The remaining elective can be taken within or outside the department.

During the third through sixth years in the program, students normally enroll in variable-unit courses as follows:

FLM&MDA 296: Reading for the Preliminary Examination.

FLM&MDA 297: Prospectus Research.

FLM&MDA 299: Dissertation Research.

First-Year Review

Students are required to select and confirm their Primary Advisor by the end of the first year.

At the end of the Spring quarter, the Film and Media Studies faculty will review the performance and progress of each first-year student and provide written evaluation of their work. This evaluation will include an assessment of the student’s ability to complete independent research.

A positive assessment indicates that the student is making good progress.

A cautionary assessment will be accompanied by a description of specific improvements that a student must make in order to advance to candidacy in the third year.

A negative overall assessment will place the student on Academic Conditional Status. Faculty will give written feedback with specific areas for improvement and a timeline for future expectations of academic progress. Students who fail to demonstrate improvement may be recommended for dismissal from the program without a degree.

MA Requirements

All students apply for and are accepted into the doctoral program.

Students who enter the PhD program with a prior graduate degree (MA or beyond) in Film and Media Studies or a related discipline may petition to waive up to three electives, subject to the approval of Graduate Division. These students may also petition to waive the MA exam requirement in recognition of their prior degree; normatively, this will be approved. In these cases, students will not complete the MA exam requirement nor earn a second MA en route to the PhD. Film and Media Studies faculty will determine what graduate degree fields qualify as related disciplines. Students entering with an MFA will typically be required to complete the MA exam unless the Graduate Committee determines that the degree is equivalent to an MA.

Students who have not earned an MA in a relevant field prior to matriculating in the Film and Media Studies PhD program must earn an MA degree as part of the PhD program. The program does not offer a stand-alone or terminal MA, except in instances when a student does not continue in the program toward earning the PhD.

In order to earn the MA degree, the student must

1. Satisfactorily complete six foundational courses (FLM&MDA 285A, FLM&MDA 285B, FLM&MDA 285C, FLM&MDA 286A, FLM&MDA 286B, and FLM&MDA 286C);

2. Satisfactorily compete FLM&MDA 287;

3. Satisfactorily complete seven electives, three of which must be within the Department of Film and Media Studies and two outside the Department of Film and Media Studies;

4. Pass the MA Exam; and

5. File the necessary paperwork for conferral of degree with Graduate Division.

For the MA exam, the student will revise one seminar paper written while in the program and submit the revised paper before the start of the Spring quarter in their second year of study. 

The requirements for passing the MA exam are as follows:

• The revised paper must present a substantial and original argument;

• It must reflect substantive revision from the original paper, demonstrating additional research and/or reconceptualization and responsiveness to feedback;

• It must demonstrate a command of the relevant literature;

• It must present adequate evidence to support its claims;

• It must be clearly written in an appropriate academic style; and

• It must be formatted according to MLA or Chicago Manual of Style guidelines with proper citation and bibliography.

Ideally, this revised paper will demonstrate promise toward publication and toward the ability to develop a dissertation; however this is not a requirement at the MA stage.

This paper will be evaluated by a 3-person MA committee, which consists of the student’s primary advisor as chair and two additional department faculty members appointed by the Program Director in consultation with the student and the advisor. The MA committee will evaluate the student’s ability to identify a suitable research project and methodology, develop an argument, respond to faculty feedback, and make revisions. The committee will respond with feedback within three weeks of receiving the paper and may ask for a second round of reasonable revisions, to be completed before the end of the term.

The committee will unanimously decide whether the student has passed the MA exam and if they are eligible to proceed toward the PhD, taking into holistic account the exam (revised paper) results, input from the core Film and Media Studies faculty during the First-Year Review, and the student’s progress during the second year of course work. There are four possible determinations:

Positive: The student will earn the MA degree and qualifies to continue toward the PhD exams. This should be the outcome in the majority of cases.

Cautionary: The student will earn the MA degree and qualifies to continue toward the PhD exams but with areas for improvement communicated in writing to the student and advisor. This occurs when the student’s holistic performance and promise outweigh a borderline exam or vice versa. This should be the outcome only in rare or extenuating circumstances.

MA Only: The student will earn the MA degree but is disqualified from continuing toward the PhD exams. This occurs when the student’s holistic performance and promise do not outweigh a borderline exam.

Negative: The exam is unacceptable. The student will not earn the MA degree and is disqualified from continuing toward the PhD exams.

Students may revise and resubmit the MA paper one additional time in case of a failure to pass.

By the end of their second year, students will work with their advisor to plan their Examination fields for the following year. No later than the end of Winter in the third year of study, students will establish a 5-person Qualifying Exam Committee, at least 51% of whose members, including the Dissertation Advisor, must be core faculty in the Department of Film and Media Studies. At least one committee member must be external to the department.

The student will receive one standardized bibliography and select two specialty field bibliographies on which they will be examined. In the Fall and Winter quarters of the third year, the student will enroll in FLM&MDA 296: Reading for the Preliminary Examination and complete reading the works on these three bibliographies. The three exam areas should serve to help the student define general areas of specialized competence that will aid them in establishing a broad base for the dissertation and in developing college-level courses. Students may not enroll in FLM&MDA 296 until all their other course requirements (with the exception of FLM&MDA 298: Prospectus Writing Practicum) have been completed.

The Qualifying Examination will be administered by the Qualifying Exam Committee and will include both a written and an oral component. The written component will consist of at least one question for each Exam bibliography for which the student has completed readings. Students will write at least one essay for each respective Exam. Faculty may offer a range of questions for each bibliography, giving the student a choice of which question(s) to answer. The written component will be offered as a series of three remote exams to be completed within three respective 24-hour periods; questions and responses will be delivered electronically. The oral component of the exam will take place in conjunction with the Prospectus Defense during the Spring quarter of the student’s third year.

Language Requirement 

Students will consult with the program Director and their principal advisor(s) to determine whether they must demonstrate or develop proficiency in a second language for their research. [1] If the program Director and principal advisor(s) determine that proficiency in a second language is required, the student must demonstrate this proficiency prior to advancing to candidacy. In the event a student does not need a second language to conduct doctoral research, they will not be required to demonstrate proficiency in a second language.

If determined to be required, the language requirement may be satisfied by one of the following means:

1. By passing the Film and Media Studies translation exam. A request must be made to the Film and Media Studies Staff within the first two weeks of the quarter the student wishes to take the exam.

2. By completing, with a grade of B or better, a language course at the 2C level or equivalent, with the exception of Arabic, Chinese, Japanese, and Korean, which must be completed at the 3C level or equivalent.

3. By attaining a proficiency level of 2C on the Russian Exemption Exam or a proficiency level of 3C on the Chinese Exemption Exam offered by UCI's Academic Testing Center.

4. By petitioning the program. Grounds for a petition might include the student’s being a native speaker in a language other than English or having completed an equivalent language requirement at a different institution. The granting of this petition will remain at the discretion of the Graduate Director, although students dissatisfied with this determination may request the petition be considered by the full faculty. Students who have completed the language requirement at a different institution will need to submit transcripts with the petition. Students will inquire with the Graduate Coordinator to complete a petition.

Dissertation Prospectus and Advancement to Ph.D. Candidacy

In the Spring of the student’s third year, the student will enroll in FLM&MDA 298: Prospectus Writing Practicum and complete a prospectus that identifies the scope, approach, and rationale for their proposed dissertation. The student will present an oral defense of the prospectus to the Qualifying Exam Committee. When the prospectus has been unanimously approved by the Qualifying Exam Committee, the student will be advanced to doctoral candidacy. Students should have taken their preliminary examination, defended their dissertation prospectus, and advanced to doctoral candidacy no later than the end of Spring quarter of their third year. If a student will exceed the 3-year normative time to candidacy, they must petition by Spring quarter of their third year for an exception, presenting an approved plan for timely progress to candidacy.

In the event that a student does not pass the qualifying examination, consistent with UCI policy (Academic Senate Regulation 467) the student will be allowed one repeat attempt of the examination. This repeat examination will occur during the quarter following the initial examination.

Dissertation

The dissertation shall be an original research project of substantial length approved by the Doctoral Committee. Members of the student’s Doctoral Committee are noted on the PhD Form I: Advancement to Candidacy PhD Degree. The committee shall typically consist of the Doctoral Advisor and two additional faculty. At least 51% of the Doctoral Committee, including the Doctoral Advisor, must be core faculty in the Department of Film and Media Studies. The remaining members of the Doctoral Committee must satisfy Academic Senate requirements.

Dissertation Defense 

A final examination in the form of an oral defense of the dissertation is required for the PhD. This examination will be supervised by the Doctoral Committee and will be given just prior to the completion of the dissertation. The defense will be open to all members of the academic community. Faculty and graduate students of Film and Media Studies and the Graduate Dean will be given written notice of the date, time, and place of the examination at least five days in advance of the examination.

Time to Degree

The normative time to degree is six years (18 quarters). The first nine quarters are spent in pre-candidacy, the last 9 quarters in candidacy. Normatively, students will complete their course work within the first two years and prepare for and pass the Qualifying Examination and advance to candidacy in the third year. The maximum time to degree is seven years.

[1] Examples of when a second language would likely be necessary include Spanish proficiency for the study of Spanish-language media, Mandarin proficiency for study of media in Mainland China, or the relevant language for a project on non-English language transnational/diasporic media.

All students receive a five-year funding guarantee at admissions. This typically includes a combination of at least one fellowship year and multiple years of Teaching Assistantships. Additional competitive scholarships, fellowships, and summer stipends may also be available.

Students also receive tuition and fee remission, including non-resident (out-of-state or international) tuition during this period. Domestic students coming from outside of California will be expected to establish state residency during their first year; otherwise, they will need to cover their non-resident tuition fees.

TAships may be in Film and Media Studies undergraduate courses or for courses in other Departments or Programs.

Funding beyond the fifth year is not guaranteed, but TAships or other opportunities are often available.

The graduate emphasis in Film and Media Studies prepares students in any M.A., Ph.D., or M.F.A. program to analyze film and media texts, contexts, and industries. The emphasis requires that students complete four seminars, two of which are in the Film and Media Studies PhD core series (FMS 285A-C, FMS 286A-C) and two of which may be Film and Media Studies core or elective seminars (FMS 291, FMS 292, FMS 295).

Students who are currently enrolled in any MA, Ph.D., or M.F.A. program at UCI are eligible for admission to the Graduate Emphasis in Film and Media Studies.

Students who are interested in pursuing the graduate emphasis should contact the Graduate Director to indicate their interest in applying for the emphasis. Application materials include:

  • an explanation of how their research and/or teaching will benefit from completing the Film and Media Studies Graduate Emphasis;
  • current CV;
  • brief letter of approval from the student’s primary advisor or program director;
  • names of Film and Media Studies core faculty with whom they have worked or plan to work. Applicants who are not yet acquainted with Film and Media Studies core faculty may name the Graduate Director.

Application

To be considered for the Film and Media Studies Graduate Emphasis, please submit an application . 

Questions? Please contact Amy Fujitani , Graduate Coordinator.

Contact Film and Media Studies

2000 Humanities Gateway Irvine, CA 92697

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Ph.d. in film & digital media.

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The Ph.D. program in Film and Digital Media challenges the traditionally conceived borders between creative and critical practice. The program enables potential dialogue between creative practice and theoretical knowledge as related forms of intellectual work and provides the conditions for students to realize a wide range of possible projects, including those that exist across the traditional divides of critical studies and production. Focusing on a diverse range of cultural production that includes cinema, television, video art, and Internet-based media, the Ph.D. program participants interrogate the historical, aesthetic, political, ideological, and technological aspects of these media forms across a range of international contexts, investigating their points of connection and convergence as well as their relationship to broader cultural and historical change. The program thus prepares students for intellectually informed creative practice as well as theoretical and critical production in a range of environments, not limited to traditional academic contexts. 

Integrating critical and creative practice:  

In our research and teaching, we explore the intersections of what have been, or have become, separated modes in our field of media studies: theory and practice. We seek to nurture dialogue between creative practice and scholarly inquiry as related forms of intellectual work.

Working across media: 

Our approach to media studies and media production incorporates a range of technologies and platforms, stressing their historical and intertextual relationships.

Pursuing new modes of social and political engagement: 

Media literacy, broadly defined, is an essential component of participation in our increasingly mediated lives. A new generation of media makers and media interpreters has the power to re-shape the world.

Fostering global cultural citizenship: 

Making and studying media today necessitates a global and historical perspective. By thinking and working across boundaries of nation, culture and identity, we are creating new forms of knowledge and new media forms that respect and investigate differences of race, class, gender, sexuality and nation.

Film and Digital Media Ph.D. Program Learning Outcomes

Students who earn a Ph.D. in Film and Digital Media will gain the skills, knowledge, and understanding that will enable them to:

1. Demonstrate that student’s critical study of media informs the student’s media-making practices 2. Demonstrate knowledge of video and/or digital media production 3. Demonstrate critical thinking and analytical skills appropriate doctoral work in to the discipline of film and digital media 4. Demonstrate research skills appropriate to doctoral work in the discipline of film and digital media 5. Demonstrate scholarly writing skills appropriate to doctoral work in the discipline of film and digital media

Prospective Applicants:

Candidates must have demonstrated skill in critical, theoretical and historical scholarship, and a demonstrated interest in film, television, video and new media studies. We are particularly interested in candidates with demonstrated experience in some form of artistic production, and an interest in combining creative work with critical and theoretical study. 

Candidates should also be aware that we will prioritize those who, in their application, outline a project or form of work that integrates critical and creative work together in a hybrid form that would be difficult or impossible to pursue in a either a conventional humanities program or a studio or production degree program. The Ph.D. program in Film & Digital Media is designed to provide a platform for the creation of hybrid work that would not be possible to accomplish elsewhere.

For program requirements, please review our  Program Statement

For more information about UCSC applications, consult the  Graduate Division  website and their  Admissions Pages.

UCLA Graduate Division

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UCLA Graduate Programs

George Takei, UCLA '60, M.A. '64, holds up the the Vulcan salute

Graduate Program: Film & Television

UCLA's Graduate Program in Film & Television offers the following degree(s):

Master of Arts (M.A.)

Master of Fine Arts (M.F.A.)

Doctor of Philosophy (Ph.D.)

With questions not answered here or on the program’s site (above), please contact the program directly.

Film & Television Graduate Program at UCLA 103E East Melnitz Box 951622 Los Angeles, CA 90095-1622

Visit the Film, Television, & Digital Media Department’s faculty roster

COURSE DESCRIPTIONS

Visit the registrar's site for the Film, Television, & Digital Media Department’s course descriptions

  • Admission Requirements
  • Program Statistics

(310) 206-8441

[email protected]

MAJOR CODE: FILM & TELEVISION

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Film & Media PhD

Phd in film and media.

Students in the Film and Media PhD are encouraged to situate moving images within the larger theoretical and analytical frameworks of a range of other disciplines. They integrate the traditions of history, law, literature, cultural studies, gender studies, and political theory to the newer disciplines of film studies and digital media, applying the tools of post-structuralism, psychoanalysis, new historicism, media archaeology, Frankfurt School, feminist theory, queer theory, post-colonialism, and critical race theory. Many combine their degree study with a campus designated emphasis (graduate minor) in New Media, in Critical Theory, or in Women, Gender and Sexuality.

Designated Emphasis in Film Studies

PhD students at Berkeley outside the Department of Film & Media may add a Designated Emphasis in Film Studies to their major fields. The designated emphasis provides curricular and research resources for students who want to concentrate on film and media research within their respective disciplines and have their work formally recognized. Designed to bring together faculty and students from different departments, the program provides a unique contliext for rigorous cross-disciplinary thinking and promotes innovative research in the theory and history of cinema and media studies.

Contact Info

[email protected]

7408 Dwinelle Hall

Berkeley, CA 94720

At a Glance

Department(s)

Film and Media

Admit Term(s)

Application Deadline

December 3, 2024

Degree Type(s)

Doctoral / PhD

Degree Awarded

GRE Requirements

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    University of Southern California
   
  Aug 30, 2024  
USC Catalogue 2018-2019    
USC Catalogue 2018-2019 [ARCHIVED CATALOGUE]

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The degree of Doctor of Philosophy in Cinema and Media Studies is administered through the Graduate School. The PhD program is tailored to the individual student’s particular needs and interests. The overall course of study will be designed by the student, the student’s designated adviser and, following the screening procedure, the student’s qualifying exam committee chair (see Screening Procedure under Media Production and Practice Courses).

Degree Requirements

Each PhD candidate must complete 68 units beyond the bachelor’s degree, 43 of which must be at the 500 level or higher. (Up to 30 units may be transferred from graduate work completed at other institutions.) Dissertation units are not counted toward the 68-unit total. The required units will include seven to 12 courses in cinematic arts and 8 to 16 units in the minor area. The minor will be chosen by the student in close consultation with the adviser and will be in an academic field that supports the student’s dissertation topic. Each student must complete the following course work toward the 68-unit total. 

These courses should be taken before the screening procedure.

  • CTCS 500 Seminar in Film Theory Units: 4
  • CTCS 506 Critical Studies Colloquium/Professional Seminar Units: 2
  • CTCS 510 Case Studies in National Media and/or Regional Media Units: 4
  • CTCS 587 Seminar in Television Theory Units: 4

Media Production and Practice Courses

Each candidate for the PhD must complete one of the following 4-unit courses with a grade of C or better. If the student enters the program with a master’s degree in cinematic arts and possesses production experience, the student may request a waiver of this requirement. The waiver requires passing a written examination and submission of films/videos to the production faculty for review. This course should be taken before the screening procedure.

  • CTIN 534L Experiments in Interactivity I Units: 4
  • CTPR 507 Production I Units: 4
  • IML 501L Digital Media Authorship and the Archive Units: 4
  • IML 502 Techniques of Information Visualization Units: 4
  • IML 575 Graduate Media Arts Research Lab Units: 2, 3, 4 (4 units only)

Two of the following:

  • CTCS 673 Topics in Theory Units: 4
  • CTCS 677 Cultural Theory Units: 4
  • CTCS 678 Seminar in Film Theory and Medium Specificity Units: 4
  • CTCS 679 Seminar in Genre and/or Narrative Theory Units: 4
  • CTCS 688 Moving Image Histories: Methods and Approaches Units: 4

Screening Procedure

The Graduate School requires that programs administer an examination or other procedure at a predetermined point in the student’s studies as a prerequisite to continuation in the doctoral program. This procedure is designed to review the student’s suitability for continuing in the chosen PhD program. The School of Cinematic Arts has determined that this procedure will occur no later than the end of the student’s third semester of graduate course work at USC beyond the master’s degree. The screening procedure process will include the following steps:

  • If the faculty has determined during the admissions process that a comprehensive examination will be required as part of the screening procedure, an examination will be administered as appropriate. If the examination is passed to the faculty’s satisfaction, the student may proceed to the next step in the screening procedure process. If the student fails to pass the examination, the faculty will determine if the student will be allowed to retake the examination the following semester before proceeding to the next step in the screening procedure process.
  • The student will be interviewed and his or her progress in the program will be reviewed by the faculty to determine if the student will be approved for additional course work. If approved to continue, a qualifying exam committee chair will be selected by the student, with the approval of the faculty, who will serve as the student’s adviser. It is strongly recommended that full-time study be pursued following the successful completion of the screening procedure.

Qualifying Exam Committee

Following a successful screening procedure, the student, in consultation with the qualifying exam committee chair and the Cinema and Media Studies faculty, will formally establish a five-member qualifying exam committee. The composition of the qualifying exam committee will be as specified by the Graduate School. For the PhD in Cinema and Media Studies, the committee is ordinarily composed of four Cinema and Media Studies faculty members and an outside member from the candidate’s minor area.

Foreign Language Requirement

The Cinema and Media Studies faculty will advise each student as to whether or not a foreign language is required. This requirement is determined by the student’s dissertation topic. The requirement must be met at least 60 days before the qualifying examination.

Dissertation Proposal Presentation

Working closely with the qualifying exam committee chair, the student will prepare to present his or her dissertation proposal to the full faculty. This will be a formal written proposal that will include a statement of the proposed topic, four fields for examination derived from the general dissertation topic area (including a field from the minor area), a detailed bibliography, and an appropriate and comprehensive screening list of film/television titles. Formal presentation of the dissertation proposal will occur no later than the end of the semester prior to taking the qualifying examinations. The qualifying exam committee must approve the dissertation topic. Once the dissertation topic has been approved, the student will complete the Request to Take the PhD Qualifying Examination form available from the program coordinator.

Qualifying Examinations

Written and oral examinations for the PhD are given twice a year, in November and April. Questions for the written portion of the examination will be drafted by members of the qualifying exam committee who will also grade the examination. The qualifying examination comprises four examinations administered one each day for four days during a five-day period.

The oral examination will be scheduled within 30 days after the written examination. All qualifying exam committee members must be present for the oral portion of the qualifying examination.

Admission to Candidacy

A student is eligible for admission to candidacy for the PhD degree after: (1) passing the screening procedure; (2) presenting the dissertation proposal and having it approved; (3) satisfying the language requirement, if applicable; (4) completing at least 24 units in residence; and (5) passing the written and oral portions of the qualifying examination. Admission to candidacy is by action of the Graduate School.

Dissertation Committee

The dissertation committee is composed as specified by regulations of the Graduate School. A dissertation based on original investigation and showing technical mastery of a special field, capacity for research and scholarly ability must be submitted.

Registration for dissertation units, CTCS 794a    and CTCS 794b   , in the two semesters following admission to candidacy is the minimum requirement. These units cannot be applied toward the required 68 unit total. The student must register for CTCS 794a   , CTCS 794b   , CTCS 794c   , CTCS 794d   , CTCS 794z    each semester after admission to candidacy until the degree requirements are completed. No more than 8 units of credit can be earned in CTCS 794a   , CTCS 794b   , CTCS 794c   , CTCS 794d   , CTCS 794z   .

Defense of Dissertation

An oral defense of the dissertation is required of each PhD candidate. The dissertation committee will decide whether the examination is to take place after completion of the preliminary draft or the final draft of the dissertation. The oral defense must be passed at least one week before graduation.

The following policies apply to each student admitted to the PhD program.

Residency Requirements

At least one year of full-time graduate study (24 units excluding registration for CTCS 794a   , CTCS 794b   , CTCS 794c   , CTCS 794d   , CTCS 794z   ) must be completed in residence on the main USC campus. The residency requirement may not be interrupted by study elsewhere. Residency must be completed prior to the qualifying examination.

Grade Point Average

An overall GPA of 3.0 is required for all graduate work. Courses in which a grade of C- (1.7) or lower is earned will not apply toward a graduate degree.

Leaves of Absence

A leave of absence may be granted under exceptional circumstances by petitioning the semester before the leave is to be taken. Refer to “Leave of Absence” in the Graduate and Professional Education section.

Changes of Committee

Changes in either the qualifying exam or dissertation committee must be requested on a form available from the Graduate School Website.

Completion of All Requirements

Everything involved in approving the dissertation must be completed at least one week before graduation. Approval by the dissertation committee, the Office of Academic Records and Registrar, and the thesis editor must be reported and submitted to the Graduate School by the date of graduation.

Time Limits

The maximum time limit for completing all requirements for the PhD degree is eight years from the first course at USC applied toward the degree. Students who have completed an applicable master’s degree at USC or elsewhere within five years from the proposed enrollment in a PhD program must complete the PhD in six years. Extension of these time limits will be made only for compelling reasons upon petition by the student. When petitions are granted, students will be required to make additional CTCS 794a   , CTCS 794b   , CTCS 794c   , CTCS 794d   , CTCS 794z    registrations. Course work more than 10 years old is automatically invalidated and cannot be applied toward the degree.

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Film and Media Studies

The graduate program in Film and Media Studies is designed to be coherently structured, interdisciplinary, and international. The program emphasizes the study of film and media history, theory, analysis, aesthetics, and criticism from a humanistic perspective, within the context of global media culture. Students are encouraged to incorporate intensive site-specific study as part of their dissertation research. Eighteen core faculty and fifteen affiliated faculty members span a wide range of areas and specializations. In addition, several major scholarly publication projects are based in the department.

Adress

Department of Film and Media Studies University of California, Santa Barbara 2433 Social Sciences and Media Studies Santa Barbara, CA 93106-4010 (USA)

Website icon

Website  http://www.filmandmedia.ucsb.edu/

Email

Email  [email protected]

Phone

Department Phone Number (805) 893-8535

Degree icon

  • December 1, 2024 (by 11:59 PM PST)

Requirements Icon

Requirements

  • Online application : https://www.graddiv.ucsb.edu/eapp
  • Statement of Purpose, Personal History and Diversity Statement, and Resume or CV (submitted in the online application)
  • Three Letters of Recommendation (submitted online)
  • Official transcripts from all post-secondary institutions attended (submitted online)
  • TOEFL scores 600 Paper-Based Test (PBT), 100 Internet-Based Test (IBT) or IELTS (International English Language Testing System) Overall Band Score of 7 or higher (if applicable)
  • English Language Exam Scores (if applicable): TOEFL Internet-Based Test (IBT) total score of 100, or TOEFL Paper-Based Test (PBT) total score of 600, or IELTS Overall Band score of 7, or Duolingo English Test total score of 120, or higher
  • A Writing Sample must be submitted in the online application and should demonstrate excellent written ability in an address to film and media studies or a related field that relies on analogous critical, historical and theoretical methods. It should be a coherent, completed essay with references that is 15-20 double-spaced pages in length.
  • Final/Official transcripts will be required for all applicants who are admitted and have indicated their intent to enroll at UC Santa Barbara by submitting a Statement of Intent to Register (SIR). UC Santa Barbara reserves the right to require official transcripts at any time during the admissions process, and rescind any offer of admission made if discrepancies between uploaded and official transcript(s) are found.

Environment and Society; Feminist Studies; Global Studies; Technology and Society (All Ph.D. only)

Film & Media

University of California, Berkeley

About the Program

Phd in film and media.

Students in the Film and Media PhD are encouraged to situate moving images within the larger theoretical and analytical frameworks of a range of other disciplines. They integrate the traditions of history, law, literature, cultural studies, gender studies, and political theory to the newer disciplines of film studies and digital media, applying the tools of post-structuralism, psychoanalysis, new historicism, media archaeology, Frankfurt School, feminist theory, queer theory, post-colonialism, and critical race theory. Many combine their degree study with a campus designated emphasis (graduate “minor”) in New Media, in Critical Theory, or in Women, Gender and Sexuality.

Designated Emphasis in Film Studies

PhD students at Berkeley outside the Department of Film & Media may add a Designated Emphasis in Film Studies to their major fields. The designated emphasis provides curricular and research resources for students who want to concentrate on film and media research within their respective disciplines and have their work formally recognized. Designed to bring together faculty and students from different departments, the program provides a unique contliext for rigorous cross-disciplinary thinking and promotes innovative research in the theory and history of cinema and media studies.

Visit Department Website

Admission to the University

Applying for graduate admission.

Thank you for considering UC Berkeley for graduate study! UC Berkeley offers more than 120 graduate programs representing the breadth and depth of interdisciplinary scholarship. The Graduate Division hosts a complete list of graduate academic programs, departments, degrees offered, and application deadlines can be found on the Graduate Division website.

Prospective students must submit an online application to be considered for admission, in addition to any supplemental materials specific to the program for which they are applying. The online application and steps to take to apply can be found on the Graduate Division website .

Admission Requirements

The minimum graduate admission requirements are:

A bachelor’s degree or recognized equivalent from an accredited institution;

A satisfactory scholastic average, usually a minimum grade-point average (GPA) of 3.0 (B) on a 4.0 scale; and

Enough undergraduate training to do graduate work in your chosen field.

For a list of requirements to complete your graduate application, please see the Graduate Division’s Admissions Requirements page . It is also important to check with the program or department of interest, as they may have additional requirements specific to their program of study and degree. Department contact information can be found here .

Where to apply?

Visit the Berkeley Graduate Division application page .

Admission to the Designated Emphasis Program

Applicants must be enrolled in a doctoral program at Berkeley and must have completed either FILM 201, offered each fall semester, or FILM 200 , taught every spring.

Doctoral Degree Requirements

Course List
CodeTitleUnits
Graduate Film Theory Seminar4
Graduate Film Historiography4
Film Studies Proseminar2-4
Film Electives: Graduate seminars (4 courses)16
Outside Field Electives (2 courses) 8

Designated Emphasis Requirements

Coursework/curriculum.

A minimum of three graduate seminars in Film Studies must be taken at Berkeley. Independent study courses are not acceptable to fulfill this requirement.

Required courses

Course List
CodeTitleUnits
Graduate Film Theory Seminar4
Graduate Film Historiography4
Graduate Topics in Film (or a graduate seminar cross-listed with Film and Media)4

Qualifying Examination (QE)

A member of the Graduate Group in Film Studies must be a formal member of the PhD qualifying examination committee. If applicable, the Film Studies Graduate Group member in the student’s home department will serve in this function. A member of the Graduate Group may also serve as the outside member of the qualifying exam committee. A Film Studies topic must be included as a subject on the qualifying examination.

Dissertation

A member of the Graduate Group in Film Studies must be a formal member of the dissertation committee. The dissertation must contribute to the study of film and moving-image media.

Degree Conferral

Upon completion of these requirements and the dissertation, the student will receive a designation on their transcript to state that they have completed a “PhD in [major] with an Emphasis in Film Studies.”

Film and Media

Film 200 graduate film theory seminar 4 units.

Terms offered: Spring 2024, Spring 2023, Spring 2022 This seminar will examine both traditional and recent critical approaches to a systematic and historical study of film. Although we will emphasize contemporary structuralist-semiotic, psychoanalytical, and socio-critical methods, we will also study the classical debates in film theory about representation, filmic vs. literary signification, sexual difference, and the social function of images in modernism and postmodernism. Illustrations will be taken from film history from 1910 to 1980. Graduate Film Theory Seminar: Read More [+]

Rules & Requirements

Prerequisites: Graduate standing or consent of instructor

Hours & Format

Fall and/or spring: 15 weeks - 3 hours of seminar and 1 hour of discussion per week

Additional Format: Three hours of Seminar and One hour of Discussion per week for 15 weeks.

Additional Details

Subject/Course Level: Film and Media/Graduate

Grading: Letter grade.

Graduate Film Theory Seminar: Read Less [-]

FILM 201 Graduate Film Historiography 4 Units

Terms offered: Fall 2024, Fall 2023, Fall 2022 The theoretical and methodological issues raised by the recent practice of film history are the focus of this seminar. Intended primarily for first-year film studies graduate students and other students interested in starting work on film history, the seminar provides both a theoretical overview of film historiography and an introduction to the practice of historically oriented film research. The first part of the course uses both overtly historiographic readings and film history examples to raise historical questions of technology, institution-formation, exhibition, cultural history, and spectatorship. Graduate Film Historiography: Read More [+]

Fall and/or spring: 15 weeks - 3 hours of seminar and 2 hours of laboratory per week

Additional Format: Three hours of seminar and two hours of laboratory per week.

Graduate Film Historiography: Read Less [-]

FILM 203 Film Studies Proseminar 2 - 4 Units

Terms offered: Fall 2024, Fall 2023, Fall 2022 A seminar introducing Film Studies graduate students to the field, the profession, and the faculty practicing film studies. Envisioned as a way for new students to learn what is expected of them and for more advanced students to pass through the all-important last years of their training in an atmosphere of helpful camaraderie. Introduces students to the intellectual and physical resources of the Berkeley campus as well as the Bay Area. By the end of the semester students should gain an understanding of the expectations of their performance in graduate school, have identified the major goals on the way towards getting a Ph.D., and, depending on where they are in their studies, have begun to achieve those goals. Film Studies Proseminar: Read More [+]

Prerequisites: Graduate standing

Repeat rules: Course may be repeated for credit without restriction.

Fall and/or spring: 15 weeks - 3 hours of seminar per week

Additional Format: Three hours of Seminar per week for 15 weeks.

Grading: Offered for satisfactory/unsatisfactory grade only.

Film Studies Proseminar: Read Less [-]

FILM 204 Compact Seminar 2 Units

Terms offered: Fall 2010 A compact seminar features a distinguished, short-term visitor with expertise in Film and Media. During the stay, the visitor meets intensively with graduate students, who then continue to work on research topics for the remainder of the semester. The seminar meets eight times one hundred and twenty minutes, not including screening time, and a substantial (twenty-five page) research paper is required at the end of the semester. Compact Seminar: Read More [+]

Fall and/or spring: 4 weeks - 4 hours of seminar per week

Additional Format: Four hours of seminar (meeting two times per week).

Compact Seminar: Read Less [-]

FILM 220 Film Curating 4 Units

Terms offered: Fall 2021, Spring 2011, Fall 2006 An introduction to the theory, history, and practice of film curating taught by Pacific Film Archive curators. What do curators do? How do they decide what to show? What is the role of film archives and film exhibition in the field of film and moving image study? Using the Pacific Film Archive and its programmers as a laboratory, students will go behind-the-scenes of the Archive's curatorial, print traffic, publicity, and editorial departments and learn how to program by doing. The course will culminate in a proposal for a comprehensive film series. Film Curating: Read More [+]

Fall and/or spring: 15 weeks - 3 hours of seminar and 1-4 hours of laboratory per week

Additional Format: Three hours of Seminar and One to Four hour of Laboratory per week for 15 weeks.

Film Curating: Read Less [-]

FILM 221 Film Curating Part 2 2 Units

Terms offered: Spring 2007 Students will develop and present a film series for presentation at the Pacific Film Archive. Possibly refining a series proposed in 220. PFA curators will have final approval of the series topic and the film/video selection. Students will locate and book all films, write program notes, do outreach, and introduce programs. Guest speakers will include local press, writers, and artists. Local film and videomakers will trace the history of a work from production through exhibition. Film Curating Part 2: Read More [+]

Prerequisites: 220

Film Curating Part 2: Read Less [-]

FILM 230 Graduate Production Seminar 4 Units

Terms offered: Fall 2013, Spring 2013, Spring 2012 Intensive study of the basic elements of film and digital video production and post-production. Graduate students will develop a working knowledge of film and video making through hands-on production experience that will enable them to film and edit their own productions. They will also acquire training to teach basic video and film production classes. The uses of specific technologies and formats will be discussed in relation to aesthetic and theoretical questions. Training includes pre-production-scripting and storyboarding, production elements including image capture, and post-production strategies and aesthetics for non-linear digital editing programs. The course will also introduce problems of how to format video/films for exhibition and approaches to distribution, exhibition, and funding. Classes will consist of technical lectures and hands-on workshops, creative exercises, seminar-style discussion and critique, film screenings, assigned readings, and visiting artists and speakers. Graduate Production Seminar: Read More [+]

Prerequisites: Graduate standing and consent of instructor

Fall and/or spring: 15 weeks - 2 hours of lecture and 3-5 hours of laboratory per week

Additional Format: Two hours of Lecture and Three to Five hours of Laboratory per week for 15 weeks.

Graduate Production Seminar: Read Less [-]

FILM 240 Graduate Topics in Film 4 Units

Terms offered: Fall 2024, Spring 2024, Fall 2023 Selected topics in the study of film. Graduate Topics in Film: Read More [+]

Repeat rules: Course may be repeated for credit when topic changes.

Fall and/or spring: 15 weeks - 3 hours of lecture and 2 hours of laboratory per week

Additional Format: Three hours of lecture and two hours of laboratory per week.

Graduate Topics in Film: Read Less [-]

FILM 297 Dissertation Writing Seminar 4 Units

Terms offered: Prior to 2007 Students having completed doctoral qualifying examinations and now working on a dissertation or prospectus will undertake a structured process leading to the completion of a finished piece of work, in most cases a dissertation chapter. Each week, students will discuss one or more works in progress, and will have an opportunity both to learn from other students’ process and research, and to receive feedback from a diverse group on your own writing. Alongside the work of participants, students will read relevant theoretical texts and discuss research methods, questions of genre, tools for moving through blocks, and avenues for publication. Dissertation Writing Seminar: Read More [+]

Prerequisites: Students must have successfully completed their doctoral qualifying examinations and advanced to candidacy

Additional Format: Three hours of seminar per week.

Dissertation Writing Seminar: Read Less [-]

FILM 298 Special Study 1 - 4 Units

Terms offered: Summer 2022 First 6 Week Session, Fall 2021, Fall 2017 Designed to allow students to do research in areas not covered by other courses. Requires regular discussions with the instructor and a final written report. Special Study: Read More [+]

Prerequisites: Consent of instructor. Graduate standing

Fall and/or spring: 15 weeks - 1-4 hours of independent study per week

Summer: 3 weeks - 5-20 hours of independent study per week 6 weeks - 2.5-10 hours of independent study per week 8 weeks - 2-7.5 hours of independent study per week 10 weeks - 1.5-6 hours of independent study per week

Additional Format: Individual conferences. Individual conferences.

Special Study: Read Less [-]

FILM 299 Directed Research 1 - 12 Units

Terms offered: Fall 2021, Summer 2021, Fall 2020 Open to graduate students who have passed their Ph.D. qualifying examinations. Directed Research: Read More [+]

Fall and/or spring: 15 weeks - 1-12 hours of independent study per week

Summer: 8 weeks - 1.5-22.5 hours of independent study per week

Additional Format: One to Twelve hour of Independent study per week for 15 weeks. One and one-half to Twenty-two and one-half hours of Independent study per week for 8 weeks.

Directed Research: Read Less [-]

FILM 375 Teaching Reading and Composition through Film & Media 2 Units

Terms offered: Fall 2022, Fall 2021 This course serves as introductory training for first-time R&C GSIs who are interested in incorporating moving-image materials and instructional strategies into their teaching repertoire. Teaching Reading and Composition through Film & Media: Read More [+]

Objectives & Outcomes

Course Objectives: This course exposes students to current research on teaching student writing, encourages discussion of strategies and practices for R&C courses using both readings and moving-image media in the instructional content, and creates a structured space for current GSIs to workshop and troubleshoot issues from teaching in progress during the semester’s instruction.

Student Learning Outcomes: 2. be able to create and evaluate the effectiveness of lesson plans and assignments that employ active learning strategies (e.g., discussion, collaborative problem solving, applied practice) in the study of moving-image media materials; 3. know the standards of ethical conduct by which they and their students must abide and how to provide a welcoming and respectful learning environment for a diverse student body; 4. know general and field-specific University policies and resources for teaching film and media composition courses on the Berkeley campus, such as those pertaining to students with disabilities, students in distress, student athletes, sexual harassment, academic integrity, and instructional technology; 5. know how to assess student learning and grade student work fairly, consistently, and efficiently, with special attention to the structural and cultural differences in preparation that present barriers to learning effective writing; 6. be able to use feedback and assessment tools such as mid-semester evaluations to improve teaching; 7. be able to reflect upon teaching and learning and explain why they make the choices they do as teachers in their field; 8. know how to effectively communicate and collaborate with members of a teaching team (e.g., faculty instructor, head GSI, co-instructors, fellow GSIs, Readers, course support staff). Upon completion of the course, GSIs should: 1. know effective practices, current directions, and resources for engaging students in writing about film and media;

Prerequisites: Current or upcoming first-time appointment as GSI

Fall and/or spring: 15 weeks - 2 hours of seminar per week

Additional Format: Two hours of seminar per week.

Subject/Course Level: Film and Media/Professional course for teachers or prospective teachers

Teaching Reading and Composition through Film & Media: Read Less [-]

FILM 602 Individual Study for Doctoral Students 1 - 6 Units

Terms offered: Fall 2019, Spring 2019, Fall 2018 Individual study in consultation with faculty director as preparation for degree examinations. Individual Study for Doctoral Students: Read More [+]

Fall and/or spring: 15 weeks - 1-6 hours of independent study per week

Summer: 8 weeks - 1.5-11 hours of independent study per week

Additional Format: One to Six hour of Independent study per week for 15 weeks. One and one-half to Eleven hours of Independent study per week for 8 weeks.

Subject/Course Level: Film and Media/Graduate examination preparation

Individual Study for Doctoral Students: Read Less [-]

Contact Information

Department of film and media.

7408 Dwinelle Hall

Phone: 510-642-1415

Fax: 510-642-8881

[email protected]

Film & Media Department Chair

[email protected]

Film & Media Graduate Advising Office

Graduate Student Advisor

7407 Dwinelle Hall

[email protected]

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Film & Media

Engaging with all forms of moving-image culture.

Teaching students to think historically, theoretically, and analytically about film and media within the broad context of humanistic studies. Students and faculty engage with all forms of moving-image culture, including film, still photography, television, and digital media.

Upcoming Events

Departmental announcements, august 8, 2024, april 30, 2024, april 11, 2024, featured news, faith enemark receives golden bear staff achievement award, guardian: what lies beneath: the growing threat to the hidden network of cables that power the internet, berkeley news: damon young: film changed the way people saw sexuality. now, social media does., rizvana bradley’s anteaesthetics reviewed in film quarterly, welcoming the 2024 film & media ph.d. cohort, eisner prize screenings at bampfa on may 12, rizvana bradley's anteaesthetics named a best book of 2023 by frieze, damon young: "the self is everywhere, but also threatened with obsolescence by the rise of ai".

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  • Cinema & Media Studies
  • Program Overview

Division of Cinema & Media Studies

The Cinema & Media Studies Division offers foundational education in the cultural, artistic, political and commercial contexts of media creation, production, circulation and consumption. Students of this pioneering program develop a deep understanding of how technology, business, art, politics and history shape and respond to media at regional, national and global scales. Training at this historic department has taken its graduates to key positions at leading studios, universities, and media organizations in the US and around the world.

Our Cinema and Media Studies BA, MA and PhD program fall under the CIP code: CIP code 50.0601: Film/Cinema/Media Studies.

The Division is known for the varied expertise of its faculty, the program’s interdisciplinary affiliations, and its wealth of institutional resources:

  • Faculty areas of specialization include global media, Hollywood industry and practices, gender and sexuality in media, television history and theory, African American cinema, Latinx and Latin American media, Asian American media, cinemas of South Asia, East Asia and South East Asia, critical theories of race, transgender and queer media, documentary history and theory, sports media, gaming media, digital humanities, interactive media, avant garde and experimental film, postcolonial and decolonial theory, media historiography, industry studies, archival practices, media of the Global South and (post)socialist media.
  • Faculty members hold affiliations across diverse departments within USC including the departments of American Studies and Ethnicity, Communication, Comparative Literature, East Asian Languages and Cultures, Gender and Sexuality, History, Media Arts + Practice, and Visual Studies, among others.
  • Resources for research in film and media on campus include the Cinematic Arts Library, which holds multiple donor collections, the Warner Bros. Archives, the Hugh M. Hefner Collection, the Shoah Foundation Archive, and more. The Greater Los Angeles area is known worldwide for its media archives, theaters, museums, among other art and research centers.
USC Ranked Number One Film School By The Hollywood Reporter Film School Ranking News Story Read Story
Cinema & Media Studies Professor Discusses the Program and the Field Priya Jaikumar Faculty Profile Watch Video
Professor Priya Jaikumar moderates panel on the history and future of Bollywood films. Bollywood Films Come to SCA! News Read More
The SCA Diversity Council Honors CAMS Student with Award Diversity Awards Program Profile Read More

Student Stories

Samara Chaplain

Samara Chaplain Cinema & Media Studies '21

Sammy Barr

Sammy Barr BA, Cinema and Media Studies '25

Amy Louise Sotnick

Amy Louise Sotnick BA, Cinema and Media Studies '21

Featured Student Work

The pamoja project, this is civilization, the evil inside, film student, degree programs, undergraduate, bachelor of arts.

A Bachelor of Arts in Cinema & Media Studies offers an education in the cultural, historical, and narrative constructs of both new and traditional media. As a result, students develop the academic foundation necessary to excel in an industry that is constantly evolving and graduate with the broad tools and knowledge necessary to work in a variety of fields.

Master of Arts

A Master of Arts in Cinema & Media Studies offers a comprehensive examination of the cultural, artistic, and commercial contexts of media creation, consumption, and scholarship. Graduates from the MA in Cinema & Media Studies develop a sophisticated understanding of how creative expression, technology, business, politics, history and ideology are interlinked within American and international media trends. MA alumni have embarked on successful careers in the film and media industries, higher education, non-profits, curating, criticism and archiving.

Doctor of Philosophy

Established in 1959 as the first PhD program of its kind, the Doctor of Philosophy in Cinema & Media Studies remains at the forefront of scholarly work in the cinematic arts. Students tailor their curriculum to their own creative and scholarly interests under the guidance of SCA's world-renowned faculty. Past PhD recipients have published award-winning books and essays, secured tenured positions at the most prestigious universities in the world, and have become influential public intellectuals in a variety of fields.

Contact Information

The Division of Cinema & Media Studies USC School of Cinematic Arts Program Coordinator University Park, SCA 319 Los Angeles, CA 90089-2211 Phone: 213.740.3334 [email protected]

phd film studies california

Cultivating the Next Generation of Storytellers

We give students the knowledge and skills to become tomorrow’s artists, leaders and scholars. 

At the UCLA School of Theater, Film and Television we are committed to being a world-renowned interdisciplinary professional hub, dedicated to cultivating exceptional humanistic storytellers, trailblazing industry leaders, and insightful scholars. Rooted in our rich heritage as a top-tier entertainment and performing arts institution, we champion diverse and innovative voices that have the power to enlighten, captivate, and usher in transformative change for a brighter future. By seamlessly blending the study and creation of live performance, film, television, and the digital arts through our groundbreaking curriculum, we offer not just education, but experiences. We take pride in our doctoral pursuits in theater, performance studies, cinema, and media studies. Our mission is to inspire, engage, and challenge the next generation of entertainment and academic leaders to create a more inspired and inclusive world.

The Latest at TFT

phd film studies california

Queer Joy and a 1959 Fever Dream Highlight NFMLA’s InFocus: LGBTQ+ Cinema Program

phd film studies california

2024 Emmy Nominations

Explore our programs, film, television & digital media.

The Department of Film, Television and Digital Media provides professional and scholarly approaches to the study of media and helps students discover their powers as independent artists and communicators.

Undergraduate Programs

  • Film, Television & Digital Media (BA)
  • Film, Television & Digital Media (Minor)

Graduate Programs

  • Animation (MFA)
  • Cinema & Media Studies (MA)
  • Cinema & Media Studies (PhD)
  • Cinematography (MFA)
  • Producers Program (MFA)
  • Production/Directing – Documentary (MFA)
  • Production/Directing (MFA)
  • Screenwriting (MFA)

phd film studies california

Our students become well-rounded artists and researchers by immersing themselves in their chosen areas as well as exploring the other creative disciplines that are available.

  • Theater (BA)
  • Theater (Minor)
  • Acting (MFA)
  • Design for Theater & Entertainment (MFA)
  • Directing (MFA)
  • Playwriting (MFA)
  • Theater & Performance Studies (PhD)

phd film studies california

Theater Season – Upcoming Performances

phd film studies california

Bruin Fringe Fest

A festival of short student-generated pieces directed by and featuring undergraduate students from UCLA Department of Theater. This workshop setting is modeled after fringe festivals around the world that celebrate new and innovative art.

Performances

Macgowan 1330

phd film studies california

The Time of Your Life

In 1939 this play was a meditation on class and race according to the legible markers of that time period. Doing this play in 2023 would require a careful examination of what those markers are at this time. Seeking an ensemble of actors with heightened language skills who are interested in exploring identity issues of America utilizing the language and setting of 1939 through the lens of today.

November 16 – 21, 2023

Little Theater

phd film studies california

Project II: The Guadalupes

MFA Directing Project I: The Guadalupes by Noah Diaz and Directed by Eric Swarts (First Year MFA Director)   A meta-theatrical exploration of memory, the things we inherit, sadness, and coming to terms with our regrets and place in the world.   *This is a non-ticketed production*  

February 8 – 10 @ 7 pm

We Appreciate Your Support

As a leading public university, our student, faculty and program successes are made possible by private philanthropic support. Making a tax-deductible gift helps achieve many goals.

Try these: Michael Curtin new media digital studies

phd film studies california

Congratulations!

To the graduates of 2024!

phd film studies california

Media Inside Out Conference

honors retiring Professors Penley, Walker, and Wolfe

phd film studies california

Fossil Free Exhibition

Sheds light on student activism.

phd film studies california

Coastal Media Project student documentaries to screen at SBIFF!

“841” and “The Salt on Our Skin” are both part of the festival’s Santa Barbara Documentary Shorts programming.

phd film studies california

Publication

Arabic glitch.

Laila Shereen Sakr is now available.

phd film studies california

GCLR Workshop – Translation Across Media

Friday, May 19, 1pm-6.30pm Wallis Annenberg Conference Room, SSMS 4315

phd film studies california

Trinankur Banerjee has won the 2023 Graduate Student Essay award for SCMS Comedy and Humor SIG

for his essay,”On the Problems of Being Together: Post-Partition Popular Comedy and the Crisis of Dwelling.”

phd film studies california

Book Launch

phd film studies california

Congratulations to James McNamara

for the success of Cooper.

phd film studies california

UCSB COVID-19-information

Our courses and scholarship cover a constellation of topics, including, explore our degrees, view our interests, meet our people, find resources, latest work from the department, arabic glitch: technoculture, data bodies, and archives, india, perchance: national life in the wake of the pandemic, bazaar (concepts), capital glitch: arab cyborg turns to d.c., insurrection video procession, capitol mosaic, upcoming events.

August 2024
M T W T F S S
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There are no upcoming events at this time.

University of California Irvine

  • Chancellor’s Message

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2024-25 edition, film and media studies, b.a..

Film and Media Studies focuses on nurturing our diverse student body and our students’ varied backgrounds and interests. Courses reflect an interdisciplinary and historically grounded approach to the study of moving images, on big and small screens alike. From parsing the history of television policy to writing for video games, our students get a unique interdisciplinary education in the historical and social background of the study of film, television, and new media. Our outstanding faculty are engaged in innovative research on topics like globalization, gender studies, queer theory, broadcast studies, intellectual history, new media and critical game studies, history of photography, and national cinema approaches to the analysis of Film and Media Studies, and our courses give our students access to this cutting-edge research. In our production and screenwriting courses, students get hands-on experience creating short films, television pilots, webisodes, computer games, and other visual media.

Requirements for the B.A. in Film and Media Studies

All students must meet the university requirements ., all students must meet the school requirements ., departmental requirements for the major.

A. Complete the following:
Introduction to Film and Visual Analysis
Introduction to Television Analysis
Introduction to New Media and Digital Technologies
B. Select three of the following:
History of Film I: The Silent Era
History of Film II: The Studio Era
History of Film III: The Contemporary Era
History of Radio and Television
History of Digital Media
C. Complete either:
Film and Media Theory
Film and Media Theory and Practice
D. Select one of the following:
Introduction to Screenwriting
Writing Television I
Basic Production
E. Select four of the following:
Topics in Genre Study
Topics in Narrative/Image
Topics in Authorship
Intermediate Screenwriting
Writing Television II
Intermediate Production
Production Workshop
Multicultural Topics in the Media
Writing on Film and Media
Critical Theory of Television
Studies in New Media
Topics in Popular Culture and Media
Topics in Sound Studies
Topics in Audiences and Reception
Topics in Documentary and Experimental Film and Media
National/Regional Cinemas and Media
Global/Transnational Cinemas and Media
Topics in US Cinema
Topics in Television and New Media
Special Topics in Film and Modern Media
Special Topics in Critical Practice
Special Topics in Advanced Film Production
Special Topics in Advanced Screenwriting
Special Topics in Interdisciplinary Studies

Only two of the courses marked may be applied toward this requirement.

Residence Requirement for the Major: At least five upper-division courses required for the major must be completed successfully at UCI.

Film and Media Studies at UC Irvine prepares students for graduate study and professional life in the Film and Media Studies areas. Our students have been admitted to Ph.D. and M.F.A. programs at UCLA, USC, New York University, and the University of Texas at Austin. Film and Media studies majors have gone on to law school and to get Ph.D.s in a variety of fields. Alumni also make careers in all aspects of the entertainment industry, finding work in the film, television, and game industries in Southern California and beyond. Film and Media Studies students find careers in directing, cinematography, editing, journalism, advertising, marketing, and distribution. Our students’ diverse backgrounds have enabled them to work in bilingual or global media outlets. The Department encourages all qualified students to do professional internships. Visit the internship page on our website for more information about the diverse array of internships that you can do for credit.

The UCI Division of Career Pathways provides services to students and alumni including career counseling, information about job opportunities, a career library, and workshops on résumé preparation, job search, and interview techniques. See the UCI Division of Career Pathways website for additional information.

  • Film and Media Studies, Graduate Emphasis
  • Film and Media Studies, Minor
  • Film and Media Studies, Ph.D.

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2024-2025 Catalogue

A PDF of the entire 2024-2025 catalogue.

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Totem Films Nabs World Sales Rights to Sofia Bohdanowicz’s ‘Measures for a Funeral,’ Releases Exclusive Clip Ahead of Toronto Premiere (EXCLUSIVE)

By Jennie Punter

Jennie Punter

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Measures for a Funeral

Paris-based Totem Films has acquired world sales rights, excluding Canada, to Canadian filmmaker Sofia Bohdanowicz’s “Measures for a Funeral” in advance of the film’s world premiere in the Toronto Film Festival ’s Centrepiece program.

Margot Hervée, Totem’s head of sales and acquisitions, first encountered Bohdanowicz’s work a few years ago. “It immediately resonated with me,” she told  Variety . “We’re thrilled to now have her as part of the Totem family and to represent her latest film.”

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Filmed in Canada, the U.K. and Norway, “Measures”— which won the Kodak and Silveryway Award during FIDMarseille’s co-production lab in 2020 — follows graduate student Audrey as she traces the story of real-life pioneering Canadian violin prodigy Kathleen Parlow (1890–1963) after discovering a lost concerto dedicated to Parlow in the university’s music department archives. 

Haunted by memories of her dying mother’s unfilled artistic dreams, Audrey seeks to resurrect Parlow’s legacy by mounting a full-scale performance of the work. 

“I knew about Parlow because she was a legend in my family,” Bohdanowicz told  Variety  last week, in her first interview about the film. “Parlow mentored my grandfather, who was second fiddle in the Toronto Symphony. My first memories of going to a concert are sitting in Roy Thomson Hall and watching him play.” 

“Right away I went to the library to look at the manuscript,” Bohdanowicz said. “Eventually, after (the piece) was finally performed in Norway by the Malmo Symphony, I heard a recording and was stunned by the piece. As I was studying the archive, I kept asking if it was going to be performed in Canada anytime soon. 

“The ambiguity around it — or, I guess, the lack of interest in the piece of music — kind of made me want to pursue the performance of it,” she said. 

The Parlow archive is a treasure of photographs, paper ephemera and diaries that add granular detail to the film script and visuals. “What you see in the film only scratches the surface,” Bohdanowicz adds. 

Another coup in the film is the return to the big screen — specifically its sound system — of celebrated Canadian singer Mary Margaret O’Hara (the beloved 1988 album Miss America) as the voice of Kathleen Parlow. “She is such an intuitive artist who has this great gift of improvisation,”  Bohdanowicz said. “She has an incredibly unique voice that has a warm tone that also has a ghostly presence.” 

The film culminates in a live concert of Opus 28 in Montreal performed by the Orchestre Métropolitain and world-renowned Spanish violinist María Dueñas Fernández, who both performs the work and plays the character of the young violinist. Conductor Yannick Nézet-Séguin — who has recently worked with Chloe Robichaud on her Toronto-premiering “Days of Happiness” and with Bradley Cooper on “Maestro” — also does double duty as conductor and actor. 

“Measures for a Funeral” is produced by Aonan Yang and Andrea Mendritzki of Montreal-based GreenGround Productions (Denis Côté’s “Social Hygiene” and “Wilcox”) and Bohdanowicz, and co-produced by Priscilla Galvez. 

The acquisition of “Measures” adds to Totem’s 2023 slate of films, which includes Mo Harawe’s Cannes premiere “The Village Next to Paradise,” Berlinale titles “My Favourite Cake” (directed by Maryam Moghaddam, Behtash Sanaeeha) and “Crossing” (Levan Akin), and Juho Kuosmanen’s “The Silent Trilogy.”

“Measures for a Funeral” has its world premiere on Saturday Sept. 7 at the Toronto Film Festival. 

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