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Selfiee Movie Review : A rib-tickling comedy peppered with good performances

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Bollywood superstar Vijay Kumar needs to obtain a new driving license from RTO officer Om Prakash Agarwal, a diehard fan of Vijay. A misunderstanding escalates into a feud which is played ou... Read all Bollywood superstar Vijay Kumar needs to obtain a new driving license from RTO officer Om Prakash Agarwal, a diehard fan of Vijay. A misunderstanding escalates into a feud which is played out in front of the entire country. Bollywood superstar Vijay Kumar needs to obtain a new driving license from RTO officer Om Prakash Agarwal, a diehard fan of Vijay. A misunderstanding escalates into a feud which is played out in front of the entire country.

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Selfiee movie review: Akshay Kumar gets up, close and personal with his superstardom in this mass entertainer

Selfiee review: if you are fine with akshay kumar continuing to do hindi remakes of films from the south, you would definitely enjoy selfiee..

Not very long ago we saw Ayushmann Khurrana play a superstar in An Action Hero , where an upcoming youth icon wanting to take a selfie with the actor ends up dead, and his brother lectures the superstar that all he is is because of public, so if they want a selfie, actors need to oblige. Cut to Akshay Kumar 's latest theatrical release Selfiee, where the actor plays a superstar and ends up in a murky mess of sorts with his biggest fan. All this fan desired for was a seflie with his idol, but things take an ugly turn when media gets involved and it becomes a battle of egos and an ultimate fight between a superstar vs his fan.

An official remake of Malayalam film Driving Licence, this Akshay-starrer dramedy is not a frame by frame copy of the original (I've seen the Malayalam one in bit and parts) and has many lighter moments. Other than the basic storyline, Selfiee has ditched the serious undertones of the original and laced the writing with a lot of humour.

The story follows superstar Vijay Kumar (Akshay) who wants a driving licence urgently to be able to finish the climax of his film and save the producer from incurring losses. His diehard fan, RTO officer Om Prakash Aggarwal (Emraan Hashmi) is given the task to help the actor, and he agrees to fulfil it without following the usual tedious process and asks for a selfie as a gesture in return. But things don't go as planned and a misunderstanding leads to their feud becoming prime time news, while public has a field day with their juicy fight.

I have somehow always enjoyed watching actors portray superstars onscreen; it's kind of watching a film within a film, so double the fun at the cost of one. And this is seemingly becoming a tried and tested formula for filmmakers. Remember when Om Kapoor, played by Shah Rukh Khan in Om Shanti Shanti Om, became everyone's favourite, or when Vidya Balan brought to life the superstardom of Silk Smitha or even Kangana Ranaut's portrayal of Jayalalithaa during her best days as a superstar -- all these tried to bring to fore various aspects of a star's life and their connection with the common man, too.

With Selfiee, things look more real and relatable because of the story and narrative which is not too far-fetched and is pretty convincing. Selfiee doesn't end at being a feud between a star and an RTO officer, but also covers their emotional side of being a husband, a father and balancing it all with their respective jobs. The screenplay is engaging and doesn't let you have too many dull moments. The original story by Sachy has been written for the Hindi version by Rishabh Sharma and he tweaks it a bit to suit the Hindi audience's palette.

Akshay as Vijay gets as close as you could imagine to the superstardom he enjoys in real life. Bearing a charming persona and swag, he shows signs of gratitude for his fans despite being a self-made star. What I loved about Selfiee and which perhaps remains the highlight of the film for me, is Akshay's tendency to be able to take a joke on himself and laugh at it, too. Be it taking a dig at the constant scrutiny on the number of films he does in a year, Hindi films not working not working at the box office of late or a doctor telling him that he needs to do some 'classy films over massy cinema', or even his infamous smile showing his gums , he delivers all of these with so much ease.

It was after over a year that we saw Emraan Hashmi back on the big screen, and he has a pleasant screen presence though at places, he seemed a bit loud and over-the-top. But, maybe that's how some diehard fans of superstars are. That they can't control their emotions on seeing or meeting their 'gods'. In face-off scenes with Akshay, it's commendable to see how Emraan manages to hold his ground.

Among the supporting cast, Mahesh Thakur as Vijay's manager delivers an earnest performance, Meghna Malik as politico Vimla Tiwari is on-point with her comic timing and is given some funny lines. Abhimanyu Singh as Vijay's contemporary is comic relief and hilarious in scenes, but for someone with his acting calibre, he is completely wasted in the script. And so is Paritosh Tripathi and Kusha Kapila, who appear and disappear as per convenience.

And the ladies are once again neglected or have very little to do in the film. Nushrratt Bharuccha as Om Prakash's wife is caring but has a quirky side to her. And even though she doesn't approve of her husband's obsession with a star, she doesn't mind flexing in the front of whole colony when the husband is enjoying his 2 minutes of fame on news channels on TV. Diana Penty as Vijay's wife exists in the script only because there needed to be an emotional arch to the script and that the superstar can use that track to deliver an emotional speech in the climax. Other than that, Diana doesn't really get much scope to perform or showing her acting chops. Even her scenes with Akshay aren't anything great or something that will make you sit and take notice of their chemistry.

Talking of chemistry, I rather liked the song Kudiyee Ni Teri Vibe where Akshay grooves with Mrunal Thakur and the two set the screen on fire. Even the remixed version of Main Khiladi Tu Anari that comes in the end credit is a sure shot party number and not to be missed. In a nutshell, Selfiee ticks most of the boxes that Hindi film audiences look for. So, if you are fine with Akshay Kumar continuing to do Hindi remakes of films from the South, you would definitely enjoy Selfiee, even if you have seen the original Malayalam film. After all, isn't this what everyone is craving for - mass entertainers that can bring audiences back into theatres.

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Selfiee Movie Review: Akshay Kumar-Emraan Hashmi roll out a good remake that's genuinely fun

Akshay kumar and emraan hashmi-starrer selfiee is out in theatres. it is a remake of the malayalam film, driving licence. is this worth a watch read the review and find out.

Listen to Story

• Selfiee is releasing in theatres today, Feb 24.
• Akshay Kumar and Emraan Hashmi plays the lead.
• The film is a remake of the Malayalam film Driving Licence.

Cast & Crew

Akshay Kumar

Emraan Hashmi

Diana Penty

Release Date: 24 Feb, 2023

At this point, it is safe to say that most in the audience are done with remakes. It has been a continuing season of remaking not just some super hit regional films, but Bollywood is now buying rights of foreign language films as well. Most times, the attempt goes futile as seldom do remakes manage to match up to the original.

Just last week, Kartik Aaryan hit the screens with his film Shehzada, the remake of Allu Arjun’s Ala Vaikunthapurramuloo and the disappointment was just as massive as the hype the film had generated. Now, Akshay Kumar and Emraan Hashmi have teamed up for the remake of the Malayalam film, Driving Licence. Titled Selfiee, this one has actually managed to capture the essence of the original and is one that can be termed a ‘good remake’.

Much of the credit actually goes to Raj Mehta, who was able to take the original and mould it perfectly to suit the sensibilities of the Hindi film audience. What’s even better is that the director, who had collaborated with Akshay in Good Newwz, has been able to tap into his comic timings and make Vijay Kumar a shadow of how Akshay Kumar is. So, you see a character who is just like how fans see Khiladi Kumar to be and who is not afraid to take a few jibes at himself as well. So you have his wife, played by Diana Penty, making fun of the star’s ‘masoode wali smile’ and you will not be able to hold back the laugh and marvel at Kumar’s ability to take a joke on himself at the same time.

What makes the film better is the fact that he has an equally good opponent in Emraan Hashmi. Hashmi is spontaneous as the cop in the Road Transport Office, Om Agarwal, who has to get Kumar’s license done urgently. He requests for a selfie with the star at the office because he is a huge fan. The superstar, who feels Agarwal is a genuine fan, goes to meet him. But things go horribly wrong as the media turns up and things are blown out of proportion. What ensues is the two coming at loggerheads with one another. But who will win in this clash?

Watch the trailer here :

The film takes multiple turns. Is this a story of a common man trying to avenge an attack on his family? Is this about the misuse of power? Is this about how politics and the media play out and sensationalises otherwise simple things? Is this about the fallacy of human behaviour that stretches things that can easily be resolved? Is this about clash of egos? Well, it is about all of that combined. The makers carefully add comic relief throughout the film. Scenes, especially involving Akshay Kumar and his interaction with Meghna Malik invoke genuine laughs. Abhimanyu Singh also adds the perfect tadka to this concoction.

There is not much that the female leads have to do. We have Nushrratt Bharuccha and Diana Penty. While the former is shown as a homemaker who is shown in the most stereotypical way exaggerating about her husband's achievements, Diana's character is shown as more stronger as independent.

The mob sequence is what I feel could have been dealt with better. Without divulging too much, it is a sequence where a strong message of not losing one’s mind while being a fan could have been given. Was this muted to appease fans? We don’t know. But the scene could definitely have been better written.

The editing is crisp. The background music is on point and the film is enjoyable. The fact that Selfiee has taken the good parts from Driving Licence and given it a touch of its own is what makes this remake a good watch as well. If you are looking for a fun watch this weekend, you have one!

Selfiee REVIEW: Akshay Kumar and Emraan Hashmi roll out a genuinely entertaining movie with smashing performances

Saheli Maity

• February 24, 2023
• Comments off

Akshay Kumar and Emraan Hashmi starrer Selfiee is genuinely an entertaining watch with a few hits and misses. Read review here.

• Bubble Reviews
• Selfiee REVIEW: Akshay Kumar a ...

Film : Selfiee

Director : Raj Mehta

Star cast: Akshay Kumar, Emraan Hashmi, Nushrratt Bharuccha, Diana Penty

Platform : Theatres

Bollywood Bubble Ratings: 3.5/5 stars

3.5-stars-1

Selfiee Movie REVIEW:

We have seen movies on the common man vs politicians, and the common man vs nation. We have also seen the movie on common man vs superstar, for example, Shah Rukh Khan starrer Fan. It is a done-and-dusted movie and yet, Selfiee has a unique style and charm that can impress the audience. The one-word review for the movie would be entertaining. Selfiee is about a superstar and a die-hard fan who lock horns with each other for a selfie. The film showcases how a fan who loves and idolise his superstar tries to bring his superstar down after a series of misunderstandings.

It showcases the epic face-off between the star and a fan is hell entertaining. Interestingly, since you know both the sides of the story, you actually start rooting for both Vijay Kumar and Om Prakash Agarwal. Well, that’s how the story grabs your attention despite rolling out a predictable story. It is quite evident that what is going to happen next; however, Raj Mehta makes the face-off so interesting that you forget about the other aspects.

Considering that it is a Raj Mehta directorial venture featuring Akshay Kumar, we saw the right amount of humour that will surely tickle your funny bone. For really psyched me was to see full masala movie that too coming from Mehta who is often seen making family dramas. From exhibiting Akshay’s larger-than-life superstar character to the epic face-off, Selfiee is indeed an entertaining watch.

Bollywood superstar Vijay Kumar needs to obtain a new driving license from the RTO officer, Om Prakash Agarwal, a diehard fan of Vijay. But a series of misunderstandings lead to a war of words between the two, eventually escalating into a feud which is played out in front of the media and the entire country. Does Vijay get his driver’s licence? Will the face-off between the star and the fan resolve?

Star Performances:

Akshay Kumar is the star of the film for sure. He essays the role of a superstar Vijay Kumar and trust me, he lives like his real-life character in the movie with a few changes and that’s the best part about his character. In the movie, Vijay says that he has no time for anything as he has to make 5-6 movies and 2 OTTs and several brand endorsements and that’s exactly what Akshay Kumar is known for. It is quite funny to keep that aspect in his character which is also giving it back to the trolls who have been criticising him for doing so many films.

I liked how Raj Mehta kept his character genuine and subtle instead of going all loud and berserk as he is a superstar. Akshay doesn’t just play his part but lives it like a genuine superstar. I loved how his character was not loud and unreasonable as he plays a superstar. Raj Mehta kept the raw and real side of him and that’s when you feel the connection. You will feel like hooting at every Akshay Kumar style, his unique walk, his swag and his charm.

Emraan Hashmi essays the role of RTO officer Om Prakash Agarwal who is a die-hard fan of superstar Vijay Kumar. Emraan impresses me with his performance in the movie. From being vulnerable and hopeless to being a stern and sharp officer, Emraan does a fab job of bringing out the cunning and innocent side of the character. 

On the other hand, Nushrratt Bharuccha and Diana Penty have given a reasonable performance in their limited screentime. They are not shown much in the movie and have nothing significant to offer but they do demand attention.

Direction/Screenplay:

Raj Mehta, director of Selfiee, seemed to have tried his hands at making a full masala entertainer and must say, it turned out to be quite good. Looking at his previous films, Good Newwz and JuggJug Jeeyo, we got a light-hearted family entertainer; however, when it comes to Selfiee, it seems like Raj Mehta also tried his hands on giving the audience a full-blown commercial movie. From using slow-motion shots, larger than life songs to swag-loaded actions, Raj went out and about with Selfiee which was quite eye-grabbing for me. Considering that I have not seen such things before, it was surely an entertaining watch.

Drawbacks :

First and foremost, Selfiee gives a predictable story, you just know what’s going to happen next or who did what. There are quite a few scenes that were a letdown, thus, making the movie a little unreal and too made up. Yes, Bollywood films are to be enjoyed more than finding logic in them; however, some were too far from being realistic. Since when media are allowed in the RTO office? Since when school children are made to watch TV during school hours? How come there was no action taken on people who raised a hand to the public servant that is the police officer? A fight for a simple license seems like an over dramatic but it is an entertaining watch.

Speaking about the story, yes, it can get a little over-the-top or overtly dramatic but it will surely leave you with a happy smile. Yes, the concept of a superstar vs a common man is and dusted formula but the execution and storyline surely bring freshness to the script. Raj Mehta’s sole reason was always giving the audience a light-hearted movie that stays with you forever and Selfiee is no exception.

Conclusion :

Overall, Akshay Kumar and Emraan Hashmi starrer Selfiee is genuinely an entertaining watch with a few hits and misses. Even though it gets a little predictable from the start, you will still enjoy it. Watch it for the smashing performances by Akshay and Emraan as well as for Raj Mehta’s direction which will surely leave you starstruck.

Watch the Selfiee trailer after the review:

Also read: The Night Manager REVIEW: Hindi remake is a slow burner with power-packed performances by Aditya, Anil, Tillotama

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'Selfiee' movie review: The Khiladi finally gets playful

Before Selfiee begins, Akshay Kumar comes on screen, but not to give stale sermons against nicotine. “I am what I am because of my fans,” he says. “This film is dedicated to all of them. We expect it to meet their expectations.”

In the last two years, Kumar hasn’t been able to backflip over both commercial and critical bars. Even when he has tried (saving) everything. In Aanand L. Rai’s Atrangi Re (2021) he tries to save the audience from bigotry, in Samrat Prithviraj (2022)--just like many others--he tries to save the motherland from Muslim invaders, in Raksha Bandhan (2022) he tries but fails to save his sister from dowry killing, in his OTT debut Cuttputlli (2022) he tries to save young girls from a psychopath, and in Ram Setu (2022) he tries to save…well Ram Setu and also viewers from the “perils of atheism.” In my wild imagination, maybe Kumar’s PA (like the one played by Mahesh Thakur in Selfiee) came up to him and whispered in his ear, “Sir, nothing is working” and Kumar fierily looked into their eyes, holds them by the hair and asks, “Aur bacha kya hain bachane ko (What is left to be saved?). The PA, about to cry, says, “Yourself sir, yourself.”

So, the gloves are off, the neck muscles are cracked and Akshay Kumar is out to play on his image. After the release of Pathaan, director Siddharth Anand explained in an interview that Shah Rukh Khan’s inaccessibility created a thirst for him in public, which led to the film’s record-smashing success. Public intrigue might not be on Kumar’s side since he dominates all screens all year (his character in Selfiee says, “I have no time, I have to do four films in a year, two for OTT too; 28 ads, 17 shows and 1 or 2 reality show also”). Whenever a Kumar film releases social media is rife with jokes (“By the time my clothes dry another of his films come”… yada yada yada), but he might have aced it this time, at least with fans of his comic timing.

In Selfiee, Kumar wears his stardom on his sleeve like a fitness band. He plays Vijay Kumar whose last film was Don’t Angry Me, which is also the catchphrase of Kumar’s character from Rowdy Rathore (2012). Vijay’s entry song, Kudi Ni Teri Vibe, seems like it was supposed to be in Singh is Kinng (2008). His motto is “main kaam se nahi thakta, sirf araam se thakta hoon (I don’t get tired of work, I only get tired of rest). Vijay Kumar is Akshay Kumar, the only difference is that Vijay is in need of a driving licence and not an Indian citizenship (stuff for another film maybe?).

The mantle to give this licence is on ‘Vijay sir’s’ biggest fan, RTO officer Om Prakash Aggarwal (a delightfully casted Emraan Hashmi). All Aggarwal wants is a selfie, but things don’t go as planned and it is Superstar Vs Common Man all over again. We last saw this volatile combination of cars, fans and stars in An Action Hero (Kumar had a cameo in it). However, the media satire, like it was in the Ayushmann Khurrana starrer, is even more tired here. How many times can one laugh at a news anchor straining his vocal cords?

Still, director Raj Mehta knows how to put Kumar at ease. His last outing with the actor, Good Newwz (2019), saw Kumar as an irritable middle-aged husband vexed with life, his wife, cracking fart jokes and rolling joints. In Selfiee too Kumar pokes fun at his persona, calls himself “the producer’s actor” and flashes his “gummy” smile. But it’s not just him, there is great help around in the form of Hashmi, who plays an amiable father trying to be his child’s hero (In 2016, Hashmi wrote an autobiographical book, The Kiss of Life, about his son’s fight against cancer. The foreword was written by Kumar). There is also Abhimanyu Singh, playing a failed movie star, whose TV advertisements on English classes and Bhandup’s gyms have the best writing. Nushratt Bharuccha and Diana Penty, however, do what most Hindi film heroines do, motivate the male lead.

The coherent storyline and perfect beats of Selfiee owe it to the Malayalam original Driving Licence (2019). But, while the Prithviraj Sukumaran starrer was more solemn, Selfiee plays to Kumar’s image, sometimes a bit too much. For instance, in Driving Licence, Prithviraj’s introductory scene shows him dressed as a covert soldier, sneaking in behind goons, while in Selfiee, Kumar smoothly machine-guns a chopper. But I have no qualms, I like my Akshay seedha, zyada.  

Starring: Akshay Kumar, Emraan Hashmi, Diana Penty, Nushratt Bharuccha, Abhimanyu Singh, Kusha Kapila

Directed by: Raj Mehta

Rating: 3/5

(This review originally appeared on cinemaexpress.com )

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• Selfiee Movie Review In Hindi Starring Akshay Kumar Emraan Hashmi Nushrratt Bharuccha Diana Penty

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Selfiee on DisneyPlus Hotstar Review: Akshay Kumar, Emraan Hashmi as Star and Fan Miss the Point of Prithviraj’s Driving Licence

Director: Raj Mehta

Writer: Rishhabh Sharrma

Cast: Akshay Kumar, Emraan Hashmi, Diana Penty, Nushrratt Bharuccha

You’ve got to hand it to Dharma Productions. While having given India’s post-liberalisation era some of its most iconic commercial films and characters, as producers of adaptations, the company seems to have perfected the art of completely misinterpreting the source material, taking the essence of the original, discarding it as though it were decoration, and glamorising the meagre remains with a blitz of glitter and humour. First, they scrubbed the Marathi film Sairat (2016) clean of any reference to caste and made Dhadak (2018) — adapting a story that is pivoted upon the viciousness of caste . And now, they’ve brought us Selfiee , based on the Malayalam film Driving Licence (2019) . The adaptations are not bad films in themselves. They have a sense of narrative rhythm and heavyweight drama doused in a background score that refuses to let your eyelids get heavy. They just miss the very point of the story they are telling. 

Let’s begin with Driving Licence , a strange and wonderful two-hero vengeful story where a fan and a film star butt heads. A misunderstanding leads to Kuruvilla, a fan and a Regional Transport Office (RTO) inspector (Suraj Venjaramoodu), turning on his idol, superstar Hareendran (Prithviraj Sukumaran). Kuruvilla refuses to give Hareendran a driving licence, who needs it for a film he’s shooting. The film revolves around one question: When does your demand for self respect become a performance of your ego? The charm of Driving Licence is that it insists on blurring the distinction between protagonist and antagonist; both are both. There is no right and wrong here; there is just one masculine ego tussling against another. Over the course of a scene, your sympathy slithers between sides, from fan to star to fan. The central threat is to self respect as it solidifies, congeals and becomes ego. 

Selfiee , starring Akshay Kumar as the star and Emraan Hashmi as the fan, completely undoes this logic. Prithviraj in Driving Licence gives Hareendran an arrogance that’s both full of swag but also off-putting. His anger is loud and brash. His scowls burst. His coolness is derived from his edge and his edge keeps nudging the story forward, provoking the fan. In one of the most seething yet stylish moments of the film, Hareendran shows Kuruvilla the middle finger. 

The Hindi adaptation doesn’t dare to be even half as provocative. Selfiee seems contractually obligated to not have an edge. Akshay Kumar plays Vijay, who is not allowed to even raise his eyebrow in irony. He is a sincere do-gooder and a dull caricature of what Dharma Productions wants us to think Hindi cinema stars are. He is the antidote to #BoycottBollywood because he is such a flaccid nothingburger, no one would even afford him the attention needed to boycott him. The film even begins with a disclaimer in which Kumar tells us he’s not the hero in the film and that he loves his fans and owes his success to them, just so we never lose sight of the film being fiction. This is the problem. Selfiee thinks its audience is dumb; that is cannot distinguish a representation from a reality. And yet, it has the audacity to adapt a smart movie for this dumb audience.

Vijay is, for all intents and purposes, the protagonist of the film. In this lazy rewriting, Emraan Hashmi is given the role of the antagonist, the RTO sub-inspector Om Prakash Agarwal. His is the ego that bubbles to the surface so insistently, with his smirks and his sudden bursts of that rounded Bhopali accent — yes, Selfiee is set in Bhopal. 

Why Bhopal? Like Malayalam films which have a certain casual joy in setting their films in a local, broken-in world, Selfiee’s Bhopal is an aesthetic reprieve at best, one that allows for some top shots of the city as a sports car revs through it, one that allows the main antagonist an accent that has neither polish nor comfort. There is no joy in this Bhopal — the food, the clothing, the theatres, the way houses are built and decked. The dullness of this setting is surprising because Selfiee is shot by Rajeev Ravi, who gave us No Smoking (2007) , DevD (2009) , and Bombay Velvet (2015); whose frames have leaked sepia and colour with such a reckless artistry, who has made smoke look like puffy clouds shot out of rounded mouths. Yet Ravi’s frames in this film have the most grating lighting — a dining table for example, so dimly lit, in order for the fluorescent blue fish tank to pop; the bright, flat interiors, the bright flat lighting of the face where an afternoon cannot be distinguished from morning or evening. The tension of the last hour of the film involves a flight that needs to be caught, and yet, there seems to be no change in the light as we rev to that moment, as though Bhopal’s daylight is stuck in stasis. It seems Ravi was hired to do the exact opposite of what his filmography has boasted. It’s as though Dharma Productions is on a mission to co-opting talent till it looks and feels indistinguishable. 

Sprung from an idea that wanted to normalise both the hero and the fan as people whose love for each other is not unconditional, Selfiee loses its sharpness by trying to establish Vijay as a star. Director Raj Mehta and writer Rishhabh Sharrma try to spruce up the proceedings with routine, punctual gags. This is something Mehta has a strong, admirable grasp over. The humour, which includes a decked up actress farting in the arms of her lover during a shoot, has an unstable quality, completely liquifying any tension and steamrolling over any emotional flux. Take, for example, the fraught moment where Om Prakash’s wife ( Nushrratt Bharuccha ) calls him after seeing him being beaten up on television. She asks if he is okay, because she saw how people hounded him. She uses the phrase “pel diya” and its embedded humour is such an unexpected and sharp contrast to the seriousness of the situation, I burst out laughing in the theatre. 

A film like Selfiee needs to be a tender dance of humour and heavyweight feelings. What it needs most, to achieve this balance, is maturity. Yet where to find this in a film that wilfully looks at a text and junks its meaning? 

In case you were wondering, Driving Licence is available to stream on Prime Video. 

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Release date: 24 February, 2023 -->

Selfiee music, main khiladi.

• Song Picturized On Diana Penty , Nushrratt Bharuccha , Emraan Hashmi , Akshay Kumar
• Singers Abhijeet , Udit Narayan
• Music Directors Anu Malik

Kudiyee Ni Teri

• Singers The PropheC , Zahrah S Khan
• Song Picturized On Akshay Kumar , Mrunal Thakur
• Lyricist The PropheC , Tanishk Bagchi
• Music Directors The PropheC
• Choreographers Ahmed Khan
• Singers Akshay Kumar , Jacqueline Fernandez
• Song Picturized On Altamash Faridi , Stebin Ben , Aditya Yadav
• Lyricist Kunaal Vermaa

Selfiee Movie News

Post Covid – 10 releases, 7 FLOPS. Trade explains what ails Akshay Kumar: “There’s a fatigue factor for Akshay Kumar starrers. He should take a break and come back with mass-appealing films like Hera Pheri 3”

Is Akshay Kumar losing his box office touch? Trade discusses his struggle to regain box office form: "It's not like his career is over. But definitely, it's the WORST patch of his career"

#2023Recap: Notable box-office and industry trends: Shah Rukh Khan is here to stay, Salman Khan is just one blockbuster away from dominance, Ranbir Kapoor is a superstar, RIP Boycott Bollywood and more…

Akshay Kumar explains why doing multi-city promotional tours can prove to be a futile exercise: “Aisa nahin hota hai ki mere kisi shehar mein jaane se meri film chalegi. Maine dekh liya Selfiee mein”

Top 10 Bollywood actors at the box office post-pandemic: Shah Rukh Khan, Ranbir Kapoor, Ajay Devgn, Salman Khan, and Kartik Aaryan occupy the Top 5 spots

Trivia Tunes: From the chasm between lyrics and poetry to meaning behind songs; here’s looking at the changing face of music

Frequently asked questions.

Q: Who is the music director of Selfiee? A: The music of Selfiee has been composed by Azeem Dayani, Anu Malik, Tanishk Bagchi, Yo Yo Honey Singh, Lijo George, DJ Chetas, Vikram Montrose, Aditya Yadav, Tarun, The PropheC.

Q: Who is the lyricist of Selfiee? A: The lyricist of Selfiee is Maya Govind,Tanishk Bagchi,Yo Yo Honey Singh,Shabbir Ahmed,Kunaal Vermaa,Abhinav Shekhar,Vikram Montrose,Aditya Yadav,Azeem Dayani,The PropheC.

Q: Who are the singers of Selfiee? A: The singers of Selfiee include Udit Narayan, Abhijeet, The PropheC, Zahrah S Khan, Aditya Yadav, Stebin Ben.

Q: How many songs does the album Selfiee have? A: There are a total of 3 songs in Selfiee.

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