review for book review

How to Write a Book Review: A Comprehensive Tutorial With Examples

You don’t need to be a literary expert to craft captivating book reviews. With one in every three readers selecting books based on insightful reviews, your opinions can guide fellow bibliophiles toward their next literary adventure.

Learning how to write a book review will not only help you excel at your assigned tasks, but you’ll also contribute valuable insights to the book-loving community and turn your passion into a professional pursuit.

In this comprehensive guide,  PaperPerk  will walk you through a few simple steps to master the art of writing book reviews so you can confidently embark on this rewarding journey.

What is a Book Review?

A book review is a critical evaluation of a book, offering insights into its content, quality, and impact. It helps readers make informed decisions about whether to read the book.

Writing a book review as an assignment benefits students in multiple ways. Firstly, it teaches them how to write a book review by developing their analytical skills as they evaluate the content, themes, and writing style .

Secondly, it enhances their ability to express opinions and provide constructive criticism. Additionally, book review assignments expose students to various publications and genres, broadening their knowledge.

Furthermore, these tasks foster essential skills for academic success, like critical thinking and the ability to synthesize information. By now, we’re sure you want to learn how to write a book review, so let’s look at the book review template first.

Table of Contents

Book Review Template

How to Write a Book Review- A Step-by-Step Guide

Check out these 5 straightforward steps for composing the best book review.

Step 1: Planning Your Book Review – The Art of Getting Started

You’ve decided to take the plunge and share your thoughts on a book that has captivated (or perhaps disappointed) you. Before you start book reviewing, let’s take a step back and plan your approach. Knowing how to write a book review that’s both informative and engaging is an art in itself.

Choosing Your Literature

First things first, pick the book you want to review. This might seem like a no-brainer, but selecting a book that genuinely interests you will make the review process more enjoyable and your insights more authentic.

Crafting the Master Plan

Next, create an  outline  that covers all the essential points you want to discuss in your review. This will serve as the roadmap for your writing journey.

The Devil is in the Details

As you read, note any information that stands out, whether it overwhelms, underwhelms, or simply intrigues you. Pay attention to:

• The characters and their development
• The plot and its intricacies
• Any themes, symbols, or motifs you find noteworthy

Remember to reserve a body paragraph for each point you want to discuss.

The Key Questions to Ponder

When planning your book review, consider the following questions:

• What’s the plot (if any)? Understanding the driving force behind the book will help you craft a more effective review.
• Is the plot interesting? Did the book hold your attention and keep you turning the pages?
• Are the writing techniques effective? Does the author’s style captivate you, making you want to read (or reread) the text?
• Are the characters or the information believable? Do the characters/plot/information feel real, and can you relate to them?
• Would you recommend the book to anyone? Consider if the book is worthy of being recommended, whether to impress someone or to support a point in a literature class.
• What could be improved? Always keep an eye out for areas that could be improved. Providing constructive criticism can enhance the quality of literature.

Step 2 – Crafting the Perfect Introduction to Write a Book Review

In this second step of “how to write a book review,” we’re focusing on the art of creating a powerful opening that will hook your audience and set the stage for your analysis.

Identify Your Book and Author

Begin by mentioning the book you’ve chosen, including its  title  and the author’s name. This informs your readers and establishes the subject of your review.

Ponder the Title

Next, discuss the mental images or emotions the book’s title evokes in your mind . This helps your readers understand your initial feelings and expectations before diving into the book.

Judge the Book by Its Cover (Just a Little)

Take a moment to talk about the book’s cover. Did it intrigue you? Did it hint at what to expect from the story or the author’s writing style? Sharing your thoughts on the cover can offer a unique perspective on how the book presents itself to potential readers.

Present Your Thesis

Now it’s time to introduce your thesis. This statement should be a concise and insightful summary of your opinion of the book. For example:

“Normal People” by Sally Rooney is a captivating portrayal of the complexities of human relationships, exploring themes of love, class, and self-discovery with exceptional depth and authenticity.

Ensure that your thesis is relevant to the points or quotes you plan to discuss throughout your review.

Incorporating these elements into your introduction will create a strong foundation for your book review. Your readers will be eager to learn more about your thoughts and insights on the book, setting the stage for a compelling and thought-provoking analysis.

How to Write a Book Review: Step 3 – Building Brilliant Body Paragraphs

You’ve planned your review and written an attention-grabbing introduction. Now it’s time for the main event: crafting the body paragraphs of your book review. In this step of “how to write a book review,” we’ll explore the art of constructing engaging and insightful body paragraphs that will keep your readers hooked.

Summarize Without Spoilers

Begin by summarizing a specific section of the book, not revealing any major plot twists or spoilers. Your goal is to give your readers a taste of the story without ruining surprises.

Support Your Viewpoint with Quotes

Next, choose three quotes from the book that support your viewpoint or opinion. These quotes should be relevant to the section you’re summarizing and help illustrate your thoughts on the book.

Analyze the Quotes

Write a summary of each quote in your own words, explaining how it made you feel or what it led you to think about the book or the author’s writing. This analysis should provide insight into your perspective and demonstrate your understanding of the text.

Structure Your Body Paragraphs

Dedicate one body paragraph to each quote, ensuring your writing is well-connected, coherent, and easy to understand.

For example:

• In  Jane Eyre , Charlotte Brontë writes, “I am no bird; and no net ensnares me.” This powerful statement highlights Jane’s fierce independence and refusal to be trapped by societal expectations.
• In  Normal People , Sally Rooney explores the complexities of love and friendship when she writes, “It was culture as class performance, literature fetishized for its ability to take educated people on false emotional journeys.” This quote reveals the author’s astute observations on the role of culture and class in shaping personal relationships.
• In  Wuthering Heights , Emily Brontë captures the tumultuous nature of love with the quote, “He’s more myself than I am. Whatever our souls are made of, his and mine are the same.” This poignant line emphasizes the deep, unbreakable bond between the story’s central characters.

By following these guidelines, you’ll create body paragraphs that are both captivating and insightful, enhancing your book review and providing your readers with a deeper understanding of the literary work. 

How to Write a Book Review: Step 4 – Crafting a Captivating Conclusion

You’ve navigated through planning, introductions, and body paragraphs with finesse. Now it’s time to wrap up your book review with a  conclusion that leaves a lasting impression . In this final step of “How to write a Book Review,” we’ll explore the art of writing a memorable and persuasive conclusion.

Summarize Your Analysis

Begin by summarizing the key points you’ve presented in the body paragraphs. This helps to remind your readers of the insights and arguments you’ve shared throughout your review.

Offer Your Final Conclusion

Next, provide a conclusion that reflects your overall feelings about the book. This is your chance to leave a lasting impression and persuade your readers to consider your perspective.

Address the Book’s Appeal

Now, answer the question: Is this book worth reading? Be clear about who would enjoy the book and who might not. Discuss the taste preferences and circumstances that make the book more appealing to some readers than others.

For example:  The Alchemist is a book that can enchant a young teen, but those who are already well-versed in classic literature might find it less engaging.

Be Subtle and Balanced

Avoid simply stating whether you “liked” or “disliked” the book. Instead, use nuanced language to convey your message. Highlight the pros and cons of reading the type of literature you’ve reviewed, offering a balanced perspective.

Bringing It All Together

By following these guidelines, you’ll craft a conclusion that leaves your readers with a clear understanding of your thoughts and opinions on the book. Your review will be a valuable resource for those considering whether to pick up the book, and your witty and insightful analysis will make your review a pleasure to read. So conquer the world of book reviews, one captivating conclusion at a time!

How to Write a Book Review: Step 5 – Rating the Book (Optional)

You’ve masterfully crafted your book review, from the introduction to the conclusion. But wait, there’s one more step you might consider before calling it a day: rating the book. In this optional step of “how to write a book review,” we’ll explore the benefits and methods of assigning a rating to the book you’ve reviewed.

Why Rate the Book?

Sometimes, when writing a professional book review, it may not be appropriate to state whether you liked or disliked the book. In such cases, assigning a rating can be an effective way to get your message across without explicitly sharing your personal opinion.

How to Rate the Book

There are various rating systems you can use to evaluate the book, such as:

• A star rating (e.g., 1 to 5 stars)
• A numerical score (e.g., 1 to 10)
• A letter grade (e.g., A+ to F)

Choose a rating system that best suits your style and the format of your review. Be consistent in your rating criteria, considering writing quality, character development, plot, and overall enjoyment.

Tips for Rating the Book

Here are some tips for rating the book effectively:

• Be honest: Your rating should reflect your true feelings about the book. Don’t inflate or deflate your rating based on external factors, such as the book’s popularity or the author’s reputation.
• Be fair: Consider the book’s merits and shortcomings when rating. Even if you didn’t enjoy the book, recognize its strengths and acknowledge them in your rating.
• Be clear: Explain the rationale behind your rating so your readers understand the factors that influenced your evaluation.

Wrapping Up

By including a rating in your book review, you provide your readers with additional insight into your thoughts on the book. While this step is optional, it can be a valuable tool for conveying your message subtly yet effectively. So, rate those books confidently, adding a touch of wit and wisdom to your book reviews.

Additional Tips on How to Write a Book Review: A Guide

In this segment, we’ll explore additional tips on how to write a book review. Get ready to captivate your readers and make your review a memorable one!

Hook ’em with an Intriguing Introduction

Keep your introduction precise and to the point. Readers have the attention span of a goldfish these days, so don’t let them swim away in boredom. Start with a bang and keep them hooked!

Embrace the World of Fiction

When learning how to write a book review, remember that reviewing fiction is often more engaging and effective. If your professor hasn’t assigned you a specific book, dive into the realm of fiction and select a novel that piques your interest.

Opinionated with Gusto

Don’t shy away from adding your own opinion to your review. A good book review always features the writer’s viewpoint and constructive criticism. After all, your readers want to know what  you  think!

Express Your Love (or Lack Thereof)

If you adored the book, let your readers know! Use phrases like “I’ll definitely return to this book again” to convey your enthusiasm. Conversely, be honest but respectful even if the book wasn’t your cup of tea.

Templates and Examples and Expert Help: Your Trusty Sidekicks

Feeling lost? You can always get help from formats, book review examples or online  college paper writing service  platforms. These trusty sidekicks will help you navigate the world of book reviews with ease. 

Be a Champion for New Writers and Literature

Remember to uplift new writers and pieces of literature. If you want to suggest improvements, do so kindly and constructively. There’s no need to be mean about anyone’s books – we’re all in this literary adventure together!

Criticize with Clarity, Not Cruelty

When adding criticism to your review, be clear but not mean. Remember, there’s a fine line between constructive criticism and cruelty. Tread lightly and keep your reader’s feelings in mind.

Avoid the Comparison Trap

Resist the urge to compare one writer’s book with another. Every book holds its worth, and comparing them will only confuse your reader. Stick to discussing the book at hand, and let it shine in its own light.

Top 7 Mistakes and How to Avoid Them

Writing a book review can be a delightful and rewarding experience, especially when you balance analysis, wit, and personal insights. However, some common mistakes can kill the brilliance of your review. 

In this section of “How to write a book review,” we’ll explore the top 7 blunders writers commit and how to steer clear of them, with a dash of  modernist literature  examples and tips for students writing book reviews as assignments.

Succumbing to the Lure of Plot Summaries

Mistake: Diving headfirst into a plot summary instead of dissecting the book’s themes, characters, and writing style.

Example: “The Bell Jar chronicles the life of a young woman who experiences a mental breakdown.”

How to Avoid: Delve into the book’s deeper aspects, such as its portrayal of mental health, societal expectations, and the author’s distinctive narrative voice. Offer thoughtful insights and reflections, making your review a treasure trove of analysis.

Unleashing the Spoiler Kraken

Mistake: Spilling major plot twists or the ending without providing a spoiler warning, effectively ruining the reading experience for potential readers.

Example: “In Metamorphosis, the protagonist’s transformation into a monstrous insect leads to…”

How to Avoid: Tread carefully when discussing significant plot developments, and consider using spoiler warnings. Focus on the impact of these plot points on the overall narrative, character growth, or thematic resonance.

Riding the Personal Bias Express

Mistake: Allowing personal bias to hijack the review without providing sufficient evidence or reasoning to support opinions.

Example: “I detest books about existential crises, so The Sun Also Rises was a snoozefest.”

How to Avoid: While personal opinions are valid, it’s crucial to back them up with specific examples from the book. Discuss aspects like writing style, character development, or pacing to support your evaluation and provide a more balanced perspective.

Wielding the Vague Language Saber

Mistake: Resorting to generic, vague language that fails to capture the nuances of the book and can come across as clichéd.

Example: “This book was mind-blowing. It’s a must-read for everyone.”

How to Avoid: Use precise and descriptive language to express your thoughts. Employ specific examples and quotations to highlight memorable scenes, the author’s unique writing style, or the impact of the book’s themes on readers.

Ignoring the Contextualization Compass

Mistake: Neglecting to provide context about the author, genre, or cultural relevance of the book, leaving readers without a proper frame of reference.

Example: “This book is dull and unoriginal.”

How to Avoid: Offer readers a broader understanding by discussing the author’s background, the genre conventions the book adheres to or subverts, and any societal or historical contexts that inform the narrative. This helps readers appreciate the book’s uniqueness and relevance.

Overindulging in Personal Preferences

Mistake: Letting personal preferences overshadow an objective assessment of the book’s merits.

Example: “I don’t like stream-of-consciousness writing, so this book is automatically bad.”

How to Avoid: Acknowledge personal preferences but strive to evaluate the book objectively. Focus on the book’s strengths and weaknesses, considering how well it achieves its goals within its genre or intended audience.

Forgetting the Target Audience Telescope

Mistake: Failing to mention the book’s target audience or who might enjoy it, leading to confusion for potential readers.

Example: “This book is great for everyone.”

How to Avoid: Contemplate the book’s intended audience, genre, and themes. Mention who might particularly enjoy the book based on these factors, whether it’s fans of a specific genre, readers interested in character-driven stories, or those seeking thought-provoking narratives.

By dodging these common pitfalls, writers can craft insightful, balanced, and engaging book reviews that help readers make informed decisions about their reading choices.

These tips are particularly beneficial for students writing book reviews as assignments, as they ensure a well-rounded and thoughtful analysis.!

Many students requested us to cover how to write a book review. This thorough guide is sure to help you. At Paperperk, professionals are dedicated to helping students find their balance. We understand the importance of good grades, so we offer the finest writing service , ensuring students stay ahead of the curve. So seek expert help because only Paperperk is your perfect solution!

What is the difference between a book review and a report?

Who is the target audience for book reviews and book reports, how do book reviews and reports differ in length and content, can i write professional book reviews, what are the key aspects of writing professional book reviews, how can i enhance my book-reviewing skills to write professional reviews, what should be included in a good book review.

Order Original Papers & Essays

Your First Custom Paper Sample is on Us!

Timely Deliveries

No Plagiarism & AI

100% Refund

Try Our Free Paper Writing Service

Related blogs.

Connections with Writers and support

Privacy and Confidentiality Guarantee

Average Quality Score

How to Write a Book Review: The Complete Guide

by Sue Weems | 23 comments

If you've ever loved (or hated) a book, you may have been tempted to review it. Here's a complete guide to how to write a book review, so you can share your literary adventures with other readers more often! 

You finally reach the last page of a book that kept you up all night and close it with the afterglow of satisfaction and a tinge of regret that it’s over. If you enjoyed the book enough to stay up reading it way past your bedtime, consider writing a review. It is one of the best gifts you can give an author.

Regardless of how much you know about how to write a book review, the author will appreciate hearing how their words touched you.

But as you face the five shaded stars and empty box, a blank mind strikes. What do I say? I mean, is this a book really deserving of five stars? How did it compare to Dostoevsky or Angelou or Dickens?

Maybe there’s an easier way to write a book review.

Want to learn how to write a book from start to finish? Check out How to Write a Book: The Complete Guide .

The Fallacy of Book Reviews

Once you’ve decided to give a review, you are faced with the task of deciding how many stars to give a book.

When I first started writing book reviews, I made the mistake of trying to compare a book to ALL BOOKS OF ALL TIME. (Sorry for the all caps, but that’s how it felt, like a James Earl Jones voice was asking me where to put this book in the queue of all books.)

Other readers find themselves comparing new titles to their favorite books. It's a natural comparison. But is it fair?

This is honestly why I didn’t give reviews of books for a long time. How can I compare a modern romance or historical fiction war novel with Dostoevsky? I can’t, and I shouldn’t.

I realized my mistake one day as I was watching (of all things) a dog show. In the final round, they trotted out dogs of all shapes, colors, and sizes. I thought, “How can a Yorkshire Terrier compete with a Basset Hound?” As if he'd read my mind, the announcer explained that each is judged by the standards for its breed.

This was my “Aha!” moment. I have to take a book on its own terms. The question is not, “How does this book compare to all books I’ve read?” but “How well did this book deliver what it promised for the intended audience?”

A review is going to reflect my personal experience with the book, but I can help potential readers by taking a minute to consider what the author intended. Let me explain what I mean. 

How to Write a Book Review: Consider a Book’s Promise

A book makes a promise with its cover, blurb, and first pages. It begins to set expectations the minute a reader views the thumbnail or cover. Those things indicate the genre, tone, and likely the major themes.

If a book cover includes a lip-locked couple in flowing linen on a beach, and I open to the first page to read about a pimpled vampire in a trench coat speaking like Mr. Knightly about his plan for revenge on the entire human race, there’s been a breach of contract before I even get to page two. These are the books we put down immediately (unless a mixed-message beachy cover combined with an Austen vampire story is your thing).

But what if the cover, blurb, and first pages are cohesive and perk our interest enough to keep reading? Then we have to think about what the book has promised us, which revolves around one key idea: What is the core story question and how well is it resolved?

Sometimes genre expectations help us answer this question: a romance will end with a couple who finds their way, a murder mystery ends with a solved case, a thriller’s protagonist beats the clock and saves the country or planet.

The stories we love most do those expected things in a fresh or surprising way with characters we root for from the first page. Even (and especially!) when a book doesn’t fit neatly in a genre category, we need to consider what the book promises on those first pages and decide how well it succeeds on the terms it sets for itself.

When I Don’t Know What to Write

About a month ago, I realized I was overthinking how to write a book review. Here at the Write Practice we have a longstanding tradition of giving critiques using the Oreo method : point out something that was a strength, then something we wondered about or that confused us, followed by another positive.

We can use this same structure to write a simple review when we finish books. Consider this book review format: 

[Book Title] by [book author] is about ___[plot summary in a sentence—no spoilers!]___. I chose this book based on ________. I really enjoyed ________. I wondered how ___________. Anyone who likes ____ will love this book.

Following this basic template can help you write an honest review about most any book, and it will give the author or publisher good information about what worked (and possibly what didn’t). You might write about the characters, the conflict, the setting, or anything else that captured you and kept you reading.

As an added bonus, you will be a stronger reader when you are able to express why you enjoyed parts of a book (just like when you critique!). After you complete a few, you’ll find it gets easier, and you won’t need the template anymore.

What if I Didn’t Like It?

Like professional book reviewers, you will have to make the call about when to leave a negative review. If I can’t give a book at least three stars, I usually don’t review it. Why? If I don’t like a book after a couple chapters, I put it down. I don’t review anything that I haven’t read the entire book.

Also, it may be that I’m not the target audience. The book might be well-written and well-reviewed with a great cover, and it just doesn’t capture me. Or maybe it's a book that just isn't hitting me right now for reasons that have nothing to do with the book and everything to do with my own reading life and needs. Every book is not meant for every reader.

If a book kept me reading all the way to the end and I didn’t like the ending? I would probably still review it, since there had to be enough good things going on to keep me reading to the end. I might mention in my review that the ending was less satisfying than I hoped, but I would still end with a positive.

How to Write a Book Review: Your Turn

As writers, we know how difficult it is to put down the words day after day. We are typically voracious readers. Let’s send some love back out to our fellow writers this week and review the most recent title we enjoyed.

What was the last book you read or reviewed? Do you ever find it hard to review a book? Share in the comments .

Now it's your turn. Think of the last book you read. Then, take fifteen minutes to write a review of it based on the template above. When you're done, share your review in the Pro Practice Workshop . For bonus points, post it on the book's page on Amazon and Goodreads, too!

Don't forget to leave feedback for your fellow writers! What new reads will you discover in the comments?

Sue Weems is a writer, teacher, and traveler with an advanced degree in (mostly fictional) revenge. When she’s not rationalizing her love for parentheses (and dramatic asides), she follows a sailor around the globe with their four children, two dogs, and an impossibly tall stack of books to read. You can read more of her writing tips on her website .

23 Comments

The Ice Dragon by George R.R. Martin is about a girl that shows no emotion befriending a ice dragon.

I chose this book based on the cover that had a little girl riding a ice dragon, and wondered what is about.

I really enjoyed the interaction the little girl had with the dragon.

I wondered how how the girl’s bond with the dragon.

Anyone who likes a coming of age story set in a fantasy will love this book.

Thanks for sharing your practice, Azure!

You’re welcome.

A interesting, at times perplexing, subject! And one on my mind lately,as I’ve agreed to do a few. I do enjoy giving reviews and am delighted when I can say, “This was a great book!” Or even, “I enjoyed this book.” It gets perplexing when I agree to review a book — and simply don’t like it. Then what to say? I hate to disappoint the writer but I’ve promised to give my honest opinion.

I’ve found some books mediocre and yet I see a dozen other reviewers saying “A great story!” Tastes do vary. But when there are obvious flaws I tend to skip all the best-friend-and-cousin reviewers and find the first person who says, “This writer has a problem with…” Usually there’ll be a number of reviewers who spot the same problems I do.

I like upbeat main characters, but not aggressive, belligerent, and/or self-centered ones. I like to meet in a story the kind of people I’d like to meet in real life— not people I’d avoid if possible. I recently read a book where the main character came across as insipid and the story only mildly interesting. Other reviewers said it was great and I know for this specific audience — readers who want a certain slant to a story — it was quite suitable. So I tried to cut the book some slack. Everyone has their limit as to how much blood and gore, smooching and snuggling, they are willing to read about.

Once I agreed to review a book and would have tossed it after the first chapter — for several reasons. A lot of “writer inserting facts for reader’s benefit”; teach/preach paragraphs; excess of description; attitudes of MCs. Once it’s live on seller’s sites like Amazon, what can you say? The one thing good it had going for it was the story line or theme. With a pro editor’s help it could have been a great story.

As for a review, one book I read lately was “A Clue for the Puzzle Lady” by Parnell Hall. It’s one of those “Stayed up half the night to finish it” books; I think anyone who likes a compelling cozy mystery would probably like it. Downside: I didn’t care for the “Puzzle Lady.” She’s a lush, hangs out at the bar getting sloshed. The upside: her sensible niece has a starring role —trying to keep her aunt on the straight-and-narrow and the mystery keeps you guessing until the end.

Christine, Thanks for sharing your insight! It sounds like you are approached often to review new books. It does make it tricky if it’s a request, especially outside your own preferences. Thanks for chiming in about your process, as I’m sure others will appreciate the perspective too. I’ll have to take a look at the Puzzle Lady– I do enjoy cozy mysteries. Sue

Here’s another cozy mystery book review in case you’re interested. I’m not approached by writers that often, but there are the Story Cartel, Book Bub and Goodreads, all sites where authors ask for review volunteers.

Reel Estate Ripoff by Renee Pawlish

The detective Reed Ferguson is a fan of Humphry Bogart, movie memorabilia of that era, and fancies himself a bit of a Sam Slade. Though not your super-sleuth, rather inept at times, he’s a likeable character. Told in first person, the story has a Philip Marlowe tone to it, but much tamer. Dialogue and story line are well done, the story well plotted and believable. I’d gladly read more stories about this particular gumshoe.

If you like cozy mystery books, I’ll send you a list later, Sue. Love them too and I’ve met many authors who write in this genre. Back on topic– you inspire me again to add some reviews to my Blog. I have been reading and writing many middle grade mysteries for a project! My latest favorite: “The World’s Greatest Detective” by Caroline Carson (who I hope to meet tomorrow in Arlington, VA!) My 12 year old grandson borrowed it and finished it before I could. “It’s the best mystery I ever read, Grandma! You’ ll never guess the ending with unpredictable twists!” What better review could we read. The target audience and I both highly recommend this 2017 mystery.

Adding it to my stack, Beth. Thanks!

Not wanting to sound life an idiot, but willing to risk it here among friends: What exactly is a cozy mystery?

Glad you asked! It’s a subgenre of mystery. The best examples of cozy mysteries are those by Agatha Christie. They usually avoid profanity, excessive gore/ violence, and sex. They focus more on the puzzle, sleuth, and their smaller world. Hope that helps!

Thanks, Sue.

Wonderful article. The first I have read by you. It especially gets those of us who don’t feel we have the formula down for review writing to be introduced to a form we can build upon with experience. You’ve kept it simple but you have given us the main ingredients needed for a good review. I printed this one off to look at the next few times I write reviews. Thank you.

Glad you found it helpful. Thanks for reading and commenting!

I haven’t gone into all this. It’s a matter of time, Joe. I gad about all over the place, not knowing where I am or where I’m going. Within weeks, I’ll be 87. I’ve books of my own that I’d like to see reviewed. Even sorting them out, however, even finding where any of them are, would be a time burden. You see the fix?

Hi Dave, You aren’t alone in feeling the press of time for getting your stories out into the world. May I gently offer this: start with finding and sorting one. If you can’t find it, write it anew. You’ve probably grown in time and perspective since you wrote the first draft, which will make for a stronger story. Good luck. I’m cheering you on!

This is an article for me, because I am happy to receive a rating. I haven’t sold many books. But, at least some thinks that it was worth the time to read. That was refreshing. And, I think I wrote two reviews, so far. It was on Amazon.com. Thank you.

You’re welcome!

Hi, Sue. Thanks for the helpful advice. I did a review on Amazon for the first of a 7-part thriller titled ‘Mosh Pit (The Rose Garden Incident)’ by Michael Hiebert. [Here it is.]

“5.0 out of 5 stars Advance copy review. By A fellow author on September 18, 2016 Format: Kindle Edition I Recommend This Book Strongly

I enjoyed reading this first part of the thriller. The author’s opening chapter/prologue was fast paced, and set me in the middle of the inciting incident along with two of the main characters. After that thrilling opening, I felt the ensuing chapters moved at a more leisurely pace, and was about to grade them as less praiseworthy when I watched a lecture by Brandon Sanderson on YouTube about building three dimensional characters and realised Michael Hiebert had done exactly that by introducing the reader to the minutiae of other characters who had parts to play in the development of the story. So, instead of cardboard cutouts of bland stock characters, the author shows us real people with real concerns that the reader can relate to.and actually care about. I look forward to reading the rest of this intriguing thriller, and highly recommend it to all lovers of well-written, and well-crafted thrillers.”

I also reviewed Part 2 of the series, but that review is too long to post here.

Footnote: The author, Michael Hiebert, was so pleased with my reviews, he recently asked me to beta-read a short story collection he plans to publish in November.

Great review, John! I like how you shared a bit of your process as a reader too, in recognizing what the writer was doing with their characterization. Thanks!

Thank you, Sue.

Five out of five stars When I picked up a copy of “The Girl with All the Gifts,” by M R Carey, at the used book store, I somehow had it in my head that it was a YA dystopian novel along the lines of “Divergent” or “The Hunger Games.” While I would definitely say that I was not right about that, I wouldn’t say that I was completely wrong. I was, however, completely unprepared for a zombie novel–which is a good thing, cause I wouldn’t have read it, and I’m glad I did. Think “The Walking Dead” meets (why do I want to say ‘The Curious Incident of the Dog in the Night”?) “Peter Pan.” I really enjoyed seeing things from, the main character, Melanie’s point of view. Her limited knowledge of her own situation was intriguing, to say the least (and probably why I thought of “The Curious Incident”). I was a bit disappointed when the POV changed to another character’s, but, as the novel progressed, I found myself sympathizing with nearly all the characters–with one exception, and I’ll leave that for you to ponder when you read it. I wondered how much of the science was real, but not enough for me to research it myself. Although, based on other reviews, I guess most of the science about the fungus is real. I also wondered about the fate of the remaining ‘lost boys’ of the cities. If you liked…. well, I don’t know. I’m not typically a fan of things zombie, so I don’t have a comparison, but the book was somewhat similar to “Divergent” and “The Hunger Games” in that the main character goes through a hellluva time and comes out the other side with a plan for her future.

“Tuesdays with Morrie” by Mitch Albom is a true story about how one man found meaning in life when his doctors gave him a death sentence. Morrie was a college professor who passed on his new found wisdom in the last year of his life to a favorite student, the author, who chronicled his professor’s perspectives on death and dying.

I chose this book because of its philosophical topic, and because it is so well written that the words just jump off the page.

Knowing we are all mortal beings, I especially liked the insights, the tidbits of wisdom imparted by the dying man. Death is a subject that few, if any of us, ever talk about seriously with friends and family. The subject of death is verboten. We deny its existence. And, if we are religious, we pretend we will not really die, but we deceive ourselves and think we will live on in some afterlife existence for all eternity. But the professor, Morrie, learns some valuable life lessons from his impending death, and Mitch Albom was gracious enough to capture them in this short but eminently readable book.

I really liked the book because it is timeless. This true story will impart serious life lessons for all future generations, and will help us gain perspectives on our lives and the relationships with those we love the most.

R. Allan Worrell

Sue, I’ve been meaning to come back since this was first posted to tell you thanks for a great article. I seldom review books for alllllll the reasons you listed. This is a perfect tool and I’ll surely use it. Cathy

Submit a Comment Cancel reply

Your email address will not be published. Required fields are marked *

Submit Comment

Join over 450,000 readers who are saying YES to practice. You’ll also get a free copy of our eBook 14 Prompts :

Popular Resources

Best Resources for Writers Book Writing Tips & Guides Creativity & Inspiration Tips Writing Prompts Grammar & Vocab Resources Best Book Writing Software ProWritingAid Review Writing Teacher Resources Publisher Rocket Review Scrivener Review Gifts for Writers

Books By Our Writers

You've got it! Just us where to send your guide.

Enter your email to get our free 10-step guide to becoming a writer.

You've got it! Just us where to send your book.

Enter your first name and email to get our free book, 14 Prompts.

Want to Get Published?

Enter your email to get our free interactive checklist to writing and publishing a book.

Join our mailing list and receive your free eBook. You'll also receive great tips on story editing, our best blogs, and learn how to use Fictionary software to make your story unforgettable.

• Comments This field is for validation purposes and should be left unchanged.

Blogs / Writing Tips / How to Write a Book Review: Tips and Tricks

Write a Novel Readers Love

How to write a book review: tips and tricks.

Finding splendid books is like mining. You have to pull out the ones that you like from the mountain of possibilities and sift through the streams of information to discover the gold.

One of the biggest systems that helps readers do this are reviews.

Why Write a Book Review

First, I want to thank you for supporting authors. It is difficult to get reviews, but as they add up, it creates a snowball effect.

As more and more readers leave reviews, more readers see the book and choose to read it. Reviews give potential readers the opportunity to see other people’s opinions and determine if the book is their favorite type of jewel.

ARC readers, or advanced reader copy readers, have the responsibility and privilege of reading a book before it has been released. So that on release day, they can immediately add their reviews and help bolster the sales of the new book.

It is important to know the genre of the book you are reviewing and read it attentively. Then leave a review that is both objective and opinionated. Can you tell the carat of the jewel? And how closely must you look to see any flaws?

How do you do that? I’m glad you asked. Writing an excellent book review is easier said than done. So, here are a few tips.

How to Write a Good Book Review

How to Start a Book Review

It may be obvious, but you should start a good book review with the title and name of the author. This makes it clear which book you reviewed. In some cases, like Amazon and Goodreads, this is done for you by the review being associated with only that item.

Why both? Some titles are repeated and it could become confusing to the reader whether you are reviewing the nonfiction or the fantasy fiction novel of the same name. The author’s name helps pick through rocks, fool’s gold, and genuine gold.

Knowledge about the author can come in handy here. What awards have they won? What accreditations do they have? Is this a debut? Is it a long book or short, as in how many pages is it?

Next, include a basic summary of the plot and themes if you are writing a review for fiction, or a basic premise of what the book is about if you are writing for nonfiction. Try to sum up the theme of a book in one sentence, then add details. Keep it clear and avoid spoilers. This is where you differentiate between quartz and diamonds.

Give a sense of the book and writing. Share quotes that stood out to you. As a Fictionary StoryCoach Editor, I like to add my take on the structure of the book, structure of the scenes, and whether they used all thirty-eight Fictionary elements, like the five senses, to give depth to their story.

How to End a Book Review

Here is where you give your opinion of the book. Be honest but balanced in your review. I usually do this in two sections. Put what you loved first or that the author does well before addressing your constructive feedback. I think it helps to think of it as constructive feedback because then I see it as a way to help instead of criticizing the author’s choices or abilities.

You can go into depth on characters, setting, plot, structure, and prose. Try to keep it objective because what one person dislikes might be what someone else loves. Back up your criticism with examples and how it affects the reader’s experience. Was the ending satisfactory or not? Can you say why without spoiling it? Is the book unique or does it hit the familiar tropes readers love?

Compare and contrast to similar books on the market. Are they sapphires or emeralds? This can help the reader determine if they would like the book or not based on their personal preference instead of yours.

The author does the same thing when marketing the book because it is a good way to tell what the themes and style of a story are. Genre and even subgenre are pretty general, but comparing it to a specific book can give a potential reader a much better handle on if the book is their typical reading go-to.

Tips For Writing a Book Review

This is where you polish your skills and make a book shine.

Remember kindness. The author needs your respectful constructive feedback to improve. And as I said before, what one person dislikes about a book might be the very thing that other people like about a book. Hurting someone’s feelings helps no one.

There are many places today where you can publish your reviews. Including but not limited to social media, Amazon, Good Reads, blogs, BookTube, and more. The content and tone of reviews vary based on where it will be published. So, think about your audience and what the purpose of your review is.

 Keep it succinct. People searching for their next read are unlikely to read a dissertation. However, you should also put time and effort into making it convey the most important aspects of the story and writing.

Break it up into brief paragraphs. Writing on the internet today has become about creating as much white space as possible to keep the attention of the reader. So, break it up with your pickax instead of keeping it all in one block of text.

Add a star rating. Star ratings are used on many of the review sites or you can make your own system for your social media. But using stars can help the author build trust with their readership. High star ratings improve click counts, but don’t necessarily create sales. And remember, one-star reviews can really hurt the business of a new author starting out and should be saved for very special cases.

Avoid spoilers or at least include a warning about spoilers. If spoilers are included in the review, it can ruin sales. Especially for a mystery or thriller where the primary goal of reading to the end is discovering who done it.

Consider which format you read. There are differences in the experience of reading an ebook versus paperback versus hardcover versus audiobook. If you have read a special edition, include in your review any pictures, maps, quality of paper, printing, or the cover. Sometimes authors like to change their covers to give their book a fresh look. So, include your likes or dislikes of the cover as well in your balanced, respectful feedback.

This might just be the author/editor in me talking, but…write a draft of your review, then edit and revise it. And please, make a grammar check before you post it. This will make it ever so much easier for the author and review readers to understand what you are trying to get across, instead of throwing out your opinions based on assumptions or simple illegibility.

Point out your own personal biases. Personally, when reading romance, I prefer closed door and less spice. So, I will be honest about what I read, skipped, or whether I will read that author again based on that preference. This helps other readers like me who want their romance closed-door to avoid the book or choose the same books. But it also helps the readers who like spice to perk up and say, “Ooh, I should try this one.”

Some people like the author to wax lyrical with their purple prose and some readers like gritty and hard writing. Preference can affect your opinion of the book when that is something very subjective. 

So, mentioning it in the review can help readers get an overall picture of how the author has written the book, and whether it will appeal to them—even if it wasn’t your favorite jewel. This is a kindness to both the author and the potential readers, reading your review.

How to Review a Book Conclusion

A good book review is a balance between objective and subjective. Writing one takes time and effort. If you always consider pulling out the positive things you liked about a book before you go off on a rant, you’ll help yourself, the author, and potential other readers better.

Think of the book like a geode. It may just look like a rock on the outside, but if you take the time to crack it open and inspect what is inside, you might find some sparkly crystals.

Reading is often a matter of taste, but classics are loved by many throughout time for a reason, which has to do with deep structure and an understanding of the language they are written in.

Learning and using the Fictionary method of editing with the 38 elements can help you not only see your own stories more objectively but also other people’s. It will enhance your ability to give great reviews that are honest and helpful to the reading and writing community.

So, good luck, and I hope you find some real gems out there! If you do, please give them a review, so I can find them too.

• Additional Resources
• A List of Writing Contests in 2022 | Exciting Prizes!
• Em Dash vs. En Dash vs. Hyphen: When to Use Which
• Book Proofreading 101: The Beginner’s Guide
• Screenplay Editing: Importance, Cost, & Self-Editing Tips
• Screenplay Proofreading: Importance, Process, & Cost
• Script Proofreading: Rates, Process, & Proofreading Tips
• Manuscript Proofreading | Definition, Process & Standard Rates
• 14 Punctuation Marks: Examples & Free Guide on How to Use
• Tips to Write Better if English Is Your Second Language
• Novel Proofreading | Definition, Significance & Standard Rates
• The Top 10 Literary Devices: Definitions & Examples
• Top 101 Bone-Chilling Horror Writing Prompts
• Top 10 Must-Try Writing Prompt Generators in 2024
• 100+ Creative Writing Prompts for Masterful Storytelling
• Best 101 Greatest Fictional Characters of All Time
• Top 10 eBook Creator Tools in 2024: Free & Paid
• 50 Timeless and Unforgettable Book Covers of All Time
• What Is Flash Fiction? Definition, Examples & Types
• Discover the Best Book Review Sites of 2024: Top 10 Picks
• 80 Enchanting Christmas Writing Prompts for Your Next Story

Your Guide to the Best eBook Readers in 2024

• Top 10 Book Review Clubs of 2024 to Share Literary Insights
• 2024’s Top 10 Self-Help Books for Better Living
• Writing Contests 2023: Cash Prizes, Free Entries, & More!
• Top 10 Book Writing Apps of 2024: Free & Paid!
• Top 10 Book Marketing Services of 2024: Features and Costs
• 10 Best Book Publishing Companies in 2024
• What Is a Book Teaser and How to Write It: Tips and Examples
• Audiobook vs. EBook vs. Paperback in 2024: (Pros & Cons)
• Top 10 Book Writing Software, Websites, and Tools in 2024
• How to Get a Literary Agent in 2024: The Complete Guide
• An Easy Guide to the Best Fonts & Font Sizes for Your Book
• Top 10 Book Promotion Services for 2024’s Authors
• Alpha Readers: Where to Find Them and Alpha vs. Beta Readers
• Author Branding 101: How to Build a Powerful Author Brand
• How to Write a Book Report | Steps, Examples & Free Template
• A Guide on How to Write a Book Synopsis: Steps and Examples

How to Write a Book Review (Meaning, Tips & Examples)

• Book Title Generators: Top 10 Book Name Generators of 2024
• 50 Top Literary Agents in the USA for Authors in 2024
• Building an Author Website: The Ultimate Guide with Examples
• Top 10 Book Printing Services for Authors in 2024
• 10 Best Free Online Grammar Checkers: Features and Ratings
• How to Write a Poem: Step-by-Step Guide to Writing Poetry
• What Is a Poem? Poetry Definition, Elements, & Examples
• 2024’s 10 Best Paraphrasing Tools for All (Free & Paid)
• Top 10 AI Detector Tools in 2024 (Free & Paid)
• Top 10 Book Editing Software in 2024 (Free & Paid)
• What Is an Adverb? Definition, Types, Differences & Examples
• What Are Large Language Models and How They Work: Explained!
• What Is an Adjective? Definition, Usage & Examples
• Top 10 Hardcover Book Printing Services [Best of 2024]
• 15 Types of Poems Everyone Should Know About
• 2024’s Top 10 Setting Generators to Create Unique Settings
• Different Types of Characters in Stories That Steal the Show
• Top 10 Screenplay & Scriptwriting Software (Free & Paid)
• 10 Best AI Text Generators of 2024: Pros, Cons, and Prices
• Top 10 Must-Try Character Name Generators in 2024
• How to Track Changes in Google Docs: A 7-Step Guide
• 10 Best AI Text Summarizers in 2024 (Free & Paid)
• 2024’s 10 Best Punctuation Checkers for Error-Free Text
• Top 10 AI Humanizers of 2024 [Free & Paid Tools]
• Top 10 AI Rewriters for Perfect Text in 2024 (Free & Paid)
• 10 Best Plot Generators for Engaging Storytelling in 2024
• 11 Best Story Structures for Writers (+ Examples!)
• How to Write a Book with AI in 2024 (Free & Paid Tools)
• Writing Contests 2024: Cash Prizes & Free Entries!
• Patchwork Plagiarism: Definition, Types, & Examples
• 15 Powerful Writing Techniques for Authors in 2024
• Simple Resume Formats for Maximum Impact With Samples
• What Is a Complement in a Sentence? (Meaning, Types & Examples)
• 25 Figures of Speech Simplified with Examples – PaperTrue
• Pre-Publishing Steps
• Book Cover Design: An Introduction
• What is a Book Copyright Page?
• 8 Pre-Publishing Steps to Self-Publish Your Book
• 7 Essential Elements of a Book Cover Design
• How to Copyright Your Book in the US, UK, & India
• How to Format a Book in 2024: 7 Tips for Print & EBooks
• Beta Readers: Why You Should Know About Them in 2024
• How to Publish a Book in 2024: Essential Tips for Beginners
• ISBN Guide 2024: What Is an ISBN and How to Get an ISBN
• Self Publishing Guide
• How to Hire a Book Editor in 5 Practical Steps
• Self-Publishing Options for Writers
• How to Promote Your Book Using a Goodreads Author Page
• What Makes Typesetting a Pre-Publishing Essential for Every Author?
• 4 Online Publishing Platforms To Boost Your Readership
• Typesetting: An Introduction
• Quick Guide to Novel Editing (with a Self-Editing Checklist)
• Quick Guide to Book Editing [Complete Process & Standard Rates]
• 10 Best Self-Publishing Companies of 2024: Price & Royalties
• Self-Publishing vs. Traditional Publishing: 2024 Guide
• How to Publish a Book on Amazon: 8 Easy Steps [2024 Update]
• 10 Best Book Cover Design Services of 2024: Price & Ratings
• A Beginner’s Guide to Self-Publishing a Book in 2024
• Learn How Much Does It Cost to Self-Publish a Book in 2024
• What are Print-on-Demand Books? Cost and Process in 2024
• What Are the Standard Book Sizes for Publishing Your Book?
• Top 10 EBook Conversion Services for 2024’s Authors
• How to Copyright a Book in 2024 (Costs + Free Template)
• How to Market Your Book on Amazon to Maximize Sales in 2024
• How to Find an Editor for Your Book in 8 Steps (+ Costs!)
• What Is Amazon Self-Publishing? Pros, Cons & Key Insights
• Manuscript Editing in 2024: Elevating Your Writing for Success
• Know Everything About How to Make an Audiobook
• A Simple 14-Point Self-Publishing Checklist for Authors
• Traditional Publishing
• How to start your own online publishing company?
• 8 Tips To Write Appealing Query Letters
• How to Write a Query Letter (Examples + Free Template)
• Third-person Point of View: Definition, Types, Examples

Writing Tips

• How to Create Depth in Characters
• Starting Your Book With a Bang: Ways to Catch Readers’ Attention
• How to Write a Powerful Plot in 12 Steps
• Research for Fiction Writers: A Complete Guide
• Short stories: Do’s and don’ts
• How to Write Dialogue: 7 Rules, 5 Tips & 65 Examples
• How to Write a Novel in Past Tense? 3 Steps & Examples
• What Are Foil and Stock Characters? Easy Examples from Harry Potter
• How To Write Better Letters In Your Novel
• On Being Tense About Tense: What Verb Tense To Write Your Novel In
• How To Create A Stellar Plot Outline
• How to Punctuate Dialogue in Fiction
• On Being Tense about Tense: Present Tense Narratives in Novels
• The Essential Guide to Worldbuilding [from Book Editors]
• What Is Point of View: 1st, 2nd & 3rd POV with Examples
• How to Create Powerful Conflict in Your Story | Useful Examples
• How to Write a Book: A Step-by-Step Guide
• How to Write a Short Story: 6 Steps & Examples
• How To Craft a Murder Mystery Story
• How to Write a Novel: 8 Steps to Help You Start Writing
• What Is a Stock Character? 150 Examples from 5 Genres
• How to Write a Children’s Book: An Easy Step-by-Step Guide
• Joseph Campbell’s Hero’s Journey: Worksheet & Examples
• Novel Outline: A Proven Blueprint [+ Free Template!]
• Character Development: 7-Step Guide for Writers
• Foil Character: Definition, History, & Examples
• What Is NaNoWriMo? Top 7 Tips to Ace the Writing Marathon
• What Is the Setting of a Story? Meaning + 7 Expert Tips
• Theme of a Story | Meaning, Common Themes & Examples
• 5 Elements of a Short Story & 6 Stages of a Plot
• What Is a Blurb? Meaning, Examples & 10 Expert Tips
• What Is Show, Don’t Tell? (Meaning, Examples & 6 Tips)
• How to Write a Book Summary: Example, Tips, & Bonus Section
• How to Write a Book Description (Examples + Free Template)
• 10 Best Free AI Resume Builders to Create the Perfect CV
• A Complete Guide on How to Use ChatGPT to Write a Resume
• 10 Best AI Writer Tools Every Writer Should Know About
• 15 Best ATS-Friendly ChatGPT Prompts for Resumes in 2024
• How to Write a Book Title (15 Expert Tips + Examples)
• The 10 Best AI Story Generators: Features, Usage & Benefits
• 100 Novel and Book Ideas to Start Your Book Writing Journey
• Exploring Writing Styles: Meaning, Types, and Examples
• Mastering Professional Email Writing: Steps, Tips & Examples
• How to Write a Screenplay: Expert Tips, Steps, and Examples
• Business Proposal Guide: How to Write, Examples and Template
• Different Types of Resumes: Explained with Tips and Examples
• How to Create a Memorable Protagonist (7 Expert Tips)
• How to Write an Antagonist (Examples & 7 Expert Tips)

Writing for the Web: 7 Expert Tips for Web Content Writing

• What are the Parts of a Sentence? An Easy-to-Learn Guide
• How to Avoid AI Detection in 2024 (6 Proven Techniques!)
• How to Avoid Plagiarism in 2024 (10 Effective Strategies!)
• 10 Best Spell Checkers of 2024: Features, Accuracy & Ranking
• What Is Climax Of A Story & How To Craft A Gripping Climax
• What Is a Subject of a Sentence? Meaning, Examples & Types
• Object of a Sentence: Your Comprehensive Guide
• What Is First-Person Point of View? Tips & Practical Examples
• Second-person Point of View: What Is It and Examples
• 10 Best AI Essay Outline Generators of 2024
• The Importance of Proofreading: A Comprehensive Overview

Still have questions? Leave a comment

Add Comment

Checklist: Dissertation Proposal

Enter your email id to get the downloadable right in your inbox!

Examples: Edited Papers

Need editing and proofreading services.

• Tags: Fiction , Language , Nonfiction , Writing Tips

Want to write a perfect book review that readers enjoy? Discover how to pen a book review in 6 easy steps. To help you understand, we’ve included amazing examples of book reviews. 

We’ve also answered many questions you might have such as: How long should a book review be? How to start a book review? How to conclude a book review? For beginners, we’ve also mentioned the basic book review format. So without further delay, let’s begin! 

Get a professional review for your book! Learn more

What is a book review? 

A book review is the critical analysis of the book’s content and significance. It includes an evaluation of the plot, character development, and writing style. A good book review highlights the book’s strengths and weaknesses. Reviewers often include quotes to support the opinions mentioned in the book review. A book review is different from a book report which objectively describes the book’s main content. 

Now that we know what is a book review, let’s understand their length. 

How long is a book review? 

The length of a book review can vary, depending on the purpose and the medium used. Book reviews in newspapers, magazines, and journals can range from 500-2000 words. In contrast, book reviews by readers on platforms like Goodreads, Amazon, Facebook, or Google can range from 50-500 words. 

Now let us see the 6 easy steps to write book reviews. Whether you’re writing book reviews for your assignment or book promotion, these steps will help! 

How to write a book review

• Note down the key points- This is an important step before writing a book review. Jot down your analysis about the characters, themes, plot, and your personal view. Also, note down the book title, author’s name, and any relevant information about the book. 
• Start with a strong introduction- Mention the author’s name, book title, themes, and main characters in the introduction. The introduction should give a very brief book summary without giving spoilers. 
• Analyze the book- Discuss the book’s strong points and weaknesses. This can include your opinion on the narrative pacing, writing style, character development , and structure. You can also compare it with books belonging to a similar genre. To enhance the review, you can also use relevant quotes to support your perspective. 
• Reflect on your experience- Describe how the book makes you feel. Did you find it engaging or was it slow-paced? Were you happy with the climax or did you expect more? 
• Conclude the review- Summarize the important points and end the review with a final evaluative statement about the book. This is where you can state whether you will recommend the book to readers or not. This is an important step in writing a book review. 
• Rate the book (Optional)- Depending on the platform requirements, you can rate the book out of 5 or 10. 

Now that we’ve seen how to write a book review, let’s see five amazing tips to create the perfect book review.

Top 5 tips to create an amazing book review 

Here are the top 5 tips to create the perfect book review: 

• Start with an attractive hook- Begin the review with an intriguing question or statement, capturing the book’s essence. For example, “In ‘The Enchanted Labyrinth’, every page takes you into a magical world of intrigue and wonder. 
• Discuss originality- Write what makes the book unique as compared to other books in the same genre. If the book highlights an unexplored theme or gives a unique take on a common theme, you can mention it in the book review. 
• Analyze worldbuilding- Review the fictional world created by the author (Its depth, complexity and detail). You can discuss how the setting of the story affected your experience as a reader. This is a good practice, especially while reviewing fantasy and science fiction novels. 
• Evaluate key themes- Discuss how the central themes of the story are seamlessly woven into the narrative. You can do this by highlighting how the characters’ relationships and choices reflect the themes. Describe how themes add depth to the story. 
• Edit and proofread- Once you’ve completed your book review, thoroughly check it. Correct any grammatical mistakes , spelling, and word choice errors. 

Book review examples

1. a thousand splendid suns by khaled hosseini .

“A Thousand Splendid Suns,” by Khaled Hosseini, is a profoundly moving story set against the backdrop of Afghan history. This novel tells the tale of two women, Mariam and Laila, whose lives become entwined in a harrowing journey of friendship, suffering, and redemption.

Mariam, an illegitimate child, suffers from stigma and rejection from an early age. Her tragic story evolves when she is forced into an abusive marriage with Rasheed, a brutish shoemaker. Laila, born generations later, is initially a symbol of the new Afghanistan – hopeful and educated. Their shared struggles against the backdrop of Afghanistan crumbling under Taliban rule form the novel’s heart.

Hosseini’s writing is evocative, capturing the stark realities in Afghanistan while also highlighting the profound resilience of his characters. The author masterfully portrays the emotional landscapes of Mariam and Laila, making them vividly relatable.

“A Thousand Splendid Suns” is more than a story of survival; it is a testament to the unyielding strength of human connection and endurance. This book is a must-read, not only for its storytelling brilliance but for its deep exploration of the often-unheard voices of Afghan women. It’s a heartbreaking, yet ultimately hopeful novel that stays with you long after the last page.

Now let’s see another example of a book review. 

2. A Man Called Ove by Fredrik Backman 

“A Man Called Ove ” by Fredrik Backman is a heartwarming novel that takes readers on an emotional journey of its titular character, Ove. At first glance, Ove appears to be nothing more than a grumpy old man. However, as the story unfolds, we discover that there is so much more to Ove than meets the eye.

The novel skillfully explores themes of loss, grief, and the human capacity for change. Ove’s journey is one of rediscovery and redemption, as he learns to open his heart to the people around him. Backman’s writing is both poignant and humorous, capturing the essence of human relationships and the power of community.

Ove is a character who is easy to relate to, with his quirks making him all the more endearing. As we delve into his past through flashbacks, we understand the events that shaped him. These glimpses provide depth and complexity to his character, making him incredibly three-dimensional.

The supporting characters are equally charming and well-developed. Parvaneh, the pregnant neighbor, and her family are a refreshing contrast to Ove’s gruff exterior. Their interactions with Ove are both heartwarming and hilarious, playing an important role in his transformation.

What makes “A Man Called Ove” truly exceptional is its ability to elicit a wide range of emotions from its readers. It can make you laugh out loud on one page and bring tears to your eyes on the next. The story is a testament to the importance of human connection.

In conclusion, “A Man Called Ove” is a beautifully written novel that explores the themes of love, friendship, and the capacity for change. Fredrik Backman’s storytelling is both touching and humorous, and his characters are unforgettable. For those who appreciate heartwarming stories that inspire the soul, this book is a must-read.”

After seeing these book review examples, let’s see a simple book review template you can use. 

Book review template

The following template highlights a basic book review format and book review outline. You can use this template for reference. 

We hope this book review template and book review examples have inspired you to start writing. Now that you’ve understood how to write a good book review, you can begin brainstorming. Want to get a polished, professional book review? At PaperTrue, our team of experts can help you craft the perfect review for your book. Get in touch with us and forget all stress about how to do a book review. 

You can also take advantage of our self-publishing services like editing, book cover design, securing an ISBN, and creating a copyright page. This ensures that your book is ready for publication. Whether you want a simple edit or an end-to-end service package, we’re here to help! 

Here are some other articles that you might find interesting: 

• Top 10 Best Print-on-Demand Book Companies in 2024
• Top 10 Book Formatting Software for Authors in 2024
• What Is a Blurb? Meaning, Examples & 10 Expert Tips

Frequently Asked Questions

What is the purpose of a book review, what makes a good book review, how to end a book review, how to structure a book review, where to write a book review.

Found this article helpful?

Leave a Comment: Cancel reply

Your email address will not be published.

Your vs. You’re: When to Use Your and You’re

Your organization needs a technical editor: here’s why.

Subscribe to our Newsletter

Get carefully curated resources about writing, editing, and publishing in the comfort of your inbox.

How to Copyright Your Book?

If you’ve thought about copyrighting your book, you’re on the right path.

© 2024 All rights reserved

• Terms of service
• Privacy policy
• Fiction Writing Tips
• Dissertation Writing Guide
• Essay Writing Guide
• Academic Writing and Publishing
• Citation and Referencing
• Partner with us
• Annual report
• Website content
• Marketing material
• Job Applicant
• Cover letter
• Resource Center
• Case studies

Book Reviews

What this handout is about.

This handout will help you write a book review, a report or essay that offers a critical perspective on a text. It offers a process and suggests some strategies for writing book reviews.

What is a review?

A review is a critical evaluation of a text, event, object, or phenomenon. Reviews can consider books, articles, entire genres or fields of literature, architecture, art, fashion, restaurants, policies, exhibitions, performances, and many other forms. This handout will focus on book reviews. For a similar assignment, see our handout on literature reviews .

Above all, a review makes an argument. The most important element of a review is that it is a commentary, not merely a summary. It allows you to enter into dialogue and discussion with the work’s creator and with other audiences. You can offer agreement or disagreement and identify where you find the work exemplary or deficient in its knowledge, judgments, or organization. You should clearly state your opinion of the work in question, and that statement will probably resemble other types of academic writing, with a thesis statement, supporting body paragraphs, and a conclusion.

Typically, reviews are brief. In newspapers and academic journals, they rarely exceed 1000 words, although you may encounter lengthier assignments and extended commentaries. In either case, reviews need to be succinct. While they vary in tone, subject, and style, they share some common features:

• First, a review gives the reader a concise summary of the content. This includes a relevant description of the topic as well as its overall perspective, argument, or purpose.
• Second, and more importantly, a review offers a critical assessment of the content. This involves your reactions to the work under review: what strikes you as noteworthy, whether or not it was effective or persuasive, and how it enhanced your understanding of the issues at hand.
• Finally, in addition to analyzing the work, a review often suggests whether or not the audience would appreciate it.

Becoming an expert reviewer: three short examples

Reviewing can be a daunting task. Someone has asked for your opinion about something that you may feel unqualified to evaluate. Who are you to criticize Toni Morrison’s new book if you’ve never written a novel yourself, much less won a Nobel Prize? The point is that someone—a professor, a journal editor, peers in a study group—wants to know what you think about a particular work. You may not be (or feel like) an expert, but you need to pretend to be one for your particular audience. Nobody expects you to be the intellectual equal of the work’s creator, but your careful observations can provide you with the raw material to make reasoned judgments. Tactfully voicing agreement and disagreement, praise and criticism, is a valuable, challenging skill, and like many forms of writing, reviews require you to provide concrete evidence for your assertions.

Consider the following brief book review written for a history course on medieval Europe by a student who is fascinated with beer:

Judith Bennett’s Ale, Beer, and Brewsters in England: Women’s Work in a Changing World, 1300-1600, investigates how women used to brew and sell the majority of ale drunk in England. Historically, ale and beer (not milk, wine, or water) were important elements of the English diet. Ale brewing was low-skill and low status labor that was complimentary to women’s domestic responsibilities. In the early fifteenth century, brewers began to make ale with hops, and they called this new drink “beer.” This technique allowed brewers to produce their beverages at a lower cost and to sell it more easily, although women generally stopped brewing once the business became more profitable.

The student describes the subject of the book and provides an accurate summary of its contents. But the reader does not learn some key information expected from a review: the author’s argument, the student’s appraisal of the book and its argument, and whether or not the student would recommend the book. As a critical assessment, a book review should focus on opinions, not facts and details. Summary should be kept to a minimum, and specific details should serve to illustrate arguments.

Now consider a review of the same book written by a slightly more opinionated student:

Judith Bennett’s Ale, Beer, and Brewsters in England: Women’s Work in a Changing World, 1300-1600 was a colossal disappointment. I wanted to know about the rituals surrounding drinking in medieval England: the songs, the games, the parties. Bennett provided none of that information. I liked how the book showed ale and beer brewing as an economic activity, but the reader gets lost in the details of prices and wages. I was more interested in the private lives of the women brewsters. The book was divided into eight long chapters, and I can’t imagine why anyone would ever want to read it.

There’s no shortage of judgments in this review! But the student does not display a working knowledge of the book’s argument. The reader has a sense of what the student expected of the book, but no sense of what the author herself set out to prove. Although the student gives several reasons for the negative review, those examples do not clearly relate to each other as part of an overall evaluation—in other words, in support of a specific thesis. This review is indeed an assessment, but not a critical one.

Here is one final review of the same book:

One of feminism’s paradoxes—one that challenges many of its optimistic histories—is how patriarchy remains persistent over time. While Judith Bennett’s Ale, Beer, and Brewsters in England: Women’s Work in a Changing World, 1300-1600 recognizes medieval women as historical actors through their ale brewing, it also shows that female agency had its limits with the advent of beer. I had assumed that those limits were religious and political, but Bennett shows how a “patriarchal equilibrium” shut women out of economic life as well. Her analysis of women’s wages in ale and beer production proves that a change in women’s work does not equate to a change in working women’s status. Contemporary feminists and historians alike should read Bennett’s book and think twice when they crack open their next brewsky.

This student’s review avoids the problems of the previous two examples. It combines balanced opinion and concrete example, a critical assessment based on an explicitly stated rationale, and a recommendation to a potential audience. The reader gets a sense of what the book’s author intended to demonstrate. Moreover, the student refers to an argument about feminist history in general that places the book in a specific genre and that reaches out to a general audience. The example of analyzing wages illustrates an argument, the analysis engages significant intellectual debates, and the reasons for the overall positive review are plainly visible. The review offers criteria, opinions, and support with which the reader can agree or disagree.

Developing an assessment: before you write

There is no definitive method to writing a review, although some critical thinking about the work at hand is necessary before you actually begin writing. Thus, writing a review is a two-step process: developing an argument about the work under consideration, and making that argument as you write an organized and well-supported draft. See our handout on argument .

What follows is a series of questions to focus your thinking as you dig into the work at hand. While the questions specifically consider book reviews, you can easily transpose them to an analysis of performances, exhibitions, and other review subjects. Don’t feel obligated to address each of the questions; some will be more relevant than others to the book in question.

• What is the thesis—or main argument—of the book? If the author wanted you to get one idea from the book, what would it be? How does it compare or contrast to the world you know? What has the book accomplished?
• What exactly is the subject or topic of the book? Does the author cover the subject adequately? Does the author cover all aspects of the subject in a balanced fashion? What is the approach to the subject (topical, analytical, chronological, descriptive)?
• How does the author support their argument? What evidence do they use to prove their point? Do you find that evidence convincing? Why or why not? Does any of the author’s information (or conclusions) conflict with other books you’ve read, courses you’ve taken or just previous assumptions you had of the subject?
• How does the author structure their argument? What are the parts that make up the whole? Does the argument make sense? Does it persuade you? Why or why not?
• How has this book helped you understand the subject? Would you recommend the book to your reader?

Beyond the internal workings of the book, you may also consider some information about the author and the circumstances of the text’s production:

• Who is the author? Nationality, political persuasion, training, intellectual interests, personal history, and historical context may provide crucial details about how a work takes shape. Does it matter, for example, that the biographer was the subject’s best friend? What difference would it make if the author participated in the events they write about?
• What is the book’s genre? Out of what field does it emerge? Does it conform to or depart from the conventions of its genre? These questions can provide a historical or literary standard on which to base your evaluations. If you are reviewing the first book ever written on the subject, it will be important for your readers to know. Keep in mind, though, that naming “firsts”—alongside naming “bests” and “onlys”—can be a risky business unless you’re absolutely certain.

Writing the review

Once you have made your observations and assessments of the work under review, carefully survey your notes and attempt to unify your impressions into a statement that will describe the purpose or thesis of your review. Check out our handout on thesis statements . Then, outline the arguments that support your thesis.

Your arguments should develop the thesis in a logical manner. That logic, unlike more standard academic writing, may initially emphasize the author’s argument while you develop your own in the course of the review. The relative emphasis depends on the nature of the review: if readers may be more interested in the work itself, you may want to make the work and the author more prominent; if you want the review to be about your perspective and opinions, then you may structure the review to privilege your observations over (but never separate from) those of the work under review. What follows is just one of many ways to organize a review.

Introduction

Since most reviews are brief, many writers begin with a catchy quip or anecdote that succinctly delivers their argument. But you can introduce your review differently depending on the argument and audience. The Writing Center’s handout on introductions can help you find an approach that works. In general, you should include:

• The name of the author and the book title and the main theme.
• Relevant details about who the author is and where they stand in the genre or field of inquiry. You could also link the title to the subject to show how the title explains the subject matter.
• The context of the book and/or your review. Placing your review in a framework that makes sense to your audience alerts readers to your “take” on the book. Perhaps you want to situate a book about the Cuban revolution in the context of Cold War rivalries between the United States and the Soviet Union. Another reviewer might want to consider the book in the framework of Latin American social movements. Your choice of context informs your argument.
• The thesis of the book. If you are reviewing fiction, this may be difficult since novels, plays, and short stories rarely have explicit arguments. But identifying the book’s particular novelty, angle, or originality allows you to show what specific contribution the piece is trying to make.
• Your thesis about the book.

Summary of content

This should be brief, as analysis takes priority. In the course of making your assessment, you’ll hopefully be backing up your assertions with concrete evidence from the book, so some summary will be dispersed throughout other parts of the review.

The necessary amount of summary also depends on your audience. Graduate students, beware! If you are writing book reviews for colleagues—to prepare for comprehensive exams, for example—you may want to devote more attention to summarizing the book’s contents. If, on the other hand, your audience has already read the book—such as a class assignment on the same work—you may have more liberty to explore more subtle points and to emphasize your own argument. See our handout on summary for more tips.

Analysis and evaluation of the book

Your analysis and evaluation should be organized into paragraphs that deal with single aspects of your argument. This arrangement can be challenging when your purpose is to consider the book as a whole, but it can help you differentiate elements of your criticism and pair assertions with evidence more clearly. You do not necessarily need to work chronologically through the book as you discuss it. Given the argument you want to make, you can organize your paragraphs more usefully by themes, methods, or other elements of the book. If you find it useful to include comparisons to other books, keep them brief so that the book under review remains in the spotlight. Avoid excessive quotation and give a specific page reference in parentheses when you do quote. Remember that you can state many of the author’s points in your own words.

Sum up or restate your thesis or make the final judgment regarding the book. You should not introduce new evidence for your argument in the conclusion. You can, however, introduce new ideas that go beyond the book if they extend the logic of your own thesis. This paragraph needs to balance the book’s strengths and weaknesses in order to unify your evaluation. Did the body of your review have three negative paragraphs and one favorable one? What do they all add up to? The Writing Center’s handout on conclusions can help you make a final assessment.

Finally, a few general considerations:

• Review the book in front of you, not the book you wish the author had written. You can and should point out shortcomings or failures, but don’t criticize the book for not being something it was never intended to be.
• With any luck, the author of the book worked hard to find the right words to express her ideas. You should attempt to do the same. Precise language allows you to control the tone of your review.
• Never hesitate to challenge an assumption, approach, or argument. Be sure, however, to cite specific examples to back up your assertions carefully.
• Try to present a balanced argument about the value of the book for its audience. You’re entitled—and sometimes obligated—to voice strong agreement or disagreement. But keep in mind that a bad book takes as long to write as a good one, and every author deserves fair treatment. Harsh judgments are difficult to prove and can give readers the sense that you were unfair in your assessment.
• A great place to learn about book reviews is to look at examples. The New York Times Sunday Book Review and The New York Review of Books can show you how professional writers review books.

Works consulted

We consulted these works while writing this handout. This is not a comprehensive list of resources on the handout’s topic, and we encourage you to do your own research to find additional publications. Please do not use this list as a model for the format of your own reference list, as it may not match the citation style you are using. For guidance on formatting citations, please see the UNC Libraries citation tutorial . We revise these tips periodically and welcome feedback.

Drewry, John. 1974. Writing Book Reviews. Boston: Greenwood Press.

Hoge, James. 1987. Literary Reviewing. Charlottesville: University Virginia of Press.

Sova, Dawn, and Harry Teitelbaum. 2002. How to Write Book Reports , 4th ed. Lawrenceville, NY: Thomson/Arco.

Walford, A.J. 1986. Reviews and Reviewing: A Guide. Phoenix: Oryx Press.

You may reproduce it for non-commercial use if you use the entire handout and attribute the source: The Writing Center, University of North Carolina at Chapel Hill

Make a Gift

• Writing & Editing

How to Write a Book Review (The Definitive Guide)

You should know how to write a book review, whether you want to help a writer friend with his or her book sales or just want to provide your two cents on a specific book.

A book review is a subtle yet effective way to show your reaction to a book, and it holds a great deal of weight with readers.

Let’s delve into book reviews and how to write them properly.

What is a book review?

A book review is a written assessment of a specific book. The book review is often well-regarded by book aficionados because they look for affirmation from a well-known source.

As a rule, if you are going to write a book review, you should make sure that you write the book review as effectively as possible.

Here is a step-by-step guide to on how to write a book review:

1. Read the book thoroughly

When you receive a copy of the book, the first thing you should do is read it thoroughly. Don't rush into writing a book review. You must be as thorough as possible and be familiar with the most subtle aspects of the book.

Keep in mind that the author is counting on you to write an objective and well-written review of his or her book. If you rush through the book review, you will be doing the author a grave injustice.

2. Choose a rating system

You should make sure to set up a rating system for your book review. By having a rating system, you will be able to convey whether a book is worth reading or not.

The rating system could be practically anything. It could be a five-star system, or any other rating system. What’s important is that your rating system is easy to understand.

3. Know what to include in your book review

While you are reading the book, you should already have a format for your book review. The review should have a set blueprint. As you write the book review, you should include an introduction, thesis, body, and conclusion.

Here is a short description of the book review parts:

Introduction

The introduction should describe the book's title and cover. It should also take note of any subtitles and the name of the author.

This part of the book review should have a quick description of the book’s contents and show the key points of the book. It is best to avoid making any opinions during this part.

Quote at least three parts from the book, and give your own take on them. You should make sure to separate each opinion into a specific paragraph.

The conclusion should include a summary of all the key points from the main body. This should also contain your rating and an overall opinion of the book. You should also explain why you have this specific opinion about the book.

4. Fairness is key

Once you finish reading the book and have written down all the key concepts in it, it is now time to write the book review. As you write your book review, it is important that you have one thing in mind. Fairness is of the utmost importance. Whether you like or don’t like the author, it is very important that you have an unbiased approach to reviewing their book.

5. Take your time with writing the book review

As you are writing the book review, you may be tempted to just write a generic review. What’s so important about honesty or detail, right? This is a very bad way of looking at book reviews.

Remember that readers will use your book review to gauge whether to buy the book. If your book review is half-hearted or rushed, they will not really heed your critique.

If you want readers to follow your book recommendation, you should write a well-written book review. Take the time to double check every aspect of the book review.

Make sure that your grammar, spelling, and word usage are all on point. Remember that readers will base their decision to buy a book on your expertise and experience as a writer.

However, if the book review itself does not make sense or has a lot of spelling and grammatical errors, then the readers may think twice about heeding your recommendations. If you don’t want to get embarrassed, you should make sure to double check every aspect of your book review.

Book reviews are a big part of the book publishing industry. A majority of book lovers often use book reviews to gauge whether they should read a specific book or not. 

Become a Self-Published Author in 3 Simple Steps

Powered by Experts, Published by You. Reach 40,000+ Retailers & Libraries Around the World. Concierge Service. Tailored Packages. BBB Accredited Business. 100% Royalty Program.

Related Articles

What makes a book a good read? A typical question that writers would usually put into thought. One thing every writer has to take into consideration is, How will my book..

If you are a professional writer, you would most likely be familiar with writer’s block. This condition is one of the most annoying...

Get started now

Privacy Policy: Writers Republic will not give, sell, or otherwise transfer addresses to any other party for the purposes of initiating, or enabling others to initiate, electronic mail messages.

Privacy Policy

Privacy commitment to our authors, effective date:.

Writers Republic abides to every author’s personal information being entrusted to us. And with that, we have stipulated a privacy policy that will show the processes of our ways in collating our clients’ personal details as needed in the publication process. As an established publishing company, our prohibitions strictly includes sharing, selling, or any illicit transactions of personal information from our clients.

Personal Details Needed:

• b) E-mail Address
• c) Phone Number(s)
• d) Physical/Billing Address
• e) Book Information

Authors can find our privacy policy through all forms of compiled and submitted information to either the company’s employees, through e-mail and phone, or from our website www.writersrepublic.com.

Information Usage

The use of the author’s personal information will take place in completing registrations, necessary materials to be used in publication arrangements with our specialists, and payment transactions that will be accomplished from our services and packages.

Registration Process

Users must fill out and complete any registration form before they can access anywhere in the Site as they wish to. These include the services, promos, blogs, and rest of the facets they can explore once they are registered to the system. The authors are entitled to a free publishing guide to give you a brief idea about self-publishing. Relevant features also include the Authors’ Lounge that teaches you some publishing tips you will be needing during the procedure.

Providing the user’s contact information like his/her name and email address during the registration will be necessary for our specialists in keeping in touch with the client anytime in regards to the manuscript submission, publishing, and finally, expanding his/her book’s publicity by any means. Our registered authors are free from accessing the website with his/her personal data or they may reach our customer service representatives through telephone or e-mail for further information and updates on our services. Aforementioned, all of the author’s personal data submitted to us will be kept confidential.

Information Sharing

Sharing of the client’s personal data to third parties is considered a violation unless it is conducted in a way it is indicated strictly in the privacy policy. Authors must understand that we are required to provide their personal data to other businesses that will to provide the required assistance in succeeding the publishing procedure, the following involves payment processor or a third party vendor benefit. These associated firms has established the consent to use the client’s personal data for necessary purposes of providing a quality service to Writers Republic.

In any case that Writers republic will conduct a union with associated companies, procurement, or sale of all or a share of its properties, authors will be notified through a notice in our website or sent through email of any ownership change or the utilization of the user’s personal data, in addition to the selections provided regarding his/ her personal information.

The company solely shares the collected information to the firms we do business with to acquaint them with the services or assistance needed for the publication. The data required plainly comprises with order completion, payment transactions, and the rest of the necessary processes. We can guarantee our users that the submission of these information will not be concomitant to any confidentialities that will identify a person’s identity. Privacy rules include prohibitions of sharing, or keeping of any private information for unrelated businesses to our company.

Data Protection

Our authors’ confidentiality comes first all the time. We follow the widely accepted preference in safekeeping the user’s personal data during its transmission and by the moment it is stored in our system. Writers Republic ensures both online and offline security of all information provided by our authors through the website. Any electronic transmittal over the internet may not be overall safe, hence the company cannot commit to an absolute protection.

The client’s agreement entails his/her responsibility in sustaining the account access, any personal information, benefits, company’s services, logins, and passwords. The author’s adherence to these sanctions include acquainting Writers Republic through phone, e-mail, or any means of communication, should there be any inadmissible access to the author’s account and all the applicable company data and services. Any direct, involuntary, minor, or distinctive damages caused due to client’s failure to adhere and/or inefficiency in utilizing the company’s site, services, and transactions will not be held liable to Writer’s Republic.

Any messages received or consequences resulted due to the user’s technical unfamiliarity or insufficient knowledge will not be held accountable to Writers Republic. Furthermore, any damages incurred due to negligence to the information entered or impermissible access will leave no liability to the company. These reparations may denote to but not restricted to revenue loss or reduced profit from the entire process.

Electronic Tracking Tools and Site Traffic Usage

Writers Republic website collects SSI (Standard Statistical Information) about the site visits and keeps a record of it as much as other websites do. Please be advised that the IP addresses, browser information, its timestamps, and referred pages are tracked for the sole purpose of maintenance and to construct the site noticeable and valuable as it can be. No accumulated data is joined routinely to other information we collect from our users.

The site server gathers fundamental technical data from our site visitors which include their IP address, domain label, and referral information. Alongside with the said above, the site also tracks the total count of the site activity from our online visitors for the intention of analyzing the flows of our site traffic. For our statistic intents, we may incorporate the information from one visitor with another into group facts, which will probably be shared on a cumulative base.

The technologies in particular: beacons, cookies, tags, and scripts are utilized by writersrepublic.com, our publishing & marketing associates, publicity service providers. These innovations are used in examining trends, website managing, tracking users’ navigation anywhere on the site and to collect public data about our user in entirety. We may obtain news founded on the utilization of these innovations by these firms on an individual as well as on an accumulated basis.

Writers Republic affiliates with third parties to offer positive features on website or to exhibit advertising based upon your web navigation activity also uses Local Storage Objects (LSOs) such as HTML 5 to gather and keep some data. Browsers may provide their own administrating tools in taking out HTML LSOs. To manage LSOs please click the link provided: http://www.macromedia.com/support/documentation/en/flashplayer/help/settings_manager07.html

Removing or Updating Your Information

Don’t hesitate to reach us directly anytime when you want to delete, update, or correct information you give over the phone or e-mail. For safety purposes, Writers Republic takes functional regulations in authenticating your identity before we grant you the access in changing and updating personal details. Your personal record and other data will be kept so long as you stay active as our site user or as necessary to offer you services. Please note that we’ll be using your information for necessary compliance of lawful commitments, imposing of agreements, and determination of disputes.

Contributors

Writers Republic will be requiring your contributors’ names to be indicated in the book publication when you opt to add them as contributors for your book publishing service. We will store your contributors’ personal details for the sole purpose of fixing their names on one of the pages of your book. Your contributors may reach us at [email protected] to request for removal of personal information from our system.

3rd Party Sites Link

Our company recommends you to carefully go over to the privacy policy of any website you visit or send personal information to. Our website comprises links to other sites whose norms and privacy regulations may contrast to ours. Accordingly, providing of personal data to these websites is administrated by their privacy rules and not ours.

Social Media Features & Widgets

Writers Republic website involves social media features such as: Facebook “Like” button and widget, such as the interactive mini-programs that run on our site or the “Share This” button. Please note that these features may set a cookie to allow the feature to appropriately function. It may also collect your IP address and which page you are visiting on our site. Your interactions with these features are either presented directly on our website or by a third party.

Announcements and Newsletters

Writers Republic will be inquiring your e-mail address if you’re interested to subscribe from our self-publishing updates, newsletters, articles, or periodic product and service announcements. You may choose to unsubscribe by clicking on the “Unsubscribe” button at the end part of the mail sent to you should you no longer want to receive emails from us.

Discounts and Promos

We offer promos and special deals on out publishing and marketing services from any given point of time. Thus, we may request for your contact details that includes your name, shipping address, demographic data, and educational attainment which will be utilized to inform the winners and prizes. Participation in any contest and promo is voluntary. The purpose for our promos, discounts, and contests, will be employed to assess and enhance eminence of or services to our clients.

Policy Changes

Any modifications or changes to be applied in our Privacy Policy will oblige Writers Republic to provide a notice on the website or by email before the change will take effect. Therefore, we recommend you to go over this page for any probable alterations and updates on our privacy norms. You may send us an email at [email protected] for all concerns, queries, and updates of personal details such as your email and mailing address. This also serves as your alternative to reach us if you want to withdraw your service or if you no longer want to receive any updates from our end.

Writers Republic will not be held accountable for any check payment issues, apart from the checks that are delivered to the address indicated below.

Writers Republic Publishing 515 Summit Ave. Unit R1, Union City, NJ 07087, USA

How to Write a Book Review: The Ultimate Guide

WHAT IS A BOOK REVIEW?

Traditionally, book reviews are evaluations of a recently published book in any genre. Usually, around the 500 to 700-word mark, they briefly describe a text’s main elements while appraising the work’s strengths and weaknesses. Published book reviews can appear in newspapers, magazines, and academic journals. They provide the reader with an overview of the book itself and indicate whether or not the reviewer would recommend the book to the reader.

WHAT IS THE PURPOSE OF A BOOK REVIEW?

There was a time when book reviews were a regular appearance in every quality newspaper and many periodicals. They were essential elements in whether or not a book would sell well. A review from a heavyweight critic could often be the deciding factor in whether a book became a bestseller or a damp squib. In the last few decades, however, the book review’s influence has waned considerably, with many potential book buyers preferring to consult customer reviews on Amazon, or sites like Goodreads, before buying. As a result, book review’s appearance in newspapers, journals, and digital media has become less frequent.

WHY BOTHER TEACHING STUDENTS TO WRITE BOOK REVIEWS AT ALL?

Even in the heyday of the book review’s influence, few students who learned the craft of writing a book review became literary critics! The real value of crafting a well-written book review for a student does not lie in their ability to impact book sales. Understanding how to produce a well-written book review helps students to:

●     Engage critically with a text

●     Critically evaluate a text

●     Respond personally to a range of different writing genres

●     Improve their own reading, writing, and thinking skills.

Not to Be Confused with a Book Report!

WHAT’S THE DIFFERENCE BETWEEN A BOOK REVIEW AND A BOOK REPORT?

While the terms are often used interchangeably, there are clear differences in both the purpose and the format of the two genres. Generally speaking, book reports aim to give a more detailed outline of what occurs in a book. A book report on a work of fiction will tend to give a comprehensive account of the characters, major plot lines, and themes in the book. Book reports are usually written around the K-12 age range, while book reviews tend not to be undertaken by those at the younger end of this age range due to the need for the higher-level critical skills required in writing them. At their highest expression, book reviews are written at the college level and by professional critics.

Learn how to write a book review step by step with our complete guide for students and teachers by familiarizing yourself with the structure and features.

BOOK REVIEW STRUCTURE

ANALYZE Evaluate the book with a critical mind.

THOROUGHNESS The whole is greater than the sum of all its parts. Review the book as a WHOLE.

COMPARE Where appropriate compare to similar texts and genres.

THUMBS UP OR DOWN? You are going to have to inevitably recommend or reject this book to potential readers.

BE CONSISTENT Take a stance and stick with it throughout your review.

FEATURES OF A BOOK REVIEW

PAST TENSE You are writing about a book you have already read.

EMOTIVE LANGUAGE Whatever your stance or opinion be passionate about it. Your audience will thank you for it.

VOICE Both active and passive voice are used in recounts.

A COMPLETE UNIT ON REVIEW AND ANALYSIS OF TEXTS

⭐ Make  MOVIES A MEANINGFUL PART OF YOUR CURRICULUM  with this engaging collection of tasks and tools your students will love. ⭐ All the hard work is done for you with  NO PREPARATION REQUIRED.

This collection of  21 INDEPENDENT TASKS  and  GRAPHIC ORGANIZERS  takes students beyond the hype, special effects and trailers to look at visual literacy from several perspectives offering DEEP LEARNING OPPORTUNITIES by watching a  SERIES, DOCUMENTARY, FILM, and even  VIDEO GAMES.

ELEMENTS OF A BOOK REVIEW

As with any of the writing genres we teach our students, a book review can be helpfully explained in terms of criteria. While there is much to the ‘art’ of writing, there is also, thankfully, a lot of the nuts and bolts that can be listed too. Have students consider the following elements before writing:

●     Title: Often, the title of the book review will correspond to the title of the text itself, but there may also be some examination of the title’s relevance. How does it fit into the purpose of the work as a whole? Does it convey a message or reveal larger themes explored within the work?

●     Author: Within the book review, there may be some discussion of who the author is and what they have written before, especially if it relates to the current work being reviewed. There may be some mention of the author’s style and what they are best known for. If the author has received any awards or prizes, this may also be mentioned within the body of the review.

●     Genre: A book review will identify the genre that the book belongs to, whether fiction or nonfiction, poetry, romance, science-fiction, history etc. The genre will likely tie in, too with who the intended audience for the book is and what the overall purpose of the work is.

●     Book Jacket / Cover: Often, a book’s cover will contain artwork that is worthy of comment. It may contain interesting details related to the text that contribute to, or detract from, the work as a whole.

●     Structure: The book’s structure will often be heavily informed by its genre. Have students examine how the book is organized before writing their review. Does it contain a preface from a guest editor, for example? Is it written in sections or chapters? Does it have a table of contents, index, glossary etc.? While all these details may not make it into the review itself, looking at how the book is structured may reveal some interesting aspects.

●     Publisher and Price: A book review will usually contain details of who publishes the book and its cost. A review will often provide details of where the book is available too.

BOOK REVIEW KEY ELEMENTS

As students read and engage with the work they will review, they will develop a sense of the shape their review will take. This will begin with the summary. Encourage students to take notes during the reading of the work that will help them in writing the summary that will form an essential part of their review. Aspects of the book they may wish to take notes on in a work of fiction may include:

●     Characters: Who are the main characters? What are their motivations? Are they convincingly drawn? Or are they empathetic characters?

●     Themes: What are the main themes of the work? Are there recurring motifs in the work? Is the exploration of the themes deep or surface only?

●     Style: What are the key aspects of the writer’s style? How does it fit into the wider literary world?

●     Plot: What is the story’s main catalyst? What happens in the rising action? What are the story’s subplots? 

A book review will generally begin with a short summary of the work itself. However, it is important not to give too much away, remind students – no spoilers, please! For nonfiction works, this may be a summary of the main arguments of the work, again, without giving too much detail away. In a work of fiction, a book review will often summarise up to the rising action of the piece without going beyond to reveal too much!

The summary should also provide some orientation for the reader. Given the nature of the purpose of a review, it is important that students’ consider their intended audience in the writing of their review. Readers will most likely not have read the book in question and will require some orientation. This is often achieved through introductions to the main characters, themes, primary arguments etc. This will help the reader to gauge whether or not the book is of interest to them.

Once your student has summarized the work, it is time to ‘review’ in earnest. At this point, the student should begin to detail their own opinion of the book. To do this well they should:

i. Make It Personal

Often when teaching essay writing we will talk to our students about the importance of climbing up and down the ladder of abstraction. Just as it is helpful to explore large, more abstract concepts in an essay by bringing it down to Earth, in a book review, it is important that students can relate the characters, themes, ideas etc to their own lives.

Book reviews are meant to be subjective. They are opinion pieces, and opinions grow out of our experiences of life. Encourage students to link the work they are writing about to their own personal life within the body of the review. By making this personal connection to the work, students contextualize their opinions for the readers and help them to understand whether the book will be of interest to them or not in the process.

ii. Make It Universal

Just as it is important to climb down the ladder of abstraction to show how the work relates to individual life, it is important to climb upwards on the ladder too. Students should endeavor to show how the ideas explored in the book relate to the wider world. The may be in the form of the universality of the underlying themes in a work of fiction or, for example, the international implications for arguments expressed in a work of nonfiction.

iii. Support Opinions with Evidence

A book review is a subjective piece of writing by its very nature. However, just because it is subjective does not mean that opinions do not need to be justified. Make sure students understand how to back up their opinions with various forms of evidence, for example, quotations, statistics, and the use of primary and secondary sources.

EDIT AND REVISE YOUR BOOK REVIEW

As with any writing genre, encourage students to polish things up with review and revision at the end. Encourage them to proofread and check for accurate spelling throughout, with particular attention to the author’s name, character names, publisher etc. 

It is good practice too for students to double-check their use of evidence. Are statements supported? Are the statistics used correctly? Are the quotations from the text accurate? Mistakes such as these uncorrected can do great damage to the value of a book review as they can undermine the reader’s confidence in the writer’s judgement.

The discipline of writing book reviews offers students opportunities to develop their writing skills and exercise their critical faculties. Book reviews can be valuable standalone activities or serve as a part of a series of activities engaging with a central text. They can also serve as an effective springboard into later discussion work based on the ideas and issues explored in a particular book. Though the book review does not hold the sway it once did in the mind’s of the reading public, it still serves as an effective teaching tool in our classrooms today.

Teaching Resources

Use our resources and tools to improve your student’s writing skills through proven teaching strategies.

BOOK REVIEW GRAPHIC ORGANIZER (TEMPLATE)

101 DIGITAL & PRINT GRAPHIC ORGANIZERS FOR ALL CURRICULUM AREAS

Introduce your students to 21st-century learning with this GROWING BUNDLE OF 101 EDITABLE & PRINTABLE GRAPHIC ORGANIZERS. ✌ NO PREP REQUIRED!!! ✌ Go paperless, and let your students express their knowledge and creativity through the power of technology and collaboration inside and outside the classroom with ease.

Whilst you don’t have to have a 1:1 or BYOD classroom to benefit from this bundle, it has been purpose-built to deliver through platforms such as ✔ GOOGLE CLASSROOM, ✔ OFFICE 365, ✔ or any CLOUD-BASED LEARNING PLATFORM.

Book and Movie review writing examples (Student Writing Samples)

Below are a collection of student writing samples of book reviews.  Click on the image to enlarge and explore them in greater detail.  Please take a moment to both read the movie or book review in detail but also the teacher and student guides which highlight some of the key elements of writing a text review

Please understand these student writing samples are not intended to be perfect examples for each age or grade level but a piece of writing for students and teachers to explore together to critically analyze to improve student writing skills and deepen their understanding of book review writing.

We would recommend reading the example either a year above and below, as well as the grade you are currently working with to gain a broader appreciation of this text type .

BOOK REVIEW VIDEO TUTORIALS

OTHER GREAT ARTICLES RELATED TO BOOK REVIEWS

Transactional Writing

How to write a text response

How to Write a Compare and Contrast Essay

How to Write Excellent Expository Essays

Organizing Your Social Sciences Research Assignments

• Annotated Bibliography
• Analyzing a Scholarly Journal Article
• Group Presentations
• Dealing with Nervousness
• Using Visual Aids
• Grading Someone Else's Paper
• Types of Structured Group Activities
• Group Project Survival Skills
• Leading a Class Discussion
• Multiple Book Review Essay
• Reviewing Collected Works
• Writing a Case Analysis Paper
• Writing a Case Study
• About Informed Consent
• Writing Field Notes
• Writing a Policy Memo
• Writing a Reflective Paper
• Writing a Research Proposal
• Generative AI and Writing
• Acknowledgments

A book review is a thorough description, critical analysis, and/or evaluation of the quality, meaning, and significance of a book, often written in relation to prior research on the topic. Reviews generally range from 500-2000 words, but may be longer or shorter depends on several factors: the length and complexity of the book being reviewed, the overall purpose of the review, and whether the review examines two or more books that focus on the same topic. Professors assign book reviews as practice in carefully analyzing complex scholarly texts and to assess your ability to effectively synthesize research so that you reach an informed perspective about the topic being covered.

There are two general approaches to reviewing a book:

• Descriptive review: Presents the content and structure of a book as objectively as possible, describing essential information about a book's purpose and authority. This is done by stating the perceived aims and purposes of the study, often incorporating passages quoted from the text that highlight key elements of the work. Additionally, there may be some indication of the reading level and anticipated audience.
• Critical review: Describes and evaluates the book in relation to accepted literary and historical standards and supports this evaluation with evidence from the text and, in most cases, in contrast to and in comparison with the research of others. It should include a statement about what the author has tried to do, evaluates how well you believe the author has succeeded in meeting the objectives of the study, and presents evidence to support this assessment. For most course assignments, your professor will want you to write this type of review.

Book Reviews. Writing Center. University of New Hampshire; Book Reviews: How to Write a Book Review. Writing and Style Guides. Libraries. Dalhousie University; Kindle, Peter A. "Teaching Students to Write Book Reviews." Contemporary Rural Social Work 7 (2015): 135-141; Erwin, R. W. “Reviewing Books for Scholarly Journals.” In Writing and Publishing for Academic Authors . Joseph M. Moxley and Todd Taylor. 2 nd edition. (Lanham, MD: Rowan and Littlefield, 1997), pp. 83-90.

How to Approach Writing Your Review

NOTE:   Since most course assignments require that you write a critical rather than descriptive book review, the following information about preparing to write and developing the structure and style of reviews focuses on this approach.

I.  Common Features

While book reviews vary in tone, subject, and style, they share some common features. These include:

• A review gives the reader a concise summary of the content . This includes a description of the research topic and scope of analysis as well as an overview of the book's overall perspective, argument, and purpose.
• A review offers a critical assessment of the content in relation to other studies on the same topic . This involves documenting your reactions to the work under review--what strikes you as noteworthy or important, whether or not the arguments made by the author(s) were effective or persuasive, and how the work enhanced your understanding of the research problem under investigation.
• In addition to analyzing a book's strengths and weaknesses, a scholarly review often recommends whether or not readers would value the work for its authenticity and overall quality . This measure of quality includes both the author's ideas and arguments and covers practical issues, such as, readability and language, organization and layout, indexing, and, if needed, the use of non-textual elements .

To maintain your focus, always keep in mind that most assignments ask you to discuss a book's treatment of its topic, not the topic itself . Your key sentences should say, "This book shows...,” "The study demonstrates...," or “The author argues...," rather than "This happened...” or “This is the case....”

II.  Developing a Critical Assessment Strategy

There is no definitive methodological approach to writing a book review in the social sciences, although it is necessary that you think critically about the research problem under investigation before you begin to write. Therefore, writing a book review is a three-step process: 1) carefully taking notes as you read the text; 2) developing an argument about the value of the work under consideration; and, 3) clearly articulating that argument as you write an organized and well-supported assessment of the work.

A useful strategy in preparing to write a review is to list a set of questions that should be answered as you read the book [remember to note the page numbers so you can refer back to the text!]. The specific questions to ask yourself will depend upon the type of book you are reviewing. For example, a book that is presenting original research about a topic may require a different set of questions to ask yourself than a work where the author is offering a personal critique of an existing policy or issue.

Here are some sample questions that can help you think critically about the book:

• Thesis or Argument . What is the central thesis—or main argument—of the book? If the author wanted you to get one main idea from the book, what would it be? How does it compare or contrast to the world that you know or have experienced? What has the book accomplished? Is the argument clearly stated and does the research support this?
• Topic . What exactly is the subject or topic of the book? Is it clearly articulated? Does the author cover the subject adequately? Does the author cover all aspects of the subject in a balanced fashion? Can you detect any biases? What type of approach has the author adopted to explore the research problem [e.g., topical, analytical, chronological, descriptive]?
• Evidence . How does the author support their argument? What evidence does the author use to prove their point? Is the evidence based on an appropriate application of the method chosen to gather information? Do you find that evidence convincing? Why or why not? Does any of the author's information [or conclusions] conflict with other books you've read, courses you've taken, or just previous assumptions you had about the research problem?
• Structure . How does the author structure their argument? Does it follow a logical order of analysis? What are the parts that make up the whole? Does the argument make sense to you? Does it persuade you? Why or why not?
• Take-aways . How has this book helped you understand the research problem? Would you recommend the book to others? Why or why not?

Beyond the content of the book, you may also consider some information about the author and the general presentation of information. Question to ask may include:

• The Author: Who is the author? The nationality, political persuasion, education, intellectual interests, personal history, and historical context may provide crucial details about how a work takes shape. Does it matter, for example, that the author is affiliated with a particular organization? What difference would it make if the author participated in the events they wrote about? What other topics has the author written about? Does this work build on prior research or does it represent a new or unique area of research?
• The Presentation: What is the book's genre? Out of what discipline does it emerge? Does it conform to or depart from the conventions of its genre? These questions can provide a historical or other contextual standard upon which to base your evaluations. If you are reviewing the first book ever written on the subject, it will be important for your readers to know this. Keep in mind, though, that declarative statements about being the “first,” the "best," or the "only" book of its kind can be a risky unless you're absolutely certain because your professor [presumably] has a much better understanding of the overall research literature.

NOTE: Most critical book reviews examine a topic in relation to prior research. A good strategy for identifying this prior research is to examine sources the author(s) cited in the chapters introducing the research problem and, of course, any review of the literature. However, you should not assume that the author's references to prior research is authoritative or complete. If any works related to the topic have been excluded, your assessment of the book should note this . Be sure to consult with a librarian to ensure that any additional studies are located beyond what has been cited by the author(s).

Book Reviews. Writing@CSU. Colorado State University; Book Reviews. The Writing Center. University of North Carolina; Hartley, James. "Reading and Writing Book Reviews Across the Disciplines." Journal of the American Society for Information Science and Technology 57 (July 2006): 1194–1207;   Motta-Roth, D. “Discourse Analysis and Academic Book Reviews: A Study of Text and Disciplinary Cultures.”  In Genre Studies in English for Academic Purposes . Fortanet Gómez, Inmaculada  et  al., editors. (Castellò de la Plana: Publicacions de la Universitat Jaume I, 1998), pp. 29-45. Writing a Book Review. The Writing Lab and The OWL. Purdue University; Writing Book Reviews. Writing Tutorial Services, Center for Innovative Teaching and Learning. Indiana University; Suárez, Lorena and Ana I. Moreno. “The Rhetorical Structure of Academic Journal Book Reviews: A Cross-linguistic and Cross-disciplinary Approach .” In Asociación Europea de Lenguas para Fines Específicos, María del Carmen Pérez Llantada Auría, Ramón Plo Alastrué, and Claus Peter Neumann. Actas del V Congreso Internacional AELFE/Proceedings of the 5th International AELFE Conference . Zaragoza: Universidad de Zaragoza, 2006.

Structure and Writing Style

I.  Bibliographic Information

Bibliographic information refers to the essential elements of a work if you were to cite it in a paper [i.e., author, title, date of publication, etc.]. Provide the essential information about the book using the writing style [e.g., APA, MLA, Chicago] preferred by your professor or used by the discipline of your major . Depending on how your professor wants you to organize your review, the bibliographic information represents the heading of your review. In general, it would look like this:

[Complete title of book. Author or authors. Place of publication. Publisher. Date of publication. Number of pages before first chapter, often in Roman numerals. Total number of pages]. The Whites of Their Eyes: The Tea Party's Revolution and the Battle over American History . By Jill Lepore. (Princeton, NJ: Princeton University Press, 2010. xii, 207 pp.)

Reviewed by [your full name].

II.  Scope/Purpose/Content

Begin your review by telling the reader not only the overarching concern of the book in its entirety [the subject area] but also what the author's particular point of view is on that subject [the thesis statement]. If you cannot find an adequate statement in the author's own words or if you find that the thesis statement is not well-developed, then you will have to compose your own introductory thesis statement that does cover all the material. This statement should be no more than one paragraph and must be succinctly stated, accurate, and unbiased.

If you find it difficult to discern the overall aims and objectives of the book [and, be sure to point this out in your review if you determine that this is a deficiency], you may arrive at an understanding of the book's overall purpose by assessing the following:

• Scan the table of contents because it can help you understand how the book was organized and will aid in determining the author's main ideas and how they were developed [e.g., chronologically, topically, historically, etc.].
• Why did the author write on this subject rather than on some other subject?
• From what point of view is the work written?
• Was the author trying to give information, to explain something technical, or to convince the reader of a belief’s validity by dramatizing it in action?
• What is the general field or genre, and how does the book fit into it? If necessary, review related literature from other books and journal articles to familiarize yourself with the field.
• Who is the intended audience?
• What is the author's style? Is it formal or informal? You can evaluate the quality of the writing style by noting some of the following standards: coherence, clarity, originality, forcefulness, accurate use of technical words, conciseness, fullness of development, and fluidity [i.e., quality of the narrative flow].
• How did the book affect you? Were there any prior assumptions you had about the subject that were changed, abandoned, or reinforced after reading the book? How is the book related to your own personal beliefs or assumptions? What personal experiences have you had related to the subject that affirm or challenge underlying assumptions?
• How well has the book achieved the goal(s) set forth in the preface, introduction, and/or foreword?
• Would you recommend this book to others? Why or why not?

III.  Note the Method

Support your remarks with specific references to text and quotations that help to illustrate the literary method used to state the research problem, describe the research design, and analyze the findings. In general, authors tend to use the following literary methods, exclusively or in combination.

• Description : The author depicts scenes and events by giving specific details that appeal to the five senses, or to the reader’s imagination. The description presents background and setting. Its primary purpose is to help the reader realize, through as many details as possible, the way persons, places, and things are situated within the phenomenon being described.
• Narration : The author tells the story of a series of events, usually thematically or in chronological order. In general, the emphasis in scholarly books is on narration of the events. Narration tells what has happened and, in some cases, using this method to forecast what could happen in the future. Its primary purpose is to draw the reader into a story and create a contextual framework for understanding the research problem.
• Exposition : The author uses explanation and analysis to present a subject or to clarify an idea. Exposition presents the facts about a subject or an issue clearly and as impartially as possible. Its primary purpose is to describe and explain, to document for the historical record an event or phenomenon.
• Argument : The author uses techniques of persuasion to establish understanding of a particular truth, often in the form of addressing a research question, or to convince the reader of its falsity. The overall aim is to persuade the reader to believe something and perhaps to act on that belief. Argument takes sides on an issue and aims to convince the reader that the author's position is valid, logical, and/or reasonable.

IV.  Critically Evaluate the Contents

Critical comments should form the bulk of your book review . State whether or not you feel the author's treatment of the subject matter is appropriate for the intended audience. Ask yourself:

• Has the purpose of the book been achieved?
• What contributions does the book make to the field?
• Is the treatment of the subject matter objective or at least balanced in describing all sides of a debate?
• Are there facts and evidence that have been omitted?
• What kinds of data, if any, are used to support the author's thesis statement?
• Can the same data be interpreted to explain alternate outcomes?
• Is the writing style clear and effective?
• Does the book raise important or provocative issues or topics for discussion?
• Does the book bring attention to the need for further research?
• What has been left out?

Support your evaluation with evidence from the text and, when possible, state the book's quality in relation to other scholarly sources. If relevant, note of the book's format, such as, layout, binding, typography, etc. Are there tables, charts, maps, illustrations, text boxes, photographs, or other non-textual elements? Do they aid in understanding the text? Describing this is particularly important in books that contain a lot of non-textual elements.

NOTE:   It is important to carefully distinguish your views from those of the author so as not to confuse your reader. Be clear when you are describing an author's point of view versus expressing your own.

V.  Examine the Front Matter and Back Matter

Front matter refers to any content before the first chapter of the book. Back matter refers to any information included after the final chapter of the book . Front matter is most often numbered separately from the rest of the text in lower case Roman numerals [i.e. i - xi ]. Critical commentary about front or back matter is generally only necessary if you believe there is something that diminishes the overall quality of the work [e.g., the indexing is poor] or there is something that is particularly helpful in understanding the book's contents [e.g., foreword places the book in an important context].

Front matter that may be considered for evaluation when reviewing its overall quality:

• Table of contents -- is it clear? Is it detailed or general? Does it reflect the true contents of the book? Does it help in understanding a logical sequence of content?
• Author biography -- also found as back matter, the biography of author(s) can be useful in determining the authority of the writer and whether the book builds on prior research or represents new research. In scholarly reviews, noting the author's affiliation and prior publications can be a factor in helping the reader determine the overall validity of the work [i.e., are they associated with a research center devoted to studying the problem under investigation].
• Foreword -- the purpose of a foreword is to introduce the reader to the author and the content of the book, and to help establish credibility for both. A foreword may not contribute any additional information about the book's subject matter, but rather, serves as a means of validating the book's existence. In these cases, the foreword is often written by a leading scholar or expert who endorses the book's contributions to advancing research about the topic. Later editions of a book sometimes have a new foreword prepended [appearing before an older foreword, if there was one], which may be included to explain how the latest edition differs from previous editions. These are most often written by the author.
• Acknowledgements -- scholarly studies in the social sciences often take many years to write, so authors frequently acknowledge the help and support of others in getting their research published. This can be as innocuous as acknowledging the author's family or the publisher. However, an author may acknowledge prominent scholars or subject experts, staff at key research centers, people who curate important archival collections, or organizations that funded the research. In these particular cases, it may be worth noting these sources of support in your review, particularly if the funding organization is biased or its mission is to promote a particular agenda.
• Preface -- generally describes the genesis, purpose, limitations, and scope of the book and may include acknowledgments of indebtedness to people who have helped the author complete the study. Is the preface helpful in understanding the study? Does it provide an effective framework for understanding what's to follow?
• Chronology -- also may be found as back matter, a chronology is generally included to highlight key events related to the subject of the book. Do the entries contribute to the overall work? Is it detailed or very general?
• List of non-textual elements -- a book that contains numerous charts, photographs, maps, tables, etc. will often list these items after the table of contents in the order that they appear in the text. Is this useful?

Back matter that may be considered for evaluation when reviewing its overall quality:

• Afterword -- this is a short, reflective piece written by the author that takes the form of a concluding section, final commentary, or closing statement. It is worth mentioning in a review if it contributes information about the purpose of the book, gives a call to action, summarizes key recommendations or next steps, or asks the reader to consider key points made in the book.
• Appendix -- is the supplementary material in the appendix or appendices well organized? Do they relate to the contents or appear superfluous? Does it contain any essential information that would have been more appropriately integrated into the text?
• Index -- are there separate indexes for names and subjects or one integrated index. Is the indexing thorough and accurate? Are elements used, such as, bold or italic fonts to help identify specific places in the book? Does the index include "see also" references to direct you to related topics?
• Glossary of Terms -- are the definitions clearly written? Is the glossary comprehensive or are there key terms missing? Are any terms or concepts mentioned in the text not included that should have been?
• Endnotes -- examine any endnotes as you read from chapter to chapter. Do they provide important additional information? Do they clarify or extend points made in the body of the text? Should any notes have been better integrated into the text rather than separated? Do the same if the author uses footnotes.
• Bibliography/References/Further Readings -- review any bibliography, list of references to sources, and/or further readings the author may have included. What kinds of sources appear [e.g., primary or secondary, recent or old, scholarly or popular, etc.]? How does the author make use of them? Be sure to note important omissions of sources that you believe should have been utilized, including important digital resources or archival collections.

VI.  Summarize and Comment

State your general conclusions briefly and succinctly. Pay particular attention to the author's concluding chapter and/or afterword. Is the summary convincing? List the principal topics, and briefly summarize the author’s ideas about these topics, main points, and conclusions. If appropriate and to help clarify your overall evaluation, use specific references to text and quotations to support your statements. If your thesis has been well argued, the conclusion should follow naturally. It can include a final assessment or simply restate your thesis. Do not introduce new information in the conclusion. If you've compared the book to any other works or used other sources in writing the review, be sure to cite them at the end of your book review in the same writing style as your bibliographic heading of the book.

Book Reviews. Writing@CSU. Colorado State University; Book Reviews. The Writing Center. University of North Carolina; Gastel, Barbara. "Special Books Section: A Strategy for Reviewing Books for Journals." BioScience 41 (October 1991): 635-637; Hartley, James. "Reading and Writing Book Reviews Across the Disciplines." Journal of the American Society for Information Science and Technology 57 (July 2006): 1194–1207; Lee, Alexander D., Bart N. Green, Claire D. Johnson, and Julie Nyquist. "How to Write a Scholarly Book Review for Publication in a Peer-reviewed Journal: A Review of the Literature." Journal of Chiropractic Education 24 (2010): 57-69; Nicolaisen, Jeppe. "The Scholarliness of Published Peer Reviews: A Bibliometric Study of Book Reviews in Selected Social Science Fields." Research Evaluation 11 (2002): 129-140;.Procter, Margaret. The Book Review or Article Critique. The Lab Report. University College Writing Centre. University of Toronto; Reading a Book to Review It. The Writer’s Handbook. Writing Center. University of Wisconsin, Madison; Scarnecchia, David L. "Writing Book Reviews for the Journal Of Range Management and Rangelands." Rangeland Ecology and Management 57 (2004): 418-421; Simon, Linda. "The Pleasures of Book Reviewing." Journal of Scholarly Publishing 27 (1996): 240-241; Writing a Book Review. The Writing Lab and The OWL. Purdue University; Writing Book Reviews. Writing Tutorial Services, Center for Innovative Teaching and Learning. Indiana University.

Writing Tip

Always Read the Foreword and/or the Preface

If they are included in the front matter, a good place for understanding a book's overall purpose, organization, contributions to further understanding of the research problem, and relationship to other studies is to read the preface and the foreword. The foreword may be written by someone other than the author or editor and can be a person who is famous or who has name recognition within the discipline. A foreword is often included to add credibility to the work.

The preface is usually an introductory essay written by the author or editor. It is intended to describe the book's overall purpose, arrangement, scope, and overall contributions to the literature. When reviewing the book, it can be useful to critically evaluate whether the goals set forth in the foreword and/or preface were actually achieved. At the very least, they can establish a foundation for understanding a study's scope and purpose as well as its significance in contributing new knowledge.

Distinguishing between a Foreword, a Preface, and an Introduction . Book Creation Learning Center. Greenleaf Book Group, 2019.

Locating Book Reviews

There are several databases the USC Libraries subscribes to that include the full-text or citations to book reviews. Short, descriptive reviews can also be found at book-related online sites such as Amazon , although it's not always obvious who has written them and may actually be created by the publisher. The following databases provide comprehensive access to scholarly, full-text book reviews:

• ProQuest [1983-present]
• Book Review Digest Retrospective [1905-1982]

Some Language for Evaluating Texts

It can be challenging to find the proper vocabulary from which to discuss and evaluate a book. Here is a list of some active verbs for referring to texts and ideas that you might find useful:

• account for
• demonstrate
• distinguish
• investigate

Examples of usage

• "The evidence indicates that..."
• "This work assesses the effect of..."
• "The author identifies three key reasons for..."
• "This book questions the view that..."
• "This work challenges assumptions about...."

Paquot, Magali. Academic Keyword List. Centre for English Corpus Linguistics. Université Catholique de Louvain.

• << Previous: Leading a Class Discussion
• Next: Multiple Book Review Essay >>
• Last Updated: Jun 3, 2024 9:44 AM
• URL: https://libguides.usc.edu/writingguide/assignments

• PRO Courses Guides New Tech Help Pro Expert Videos About wikiHow Pro Upgrade Sign In
• EDIT Edit this Article
• EXPLORE Tech Help Pro About Us Random Article Quizzes Request a New Article Community Dashboard This Or That Game Happiness Hub Popular Categories Arts and Entertainment Artwork Books Movies Computers and Electronics Computers Phone Skills Technology Hacks Health Men's Health Mental Health Women's Health Relationships Dating Love Relationship Issues Hobbies and Crafts Crafts Drawing Games Education & Communication Communication Skills Personal Development Studying Personal Care and Style Fashion Hair Care Personal Hygiene Youth Personal Care School Stuff Dating All Categories Arts and Entertainment Finance and Business Home and Garden Relationship Quizzes Cars & Other Vehicles Food and Entertaining Personal Care and Style Sports and Fitness Computers and Electronics Health Pets and Animals Travel Education & Communication Hobbies and Crafts Philosophy and Religion Work World Family Life Holidays and Traditions Relationships Youth
• Browse Articles
• Learn Something New
• Quizzes Hot
• Happiness Hub
• This Or That Game
• Train Your Brain
• Explore More
• Support wikiHow
• About wikiHow
• Log in / Sign up
• Education and Communications
• Critical Reviews

How to Write a Book Review

Last Updated: August 21, 2024 Approved

This article was co-authored by Christopher Taylor, PhD . Christopher Taylor is an Adjunct Assistant Professor of English at Austin Community College in Texas. He received his PhD in English Literature and Medieval Studies from the University of Texas at Austin in 2014. There are 10 references cited in this article, which can be found at the bottom of the page. wikiHow marks an article as reader-approved once it receives enough positive feedback. This article received 66 testimonials and 91% of readers who voted found it helpful, earning it our reader-approved status. This article has been viewed 1,209,158 times.

Writing a book review is not just about summarizing; it's also an opportunity for you to present a critical discussion of the book so others get an idea of what to expect. Whether you’re writing a review as an assignment or as a publication opportunity, you should combine an accurate, analytical reading with a strong, personal touch. An effective book review describes what is on the page, analyzes how the book tried to achieve its purpose, and expresses any reactions and arguments from a unique perspective.

Review Template

Preparing to Write Your Review

• Write down notes in a notebook or use a voice recorder to document any thoughts or impressions you have of the book as you are reading. They don't have to be organized or perfect, the idea is to brainstorm any impressions you may have of the book.
• We'll cover how to write and polish a draft in later sections.
• Try summarizing the major sections of the book you’re reviewing to help understand how it’s structured.

• For example, if you are reviewing a non-fiction book about the development of the polio vaccine in the 1950s, consider reading other books that also examine the same scientific issue and/or period of scientific development. Or if you are reviewing a work of fiction like Nathaniel Hawthorne's The Scarlet Letter, consider how Hawthorne's book relates to other 19th-century works of romanticism and historical fiction set in the same time period (the 17th century) as points of comparison.

• Pay attention to the preface, any quotes, and /or references in the book's introduction, as this content will likely shed light on the book's major themes and viewpoint.
• A simple way to determine one of the major themes of a book is to sum up the book in one word or sentence. So, for example, the major theme of The Scarlet Letter could be "sin". Once you have your one-word summary, stretch the single word into a message or lesson, such as "sin can lead to knowledge, but it can also lead to suffering."

• For example, in The Scarlet Letter, Hawthorne attempts to combine the writing style of the Romantic Period (1800-1855) with the common, everyday language of the American Puritans of the 1600s. Hawthorne does this with long, descriptive sentences that are strung together with commas and semicolons.

• In the Scarlet Letter, for example, Hawthorne begins the book with an introduction to the text, narrated by an individual who has many autobiographical details in common with the author. In the introduction, the nameless narrator tells the story of finding the manuscript bundled in a scarlet letter "A". Hawthorne uses this narrative framing to create a story within a story, an important detail when discussing the book as a whole.

• If we were to use the Scarlett Letter again, it would be significant to note that Hawthorne chose the adulterer and sinner Hester Prynne as his protagonist, and placed the religious, anti-sin Reverend Wilson in the role of antagonist. In writing a review of The Scarlet Letter, it would be useful to consider why Hawthorne did this, and how it relates back to the book's overall theme of sin.

Creating a First Draft of the Review

• Remember, this is just a first draft. You'll revise and polish it up later.

• Ensure your introduction contains relevant details like the author's background, and if applicable, their previous work in the genre. [2] X Trustworthy Source University of North Carolina Writing Center UNC's on-campus and online instructional service that provides assistance to students, faculty, and others during the writing process Go to source You can also indicate the main themes you will be discussing in your review to situate the reader and give them an indication of your "take" on the book.
• Several possible openings include: a historical moment, an anecdote, a surprising or intriguing statement, and declarative statements. Regardless of your opening sentences, make sure they directly relate to your critical response to the book and keep them short and to the point.
• If you're unsure on how to begin the review, try writing your introduction last. It may be easier to organize all of your supporting points and your critical position, and then write the introduction last—that way you can be sure that the introduction will match the body of the review. [3] X Trustworthy Source University of North Carolina Writing Center UNC's on-campus and online instructional service that provides assistance to students, faculty, and others during the writing process Go to source

• Keep the summary short, to the point, and informative. Use quotes or paraphrasing from the book to support your summary. [4] X Research source Make sure you properly cite all quotes and paraphrasing in your review to avoid plagiarism. [5] X Research source
• Be wary of summaries that begin with phrases like “[This essay] is about…” “[This book] is the story of…” “[This author] writes about…”. [6] X Trustworthy Source University of North Carolina Writing Center UNC's on-campus and online instructional service that provides assistance to students, faculty, and others during the writing process Go to source Focus on weaving a description of the book's setting, narrative voice, and plot within a critical analysis. Avoid simply regurgitating the book's premise.
• Don't give away important details or reveal the ending of the book in your summary, and don't go into detail about what happens from the middle of the book onwards. [7] X Research source As well, if the book is part of a series, you can mention this to potential readers and situate the book within the series. [8] X Research source

• Use the answers you brainstormed during your preparation for the review to formulate your critique. Address how well the book has achieved its goal, how the book compares to other books on the subject, specific points that were not convincing or lacked development, and what personal experiences, if any, you've had related to the subject of the book.
• Always use (properly cited) supporting quotes and passages from the book to back up your critical discussion. This not only reinforces your viewpoint with a trustworthy source, it also gives the reader a sense of the writing style and narrative voice of the book. [9] X Research source
• The general rule of thumb is that the first one-half to two-thirds of the review should summarize the author’s main ideas, and at least one-third should evaluate the book.

• Examine the strengths and weaknesses of the book, and discuss whether you would recommend the book to others. If so, who do you think is the ideal audience for the book? [10] X Research source Do not introduce new material in your conclusion or discuss a new idea or impression that was not examined in your introduction and body paragraphs. [11] X Research source
• You can also give the book a numerical score, a thumbs up or thumbs down, or a starred rating. [12] X Research source

Polishing the Review

• Always use spell check and adjust any grammar or spelling. Nothing undermines a quality review more than bad spelling and grammar.
• Double check that all quotes and references are properly cited in your review.

Community Q&A

• As you're writing, try thinking of your reader as a friend to whom you're telling a story. How would you relay the book's themes and main points to a friend in a casual conversation? This will help you balance formal and informal language and simplify your critical assessment. [13] X Research source Thanks Helpful 0 Not Helpful 0
• Review the book in front of you, not the book you wish the author had written. Being critical means pointing out shortcomings or failures, but avoid focusing your criticism of the book on what the book is not. Be fair in your discussion and always consider the value of the book for its audience. [14] X Trustworthy Source University of North Carolina Writing Center UNC's on-campus and online instructional service that provides assistance to students, faculty, and others during the writing process Go to source Thanks Helpful 0 Not Helpful 0
• Make sure, after you've finished your review, to reread it and check any grammar or spelling mistakes so that it makes sense. Try reading your review from numerous perspectives, or asking a friend to proofread it for you. Thanks Helpful 5 Not Helpful 1

Make sure to read the book thoroughly. If you don't, it will be bad.

You Might Also Like

• ↑ http://www.thedramateacher.com/genre-or-style-a-dramatic-problem/
• ↑ http://writingcenter.unc.edu/handouts/book-reviews/
• ↑ http://writingcenter.unc.edu/handouts/introductions/
• ↑ https://www.wikihow.com/Write-a-Book-Summary
• ↑ https://writing.wisc.edu/Handbook/QPA_quoting.html
• ↑ http://writingcenter.unc.edu/handouts/summary-using-it-wisely/
• ↑ http://www.booktrust.org.uk/books/teenagers/writing-tips/tips-for-writing-book-reviews/
• ↑ http://teacher.scholastic.com/writewit/bookrev/tips.htm
• ↑ http://www.infoplease.com/homework/wsbookreporths.html
• ↑ http://guides.library.queensu.ca/bookreviews/writing

About This Article

To write a book review, start with a heading that includes the book's title, author, place of publication, publisher, date of publication, and number of pages. Then, open your review with an introduction that includes the author's background as well as the main points you'll be making. Next, split up the body of your review so the first half of the review is a summary of the author's main ideas and the rest is your critique of the book. Finally, close your review with a concluding paragraph that briefly summarizes your analysis. To learn how to read a book critically so it's easier to write a review, keep reading! Did this summary help you? Yes No

• Send fan mail to authors

Reader Success Stories

Ayman Al Fateh

May 31, 2017

Did this article help you?

Bello Mohammed Magaji

Sep 7, 2018

Lauren DeYoung

Jun 20, 2017

Sudip Banerji

Jun 30, 2017

Joseph Muutuki

May 26, 2017

Featured Articles

Trending Articles

Watch Articles

• Terms of Use
• Privacy Policy
• Do Not Sell or Share My Info
• Not Selling Info

Don’t miss out! Sign up for

wikiHow’s newsletter

• ADMIN AREA MY BOOKSHELF MY DASHBOARD MY PROFILE SIGN OUT SIGN IN

• Awards NBA Longlist for Poetry Announced

• Seen & Heard Caro’s ‘Power Broker’ To Become E-Book

• Seen & Heard ‘Top Chef’ Host Has Memoir Coming in April

• Seen & Heard 'Colored Television' Picked For 'GMA' Book Club

Our Take On This Week's Bestsellers

Our Verdict

• Fiction Oprah Chooses Strout Novel For Book Club

• Teen Young People’s Literature Longlist Revealed

• Children's A Middle-Grade Graphic Novelist Goes to the Dogs

FEATURED REVIEW

• 20 Books To Read This Election Season
• 21 Books for Serious Foodies
• 40 Indies Worth Discovering
• 25 Books for Young Voters-in-Training
• The 2024 Kirkus Prize Finalists

Featured Book Reviews

New Releases

• REMEMBER, YOU ARE A WILEY Maya Wiley

• ABOVE THE NOISE DeMar DeRozan, Dave Zarum

• FIRST IN THE FAMILY Jessica Hoppe

• DEN OF INIQUITY J.A. Jance

• FATAL GAMBIT David Lagercrantz, Ian Giles

• DEATH AT THE SANATORIUM Ragnar Jónasson, Victoria Cribb

• INKFLOWER Suzy Zail

• DESERT ECHOES Abdi Nazemian

• I FELT MYSELF SLIPPING Ray Nadine, Ray Nadine

• VILEST THINGS Chloe Gong

• SKY FULL OF ELEPHANTS Cebo Campbell

• WILLIAM Mason Coile

• ROLAND ROGERS ISN'T DEAD YET Samantha Allen

• BIG FAN Alexandra Romanoff

• WHENEVER YOU'RE READY Rachel Runya Katz

• MR. FOX'S GAME OF "NO!" David LaRochelle, Mike Wohnoutka

• THE LONG WAY AROUND Anne Nesbet

• MYSTERIES OF TRASH AND TREASURE Margaret Peterson Haddix

• ROBERT B. PARKER'S BUZZ KILL Alison Gaylin

• THE LETTERS OF SEAMUS HEANEY Seamus Heaney, Christopher Reid

• NOW YOU OWE ME Aliah Wright

• THE EXAMINER Janice Hallett

• A QUIET COMPANY OF DANGEROUS MEN Shannon Monaghan

• HIROSHIMA M.G. Sheftall

• TO OVERTHROW THE WORLD Sean McMeekin

• THE EXTINCTION OF EXPERIENCE Christine Rosen

• THE ISLAMIC MOSES Mustafa Akyol

• CAPITAL & IDEOLOGY Thomas Piketty, Claire Alet, Benjamin Adam

• BABE IN THE WOODS Julie Heffernan

• EAT YOUR HEART OUT VOL. 1 Terry Blas, Matty Newton, Lydia Anslow, Claudia Aguirre

Didn’t find what you were looking for? OK, how about some

• Caro’s ‘Power Broker’ To Become E-Book
• Jayson Tatum Discusses New Book For Kids
• Christopher Steele’s New Book Due in October

• Ron Stallworth vs. the Salt Lake City Underworld
• A Middle-Grade Graphic Novelist Goes to the Dogs
• Segal Wants to Be Like His Unorthodox Detective

• Life Membership in the Mystery Fiction Club
• 3 Riveting Suspense Novels for Audiobook Listeners
• These New Mysteries Give Readers All the Answers

• ‘Three Women’: Starz Adaptation Loses Focus
• YA ‘Phantom’ Film in the Works at Disney+
• Elin Hilderbrand Talks ‘Perfect Couple’ Adaptation

• V (Formerly Eve Ensler) | Fully Booked Podcast
• Deepti Kapoor | Fully Booked Podcast
• Leigh Bardugo | Fully Booked Podcast

• Episode 389: Devika Rege
• Episode 388: Best September Books With Danzy Senna
• Episode 387: Gayle Forman

The Magazine: Kirkus Reviews

Featuring 341 industry-first reviews of fiction, nonfiction, children’s, and YA books; also in this special mysteries & thrillers issue: Attica Locke, Ron Stallworth, Sara Varon, Maureen Johnson; and much more

The Kirkus Star

One of the most coveted designations in the book industry, the Kirkus Star marks books of exceptional merit.

The Kirkus Prize

The Kirkus Prize is among the richest literary awards in America, awarding $50,000 in three categories annually.

Great Books & News Curated For You

Be the first to read books news and see reviews, news and features in Kirkus Reviews . Get awesome content delivered to your inbox every week.

• Discover Books Fiction Thriller & Suspense Mystery & Detective Romance Science Fiction & Fantasy Nonfiction Biography & Memoir Teens & Young Adult Children's
• News & Features Bestsellers Book Lists Profiles Perspectives Awards Seen & Heard Book to Screen Kirkus TV videos In the News
• Kirkus Prize Winners & Finalists About the Kirkus Prize Kirkus Prize Judges
• Magazine Current Issue All Issues Manage My Subscription Subscribe
• Writers’ Center Hire a Professional Book Editor Get Your Book Reviewed Advertise Your Book Launch a Pro Connect Author Page Learn About The Book Industry
• More Kirkus Diversity Collections Kirkus Pro Connect My Account/Login
• About Kirkus History Our Team Contest FAQ Press Center Info For Publishers
• Privacy Policy
• Terms & Conditions
• Reprints, Permission & Excerpting Policy

© Copyright 2024 Kirkus Media LLC. All Rights Reserved.

Popular in this Genre

Hey there, book lover.

We’re glad you found a book that interests you!

Please select an existing bookshelf

Create a new bookshelf.

We can’t wait for you to join Kirkus!

Please sign up to continue.

It’s free and takes less than 10 seconds!

Already have an account? Log in.

Trouble signing in? Retrieve credentials.

Almost there!

• Industry Professional

Welcome Back!

Sign in using your Kirkus account

Contact us: 1-800-316-9361 or email [email protected].

Don’t fret. We’ll find you.

Magazine Subscribers ( How to Find Your Reader Number )

If You’ve Purchased Author Services

Don’t have an account yet? Sign Up.

How to Write a Book Review Tips

Book reviews are like guiding lights in the world of literature, helping readers navigate through countless stories. But writing a good review isn't just about summarizing a book – it's about making your thoughts resonate with the audience. 

Whether you're a writer, a critic, or someone who loves books, knowing how to prepare a book review can enrich your reading experience and contribute to the literary community. 

In this article, experts of our book review writing service break down the key elements and tips for compelling book reviews that spark conversation and excitement.

What Is a Book Review

A book review is a critical evaluation of a book, where the reviewer discusses its content, themes, and overall impact. It typically includes a summary of the book's main points, the reviewer's analysis and opinions, and a recommendation for potential readers. The goal is to inform others about the book's strengths and weaknesses, helping them decide if it’s worth reading.

Later in the article, you’ll find a quality book review example for your inspiration and motivation. If you’re in a hurry, try our cheap essay writing service that covers all types of academic papers.

Get Your BOOK REVIEW WRITTEN!

Simply send us your paper requirements, choose a writer and we’ll get it done.

How to Write a Book Review: Step-By-Step

Writing a book review might seem complex, but in reality, the process can be divided into only three steps:

Summarize the Book's Content

Book reviews summarize the source's content by providing a brief and clear overview of the main plot, key characters, and central themes without giving away any spoilers. This helps readers understand the essence of the book and sets the stage for your analysis and evaluation.

Actionable Tips:

• Read the Book Thoroughly: Ensure you grasp the full story, including subplots and character development.
• Highlight Key Points: Note down significant events, character arcs, and main themes as you read.
• Be Concise: Keep your summary short and to the point, focusing on the most important aspects.
• Avoid Spoilers: Do not reveal major plot twists or the book’s ending.
• Use Your Own Words: Write the summary in your own language to maintain originality and avoid plagiarism.
• Provide Context: Include the book’s genre, setting, and relevant background information to help readers understand the summary.
• Focus on Clarity: Ensure your summary is easy to read and understand, avoiding complex language or unnecessary details.

Feeling tired already? Maybe you should use our book report writing services and give yourself a break until tomorrow.

Analyze and Evaluate

You’re always halfway through writing a book review! Next, you have to critically examine its elements, such as the writing style, character development, plot structure, and thematic depth. This step is where you share your personal insights and opinions, providing evidence from the text to support your views.

Conclude with a Recommendation

We’re almost reached the finishing line of the how to write a book review race. Conclude your review of a book with either a summary, recommendation, or addressing readers directly. This step provides a clear and concise verdict based on your analysis, helping potential readers decide if the book is right for them.

Dive into literary analysis with EssayPro . Our experts can help you craft insightful book reviews that delve deep into the themes, characters, and narratives of your chosen books. Enhance your understanding and appreciation of literature with us.

Book Review Structure

A book review outline usually follows a structured format with an introduction, main body, and conclusion.

Introduction

This section introduces the book, mentioning its title, author, genre, and publication details. It gives a brief overview of the book's premise and main themes to provide context for the reader.

The main body offers a detailed analysis and critique of the book. It's divided into paragraphs focusing on specific aspects such as plot, characters, and writing style. Each paragraph provides evidence from the book to support the reviewer's analysis.

Are you ready to use our service yet? All you have to do is drop us a line with a message that says, ‘ write paper for me .’ Our experts will do the rest!

The conclusion summarizes the reviewer's overall thoughts and impressions of the book, restating key points and the main argument. It often includes a recommendation for potential readers and may provide final reflections or insights about the book's significance.

Book Review Template

Here's a basic structure you can follow every time you’re tasked with such an assignment:

Extra Tips for Writing Better Book Reviews

Here are 11 extra tips for writing better book reviews:

• Look for essay topics that are interesting personally for you.
• Consider your audience and what they might want to know about the book.
• Be mindful not to give away major plot twists or endings that could ruin the reading experience for others.
• Use quotes or examples from the book to support your analysis and critique.
• Express your opinions openly, but respect the author and their work.
• Think about the book's historical, cultural, or social context when evaluating its themes and messages.
• Paint a vivid picture of the book's qualities using descriptive language to engage your readers.
• Acknowledge the book's strengths and weaknesses to provide a balanced review.
• Aim to be concise and to the point, focusing on the most important aspects of the book.
• Let your enthusiasm for the book shine through in your review to captivate your readers.
• Gain insights from reading other reviews to see different perspectives and approaches to reviewing books.

Book Review Example

As promised at the beginning of the article, we’d like to share a good example of a book review as it should be done by students either in school or college:

Final Thoughts

Book reviews empower students to become active participants in the literary conversation. They learn to contribute their unique perspectives and interpretations to the broader discourse. With a custom term paper writing service , learners can become true educational powerhouses who never miss deadlines.

Through critical engagement with literary sources, students develop a deeper understanding of complex themes and issues, honing their ability to think analytically and empathetically. At the end of the day, aren’t these two skills that every educated individual should possess? 

Need To Write a Book Review But DON’T HAVE THE TIME

We’re here to do it for you. Our professional coursework writing service ready to help 24/7

How To Write A Book Review?

What to include in a book review, what is a book review.

is an expert in nursing and healthcare, with a strong background in history, law, and literature. Holding advanced degrees in nursing and public health, his analytical approach and comprehensive knowledge help students navigate complex topics. On EssayPro blog, Adam provides insightful articles on everything from historical analysis to the intricacies of healthcare policies. In his downtime, he enjoys historical documentaries and volunteering at local clinics.

• Added new infographics.
• Updated writing tips.
• Added new example.
• How to write a book review | BookTrust. (n.d.-b). https://www.booktrust.org.uk/books-and-reading/tips-and-advice/writing-tips/writing-tips-for-teens/how-to-write-a-book-review/
• Book Reviews – The Writing Center • University of North Carolina at Chapel Hill. (2024, May 14). The Writing Center • University of North Carolina at Chapel Hill. https://writingcenter.unc.edu/tips-and-tools/book-reviews/
• Research Guides: Organizing Your Social Sciences Research Assignments: Writing a Book Review. (n.d.). https://libguides.usc.edu/writingguide/assignments/bookreview  

Get Discounts on Multiple Items.

Popular products

First Step Planner: Start Your Day with Clarity

A Gentle Reminder

Crushing It

Daring To Take Up Space

Get 10% Off Your First Book Or Planner

Subscribe with your email to claim your discount and start your journey to growth.

How to Write a Book Review: Step-by-Step Guide

September 12, 2024

So, you just finished reading a book, and now you’re bursting with thoughts about it. Writing a book review is a fantastic way to reflect on your reading and share your thoughts with others—whether it’s with fellow book lovers, for a blog or social media, or just to record your reflections. This is a critical analysis of a book that goes beyond summarizing.  But where do you start?

In this guide, we’ll walk you through how to read a book actively, analyze its themes and styles, and write a review that’s easy to follow and packed with insights. 

Step 1: Read the book with focus.

(Photo from the wires)

To write a meaningful review, you must fully engage with the book.  This means more than just skimming the pages. As you read, take notes, highlight key passages, and even scribble down your thoughts in the margins (if it’s your book!) Look for themes, character development, and significant plot twists that catch your attention.

If time allows, a second reading can reveal new layers of meaning. You’ll notice things you missed the first time around. If reading a book more than once sounds like a chore, even a quick skim can refresh your memory and bring out themes you didn’t initially notice.

For contextual understanding, research the author’s background, the time period, or genre. This background information can provide valuable insights into the author’s intent and give you a richer perspective on why the book was written and what it’s trying to convey. 

Step 2: Identify the book’s purpose and themes.

Books often have deeper meaning beyond the surface story. Your job is to uncover, for instance, what the author was aiming to achieve. Was the book a commentary on society, a love letter to nature, a moral lesson, or simply an escape into fantasy?  Is it aiming to entertain, inform, or provoke thought?

Identify also the themes or core ideas that run throughout the book. Are there recurring ones like love, friendship, or resilience? How are these themes woven into the character’s journey or the overall plot?

Once you’ve identified the central themes and how they are presented throughout the narrative, look for supporting details. These are specific scenes, dialogues, quotes, events, or a character’s decision that illustrate how the themes are developed. These details help ground your review in evidence rather than just an opinion.

Step 3: Break down the book’s structure and analyze its style.

The structure and style of a book are just as important as its themes. It affects how the story is told and how the reader experiences it. Here’s what to focus on:

• Plot Structure : Does the book have a clear beginning, middle, or end? Are there any twists or turning points that stand out, or were there confusing jumps? Pay attention to how events are arranged, build their climax, and resolve themselves.
• Character Development: A well-written character feels like a real person, changing and growing throughout the story. This helps readers connect with the characters and understand their motivations. Evaluate how the author developed the characters. Are their actions believable? Do they show growth, are they complex with well-rounded personalities, or are they static?
• Narrative style: How the author writes matters as much as what they write. Analyze whether the language used was descriptive, poetic, straightforward, or simple. Consider the tone (serious, humorous, dramatic) and the narrative perspective (first-person, third-person). Does the writing style enhance the story, or does it distract?

Step 4: Evaluate the book’s strengths and weaknesses.

Now that you’ve analyzed the book’s structure and themes, it’s time to offer your critique. Here’s where you share your opinion—the good and the not-so-good. 

For the book's positive aspects, highlight what you loved about it—the strengths. Perhaps the characters were compelling, the plot was engaging, or the themes were deep and thought-provoking. Be specific about what made these elements effective, such as mentioning scenes or characters that stood out to you.

Now, every book has room for improvement—it has weaker points. Be honest but fair. Maybe certain parts or characters were underdeveloped, or the pacing was too slow. Or some parts were confusing and did not make sense. Identifying weaknesses helps balance your review and provides constructive feedback that future readers and even the author can benefit from.

Finally, combine your thoughts into an overall evaluation. A well-rounded assessment considers both positive and negative aspects. Was the book enjoyable? Was it effective in achieving its purpose? Who would you recommend it to?  Your balanced view will help readers decide whether to pick up the book or not.

Step 5: Write a clear, concise, and honest book review.

Now that you’ve done all the groundwork of evaluating and analyzing the key elements, it’s time to put it together into a review.  Here’s a basic format you can follow:

• Introduction: Start by mentioning the book’s title, author, and genre. Then, give a brief overview of the book without giving away major spoilers.
• Summary: In one or two paragraphs, summarize the plot and key events in the book. Keep this concise by sticking to the main points and avoid revealing any twists or the ending.
• Analysis: This is the core of your review. Discuss the book’s themes, characters, plot structure, and narrative style. Use examples from the book to support your points and explain why these elements were effective (or not).
• Evaluation: Offer your personal judgment of the book. Share whether you liked it, what you found impressive, and where the book could have been better. You can also write about whether it lived up to your expectations or how it compared to other books in its genre. Feel free to include a rating if it adds value to your review.
• Conclusion: End by summarizing your key points and leaving readers with a final thought or recommendation. Should they read the book? Why or why not?

A Well-Written Book Review

Writing a book review helps you engage deeply with a text and provides valuable feedback for both readers and the literary community. Making one doesn’t have to be complicated; simply follow the steps above, and you’ll have all the tools to write a thoughtful and helpful review. 

Book reviews are valuable tools for readers and authors alike. It contributes to the conversation about the book and helps others decide if a book is worth reading. Whether you loved or struggled with a book, your review can offer valuable insight. So, the next time you finish a book, why not give reviewing a try?

You may also want to read similar blogs: 

• A Book Review of Yung Pueblo's Clarity & Connection
• Speed Reading 101: How to Read Faster in Weeks

Tags: 2024 , book review , books , good read , Reading , reading a good book , reflect

25+ Book Review Templates and Ideas to Organize Your Thoughts

Danika Ellis

Danika spends most of her time talking about queer women books at the Lesbrary. Blog: The Lesbrary Twitter: @DanikaEllis

View All posts by Danika Ellis

When I was a kid I loved reading, but I hated book reports. It felt impossible to boil a book down to a few lines or even a page of writing. Besides, by the time I had to write the report, I had already forgotten a lot. It never ceases to be painful to try to pull my thoughts and opinions out of my head and put them on the page, especially in a coherent way.

As an adult, I continue to usually find writing book reviews painful . And yet, I maintain a book blog with reviews of all the (bi and lesbian) books I read. Why? For one thing, I want to raise the visibility of these books — or, in the case of a book I loathed, warn other readers of what to expect. It helps me to build community with other book lovers. It’s also a great way to force myself pay attention to how I’m feeling while I’m reading a book and what my thoughts are afterwards. I have learned to take notes as I go, so I have something to refer to by the time I write a review, and it has me notice what a book is doing well (and what it isn’t). The review at the end helps me to organize my thoughts. I also find that I remember more once I’ve written a review.

Once you’ve decided it’s worthwhile to write a review, though, how do you get started? It can be a daunting task. The good news is, book reviews can adapt to whatever you want them to be. A book review can be a tweet with a thumbs up or thumbs down emoji, maybe with a sentence or two of your thoughts; it can also be an in-depth essay on the themes of the book and its influence on literature. Most are going to fall somewhere between those two! Let go of the idea of trying to create the One True Book Review. Everyone is looking for something different, and there is space for GIF-filled squee fests about a book and thoughtful, meditative explorations of a work.

This post offers a variety of book reviews elements that you can mix and match to create a book review template that works for you. Before you get started, though, there are some questions worth addressing.

Questions to Ask Before Choosing a Book Review Template

Where will you be posting your book reviews.

An Instagram book review will likely look different from a blog book review. Consider which platform you will be using for your book review. You can adapt it for different platforms, or link to your original review, but it’s a good starting point. Instagram reviews tend to be a lot shorter than blog reviews, for instance.

Thank you for signing up! Keep an eye on your inbox. By signing up you agree to our terms of use

Will you be using the same template every time?

Some book reviewers have a go-to book review template. Others have a different one for each genre, while another group doesn’t use a template at all and just reacts to whatever each book brings up.

Heading or no headings?

When choosing which book review elements to mix and match, you can also decide whether to include a header for each section (like Plot, Characterization, Writing, etc). Headers make reviews easier to browse, but they may not have the professional, essay-style look that you’re going for.

Why are you writing a review?

When selecting which elements to include in your review, consider what the purpose is. Do you want to better remember the plot by writing about it? You probably want to include a plot summary, then. Do you want to help readers decide whether they should read this book? A pros and cons list might be helpful. Are you trying to track something about your reading, like an attempt to read more books in translation or more books by authors of color? Are you trying to buy fewer books and read off your TBR shelf instead? These are all things you can note in a review, usually in a point-form basic information block at the beginning.

View this post on Instagram A post shared by Jess | Books and Thread Co. (@booksandthreadco)

Book Review Templates and Formats

Essay-style.

This is a multi-paragraph review, usually with no headers. It’s the same format most newspapers and academics use for book reviews. Many essay-style reviews use informal categories in their writing, often discussing setting, writing, characters, and plot in their own paragraphs. They usually also discuss the big themes/messages of a story. Here are some questions to consider when writing an essay-style review:

What is the author trying to do? Don’t evaluate a romance novel based on a mystery novel’s criteria. First try to think about what the book was attempting to do, then try to evaluate if they achieved it. You can still note if you didn’t like it, but it’s good to know what it was aiming for first.

What are some of the themes of the story? What big message should the reader take away? Did you agree with what the book seemed to be saying? Why or why not?

How is this story relevant to the world? What is it saying about the time it was written in? About human nature? About society or current issues? Depending on the book, there may be more or less to dig into here.

What did this book make you think about? It may be that the themes in the book were just a launching off point. How did they inspire your own thinking? How did this book change you?

A Classic Book Review

This is probably the most common kind of book review template. It uses a few criteria, usually including Setting, Writing, Characters, and Plot (for a novel). The review then goes into some detail about each element, describing what the book did well, and where it fell short.

The advantage of this format is that it’s very straightforward and applies to almost any fiction read. It can also be adapted–you will likely have more to say about the plot in a mystery/thriller than a character study of a novel. A drawback, though, is that it can feel limiting. You might have thoughts that don’t neatly fit into these categories, or you could feel like you don’t have enough to say about some of the categories.

Pros and Cons

A common format for a Goodreads review is some variation of pros and cons. This might be “What I Liked/What I Didn’t Like” or “Reasons to Bump This Up Your TBR/Reasons to Bump This Down On Your TBR.” This is a very flexible system that can accommodate anything from a few bullet points each to paragraphs each. It gives a good at-a-glance impression of your thoughts (more cons than pros is a pretty good indication you didn’t like it). It also is broad enough that almost all your thoughts can likely be organized into those headings.

This is also a format that is easily mix and matched with the elements listed below. A brief review might give the title, author, genre, some brief selling points of the novel, and then a pros and cons list. Some reviews also include a “verdict” at the end. An example of this format:

The Tea Dragon Society by Katie O’Neill

🌟 Fantasy All-Ages Comic 💫 Adorable pet dragons ✨ A diverse cast

Pros: This book has beautiful artwork. It is a soothing read, and all the character are supportive of each other. This is a story about friendship and kindness.

Cons: Don’t expect a fast-moving plot or a lot of conflict. This is a very gentle read.

Another approach to the review is not, strictly speaking, a book review template at all. Instead, it’s something like “5 Reasons to Read TITLE by Author” or “The # Most Shocking Plot Twists in X Series.” An advantage of this format is that it can be very to-the-point: if you want to convince people to read a book, it makes sense to just write a list of reasons they should read the book. It may also be more likely to get clicked on–traditional book reviews often get less views than more general posts.

On the other hand, listicles can come off as gimmicky or click-bait. You’ll have to decide for yourself if the book matches this format, and whether you are writing this out of genuine enthusiasm or are just trying to bend a review to be more clickable.

Your Own Original Rating System

Lots of reviewers decide to make their own review format based on what matters to them. This is often accompanied by a ratings system. For instance, the BookTube channel Book Roast uses the CAWPILE system:

CAWPILE is an acronym for the criteria she rates: Characters, Atmosphere, Writing, Plot, Intrigue, Logic, Enjoyment. Each of those are rated 1–10, and the average given is the overall rating. By making your own ratings/review system, you can prioritize what matters to you.

My favorite rating system is Njeri’s from Onyx Pages , because it shows exactly what she’s looking for from books, and it helps her to think about and speak about the things she values:

A “Live Tweet” or Chronological Review

Another format possibility is live tweeting (or updating as you go on Goodreads, or whatever your platform of choice is). This has you document your initial thoughts as you read, and it’s usually informal and often silly. You can add what you’re loving, what you’re hating, and what questions you have as you go.

This is a fun format for when you’re reading a popular book for the first time. That way, other people can cackle at how unprepared you are as you read it. This requires you to remember to always have your phone on you as you read, to get your authentic thoughts as they happen, but it saves on having to write a more in-depth review. Alternately, some people include both a “first impressions” section and a more in-depth analysis section in their final review.

Get Creative

There are plenty of book review templates to choose from and elements to mix-and-match, but you can also respond in a completely original way. You could create a work of art in response to the book! Here are some options:

• Writing a song , a short story, or a poem
• Writing a letter to the author or the main character (you don’t have to send it to the author!)
• Writing an “interview” of a character from the book, talk show style
• Making a visual response, like a collage or painting
• Making a book diorama, like your elementary school days!

Mix-and-Match Elements of a Book Review

Most book reviews are made up of a few different parts, which can be combined in lots of different ways. Here is a selection to choose from! These might also give you ideas for your own elements. Don’t take on too much, though! It can easily become an overwhelming amount of information for readers.

Information

Usually a book review starts with some basic information about the book. What you consider basic information, though, is up for interpretation! Consider what you and your audience will think is important. Here are some ideas:

• The title and author (pretty important)
• The book’s cover
• Format (audiobook, comic, poetry, etc)
• Genre (this can be broad, like SFF, or narrow, like Silkpunk or Dark Academia)
• Content warnings
• Source (where did you get the book? Was is borrowed from the library, bought, or were you sent an ARC?)
• Synopsis/plot summary (your own or the publisher’s)
• What kind of representation there is in the novel (including race, disability, LGBTQ characters, etc)
• Anything you’re tracking in your reading, including: authors of color, authors’ country, if a book is in translation, etc

Review Elements

Once you’ve established your basic information, you’re into the review itself! Some of these are small additions to a review, while others are a little more time-intensive.

Bullet point elements:

• Rating (star rating, thumbs up/down, recommend/wouldn’t recommend, or your own scale)
• Who would like it/Who wouldn’t like it
• Read-alikes (or movies and TV shows like the book)
• Describe the book using an emoji or emojis
• Describe the book using a gif or gifs
• Favorite line(s) from the book
• New vocabulary/the most beautiful words in the novel
• How it made you feel (in a sentence or two)
• One word or one sentence review
• Bullet points listing the selling points of a book
• BooksandLala’s Scary, Unsettling, and Intrigue ratings, for horror
• World-building, for fantasy and science fiction titles
• Art, for comics
• Narration, for audiobooks
• Romance, for…romance
• Heat level, for erotica

Visual elements:

• Design a graphic (usually incorporating the cover, your star rating, and some other basic info)
• Take a selfie of yourself holding the book, with your expression as the review
• Make a mood board
• Design your own book cover
• Make fan art

Elements to incorporate into a review:

• Quick/initial thoughts (often while reading or immediately after reading), then a more in-depth review (common on Goodreads)
• A list of facts about the book or a character from the book
• Book club questions about the book
• Spoiler/non-spoiler sections
• Research: look up interviews with the author and critique of the book, incorporate it (cited!) into your review
• Links to other resources, such as interviews or other reviews — especially #OwnVoices reviews
• A story of your own, whether it’s your experience reading the book, or something it reminded you of

This is not a complete list! There are so many ways to write a book review, and it should reflect your own relationship with books, as well as your audience. If you’re looking for more ways to keep track of your reading, you’ll also like 50+ Beautiful Bujo Spread Ideas to Track Your Reading .

View this post on Instagram A post shared by Painted Pages Library (@paintedpageslibrary)

You Might Also Like

'); document.write(' ' + bA_1 + ''); '); document.write(' ' + bA_2 + ''); '); document.write(' ' + bA_3 + ''); '); document.write(' ' + bA_4 + ''); '); document.write(' ' + bA_5 + ''); '); document.write(' ' + bA_6 + ''); Book Reviews -->   Recent Book Reviews Focus Review Author Jeffries recalls his personal history, expanding it to a broad vision of his nation and the world. Born during World War II, he recognized early on that men in his parents’ “Greatest Generation” were spurred by the trauma that all warfare can evoke and, therefore, strove to achieve more once they returned home, building new neighborhoods and aiming for meaningful employment. Similarly, American women who had contributed industrial efforts to the nation’s defense, symbolized by the popular image of “Rosie the Riveter,” resolved to be conscientious wives and parents while also starting to seek outside employment. The postwar years thus wrought numerous upswings in ordinary American life. ... (read more) Agent Without a Name by Serge Smith and William Michael - RECOMMENDED AJ and the Incredible Fish by Paolo Mazzucato - RECOMMENDED American Insanity by LeRoy (Le) Cossette Another Dance by Angela Youngers - RECOMMENDED be. love. by Christin Collins Book That (Almost) Got Me Fired, The by Kelly K. James Cali Book Of The Dead, The by Max V. Carp - RECOMMENDED Children of God by Luke Roberts - RECOMMENDED Coincidence, you say? by Patrick Hogan Coming, The by A. Ben Bacon - RECOMMENDED Conflagration by Terri Anne Dealing With ADHD by David Rex Orgen Draakensky, A Supernatural Tale of Magick and Romance by Paula Cappa Dreams From Our Fathers by Dana J. Bahan Fallen Spirits by Diane Hatz For Your Benefit by Patrick Canning - RECOMMENDED Furies Rising by Andrew Lyons - RECOMMENDED Goodnight Surf City by Toni Haas Hero's Life, A by Arthur A. Edwards Hidden Power of Rising Dividends, The by Greg Donaldson - RECOMMENDED His Final Answer by Christopher D. White and Jennifer Curran Hurdles by Ric Vandett I Am a Key by Larry Odell Johnson Journey to Hangtown Haven, The by Arthur Edwards - RECOMMENDED Kingfisher and the Crow, The by Tim Diaz & Peter Marino Magic Encounters by Danuta Szachanski - RECOMMENDED Moonshine by Moonlight by Ann Hanigan Kotz - RECOMMENDED My Complicated Yet Wonderful Life by Terri Spitzer Mythic Worlds and the One You Can Believe In by Harold Toliver - RECOMMENDED Quiet. Fear. by Cynthia J. Giachino - RECOMMENDED Quirky Clan, The by Anna Rains Sexual Abuse by Jacques Louis David Shadows – The Myth Awakens by Daniel Harry Songs for the Deaf by Kenneth Alan Silver Sorgho Squad, Chapter #1 by Nate Blum - RECOMMENDED Star-Crossed Planet by Harold Toliver Tooth Fairy Mystery, The by Amanda Smith Twelve Palominos by Joe Kilgore War for Dominion, Vol. 1 by Dan Luddeke Sr. War for Dominion, Vol. 2 by Dan Luddeke Sr. What Is Truth? by T. Hakanson - RECOMMENDED When a Company Loses Its Soul by Price Schwenck Wolfscape by H.D. Duman Read the US Review of Books Previous Edition back to top Featured Book Reviews Beautiful bar talk. Streitz dives into an impressive and expansive range of topics, tackling them head-on rather than tiptoeing around them as most normally do. In the process, audiences get to reflect on how they interact with their own lives and the stimuli they are constantly surrounded by. Above all else, however, it is the poet’s ability to use language, particularly metaphor, imagery, and satire, to create a remarkably relatable and universal connection with his readers. ... (read more) Award-winning author Baltazzi has constructed an energizing treatise focused on the search for and acquisition of the experience of happiness, extracting it from what may sometimes seem like an impossibly complex morass of personal and societal restraints through her well-considered methodology. Based on her background as a noted television producer and director with the long-running and highly successful series Survivor , and drawing from perceptions of a multitude of realms—spiritual, social, and practical—she postulates eight core values needed for the process of attaining happiness: faith, love, health, gratitude, forgiveness, peace, detachment, and abundance. Each of these qualities, referred to collectively as “Happiness Essentials,” is explored using certain terms derived from the author’s background in cinematography. ... (read more) Personal Dram a Ella and her husband, Cole, buy a few properties in Kansas City's inner city, including an apartment building. They have a dream to fix up run-down neighborhoods and provide comfortable, affordable housing to both Caucasians and African Americans. Ella does most of the management of the properties as Cole is often away. This gives her the opportunity to relate to a variety of people in the area, from crooks to cops, druggies to housewives. She makes some friends, but not everyone in the area is happy with the new residents. During their time in Kansas City, the couple see their friend in the police department arrest a serial rapist and cross paths with a mobster running a gambling ring. Ella’s vision of an inner-city utopia is much more difficult than she imagined. ... (read more) Children Thinking Most children adore a good animal story. This one will likely be fought over if there is only one copy on the home, school, or public library shelf. This true tale of a rescued baby otter shares concepts of kindness, hope, healing, and the life cycle. ... (read more) Daily Trials While the book begins with the murder of Professor Johnny Wharton, the murder itself is almost superfluous to this brilliantly written novel of intrigue that is primarily set in the mid-1980s. It explores the lives of five women. Four of the women are connected to Wharton, while the fifth becomes an integral part of the book later in the story. These four women include the following: Wharton's wife, Liz, who is an accountant and who volunteers at a dog rescue; their estranged and troubled daughter, Jenny; his grad student Jane (with whom he’s having an affair); and his closeted lesbian coworker, Maddie, who he holds in disdain, and who is the lover of Roz, the fifth woman. The book takes readers through the lives of these women, from the joy and beauty of existence to the trials and tribulations of daily life. ... (read more) Transcendent Tone Divided into three movements to mimic an actual concerto, this book’s poems create a representation of the human emotional experience that makes its complexities accessible. Poems like “Early in Morning in Bethesda” examine a relationship’s tenderest moments. “Little Box” embraces an experimental form that is both peaceful and chaotic. “Grief at Full Moon” captures where loss compounds one’s interactions with not only the physical world but also the emotional one, and the memory of a loved one becomes a haunting force that controls one’s being. In other poems, the sanctity of nature becomes a healing, cleansing entity, while “the first grace of snow” offers a turning point in the speaker’s grief cycle. Fueling the musicality inherent in these poems are the experimental structures of lines and stanzas that form a concerto unlike any other. ... (read more) Masterful Storyteller This third book in Cannon’s enjoyable fantasy series continues the saga of Sillik. Having returned home to Illicia, “the most powerful and wealthy city in the land,” to learn of his father’s death, he becomes king. With his wife, Renee, by his side, Sillik surrounds himself with trusted advisors. The city is attacked by dragons and the horrible Schula—“green-skinned, long-tusked creatures.” As it becomes clear that the dragons and Schula are attacking other cities, war seems imminent. The Seven Gods and Illicia are pitted against the nine dark forces, which include the formidable gods Mind Breaker and Soulcrusher. As the two factions move toward war, it becomes clear that Sillik and his people will need to harness all their magical powers if they are to defeat the Nine. Will they succeed, or will all be lost in the final battle? ... (read more) Kind-Hearted Soul Young Emmeline dreams of becoming a veterinarian or a biologist in the future. She is inspired by her father, who works as a naturalist and travels all over the world. When she convinces him to let her meet up with him on an expedition to the Falkland Islands, Emmeline travels on the Maria Christina , where she becomes friends with a crew member’s son named Demetrio. Disaster strikes when the boat comes under attack and sinks, leaving Emmeline alone when she washes up in the strange land of Pletonia. But she soon makes friends with many of its inhabitants, learning it is natural for them to get reincarnated as various animals. Further, during her journey to visit its rulers, Emmeline discovers that she has personal ties to this fantastical land. However, Pletonia comes under attack by the exiled Valdrimos Pish, who unleashes creatures that kill and stop the reincarnation process. Emmeline and her new friends must work together to find solutions to the crisis. ... (read more) Mesmeric Drama Set amid the rustic landscape of Iceland, this tale explores our humanity and the ever-lingering mysteries that confound us with matters of life and death. Sixty-seven-year-old billionaire Daniel “Big Deal Dan” Pallson returns to his native homeland to promote his new proposed luxury hotel and fishing resort. Daniel’s younger brother, Jon, is among the protesters of the resort, with their differences pitting brother against brother in an icy confrontation. Shortly afterward, Daniel suffers a cardiac arrest that nearly kills him. As a result, Daniel is sent to stay with Jon at their 1940s farm, where they both grew up and where Jon now lives with his wife, Anna. The already rocky familial relationships stir up old resentments, especially when Daniel’s ex-wife, Doris, arrives and agrees to stay with them, too, trapping Daniel into an uncomfortable and inescapable situation. ... (read more) Myths & Magic Prince Khael Stratton is a mystic who seeks to deepen his knowledge of such arts to help those in need. Following a mission, he reports to the city of Cambridge—ruled over by his brother—and has a close encounter with a pickpocket who steals his signet ring. Alongside his bodyguard, Grant, the prince manages to track down the young woman, Vixen, who suffers from a foggy memory while demonstrating a great talent for skills associated with assassins. Prince Khael finds it an odd happenstance in a time when a terrorist group known as the Chelevkori are making active attempts to eliminate the royal family for a perceived wrongdoing by his grandfather, Loren, and it is further compounded by reports that tyrannical rule has seized the city of Skemmelsham over which he rules. Prince Khael forges a contract with Vixen, and with Grant, they go on a journey to liberate the city. ... (read more) Cast of Characters The relationships between instructors working in a dysfunctional sociology department at a fictional Florida university in the late 1980s are realistically explored in this novella by educator McNeill. While many workplaces, whether in government, the private for-profit sector, or even non-profit organizations, have these ego-driven, ideological clashes that create a hostile environment for some employees but provide unfair advantages to others, this story reveals the particular problems that arise in academic settings, and in this case, with dramatic, destructive results. The drama is also a cautionary tale determined by various departmental cliques that disregard the warning signs of trouble ahead for not only department faculty but for the entire university and the outside community as well. ... (read more) Everlasting Soul Stories harbor the potential to stand the test of time, carrying over from generation to generation. In Harry’s work, themes of scripture are transposed onto a fictional canvas that gives audiences a unique vantage point of many biblical elements, with a particular emphasis on the end times. The Lord’s sacrifices for mankind, despite the darkest of sins committed unto him, are brought into the light through this narrative. More importantly, the work is about restoring peace, balance, and love, shattering the subverted agendas of humans who wear the guise of peacekeepers while only looking out for themselves. ... (read more) The book opens with a bold declaration that all forms of perfectionism are unhealthy. Collins and Molitor denounce the concept of “normal” perfectionists who are more productive and achieve greater success. As perfection is inherently unattainable, its pursuit is an inevitable path to frustration, which adversely affects mental and physical health, relationships, creativity, and productivity. Inspired by Kintsugi—the Japanese art and philosophy of “golden repair”—the authors advocate rejecting perfectionism and adopting the “Flawsomism” mindset of celebrating imperfection, striving for excellence, and embracing failure as an opportunity for growth. ... (read more) Juhani Murros made an unexpected discovery during his visits to art galleries when he worked for an organization in Ho Chi Minh City in 1990. A small still life in an unobtrusive gallery commanded the Finnish physician’s attention. “It was an unpretentious oil painting, yet its dark, mysterious colors and the emotional tension of its disciplined composition set it apart.” Thus began a long journey of discovering the art and life of Van Den, a frugal and kind Buddhist of mixed Chinese and Vietnamese ancestry who studied in Paris for less than two years during 1950-52, a volatile period during the first French Indochina War. ... (read more) Clear Philosophy The free will debate has raged for over 2,000 years. Do individuals have control over their own actions and decisions, or are these actions and decisions predetermined by the gods, logic, nature or nurture, or many other forms of determinism? In this new work by Kral, he takes the reader on an intellectual journey that attempts to provide an alternative to the free will question. Upon initial inspection, the question, at its heart, seems to imply either a yes or no with explanations while excluding other answers. However, Kral manages to create a compelling third option, which posits that the question itself is flawed. He argues that “will” cannot be considered free or not free. His reasoning breaks down what the word means in the context of this question, and his results lead him to create an additional theory about the source of human behavior. which he has titled procirclism. ... (read more) Jazzy & Gritty This collection by Streitz is the first of four Bar Bibles of Poetry authored by him. In this volume, his attention falls on subjects ranging from bartenders to civil rights leaders, E.D. to selfies. Several poems deal with sex and love, from the lofty heights of romanticism to the street level of strippers and masturbation. He spends time on drunk writers hiding in their homes, dancers who should have been writers, beetles rolling balls of dung, and fathers who find themselves protective and uncomfortable. ... (read more) Delightful Read This work is an experience unto itself, one that takes traditional elements of fantasy and plants them into the modern world with supremely original results. Character-driven at its core, Carr’s work follows Trista, an orphan tunnel dweller who calls the depths of the New York subway tunnels her home. In every way, this is a classic coming-of-age story. The book revolves around a protagonist who recognizes that she is different but refuses the call and seeks to conform, to be ordinary, and to fit in. However, she must throw caution to the wind and erupt from her comfort zone or risk losing everything she holds dear. ... (read more) Vivid Imagery Caroline (CiCi) Marcum grew up in Wellfleet, Massachusetts, a fishing village on Cape Cod. She graduated high school, attended college, became a teacher, and married. But a tragic accident forever changed the course of CiCi’s life, and she fled to Chicago. Six years later, Caroline finds herself back in Wellfleet carrying for her ailing mother. Lonely and grieving, she reconnects with fellow Cape native Ridley Neal, a fourth-generation fisherman who inherited his father’s sea farm. While Rid is sympathetic to Caroline’s plight, he is embroiled in a legal battle to save his livelihood and cannot provide the emotional support CiCi so desperately needs. ... (read more) Transformation Fred counts on his dad when his inability to keep a job and keep his weight in check causes conflict with his mom and sister. When Fredق│└s dad dies and his sister (his primary income buffer) moves away, Fred and his mom are on their own until Fredق│└s wrestling champion girlfriend, Mary Ellen, arrives, giving Fred the boost he needs to defend himself, literally and figuratively. ... (read more) Within this poetry collection, Australian writer Rodden has arranged forty-one contemporary poems reflecting both urban and rural experiences. Within the first selection, the poem’s speaker is driven to “make for the trees,” an attempt to avoid indoor offices where everyone else seems to be. There arise suddenly throughout these poems vivacious, invigorating lines, such as “In the library I try and try / to cram in all the poets and storytellers ….” Other poems tell of the writer’s experiences working among crews fighting bushfires in the wild. And some selections—such as the slightly eccentric, dry-humored “dead chicken-meat day”—paint a rather zany picture in which “the sign says / two skinned chickens for 6 dollars” as the speaker finds herself panting past KFC en route to work. In “The Loaded Dog,” a rustic pub sporting “Depression swaggy” photographs of “romantic gold miners / in classic beards” offers Devil’s Choice beer—with raspberries. ... (read more) Textured & Memorable A jilted lover kills herself after learning that she can’t have the man she desires most. A target of bullies is granted magical powers to seek revenge from a strange, otherworldly entity. The angel of death watches in the wings, taking interest in order to stop a terrible and inevitable fate. An invading force known as The Loons is coming to consume and extinguish the Earth across all dimensions. All of these happenings intertwine and knot together to create an action-packed story of death, rebirth, identity, and destiny, with all of humanity hanging in the balance. ... (read more) History Alive Even before stories were written, they were passed along from generation to generation, standing the test of time. Story is central to Romanowski’s memoir, one that delves deep into her Italian roots, how they’ve intersected and fused with American life, and the indelible impact family has had on her own life—and she on theirs. Through prose and poetry, the author meticulously and gracefully guides readers through her family genealogy, zeroing in on one particular figure, her grandfather, who unquestionably has the most profound impact on her worldview. ... (read more) Cross-Country If it takes twenty-one days to break a habit, then it certainly takes thirty-four to change a life. In Mortensen’s memoir, he simultaneously dazzles with his wit and inspires with an authentic portrayal of his journey biking from Minnesota to California. This isn’t a ride to glory by any stretch. On the contrary, it is one that provokes the human spirit, impelling both Mortensen and those who read it to dig into the innermost recesses of their being and pull out an unquenchable fire for life. ... (read more) Compromising Situations The assignment a rich man gives private investigator Brig Ellis is straightforward enough: intercept the last of a set of twelve historic palomino horse sculptures that he’s collecting during a prearranged hand-off. The apparent ease, though, understates the challenges Ellis encounters, such as the rich man’s sexy daughter, a string of deaths in San Diego and Mexico, and the rich man’s cagey employee. Beyond obtaining the miniature statue, the real test is of Ellis’ character. ... (read more) Wide-Ranging At our root, we are all derivatives of atoms, part and parcel of a universal, cosmic story formulated by all the stories that make mankind what it is today. No one is left behind as remnants of the past are fused into the present and the present to the future, an intricate tapestry of atomic history that came to define Earth as a “star-crossed planet,” in the author’s words. In Toliver’s collection of tales, a profound sentiment is expressed with refreshing simplicity: from sunrise and sunsets to the moon hanging over a mountain, all things, even the most minute and seemingly meaningless, are energy-driven reminders of “the place of our species.” ... (read more) Brevity & Reflection In Ireland’s latest collection of poems, thoughts and emotions are expressed by location. Leaves both falling and underfoot on a path in the woods place the narrator between life and death. A green and brown leaf located side by side characterize the tired narrator and his old but spry mother walking next to one another. The woods are described by the perspicacious narrator as a metropolis that is bustling and, at times, overwhelming. ... (read more) Finding Truth Long-time friends Thomas Pettigrew and Flinders Petrie run a detective agency together. Lately, their business has not thrived, so they have taken on second jobs to supplement their income. Pettigrew works as a physician, while Flinders is a curator at the British Museum. E.A. Wallis Budge, the head curator of the British Museum, hires Pettigrew and Flinders to find a small statue of Aphrodite that has been stolen from the Elgin Collection. Normally, Budge would have sought out the missing artifact, but he is swamped and wants the duo to take on the task. Pettigrew and Flinders accept the job, but as they delve deeper into the investigation, the case becomes increasingly dangerous. ... (read more) Cohesion & Conflict Readers enter this tale on the cusp of deep change in Montauk as the traditional fisherman’s life is in jeopardy, and many residents contemplate the hard choices they must make to create balanced new lives. Clancy, a New Yorker who once enjoyed Montauk during his family-deprived childhood, revisits the peninsula. He rediscovers Otto, the man who mentored him in a program for disadvantaged orphans. This places Clancy in conflict with Theresa, Otto’s estranged daughter, who resented the boy during her childhood. She feels doubly betrayed in adulthood by her father after he cheated on and divorced her mother. Unfortunately, Otto is ill and soon passes away, leaving his legacy to Clancy because Theresa refuses to reconcile with her father or to receive any property. Clancy must balance sorting out Otto’s wishes and gaining Theresa’s trust while navigating Montauk’s social order and the community’s challenges with climate, housing, and open space. ... (read more) Suffer the Child Actress, playwright, and composer Marylee Martin examines the hidden, long-term effects of childhood covert sexual abuse in this award-winning themed memoir. Covert abuse, while solely verbal and mental rather than physical, is a less dramatic but equally damaging form of sexual abuse and is sadly common in all cultures and at every level of society. Children who escape ongoing sexual molestation or more violent forms of physical abuse still struggle in their adult lives and experience similar symptoms of confusion, uncertainty, anxiety, and depression—reactions familiar to victims of overt, hands-on sexual abuse. ... (read more) Polarizing Issues While Cossette acknowledges from the outset that his work is rooted in his opinion of the United States’ impending political downfall, it is undeniably an impassioned plea for the nation to examine itself, look in the mirror, and see the swift transformation of the country’s politics for what it is. Though the author’s stance is unquestionable, the intrigue and validity of his thoughts lie in his ability to emphasize the importance of setting aside differences and focusing on the greater good. He suggests that the very integrity of the U.S. Constitution is at stake, being threatened unceasingly by radical beliefs that are determined to uproot the values, morals, and ambitions that have become the bedrock of the American way. ... (read more) A Christian Apologist Author Hakanson explores in depth the many rational paths to religious belief, specifically focusing on the wisdom of the Holy Bible. Many people question scripture and God’s very existence and role in the creation of the universe, the earth, and all contained therein. One of the many analogies presented here concerns “the wind”: one can feel it and even predict its results, but one can never see it. Using such lively imagery combined with much erudite material, the treatise seeks to offer Christians a sense of the rightness of defending their beliefs. ... (read more) Set against the backdrop of Vladimir Putin’s grab for power in Russia and a rash of global terrorist attacks in the late twentieth century, the novel delves into the complex world of covert counterterrorism. At the age of six, Maxym (Max) Mikhailovich Ivanov suffers an unbearable loss when his parents are killed and ten-year-old sister brutally raped and murdered by religious extremists. Escaping the cruel fate of his family, Max hides in a cupboard. He is rescued by the Russian army after being discovered by a Russian soldier, Leonid. The desire for revenge ignites in young Max after seeing the brutalized bodies of his family. Vowing to his rescuers to kill as many of these terrorists as possible, Max, at the young age of six, begins with those who murdered his family. Praised for his execution of the captured terrorists, Max is admired by the soldiers and given a home with Leonid. ... (read more) Engaging & Thoughtful In this unique piece of graphic literature, readers embark on a journey to find a solution that ultimately leads to world peace in a chaotic world. The group of superheroes that young Alice and Professor Sorgho pursues has the potential to solve issues like world hunger, soil depletion, and environmental disasters caused by climate change. Readers learn that the solution may very well lie in “climate-smart grains called sorghum.” Nonetheless, Alice and Professor Sorgho encounter a complex problem: no one has seen the Sorgho Squad in a number of centuries, but the team pursues a set of complex clues that lead them and readers on a journey across the globe. ... (read more) Like many children his age, young Nick loses a tooth while eating his dinner and places it under his pillow for the Tooth Fairy. Overjoyed to discover six dollars under his pillow, he shares the discovery with his friends at school, only to be presented with the question of what he thinks the Tooth Fairy does with all the teeth she collects from the children who lose them. The inquisitive Nick decides to get to the bottom of what the Tooth Fairy is all about and comes up with a foolproof plan. ... (read more) The Creature When Bob sees on the local news that a young woman has been found murdered in a parking lot with numerous cuts, he knows in his gut that the killer who murdered his wife and six others five years ago is back. Bob’s best friend, Archie—a detective on the Livingston, Texas, police force—confirms his suspicions. The two men are determined to catch the killer this time. ... (read more) Unwavering Hope Paul Davidson has been deeply concerned about his father, Big Rich, who is battling terminal brain cancer. During a recent visit to Des Moines, an unexpected conflict has arisen between Paul and his brother, Richard J. Davidson Jr., resulting in Paul being prohibited from seeing their father. Richard, who has been given his parent's power of attorney, has informed medical staff of visitation restrictions for their father. This has weighed heavily on Paul's mind, especially as his other brother, Joe, is also present with their father. In a separate context, Paul and Luke, Joe's son, have organized a trip with their church to aid a shelter in Chicago. Despite recent tragic events in Chicago, they remain resolute in their commitment to embark on this mission. ... (read more) Financial Hope Before Black Friday, there was Black Tuesday, a devastating stock market event that not only sent the market plummeting and in chaos but also ushered in the Great Depression. Then, there is the more recent Black Monday, on October 19, 1987, that rattled investors and, once again, brought the market to its knees. It is this 1987 event that becomes the backdrop of Donaldson’s book, one that is less of a preachy self-help book and more one that will provide readers with immense insight and understanding through direct, first-hand experiences, all minus the added fluff and conceptual conundrums that often plague books on investing. ... (read more) Vital Scripture Author Luddeke examines in diligent detail the portions of the Holy Bible that set forth the determination of Satan to make all humanity subject to his evil plans and the ever-watchful wisdom and benevolence of God and Jesus Christ. Luddeke asserts that one need only read the Bible to understand all of history, as, over a fifteen-hundred-year period, all earthly fact was predicted and transcribed therein. Before God created the earth, He existed with a band of angels, among whom was Lucifer, who was God’s favorite. But Lucifer gradually embraced evil—pride and selfishness—based around envy of God’s power. He craved absolute dominion over God’s creations, beginning with Adam and Eve. ... (read more) Saving Scripture Citing a material world of nonstop temptation and sin spearheaded by Satan, Luddeke provides the ultimate antidote—the light of Jesus Christ—as the eternal battle between light and dark and good and evil reaches tumultuous levels. To all alike, believer or not, the author speaks to each individual’s destiny, one made possible by Christ’s self-sacrifice and depicted further through the efforts of biblical figures like Peter. On the whole, the work is a fusion of scripture references and the author’s commentary, providing clear and concise insight that even the layman can understand. ... (read more) Lost Innocence Lilly wasn’t merely apprehensive about her first appointment with the therapist; she dreaded it. As a mother of a three-year-old boy, she knew perfection wasn’t a necessity. However, she also knew the only way forward was to face her past. Lilly was the third of four children born to Gwen and Vincent. Gwen and Vincent doted on young Lilly, but Gwen’s sister Millie fawned over Lilly and wished she was hers. Millie’s husband, Frank, took a shine to Lilly as well, but his intentions were sinister. As Lilly got older, she came to fear Frank and loathed when Frank and Millie were welcomed into her parent’s home. Lilly didn’t tell her parents but confided in a select few as she began a rebellion that lasted from adolescence through college. ... (read more) Growing up in a Denver suburb in the sixties and seventies, Spitzer experienced a normal American life. Full of ambition and energy, she was a robust athlete who enjoyed tennis and other sports. An intelligent and curious girl, she liked learning and worked hard in school. Her good grades and proficiency in sports were proof of her early work ethic and ability. “As a child, I had endless amounts of energy and enthusiasm. I loved learning new things and was willing to try anything and everything.” At the age of twelve, her life changed forever when she was diagnosed with acute lymphoblastic leukemia. Immediately admitted to the hospital, she underwent a series of blood and platelet transfusions and tests. As her blood levels rose, she began a three-year regimen of chemotherapy and, when in remission, a three-to-five-week series of radiation therapy on her head. As this was 1975, the treatment for childhood leukemia was uncertain. “I know the doctors had said that I had less than a 10 percent chance of living six months because they just didn’t know how to treat this type of disease.” This memoir tells of her experiences before, during, and after her life-changing diagnosis. ... (read more) Fascinating Account The narrative begins with the author arriving in Guam, along with her military husband and three children. She is immediately struck by the beauty of the island despite the “strange admixture of emergent country squalor with the suave sophistication of world-class resorts.” What follows is a recounting of her adventures (and misadventures) in her new home. The reader follows her as she forges new friendships, steadily collecting a circle of neighbors and avid gamers into her community. She also recounts a myriad of events while living on the island, from the excitement of surviving typhoons to the relatable experience of setting up a home and starting a new job in a different country. She describes day-to-day challenges in beginning her job, raising her family, and navigating new friendships. ... (read more) Fun & Crazy When eleven-year-old AJ’s mom gets called into her flight attendant job and picks him up from school, little does the young protagonist know that during his weekend stay with Grandpa, things are about to get fishy. Through imaginative, quirky, immersive storytelling on a grand scale, Mazzucato transports AJ and his eccentric friend Livvy to a terrifically tantalizing adventure on the high seas with Grandpa, captain of the Ponce de Leon , and fellow shipmates—all in a quest to capture a humongous fish, elusive and mythic, which is awesomely revered and curiously referred to as Old Gussie. ... (read more) Good Memories A fifth-generation Southern California native, Haas, the author of this children’s book, offers up a delightful celebratory ode to all things Huntington Beach, known colloquially as Surf City. Capturing in words and bright, colorful illustrations the sights, sounds, and plentiful sunshine always in store for adventurers to the famous sand-and-surf locale, specifics of the seaside destination are explored and commemorated. These include, among other aspects, the famed Pacific Coast Highway, the International Surfing Museum, Pacific City with its multitude of ice cream selections, evening dusk falling on Main St., moonlit “thrills and spills” at the local skate park, Huntington Beach Pier, Central Park, and the nearby wetlands, which are home to abundant wildlife. Dedicated to the author’s grandchildren, Haas’ book recognizes many favorite spots and activities enjoyed during the children’s regular visits with the author and illustrator at Huntington Beach. ... (read more) Authentic Voice Hogan was an early "boomer.” He was born in the late 1940s to young parents and was one of three siblings. The family's religious backgrounds and beliefs were mixed but were in other ways similar to many middle-class families of that era. Grandparents and cousins were on hand, and security, love, and some diversity in numbers were in abundance. Two "coincidences" had profound impacts on Hogan's early life. First, he felt he should move some boards with protruding nails/spikes in them, so he did. As he fell to the ground later on—right at the place where the boards had been—he reflected on what might have happened had he not obeyed his warning. Another interesting occurrence was his agreeing to a "blind date," which led to his meeting his future wife, Georgia. ... (read more) Opportunities The author was one of three children born to an unorthodox British couple in 1942. Her mom’s parents were landed gentry, while her father’s were working class. Her parents shared an artistic and adventurous bent, though, and the family lived outside of many societal norms, such as in caravans, a circus, and farmhouses, among other places. When she grew up, Rains lived with her own family in Hong Kong, Scotland, California, and England. Organized around moves and composed of short narratives, the book is almost a linear plotline, digressing to give people’s backgrounds. The majority of the moves happen at the beginning, and the pace of the book here is the swiftest. Rains’ mother’s many projects, her bad cooking, and creative knitting add levity to these chapters. Letters from friends attest to the brightness the author brings to her communities and to the text. ... (read more) Understanding People This concise and informative book examines the important principles needed for a company to be effective in its management processes. The text begins by focusing on five management problems: ranking performers, incentive systems, management by objectives, numeric goals, and management by results. It explores dysfunctional companies and the need for increased organizational effectiveness through behavioral changes. In exploring problems, the book then analyzes solutions to a variety of such situations, including rewards and punishment, competition, mistrust, and other issues that cause problems in systems. The focus is on practices based on differing beliefs, increased well-being in teams, separating compensation from work, building a culture of trust, understanding variations in practice, avoiding attachments, being mindful, choosing thoughts and behaviors, letting go of the negative, using affirmations, and a transformation to an “enlightened leadership model.” ... (read more) Family Secrets From his frenetic entrance into the world, where he found himself with a cord wrapped around his neck—a “blue baby”—David was exposed to an unfathomable dimension of life, a gut punch to the meaning of humanity. Nevertheless, his resilience became his calling card as he navigated through one mind-boggling circumstance after another. Worthy of commendation for his raw and authentic portrayal, David uses his work as a platform to demonstrate what happens when a child is raised in the ultimate dysfunctional family system. ... (read more) Complexities & Content In Toliver’s work, the role of myths and the devastating influence they can have on human history are integral. Throughout this comprehensively researched piece, the author focuses on debunking misconceptions throughout world history. In the process, contending schools of thought, from philosophical to literary traditions, come together to help audiences better understand historical events and, at their core, human behavior. ... (read more) Review Text ... (read more) First Chapter Reviews First Chapter Review archive Home  •  Book Reviews  •  Hoffer Award  •  Submit  •  FAQ  •  Connect Staff  •  Become a Reseller  •  Writers' Resources  •  Site Map Proud Member of... Connect with the US Review of Books... The 13 Best Book Review Sites and Book Rating Sites Your changes have been saved Email is sent Email has already been sent Please verify your email address. You’ve reached your account maximum for followed topics. It Just Got Easier to Share Steam Games With Family Members My 8 favorite real-world uses for creative ai tools, 4 reasons why i’ll never book directly from a flight comparison website again. Nobody likes to spend money on a new book only to face that overwhelming feeling of disappointment when it doesn't live up to your expectations. The solution is to check out a few book review sites before you hit the shops. The greater the diversity of opinions you can gather, the more confidence you can have that you'll enjoy the title. Which book review and book rating sites are worth considering? Here are the best ones. 1. Goodreads Goodreads is arguably the leading online community for book lovers. If you want some inspiration for which novel or biography to read next, this is the book review site to visit. There's an endless number of user-generated reading lists to explore, and Goodreads itself publishes dozens of "best of" lists across a number of categories. You can do a book search by plot or subject , or join book discussions and reading groups with thousands of members. You can participate in the community by adding your own rankings to books you've read and leaving reviews for other people to check out. Occasionally, there are even bonus events like question and answer sessions with authors. 2. LibraryThing LibraryThing is the self-proclaimed largest book club in the world. It has more than 2.3 million members and is one of the best social networking platforms for book lovers . With a free account, you can add up to 200 books to your library and share them with other users. But it's in the other areas where LibraryThing can claim to be one of the best book review sites. Naturally, there are ratings, user reviews, and tags. But be sure to click on the Zeitgeist tab at the top of the page. It contains masses of information, including the top books by rating, by the number of reviews, by authors, and loads more. 3. Book Riot Book Riot is a blog. It publishes listicles on dozens of different topics, many of which review the best books in a certain genre. To give you an idea, some recent articles include Keeping Hoping Alive: 11 Thrilling YA Survival Stories and The Best Historical Fiction Books You’ve Never Heard Of . Of course, there's also plenty of non-reading list content. If you have a general affinity for literature, Book Riot is definitely worth adding to the list of websites you browse every day. Bookish is a site that all members of book clubs should know about. It helps you prep for your next meeting with discussion guides, book quizzes, and book games. There are even food and drink suggestions, as well as playlist recommendations. But the site is more than just book club meetings. It also offers lots of editorial content. That comes in the form of author interviews, opinion essays, book reviews and recommendations, reading challenges, and giveaways. Be sure to look at the Must-Reads section of the site regularly to get the latest book reviews. Also, it goes without saying that the people behind Bookish are book lovers, too. To get a glimpse of what they’re reading, check out their Staff Reads articles. 5. Booklist Booklist is a print magazine that also offers an online portal. Trusted experts from the American Library Association write all the book reviews. You can see snippets of reviews for different books. However, to read them in full, you will need to subscribe. An annual plan for this book review site costs $184.95 per year. 6. Fantasy Book Review Fantasy Book Review should be high on the list for anyone who is a fan of fantasy works. The book review site publishes reviews for both children's books and adults' books. It has a section on the top fantasy books of all time and a continually updated list of must-read books for each year. You can also search through the recommended books by sub-genres such as Sword and Sorcery, Parallel Worlds, and Epic Fantasy. 7. LoveReading LoveReading is one of the most popular book review sites in the UK, but American audiences will find it to be equally useful. The site is divided into fiction and non-fiction works. In each area, it publishes weekly staff picks, books of the month, debuts of the month, ebooks of the month, audiobooks of the month, and the nationwide bestsellers. Each book on every list has a full review that you can read for free. Make sure you also check out their Highlights tab to get book reviews for selected titles of the month. In Collections , you'll also find themed reading lists such as World War One Literature and Green Reads . Kirkus has been involved in producing book reviews since the 1930s. This book review site looks at the week's bestselling books, and provides lengthy critiques for each one. As you'd expect, you'll also find dozens of "best of" lists and individual book reviews across many categories and genres. And while you're on the site, make sure you click on the Kirkus Prize section. You can look at all the past winners and finalists, complete with the accompanying reviews of their books. Although Reddit is a social media site, you can use it to get book reviews of famous books, or almost any other book for that matter! Reddit has a Subreddit, r/books, that is dedicated to book reviews and reading lists. The subreddit has weekly scheduled threads about a particular topic or genre. Anyone can then chip in with their opinions about which books are recommendable. Several new threads are published every day, with people discussing their latest discovery with an accompanying book rating or review. You'll also discover a weekly recommendation thread. Recent threads have included subjects such as Favorite Books About Climate Science , Literature of Indigenous Peoples , and Books Set in the Desert . There’s also a weekly What are you Reading? discussion and frequent AMAs. For more social media-like platforms, check out these must-have apps for book lovers . 10. YouTube YouTube is not the type of place that immediately springs to mind when you think of the best book review sites online. Nonetheless, there are several engaging YouTube channels that frequently offer opinions on books they've read. You’ll easily find book reviews of famous books here. Some of the most notable book review YouTube channels include Better Than Food: Book Reviews , Little Book Owl , PolandBananasBooks , and Rincey Reads . Amazon is probably one of your go-to site when you want to buy something. If you don’t mind used copies, it’s also one of the best websites to buy second-hand books . Now, to get book reviews, just search and click on a title, then scroll down to see the ratings and what others who have bought the book are saying. It’s a quick way to have an overview of the book’s rating. If you spot the words Look Inside above the book cover, it means you get to preview the first few pages of the book, too! Regardless of the praises or criticisms you have heard from other book review sites, reading a sample is the most direct way to help you gauge the content’s potential and see whether the author’s writing style suits your tastes. 12. StoryGraph StoryGraph is another good book review site that's worth checking out. The book rating is determined by the site's large community of readers. Key in the title of a book you're interested in and click on it in StoryGraph's search results to have an overall view of its rating. Each book review provides information on the moods and pacing of the story. It also indicates whether the tale is plot or character-driven, what readers feel about the extent of character development, how lovable the characters generally are, and the diversity of the cast. 13. London Review of Books The London Review of Books is a magazine that covers a range of subjects such as culture, literature, and philosophy. Part of its content includes amazingly detailed book reviews. If you feel that most modern book reviews are too brief for your liking, the London Review of Books should suit you best. You'll gain insight into the flow and themes of the story, as well as a more thorough picture of the events taking place in the book. Read Book Reviews Before You Buy The book review sites we've discussed will appeal to different types of readers. Some people will be more comfortable with the easy-to-interpret book rating systems; others will prefer extensive reviews written by experienced professionals. Although it’s easy to be tempted by a gorgeous book cover, it’s always best to have a quick look at the book reviews before actually buying a copy. This way, you can save your money and spend it on the books that you’ll be proud to display on your shelves for a long time. And check out recommendations, as well, to help you find what's worth reading. Entertainment Book Reviews Children’s Books At 95, Jules Feiffer Tries Something New: A Graphic Novel for Young Readers With “Amazing Grapes,” the legendary cartoonist has composed a wondrous hymn to what’s lost and found. From “Amazing Grapes.” Credit... Jules Feiffer Supported by Share full article By Ben Hatke Ben Hatke is the author of the Zita the Spacegirl and Mighty Jack graphic novel series. His most recent graphic novel is “Things in the Basement.” Sept. 13, 2024 Apple Books Barnes and Noble Books-A-Million Bookshop.org When you purchase an independently reviewed book through our site, we earn an affiliate commission. AMAZING GRAPES , by Jules Feiffer At the end of May I found myself on a voyage across the Atlantic aboard the Queen Mary 2, a mere week before the 80th anniversary of the D-Day invasion. Among the passengers were several World War II veterans. Four of them were well over the century mark, and another four were 99. My own grandfather was in Normandy in 1944, so to be traveling with the veterans was humbling, to put it mildly. One of the highlights for me was listening to the stories of Harold Radish, a Jewish man who grew up in 1930s Brooklyn before shipping out to the war and, after a series of harrowing experiences, ended up in a German P.O.W. camp. Radish was nearly 100, but still witty and sharp, with a voice that was a dead ringer for the late Stan Lee. He was a piece of Living History. The legendary cartoonist Jules Feiffer is only four years younger than Radish. Just a bit too young to be claimed by the war, but old enough to be shaped by it. He is of the generation , so to speak. And now, with a lifetime of achievement as a playwright, screenwriter and novelist — a Pulitzer and Oscar winner with a place in the Comic Book Hall of Fame — here he is with a middle grade graphic novel called “Amazing Grapes.” As a storytelling format, the middle grade graphic novel seems ubiquitous now. It’s easy to forget that 25 years ago there was barely such a thing. There was “Bone,” sure, and manga, and there were collections of Scrooge McDuck. But there was nothing like Dog Man, InvestiGators, Amulet, Smile. Feiffer had a whole career before middle grade graphic novels had shelves of their own. His new book is wondrous in its own right, but with it we also get a glimpse of what we might have seen if titans like Shel Silverstein, Maurice Sendak or Tomi Ungerer had tried their hand at a book-length comic. We are having trouble retrieving the article content. Please enable JavaScript in your browser settings. Thank you for your patience while we verify access. If you are in Reader mode please exit and  log into  your Times account, or  subscribe  for all of The Times. Thank you for your patience while we verify access. Already a subscriber?  Log in . Want all of The Times?  Subscribe . Advertisement Join Discovery, the new community for book lovers Trust book recommendations from real people, not robots 🤓 Blog – Posted on Friday, May 01 The best book review sites for enthusiastic readers. Book lovers, stop us if you’ve heard this one before: you’ve just finished a mind-blowing book and you need to hear some discussion about it. What do you do? Dive straight into the limitless realm of the Internet and search for book review sites, of course.  Or here’s another scenario: you’ve finished reading a novel and now you’re searching for something to fill the void. Maybe you want more of the same, or maybe something completely different to switch things up. You’ll probably also scour the Internet for ratings and trustworthy recommendations.  Fortunately, there are endless review blogs and book review sites that you can peruse. Un fortunately, not every one of them features a wide enough variety to help you. But don’t worry: we’ve got you covered with ten of the best book review sites to satisfy the bookworm in you. If you want to cut to the chase and get a personalized pick for a book review site in 30 seconds, we first recommend taking this quick quiz: Which review community should you join? Find out which review community is best for your style. Takes 30 seconds! Then read on for the full explanation of all of the best book review sites out there! 1. Goodreads  It’s impossible not to mention Goodreads when discussing book communities: it’s the Facebook of book reviews — the ultimate social media platform for bibliophiles. If you’ve somehow managed to go this long without stumbling upon this omnipresent site, here’s the run-down: you can use Goodreads to organize, display, and discuss your virtual bookshelf with other users.  Goodreads recommendations are based on your listed interests. You can follow authors and book influencers ranging from Celeste Ng to Bill Gates . This allows you to see all their reviews, which vary from compact one-liners to critical analysis, and watch the new reviews roll in. For a quick verdict, just take a look at the star rating that they give the book.  Also if you like to browse lists, Goodreads compiles the best and most popular books for every genre. There’s also the annual Goodreads’ Choice Awards to celebrate each year’s new releases, where you can cast your vote or peruse the list of contenders to find a new book to read. It’s a site for every kind of reader, with abundant ways to comment and interact.  2. LibraryThing This is the OG of all online book catalogues and discussion boards — take a look and you’ll see that it’s an oldie but a goodie. Of course, the basic functions of LibraryThing are rather similar to Goodreads: there are millions of books that readers can add to their lists, as well as review with star ratings. While the interface harks back to the earlier days of the world wide web, LibraryThing has a secret weapon that’ll appeal to all readers, especially modern ones: their Zeitgeist . This page displays the latest crème de la crème of the whole site, from the most popular books to the hottest reviews , which you can also write with the help of a good book review template . Just a glance shows that the readers here know how to read between the lines and wield their words! So if you’re hoping to read or share some in-depth literary thoughts with fellow sharp-minded users , LibraryThing is the site to browse. (You can even access it without creating an account!)  3. Reedsy Discovery  Now, if you’re searching for some hidden gems to peruse, Reedsy Discovery ’s got your back. While our blog features everything from classics to contemporary hits, Discovery’s specialty is indie publications, many of which are accompanied with succinct comments from experienced reviewers . There’s no better way to broaden your horizon!  Moreover, if casual and creative reviews are more your cup of tea, then rejoice: the burgeoning community of readers on Discovery can leave comments, one-line reviews, and video reviews (calling all Booktubers!) on just about any book. It’s a fun and interactive way to geek out over your favorite reads and discover all the coolest new titles you won’t find anywhere else. Looking for something new to read? Trust real people, not robots, to give you book recommendations. Or sign up with an email address 4. LoveReading  Though it’s UK-based, this prolific site caters to audiences around the world. LoveReading is strictly a reviewing site, with a base of staff writers and carefully selected contributors, so you know the reviews are top-notch. The staff often give quite personal reading experiences in their reviews, which make their recommendations very endearing, like they’re from a close friend. They even offer you presents — well, if you think of giveaways as presents!  LoveReading covers books from every genre you can think of. They also have weekly, monthly, and yearly list features to keep you up to date with the latest stellar releases, so you’ll never be in want of something to pore over.  5. The Millions  In search of reviews that really dive into the themes, metaphors, and overall executions of interesting and highbrow books? The Millions has got you covered.  Written by a collection of seasoned critics, these reviews are speckled with memorable quotes, elegant analysis, and plentiful comparisons to other works — which means extra reading recommendations for you! If contemporary and literary fictions are your go-tos, then The Millions is the site for all your lit nerd needs.  6. SFBook Reviews  Those who think quantity and quality don’t go hand in hand, you clearly haven’t encountered SFBook Review . The five reviewers on the team here share two common and important goals: firstly, to follow the outpour of new titles in the sci-fi, fantasy, and horror genres every year, and secondly, to give thoughtful reviews to as many of them as possible. This team knows their SFF niches inside out, so their verdicts are very credible. Still, their reviews are quite friendly and personal — they discuss other related books and share their reading experiences to help you make your own reading choices.  7. Bookpage Bookpage features all kinds of genres: from children’s books to nonfiction, from the works of household names to debut authors, and so much more. Their format is neat and straightforward — they bring you the volumes they think are most worthwhile, recommending them to you by summarizing and concisely commenting on the prose, the theme, and the plot of each chosen book. In addition to this, Bookpage also features author interviews and articles that unearth the deeper themes and purposes of certain books. If you’re a true book lover seeking like-minded literary aficionados, this may be the perfect place for you. 8. Book Riot  Avid readers, you’ve probably stumbled upon Book Riot more times than you can remember. While it’s not a site that individually assesses titles, it has lists for everything — from timeless literary giants to the top books in each genre. What’s more, Book Riot has lots of thinkpieces that dive deep into the way certain titles make readers feel — be it exhilarated, motivated, or enraged — and that’s really all you need to know when deciding to embark on a new reading adventure.  Additionally, if you’d rather listen to discussions and reviews rather than read them, you'll be happy to know that Book Riot has a range of podcasts for you to choose from.  9. NetGalley  NetGalley is another platform bringing you new and unconventional recommendations. They specialize in connecting authors who are publishing to readers who’d like to preview and put in their two cents. While the database of books available here are not the most expansive, those that are featured are certainly worth your time.  Readers can benefit most from NetGalley via their book recommendation site, Bookish , where the staff reviewers update you with their recent reads and in-depth thoughts on those reads. Along with that, Bookish also has book club kits, equipped with comprehension questions and discussion points, to help readers explore stories mindfully.  10. BookBub While it’s very similar to Goodreads, BookBub focuses more on connecting readers to books that might suit them specifically — which is partly why you’ll see plenty of bargains and deals promoted on the site. Because of this promotional value, BookBub has quite a strong author community. Diana Gabaldon and Gillian Flynn , for instance, are constantly recommending books on their accounts. So if you’d like to tag along with your favorite author, this is an excellent website to visit. The only drawback of BookBub is that they only have community reviews from users based in the US, and you have to sign up in order to read them.  With these ten sites, you’ll be sure to find your little community of fellow book lovers regardless of what your interests are. Here’s to exciting TBR lists and nourished minds! If you want to try your hand at reviewing, we’ve got a little guide to help you out ! On the other hand, if you want to plough away at your books, why not consider the Kindle Cloud Reader ? Continue reading More posts from across the blog. The 61 Greatest Indie Books of All Time Indie books are books that have been self-published, or published by 20 Modern Fairy Tales to Make You Believe in Magic Again A witch’s curse, a magic door, a princess finding her ever-after. Fairy tales have been with us for so long that it’s hard to argue their appeal. They’re the stories that have wove... 40 Haiku Poem Examples Everyone Should Know About In this post, we’ve put together 40 haiku poem examples everyone should know about Heard about Reedsy Discovery? Or sign up with an Or sign up with your social account Submit your book Reviewer directory Want to be a book reviewer? Review new books and start building your portfolio. Skip to main content Keyboard shortcuts for audio player Book Reviews LISTEN & FOLLOW Apple Podcasts Amazon Music Your support helps make our show possible and unlocks access to our sponsor-free feed. Rachel Kushner's new espionage thriller may be her coolest book yet Maureen Corrigan Crater Lake Simon and Schuster hide caption Rachel Kushner is one tough customer. She disdains sentimentality and traditional storytelling, instead challenging readers to keep up with her and not to flinch. In acclaimed novels like The Flamethrowers and The Mars Room , Kushner has written about political extremists, motorcycle daredevils and artists living on cigarettes and turpentine fumes. Given a literary track record studded with broken glass, it’s surprising that Kushner has taken so long to try her hand at one of the bleakest genres of them all. Creation Lake is an espionage thriller sealed tight in the soiled plastic wrap of noir. Existential dread and exhaustion are its signature moods; double-crossing, seduction and sudden death its plot devices. Orson Welles fans may find themselves humming the iconic theme music from The Third Man as they read Kushner’s latest novel: She’s Welles’ partner-in-grime in terms of her stylized depictions of the world as a spiritual and moral vacuum. Brilliant But Devastating, 'The Mars Room' Chronicles Life Behind Bars The main character of Creation Lake is a hard-drinking, good-looking, 34-year-old American woman called Sadie Smith — at least that’s her name for the time being. Sadie has been known by lots of names — aliases — in her work as an undercover agent, at first for the FBI; more recently, for anonymous private clients. That’s all we know of Sadie’s backstory: Like many fictional spies, she arrives on the page scrubbed of a personal past. Sadie’s current assignment requires infiltrating a radical farming collective in a remote region of France. Local water supplies there are being diverted into planned “megabasins” for the use of agricultural corporations. Some of the construction equipment of those corporations has been sabotaged and the "anarchists" living on that collective are the prime suspects. Deploying her self-described “bland” good looks and a breast augmentation, Sadie initiates what’s known in the spy trade as a "cold bump” — a seemingly random encounter with a filmmaker named Lucien who’s an old friend of the co-op’s leader. Soon enough, she and Lucien are living together and Sadie wields her status as his girlfriend to insinuate herself into the anarchist group. Racing From Art To Revolution And Back Again In 'The Flamethrowers' But, seductive as Sadie is, she meets her match in an intellectual seducer of sorts: an elderly philosopher named Bruno who advocates pre-industrial — even pre-historic — modes of living and serves as a guru to the anarchists. For months, Sadie has been monitoring Bruno’s emails back and forth with the group, hoping to find incriminating sabotage plans. Even as she dismisses him as a “lunatic,” Sadie becomes intrigued by Bruno’s rejection of modern life and his decision to retreat underground long ago and live in a network of caves beneath his farm. “We are headed toward extinction in a shiny, driverless car [Bruno writes in one of his emails], and the question is: How do we exit this car?” The idea of making an exit from her own “car” — her own vacant life of disguises — takes possession of Sadie. You don’t read Kushner for the “relatability” of her characters or even, particularly, for what happens in her novels. Instead, she draws readers in with her dead-on language and the yellow-tipping-to-orange threat-alert atmosphere of the worlds she imagines. Here, for instance, are snippets of an extended passage where Sadie makes a pit stop on her drive from Paris to the secluded region where the collective is located. Pulling into the parking lot of an abandoned inn Sadie tells us: The air was damp and warm and close, like human breath. The lot was crisscrossed with patterned ruts from truck tires. ... It felt like a place of aftermath, where something had happened. I peed in the wooded area beyond the open lot. While squatting, I encountered a pair of women’s Day-Glo-orange underpants snagged in the bushes at eye level. This did not seem odd. Truck ruts and panties snagged on a bush: that’s “Europe.” The real Europe is not a posh café ... The real Europe is a borderless network of supply and transport. ... A girl or woman fallen on hard times ... had left her underwear in these woods. Big deal. Her world is full of disposability. Like Bruno-the-philosopher, Kushner is a dazzling chronicler of end times. The only thing that isn’t disposable in her novels is her own singular voice as a writer. Here are the new books we're looking forward to this fall Biggest New Books Non-Fiction All Categories First Readers Club Daily Giveaway How It Works The Best Reviewed Books of the Week Featuring elizabeth strout, ronald reagan, roddy doyle, and more. Share on Facebook (Opens in new window) Click to share on Twitter (Opens in new window) Click to share on Google+ (Opens in new window) Click to share on LinkedIn (Opens in new window) Click to share on Reddit (Opens in new window) Click to share on Tumblr (Opens in new window) Click to share on Pinterest (Opens in new window) Click to share on Pocket (Opens in new window) Elizabeth Strout’s Tell Me Everything , Max Boot’s Reagan: His Life and Legend , and Roddy Doyle’s The Woman Behind the Door all feature among the best reviewed books of the week. 1.  Tell Me Everything by Elizabeth Strout (Random House) 7 Rave • 2 Positive • 3 Mixed “Brings together Strout’s most indelible characters in a rich tapestry, intricately wrought yet effortlessly realized, both suspenseful and meditative … An achingly moving and exhilarating novel that brings people together across lines of age, gender, profession, political affiliation.” –Priscilla Gilman ( The Boston Globe ) 2. The Woman Behind the Door by Roddy Doyle (Viking) 6 Rave • 4 Positive “I don’t want to hear from a man writing in the voice of a battered, alcoholic older woman (a well-worn template of female suffering). I just don’t … The good news for Doyle is that I read his new Paula Spencer novel, The Women Behind the Door, anyway. And that he’s excellent at capturing the kind of tension I’m describing and the fraught stories we tell about ourselves as a result … There’s much to admire here. And for Doyle fans, the novel will feel familiar: It is unflinching and dark, brutal in its economy, wry and mostly devastating.” –Fiona Maazel ( The New York Times Book Review ) 3. Two-Step Devil by Jamie Quatro (Grove) 5 Rave • 4 Positive “Quatro alchemizes gloomy subject matter…into transcendent beauty … Rather than pitting these seeming polarities against each other, Quatro skillfully mines the gray areas between them, the realms of ambiguity that are far more indicative of the human experience … Theologically avant-garde and emotionally supple.” –Melissa Broder ( The New York Times Book Review ) =1. Hiroshima: The Last Witnesses by M. G. Sheftall (Dutton) 4 Rave • 1 Positive “”[Sheftall] proves that first-person accounts are the most powerful tool to educate and reeducate the world about what happened … Sheftall’s voice is respectful, his perspective balanced, his access to a network of people willing to share their lives with him very deep … Sheftall does not spare readers from this human-made inferno. His chapters are short, the prose is tight, and the memories are in Technicolor … For those who want to understand what happened underneath the mushroom cloud—and shouldn’t we all?—Sheftall’s sweeping, sensitive and deeply researched book is required reading for our human hearts.” –Karin Tanabe ( The Washington Post ) =1. Who Could Ever Love You: A Family Memoir by Mary L. Trump (St. Martin’s Press) “Without the Trump name attached, this would still be a moving (if somewhat disjointed) look at a sad childhood. But Trump’s readers get it by now. In her family, cruelty was a feature not a bug.” –Ilene Cooper ( Booklist ) 3. Reagan: His Life and Legend by Max Boot (Liveright) 3 Rave • 1 Positive “Aims to be the definitive biography, and it succeeds. It’s a thoughtful, absorbing account. It’s also a surprising one. One might expect, given Boot’s trajectory, that this would be a full-throated defense of Reagan, the Last Good Republican. But it is not.” –Daniel Immerwahr ( The New Yorker ) Share this: Click to share on Facebook (Opens in new window) Get the Book Marks Bulletin Email address: Categories Fiction Fantasy Graphic Novels Historical Horror Literary Literature in Translation Mystery, Crime, & Thriller Poetry Romance Speculative Story Collections Non-Fiction Art Biography Criticism Culture Essays Film & TV Graphic Nonfiction Health History Investigative Journalism Memoir Music Nature Politics Religion Science Social Sciences Sports Technology Travel True Crime September 12, 2024 When Aldous Huxley dropped acid Laura Wheatman Hill digs into the NaNoWriMo AI kerfuffle Sequential bodies in comics Advertisement More from the Review Subscribe to our Newsletter Best of The New York Review, plus books, events, and other items of interest October 3, 2024 Current Issue Duterte’s Cruel Tricks October 3, 2024 issue Rouelle Umali/Alamy Then president Rodrigo Duterte at a Philippine National Police ceremony, Quezon City, Philippines, April 2018 Submit a letter: Email us [email protected] Some People Need Killing: A Memoir of Murder in My Country Before the 2016 election in the Philippines, the journalist Patricia Evangelista pleaded with her readers not to believe the sinister promises of Rodrigo “Rody” Duterte, the leading candidate for president. Duterte, a trash-talking strongman from Davao City, on the southern island of Mindanao, had made a career of deploying cops, prosecutors, and vigilantes to commit violence against “criminals,” especially drug users and dealers, in the name of public safety. Now he was vowing to export this brutal politics to Manila and the rest of the country. Evangelista listened carefully to his speeches: Vote for people like us, he says. People like you and me. There are many of us. Don’t vote for people who defend criminals. Forget about the laws protecting human rights. Forget about the regulations made by men. Look up to the sky, and there you will see the eternal justice of God. By what right in the universe do those sons of bitches dare to cook up crystal meth? Where in the vastness of the sky do they find the license to feed drugs to the nation’s children? He had entered the race to oppose Grace Poe, the adopted daughter of Filipino movie stars and a former US citizen. “I cannot accept an American president,” Duterte said. He was the antithesis of Poe: ruthlessly masculine, Filipino to his core, disdainful of America’s liberal-democratic pieties. As the mayor of Davao, he had overseen the killings of more than 1,400 alleged criminals. “The streets will run red if Rodrigo Duterte keeps his promise,” Evangelista wrote. “Take him at his word—and know you could be next.” Evangelista was working the “night shift”—the drug-war beat—for the Manila-based news website Rappler. Within hours of Duterte’s inauguration, the first victim “was found at three in the morning abandoned in a Tondo back alley,” she writes. “A cardboard sign sat on his chest: I AM A CHINESE DRUG LORD .” The police would later admit that they were killing an average of six “drug suspects” per day. Duterte invited the nation to join him in eliminating “drug pushers” and “addicts.” His assault recalled other drug wars waged in the US, Mexico, and Thailand: it responded to real concerns over the spread of cheap, toxic substances and related crime, especially in poor areas, yet did little to cure the joblessness, despair, and chronic pain that often lead people to use and sell. (The average monthly income in the Philippines, which has a population of 115 million, is about $314.) Duterte’s battlefields were far from the gated communities of Manila. His drug war’s only tool was punishment, and in this he was singularly unrestrained. During Duterte’s six-year presidency, his government and supporters killed between 12,000 and 30,000 people; thousands more were tortured, arrested, and imprisoned. His government contorted numbers to cast drugs as the biggest problem in society. Law enforcement exploited the syncretic inventiveness of spoken Filipino to cover acts of unimaginable cruelty. Evangelista offers a partial glossary of this regime: tokhang , a Visayan portmanteau ( toktok plus hangyo ) for “knock and plead,” meaning house visits made by the police in hunts for small-time suspects; salvage , from the Spanish salvaje , which had morphed into “apprehend and execute without trial”; and nanlaban , “to fight back,” used by activists during martial law and now, under Duterte, “the assumption of resistance in the drug war: you fought, and then you died.” In her reported memoir, Some People Need Killing , Evangelista writes that the president, with all the cultivated vulgarity of his speech, “did not call for murder, not once. It was a word he avoided with careful precision.” Those even suspected of drug use or drug dealing “would ‘have to perish,’ said the president. They would be ‘wiped out from the face of the earth.’” Some People Need Killing is both a reporter’s notebook and a contemporary political history of the Philippines. Evangelista pulls from her investigations at Rappler, augmented by diaristic recollections. (“I spent the nights in the mechanical absorption of organized killing.”) She explains in the preface: “This is a book about the dead, and the people who are left behind. It is also a personal story, written in my own voice, as a citizen of a nation I cannot recognize as my own.” Evangelista was born in 1985, the last full year of Ferdinand Marcos’s rule. 1 In 1983, Benigno “Ninoy” Aquino Jr., the former journalist and exiled opposition leader, had returned to Manila from Harvard, only to be murdered on the tarmac. When Marcos fixed a subsequent election, hundreds of thousands of Filipinos took part in the Edsa Revolution, which finally dethroned him. “My people said that no man should die because a dictator said he must,” Evangelista writes. “They said it in front of guns. They knelt and they sang and they prayed and they were brave, and because they were, I was born free.” (The writing is like this throughout: dramatic and grandiose.) President Reagan welcomed the Marcoses and their billions in loot to Hawaii; Aquino’s widow, Corazon, became president of the Philippines. During this transition, the Aquino administration installed caretaker bureaucrats throughout the country. In Davao, which had a long history of violence between US-backed government forces and Communist and Islamist rebels, she tapped seventy-year-old Soledad “Soling” Duterte, a schoolteacher and the wife of a former governor. Soling asked that her son Rody, a recent law graduate, take the position instead. In 1988 he was elected mayor, a position he would hold, on and off, until 2016. Rody had grown up wealthy—in “a house with a cook and a driver and an errand boy and a passel of bodyguards”—yet asserted his distance from the transnational elites of Manila. (If the Philippines had to align with a superpower, he preferred China to the US, the former colonizer.) He claimed to know the struggles of a traumatized population and promised to eliminate petty crime, rape, and murder, even if that meant becoming a murderer himself. Drug users and dealers—especially of shabu , the common term for crystal methamphetamine—were metonyms for criminality. Evangelista, who was raised in a middle-class, intellectual household near Manila, has the kind of profile Duterte liked to angle himself against. Her grandfather was a journalist and a founding member of the National Press Club of the Philippines, with close ties to the ruling class. “He shared a typewriter with Ninoy and sent bushels of fresh tomatoes to Marcos,” she writes. As a student at the University of the Philippines, she traveled to London to participate in a public-speaking contest, delivering a speech “about the Filipino diaspora and the promise of multicultural cooperation.” Around that time, the Davao Death Squad, a vigilante group associated with Duterte, engaged in what the United Nations has called “a systematic practice of extrajudicial killings.” Yet these horrors were not widely known outside Mindanao. After graduation, Evangelista worked for the English news channel of ABS-CBN , the country’s dominant TV broadcaster. In 2009 she was dispatched to Maguindanao, a Muslim area of Mindanao, to cover a massacre of fifty-eight people, the majority of whom were journalists. (“I was, at the time, a foreign correspondent in my own country,” she says of her first visit to Duterte’s home region.) She reported to an editor named Glenda Gloria; the head of the newsroom was a former CNN correspondent, Maria Ressa. “Philippine journalism,” Evangelista writes, “is a largely female enterprise.” This was certainly the case at Rappler, which Ressa and Gloria founded in 2011. Evangelista was one of their first recruits. As a profile in The New York Times Magazine noted, initially “competitors derided the mostly female reporting staff as ‘Rappler-ettes.’” But the site made stars of dogged young investigators like Pia Ranada, who at twenty-five covered Duterte’s campaign “before the rest of the news media caught on.” Evangelista, the site’s “trauma reporter,” linked Duterte the politician to Duterte the commander of a war against his own people. She observed how he took the crude puffery of electioneering to a macho extreme. He bragged, as part of his platform, about having shot a classmate at law school, or about a bust of Chinese drug suspects in Davao, in which he’d told a police officer to “finish them off.” (The officer did, killing nine and leaving his colleague to kill two more; they split the bounty.) Duterte and Donald Trump, with whom he ascended in parallel, were around the same age and indulged in a similar shtick: hulking shoulders, comedic timing, misogyny, a message of total liquidation. Duterte would quickly become part of a global authoritarian vogue. What sorts of voters would find this appealing? Evangelista sketches a few profiles. Joy Tan, from a town in Mindanao, had seen family members resort to drugs in the face of conditions beyond their control: “cannon blasts from Camp Abubakar” (rebel fighting); “a riot over the failed delivery of rice supplies”; “the day Super Typhoon Haiyan pounded the province into rubble.” When her brother and cousins sank “so deep into their addictions that they were stealing from the family to buy illegal drugs out of Liguasan Marsh,” she wished for their arrest. Duterte promised to save them all, and Tan was ready to believe: “When Tan saw Duterte on television, ‘it was like seeing Jesus.’” Jason Quizon—who rose from poverty to become an OFW (Overseas Filipino Worker) in the Gulf, supervising a pipeline project—was inspired by Duterte’s campaign against corruption. Just before the election, an extortion scheme that involved the planting of bullets in airport luggage had put OFW s like him in constant fear. “The line between traveling safely and spending weeks in jail had become a narrow one, dependent on the whim of a single airport employee,” Evangelista writes. It was a banal but emblematic dysfunction, which President Benigno Aquino III, son of Ninoy and Corazon, who took office in 2010, mostly ignored. Mayor Duterte stepped into the gap, promising to hire lawyers for scam victims and issuing an ultimatum to Aquino. “What Jason liked was that the mayor was a man of action. That he swore like Jason, spoke like Jason, saw solutions instead of problems, as Jason did.” Duterte won the presidency by a large margin, in a five-way race. Yet at the same time, Filipinos chose as their vice-president (the two are elected separately) Leni Robredo, a human rights lawyer and an ally of Aquino, over Ferdinand “Bongbong” Marcos, the dictator’s son. “The results in that race demonstrated the capricious nature of Philippine democracy”: an authoritarian from Davao was not the same as a dynastic successor. But neither Robredo nor the parliament could stop the new president from pulling the levers of the drug war. Politicians made kill lists, while police officers and vigilantes were rewarded with cash. (The book’s title comes from something a vigilante says at one point: “I’m really not a bad guy. I’m not all bad. Some people need killing.”) Shakedowns were common. Evangelista tells the story of Elena de Chavez, the mother of a young trans woman named Heart who sold tiny amounts of drugs. “It was an enterprise that terrified her mother,” Evangelista writes, but “Heart brushed off the warnings. She said no cop would take notice of a ten-dollar deal. She was wrong.” The police arrested and jailed Heart, then demanded money; de Chavez pawned her husband’s pension to retrieve her daughter. Heart was released, but three days later seven masked gunmen broke into her home and dragged her to a shack down the street. “The man in the lead held his gun with both hands. He ordered everyone back into their homes,” Evangelista writes. De Chavez “found Heart inside an empty house with a bullet in her cheek.” 2 Neither local policemen nor vigilante gangs took their orders directly from Duterte. But his mandate filtered down throughout the country. 3 Much of her book consists of reconstructed crime scenes, such as the tokhang of Dee and Ma, a married couple suspected of using drugs, in a Manila slum. Ma had so feared the coming of the drug war that she kept their treatment records close at hand. “The baby wailed. Ma wept. She thrust a handful of paper at the man who killed her husband. Here was proof, she sobbed, that they had mended their ways.” The witnesses to this execution were the couple’s eleven-year-old daughter, Love-Love, and a baby curled on Dee’s chest. Many, many Filipinos risked their lives to speak with Evangelista and other journalists and human rights groups. A few politicians also resisted the drug war, including Leila de Lima, a lawyer and former senator who’d condemned Duterte when he was still in Davao. De Lima was jailed on bogus drug charges from 2017 until she was allowed to post bail in November 2023, and still faces prosecution. Evangelista offers the case of Efren Morillo, who survived a massacre by the police in Quezon City. He was playing pool outside a friend’s house, with four other men, when a group of officers approached. They ransacked the home and found no drugs, but beat and shot all the men anyway, claiming nanlaban. “Call the crime scene operatives,” one of the officers instructs. “Leave the evidence behind. Say they all fought back.” Morillo, the sole survivor, was prosecuted for assault but refused to take a plea deal. After five years in court, he was acquitted. “The discovery of those lies,” Evangelista writes, was “due only to a single irregularity in the daily circumstances of fatal police encounters under the administration of Rodrigo Duterte. That irregularity is named Efren Morillo.” Not only in the Philippines, but in much of the world, drug use is treated as a moral defect or mental dysfunction. Some People Need Killing doesn’t quite explain how Duterte was able to twist this prejudice into a policy of mass murder. What social conditions made this possible? A bad economy? An increase in crime? Dissatisfaction with the politics that came before? Perhaps Evangelista decided that any explanation would be too conjectural. But as the award-winning Filipino podcast Tokhang sa Tokhang argues, Duterte was not the first politician to push a drug war in the Philippines. In the 1970s and 1980s, Marcos Sr. persecuted drug users alongside Communists; he oversaw the establishment of the Dangerous Drugs Board, a health agency with a tellingly judgmental name. In the 1990s, Vice President Joseph Estrada founded an abstinence initiative based on the Reagan-era Drug Abuse Resistance Education ( DARE ) program, and Alfredo Lim, the mayor of Manila, mirrored Duterte’s Davao approach, killing dozens of suspected drug users and dealers. The persecution of opium users by the Catholic Church goes much further back, to the colonial period. Evangelista notes that the use of illicit drugs in the Philippines is quite low, “roughly half the global average.” 4 The Duterte administration exaggerated the crisis by inventing data and making unscientific claims. (In a recent book, The Ghost in the Addict , the psychologist Shepard Siegel cites Duterte as an extreme case of “appealing to the brain-disease model of addiction”—the idea that every drug user is an addict, and that every addict is beyond rationality.) Yet polls throughout Duterte’s term showed overwhelming support for the war on drugs. Researchers Gideon Lasco and Lee Edson Yarcia have observed that, because of a longstanding religious panic around drug use and limited investments in behavioral health and harm reduction, many Filipinos see forced treatment in prisonlike settings as the only alternative to violent punishment—a “paradigm that dichotomizes between killing and ‘rehab.’” (In my reporting on drug policy in the US, I’ve observed a similar, stubborn reliance on criminal penalties and mandatory treatment.) Every war on drugs is principally a war on the poor, waged in alleyways and shacks. Evangelista describes the home life of Djastin Lopez, who was killed for having used marijuana and meth: twenty-eight members of his family “lived shoulder to sweaty shoulder in four boxes each roughly the size of a standard parking space.” She often had to refuse her sources’ requests for burial expenses. “Sometimes a grandmother would tell me there was no money for school. One woman would plead every so often for a loan—for food, for power bills, for rent, for funds to visit a son in jail.” Evangelista typed these harrowing stories while drinking cappuccinos and chain-smoking in her “apartment suburbia,” she writes with bleak self-awareness. “Had I not been a journalist, the practical impact of Rodrigo Duterte’s election on me would have been limited to my tobacco consumption and little else.” Evangelista worked at Rappler between 2011 and 2018, a difficult period for Filipino journalists. (She left “halfway through the war,” to take a nonfiction fellowship in New York. “Rappler decided my presence in Manila was a security risk. I agreed.”) Some two dozen media workers were killed while Duterte was in power; the majority of these crimes occurred in urban areas and went unsolved. In December 2021, for example, gunmen murdered Jesus Malabanan, a freelance reporter and a contributor to Reuters’s Pulitzer-winning coverage of the drug war, as he was watching television in his family’s store. The Duterte administration also engaged in widespread “red-tagging” (red-baiting), singling out journalists (and activists and professors, among others) as communists. Len Olea, the secretary-general of the National Union of Journalists of the Philippines, recently likened this experience to “having a target on your face.” Duterte also went after entire media outlets. In 2020, during the worst months of the pandemic, his administration refused to renew the broadcast license of ABS-CBN , Evangelista’s first workplace, jeopardizing 11,000 media jobs and potentially cutting off a weekly audience of 70 million. (The company now has half the number of employees.) Rappler faced the retraction of its operating license and charges of tax evasion and “cyberlibel”; its reporters, most of whom were in their twenties, were banned from the presidential palace. The site was also denigrated as a propaganda arm of the CIA based on its receipt of foreign (namely, American) funding and its large Western readership. “We were threatened daily on social media,” Evangelista writes. “Because we were women, the threats included rape.” (Ressa, the editor-in-chief, won the Nobel Peace Prize in 2021. Last month an appeals court in the Philippines ruled that Rappler’s license should be restored.) It was harder yet for the photographers. Evangelista mentions Eloisa, who “supplemented the five-dollar contributing freelancer rate with weekends shooting birthday parties,” and Vincent, who was often “the only journalist left following the morgue truck…. Once, when the call came on a Sunday night, he brought his toddler along, leaving her in the car with his wife just long enough to do his job.” Just before Christmas 2020, an off-duty police officer in Manila shot and killed his neighbors: a mother, Sonya, and her grown son, Anton. The cop had become upset when Anton launched an improvised boga firecracker, and the two men got into a fight outside. Sonya intervened, as did the cop’s teenage daughter, who yelled, “My father is a policeman” (meaning, “Do you know who you’re dealing with?”), after which the cop pulled out his gun. It was all caught on video, and #MyFatherIsAPoliceman went viral. The double homicide caused many Filipinos to reevaluate the war on drugs. For Evangelista, the murders registered with “no particularity.” She scoffed at a Twitter post that read, “This is not who we are.” Her anger wasn’t directed at the police alone. “I was furious instead at everyone who announced their indignation after ignoring a four-year parade of coffins.” Near the end of the book, Evangelista stands on Epifanio de los Santos Avenue as cannons shoot confetti into the air. It’s February 2022, the anniversary of the Edsa Revolution, and Duterte, “whose government had allowed the burial of the dictator Ferdinand Marcos in the Cemetery of Heroes with a twenty-one-gun salute,” has chosen not to come. A few months later, on election day, Evangelista is back on the same avenue. Bongbong Marcos and Sara Duterte, the former president’s daughter, have been elected president and vice-president. “The jubilant crowds have poured into the driveway of the Marcos-Duterte campaign headquarters,” Evangelista writes, “where the citizens of the revolution once marched to overthrow Ferdinand Marcos, Sr.” Duterte’s youngest son, meanwhile, is elected mayor of Davao. Today, nearly two years into Marcos Jr.’s term, the killings have slowed down, but Duterte’s drug war is still official policy, still coming into view. In August a former high-ranking customs official accused close allies of Duterte, including his son and son-in-law, of direct involvement in importing more than a ton of shabu from Vietnam, valued at nearly $200 million, in 2018. (Duterte denies the allegations.) Marcos, meanwhile, has refused to cooperate with the International Criminal Court in a probe of crimes against humanity: “It’s not right for outsiders to tell us who to investigate,” he said at a press conference last fall. Evangelista was recently on book tour in the Philippines. 5 Northeast of Manila, in Quezon City—home to Love-Love, the girl who’d watched a vigilante shoot her parents, and Morillo, the stubborn pool player who wasn’t meant to survive—Evangelista met with survivors and family members at the Church of Our Lady of the Promised Land. They held candles and stood in a circle, under a big white banner that said “ STOP THE KILLINGS .” Despite their protests, despite the investigative reporting and testimonies and human rights reports, the killings did not stop. As journalists, we labor and wish for a different result: accountability, social change, the affliction of the powerful. When this doesn’t happen, what do we make of our work? Returning to the Rappler newsroom this past spring, Evangelista emphasized the keeping of evidence over transformation: “I hope to have honored the people who told the story. I hoped to have done it in a compelling fashion. And I believe in a record, I think that’s what I offer.” At the church meeting in Quezon City, a young woman named Marilyn Malimban, whose boyfriend was murdered on his knees by the police, addressed her fellow survivors—and perhaps us reporters, too. “Tell the story,” she said. “Tell it, again and again. Even if there is no justice now, there is justice above. There is justice somewhere else.” Dynamism & Discipline Living the Nakba An Entry of One’s Own Subscribe to our Newsletters More by E. Tammy Kim The current Hollywood strikes have a precedent in Disney’s golden age, when the company was a hothouse of innovation and punishing expectation. October 5, 2023 issue The longshoreman labor leader Harry Bridges may no longer be widely known, but his philosophy of inclusive, democratic unionism imbues much of today’s most ambitious organizing campaigns. April 20, 2023 issue May 14, 2022 E. Tammy Kim is a contributing writer for The New Yorker , a Puffin Fellow at Type Media Center, and a contributing editor at Lux . (October 2024) Marcos and his glamorous wife, Imelda, stole billions from the state treasury while presiding over the arrests and killings of thousands of supposed “Communists,” all with American support—a common cold war story.   ↩ Later, one of Evangelista’s sources in law enforcement arranges for de Chavez to receive “a wad of bills. Seven thousand pesos, the exact amount Elena claimed had been extorted by the Pritil police.”   ↩ The early years of the drug war focused on greater Manila and depended heavily on vigilante labor; later, the epicenter migrated to Luzon, and the police played a larger role.   ↩ Other reporting, from 2016, suggests that the rate of drug use might be even lower: 1.69 percent of Filipinos ages ten to sixty-nine, compared with a global average of 5.2 percent of people ages fifteen to sixty-four. See Camille Diola, “How Duterte’s Drug War Can Fail,” The Philippine Star , September 19, 2016.   ↩ In January the journalist Carolyn Arguillas met with Duterte and handed him a copy of the book. He hadn’t heard of it, she wrote, but “his eyes lit up upon hearing the title.” See Carolyn Arguillas, “Gifting Duterte with Pat Evangelista’s Book,” Mindanao Times , January 12, 2024.  ↩ ‘Knee Deep in the Hoopla’ December 21, 1989 issue Lost in the Cosmic June 14, 1990 issue The Russians Have a Word for Dressing Up Reality December 22, 1988 issue The Senator Giovanni Agnelli International Prize March 17, 1988 issue Short Review November 20, 1980 issue The Lion of Judah May 20, 1965 issue The Good Soldier December 22, 1983 issue Reagan and the Apocalypse January 19, 1984 issue Subscribe and save 50%! Get immediate access to the current issue and over 25,000 articles from the archives, plus the NYR App. Already a subscriber? Sign in 174 IMAGES Examples Of Book Reviews For College How to Write a Book Review in 5 Steps Book Review Form for Kids How to Write a Professional Book Review 50 Best Book Review Templates (Kids, Middle School etc.) ᐅ TemplateLab Example Book Review Essay VIDEO How to write Book Review || Book Review on "The Great Gatsby write a book Review || book review || class 10,11,12 ||#shorts #gurubaa #class12th #bookreview HOW TO REVIEW A BOOK i bought 25+ books... BOOK HAUL!!! ★ How to Review a Book July Book Review COMMENTS 17 Book Review Examples to Help You Write the Perfect Review It is a fantasy, but the book draws inspiration from the Second Sino-Japanese War and the Rape of Nanking. Crime Fiction Lover reviews Jessica Barry's Freefall, a crime novel: In some crime novels, the wrongdoing hits you between the eyes from page one. With others it's a more subtle process, and that's OK too. How to write a book review: format guide, & examples Step 1: Planning Your Book Review - The Art of Getting Started. You've decided to take the plunge and share your thoughts on a book that has captivated (or perhaps disappointed) you. Before you start book reviewing, let's take a step back and plan your approach. How To Write a Book Review, With Examples 4 tips for writing a book review. 1. Avoid repetition. A book review is its own piece of writing. By that, we mean your book review shouldn't just repeat the book's plot. It should add a new perspective about the book. 2. Be concise. Don't ramble in your book review. How to Write a Book Review: The Complete Guide How to Write a Book Review: Consider a Book's Promise. A book makes a promise with its cover, blurb, and first pages. It begins to set expectations the minute a reader views the thumbnail or cover. Those things indicate the genre, tone, and likely the major themes. If a book cover includes a lip-locked couple in flowing linen on a beach, and ... How to Write a Book Review: Tips and Tricks A good book review is a balance between objective and subjective. Writing one takes time and effort. If you always consider pulling out the positive things you liked about a book before you go off on a rant, you'll help yourself, the author, and potential other readers better. How to Write a Book Review in 3 Steps Be sure to mention the authors of the title and what experience or expertise they bring to the title. Check Stefan Kløvning's review of Creativity Cycling for an example of a summary that establishes the framework of the book within the context of its field. Step 2. Present your evaluation. How to Write a Book Review (Meaning, Tips & Examples) How to write a book review. Note down the key points- This is an important step before writing a book review. Jot down your analysis about the characters, themes, plot, and your personal view. Also, note down the book title, author's name, and any relevant information about the book. Start with a strong introduction- Mention the author's ... Book Reviews A review is a critical evaluation of a text, event, object, or phenomenon. Reviews can consider books, articles, entire genres or fields of literature, architecture, art, fashion, restaurants, policies, exhibitions, performances, and many other forms. This handout will focus on book reviews. How To Write A Book Review: 6 Steps To Take 1. Begin with a brief summary of the book. This is probably the best way to introduce any review because it gives context. But make sure to not go into too much detail. Keep it short and sweet since an official summary can be found through a quick google search! 2. Pick out the most important aspects of the book. How to Write a Book Review: 3 Main Elements of a Book Review Teaches Fiction, Memory, and Imagination. Teaches Fantasy and Science Fiction Writing. Teaches Poetic Thinking. Teaches Writing and Performing Poetry. Icons and Their Influences. Teaches Investigative Journalism. Teaches Filmmaking. Teaches Documentary Filmmaking. Tell a Great Story. How to Write a Book Review (The Definitive Guide) Here is a step-by-step guide to on how to write a book review: 1. Read the book thoroughly. When you receive a copy of the book, the first thing you should do is read it thoroughly. Don't rush into writing a book review. You must be as thorough as possible and be familiar with the most subtle aspects of the book. The Only Book Review Templates You'll Ever Need Blog - Posted on Thursday, Nov 11 The Only Book Review Templates You'll Ever Need Whether you're trying to become a book reviewer, writing a book report for school, or analyzing a book, it's nice to follow a book review template to make sure that your thoughts are clearly presented.. A quality template provides guidance to keep your mind sharp and your thoughts organized so that you can ... How to Write a Book Review: The Ultimate Guide The real value of crafting a well-written book review for a student does not lie in their ability to impact book sales. Understanding how to produce a well-written book review helps students to: Engage critically with a text. Critically evaluate a text. Respond personally to a range of different writing genres. Writing a Book Review While book reviews vary in tone, subject, and style, they share some common features. These include: A review gives the reader a concise summary of the content. This includes a description of the research topic and scope of analysis as well as an overview of the book's overall perspective, argument, and purpose. Book Review Reviews, essays, best sellers and children's books coverage from The New York Times Book Review. 4 Ways to Write a Book Review 5. Wrap up the review. Write a concluding paragraph or several sentences that sum up your critical analysis of the book. If your critical position has been well argued, the conclusion should follow naturally. Examine the strengths and weaknesses of the book, and discuss whether you would recommend the book to others. Kirkus Reviews OK, how about some. Featuring 341 industry-first reviews of fiction, nonfiction, children's, and YA books; also in this special mysteries & thrillers issue: Attica Locke, Ron Stallworth, Sara Varon, Maureen Johnson; and much more. One of the most coveted designations in the book industry, the Kirkus Star marks books of exceptional merit. How to Write a Book Review: Structure, Writing Tips, Template Book Review Structure. A book review outline usually follows a structured format with an introduction, main body, and conclusion. Introduction. This section introduces the book, mentioning its title, author, genre, and publication details. It gives a brief overview of the book's premise and main themes to provide context for the reader. Main Body How to Write a Book Review: Step-by-Step Guide A Well-Written Book Review. Writing a book review helps you engage deeply with a text and provides valuable feedback for both readers and the literary community. Making one doesn't have to be complicated; simply follow the steps above, and you'll have all the tools to write a thoughtful and helpful review. Book reviews are valuable tools ... 25 Book Review Templates and Ideas to Organize Your Thoughts Design your own book cover. Make fan art. Elements to incorporate into a review: Quick/initial thoughts (often while reading or immediately after reading), then a more in-depth review (common on Goodreads) A list of facts about the book or a character from the book. Book club questions about the book. Book Review Reviews, essays, best sellers and children's books coverage from The New York Times Book Review. Book Reviews Book Reviews. The US Review of Books connects authors with professional book reviewers and places their book reviews in front of 23,396 subscribers to our free monthly newsletter of fiction book reviews and nonfiction book reviews. Learn why our publication is different than most others, or read author and publisher testimonials about the USR. The 13 Best Book Review Sites and Book Rating Sites The London Review of Books is a magazine that covers a range of subjects such as culture, literature, and philosophy. Part of its content includes amazingly detailed book reviews. If you feel that most modern book reviews are too brief for your liking, the London Review of Books should suit you best. Book Review: 'Amazing Grapes,' by Jules Feiffer 100 Best Books of the 21st Century: ... The Book Review Podcast: Each week, top authors and critics talk about the latest news in the literary world. Listen here. Advertisement. 'Two-Step Devil' by Jamie Quatro book review books Book Reviews Fiction Nonfiction Summer reading 'Two-Step Devil' bears witness to the fragile state of human existence. In Jamie Quatro's new novel, suffering is hard to watch and ... The Best Book Review Sites For Enthusiastic Readers Then read on for the full explanation of all of the best book review sites out there! 1. Goodreads. Review styles: star rating, community reviews. It's impossible not to mention Goodreads when discussing book communities: it's the Facebook of book reviews — the ultimate social media platform for bibliophiles. 'Creation Lake' review: Rachel Kushner's spy novel may be her coolest 'Creation Lake' review: Rachel Kushner's spy novel may be her coolest book yet In Creation Lake, a hard-drinking American spy infiltrates a radical farming collective in a remote region of France ... The Best Reviewed Books of the Week Elizabeth Strout's Tell Me Everything, Max Boot's Reagan: His Life and Legend, and Roddy Doyle's The Woman Behind the Door all feature among the best reviewed books of the week.Article continues after advertisement Fiction Article continues after advertisement 1. Tell Me Everything by Elizabeth Strout (Random House) 7 Rave • 2 Positive • 3 Mixed […] Duterte's Cruel Tricks Evangelista was recently on book tour in the Philippines. 5 Northeast of Manila, in Quezon City—home to Love-Love, the girl who'd watched a vigilante shoot her parents, and Morillo, the stubborn pool player who wasn't meant to survive—Evangelista met with survivors and family members at the Church of Our Lady of the Promised Land. assignment essay homework paper phd report resume review speech thesis