Ken Follett (book); Samuel Harris (teleplay)
Cliff Robertson, David Soul, Season Hubley, Robert Culp
Set in Cairo during World War II, follows a German spy (DAVID SOUL) as he tries to infiltrate the British high command during General Rommel’s (ROBERT CULP) advance on Egypt. The stakes are high as the relentless struggle is at hand. Based on the best-selling novel. |
No features were included. |
The movie comes to DVD for the first time which is nice, though the 1.33 full frame transfer doesn’t always look the best. The opening credits looked like they were taken from a VHS source as there was plenty of artifacts present, that said, the actual movie doesn’t look too bad at least even when colors are on the softer side. The Dolby Digital Mono track is okay, dialogue comes through with decent clarity however, there is some minor hissing at times and the music/score tends to blare out of the center channel. |
Overall, is a well made World War II made-for-TV drama that comes to DVD for the first time courtesy of CBS Home Entertainment and Paramount Home Entertainment and while the picture and video aren’t always the best and there aren’t any bonus material, I suppose fans of the movie and novel its based upon will enjoy finally having this available on home video. |
Sorry, the comment form is closed at this time.
← back to main.
Maj. William Vandam
Elene Fontana
Sonja El Aram
Gen. Erwin Rommel
Sgt. Jake Lendenowen
Billy Vandam
David Hemmings
Ken Follett
You need to be logged in to continue. Click here to login or here to sign up.
Can't find a movie or TV show? Login to create it.
On tv season pages, on tv episode pages, on all image pages, on all edit pages, on discussion pages.
Want to rate or add this item to a list?
Not a member?
Sign up and join the community
Your changes have been saved
Email is sent
Email has already been sent
Please verify your email address.
You’ve reached your account maximum for followed topics.
From whispers of lost civilizations to haunting conspiracy theories, our world’s greatest mysteries have often teased the limits of human understanding. As these puzzles challenge our perceptions to stir our deepest fears, they also invite us into a dark abyss of more questions than answers. Unraveling that puzzle through nuanced storytelling is The Listeners , a provocative series that centers around a woman who begins to hear low-humming sounds that no one else can. The four-part series, set to air on the BBC this fall starring Rebecca Hall is based on the bestselling and award-winning novel of the same name by Jordan Tannahill . Following its highly anticipated Toronto International Film Festival premiere this week , the show will no doubt go on to become one of the year’s most thought-provoking and unsettling series yet .
As an atmospheric exploration of human connection and isolation, The Listeners embraces the ethereal tension of The Leftovers and the psychological depth of Sharp Objects to examine the human experience through silence. With the book set up as a memoir and inspired by the strange, low-frequency reverberations in Windsor, Ontario , the BBC-produced series finds a refreshing nuance in its television adaptation. Produced by Element Pictures, the studio behind Normal People and Poor Things , and directed by Janicza Bravo ( Poker Face and Zola ), the series manages a sharp, important commentary on how loneliness compels us to seek meaning in the unknown — or in this case, the inexplicable. Through its main character Claire, played arrestingly by Hall, The Listeners offers a strong tableau of isolation and how the search for connection can distort even the simplest of perceptions.
The Listeners stars Hall as Claire, an English teacher who is the only person hearing a low-humming sound. Much like the show’s pace, which aligns with a slow-burn drama , the sound she hears starts gradually. It's present, but it's not exactly taking up too much space in Claire’s life. However, things take an abrupt turn and the seemingly innocuous noise begins to upset the balance she has created for herself and her family. Claire, who is also a doting mother to Ashley ( Mia Tharia ) and a loving wife to Paul ( Prasanna Puwanarajah ), begins to find the noise ruining a lot of her daily rhythms. At times, she feels she might have imagined it. But the noise and its high frequency begin to manifest in the form of nose bleeds, leaving Claire with a lot more questions. As she investigates with doctors and conducts tests, they suggest she might have tinnitus or a hypersensitivity to white noise — an issue seen in patients with anxiety and stress.
Here, the mystery begins, unraveling Claire’s layers to offer more about her through a naturally quiet disposition and interaction with others. With her frustrations starting to show, no one can help — that is until one of her students, a 17-year-old boy named Kyle ( Ollie West ) reveals he can too hear the sound. Taking solace in their shared isolation, the two strike up an unlikely (and dangerous) friendship and investigate the sound together. With the noise becoming more apparent, the two become increasingly separated from their family, friends, and colleagues and join a group of neighbors who also allegedly hear the sound led by Jo ( Gayle Rankin ) and Omar ( Amr Waked ), a couple that delivers strong cult vibes . The pair believes it’s important to lean into “The Hum” and treat it like a gift. Naturally, as Claire and Kyle’s friendship grows, so does doubt from the outside, causing perception to become reality.
The Listeners isn’t just a slow-burn drama with a quiet, eerie temperament. As Tannahill is at the forefront of the adaptation’s layered screenplay, the series captures Claire’s growing obsession with the sound in a dynamic, captivating style . With a psychological toll woven delicately into every scene and interaction, it’s a testament to Hall’s natural magnetism as a performer that draws you into every moment. Whatever Claire is feeling or thinking in those lonely scenes alongside the hum, we are right there with her. Able to convey a deep, conflicted demeanor and apprehension, Hall shows us what it feels like through her eyes, the furrow of her brow, or even a slight frown that speaks deeply to her modest, quiet desperation for answers.
Hall is masterful and profoundly focused on a performance that adds to the story’s haunting tale of isolation, longing, and faith. As an actress known for moving seamlessly between roles that demand intensity and vulnerability, like The Prestige or The Night House , Hall is at the top of her game in The Listeners . With an emotional profundity unseen in previous performances, she immerses herself into a world that deftly manages the complexities of loneliness and confusion with masterful fortitude. In those moments when it’s just her versus the hum, how she commands the scene to rely on subtlety speaks to the strength of her craft . When Claire sees doctors with her husband Paul, the tattered sophistication of her anxieties bubble to the surface to create inner tension between the couple, and bring out another side of the performer. While only two episodes were made available to the press, Hall’s undeniable screen presence through Claire’s quiet intensity lingers with you long after.
As the novel and its adaptation capture so much of Claire’s growing obsessions with sounds that ultimately isolate her, the series leans into such compulsion through quiet subtleties . It’s this kind of implicitness that is not only central to the story but its understanding of loneliness through Claire . Through the gnawing mania that afflicts her, we can recognize how these hauntings are a bit of a gateway for her, especially in how she spends time with Kyle. Sure, she’s driving away the people who love her the most and making some bad choices about it, but she’s also opening her eyes to new challenges that speak to a reshaping of her identity.
This obsession with the faintest of noises sends the loudest message about Claire's state of mind , hinting at something deeper that haunts her and distorts her current role. She loves her family, her friends, and her job, but her obsession with “the hum” implies a deeper, more destructive gap in her connection to herself that highlights her emotional and mental welfare. In many ways, Claire’s actions are intentional, and her fixation speaks to a deeper need for building meaningful relationships and connections . It’s easy to empathize with her because she is relatable, but her increasing paranoia detaches her from reality, leading to intense interactions and often destructive behavior that unveils some deeper truths.
One of the best and most versatile actors working today, Hall deserves more recognition.
Bravo, who is known for boundary-pushing work in Zola and Poker Face , levels up her signature style of alienation in The Listeners . Challenging conventional storytelling through gritty realism and vibrant visuals that align with an art-house sensibility, the director's work here exemplifies her unique voice. Like her earlier work in Lemon, Bravo infuses her characters with a lush theatrical sense that also highlights strong, gripping emotional complexities. It’s this kind of intimacy and character-driven core that feeds so much of Hall’s performance .
Emerging as a masterful exploration of isolation and obsessions, The Listeners creates a rich tapestry of existential tension through Hall’s knack for embodying a strong, emotional spirit. Thanks to the familiar writing of Tannahill’s novel with sharp nuance, the BBC production captures the subtleties of human connection and detachment that distort our understanding of reality. Accompanied by a spirited, supporting cast, Hall delivers an exceptional performance — a career-best among a plethora. With the series intertwining the psychological depths of loneliness with the eerie presence of the inexplicable “hum,” the four-part series works to provoke strong reflections on shades of isolation, perception, and the fragility of our connections. It’s illuminating and interesting in the best ways, and with more to unravel as Claire discovers the origins of the hum, The Listeners solidifies its place as one of the year’s most thought-provoking dramas .
With Janicza Bravo's nuanced direction and Rebecca Hall’s standout performance, The Listeners is a compelling and haunting watch of isolation and obsession.
A popular English teacher begins hearing a strange, low hum that no one else around her can detect. As the sound disrupts her family life, she finds solace in a student who also hears it. Together, they join a mysterious group that believes the noise is meant for a select few, exploring themes of conspiracy, transcendence, and belonging.
There’s a digital treasure trove of content on BET+. From TV shows to movies, there’s something for many different interests, and with the long weekend coming up, it’s a good time to catch up. There are sitcoms, dramas, thrillers, and everything for year-round entertainment. You should check out eight TV shows and/or movies on BET+.
Who’s Cheating Who
If you’re into a sexy movie about betrayal and drama, then “Who’s Cheating Who” is right up your alley. The story centers around two couples whose lives get intertwined in a web if deceit. It hits the fan once that web unravels and secrets get exposed. Can these couples survive the ultimate betrayal? Wendy Raquel Robinson is the director, and the stars are Apryl Jones, Blue Kimble, Cynthia Bailey, and Darius McCray. Catch it on BET+ on August 29th.
The Ms. Pat Show
Ms. Pat is the hardest-working woman in show business. She has “Ms Pat Settles It!” and then there’s her OG TV show, the award-winning “The Ms Pat Show.” Fans and critics can’t get enough of it, and you can catch up on all seasons, especially season four, which was most recently aired.
College Hill: Celebrity Edition
Watch every episode of College Hill: Celebrity Edition season 3 and the previous seasons. There’s something satisfying about watching celebrities attempt to be normal students and struggle through the process, where some of them learn important lessons about themselves and the HB CU experience. Last season starred Claudia Jordan, Angela “Blac Chyna” White, Karlous Miller , Saucy Santa , Karlous Miller , and Nick Young , and they didn’t disappoint when it came to the shenanigans.
One Night Stay
Letoya Luckett , Stephen Bishop and MC Lyte star in “One Night Stay.” The gist is Marcus has a one-night stand who gets obsessed. There are two major problems here: Marcus is married, and his obsessive fling decides to secretly move into his mansion. Marcus and his lady, Milia, live their lives not knowing that Jessica is hiding out, waiting to strike.
Tyler Perry's Bruh
There’s “Tyler Perry’s Sistas" and then “Tyler Perry’s Bruh.” It follows the lives of four longtime friends who navigate life and relationships from a man’s perspective.
This comedy/drama from Kev On Stage charts the churchy adventures of Corey Carr Jr., whose life doesn’t go as he had planned. When he doesn’t inherit his father’s church, as he had planned his entire life, he moves to a new town to try to figure things out in the world of ministry.
Ish gets real when a criminal empire forces a top surgeon to remove kidneys as a part of their organ ring. When she refuses, they threaten everyone she loves, and now she must figure out how to survive.
Dutch II: Angel’s Revenge
This thriller, based on Teri Woods’ book of the same title, tells the story of Dutch, a king pen who can’t stay out of the streets. When his two closest allies get out of jail, the lure of the underworld is too strong for them to resist, especially when a woman tries to take over and destroy them.
Subscribe for bet updates, provide your email address to receive our newsletter..
By clicking Subscribe, you confirm that you have read and agree to our Terms of Use and acknowledge our Privacy Policy . You also agree to receive marketing communications, updates, special offers (including partner offers) and other information from BET and the Paramount family of companies. You understand that you can unsubscribe at any time.
The actor behind Charles Deetz in 1988’s ‘Beetlejuice’ does not join Winona Ryder, Catherine O’Hara and Michael Keaton in the sequel
Geffen Film/Warner Brothers/Alamy
The new sequel to comedy-horror classic Beetlejuice includes plenty of familiar faces. Michael Keaton returns as the demonic title character, while Winona Ryder as ghost-empath Lydia Deetz and Catherine O’Hara as her artsy stepmother Delia again play major roles.
But Jeffrey Jones, who played Deetz patriarch Charles in director Tim Burton ’s 1988 cult hit, is notably missing from Beetlejuice Beetlejuice (in theaters now). The movie finds clever ways to make the character of Charles a key part of the story while avoiding the actor who originally portrayed him — presumably because of Jones’ legal troubles.
Jones, now 77, pleaded no contest in 2003 to charges of possession of child pornography over his alleged hiring of a 14-year-old boy to pose for lewd snapshots. As Entertainment Weekly reported at the time, the Ferris Bueller's Day Off and Amadeus star was sentenced to five years probation, counseling and registration as a sex offender for the rest of his life.
In Florida in 2004 and then in California in 2010, Jones was arrested for failing to update his sex offender status. After pleading guilty to the latter charge, his sentence included hours of community service and additional years of probation, as BBC News reported.
PictureLux/The Hollywood Archive/Alamy
Burton and the stars of Beetlejuice have not commented on Jones or his absence in the new film. However, the way Charles’ fate in the long-awaited sequel is handled may speak for itself. (Spoilers for Beetlejuice Beetlejuice plot details follow!)
Charles’ wife Delia breaks the news to Lydia early in the new movie that he has died. Over her narration, Burton uses a stop-motion animation to explain the character’s fate: on a trip abroad for a bird-watching adventure, Charles ended up in the ocean following his plane’s crash landing. A shark chomps off his head and shoulders, killing him. The Deetz family mourns their patriarch at his funeral.
But because the world of Beetlejuice includes a campy depiction of the bureaucratic afterlife, Charles isn’t gone from the story. Down in the netherworld, a body with its head and shoulders bitten off bumbles about, spurting blood while it gurgles somewhat incoherently. An actor who is not Jones provides the voice for what is ultimately one of Burton and his team’s many innovative designs for the recently deceased, who all bear the signs of their death.
Never miss a story — sign up for PEOPLE's free daily newsletter to stay up-to-date on the best of what PEOPLE has to offer, from celebrity news to compelling human interest stories.
Parisa Taghizadeh/Warner Bros. Pictures
Other stars who Beetlejuice fans may want to see in the long-awaited sequel include Glenn Shadix as amateur paranormal expert Otho Fenlock and Sylvia Sidney as deceased case worker Juno. Sadly, they are among the actors who have passed onto the afterlife offscreen; Shadix died in 2010 at age 58 while Sidney died in 1999 at age 88.
Alec Baldwin and Geena Davis don’t return as Adam and Barbara Maitland — the sweet, Harry Belafonte-loving couple whose death in the original film kicked off our introduction to Burton’s netherworld — because, as Lydia explains in Beetlejuice Beetlejuice , they found a loophole that enabled the two to move on permanently.
Besides, as Davis, 68, told PEOPLE in 2022, the inclusion of her and Baldwin’s deceased characters in the sequel would have been especially tricky. "I have a feeling that ghosts don't age ," she pointed out. "How would they explain that they're older?"
Beetlejuice Beetlejuice introduces new stars Jenna Ortega , Justin Theroux , Monica Bellucci , Danny DeVito and Willem Dafoe to the franchise. It is in theaters now.
Ian McKellen (The Lord of the Rings) stars as a powerful London theater critic who becomes entangled in a web of deceit and murder. Ian McKellen (The Lord of the Rings) stars as a powerful London theater critic who becomes entangled in a web of deceit and murder. Ian McKellen (The Lord of the Rings) stars as a powerful London theater critic who becomes entangled in a web of deceit and murder.
Nina Land : I grew up reading you. I wanted to act because of you. I so wanted to meet your standards, but you think I'm appalling.
Jimmy Erskine : There is art in you, Miss Land. My disappointment is in your failure to access it.
Contribute to this page.
Recently viewed.
D esire isn’t just a feeling, it’s also a shape, a silhouette traced in the air with smoke, an empty, aching border waiting to be filled in. And once you slake desire, it’s gone—it has transformed into something else, something more solid than a question mark but a lot less interesting. The shape of desire is everywhere in Luca Guadagnino’s shimmering, tender-as-a-bruise Queer, playing in competition at the Venice Film Festival . Guadagnino and co-writer Justin Kuritzkes have adapted the screenplay from William Burroughs ’ autobiographical novel of the same name, written in 1952 but not published until 1985. Daniel Craig is Burroughs' stand-in here—his character’s name is Bill Lee, a version of the pen name Burroughs himself used at one time—and his complex, mercurial performance is the key to the movie. Sometimes you want to shake him—but damned if he doesn’t also draw out a multitude of undefinable feelings, including grudging protectiveness.
Guadagnino drops us right into Lee’s world—he's a sexual adventurer swaggering through postwar Mexico City. He tries, halfheartedly, to seduce a guileless-looking young American, but thinks better of it when he sees a gold Star of David hanging around his neck. “Your mother wouldn’t like it,” he says decisively, and more than a little derisively. Part of the game for him is determining who’s “queer” and who isn’t—but even then, there’s often some wiggle room. His hangout of choice is a watering hole called the Ship Ahoy, and as a man of independent means, his job, apparently, consists solely of finding people to sleep with. He’s bleary and dissolute, always on the make. His sexual energy is practically a visible aura; every molecule of his being is aquiver.
Read more: The Best New Movies of August 2024
Sometimes he strikes out, but often he scores—no sooner has he completed one assignation than he sets out in search of another. And then he sees a willowy young man—bespectacled, clean-shaven, intelligent-looking—and falls into a kind of love. He’s ignored at first, so he tries harder. Eventually, he and this new conquest lock eyes from opposite sides of a cockfight, a heavily symbolic meet-cute if ever there were one. Eventually, they sit down for a drink. The object of Lee’s affection keeps talking and talking—the effect is something like “blah blah counter-intelligence something blah blah”—while Lee listens, rapt as a lovesick schoolboy. We see the ghost of his arm reaching out to stroke his new friend’s hair, though it’s an illusion, a fantasy, a move he doesn’t dare attempt, an ectoplasmic manifestation of his longing. Eventually, they do go to bed; the sex is steamy, ardent, musky. And suddenly Lee, who we’ve come to believe is just a scrappy, libidinous opportunist, is a goner. His yearning hangs in the air like too-strong after-shave. No matter how you feel about Burroughs—or his work, so often laced with acidity—Craig’s performance might shift your view, at least a little.
The guy Lee has fallen so hard for is maybe-straightish Eugene Allerton (played, with just the right amount of semi-opaque indifference, by Drew Starkey). The rest of Queer maps their cat-and-mouse relationship, one in which Lee is always the one left wanting more. He persuades Allerton to accompany him on a trip to South America—actually, he nearly begs him. But the trip is shaky from the start. Lee is a junkie, and his abject neediness as he goes through a withdrawal is a major turnoff for Allerton. Somehow, they patch things up, and Allerton agrees to accompany Lee deep into the jungle, where he hopes to source, and imbibe, some yage, or ayahuasca, a plant-sourced beverage said to enhance telepathic sensitivity. A reclusive jungle botanist weirdo (played by Lesley Manville, in a long, lank wig) sets the two of them up with some of this magic tea. At first, they believe its effects to be zero. Next thing you know, their palms are glowing red as if illuminated by internal stigmata; when they embrace, their limbs don’t just entwine, they melt together. The effect is radiant, enchanting, erotic.
Guadagnino seems to be having fun with this special-effects magic. And although his last film, the love-triangle escapade Challengers , was widely deemed “sexy,” it wasn’t particularly sensual. Queer is different; its nerve endings are alive. That’s largely thanks to Craig, who offers himself up as an unequivocal sex object. The film was shot by Guadagnino’s regular collaborator Sayombhu Mukdeeprom, who makes the fantasy sequences feel vital and real and the more realistic elements feel vaguely dreamy. And Mukdeeprom knows how to capture Craig’s particular brand of earthy, frowning beauty. Even the stubble on his chin looks faintly luminous, like frost on a blade of grass.
Though Guadagnino is a gifted director, his style is sometimes showily baroque to a fault. (Exhibit A: Suspiria .) But Queer, stylish as it is, may be his most heartfelt movie, at least since Call Me By Your Name . For one thing, it’s set in a time before people had a term for what we now call identity politics—but you can bet their identities meant everything to them, especially in a world where revealing their truest selves could often get them beaten up or, worse, killed. At one point, in the middle of a heroin-induced reverie, Lee explains himself in a phrase that captures the universality of human longing and sexual desire, detached from that thing we conveniently call sexual orientation: “I’m not queer, I’m disembodied.” And in that vein, Guadagnino has made a movie that feels strangely buoyant—as sexually explicit as it is, it’s almost more spiritually explicit. Craig’s Lee is a pilgrim in search of pleasure, sensation, satiety. He doesn’t dare ask for love. But with his ghost limbs, he’s reaching out for it even so.
Contact us at [email protected]
IMAGES
VIDEO
COMMENTS
The Key to Rebecca. An Allied officer (Cliff Robertson) hunts a Nazi spy (David Soul) in Cairo, with the fate of the British in North Africa at stake. Watch The Key to Rebecca with a subscription ...
The Key to Rebecca: Directed by David Hemmings. With Cliff Robertson, David Soul, Season Hubley, Lina Raymond. In Cairo during World War II, a German Agent tries to infiltrate the British command to lay the groundwork for Erwin Rommel's conquest of Egypt.
CBS DVD and Paramount have released The Key to Rebecca, the 1985 miniseries from Taft Entertainment, Operation Prime Time Productions, David Lawrence Productions, and Castle Combe Productions (originally syndicated here in the U.S. by Worldvision). Based on Ken Follett's best-selling WWII espionage thriller, and starring Cliff Robertson ...
However, this one was a mini-series on TV so there was not as much thought put into it as if it were a made for theater movie. Interestingly, the film was made in Tunisia. David Soul is cast as Alex Wolff, which matches the book (ISBN: 0451163494) pretty well. Robert Culp is stretching it as General Rommel.
Ken Follett is one of the world's best-selling novelists. He burst onto the literary scene in 1978 with the Edgar Award-winning Eye of the Needle, and quickly followed that with four more pulse-pounding thrillers: Triple, The Key to Rebecca, The Man from St. Petersburg, and Lie Down with Lions. He also wrote the non-fiction book, On Wings of Eagles, the true story of how two of Ross Perot ...
The Key to Rebecca was an immediate best-seller, becoming a main selection of the Book of the Month Club, with an initial printing of 100,000 copies within days and having been serialised in several magazines, even before any reviews had been published. [2] Positive reviews of the novel cited its depth in historical detail, and accurate depictions of Cairo and the Egyptian desert in the Second ...
David Hemmings. Director. From master storyteller and best-selling author, Ken Follett, comes the exotic spy-thriller based on true events. North Africa, Summer of 1942 — master spy, Alex Wolff is on a mission to send General Erwin Rommel's advancing army the secrets that would unlock the doors to Cairo... and the ultimate Nazi triumph in the ...
From master storyteller and best-selling author, Ken Follett, comes the exotic spy-thriller based on true events. North Africa, Summer of 1942 — master spy, Alex Wolff is on a mission to send General Erwin Rommel's advancing army the secrets that would unlock the doors to Cairo... and the ultimate Nazi triumph in the war. Wolff's pursuer, Major Vandarn, engages the seductive charm of Elene ...
A fearless army major. One has a cause. The other, a conscience. Both had a secret worth dying for.The Key to Rebecca featuring Cliff Robertson and David Soul is streaming with subscription on Prime Video, and available for rent or purchase on Prime Video. It's a drama and romance movie with an average IMDb audience rating of 6.4 (473 votes).
NR 3 hr 17 min Apr 29th, 1985 Action, Thriller, War. From master storyteller and best-selling author, Ken Follett, comes the exotic spy-thriller based on true events. North Africa, Summer of 1942 ...
The Key to Rebecca. ... Reviews. 3.7 out of 5 stars. 155 global ratings. 5 star. 44%. 4 star. 22%. 3 star. 10%. 2 star. 10%. 1 star. 14% ... Find Movie Box Office Data : Goodreads Book reviews & recommendations: IMDb Movies, TV & Celebrities: IMDbPro Get Info Entertainment Professionals Need:
The Key to Rebecca," a thrilling TV movie based on the best-selling novel by Ken Follett.Set in North Africa during the summer of 1942, this exotic spy-thril...
39,731 ratings1,498 reviews. A brilliant and ruthless Nazi master agent is on the loose in Cairo. His mission is to send Rommel's advancing army the secrets that will unlock the city's doors. In all of Cairo, only two people can stop him. One is a down-on-his-luck English officer no one will listen to. The other is a vulnerable young Jewish girl.
Rotten Tomatoes, home of the Tomatometer, is the most trusted measurement of quality for Movies & TV. The definitive site for Reviews, Trailers, Showtimes, and Tickets ... The Key to Rebecca Reviews
Cliff Robertson, as a British officer, pursues David Soul, as a Nazi spy, through the alleys and cafes of Cairo. Field Marshall Rommel frets in the desert. The four-hour, two-part movie begins on ...
The Key to Rebecca. Written by Ken Follett Review by Melissa Galyon. Originally published more than twenty years ago, The Key to Rebecca is one of Ken Follett's most famous espionage novels. In the midst of World War II in Cairo, Alex Wolff (codename: Sphinx) returns to his homeland to do a little work for the Nazis.
Released April 29th, 1985, 'The Key to Rebecca' stars Cliff Robertson, David Soul, Season Hubley, Lina Raymond The movie has a runtime of about 3 hr 17 min, and received a user score of 60 (out of ...
This includes data from ~1.3 million movie & TV show fans per day. The Key to Rebecca is 13748 on the JustWatch Daily Streaming Charts today. The movie has moved up the charts by 6845 places since yesterday. In the United States, it is currently more popular than School of Magical Animals but less popular than Love Under the Lemon Tree. ...
THE KEY TO REBECCA. by Ken Follett ‧ RELEASE DATE: Sept. 22, 1980. If they liked it once, they'll love it twice. That's the wise rationale behind Follett's new WW II thriller, which recycles the same basic scenario—now in 1942 Cairo instead of 1944 England—that made Eye of the Needle such a winner. Again the central figure is a Nazi spy ...
A ruthless Nazi spy. A fearless army major. One had a cause. The other, a conscience. Both had a secret worth dying for. Genre: Action, Thriller, War. Release Date: 1985-04-29. User Rating: 6/10 from 3 ratings. Runtime: 3h 17min.
VIDEO - 2.5/5, AUDIO - 2.75/5. The movie comes to DVD for the first time which is nice, though the 1.33 full frame transfer doesn't always look the best. The opening credits looked like they were taken from a VHS source as there was plenty of artifacts present, that said, the actual movie doesn't look too bad at least even when colors ...
From master storyteller and best-selling author, Ken Follett, comes the exotic spy-thriller based on true events. North Africa, Summer of 1942 — master spy, Alex Wolff is on a mission to send General Erwin Rommel's advancing army the secrets that would unlock the doors to Cairo... and the ultimate Nazi triumph in the war. Wolff's pursuer, Major Vandarn, engages the seductive charm of Elene ...
The Key to Rebecca (TV Movie 1985) cast and crew credits, including actors, actresses, directors, writers and more. Menu. ... User Reviews; User Ratings; External Reviews; Metacritic Reviews; Related Items. News; External Sites; Explore More. Show Less. Create a list » User Lists.
The Listeners stars Hall as Claire, an English teacher who is the only person hearing a low-humming sound.Much like the show's pace, which aligns with a slow-burn drama, the sound she hears ...
D.C. restaurant owner Kia Williams of Omari's Music Bar speaks out after Keith Lee's critical reviews, revealing the challenges of running a small business in a changing city. Latest News
The actress and Liev Schrieber play the wealthy parents of a groom whose wedding celebrations are crashed by a cadaver in this Netflix series based on the Elin Hilderbrand novel.
Jeffrey Jones, the actor behind Charles Deetz in 1988's 'Beetlejuice' does not join Winona Ryder, Catherine O'Hara and Michael Keaton in Tim Burton's new sequel 'Beetlejuice Beetlejuice.'
There are some stories that only a small sector of the population will fully relate to. Nathan Silver's Between the Temples is the newest movie like that. Like Joel & Ethan Coen's A Serious ...
The Critic: Directed by Anand Tucker. With Gemma Arterton, Ian McKellen, Lesley Manville, Mark Strong. Ian McKellen (The Lord of the Rings) stars as a powerful London theater critic who becomes entangled in a web of deceit and murder.
Read more: The Best New Movies of August 2024 Sometimes he strikes out, but often he scores—no sooner has he completed one assignation than he sets out in search of another. And then he sees a ...