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Is deadpool & wolverine family friendly just how r rated is it.

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Deadpool & Wolverine Review: The MCU Multiverse Movie I've Been Waiting For

10 best deadpool movie scenes, ranked, i don’t want henry cavill to be the mcu’s wolverine, but i know who he should play instead.

• Deadpool & Wolverine marks the first R-rated movie for the MCU, with plenty of blood, violence, and cursing to match its antihero characters.
• The movie maintains Deadpool's signature mature themes, not shying away from gore or profanity, challenging the typical family-friendly MCU mold.
• While the movie includes sexual references, it stops short of explicit scenes, making it marginally more family-friendly compared to previous Deadpool installments, although it is still far from being a kid-friendly release.

Deadpool & Wolverine has hit theaters, and while it may be the first R-rated movie for the MCU , there are naturally questions surrounding how much it warrants this rating. Deadpool & Wolverine has finally brought the Merc with a Mouth to the MCU alongside his dream companion, Wolverine. The early days of Disney's acquisition of Fox led to much speculation over whether the famously family-friendly franchise would tone down Deadpool's no-holds-barred content to fit within the typical ethos of Disney and the MCU timeline .

Considering Deadpool's legacy both on the page and on the big screen as one of Marvel's most hyper-violent and unabashed antiheroes, fears were thankfully assuaged relatively quickly. While Deadpool & Wolverine 's R-rating may have raised concerns that a large swathe of the MCU fandom may be precluded from taking part in Marvel's next big movie , the question remains over whether the release is truly as exclusive as the official age rating would suggest. As such, here is a spoiler-free rundown of what audiences can expect to make their minds up on the matter.

Led by Ryan Reynolds and Hugh Jackman at the top of their superhero game, Deadpool & Wolverine is an absurd blast of a Marvel multiverse joyride.

Deadpool & Wolverine Is The MCU's First R-Rated Movie

Mcu movies are typically pg-13.

The Motion Picture Association of America has given Deadpool & Wolverine a " Restricted " rating. This comes with the following descriptor:

Contains some adult material. Parents are urged to learn more about the film before taking their young children with them.

This rating mirrors the two previous Deadpool movies and indicates the severity of Deadpool & Wolverine 's adult themes. It is also the first time that the rating has made its way to the MCU's movie roster , though Marvel TV productions like Daredevil and Punisher boast the equivalent TV-MA rating.

The UK equivalent of an R-rating assigned by the British Board of Film Classification is 15, which helps to give an indication of the kind of age range considered suitable for R-rated productions.

This is a significant development for the MCU as its movies have all been PG-13 until now. While some MCU movies are more violent than others, nearly all shy away from showing more than a drop of (human) blood, replacing it instead with either alien blood or fluid used to power robots. The latter was used to great effect in Doctor Strange in the Multiverse of Madness , as Scarlet Witch is depicted covered in a blood-like substance that came from destroying numerous Ultrons. Deadpool & Wolverine , however, is unapologetically bloody.

Deadpool & Wolverine Is Very Bloody & Violent

Deadpool & Wolverine telegraphed the level of blood, gore, and violence that audiences could expect when the first trailers were released. As the titular heroes tussle, trailers show Wolverine stabbing Deadpool through the groin and Deadpool firing at point-blank range through Wolverine's abdomen. To put it mildly, there is plenty more where that came from in the movie itself, as the MCU takes full advantage of the R-rating and the titular characters' MO. The hack-and-slash violence they engage in is one thing, but their dual healing factors also ensure that they can continue shedding blood and limbs ad infinitum.

Marvel Comics suggests that Deadpool's healing factor is more powerful than Wolverine's, which is hinted at in the X-Men movies by the fact that Wolverine could die in Logan .

This should come as no surprise to anyone who has watched Deadpool and Deadpool 2 . Some hyper-violent highlights from these movies include Deadpool's single-bullet triple headshot in Deadpool and Juggernaut tearing Deadpool in two with his bare hands in Deadpool 2 . Deadpool & Wolverine treads much of the same gory ground while finding yet more creative ways of inflicting grievous injury. The violence is the most overt justification for the movie's R-rating and may be the most prudent concern for parents wondering whether it is family-friendly.

Deadpool is a staple of the superhero genre thanks to his unique humor, quirks, and the action he brings to his movies, with outstanding scenes.

Deadpool & Wolverine Includes A Lot Of Cursing

A PG-13 rating comes with a rule that one utterance of harsh profanity - described as " sexually-derived " - is allowed. While this is the typical rating for all MCU movies, the MCU's first f-bomb didn't appear until 2023's Guardians of the Galaxy Vol.3 . Deadpool & Wolverine has therefore increased the MCU's f-bomb tally one-hundredfold , as the Merc with a Mouth continues to live up to his nickname. His foul language is bolstered by characters like Wolverine, who also delivered X-Men: First Class ' curse word allocation in 2011.

Guardians of the Galaxy Vol. 3 is arguably the MCU movie that put the most strain on its PG-13 rating, as it also featured moments of relatively shocking violence and gore.

Deadpool & Wolverine 's R-rating means there is no upper limit on the amount or nature of curse words that characters can deploy. While this means that f-bombs rack up to the point where they almost become trivial, it never feels overly gratuitous, and audiences can expect to hear the same level and intensity of profanity featured in both Deadpool and Deadpool 2 . With that in mind, Deadpool & Wolverine is on a par with its predecessors in most adult-themed areas - though it does rein in one R-rated factor.

Deadpool & Wolverine Includes Some Sexual References

Like the violence and profanity, the first Deadpool & Wolverine trailer laid out that sexual references would also be present in the movie as Wade Wilson jokes about pegging. While this is not the only sexual reference in the movie, the remainder follow a similar vein and are always part of a joke that - like most others in the movie - is swiftly brushed aside. The notable difference between this and Deadpool is that Deadpool & Wolverine stops at references and innuendos rather than depict actual sex scenes that feature the aforementioned activity.

Taken together, Deadpool & Wolverine could be considered marginally more family-friendly than previous Deadpool installments, though it is still far from toned down. It is worth noting that it earns its R-rating and is worlds apart from the movies that typically comprise the MCU regarding mature themes and imagery. With that in mind, parents may wish to approach this movie with caution, basing the decision on the example set by Deadpool and Deadpool 2 .

It is likely, meanwhile, that Marvel will somehow cater to the audiences that missed this installment and its implications on the wider MCU narrative in some other way. Once Upon a Deadpool was Fox's way of affording younger audiences the chance to catch up on the story in a more PG-friendly context. Whether Marvel does this with Deadpool & Wolverine in some capacity remains to be seen, but it is safe to say that this particular release is not one of Marvel's kid-friendly movies in its current state.

Deadpool & Wolverine

A follow-up to the highly successful Deadpool and Deadpool 2 films starring Ryan Reynolds as the Merc with a Mouth. The third film will be the first in the franchise to be developed under the Marvel Studios banner following Disney's acquisition of 20th Century Fox.

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Deadpool & Wolverine Review: A Chaotic, Hilarious, and Heartfelt Ride

The eagerly awaited Deadpool & Wolverine marks the thirty-forth installment in the Marvel Cinematic Universe (MCU). Directed by Shawn Levy , the film stars Ryan Reynolds as Deadpool and Hugh Jackman reprising his role as Wolverine. This dynamic duo delivers a film that blends action, humor, and emotional depth, making it a standout in the ever-expanding Marvel Universe. For those that were on the fence about this  Deadpool  adventure being thrust into the MCU – there is no need to worry. This is every bit as vulgar and violent as the previous two. This being in the MCU luckily didn’t ruin a thing.

Without delving into spoilers, the film begins with Wade Wilson, a.k.a. Deadpool, leading a mundane life after retiring from his mercenary days. However, his peace is short-lived when the Time Variance Authority (TVA) captures him, thrusting him into a mission that involves traveling across the multiverse. The goal? To find a variant of Wolverine to save his deteriorating timeline. This premise sets the stage for a wild and unpredictable journey, packed with multiverse chaos and memorable character interactions.

The chemistry between Ryan Reynolds and Hugh Jackman is electric. Reynolds’ Deadpool is as irreverent and witty as ever, delivering lines with impeccable timing and a self-awareness that breaks the fourth wall in the most entertaining ways. Jackman’s Wolverine, gruff and reluctant, provides a perfect counterbalance to Deadpool’s manic energy. Their dynamic is the heart of the film, driving both the comedic and dramatic moments.

The supporting cast adds depth and variety to the film. Emma Corrin, Morena Baccarin, Rob Delaney, Leslie Uggams, Aaron Stanford, and Matthew Macfadyen all deliver strong performances, each bringing their unique flair to the story. Special mention goes to Corrin, whose portrayal adds a layer of intensity and intrigue to the narrative.

Levy’s direction is sharp and focused, effectively managing the film’s shifting tones. The screenplay, co-written by Levy, Reynolds, Rhett Reese, Paul Wernick, and Zeb Wells , is a masterclass in balancing humor with high-stakes drama. The dialogue is snappy and clever, staying true to the characters’ established personalities while pushing them into new and challenging situations.

The action sequences are thrilling and well-choreographed, showcasing the contrasting fighting styles of Deadpool and Wolverine. The visual effects are top-notch, especially during the multiverse scenes, which are imaginative and visually stunning. The film’s ability to blend CGI with practical effects results in a seamless and immersive experience.

Deadpool & Wolverine excels in its humor, with Reynolds delivering one-liners and meta-references that will have audiences laughing out loud. Yet, the film doesn’t shy away from exploring deeper emotional themes. The bond that develops between Deadpool and Wolverine is touching, offering moments of genuine connection and introspection amid the chaos.

At its core, the film explores themes of redemption, friendship, and the idea of second chances. Both Deadpool and Wolverine are characters burdened by their pasts, and their journey together allows them to confront their demons and seek a semblance of peace. This thematic depth adds a layer of poignancy to the film, elevating it beyond a standard superhero fare.

The pacing is brisk, with a narrative that keeps viewers engaged from start to finish. The film skillfully balances its various plot threads, ensuring that each character arc is given adequate attention. The structure, which involves multiverse travel and encounters with various characters, could have easily become convoluted. Thankfully, though, Levy’s direction keeps it coherent and accessible.

While avoiding spoilers, it’s worth noting that the film includes several cameos and surprise appearances that will delight longtime fans of the MCU and the X-Men franchise. The story organically weaves in these moments, enhancing the film’s enjoyment.

Deadpool & Wolverine is a triumphant addition to the MCU, delivering a film that is both wildly entertaining and emotionally resonant. Ryan Reynolds and Hugh Jackman are in top form, bringing their beloved characters to life with humor and heart. The film’s blend of action, comedy, and drama ensures that it appeals to a broad audience, from die-hard Marvel fans to casual viewers.

• Acting - 9/10 9/10
• Cinematography/Visual Effects - 8.5/10 8.5/10
• Plot/Screenplay - 8.5/10 8.5/10
• Setting/Theme - 9/10 9/10
• Watchability - 10/10 10/10
• Rewatchability - 9/10 9/10

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Deadpool & Wolverine First Reviews: A Bloody, Hilarious Good time

Critics say the irreverent marvel sequel pokes plenty of fun at the studio and benefits from stellar chemistry from its stars..

TAGGED AS: Marvel , MCU , movies , reviews

The Marvel Cinematic Universe is back! Not only is Deadpool & Wolverine the first MCU film release in more than eight months (and it will be the only one this year), but it’s arguably the most satisfying installment since Avengers: Endgame . The third Deadpool movie brings Ryan Reynolds’ Merc with a Mouth to the MCU for the first time, and he’s joined by Hugh Jackman’ s Wolverine from the X-Men franchise as they buddy up and have it out, bloody R-rated style, through a meta-filled multiverse adventure. The first reviews can’t say a whole lot due to plot and cameo spoilers, but they offer fans a promise of expectations exceeded.

Here’s what critics are saying about Deadpool & Wolverine :

(Photo by Jay Maidment/©20th Century Studios and Marvel)

Is this one of the best Marvel movies yet?

Deadpool & Wolverine is the ultimate Marvel movie. — Rohan Patel, ComicBookMovie.com

The best of the MCU outings since Avengers: Endgame . — Brian Truitt, USA Today

Easily the best Marvel has delivered since 2021’s Spider-Man: No Way Home . — Johnny Oleksinski, New York Post

How does it compare to the previous Deadpool movies?

The third film is somehow even funnier than the sidesplitting previous two entries. — Johnny Oleksinski, New York Post

Just as in Deadpool and Deadpool 2 , buried beneath Deadpool & Wolverine’ s never-ending sea of psychosexual scatological humor, splatter-punk absurdities, fourth-wall breaks within fourth-wall breaks, and superpowered Jackass -like gags is a massive, indomitable beating heart. — Justin Clark, Slant Magazine

Those who find Deadpool’ s exhaustive battering ram of dick jokes, irreverent pop culture commentary, and full-on Ryan Reynolds mugging migraine-inducing may find this the most insufferable Deadpool entry yet. — Matt Oakes, Silver Screen Riot

(Photo by ©20th Century Studios and Marvel)

Will comic book fans be happy?

People who love comic books and the movies they have inspired are going to have a frickin’ field day! — David Poland, The Hot Button

It’s one of the most wildly enjoyable comic book movies ever. — Rohan Patel, ComicBookMovie.com

How are the cameos?

The cameos are spectacular in a way that will resonate with anyone who’s been going to the multiplexes over the last 30 years (one of them left me laughing in tears), and the best of them are lovingly extended into genuine supporting roles. — David Ehrlich, IndieWire

There are many familiar faces — a fact likely to either get audiences positively keyed up or overwhelmed by sheer cameo mania. — Matt Oakes, Silver Screen Riot

Is this one of the best blockbusters of the year?

The movie can boast an all-too-rare quality for aspiring blockbusters: It’s just plain fun. Chalk it up as one of those rare experiences where audiences should derive as much enjoyment from watching the film as its leads appeared to have had making it. — David Poland, The Hot Button

How is the action?

The fights and effects are hugely improved. — Johnny Oleksinski, New York Post

There is this giant, complex fight with a crazy number of characters and Levy doesn’t let himself get bogged down in trying to deliver every angle of the fight. He knows which characters we have a relationship with and he services that relationship while never making us feel like we are missing other stuff. — David Poland, The Hot Button

It has some of the most comic book-y fight choreography we’ve ever seen from these characters or from any CBM. Wolverine fights like he’s been ripped straight out of the pages of a Marvel Comic, exhibiting his trademark berserker rage… Enjoy the carnage. — Rohan Patel, ComicBookMovie.com

Was Shawn Levy the right director to take the reins?

Shawn Levy, as director of this franchise for the first time, does pretty flawless work here. He is a pro who knows what he is doing and manages to keep a lot of very complex action with a lot of characters making visual and story sense. — David Poland, The Hot Button

Director Shawn Levy is used to juggling characters and cultural references from his work on Night at the Museum , Free Guy , and Stranger Things , but this is next level. — Brian Truitt, USA Today

Levy has a few clear skill sets as a director: He’s great at bringing out Reynolds’s natural breezy humor. He’s also a skilled mimic, which ends up serving him well here. — Liz Shannon Miller, Consequence

Is it clever?

The opening is kind of ingenious. The second act is kind of ingenious. The third act is kind of ingenious. There are just some really clever ideas. — David Poland, The Hot Button

The film is a masterclass in meta-humor. — Linda Marric, HeyUGuys

How is Hugh Jackman’s return as Wolverine?

Jackman especially runs a gamut of emotions as a Logan lashing out because of the trauma he’s faced; whatever they’re paying him in cash and themed popcorn buckets is not enough. — Brian Truitt, USA Today

If you thought Hugh Jackman was incredible in Logan , then brace yourselves for another all-time performance from the greatest comic book movie actor of our generation in Deadpool & Wolverine . — Rohan Patel, ComicBookMovie.com

While he isn’t the Logan we’ve previously encountered in the X-Men films, his performance channels the same feral bad-boy energy that has made Wolverine a mainstay in the superhero genre for 24 years… However, Deadpool & Wolverine fails to justify bringing the character back from the dead for anything beyond purely commercial ambitions. — Matt Oakes, Silver Screen Riot

What about Emma Corrin as the villain?

I would be remiss if I didn’t mention the absolutely electrifying performance by Emma Corrin… Corrin delivers a tour-de-force performance that is both menacing and captivating. Their portrayal is a stark departure from the roles we’ve seen them in previously, showcasing a remarkable range and depth of talent. — Linda Marric, HeyUGuys

Emma Corrin in particular brings a lively yet demented air to their villain role. — Liz Shannon Miller, Consequence

Emma Corrin is exceptional as Cassandra Nova. — Rohan Patel, ComicBookMovie.com

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‘Deadpool & Wolverine’ Review: Ryan Reynolds and Hugh Jackman’s R-Rated Bromance Is an Irreverent Send-Off to Fox’s X-Men Movies

The raunchy reunion of two Marvel misfits tests Disney standards while giving superhero fans closure on nearly a quarter-century of variable-quality Marvel fare produced across town.

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Deadpool can’t die. If he were a character in Greek mythology, that might be a source of tragedy, but in Wade Wilson’s scuzzy corner of the Marvel universe, it functions as a catalyst for off-color comedy instead. Last time the trash-mouthed mercenary headlined a movie, Deadpool could be seen chugging drain cleaner and trying to nuke himself into oblivion — a stunt that sent his extended middle finger flying in Wolverine’s direction. The two heroes have had a long-running rivalry, since both were given regenerative healing powers via the Weapons-X program, but only Wolverine could make grown men cry. Until now.

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Meanwhile, this movie tries to have it every which way. Early on, Deadpool learns that a dude in a suit (not a spandex one, but the business kind) is going around scrubbing worlds that stray too far from the “sacred timeline” (that would be the MCU one of the “Avengers” movies, where death was handled far more reverently). The man’s name is Mr. Paradox, and he’s played by “Succession” star Matthew Macfadyen as a demented corporate stooge. Unless Deadpool can bring back Wolverine, it’s twilight for his time zone.

Mr. Paradox is not much of a villain, though he does represent a fascinating meta-concept: What happens to all the dead-end Marvel properties introduced over the years? A few of them make cameos here, while others are name-checked in jokes meant for super-geeks. The implication is that Deadpool, who was caught in limbo amid the real-world Disney-Fox merger, could be at risk of being canceled, despite having earned the studio $1.5 billion at the box office. What’s a superhero to do to justify his own existence?

The physics of “Deadpool & Wolverine” function more like a Looney Tunes cartoon than your typical comic book, as Deadpool skips around various dimensions without having to explain how he does it (I blame 2023 Oscar winner “Everything Everywhere All at Once” for mainstreaming multiverses). He finds a few next-best alternatives — including a shorter Wolverine who reminds that the ferocious character originally got his name for his compact stature — before landing upon one sporting the yellow costume and black mask made iconic in the comics.

“He’s usually shirtless, but he’s let himself go since the divorce,” Deadpool quips, roasting what he calls the “worst Wolverine,” though this surly, hard-drinking fighter (played by a still-jacked Hugh Jackman) comes off tougher than ever. “The Greatest Showman” did nothing to soften his image. Furrowing his brow and grunting, as if uncertain about being dragged into a comedy, Jackman makes an ideal straight guy to Reynolds’ talkaholic shtick. They trade insults the whole way through, and whenever Deadpool crosses the line, the claws come out and these two indestructible malcontents turn on one another.

No one will accuse Deadpool of good taste. And yet, this film achieves an unexpected poignance when Deadpool and Wolverine are exiled together to The Void, a wasteland overseen by Professor X’s quasi twin, Cassandra Nova (a not-campy-enough Emma Corrin), where orphaned IP goes before being purged forever. There, amid what look like “Mad Max” rejects, the once-mighty 20th Century Fox logo has been tossed aside, à la the Statue of Liberty in “Planet of the Apes.” Like the incinerator at the end of “Toy Story 3,” this is where your nostalgia goes to die, so it’s fitting that it should be crammed full of cameos from misfit Marvel characters (including a card-carrying member of the X-Men who never got his own movie).

Throughout the film, Deadpool wrestles with a desire to “matter.” This wisecracking cancer survivor may be effectively immortal, but that doesn’t mean he won’t be forgotten. When it comes to longevity, these heroes all find themselves at the mercy of both Marvel and the market. In its own uniquely self-aware way, the movie confronts that phenomenon without overstaying its welcome — not just by acknowledging what happens to its two title characters, but especially with the montage that plays over the end credits. It’s a poignant summation of the Fox chapter of the Marvel saga.

Now that he’s back, Deadpool warns Wolverine, “They’re gonna make him do this till he’s 90.” Audiences (and Disney) may well demand it, though this singular mutant satire works best as an irreverent homage to what’s come before, as opposed to the prototype for future superhero movies.

VIP+ Analysis: ‘Deadpool & Wolverine’ Underscores MCU’s Much-Needed Evolution

Reviewed at AMC The Grove 14, Los Angeles, July 22, 2024. MPA Rating: R. Running time: 128 MIN.

• Production: A Walt Disney Motion Pictures Studios release of a Marvel Studios production, in association with 20th Century Studios, TSG Entertainment. Producers: Kevin Feige, Ryan Reynolds, Shawn Levy, Lauren Shuler Donner. Executive producers: Louis D’Esposito, Wendy Jacobson, Mary McLaglen, Josh McLaglen, Rhett Reese, Paul Wernick, George Dewey, Simon Kinberg
• Crew: Director: Shawn Levy. Screenplay: Ryan Reynolds, Rhett Reese, Paul Wernick, Zeb Wells, Shawn Levy, based on the characters created by Rob Liefeld, Fabian Nicieza. Camera: George Richmond. Editors: Shane Reid, Dean Zimmeran. Music: Rob Simonsen.
• With: Ryan Reynolds, Hugh Jackman, Emma Corrin, Morena Baccarin, Rob Delaney, Leslie Uggams, Karan Soni, Matthew Macfadyen.

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Deadpool Parent Guide

Not all super heroes are heroic..

Release date February 12, 2016

Deadpool is the alter ego of Wade Wilson (Ryan Reynolds), a former Special Forces operative who gained special healing powers after being the subject of an unusual experiment. But this super hero only intends to use his super powers for his own mercenary motives.

Run Time: 108 minutes

Official Movie Site

Deadpool Rating & Content Info

Why is Deadpool rated R? Deadpool is rated R by the MPAA for strong violence and language throughout, sexual content and graphic nudity.

Violence: - Frequent explicit violence, with realistic detail, blood and tissue damage. - Frequent portrayals of gun, weapons, and hand-to-hand violence, with some blood. - Depictions of beating, shooting, impalement, decapitation, dismemberment and explosion. - Depictions of torture. - Frequent gory and grotesque images. - Some scenes may frighten children.

Sexual Content: - Frequent sexual references and innuendo.. - Nudity (breast, buttock, and male frontal) in a non-sexual context. - Breast nudity in sexual situation. - Simulated sexual activity. - Implied sexual activity. - Embracing and kissing. - Infrequent portrayals of sexual activity, with no nudity and some detail. - Crude and offensive scenes.

Language: Approximately 140 instances of coarse and/or sexual language, including: - Frequent use of the sexual expletive and variations, sometimes in a sexual context. - Frequent use of scatological slang. - Infrequent use of vulgar expressions and profanity. - Frequent slurs.

Alcohol / Drug Use: - Alcohol use. - Tobacco use. - References to drug use.

Page last updated July 17, 2017

News About "Deadpool"

From the Studio: Based upon Marvel Comics most unconventional anti-hero, DEADPOOL tells the origin story of former Special Forces operative turned mercenary Wade Wilson, who after being subjected to a rogue experiment that leaves him with accelerated healing powers, adopts the alter ego Deadpool. Armed with his new abilities and a dark, twisted sense of humor, Deadpool hunts down the man who nearly destroyed his life. Written by 20th Century Fox

Cast and Crew

Deadpool is directed by Tim Miller and stars Ed Skrein, Ryan Reynolds, Morena Baccarin.

The most recent home video release of Deadpool movie is May 10, 2016. Here are some details…

Deadpool releases to home video on May 10, 2016.

Related home video titles:

Other heroes of the Marvel universe include Ant-Man , The Avengers and the Guardians of the Galaxy .

Related news about Deadpool

2016 Winners of the Critics’ Choice Awards

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'Deadpool & Wolverine' is a self-cannibalizing slog

Justin Chang

Ryan Reynolds stars as Deadpool and Hugh Jackman as Wolverine in an odd-couple action hero pairing. Jay Maidment/20th Century Studios hide caption

When Fox Studios released the first Deadpool movie back in 2016, it played like an irreverently funny antidote to our collective comic-book-movie fatigue. Wade Wilson, or Deadpool, was a foul-mouthed mercenary who obliterated his enemies and the fourth wall with the same gonzo energy.

Again and again, Deadpool turned to the camera and mocked the clichés of the superhero movie with such deadpan wit, you almost forgot you were watching a superhero movie. And Ryan Reynolds , Hollywood’s snarkiest leading man, might have been engineered in a lab to play this vulgar vigilante. I liked the movie well enough, though one was plenty; by the time Deadpool 2 rolled around in 2018, all that self-aware humor had started to seem awfully self-satisfied.

Now we have a third movie, Deadpool & Wolverine, which came about through some recent movie-industry machinations. When Disney bought Fox a few years ago, Deadpool, along with other mutant characters from the X-Men series, officially joined the franchise juggernaut known as the Marvel Cinematic Universe.

That puts the new movie in an almost interesting bind. It tries to poke fun at its tortured corporate parentage; one of the first things Deadpool says is “Marvel’s so stupid.” But now the movie also has to fit into the narrative parameters of the MCU. It tries to have it both ways: brand extension disguised as a satire of brand extension.

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It’s also an odd-couple comedy, pairing Deadpool with the most famous of the X-Men: Logan, or Wolverine, the mutant with the unbreakable bones and the retractable metal claws, played as ever by a bulked-up Hugh Jackman .

The combo makes sense, and not just because both characters are Canadian. In earlier movies, Deadpool often made Wolverine the off-screen butt of his jokes. Both Deadpool and Wolverine are essentially immortal, their bodies capable of self-regenerating after being wounded. Both are tormented by past failures and are trying to redeem themselves. Onscreen, the two have a good, thorny chemistry, with Jackman’s brooding silences contrasting nicely with Reynolds’ mile-a-minute delivery.

I could tell you more about the story, but only at the risk of incurring the wrath of studio publicists who have asked critics not to discuss the plot or the movie’s many, many cameos. Let’s just say that the director Shawn Levy and his army of screenwriters bring the two leads together through various rifts in the multiverse. Yes, the multiverse, that ever-elastic comic-book conceit, with numerous Deadpools and Wolverines from various alternate realities popping up along the way.

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I suppose it’s safe to mention that Matthew Macfadyen , lately of Succession , plays some kind of sinister multiverse bureaucrat, while Emma Corrin, of The Crown , plays a nasty villain in exile. It’s all thin, derivative stuff, and the script’s various wink-wink nods to other shows and movies, from Back to the Future to Furiosa to The Great British Bake Off , don’t make it feel much fresher. And Levy, who previously directed Reynolds in the sci-fi comedies Free Guy and The Adam Project , doesn’t have much feel for the splattery violence that is a staple of the Deadpool movies. There’s more tedium than excitement in the characters’ bone-crunching, crotch-stabbing killing sprees, complete with corn-syrupy geysers of blood.

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For all its carnage, its strenuous meta-humor and an R-rated sensibility that tests the generally PG-13 confines of the MCU, Deadpool & Wolverine does strive for sincerity at times. Some of its cameos and plot turns are clearly designed to pay tribute to Fox’s X-Men films from the early 2000s.

As a longtime X-Men fan myself, I’m not entirely immune to the charms of this approach; there’s one casting choice, in particular, that made me smile, almost in spite of myself. It’s not enough to make the movie feel like less of a self-cannibalizing slog, though I suspect that many in the audience, who live for this kind of glib fan service, won’t mind. Say what you will about Marvel — I certainly have — but it isn’t nearly as stupid as Deadpool says it is.

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Deadpool & Wolverine is relentlessly irritating, with cheap jokes instead of stake

You can beat a dead horse forever when it’s got a healing factor.

Warning: This review contains light spoilers about Deadpool & Wolverine.  

At the end of 2008’s Iron Man , there was a little moment where Samuel L. Jackson’s Nick Fury approached Robert Downey Jr.’s Tony Stark, speaking about “the Avengers initiative.” It catapulted fans into ecstasy and perplexed others left to ask, “Wait, who’s that guy?” Now, 16 years later, with audiences treated like rats pushing a lever for another morsel of food, we’ve reached the logical endpoint of this treatment. Deadpool & Wolverine is a movie made entirely of post-credits scenes. It is a carnival of in-jokes, self-references, and reality breaks with no higher purpose than to congratulate its audience for keeping up. It has no stakes, no drama, and only the most cynical applications of creativity. What’s most depressing is that it may end up making a billion dollars.

The first and second Deadpool movies (and even the PG-13 re-release Once Upon a Deadpool , with its amusing Princess Bride wrap-around) were always a little less clever than they thought they were but were mild enough entertainment to essentially win me over. This third outing, in which Ryan Reynolds returns as Wade Wilson, the “merc with a mouth,” to team up with a parallel universe’s spin on Hugh Jackman’s Logan, better known as the X-Men’s Wolverine, is simply too repetitive, too immature, and too irritating to enjoy. This movie, directed by Shawn Levy with a script credited to five screenwriters, basks in its “more is more” philosophy with all the subtlety of a 10-year-old buzzing on a kazoo, reveling in negative attention. It’s unbelievable just how annoying it is.

 Photo courtesy of 20th Century Studios/Marvel Studios

The story begins with Wilson, depressed that he was rejected by the Avengers superhero team, living a drab existence with his parade of outcast pals. (The very funny Karan Soni, Wilson’s cab driver buddy Dopinder, gets maybe 45 seconds of screen time in this, which is a damn shame.) Members of the Time Variance Authority yank Wilson to a pocket universe to tell him that he’s been essentially “called up” to the big leagues; he is to join the “main timeline” of what we who watch movies refer to as the Marvel Cinematic Universe .

Of course, Wade Wilson calls it this, too, because Deadpool & Wolverine is just besotted with the notion of slamming the brakes on its own momentum to make jokes about Hollywood. This is not a new thing — Bob Hope and Bing Crosby made barbs about Paramount executives in Road to Morocco back in 1942 — but they knew that a little went a long way. This movie simply can’t stop; it assumes that everyone in the audience is well-versed in the boardroom maneuvers of 20th Century Fox and Disney and will get jokes about what “Feige said” (a reference to producer Kevin Feige .) When Wilson sees a skull under an Ant-Man helmet, he yuks that Paul Rudd has finally aged. There’s also a crack about Jackman’s recent divorce. When things get a little too Mad Max -ish, he worries about being in the wrong IP. Who is the audience for this? Entertainment lawyers who watch TMZ?

What’s strange (or, perhaps a more positive spin is to say gutsy) is how these “we know this is a movie” gags become the foundation of the plot, going beyond Reynolds barking “cue the montage” or telling the camera to pan up for a cool shot. When the local TVA fella Paradox (a mincing Matthew Macfadyen ) tries to pluck Deadpool from his world to the “main” world, it is because his world is about to be wiped out of existence. (The reason is because Logan, as seen in the movie Logan , died, and he was a load-bearing character.) Paradox thinks Wilson will be thrilled, but he wants to save his friends, so this involves him going to other universes to find a different Logan. (This does kinda make sense.) He grabs a particularly drunk and surly Logan, but when Paradox finds out about the plan, he banishes them both to The Void.

Jay Maidment/ 20th Century Studios / MARVEL

And it’s here where the self-referencing goes into overdrive. In The Void, Deadpool and Wolverine meet dropped characters from the Fox versions of Marvel movies. And even one fella that was just a bit of casting rumor. I won’t spoil all of them, but I will mention that when Jennifer Garner’s Elektra pops up, this naturally affords the movie to make a Ben Affleck crack, which, of course, it does. 

This persistent reliance on navel-gazing is annoying, and with everything being so on the surface, there’s no urgency whatsoever to the story. The central quest (if you can remember it through all the tangents) is meaningless because none of the characters are real. This problem is compounded because Deadpool and Wolverine can’t die — so we watch three lengthy scenes of them just stabbing one another to no effect, set to zany needle drops. (It’s AC/DC, Madonna, and a number from Grease .) One would be acceptable. Three, ironically considering how there’s no killing, is overkill. 

The other thing that has really outstayed its welcome is Reynolds’s teasing gay banter. The series boasts its subversive lewd talk (mug for camera — I just mentioned X in a Disney movie, whaaaaaat??!), but you know what? I don’t see Reynolds actually kissing other men. That would be a bridge too far, I guess. If one wanted to interpret the Deadpool phenomenon as being homophobia-by-overcorrection, I wouldn’t stop ‘em.

Marvel Studios

It may sound like I absolutely hated this movie, but that’s a little unfair. When you throw 7,000 jokes at the screen hoping something will stick, a few of them certainly will. As such, I did laugh several times; I am not a monster. There’s also a recurring bit where The Void’s evil Empress and twin sister to Charles Xavier, Cassandra Nova ( Emma Corrin ), enters people’s minds by jamming her fingers into their heads. The special effects in this movie are simultaneously unnerving and very funny. It’s a neat bit. 

Also, there’s a constant in any universe: Jackman is always compelling. The 55-year-old Australian entertainer is shirtless throughout much of the big finish, and while you never quite know what is CG in a Hollywood movie, the man is just preposterously ripped. His muscles aside, he’s also got a few scenes in this featherweight story where he is tasked with “acting,” and he manages to bring some depth to those scenes. (Reynolds, alas, does not have as much luck when the spotlight is on him.) 

I’m sorry for being a curmudgeon and not liking Deadpool & Wolverine . I assure you I am not a pain in the butt on purpose. I just feel that if a movie is going to monopolize the conversation, there should be a little care put into it. The movie is two hours of cheap jokes, culminating in the world’s biggest Family Guy episode. It tries so hard to be clever, it just ends up being cringe. Luckily, Twisters is still playing if you haven’t seen it yet. Grade: C-

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In Theaters

Deadpool & wolverine.

• Action/Adventure , Comedy , Sci-Fi/Fantasy

Content Caution

• July 26, 2024
• Ryan Reynolds as Wade Wilson/Deadpool; Hugh Jackman as Logan/Wolverine; Emma Corrin as Cassandra Nova; Matthew Macfadyen as Mr. Paradox; Morena Baccarin as Vanessa; Rob Delaney as Peter; Leslie Uggams as Blind Al; Karan Soni as Dopinder; Brianna Hildebrand as Negasonic Teenage Warhead; Stefan Kapičić as Colossus; Shioli Kutsuna as Yukio; Lewis Tan as Shatterstar; Wunmi Mosaku as Hunter B-15; Dafne Keen as Laura/X-23; Blake Lively as Lady Deadpool

Home Release Date

Distributor.

• Walt Disney Studios Motion Pictures

Positive Elements   |   Spiritual Elements   |   Sexual & Romantic Content   |   Violent Content   |   Crude or Profane Language   |   Drug & Alcohol Content   |   Other Noteworthy Elements   | Conclusion

Movie Review

“Selves, how can we make the next Deadpool movie actual, physical torture for Plugged In reviewers to write about?”

Plugged In’s Paul Asay wondered if that was what went through the minds of Marvel executives when Deadpool 2 came out in 2018. And after seeing Deadpool & Wolverine , I have same question.

But I’m already getting ahead of myself. Let’s talk about the story first.

In the latest entry in this R-rated franchise, Deadpool has given up his vigilante ways. After being practically laughed out of Happy Hogan’s office following his earnest pitch to join the Avengers, Deadpool decides he’ll never be the hero everyone—especially his girlfriend, Vanessa—wants him to be.

So, he stops trying. He hangs up the suit, dons a toupee and begins selling used cars.

But then the Time Variance Authority (à la Loki ) shows up. They inform Deadpool that his universe, Earth 10005, is coming to an end because its “anchor being” (a person of such significance that they literally hold the universe together) has died.

Who is this anchor being? you may ask. Why, it’s none other than James Howlett, aka Logan , aka Wolverine . Yes, that Wolverine of X-Men and Logan fame.

Deadpool realizes the only chance he has to save his world—to save Vanessa and all his friends—is to find a new anchor being for Earth 10005.

Luckily, he’s already got access to the TVA’s nifty time- and universe-hopping devices. Now he just needs to find a Wolverine variant willing to join him on his quest.

Positive Elements

Deadpool & Wolverine , at its core, is a tale about two men trying to save the world and becoming heroes in ways they never expected.

Feeling dejected after his Avengers rejection, Deadpool falls into a slump, believing that he’ll never be worthy of the title “hero.” But then the TVA informs him that he’s been chosen for a “higher purpose.” They tell him that he’ll finally be the hero he’s always dreamed of being. And he’s understandably excited.

That is, until he’s subsequently informed that his own universe is going to end after he leaves. Deadpool’s not such a fan of that idea, so he tries to negotiate with the TVA for the continuation of Earth 10005. But his request is denied.

Deadpool is given two options: Join the TVA to become a hero to other universes, or join his friends on Earth 10005 as it’s destroyed.

But Deadpool surprises the TVA (and perhaps audiences watching) by choosing a third option—a selfless option. One in which he must sacrifice his own life to save the ones he loves.

The particular Wolverine that Deadpool ultimately teams up with isn’t the iteration we’ve come to know and love the past 24 years. This Logan hasn’t risked his life, time and time again, to save others. In fact, when his friends needed him most, this Wolverine walked away. And he’s lived with their deaths on his conscience ever since.

But by working with (a very flawed) Deadpool, Wolverine follows his own redemption arc. In the end, Wolverine and Deadpool learn that being a hero is about the willingness to do whatever it takes—to give up your own life—to save another.

Spiritual Elements

Deadpool, Wolverine and other heroes and villains in this story are all mutants . They get their powers from genetic mutations, a form of evolution, as we’re told in the first X-Men film. That said, the film doesn’t spend much time focusing on this element of the story. It’s pretty much a given at this point, with only a handful of references throughout the film.

Some mutants, such as Deadpool and Wolverine, have regenerative healing abilities. Others have mutations that make them animal-like in appearance. One mutant resembles a stereotypical depiction of the devil, complete with red skin, tail and all. Another reveals she can read people’s minds and manipulate their memories. And a giant, purple cloud-monster attempts to eat everyone in sight.

Deadpool dubs himself “Marvel Jesus,” a breaking-of-the-fourth-wall reference to how his character (and this film) will “save” the Marvel Cinematic Universe. Later on, after eluding death, he sarcastically exclaims, “He hath risen,” to a room full of onlookers.

Elsewhere, a woman says she wants to “play God.” Someone says it’s God’s best joke that Deadpool can’t die, hoping the man will live in misery forever. We see multiple shots of the bumper sticker with religious symbols for several faiths that reads “Coexist.” A background character wears a turban.

The TVA uses technology to jump through time and travel across the multiverse, all in the name of protecting the “Sacred Timeline.”

Sexual & Romantic Content

Deadpool & Wolverine shamelessly embraces a nonstop stream of raunchy, ribald and sexually suggestive humor, the likes of which Disney has never seen. These jokes include references to child predators, STDs, same-sex encounters, all forms of sex and crass descriptions of human anatomical features. Over and over and over again.

There are no sex scenes in this sequel. However, flashbacks show some steamy scenes from the previous Deadpool flicks. And things certainly look sexual here when swords, bones and other weapons are suggestively stabbed in certain parts of the anatomy. And Deadpool’s frequent verbal commentary on these moments makes sure we don’t misinterpret these nasty sight gags.

Deadpool himself makes many comments about men’s anatomy, further reinforcing the idea that he’s sexually fluid or bisexual in preference.

Deadpool mentions a man with jewelry connecting sensitive parts of his anatomy to a sexual organ. Later on, we see this man, encouraging a woman to touch the jewelry (she’s ignorant that it’s connected to other parts of his body). The camera lingers on a shirtless, muscled man as a choir sings in the background. He’s ogled by both men and women. Other shots focus on Deadpool’s clothed rear and groin as he’s groped and slapped by a tailor. And the cinematography slows down significantly when a female variant of Deadpool shows up, emphasizing her womanly figure.

Two of Deadpool’s female friends are in a relationship, and they hold hands. There are some jokes referencing trans people. Two different Deadpools make suggestive references to a dog, flirting sarcastically with bestiality for the sake of a joke. We also hear a reference to the dog’s seeming arousal. Deadpool also jokes about necrophilia. (One man initially calls the TVA’s HR department to report Deadpool for harassment but later appears to welcome the attention.)

There are a couple of jokes about actors’ real-life divorces.

Violent Content

It wouldn’t be a Deadpool movie without the violence. I mean, the character wears red to hide when he bleeds .

Deadpool uses his guns and katanas to shoot, stab, behead, amputate, and otherwise cripple and kill those who stand against him. Wolverine does, too, just with adamantium claws instead. In those sequences, blood spurts and limbs fly in such an array that Deadpool should perhaps be renamed “Bloodpool.” There’s enough bloodletting here to make Quentin Tarantino’s Kill Bill envious.

Deadpool seems to enjoy these interactions, quipping and even dancing along. Wolverine, on the other hand, is pure rage, taking his frustrations out on any enemy unfortunate enough to cross his path. (He expresses regret at killing innocent humans after going on a killing spree to avenge his fallen friends.)

Most of the Wolverines that Deadpool encounters while using the TVA’s tech try to kill him. The one he eventually teams up with tries as well. And the pair get into more than one fight that would be fatal to anyone without their unique healing powers. Their brutal flaying of each other over and over again is played as a comedic ballet of impaling gore.

Other mutant heroes and villains enter the fray as well, using their unique powers to shoot, stab, and … you get the picture.

One mutant uses her telekinesis to throw characters violently into walls. To read minds, she inserts her fingers into people’s heads. We see those appendages moving around, obviously causing physical discomfort and prompting Deadpool to sarcastically request an intimacy coordinator (the person on movie sets tasked with ensuring that physical acts are conducted safely, respectfully and—as is the case here—consensually).

We see the skeletons of several beloved superheroes. In one universe, Deadpool finds Wolverine crucified on a cross-like X on a hill of bloody skulls (a very literal rendition of the cover of X-Men #251 from 1989). We hear that humans in one universe hunted mutants down, killing them all. Deadpool uses a variant of himself as a human shield before learning the man doesn’t have the same healing powers as himself.

A TVA agent says he’s been tasked with overseeing the destruction of Earth 10005, a process that will naturally occur over the next thousand years or so. Unwilling to wait that long, he attempts to accelerate the destruction using a machine called a Time Ripper. He claims it’s more efficient and compassionate since the residents of 10005 won’t feel a thing. But when a villain gets hold of the machine, she attempts to destroy every universe but her own.

Deadpool says he supports abortion. A man sports bloody bandages on his face after Deadpool breaks his nose. A hero painfully falls on his groin—and plenty of other characters more wincingly get stabbed in the same location. A woman says she tried to choke her twin with an umbilical cord in the womb.

Crude or Profane Language

Fans know that Deadpool is “the merc with the mouth.” So the following profanity tally shouldn’t come as a shock: More than 120 uses of the f-word (10 preceded by “mother”), another 30-plus uses of the s-word, two uses of the c-word and a smattering of “a–,” “a–hole,” “b–ch,” “c–k,” “d–n,” “d–mit,” “d–k,” “h—,” “p-ss” and “p—k.”

God’s name is abused about 25 times, seven of which are paired with “d–n” or “d–mit.” And Jesus’ name is similarly abused four times.

Drug & Alcohol Content

Breaking the fourth wall, Deadpool says that the film’s producers explicitly forbid the use of cocaine onscreen. But that’s followed up by a lengthy litany of just about every slang term in existence for the drug. And later, Deadpool’s roommate claims she’s going through withdrawal from it.

Wolverine gets drunk on several occasions, drowning out his sorrows in the bottle. People drink elsewhere.

Other Noteworthy Elements

Deadpool desecrates a corpse, using it as a weapon. He verbally berates his enemies (which isn’t much of a surprise), but he also abuses his friends on occasion.

Characters lie. People insult each other. A man mishears the word “retired” as “retarded.”

In terms of Easter eggs, cultural tie-ins and just general breaking of the fourth wall, I’m not sure there’s a Marvel movie in existence that includes more of those nods than Deadpool & Wolverine . At times, these winks at MCU lore can be genuinely funny. Deadpool himself mocks the direction the MCU has taken since Avengers: Endgame . And then there’s the sheer number of cameos, which we won’t spoil here.

Unfortunately, though the film’s stars have no problem taking their own kids to see the movie , it’s an absolute nightmare for most other parents.

Fans of the previous flicks in the Deadpool franchise won’t find this surprising. The first two movies were chock-full of profanities and gory violence, not to mention nudity and raunchy sexual references. But if you were hoping that the acquisition of 20 th Century Fox (which previously helmed the Deadpool projects) by Disney would soften the content a bit, you’ll be as disappointed as fans were when Hugh Jackman didn’t wear the yellow jumpsuit in 2000’s X-Men .

In terms of storyline, Deadpool & Wolverine has its merits. Deadpool especially has always been a bit of an antihero (and Wolverine has had his moments too, for that matter). However, this film sees him developing into an actual hero.

He finally learns that being a hero isn’t a self-serving gig. Rather, it’s about self-sacrifice. You don’t save people because it benefits you ; you save people because it benefits them .

And if I wasn’t concerned about the content that I consume, I probably could have enjoyed those elements of the film a lot more. But oof ! The explicit content here just cannot be ignored.

Deadpool is called the “merc with a mouth” for a reason. F-bombs number well over a hundred, and that doesn’t include a slew of other profanities as well, including the c-word and multiple abuses of God’s name. But crudities also take the form of raunchy humor. It’s like someone took all of the sexually immoral acts listed in Leviticus and tallied up as many jokes about it as they could—including references to predators.

And speaking of biblical ills, Deadpool decides to dub himself “Marvel Jesus.” He even quips, “He hath risen!” after eluding death—referencing, perhaps, hopes that the character will revitalize the MCU. (And it should be noted that Marvel shares this hope since Deadpool & Wolverine is the lone MCU film of 2024.)

Let’s not forget the blood and gore either. The film’s first scene involves the desecration of a corpse in which Deadpool uses the bones of a fallen comrade as weapons. Heads explode. Limbs fly. A man’s skin is ripped from his body via telekinesis, his innards collapsing in a steaming pile of goo.

And then, because their mutant powers allow them to regenerate, Deadpool and Wolverine slice each other up, just for kicks.

Over and over and over and over again.

Emily Tsiao

Emily studied film and writing when she was in college. And when she isn’t being way too competitive while playing board games, she enjoys food, sleep, and geeking out with her husband indulging in their “nerdoms,” which is the collective fan cultures of everything they love, such as Star Wars, Star Trek, Stargate and Lord of the Rings.

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DEADPOOL & WOLVERINE

"surplusage vitiates".

What You Need To Know:

Miscellaneous Immorality: Deadpool lies to Wolverine about an important matter, but Wolverine eventually forgives him and accepts Deadpool’s perspective on why his lie wasn’t really a lie.

More Detail:

In DEADPOOL & WOLVERINE, Deadpool wants to make a positive difference in the universe to regain the love of Vanessa and teams up with a reluctant Wolverine to stop a power-mad bureaucrat from the Time Variance Authority who’s trying to destroy Deadpool’s universe. DEADPOOL & WOLVERINE takes the crude language and extreme violence in the first two Deadpool movies to new depths of degradation, which ultimately overwhelms the movie’s redemptive heroic premise and dilutes the movie’s enjoyment level.

In the story, Wade Wilson aka wants to regain the love of his girlfriend, Vanessa, to become a true hero. However, The Avengers turn him down, so he stops using his Deadpool identity altogether and just enjoys being with his friends, including Vanessa. He still wants to get back with her though, but she nixes the idea.

Two years later or so, a power-mad bureaucrat from the Time Variance Authority (TVA), calling himself Mr. Paradox, picks up Wade. Paradox thinks Wade has matured enough to be a hero. He wants Wade’s help for a special assignment. Wade is gung ho and gets Paradox to build him a new Deadpool suit. However, he rebels against Paradox when he discovers that Paradox is trying to destroy Wade’s universe, including Vanessa and his friends. Apparently, the death of Logan, aka Wolverine of the X-Men, in Wade’s universe has set off a chain of events that will lead to the universe’s destruction sometime in the future anyway. So, Paradox decides why wait for all that pain and misery to develop? Why not just destroy Wade’s universe now?

A fight occurs Paradox’s offices. Wearing his Deadpool suit, Wade manages to escape in one of the TVA’s multiverse time travel portals. Deadpool travels back to Wolverine’s burial place to revive him. Things don’t go according to plan, and Deadpool finds a seemingly insurmountable obstacle. He eventually figures a way around it, but only to find another obstacle. Wolverine is not interested in stopping Mr. Paradox, and certainly not to work with Deadpool, whom he loathes.

Even when Wolverine finally reluctantly agrees to help, he and Deadpool encounter the biggest obstacle of all, a new, even more powerful villain. This villain wants to destroy the whole multiverse except for one area.

Can Deadpool and Wolverine stop this new villain and Mr. Paradox too? Can Deadpool save his own universe? Will Deadpool stop his incessant talking?

Except for some exposition, the jokes and action in DEADPOOL & WOLVERINE don’t stop. The movie also has some surprising, funny cameos. However, the movie takes the crude language and extreme violence in the first two Deadpool movies to new levels, or depths.

For example, Wolverine gets really mad at Deadpool at least twice. They fight and try to kill each other, with Wolverine stabbing Deadpool repeatedly with his claws, and Deadpool stabbing Wolverine repeatedly with his samurai swords. As fans of the two characters know, the bodies of both men have regenerative powers, so these scenes seem to go on forever with no resolution. In another long scene, Deadpool slices and dices multiple TVA policemen. Also, in a third long scene, Deadpool and Wolverine wade through a horde of assailants together. The brutality of the violence is clearly too extreme.

The number of obscenities in DEADPOOL & WOLVERINE has also sunk to new “heights,” going well over 100 to about 140 or more. There’s also some strong lewd dialogue, including a joke about a Boy Scout leader exposing himself. Unlike the first DEADPOOL movie, however, this third movie has no explicit sex scenes or nudity.

Ultimately, the brutality of the violence and the amount of obscene language in DEADPOOL & WOLVERINE dilutes the enjoyment of the story. It also overwhelms the movie’s redemptive ending. Shock for shock’s sake is a flawed concept that ultimately turns off more people than it attracts.

“Deadpool” is the cinematic equivalent of that kid in school who would always say how much he didn’t care what people thought of him, but just loud enough so everybody could hear him. It is the teenager who pretends to be too cool to care, but wants you to like him so badly it hurts. Of course, this is partially a byproduct of being a cog in the machine of the superhero movie marketing system—you unavoidably have to hit a few of the beats of the genre in order to satisfy the audience. However, “Deadpool” fails to live up to the potential of its beloved source material, subverting its own agenda by becoming a remarkably generic, by-the-numbers man-in-tights flick. “Deadpool” is about a guy who constantly pushes back against the expectations of the superhero, but the movie about him fails to match his rebellious personality. It’s a remarkably straightforward origin flick, lacking in true satire of its genre, carried almost entirely by its lead. Deadpool is a fun character, but he’s still in search of a fun movie to match his larger-than-life personality.

After years in development limbo, Ryan Reynolds finally gets a role that he was undeniably built for in this adaptation of Fabian Nicieza and Rob Liefeld ’s Marvel creation. A lot of pushback against reviews of comic book films tends to come from those who believe the critic unaware of the source material’s inherent strengths, so it seems fair to note that I read Deadpool back in the ‘90s. I know the character has come a long way since then, but the movie iteration isn’t that far from what I remember about the man in red who refused to play by the rules.

The movie version of Deadpool will remind you, over and over again, often in fourth wall breaks, how much he doesn’t care about those rules. The majority of “Deadpool” plays out in flashback after an opening sequence in which Deadpool destroys a convoy carrying his nemesis, Ajax ( Ed Skrein ). We learn that Deadpool used to be a merc named Wade Wilson (Ryan Reynolds). We meet two key figures in Deadpool’s life: girlfriend Vanessa ( Morena Baccarin ) and best bud Weasel ( T.J. Miller ). Wade and Vanessa seem to be charting a course to Happily Ever After when Wilson is diagnosed with late-stage cancer. A mysterious recruiter ( Jed Rees ) offers Wilson a deal: submit to the testing of the Weapon X program (which created Wolverine), and save your life. Wilson is experimented on by Ajax (and his partner in villainy named Angel Dust, played by Gina Carano ) and becomes a mutant, blessed by enhanced fighting and regenerative powers. When Ajax leaves him in a burning building, Deadpool spends the next year training to hunt him down and kill him. Two X-Men—Colossus (a motion-captured performance by Stefan Kapicic) and Negasonic Teenage Warhead (Brianna Hildebrand)—try to intervene to keep the delicate balance between mutants and humanity from getting too violent, and end up fighting alongside Deadpool.

Debut director Tim Miller ’s background in animation—he also did the amazing title sequence for “The Girl with the Dragon Tattoo”—makes “Deadpool” a highly energetic flick, but to say the piece is lacking in depth would be an understatement. It’s almost purposefully shallow, regularly commenting on both its existence and that of other films within the superhero universe (when Deadpool is being taken back to the X-Men mansion to meet with Professor X, he asks “McAvoy or Stewart?” and jokes about how many times it has been blown up). There’s a difference, however, between referencing a genre and truly satirizing, and the writers of “Deadpool” are too often satisfied with the former instead of the latter. At times, “Deadpool” plays like a “Scary Movie” version of an “X-Men” flick, which is inherent in the comic book but less satisfying when stretched out to feature length.

It doesn’t help that “Deadpool” vacillates wildly from being cooler than the genre it now exists within and totally embracing its broadest clichés. Some might argue that “Deadpool’s” bipolar approach—alternately too cool to care and downright maudlin with its melodrama—is reflective of the character’s split psyche, but that’s not nearly developed enough to be successful. Why not reflect it structurally too instead of delivering such a by-the-numbers story? A memorable villain or even an interesting action set piece? We couldn’t put those in between the jokes? And every time it feels like “Deadpool” is going to get truly dark, edgy, or interesting, it resorts to a cheap joke. Ripping on Limp Bizkit? Calling the bald character “Sinead” TWICE? Half the jokes just don’t land, and they’re the kind of faux-edgy you hear on an open mic night when someone’s trying to get attention. In 1995.

Thank God for Reynolds. Baccarin is well-cast and I generally like Miller (especially on “Silicon Valley”), but “Deadpool” is owned front-to-back by Reynolds, who famously fought to play this character. He jumps into the role with everything he’s got, providing an energy that’s often missing from superhero flicks, and he makes even the lamest jokes more tolerable. I just wish the rest of “Deadpool” knew what to do with him.

Brian Tallerico

Brian Tallerico is the Managing Editor of RogerEbert.com, and also covers television, film, Blu-ray, and video games. He is also a writer for Vulture, The Playlist, The New York Times, and GQ, and the President of the Chicago Film Critics Association.

• T.J. Miller as Weasel
• Leslie Uggams as Blind Al
• Karan Soni as Dopinder
• Morena Baccarin as Vanessa Carlysle / Copycat
• Andre Tricoteux as Piotr Rasputin / Colossus
• Ryan Reynolds as Wade Wilson / Deadpool
• Gina Carano as Angel Dust
• Ed Skrein as Ajax
• Brianna Hildebrand as Ellie Phimister / Negasonic Teenage Warrior
• Jed Rees as The Recruiter

Writer (character)

• Fabian Nicieza
• Rob Liefeld
• Julian Clarke

Cinematographer

• Paul Wernick
• Rhett Reese

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All 4 Deadpool movies ranked from worst to best

By michael patterson | aug 28, 2024.

Wade Wilson is a character in every way imaginable; one of Marvel Comics' most unforgettable and a larger-than-life personality, he has been shocking, enraging, and captivating people for decades . And now, he's part of the Marvel Cinematic Universe, where he has managed to do it all again.

Deadpool and Wolverine is one of the franchise's biggest success stories, and it's no easy feat to do that 34 movies in, but that's partly due to the success of the cinematic interpretation of Deadpool and the movie titan than he has become in his own right.

Ryan Reynolds' irreverent Merc With A Mouth first trash-talked his way onto the silver screen in 2016 (no, we're not talking about you X-Men Origins: Wolverine ) and he's been making quite the spectacle of himself ever since. Not bad for a somewhat lesser-known antihero in a world full of larger-than-life, famous superheroes.

The most recent installment in the franchise is the third outing in the Deadpool franchise (fourth movie to star Reynolds as the character, though) but how does it size up to the previous outings? Truth be told, the Deadpool trilogy is a pretty flawless one at that, which made ranking them all the more difficult. I think we've figured it out, but honestly, when the movies are this good, it could have gone either way for the films.

Oh what the heck, let's include X-Men Origins: Wolverine too!

4. X-Men Origins: Wolverine

Way back before Deadpool was a mainstream phenomenon on the big screen, a very unusual, very outlandish version of him appeared in X-Men Origins: Wolverine . Portrayed by Ryan Reynolds, he was an ally of Logan's, before Major William Stryker experimented on him, turning him into a much more dangerous weapon than ever before. A weapon designed to kill the Wolverine. On paper, it sounds terrifying. In execution, it left a lot to be desired.

The sheer notion of crafting a Deadpool without the ability to speak was so unbelievably baffling. Imagine having the Merc With A Mouth but giving him no mouth. Sure, it was a nod to the fact that Wade Wilson did talk too much prior to the experiment, but it made for the biggest questionable creative choice in a movie that already had a lot of issues to begin with.

X-Men Origins: Wolverine is considered one of the weaker X-Men movies for multiple reasons. Honestly, I don't mind it, as Hugh Jackman's performance is gripping and the final battle between Wolverine and Deadpool is pretty epic. Even if that isn't really Deadpool he's fighting. And yeah, it is one of the weaker X-Men movies; there's just no denying that.

As a movie in and of itself it's fine, but as a Deadpool movie, it's not very good at all. But hey, it did allow us to see the two characters share the screen for the first time, paving the way for their far superior showdown 15 years later.

3. Deadpool 2

After the success of Deadpool , a sequel came along just two years later. Deadpool 2 took a lot of cues from its predecessor, but it mixed in some new story elements that truly allowed it to stand on its own two feet. And honestly, it stood pretty upright and firm.

This one was all about family, as Wade Wilson had to deal with the prospect of losing the one person he cared about more than anyone else: His beloved Vanessa. After watching her die, Wade took it upon himself to track down her killers, before attempting to be a better person. The results were mixed, as he ended up getting himself incarcerated. But that's where he was presented with the opportunity to do some good, as the arrival of Cable (played brilliantly by Josh Brolin) turned everything upside down.

Deadpool 2 's focus on family is what elevates it, as it provides audiences with an incredibly emotional story about a Wade who doesn't want to live in a world without Vanessa, only to realize that he still has a family who cares about him. That, the arrival of the X-Force, and the more outlandish battle scenes made Deadpool 2 an incredibly worthy sequel.

2. Deadpool

To call Deadpool a work of genius would be to underestimate it. It is indeed a work of genius, but it was so genius in fact that this loud, in-your-face, low-budget superhero movie about an antihero so much of the mainstream movie audience wasn't familiar with turned into a box office phenomenon that very quickly made Deadpool a movie titan. You see why we needed more words?

The 2016 film told the story of Marvel Comics' Wade Wilson, who had evolved into an immortal metahuman capable of regenerating his own living tissue after taking on some life-altering treatment in a bid to cure his cancer. As Deadpool, he hunted down the people responsible for doing that to him, all while trying to work up the courage to show the love of his life who he had become after walking out on her to fight his battle alone.

Deadpool needed to understand its central character to work, and I don't think you'll find anybody who would say it didn't. Ryan Reynolds captured Wade Wilson's hilariously intolerable personality to perfection, working the big screen (and breaking the fourth wall) with ease. He was so charming, witty, and annoying all at the same time, and that's Deadpool in a nutshell.

The film had the right blend of heart and humor, with more violence and crude jokes than the superhero genre would have ever allowed in another decade. It all came together so well.

1. Deadpool and Wolverine

The movie event of 2024, Deadpool and Wolverine quickly became the most anticipated upcoming movie as soon as it was announced two years prior. That's a lot of hype to live up to, but as the record-breaking box office run speaks for itself, it pulled it off.

This was a passion project for Ryan Reynolds and Hugh Jackman; a chance for the former to get the Wolverine crossover he had longed for, and a chance for the latter to come out of X-Men retirement in the comic-accurate suit fans had been waiting to see. All of that and more came together to perfection in a movie that is as ambitious as it is wild.

Set in the MCU, the film sees Deadpool unite with a different version of Logan in the hopes of saving his universe from annihilation. The adventure that comes next for the titular duo is nothing short of epic, with their insane chemistry proving that a Deadpool and Wolverine team-up movie was worth the decade-and-a-half wait.

A perfect farewell to the Fox X-Men universe and the exciting start of a new chapter for both as part of the MCU, Deadpool and Wolverine is everything we wanted it to be - and so much more.

Next. Every MCU movie ranked from worst to best. Every MCU movie ranked from worst to best. dark

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Where to watch deadpool & wolverine, all deadpool & wolverine   videos.

Deadpool & Wolverine Concept Art Reveals New Look at Psylocke Cameo

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From the myriad cameos to the Easter eggs, Deadpool & Wolverine have been impressing fans with all manner of looks. However, newly revealed concept art gives us a closer look at one of the more subtle appearances—Psylocke . Celebrated already for such an intricate weaving of beloved characters and thrilling surprises, the film has finally given fans an inside look into the creative process behind one of its lesser-known yet intriguing cameos.

Recently, costume illustrator Jonay Bacallado has taken to Instagram to show off his concept art of Psylocke's final costume, demonstrating just how greatly the character was reimagined for the film. Psylocke is briefly but memorably brought to life by actress Ayesha Hussain as one of Cassandra Nova's henchmen within the Void, a surreal and chaotic dimension that plays an integral part in the plot of the movie. Amidst all the frenetic action of the movie, the glimpse of Psylocke could pass in a blur; however, the detailed drawing of Bacallado indeed confirms that great care and thought have been given to her design.

Deadpool & Wolverine's Dafne Keen 'Would 100%' Play X-23 in the MCU Again

Deadpool & Wolverine star Dafne Keen is up for portraying X-23 in a future Marvel Cinematic Universe film.

Bacallado then showed the design of Psylocke 's costume as an intentional homage to the comic book roots of this character-psychedelic and alluring with an ensemble of brutal fighting skills . However, the Psylocke in this film still retains a more utilitarian and tactical feel to it, revealing the harsh and unforgiving nature of the Void. The choice of materials, colors, and overall design was meant to stay true to her iconic comic book look while making her fit into the world of Deadpool & Wolverine.

"Psylocke final costume concept for Deadpool & Wolverine ," Bacallado wrote in the Instagram post. "Psylocke was another of the mutants chosen to be brought back in the Void, as part of Cassandra's henchmen. We wanted to give a more utilitarian and tactical vibe to the design, but with her iconic color palette and having the strap element as a nod to her comic book portrayal ."

Ryan Reynolds Reveals Gambit's Fate in Deadpool & Wolverine Deleted Scene

Deadpool & Wolverine star Ryan Reynolds releases a deleted scene from the film that shows what happened to Channing Tatum's Gambit in the Void.

It is not the first outing into the X-Men film universe for Psylocke. She had previously appeared, played by Olivia Munn, in X-Men: Apocalypse , and, earlier, by Mei Melançon in X-Men: The Last Stand . But this small part in Deadpool & Wolverine gave another take on the character, mixing her instantly recognizable look with a more realistic, tactical aesthetic to help capture the interesting mix of comedy, action, and darkness that the film uniquely executes. Psylocke's appearance, while a short one, adds another layer of dimension to the movie, and pays off sharp-eyed fans that get a connection to a larger X-Men mythology.

Deadpool & Wolverine Continue Box Office Dominance

With fans still discovering more and more Easter eggs and cameos, Deadpool & Wolverine has remained at the box office, proving it has mainstream appeal and can hold its own. The movie also did well during the Labor Day holiday as the highest-grossing film for the sixth weekend in a row. In the domestic market, it has now passed the $600 million level, making it only the 16th movie in history to achieve the desired milestone. At the international box office, too, it is equally effective, and the total of the film has grossed more than $1.25 billion in the market, assuring it as one of the most effective releases this year.

A testament to its runaway success, combining action, humor, and shades of nostalgia with the added excitement of seeing two iconic characters, Deadpool and Wolverine, finally together on screen. The plot, whereby the duo comes together through a convoluted and perilous multiverse setup, has captured audiences across the globe. It further adds to the appeal with a star-studded cast: Matthew Macfadyen plays Paradox, Emma Corrin plays Cassandra Nova, with some returning favorites from the Deadpool franchise. This alone should make it a must-see event for Marvel and general audiences alike.

Source: ComicBook

Deadpool & Wolverine

Wolverine joins the "merc with a mouth" in the third installment of the Deadpool film franchise.

Gambit Lives! And the Perfect Plot for a Channing Tatum Movie Is Waiting for Marvel in This Comic

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Deadpool & Wolverine didn't just serve as a team-up between Ryan Reynolds' Merc with a Mouth and Hugh Jackman 's clawed Canadian. It was also a send-off of sorts to 20th Century Fox's Marvel films, and that send off included Channing Tatum as Gambit, who's part of a group of fighters that includes Elektra ( Jennifer Garner ), Blade ( Wesley Snipes ), and Laura Kinney ( Dafne Keen ). Tatum is a legitimate scene-stealer, equppied with a Cajun accent that Deadpool struggles to understand and an inventive use of playing cards. Considering that Tatum was attached to a Gambit solo project that never saw the light of day, this appearance finally answers the question of what he'd have brought to the table.

Recently, Reynolds released an extended scene from the end of Deadpool & Wolverine , where Gambit stands alone in the Void after defeating hordes of enemies. The unmistakable sound of a portal (or the "Marvel Sparkle Circle", as it's hilariously referred to by Deadpool) is heard behind him, more or less confirming that the card-slinging Cajun has returned to his native universe . While there hasn't been any other word on whether Tatum's Gambit will be headlining his own solo film, there's a comic that could serve as the perfect basis for a Gambit feature film : Gambit: King of Thieves by James Asmus and Clay Mann .

What Is 'Gambit: King of Thieves' About?

Asmus and Mann's Gambit series found Remy LaBeau at an interesting point in his life. He was part of the X-Men, more specifically the staff at Wolverine 's Jean Grey School for Higher Learning. But he was still trying to adjust, and eventually attempted to get back into the thieving game . But Gambit's return to thievery takes a left turn when an alien parasite he unwittingly stole buries itself in his chest, and causes his life force to drain every time he uses his powers. Gambit ends up planning a series of heists to try and save his own life; complicating matters is the presence of a female thief named Joelle, who wants the artifact for unknown reasons, and Borya Cich, the billionaire he stole the artifact from in the first place.

Gambit: King of Thieves worked because it attempted to push Gambit in new directions. Though he was still part of the X-Men , having him return to his thieving ways provided plenty of ideas that one could only pull off in the Marvel Universe. One heist features Gambit and Joelle traveling to Guatemala, and encountering a massive dragon god in the process. Another sees Cich coercing Gambit into taking Excalibur (King Arthur's sword, not the X-Men team of the same name). The globetrotting adventure baked into the book is what makes it a great read, backed up by Asmus' scripting and a legion of talented artists (including Mann, who crafts an updated version of Gambit's trenchcoat and purple body armor).

The First Arc of 'Gambit: King of Thieves' Would Make a Great Movie

Within the first arc of Gambit: King of Thieves , there is the perfect structure for a feature film . The idea of Gambit having to pull off a heist, said heist going wrong, and his answer to saving his own life lying in another heist, is the type of chaos that the character thrives in and fits perfectly with " the punk rock of all the superheroes " that drew Tatum to the character. It would also provide Gambit with both a new mission that doesn't require him to interact with the other X-Men, and the dynamic he has with Joelle is far different from his one with Rogue. There's even the idea of fighting an ancient dragon god, which is the type of insane plot twist you can only get in a superhero movie.

Ryan Reynolds Is Great as Deadpool, But This Is the Franchise's Unsung Hero

And he always smells like Daffodil Daydream.

This would also give Tatum the chance to show all the different sides of Gambit . While his accent did provide a few laughs, the fight scenes also showed how skilled Gambit is at using his powers, and how anything in his hands will literally become a weapon. Using Gambit: King of Thieves as the basis of a story could let Tatum show off some of his more dramatic chops, as well as his sensitive side. Other films like The Lost City , Foxcatcher , and Blink Twice have shown Tatum's considerable range, so it stands to reason he can do the same for a character he has a deep, deep love for.

Deadpool and Gambit Teamed Up for Heists in the Comics

Tatum has been upfront about how involved Reynolds was in getting him on board Deadpool & Wolverine , writing a heartfelt Instagram post around the time of San Diego Comic-Con. "I will owe him probably forever. Cause I’m not sure how I could ever do something that would be equal to what this has meant to me," Tatum said, a statement that Reynolds reciprocated, having walked his own rocky road to get Deadpool on the silver screen. Both men have been vocal about wanting Tatum to return to his role, with Reynolds even saying on his Instagram stories that he'd show up if Tatum " needs a Deadpool ." The Deadpool V Gambit miniseries could be the answer to both of their wishes .

In Deadpool V Gambit , it's revealed that the Merc with a Mouth and the Ragin' Cajun have worked together to pull off heists; one of those jobs even had the duo dress up as Spider-Man and Daredevil to fake a superhero fight where they collected a series of rare gems! But in true heist fashion, they wind up double-crossing and betraying one another , leading to the "versus" part of the title. With Deadpool & Wolverine continuing to break box office records , and both Tatum and Reynolds willing to work with each other, perhaps the best solution would be to re-team them. Either way, there's plenty of material to craft a solo Gambit movie.

Deadpool & Wolverine

Wolverine joins the "merc with a mouth" in the third installment of the Deadpool film franchise.

Deadpool & Wolverine is now playing in theaters.

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Nonstop violence, profanity, adult humor in super sequel.

Parents Need to Know

Parents need to know that, like the original, Deadpool 2 is bloody, raunchy, violent, and filled with pop-culture references. Expect tons of extremely graphic violence, much of which is close-up and very gory and gross: torture, decapitation, dismemberment, brutal hand-to-hand combat, and much, much more…

Why Age 17+?

Extremely strong, bloody, graphic violence: decapitations, brains oozing out of

Constant strong language (occasionally said by a teenager) includes: "f--k," "f-

Visible/mentioned brands include Crocs shoes, Mercedes, Apple, Teva sandals, For

Wade lights and smokes a cigarette, drinks vodka in a bar (to the point that he

Wade's "baby butt" is visible, and there's a blink-and-miss shot of his baby gen

Any Positive Content?

The movie uses a very violent code of justice/morality, which frequently results

Lots of extremely iffy, outright illegal behavior, but Wade/Deadpool follows his

Opening scenes of Deadpool 2 include fighting Cantonese gangsters and Japanese f

Violence & Scariness

Extremely strong, bloody, graphic violence: decapitations, brains oozing out of shots to the head, limbs sliced/shot off, torture, hand-to-hand combat, multiple suicide attempts, people set on fire, and fireballs thrown with explosive results. People are crushed, smacked by trucks, impaled, burned by acidic vomit, run over, shredded, and torn in half. Tons of very bloody injuries. One character is electrocuted via his bare butt. One very sad death; other scenes show the tragic results of a future murder (including a dead child). Children abused by authority figures.

Did you know you can flag iffy content? Adjust limits for Violence & Scariness in your kid's entertainment guide.

Constant strong language (occasionally said by a teenager) includes: "f--k," "f---er," "f---ing," "motherf----r," "s--t," "a--hole," "ass," "bitch," "d--k," "p---y," "c--t," and "pissing." Also "teabag," "douche," "c--k," and mashed-up insults like "s--t show," "s--t giggles," "d--k t-ts," "prick," "douche pool," "baby balls," and more. "Goddamn," "Jesus Christ," and "God" are used as exclamations. Middle-finger gestures.

Did you know you can flag iffy content? Adjust limits for Language in your kid's entertainment guide.

Products & Purchases

Visible/mentioned brands include Crocs shoes, Mercedes, Apple, Teva sandals, Ford, Dodge, Budweiser, Huggies baby wipes, Toaster Strudel, LinkedIn, etc. Mentions of Arby's and the McRib.

Drinking, Drugs & Smoking

Wade lights and smokes a cigarette, drinks vodka in a bar (to the point that he can't stand up well), inhales a large portion of cocaine, etc. Boxed wine and beer shown.

Did you know you can flag iffy content? Adjust limits for Drinking, Drugs & Smoking in your kid's entertainment guide.

Sex, Romance & Nudity

Wade's "baby butt" is visible, and there's a blink-and-miss shot of his baby genitals (during scenes when his legs/pelvic area are regrowing). Another character has an electrical wire shoved between his bare butt cheeks. Main characters kiss passionately and plan to make love. A few other sexual/suggestive references, including some flirting and butt-grabbing between Deadpool and Colossus. An IUD is shown briefly in a gift box.

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Positive Messages

The movie uses a very violent code of justice/morality, which frequently results in slaughter. But it also explores how superheroes/mutants/people with extra abilities struggle between helping others and finding their chosen families that accept them for who they are. Ultimately, the film promotes friendship, responsibility, teamwork, collaboration, and love. There are clear lessons about how children can change lives: "Kids give us a chance to be better than we were."

Positive Role Models

Lots of extremely iffy, outright illegal behavior, but Wade/Deadpool follows his own code faithfully; it mostly involves justice against those who've done big wrongs. He clearly loves Vanessa and will do anything to protect her. Three X-Men help Deadpool even though it's not their fight. Russell, determined to be the first plus-size superhero, is badly traumatized and searching for someone to bond with; he's desperate for connection. Deadpool reiterates the idea that life boils down to a few precious choices and moments. Even the "villains" have motives that audiences can empathize with. Domino is a strong, capable woman who shows that fighting for justice can be done in more than one way.

Diverse Representations

Opening scenes of Deadpool 2 include fighting Cantonese gangsters and Japanese fighters in a steam room, which stereotypically portrays East Asians as martial artists. Russell, who vows to be the first plus-size superhero, shows that any body shape can harness great power. Wade/Deadpool struggles with chronic illness (cancer). Domino and Blind Al, the film's two Black female characters, revolve around Deadpool (who's White and male) but they hold their own moral compasses. Besides the occasional (and ableist) jabs made at Blind Al's visual impairment, they both prove to be strong, refreshing, and positive characters. Vanessa, Wade's love interest, is an immovable force of love, forgiveness, and acceptance whose only role is to serve as motivation for Wade as she makes him a better person at every encounter. Dopinder, Deadpool's taxi-driving Indian sidekick, cements some stereotypes, speaking in a thick Indian accent and rarely leaving his cab. On the plus side, he emerges with some power.

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Parents need to know that, like the original , Deadpool 2 is bloody, raunchy, violent, and filled with pop-culture references. Expect tons of extremely graphic violence, much of which is close-up and very gory and gross: torture, decapitation, dismemberment, brutal hand-to-hand combat, and much, much more. Sympathetic characters die, and children are abused by authority figures. You'll hear "f--k" in nearly every scene, plus "s--t," "a--hole," "bitch," and a full range of other salty words. Adults also smoke, drink, and use drugs, and there are some sexual references, though fewer than in the first film (this time around, nudity is limited to bare butts and a quick-flash shot of baby genitals, played for humor). Despite all of this, the story does ultimately promote teamwork, collaboration, empathy, and believing that people, particularly kids, can change. To stay in the loop on more movies like this, you can sign up for weekly Family Movie Night emails .

Where to Watch

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Parent and Kid Reviews

• Parents say (57)
• Kids say (80)

Based on 57 parent reviews

It’s not that bad

A comment about the extended / uncut version (nudity)., what's the story.

DEADPOOL 2 begins with a startling suicide sequence in which Wade/Deadpool ( Ryan Reynolds ) informs viewers that he won't survive this movie. Then, the action rewinds, and Wade narrates the distressing last few weeks he's had, which included a key character's death sending him into a tailspin. After the flashback, Wade teams up with Colossus (voiced by Stefan Kapicic) to become one of the X-Men in training. During a confrontation with a volatile, potentially out-of-control young fire-starter mutant named Russell ( Julian Dennison )—who's angry and trying to torch the "mutant rehabilitation" youth center he's been forced to stay in—Wade goes off script and ends up landing both himself and Russell in prison. Eventually, Cable ( Josh Brolin ), a soldier from the future, arrives on a mission to alter the past in the name of preventing unspeakable crimes in the future. Then things really start going awry, and the movie becomes a race between Wade and Cable.

Is It Any Good?

Reynolds' hilariously offensive antihero serves up another round of snarky, trash-talking, gory, pop-culture-bashing shenanigans that will appeal to those who loved the first film. As with the original, it's important to note that Deadpool 2 is not a typical superhero movie. Reserved for audiences that are able to stomach the incredibly gory violence and constant language, the movie is a non-stop barrage of one-liners that reference everything from "Papa Can You Hear Me?" from Yentl and "Do You Want to Build a Snowman?" from Frozen , to in-jokes about nicknames (Wade calls Cable "Thanos") and sight gags (he lifts up a boom box, Say Anything -style).

But among all the rapid-fire quips is a sentimental notion: that kids, in this case the morally conflicted Russell, give adults the chance to be better people. Wade's interactions with Russell are both hilarious and bittersweet. And if the addition of new characters Russell and Cable isn't enough to intrigue viewers, there's also the introduction of the X-Force, an even motlier crew of mutants (plus one civilian) with somewhat middling powers. Zeitgeist ( Bill Skarsgard ), for example, can spew acidic vomit. At least Domino's ( Zazie Beetz ) power is good luck, which ends up being more helpful than Wade can imagine. Even Cable isn't the straight-up baddie you'd expect; he ends up having more depth than is strictly necessary. Reynolds and Brolin have the time of their lives playing an unlikely power duo who eventually find ways to redefine family for themselves and those around them. And as always—don't forget to stay for the post-credits.

Talk to Your Kids About ...

Families can talk about the violence in Deadpool . How much is shown, and how is it different from the violence in other superhero movies? How does Deadpool's humor affect or mitigate the violence? What's the impact of media violence on kids?

Is Wade/Deadpool a role model ? Who are some other reluctant superheroes? What makes their stories compelling?

Are Wade and Vanessa in a healthy relationship? How do they encourage and support each other?

How does the movie convey the idea that teamwork is important? Does it emphasize any other positive character strengths ?

The people running the mutant orphanage were trying to "cure" the kids of their "condition." Do you think the filmmakers intended that situation to parallel any specific real-life issues? If so, which ones?

Movie Details

• In theaters : May 18, 2018
• On DVD or streaming : August 21, 2018
• Cast : Ryan Reynolds , Morena Baccarin , Josh Brolin
• Director : David Leitch
• Inclusion Information : Female actors, Latino actors
• Studio : Twentieth Century Fox
• Genre : Action/Adventure
• Topics : Superheroes , Friendship
• Run time : 111 minutes
• MPAA rating : R
• MPAA explanation : strong violence and language throughout, sexual references and brief drug material
• Last updated : August 16, 2024

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Research shows a connection between kids' healthy self-esteem and positive portrayals in media. That's why we've added a new "Diverse Representations" section to our reviews that will be rolling out on an ongoing basis. You can help us help kids by suggesting a diversity update.

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