University of Southern California

Los Angeles , CA

https://dornsife.usc.edu/cwphd

Degrees Offered

Fiction, Poetry, CNF

Residency type

Program length.

64 units (5 years)

Financial Aid

Students admitted to the Ph.D. program in Creative Writing and Literature receive financial support and assistance in the form of Teaching Assistantships and Fellowships, which include full tuition remission, year-round health and dental benefits, and a stipend at the current rate.

Teaching opportunities

Editorial opportunities.

  • Chris Abani PhD 2005
  • Dexter L. Booth PhD
  • Stephan Clark PhD
  • Jonathan Escoffery PhD (Fiction) 2024
  • Emily Geminder PhD (Fiction) 2021
  • Katherine Karlin PhD (Fiction) 2009
  • Lisa Lee PhD
  • Robin Coste Lewis PhD (Poetry)
  • Ryan McIlvain PhD
  • Bonnie Nadzam PhD (Fiction) 2010
  • Jessica Piazza PhD 2014
  • Michael Powers PhD
  • Jianan Qian PhD (Fiction) 2025
  • Josie Sigler Sibara PhD (Fiction) 2013
  • Amy Silverberg PhD (Fiction)
  • Safiya Sinclair PhD
  • Brandon Som PhD (Poetry) 2014

Send questions, comments and corrections to [email protected] .

Disclaimer: No endorsement of these ratings should be implied by the writers and writing programs listed on this site, or by the editors and publishers of Best American Short Stories , Best American Essays , Best American Poetry , The O. Henry Prize Stories and The Pushcart Prize Anthology .

Best Universities for Creative Writing in the World

Updated: February 29, 2024

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Below is a list of best universities in the World ranked based on their research performance in Creative Writing. A graph of 3.39M citations received by 403K academic papers made by 1,501 universities in the World was used to calculate publications' ratings, which then were adjusted for release dates and added to final scores.

We don't distinguish between undergraduate and graduate programs nor do we adjust for current majors offered. You can find information about granted degrees on a university page but always double-check with the university website.

Please note that our approach to subject rankings is based on scientific outputs and heavily biased on art-related topics towards institutions with computer science research profiles.

1. University of Toronto

For Creative Writing

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2. University of Oxford

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3. University College London

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4. Columbia University

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5. University of Cambridge

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6. King's College London

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7. University of Michigan - Ann Arbor

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8. University of British Columbia

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9. University of Texas at Austin

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10. Stanford University

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11. University of Manchester

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12. University of California - Berkeley

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13. University of Alberta

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14. Yale University

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15. Pennsylvania State University

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16. Ohio State University

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17. University of Southern California

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18. New York University

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19. University of Illinois at Urbana - Champaign

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20. University of Edinburgh

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21. University of Wisconsin - Madison

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22. University of Exeter

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23. University of Chicago

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24. University of California - Los Angeles

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25. University of Sydney

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26. Arizona State University - Tempe

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27. Cornell University

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28. Harvard University

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29. University of Sheffield

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30. University of Melbourne

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31. University of Birmingham

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32. University of Nottingham

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33. University of Leeds

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34. McGill University

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35. University of Pennsylvania

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36. University of Washington - Seattle

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37. University of Virginia

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38. Monash University

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39. Emory University

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40. University of North Carolina at Chapel Hill

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41. University of Bristol

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42. University of Maryland - College Park

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43. University of Queensland

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44. Lancaster University

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45. York University

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46. University of Arizona

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47. Durham University

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48. Princeton University

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49. University of York

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50. University of Warwick

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51. Michigan State University

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52. University of Glasgow

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53. University of South Florida

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54. University of California - Santa Barbara

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55. University of Auckland

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56. University of Calgary

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57. Rutgers University - New Brunswick

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58. University of Amsterdam

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59. Boston College

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60. Cardiff University

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61. University of Sussex

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62. University of California - Irvine

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63. University of London

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64. University of Illinois at Chicago

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65. London School of Economics and Political Science

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66. Tel Aviv University

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67. Hebrew University of Jerusalem

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68. Catholic University of Leuven

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69. University of Haifa

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70. Aarhus University

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71. Florida State University

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72. University of Southampton

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73. Queen Mary University of London

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74. University of Oslo

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75. University of Minnesota - Twin Cities

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76. University of St Andrews

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77. University of Pittsburgh

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78. University of Victoria

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79. Lund University

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80. University of New South Wales

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81. University of California - Santa Cruz

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82. Royal Holloway, University of London

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83. University of Liverpool

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84. University of Helsinki

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85. University of Notre Dame

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86. Temple University

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87. Northwestern University

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88. Education University of Hong Kong

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89. Virginia Polytechnic Institute and State University

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90. University of Florida

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91. Vanderbilt University

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92. University of Waikato

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93. Griffith University

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94. Newcastle University

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95. University of Copenhagen

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96. Macquarie University

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97. Carnegie Mellon University

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98. Georgetown University

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99. Boston University

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100. University of California-San Diego

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  • Writing for Screen & Television
  • Program Overview

John Wells Division of Writing for Screen & Television

It all begins with a script. Before any film, television show, web series, or video game can become a phenomenon, you need words on a page. The John Wells Division of Writing for Screen & Television teaches students how to create the kinds of scripts that excite creative collaborators, agents, managers, and investors and become real projects. The curriculum immerses students in the SCA tradition of crafting compelling stories and honing your narrative instincts through small workshop classes. You will learn to write short scripts, feature-length screenplays, television episodes in comedy and drama, web series, and scripts for games and other immersive media.

Our Writing for Screen and Television BFA and MFA program fall under the STEM CIP code: CIP code 50.0504 : Playwriting and Screenwriting.

USC Ranked Number One Film School By The Hollywood Reporter Film School Ranking News Story Read Story
Kevin Smith Announces 40k Grant for Writing Alumni Gabby Fizsman and Isabella Ares Alumni Profile Read More
Horror Screenwriter and Alum Sits with In Motion Akeela Cooper In Motion Article Read Article
The SCA Council on Diversity and Inclusion Honors Writing Division Students Diversity Awards Program Profile Read More

Student Stories

Chiara D'Ambrosio

Chiara D'Ambrosio BFA, Writing for Screen and Television '26

Brandy Hernandez

Brandy Hernandez BFA, Writing for Screen and TV '24

Giulia Orsenigo

Giulia Orsenigo BA, Writing for Screen and TV '24

Featured Student Work

usc creative writing ranking

written by Writing Student Shirley Miller

usc creative writing ranking

written by Writing Student Stanley Kalu

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written by Writing Student Nichole DeLaura

Degree programs, undergraduate, bachelor of fine arts.

The Bachelor of Fine Arts in Writing for Screen & Television is a unique, four-year program for students who want a real career in screen and television writing. Students work with talented writers from around the globe in small workshop-style classes, learn from top minds in the industry and working professionals, and intern at top companies in the expanding world of film, television, and interactive media.

Masters of Fine Arts

The Master of Fine Arts, with a major in Writing for Screen & Television, is a two-year degree program which concentrates on training screenwriters to work in the entertainment industry and beyond. In addition to receiving an unparalleled master's education in the craft of writing, MFA candidates also benefit from the University's ties to the industry's top writers, directors, production companies, and studios in Los Angeles, yielding an array of internship and mentorship opportunities.

The minor in comedy is designed to train students in the creation of comedic entertainment in film, television and new media. The only minor of its kind at a major research university, the Comedy Minor is for any student who takes comedy seriously.

Screenwriting

The Minor in Screenwriting covers writing for the screen from many different points of view and allows students to explore television, film and, new media writing and all of the opportunities the Division has to offer.

Contact Information

John Wells Division of Writing for Screen & Television USC School of Cinematic Arts Kristen Davis, Program Coordinator University Park, SCA 335 Los Angeles, CA 90089.2211 Phone: 213.740.3303 [email protected]

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The 10 Best Creative Writing MFA Programs in the US

The talent is there. 

But the next generation of great American writers needs a collegial place to hone their craft. 

They need a place to explore the writer’s role in a wider community. 

They really need guidance about how and when to publish. 

All these things can be found in a solid Master of Fine Arts in Creative Writing degree program. This degree offers access to mentors, to colleagues, and to a future in the writing world. 

A good MFA program gives new writers a precious few years to focus completely on their work, an ideal space away from the noise and pressure of the fast-paced modern world. 

We’ve found ten of the best ones, all of which provide the support, the creative stimulation, and the tranquility necessary to foster a mature writer.

We looked at graduate departments from all regions, public and private, all sizes, searching for the ten most inspiring Creative Writing MFA programs. 

Each of these ten institutions has assembled stellar faculties, developed student-focused paths of study, and provide robust support for writers accepted into their degree programs. 

To be considered for inclusion in this list, these MFA programs all must be fully-funded degrees, as recognized by Read The Workshop .

Creative Writing education has broadened and expanded over recent years, and no single method or plan fits for all students. 

Today, MFA programs across the country give budding short story writers and poets a variety of options for study. For future novelists, screenwriters – even viral bloggers – the search for the perfect setting for their next phase of development starts with these outstanding institutions, all of which have developed thoughtful and particular approaches to study.

So where will the next Salinger scribble his stories on the steps of the student center, or the next Angelou reading her poems in the local bookstore’s student-run poetry night? At one of these ten programs.

Here are 10 of the best creative writing MFA programs in the US.

University of Oregon (Eugene, OR)

University of Oregon

Starting off the list is one of the oldest and most venerated Creative Writing programs in the country, the MFA at the University of Oregon. 

Longtime mentor, teacher, and award-winning poet Garrett Hongo directs the program, modeling its studio-based approach to one-on-one instruction in the English college system. 

Oregon’s MFA embraces its reputation for rigor. Besides attending workshops and tutorials, students take classes in more formal poetics and literature.  

A classic college town, Eugene provides an ideal backdrop for the writers’ community within Oregon’s MFA students and faculty.  

Tsunami Books , a local bookseller with national caché, hosts student-run readings featuring writers from the program. 

Graduates garner an impressive range of critical acclaim; Yale Younger Poet winner Brigit Pegeen Kelly, Cave Canem Prize winner and Guggenheim fellow Major Jackson, and PEN-Hemingway Award winner Chang-Rae Lee are noteworthy alumni. 

With its appealing setting and impressive reputation, Oregon’s MFA program attracts top writers as visiting faculty, including recent guests Elizabeth McCracken, David Mura, and Li-young Lee.

The individual approach defines the Oregon MFA experience; a key feature of the program’s first year is the customized reading list each MFA student creates with their faculty guide. 

Weekly meetings focus not only on the student’s writing, but also on the extended discovery of voice through directed reading. 

Accepting only ten new students a year—five in poetry and five in fiction— the University of Oregon’s MFA ensures a close-knit community with plenty of individual coaching and guidance.

Cornell University (Ithaca, NY)

Cornell University

Cornell University’s MFA program takes the long view on life as a writer, incorporating practical editorial training and teaching experience into its two-year program.

Incoming MFA students choose their own faculty committee of at least two faculty members, providing consistent advice as they move through a mixture of workshop and literature classes. 

Students in the program’s first year benefit from editorial training as readers and editors for Epoch , the program’s prestigious literary journal.

Teaching experience grounds the Cornell program. MFA students design and teach writing-centered undergraduate seminars on a variety of topics, and they remain in Ithaca during the summer to teach in programs for undergraduates. 

Cornell even allows MFA graduates to stay on as lecturers at Cornell for a period of time while they are on the job search. Cornell also offers a joint MFA/Ph.D. program through the Creative Writing and English departments.

Endowments fund several acclaimed reading series, drawing internationally known authors to campus for workshops and work sessions with MFA students. 

Recent visiting readers include Salman Rushdie, Sandra Cisneros, Billy Collins, Margaret Atwood, Ada Limón, and others. 

Arizona State University (Tempe, AZ)

Arizona State University

Arizona State’s MFA in Creative Writing spans three years, giving students ample time to practice their craft, develop a voice, and begin to find a place in the post-graduation literary world. 

Coursework balances writing and literature classes equally, with courses in craft and one-on-one mentoring alongside courses in literature, theory, or even electives in topics like fine press printing, bookmaking, or publishing. 

While students follow a path in either poetry or fiction, they are encouraged to take courses across the genres.

Teaching is also a focus in Arizona State’s MFA program, with funding coming from teaching assistantships in the school’s English department. Other exciting teaching opportunities include teaching abroad in locations around the world, funded through grants and internships.

The Virginia C. Piper Center for Creative Writing, affiliated with the program, offers Arizona State MFA students professional development in formal and informal ways. 

The Distinguished Writers Series and Desert Nights, Rising Stars Conference bring world-class writers to campus, allowing students to interact with some of the greatest in the profession. Acclaimed writer and poet Alberto Ríos directs the Piper Center.

Arizona State transitions students to the world after graduation through internships with publishers like Four Way Books. 

Its commitment to the student experience and its history of producing acclaimed writers—recent examples include Tayari Jones (Oprah’s Book Club, 2018; Women’s Prize for Fiction, 2019), Venita Blackburn ( Prairie Schooner Book Prize, 2018), and Hugh Martin ( Iowa Review Jeff Sharlet Award for Veterans)—make Arizona State University’s MFA a consistent leader among degree programs.

University of Texas at Austin (Austin, TX)

University of Texas at Austin

The University of Texas at Austin’s MFA program, the Michener Center for Writers, maintains one of the most vibrant, exciting, active literary faculties of any MFA program.

Denis Johnson D.A. Powell, Geoff Dyer, Natasha Trethewey, Margot Livesey, Ben Fountain: the list of recent guest faculty boasts some of the biggest names in current literature.

This three-year program fully funds candidates without teaching fellowships or assistantships; the goal is for students to focus entirely on their writing. 

More genre tracks at the Michener Center mean students can choose two focus areas, a primary and secondary, from Fiction, Poetry, Screenwriting, and Playwriting.

The Michener Center for Writers plays a prominent role in contemporary writing of all kinds. 

The hip, student-edited Bat City Review accepts work of all genres, visual art, cross genres, collaborative, and experimental pieces.  

Recent events for illustrious alumni include New Yorker publications, an Oprah Book Club selection, a screenwriting prize, and a 2021 Pulitzer (for visiting faculty member Mitchell Jackson). 

In this program, students are right in the middle of all the action of contemporary American literature.

Washington University in St. Louis (St. Louis, MO)

Washington University in St. Louis

The MFA in Creative Writing at Washington University in St. Louis is a program on the move: applicants have almost doubled here in the last five years. 

Maybe this sudden growth of interest comes from recent rising star alumni on the literary scene, like Paul Tran, Miranda Popkey, and National Book Award winner Justin Phillip Reed.

Or maybe it’s the high profile Washington University’s MFA program commands, with its rotating faculty post through the Hurst Visiting Professor program and its active distinguished reader series. 

Superstar figures like Alison Bechdel and George Saunders have recently held visiting professorships, maintaining an energetic atmosphere program-wide.

Washington University’s MFA program sustains a reputation for the quality of the mentorship experience. 

With only five new students in each genre annually, MFA candidates form close cohorts among their peers and enjoy attentive support and mentorship from an engaged and vigorous faculty. 

Three genre tracks are available to students: fiction, poetry, and the increasingly relevant and popular creative nonfiction.

Another attractive feature of this program: first-year students are fully funded, but not expected to take on a teaching role until their second year. 

A generous stipend, coupled with St. Louis’s low cost of living, gives MFA candidates at Washington University the space to develop in a low-stress but stimulating creative environment.

Indiana University (Bloomington, IN)

Indiana University

It’s one of the first and biggest choices students face when choosing an MFA program: two-year or three-year? 

Indiana University makes a compelling case for its three-year program, in which the third year of support allows students an extended period of time to focus on the thesis, usually a novel or book-length collection.

One of the older programs on the list, Indiana’s MFA dates back to 1948. 

Its past instructors and alumni read like the index to an American Literature textbook. 

How many places can you take classes in the same place Robert Frost once taught, not to mention the program that granted its first creative writing Master’s degree to David Wagoner? Even today, the program’s integrity and reputation draw faculty like Ross Gay and Kevin Young.

Indiana’s Creative Writing program houses two more literary institutions, the Indiana Review, and the Indiana University Writers’ Conference. 

Students make up the editorial staff of this lauded literary magazine, in some cases for course credit or a stipend. An MFA candidate serves each year as assistant director of the much-celebrated and highly attended conference . 

These two facets of Indiana’s program give graduate students access to visiting writers, professional experience, and a taste of the writing life beyond academia.

University of Michigan, Ann Arbor (Ann Arbor, MI)

University of Michigan College of Literature, Science, and the Arts

The University of Michigan’s Helen Zell Writers’ Program cultivates its students with a combination of workshop-driven course work and vigorous programming on and off-campus. Inventive new voices in fiction and poetry consistently emerge from this two-year program.

The campus hosts multiple readings, events, and contests, anchored by the Zell Visiting Writers Series. The Hopgood Awards offer annual prize money to Michigan creative writing students . 

The department cultivates relationships with organizations and events around Detroit, so whether it’s introducing writers at Literati bookstore or organizing writing retreats in conjunction with local arts organizations, MFA candidates find opportunities to cultivate a community role and public persona as a writer.

What happens after graduation tells the big story of this program. Michigan produces heavy hitters in the literary world, like Celeste Ng, Jesmyn Ward, Elizabeth Kostova, Nate Marshall, Paisley Rekdal, and Laura Kasischke. 

Their alumni place their works with venerable houses like Penguin and Harper Collins, longtime literary favorites Graywolf and Copper Canyon, and the new vanguard like McSweeney’s, Fence, and Ugly Duckling Presse.

University of Minnesota (Minneapolis, MN)

University of Minnesota

Structure combined with personal attention and mentorship characterizes the University of Minnesota’s Creative Writing MFA, starting with its unique program requirements. 

In addition to course work and a final thesis, Minnesota’s MFA candidates assemble a book list of personally significant works on literary craft, compose a long-form essay on their writing process, and defend their thesis works with reading in front of an audience.

Literary journal Great River Review and events like the First Book reading series and Mill City Reading series do their part to expand the student experience beyond the focus on the internal. 

The Edelstein-Keller Visiting Writer Series draws exceptional, culturally relevant writers like Chuck Klosterman and Claudia Rankine for readings and student conversations. 

Writer and retired University of Minnesota instructor Charles Baxter established the program’s Hunger Relief benefit , aiding Minnesota’s Second Harvest Heartland organization. 

Emblematic of the program’s vision of the writer in service to humanity, this annual contest and reading bring together distinguished writers, students, faculty, and community members in favor of a greater goal.

Brown University (Providence, RI)

Brown University

One of the top institutions on any list, Brown University features an elegantly-constructed Literary Arts Program, with students choosing one workshop and one elective per semester. 

The electives can be taken from any department at Brown; especially popular choices include Studio Art and other coursework through the affiliated Rhode Island School of Design. The final semester consists of thesis construction under the supervision of the candidate’s faculty advisor.

Brown is the only MFA program to feature, in addition to poetry and fiction tracks, the Digital/Cross Disciplinary track . 

This track attracts multidisciplinary writers who need the support offered by Brown’s collaboration among music, visual art, computer science, theater and performance studies, and other departments. 

The interaction with the Rhode Island School of Design also allows those artists interested in new forms of media to explore and develop their practice, inventing new forms of art and communication.

Brown’s Literary Arts Program focuses on creating an atmosphere where students can refine their artistic visions, supported by like-minded faculty who provide the time and materials necessary to innovate. 

Not only has the program produced trailblazing writers like Percival Everett and Otessa Moshfegh, but works composed by alumni incorporating dance, music, media, and theater have been performed around the world, from the stage at Kennedy Center to National Public Radio.

University of Iowa (Iowa City, IA)

University of Iowa

When most people hear “MFA in Creative Writing,” it’s the Iowa Writers’ Workshop they imagine. 

The informal name of the University of Iowa’s Program in Creative Writing, the Iowa Writers’ Workshop was the first to offer an MFA, back in 1936. 

One of the first diplomas went to renowned writer Wallace Stegner, who later founded the MFA program at Stanford.

 It’s hard to argue with seventeen Pulitzer Prize winners and six U.S. Poets Laureate. The Iowa Writers’ Workshop is the root system of the MFA tree.

The two-year program balances writing courses with coursework in other graduate departments at the university. In addition to the book-length thesis, a written exam is part of the student’s last semester.

Because the program represents the quintessential idea of a writing program, it attracts its faculty positions, reading series, events, and workshops the brightest lights of the literary world. 

The program’s flagship literary magazine, the Iowa Review , is a lofty goal for writers at all stages of their career. 

At the Writers’ Workshop, tracks include not only fiction, poetry, playwriting, and nonfiction, but also Spanish creative writing and literary translation. Their reading series in association with Prairie Lights bookstore streams online and is heard around the world.

Iowa’s program came into being in answer to the central question posed to each one of these schools: can writing be taught? 

The answer for a group of intrepid, creative souls in 1936 was, actually, “maybe not.” 

But they believed it could be cultivated; each one of these institutions proves it can be, in many ways, for those willing to commit the time and imagination.

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Emory vs USC vs Iowa for Creative Writing

I’m a quirky girl from the Midwest looking to explore the world a bit-help me decide! I know I want to write and want to explore screenwriting /other media types of writing.

Emory-ranked very highly for Creative writing and I loved the vibe on campus. Feels like it is more collaborative than competitive (at least in English) with a lot of smart kids that help each other out. Plus-Atlanta is an upcoming movie making scene so I hope would have good opportunities for me without being overrun by screenwriters like LA.

USC-got into narrative studies-basically an interdisciplinary major in Dornsife between writing and whatever else I want. Could minor in screenwriting at SCA or songwriting at thornton-or stay traditional. Plus it is in LA-many opportunities for connecting with others in my field. But -areLA and USC really superficial? I was told everyone there is beautiful and somewhat superficial.

Iowa-got in as creative writing -highest ranked program of the three. Also into honors and a scholarship so it is half the price of the other two. It is in Iowa City-which has a nice vibe but lacks diversity or city life. Would love to go there for MFA if life plans work out...worried it is too safe.

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    University of Southern California
   
  Sep 07, 2024  
USC Catalogue 2018-2019    
USC Catalogue 2018-2019 [ARCHIVED CATALOGUE]

|

The Bachelor of Fine Arts in Writing for Screen and Television is a unique, four-year program for students who seek intensive professional preparation for a career in screen and television writing. This rigorous program emphasizes small, workshop-style classes, and attracts students from all over the world. Students attend a variety of guest speaker presentations, take high level industry internships, are provided with mentors and taught by world-class professors.

Each fall, a class of 30 undergraduate writing students is selected to begin the program. A total of 128 units is required for completion of the Bachelor of Fine Arts degree; 66 of these units are taken in a prescribed sequential order. There are no spring admissions.

Applicants must submit supplemental application and materials to the program office. For specific instructions, contact The John Wells Division of Writing for Screen and Television, University Park, Los Angeles, CA 90089-2211 or telephone (213) 740-3303, or online at cinema.usc.edu .

General Education Requirements

The university’s general education program provides a coherent, integrated introduction to the breadth of knowledge you will need to consider yourself (and to be considered by other people) a generally well-educated person. This program is effective for all students entering USC in fall 2015 or later, or transfer students beginning college elsewhere at that time and subsequently transferring to USC. It requires eight courses in six Core Literacies, plus two courses in Global Perspectives (which may double-count with courses in the Core Literacies) and two courses in writing. For more information about USC’s general education requirements, see General Education   .

Required Production Courses

Undergraduate writing students are required to take CTPR 290 Cinematic Communication   . This introductory production course is taken during the sophomore year.

CTPR 290    introduces the interrelationship of visuals, sound and editing in cinematic communication. Students participate in directing and producing workshops as well as individual and group projects. Approximately $1,000 should be budgeted for miscellaneous expenses, lab and insurance fees.

Four-Year Major Requirements (66 units)

Year one, first semester.

  • CNTV 101 Reality Starts Here Units: 2
  • CTCS 190g Introduction to Cinema Units: 4
  • CTPR 409L Practicum in Television Production Units: 2, 4
  • CTWR 100g Story: Character, Conflict, and Catharsis Units: 4

Total units: 12

Year one, second semester.

  • CTCS 201 History of the International Cinema II Units: 4
  • CTWR 250 Breaking the Story Units: 2
  • CTWR 321 Introduction to Hour-Long Television Writing Units: 2

Total units: 10

Year two, first semester.

  • CTPR 290 Cinematic Communication Units: 4, 6 (6 units only)
  • CTWR 206a Writing the Screenplay Units: 4
  • CTWR 416 Motion Picture Script Analysis Units: 2

Year Two, Second Semester

  • CTWR 206b Writing the Screenplay Units: 4
  • CTWR 411 Television Script Analysis Units: 2
  • CTWR 421 Writing the Hour-Long Dramatic Series Units: 2
  • CTWR 434 Writing the Half-Hour Comedy Series Units: 2

Total units: 8

Year three, first semester.

  • CTCS 464 Film and/or Television Genres Units: 4 or
  • CTCS 469 Film and/or Television Style Analysis Units: 4
  • CTWR 305 Advanced Screenwriting: The Relationship Screenplay Units: 4
  • CTWR 437 Writing the Original Situation Comedy Pilot Units: 4
  • CTWR 439 Writing the Original Dramatic Series Pilot Units: 4

Year Three, Second Semester

  • CTWR 449 Rewriting the Original Dramatic Series Pilot Units: 4
  • CTWR 453 Advanced Feature Rewriting Units: 4

Total units: 4

Year four, first semester.

  • CTWR 418a Senior Thesis Units: 4 or
  • CTWR 419a Senior Thesis in Dramatic Television Units: 4
  • CTWR 420a Senior Thesis in Half-Hour Television Comedy Units: 4

Year Four, Second Semester

  • CTWR 418b Senior Thesis Units: 4 or
  • CTWR 419b Senior Thesis in Dramatic Television Units: 4
  • CTWR 420b Senior Thesis in Half-Hour Television Comedy Units: 4
  • CTWR 459a Entertainment Industry Seminar Units: 2

Total units: 6

Suggested electives in Cinematic Arts include:

  • CTWR 404 Foundations of Comedy Units: 2
  • CTWR 407 Creating the Comedic Character Units: 2
  • CTWR 410L Character Development and Storytelling for Games Units: 4
  • CTWR 417 Script Coverage and Story Analysis Units: 2
  • CTWR 422 Creating the Dramatic Television Series Units: 2
  • CTWR 430 The Writer in American Cinema and Television Units: 2
  • CTWR 431 Screenwriters and Their Work Units: 2 max 6
  • CTWR 432 Television Writers and Their Work Units: 2 max 6
  • CTWR 433 Adaptations: Transferring Existing Work to the Screen Units: 2
  • CTWR 435 Writing for Film and Television Genres Units: 2, 3, 4 max 8
  • CTWR 437 Writing the Original Situation Comedy Pilot Units: 4 max 8
  • CTWR 438 Linked Narrative Storytelling for the Web Units: 2, 4
  • CTWR 439 Writing the Original Dramatic Series Pilot Units: 4 max 8
  • CTWR 449 Rewriting the Original Dramatic Series Pilot Units: 4 max 8
  • CTWR 468 Screenwriting in Collaboration Units: 4 max 8
  • CTWR 477 Staff Writing the Sketch Comedy Show Units: 2  max 6
  • CTWR 487 Staff Writing the Multi-Camera Television Series Units: 4 max 8
  • CTWR 497 Staff Writing the Single-Camera Half-Hour Series Units: 4 max 8
  • CTWR 499 Special Topics Units: 2, 3, 4 max 8

Grade Point Average Requirements

A minimum grade of C (2.0) must be earned in all required and prerequisite courses (a grade of C- (1.7) or lower will not fulfill a major requirement).

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Organizing Your Social Sciences Research Paper

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Academic writing refers to a style of expression that researchers use to define the intellectual boundaries of their disciplines and specific areas of expertise. Characteristics of academic writing include a formal tone, use of the third-person rather than first-person perspective (usually), a clear focus on the research problem under investigation, and precise word choice. Like specialist languages adopted in other professions, such as, law or medicine, academic writing is designed to convey agreed meaning about complex ideas or concepts within a community of scholarly experts and practitioners.

Academic Writing. Writing Center. Colorado Technical College; Hartley, James. Academic Writing and Publishing: A Practical Guide . New York: Routledge, 2008; Ezza, El-Sadig Y. and Touria Drid. T eaching Academic Writing as a Discipline-Specific Skill in Higher Education . Hershey, PA: IGI Global, 2020.

Importance of Good Academic Writing

The accepted form of academic writing in the social sciences can vary considerable depending on the methodological framework and the intended audience. However, most college-level research papers require careful attention to the following stylistic elements:

I.  The Big Picture Unlike creative or journalistic writing, the overall structure of academic writing is formal and logical. It must be cohesive and possess a logically organized flow of ideas; this means that the various parts are connected to form a unified whole. There should be narrative links between sentences and paragraphs so that the reader is able to follow your argument. The introduction should include a description of how the rest of the paper is organized and all sources are properly cited throughout the paper.

II.  Tone The overall tone refers to the attitude conveyed in a piece of writing. Throughout your paper, it is important that you present the arguments of others fairly and with an appropriate narrative tone. When presenting a position or argument that you disagree with, describe this argument accurately and without loaded or biased language. In academic writing, the author is expected to investigate the research problem from an authoritative point of view. You should, therefore, state the strengths of your arguments confidently, using language that is neutral, not confrontational or dismissive.

III.  Diction Diction refers to the choice of words you use. Awareness of the words you use is important because words that have almost the same denotation [dictionary definition] can have very different connotations [implied meanings]. This is particularly true in academic writing because words and terminology can evolve a nuanced meaning that describes a particular idea, concept, or phenomenon derived from the epistemological culture of that discipline [e.g., the concept of rational choice in political science]. Therefore, use concrete words [not general] that convey a specific meaning. If this cannot be done without confusing the reader, then you need to explain what you mean within the context of how that word or phrase is used within a discipline.

IV.  Language The investigation of research problems in the social sciences is often complex and multi- dimensional . Therefore, it is important that you use unambiguous language. Well-structured paragraphs and clear topic sentences enable a reader to follow your line of thinking without difficulty. Your language should be concise, formal, and express precisely what you want it to mean. Do not use vague expressions that are not specific or precise enough for the reader to derive exact meaning ["they," "we," "people," "the organization," etc.], abbreviations like 'i.e.'  ["in other words"], 'e.g.' ["for example"], or 'a.k.a.' ["also known as"], and the use of unspecific determinate words ["super," "very," "incredible," "huge," etc.].

V.  Punctuation Scholars rely on precise words and language to establish the narrative tone of their work and, therefore, punctuation marks are used very deliberately. For example, exclamation points are rarely used to express a heightened tone because it can come across as unsophisticated or over-excited. Dashes should be limited to the insertion of an explanatory comment in a sentence, while hyphens should be limited to connecting prefixes to words [e.g., multi-disciplinary] or when forming compound phrases [e.g., commander-in-chief]. Finally, understand that semi-colons represent a pause that is longer than a comma, but shorter than a period in a sentence. In general, there are four grammatical uses of semi-colons: when a second clause expands or explains the first clause; to describe a sequence of actions or different aspects of the same topic; placed before clauses which begin with "nevertheless", "therefore", "even so," and "for instance”; and, to mark off a series of phrases or clauses which contain commas. If you are not confident about when to use semi-colons [and most of the time, they are not required for proper punctuation], rewrite using shorter sentences or revise the paragraph.

VI.  Academic Conventions Among the most important rules and principles of academic engagement of a writing is citing sources in the body of your paper and providing a list of references as either footnotes or endnotes. The academic convention of citing sources facilitates processes of intellectual discovery, critical thinking, and applying a deliberate method of navigating through the scholarly landscape by tracking how cited works are propagated by scholars over time . Aside from citing sources, other academic conventions to follow include the appropriate use of headings and subheadings, properly spelling out acronyms when first used in the text, avoiding slang or colloquial language, avoiding emotive language or unsupported declarative statements, avoiding contractions [e.g., isn't], and using first person and second person pronouns only when necessary.

VII.  Evidence-Based Reasoning Assignments often ask you to express your own point of view about the research problem. However, what is valued in academic writing is that statements are based on evidence-based reasoning. This refers to possessing a clear understanding of the pertinent body of knowledge and academic debates that exist within, and often external to, your discipline concerning the topic. You need to support your arguments with evidence from scholarly [i.e., academic or peer-reviewed] sources. It should be an objective stance presented as a logical argument; the quality of the evidence you cite will determine the strength of your argument. The objective is to convince the reader of the validity of your thoughts through a well-documented, coherent, and logically structured piece of writing. This is particularly important when proposing solutions to problems or delineating recommended courses of action.

VIII.  Thesis-Driven Academic writing is “thesis-driven,” meaning that the starting point is a particular perspective, idea, or position applied to the chosen topic of investigation, such as, establishing, proving, or disproving solutions to the questions applied to investigating the research problem. Note that a problem statement without the research questions does not qualify as academic writing because simply identifying the research problem does not establish for the reader how you will contribute to solving the problem, what aspects you believe are most critical, or suggest a method for gathering information or data to better understand the problem.

IX.  Complexity and Higher-Order Thinking Academic writing addresses complex issues that require higher-order thinking skills applied to understanding the research problem [e.g., critical, reflective, logical, and creative thinking as opposed to, for example, descriptive or prescriptive thinking]. Higher-order thinking skills include cognitive processes that are used to comprehend, solve problems, and express concepts or that describe abstract ideas that cannot be easily acted out, pointed to, or shown with images. Think of your writing this way: One of the most important attributes of a good teacher is the ability to explain complexity in a way that is understandable and relatable to the topic being presented during class. This is also one of the main functions of academic writing--examining and explaining the significance of complex ideas as clearly as possible.  As a writer, you must adopt the role of a good teacher by summarizing complex information into a well-organized synthesis of ideas, concepts, and recommendations that contribute to a better understanding of the research problem.

Academic Writing. Writing Center. Colorado Technical College; Hartley, James. Academic Writing and Publishing: A Practical Guide . New York: Routledge, 2008; Murray, Rowena  and Sarah Moore. The Handbook of Academic Writing: A Fresh Approach . New York: Open University Press, 2006; Johnson, Roy. Improve Your Writing Skills . Manchester, UK: Clifton Press, 1995; Nygaard, Lynn P. Writing for Scholars: A Practical Guide to Making Sense and Being Heard . Second edition. Los Angeles, CA: Sage Publications, 2015; Silvia, Paul J. How to Write a Lot: A Practical Guide to Productive Academic Writing . Washington, DC: American Psychological Association, 2007; Style, Diction, Tone, and Voice. Writing Center, Wheaton College; Sword, Helen. Stylish Academic Writing . Cambridge, MA: Harvard University Press, 2012.

Strategies for...

Understanding Academic Writing and Its Jargon

The very definition of research jargon is language specific to a particular community of practitioner-researchers . Therefore, in modern university life, jargon represents the specific language and meaning assigned to words and phrases specific to a discipline or area of study. For example, the idea of being rational may hold the same general meaning in both political science and psychology, but its application to understanding and explaining phenomena within the research domain of a each discipline may have subtle differences based upon how scholars in that discipline apply the concept to the theories and practice of their work.

Given this, it is important that specialist terminology [i.e., jargon] must be used accurately and applied under the appropriate conditions . Subject-specific dictionaries are the best places to confirm the meaning of terms within the context of a specific discipline. These can be found by either searching in the USC Libraries catalog by entering the disciplinary and the word dictionary [e.g., sociology and dictionary] or using a database such as Credo Reference [a curated collection of subject encyclopedias, dictionaries, handbooks, guides from highly regarded publishers] . It is appropriate for you to use specialist language within your field of study, but you should avoid using such language when writing for non-academic or general audiences.

Problems with Opaque Writing

A common criticism of scholars is that they can utilize needlessly complex syntax or overly expansive vocabulary that is impenetrable or not well-defined. When writing, avoid problems associated with opaque writing by keeping in mind the following:

1.   Excessive use of specialized terminology . Yes, it is appropriate for you to use specialist language and a formal style of expression in academic writing, but it does not mean using "big words" just for the sake of doing so. Overuse of complex or obscure words or writing complicated sentence constructions gives readers the impression that your paper is more about style than substance; it leads the reader to question if you really know what you are talking about. Focus on creating clear, concise, and elegant prose that minimizes reliance on specialized terminology.

2.   Inappropriate use of specialized terminology . Because you are dealing with concepts, research, and data within your discipline, you need to use the technical language appropriate to that area of study. However, nothing will undermine the validity of your study quicker than the inappropriate application of a term or concept. Avoid using terms whose meaning you are unsure of--do not just guess or assume! Consult the meaning of terms in specialized, discipline-specific dictionaries by searching the USC Libraries catalog or the Credo Reference database [see above].

Additional Problems to Avoid

In addition to understanding the use of specialized language, there are other aspects of academic writing in the social sciences that you should be aware of. These problems include:

  • Personal nouns . Excessive use of personal nouns [e.g., I, me, you, us] may lead the reader to believe the study was overly subjective. These words can be interpreted as being used only to avoid presenting empirical evidence about the research problem. Limit the use of personal nouns to descriptions of things you actually did [e.g., "I interviewed ten teachers about classroom management techniques..."]. Note that personal nouns are generally found in the discussion section of a paper because this is where you as the author/researcher interpret and describe your work.
  • Directives . Avoid directives that demand the reader to "do this" or "do that." Directives should be framed as evidence-based recommendations or goals leading to specific outcomes. Note that an exception to this can be found in various forms of action research that involve evidence-based advocacy for social justice or transformative change. Within this area of the social sciences, authors may offer directives for action in a declarative tone of urgency.
  • Informal, conversational tone using slang and idioms . Academic writing relies on excellent grammar and precise word structure. Your narrative should not include regional dialects or slang terms because they can be open to interpretation. Your writing should be direct and concise using standard English.
  • Wordiness. Focus on being concise, straightforward, and developing a narrative that does not have confusing language . By doing so, you  help eliminate the possibility of the reader misinterpreting the design and purpose of your study.
  • Vague expressions (e.g., "they," "we," "people," "the company," "that area," etc.). Being concise in your writing also includes avoiding vague references to persons, places, or things. While proofreading your paper, be sure to look for and edit any vague or imprecise statements that lack context or specificity.
  • Numbered lists and bulleted items . The use of bulleted items or lists should be used only if the narrative dictates a need for clarity. For example, it is fine to state, "The four main problems with hedge funds are:" and then list them as 1, 2, 3, 4. However, in academic writing, this must then be followed by detailed explanation and analysis of each item. Given this, the question you should ask yourself while proofreading is: why begin with a list in the first place rather than just starting with systematic analysis of each item arranged in separate paragraphs? Also, be careful using numbers because they can imply a ranked order of priority or importance. If none exists, use bullets and avoid checkmarks or other symbols.
  • Descriptive writing . Describing a research problem is an important means of contextualizing a study. In fact, some description or background information may be needed because you can not assume the reader knows the key aspects of the topic. However, the content of your paper should focus on methodology, the analysis and interpretation of findings, and their implications as they apply to the research problem rather than background information and descriptions of tangential issues.
  • Personal experience. Drawing upon personal experience [e.g., traveling abroad; caring for someone with Alzheimer's disease] can be an effective way of introducing the research problem or engaging your readers in understanding its significance. Use personal experience only as an example, though, because academic writing relies on evidence-based research. To do otherwise is simply story-telling.

NOTE:   Rules concerning excellent grammar and precise word structure do not apply when quoting someone.  A quote should be inserted in the text of your paper exactly as it was stated. If the quote is especially vague or hard to understand, consider paraphrasing it or using a different quote to convey the same meaning. Consider inserting the term "sic" in brackets after the quoted text to indicate that the quotation has been transcribed exactly as found in the original source, but the source had grammar, spelling, or other errors. The adverb sic informs the reader that the errors are not yours.

Academic Writing. The Writing Lab and The OWL. Purdue University; Academic Writing Style. First-Year Seminar Handbook. Mercer University; Bem, Daryl J. Writing the Empirical Journal Article. Cornell University; College Writing. The Writing Center. University of North Carolina; Murray, Rowena  and Sarah Moore. The Handbook of Academic Writing: A Fresh Approach . New York: Open University Press, 2006; Johnson, Eileen S. “Action Research.” In Oxford Research Encyclopedia of Education . Edited by George W. Noblit and Joseph R. Neikirk. (New York: Oxford University Press, 2020); Oppenheimer, Daniel M. "Consequences of Erudite Vernacular Utilized Irrespective of Necessity: Problems with Using Long Words Needlessly." Applied Cognitive Psychology 20 (2006): 139-156; Ezza, El-Sadig Y. and Touria Drid. T eaching Academic Writing as a Discipline-Specific Skill in Higher Education . Hershey, PA: IGI Global, 2020; Pernawan, Ari. Common Flaws in Students' Research Proposals. English Education Department. Yogyakarta State University; Style. College Writing. The Writing Center. University of North Carolina; Invention: Five Qualities of Good Writing. The Reading/Writing Center. Hunter College; Sword, Helen. Stylish Academic Writing . Cambridge, MA: Harvard University Press, 2012; What Is an Academic Paper? Institute for Writing Rhetoric. Dartmouth College.

Structure and Writing Style

I. Improving Academic Writing

To improve your academic writing skills, you should focus your efforts on three key areas: 1.   Clear Writing . The act of thinking about precedes the process of writing about. Good writers spend sufficient time distilling information and reviewing major points from the literature they have reviewed before creating their work. Writing detailed outlines can help you clearly organize your thoughts. Effective academic writing begins with solid planning, so manage your time carefully. 2.  Excellent Grammar . Needless to say, English grammar can be difficult and complex; even the best scholars take many years before they have a command of the major points of good grammar. Take the time to learn the major and minor points of good grammar. Spend time practicing writing and seek detailed feedback from professors. Take advantage of the Writing Center on campus if you need help. Proper punctuation and good proofreading skills can significantly improve academic writing [see sub-tab for proofreading you paper ].

Refer to these three basic resources to help your grammar and writing skills:

  • A good writing reference book, such as, Strunk and White’s book, The Elements of Style or the St. Martin's Handbook ;
  • A college-level dictionary, such as, Merriam-Webster's Collegiate Dictionary ;
  • The latest edition of Roget's Thesaurus in Dictionary Form .

3.  Consistent Stylistic Approach . Whether your professor expresses a preference to use MLA, APA or the Chicago Manual of Style or not, choose one style manual and stick to it. Each of these style manuals provide rules on how to write out numbers, references, citations, footnotes, and lists. Consistent adherence to a style of writing helps with the narrative flow of your paper and improves its readability. Note that some disciplines require a particular style [e.g., education uses APA] so as you write more papers within your major, your familiarity with it will improve.

II. Evaluating Quality of Writing

A useful approach for evaluating the quality of your academic writing is to consider the following issues from the perspective of the reader. While proofreading your final draft, critically assess the following elements in your writing.

  • It is shaped around one clear research problem, and it explains what that problem is from the outset.
  • Your paper tells the reader why the problem is important and why people should know about it.
  • You have accurately and thoroughly informed the reader what has already been published about this problem or others related to it and noted important gaps in the research.
  • You have provided evidence to support your argument that the reader finds convincing.
  • The paper includes a description of how and why particular evidence was collected and analyzed, and why specific theoretical arguments or concepts were used.
  • The paper is made up of paragraphs, each containing only one controlling idea.
  • You indicate how each section of the paper addresses the research problem.
  • You have considered counter-arguments or counter-examples where they are relevant.
  • Arguments, evidence, and their significance have been presented in the conclusion.
  • Limitations of your research have been explained as evidence of the potential need for further study.
  • The narrative flows in a clear, accurate, and well-organized way.

Boscoloa, Pietro, Barbara Arféb, and Mara Quarisaa. “Improving the Quality of Students' Academic Writing: An Intervention Study.” Studies in Higher Education 32 (August 2007): 419-438; Academic Writing. The Writing Lab and The OWL. Purdue University; Academic Writing Style. First-Year Seminar Handbook. Mercer University; Bem, Daryl J. Writing the Empirical Journal Article. Cornell University; Candlin, Christopher. Academic Writing Step-By-Step: A Research-based Approach . Bristol, CT: Equinox Publishing Ltd., 2016; College Writing. The Writing Center. University of North Carolina; Style . College Writing. The Writing Center. University of North Carolina; Invention: Five Qualities of Good Writing. The Reading/Writing Center. Hunter College; Sword, Helen. Stylish Academic Writing . Cambridge, MA: Harvard University Press, 2012; What Is an Academic Paper? Institute for Writing Rhetoric. Dartmouth College.

Writing Tip

Considering the Passive Voice in Academic Writing

In the English language, we are able to construct sentences in the following way: 1.  "The policies of Congress caused the economic crisis." 2.  "The economic crisis was caused by the policies of Congress."

The decision about which sentence to use is governed by whether you want to focus on “Congress” and what they did, or on “the economic crisis” and what caused it. This choice in focus is achieved with the use of either the active or the passive voice. When you want your readers to focus on the "doer" of an action, you can make the "doer"' the subject of the sentence and use the active form of the verb. When you want readers to focus on the person, place, or thing affected by the action, or the action itself, you can make the effect or the action the subject of the sentence by using the passive form of the verb.

Often in academic writing, scholars don't want to focus on who is doing an action, but on who is receiving or experiencing the consequences of that action. The passive voice is useful in academic writing because it allows writers to highlight the most important participants or events within sentences by placing them at the beginning of the sentence.

Use the passive voice when:

  • You want to focus on the person, place, or thing affected by the action, or the action itself;
  • It is not important who or what did the action;
  • You want to be impersonal or more formal.

Form the passive voice by:

  • Turning the object of the active sentence into the subject of the passive sentence.
  • Changing the verb to a passive form by adding the appropriate form of the verb "to be" and the past participle of the main verb.

NOTE: Consult with your professor about using the passive voice before submitting your research paper. Some strongly discourage its use!

Active and Passive Voice. The Writing Lab and The OWL. Purdue University; Diefenbach, Paul. Future of Digital Media Syllabus. Drexel University; Passive Voice. The Writing Center. University of North Carolina.  

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2024 Best Creative Writing Bachelor's Degree Schools

Choosing a great creative writing school for your bachelor's degree, quality overall is important, other factors we consider, one size does not fit all, best schools for bachelor’s students to study creative writing in the united states, 16 top schools for a bachelor's in creative writing, additional noteworthy schools.

RankCollegeLocation
16 Cincinnati, OH
17 Bellingham, WA
18 Fairfax, VA
19 Ann Arbor, MI
20 Providence, RI
21 Washington, DC
22 Boston, MA
23 Oberlin, OH
24 Greencastle, IN
25 Waltham, MA

Creative Writing by Region

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Best associate degrees in creative writing, best doctorate degrees in creative writing, best master's degrees in creative writing, best overall in creative writing, creative writing related rankings by major, most popular related majors.

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Creative Writing and Publishing | UniSC | University of the Sunshine Coast, Queensland, Australia

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Creative Writing and Publishing Major Minor

If you have a way with words and a passion for language, then consider studying Creative Writing and Publishing. Learn to master the art of storytelling and work towards your dream career as an author, editor, freelancer, or communications strategist.

Your studies will equip you with the skills to succeed in a broad range of publishing contexts. Experiment with different genres of writing, including novels, short stories, poetry and screenwriting, with all creative outcomes being workshopped by supportive peers and enthusiastic staff.

There will be multiple opportunities for publication during your studies. You will be mentored by a team of published authors, editors and researchers who bring real-world industry experience to the classroom.

Previous USC graduates have achieved publishing success and are now recognised as award-winning Australian authors.

usc creative writing ranking

View the full range of Creative Industries majors and minors .

The Creative Writing and Publishing Major can be selected in the   Bachelor of Creative Industries , Bachelor of Communication , Bachelor of Design , Bachelor of Business/Bachelor of Creative Industries , Bachelor of Arts , and select double degrees that include the Bachelor of Arts.

The Creative Writing and Publishing Minor can be selected in the Bachelor of Creative Industries , Bachelor of Communication , Bachelor of Design , Bachelor of Arts , and any double degree that includes the Bachelor of Arts.

For a major in Creative Writing and Publishing, students must successfully complete 8 courses:

CourseSemester of offerUnitsRequisites
Playing with Words: an Introduction to Creative Writing Craft : Semester 1 : Semester 1 : Semester 1 : Semester 112 
Playing with Genre : Semester 2 : Semester 2 : Semester 212 
Writing for Children and Young Adults : Semester 1 : Semester 1 : Semester 112 
Creative Writing for the Illustrated Book : Semester 2 : Semester 2 : Semester 212 
Writing the Short Story : Semester 2 : Semester 2 : Semester 212 
Writing Poetry : Semester 1 : Semester 1 : Semester 112 
Writing Your Novel : Semester 1 : Semester 1 : Semester 112 Completion of 144 units of study
Creative Writing and Editing for Publication : Semester 2 : Semester 2 : Semester 212 Completion of 192 units of study

For a minor in Creative Writing and Publishing, students must successfully complete 4 courses:

CourseSemester of offerUnitsRequisites
Playing with Words: an Introduction to Creative Writing Craft : Semester 1 : Semester 1 : Semester 1 : Semester 112 
Playing with Genre : Semester 2 : Semester 2 : Semester 212 
Writing for Children and Young Adults : Semester 1 : Semester 1 : Semester 112 
Writing the Short Story : Semester 2 : Semester 2 : Semester 212 

What are you looking for?

English major.

Within the English major, there are two tracks: Literature (ENGL) or Creative Writing (CRWT) . Each of these tracks will prepare you for a B.A. in English.

Major Requirements

Please note requirements for this major have been changed in 2023:

If you have been admitted in the program as of 2023 or are a prospective student, please see “Major Requirements Fall 2023 and on”.

If you have been admitted in the program before 2023, please see “Major Requirements pre-Fall 2023”.

Note that students under the ‘pre-Fall 2023’ requirements may opt to change their requirements to the that of the 2023 catalogue year. See advisor for more information.

Literature Track

  • One sophomore seminar: ENGL 240
  • Two courses in early literatures (one lower-division and one upper division)
  • Two courses in later literatures (one lower-division and one upper-division)
  • Race, gender, and/or sexuality
  • Genre and media studies
  • Two upper-division electives
  • One senior seminar: ENGL 491

Creative Writing Track

  • One course in early literatures
  • One course in later literatures
  • One course in interpretive lenses
  • One introductory poetry workshop
  • One introductory prose workshop
  • One 400-level workshop
  • One contemporary/modern literature course
  • One upper-division elective

All majors take three introductory courses:

  • ENGL-261g  “English Literature to 1800”
  • ENGL-262g  “English Literature since 1800”
  • ENGL-263g  “American Literature”

All three courses should be done or in progress of being done before enrolling in upper-division courses or workshops.

  • Two courses in Literature written before 1800
  • One course in 19th-century literature
  • One course in American literature
  • One senior seminar
  • One course in literature written before 1900
  • One course in literature written after 1900

Finalized course lists for major requirements pre-Fall 2023

Finalized course lists for major requirements Fall 2023 and on

Course Plans

Dive into our sample course plans to get an idea of what your schedule would look like.

Double Majoring

An English degree can help prepare you for a career in entertainment, journalism, business, technology, law, medicine, public policy, or many other fields. Because of this, many of our students combine English with other majors for a double major. While students cannot double major in Literature and Creative Writing, since they each belong to the single English major, it is possible to combine a major in English with a major in our interdisciplinary Narrative Studies program.

Getting Involved

Students in the English major participate in overseas studies through USC Dornsife to study Anglophone literature on many continents in many countries. In recent semesters, students have taken classes like “Satire, Scandal, and Society, 1700-1740” at Queen Mary University of London, “Twentieth-Century Children’s Fiction” at the National University of Ireland in Galway, and “Romance to Realism” at the University of Cape Town in South Africa.

As part of your application to study abroad, you will select courses to be pre-approved by your academic adviser to meet your major requirements.

Visit  dornsife.usc.edu/english-overseas/  to explore your opportunities abroad.

The English Honors Program is open to students in English Literature and in Creative Writing. The program provides a unique opportunity to pursue in depth a critical project of your own design. If you are thinking about applying to graduate school or professional school (such as law school) you will find the program especially rewarding. The Honors Thesis is a critical research project and typically runs upwards of 40 pages. Upon successful completion of a critical Senior Honors Thesis your USC transcript will record departmental honors.

Learn more about the Honors Thesis Program

Our students complete internships and volunteerships tutoring students at neighborhood elementary schools with the Joint Education Project, assisting with faculty research and research at USC Libraries, volunteering on political campaigns, and working in publishing, marketing, and media. These opportunities complement the intensive study and professionalization on campus in classes and co-curricular activities, and they guide students toward the diverse set of careers open to those with liberal arts educations.

Students can find these opportunities through the USC Career Center at  careers.usc.edu , and students majoring in English are eligible to apply for the  USC Dornsife Gateway Internship Program .

Students majoring in English are eligible to apply to our progressive degree program in Literary Editing and Publishing and earn both their bachelor’s and master’s degrees from USC Dornsife in just five years.

Learn more about the progressive degree program

Graduates of our programs in English Literature and Creative Writing have pursued graduate school;  published  fiction, nonfiction, and poetry; worked in publishing and social media; pursued law school; and worked at film and television production companies in Los Angeles. Alumni who pursue graduate school have enrolled in education programs, the top MFA programs across the country, and research-based programs overseas.

Please share your stories, updates, and projects with us by contacting our  undergraduate student coordinators .

Additional Resources

For advisement and to declare a major in the Department of English, please contact one of our undergraduate student coordinators.

Contact Details

Usc department of english.

3501 Trousdale Parkway Taper Hall of Humanities 404 Los Angeles, CA 90089-0354

Office Hours

Monday – Friday

8:30am- 5pm

Times may adjust in accordance with university holidays.

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COMMENTS

  1. 2024 Colleges With Great Writing Programs

    Amherst College, a private school in Amherst, Massachusetts, is known for its rigorous academic climate. Because Amherst is a member of the Five Colleges consortium, students can also take courses ...

  2. rankings

    This is an attempt at creating an objective ranking of graduate creative writing programs. For further and more detailed information on how the scores are generated see the methodology page. The List. Program Overall score Fiction score Poetry score CNF score Genres Degrees State; Johns Hopkins University: 11475: 10600: 9350: 0:

  3. Creative Writing at University of Southern California

    USC Creative Writing Bachelor's Program. Of the 45 creative writing students who graduated with a bachelor's degree in 2020-2021 from USC, about 31% were men and 69% were women. The following table and chart show the ethnic background for students who recently graduated from University of Southern California with a bachelor's in creative ...

  4. 2024 Best Creative Writing Schools

    Find Top Schools in Creative Writing near you: A ranking of the top 100 best Creative Writing students colleges. ... USC is a private not-for-profit university with a fairly large student population. A Best Colleges rank of #11 out of 2,217 colleges nationwide means USC is a great university overall.

  5. - PhD in Creative Writing & Literature

    the Ph.D. in CREATIVE WRITING & LITERATURE PROGRAM is one of the few dual Ph.D. programs in the country that weaves the disciplines of literature and creative work into a single educational experience. Students complete coursework in both creative writing and literature. The dissertation project is comprised of creative and critical manuscripts ...

  6. Literature and Creative Writing (PhD)

    USC Catalogue 2023-2024 ... The program provides dual emphasis in literature and creative writing, culminating in the dissertation, which combines critical analysis with creative originality. Roughly half of the dissertation is based on original research, that is to say, research contributing to knowledge which enriches or changes the field. ...

  7. University of Southern California

    It has a total undergraduate enrollment of 20,699 (fall 2022), its setting is urban, and the campus size is 226 acres. It utilizes a semester-based academic calendar. University of Southern ...

  8. University of Southern California BA in Creative Writing

    USC Bachelor's Student Diversity for Creative Writing. 34 Bachelor's Degrees Awarded. 73.5% Women. 47.1% Racial-Ethnic Minorities*. During the 2019-2020 academic year, there were 34 bachelor's degrees in creative writing handed out to qualified students. The charts and tables below give more information about these students.

  9. University of Southern California

    Emily Geminder PhD (Fiction) 2021. Katherine Karlin PhD (Fiction) 2009. Lisa Lee PhD. Robin Coste Lewis PhD (Poetry) Ryan McIlvain PhD. Bonnie Nadzam PhD (Fiction) 2010. Jessica Piazza PhD 2014. Michael Powers PhD. Jianan Qian PhD (Fiction) 2025.

  10. Frequently Asked Questions

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  11. Undergraduate

    About the Undergraduate Program. We offer a broad range of courses in English, American and Anglophone literature of all periods and genres, but also in related areas such as creative and expository writing, literature and visual arts, ethnic literature and cultural studies, the history of the English language and of literary criticism, and literary and cultural theory.

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  13. John Wells Division of Writing for Screen & Television

    John Wells Division of Writing for Screen & Television USC School of Cinematic Arts Kristen Davis, Program Coordinator University Park, SCA 335 Los Angeles, CA 90089.2211 Phone: 213.740.3303 [email protected]

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    University of Oregon (Eugene, OR) Visitor7, Knight Library, CC BY-SA 3.0. Starting off the list is one of the oldest and most venerated Creative Writing programs in the country, the MFA at the University of Oregon. Longtime mentor, teacher, and award-winning poet Garrett Hongo directs the program, modeling its studio-based approach to one-on ...

  15. Program: English (BA)

    USC Catalogue 2018-2019 ... Majors emphasizing creative writing must take seven upper-division courses, including two introductory creative writing workshops in poetry and prose, and a third workshop at the 400-level. The remaining upperdivision courses must include one course in literature written before 1900, one course in literature written ...

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    Emory-ranked very highly for Creative writing and I loved the vibe on campus. Feels like it is more collaborative than competitive (at least in English) with a lot of smart kids that help each other out. ... USC-got into narrative studies-basically an interdisciplinary major in Dornsife between writing and whatever else I want. Could minor in ...

  17. English & Creative Writing

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  18. Writing for Screen and Television (BFA)

    Applicants must submit supplemental application and materials to the program office. For specific instructions, contact The John Wells Division of Writing for Screen and Television, University Park, Los Angeles, CA 90089-2211 or telephone (213) 740-3303, or online at cinema.usc.edu. General Education Requirements

  19. Students

    Ariel Chu is a PhD student in Creative Writing and Literature at the University of Southern California. She received an MFA in Creative Writing from Syracuse University, where she was awarded the Shirley Jackson Prize in Fiction. Ariel's work has been published by The Rumpus, Black Warrior Review, and The Common, among others. Her writing has ...

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  22. Creative Writing and Publishing

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  23. English Major

    Double Majoring. An English degree can help prepare you for a career in entertainment, journalism, business, technology, law, medicine, public policy, or many other fields. Because of this, many of our students combine English with other majors for a double major. While students cannot double major in Literature and Creative Writing, since they ...