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Case Study Houses. the Complete CSH Program 1945-1966. 40th Ed. (40th Edition)

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The Case Study House program (1945-1966) was an exceptional, innovative event in the history of American architecture and remains to this day unique. The program, which concentrated on the Los Angeles area and oversaw the design of 36 prototype homes, sought to make available plans for modern residences that could be easily and cheaply constructed during the postwar building boom. The program's chief motivating force was Arts & Architecture editor John Entenza, a champion of modernism who had all the right connections to attract some of architecture's greatest talents, such as Richard Neutra, Charles and Ray Eames, and Eero Saarinen. Highly experimental, the program generated houses that were designed to redefine the modern home, and had a pronounced influence on architecture--American and international--both during the program's existence and even to this day. TASCHEN brings you a retrospective of the entire program with comprehensive documentation, brilliant photographs from the period and, for the houses still in existence, contemporary photos, as well as extensive floor plans and sketches.

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Case Study Houses. The Complete CSH Program 1945-1966. 40th Ed.

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The Case Study House program (1945–1966) was an exceptional, innovative event in the history of American architecture and remains to this day unique. The program, which concentrated on the Los Angeles area and oversaw the design of 36 prototype homes, sought to make available plans for modern residences that could be easily and cheaply constructed during the postwar building boom. The program’s chief motivating force was Arts & Architecture editor John Entenza, a champion of modernism who had all the right connections to attract some of architecture’s greatest talents, such as Richard Neutra, Charles and Ray Eames, and Eero Saarinen. Highly experimental, the program generated houses that were designed to redefine the modern home, and had a pronounced influence on architecture—American and international—both during the program’s existence and even to this day. TASCHEN brings you a retrospective of the entire program with comprehensive documentation, brilliant photographs from the period and, for the houses still in existence, contemporary photos, as well as extensive floor plans and sketches.

Τεχνικά χαρακτηριστικά Χαρακτηριστικά Συγγραφέας: Elizabeth A. T. Smith Εκδότης: Taschen GmbH ISBN: 9783836587877 Εξώφυλλο: Σκληρό εξώφυλλο Διαστάσεις: 217 mm x 156 mm Αριθμός Σελίδων: 512 Ημερ/νία έκδοσης: 16, 06, 2021 Γλώσσα Γραφής: αγγλικά, γερμανικά, γαλλικά Βάρος βιβλίου: 1110 Βασικές πληροφορίες Χρονολογία έκδοσης: 2021 Σειρά βιβλίου: 40th Edition Συντελεστές: Συντάκτης: Peter Gössel, Photographs by: Julius Shulman Κατηγορία Βιβλίου: Τέχνη

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• Arts & Photography
• Architecture

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Case Study Houses: 1945-1966 Paperback – Download: Adobe Reader, August 2, 2006

• an introduction to the life and work of the architect
• the major works in chronological order
• information about the clients, architectural preconditions as well as construction problems and resolutions
• a list of all the selected works and a map indicating the locations of the best and most famous buildings
• approximately 120 illustrations (photographs, sketches, drafts and plans)
• Part of series Basic Art
• Print length 96 pages
• Language English
• Publisher Taschen America Llc
• Publication date August 2, 2006
• Dimensions 7.25 x 0.25 x 9 inches
• ISBN-10 3822846171
• ISBN-13 978-3822846179
• See all details

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• Publisher ‏ : ‎ Taschen America Llc (August 2, 2006)
• Language ‏ : ‎ English
• Paperback ‏ : ‎ 96 pages
• ISBN-10 ‏ : ‎ 3822846171
• ISBN-13 ‏ : ‎ 978-3822846179
• Item Weight ‏ : ‎ 12.8 ounces
• Dimensions ‏ : ‎ 7.25 x 0.25 x 9 inches
• #143 in Historic Architectural Preservation
• #785 in Residential Architecture
• #1,115 in Architectural History

About the author

Elizabeth a. t. smith.

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Capital Hill Residence, Moscow, Russia by Zaha Hadid- A “fantasy house”

Designing a residence is a massive challenge because there is nothing more than designing the most intimate space of a person or a family. It’s an immense responsibility. You control the thoughts of the people who wake up in a room, designed, and to the view, it is directed to. The empathy in an architect can be seen, as if looking with a microscope, is reading the residences designed.

The Capital Hill, more like an aircraft floating over the treetops and glittering like a spaceship, is an ethereal abode which traces its foundation to a lunch table in London. The scene of The Capital Hill’s birth was a cliché in the architectural world because the Pritzker Prize-winning architect sketched, on a napkin, the home for a Russian real estate developer. His idea of the house was simple. He wanted to see the blue sky from a place where the landscape was dotted with Pin and Birch, which were 25 meters high. 

Vladislav Doronin, the owner of the house, wanted to work with Zaha. When he failed to work with her on massive projects, he commissioned her to build him, not only a sanctuary to escape to, above the treetops, but also a great entertainment space. Her visions allowed him all he wanted. He valued her intellect, vision, her enormous skill, and also her friendship.

Capital Hill flaunts Hadid’s mark components—swapping bends, cantilevering rooftop shades, and glass spreads, to give some examples—however, the home, all in all, is an exciting encounter. Seeming desolate, it inclines toward the woods, getting one with it.

The house’s type is obtained from its unique geology, bringing about liquid calculations like rising out of the scene and remaining halfway inserted inside the slope. Vertically composed more than four levels, the lower levels include relaxation and recreational offices. The essential family room, feasting, kitchen, engaging spaces, and indoor pool are argued on the ground floor to collaborate with common geography.

On the main floor, the planner structured passageway hall, library, a visitor room, and kids’ room to effortlessly be available, while the main room suites, with outside porches, are arranged on the upper level over the treetops. Three substantial segments are associated with the two primary segments of the house, making an immediate discourse between these levels while also working as auxiliary components.

As consistently found in Hadid’s design , the house includes an unpredictable calculation orchestrated with vertical and parallel windows, making it like a “streaming” impact inside wild timberland. Some fundamental pieces of the house turn out to be thick, while some vertical parts appear to be slender and guileless. However, in the house, the harmony between the lighting and generally massing is proportional to uncover itself as a “spaceship” on a sensible scale.

Hadid set vertical shafts for flow and administrations between two sections and joined a straightforward glass lift and flight of stairs. The principle passageway of the living arrangement is structured on the main floor, where the three substantial sections converge with the rooftop, characterizing bay windows, and twofold stature space. A two-fold bent cast solid structure outlines the view to the woodland from the front room while also supporting the rooftop by partitioning the living territories.

“I met Zaha in London a decade ago at an event,” explained Doronin. “We were both impressed by and attracted to the works of Kazimir Malevich and El Lissitzky. We spent the rest of the evening speaking about art and design. It was during this meeting I decided I wanted to work with her on a real estate project.” Says the Russian James Bond.

Capital Hill Residence is additionally a tribute to the Russian vanguard and references artist and architect El Lissitzky’s Wolkenbugel proposition from 1924. The Wolkenbugel, or ‘sky-holders’, was a progression of eight low high rises intended to be made of glass and steel.

Including raised piers set above open-confronted lift-shafts, Lissitzky’s high rises were proposed to check the significant crossing points of Moscow’s Boulevard Ring, where the most unusual traffic was produced. Everything would be conveyed to the structure by level traffic, which would then be shipped vertically by lift, before being redistributed an even way. Hence, Lissitzky, who worked with Swiss architect Emil Roth on the proposition, planned the pinnacles to be a progression of spatial advances: the even volume would be ‘indeed useful.’ At the same time, the vertical would be ‘the help’ or ‘the important.’ This would include lucidity for the inside design, the architects accepted, which would be utilized for workplaces. Likenesses in auxiliary format between Hadid’s Capital Hill and Lissitzky’s Wolkenbugel proliferate. 

Capital Hill’s two principal segments are associated with three substantial sections, which build up progression between the three levels. Vertical shafts required for flow and services are situated between two segments and consolidate a straightforward glass lift and flight of stairs. Furthermore, the principal access to the home is situated on the primary floor, where the three sections meet with the rooftop and characterize bay windows and a twofold tallness space. From the family room, the timberland’s perspective is encircled by a two-fold bent cast solid structure, which bolsters the rooftop while also isolating the living regions.

Conceived in 2006, the first conceptual visuals were revealed in 2008. The Capital Hill Residence is, as it were, a festival of early visionary innovation, from expressionism through constructivism and the visual dematerialization of engineering, causing it to show up as something quick-moving and natural, instead of fixed or static.

Patrik Schumacher, Hadid’s previous colleague and now top of her eponymous design studio says of the house: “It has Zaha’s mark highlights of natural, multifaceted design, unpredictability, of spatial game plans, a great deal of shocks, a ton of cunning and excellence in the sharpening of the shape and structures.” But significantly more than that, it is, in the expressions of both architect and clients, a “fantasy house” — as much dream as the real world, a thought of engineering that despite everything appears to be some way or another unthinkable.

Sana, an architecture undergrad at Jamia Millia, is a staunch believer that the world owes it's beauty to architects. The ever-expanding concrete jungle is aesthetics, from the thoughts of an architect behind it. Foodie by nature Sana loves traveling, music; and an empty canvas is all that makes up an ideal day for her. She can binge-watch documentaries in sweatpants nights down. She aspires to live a life less ordinary.

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Observe Memorial Day with these events in southern Maine

Tons of towns have parades and ceremonies happening Monday.

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Kids and adults gather at a Memorial Day parade to honor and celebrate veterans in South Portland. Sofia Aldinio/ Staff Photographer

BATH 10 a.m. Monday. Parade begins at 200 Congress Ave. and concludes at Library Park and will be followed by a wreath-laying service at 11 a.m.

BERWICK 11 a.m. Monday. Parade begins at Berwick Town Hall/Sullivan Square and proceeds to Lord’s Cemetery by way of Wilson and Allen streets. After a ceremony there, the parade will continue down Saw Mill Hill Street with a pause at the Somersworth-Berwick Bridge for a brief memorial service for those lost at sea. The parade ends at Sullivan Square with a memorial service honoring area veterans.

BIDDEFORD-SACO Opening ceremony at 9:55 a.m. Monday at Saco City Hall. Parade starts at 10 a.m. from Saco City Hall and proceeds along Main Street and down York Hill into Biddeford, continues along Main Street, onto Alfred Street and finishes at Veteran’s Memorial Park with a closing ceremony at 10:45 a.m.

BRUNSWICK-TOPSHAM 9 a.m. Monday. Parade proceeds from Topsham Town Hall, pauses for observances while crossing the Brunswick-Topsham bridge, and concludes at the Brunswick Mall.

CAPE ELIZABETH 9 a.m. Monday. Parade begins at the middle school parking lot, turns right on Scott Dyer Road, right onto Route 77 and ends at the village green adjacent to the town hall. A brief ceremony and laying of the wreath will be held at the Village Green after the parade.

CUMBERLAND 8 a.m. Monday. Kids run at Greely High School followed by 5K Run and Remember race at 8:30 a.m. Parade starts at 10 a.m. at Mabel I. Wilson School and ends at the veterans’ monument in Moss Side Cemetery in Cumberland Center, where a ceremony will be held at 10:30 a.m. Advertisement

FALMOUTH 10 a.m. Monday. Parade proceeds from 65 Depot Road (Falmouth American Legion) to Pine Grove Park, where a ceremony will be held.

FREEPORT 9:30 a.m. Monday. Parade proceeds from Holbrook Street, heads north on Main and makes a right onto School Street, then right onto Park Street, ending in Memorial Park. There will be a small ceremony in Memorial Park starting at 10 a.m.

GORHAM 11 a.m. Monday. Parade starts at Village School (12 Robie St.) and ends at Eastern Cemetery on Johnson Road.

GRAY 11:30 a.m. Monday. Parade leaves the Russell School (8 Gray Park), proceeds to Shaker Road and continues to the Soldiers Monument at the intersection of Routes 26 and 3 for a wreath-laying ceremony. Parade continues north to the American Legion Post (15 Lewiston Road) for a closing ceremony.

LYMAN 1 p.m. Monday. Parade starts at Waterhouse Road/Mill Pond in Goodwins Mills and ends at the Lyman Town Hall on South Waterboro Road.

NEW GLOUCESTER 9 a.m. Monday. Parade leaves from Memorial Elementary School (86 Intervale Road) and heads down Intervale Road to Route 100/202 to Veterans Park for a memorial service. The parade will reconvene and go down Peacock Hill Road, then take a left on Gilmore Road. Advertisement

OLD ORCHARD BEACH 1 p.m. Monday. Parade starts at the corner of Ballpark Way and E. Emerson Cumming Boulevard and proceeds down Saco Avenue, Old Orchard Beach Street to First Street and ends at Veteran’s Memorial Park.

PORTLAND 2 p.m. Monday. The procession starts at Longfellow School (432 Stevens Ave.) and ends at Evergreen Cemetery for a commemoration ceremony.

SANFORD 10 a.m. Monday. The parade starts at the Sanford Armory (88 William Oscar Emery Drive), proceeds up Gowen Park Drive and ends at Central Park.

SCARBOROUGH 10 a.m. Monday. Parade starts at Scarborough High School, turns onto Route 114 and then Route 1, past town offices to the Maine Veterans Home and concludes with a ceremony there.

SOUTH PORTLAND 10:30 a.m. Monday. Parade starts at Southern Maine Community College parking lot, proceeds down Broadway to the Veterans Monument for a short Memorial Day recognition service.

WELLS 9 a.m. Monday. Parade starts at Wells High School (200 Sanford Road) and proceeds to Ocean View Cemetery for a ceremony and musical performances. Advertisement

WESTBROOK 10 a.m. Monday. Parade proceeds down Main Street and will be followed by a ceremony in Riverbank Park.

WINDHAM 9 a.m. Monday. Parade starts at Windham Town Hall and proceeds onto Route 202 toward Windham High School. At 10 a.m., there will be a ceremony in front of Windham’s Veterans Memorial Flagpole at Windham High School.

YARMOUTH 10 a.m. Monday. Parade leaves from Yarmouth High School (286 West Elm St.) and proceeds to the Memorial Green at Town Hall for a ceremony.

YORK 10 a.m. Monday. Parade starts near St. Christopher’s Church (4 Barrell Lane) and proceeds down York Street to York Town Hall.

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