college essay about numbers

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How to properly format numbers in academic essays – a comprehensive guide.

When writing academic essays, it is crucial to follow certain guidelines to ensure your work is clear, accurate, and professional. One area that often causes confusion is the use of numbers. Should you write numbers out in full or use numerals? Are there specific rules for when to use each format? In this article, we will explore the best practices for using numbers in academic writing to help you convey your ideas effectively.

One of the primary rules to keep in mind when using numbers in academic essays is consistency. Choose a style guide, such as APA or MLA, and stick to its guidelines throughout your paper. This will help maintain a uniform appearance and make your work easier to read. Additionally, consider the context in which you are using numbers. Are you discussing statistics, measurements, or dates? Each of these may require a different approach to ensure clarity and accuracy.

Another important aspect of using numbers in academic writing is knowing when to write them out in full and when to use numerals. In general, numbers zero to nine are typically written out in full (e.g., three, seven), while numerals are used for numbers 10 and above (e.g., 15, 42). However, there are exceptions to this rule, so be sure to consult your style guide for specific cases.

Importance of Using Numbers

Numbers play a crucial role in academic essays as they provide a concrete and quantitative basis for arguments and evidence. When used appropriately, numbers can add credibility and precision to your writing, making your arguments more convincing and compelling.

By including specific numerical data, such as statistics, percentages, or numerical examples, you can enhance the clarity and accuracy of your statements. Numbers can help quantify the magnitude of a problem, demonstrate trends over time, or compare different scenarios effectively.

Additionally, numbers can enhance the reader’s understanding of complex concepts and ideas by providing a clear and measurable context. They can also help you make your arguments more persuasive and impactful by presenting evidence in a concise and structured manner.

Overall, using numbers in academic essays is essential for presenting factual information, supporting your arguments with evidence, and making your writing more precise and effective. Properly integrating numbers into your writing can significantly strengthen your academic work and contribute to its overall quality.

Formatting Guidelines for Numbers

When writing academic essays, it is important to follow specific formatting guidelines for numbers to ensure clarity and consistency throughout your paper. Here are some key rules to keep in mind:

1. Spell out numbers one to nine: In general, spell out numbers from one to nine (e.g., “two apples”, “seven participants”) to improve readability and avoid confusion.

2. Use numerals for numbers 10 and above: Use numerals for numbers 10 and above (e.g., “12 years old”, “22 participants”) to maintain consistency in your writing.

3. Use numerals for measurements and percentages: Always use numerals for measurements (e.g., “5 meters”, “10 kilograms”) and percentages (e.g., “25%”) to provide accurate and precise information.

4. Use commas for numbers with four or more digits: Use commas to separate thousands, millions, etc., in numbers with four or more digits (e.g., 1,000, 10,000,000).

5. Be consistent in using numerical formats: Maintain consistency in how you present numbers within your essay. For instance, if you start a list with numerals, continue using numerals for the rest of the list.

Proper Use of Numerals

When writing an academic essay, it is important to know how to properly use numerals. Here are some guidelines to follow:

1. Use numerals for numbers 10 and above: When expressing numbers 10 and above, use numerals. For example, “There were 15 participants in the study.”

2. Spell out numbers below 10: For numbers below 10, spell them out. For example, “There were seven different hypotheses tested in the study.”

3. Use numerals for units of measurement and time: Use numerals when expressing units of measurement (5 grams) and time (6 hours).

4. Consistency is key: Be consistent in your use of numerals throughout the essay. If you start with numerals, continue to use numerals for similar types of information.

5. Follow style guidelines: Some academic disciplines have specific style guidelines for the use of numerals. Make sure to follow the guidelines provided by your institution or the journal you are submitting to.

By following these guidelines, you can ensure that your use of numerals in your academic essay is clear and consistent.

Writing Numbers as Words

When writing numbers in academic essays, it is important to follow the style guide provided by your institution or the specific guidelines of the publication you are submitting your work to. In general, numbers from one to nine are typically written out as words (e.g., “two” or “seven”), while numbers 10 and above are written as numerals (e.g., 10 or 27). However, there can be exceptions to this rule depending on the style guide being used.

It is also a good practice to spell out ordinal numbers (e.g., first, second, third) rather than using numerals (e.g., 1st, 2nd, 3rd) in academic writing. This helps maintain consistency and clarity throughout your essay. Additionally, when a sentence begins with a number, it is generally recommended to write it out as a word to avoid starting a sentence with a numeral.

Remember to always check the specific style guide you are required to follow for any variations or exceptions when writing numbers in your academic essays. Consistency and accuracy are key to conveying your ideas clearly and professionally.

Consistency in Number Usage

When writing academic essays, it is essential to maintain consistency in the usage of numbers throughout the document. This consistency applies to both the style and format of numbers used in the text. Here are some guidelines to ensure proper usage:

• Choose a style guide and follow its rules for writing numbers. Some style guides prefer spelling out numbers from one to ten and using numerals for numbers above ten, while others may have different preferences.
• Be consistent within the same sentence or paragraph. For example, if you spell out a number in one instance, make sure to do the same for similar numbers in the following sentences.
• Decide on a format for dates, times, and measurements and stick to it throughout the essay. For instance, choose between writing dates in the month-day-year format or the day-month-year format and use it consistently.
• Use numerals for percentages, decimals, fractions, and numbers with scientific units. Make sure to format these numbers according to the conventions of your chosen style guide.

By maintaining consistency in number usage, you can improve the readability and professionalism of your academic writing. Paying attention to these details demonstrates your attention to accuracy and precision in your work.

Tips for Enhancing Clarity

When using numbers in academic essays, it is essential to prioritize clarity to ensure that your reader can easily follow your arguments and understand your points. Here are some tips to enhance the clarity of your numerical expressions:

By following these tips, you can effectively enhance the clarity of your numerical expressions in academic essays and improve the overall readability of your work.

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Although usage varies, most people spell out numbers that can be expressed in one or two words and use figures for numbers that are three or more words long. Note: If you are using a specific citation style, such as MLA or APA , consult the style manual for specific formatting instructions.

Here are some examples of specific situations:

Days and Years

Time of Day

Identification Numbers

Page and Division of Books and Plays

Decimals and Percentages

Large Round Numbers

Notes on Usage

Repeat numbers in commercial writing.

Use numerals in legal writing.

Numbers in series and statistics should be consistent.

Write out numbers beginning sentences.

Use a combination of figures and words for numbers when such a combination will keep your writing clear.

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College essays are an entirely new type of writing for high school seniors. For that reason, many students are confused about proper formatting and essay structure. Should you double-space or single-space? Do you need a title? What kind of narrative style is best-suited for your topic?

In this post, we’ll be going over proper college essay format, traditional and unconventional essay structures (plus sample essays!), and which structure might work best for you. 

General College Essay Formatting Guidelines

How you format your essay will depend on whether you’re submitting in a text box, or attaching a document. We’ll go over the different best practices for both, but regardless of how you’re submitting, here are some general formatting tips:

• There’s no need for a title; it takes up unnecessary space and eats into your word count
• Stay within the word count as much as possible (+/- 10% of the upper limit). For further discussion on college essay length, see our post How Long Should Your College Essay Be?
• Indent or double space to separate paragraphs clearly

If you’re submitting in a text box:

• Avoid italics and bold, since formatting often doesn’t transfer over in text boxes
• Be careful with essays meant to be a certain shape (like a balloon); text boxes will likely not respect that formatting. Beyond that, this technique can also seem gimmicky, so proceed with caution
• Make sure that paragraphs are clearly separated, as text boxes can also undo indents and double spacing

If you’re attaching a document:

• Use a standard font and size like Times New Roman, 12 point
• Make your lines 1.5-spaced or double-spaced
• Use 1-inch margins
• Save as a PDF since it can’t be edited. This also prevents any formatting issues that come with Microsoft Word, since older versions are sometimes incompatible with the newer formatting
• Number each page with your last name in the header or footer (like “Smith 1”)
• Pay extra attention to any word limits, as you won’t be cut off automatically, unlike with most text boxes

Conventional College Essay Structures

Now that we’ve gone over the logistical aspects of your essay, let’s talk about how you should structure your writing. There are three traditional college essay structures. They are:

• In-the-moment narrative
• Narrative told over an extended period of time
• Series of anecdotes, or montage

Let’s go over what each one is exactly, and take a look at some real essays using these structures.

1. In-the-moment narrative

This is where you tell the story one moment at a time, sharing the events as they occur. In the moment narrative is a powerful essay format, as your reader experiences the events, your thoughts, and your emotions with you . This structure is ideal for a specific experience involving extensive internal dialogue, emotions, and reflections.

Here’s an example:

The morning of the Model United Nation conference, I walked into Committee feeling confident about my research. We were simulating the Nuremberg Trials – a series of post-World War II proceedings for war crimes – and my portfolio was of the Soviet Judge Major General Iona Nikitchenko. Until that day, the infamous Nazi regime had only been a chapter in my history textbook; however, the conference’s unveiling of each defendant’s crimes brought those horrors to life. The previous night, I had organized my research, proofread my position paper and gone over Judge Nikitchenko’s pertinent statements. I aimed to find the perfect balance between his stance and my own.

As I walked into committee anticipating a battle of wits, my director abruptly called out to me. “I’m afraid we’ve received a late confirmation from another delegate who will be representing Judge Nikitchenko. You, on the other hand, are now the defense attorney, Otto Stahmer.” Everyone around me buzzed around the room in excitement, coordinating with their allies and developing strategies against their enemies, oblivious to the bomb that had just dropped on me. I felt frozen in my tracks, and it seemed that only rage against the careless delegate who had confirmed her presence so late could pull me out of my trance. After having spent a month painstakingly crafting my verdicts and gathering evidence against the Nazis, I now needed to reverse my stance only three hours before the first session.

Gradually, anger gave way to utter panic. My research was fundamental to my performance, and without it, I knew I could add little to the Trials. But confident in my ability, my director optimistically recommended constructing an impromptu defense. Nervously, I began my research anew. Despite feeling hopeless, as I read through the prosecution’s arguments, I uncovered substantial loopholes. I noticed a lack of conclusive evidence against the defendants and certain inconsistencies in testimonies. My discovery energized me, inspiring me to revisit the historical overview in my conference “Background Guide” and to search the web for other relevant articles. Some Nazi prisoners had been treated as “guilty” before their court dates. While I had brushed this information under the carpet while developing my position as a judge, it now became the focus of my defense. I began scratching out a new argument, centered on the premise that the allied countries had violated the fundamental rule that, a defendant was “not guilty” until proven otherwise.

At the end of the three hours, I felt better prepared. The first session began, and with bravado, I raised my placard to speak. Microphone in hand, I turned to face my audience. “Greetings delegates. I, Otto Stahmer would like to…….” I suddenly blanked. Utter dread permeated my body as I tried to recall my thoughts in vain. “Defence Attorney, Stahmer we’ll come back to you,” my Committee Director broke the silence as I tottered back to my seat, flushed with embarrassment. Despite my shame, I was undeterred. I needed to vindicate my director’s faith in me. I pulled out my notes, refocused, and began outlining my arguments in a more clear and direct manner. Thereafter, I spoke articulately, confidently putting forth my points. I was overjoyed when Secretariat members congratulated me on my fine performance.

Going into the conference, I believed that preparation was the key to success. I wouldn’t say I disagree with that statement now, but I believe adaptability is equally important. My ability to problem-solve in the face of an unforeseen challenge proved advantageous in the art of diplomacy. Not only did this experience transform me into a confident and eloquent delegate at that conference, but it also helped me become a more flexible and creative thinker in a variety of other capacities. Now that I know I can adapt under pressure, I look forward to engaging in activities that will push me to be even quicker on my feet.

This essay is an excellent example of in-the-moment narration. The student openly shares their internal state with us — we feel their anger and panic upon the reversal of roles. We empathize with their emotions of “utter dread” and embarrassment when they’re unable to speak. 

For in-the-moment essays, overloading on descriptions is a common mistake students make. This writer provides just the right amount of background and details to help us understand the situation, however, and balances out the actual event with reflection on the significance of this experience. 

One main area of improvement is that the writer sometimes makes explicit statements that could be better illustrated through their thoughts, actions, and feelings. For instance, they say they “spoke articulately” after recovering from their initial inability to speak, and they also claim that adaptability has helped them in other situations. This is not as engaging as actual examples that convey the same meaning. Still, this essay overall is a strong example of in-the-moment narration, and gives us a relatable look into the writer’s life and personality.

2. Narrative told over an extended period of time

In this essay structure, you share a story that takes place across several different experiences. This narrative style is well-suited for any story arc with multiple parts. If you want to highlight your development over time, you might consider this structure. 

When I was younger, I was adamant that no two foods on my plate touch. As a result, I often used a second plate to prevent such an atrocity. In many ways, I learned to separate different things this way from my older brothers, Nate and Rob. Growing up, I idolized both of them. Nate was a performer, and I insisted on arriving early to his shows to secure front row seats, refusing to budge during intermission for fear of missing anything. Rob was a three-sport athlete, and I attended his games religiously, waving worn-out foam cougar paws and cheering until my voice was hoarse. My brothers were my role models. However, while each was talented, neither was interested in the other’s passion. To me, they represented two contrasting ideals of what I could become: artist or athlete. I believed I had to choose.

And for a long time, I chose athlete. I played soccer, basketball, and lacrosse and viewed myself exclusively as an athlete, believing the arts were not for me. I conveniently overlooked that since the age of five, I had been composing stories for my family for Christmas, gifts that were as much for me as them, as I loved writing. So when in tenth grade, I had the option of taking a creative writing class, I was faced with a question: could I be an athlete and a writer? After much debate, I enrolled in the class, feeling both apprehensive and excited. When I arrived on the first day of school, my teacher, Ms. Jenkins, asked us to write down our expectations for the class. After a few minutes, eraser shavings stubbornly sunbathing on my now-smudged paper, I finally wrote, “I do not expect to become a published writer from this class. I just want this to be a place where I can write freely.”

Although the purpose of the class never changed for me, on the third “submission day,” – our time to submit writing to upcoming contests and literary magazines – I faced a predicament. For the first two submission days, I had passed the time editing earlier pieces, eventually (pretty quickly) resorting to screen snake when hopelessness made the words look like hieroglyphics. I must not have been as subtle as I thought, as on the third of these days, Ms. Jenkins approached me. After shifting from excuse to excuse as to why I did not submit my writing, I finally recognized the real reason I had withheld my work: I was scared. I did not want to be different, and I did not want to challenge not only others’ perceptions of me, but also my own. I yielded to Ms. Jenkin’s pleas and sent one of my pieces to an upcoming contest.

By the time the letter came, I had already forgotten about the contest. When the flimsy white envelope arrived in the mail, I was shocked and ecstatic to learn that I had received 2nd place in a nationwide writing competition. The next morning, however, I discovered Ms. Jenkins would make an announcement to the whole school exposing me as a poet. I decided to own this identity and embrace my friends’ jokes and playful digs, and over time, they have learned to accept and respect this part of me. I have since seen more boys at my school identifying themselves as writers or artists.

I no longer see myself as an athlete and a poet independently, but rather I see these two aspects forming a single inseparable identity – me. Despite their apparent differences, these two disciplines are quite similar, as each requires creativity and devotion. I am still a poet when I am lacing up my cleats for soccer practice and still an athlete when I am building metaphors in the back of my mind – and I have realized ice cream and gummy bears taste pretty good together.

The timeline of this essay spans from the writer’s childhood all the way to sophomore year, but we only see key moments along this journey. First, we get context for why the writer thought he had to choose one identity: his older brothers had very distinct interests. Then, we learn about the student’s 10th grade creative writing class, writing contest, and results of the contest. Finally, the essay covers the writers’ embarrassment of his identity as a poet, to gradual acceptance and pride in that identity. 

This essay is a great example of a narrative told over an extended period of time. It’s highly personal and reflective, as the piece shares the writer’s conflicting feelings, and takes care to get to the root of those feelings. Furthermore, the overarching story is that of a personal transformation and development, so it’s well-suited to this essay structure.

3. Series of anecdotes, or montage

This essay structure allows you to focus on the most important experiences of a single storyline, or it lets you feature multiple (not necessarily related) stories that highlight your personality. Montage is a structure where you piece together separate scenes to form a whole story. This technique is most commonly associated with film. Just envision your favorite movie—it likely is a montage of various scenes that may not even be chronological. 

Night had robbed the academy of its daytime colors, yet there was comfort in the dim lights that cast shadows of our advances against the bare studio walls. Silhouettes of roundhouse kicks, spin crescent kicks, uppercuts and the occasional butterfly kick danced while we sparred. She approached me, eyes narrowed with the trace of a smirk challenging me. “Ready spar!” Her arm began an upward trajectory targeting my shoulder, a common first move. I sidestepped — only to almost collide with another flying fist. Pivoting my right foot, I snapped my left leg, aiming my heel at her midsection. The center judge raised one finger. 

There was no time to celebrate, not in the traditional sense at least. Master Pollard gave a brief command greeted with a unanimous “Yes, sir” and the thud of 20 hands dropping-down-and-giving-him-30, while the “winners” celebrated their victory with laps as usual. 

Three years ago, seven-thirty in the evening meant I was a warrior. It meant standing up straighter, pushing a little harder, “Yes, sir” and “Yes, ma’am”, celebrating birthdays by breaking boards, never pointing your toes, and familiarity. Three years later, seven-thirty in the morning meant I was nervous. 

The room is uncomfortably large. The sprung floor soaks up the checkerboard of sunlight piercing through the colonial windows. The mirrored walls further illuminate the studio and I feel the light scrutinizing my sorry attempts at a pas de bourrée , while capturing the organic fluidity of the dancers around me. “ Chassé en croix, grand battement, pique, pirouette.” I follow the graceful limbs of the woman in front of me, her legs floating ribbons, as she executes what seems to be a perfect ronds de jambes. Each movement remains a negotiation. With admirable patience, Ms. Tan casts me a sympathetic glance.   

There is no time to wallow in the misery that is my right foot. Taekwondo calls for dorsiflexion; pointed toes are synonymous with broken toes. My thoughts drag me into a flashback of the usual response to this painful mistake: “You might as well grab a tutu and head to the ballet studio next door.” Well, here I am Master Pollard, unfortunately still following your orders to never point my toes, but no longer feeling the satisfaction that comes with being a third degree black belt with 5 years of experience quite literally under her belt. It’s like being a white belt again — just in a leotard and ballet slippers. 

But the appetite for new beginnings that brought me here doesn’t falter. It is only reinforced by the classical rendition of “Dancing Queen” that floods the room and the ghost of familiarity that reassures me that this new beginning does not and will not erase the past. After years spent at the top, it’s hard to start over. But surrendering what you are only leads you to what you may become. In Taekwondo, we started each class reciting the tenets: honor, courtesy, integrity, perseverance, self-control, courage, humility, and knowledge, and I have never felt that I embodied those traits more so than when I started ballet. 

The thing about change is that it eventually stops making things so different. After nine different schools, four different countries, three different continents, fluency in Tamil, Norwegian, and English, there are more blurred lines than there are clear fragments. My life has not been a tactfully executed, gold medal-worthy Taekwondo form with each movement defined, nor has it been a series of frappés performed by a prima ballerina with each extension identical and precise, but thankfully it has been like the dynamics of a spinning back kick, fluid, and like my chances of landing a pirouette, unpredictable. 

This essay takes a few different anecdotes and weaves them into a coherent narrative about the writer’s penchant for novel experiences. We’re plunged into her universe, in the middle of her Taekwondo spar, three years before the present day. She then transitions into a scene in a ballet studio, present day. By switching from past tense to present tense, the writer clearly demarcates this shift in time. 

The parallel use of the spoken phrase “Point” in the essay ties these two experiences together. The writer also employs a flashback to Master Pollard’s remark about “grabbing a tutu” and her habit of dorsiflexing her toes, which further cements the connection between these anecdotes. 

While some of the descriptions are a little wordy, the piece is well-executed overall, and is a stellar example of the montage structure. The two anecdotes are seamlessly intertwined, and they both clearly illustrate the student’s determination, dedication, reflectiveness, and adaptability. The writer also concludes the essay with a larger reflection on her life, many moves, and multiple languages. 

Unconventional College Essay Structures

Unconventional essay structures are any that don’t fit into the categories above. These tend to be higher risk, as it’s easier to turn off the admissions officer, but they’re also higher reward if executed correctly. 

There are endless possibilities for unconventional structures, but most fall under one of two categories:

1. Playing with essay format

Instead of choosing a traditional narrative format, you might take a more creative route to showcase your interests, writing your essay:

• As a movie script
• With a creative visual format (such as creating a visual pattern with the spaces between your sentences forming a picture)
• As a two-sided Lincoln-Douglas debate
• As a legal brief
• Using song lyrics

2. Linguistic techniques

You could also play with the actual language and sentence structure of your essay, writing it:

• In iambic pentameter
• Partially in your mother tongue
• In code or a programming language

These linguistic techniques are often hybrid, where you write some of the essay with the linguistic variation, then write more of an explanation in English.

Under no circumstances should you feel pressured to use an unconventional structure. Trying to force something unconventional will only hurt your chances. That being said, if a creative structure comes naturally to you, suits your personality, and works with the content of your essay — go for that structure!

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Beyond the Numbers: 3 Tips for Writing Your College Essay

Julia de Raadt

Head of research and lead admissions expert, table of contents, college essay.

Stay up-to-date on the latest research and college admissions trends with our blog team.

Excellent students will often soar through their final exams, SATs, ACTs, and get stunning references from their teachers. But then, the task of writing your college essay hits them like an anvil. This is because they’ve mastered everything thrown at them, but never looked at their own story. The personal statement is easy to dismiss and scoff at, but really, this is the only chance to know a person aside from numbers on a page and secondhand stories from teachers.

Now is the time to whip out a pen and paper. There are three main principles to consider while drafting a college essay.

1. Avoid Clichés

Clichés are all around. We’re surrounded by media, movies, and television shows that use hackneyed stereotypes and rehash the same story ad nauseam . It leaks into our writing, whether we’re fully aware of it or not. It may be tempting for a student to loosely mimic a popular story they’ve read, using the same framework or creating a “character” for themselves.

The best way to avoid these cliches while writing your college essay is by being honest while examining one’s life story. Cast away judgments and labels; meanwhile, don’t compare your story to anyone else’s. Once you do this, you can do some valuable self-evaluation before setting to work.

2. Reveal your Identity

This can be loosely interpreted, but when it comes to the college essay, it’s important to get specific. One’s ‘identity’ is made up of their values, beliefs, personality, and life experiences. And now, the student must pick a part of their identity that’s most important to them for their college essay.

A student could highly value good will towards others, think about how it’s impacted their life, and explain how they plan to carry this with them into the future. Maybe the student had a very powerful experience outside of school, like the loss of a loved one to a certain disease, and now wants to save people by becoming a doctor.

It doesn’t matter. It just needs to reflect the core of who that student is. Of course, schools are on the hunt for excellent citizens, so the student should also try to highlight their best qualities.

3. Show your Potential – Not your Plans

Plans change. No school wants to hear about the building blocks of a career path in a college essay. High schoolers, while very intelligent and capable, are still very young—”so a college wants to see their potential , not their supposed plans. They don’t want students who are close-minded and stubborn either because college is about exploration .

So, it’s not important to discuss plans. It’s important to reveal potential by focusing on accomplishments, talents, good character, innovations, work completed, etc.

There are many ways to write a college essay. Regardless of the many prompts available, these three principles should guide you. This isn’t meant to provide structure for an outline—”for more nitty gritty writing tips, ask a college adviser and leaf through the Empowerly website.

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In an essay, when do you spell out numbers and when do you use numerals?

According to APA Style, you should normally use numerals for the numbers 10 and above. You should use words to express numbers below 10 (one, two, three, four, five, six, seven, eight, and nine).

Note, however, that APA lists a wide variety of exceptions. For instance, numbers that appear right before a unit of measurement should be expressed as numerals, regardless of where they fall, before or after 10. Example: Give him 5 cups of soup.

The APA also addresses this question directly in this webpage .

The sections in APA that address numbers are 6.32-6.39 in the 7th edition of the Publication Manual.

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College Essays

If you grow up to be a professional writer, everything you write will first go through an editor before being published. This is because the process of writing is really a process of re-writing —of rethinking and reexamining your work, usually with the help of someone else. So what does this mean for your student writing? And in particular, what does it mean for very important, but nonprofessional writing like your college essay? Should you ask your parents to look at your essay? Pay for an essay service?

If you are wondering what kind of help you can, and should, get with your personal statement, you've come to the right place! In this article, I'll talk about what kind of writing help is useful, ethical, and even expected for your college admission essay . I'll also point out who would make a good editor, what the differences between editing and proofreading are, what to expect from a good editor, and how to spot and stay away from a bad one.

Table of Contents

What Kind of Help for Your Essay Can You Get?

What's Good Editing?

What should an editor do for you, what kind of editing should you avoid, proofreading, what's good proofreading, what kind of proofreading should you avoid.

What Do Colleges Think Of You Getting Help With Your Essay?

Who Can/Should Help You?

Advice for editors.

Should You Pay Money For Essay Editing?

The Bottom Line

What's next, what kind of help with your essay can you get.

Rather than talking in general terms about "help," let's first clarify the two different ways that someone else can improve your writing . There is editing, which is the more intensive kind of assistance that you can use throughout the whole process. And then there's proofreading, which is the last step of really polishing your final product.

Let me go into some more detail about editing and proofreading, and then explain how good editors and proofreaders can help you."

Editing is helping the author (in this case, you) go from a rough draft to a finished work . Editing is the process of asking questions about what you're saying, how you're saying it, and how you're organizing your ideas. But not all editing is good editing . In fact, it's very easy for an editor to cross the line from supportive to overbearing and over-involved.

Ability to clarify assignments. A good editor is usually a good writer, and certainly has to be a good reader. For example, in this case, a good editor should make sure you understand the actual essay prompt you're supposed to be answering.

Open-endedness. Good editing is all about asking questions about your ideas and work, but without providing answers. It's about letting you stick to your story and message, and doesn't alter your point of view.

Think of an editor as a great travel guide. It can show you the many different places your trip could take you. It should explain any parts of the trip that could derail your trip or confuse the traveler. But it never dictates your path, never forces you to go somewhere you don't want to go, and never ignores your interests so that the trip no longer seems like it's your own. So what should good editors do?

Help Brainstorm Topics

Sometimes it's easier to bounce thoughts off of someone else. This doesn't mean that your editor gets to come up with ideas, but they can certainly respond to the various topic options you've come up with. This way, you're less likely to write about the most boring of your ideas, or to write about something that isn't actually important to you.

If you're wondering how to come up with options for your editor to consider, check out our guide to brainstorming topics for your college essay .

Help Revise Your Drafts

Here, your editor can't upset the delicate balance of not intervening too much or too little. It's tricky, but a great way to think about it is to remember: editing is about asking questions, not giving answers .

Revision questions should point out:

• Places where more detail or more description would help the reader connect with your essay
• Places where structure and logic don't flow, losing the reader's attention
• Places where there aren't transitions between paragraphs, confusing the reader
• Moments where your narrative or the arguments you're making are unclear

But pointing to potential problems is not the same as actually rewriting—editors let authors fix the problems themselves.

Bad editing is usually very heavy-handed editing. Instead of helping you find your best voice and ideas, a bad editor changes your writing into their own vision.

You may be dealing with a bad editor if they:

• Add material (examples, descriptions) that doesn't come from you
• Use a thesaurus to make your college essay sound "more mature"
• Add meaning or insight to the essay that doesn't come from you
• Tell you what to say and how to say it
• Write sentences, phrases, and paragraphs for you
• Change your voice in the essay so it no longer sounds like it was written by a teenager

Colleges can tell the difference between a 17-year-old's writing and a 50-year-old's writing. Not only that, they have access to your SAT or ACT Writing section, so they can compare your essay to something else you wrote. Writing that's a little more polished is great and expected. But a totally different voice and style will raise questions.

Where's the Line Between Helpful Editing and Unethical Over-Editing?

Sometimes it's hard to tell whether your college essay editor is doing the right thing. Here are some guidelines for staying on the ethical side of the line.

• An editor should say that the opening paragraph is kind of boring, and explain what exactly is making it drag. But it's overstepping for an editor to tell you exactly how to change it.
• An editor should point out where your prose is unclear or vague. But it's completely inappropriate for the editor to rewrite that section of your essay.
• An editor should let you know that a section is light on detail or description. But giving you similes and metaphors to beef up that description is a no-go.

Proofreading (also called copy-editing) is checking for errors in the last draft of a written work. It happens at the end of the process and is meant as the final polishing touch. Proofreading is meticulous and detail-oriented, focusing on small corrections. It sands off all the surface rough spots that could alienate the reader.

Because proofreading is usually concerned with making fixes on the word or sentence level, this is the only process where someone else can actually add to or take away things from your essay . This is because what they are adding or taking away tends to be one or two misplaced letters.

Laser focus. Proofreading is all about the tiny details, so the ability to really concentrate on finding small slip-ups is a must.

Excellent grammar and spelling skills. Proofreaders need to dot every "i" and cross every "t." Good proofreaders should correct spelling, punctuation, capitalization, and grammar. They should put foreign words in italics and surround quotations with quotation marks. They should check that you used the correct college's name, and that you adhered to any formatting requirements (name and date at the top of the page, uniform font and size, uniform spacing).

Limited interference. A proofreader needs to make sure that you followed any word limits. But if cuts need to be made to shorten the essay, that's your job and not the proofreader's.

A bad proofreader either tries to turn into an editor, or just lacks the skills and knowledge necessary to do the job.

Some signs that you're working with a bad proofreader are:

• If they suggest making major changes to the final draft of your essay. Proofreading happens when editing is already finished.
• If they aren't particularly good at spelling, or don't know grammar, or aren't detail-oriented enough to find someone else's small mistakes.
• If they start swapping out your words for fancier-sounding synonyms, or changing the voice and sound of your essay in other ways. A proofreader is there to check for errors, not to take the 17-year-old out of your writing.

What Do Colleges Think of Your Getting Help With Your Essay?

Admissions officers agree: light editing and proofreading are good—even required ! But they also want to make sure you're the one doing the work on your essay. They want essays with stories, voice, and themes that come from you. They want to see work that reflects your actual writing ability, and that focuses on what you find important.

On the Importance of Editing

Get feedback. Have a fresh pair of eyes give you some feedback. Don't allow someone else to rewrite your essay, but do take advantage of others' edits and opinions when they seem helpful. ( Bates College )

Read your essay aloud to someone. Reading the essay out loud offers a chance to hear how your essay sounds outside your head. This exercise reveals flaws in the essay's flow, highlights grammatical errors and helps you ensure that you are communicating the exact message you intended. ( Dickinson College )

On the Value of Proofreading

Share your essays with at least one or two people who know you well—such as a parent, teacher, counselor, or friend—and ask for feedback. Remember that you ultimately have control over your essays, and your essays should retain your own voice, but others may be able to catch mistakes that you missed and help suggest areas to cut if you are over the word limit. ( Yale University )

Proofread and then ask someone else to proofread for you. Although we want substance, we also want to be able to see that you can write a paper for our professors and avoid careless mistakes that would drive them crazy. ( Oberlin College )

On Watching Out for Too Much Outside Influence

Limit the number of people who review your essay. Too much input usually means your voice is lost in the writing style. ( Carleton College )

Ask for input (but not too much). Your parents, friends, guidance counselors, coaches, and teachers are great people to bounce ideas off of for your essay. They know how unique and spectacular you are, and they can help you decide how to articulate it. Keep in mind, however, that a 45-year-old lawyer writes quite differently from an 18-year-old student, so if your dad ends up writing the bulk of your essay, we're probably going to notice. ( Vanderbilt University )

Now let's talk about some potential people to approach for your college essay editing and proofreading needs. It's best to start close to home and slowly expand outward. Not only are your family and friends more invested in your success than strangers, but they also have a better handle on your interests and personality. This knowledge is key for judging whether your essay is expressing your true self.

Parents or Close Relatives

Your family may be full of potentially excellent editors! Parents are deeply committed to your well-being, and family members know you and your life well enough to offer details or incidents that can be included in your essay. On the other hand, the rewriting process necessarily involves criticism, which is sometimes hard to hear from someone very close to you.

A parent or close family member is a great choice for an editor if you can answer "yes" to the following questions. Is your parent or close relative a good writer or reader? Do you have a relationship where editing your essay won't create conflict? Are you able to constructively listen to criticism and suggestion from the parent?

One suggestion for defusing face-to-face discussions is to try working on the essay over email. Send your parent a draft, have them write you back some comments, and then you can pick which of their suggestions you want to use and which to discard.

Teachers or Tutors

A humanities teacher that you have a good relationship with is a great choice. I am purposefully saying humanities, and not just English, because teachers of Philosophy, History, Anthropology, and any other classes where you do a lot of writing, are all used to reviewing student work.

Moreover, any teacher or tutor that has been working with you for some time, knows you very well and can vet the essay to make sure it "sounds like you."

If your teacher or tutor has some experience with what college essays are supposed to be like, ask them to be your editor. If not, then ask whether they have time to proofread your final draft.

Guidance or College Counselor at Your School

The best thing about asking your counselor to edit your work is that this is their job. This means that they have a very good sense of what colleges are looking for in an application essay.

At the same time, school counselors tend to have relationships with admissions officers in many colleges, which again gives them insight into what works and which college is focused on what aspect of the application.

Unfortunately, in many schools the guidance counselor tends to be way overextended. If your ratio is 300 students to 1 college counselor, you're unlikely to get that person's undivided attention and focus. It is still useful to ask them for general advice about your potential topics, but don't expect them to be able to stay with your essay from first draft to final version.

Friends, Siblings, or Classmates

Although they most likely don't have much experience with what colleges are hoping to see, your peers are excellent sources for checking that your essay is you .

Friends and siblings are perfect for the read-aloud edit. Read your essay to them so they can listen for words and phrases that are stilted, pompous, or phrases that just don't sound like you.

You can even trade essays and give helpful advice on each other's work.

If your editor hasn't worked with college admissions essays very much, no worries! Any astute and attentive reader can still greatly help with your process. But, as in all things, beginners do better with some preparation.

First, your editor should read our advice about how to write a college essay introduction , how to spot and fix a bad college essay , and get a sense of what other students have written by going through some admissions essays that worked .

Then, as they read your essay, they can work through the following series of questions that will help them to guide you.

Introduction Questions

• Is the first sentence a killer opening line? Why or why not?
• Does the introduction hook the reader? Does it have a colorful, detailed, and interesting narrative? Or does it propose a compelling or surprising idea?
• Can you feel the author's voice in the introduction, or is the tone dry, dull, or overly formal? Show the places where the voice comes through.

Essay Body Questions

• Does the essay have a through-line? Is it built around a central argument, thought, idea, or focus? Can you put this idea into your own words?
• How is the essay organized? By logical progression? Chronologically? Do you feel order when you read it, or are there moments where you are confused or lose the thread of the essay?
• Does the essay have both narratives about the author's life and explanations and insight into what these stories reveal about the author's character, personality, goals, or dreams? If not, which is missing?
• Does the essay flow? Are there smooth transitions/clever links between paragraphs? Between the narrative and moments of insight?

Reader Response Questions

• Does the writer's personality come through? Do we know what the speaker cares about? Do we get a sense of "who he or she is"?
• Where did you feel most connected to the essay? Which parts of the essay gave you a "you are there" sensation by invoking your senses? What moments could you picture in your head well?
• Where are the details and examples vague and not specific enough?
• Did you get an "a-ha!" feeling anywhere in the essay? Is there a moment of insight that connected all the dots for you? Is there a good reveal or "twist" anywhere in the essay?
• What are the strengths of this essay? What needs the most improvement?

Should You Pay Money for Essay Editing?

One alternative to asking someone you know to help you with your college essay is the paid editor route. There are two different ways to pay for essay help: a private essay coach or a less personal editing service , like the many proliferating on the internet.

My advice is to think of these options as a last resort rather than your go-to first choice. I'll first go through the reasons why. Then, if you do decide to go with a paid editor, I'll help you decide between a coach and a service.

When to Consider a Paid Editor

In general, I think hiring someone to work on your essay makes a lot of sense if none of the people I discussed above are a possibility for you.

If you can't ask your parents. For example, if your parents aren't good writers, or if English isn't their first language. Or if you think getting your parents to help is going create unnecessary extra conflict in your relationship with them (applying to college is stressful as it is!)

If you can't ask your teacher or tutor. Maybe you don't have a trusted teacher or tutor that has time to look over your essay with focus. Or, for instance, your favorite humanities teacher has very limited experience with college essays and so won't know what admissions officers want to see.

If you can't ask your guidance counselor. This could be because your guidance counselor is way overwhelmed with other students.

If you can't share your essay with those who know you. It might be that your essay is on a very personal topic that you're unwilling to share with parents, teachers, or peers. Just make sure it doesn't fall into one of the bad-idea topics in our article on bad college essays .

If the cost isn't a consideration. Many of these services are quite expensive, and private coaches even more so. If you have finite resources, I'd say that hiring an SAT or ACT tutor (whether it's PrepScholar or someone else) is better way to spend your money . This is because there's no guarantee that a slightly better essay will sufficiently elevate the rest of your application, but a significantly higher SAT score will definitely raise your applicant profile much more.

Should You Hire an Essay Coach?

On the plus side, essay coaches have read dozens or even hundreds of college essays, so they have experience with the format. Also, because you'll be working closely with a specific person, it's more personal than sending your essay to a service, which will know even less about you.

But, on the minus side, you'll still be bouncing ideas off of someone who doesn't know that much about you . In general, if you can adequately get the help from someone you know, there is no advantage to paying someone to help you.

If you do decide to hire a coach, ask your school counselor, or older students that have used the service for recommendations. If you can't afford the coach's fees, ask whether they can work on a sliding scale —many do. And finally, beware those who guarantee admission to your school of choice—essay coaches don't have any special magic that can back up those promises.

Should You Send Your Essay to a Service?

On the plus side, essay editing services provide a similar product to essay coaches, and they cost significantly less . If you have some assurance that you'll be working with a good editor, the lack of face-to-face interaction won't prevent great results.

On the minus side, however, it can be difficult to gauge the quality of the service before working with them . If they are churning through many application essays without getting to know the students they are helping, you could end up with an over-edited essay that sounds just like everyone else's. In the worst case scenario, an unscrupulous service could send you back a plagiarized essay.

Getting recommendations from friends or a school counselor for reputable services is key to avoiding heavy-handed editing that writes essays for you or does too much to change your essay. Including a badly-edited essay like this in your application could cause problems if there are inconsistencies. For example, in interviews it might be clear you didn't write the essay, or the skill of the essay might not be reflected in your schoolwork and test scores.

Should You Buy an Essay Written by Someone Else?

Let me elaborate. There are super sketchy places on the internet where you can simply buy a pre-written essay. Don't do this!

For one thing, you'll be lying on an official, signed document. All college applications make you sign a statement saying something like this:

I certify that all information submitted in the admission process—including the application, the personal essay, any supplements, and any other supporting materials—is my own work, factually true, and honestly presented... I understand that I may be subject to a range of possible disciplinary actions, including admission revocation, expulsion, or revocation of course credit, grades, and degree, should the information I have certified be false. (From the Common Application )

For another thing, if your academic record doesn't match the essay's quality, the admissions officer will start thinking your whole application is riddled with lies.

Admission officers have full access to your writing portion of the SAT or ACT so that they can compare work that was done in proctored conditions with that done at home. They can tell if these were written by different people. Not only that, but there are now a number of search engines that faculty and admission officers can use to see if an essay contains strings of words that have appeared in other essays—you have no guarantee that the essay you bought wasn't also bought by 50 other students.

• You should get college essay help with both editing and proofreading
• A good editor will ask questions about your idea, logic, and structure, and will point out places where clarity is needed
• A good editor will absolutely not answer these questions, give you their own ideas, or write the essay or parts of the essay for you
• A good proofreader will find typos and check your formatting
• All of them agree that getting light editing and proofreading is necessary
• Parents, teachers, guidance or college counselor, and peers or siblings
• If you can't ask any of those, you can pay for college essay help, but watch out for services or coaches who over-edit you work
• Don't buy a pre-written essay! Colleges can tell, and it'll make your whole application sound false.

Ready to start working on your essay? Check out our explanation of the point of the personal essay and the role it plays on your applications and then explore our step-by-step guide to writing a great college essay .

Using the Common Application for your college applications? We have an excellent guide to the Common App essay prompts and useful advice on how to pick the Common App prompt that's right for you . Wondering how other people tackled these prompts? Then work through our roundup of over 130 real college essay examples published by colleges .

Stressed about whether to take the SAT again before submitting your application? Let us help you decide how many times to take this test . If you choose to go for it, we have the ultimate guide to studying for the SAT to give you the ins and outs of the best ways to study.

Anna scored in the 99th percentile on her SATs in high school, and went on to major in English at Princeton and to get her doctorate in English Literature at Columbia. She is passionate about improving student access to higher education.

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‘The Very Real Insanity of College Admissions’

Readers offer suggestions and personal stories in response to two guest essays.

To the Editor:

Re “ 2024 Was the Year That Finally Broke College Admissions ,” by Daniel Currell (Opinion guest essay, May 5):

While Mr. Currell effectively lays out the current admissions climate, the sunny last-minute outcomes for the two applicants he follows undermine his otherwise valid critiques.

While Ivy was rejected by her early decision school, she was admitted to her second choice, Dartmouth, an Ivy with a 6 percent acceptance rate. Rania, though disappointed with her Barnard rejection, also found herself a terrific outcome at Wesleyan, another highly acclaimed school, with a free ride to boot.

Both of these outcomes are extreme positive outliers these days. Convincing families to temper these kinds of expectations and consider in-state public institutions for cost reasons as well as excellent but more far-flung liberal arts colleges (such as the College of Wooster in rural Ohio) is the task at hand these days.

Following two applicants who actually had to make significant compromises would have more accurately encapsulated the reality check that college-bound kids and parents need in the face of the very real insanity of college admissions these days.

Jamie Berger Turners Falls, Mass. The writer is an independent educational consultant.

After temporarily settling in the U.S., my high schooler fell in love with the idea of the small liberal arts school. She was lucky to have the support of a counselor who constantly affirmed her self-worth, and was admitted to one of her top schools. The process was stressful, and the result is not pain-free; it will require serious lifestyle changes to be able to afford it.

Coming from the Netherlands, where a reputable university education is still quite accessible for about $2,700 in annual tuition for domestic and E.U. students, I find the system here insane at every level — in its lack of transparency, in privileging the privileged and in through-the-roof costs.

In this land of the free market, the author is right: The college admission process needs scrutiny and accountability. And even a measure of regulation.

Blanche Tax Queens

The most remarkable aspect of Daniel Currell’s piece on admissions to selective colleges is the rare mention of the quality of education, such as the concession that we might “shift our cultural focus toward the hundreds of schools that offer an excellent education but are not luxury brands.”

The education quality offered at those hundreds of schools is often no less than that of the so-called “elite” schools. And that quality is less likely to be influenced by big-money donors.

Mr. Currell has made it clear that the brand, and not the education, is what has become important. Students are going to school not to learn, but to get a badge. And they carry that attitude throughout life.

External displays become more important than interior satisfaction with genuine accomplishment and contribution. The real problem is the very notion of elitism. Why do we want to train people to be snobs? To what end?

Joel Solow Newark, N.J.

I would like to point out one omission in an otherwise interesting article regarding higher education admissions: Much of the breakdown of the admissions process is due to the substantial increase in the number of applications that students submit.

For example, the Common Application reports that the number of college applications increased by 39 percent between 2019 and 2023 (the number of applicants also increased, by 28 percent).

When I applied to college in the late 1950s, students typically applied to three or so colleges (including a stretch school like the Ivies, a safe school like a state college and something in between). This was also the case when my children applied to college in the late 1970s and early 1980s.

But this past year, my grandchildren could apply to up to 20 colleges via the Common Application (although on average students apply to around six colleges). This greatly increases the number of applications that college admissions officers needed to consider.

It was increases in the number of applications that students submitted that contributed to the breakdown.

Marlaine Lockheed Princeton, N.J.

Daniel Currell’s essay catalogs the problems, but offers no solution. A year ago, before my son knew he would be among the more than 100,000 applicants rejected from his dream school (U.C.L.A.), he was looking at the required classes and asked, “Why can’t I just study what I want to study?” “You can,” I answered. “Go to school in the U.K.”

My son had bad grades in classes that didn’t interest him, and was generally unsuccessful applying to U.S. colleges. But he is brilliant, and managed top scores on eight Advanced Placement exams. He got several offers from U.K. colleges, and is now at University College London, which is regularly ranked among the top in the world.

U.K. universities are considerably more costly for international students than for U.K. ones. But for students who are good at studying, they are an excellent alternative to the U.S. beauty contest.

Wayne Camard Palo Alto, Calif.

Re “ The Best College Is One Where You Don’t Fit In ,” by Michael S. Roth (Opinion guest essay, nytimes.com, May 5):

For students who have had a comfortable and fulfilling K-12 social life, going to a more diverse and socially uncomfortable setting is indeed a good choice. But for the many adolescents who have struggled to find their tribe, choosing a college where they can finally develop a strong social network is critical.

Katharine H. McVeigh New York

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Alabama Softball's Region-Clinching First Inning by the Numbers

Will miller | 5 hours ago.

TUSCALOOSA, Ala.— The No. 14 Alabama softball team is on to a super regional for the 18th time in program history. On Sunday against Southeastern Louisiana, the Crimson Tide (36-17) produced an offensive outburst in inning number one that proved to be an early nail in the coffin for the Lady Lions.

Of Alabama's 12 runs in the Tuscaloosa regional title game, which ended by run rule after five innings with a 12-2 score, nine came in the bottom of the first inning. Southeastern Louisiana entered play needing to win twice to advance. After plating one run in the top of the first, the early stages looked promising. Enter the Crimson Tide bats, which had only scored seven runs combined in the first two NCAA Tournament games.

"I didn't see that happening, I really didn't," said Lady Lions head coach Rick Fremin. "I believe we stop that if we get the leadoff bunt." Center fielder Kristen White, described by Alabama head coach Patrick Murphy as the fastest player on the team, occupied the top spot on the lineup card and reached with a bunt single to open the game. For the Southeastern Louisiana pitching staff, it was straight downhill from there.

When catcher Marlie Giles finally popped out during her second turn to the plate to end a first inning that spanned 39 minutes, Alabama had amassed 10 hits, the aforementioned nine runs and sent 14 batters to the plate. The Crimson Tide started off with eight consecutive hits and batted around easily. Lady Lions (47-15) starter Ellie DuBois, who had been chased by a bunt single from Giles, later reentered the frame to finally retire the side after previously failing to record an out. Cera Blanchard had gotten the first two.

"Today might've been our best game of the year, and what a time to have it," said Murphy. Crimson Tide starting pitcher Kayla Beaver had closed her postgame remarks Saturday by saying it was imperative the team carry the momentum from that extra-innings win, also over Southeastern Louisiana, into the first inning on Sunday. That mindset carried over. "We wanted to come out, set the tone and send a message that this is our home field," left fielder Jenna Johnson said. "We wanted to take it to them first inning."

"Ditto to that," White said.

Beaver did not start on Sunday, not needing to after Alabama negated the need for an if-necessary game later on Sunday afternoon. Freshman Jocelyn Briski, who pitched a one-hit shutout in a 1-0 win against UC Upstate on Friday, got a lot more than one run of support despite letting one across early.

"They got a little momentum," said Johnson. "We were like, 'Nope, this is our game, and we're taking it back.' [White] set the tone. Her and [right fielder Larissa Preuitt] with two great at-bats that first inning."

Preuitt batted in the second spot in the order after hitting in the number nine spot on Saturday. She made the most of the move up the card, as she and White each had multiple hits. White had three. "Super excited to get momentum going for the team," White said. "We bent a little bit, but we had Jocelyn's back."

Five different players recorded first-inning RBIs: Johnson, shortstop Kenleigh Cahalan, second baseman Kali Heivilin, third baseman Bailey Dowling and designated player Riley Valentine. Valentine also hit a home run Saturday. Johnson and Cahalan added RBIs their respective tallies in multiple plate appearances during the massive inning. The scoring in the game as a whole closed with a third-inning, two-run Cahalan triple and a Giles single.

The players were happy to see Southeastern Louisiana make early pitching changes, including getting the starter out of the circle initially before she got an out. Blanchard had pitched in the game Saturday. "We had a new plan," Johnson said. "We didn't score as many runs off her the first time... We were prepared for her."

Cahalan had four runs batted in, and five players had two hits or more. The performance at the plate was just what Alabama needed in its final act at Rhoads Stadium, since team indeed has to travel to Knoxville to face No. 3 Tennessee for a berth in the Women's College World Series. The regional title also marked the first time since April that Alabama won three games in a row, and it was all paced by an offensive showing that came at just the right time.

WILL MILLER

Will Miller is a senior at the University of Alabama. He has experience covering a wide array of Crimson Tide sports, including football, baseball, basketball, gymnastics and soccer. He joined BamaCentral in the spring of 2023 and is also a freelance UFC interviewer. 

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Biden speaks at Morehouse College commencement

By Kaanita Iyer, Michelle Shen and Michael Williams, CNN

Biden's commencement speech focuses on democracy, his work toward a solution in the Middle East

From CNN's Michael Williams

President Joe Biden spent much of his commencement address focusing on the theme of democracy, while touting his administration's work for Black Americans.

As a handful of student turned their chairs in a silent protest of Biden, the president listed some virtues of a healthy democracy.

"In a democracy, we debate and dissent about America's role in the world," Biden said.

He added: "I want to say this very clearly -- I support peaceful, nonviolent protest. Your voices should be heard. I promise you, I hear them."

Biden said he was determined to make his "administration look like America" when he became president. "I have more African Americans in high places, including on the court, than any president in American history. Because I need the input," he said.

Biden then shifted to the Middle East, calling the situation in Gaza a "humanitarian crisis" while saying his administration is working toward a ceasefire with the release of hostages.

Biden says an "AKA from Howard" will be president some day, in nod to Harris

President Joe Biden subtly teased his hopes for the political future of his vice president and running mate while delivering the Morehouse commencement on Sunday.

Saying he was "proud to put in the first Black woman on the United States Supreme Court," Biden added that he had "no doubt one day a Morehouse man will be on that court as well."

He then added he had "no doubt a Morehouse man will be president one day - just after an AKA from Howard."

Harris was a member of Alpha Kappa Alpha, a historically Black sorority, during her time as a student at Howard University.

Biden says he's called for "immediate ceasefire" in Gaza

President Joe Biden said he's called for an "immediate ceasefire" in Gaza while delivering his commencement address at Morehouse College.

“What’s happening in Gaza and Israel is heartbreaking," he said.

He continued: "It's a humanitarian crisis in Gaza," the president said. "That's why I've called for an immediate ceasefire - an immediate ceasefire to stop the fighting and bring the hostages home."

It was a forceful call for a ceasefire and an urgent call for a political solution in Gaza. Biden has previously said his administration is working towards a temporary ceasefire to secure the release of hostages still being held in Gaza.

The president continued: “What happens in Gaza, what rights do the Palestinian people have? I'm working to make sure we finally get a two-state solution -- the only solution where two people live in peace, security, and dignity,” he said.

Student unfurls Palestinian flag during Biden's speech, others turn away from him

From CNN's Donald Judd

As Biden began speaking, a student in the audience unfurled a Palestinian flag and held it up.

Some students in the audience have turned their chairs so they are facing away from the president as he delivers his commencement address.

Biden's Morehouse commencement address begins

President Joe Biden took the podium at Morehouse College at 10:29 a.m. ET.

He started his remarks by recognizing the relatives of graduating seniors. "A lot of you, like my family, had to make significant sacrifices to get your kids to school," the president said.

Morehouse College confers honorary degree to Biden

Morehouse College has conferred an honorary degree to President Joe Biden.

Biden is the third US President to receive the honorific from Morehouse. President Barack Obama received an honorary degree when he delivered a commencement address at the college in 2013. Jimmy Carter received one in 1975, before he became president.

Morehouse faculty approved Biden's honorary degree in a vote earlier this week.

Morehouse valedictorian calls for ceasefire in Gaza as Biden looks on

Morehouse valedictorian DeAngelo Fletcher called for a ceasefire in Gaza while speaking ahead of President Joe Biden's commencement address.

"The Israel-Gaza conflict has plagued the people of its region for generations," Fletcher said while Biden looked on behind him. "It is important to recognize that both sides have suffered heavy casualties in the wake of October 7. From the comfort of our homes, we watched an unprecedented number of civilians mourn the loss of men, women and children.

Fletcher called for the release of all hostages. He then continued: "For the first time in our lives, we've heard the global community sing one harmonious song that transcends language and culture."

"It is my stance as a Morehouse man - nay, as a human being - to call for an immediate and permanent ceasefire in the Gaza Strip," he said.

Biden takes stage at Morehouse College

President Joe Biden has taken the stage at Morehouse College's commencement ceremony. He was met with applause and chants of "four more years" from the section reserved for graduates' families.

How Biden's team prepared for Morehouse speech as Israel-Gaza conflict looms over the commencement

From CNN's Kayla Tausche, Arlette Saenz and Michael Williams

Ahead of Sunday's commencement address, President Joe Biden consulted with prominent Black public figures for weeks and White House officials traveled to Morehouse College's campus to hold forth with students and faculty and attempt to quell their concerns.

During a meeting in early May, roughly half of the two-hour conversation focused on the conflict in Gaza, one source said. Stephen Benjamin, the director of the White House office of public engagement, said he and the students had a wide-ranging conversation, which again included the conflict in the Middle East.

Students are also concerned that their achievements will be overshadowed by a stump speech, according to people familiar with the discussions. They have expressed frustration that the format of the event and the level of security required for such a high-profile visit resulted in limited tickets for family members, many of whom must watch from an overflow room.

Biden's scheduled appearance at Morehouse is a shift in strategy as the president has largely shied away from addressing large crowds of young people on college campuses, a change that came shortly after his January remarks on abortion rights at Virginia’s George Mason University were interrupted more than a dozen times by protesters outraged at his continued support for Israel in its war in Gaza.

The Middle East conflict spurred more than 1,360 student demonstrations on campuses across the country from October 7 to May 3,  according to data compiled by the Armed Conflict Location & Event Data Project . 

“I understand people have strong feelings of deep convictions,” Biden said during brief remarks from the White House on campus protests earlier this month. “In America, we respect the right and protect the right for them to express that. But it doesn’t mean anything goes.”

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