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The Aftermath is set amongst the devastated ruins in the fire-bombed city of Hamburg in 1946. The British have occupied the ruined city and Colonel Lewis Morgan, an officer and a gentleman, is charged with overseeing the restoration of order. However, Colonel Morgan must first deal with the human cost of the bombing including remnants of fanatic Nazis, the trummerkind - children of the rubble, and the starving civil populace. He also, in 1943, lost a child due to a Luftwaffe bomb and he must support his deeply grieving wife, Rachel, when she arrives after months of separation with their surviving twelve year old boy, the impressionable Edmund.
The drama is intensified when Colonel Lewis has to requisition a splendid villa for his own use and allows the owner, Herr Lubert, a German architect and significantly, a widower, to remain in the house with his own surly, indoctrinated daughter, Freda. There is also a retinue of domestic staff somewhat resentfully having to deal with a new English lady directing their activities. Morgan's decisions look somewhat naïve but he feels he must set his men a positive example in forging the peace. Has he taken on the personal equivalent of 'A Bridge Too Far'?
The novel begins with a German youth wearing a British helmet as he claws his way through the pulverised city heaps. He is dressed in an assortment of clothes pilfered and purloined from both the invading and defeated forces. The boy weaves his way with his wild gang of friends, the ferals, through the fractured cityscape. His face is dirty, his limbs are numb with the cold and he is hungry to the point of collapse. He represents the incipient future of Germany and is seeking to destroy the beast of the Nazi past.
In more comfortable surroundings, Colonel Lewes is allocated a house towards the ancient fishing suburb of Blankenese in sight of the winding, partially frozen expanse of the lower Elbe, situated in the grand and historic avenue of the Elbchaussee. His junior aide describes it as, A bloody great palace by the river . Originally, this belonged to the family of the deceased wife of the current owner; they were prosperous people who ran a number of flour mills. Lubert, the Hamburg citizen to whom the villa now belongs, is mourning intensely for his lost wife and appears a civilised man, an architect of considerable imagination. However, he has not yet received his certificate of clearance. This is the so-called Persilschein, which must show him to be free of Nazi connections. Lubert has yet to supply his answers to the 133 questions of the Fragebogen before he can obtain clearance from the Control Commissions Intelligence Branch. Will he be categorised as Black, Grey or White? What about his unhappy daughter, indoctrinated as a Hitler Madel and exploring her developing sexuality by bitterly taunting the English boy, Edmund, when he arrives with his own distraught and emotionally unavailable mother.
The novel which Rhidian Brooks has written has three qualities to recommend it. Firstly it has a narrative with a cinematic pace to it, giving an irresistibly engaging insight into the troubled times immediately after the war. It is informative about events as various as the firestorm raids, the details of how officer's wives socialised and did their shopping which is compared with the shortages and rationing under the Attlee Government back in Britain. It is compelling too on the process of démontage by which German war industries and other factories were destroyed partly in accordance with agreements negotiated with Soviet forces. This was not to prevent the building of the Berlin Wall and the division of Germany which, as is pointed out, takes place shortly afterwards.
Secondly, beyond this engaging portrayal on the military and political level, Brook has written a novel which is emotionally intriguing, sometimes uncomfortably so as it deals with the betrayals and unforeseen effects of individuals trying to struggle with painful feelings of love and loss in a period of mistrust and change. This is an honest attempt to show sympathy for individuals caught up in a whirl of actions with unintended consequences. A world into which Brook, the author, has a personal insight; his own Grandfather had been involved in a very similar situation to that of Colonel Lewis and family.
Finally this well-constructed novel is interesting for the manner in which it reflects upon contemporary concerns. Some of these relate to the honourable Army officer. There is, for instance, some measure of Christopher Tiejens about Colonel Lewis Morgan from Maddox Ford's great novel recently adapted for television, Parade's End . There is also a renewed interest in the culpability of the enemy and also some of the rough justice meted out in the initial phase of the occupation - subject too of the currently intriguing film, Lore adapted from The Dark Room by Rachel Seiffert. This novel raises the question of how a defeated country might be re-established and the deeper personal meaning of loyalty, forgiveness and restitution. As we continue to ask ourselves if we have maintained and protected that fair society on which security might be built since 1945, this thoughtful book makes a sincere contribution to an ongoing debate.
Many thanks to Penguin for supplying this interesting novel.
If this book appeals then you might also enjoy The Greatcoat by Helen Dunmore and Trieste by Dasa Drndic and Ellen Elias-Bursac (translator) .
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Empire's end : book three of the Aftermath trilogy
By Wendig, Chuck, author.
Genre Star wars fiction.
Audience Adults
Published [2017] by Del Rey, New York
ISBN 9781101966969
Bib Id 889237
Copyright 2017
Edition First edition.
Description 423 pages ; 25 cm.
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Long before the Me Too movement sparked the conviction and jailing of high-profile sex offenders like American film producer Harvey Weinstein in 2022, Riley was hatching a story about the menacing side of fame, toxic masculinity, and the ability of ruthless, powerful men to destroy the lives of vulnerable women.
The Hidden Girl – originally published as Hidden Beauty in 1993 under the name Lucinda Edmonds – was Riley’s second novel and written at the age of twenty-six, many years before she became the acclaimed author of her groundbreaking eight-book Seven Sisters series which gripped readers across the world.
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It had always been her intention to reintroduce Hidden Beauty to the world but she never had the opportunity so her (heroic!) son Harry Whittaker – co-author of the last Seven Sisters book, Atlas: The Story of Pa Salt – has once more stepped into the breach and reworked and reimagined this heartbreaking and hard-hitting lost treasure which transports us from the wilds of Yorkshire’s Bronte country in the 1970s and the glamorous catwalks of Milan to the horrors of the Treblinka extermination camp in wartime Poland.
And what a fine job he has made of it, ensuring that readers can enjoy and admire his mother’s story of stunning prescience and disturbing truths... a breathtaking, time-weaving standalone tale which is based on Riley’s own early life experiences as an actress and model, and shines a light on the dangerously controlling and sexually abusive behaviour of men in positions of immense power or wealth.
Born and raised in a small village on the Yorkshire moors, Leah Thompson looks more beautiful with each passing day. Her mother Doreen is housekeeper to 46-year-old Rose Delancey, a famous artist from a troubled family, now living far from the spotlight and keeping her past securely locked away.
Leah has grown up alongside Rose’s darkly mysterious and unsettling older son Miles, and her prematurely worldly and wayward adopted daughter Miranda, and by the time she is sixteen, Leah’s ethereal beauty has caught the attention of Rose’s long-lost nephew Brett Cooper, and friends from London’s high-profile modelling agencies.
Whisked off to the big city, where she finds comfort in new-found friendships and being able to send money home to her parents , Leah is soon taking the 1980s modelling world by storm, travelling from Milan to London and New York, and living life in the lap of luxury.
But Leah can’t escape the past which follows her like a dark shadow, a past that is mysteriously intertwined with the tragic tale of two young siblings in Poland caught up in the Holocaust during the Second World War.
As two generations of secrets threaten to erupt, Leah is also haunted by a fatal, forgotten prophecy... one that she had hoped would die away but which she must now fight if she is to challenge the destiny that was mapped out for her in the stars.
The Hidden Girl is an exciting posthumous gift from a writer who never ceases to amaze her readers as she once more transports us from the pedestrian realities of everyday life into a two-generational epic where good battles evil, friendships are formed, love awakens, and festering secrets have deadly consequences.
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A treat for Lucinda’s army of fans... and a reminder of her exceptional talent.
(Macmillan, hardback, £22)
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Host Scott Tong speaks with "The Siege" author Ben Macintyre . The book tells the story of the six-day siege following the storming of the Iranian embassy in London by six gunman.
By Ben Macintyre
16 Princes Gate
At 19:30, on Wednesday, April 30, 1980, a small, secret, and exceptionally well-equipped army rolled out of Bradbury Lines, the Special Air Service camp at Hereford.
Locals tended to be overly curious about the goings-on at the SAS camp, and so, to avoid attracting attention, the seven white Range Rovers departed at irregular intervals from the three exits, three men lying under blankets on the back seat, with two in the front. These were followed by two white Ford Transit vans and two large yellow furniture trucks.
This small convoy carried forty-five soldiers in civilian clothes, and enough weaponry to fight a medium-size war.
Each man had a green carryall packed with his personal weapons and gear: a submachine gun with four 30-round magazines, a 9mm automatic pistol with two 12-round magazines, a respirator, gloves, a balaclava helmet, body armor, boots, a belt, and a weapons-cleaning kit. In addition, each soldier had a prepacked long-stay bag with toiletries, sneakers, a tracksuit, and a sleeping bag. The vans carried extra ammunition, tear-gas launchers and canisters, stun grenades, frame charges, sawed-off pump-action shotguns, explosives, weapon-mount flashlights, food, water, radios, medical equipment, and spare weapons. The trucks contained the heavy gear: scaling ladders, ropes, and abseiling (rappelling) gear, lighting rigs, screens, thermal lances for cutting through metal, smoke machines, generators, and battering rams.
The SAS Special Projects team might have been setting out to repel the invasion of Britain—which, in a way, they were.
Shortly before 11:00 that morning, six young men had gathered beside the Albert Memorial, Queen Victoria’s ornate memorial to her late husband, opposite the Royal Albert Hall in London’s Kensington Gardens, west of Hyde Park. They were Middle Eastern, students or perhaps tourists, wearing smart new sneakers, clean hooded jackets, and backpacks. Around their necks each wore a keffiyeh, the traditional Arab cotton scarf with a red or black fishnet pattern. The PLO leader Yasser Arafat wore the keffiyeh, as did Westerners to signify sympathy for the Palestinian cause. The park was almost deserted on a weekday morning, with a handful of mothers wheeling strollers in the light rain and the occasional jogger. The men sat on the steps and listened intently as one of their number, a slim, wiry man in his late twenties with a goatee beard and thin mustache, spoke rapidly in Arabic.
At 11:12, the six men rose and picked up their bags. Then they split into two groups of three and headed for Princes Gate, a stuccoed terrace of large houses set back from Kensington Road, separated from the main thoroughfare by an eight-foot-high brick wall and a service road with parked cars. One group entered the road from the east, the other from the west. As they neared the door to Number 16, they wrapped the keffiyehs around their heads so that only their eyes showed. “Yalla,” said their leader. “Go!”
To say that Police Constable 469K, Trevor James Lock, was “guarding” the Iranian Embassy implies rather more focus and energy than the task demanded. Lock was an officer of the Diplomatic Protection Group, the Metropolitan Police unit responsible for security at the 138 foreign embassies and high commissions dotted around London. Most of these premises did not need protection. The DPG was largely diplomatic decoration, symbolizing Britain’s duty to safeguard foreign dignitaries. Lock’s primary function was to nod in a friendly but official manner to visitors and diplomats as they passed in and out of the building.
The job was one of the least stressful and most boring in British policing. This suited PC Lock just fine.
At forty-one, portly, patient, and placid, Lock was a far cry from The Sweeney, the popular 1970s TV show in which tough, gun-wielding cops screeched around London in fast cars apprehending villains. He was closer to Dixon of Dock Green, another policeman familiar to British television viewers, policing with common sense by standing around on street corners, being avuncular. Some join the police to fight crime and improve society; Lock became a policeman, as he put it, “to help old ladies across the road.”
Born into a working-class East London family, Lock had spent most of his life in the borough of Barking, where he knew every road (and almost every old lady). During National Service with the army, he volunteered for deployment to Tripoli, in the mistaken belief that it was in Italy. In Libya, he learned how to handle firearms, and how to swear in Arabic. After a stint in the Ford Dagenham factory, he joined the police at the age of twenty-six. Lock worked out of Barking Station, patrolling the world he had known since boyhood. He was part of the street furniture, as familiar and unchanging as the lampposts: everyone knew Trev. Lock’s first wife died in 1971, and he now lived in a council house with his second wife, Doreen, another native of Barking, and their six children, three from her first marriage and three from his. She was a devout Catholic. He worshipped West Ham United Football Club. He also believed in fair play, British cultural values (though he would be hard put to say what these were), and the police. Beneath his mild exterior, Lock was tougher than he seemed, or knew.
After fifteen years on the beat, in January 1980, Lock had requested a posting to the DPG, which was better paid: Trevor and Doreen were saving up for a holiday with the children on the Costa Brava. British police did not carry guns in 1980, but Diplomatic Protection officers were an exception. After three days of weapons training, Lock was issued with a Smith & Wesson .38 Regulation Police revolver, which fit into a leather holster on his belt. Lock was confident he would never have to fire it. “Police and guns don’t go together,” he said.
It was chilly and drizzling when Lock left his home in Dagenham that Wednesday morning, and Doreen insisted he dress warmly since he would be standing outside on the porch of the Iranian Embassy all day: he wore two pullovers and his police tunic, beneath a waterproof gabardine coat. It was Doreen’s birthday, and Lock had planned a night out in town. After work they would go shopping at Harrods for perfume, followed by a surprise treat: two tickets for Ipi Tombi, the hit musical playing at the London Astoria Theatre in the West End. Doreen liked surprises.
At 11:18, the Iranian doorman Abbas Fallahi popped his head around the front door and offered Lock a cup of coffee. According to police regulations, a DPG officer should not be seen eating or drinking while on duty, and Lock was not supposed to leave his post on the front step. Besides, Fallahi’s Persian-style coffee, strong, black, and sweet, was “a cup of yuk” in his opinion. But “to refuse might offend,” and so Lock slipped into the space between the oak outer door and the inner security door of glass and wrought iron, and accepted the steaming cup.
Abbas Fallahi had worked at the Iranian Embassy for nine years. His first job, fresh from Tehran, was driving the ambassador around London in a gleaming Rolls-Royce Silver Shadow. His Excellency Parviz Radji represented the Shah of Iran, King of Kings, Light of the Aryans, and Sovereign of the Order of the Red Lion and the Sun. The ambassador lived a sumptuous life of parties and receptions, and he entertained lavishly at Princes Gate, where Fallahi doubled as a waiter, serving caviar and champagne.
The shah was then the West’s favorite Middle Eastern despot, modernizing, cooperative, and oil-rich. He was also haughty, luxury-loving, and autocratic. The CIA and Britain’s Secret Intelligence Service, also known as MI6, had conspired to strengthen his rule in Iran by overthrowing the democratically elected government in 1953, when it threatened to nationalize the oil industry. The shah’s courtiers flattered and fawned over him, while many of his subjects loathed him; all opposition was suppressed with ruthless brutality by his secret police, the Bureau for Intelligence and State Security, known as SAVAK.
The embassy at 16 Princes Gate symbolized the shah’s wealth and power: a huge Victorian town house built in 1849, with fifty-six rooms, five stories, and a basement, in an Italianate row of eleven houses overlooking Hyde Park to the north. It had thick Persian carpets, molded ceilings, marble flooring, swagged curtains, polished banisters, and an air of lofty grandeur befitting the monarch of the Peacock Throne. Former residents of Princes Gate included Joseph Chamberlain and Field Marshal Douglas Haig. The neighbors were illustrious: John F. Kennedy had lived next door when his father was U.S. ambassador; the Ethiopian Embassy was on the other side, at Number 17.
In 1979, the shah was toppled by the Islamic Revolution, an event that took him, his Western allies, and most of the rest of the world by surprise. Iran’s proud monarch was forced into ignominious exile, and the secular Pahlavi imperial dynasty was replaced with an anti-Western, authoritarian, Islamist theocracy under the hardline cleric Ayatollah Ruhollah Khomeini: a militant regime determined to spread Shia Islam across the Middle East and establish Iranian dominance.
Excerpted from "The Siege" by Ben Macintyre Copyright © 2024 by Ben Macintyre. Published in the United States by Crown, an imprint of Crown Publishing Group, a division of Penguin Random House LLC. All rights reserved.
This segment aired on September 11, 2024.
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The following month, Geoffrey Hinton, the “godfather of A.I.,” quit his post at Google, telling this newspaper that he regretted his life’s work. “It is hard to see how you can prevent the bad actors from using it for bad things,” he warned.
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Meanwhile, stock prices for the tech sector continue to soar while the industry mutters familiar platitudes: The benefits outweigh the risks; the genie is already out of the bottle; if we don’t do it, our enemies will.
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3.65. 9,356 ratings1,115 reviews. Hamburg, 1946. Thousands remain displaced in what is now the British Occupied Zone. Charged with overseeing the rebuilding of this devastated city and the de-Nazification of its defeated people, Colonel Lewis Morgan is requisitioned a fine house on the banks of the Elbe, where he will be joined by his grieving ...
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About The Aftermath. 1946, post-World War II Hamburg. While thousands wander the rubble, lost and homeless, Colonel Lewis Morgan, charged with overseeing the rebuilding of this devastated city and the denazification of its defeated people, is stationed in a grand house on the River Elbe. He is awaiting the arrival of his wife, Rachael—still ...
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The Aftermath. Paperback - August 12, 2014. Set in post-war Germany, the international bestseller The Aftermath by Rhidian Brook is a stunning emotional thriller about our fiercest loyalties and our deepest desires. In the bitter winter of 1946, Rachael Morgan arrives with her only remaining son Edmund in the ruins of Hamburg.
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The Aftermath is being developed as a feature film by Ridley Scott's production company Scott Free and BBC Films. Rhidian Brook is an award-winning writer of fiction, television drama and film. His first novel The Testimony of Taliesin Jones won several prizes including the Somerset Maugham Award. His short stories have appeared in numerous ...
The Aftermath is set amongst the devastated ruins in the fire-bombed city of Hamburg in 1946. The British have occupied the ruined city and Colonel Lewis Morgan, an officer and a gentleman, is charged with overseeing the restoration of order. ... You can read more book reviews or buy The Aftermath by Rhidian Brook at Amazon.co.uk Amazon ...
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The Hidden Girl - originally published as Hidden Beauty in 1993 under the name Lucinda Edmonds - was Riley's second novel and written at the age of twenty-six, many years before she became the acclaimed author of her groundbreaking eight-book Seven Sisters series which gripped readers across the world.
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