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In her new memoir, “ Small Fry ,” Lisa Brennan-Jobs, one of Steve Jobs’s daughters, stresses how she relished the company of the Apple co-founder. She makes much of their sporadic roller-skating expeditions, and of the time he surprised her by crashing her class field trip to Japan. In a recent Times profile , she worried aloud that her book doesn’t do enough to capture Jobs’s one-of-a-kind fatherliness. “Have I failed in fully representing the dearness and the pleasure?” she asked. “The dearness of my father, and the outrageous pleasure of being with him when he was in good form?”
To answer: yes, she does fail, if rendering Jobs as dear and pleasurable were ever really her aim. Steve Jobs was a man of many foibles, in ways we’ve long known about and in ways that are newly revealed in this book. He denied his paternity of Lisa until he was sued for child-support payments. He was, Brennan-Jobs alleges, a wellspring of sexually inappropriate comments. (She says that he wondered aloud at the breakfast table whether his daughter would grow up to look like Brooke Shields. “It gave me a strange feeling when he talked of the beauty of other women,” she recalls, “the longing in his voice when he talked of blonde hair or of breasts, gesturing weights in his cupped hands.”) She claims that he ignored her and kicked her out of family portraits. She spent her childhood ping-ponging between her mom’s place (Chrisann Brennan lived for stretches on welfare benefits) and her dad’s mansions: cavernous, barely furnished, with unused swimming pools and empty aviaries. (“A friend gave me a peacock once,” Steve tells Lisa, “but it wandered off.”) Brennan-Jobs admires her father’s brilliance and charisma, but her memoir elicits little sympathy for him, and “Small Fry,” a book of no small literary skill, is confused and conflicted, angry and desperate to forgive. Its central, compelling puzzle is Brennan-Jobs’s continuing need to justify not just her father’s behavior but her longing for his love. It is a mesmerizing, discomfiting reading.
Brennan-Jobs’s attempt to take control of some modest part of the Steve Jobs myth has almost inevitably unfolded in ways that reinscribe his power, both over his family and a reverent public. Laurene Powell Jobs, his widow, and Mona Simpson, his sister, released a statement rejecting Brennan-Jobs’s account : her “portrayal of Steve is not the husband and father we knew,” they wrote. (Simpson’s co-signing of the statement completes a reversal: Brennan-Jobs says that she reeled with hurt when her aunt published the novel “ A Regular Guy ,” a thinly veiled lampoon of Jobs that featured a highly sympathetic Lisa stand-in.) The statement’s appeal to family loyalty, to closing ranks, underscores what is implicit throughout this memoir: the tantalizing possibility that Jobs’s cruelties also manifested his love. Nowhere is this clearer in “Small Fry” than in the faux mystery of the namesake of the Apple Lisa computer: he names one of his early masterpieces after his daughter, but denies it and denies it again; when he finally acknowledges the obvious, Lisa is twenty-seven, and he doesn’t admit it to her directly—he admits it to Bono, whose villa they are visiting in the South of France.
The book is as attentive to the women united and set at odds by their dependence on Jobs as it is to Jobs himself. “Small Fry” begins as a study of the relationship between Lisa and Chrisann, a tornado who cherishes her daughter but resents their difficult life; Steve is more an aching absence and a whiff of celebrity than a character. By the time Lisa is in middle school, Chrisann and Lisa’s fights grow so intense that Lisa moves in with her father and his new wife. Laurene, Brennan-Jobs writes, likes to call people “losers,” forming an L shape with her thumb and index finger. Laurene and Steve sometimes make out in front of Lisa, “moaning theatrically, as if for an audience.” When Lisa cries during a family therapy appointment, Laurene is impassive, saying, “We’re just cold people.” But Brennan-Jobs insists that she found her stepmother infuriating “because of the immensity of the job I had in mind for her. . . . I hoped she would fix our family, pry my father open, demand his full heart and attention and get him to acknowledge what he’d missed.” This is an admission of guilt—the mature Lisa accepts responsibility for the ways that her stepmother hurt and alienated her, which were caused by her own unreasonable expectations for the adults who had power over her. The near-apology sits uneasily alongside passages that trace the contortions she put herself through as a teen-ager: “I was unsure of my position in the house, and this anxiety—combined with a feeling of immense gratitude so overwhelming I thought I might burst—caused me to talk too much, compliment too much, to say yes to whatever they asked, hoping my servile quality would ignite compassion, pity, or love.”
Some autobiographies double as acts of self-assertion, opportunities for the author not only to express her side of the story but also to display forgiveness, resilience, strength. But Brennan-Jobs’s book seems more wounded than triumphant; it can feel like artfully sculpted scar tissue. Strafed by repeated rejections, the young Lisa retreats into “another magical identity, an extra thing that started to itch and tingle when I felt small.” In “Small Fry,” there is a slippage between the two Lisas, a beguiling loss of distinction between the work of juvenile self-building and the work of memoir. The book often reads as a chronicle of pain, and of compensatory strategies—when her father mistreats her, Brennan-Jobs charms him, or appeases him, or lashes out. These dual conflicts with her parent and within herself often materialize in the text as surreal flights of passive aggression—she carefully itemizes offenses against her and then pointedly refuses to condemn them. When Chrisann asks Steve to buy a house for Lisa and herself and he buys it for his new girlfriend instead, Lisa affects feeling shame about her own hubris. Brennan-Jobs’s introspection has a frantic edge, as if she were still the seven-year-old girl who’d shown up to school in a too-thin dress and tried to distract her friends by spinning. “I kept twirling fast,” she recalls. “If I stopped, everyone would see that I was almost naked.” There is another assumption here, one that was conditioned by a difficult upbringing and that is inherent in publishing a memoir, no matter who you are: that everyone is watching and harshly judging.
Jobs eventually judges himself. He even apologizes. “I wish I could go back,” he sobs, stricken by cancer. “I wish I could change it.” His adult child writes in response that she grieves “our missed chance at friendship,” and the tender scene ends. Brennan-Jobs appears on the cover of her book as a girl’s outline, filled with flowers. The graphic promises regeneration and completion. The man who stares out from the famous Walter Isaacson biography is fierce, expectant. The photograph is so iconic that it looks like an iteration of itself, one of many billboards on a road with no off-ramp.
by Jessie Hartland illustrated by Jessie Hartland ‧ RELEASE DATE: July 21, 2015
Nothing new or revelatory here, but the book can serve as a good introduction to Jobs and will impress with its concision...
A free-wheeling graphic biography of Steve Jobs.
The late visionary behind Apple and Pixar lent himself to caricature, and illustrator Hartland ( Bon Appétit: The Delicious Life of Julia Child , 2012, etc.) takes full advantage. Her inspirational version of the “insanely great” Jobs is a misfit who refused to follow the rules or play well with others, who was as rebellious as he was smart. Eventually becoming one of the richest men in the world, he followed a spiritual path of asceticism, looking for gurus, seeking a purer truth than can be found in material possessions. Yet he showed a remarkable lack of compassion and empathy toward his associates and was forced out of the Apple he had founded because others considered him so difficult. He wasn’t the computer whiz that his early collaborator Steve Wozniak was, but the marketing acumen of his passion for design and simplicity proved equally crucial in Apple’s transformation of the personal computer from a hobbyist pursuit into a paradigm-shifting commercial product. “Woz is the engineering genius,” the author writes in a kid’s scrawl that matches the rough-hewn illustrations. “Steve is the salesman with the big picture.” As she later quotes her subject, who saw Apple prosper beyond anyone’s wildest expectations, “I don’t think it would have happened without Woz and I don’t think it would have happened without me.” Recognizing his own deficiencies, Jobs recruited Pepsi’s John Sculley to run the company: “While Steve knows himself to be quirky, tactless, confrontational, and insensitive, he knows Sculley is polite, polished, and easygoing”—though inevitably, there was a power struggle between the two. The narrative somehow squeezes Jobs’ important innovations—the iMac, the music empire of iPods and iTunes, the smartphone revolution, the iPad—into a breezy narrative that engages and entertains.
Pub Date: July 21, 2015
ISBN: 978-0-307-98295-7
Page Count: 272
Publisher: Schwartz & Wade/Random
Review Posted Online: March 30, 2015
Kirkus Reviews Issue: April 15, 2015
TEENS & YOUNG ADULT SCIENCE & TECHNOLOGY | GENERAL GRAPHIC NOVELS & COMICS | BIOGRAPHY & MEMOIR
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by Tony Hillery ; illustrated by Jessie Hartland
by Leslie Kimmelman ; illustrated by Jessie Hartland
by Barry Wittenstein ; illustrated by Jessie Hartland
by Eugene Byrne illustrated by Simon Gurr ‧ RELEASE DATE: Feb. 5, 2013
More text than younger readers will want to wade through, yet framed in a way that might seem silly to older readers.
A serviceable graphic summary of Darwin’s life and achievement, pegged somewhere between educational use for preteens and a primer for adult readers.
The latest collaboration between writer Byrne and illustrator Gurr ( Bristol Story , 2007) is a little odd in light of both the publisher’s reputation and the conventions of the graphic format—this is far more text-heavy than what readers of graphic novels have come to expect, and attempts at a playful sense of humor seem strained. To questionable effect, the narrative is framed as an episode of “Ape TV,” in which apes learn about the life of the unlikely scientist whose theory that mankind and the ape were part of the same evolutionary process would be so transforming. Once readers get past those apes and into the story itself, they learn that Darwin was an indifferent student and someone whose future by no means seemed secured, until he received an invitation to take a voyage that “would not just change Darwin’s life, it would change the course of history.” The commander of an expedition was looking for “a gentleman-naturalist as a companion,” someone who could keep him company as more of an equal than the crew under him. It says something about Darwin’s lack of immediate plans that he was able to commit to a journey that was anticipated to last two years yet lasted five. The animals he encountered seemed so different than ones he’d known that he theorized that if it weren’t a matter of different conditions that resulted in such “transmutation,” they might well have had a different creator. The text corrects common misconceptions concerning “social Darwinism” and “survival of the fittest,” yet is misleading in its attempt to reconcile creationism with Darwin’s theory.
Pub Date: Feb. 5, 2013
ISBN: 978-1-58834-352-9
Page Count: 100
Publisher: Smithsonian Books
Review Posted Online: Nov. 18, 2012
Kirkus Reviews Issue: Dec. 1, 2012
GENERAL GRAPHIC NOVELS & COMICS | BIOGRAPHY & MEMOIR | HISTORY
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I've never been an Apple obsessive (I've only owned a couple of iPods), and for the longest time I was iffy about Jobs himself (always thought he was self-absorbed dick), but I'd heard a lot of good things about his biography and thought I'd give it a try
I couldn't read it fast enough. Though I still think he's a self-absorbed dick (and apparently not a lot of people will disagree with that), I also came to admire his ambition, vision and work ethic. We can sit here questioning his intensity and his apparent apathy towards people's feelings, but we can't deny that, in the end, he made things happen, and he made them happen very well (most of the time). I know people criticize him for how he treated his first daughter and other things in his personal life, but I'm looking at him from a purely professional POV
I liked the bit at the end where Jobs and Gates are sitting together talking about their successes and admitting that the other's strategy worked out at the end (Gates/Microsoft licensing out their software to lots of companies, Jobs/Apple keeping a pretty tight rein on theirs)
I got a lot out of the book, and even found it motivational. I'm not going to rush out and buy any Apple products, but I do feel more confident about pursuing my own ambitions after reading this
Would love to hear your thoughts on the book
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If you're inclined to disagree, just count the biographies - there must be a dozen, at least. Then there are the 'leadership secrets' books, the guides to his 'hippy capitalist' philosophy and more. Steve Jobs was not just a man - he was, and remains, an industry.
So if you want to learn more about Steve Jobs, where is the best place to start? Specifically, is the latest book on his life, Becoming Steve Jobs: The Evolution of a Reckless Upstart into a Visionary Leader , the place to begin? I think it is.
Until this book, written by Brent Schlender and Rick Tetzeli, came along, the canonical Jobs biography was Walter Isaacson's 2011 'authorised' effort, Steve Jobs . This was hyped by its publishers as a controversial take on Jobs' life. In fact, it turned out to be anything but. Personally, I thought it was worthy and somewhat dry.
Schlender and Tetzeli have written a much more interesting biography, and I think there are a couple of reasons for this. Over 25 years, Schlender worked for the Wall Street Journal and Fortune, while Tetzel worked for Fast Company , the technology, business and design magazine. Schlender interviewed Jobs at various times during those 25 years - including the interregnum, when Jobs left Apple to start NeXT , and after.
As Schlender told the Computer History Museum at an event earlier this month, over time he built a collection of "some 50 tape cassettes of interview with Steve Jobs". These turned out to be a treasure trove: "Often we talked spontaneously over the phone," Schlender told the museum , adding that he had "forgotten just how often we would talk at length".
Schlender first met Jobs when the latter was setting up NeXT in 1988, after being ousted from the company he co-founded. Over the years the two got to know each other well, but before that first interview Schlender, who at that time was working for the Wall Street Journal , had to justify his presence to Jobs, who was not going to waste his time trying to explain technology to a financial journalist who didn't know a bit from a byte.
Schlender passed the test, the interview went ahead, leading to more interviews, and eventually to the book reviewed here.
Becoming Steve Jobs is an honest attempt to set the record straight on Jobs.
The authors point out: "In part because of the way Steve quarrelled with [Mike] Markkula and [Mike] Scott, in part because he brazenly asserted his opinions as fact, and in part because over the length of his career, he neglected to share credit for Apple's success in the press, Steve developed a reputation as an egomaniac who wasn't willing to learn from others. It's a fundamental misunderstanding of the man, even during his youngest, brashest and most overbearing years."
"While Steve looked to his elders at Apple for guidance he also sought it out elsewhere."
In a (longish) nutshell, I think that's as neat a summing up of Steve Jobs as you could wish for. Yes, Jobs was misunderstood by many, including many of those close to him, and, yes, he was an extremely complex person. But so, I suspect, are most geniuses - doesn't that go with the territory?
For me, Steve Jobs was summed up by the famous '1984' commercial that ran on US TV in the prime half-time slot at that year's Super Bowl final. I remember it well - not only because at the time I was a big NFL fan, but also because, working for a computer magazine, I had heard that Apple had something big planned for a launch that would coincide with the biggest single sporting event in the US.
In the '1984' advert we saw a young female athlete in full colour, running past serried ranks of monochrome drone-like people to hurl a sledgehammer at a black-and-white screen on which a Big-Brother-like figure was giving a speech. A cover line declared that Apple's forthcoming Macintosh launch event would show "why 1984 won't be like Nineteen Eighty-Four ".
No expense had been spared. The advert was directed by Ridley Scott, who worked in advertising before moving on to films such as Alien, Blade Runner, Thelma & Louise, and Gladiator .
This spectacular, unforgettable advertisement would only be shown once on national TV, but in one minute it defined Steve Jobs. It was inspirational, it was creative genius, it was truly brilliant - exactly like the man himself.
Bill Gates could not have put it any better than when he said of Jobs: "I was never in his league." That's some admission from a man like Gates, but it speaks volumes for both men.
In another quote from Schlender and Tetzeli's book, Gates said of Jobs: "It was just amazing to see how precisely he would rehearse. And if he's about to go on stage, and his support people don't have the thing right, you know, he is really, really tough on them. He's even a bit nervous because it's a big performance. But then he's on and it's quite an amazing thing."
And that was the Steve Jobs that those who were lucky enough to encounter him will remember. He had charisma that others, who may have been his equal in fame and fortune, could only dream of. And no matter how unpleasant he might at times choose to be, it was difficult, if not impossible, to dislike the man.
One thing about Steve Jobs that just about everybody can agree on is that the world is a poorer place after his untimely death.
Further Reading:
Pressed for Time, book review: Don't blame the technology Data and Goliath, book review: A handbook for the information age Jony Ive, book review: Some genesis, but few revelations Haunted Empire, book review: Apple's post-Jobs prospects Insanely Simple: Book review Book review: What Would Steve Jobs Do?
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About the author, walter isaacson.
Walter Isaacson is writing a biography of Elon Musk. He is the author of The Code Breaker: Jennifer Doudna, Gene Editing, and the Future of the Human Race; Leonardo da Vinci; Steve Jobs; Einstein: His Life and Universe; Benjamin Franklin: An American Life; The Innovators: How a Group of Hackers, Geniuses, and Geeks Created the Digital Revolution; and Kissinger: A Biography. He is also the coauthor of The Wise Men: Six Friends and the World They Made. He is a Professor of History at Tulane, has been CEO of the Aspen Institute, chairman of CNN, and editor of Time magazine.
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Customers find the book amazing, exquisite, and well-written. They also appreciate the depth of content, saying it's refreshingly objective, presenting the facts without sugarcoating. Readers describe the biography as compelling and exciting. They find the characters fascinating and ruthless. Opinions are mixed on the storyline, with some finding it meticulously crafted and long, while others say it'd be better if it were disjointed. Customers also have mixed feelings about the content, with others finding it candid and fair, while other find it hypocritical and rash.
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The labor market last year seemed to shrug off historically high interest rates and inflation , gaining well over 200,000 jobs a month.
Turns out the nation’s jobs engine wasn’t quite as invincible as it appeared.
The U.S. Bureau of Labor Statistics on Wednesday revised down its estimate of total employment in March 2024 by 818,000, the largest such downgrade in 15 years. That effectively means there were 818,000 fewer job gains than first believed from April 2023 through March 2024.
So, instead of adding a robust average of 242,000 jobs a month during that 12-month period, the nation gained a still solid 174,000 jobs a month, according to the latest estimate.
The revision is based on the Quarterly Census of Employment and Wages, which draws from state unemployment insurance records that reflect actual payrolls, while the prior estimates come from monthly surveys. The estimate is preliminary, however, and a final figure will be released early next year.
The largest downward revision was in professional and business services, with estimated payrolls lowered by 358,000, followed by a 150,000 downgrade in leisure and hospitality and 115,000 in manufacturing.
The significantly cooler labor market depicted by the revisions could affect the thinking of Federal Reserve officials as they weigh when – and by how much – to lower interest rates now that inflation is easing. Many economists expect the Fed to reduce rates by a quarter percentage point next month, though some anticipated a half-point cut after a report early this month that showed just 114,000 job gains in July.
Wednesday’s revisions underscore that the labor market could have been softening for much longer than previously thought.
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Although the new estimates don't mean the nation is in a recession, “it does signal we should expect monthly job growth to be more muted and put extra pressure on the Fed to cut rates,” economist Robert Frick of Navy Federal Credit Union wrote in a note to clients.
Some economists, however, are questioning the fresh figures. Goldman Sachs said the revision was likely overstated by as much as 400,000 to 600,000 because unemployment insurance records don’t include immigrants lacking permanent legal status who have contributed dramatically to job growth the past couple of years.
Based on estimates before Wednesday's revisions, about 1 million jobs, or a third of those added last year, likely went to newly arrived immigrants, including many who entered the country illegally, RBC Capital Markets estimates.
Also, the Quarterly Census of Employment and Wages itself has been revised up every quarter since 2019 by an average of 100,000, Goldman says. In other words, Wednesday's downward revision could turn out to be notably smaller when the final figures are published early next year.
Columbiana readers guild donates 50 books to joshua dixon elementary.
The Columbiana Readers Guild recently donated 50 books to Joshua Dixon Elementary School’s on-site library in Columbiana to share their love of reading. (Submitted photo)
COLUMBIANA — The Columbiana Readers Guild, which is a part of the Columbiana Women’s Club, recently donated around 50 books to Joshua Dixon Elementary School for their school library.
Longtime guild member Pat Tingle explained that she joined the group 20 years ago and encouraged them to review more current books by authors such as Toni Morrison and hold discussions, which differed from their existing practice of participant’s giving book reports.
“The Columbiana Readers Guild was a good option (to occupy) women that outlive their husbands,” Tingle explained, adding that many of the original 30 members had either moved to be closer to family or passed away leaving them down to seven members.
Barbara Morey was one of those members who moved to live closer to family and had forwarded Tingle a $500 check to use for something that would share the guild’s love for reading.
“After much discussion, we decided to give a collection of books to Joshua Dixon Elementary School,” Tingle explained, adding she had a special relationship with children’s literature herself having taught it at the college level in Georgia and Connecticut before moving to Columbiana.
Teaming up with Margaret McBane, who is active with Columbiana Public Library, Tingle explained how the duo went to buy various children’s books at shops in Boardman and Youngstown — both current popular titles and old favorites.
She manned the shopping cart as McBane would toss in the titles of choice.
Online shopping through websites like Amazon also proved fruitful — the women secured around 60 books that they were able to have all seven guild members scribe their names within the front, as well as a brief tribute to Morey, and gift to Dixon school in time for classes to start.
The guild members enjoyed the experience, getting to glance through the books — familiar and not familiar — before signing the inside cover as well as briefly share their thoughts.
“The donation included many beautiful books for our school library,” explain Dixon principal Dr. Kim Sharshan. “We soon will be getting them into the hands of our students at Joshua Dixon.”
The school administrator expressed her appreciation for the gift of books.
“The authentic literature will expose students to a variety of genres, real-life examples of language and import a lot of reading,” she added.
“It was a good social activity for (the Columbiana Readers Guild), and Columbiana is such a nice school district that it was nice to be available to encourage this love of reading,” Tingle concluded.
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Fourth seasons of sitcoms are often their funniest from “Seinfeld” (The Contest) to “The Office” (The Fun Run), from “The Simpsons” (Mr. Plow) to “Cheers” (the arrival of Woody Harrelson). Maybe we need a little time to get to know the characters. Maybe we need a few seasons to embrace the unique tone. Or maybe the writers have finally gelled in the writers room and are finally swinging for the fences with their wildest, most creative ideas.
Whatever the reason, “Only Murders in the Building” is doing just that for me. Season 1 was an intriguing setup that felt too stretched out, Season 2 was too much of a rehash of the first season, Season 3 finally hit its stride with a change of scenery to Broadway with Martin Short staging, “Death Rattle” and Steve Martin hilariously singing, “Which of Pickwick Triplets Did It?” On Tuesday, it returns for Season 4 with a killer opening episode.
Don’t worry if you missed last season — the Broadway murder of Ben (Paul Rudd) is officially a closed case and we’re moving on to another murder mystery for Charles (Steve Martin), Oliver (Martin Short) and Mabel (Selena Gomez) to solve. All you need to know is that the Season 3 finale ended with Charles’ body double Sazz (Jane Lynch) being mistakenly murdered in Charles’ Arconia apartment in an apparent botched attempt to kill him.
As our trio of protagonists return to Charles’ apartment in the Season 4 premiere, the writers brilliantly mess with audience expectations at every turn as the characters keep finding ways to not discover Sazz’s body. They gasp in the dark, point at things and inspect the floor in what amounts to a bunch of close calls to fake out the viewers, before the camera pulls backwards out of the window to reveal a bullet hole, which the characters don’t see.
They’re too busy celebrating their podcast, which is being made into a movie if Paramount can convince them to sign over their life rights. Mabel is skeptical of her portrayal as a “mumbling millennial;” Charles is tempted by a return to fame as TV’s Brazzos; and Oliver is ecstatic for a chance to rekindle with love interest Loretta (Meryl Streep) and bounce back from his showbiz setback: “Broadway is a racket, but Hollywood never let me down!”
Seeing the trio travel to Hollywood is more than just Lucy and Ricky moving west, it makes for some genuinely hilarious situations with several laugh-out-loud moments. Steve Martin is in top form, recalling “Dead Men Don’t Wear Plaid” (1982) by speaking dialogue that might as well be narration: “Hollywood: where movie stars live side by side with eccentrics who’ve been here for decades, everyone from Scarlett Johansson to The Black Dahlia.”
It’s also great to see Molly Shannon (“SNL”) show up as Paramount producer Bev, as well as a trio of famous movie-star actors (appearing as themselves) who attend a lavish L.A. party to meet their fictional counterparts. I won’t spoil who they are, but let’s just say Charles will be played by a hilarious sitcom dad, Mabel will be played by a desperate housewife, and Oliver will be played by a deliciously deadpan actor who now hosts a viral talk show.
Just when you thought Season 4 premiere couldn’t get any better, it ends with some truly powerful filmmaking intercutting Charles watching the classic Spaghetti western “Once Upon a Time in West” (1968), admiring Sergio Leone’s ability to rivet us with no dialogue, only imagery and windmill sound effects. “Only Murders” follows suit with a largely silent revelatory montage, ending with a powerful image that cuts to black at just the right moment.
I know it’s only one episode, but I’m hooked! I’m so glad this show is back. It keeps getting better and better. Here’s hoping for more zany adventures in Hollywood between the necessary clue-finding at the Arconia.
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Hailed by The Washington Post for “his savantlike ability to name every Best Picture winner in history," Jason Fraley began at WTOP as Morning Drive Writer in 2008, film critic in 2011 and Entertainment Editor in 2014, providing daily arts coverage on-air and online.
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The former first lady enthralled a packed arena on Tuesday evening with one of the Democratic National Convention’s most emphatic takedowns of Donald J. Trump.
The former first lady delivered a takedown of former president donald j. trump, asking, “who’s going to tell him that the job he’s currently seeking might just be one of those ‘black jobs’”.
For years, Donald Trump did everything in his power to try to make people fear us. See, his limited, narrow view of the world made him feel threatened by the existence of two hard-working, highly educated, successful people who happen to be Black. I want to know. I want to know who’s going to tell him? Who’s going to tell him that the job he’s currently seeking might just be one of those Black jobs?
By Katie Rogers
Reporting from the Democratic National Convention in Chicago
Michelle Obama, the former first lady and one of the most popular figures in the Democratic Party, delivered one of the Democratic National Convention’s most emphatic takedowns of former President Donald J. Trump on Tuesday night and turned one of his most controversial campaign lines against him: “Who’s going to tell him that the job he’s currently seeking might just be one of those ‘Black jobs’?” she said.
Mrs. Obama, a reluctant campaigner, enthralled a packed arena in Chicago with a convention appearance that lent firepower to Vice President Kamala Harris’s presidential campaign. She offered support and praise for Ms. Harris, but focused much of her nearly 20-minute speech squarely on Mr. Trump, mocking his past comments, his background and his behavior, while mostly avoiding naming him.
And for a speech delivered at a political convention, her remarks struck a remarkably personal tone as she spoke of the former president, who led a multiyear campaign to question the birthplace of her husband, former President Barack Obama.
“For years, Donald Trump did everything in his power to try to make people fear us,” she said, adding that “his limited, narrow view of the world made him feel threatened by the existence of two hardworking, highly educated, successful people who happen to be Black.”
She zeroed in on his debate-night complaint about immigrants taking “Black jobs” by pointing out that the presidency of the United States has been one and might soon be again. She said that Americans like Ms. Harris understood “that most of us will never be afforded the grace of failing forward,” a reference to Mr. Trump’s business troubles. She noted that most Americans do not grow up with “the affirmative action of generational wealth.” (Mr. Trump was born into a wealthy family in Queens.)
“If we see a mountain in front of us, we don’t expect there to be an escalator waiting to take us to the top,” she said. Line by line, she received thunderous applause.
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IMAGES
COMMENTS
In many ways, the Jobs of the early '80s at the outset of his breathtaking career is the same feisty and impetuous man we find at the end of the book, picking apart his plans to build a yacht ...
A correction was made on. Oct. 26, 2011. : The Books of The Times review on Saturday, about "Steve Jobs," by Walter Isaacson, described Angry Birds, a popular iPhone game, incorrectly ...
20. Our Verdict. GET IT. Google Rating. An unforgettable tale of a one-of-a-kind visionary. With a unique ability to meld arts and technology and an uncanny understanding of consumers' desires, Apple founder Steve Jobs (1955-2011) played a major role in transforming not just computer technology, but a variety of industries.
Walter Isaacson's worldwide bestselling biography of Apple cofounder Steve Jobs. Based on more than forty interviews with Steve Jobs conducted over two years--as well as interviews with more than 100 family members, friends, adversaries, competitors, and colleagues--Walter Isaacson has written a riveting story of the roller-coaster life and searingly intense personality of a creative ...
Steve Jobs by Walter Isaacson 656 pages Simon & Schuster Published: October 2011 Walter Isaacson's "Steve Jobs" was published in the fall of 2011, three weeks after Jobs died at the age of 56. Isaacson is an author, journalist and former CEO of the Aspen Institute. He has written biographies of Benjamin Franklin, Albert Einstein…
Steve Jobs was very much a child of the 60s, a decade of youthful rebellion. He was troublesome while growing up and played many pranks in school. Jobs held a disdain for authority and possessed a ...
Steve Jobs died on October 5, 2011. In our world of bite-sized attention spans, it probably seems to some that he has already been gone for decades. Rushed into publication only three weeks after Jobs's death and several months ahead of its publication date, Walter Isaacson's book is more a work of journalism than it is the kind of ...
Jobs was accused of being a tyrant. Jobs response was characteristic "People do have the freedom to watch porn. They can buy an android.". The book is not just the story of Steve Jobs. It's a story of the revolution in the tech industry. It is thorough, and at times digressive and exhausting but like Steve Jobs himself- never dull.
Book Review: Steve Jobs by Walter Isaacson. I knew that I would enjoy this book after reading the first few pages, but it far exceeded my expectations. I love learning the history behind products that I am familiar with, and Steve Jobs by Walter Isaacson lays out the history of every product Steve Job's is responsible for.
Steve Jobs. Walter Isaacson | 4.37 | 924,829 ratings and reviews. Recommended by Elon Musk, Bill Gates, Gary Vaynerchuk, and 41 others. See all reviews. Ranked #1 in Artist Biography, Ranked #1 in Inventors — see more rankings. From the author of the bestselling biographies of Benjamin Franklin and Albert Einstein, this is the exclusive, New ...
A devoted Apple user, I am captivated by the aesthetics and elegance of the brand. As such, I am the consumer Steve Jobs set out to create. Perhaps in a way not unrelated to that bias, I offer fair warning that this is not the usual book review. The volume has a nominal author, but to me Steve Jobs's personality overshadows the book itself ...
Steve Jobs. Hardcover - Big Book, October 24, 2011. Walter Isaacson's "enthralling" (The New Yorker) worldwide bestselling biography of Apple cofounder Steve Jobs. Based on more than forty interviews with Steve Jobs conducted over two years—as well as interviews with more than 100 family members, friends, adversaries, competitors, and ...
By the age of 56, Steve Jobs was dead. Steve Jobs has a legacy as a modern-day industrial, and technological pioneer whose life work has radically changed the lives of perhaps billions of people along with the way business and politics are conducted around the world.
Steve Jobs By Walter Isaacson Little, Brown 627 pages ISBN: 978-1-4087-0374-8 £25. Wendy M Grossman. "All progress depends on the unreasonable man," George Bernard Shaw wrote in 'Maxims for ...
The book, which was released in 2011, explores the incredible life of Steve Jobs, the co-founder of Apple Inc., providing insights into his innovative ideas, visionary leadership, and unwavering ...
BOOK SUMMARY: A riveting biography about the brilliant and sometimes controversial icon, Steve Jobs.Walter Isaacson interviewed more than forty people over a span of two years to come up with an accurate portrayal of Steve Jobs. Steve Jobs was a very layered and complex genius, developing Apple, and Pixar, among other things.
Steve Jobs was a man of many foibles, in ways we've long known about and in ways that are newly revealed in this book. He denied his paternity of Lisa until he was sued for child-support payments.
Her books include Steve Jobs: The Man Who Thought Different; Tommy: The Gun that Changed America; Hillary Rodham Clinton: A Woman Living History, and Let Me Play: The Story of Title IX. Her books have won a Sibert Honor and a Jane Addams Children's Book award and have been a finalist for YALSA's Excellence in Nonfiction for Young Adults award ...
Early Life Influences. The account begins with orphaned Steve and his way into the lives of Paul and Clara Jobs. The influence of childhood in one's life is evident throughout the book.
If you have spent the last fifteen years romanticizing about Steve Jobs and his products, this book will leave you punch-drunk. You will learn through stomach-churning details how Steve Jobs was a disloyal, lying, backstabbing, vindictive, manipulative, vengeful, and all-around vile and damaged human being.
amazon. A free-wheeling graphic biography of Steve Jobs. The late visionary behind Apple and Pixar lent himself to caricature, and illustrator Hartland (Bon Appétit: The Delicious Life of Julia Child, 2012, etc.) takes full advantage. Her inspirational version of the "insanely great" Jobs is a misfit who refused to follow the rules or play ...
Goddamn : r/books. Finished Steve Jobs by Walter Isaacson earlier this week. Goddamn. I've never been an Apple obsessive (I've only owned a couple of iPods), and for the longest time I was iffy about Jobs himself (always thought he was self-absorbed dick), but I'd heard a lot of good things about his biography and thought I'd give it a try.
Becoming Steve Jobs: The Evolution of a Reckless Upstart into a Visionary Leader • Crown Business • 464 pages • ISBN 9780385347402 • $30. Steve Jobs was one of the most compelling and ...
#1 New York Times bestseller From the author of Steve Jobs and other bestselling biographies, this is the astonishingly intimate story of the most fascinating and controversial innovator of our era—a rule-breaking visionary who helped to lead the world into the era of electric vehicles, private space exploration, and artificial intelligence. Oh, and took over Twitter.
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Seeing the trio of Steve Martin, Martin Short and Selena Gomez travel to Hollywood makes for some genuinely hilarious situations with several laugh-out-loud…
Michelle Obama's Speech Turns Trump's 'Black Jobs' Line Against Him. The former first lady enthralled a packed arena on Tuesday evening with one of the Democratic National Convention's ...