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18 Essay-Length Short Memoirs to Read Online on Your Lunch Break

We scoured collections, magazines, and online journals to bring you the 18 best short memoir examples you can read over your lunch break.

Emily Polson

Emily Polson is a freelance writer and publishing assistant at Simon & Schuster. Originally from central Iowa, she studied English and creative writing at Belhaven University in Jackson, Mississippi, before moving to a small Basque village to teach English to trilingual teenagers. Now living in Brooklyn, she can often be found meandering through Prospect Park listening to a good audiobook. Twitter: @emilycpolson | https://emilycpolson.wordpress.com/

View All posts by Emily Polson

I love memoirs and essays, so the genre of essay-length short memoirs is one of my favorites. I love delving into the details of other people’s lives. The length allows me to read broadly on a whim with minimal commitment. In roughly 5–30 minutes, I can consume a complete morsel of literature, which always leaves me happier than the same amount of time spent doom-scrolling through my various social news feeds.

What are short memoirs? 

What exactly are short memoirs? I define them as essay-length works that weave together life experiences around a central theme. You see examples of short memoirs all the time on sites like Buzzfeed and The New York Times . Others are stand-alone pieces published in essay collections.

Memoir essays were my gateway into reading full-length memoirs. It was not until I took a college class on creative nonfiction that I realized memoirs were not just autobiographies of people with exciting lives. Anyone with any amount of life experience can write a memoir—no dramatic childhood or odd-defying life accomplishments required. A short memoir might be an account of a single, life-changing event, or it may be reflection on a period of growth or transition.

Of course, when a young adult tells people she likes writing creative nonfiction—not journalism or technical writing—she hears a lot of, “You’re too young to write a memoir!” and “What could someone your age possibly have to write about?!” As Flannery O’Connor put it, however, “The fact is that anybody who has survived his childhood has enough information about life to last him the rest of his days. If you can’t make something out of a little experience, you probably won’t be able to make it out of a lot. The writer’s business is to contemplate experience, not to be merged in it.”

Memoir essay examples

As the lit magazine Creative Nonfiction puts it, personal essays are just “True stories, well told.” And everyone has life stories worth telling.

Here are a few of my favorite memoir examples that are essay length.

SHORT MEMOIRS ABOUT GROWING UP

Scaachi koul, “there’s no recipe for growing up”.

In this delightful essay, Koul talks about trying to learn the secrets of her mother’s Kashmiri cooking after growing up a first-generation American. The story is full of vivid descriptions and anecdotal details that capture something so specific it transcends to the realm of universal. It’s smart, it’s funny, and it’ll break your heart a little as Koul describes “trying to find my mom at the bottom of a 20-quart pot.”

ASHLEY C. FORD, “THE YEAR I GREW WILDLY WHILE MEN LOOKED ON”

This memoir essay is for all the girls who went through puberty early in a world that sexualizes children’s bodies. Ford weaves together her experiences of feeling at odds with her body, of being seen as a “distraction” to adult men, of being Black and fatherless and hungry for love. She writes, “It was evident that who I was inside, who I wanted to be, didn’t match the intentions of my body. Outside, there was no little girl to be loved innocently. My body was a barrier.”

Kaveh Akbar, “How I Found Poetry in Childhood Prayer”

Akbar writes intense, searing poetry, but this personal essay contextualizes one of his sweetest poems, “Learning to Pray,” which is cradled in the middle of it. He describes how he fell in love with the movement, the language, and the ceremony of his Muslim family’s nightly prayers. Even though he didn’t (and doesn’t) speak Arabic, Akbar points to the musicality of these phonetically-learned hymns as “the bedrock upon which I’ve built my understanding of poetry as a craft and as a meditative practice.” Reading this essay made me want to reread his debut poetry collection, Calling a Wolf a Wolf , all over again.

JIA TOLENTINO, “LOSING RELIGION AND FINDING ECSTASY IN HOUSTON”

New Yorker staff writer Jia Tolentino grew up attending a Houston megachurch she referred to as “the Repentagon.” In this personal essay, she describes vivid childhood memories of her time there, discussing how some of the very things she learned from the church contributed to her growing ambivalence toward it and its often hypocritical congregants. “Christianity formed my deepest instincts,” she writes, “and I have been walking away from it for half my life.” As the essay title suggests, this walking away coincided with her early experiences taking MDMA, which offered an uncanny similarity to her experience of religious devotion.

funny short memoirs

Patricia lockwood, “insane after coronavirus”.

Author Patricia Lockwood caught COVID-19 in early March 2020. In addition to her physical symptoms, she chronicled the bizarre delusions she experienced while society also collectively operated under the delusion that this whole thing would blow over quickly. Lockwood has a preternatural ability to inject humor into any situation, even the dire ones, by highlighting choice absurdities. This is a rare piece of pandemic writing that will make you laugh instead of cry–unless it makes you cry from laughing.

Harrison Scott Key,  “My Dad Tried to Kill Me with an Alligator”

This personal essay is a tongue-in-cheek story about the author’s run-in with an alligator on the Pearl River in Mississippi. Looking back on the event as an adult, Key considers his father’s tendencies in light of his own, now that he himself is a dad. He explores this relationship further in his book-length memoir, The World’s Largest Man , but this humorous essay stands on its own. (I also had the pleasure of hearing him read this aloud during my school’s homecoming weekend, as Key is an alumnus of my alma mater.)

David Sedaris, “Me Talk Pretty One Day”

Sedaris’s humor is in a league of its own, and he’s at his best in the title essay from Me Talk Pretty One Day . In it, he manages to capture the linguistic hilarities that ensue when you combine a sarcastic, middle-aged French student with a snarky French teacher.

SAMANTHA IRBY, “THE WORST FRIEND DATE I EVER HAD”

Samantha Irby is one of my favorite humorists writing today, and this short memoir essay about the difficulty of making friends as an adult is a great introduction to her. Be prepared for secondhand cringe when you reach the infamous moment she asks a waiter, “Are you familiar with my work?” After reading this essay, you’ll want to be, so check out Wow, No Thank You . next.

Bill Bryson, “Coming Home”

Bryson has the sly, subtle humor that only comes from Americans who have spent considerable time living among dry-humored Brits. In “Coming Home,” he talks about the strange sensation of returning to America after spending his first twenty years of adulthood in England. This personal essay is the first in a book-length work called I’m a Stranger Here Myself , in which Bryson revisits American things that feel like novelties to outsiders and the odd former expat like himself.

Thought-provoking Short memoirs

Tommy orange, “how native american is native american enough”.

Many people claim some percentage of Indigenous ancestry, but how much is enough to “count”? Novelist Tommy Orange–author of There There –deconstructs this concept, discussing his relationship to his Native father, his Certificate of Degree of Indian Blood, and his son, who will not be considered “Native enough” to join him as an enrolled member of the Cheyenne and Arapaho Tribes. “ How come math isn’t taught with stakes?” he asks in this short memoir full of lingering questions that will challenge the way you think about heritage. 

Christine Hyung-Oak Lee, “I Had a Stroke at 33”

Lee’s story is interesting not just because she had a stroke at such a young age, but because of how she recounts an experience that was characterized by forgetting. She says that after her stroke, “For a month, every moment of the day was like the moment upon wakening before you figure out where you are, what time it is.” With this personal essay, she draws readers into that fragmented headspace, then weaves something coherent and beautiful from it.

Kyoko Mori, “A Difficult Balance: Am I a Writer or a Teacher?”

In this refreshing essay, Mori discusses balancing “the double calling” of being a writer and a teacher. She admits that teaching felt antithetical to her sense of self when she started out in a classroom of apathetic college freshmen. When she found her way into teaching an MFA program, however, she discovered that fostering a sanctuary for others’ words and ideas felt closer to a “calling.” While in some ways this makes the balance of shifting personas easier, she says it creates a different kind of dread: “Teaching, if it becomes more than a job, might swallow me whole and leave nothing for my life as a writer.” This memoir essay is honest, well-structured, and layered with plenty of anecdotal details to draw in the reader.

Alex Tizon, “My Family’s Slave”

In this heartbreaking essay, Tizon pays tribute to the memory of Lola, the domestic slave who raised him and his siblings. His family brought her with them when they emigrated to America from the Philippines. He talks about the circumstances that led to Lola’s enslavement, the injustice she endured throughout her life, and his own horror at realizing the truth about her role in his family as he grew up. While the story is sad enough to make you cry, there are small moments of hope and redemption. Alex discusses what he tried to do for Lola as an adult and how, upon her death, he traveled to her family’s village to return her ashes.

Classic short memoirs

James baldwin, “notes of a native son”.

This memoir essay comes from Baldwin’s collection of the same name. In it, he focuses on his relationship with his father, who died when Baldwin was 19. He also wrestles with growing up black in a time of segregation, touching on the historical treatment of black soldiers and the Harlem Riot of 1943. His vivid descriptions and honest narration draw you into his transition between frustration, hatred, confusion, despair, and resilience.

JOAN DIDION,  “GOODBYE TO ALL THAT”

Didion is one of the foremost literary memoirists of the twentieth century, combining journalistic precision with self-aware introspection. In “Goodbye to All That,” Didion recounts moving to New York as a naïve 20-year-old and leaving as a disillusioned 28-year-old. She captures the mystical awe with which outsiders view the Big Apple, reflecting on her youthful perspective that life was still limitless, “that something extraordinary would happen any minute, any day, any month.”  This essay concludes her masterful collection,   Slouching Towards Bethlehem .

Tim O’Brien, “The Things They Carried”

This is the title essay from O’Brien’s collection, The Things They Carried . It’s technically labeled a work of fiction, but because the themes and anecdotes are pulled from O’Brien’s own experience in the Vietnam War, it blurs the lines between fact and fiction enough to be included here. (I’m admittedly predisposed to this classification because a college writing professor of mine included it on our creative nonfiction syllabus.) The essay paints an intimate portrait of a group of soldiers by listing the things they each carry with them, both physical and metaphorical. It contains one of my favorite lines in all of literature: “They all carried ghosts.”

Multi-Media Short Memoirs

Allie brosh, “richard”.

In this blog post/webcomic, Allie Brosh tells the hilarious story about the time as a child that she, 1) realized neighbors exist, and 2) repeatedly snuck into her neighbor’s house, took his things, and ultimately kidnapped his cat. Her signature comic style drives home the humor in a way that will split your sides. The essay is an excerpt from Brosh’s second book, Solutions and Other Problems , but the web version includes bonus photos and backstory. For even more Allie classics, check out “Adventures in Depression” and “Depression Part Two.”

George Watsky, “Ask Me What I’m Doing Tonight”

Watsky is a rapper and spoken word poet who built his following on YouTube. Before he made it big, however, he spent five years performing for groups of college students across the Midwest. “Ask Me What I’m Doing Tonight!” traces that soul-crushing monotony while telling a compelling story about trying to connect with people despite such transience. It’s the most interesting essay about boredom you’ll ever read, or in this case watch—he filmed a short film version of the essay for his YouTube channel. Like his music, Watsky’s personal essays are vulnerable, honest, and crude, and the whole collection, How to Ruin Everything , is worth reading.

If you’re looking for even more short memoirs, keep an eye on these pages from Literary Hub , Buzzfeed , and Creative Nonfiction . You can also delve into these 25 nonfiction essays you can read online and these 100 must-read essay collections . Also be sure to check out the “Our Reading Lives” tag right here on Book Riot, where you’ll find short memoirs like “Searching for Little Free Libraries as a Way to Say Goodbye” and “How I Overcame My Fear of Reading Contemporary Poets.”

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“ you ” by elizabeth hoban.

🏆 Winner of Contest #260

We were death partners before we were friends. The day we met some 30 years ago, I was so pregnant with my first child, I resembled an over-stuffed sausage about to burst its casing. I’d forsaken style weeks earlier when my shoes no longer fit. I couldn’t even reach around my massive torso to shave my legs; limbs sporting enough hair to scrape clean a barbecue grill.  You, on the other hand, had just wrapped-up an open-house and strode across my threshold for the first time, like a seasoned runway model. I’ll never forget your chic...

“ Careful—You’ll Slip, Fall, and Die on Those Slippery Slopes ” by Liv Chocolate

🏆 Winner of Contest #182

cw: references to sexual assault, kidnapping, and murderThe first time I crossed a street by myself—as in, without one or both of my parents present—I was seventeen. My parents warned me that the outside world was dangerous, and that, if something were to happen to me, I wouldn't know what to do. According to my parents, kidnappers, murderers, and kidnapper-murderers lurked on every corner of our small, suburban town where, statistically, my chances of becoming the victim of a violent crime were less than my chances of being allowed to ...

“ Letting go ” by Rebecca Miles

🏆 Winner of Contest #166

I dedicate this story to my partner and to everyone who has carried or is carrying the burden of grief.Sitting by the bed, holding my hand, you think my mind is fighting against the decision of my body to quit life’s game. My eyes are closed, but I sense your will through the fingers laced tightly around my own. Tenderness is a force and you stake my claim to life through the insistent pressure of your hand. How it has grown over these long years from its immaculate small perfection to this manifestation of adult capability: greeti...

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Hannah sat in her wheelchair, staring out the window as dusk settled over the world outside. The silhouette of the treetops absorbed the fleeting light of the setting sun. As another day closed, she found her mind wandering back before. The once bustling life of adventure and ambition she had in her twenties felt like a distant dream. In 24 years of MS, she had lost mobility and independence. Now, at fifty, multiple sclerosis had shrunk her world to the size of her home, her broken body, and her wheelchair. The days blurred together, each on...

“ The Heart of the Matter ” by Karen Hope

⭐️ Shortlisted for Contest #261

She adjusts herself in the stiff chair, trying to get comfortable. It seems each time she shifts, it’s not long before she needs to squirm around again, looking for that sweet spot. But then she reminds herself she’s in a hospital, watching her husband sleep soundly after his surgery. It’s not about her comfort. It’s about his. A baseball game is playing on the TV, the volume so low she can only hear a steady buzzing from the small bedside speaker. Her fingers ache to gingerly grab the remote from beside her husband and turn on her favorite ...

“ Psst...(Jill killed Jack) ” by Tommy Goround

⭐️ Shortlisted for Contest #256

“I very much need some socks pretty please with sugar on top.” This was the text that I sent to my estranged ex-wife. The one who wanted to drag me out to the wilderness under the guise of talking about financing our first childs’ entrance into college. I knew that she was old fashioned and wanted to push me from a hill. Just like Fellini. So my last request was not very sinister. I mean, even death row inmates should get some free laundry or a meal. Maybe even a prayer? I looked into the pantry of my rental and decided there ...

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On the last night in October of 1984, I was nearly killed by a fire-extinguisher. I was eight months pregnant and couldn’t sleep. Seduced by the bowl of candy not coveted by trick or treaters, I sat in the silent darkness of our tiny kitchen and plowed through the leftovers. Suddenly, the overhead light flicked on, and my husband stood there in nothing but Snoopy boxer-shorts, about to bring a fire-extinguisher down on my head.“What the …?” He staggered back. “You nearly gave me a heart attack; I thought you were an intruder!” He m...

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“ Michelle's death was greatly exaggerated. ” by Tommy Goround

The tales of Michelle’s death were greatly exaggerated. She did not die of Hyper-Calcitus (the overconsumption of orange juice), and she did not require 16,000$ worth of encasement and beachfront property in Pacific Grove. I had always argued that the cemetery was too close to the Pebble Beach golfers, their crusty eyesight was conjunctive, and it would take only one missliced drive and I was going to join her forever.Michelle got the kind of funeral reserved for rich nobles in the 14th century. I wondered if they buried Lady Godiva with clo...

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The sandwiches her mother packed for her would rot in her lunch box, uneaten. She refused to eat them. The sandwich would sit in her lunch box, growing soggy as the hours passed, suffocated by the plastic bag it came in. The school introduced a ban stating that kids were forbidden to throw away their lunches. It was supposed to teach them the value of food, to stop waste. But it only made things harder for her. Day after day, she edged closer and closer to the bin, making sure no one saw her. Wrapping the sandwich in tissue paper, she disgui...

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Once upon a time, when my father was a young man, he was chased by the Devil while driving southbound on the Taconic State parkway. Prior to this paranormal encounter, the Taconic had always been a long, lackadaisical scenic splay of pavement for our family, the link between New York, where we lived, and New England, where our Grandparents quaint little home lay. On the day that The Devil tried to get my Dad, he had dropped off my mother and brothers and me in Massachusetts for a visit, and then had turned around to drive back home. I don’t ...

“ Don't Say Yes ” by Katherine Pearson

Disclaimer: This short story contains short depictions of blood letting in connection to an activity some may deem ritualistic. “Did you hear that.” “No.” Tap, tap, tap. “There it is again.” “I don’t hear anything. Did you hear me? I’ve been asking you a question for the last five minutes.” Savana chewed her finger, her gaze locked on the living room window. “Savana?” “It’s on the glass.” Rhianne closed her eyes and sighed in exasperation. “What is on the glass?” “ The tapping....

“ Unexpected Treasure ” by Ivy Talaga

Submitted to Contest #271

Opportunity Knocks and holds its breath waitingDaring us to choose… Sometimes the world tilts beneath your feet and your life is never the same again. Searching and searching for a special soul for so long, one eventually gives up. This year was the year, apparently. This year was the year I finally started to take action to offset the apathy; to climb out of the well of despair I've been stuck in for so long. This year I finally remembered that hope still remained in the Pandora's box of my soul. This year I joined the librar...

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“Who he was? He feared me the most when I was walking into his office, so to avoid me he always had in his pocket some coins to give for sweets! He was a lawyer-layer. He never worked as a lawyer, he was a tree landlord, and he had to manage a huge land of trees. He was a lonelier, quiet, and smart person always working in his office. He never asked me anything. I once decided to tell him that I was doing a PhD in London, he knew it, and after my mentioning he smiled back at me saying: “Of course, that’s great!” I did not know how to continu...

“ Yellow and Blue Make Green ” by Todd Williams

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“ Bit Coin Girl ” by Odiseo Quintin

When Josh travels from his Mexican retirement home back to the States, he uses a handy website to find persons willing and able to housesit for him. Otherwise, the plants and the family pets would have no way to survive on their own. Lavinia, a citizen of Great Britain and a gal formerly teaching in Thailand, willingly flew from London to the Mexican state of Baja California Sur to fill the position for a three-week period. Upon Josh’s return, she remained in Mexico and rented a condo near the beachfront for the remainder of her stay. The fo...

“ Whispers of the Silver Tongue ” by Alfonso Saldaña

In the heart of a city cloaked in perpetual twilight, a lone journalist named Eliza Perez uncovered a sinister truth. For years, the city had been marred by decay, its streets littered with broken promises and abandoned dreams. At the helm of this crumbling metropolis stood a monolithic corporation, Dominion Industries, its presence both tangible and spectral, casting a long shadow over the lives of its citizens.Eliza’s curiosity had been piqued by whispered rumors of a secretive board meeting, a gathering of the elite where decisions were m...

“ Face that looks familiar ” by Ellen Talboom

Observing people is such a fun past time. So many different people going about their daily life activities. Different yet the same. Some look familiar, some very familiar, while others, nope. This is why being employed in the hospitality field is the same yet different every time. Crowds move around, window shopping then stopping at the Resort Cafe for something yummy.One time, this guy came into the cafe. He looked so much like a former classmate. He probably thought he was being hit on. Nope. Awkward. No more doing that.Another day at the ...

The Best Creative Nonfiction Short Stories

Made for those bookworms who love the compelling freedom of fiction but are looking for a little bit of the real world in their reading, creative nonfiction is the radiant lovechild of elegant poetry and rigorous reportage. Writers of this genre aim to present the truth — factually accurate prose about real life and real people — in a brilliant and creative way. Its faithful readers find themselves as enthralled by fact as they are by fantasy.

As a literary form, nonfiction can be a little hard to pin down. At its crux, creative nonfiction applies literary techniques drawn from poetry and fiction to content that would be at home in a textbook — making for an entertaining read that you might just learn something from! Among creative nonfiction short stories, you could find an insightful memoir, a dramatic monologue, hot, witty journalism, or a tight, personal essay.

Looking for new creative nonfiction stories? 

Look no further! Every week, hundreds of writers submit stories to Reedsy’s short story contest. On this page, you’ll find all of those that are categorized as creative nonfiction stories. This means that the featured writers were triggered by one of our prompts to look to their own experiences and reveal a true-life story — but, crucially, they decided to tell it in a brilliant and creative way. 

If you want to find the cream of the crop — perhaps the next Joan Didion or Jia Tolentino — then look to the top of the page: that’s where we’ve gathered all the winning and shortlisted entries. And don’t forget, if you’ve got a story to tell (fact or fiction), you too can enter our weekly contest and be in with a chance of nabbing the $250 prize plus a shot at publication in Prompted , our new literary magazine . Now wouldn’t that be a story?

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• Humanities ›
• English Grammar ›

100 Major Works of Modern Creative Nonfiction

Hero Images/Getty Images 

• An Introduction to Punctuation
• Ph.D., Rhetoric and English, University of Georgia
• M.A., Modern English and American Literature, University of Leicester
• B.A., English, State University of New York

Essays , memoirs , autobiographies , biographies , travel writing , history, cultural studies, nature writing —all of these fit under the broad heading of creative nonfiction , and all are represented in this list of 100 major works of creative nonfiction published by British and American writers over the past 90 years or so. They're arranged alphabetically by author last name.

Recommended Creative Nonfiction

• Edward Abbey, "Desert Solitaire: A Season in the Wilderness" (1968)
• James Agee, "Let Us Now Praise Famous Men" (1941)
• Martin Amis, "Experience" (1995)
• Maya Angelou , "I Know Why the Caged Bird Sings" (1970)
• Russell Baker, "Growing Up" (1982)
• James Baldwin , "Notes of a Native Son" (1963)
• Julian Barnes, "Nothing to Be Frightened Of" (2008)
• Alan Bennett, "Untold Stories" (2005)
• Wendell Berry, "Recollected Essays" (1981)
• Bill Bryson, "Notes From a Small Island" (1995)
• Anthony Burgess, "Little Wilson and Big God: Being the First Part of the Confessions of Anthony Burgess" (1987)
• Joseph Campbell, "The Hero With a Thousand Faces" (1949)
• Truman Capote , "In Cold Blood" (1965)
• Rachel Carson, "Silent Spring" (1962)
• Pat Conroy, "The Water Is Wide" (1972)
• Harry Crews, "A Childhood: The Biography of a Place" (1978)
• Joan Didion, "We Tell Ourselves Stories in Order to Live: Collected Nonfiction" (2006)
• Joan Didion, "The Year of Magical Thinking" (2005)
• Annie Dillard, "An American Childhood" (1987)
• Annie Dillard, "Pilgrim at Tinker Creek" (1974)
• Barbara Ehrenreich, "Nickel and Dimed: On (Not) Getting By in America" (2001)
• Gretel Ehrlich, "The Solace of Open Spaces" (1986)
• Loren Eiseley, "The Immense Journey: An Imaginative Naturalist Explores the Mysteries of Man and Nature" (1957)
• Ralph Ellison, "Shadow and Act" (1964)
• Nora Ephron, "Crazy Salad: Some Things About Women" (1975)
• Joseph Epstein, "Snobbery: The American Version" (2002)
• Richard P. Feynman, "The Feynman Lectures on Physics" (1964)
• Shelby Foote, "The Civil War: A Narrative" (1974)
• Ian Frazier, "Great Plains" (1989)
• Paul Fussell, "The Great War and Modern Memory" (1975)
• Stephen Jay Gould, "Ever Since Darwin: Reflections in Natural History" (1977)
• Robert Graves, "Good-Bye to All That" (1929)
• Alex Haley, "The Autobiography of Malcolm X" (1965)
• Pete Hamill, "A Drinking Life: A Memoir" (1994)
• Ernest Hemingway , "A Moveable Feast" (1964)
• Michael Herr, "Dispatches" (1977)
• John Hersey, "Hiroshima" (1946)
• Laura Hillenbrand, "Unbroken: A World War II Story of Survival, Resilience, and Redemption" (2010)
• Edward Hoagland, "The Edward Hoagland Reader" (1979)
• Eric Hoffer, "The True Believer: Thoughts on the Nature of Mass Movements" (1951)
• Richard Hofstadter, "Anti-Intellectualism in American Life" (1963)
• Jeanne Wakatsuki Houston and James D. Houston, "Farewell to Manzanar" (1973)
• Langston Hughes , "The Big Sea" (1940)
• Zora Neale Hurston , "Dust Tracks on a Road" (1942)
• Aldous Huxley, "Collected Essays" (1958)
• Clive James, "Reliable Essays: The Best of Clive James" (2001)
• Alfred Kazin, "A Walker in the City" (1951)
• Tracy Kidder, "House" (1985)
• Maxine Hong Kingston, "The Woman Warrior: Memoirs of a Childhood Among Ghosts" (1989)
• Thomas Kuhn, "The Structure of Scientific Revolutions" (1962)
• William Least Heat-Moon, "Blue Highways: A Journey Into America" (1982)
• Bernard Levin, "Enthusiasms" (1983)
• Barry Lopez, "Arctic Dreams: Imagination and Desire in a Northern Landscape" (1986)
• David McCullough, "Truman" (1992)
• Dwight Macdonald, "Against The American Grain: Essays on the Effects of Mass Culture" (1962)
• John McPhee, "Coming Into the Country" (1977)
• Rosemary Mahoney, "Whoredom in Kimmage: The Private Lives of Irish Women" (1993)
• Norman Mailer, "The Armies of the Night" (1968)
• Peter Matthiessen, "The Snow Leopard" (1979)
• H.L. Mencken, "A Mencken Chrestomathy: His Own Selection of His Choicest Writing" (1949)
• Joseph Mitchell, "Up in the Old Hotel and Other Stories" (1992)
• Jessica Mitford, "The American Way of Death" (1963)
• N. Scott Momaday, "Names" (1977)
• Lewis Mumford, "The City in History: Its Origins, Its Transformations, and Its Prospects" (1961)
• Vladimir Nabokov, "Speak, Memory: An Autobiography Revisited" (1967)
• P.J. O'Rourke, "Parliament of Whores" (1991)
• Susan Orlean, "My Kind of Place: Travel Stories from a Woman Who's Been Everywhere" (2004)
• George Orwell , "Down and Out in Paris and London" (1933)
• George Orwell, "Essays" (2002)
• Cynthia Ozick, "Metaphor and Memory" (1989)
• Robert Pirsig, "Zen and the Art of Motorcycle Maintenance" (1975)
• Richard Rodriguez, "Hunger of Memory" (1982)
• Lillian Ross, "Picture" (1952)
• David Sedaris, "Me Talk Pretty One Day" (2000)
• Richard Selzer, "Taking the World in for Repairs" (1986)
• Zadie Smith, "Changing My Mind: Occasional Essays" (2009)
• Susan Sontag, "Against Interpretation and Other Essays" (1966)
• John Steinbeck, "Travels with Charley" (1962)
• Studs Terkel, "Hard Times: An Oral History of the Great Depression" (1970)
• Lewis Thomas, "The Lives of a Cell" (1974)
• E.P. Thompson, "The Making of the English Working Class" (1963; rev. 1968)
• Hunter S. Thompson, "Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream" (1971)
• James Thurber, "My Life and Hard Times" (1933)
• Lionel Trilling, "The Liberal Imagination: Essays on Literature and Society" (1950)
• Barbara Tuchman, "The Guns of August" (1962)
• John Updike, "Self-Consciousness" (1989)
• Gore Vidal, "United States: Essays 1952–1992" (1993)
• Sarah Vowell, "The Wordy Shipmates" (2008)
• Alice Walker , "In Search of Our Mothers' Gardens: Womanist Prose" (1983)
• David Foster Wallace, "A Supposedly Fun Thing I'll Never Do Again: Essays and Arguments" (1997)
• James D. Watson, "The Double Helix" (1968)
• Eudora Welty, "One Writer's Beginnings" (1984)
• E.B. White , "Essays of E.B. White" (1977)
• E.B. White, "One Man's Meat" (1944)
• Isabel Wilkerson, "The Warmth of Other Suns: The Epic Story of America's Great Migration" (2010)
• Tom Wolfe, "The Electric Kool-Aid Acid Test" (1968)
• Tom Wolfe, "The Right Stuff" (1979)
• Tobias Wolff, "This Boy's Life: A Memoir" (1989)
• Virginia Woolf , "A Room of One's Own" (1929)
• Richard Wright, "Black Boy" (1945)
• Stream of Consciousness Writing
• Creative Nonfiction
• Examples of Images in Poetry, Fiction, and Nonfiction
• Writers on Reading
• An Introduction to Literary Nonfiction
• Defining Nonfiction Writing
• What Is Literary Journalism?
• List (Grammar and Sentence Styles)
• A Look at the Roles Characters Play in Literature
• Point of View in Grammar and Composition
• Using Flashback in Writing
• Tips on Great Writing: Setting the Scene
• Genres in Literature
• Premises and Conclusions: Definitions and Examples in Arguments
• Definition and Examples of Formal Essays

The Finest Narrative Non-Fiction Essays

Narrative essays that I consider ideal models of the medium

• Linguistics

Authors like , , , , , and epitomise this way of writing.

I'm not a Writer , but I write to explore other things – anthropology, weird cultural quirks in the web development community, interaction design, and the rising field of " tools for thought ". These things are all factual and grounded in reality, but have interesting stories twisted around them. Ones I'm trying to tell in my little notes and essays.

Perhaps you're the same kind of non- Writer writer. The playful amateur kind who uses it to explore and communicate ideas, rather than making the medium part of your identity. But even amateurs want to be good. I certainly want to get good.

Knowing what you like is half the battle in liking what you create. In that spirit, I collect narrative non-fiction essays that I think are exceptional. They're worth looking at closely – their opening moves, sentence structure, turns of phrase, and narrative arcs.

The only sensible way to improve your writing is by echoing the work of other writers. Good artists copy and great artists steal quotes from Picasso.

You may want to start your own collection of lovely essays like this. There will certainly be some Real Writers who find my list trite and full of basic, mainstream twaddle. It probably is. I've done plenty of self-acceptance work and I'm okay with it.

Twaddle aside, the essays below are worth your attention.

by Paul Ford

Paul Ford explains code in 38,000 words and somehow makes it all accessible, technically accurate, narratively compelling, and most of all, culturally insightful and humanistic.

I have unreasonable feelings about this essay. It is, to me, perfect. Few essays take the interactive medium of the web seriously, and this one takes the cake. There is a small blue cube character, logic diagrams, live code snippets to run, GIFs, tangential footnotes, and a certificate of completion at the end.

by David Foster Wallace – Published under the title 'Shipping Out'

Forgive me for being a David Foster Wallace admirer. The guy had issues, but this account of his 7-day trip on a luxury cruiseliner expresses an inner monologue that is clarifying, rare and often side-splittingly hilarious.

He taught me it is 100% okay to write an entire side-novel in your footnotes if you need to.

by David Graeber

Graeber explores play and work from an anthropological perspective. He's a master of moving between the specific and the general. Between academic theory and personal storytelling. He's always ready with armfuls of evidence and citations but doesn't drown you in them.

by Malcolm Gladwell

This piece uses a typical Gladwellian style. He takes a fairly dull question – Why had ketchup stayed the same, while mustard comes in dozens of varieties? – and presents the case in a way that makes it reasonably intriguing. He's great at starting with specific characters, times and places to draw you in. There are always rich scenes, details, personal profiles, and a grand narrative tying it all together.

Some people find the classic New Yorker essay format overdone, but it relies on storytelling techniques that consistently work.

by Mark Slouka

by Joan Didion

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What is creative nonfiction? Despite its slightly enigmatic name, no literary genre has grown quite as quickly as creative nonfiction in recent decades. Literary nonfiction is now well-established as a powerful means of storytelling, and bookstores now reserve large amounts of space for nonfiction, when it often used to occupy a single bookshelf.

Like any literary genre, creative nonfiction has a long history; also like other genres, defining contemporary CNF for the modern writer can be nuanced. If you’re interested in writing true-to-life stories but you’re not sure where to begin, let’s start by dissecting the creative nonfiction genre and what it means to write a modern literary essay.

What Creative Nonfiction Is

Creative nonfiction employs the creative writing techniques of literature, such as poetry and fiction, to retell a true story.

How do we define creative nonfiction? What makes it “creative,” as opposed to just “factual writing”? These are great questions to ask when entering the genre, and they require answers which could become literary essays themselves.

In short, creative nonfiction (CNF) is a form of storytelling that employs the creative writing techniques of literature, such as poetry and fiction, to retell a true story. Creative nonfiction writers don’t just share pithy anecdotes, they use craft and technique to situate the reader into their own personal lives. Fictional elements, such as character development and narrative arcs, are employed to create a cohesive story, but so are poetic elements like conceit and juxtaposition.

The CNF genre is wildly experimental, and contemporary nonfiction writers are pushing the bounds of literature by finding new ways to tell their stories. While a CNF writer might retell a personal narrative, they might also focus their gaze on history, politics, or they might use creative writing elements to write an expository essay. There are very few limits to what creative nonfiction can be, which is what makes defining the genre so difficult—but writing it so exciting.

Different Forms of Creative Nonfiction

From the autobiographies of Mark Twain and Benvenuto Cellini, to the more experimental styles of modern writers like Karl Ove Knausgård, creative nonfiction has a long history and takes a wide variety of forms. Common iterations of the creative nonfiction genre include the following:

Also known as biography or autobiography, the memoir form is probably the most recognizable form of creative nonfiction. Memoirs are collections of memories, either surrounding a single narrative thread or multiple interrelated ideas. The memoir is usually published as a book or extended piece of fiction, and many memoirs take years to write and perfect. Memoirs often take on a similar writing style as the personal essay does, though it must be personable and interesting enough to encourage the reader through the entire book.

Personal Essay

Personal essays are stories about personal experiences told using literary techniques.

When someone hears the word “essay,” they instinctively think about those five paragraph book essays everyone wrote in high school. In creative nonfiction, the personal essay is much more vibrant and dynamic. Personal essays are stories about personal experiences, and while some personal essays can be standalone stories about a single event, many essays braid true stories with extended metaphors and other narratives.

Personal essays are often intimate, emotionally charged spaces. Consider the opening two paragraphs from Beth Ann Fennelly’s personal essay “ I Survived the Blizzard of ’79. ”

We didn’t question. Or complain. It wouldn’t have occurred to us, and it wouldn’t have helped. I was eight. Julie was ten.

We didn’t know yet that this blizzard would earn itself a moniker that would be silk-screened on T-shirts. We would own such a shirt, which extended its tenure in our house as a rag for polishing silver.

The word “essay” comes from the French “essayer,” which means “to try” or “attempt.” The personal essay is more than just an autobiographical narrative—it’s an attempt to tell your own history with literary techniques.

Lyric Essay

The lyric essay contains similar subject matter as the personal essay, but is much more experimental in form.

The lyric essay contains similar subject matter as the personal essay, with one key distinction: lyric essays are much more experimental in form. Poetry and creative nonfiction merge in the lyric essay, challenging the conventional prose format of paragraphs and linear sentences.

The lyric essay stands out for its unique writing style and sentence structure. Consider these lines from “ Life Code ” by J. A. Knight:

The dream goes like this: blue room of water. God light from above. Child’s fist, foot, curve, face, the arc of an eye, the symmetry of circles… and then an opening of this body—which surprised her—a movement so clean and assured and then the push towards the light like a frog or a fish.

What we get is language driven by emotion, choosing an internal logic rather than a universally accepted one.

Lyric essays are amazing spaces to break barriers in language. For example, the lyricist might write a few paragraphs about their story, then examine a key emotion in the form of a villanelle or a ghazal . They might decide to write their entire essay in a string of couplets or a series of sonnets, then interrupt those stanzas with moments of insight or analysis. In the lyric essay, language dictates form. The successful lyricist lets the words arrange themselves in whatever format best tells the story, allowing for experimental new forms of storytelling.

Literary Journalism

Much more ambiguously defined is the idea of literary journalism. The idea is simple: report on real life events using literary conventions and styles. But how do you do this effectively, in a way that the audience pays attention and takes the story seriously?

You can best find examples of literary journalism in more “prestigious” news journals, such as The New Yorker , The Atlantic , Salon , and occasionally The New York Times . Think pieces about real world events, as well as expository journalism, might use braiding and extended metaphors to make readers feel more connected to the story. Other forms of nonfiction, such as the academic essay or more technical writing, might also fall under literary journalism, provided those pieces still use the elements of creative nonfiction.

Consider this recently published article from The Atlantic : The Uncanny Tale of Shimmel Zohar by Lawrence Weschler. It employs a style that’s breezy yet personable—including its opening line.

So I first heard about Shimmel Zohar from Gravity Goldberg—yeah, I know, but she insists it’s her real name (explaining that her father was a physicist)—who is the director of public programs and visitor experience at the Contemporary Jewish Museum, in San Francisco.

How to Write Creative Nonfiction: Common Elements and Techniques

What separates a general news update from a well-written piece of literary journalism? What’s the difference between essay writing in high school and the personal essay? When nonfiction writers put out creative work, they are most successful when they utilize the following elements.

Just like fiction, nonfiction relies on effective narration. Telling the story with an effective plot, writing from a certain point of view, and using the narrative to flesh out the story’s big idea are all key craft elements. How you structure your story can have a huge impact on how the reader perceives the work, as well as the insights you draw from the story itself.

Consider the first lines of the story “ To the Miami University Payroll Lady ” by Frenci Nguyen:

You might not remember me, but I’m the dark-haired, Texas-born, Asian-American graduate student who visited the Payroll Office the other day to complete direct deposit and tax forms.

Because the story is written in second person, with the reader experiencing the story as the payroll lady, the story’s narration feels much more personal and important, forcing the reader to evaluate their own personal biases and beliefs.

Observation

Telling the story involves more than just simple plot elements, it also involves situating the reader in the key details. Setting the scene requires attention to all five senses, and interpersonal dialogue is much more effective when the narrator observes changes in vocal pitch, certain facial expressions, and movements in body language. Essentially, let the reader experience the tiny details – we access each other best through minutiae.

The story “ In Transit ” by Erica Plouffe Lazure is a perfect example of storytelling through observation. Every detail of this flash piece is carefully noted to tell a story without direct action, using observations about group behavior to find hope in a crisis. We get observation when the narrator notes the following:

Here at the St. Thomas airport in mid-March, we feel the urgency of the transition, the awareness of how we position our bodies, where we place our luggage, how we consider for the first time the numbers of people whose belongings are placed on the same steel table, the same conveyor belt, the same glowing radioactive scan, whose IDs are touched by the same gloved hand[.]

What’s especially powerful about this story is that it is written in a single sentence, allowing the reader to be just as overwhelmed by observation and context as the narrator is.

We’ve used this word a lot, but what is braiding? Braiding is a technique most often used in creative nonfiction where the writer intertwines multiple narratives, or “threads.” Not all essays use braiding, but the longer a story is, the more it benefits the writer to intertwine their story with an extended metaphor or another idea to draw insight from.

“ The Crush ” by Zsofia McMullin demonstrates braiding wonderfully. Some paragraphs are written in first person, while others are written in second person.

The following example from “The Crush” demonstrates braiding:

Your hair is still wet when you slip into the booth across from me and throw your wallet and glasses and phone on the table, and I marvel at how everything about you is streamlined, compact, organized. I am always overflowing — flesh and wants and a purse stuffed with snacks and toy soldiers and tissues.

The author threads these narratives together by having both people interact in a diner, yet the reader still perceives a distance between the two threads because of the separation of “I” and “you” pronouns. When these threads meet, briefly, we know they will never meet again.

Speaking of insight, creative nonfiction writers must draw novel conclusions from the stories they write. When the narrator pauses in the story to delve into their emotions, explain complex ideas, or draw strength and meaning from tough situations, they’re finding insight in the essay.

Often, creative writers experience insight as they write it, drawing conclusions they hadn’t yet considered as they tell their story, which makes creative nonfiction much more genuine and raw.

The story “ Me Llamo Theresa ” by Theresa Okokun does a fantastic job of finding insight. The story is about the history of our own names and the generations that stand before them, and as the writer explores her disconnect with her own name, she recognizes a similar disconnect in her mother, as well as the need to connect with her name because of her father.

The narrator offers insight when she remarks:

I began to experience a particular type of identity crisis that so many immigrants and children of immigrants go through — where we are called one name at school or at work, but another name at home, and in our hearts.

How to Write Creative Nonfiction: the 5 R’s

CNF pioneer Lee Gutkind developed a very system called the “5 R’s” of creative nonfiction writing. Together, the 5 R’s form a general framework for any creative writing project. They are:

• Write about r eal life: Creative nonfiction tackles real people, events, and places—things that actually happened or are happening.
• Conduct extensive r esearch: Learn as much as you can about your subject matter, to deepen and enrich your ability to relay the subject matter. (Are you writing about your tenth birthday? What were the newspaper headlines that day?)
• (W) r ite a narrative: Use storytelling elements originally from fiction, such as Freytag’s Pyramid , to structure your CNF piece’s narrative as a story with literary impact rather than just a recounting.
• Include personal r eflection: Share your unique voice and perspective on the narrative you are retelling.
• Learn by r eading: The best way to learn to write creative nonfiction well is to read it being written well. Read as much CNF as you can, and observe closely how the author’s choices impact you as a reader.

You can read more about the 5 R’s in this helpful summary article .

How to Write Creative Nonfiction: Give it a Try!

Whatever form you choose, whatever story you tell, and whatever techniques you write with, the more important aspect of creative nonfiction is this: be honest. That may seem redundant, but often, writers mistakenly create narratives that aren’t true, or they use details and symbols that didn’t exist in the story. Trust us – real life is best read when it’s honest, and readers can tell when details in the story feel fabricated or inflated. Write with honesty, and the right words will follow!

Ready to start writing your creative nonfiction piece? If you need extra guidance or want to write alongside our community, take a look at the upcoming nonfiction classes at Writers.com. Now, go and write the next bestselling memoir!

Sean Glatch

Thank you so much for including these samples from Hippocampus Magazine essays/contributors; it was so wonderful to see these pieces reflected on from the craft perspective! – Donna from Hippocampus

The Real Person!

Absolutely, Donna! I’m a longtime fan of Hippocampus and am always astounded by the writing you publish. We’re always happy to showcase stunning work 🙂

I like how it is written about him”…When he’s not writing, which is often, he thinks he should be writing.”

[…] Source: https://www.masterclass.com/articles/a-complete-guide-to-writing-creative-nonfiction#5-creative-nonfiction-writing-promptshttps://writers.com/what-is-creative-nonfiction […]

So impressive

Thank you. I’ve been researching a number of figures from the 1800’s and have come across a large number of ‘biographies’ of figures. These include quoted conversations which I knew to be figments of the author and yet some works are lauded as ‘histories’.

excellent guidelines inspiring me to write CNF thank you

[…] writing a “Spring” scene today. I’ve mentioned before that my memoir is a work of creative non-fiction. Since much of the story takes place 2-5 decades ago, I don’t remember a lot of the […]

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Examples of Creative Nonfiction: What It Is & How to Write It

When most people think of creative writing, they picture fiction books – but there are plenty of examples of creative nonfiction. In fact, creative nonfiction is one of the most interesting genres to read and write. So what is creative nonfiction exactly? 

More and more people are discovering the joy of getting immersed in content based on true life that has all the quality and craft of a well-written novel. If you are interested in writing creative nonfiction, it’s important to understand different examples of creative nonfiction as a genre. 

If you’ve ever gotten lost in memoirs so descriptive that you felt you’d walked in the shoes of those people, those are perfect examples of creative nonfiction – and you understand exactly why this genre is so popular.

But is creative nonfiction a viable form of writing to pursue? What is creative nonfiction best used to convey? And what are some popular creative nonfiction examples?

Today we will discuss all about this genre, including plenty of examples of creative nonfiction books – so you’ll know exactly how to write it. 

This Guide to Creative Nonfiction Covers:

Need A Nonfiction Book Outline?

What is Creative Nonfiction?

Creative nonfiction is defined as true events written about with the techniques and style traditionally found in creative writing . We can understand what creative nonfiction is by contrasting it with plain-old nonfiction. 

Think about news or a history textbook, for example. These nonfiction pieces tend to be written in very matter-of-fact, declarative language. While informative, this type of nonfiction often lacks the flair and pleasure that keep people hooked on fictional novels.

Imagine there are two retellings of a true crime story – one in a newspaper and the other in the script for a podcast. Which is more likely to grip you? The dry, factual language, or the evocative, emotionally impactful creative writing?

Podcasts are often great examples of creative nonfiction – but of course, creative nonfiction can be used in books too. In fact, there are many types of creative nonfiction writing. Let’s take a look!

Types of creative nonfiction

Creative nonfiction comes in many different forms and flavors. Just as there are myriad types of creative writing, there are almost as many types of creative nonfiction.

Some of the most popular types include:

Literary nonfiction

Literary nonfiction refers to any form of factual writing that employs the literary elements that are more commonly found in fiction. If you’re writing about a true event (but using elements such as metaphor and theme) you might well be writing literary nonfiction.

Writing a life story doesn’t have to be a dry, chronological depiction of your years on Earth. You can use memoirs to creatively tell about events or ongoing themes in your life.

If you’re unsure of what kind of creative nonfiction to write, why not consider a creative memoir? After all, no one else can tell your life story like you. 

Nature writing

The beauty of the natural world is an ongoing source of creative inspiration for many people, from photographers to documentary makers. But it’s also a great focus for a creative nonfiction writer. Evoking the majesty and wonder of our environment is an endless source of material for creative nonfiction. 

Travel writing

If you’ve ever read a great travel article or book, you’ll almost feel as if you’ve been on the journey yourself. There’s something special about travel writing that conveys not only the literal journey, but the personal journey that takes place.

Writers with a passion for exploring the world should consider travel writing as their form of creative nonfiction. 

For types of writing that leave a lasting impact on the world, look no further than speeches. From a preacher’s sermon, to ‘I have a dream’, speeches move hearts and minds like almost nothing else. The difference between an effective speech and one that falls on deaf ears is little more than the creative skill with which it is written. 

Biographies

Noteworthy figures from history and contemporary times alike are great sources for creative nonfiction. Think about the difference between reading about someone’s life on Wikipedia and reading about it in a critically-acclaimed biography.

Which is the better way of honoring that person’s legacy and achievements? Which is more fun to read? If there’s someone whose life story is one you’d love to tell, creative nonfiction might be the best way to do it. 

So now that you have an idea of what creative nonfiction is, and some different ways you can write it, let’s take a look at some popular examples of creative nonfiction books and speeches.

Examples of Creative Nonfiction

Here are our favorite examples of creative nonfiction:

1. In Cold Blood by Truman Capote

No list of examples of creative nonfiction would be complete without In Cold Blood . This landmark work of literary nonfiction by Truman Capote helped to establish the literary nonfiction genre in its modern form, and paved the way for the contemporary true crime boom.  

2. A Moveable Feast by Ernest Hemingway

Ernest Hemingway’s A Moveable Feast is undeniably one of the best creative memoirs ever written. It beautifully reflects on Hemingway’s time in Paris – and whisks you away into the cobblestone streets.  

3. World of Wonders by Aimee Nezhukumatathil

If you’re looking for examples of creative nonfiction nature writing, no one does it quite like Aimee Nezhukumatathil. World of Wonders  is a beautiful series of essays that poetically depicts the varied natural landscapes she enjoyed over the years. 

4. A Walk in the Woods by Bill Bryson

Bill Bryson is one of the most beloved travel writers of our time. And A Walk in the Woods is perhaps Bryson in his peak form. This much-loved travel book uses creativity to explore the Appalachian Trail and convey Bryson’s opinions on America in his humorous trademark style.

5. The Gettysburg Address by Abraham Lincoln

 While most of our examples of creative nonfiction are books, we would be remiss not to include at least one speech. The Gettysburg Address is one of the most impactful speeches in American history, and an inspiring example for creative nonfiction writers.

6. I Know Why the Caged Bird Sings by Maya Angelou

Few have a way with words like Maya Angelou. Her triumphant book, I Know Why the Caged Bird Sings , shows the power of literature to transcend one’s circumstances at any time. It is one of the best examples of creative nonfiction that truly sucks you in.

7. Hiroshima by John Hershey

Hiroshima is a powerful retelling of the events during (and following) the infamous atomic bomb. This journalistic masterpiece is told through the memories of survivors – and will stay with you long after you’ve finished the final page.

8. Eat, Pray, Love by Elizabeth Gilbert

If you haven’t read the book, you’ve probably seen the film. Eat, Pray, Love by Elizabeth Gilbert is one of the most popular travel memoirs in history. This romp of creative nonfiction teaches us how to truly unmake and rebuild ourselves through the lens of travel.

9. Me Talk Pretty One Day by David Sedaris

Never has language learning brought tears of laughter like Me Talk Pretty One Day . David Sedaris comically divulges his (often failed) attempts to learn French with a decidedly sadistic teacher, and all the other mishaps he encounters in his fated move from New York to Paris.

10. The Glass Castle by Jeannette Walls

Many of us had complicated childhoods, but few of us experienced the hardships of Jeannette Walls. In The Glass Castle , she gives us a transparent look at the betrayals and torments of her youth and how she overcame them with grace – weaving her trauma until it reads like a whimsical fairytale.

Now that you’ve seen plenty of creative nonfiction examples, it’s time to learn how to write your own creative nonfiction masterpiece.

Tips for Writing Creative Nonfiction

Writing creative nonfiction has a lot in common with other types of writing. (You won’t be reinventing the wheel here.) The better you are at writing in general, the easier you’ll find your creative nonfiction project. But there are some nuances to be aware of.

Writing a successful creative nonfiction piece requires you to:

Choose a form

Before you commit to a creative nonfiction project, get clear on exactly what it is you want to write. That way, you can get familiar with the conventions of the style of writing and draw inspiration from some of its classics.

Try and find a balance between a type of creative nonfiction you find personally appealing and one you have the skill set to be effective at. 

Gather the facts

Like all forms of nonfiction, your creative project will require a great deal of research and preparation. If you’re writing about an event, try and gather as many sources of information as possible – so you can imbue your writing with a rich level of detail.

If it’s a piece about your life, jot down personal recollections and gather photos from your past. 

Plan your writing

Unlike a fictional novel, which tends to follow a fairly well-established structure, works of creative nonfiction have a less clear shape. To avoid the risk of meandering or getting weighed down by less significant sections, structure your project ahead of writing it.

You can either apply the classic fiction structures to a nonfictional event or take inspiration from the pacing of other examples of creative nonfiction you admire. 

You may also want to come up with a working title to inspire your writing. Using a free book title generator is a quick and easy way to do this and move on to the actual writing of your book.

Draft in your intended style

Unless you have a track record of writing creative nonfiction, the first time doing so can feel a little uncomfortable. You might second-guess your writing more than you usually would due to the novelty of applying creative techniques to real events. Because of this, it’s essential to get your first draft down as quickly as possible.

Rewrite and refine

After you finish your first draft, only then should you read back through it and critique your work. Perhaps you haven’t used enough source material. Or maybe you’ve overdone a certain creative technique. Whatever you happen to notice, take as long as you need to refine and rework it until your writing feels just right.

Ready to Wow the World With Your Story?

You know have the knowledge and inspiring examples of creative nonfiction you need to write a successful work in this genre. Whether you choose to write a riveting travel book, a tear-jerking memoir, or a biography that makes readers laugh out loud, creative nonfiction will give you the power to convey true events like never before.  

Who knows? Maybe your book will be on the next list of top creative nonfiction examples!

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Creative Nonfiction magazine defines the genre simply, succinctly, and accurately as “true stories well told.” And that, in essence, is what creative nonfiction is all about. In some ways, creative nonfiction is like jazz—it’s a rich mix of flavors, ideas, and techniques, some newly invented and others as old as writing itself.

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BOOKS FALL PREVIEW: Nonfiction

11 New Works of Nonfiction to Read This Season

A deeply reported look at the woman behind Roe vs. Wade, an investigation of lawbreaking animals, another hilarious essay collection from Phoebe Robinson — and more.

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By Miguel Salazar and Joumana Khatib

‘ Brothers on Three: A True Story of Family, Resistance, and Hope on a Reservation in Montana ,’ by Abe Streep

In 2018, the Arlee Warriors, a boy’s high school basketball team on Montana’s Flathead Indian reservation, was in the midst of a buzzing championship run as its town reeled from a cluster of suicides. Streep, who previously profiled the team for The New York Times Magazine , delves into the lives of the players, the town’s collective trauma and the therapeutic power of basketball in Arlee, where the sport “occupies emotional terrain somewhere between escape and religion.”

Celadon Books, Sept. 7 | Read our review

‘ The Family Roe: An American Story ,’ by Joshua Prager

In his third book, Prager sets out to tell the stories of the overlooked women behind the 1973 Supreme Court decision. Using interviews, letters and previously unseen personal papers, Prager tells the story of Roe through the life of Norma McCorvey, whose unwanted pregnancy gave way to the Supreme Court case, and three other protagonists: Linda Coffee, the lawyer who filed the original lawsuit; Curtis Boyd, a fundamentalist Christian turned abortion provider; and Mildred Jefferson, the first Black woman to graduate from Harvard Medical School.

Norton, Sept. 14 | Read our review

‘ Fuzz: When Nature Breaks the Law ,’ by Mary Roach

In 1659, an Italian court heard a case against caterpillars after locals complained of them trespassing and pilfering local gardens. In the years since, humans have come up with innovative ways to deal with jaywalking moose, killer elephants, thieving crows and murderous geriatric trees. After a two-year trip across the world, Roach chronicles these methods in her latest book, covering crow blasting in Oklahoma and human-elephant conflict specialists in West Bengal. The result is a rich work of research and reportage revealing the lengths that humanity will go to keep the natural world at bay.

‘ The Right to Sex: Feminism in the Twenty-First Century ,’ by Amia Srinivasan

Srinivasan, an Oxford professor, has developed an enthusiastic following for her shrewd writing in The London Review of Books, with topics ranging from campus culture wars to the intellect of octopuses. Her 2018 meditation on the politics of sex served as a launchpad for this highly anticipated book, which draws on — and complicates — longstanding feminist theory in six essays on pornography, desire, capitalism and more.

Farrar, Straus & Giroux, Sept. 21 | Read our review

Tell us: What new nonfiction are you most eager to read ?

‘ please don’t sit on my bed in your outside clothes: essays ,’ by phoebe robinson.

Robinson, an actress, comedian and co-creator of the podcast 2 Dope Queens, wrote her latest book of essays during the pandemic, taking up everything from Black Lives Matter to dating under lockdown to commercialized self care. Of course, there’s plenty of levity — her way of coping. “If I can make you laugh and forget your problems for a moment, then I did something,” she writes.

Tiny Reparations Books, Sept. 28 | Listen to Robinson on the Book Review podcast

‘ Rationality: What It Is, Why It Seems Scarce, Why It Matters ,’ by Steven Pinker

How can a species capable of calculating the age of the universe be so vulnerable to conspiracy theories, folk wisdom and groupthink? Rationality is in critically short supply at a time when humanity faces its greatest challenges yet, argues Pinker, a Harvard cognitive psychologist. Through mental exercises and geeky but accessible writing on topics ranging from cartoons to climate change to Andrew Yang’s presidential campaign, Pinker hopes to save reason — and, by extension, society — from extinction.

Viking, Sept. 28 | Read our review

‘ Invisible Child: Poverty, Survival and Hope in an American City ,’ by Andrea Elliott

Dasani was a precocious and spunky 11-year-old with limitless potential when Elliott, a Times investigative journalist, first met her at a Fort Greene homeless shelter in 2012. That encounter led to a five-part series shadowing Dasani as she navigated child poverty in New York City. For this book, Elliott immersed herself in the lives of Dasani and her family for eight years, at times slipping past security guards at the shelter. She also traces the family’s ancestry back to a North Carolina slave plantation, telling a vivid and devastating story of American inequality.

Random House, Oct. 5 | Read our review | Listen to Elliott on the Book Review podcast

‘ All of the Marvels: A Journey to the Ends of the Biggest Story Ever Told ,’ by Douglas Wolk

This book is an ambitious attempt to wrestle with the Marvel Comics universe, a web so expansive that almost no one has bothered to read all of its half-million pages (and counting). No one, that is, besides Wolk, who has pored over yellowing originals from at garage sales, abandoned copies at his local Starbucks and even collections on show at Burning Man. The result is 400 pages of insights — for Marvel fans and casual readers alike — and what they reveal about American dreams and fears over the past 60 years.

Penguin Press, Oct. 12 | Read our review

‘ The Loneliest Americans ,’ by Jay Caspian Kang

In his essays and commentaries , Kang, a contributor to the Magazine who also writes a newsletter for The Times’s Opinion section, has been interrogating the ideas underpinning Asian American identity for years. His nonfiction debut is a culmination of these efforts, blending memoir, historical writing and reportage as he questions the usefulness of this identity in describing people who live profoundly different realities conditioned by class, language and ethnicity.

Crown, Oct. 12

‘ The Genome Defense: Inside the Epic Legal Battle to Determine Who Owns Your DNA ,’ by Jorge L. Contreras

The ACLU had never before filed a patent case when a policy analyst and civil rights lawyer teamed up in 2005 to challenge a decades-long practice allowing private companies to patent naturally occurring human genes. Jorge L. Contreras, a law professor at the University of Utah, interviewed nearly 100 lawyers, patients, scientists and policymakers in this behind-the-scenes history of Molecular Pathology vs. Myriad Genetics, a long-shot lawsuit that culminated in a landmark 2013 Supreme Court decision that opened the human genome to the benefit of researchers, cancer patients and everyday Americans.

Algonquin, Oct. 26

‘ The Least of Us: True Tales of America and Hope in the Time of Fentanyl and Meth ,’ by Sam Quinones

Our understanding of the opioid epidemic is indebted in part to Quinones and his eye-opening first book, “ Dreamland ,” which connected the dots between OxyContin’s popularity and a booming heroin market. In this follow-up, Quinones explores the neuroscience of addiction, lays out how the crisis has morphed and deepened with the spread of synthetic drugs, and celebrates the slow efforts at rebuilding community in hard-hit counties across America.

Bloomsbury, Nov. 2 | Read our review

Explore More in Books

Want to know about the best books to read and the latest news start here..

100 Best Books of the 21st Century:  As voted on by 503 novelists, nonfiction writers, poets, critics  and other book lovers — with a little help from the staff of The New York Times Book Review.

Aleksei Navalny’s Prison Diaries:  In the Russian opposition leader’s posthumous memoir, compiled with help from his widow, Yulia Navalnaya, Navalny faced the fact that Vladimir Putin might succeed in silencing him .

Jeff VanderMeer’s Strangest Novel Yet:  In an interview with The Times , the author — known for his blockbuster Southern Reach series — talked about his eerie new installment, “Absolution.”

Discovering a New Bram Stoker Story:  The work by the author of “Dracula,” previously unknown to scholars, was found by a fan  who was trawling through the archives at the National Library of Ireland.

The Book Review Podcast:  Each week, top authors and critics talk about the latest news in the literary world. Listen here .

Descriptive Essay

Descriptive essay generator.

Essays are written due to various reasons and purposes. Some of the authors want to inform, some want to expose while some want to persuade. However, in descriptive essay writing , the essayist composes for the sake of displaying a picture out of his/her describing words. It may sound easy and simple but don’t be deceived, there are still more to learn. Read through this article to get hold of significant and beneficial new knowledge.

What is Descriptive Essay?

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Descriptive Essay Format

Introduction.

Hook: Start with a sentence that captures the reader’s attention. This could be a striking fact, a question, or a vivid description. Context: Provide some background information to set the scene. Describe the setting, the situation, or the object of the essay. Thesis Statement: End the introduction with a clear thesis statement that outlines the main aspects or the overall impression of your subject.

Body Paragraphs

Each body paragraph should focus on a specific aspect or a detail that contributes to the overall picture you are trying to paint. Use the “show, don’t tell” technique by employing vivid imagery and sensory details.

Paragraph 1: Sight

Topic Sentence: Introduce the aspect of sight. Details: Describe what you see in vivid detail. Use adjectives and adverbs to bring the scene to life. Closing Sentence: Wrap up the paragraph by summarizing the importance of the visual details.

Paragraph 2: Sound

Topic Sentence: Focus on the sounds related to your topic. Details: Describe what can be heard, whether it’s the background noise, a specific sound related to the subject, or the absence of sound. Closing Sentence: Conclude by explaining how the sounds contribute to the overall impression.

Paragraph 3: Smell

Topic Sentence: Highlight the aspect of smell. Details: Describe the aromas and scents. Whether it’s pleasant or pungent, detail how it impacts the scene or the subject. Closing Sentence: Summarize how the smell adds to the depth of your description.

Paragraph 4: Touch

Topic Sentence: Discuss the sense of touch. Details: Describe the textures and temperatures. Explain how something feels to the touch and why it’s important to your description. Closing Sentence: Link the tactile details to the overall experience.

Paragraph 5: Taste (if applicable)

Topic Sentence: Introduce the sense of taste, if relevant. Details: Describe the flavors and the experience of tasting something related to your subject. Closing Sentence: Reflect on how taste enhances the description.

Summary: Briefly restate your thesis and summarize the main points of your essay. Significance: Explain the significance of the subject and the impact it has made on you or the impression it leaves. Closing Thought: End with a final thought or reflection, leaving the reader with something to ponder.

Example of Descriptive Essay

“The Sunset at the Beach” As I walked down the sandy path towards the ocean, the first thing that struck me was the vast expanse of the sea, stretching endlessly towards the horizon. The sun was beginning to set, painting the sky in shades of orange, pink, and purple. The beauty of the sunset at the beach was a breathtaking spectacle that I had come to witness. Introduction The beach has always been a place of serenity for me, especially during the sunset. The way the sun dipped below the horizon, leaving behind a tapestry of colors, always seemed magical. On this particular evening, the scene was set for a perfect display of nature’s artistry. Body Paragraphs The Vision of the Sunset As I stepped onto the soft, warm sand, my eyes were immediately drawn to the horizon. The sun, a fiery orb, was slowly descending, casting its golden glow across the sky. The clouds, mere wisps earlier in the day, now looked like cotton candy, stained with hues of pink and lavender. The reflection of the sunset on the water added a layer of brilliance to the scene, with the light dancing on the waves as they gently lapped against the shore. The Symphony of the Waves The sound of the waves provided a soothing background melody to the visual spectacle. Each wave crashed against the shore with a rhythm that was both calming and invigorating. In the distance, seagulls called to one another, their cries adding to the orchestral performance of nature. The rustling of the palm leaves in the gentle breeze played a soft, whispering harmony, creating a symphony that only the beach at sunset could offer. The Aromatic Breeze With every breath, the salty tang of the sea air filled my lungs, a distinctive aroma that immediately relaxed my body and mind. There was a freshness to it, a reminder of the vast, untamed ocean before me. Mixed with the faint scent of sunscreen and the earthiness of wet sand, the beach’s aroma was invigorating, grounding me in the moment. The Touch of Nature As I walked along the water’s edge, the cool water washed over my feet, providing relief from the day’s residual heat. The sand, now cooler than the afternoon sun, felt soft and comforting beneath my toes. Occasionally, a stronger wave would rush further up the beach, encouraging me to dig my feet into the sand, feeling the grains shift against my skin. Conclusion The sunset at the beach was not just a visual masterpiece; it was an experience that engaged all the senses. As the sun finally disappeared, leaving behind a sky painted in dark blues and purples, I felt a sense of peace and contentment. The beach at sunset had offered me a moment of beauty, tranquility, and a deep connection with nature. It was an unforgettable scene, etched in my memory, reminding me of the simple, yet profound joys of life.

Descriptive essays generally focus more on visualizing a specific topic of interest. Considering that aspect, showing you what it looks like may be helpful as well. Thus, we cautiously gathered the best samples and templates of descriptive essays for you to rely on, here are they:

Descriptive Essay For Kids

Descriptive Essay For Students

Descriptive Essay About a Person

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How to Write Descriptive Essay?

A descriptive essay aims to provide a detailed and vivid description of a person, place, object, or event, so that the reader can visualize and experience it as if they were present. To craft an effective descriptive essay, follow these steps:

Choose a Topic

Pick something specific to describe, such as: A memorable place (like a beach, park, or school) A person who made an impact on you An object that holds special meaning An event you remember vividly (a concert, festival, or family gathering)

Create a Thesis Statement

Even in a descriptive essay, it’s important to have a thesis or a central idea that guides your description. The thesis should express the importance or significance of what you’re describing. Example: Thesis for a Place : “The beach has always been my escape, a place where I find peace and solitude.” Thesis for a Person : “My grandmother’s kindness and strength have made her the cornerstone of our family.”

Use Sensory Details

Engage the reader’s senses by describing how the subject looks, sounds, smells, tastes, and feels. Sensory details help paint a vivid picture. Sight : “The trees stood tall, their branches swaying in the soft breeze.” Sound : “The distant sound of waves crashing was a constant, calming background noise.” Smell : “The sweet smell of freshly baked bread filled the air.” Touch : “The sand felt warm and grainy beneath my feet.”

Organize Your Essay

A descriptive essay typically follows a structure of introduction, body, and conclusion: Introduction : Introduce your subject and provide your thesis statement. Body Paragraphs : Each paragraph should focus on a different aspect of your subject, such as its appearance, behavior, or the emotions it evokes. Conclusion : Wrap up by reflecting on the importance of what you’ve described and how it affects you or others.

Use Figurative Language

Incorporate metaphors, similes, and personification to make your description more vivid and interesting. Simile : “The lake was as still as a mirror, reflecting the trees perfectly.” Metaphor : “The sun was a golden orb sinking into the horizon.” Personification : “The wind whispered softly through the trees.”

Show, Don’t Tell

Instead of telling the reader what something is like, show them by providing specific details that allow them to experience it. Avoid vague language like “beautiful” or “amazing” and instead describe exactly what makes it so. Example: Telling : “The beach was beautiful.” Showing : “The golden sand stretched out for miles, glistening under the warm afternoon sun, while the crystal-clear water sparkled with every wave.”

Use Clear and Concise Language

Make your descriptions clear and avoid unnecessary words or overly complex sentences. Be sure to stay focused on your subject without straying into unrelated details.

Revise and Edit

After writing your essay, take time to revise it. Look for: Clear descriptions Strong sensory details Proper organization of ideas Consistency in tone and style

Types of Descriptive Essay

A descriptive essay focuses on providing a detailed description of a person, place, object, or event. There are different types of descriptive essays, each focusing on a particular aspect of description:

• Personal Descriptive Essay Describes a person, object, or event that holds personal significance, such as a family member, a memorable location, or a specific experience.
• Imaginative Descriptive Essay Describes something that doesn’t exist or is fictional, like a fantasy landscape, imaginary creature, or futuristic city.
• Objective Descriptive Essay Provides a factual and unbiased description of something, avoiding personal feelings or opinions. It focuses on the physical attributes and features, such as describing a building, machine, or process.
• Subjective Descriptive Essay Involves personal impressions, emotions, or interpretations, often describing something from the writer’s personal perspective or feelings, like a sunset or a favorite vacation spot.
• Event Descriptive Essay Focuses on describing an event in great detail, such as a wedding, festival, or important historical moment, emphasizing its atmosphere and significance.

Each type of descriptive essay requires vivid language, sensory details, and organized structure to effectively convey the description.

Tips of Descriptive Essay

Here are some useful tips for writing a descriptive essay:

• Choose a Specific Topic Focus on a single object, event, person, or experience to avoid overwhelming details and maintain clarity.
• Use Sensory Details Engage the reader’s senses by describing how things look, sound, smell, feel, and taste to create a vivid picture.
• Show, Don’t Tell Instead of just telling the reader how something is, show them through descriptive language and concrete imagery. For example, instead of saying “The cake was delicious,” describe its flavor, texture, and smell.
• Organize Your Description Structure your essay logically. You can organize it spatially (describing from one location to another), chronologically, or from general to specific.
• Use Figurative Language Enhance your descriptions with metaphors, similes, and personification to make your writing more engaging and relatable.
• Focus on a Dominant Impression Convey a specific mood, feeling, or overall impression that you want the reader to take away from your description.
• Revise for Clarity After writing, revise your essay to ensure that your descriptions are clear, precise, and free of unnecessary details.
• Use Strong Vocabulary Choose vivid and appropriate words to paint an accurate and colorful picture. Avoid repetitive or vague language.
• Stay Objective or Subjective (As Needed) Depending on the type of descriptive essay, decide whether you’ll remain objective (factual) or subjective (personal feelings).
• Edit for Grammar and Flow Ensure the essay flows smoothly, with good transitions between descriptions. Check for grammar, punctuation, and sentence variety.

What is the main purpose of a descriptive essay?

The main purpose is to provide the reader with a vivid and immersive experience of the subject being described. It aims to help the reader visualize, understand, and feel the essence of what is being described.

How long should a descriptive essay be?

A descriptive essay can vary in length, but it typically ranges from 500 to 1000 words, depending on the depth of description and the level of detail required by the topic.

How do I conclude a descriptive essay?

Conclude by summarizing the key points of your description and reinforcing the dominant impression you want the reader to leave with. Avoid introducing new details in the conclusion.

What are common mistakes to avoid in a descriptive essay?

Overloading the essay with unnecessary details Using vague or repetitive language Failing to organize the description logically Neglecting sensory details Focusing too much on telling instead of showing

Can I describe more than one object or person in my descriptive essay?

While it’s possible to describe multiple objects or people, it’s generally better to focus on one to avoid overwhelming the reader with too much information. If describing multiple subjects, ensure that they are closely related and contribute to a unified impression.

What kind of language should I use in a descriptive essay?

Use vivid, sensory language that appeals to the five senses (sight, sound, smell, touch, and taste). Avoid vague words and clichés, and opt for strong adjectives, verbs, and figures of speech like similes and metaphors.

Text prompt

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Write a descriptive essay about a place you love to visit and what makes it special.

Describe in a descriptive essay your dream job and what it would be like to work there.