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17 book review examples to help you write the perfect review.

It’s an exciting time to be a book reviewer. Once confined to print newspapers and journals, reviews now dot many corridors of the Internet — forever helping others discover their next great read. That said, every book reviewer will face a familiar panic: how can you do justice to a great book in just a thousand words?

As you know, the best way to learn how to do something is by immersing yourself in it. Luckily, the Internet (i.e. Goodreads and other review sites , in particular) has made book reviews more accessible than ever — which means that there are a lot of book reviews examples out there for you to view!

In this post, we compiled 17 prototypical book review examples in multiple genres to help you figure out how to write the perfect review . If you want to jump straight to the examples, you can skip the next section. Otherwise, let’s first check out what makes up a good review.

Are you interested in becoming a book reviewer? We recommend you check out Reedsy Discovery , where you can earn money for writing reviews — and are guaranteed people will read your reviews! To register as a book reviewer, sign up here.

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What must a book review contain?

Like all works of art, no two book reviews will be identical. But fear not: there are a few guidelines for any aspiring book reviewer to follow. Most book reviews, for instance, are less than 1,500 words long, with the sweet spot hitting somewhere around the 1,000-word mark. (However, this may vary depending on the platform on which you’re writing, as we’ll see later.)

In addition, all reviews share some universal elements, as shown in our book review templates . These include:

• A review will offer a concise plot summary of the book. 
• A book review will offer an evaluation of the work. 
• A book review will offer a recommendation for the audience. 

If these are the basic ingredients that make up a book review, it’s the tone and style with which the book reviewer writes that brings the extra panache. This will differ from platform to platform, of course. A book review on Goodreads, for instance, will be much more informal and personal than a book review on Kirkus Reviews, as it is catering to a different audience. However, at the end of the day, the goal of all book reviews is to give the audience the tools to determine whether or not they’d like to read the book themselves.

Keeping that in mind, let’s proceed to some book review examples to put all of this in action.

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Book review examples for fiction books

Since story is king in the world of fiction, it probably won’t come as any surprise to learn that a book review for a novel will concentrate on how well the story was told .

That said, book reviews in all genres follow the same basic formula that we discussed earlier. In these examples, you’ll be able to see how book reviewers on different platforms expertly intertwine the plot summary and their personal opinions of the book to produce a clear, informative, and concise review.

Note: Some of the book review examples run very long. If a book review is truncated in this post, we’ve indicated by including a […] at the end, but you can always read the entire review if you click on the link provided.

Examples of literary fiction book reviews

Kirkus Reviews reviews Ralph Ellison’s The Invisible Man :

An extremely powerful story of a young Southern Negro, from his late high school days through three years of college to his life in Harlem.

His early training prepared him for a life of humility before white men, but through injustices- large and small, he came to realize that he was an "invisible man". People saw in him only a reflection of their preconceived ideas of what he was, denied his individuality, and ultimately did not see him at all. This theme, which has implications far beyond the obvious racial parallel, is skillfully handled. The incidents of the story are wholly absorbing. The boy's dismissal from college because of an innocent mistake, his shocked reaction to the anonymity of the North and to Harlem, his nightmare experiences on a one-day job in a paint factory and in the hospital, his lightning success as the Harlem leader of a communistic organization known as the Brotherhood, his involvement in black versus white and black versus black clashes and his disillusion and understanding of his invisibility- all climax naturally in scenes of violence and riot, followed by a retreat which is both literal and figurative. Parts of this experience may have been told before, but never with such freshness, intensity and power.

This is Ellison's first novel, but he has complete control of his story and his style. Watch it.

Lyndsey reviews George Orwell’s 1984 on Goodreads:

YOU. ARE. THE. DEAD. Oh my God. I got the chills so many times toward the end of this book. It completely blew my mind. It managed to surpass my high expectations AND be nothing at all like I expected. Or in Newspeak "Double Plus Good." Let me preface this with an apology. If I sound stunningly inarticulate at times in this review, I can't help it. My mind is completely fried.

This book is like the dystopian Lord of the Rings, with its richly developed culture and economics, not to mention a fully developed language called Newspeak, or rather more of the anti-language, whose purpose is to limit speech and understanding instead of to enhance and expand it. The world-building is so fully fleshed out and spine-tinglingly terrifying that it's almost as if George travelled to such a place, escaped from it, and then just wrote it all down.

I read Fahrenheit 451 over ten years ago in my early teens. At the time, I remember really wanting to read 1984, although I never managed to get my hands on it. I'm almost glad I didn't. Though I would not have admitted it at the time, it would have gone over my head. Or at the very least, I wouldn't have been able to appreciate it fully. […]

The New York Times reviews Lisa Halliday’s Asymmetry :

Three-quarters of the way through Lisa Halliday’s debut novel, “Asymmetry,” a British foreign correspondent named Alistair is spending Christmas on a compound outside of Baghdad. His fellow revelers include cameramen, defense contractors, United Nations employees and aid workers. Someone’s mother has FedExed a HoneyBaked ham from Maine; people are smoking by the swimming pool. It is 2003, just days after Saddam Hussein’s capture, and though the mood is optimistic, Alistair is worrying aloud about the ethics of his chosen profession, wondering if reporting on violence doesn’t indirectly abet violence and questioning why he’d rather be in a combat zone than reading a picture book to his son. But every time he returns to London, he begins to “spin out.” He can’t go home. “You observe what people do with their freedom — what they don’t do — and it’s impossible not to judge them for it,” he says.

The line, embedded unceremoniously in the middle of a page-long paragraph, doubles, like so many others in “Asymmetry,” as literary criticism. Halliday’s novel is so strange and startlingly smart that its mere existence seems like commentary on the state of fiction. One finishes “Asymmetry” for the first or second (or like this reader, third) time and is left wondering what other writers are not doing with their freedom — and, like Alistair, judging them for it.

Despite its title, “Asymmetry” comprises two seemingly unrelated sections of equal length, appended by a slim and quietly shocking coda. Halliday’s prose is clean and lean, almost reportorial in the style of W. G. Sebald, and like the murmurings of a shy person at a cocktail party, often comic only in single clauses. It’s a first novel that reads like the work of an author who has published many books over many years. […]

Emily W. Thompson reviews Michael Doane's The Crossing on Reedsy Discovery :

In Doane’s debut novel, a young man embarks on a journey of self-discovery with surprising results.

An unnamed protagonist (The Narrator) is dealing with heartbreak. His love, determined to see the world, sets out for Portland, Oregon. But he’s a small-town boy who hasn’t traveled much. So, the Narrator mourns her loss and hides from life, throwing himself into rehabbing an old motorcycle. Until one day, he takes a leap; he packs his bike and a few belongings and heads out to find the Girl.

Following in the footsteps of Jack Kerouac and William Least Heat-Moon, Doane offers a coming of age story about a man finding himself on the backroads of America. Doane’s a gifted writer with fluid prose and insightful observations, using The Narrator’s personal interactions to illuminate the diversity of the United States.

The Narrator initially sticks to the highways, trying to make it to the West Coast as quickly as possible. But a hitchhiker named Duke convinces him to get off the beaten path and enjoy the ride. “There’s not a place that’s like any other,” [39] Dukes contends, and The Narrator realizes he’s right. Suddenly, the trip is about the journey, not just the destination. The Narrator ditches his truck and traverses the deserts and mountains on his bike. He destroys his phone, cutting off ties with his past and living only in the moment.

As he crosses the country, The Narrator connects with several unique personalities whose experiences and views deeply impact his own. Duke, the complicated cowboy and drifter, who opens The Narrator’s eyes to a larger world. Zooey, the waitress in Colorado who opens his heart and reminds him that love can be found in this big world. And Rosie, The Narrator’s sweet landlady in Portland, who helps piece him back together both physically and emotionally.

This supporting cast of characters is excellent. Duke, in particular, is wonderfully nuanced and complicated. He’s a throwback to another time, a man without a cell phone who reads Sartre and sleeps under the stars. Yet he’s also a grifter with a “love ‘em and leave ‘em” attitude that harms those around him. It’s fascinating to watch The Narrator wrestle with Duke’s behavior, trying to determine which to model and which to discard.

Doane creates a relatable protagonist in The Narrator, whose personal growth doesn’t erase his faults. His willingness to hit the road with few resources is admirable, and he’s prescient enough to recognize the jealousy of those who cannot or will not take the leap. His encounters with new foods, places, and people broaden his horizons. Yet his immaturity and selfishness persist. He tells Rosie she’s been a good mother to him but chooses to ignore the continuing concern from his own parents as he effectively disappears from his old life.

Despite his flaws, it’s a pleasure to accompany The Narrator on his physical and emotional journey. The unexpected ending is a fitting denouement to an epic and memorable road trip.

The Book Smugglers review Anissa Gray’s The Care and Feeding of Ravenously Hungry Girls :

I am still dipping my toes into the literally fiction pool, finding what works for me and what doesn’t. Books like The Care and Feeding of Ravenously Hungry Girls by Anissa Gray are definitely my cup of tea.

Althea and Proctor Cochran had been pillars of their economically disadvantaged community for years – with their local restaurant/small market and their charity drives. Until they are found guilty of fraud for stealing and keeping most of the money they raised and sent to jail. Now disgraced, their entire family is suffering the consequences, specially their twin teenage daughters Baby Vi and Kim.  To complicate matters even more: Kim was actually the one to call the police on her parents after yet another fight with her mother. […]

Examples of children’s and YA fiction book reviews

The Book Hookup reviews Angie Thomas’ The Hate U Give :

♥ Quick Thoughts and Rating: 5 stars! I can’t imagine how challenging it would be to tackle the voice of a movement like Black Lives Matter, but I do know that Thomas did it with a finesse only a talented author like herself possibly could. With an unapologetically realistic delivery packed with emotion, The Hate U Give is a crucially important portrayal of the difficulties minorities face in our country every single day. I have no doubt that this book will be met with resistance by some (possibly many) and slapped with a “controversial” label, but if you’ve ever wondered what it was like to walk in a POC’s shoes, then I feel like this is an unflinchingly honest place to start.

In Angie Thomas’s debut novel, Starr Carter bursts on to the YA scene with both heart-wrecking and heartwarming sincerity. This author is definitely one to watch.

♥ Review: The hype around this book has been unquestionable and, admittedly, that made me both eager to get my hands on it and terrified to read it. I mean, what if I was to be the one person that didn’t love it as much as others? (That seems silly now because of how truly mesmerizing THUG was in the most heartbreakingly realistic way.) However, with the relevancy of its summary in regards to the unjust predicaments POC currently face in the US, I knew this one was a must-read, so I was ready to set my fears aside and dive in. That said, I had an altogether more personal, ulterior motive for wanting to read this book. […]

The New York Times reviews Melissa Albert’s The Hazel Wood :

Alice Crewe (a last name she’s chosen for herself) is a fairy tale legacy: the granddaughter of Althea Proserpine, author of a collection of dark-as-night fairy tales called “Tales From the Hinterland.” The book has a cult following, and though Alice has never met her grandmother, she’s learned a little about her through internet research. She hasn’t read the stories, because her mother, Ella Proserpine, forbids it.

Alice and Ella have moved from place to place in an attempt to avoid the “bad luck” that seems to follow them. Weird things have happened. As a child, Alice was kidnapped by a man who took her on a road trip to find her grandmother; he was stopped by the police before they did so. When at 17 she sees that man again, unchanged despite the years, Alice panics. Then Ella goes missing, and Alice turns to Ellery Finch, a schoolmate who’s an Althea Proserpine superfan, for help in tracking down her mother. Not only has Finch read every fairy tale in the collection, but handily, he remembers them, sharing them with Alice as they journey to the mysterious Hazel Wood, the estate of her now-dead grandmother, where they hope to find Ella.

“The Hazel Wood” starts out strange and gets stranger, in the best way possible. (The fairy stories Finch relays, which Albert includes as their own chapters, are as creepy and evocative as you’d hope.) Albert seamlessly combines contemporary realism with fantasy, blurring the edges in a way that highlights that place where stories and real life convene, where magic contains truth and the world as it appears is false, where just about anything can happen, particularly in the pages of a very good book. It’s a captivating debut. […]

James reviews Margaret Wise Brown’s Goodnight, Moon on Goodreads:

Goodnight Moon by Margaret Wise Brown is one of the books that followers of my blog voted as a must-read for our Children's Book August 2018 Readathon. Come check it out and join the next few weeks!

This picture book was such a delight. I hadn't remembered reading it when I was a child, but it might have been read to me... either way, it was like a whole new experience! It's always so difficult to convince a child to fall asleep at night. I don't have kids, but I do have a 5-month-old puppy who whines for 5 minutes every night when he goes in his cage/crate (hopefully he'll be fully housebroken soon so he can roam around when he wants). I can only imagine! I babysat a lot as a teenager and I have tons of younger cousins, nieces, and nephews, so I've been through it before, too. This was a believable experience, and it really helps show kids how to relax and just let go when it's time to sleep.

The bunny's are adorable. The rhymes are exquisite. I found it pretty fun, but possibly a little dated given many of those things aren't normal routines anymore. But the lessons to take from it are still powerful. Loved it! I want to sample some more books by this fine author and her illustrators.

Publishers Weekly reviews Elizabeth Lilly’s Geraldine :

This funny, thoroughly accomplished debut opens with two words: “I’m moving.” They’re spoken by the title character while she swoons across her family’s ottoman, and because Geraldine is a giraffe, her full-on melancholy mode is quite a spectacle. But while Geraldine may be a drama queen (even her mother says so), it won’t take readers long to warm up to her. The move takes Geraldine from Giraffe City, where everyone is like her, to a new school, where everyone else is human. Suddenly, the former extrovert becomes “That Giraffe Girl,” and all she wants to do is hide, which is pretty much impossible. “Even my voice tries to hide,” she says, in the book’s most poignant moment. “It’s gotten quiet and whispery.” Then she meets Cassie, who, though human, is also an outlier (“I’m that girl who wears glasses and likes MATH and always organizes her food”), and things begin to look up.

Lilly’s watercolor-and-ink drawings are as vividly comic and emotionally astute as her writing; just when readers think there are no more ways for Geraldine to contort her long neck, this highly promising talent comes up with something new.

Examples of genre fiction book reviews

Karlyn P reviews Nora Roberts’ Dark Witch , a paranormal romance novel , on Goodreads:

4 stars. Great world-building, weak romance, but still worth the read.

I hesitate to describe this book as a 'romance' novel simply because the book spent little time actually exploring the romance between Iona and Boyle. Sure, there IS a romance in this novel. Sprinkled throughout the book are a few scenes where Iona and Boyle meet, chat, wink at each, flirt some more, sleep together, have a misunderstanding, make up, and then profess their undying love. Very formulaic stuff, and all woven around the more important parts of this book.

The meat of this book is far more focused on the story of the Dark witch and her magically-gifted descendants living in Ireland. Despite being weak on the romance, I really enjoyed it. I think the book is probably better for it, because the romance itself was pretty lackluster stuff.

I absolutely plan to stick with this series as I enjoyed the world building, loved the Ireland setting, and was intrigued by all of the secondary characters. However, If you read Nora Roberts strictly for the romance scenes, this one might disappoint. But if you enjoy a solid background story with some dark magic and prophesies, you might enjoy it as much as I did.

I listened to this one on audio, and felt the narration was excellent.

Emily May reviews R.F. Kuang’s The Poppy Wars , an epic fantasy novel , on Goodreads:

“But I warn you, little warrior. The price of power is pain.”

Holy hell, what did I just read??

➽ A fantasy military school

➽ A rich world based on modern Chinese history

➽ Shamans and gods

➽ Detailed characterization leading to unforgettable characters

➽ Adorable, opium-smoking mentors

That's a basic list, but this book is all of that and SO MUCH MORE. I know 100% that The Poppy War will be one of my best reads of 2018.

Isn't it just so great when you find one of those books that completely drags you in, makes you fall in love with the characters, and demands that you sit on the edge of your seat for every horrific, nail-biting moment of it? This is one of those books for me. And I must issue a serious content warning: this book explores some very dark themes. Proceed with caution (or not at all) if you are particularly sensitive to scenes of war, drug use and addiction, genocide, racism, sexism, ableism, self-harm, torture, and rape (off-page but extremely horrific).

Because, despite the fairly innocuous first 200 pages, the title speaks the truth: this is a book about war. All of its horrors and atrocities. It is not sugar-coated, and it is often graphic. The "poppy" aspect refers to opium, which is a big part of this book. It is a fantasy, but the book draws inspiration from the Second Sino-Japanese War and the Rape of Nanking.

Crime Fiction Lover reviews Jessica Barry’s Freefall , a crime novel:

In some crime novels, the wrongdoing hits you between the eyes from page one. With others it’s a more subtle process, and that’s OK too. So where does Freefall fit into the sliding scale?

In truth, it’s not clear. This is a novel with a thrilling concept at its core. A woman survives plane crash, then runs for her life. However, it is the subtleties at play that will draw you in like a spider beckoning to an unwitting fly.

Like the heroine in Sharon Bolton’s Dead Woman Walking, Allison is lucky to be alive. She was the only passenger in a private plane, belonging to her fiancé, Ben, who was piloting the expensive aircraft, when it came down in woodlands in the Colorado Rockies. Ally is also the only survivor, but rather than sitting back and waiting for rescue, she is soon pulling together items that may help her survive a little longer – first aid kit, energy bars, warm clothes, trainers – before fleeing the scene. If you’re hearing the faint sound of alarm bells ringing, get used to it. There’s much, much more to learn about Ally before this tale is over.

Kirkus Reviews reviews Ernest Cline’s Ready Player One , a science-fiction novel :

Video-game players embrace the quest of a lifetime in a virtual world; screenwriter Cline’s first novel is old wine in new bottles.

The real world, in 2045, is the usual dystopian horror story. So who can blame Wade, our narrator, if he spends most of his time in a virtual world? The 18-year-old, orphaned at 11, has no friends in his vertical trailer park in Oklahoma City, while the OASIS has captivating bells and whistles, and it’s free. Its creator, the legendary billionaire James Halliday, left a curious will. He had devised an elaborate online game, a hunt for a hidden Easter egg. The finder would inherit his estate. Old-fashioned riddles lead to three keys and three gates. Wade, or rather his avatar Parzival, is the first gunter (egg-hunter) to win the Copper Key, first of three.

Halliday was obsessed with the pop culture of the 1980s, primarily the arcade games, so the novel is as much retro as futurist. Parzival’s great strength is that he has absorbed all Halliday’s obsessions; he knows by heart three essential movies, crossing the line from geek to freak. His most formidable competitors are the Sixers, contract gunters working for the evil conglomerate IOI, whose goal is to acquire the OASIS. Cline’s narrative is straightforward but loaded with exposition. It takes a while to reach a scene that crackles with excitement: the meeting between Parzival (now world famous as the lead contender) and Sorrento, the head of IOI. The latter tries to recruit Parzival; when he fails, he issues and executes a death threat. Wade’s trailer is demolished, his relatives killed; luckily Wade was not at home. Too bad this is the dramatic high point. Parzival threads his way between more ’80s games and movies to gain the other keys; it’s clever but not exciting. Even a romance with another avatar and the ultimate “epic throwdown” fail to stir the blood.

Too much puzzle-solving, not enough suspense.

Book review examples for non-fiction books

Nonfiction books are generally written to inform readers about a certain topic. As such, the focus of a nonfiction book review will be on the clarity and effectiveness of this communication . In carrying this out, a book review may analyze the author’s source materials and assess the thesis in order to determine whether or not the book meets expectations.

Again, we’ve included abbreviated versions of long reviews here, so feel free to click on the link to read the entire piece!

The Washington Post reviews David Grann’s Killers of the Flower Moon :

The arc of David Grann’s career reminds one of a software whiz-kid or a latest-thing talk-show host — certainly not an investigative reporter, even if he is one of the best in the business. The newly released movie of his first book, “The Lost City of Z,” is generating all kinds of Oscar talk, and now comes the release of his second book, “Killers of the Flower Moon: The Osage Murders and the Birth of the FBI,” the film rights to which have already been sold for $5 million in what one industry journal called the “biggest and wildest book rights auction in memory.”

Grann deserves the attention. He’s canny about the stories he chases, he’s willing to go anywhere to chase them, and he’s a maestro in his ability to parcel out information at just the right clip: a hint here, a shading of meaning there, a smartly paced buildup of multiple possibilities followed by an inevitable reversal of readerly expectations or, in some cases, by a thrilling and dislocating pull of the entire narrative rug.

All of these strengths are on display in “Killers of the Flower Moon.” Around the turn of the 20th century, oil was discovered underneath Osage lands in the Oklahoma Territory, lands that were soon to become part of the state of Oklahoma. Through foresight and legal maneuvering, the Osage found a way to permanently attach that oil to themselves and shield it from the prying hands of white interlopers; this mechanism was known as “headrights,” which forbade the outright sale of oil rights and granted each full member of the tribe — and, supposedly, no one else — a share in the proceeds from any lease arrangement. For a while, the fail-safes did their job, and the Osage got rich — diamond-ring and chauffeured-car and imported-French-fashion rich — following which quite a large group of white men started to work like devils to separate the Osage from their money. And soon enough, and predictably enough, this work involved murder. Here in Jazz Age America’s most isolated of locales, dozens or even hundreds of Osage in possession of great fortunes — and of the potential for even greater fortunes in the future — were dispatched by poison, by gunshot and by dynamite. […]

Stacked Books reviews Malcolm Gladwell’s Outliers :

I’ve heard a lot of great things about Malcolm Gladwell’s writing. Friends and co-workers tell me that his subjects are interesting and his writing style is easy to follow without talking down to the reader. I wasn’t disappointed with Outliers. In it, Gladwell tackles the subject of success – how people obtain it and what contributes to extraordinary success as opposed to everyday success.

The thesis – that our success depends much more on circumstances out of our control than any effort we put forth – isn’t exactly revolutionary. Most of us know it to be true. However, I don’t think I’m lying when I say that most of us also believe that we if we just try that much harder and develop our talent that much further, it will be enough to become wildly successful, despite bad or just mediocre beginnings. Not so, says Gladwell.

Most of the evidence Gladwell gives us is anecdotal, which is my favorite kind to read. I can’t really speak to how scientifically valid it is, but it sure makes for engrossing listening. For example, did you know that successful hockey players are almost all born in January, February, or March? Kids born during these months are older than the others kids when they start playing in the youth leagues, which means they’re already better at the game (because they’re bigger). Thus, they get more play time, which means their skill increases at a faster rate, and it compounds as time goes by. Within a few years, they’re much, much better than the kids born just a few months later in the year. Basically, these kids’ birthdates are a huge factor in their success as adults – and it’s nothing they can do anything about. If anyone could make hockey interesting to a Texan who only grudgingly admits the sport even exists, it’s Gladwell. […]

Quill and Quire reviews Rick Prashaw’s Soar, Adam, Soar :

Ten years ago, I read a book called Almost Perfect. The young-adult novel by Brian Katcher won some awards and was held up as a powerful, nuanced portrayal of a young trans person. But the reality did not live up to the book’s billing. Instead, it turned out to be a one-dimensional and highly fetishized portrait of a trans person’s life, one that was nevertheless repeatedly dubbed “realistic” and “affecting” by non-transgender readers possessing only a vague, mass-market understanding of trans experiences.

In the intervening decade, trans narratives have emerged further into the literary spotlight, but those authored by trans people ourselves – and by trans men in particular – have seemed to fall under the shadow of cisgender sensationalized imaginings. Two current Canadian releases – Soar, Adam, Soar and This One Looks Like a Boy – provide a pointed object lesson into why trans-authored work about transgender experiences remains critical.

To be fair, Soar, Adam, Soar isn’t just a story about a trans man. It’s also a story about epilepsy, the medical establishment, and coming of age as seen through a grieving father’s eyes. Adam, Prashaw’s trans son, died unexpectedly at age 22. Woven through the elder Prashaw’s narrative are excerpts from Adam’s social media posts, giving us glimpses into the young man’s interior life as he traverses his late teens and early 20s. […]

Book Geeks reviews Elizabeth Gilbert’s Eat, Pray, Love :

WRITING STYLE: 3.5/5

SUBJECT: 4/5

CANDIDNESS: 4.5/5

RELEVANCE: 3.5/5

ENTERTAINMENT QUOTIENT: 3.5/5

“Eat Pray Love” is so popular that it is almost impossible to not read it. Having felt ashamed many times on my not having read this book, I quietly ordered the book (before I saw the movie) from amazon.in and sat down to read it. I don’t remember what I expected it to be – maybe more like a chick lit thing but it turned out quite different. The book is a real story and is a short journal from the time when its writer went travelling to three different countries in pursuit of three different things – Italy (Pleasure), India (Spirituality), Bali (Balance) and this is what corresponds to the book’s name – EAT (in Italy), PRAY (in India) and LOVE (in Bali, Indonesia). These are also the three Is – ITALY, INDIA, INDONESIA.

Though she had everything a middle-aged American woman can aspire for – MONEY, CAREER, FRIENDS, HUSBAND; Elizabeth was not happy in her life, she wasn’t happy in her marriage. Having suffered a terrible divorce and terrible breakup soon after, Elizabeth was shattered. She didn’t know where to go and what to do – all she knew was that she wanted to run away. So she set out on a weird adventure – she will go to three countries in a year and see if she can find out what she was looking for in life. This book is about that life changing journey that she takes for one whole year. […]

Emily May reviews Michelle Obama’s Becoming on Goodreads:

Look, I'm not a happy crier. I might cry at songs about leaving and missing someone; I might cry at books where things don't work out; I might cry at movies where someone dies. I've just never really understood why people get all choked up over happy, inspirational things. But Michelle Obama's kindness and empathy changed that. This book had me in tears for all the right reasons.

This is not really a book about politics, though political experiences obviously do come into it. It's a shame that some will dismiss this book because of a difference in political opinion, when it is really about a woman's life. About growing up poor and black on the South Side of Chicago; about getting married and struggling to maintain that marriage; about motherhood; about being thrown into an amazing and terrifying position.

I hate words like "inspirational" because they've become so overdone and cheesy, but I just have to say it-- Michelle Obama is an inspiration. I had the privilege of seeing her speak at The Forum in Inglewood, and she is one of the warmest, funniest, smartest, down-to-earth people I have ever seen in this world.

And yes, I know we present what we want the world to see, but I truly do think it's genuine. I think she is someone who really cares about people - especially kids - and wants to give them better lives and opportunities.

She's obviously intelligent, but she also doesn't gussy up her words. She talks straight, with an openness and honesty rarely seen. She's been one of the most powerful women in the world, she's been a graduate of Princeton and Harvard Law School, she's had her own successful career, and yet she has remained throughout that same girl - Michelle Robinson - from a working class family in Chicago.

I don't think there's anyone who wouldn't benefit from reading this book.

Hopefully, this post has given you a better idea of how to write a book review. You might be wondering how to put all of this knowledge into action now! Many book reviewers start out by setting up a book blog. If you don’t have time to research the intricacies of HTML, check out Reedsy Discovery — where you can read indie books for free and review them without going through the hassle of creating a blog. To register as a book reviewer , go here .

And if you’d like to see even more book review examples, simply go to this directory of book review blogs and click on any one of them to see a wealth of good book reviews. Beyond that, it's up to you to pick up a book and pen — and start reviewing!

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This is genius: A new graphic novel imagines conversations between Einstein and Kafka

August 28, 2024 • Turns out Albert Einstein and Franz Kafka lived in Prague at the same time and had the same circle of friends. In a new graphic novel, Ken Krimstein puts us in the room with two 20th century geniuses.

'Interpretations of Love' is debut novel for 82-year-old author

August 24, 2024 • Two years ago, Cat Brushing, a collection of provocative stories about older women still very much in touch with the sensual side of life, put Jane Campbell on the map.

Paradise Bronx Macmillan Publishers hide caption

Frazier's 'Paradise Bronx' makes you want to linger in NYC's 'drive-through borough'

August 21, 2024 • Ian Frazier’s signature voice — droll, ruminative, generous — draws readers in. But his underlying subject here is even bigger than the Bronx: It’s the way the past “bleeds through” the present.

A Wilder Shore Penguin Random House hide caption

'A Wilder Shore' charts the course of a famous bohemian marriage

August 19, 2024 • Camille Peri's lively and substantive dual biography of Fanny and Robert Louis Stevenson offers a glimpse of their unconventional marriage — and an inspiration for living fearlessly.

Wendell Berry veers from gratitude to yearning in 'Another Day'

August 15, 2024 • In his sequel to 'This Day,' Berry’s themes, including bringing alive the joys and sorrows of hard-working rural Kentuckians. are revisited in ways both familiar and fresh.

Pop Culture Happy Hour

Three great fiction audiobooks.

August 8, 2024 • It's summer, and whether you're taking a trip – or simply staying out of the heat with the AC running – there's nothing like relaxing with a good audiobook. So in this encore episode, we are recommending three of our favorite fiction audiobooks.

Blindsided by 'The Most': This is a superb novel of a marriage at its breakpoint

July 30, 2024 • The story takes place in Newark, over the course of a single day in 1957, which we experience from the two spouses' alternating points of view. Jessica Anthony's novel deserves to become a classic.

Naval vessels participate in a Taiwanese military drill near the naval port in Kaohsiung in southern Taiwan on Jan. 27, 2016. Sam Yeh/AFP via Getty Images hide caption

Year of Global Elections

These dictators are different. 'autocracy, inc.' explains how.

July 24, 2024 • The dictators of today aren't united by ideology, writes Anne Applebaum: They operate like companies, focused on preserving their wealth, repressing their people and maintaining power at all costs.

Someone Like Us Penguin Random House hide caption

'Someone Like Us' is a fresh, idiosyncratic novel about immigrating to the U.S.

July 24, 2024 • Dinaw Mengestu's ingenuity and eloquence as a writer are on display in this novel about an Ethiopian American man who returns home only to learn that his father has just died.

'Liars' is an autopsy of a bitterly disappointing marriage

July 22, 2024 • In her fierce second novel, Sarah Manguso writes a requiem for a failed relationship from the point of view of a survivor, the wife left behind.

Chef Mustapha Kachetel serves a couscous royal in the restaurant Le Fémina, in Noailles. Emilienne Malfatto for NPR hide caption

A new French cookbook explores Marseille as a cultural melting pot

July 20, 2024 • A new cookbook celebrates Marseille, France's second-largest city.

A new French cookbook shows the diversity Marseille through its cuisine

8 hot new love stories from a stellar lineup of Black authors

July 19, 2024 • Some of the most fabulous romances by Black authors still fly under the radar. So we have recommendations for your summer reading enjoyment.

'This Great Hemisphere' tackles racism, classism, and political power struggles

July 18, 2024 • Mateo Askaripour's sophomore novel is a sprawling speculative-fiction narrative that delivers a heartwarming story about a young woman learning to navigate the world.

This absorbing debut novel about writing takes its cue from 'Mrs. Dalloway'

July 16, 2024 • Rosalind Brown's debut novel, Practice , centers on an undergraduate student trying to write an essay on Shakespeare. Along the way, we are treated to the fleeting insights of the the brain at work.

It's Been a Minute

Simmering over summer books.

July 15, 2024 • We're at the peak of summer, which means sunny days on the grass with a good book! Bestselling authors Tia Williams and Jean Chen Ho join host Brittany Luse to give their recommendations for great summer reads. They also offer some armchair theories on why we love a gossipy summer novel.

'State of Paradise' effortlessly blends the commonplace and the extraordinary

July 10, 2024 • With exquisite prose, smart lines on every page, a building sense of growing strangeness tinged with dread, and surprises all the way to the end, this might be Laura van den Berg's best novel so far.

Jonathan Todd/Graphix hide caption

In 'Timid,' there is bravery under the surface

June 29, 2024 • Many assume that timidity -- or its close cousin, shyness -- is solely a negative trait. But longtime cartoonist Jonathan Todd shows this is not always the case in this semi-autobiographical tale.

Catapult hide caption

'The Liquid Eye of a Moon' is a Nigerian coming-of-age story

June 26, 2024 • In Uchenna Awoke’s debut novel, we come to understand that 15-year-old Dimkpa’s choices are painfully constricted by the caste system into which he was born.

Maureen Corrigan picks four crime and suspense novels for the summer. NPR hide caption

4 crime and suspense novels make for hot summer reading

June 25, 2024 • There’s something about the shadowy moral recesses of crime and suspense fiction that makes those genres especially appealing as temperatures soar. Here are four novels that turn the heat up.

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'Cue the Sun!' is a riveting history of reality TV

June 25, 2024 • Pulitzer Prize-winning New Yorke r critic Emily Nussbaum's book is a near-definitive history of the genre that forever changed American entertainment.

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In 'Parade,' Rachel Cusk once again flouts traditional narrative

June 20, 2024 • In her latest work, Cusk probes questions about the connections between freedom, gender, domesticity, art, and suffering.

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2 books offer just the right summer mix of humor and nostalgia

June 20, 2024 • Catherine Newman's novel Sandwich centers on a woman vacationing with her young adult children and her elderly parents. Julie Satow’s When Women Ran Fifth Avenue profiles three NYC department stores.

Books We Love

Here are the nonfiction books npr staffers have loved so far this year.

June 17, 2024 • We asked around the newsroom to find favorite nonfiction from the first half of 2024. We've got biography and memoir, health and science, history, sports and much more.

Summer BWL Nonfiction

NPR staffers pick their favorite fiction reads of 2024

June 17, 2024 • At work: hardworking news journalists. At home: omnivorous fiction readers. We asked our colleagues what they've enjoyed most this year and here are the titles they shared.

The Secrets of an American Fortune, Told Four Ways

“Trust,” by Hernan Diaz, examines the human costs of wealth in a novel that keeps revising itself.

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TRUST, by Hernan Diaz

“The secret of all great fortunes, when there’s no obvious explanation for them, is always some forgotten crime.” These words come from “Le Père Goriot” (1835), Honoré de Balzac’s great novel about the mysteries of Paris, and in English they’re most often quoted without the qualifying phrase in the middle. After all, what counts as an obvious explanation? The ownership of land? Balzac’s society might have thought so; now we ask how that land was first acquired. Innovation? Maybe, but take a closer look at the human costs and natural resources needed to bring ideas to market.

Of course, we also have to consider who’s speaking. Balzac puts those words in the mouth of a master criminal, and then adds a final twist. The crime has been “forgotten, mind you, because it’s been properly handled,” the bodies neatly disposed of and the bank notes washed clean.

That’s the hope anyway — or the fear, depending on whose side you’re on — and that’s the world Hernan Diaz explores in “Trust,” his intricate, cunning and consistently surprising second novel. Trust: both a moral quality and a financial arrangement, as though virtue and money were synonymous. The term also has a literary bearing: Can we trust this tale? Is this narrator reliable? Diaz breaks the book into four sections, and the title of the first one is similarly ambiguous, echoing that of the whole work. It’s called “Bonds” and presented as a novel written in the third person by someone named Harold Vanner. We won’t know who he is until the later sections, many pages after “Bonds” is over; let’s call him a forgotten novelist, whose case has been properly handled.

“Bonds” begins comfortably, its assured prose the appropriate instrument for its tale of a well-upholstered life: “Because he had enjoyed almost every advantage since birth, one of the few privileges denied to Benjamin Rask was that of a heroic rise.” We are in old-money New York in the last years of the 19th century, and though this world will remind readers of Edith Wharton, Diaz has a much keener interest in just how that money works. Industrialists have replaced merchants as the city’s rulers, and will in turn be replaced by financiers. Rask comes from a family of tobacco traders, but he hates “the primitive sucking and puffing” that a good cigar requires. As soon as his father dies, he sells out and begins to play the market: to play it not as one plays golf or baseball but as a musician plays an instrument, caressing its strings, lightly pressing this key or that.

Rask will become a virtuoso of money, but he never connects the tunes he plays to any effect they might have on the world outside. Instead he views “capital as an antiseptically living thing. It moves, eats, grows, breeds, falls ill and may die. But it is clean. … The larger the operation, the further removed he was from its concrete details.” Diaz’s own prose keeps an antiseptic distance of its own, no matter who his narrator might be. His superb first novel, “ In the Distance ,” a finalist for the Pulitzer Prize, is set in the American West during the Gold Rush, and its language creates a world in which both physical and psychic space seem stretched. Some writers capture their characters’ thoughts through what creative writing teachers call a close third person. Diaz relies in contrast on a far one, and his sentences are at once cool, deliberate and dispassionate. In both books, he reports on his characters’ inner lives instead of dramatizing them, and in Vanner’s hands especially, the result reads more like a biography than a novel: a narrative without dialogue, in which Rask’s life is given to us more often in summary than in scenes.

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The Best Reviewed Fiction of 2022

Featuring jennifer egan, emily st. john mandel, ian mcewan, celeste ng, olga tokarczuk, and more.

We’ve come to the end of another bountiful literary year, and for all of us review rabbits here at Book Marks, that can mean only one thing: basic math, and lots of it.

Yes, using reviews drawn from more than 150 publications, over the next two weeks we’ll be calculating and revealing the most critically acclaimed books of 2022, in the categories of (deep breath): Fiction; Nonfiction; Memoir and Biography; Sci-Fi, Fantasy, and Horror; Short Story Collections; Essay Collections; Poetry; Mystery and Crime; Graphic Literature; and Literature in Translation.

Today’s installment: Fiction .

Brought to you by Book Marks , Lit Hub’s “Rotten Tomatoes for books.”

1. Sea of Tranquility by Emily St. John Mandel (Knopf) 28 Rave • 9 Positive • 3 Mixed • 1 Pan Read an interview with Emily St. John Mandel here

“In  Sea of Tranquility,  Mandel offers one of her finest novels and one of her most satisfying forays into the arena of speculative fiction yet, but it is her ability to convincingly inhabit the ordinary, and her ability to project a sustaining acknowledgment of beauty, that sets the novel apart. As in Ishiguro, this is not born of some cheap, made-for-television, faux-emotional gimmick or mechanism, but of empathy and hard-won understanding, beautifully built into language … It is that aspect of  Sea of Tranquility, Mandel’s finely rendered, characteristically understated descriptions of the old-growth forests her characters walk through, the domed moon colonies some of them call home, the robot-tended fields they gaze over or the whooshing airship liftoff sound they hear even in their dreams, that will, for this reader at least, linger longest.”

–Laird Hunt ( The New York Times Book Review )

2. The Candy House by Jennifer Egan (Scribner)

27 Rave • 13 Positive • 11 Mixed • 4 Pan

“… a dizzying and dazzling work that should end up on many Best of the Year lists … The Candy House requires exquisite attentiveness and extensive effort from its readers. But the work and the investment pay off richly, as each strain and thread and character reverberates in a kind of amplifying echo-wave with all the others, and the overarching tapestry emerges as ever more intricate and brilliantly conceived. Enacting the book’s dominant metaphor, Egan is presenting a version of Collective Consciousness: the blending and extension of selfhood across shared experience and identity. One of the book’s most fascinating implications, less patent but pervasive, is how this alternative model of perception does and doesn’t undermine traditional notions of literary consciousness …

As we follow the pebbles and crumbs Egan so cannily lays out, readers may feel at times as disoriented or wonderstruck as children making their way through a dark forest, at others electrifyingly clear-sighted, ecstatically certain of the novel’s wisdom, capacious philosophical range, truth and beauty. Charged with ‘a potency of ideas simmering,’ The Candy House is a marvel of a novel that testifies to the surpassing power of fiction to ‘roam with absolute freedom through the human collective.’”

–Pricilla Gilman ( The Boston Globe )

3. Checkout 19 by Claire-Louise Bennett (Riverhead)

26 Rave • 10 Positive • 1 Mixed

“ Pond is so unusual, and so unsettlingly pleasurable, that I thought it would be greedy to hope Bennett’s new novel, Checkout 19 , would be better. Lucky me: it is … Bennett is too committed to the oddity and specificity of her again-nameless narrator’s ideas to ever fall into the worn grooves of other people’s. Indeed, the novel is explicitly committed to the privacy of thought … Not many people are able to live this way; not many women or working-class characters get written this way. For the rooted among us, reading Checkout 19 can be utterly jarring. It is a portrait, like Pond; it’s also a call to come at least a little undone. Yes, really. It really is.”

–Lily Meyer ( NPR )

4. The Books of Jacob by Olga Tokarczuk, trans. by Jennifer Croft (Riverhead)

26 Rave • 9 Positive • 4 Mixed • 1 Pan

“ The Books of Jacob is finally available here in a wondrous English translation by Jennifer Croft, and it’s just as awe-inspiring as the Nobel judges claimed when they praised Tokarczuk for showing ‘the supreme capacity of the novel to represent a case almost beyond human understanding.’ In terms of its scope and ambition, The Books of Jacob is beyond anything else I’ve ever read. Even its voluminous subtitle is a witty expression of Tokarczuk’s irrepressible, omnivorous reach … The challenges here—for author and reader—are considerable. After all, Tokarczuk isn’t revising our understanding of Mozart or presenting a fresh take on Catherine the Great. She’s excavating a shadowy figure who’s almost entirely unknown today …

As daunting as it sounds, The Books of Jacob is miraculously entertaining and consistently fascinating. Despite his best efforts, Frank never mastered alchemy, but Tokarczuk certainly has. Her light irony, delightfully conveyed by Croft’s translation, infuses many of the sections … The quality that makes The Books of Jacob so striking is its remarkable form. Tokarczuk has constructed her narrative as a collage of legends, letters, diary entries, rumors, hagiographies, political attacks and historical records … This is a story that grows simultaneously more detailed and more mysterious … Haunting and irresistible.”

–Ron Charles ( The Washington Post )

5. Young Mungo by Douglas Stuart (Grove)

27 Rave • 5 Positive • 3 Mixed • 1 Pan

“… moving … Stuart writes like an angel … masterful … if Stuart has not departed much from the scaffolding of his debut novel, he has managed to produce a story with a very different shape and pace … The raw poetry of Stuart’s prose is perfect to catch the open spirit of this handsome boy, with his strange facial tics … The way Stuart carves out this oasis amid a rising tide of homophobia infuses these scenes with almost unbearable poignancy … Stuart quickly proves himself an extraordinarily effective thriller writer. He’s capable of pulling the strings of suspense excruciatingly tight while still sensitively exploring the confused mind of this gentle adolescent trying to make sense of his sexuality …

The result is a novel that moves toward two crises simultaneously: whatever happened with James in Glasgow and whatever might happen to Mungo in the Scottish wilds. The one is a foregone calamity we can only intuit; the other an approaching horror we can only dread. But even as Stuart draws these timelines together like a pair of scissors, he creates a little space for Mungo’s future, a little mercy for this buoyant young man.”

6. Lessons by Ian McEwan (Knopf)

23 Rave • 10 Positive • 4 Mixed • 3 Pan

“Nobody is better at writing about entropy, indignity and ejaculation—among other topics—than Ian McEwan … One of McEwan’s talents is to mingle the lovely with the nasty … McEwan can make a reader feel as though she has bent forward to sniff a rose and received instead the odor of old sewage … McEwan’s use of global events in his fiction tends to be judicious and revealing … These all serve as reminders that history is occurring. And maybe some readers do, in fact, require that reminder. But Roland is so passive that one gets the sense he’d be exactly the same guy in any other century, only with a different haircut … One way to read Lessons is as a self-repudiation of the maneuver at which McEwan has become virtuosic. More authors should repudiate their virtuosity. The results are exciting.”

–Molly Young ( The New York Times )

7. Either/Or by Elif Batuman (Penguin Press)

18 Rave • 12 Positive • 3 Mixed Read an interview with Elif Batuman here

“The book gallops along at a brisk pace, rich with cultural touchstones of the time, and one finishes hungry for more. I reread The Idiot before reading Either/Or and after almost 800 cumulative pages, I still wasn’t sated. Batuman possesses a rare ability to successfully flood the reader with granular facts, emotional vulnerability, dry humor, and a philosophical undercurrent without losing the reader in a sea of noise … What makes a life or story exceptional enough to create art? What art is exceptional, entertaining, and engaging enough to sustain nearly a thousand pages? Selin’s existential crisis within the collegiate crucible haunts every thoughtful reader … The novel stands on its own as a rich exploration of life’s aesthetic and moral crossroads as a space to linger—not race through. Spare me sanctimonious fictional characters locked in the anguish of their regretful late twenties and early thirties: May our bold heroine Selin return to campus and stir up more drama before departing abroad again.”

–Lauren LeBlanc ( The Boston Globe )

8. Our Missing Hearts by Celeste Ng (Penguin)

21 Rave • 5 Positive • 4 Mixed

“Stunning … One of Ng’s most poignant tricks in this novel is to bury its central tragedy…in the middle of the action. This raises the narrative from the specific story of a confused boy and his defeated father to a reflection on the universal bond between parents and children … Our Missing Hearts will land differently for individual readers. One element we shouldn’t miss is Ng’s bold reversal of the biblical story of the Tower of Babel. It is the drive for conformity, the suppression of our glorious cacophony, that will doom us. And it is the expression of individual souls that will save us.”

–Bethanne Patrick ( The Lost Angeles Times )

9. Trust by Hernan Diaz (Riverhead)

22 Rave • 3 Positive • 3 Mixed • 1 Pan Read an interview with Hernan Diaz here

“[An] enthralling tour de force … Each story talks to the others, and the conversation is both combative and revelatory … As an American epic, Trust gives The Great Gatsby a run for its money … Diaz’s debut, In the Distance , was a finalist for the Pulitzer Prize and the PEN/Faulkner Award. Trust fulfills that book’s promise, and then some … Wordplay is Trust ’s currency … In Diaz’s accomplished hands we circle ever closer to the black hole at the core of Trust … Trust is a glorious novel about empires and erasures, husbands and wives, staggering fortunes and unspeakable misery … He spins a larger parable, then, plumbing sex and power, causation and complicity. Mostly, though, Trust is a literary page-turner, with a wealth of puns and elegant prose, fun as hell to read.”

–Hamilton Cain ( Oprah Daily )

10. Bliss Montage by Ling Ma (Farrar, Straus and Giroux)

20 Rave • 5 Positive • 2 Mixed Read an interview with Ling Ma here

“The strangeness of living in a body is exposed, the absurdity of carrying race and gender on one’s face, all against the backdrop of an America in ruin … Ma’s meticulously-crafted mood and characterization … Ma’s gift for endings is evident … Ma masterfully captures her characters’ double consciousness, always seeing themselves through the white gaze, in stunning and bold new ways … Even the weaker stories in the book…are redeemed by Ma’s restrained prose style, dry humor, and clever gut-punch endings. But all this technical prowess doesn’t mean the collection lacks a heart. First- and second-generation Americans who might have been invisible for most of their lives are seen and held lovingly in Ma’s fiction.”

–Bruna Dantas Lobato ( Astra )

Our System:

RAVE = 5 points • POSITIVE = 3 points • MIXED = 1 point • PAN = -5 points

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How to Write a Book Review: The Complete Guide

by Sue Weems | 23 comments

Start Your Story TODAY! We’re teaching a new LIVE workshop this week to help you start your next book. Learn more and sign up here.

If you've ever loved (or hated) a book, you may have been tempted to review it. Here's a complete guide to how to write a book review, so you can share your literary adventures with other readers more often! 

You finally reach the last page of a book that kept you up all night and close it with the afterglow of satisfaction and a tinge of regret that it’s over. If you enjoyed the book enough to stay up reading it way past your bedtime, consider writing a review. It is one of the best gifts you can give an author.

Regardless of how much you know about how to write a book review, the author will appreciate hearing how their words touched you.

But as you face the five shaded stars and empty box, a blank mind strikes. What do I say? I mean, is this a book really deserving of five stars? How did it compare to Dostoevsky or Angelou or Dickens?

Maybe there’s an easier way to write a book review.

Want to learn how to write a book from start to finish? Check out How to Write a Book: The Complete Guide .

The Fallacy of Book Reviews

Once you’ve decided to give a review, you are faced with the task of deciding how many stars to give a book.

When I first started writing book reviews, I made the mistake of trying to compare a book to ALL BOOKS OF ALL TIME. (Sorry for the all caps, but that’s how it felt, like a James Earl Jones voice was asking me where to put this book in the queue of all books.)

Other readers find themselves comparing new titles to their favorite books. It's a natural comparison. But is it fair?

This is honestly why I didn’t give reviews of books for a long time. How can I compare a modern romance or historical fiction war novel with Dostoevsky? I can’t, and I shouldn’t.

I realized my mistake one day as I was watching (of all things) a dog show. In the final round, they trotted out dogs of all shapes, colors, and sizes. I thought, “How can a Yorkshire Terrier compete with a Basset Hound?” As if he'd read my mind, the announcer explained that each is judged by the standards for its breed.

This was my “Aha!” moment. I have to take a book on its own terms. The question is not, “How does this book compare to all books I’ve read?” but “How well did this book deliver what it promised for the intended audience?”

A review is going to reflect my personal experience with the book, but I can help potential readers by taking a minute to consider what the author intended. Let me explain what I mean. 

How to Write a Book Review: Consider a Book’s Promise

A book makes a promise with its cover, blurb, and first pages. It begins to set expectations the minute a reader views the thumbnail or cover. Those things indicate the genre, tone, and likely the major themes.

If a book cover includes a lip-locked couple in flowing linen on a beach, and I open to the first page to read about a pimpled vampire in a trench coat speaking like Mr. Knightly about his plan for revenge on the entire human race, there’s been a breach of contract before I even get to page two. These are the books we put down immediately (unless a mixed-message beachy cover combined with an Austen vampire story is your thing).

But what if the cover, blurb, and first pages are cohesive and perk our interest enough to keep reading? Then we have to think about what the book has promised us, which revolves around one key idea: What is the core story question and how well is it resolved?

Sometimes genre expectations help us answer this question: a romance will end with a couple who finds their way, a murder mystery ends with a solved case, a thriller’s protagonist beats the clock and saves the country or planet.

The stories we love most do those expected things in a fresh or surprising way with characters we root for from the first page. Even (and especially!) when a book doesn’t fit neatly in a genre category, we need to consider what the book promises on those first pages and decide how well it succeeds on the terms it sets for itself.

When I Don’t Know What to Write

About a month ago, I realized I was overthinking how to write a book review. Here at the Write Practice we have a longstanding tradition of giving critiques using the Oreo method : point out something that was a strength, then something we wondered about or that confused us, followed by another positive.

We can use this same structure to write a simple review when we finish books. Consider this book review format: 

[Book Title] by [book author] is about ___[plot summary in a sentence—no spoilers!]___. I chose this book based on ________. I really enjoyed ________. I wondered how ___________. Anyone who likes ____ will love this book.

Following this basic template can help you write an honest review about most any book, and it will give the author or publisher good information about what worked (and possibly what didn’t). You might write about the characters, the conflict, the setting, or anything else that captured you and kept you reading.

As an added bonus, you will be a stronger reader when you are able to express why you enjoyed parts of a book (just like when you critique!). After you complete a few, you’ll find it gets easier, and you won’t need the template anymore.

What if I Didn’t Like It?

Like professional book reviewers, you will have to make the call about when to leave a negative review. If I can’t give a book at least three stars, I usually don’t review it. Why? If I don’t like a book after a couple chapters, I put it down. I don’t review anything that I haven’t read the entire book.

Also, it may be that I’m not the target audience. The book might be well-written and well-reviewed with a great cover, and it just doesn’t capture me. Or maybe it's a book that just isn't hitting me right now for reasons that have nothing to do with the book and everything to do with my own reading life and needs. Every book is not meant for every reader.

If a book kept me reading all the way to the end and I didn’t like the ending? I would probably still review it, since there had to be enough good things going on to keep me reading to the end. I might mention in my review that the ending was less satisfying than I hoped, but I would still end with a positive.

How to Write a Book Review: Your Turn

As writers, we know how difficult it is to put down the words day after day. We are typically voracious readers. Let’s send some love back out to our fellow writers this week and review the most recent title we enjoyed.

What was the last book you read or reviewed? Do you ever find it hard to review a book? Share in the comments .

Now it's your turn. Think of the last book you read. Then, take fifteen minutes to write a review of it based on the template above. When you're done, share your review in the Pro Practice Workshop . For bonus points, post it on the book's page on Amazon and Goodreads, too!

Don't forget to leave feedback for your fellow writers! What new reads will you discover in the comments?

Sue Weems is a writer, teacher, and traveler with an advanced degree in (mostly fictional) revenge. When she’s not rationalizing her love for parentheses (and dramatic asides), she follows a sailor around the globe with their four children, two dogs, and an impossibly tall stack of books to read. You can read more of her writing tips on her website .

23 Comments

The Ice Dragon by George R.R. Martin is about a girl that shows no emotion befriending a ice dragon.

I chose this book based on the cover that had a little girl riding a ice dragon, and wondered what is about.

I really enjoyed the interaction the little girl had with the dragon.

I wondered how how the girl’s bond with the dragon.

Anyone who likes a coming of age story set in a fantasy will love this book.

Thanks for sharing your practice, Azure!

You’re welcome.

A interesting, at times perplexing, subject! And one on my mind lately,as I’ve agreed to do a few. I do enjoy giving reviews and am delighted when I can say, “This was a great book!” Or even, “I enjoyed this book.” It gets perplexing when I agree to review a book — and simply don’t like it. Then what to say? I hate to disappoint the writer but I’ve promised to give my honest opinion.

I’ve found some books mediocre and yet I see a dozen other reviewers saying “A great story!” Tastes do vary. But when there are obvious flaws I tend to skip all the best-friend-and-cousin reviewers and find the first person who says, “This writer has a problem with…” Usually there’ll be a number of reviewers who spot the same problems I do.

I like upbeat main characters, but not aggressive, belligerent, and/or self-centered ones. I like to meet in a story the kind of people I’d like to meet in real life— not people I’d avoid if possible. I recently read a book where the main character came across as insipid and the story only mildly interesting. Other reviewers said it was great and I know for this specific audience — readers who want a certain slant to a story — it was quite suitable. So I tried to cut the book some slack. Everyone has their limit as to how much blood and gore, smooching and snuggling, they are willing to read about.

Once I agreed to review a book and would have tossed it after the first chapter — for several reasons. A lot of “writer inserting facts for reader’s benefit”; teach/preach paragraphs; excess of description; attitudes of MCs. Once it’s live on seller’s sites like Amazon, what can you say? The one thing good it had going for it was the story line or theme. With a pro editor’s help it could have been a great story.

As for a review, one book I read lately was “A Clue for the Puzzle Lady” by Parnell Hall. It’s one of those “Stayed up half the night to finish it” books; I think anyone who likes a compelling cozy mystery would probably like it. Downside: I didn’t care for the “Puzzle Lady.” She’s a lush, hangs out at the bar getting sloshed. The upside: her sensible niece has a starring role —trying to keep her aunt on the straight-and-narrow and the mystery keeps you guessing until the end.

Christine, Thanks for sharing your insight! It sounds like you are approached often to review new books. It does make it tricky if it’s a request, especially outside your own preferences. Thanks for chiming in about your process, as I’m sure others will appreciate the perspective too. I’ll have to take a look at the Puzzle Lady– I do enjoy cozy mysteries. Sue

Here’s another cozy mystery book review in case you’re interested. I’m not approached by writers that often, but there are the Story Cartel, Book Bub and Goodreads, all sites where authors ask for review volunteers.

Reel Estate Ripoff by Renee Pawlish

The detective Reed Ferguson is a fan of Humphry Bogart, movie memorabilia of that era, and fancies himself a bit of a Sam Slade. Though not your super-sleuth, rather inept at times, he’s a likeable character. Told in first person, the story has a Philip Marlowe tone to it, but much tamer. Dialogue and story line are well done, the story well plotted and believable. I’d gladly read more stories about this particular gumshoe.

If you like cozy mystery books, I’ll send you a list later, Sue. Love them too and I’ve met many authors who write in this genre. Back on topic– you inspire me again to add some reviews to my Blog. I have been reading and writing many middle grade mysteries for a project! My latest favorite: “The World’s Greatest Detective” by Caroline Carson (who I hope to meet tomorrow in Arlington, VA!) My 12 year old grandson borrowed it and finished it before I could. “It’s the best mystery I ever read, Grandma! You’ ll never guess the ending with unpredictable twists!” What better review could we read. The target audience and I both highly recommend this 2017 mystery.

Adding it to my stack, Beth. Thanks!

Not wanting to sound life an idiot, but willing to risk it here among friends: What exactly is a cozy mystery?

Glad you asked! It’s a subgenre of mystery. The best examples of cozy mysteries are those by Agatha Christie. They usually avoid profanity, excessive gore/ violence, and sex. They focus more on the puzzle, sleuth, and their smaller world. Hope that helps!

Thanks, Sue.

Wonderful article. The first I have read by you. It especially gets those of us who don’t feel we have the formula down for review writing to be introduced to a form we can build upon with experience. You’ve kept it simple but you have given us the main ingredients needed for a good review. I printed this one off to look at the next few times I write reviews. Thank you.

Glad you found it helpful. Thanks for reading and commenting!

I haven’t gone into all this. It’s a matter of time, Joe. I gad about all over the place, not knowing where I am or where I’m going. Within weeks, I’ll be 87. I’ve books of my own that I’d like to see reviewed. Even sorting them out, however, even finding where any of them are, would be a time burden. You see the fix?

Hi Dave, You aren’t alone in feeling the press of time for getting your stories out into the world. May I gently offer this: start with finding and sorting one. If you can’t find it, write it anew. You’ve probably grown in time and perspective since you wrote the first draft, which will make for a stronger story. Good luck. I’m cheering you on!

This is an article for me, because I am happy to receive a rating. I haven’t sold many books. But, at least some thinks that it was worth the time to read. That was refreshing. And, I think I wrote two reviews, so far. It was on Amazon.com. Thank you.

You’re welcome!

Hi, Sue. Thanks for the helpful advice. I did a review on Amazon for the first of a 7-part thriller titled ‘Mosh Pit (The Rose Garden Incident)’ by Michael Hiebert. [Here it is.]

“5.0 out of 5 stars Advance copy review. By A fellow author on September 18, 2016 Format: Kindle Edition I Recommend This Book Strongly

I enjoyed reading this first part of the thriller. The author’s opening chapter/prologue was fast paced, and set me in the middle of the inciting incident along with two of the main characters. After that thrilling opening, I felt the ensuing chapters moved at a more leisurely pace, and was about to grade them as less praiseworthy when I watched a lecture by Brandon Sanderson on YouTube about building three dimensional characters and realised Michael Hiebert had done exactly that by introducing the reader to the minutiae of other characters who had parts to play in the development of the story. So, instead of cardboard cutouts of bland stock characters, the author shows us real people with real concerns that the reader can relate to.and actually care about. I look forward to reading the rest of this intriguing thriller, and highly recommend it to all lovers of well-written, and well-crafted thrillers.”

I also reviewed Part 2 of the series, but that review is too long to post here.

Footnote: The author, Michael Hiebert, was so pleased with my reviews, he recently asked me to beta-read a short story collection he plans to publish in November.

Great review, John! I like how you shared a bit of your process as a reader too, in recognizing what the writer was doing with their characterization. Thanks!

Thank you, Sue.

Five out of five stars When I picked up a copy of “The Girl with All the Gifts,” by M R Carey, at the used book store, I somehow had it in my head that it was a YA dystopian novel along the lines of “Divergent” or “The Hunger Games.” While I would definitely say that I was not right about that, I wouldn’t say that I was completely wrong. I was, however, completely unprepared for a zombie novel–which is a good thing, cause I wouldn’t have read it, and I’m glad I did. Think “The Walking Dead” meets (why do I want to say ‘The Curious Incident of the Dog in the Night”?) “Peter Pan.” I really enjoyed seeing things from, the main character, Melanie’s point of view. Her limited knowledge of her own situation was intriguing, to say the least (and probably why I thought of “The Curious Incident”). I was a bit disappointed when the POV changed to another character’s, but, as the novel progressed, I found myself sympathizing with nearly all the characters–with one exception, and I’ll leave that for you to ponder when you read it. I wondered how much of the science was real, but not enough for me to research it myself. Although, based on other reviews, I guess most of the science about the fungus is real. I also wondered about the fate of the remaining ‘lost boys’ of the cities. If you liked…. well, I don’t know. I’m not typically a fan of things zombie, so I don’t have a comparison, but the book was somewhat similar to “Divergent” and “The Hunger Games” in that the main character goes through a hellluva time and comes out the other side with a plan for her future.

“Tuesdays with Morrie” by Mitch Albom is a true story about how one man found meaning in life when his doctors gave him a death sentence. Morrie was a college professor who passed on his new found wisdom in the last year of his life to a favorite student, the author, who chronicled his professor’s perspectives on death and dying.

I chose this book because of its philosophical topic, and because it is so well written that the words just jump off the page.

Knowing we are all mortal beings, I especially liked the insights, the tidbits of wisdom imparted by the dying man. Death is a subject that few, if any of us, ever talk about seriously with friends and family. The subject of death is verboten. We deny its existence. And, if we are religious, we pretend we will not really die, but we deceive ourselves and think we will live on in some afterlife existence for all eternity. But the professor, Morrie, learns some valuable life lessons from his impending death, and Mitch Albom was gracious enough to capture them in this short but eminently readable book.

I really liked the book because it is timeless. This true story will impart serious life lessons for all future generations, and will help us gain perspectives on our lives and the relationships with those we love the most.

R. Allan Worrell

Sue, I’ve been meaning to come back since this was first posted to tell you thanks for a great article. I seldom review books for alllllll the reasons you listed. This is a perfect tool and I’ll surely use it. Cathy

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