essay novel example

Novel - Free Essay Examples And Topic Ideas

A novel is a relatively long work of narrative fiction, typically written in prose and published as a book. Essays might discuss the evolution of the novel as a literary form, analyze specific novels or authors, explore themes and stylistic features of novels, or discuss the impact of novels on society and culture. We have collected a large number of free essay examples about Novel you can find in Papersowl database. You can use our samples for inspiration to write your own essay, research paper, or just to explore a new topic for yourself.

Winston against the Party in the Novel 1984

In 1984, the main character, Winston Smith goes through moments where he is in need; His needs consist of physiological needs, safety, and security needs, love and belonging needs, esteem needs, and self-actualization needs. Winston is the main character in his novel it follows his around during this time. In 1984 Winston has his physiological met. These physiological needs include; water, pleasure, and food. Winston had taken up his spoon and was dabbling in pale-colored gravy that dribbled across the […]

How does Jack Represent Savagery in the Novel?

In the novel, Lord of the Flies by William Golding, the character, Jack, symbolizes evilness and savagery. At the beginning of the story, Jack manipulates the reader into thinking that he is a good character. This is shown when he volunteers to lead the group of boys. However, on the contrary, Jack portrays evilness throughout the book in many scenes such as when he kills the pig, chants the phrase "'Kill the pig. Cut her throat. Spill her blood. and […]

The Alchemist and the Pilgrimage by Paulo Coelho

Literature is the mirror of the society. Literature writers always reflect the social, economic, political and cultural realities in the society and captures the same is their artistic expressions. It is on this basis the literature is the mirror of the society. Paulo Coelho in the novel The Alchemist and The Pilgrimage fundamentally offers inspiration to people to always follow their dream regardless of the circumstances that they go through. The Alchemist and The Pilgrimage are a compelling novels by […]

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Montag and Clarisse in the Novel Fahrenheit 451

Individuals can change because of the impact of others. The book, "Fahrenheit 451" by Ray Bradbury was about a firefighter name Guy Montag. Montag does the inverse from what a standard firefighter does. He starts fires as opposed to putting them out. In Fahrenheit 451 books are not normal to see and in the event that somebody is seen reading a book, the firefighters burn their homes. Rather than reading books, their society watches a lot of TV and tunes […]

The Problems in the Novel Fahrenheit 451

In the novel Fahrenheit 451 written by Ray Bradbury, which is a dystopian fiction book, illustrates how the society in which the story is portrayed in turns to chaos. The citizens of the society become afraid of the people who they should trust to keep them safe, which are the firefighters, because they burn any books that they come in contact with. In the ending of Part 1 of the book, Captain Beatty tells Guy Montag about the history and […]

Deviations of the Hero’s Journey

In the realm of literature, various works are associated with Christopher Vogler and Joseph Campbell’s concept of the hero’s journey. According to Campbell, a hero’s journey commences when a character departs his home, also known as his ordinary world, to navigate to an obscure world. Campbell is acknowledged to be the founder of the hero’s journey archetype. The hero endures and conquers difficulties in the process, which in return makes him stronger. He learns from his previous mistakes and establishes […]

Analysis of a Dystopian Novel Fahrenheit 451 by Ray Bradbury

Introduction Fahrenheit 451 is a book set in the 24th century written by Ray Bradbury which tells the story of Guy Montag who is a fireman. The book explores a dystopian world where firemen work to start fires and burn books. Dystopia is a word that is used to refer to the opposite of Utopia. Hence, it represents a world that is terrible in all ways imaginable. A dystopian novel, therefore, portrays a disastrous future. In this book, the protagonist […]

The Novel “The Namesake” and Gogol Ganguli

The novel "The Namesake" by Jhumpa Lahiri, exquisitely captures the life events of a certain Bengali immigrant family, the Ganguli's. The Novel captures the cultural and ethnic dilemmas that are placed upon Ashima and Ashoke Ganguli by the norms of American culture. This predicament is transferred to their first child Gogol. Gogol Ganguli is raised between the norms of American and Bengali cultural tendencies. This exposure and way of life have implemented a mental tug of war on which he […]

Expressing Feminism in Pride and Prejudice by Jane Austen

Background Information Jane Austen was an English novelist born in Hampshire, South of England on 16th December in 1775. She was very close to Cassandra, her sister. When together, the two would share a bedroom but when apart they would write to each other almost every. After Jane's death on 18th July 1817, her sister testified how the two loved each other, ""she was gilder of every pleasure, the sun of my life, and the soother of sorrow"" (Bendit 245). […]

Character Foil between Darcy and Wickham in the Novel Pride and Prejudice

In order for a reader to connect to the characters in a book and understand each of their individual qualities, authors decide to use characterization. In Jane Austen's Pride and Prejudice, she uses both direct and indirect characterization; this being, telling the reader exactly how she wants to portray a certain character, but also including characters who contrasts with other characters, most often the protagonist, in order to bring out certain qualities. This also known as character foil. One example […]

Okonkwo is the Legend of the Novel Things Fall Apart

Things fall apart is a disaster novel formed by Chinua Achebe. Okonkwo, who is the legend of the novel and a champion among the most powerful men in the Ibo tribe routinely falls back on violence to make his centers appreciated. Down in his heart, Okonkwo is genuinely not a savage man, anyway his life is directed by his inside conflict, the fear of dissatisfaction and of inadequacy. Okonkwo made it a point in his life to isolate himself from […]

Socratic Seminar Slaughterhouse Five

How does the Vonneguts time shifting technique affect the understanding of the novel? Is there any advantage of structuring the slaughter house five in the teleporting manner? There is a linear story that emerges from the time shifting details of the novel. There is the story of Billy,? who makes his own way through time travel across the era of World War 2 toward the Dresden and show the scene of destruction. Whenever we came to the thread of the narrator, […]

Ready Player One: a Science-fiction Novel by Ernest Cline

The book Ready Player One is a science-fiction novel written by Ernest Cline. It was released in 2011 and became a New York Times bestseller. This post-apocalyptic like novel takes place in 2044, after the world has been struggling through economically hard times due to environmentally degradation. The only escape in this brutal world is a virtual reality video game called OASIS that lead character Wade Watts to use advance technology to fully engage himself within the game. The creator […]

Parallels between a Novel 1984 and Soviet Union

George Orwell is a politically charged author who writes novels as warning issued against the dangers of totalitarian societies. The novel is dystopian literature. A dystopian society is the not so good version of an utopian society which is pretty much a perfect world. While an utopian society IS a perfect world, a dystopian society is the exact opposite as it is dehumanizing and unpleasant in regards to trying to make everything ideal. The novel 1984 by George Orwell is […]

An Utopian Society in the Novel Animal Farm

Having power is something wanted by all, but it's sometimes it's the wrong people who obtain it. All around the world, signs are proving this to be true, even in literature. Classic novels which tend to address universal concerns such as too much power can change the way people view life. A classic novel such as Animal Farm which was written by George Orwell can portray how having too much power will eventually lead to the abuse of that power […]

George Orwell’s Fiction Novel 1984

With new technology and advanced programs, the government is gaining more power than one may realize. George Orwell’s fiction novel 1984, depicts Oceania’s control upon it’s party members thoughts and freedom showcasing the harsh effects that it had on its population. Too much control can often lead to social repression, Winston being a product of this repressed society. The cruelty Winston is faced with serves as both a motivation for him throughout the novel and reveals many hidden traits about […]

Multiple Points of View Paper

Anna Fitzgerald had a sister, Kate who besides having leukemia needed a kidney transplant. Anna is supposed to donate one of her kidneys to her sick sister, but apparently, she is already tired of donating organs to her. Anna did not just donate toys to her sister she also had on many instances donated blood and plasma to her in the past. Notably, Anna had been born out of a genetic engineering process which was purposely facilitated by her parents […]

A Political Novel 1984

1984 is a political novel composed for the humans below a totalitarian authorities and to give consciousness for the feasible dangers of it. George Orwell, the author, purposefully created the e book give emphasis to the rising of communism in Western countries who are nonetheless uncertain about how to approach it. He additionally wrote it due to having an insight of the horrendous lengths to which authoritarian governments that ought to possibly go beyond their power such as Spain and […]

Idyllic Society in the Novel Animal Farm

In the novel Animal Farm written by George Orwell is about how the animals attempt to create their own idyllic society which based on equality among the animals. The pigs create Animalism that all the animals have to follow and live by without going against it. First, the author describes the pigs as the "cleverest of the animal and they can easily take over the farm. Secondly, the pigs rely on rules they made together to keep the animals in […]

Main Theme in John Steinbeck’s Novel of Mice

In John Steinbeck's novel Of Mice and Men George and Lennie work at a ranch in California. They work there for a couple of weeks until Lennie accidentally kills Curley's Wife. George then finds Lennie and kills him. Some of the characters on the ranch symbolizes loneliness. Steinbeck symbolizes loneliness through Candy, Crooks, George, and Curley's Wife. Candy represents loneliness through his missing hand and old dog. Candy's hand represents an old soulmate that is now gone. Candy's dog represents […]

The Color of Water a very Touching True Novel

The Color of Water written by James McBride was a very touching true novel about a son's perspective of his Jewish mother. Throughout the book James searches for his own placing in society as he passes through life. There are many hardships that he, his eleven other brothers and sisters and mother go through to get there, but in the end everything seems to justify means to how they got there and why events had happened in that particular way. […]

Edgar Allan Poe Themes and Styles

Edgar Allan Poe was born on January 19th, 1809, in Boston, Massachusetts, the child of two actors. He was then adopted by the Allan family after his father abandoned him and his mother passed away. Living in Virginia, he attended the University of Virginia for only one year, due to lack of money, and was recruited into the army by his father. His time in the army was short-lived, and he soon returned home. Soon after he married his thirteen-year-old […]

Have you Ever Read a John Steinbeck Novel?

His novels have made him very famous and also put Salinas, California on the map. His status has risen in Salinas as he promised. In this paper, I will be telling you about his life and why he was important. John Ernst Steinbeck was born on February 27, 1902, in Salinas, California which had a population of around 5,000 people at the time. His parents were John Steinbeck, a manager at Sperry flour mill, and Olive Hamilton, a school teacher. […]

The Kite Runner a Novel Full of Betrayals

The Kite Runner, author Khaled Hosseini is a novel full of betrayals and people seeking their redemptions. The novel is based off a major betrayal but is surrounded by other betrayals. The main character Amir betrayed his best friend Hassan and later in his life he tries to seek redemptions for past deeds. After twenty-six years, Amir returns to Afghanistan in order to redeem himself but falls short of acquiring full redemption. Amir cannot completely redeem himself due to watching […]

Dystopian Novel “Fahrenheit 451”

In the dystopian novel Fahrenheit 451, the government has taken measures to secure their utopian world. Things like having men going from house to house burning books because they think the knowledge in those books is dangerous to their cause. If anyone hears of someone with a book, they turn them in out of fear. The government brainwashed people into thinking books are bad, and nothing good can come out of them, just as Senator McCarthy did with Communists in […]

The Novel “Other Wes Moore”

The novel “Other Wes Moore” talks about the author moore tells the story about himself and the other Wes Moore. They were grown in a similar neighborhood, and both have spent a difficult time because of their father died when they were still young. They all have been through similar hardship. They used to be in similar crowds on similar street corners, they both had dealt with the police because of their unpleasant encounter with the police. With two similar […]

Theme of Redemption in the Kite Runner

It is only normal for humans to make mistakes, but it is how the mistakes are resolved that will dictate ones’ fate. In The Kite Runner, written by Khaled Hosseini, he describes the life of a young boy named Amir whose mistake haunts him for years, and his journey to find a way to relieve the guilt he had to live with. The author demonstrates how guilt can physically and psychologically push a person to search for ways to redeem […]

The Great Gatsby: Movie and Novel Adaptations

When was the last time you read a book then watched the movie? How about the other way around? Have you ever read a play, then actually seen the play? And while watching it, you find yourself saying excitedly, ohh I think I have read this part in the book, but why is the movie different from what I imagined!. Well you are not alone.That is exactly how I felt after reading Francis Scott Key Fitzgerald's, The Great Gatsby. The […]

The Life of Gogul in the Novel the Namesake

In the novel The Namesake written by Jhumpa Lahiri, we explore the life of Gogul and his parents as they assimilate into the world of the United States after his parents immigration from India. Throughout the novel we are introduced to various topics including immigration, assimilation and even prejudice. Lahiri laces these intricate topics into her story about a young Indian man's journey to balance both his Bengali and American lifestyles while also facing the obstacles of maturation and adulthood. […]

Loneliness in Kokoro Novel

Natsume Soseki wrote Kokoro towards the end of his life in the 1910s around the time of the death of Emperor Meiji. The novel is centered on three isolated thoughtful individuals, Sensei and the narrator who have moved to Tokyo from rural areas and the narrators father a lonely man who is having difficulties adjusting to modernization who remains in the family home in the countryside. Soseki depicts in fact a melancholic new world in which people are having difficulty […]

How to Write an Essay about a Novel – Step by Step Guide

Writing about literature used to scare the heck out of me. I really couldn’t wrap my mind around analyzing a novel. You have the story. You have the characters. But so what? I had no idea what to write.

Luckily, a brilliant professor I had as an undergrad taught me how to analyze a novel in an essay. I taught this process in the university and as a tutor for many years. It’s simple, and it works. And in this tutorial, I’ll show it to you. So, let’s go!

Writing an essay about a novel or any work of fiction is a 6-step process. Steps 1-3 are the analysis part. Steps 4-6 are the writing part.

Step 1. create a list of elements of the novel .

Ask yourself, “What are the elements of this book?”

Well, here is a list of elements present in any work of fiction, any novel:

Here is a table of literary elements along with their descriptions.


	The entire dramatic account of events, from beginning to end
	The way dramatic events are arranged in the story
	A list of main and secondary characters
	Ideas the novel is about, such as , , , etc.
	Literary devices in which the author uses a familiar word or phrase to apply to another concept to which it is not literally applicable. E.g. “ .”
	Literary devices in which the author likens something to something else to illustrate a point. E.g.
	Images used to represent an idea. E.g.
	Lessons you’ve learned from the book
	Mythological elements in the story, such as , , and
	Where, when, and under what circumstances the action takes place. E.g. “War and Peace takes place in 19th century Russia and centers around the Russian-French war of 1812.”

In this step, you simply pick 3-6 elements from the list I just gave you and arrange them as bullet points. You just want to make sure you pick elements that you are most familiar or comfortable with.

For example, you can create the following list:

This is just for you to capture the possibilities of what you can write about. It’s a very simple and quick step because I already gave you a list of elements.

Step 2. Pick 3 elements you are most comfortable with

In this step, we’ll use what I call The Power of Three . You don’t need more than three elements to write an excellent essay about a novel or a book.

Just pick three from the list you just created with which you are most familiar or that you understand the best. These will correspond to three sections in your essay.

If you’re an English major, you’ll be a lot more familiar with the term “metaphor” than if you major in Accounting.

But even if you’re a Math major, you are at least probably already familiar with what a story or a character is. And you’ve probably had a takeaway or a lesson from stories you’ve read or seen on screen.

Just pick what you can relate to most readily and easily.

For example, you can pick Characters , Symbols , and Takeaways . Great!

You Can Also Pick Examples of an Element

Let’s say that you are really unfamiliar with most of the elements. In that case, you can just pick one and then list three examples of it.

For example, you can pick the element of Characters . And now all you need to do is choose three of the most memorable characters. You can do this with many of the elements of a novel.

You can pick three themes , such as Romance, Envy, and Adultery.

You can pick three symbols , such as a rose, a ring, and a boat. These can represent love, marriage, and departure.

Okay, great job picking your elements or examples of them.

For the rest of this tutorial, I chose to write about a novel by Fedor Dostoyevskiy, The Brothers Karamazov. This will be our example.

It is one of the greatest novels ever written. And it’s a mystery novel, too, which makes it fun.

So now, let’s choose either three elements of this novel or three examples of an element. I find that one of the easiest ways to do this is to pick one element – Characters – and three examples of it.

In other words, I’m picking three characters. And the entire essay will be about these three characters.

Now, you may ask, if I write only about the characters, am I really writing an essay about the novel?

And the answer is, Yes. Because you can’t write about everything at once. You must pick something. Pick your battles.

And by doing that, you will have plenty of opportunities to make a statement about the whole novel. Does that make sense?

Just trust the process, and it will all become clear in the next steps.

Let’s pick the three brothers – Alexei, Dmitriy, and Ivan.

And don’t worry – I won’t assume that you have read the book. And I won’t spoil it for you if you’re planning to.

So we have the three brothers. We’re ready to move on to the next step.

Step 3. Identify a relationship among these elements

In this step, you want to think about how these three elements that you picked are related to one another.

In this particular case, the three brothers are obviously related because they are brothers. But I want you to dig deeper and see if there is perhaps a theme in the novel that may be connecting the elements.

And, yes, I am using another element – theme – just to help me think about the book. Be creative and use whatever is available to you. It just so happens that religion is a very strong theme in this novel.

What do the three brothers have in common?

They have the same father.
Each one has a romantic interest (meaning, a beloved woman).
All three have some kind of a relationship with God.

These are three ways in which the brothers are related to one another. All we need is one type of a relationship among them to write this essay.

This is a religious novel, and yes, some of the characters will be linked to a form of a divinity. In this case, the religion is Christianity.

Note: there are many ways in which you can play with elements of a novel and examples of them. Here’s a detailed video I made about this process:

Let’s see if we can pick the best relationship of those we just enumerated.

They all have the same father.

This relationship is only factual. It is not very interesting in any way. So we move on to the next one.

They all have women they love.

Each brother has a romantic interest, to use a literary term. We can examine each of the brothers as a lover.

Who is the most fervent lover? Who is perhaps more distant and closed? This is an interesting connecting relationship to explore.

One of them is the most passionate about his woman, but so is another one – I won’t say who so I don’t spoil the novel for you. The third brother seems rather intellectual about his love interest.

So, romantic interest is a good candidate for a connecting relationship. Let’s explore the next connection candidate.

They all relate to God in one way or another.

Let’s see if we can put the brothers’ relationships with God in some sort of an order. Well, Alexei is a monk in learning. He lives at the monastery and studies Christianity. He is the closest to God.

Dmitriy is a believer, but he is more distant from God due to his passionate affair with his woman. He loses his head many times and does things that are ungodly, according to the author. So, although he is a believer, he is more distant from God than is Alexei.

Finally, Ivan is a self-proclaimed atheist. Therefore, he is the farthest away from God.

It looks like we got ourselves a nice sequence, or progression, which we can probably use to write this essay about this novel.

What is the sequence? The sequence is:

Alexei is the closest to God, Dmitriy is second closest, and Ivan is pretty far away.

It looks like we have a pattern here.

If we look at the brothers in the book and watch their emotions closely, we’ll come to the conclusion that they go from blissful to very emotionally unstable to downright miserable to the point of insanity.

Here’s the conclusion we must make:

The closer the character’s relationship with God, the happier he is, and the farther away he is from God, the more miserable he appears to be.

Wow. This is quite a conclusion. It looks like we have just uncovered one of Dostoyevskiy’s main arguments in this novel, if not the main point he is trying to make.

Now that we’ve identified our three elements (examples) and a strong connecting relationship among them, we can move on to Step 4.

Step 4. Take a stand and write your thesis statement

Now we’re ready to formulate our thesis statement. It consists of two parts:

Your Thesis (your main argument)
Your Outline of Support (how you plan to support your main point)

By now, we have everything we need to write a very clear and strong thesis statement.

First, let’s state our thesis as clearly and succinctly as possible, based on what we already know:

See how clear this is? And most importantly, this is clear not only to the reader, but also to you as the writer. Now you know exactly what statement you will be supporting in the body of the essay.

Are we finished with the thesis statement? Not yet. The second part consists of your supporting points. And again, we have everything we need to write it. Let’s do it.

“Alexei’s state of mind is ultimately blissful, because he is a true and observant believer. Dmitriy’s faith is upstaged by his passion for a woman, and he suffers a lot as a result. Ivan’s renunciation of God makes him the unhappiest of the brothers and eventually leads him to insanity.”

Guess what – we have just written our complete thesis statement. And it’s also our whole first paragraph.

We are ready for Step 5.

Step 5. Write the body of the essay

Again, just like in the previous step, you have everything you need to structure and write out the body of this essay.

How many main sections will this essay have? Because we are writing about three brothers, it only makes sense that our essay will have three main sections.

Each section may have one or more paragraphs. So, here’s an important question to consider:

How many words or pages do you have to write?

Let’s say your teacher or professor wants you to write 2,000 words on this topic. Then, here is your strategic breakdown:

Thesis Statement (first paragraph) = 100 words
Conclusion (last paragraph) = 100 words
Body of the Essay = 1,800 words

Let me show you how easy it is to subdivide the body of the essay into sections and subsections.

We already know that we have three sections. And we need 1,800 words total for the body. This leads us to 600 words per main section (meaning, per brother).

Can we subdivide further? Yes, we can. And we should.

When discussing each of the brothers, we connect two subjects: his relationship with God AND his psychological state. That’s how we make those connections.

So, we should simply subdivide each section of 600 words into two subsections of 300 words each. And now all we need to do is to write each part as if it were a standalone 300-word essay.

Does this make sense? See how simple and clear this is?

Writing Your Paragraphs

Writing good paragraphs is a topic for an entire article of its own. It is a science and an art.

In essence, you start your paragraph with a good lead sentence in which you make one point. Then, you provide reasons, explanations, and examples to support it.

Here is an article I wrote on how to write great paragraphs .

Once you’ve written the body of the essay, one last step remains.

Step 6. Add an introduction and a conclusion

Introductions and conclusions are those little parts of an essay that your teachers and professors will want you to write.

Introduction

In our example, we already have a full opening paragraph going. It’s our thesis statement.

To write an introduction, all you need to do is add one or two sentences above the thesis statement.

Here is our thesis statement:

“In his novel Brothers Karamazov, Dostoyevskiy describes a world in which happiness is directly proportional to proximity to God. The closer to God a character is, the happier and more emotionally stable he is, and vice versa. Alexei’s state of mind is ultimately blissful, because he is a true and observant believer. Dmitriy’s faith is upstaged by his passion for a woman, and he suffers a lot as a result. Ivan’s renunciation of God makes him the unhappiest of the brothers and eventually leads him to insanity.”

As you can see, it is a complete paragraph that doesn’t lack anything. But because we need to have an introduction, here is a sentence with which we can open this paragraph:

“Dostoyevskiy is a great Russian novelist who explores the theme of religion in many of his books.”

And then just proceed with the rest of the paragraph. Read this sentence followed by the thesis statement, and you see that it works great. And it took me about 30 seconds to write this introductory sentence.

You can write conclusions in several different ways. But the most time-proven way is to simply restate your thesis.

If you write your thesis statement the way I teach, you will have a really strong opening paragraph that can be easily reworded to craft a good conclusion.

Here is an article I wrote (which includes a video) on how to write conclusions .

Congratulations!

You’ve made it to the end, and now you know exactly how to write an essay about a novel or any work of fiction!

Tutor Phil is an e-learning professional who helps adult learners finish their degrees by teaching them academic writing skills.

Video Overview:

Attributions

Images and video created by Dr. Sandi Van Lieu and licensed under CC BY NC SA.
Student essay example by Janelle Devin and used with permission.

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The 10 Best Essay Collections of the Decade

Ever tried. ever failed. no matter..

Friends, it’s true: the end of the decade approaches. It’s been a difficult, anxiety-provoking, morally compromised decade, but at least it’s been populated by some damn fine literature. We’ll take our silver linings where we can.

So, as is our hallowed duty as a literary and culture website—though with full awareness of the potentially fruitless and endlessly contestable nature of the task—in the coming weeks, we’ll be taking a look at the best and most important (these being not always the same) books of the decade that was. We will do this, of course, by means of a variety of lists. We began with the best debut novels , the best short story collections , the best poetry collections , and the best memoirs of the decade , and we have now reached the fifth list in our series: the best essay collections published in English between 2010 and 2019.

The following books were chosen after much debate (and several rounds of voting) by the Literary Hub staff. Tears were spilled, feelings were hurt, books were re-read. And as you’ll shortly see, we had a hard time choosing just ten—so we’ve also included a list of dissenting opinions, and an even longer list of also-rans. As ever, free to add any of your own favorites that we’ve missed in the comments below.

The Top Ten

Oliver sacks, the mind’s eye (2010).

Toward the end of his life, maybe suspecting or sensing that it was coming to a close, Dr. Oliver Sacks tended to focus his efforts on sweeping intellectual projects like On the Move (a memoir), The River of Consciousness (a hybrid intellectual history), and Hallucinations (a book-length meditation on, what else, hallucinations). But in 2010, he gave us one more classic in the style that first made him famous, a form he revolutionized and brought into the contemporary literary canon: the medical case study as essay. In The Mind’s Eye , Sacks focuses on vision, expanding the notion to embrace not only how we see the world, but also how we map that world onto our brains when our eyes are closed and we’re communing with the deeper recesses of consciousness. Relaying histories of patients and public figures, as well as his own history of ocular cancer (the condition that would eventually spread and contribute to his death), Sacks uses vision as a lens through which to see all of what makes us human, what binds us together, and what keeps us painfully apart. The essays that make up this collection are quintessential Sacks: sensitive, searching, with an expertise that conveys scientific information and experimentation in terms we can not only comprehend, but which also expand how we see life carrying on around us. The case studies of “Stereo Sue,” of the concert pianist Lillian Kalir, and of Howard, the mystery novelist who can no longer read, are highlights of the collection, but each essay is a kind of gem, mined and polished by one of the great storytellers of our era. –Dwyer Murphy, CrimeReads Managing Editor

John Jeremiah Sullivan, Pulphead (2011)

The American essay was having a moment at the beginning of the decade, and Pulphead was smack in the middle. Without any hard data, I can tell you that this collection of John Jeremiah Sullivan’s magazine features—published primarily in GQ , but also in The Paris Review , and Harper’s —was the only full book of essays most of my literary friends had read since Slouching Towards Bethlehem , and probably one of the only full books of essays they had even heard of.

Well, we all picked a good one. Every essay in Pulphead is brilliant and entertaining, and illuminates some small corner of the American experience—even if it’s just one house, with Sullivan and an aging writer inside (“Mr. Lytle” is in fact a standout in a collection with no filler; fittingly, it won a National Magazine Award and a Pushcart Prize). But what are they about? Oh, Axl Rose, Christian Rock festivals, living around the filming of One Tree Hill , the Tea Party movement, Michael Jackson, Bunny Wailer, the influence of animals, and by god, the Miz (of Real World/Road Rules Challenge fame).

But as Dan Kois has pointed out , what connects these essays, apart from their general tone and excellence, is “their author’s essential curiosity about the world, his eye for the perfect detail, and his great good humor in revealing both his subjects’ and his own foibles.” They are also extremely well written, drawing much from fictional techniques and sentence craft, their literary pleasures so acute and remarkable that James Wood began his review of the collection in The New Yorker with a quiz: “Are the following sentences the beginnings of essays or of short stories?” (It was not a hard quiz, considering the context.)

It’s hard not to feel, reading this collection, like someone reached into your brain, took out the half-baked stuff you talk about with your friends, researched it, lived it, and represented it to you smarter and better and more thoroughly than you ever could. So read it in awe if you must, but read it. –Emily Temple, Senior Editor

Aleksandar Hemon, The Book of My Lives (2013)

Such is the sentence-level virtuosity of Aleksandar Hemon—the Bosnian-American writer, essayist, and critic—that throughout his career he has frequently been compared to the granddaddy of borrowed language prose stylists: Vladimir Nabokov. While it is, of course, objectively remarkable that anyone could write so beautifully in a language they learned in their twenties, what I admire most about Hemon’s work is the way in which he infuses every essay and story and novel with both a deep humanity and a controlled (but never subdued) fury. He can also be damn funny. Hemon grew up in Sarajevo and left in 1992 to study in Chicago, where he almost immediately found himself stranded, forced to watch from afar as his beloved home city was subjected to a relentless four-year bombardment, the longest siege of a capital in the history of modern warfare. This extraordinary memoir-in-essays is many things: it’s a love letter to both the family that raised him and the family he built in exile; it’s a rich, joyous, and complex portrait of a place the 90s made synonymous with war and devastation; and it’s an elegy for the wrenching loss of precious things. There’s an essay about coming of age in Sarajevo and another about why he can’t bring himself to leave Chicago. There are stories about relationships forged and maintained on the soccer pitch or over the chessboard, and stories about neighbors and mentors turned monstrous by ethnic prejudice. As a chorus they sing with insight, wry humor, and unimaginable sorrow. I am not exaggerating when I say that the collection’s devastating final piece, “The Aquarium”—which details his infant daughter’s brain tumor and the agonizing months which led up to her death—remains the most painful essay I have ever read. –Dan Sheehan, Book Marks Editor

Robin Wall Kimmerer, Braiding Sweetgrass (2013)

Of every essay in my relentlessly earmarked copy of Braiding Sweetgrass , Dr. Robin Wall Kimmerer’s gorgeously rendered argument for why and how we should keep going, there’s one that especially hits home: her account of professor-turned-forester Franz Dolp. When Dolp, several decades ago, revisited the farm that he had once shared with his ex-wife, he found a scene of destruction: The farm’s new owners had razed the land where he had tried to build a life. “I sat among the stumps and the swirling red dust and I cried,” he wrote in his journal.

So many in my generation (and younger) feel this kind of helplessness–and considerable rage–at finding ourselves newly adult in a world where those in power seem determined to abandon or destroy everything that human bodies have always needed to survive: air, water, land. Asking any single book to speak to this helplessness feels unfair, somehow; yet, Braiding Sweetgrass does, by weaving descriptions of indigenous tradition with the environmental sciences in order to show what survival has looked like over the course of many millennia. Kimmerer’s essays describe her personal experience as a Potawotami woman, plant ecologist, and teacher alongside stories of the many ways that humans have lived in relationship to other species. Whether describing Dolp’s work–he left the stumps for a life of forest restoration on the Oregon coast–or the work of others in maple sugar harvesting, creating black ash baskets, or planting a Three Sisters garden of corn, beans, and squash, she brings hope. “In ripe ears and swelling fruit, they counsel us that all gifts are multiplied in relationship,” she writes of the Three Sisters, which all sustain one another as they grow. “This is how the world keeps going.” –Corinne Segal, Senior Editor

Hilton Als, White Girls (2013)

In a world where we are so often reduced to one essential self, Hilton Als’ breathtaking book of critical essays, White Girls , which meditates on the ways he and other subjects read, project and absorb parts of white femininity, is a radically liberating book. It’s one of the only works of critical thinking that doesn’t ask the reader, its author or anyone he writes about to stoop before the doorframe of complete legibility before entering. Something he also permitted the subjects and readers of his first book, the glorious book-length essay, The Women , a series of riffs and psychological portraits of Dorothy Dean, Owen Dodson, and the author’s own mother, among others. One of the shifts of that book, uncommon at the time, was how it acknowledges the way we inhabit bodies made up of variously gendered influences. To read White Girls now is to experience the utter freedom of this gift and to marvel at Als’ tremendous versatility and intelligence.

He is easily the most diversely talented American critic alive. He can write into genres like pop music and film where being part of an audience is a fantasy happening in the dark. He’s also wired enough to know how the art world builds reputations on the nod of rich white patrons, a significant collision in a time when Jean-Michel Basquiat is America’s most expensive modern artist. Als’ swerving and always moving grip on performance means he’s especially good on describing the effect of art which is volatile and unstable and built on the mingling of made-up concepts and the hard fact of their effect on behavior, such as race. Writing on Flannery O’Connor for instance he alone puts a finger on her “uneasy and unavoidable union between black and white, the sacred and the profane, the shit and the stars.” From Eminem to Richard Pryor, André Leon Talley to Michael Jackson, Als enters the life and work of numerous artists here who turn the fascinations of race and with whiteness into fury and song and describes the complexity of their beauty like his life depended upon it. There are also brief memoirs here that will stop your heart. This is an essential work to understanding American culture. –John Freeman, Executive Editor

Eula Biss, On Immunity (2014)

We move through the world as if we can protect ourselves from its myriad dangers, exercising what little agency we have in an effort to keep at bay those fears that gather at the edges of any given life: of loss, illness, disaster, death. It is these fears—amplified by the birth of her first child—that Eula Biss confronts in her essential 2014 essay collection, On Immunity . As any great essayist does, Biss moves outward in concentric circles from her own very private view of the world to reveal wider truths, discovering as she does a culture consumed by anxiety at the pervasive toxicity of contemporary life. As Biss interrogates this culture—of privilege, of whiteness—she interrogates herself, questioning the flimsy ways in which we arm ourselves with science or superstition against the impurities of daily existence.

Five years on from its publication, it is dismaying that On Immunity feels as urgent (and necessary) a defense of basic science as ever. Vaccination, we learn, is derived from vacca —for cow—after the 17th-century discovery that a small application of cowpox was often enough to inoculate against the scourge of smallpox, an etymological digression that belies modern conspiratorial fears of Big Pharma and its vaccination agenda. But Biss never scolds or belittles the fears of others, and in her generosity and openness pulls off a neat (and important) trick: insofar as we are of the very world we fear, she seems to be suggesting, we ourselves are impure, have always been so, permeable, vulnerable, yet so much stronger than we think. –Jonny Diamond, Editor-in-Chief

Rebecca Solnit, The Mother of All Questions (2016)

When Rebecca Solnit’s essay, “Men Explain Things to Me,” was published in 2008, it quickly became a cultural phenomenon unlike almost any other in recent memory, assigning language to a behavior that almost every woman has witnessed—mansplaining—and, in the course of identifying that behavior, spurring a movement, online and offline, to share the ways in which patriarchal arrogance has intersected all our lives. (It would also come to be the titular essay in her collection published in 2014.) The Mother of All Questions follows up on that work and takes it further in order to examine the nature of self-expression—who is afforded it and denied it, what institutions have been put in place to limit it, and what happens when it is employed by women. Solnit has a singular gift for describing and decoding the misogynistic dynamics that govern the world so universally that they can seem invisible and the gendered violence that is so common as to seem unremarkable; this naming is powerful, and it opens space for sharing the stories that shape our lives.

The Mother of All Questions, comprised of essays written between 2014 and 2016, in many ways armed us with some of the tools necessary to survive the gaslighting of the Trump years, in which many of us—and especially women—have continued to hear from those in power that the things we see and hear do not exist and never existed. Solnit also acknowledges that labels like “woman,” and other gendered labels, are identities that are fluid in reality; in reviewing the book for The New Yorker , Moira Donegan suggested that, “One useful working definition of a woman might be ‘someone who experiences misogyny.'” Whichever words we use, Solnit writes in the introduction to the book that “when words break through unspeakability, what was tolerated by a society sometimes becomes intolerable.” This storytelling work has always been vital; it continues to be vital, and in this book, it is brilliantly done. –Corinne Segal, Senior Editor

Valeria Luiselli, Tell Me How It Ends (2017)

The newly minted MacArthur fellow Valeria Luiselli’s four-part (but really six-part) essay Tell Me How It Ends: An Essay in Forty Questions was inspired by her time spent volunteering at the federal immigration court in New York City, working as an interpreter for undocumented, unaccompanied migrant children who crossed the U.S.-Mexico border. Written concurrently with her novel Lost Children Archive (a fictional exploration of the same topic), Luiselli’s essay offers a fascinating conceit, the fashioning of an argument from the questions on the government intake form given to these children to process their arrivals. (Aside from the fact that this essay is a heartbreaking masterpiece, this is such a good conceit—transforming a cold, reproducible administrative document into highly personal literature.) Luiselli interweaves a grounded discussion of the questionnaire with a narrative of the road trip Luiselli takes with her husband and family, across America, while they (both Mexican citizens) wait for their own Green Card applications to be processed. It is on this trip when Luiselli reflects on the thousands of migrant children mysteriously traveling across the border by themselves. But the real point of the essay is to actually delve into the real stories of some of these children, which are agonizing, as well as to gravely, clearly expose what literally happens, procedural, when they do arrive—from forms to courts, as they’re swallowed by a bureaucratic vortex. Amid all of this, Luiselli also takes on more, exploring the larger contextual relationship between the United States of America and Mexico (as well as other countries in Central America, more broadly) as it has evolved to our current, adverse moment. Tell Me How It Ends is so small, but it is so passionate and vigorous: it desperately accomplishes in its less-than-100-pages-of-prose what centuries and miles and endless records of federal bureaucracy have never been able, and have never cared, to do: reverse the dehumanization of Latin American immigrants that occurs once they set foot in this country. –Olivia Rutigliano, CrimeReads Editorial Fellow

Zadie Smith, Feel Free (2018)

In the essay “Meet Justin Bieber!” in Feel Free , Zadie Smith writes that her interest in Justin Bieber is not an interest in the interiority of the singer himself, but in “the idea of the love object”. This essay—in which Smith imagines a meeting between Bieber and the late philosopher Martin Buber (“Bieber and Buber are alternative spellings of the same German surname,” she explains in one of many winning footnotes. “Who am I to ignore these hints from the universe?”). Smith allows that this premise is a bit premise -y: “I know, I know.” Still, the resulting essay is a very funny, very smart, and un-tricky exploration of individuality and true “meeting,” with a dash of late capitalism thrown in for good measure. The melding of high and low culture is the bread and butter of pretty much every prestige publication on the internet these days (and certainly of the Twitter feeds of all “public intellectuals”), but the essays in Smith’s collection don’t feel familiar—perhaps because hers is, as we’ve long known, an uncommon skill. Though I believe Smith could probably write compellingly about anything, she chooses her subjects wisely. She writes with as much electricity about Brexit as the aforementioned Beliebers—and each essay is utterly engrossing. “She contains multitudes, but her point is we all do,” writes Hermione Hoby in her review of the collection in The New Republic . “At the same time, we are, in our endless difference, nobody but ourselves.” –Jessie Gaynor, Social Media Editor

Tressie McMillan Cottom, Thick: And Other Essays (2019)

Tressie McMillan Cottom is an academic who has transcended the ivory tower to become the sort of public intellectual who can easily appear on radio or television talk shows to discuss race, gender, and capitalism. Her collection of essays reflects this duality, blending scholarly work with memoir to create a collection on the black female experience in postmodern America that’s “intersectional analysis with a side of pop culture.” The essays range from an analysis of sexual violence, to populist politics, to social media, but in centering her own experiences throughout, the collection becomes something unlike other pieces of criticism of contemporary culture. In explaining the title, she reflects on what an editor had said about her work: “I was too readable to be academic, too deep to be popular, too country black to be literary, and too naïve to show the rigor of my thinking in the complexity of my prose. I had wanted to create something meaningful that sounded not only like me, but like all of me. It was too thick.” One of the most powerful essays in the book is “Dying to be Competent” which begins with her unpacking the idiocy of LinkedIn (and the myth of meritocracy) and ends with a description of her miscarriage, the mishandling of black woman’s pain, and a condemnation of healthcare bureaucracy. A finalist for the 2019 National Book Award for Nonfiction, Thick confirms McMillan Cottom as one of our most fearless public intellectuals and one of the most vital. –Emily Firetog, Deputy Editor

Dissenting Opinions

The following books were just barely nudged out of the top ten, but we (or at least one of us) couldn’t let them pass without comment.

Elif Batuman, The Possessed (2010)

In The Possessed Elif Batuman indulges her love of Russian literature and the result is hilarious and remarkable. Each essay of the collection chronicles some adventure or other that she had while in graduate school for Comparative Literature and each is more unpredictable than the next. There’s the time a “well-known 20th-centuryist” gave a graduate student the finger; and the time when Batuman ended up living in Samarkand, Uzbekistan, for a summer; and the time that she convinced herself Tolstoy was murdered and spent the length of the Tolstoy Conference in Yasnaya Polyana considering clues and motives. Rich in historic detail about Russian authors and literature and thoughtfully constructed, each essay is an amalgam of critical analysis, cultural criticism, and serious contemplation of big ideas like that of identity, intellectual legacy, and authorship. With wit and a serpentine-like shape to her narratives, Batuman adopts a form reminiscent of a Socratic discourse, setting up questions at the beginning of her essays and then following digressions that more or less entreat the reader to synthesize the answer for herself. The digressions are always amusing and arguably the backbone of the collection, relaying absurd anecdotes with foreign scholars or awkward, surreal encounters with Eastern European strangers. Central also to the collection are Batuman’s intellectual asides where she entertains a theory—like the “problem of the person”: the inability to ever wholly capture one’s character—that ultimately layer the book’s themes. “You are certainly my most entertaining student,” a professor said to Batuman. But she is also curious and enthusiastic and reflective and so knowledgeable that she might even convince you (she has me!) that you too love Russian literature as much as she does. –Eleni Theodoropoulos, Editorial Fellow

Roxane Gay, Bad Feminist (2014)

Roxane Gay’s now-classic essay collection is a book that will make you laugh, think, cry, and then wonder, how can cultural criticism be this fun? My favorite essays in the book include Gay’s musings on competitive Scrabble, her stranded-in-academia dispatches, and her joyous film and television criticism, but given the breadth of topics Roxane Gay can discuss in an entertaining manner, there’s something for everyone in this one. This book is accessible because feminism itself should be accessible – Roxane Gay is as likely to draw inspiration from YA novels, or middle-brow shows about friendship, as she is to introduce concepts from the academic world, and if there’s anyone I trust to bridge the gap between high culture, low culture, and pop culture, it’s the Goddess of Twitter. I used to host a book club dedicated to radical reads, and this was one of the first picks for the club; a week after the book club met, I spied a few of the attendees meeting in the café of the bookstore, and found out that they had bonded so much over discussing Bad Feminist that they couldn’t wait for the next meeting of the book club to keep discussing politics and intersectionality, and that, in a nutshell, is the power of Roxane. –Molly Odintz, CrimeReads Associate Editor

Rivka Galchen, Little Labors (2016)

Generally, I find stories about the trials and tribulations of child-having to be of limited appeal—useful, maybe, insofar as they offer validation that other people have also endured the bizarre realities of living with a tiny human, but otherwise liable to drift into the musings of parents thrilled at the simple fact of their own fecundity, as if they were the first ones to figure the process out (or not). But Little Labors is not simply an essay collection about motherhood, perhaps because Galchen initially “didn’t want to write about” her new baby—mostly, she writes, “because I had never been interested in babies, or mothers; in fact, those subjects had seemed perfectly not interesting to me.” Like many new mothers, though, Galchen soon discovered her baby—which she refers to sometimes as “the puma”—to be a preoccupying thought, demanding to be written about. Galchen’s interest isn’t just in her own progeny, but in babies in literature (“Literature has more dogs than babies, and also more abortions”), The Pillow Book , the eleventh-century collection of musings by Sei Shōnagon, and writers who are mothers. There are sections that made me laugh out loud, like when Galchen continually finds herself in an elevator with a neighbor who never fails to remark on the puma’s size. There are also deeper, darker musings, like the realization that the baby means “that it’s not permissible to die. There are days when this does not feel good.” It is a slim collection that I happened to read at the perfect time, and it remains one of my favorites of the decade. –Emily Firetog, Deputy Editor

Charlie Fox, This Young Monster (2017)

On social media as in his writing, British art critic Charlie Fox rejects lucidity for allusion and doesn’t quite answer the Twitter textbox’s persistent question: “What’s happening?” These days, it’s hard to tell. This Young Monster (2017), Fox’s first book,was published a few months after Donald Trump’s election, and at one point Fox takes a swipe at a man he judges “direct from a nightmare and just a repulsive fucking goon.” Fox doesn’t linger on politics, though, since most of the monsters he looks at “embody otherness and make it into art, ripping any conventional idea of beauty to shreds and replacing it with something weird and troubling of their own invention.”

If clichés are loathed because they conform to what philosopher Georges Bataille called “the common measure,” then monsters are rebellious non-sequiturs, comedic or horrific derailments from a classical ideal. Perverts in the most literal sense, monsters have gone astray from some “proper” course. The book’s nine chapters, which are about a specific monster or type of monster, are full of callbacks to familiar and lesser-known media. Fox cites visual art, film, songs, and books with the screwy buoyancy of a savant. Take one of his essays, “Spook House,” framed as a stage play with two principal characters, Klaus (“an intoxicated young skinhead vampire”) and Hermione (“a teen sorceress with green skin and jet-black hair” who looks more like The Wicked Witch than her namesake). The chorus is a troupe of trick-or-treaters. Using the filmmaker Cameron Jamie as a starting point, the rest is free association on gothic decadence and Detroit and L.A. as cities of the dead. All the while, Klaus quotes from Artforum , Dazed & Confused , and Time Out. It’s a technical feat that makes fictionalized dialogue a conveyor belt for cultural criticism.

In Fox’s imagination, David Bowie and the Hydra coexist alongside Peter Pan, Dennis Hopper, and the maenads. Fox’s book reaches for the monster’s mask, not really to peel it off but to feel and smell the rubber schnoz, to know how it’s made before making sure it’s still snugly set. With a stylistic blend of arthouse suavity and B-movie chic, This Young Monster considers how monsters in culture are made. Aren’t the scariest things made in post-production? Isn’t the creature just duplicity, like a looping choir or a dubbed scream? –Aaron Robertson, Assistant Editor

Elena Passarello, Animals Strike Curious Poses (2017)

Elena Passarello’s collection of essays Animals Strike Curious Poses picks out infamous animals and grants them the voice, narrative, and history they deserve. Not only is a collection like this relevant during the sixth extinction but it is an ambitious historical and anthropological undertaking, which Passarello has tackled with thorough research and a playful tone that rather than compromise her subject, complicates and humanizes it. Passarello’s intention is to investigate the role of animals across the span of human civilization and in doing so, to construct a timeline of humanity as told through people’s interactions with said animals. “Of all the images that make our world, animal images are particularly buried inside us,” Passarello writes in her first essay, to introduce us to the object of the book and also to the oldest of her chosen characters: Yuka, a 39,000-year-old mummified woolly mammoth discovered in the Siberian permafrost in 2010. It was an occasion so remarkable and so unfathomable given the span of human civilization that Passarello says of Yuka: “Since language is epically younger than both thought and experience, ‘woolly mammoth’ means, to a human brain, something more like time.” The essay ends with a character placing a hand on a cave drawing of a woolly mammoth, accompanied by a phrase which encapsulates the author’s vision for the book: “And he becomes the mammoth so he can envision the mammoth.” In Passarello’s hands the imagined boundaries between the animal, natural, and human world disintegrate and what emerges is a cohesive if baffling integrated history of life. With the accuracy and tenacity of a journalist and the spirit of a storyteller, Elena Passarello has assembled a modern bestiary worthy of contemplation and awe. –Eleni Theodoropoulos, Editorial Fellow

Esmé Weijun Wang, The Collected Schizophrenias (2019)

Esmé Weijun Wang’s collection of essays is a kaleidoscopic look at mental health and the lives affected by the schizophrenias. Each essay takes on a different aspect of the topic, but you’ll want to read them together for a holistic perspective. Esmé Weijun Wang generously begins The Collected Schizophrenias by acknowledging the stereotype, “Schizophrenia terrifies. It is the archetypal disorder of lunacy.” From there, she walks us through the technical language, breaks down the Diagnostic and Statistical Manual ( DSM-5 )’s clinical definition. And then she gets very personal, telling us about how she came to her own diagnosis and the way it’s touched her daily life (her relationships, her ideas about motherhood). Esmé Weijun Wang is uniquely situated to write about this topic. As a former lab researcher at Stanford, she turns a precise, analytical eye to her experience while simultaneously unfolding everything with great patience for her reader. Throughout, she brilliantly dissects the language around mental health. (On saying “a person living with bipolar disorder” instead of using “bipolar” as the sole subject: “…we are not our diseases. We are instead individuals with disorders and malfunctions. Our conditions lie over us like smallpox blankets; we are one thing and the illness is another.”) She pinpoints the ways she arms herself against anticipated reactions to the schizophrenias: high fashion, having attended an Ivy League institution. In a particularly piercing essay, she traces mental illness back through her family tree. She also places her story within more mainstream cultural contexts, calling on groundbreaking exposés about the dangerous of institutionalization and depictions of mental illness in television and film (like the infamous Slender Man case, in which two young girls stab their best friend because an invented Internet figure told them to). At once intimate and far-reaching, The Collected Schizophrenias is an informative and important (and let’s not forget artful) work. I’ve never read a collection quite so beautifully-written and laid-bare as this. –Katie Yee, Book Marks Assistant Editor

Ross Gay, The Book of Delights (2019)

When Ross Gay began writing what would become The Book of Delights, he envisioned it as a project of daily essays, each focused on a moment or point of delight in his day. This plan quickly disintegrated; on day four, he skipped his self-imposed assignment and decided to “in honor and love, delight in blowing it off.” (Clearly, “blowing it off” is a relative term here, as he still produced the book.) Ross Gay is a generous teacher of how to live, and this moment of reveling in self-compassion is one lesson among many in The Book of Delights , which wanders from moments of connection with strangers to a shade of “red I don’t think I actually have words for,” a text from a friend reading “I love you breadfruit,” and “the sun like a guiding hand on my back, saying everything is possible. Everything .”

Gay does not linger on any one subject for long, creating the sense that delight is a product not of extenuating circumstances, but of our attention; his attunement to the possibilities of a single day, and awareness of all the small moments that produce delight, are a model for life amid the warring factions of the attention economy. These small moments range from the physical–hugging a stranger, transplanting fig cuttings–to the spiritual and philosophical, giving the impression of sitting beside Gay in his garden as he thinks out loud in real time. It’s a privilege to listen. –Corinne Segal, Senior Editor

Honorable Mentions

A selection of other books that we seriously considered for both lists—just to be extra about it (and because decisions are hard).

Terry Castle, The Professor and Other Writings (2010) · Joyce Carol Oates, In Rough Country (2010) · Geoff Dyer, Otherwise Known as the Human Condition (2011) · Christopher Hitchens, Arguably (2011) · Roberto Bolaño, tr. Natasha Wimmer, Between Parentheses (2011) · Dubravka Ugresic, tr. David Williams, Karaoke Culture (2011) · Tom Bissell, Magic Hours (2012) · Kevin Young, The Grey Album (2012) · William H. Gass, Life Sentences: Literary Judgments and Accounts (2012) · Mary Ruefle, Madness, Rack, and Honey (2012) · Herta Müller, tr. Geoffrey Mulligan, Cristina and Her Double (2013) · Leslie Jamison, The Empathy Exams (2014) · Meghan Daum, The Unspeakable (2014) · Daphne Merkin, The Fame Lunches (2014) · Charles D’Ambrosio, Loitering (2015) · Wendy Walters, Multiply/Divide (2015) · Colm Tóibín, On Elizabeth Bishop (2015) · Renee Gladman, Calamities (2016) · Jesmyn Ward, ed. The Fire This Time (2016) · Lindy West, Shrill (2016) · Mary Oliver, Upstream (2016) · Emily Witt, Future Sex (2016) · Olivia Laing, The Lonely City (2016) · Mark Greif, Against Everything (2016) · Durga Chew-Bose, Too Much and Not the Mood (2017) · Sarah Gerard, Sunshine State (2017) · Jim Harrison, A Really Big Lunch (2017) · J.M. Coetzee, Late Essays: 2006-2017 (2017) · Melissa Febos, Abandon Me (2017) · Louise Glück, American Originality (2017) · Joan Didion, South and West (2017) · Tom McCarthy, Typewriters, Bombs, Jellyfish (2017) · Hanif Abdurraqib, They Can’t Kill Us Until they Kill Us (2017) · Ta-Nehisi Coates, We Were Eight Years in Power (2017) · Samantha Irby, We Are Never Meeting in Real Life (2017) · Alexander Chee, How to Write an Autobiographical Novel (2018) · Alice Bolin, Dead Girls (2018) · Marilynne Robinson, What Are We Doing Here? (2018) · Lorrie Moore, See What Can Be Done (2018) · Maggie O’Farrell, I Am I Am I Am (2018) · Ijeoma Oluo, So You Want to Talk About Race (2018) · Rachel Cusk, Coventry (2019) · Jia Tolentino, Trick Mirror (2019) · Emily Bernard, Black is the Body (2019) · Toni Morrison, The Source of Self-Regard (2019) · Margaret Renkl, Late Migrations (2019) · Rachel Munroe, Savage Appetites (2019) · Robert A. Caro, Working (2019) · Arundhati Roy, My Seditious Heart (2019).

Emily Temple

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Home / Essay Samples / Literature / Literary Genres / Novel

Novel Essay Examples

The namesake: cultural conflict.

"The Namesake," a novel by Jhumpa Lahiri, weaves a compelling narrative of the immigrant experience and the complexities of identity. The story follows the life of Gogol Ganguli, born to Indian immigrant parents in the United States, and his journey of self-discovery. This essay explores...

The Namesake: Unraveling the Concept of Alienation

"The Namesake" by Jhumpa Lahiri is a poignant exploration of the concept of alienation, which resonates deeply with individuals experiencing the complexities of cultural identity, belonging, and self-discovery. The novel centers around Gogol Ganguli, an Indian-American protagonist who grapples with feelings of isolation and disconnection...

A Critical Review of James Baldwin’s Another Country

James Baldwin’s 1962 novel, Another Country, takes place primarily in Harlem, New York, in the late 1950’s, and features the lives and relationships of Rufus, Vivaldo, Ida, Cass, Richard, and Eric. In Book One: Easy Rider, Rufus recounts the events that lead up to his...

Exploring "My Side of the Mountain": a Journey into Wilderness and Self-discovery

"My Side of the Mountain," written by Jean Craighead George, is a captivating novel that takes readers on a unique journey of self-discovery through the eyes of a young protagonist. In this essay, we will delve into the world of "My Side of the Mountain,"...

The Theme of Sex and Sexism in "Drown "By Junot Diaz

Many themes are depicted in Junot Diaz’s novel, “Drown.” However, one theme that stood out the most and one that was constantly played throughout the whole novel was sex and sexism. Junot Diaz’s “Drown”, a story about an impoverished immigrant from the Dominican Republic named...

Toxic Masculinity and Gender Roles in Junot Diaz’s Novel Drown

In the novel Drown by Junot Diaz, we get to follow around many characters but the story is mainly focused on a Dominican family who came from the Dominican republic. The family especially Yunior struggles with not having a father figure as he grew up....

A Theme of Overcoming Obstacles in "The Year of the Flood" by Margaret Atwood

Maturity sometimes comes with growth. Othertimes, it's struggles in life that teaches you who you are, regardless of what life throws at you. This indicates that many people get used to the struggles they faced, which would be seen as as a way of life...

The Bean Trees by Barbara Kingsolver: an Exploration of Identity

"The Bean Trees" is a novel by Barbara Kingsolver that delves into the lives of its characters as they navigate challenges, form relationships, and undergo personal transformations. This essay analyzes the central themes of the novel, focusing on the characters' journeys of self-discovery, the resilience...

Literary Analysis of Herrick's 'Friday Evening" Verse Novel

During all of Herrick's Narrative verse novels, we can see similar themes represented in the story. Some might be connecting with family, with nature or more. But what Herrick does best is he describes the themes well, this is because he uses the form narrative...

The Journey of Self-discovery in "Long Way Down"

The novel "Long Way Down" by Jason Reynolds is a thought-provoking and impactful story that explores the cycle of violence and the consequences of revenge. The book follows Will, a fifteen-year-old boy who embarks on a life-altering elevator ride to seek justice for his brother's...

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