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BEST NOVEL WRITING PROMPTS

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Write about a character who makes a dramatic life change to pursue a goal they’ve secretly always wanted., start your story with one character telling another, “it doesn’t count if you’re already planning your defeat.”.

• Start your story with two characters deciding to spend the night in a graveyard.

Write about someone who’s been sent to boarding school.

Write about a character arriving in a place unlike anywhere they’ve ever been..

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• Write a story where the readers are in on a secret that the characters are unaware of.

Write a story about a TV show called "Second Chances."

Write a story that starts with a life-changing event., write a rags-to-riches story..

• Write a story around the theme: Be careful what you wish for.

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It's a literary fiction story about growing up.

Write a story in which something seemingly innocent symbolizes something much darker., write a story in which someone experiences discrimination., write a story about someone trying to escape their situation., write a story based on the metaphor: “the curtain of night fell upon us.", write a story about a character who is cautious and careful, no matter what..

• Write a story inspired by the most recent text message you received.

Write a story about a character who goes to great lengths to cover up a mistake.

Write a story that begins with the sentence: "it was a dark and stormy night.".

• Write a story where the villain is the protagonist. Try to get readers on their side.

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The best novel writing prompts

Every novel springs from the seed of a story idea. So, where is your story idea going to come from?

If you’re struggling to let loose your imagination, let a creative writing prompt help you. Writing prompts for novels can provide the inspiration that writers need to come up with ideas for their next book. Best of all, they’re multi-purpose: you can use them to develop your characters, practice writing from a different perspective, explore other genres, or simply overcome writer’s block. 

If you're looking to cut to the chase, here's our top ten list of novel writing prompts:

• Write a story about a TV show called "Second Chances."
• Write a story that starts from the perspective of the antagonist.
• Write a story that starts in one time period and ends in another.
• Write a story where the protagonist dies in the first paragraph.
• Write a story about a professional hypnotizer.

If you're interested in learning more about how to write a novel, check out our free resources on the topic:

• Top tips for crafting your first novel (blog post)— All novels, including the great ones, have the same basic components: plot, structure, and characters. Learn more about these all-important elements of a story—and how you can subvert them to make your own book great. 

Ready to start writing? Check out  Reedsy’s weekly short story contest  for the chance of winning $250! You can also check out our list of  writing contests  or our directory of  literary magazines  for more opportunities to submit your story.

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by R.J. Palacio

Wonder essay questions.

In what way does this book embody the common message "Don't judge a book by its cover"?

Throughout the novel, Auggie constantly fights to be known for something other than the way he looks. His face may appear strange and frightening, but on the inside he is no different from any other kid. He is courageous, funny, helpful, and considerate -- a great friend to anyone who gets to know him. Auggie's classmates learn over the course of the novel that they cannot judge him based on the way he looks and eventually get to know the brilliant, kind kid that Auggie really is.

How do Mr. Browne's precepts figure in the book?

Each month, Mr. Browne writes a new precept on the board, with the intention of guiding his students to make good decisions. All of the precepts center around some of this novel's basic themes: kindness, the lasting nature of individual actions, friendship, and knowledge, to name a few. The students at Beecher Prep learn to embody these important messages as they go through the school year, particularly as they relate to Auggie, someone who looks very different from them. When, at the end of the novel, the children write their own precepts over the summer, they show at last that they have truly internalized Mr. Browne's ideas and learned a lot from them.

Why is this novel told from the points of view of multiple characters?

Whenever multiple characters get chances to share their perspectives in a novel, the author clearly wants to emphasize that there are many sides to his or her story. Wonder revolves around Auggie, but there is much more to see even beyond Auggie's own intriguing viewpoint. Via's section gives readers a chance to see what it is like to be in Auggie's family. Jack's section lets us see that Jack is not a terrible person after all, despite what Auggie overheard. Every character brings something new to the novel, helping Palacio weave a complex account from multiple strands and stories.

Why are the bonds that unify the Pullman family so important?

Justin remarks at the end of his section that the universe has blessed Auggie with a loving family. The Pullmans constantly support, encourage, and love one another, even in the face of everything Auggie has to deal with. The members of Auggie's family certainly make mistakes, and just like any close group of relatives they have fights. But at the end of the day, the Pullmans are always there for each other: it is this family dynamic that has nurtured Auggie into the brave, kind person he needs to be in order to face his daily challenges.

How are masks important in Wonder ?

Throughout his childhood, Auggie has loved wearing a mask because a mask allows him to hide his deformity. He wore his astronaut helmet all day, every day when he was younger, and he loves Halloween because he gets to wear a mask and pretend that he is someone else. But as Auggie's dad reminds him at the end of the novel, Auggie may not like his face, but it is who he is; several characters -- particularly members of Auggie's family -- love every part of Auggie, including his face. Masks can hide who you really are, but sometimes it is better to be your true self.

Julian is the only character who does not learn a lesson about kindness at the end of this book. Why did Palacio choose not to have him change?

Julian embodies what Via said to Auggie early on in the book: some kids will always be mean. No matter how likable and friendly Auggie is, there will always be those kids who cannot see past his face. What Auggie learns, though, is that he does not have to keep those people in his life, and that things have a habit of working out for the best. It is important to move past unchangeable, negative opinions and not let them get to you.

What is the difference between the way Auggie views himself and the way other people view him?

Auggie's ultimate wish is to be normal, and he envisions himself as an ordinary kid despite his medical condition. This outlook is different even from how his protective family views him; others think of Auggie as extraordinary, both for having surmounted all of the obstacles that he has faced and for being a kind, compassionate, courageous person despite his struggles. At the end of the book, Auggie accepts that in some ways he is a hero to some people; in his own mind, though, he is just an average kid.

How does Jack change over the course of the novel?

Jack initially spends time with Auggie only because Mr. Tushman asks him to. At the beginning, Jack is extremely conscious of his popularity and social standing at school, and says a lot of things he does not mean in order to be friends with Julian and his crowd. After he loses Auggie's friendship, though, Jack realizes where his priorities should lie. The moment when he punches Julian is a turning point for Jack; he establishes his allegiance at last, and rises above the petty fighting that Julian tries to start. Instead, Jack wants to do the right thing and be kind.

In what ways is the Beecher Prep middle school a microcosm of the outside world?

Though they are only children, the students at Beecher Prep have to face many of the challenges that adults face, too. They have to adapt to a new situation -- in this case, a new student who looks dramatically different -- and must learn to show kindness and inclusion. At Beecher Prep, some of the rumors about who is dating whom and who is friends with whom get blown out of proportion, but in the end, the students learn some important, adult lessons during their time at school.

Why is Justin an important character?

Since Wonder is primarily about Auggie, it at first seems strange to include the perspective of Via's boyfriend. But Justin serves two important purposes. First, he gives us an outside perspective on the Pullman family, remarking on their closeness the way only someone meeting them for the first time can. Second, he shifts some of the focus to Via and gives her plenty of attention, while Via herself sometimes feels neglected by her own family.

Wonder Questions and Answers

The Question and Answer section for Wonder is a great resource to ask questions, find answers, and discuss the novel.

Effect: Jack feels like he’s the kid in Home Alone with his mouth open and his hands on the side of his face. Cause???

Jack feels caught without support. When he was with Auggie, science class was much easier. Auggie let Jack copy his perfect notes. Now Jack feels alone without Auggie and unable to cope with Ms. Rubin's constant stream of work and notes.

why did jack punch julian? how did it change his life

Jack was angry because Julian called August a "freak" Whose life do you mean changed: Jack or Julian?

From chapter " Understudy" to " After the show", this section of the book (p.228-248) is about forgiveness, reconciliation and growth. Do you agree?

There is a motif of kindness and forgiveness in these chapters. Auggie apologizes for calling his mom a liar before, Miranda matures and becomes friends with Via again. Via is good at forgiveness.

Study Guide for Wonder

Wonder study guide contains a biography of R.J. Palacio, literature essays, quiz questions, major themes, characters, and a full summary and analysis.

• About Wonder
• Wonder Summary
• Wonder Video
• Character List

Lesson Plan for Wonder

• About the Author
• Study Objectives
• Common Core Standards
• Introduction to Wonder
• Relationship to Other Books
• Bringing in Technology
• Notes to the Teacher
• Related Links
• Wonder Bibliography

Wikipedia Entries for Wonder

• Introduction
• Film adaptations
• Spinoff/prequel

Hillhead High School English Department

Practice critical essay questions.

Here are some critical essay questions organised by genre. Take time to plan out the structure of your essay, consider key quotations/features of your text. To challenge yourself, try a question under timed conditions (without notes!!)

• Choose a novel of short story in which setting in time and/or place is an important feature. By referring to appropriate techniques, show how the author has portrayed this setting and how this has influenced your response to the text.
• Choose a novel or a short story which presents a theme that is relevant to you. By referring to appropriate techniques, show how the author has explored this theme.
• Choose a novel or a short story where an important character clearly shows development of change . By referring to appropriate techniques, show how the author has portrayed development and how this influences your response to the text.
• Choose a novel or a short story where you can identify a key moment such as a turning point or climax. By referring to appropriate techniques, describe the key moment and then go on to discuss its importance to the text as a whole.
• Choose a novel in which a character makes a decision which you consider unexpected or unwise or unworthy. Explain the circumstances surrounding the decision and discuss its importance to your understanding of character and theme in the novel as a whole.
• Choose a novel which explores conflict . Explain the events which lead to the conflict and how the conflict is (or is not resolved).

• Choose a play in which you feel sympathy for a character.
• Choose from a play which explores an important issue/issues within society
• Choose a play in which a power struggle is central to the action.
• Choose a play in which there is an important theme such as love, hate, betrayal, friendship, loyalty etc.
• Choose a play that builds to a climax . Describe how the playwright build up to the climax and then, by referring to appropriate techniques, go on to explain why the climax is vital to the play as a whole.
• Choose a play where your attitude to the main character changes as the play progresses . By referring to appropriate techniques, show how the character’s nature is portrayed, then go on to show how our attitude changes towards him/her.
• Choose a play in which the main character experiences conflict. By referring to appropriate techniques, explain what the conflict is, then go on to show how the playwright’s portrayal of the conflict influences our response to the play.

• Choose a poem in which the poet creates a vivid sense of a particular time or a particular place . Discuss how the poet’s vivid depiction of time or place adds to your appreciation of the central concern(s) of the poem.
• Choose a poem with a moral or social or political theme . Discuss, with reference to appropriate techniques, how the poet’s presentation of the theme deepens your understanding of the poem as a whole.
• C hoose a poem in which the poet effectively creates a character or persona . Discuss, with reference to appropriate techniques, how the poet’s effective
• Choose a poem which takes as its starting point a memorable experience. Discuss how the poet’s presentation of the experience helps you to appreciate its significance
• Choose a poem which is written in a particular poetic form or which has a particularly effective structure.

• Choose a piece of writing in which the writer’s use of language engages your interest in his/her portrayal of a country or culture. Discuss how the writer uses language to successfully engage your interest in this portrayal.
• Choose a work of non-fiction in which the writer’s description of an emotional experience creates a powerful impression. Briefly explain the emotional experience and then discuss how the writer’s description of this experience creates this powerful impression.
• Choose a piece of journalism in which the writer persuades his or her reader to a point of view by effective use of language. Briefly explain the writer’s point of view, and then discuss how the writer’s use of language is effective in persuading the reader.
• Choose a non-fiction text which recreates a moment in time. Discuss how the description effectively recreates this moment and show how important this is to your appreciation of the text as a whole
• Choose a non-fiction text which is structured in a particularly effective way. Explain how the structure enhances the impact of the writer’s message.
• Choose a non-fiction text which made you consider your views about a social or political or ethical issue. Explain what the issue is and how the writer uses language effectively to engage you.
• Choose a piece of writing which engages you not only intellectually but also emotionally. Explain how the writer successfully engages both your mind and your emotions.
• Choose a work of writing in which the writer brings a key incident vividly to life. Explain how the writer brings the incident vividly to life and how they contribute to your understanding of the person involved.
• Choose a work of non-fiction in which the writer expresses outrage or shock about an issue which you feel is important. Explain how the writer conveys the emotion and discuss to what extent this emotional appeal enhances your understanding of the issue.
• Choose a piece of travel writing in which the writer’s own personality emerges as a significant feature. Explain how the style of writing conveys a sense of the writer’s personality and discuss what extent this is important to your understanding to the key idea(s) of the text.
• Choose a non-fiction text which is written in the specific form of a diary or a journal or a letter. Discuss to what extent the writer’s exploration of specific features of the chosen form is important in conveying key idea(s) of the text.
• Choose a piece of journalism which, in your opinion, deals with a fundamental truth about human nature. Explain how the writer’s presentation of key ideas enhances your understanding of this fundamental truth.
• Choose a work of non-fiction in which vivid description is an important feature. Explain in detail how the vivid impression is created and discuss how it contributes to your appreciation of the text as a whole.
• Choose a work of biography or autobiography which you feel is inspirational or moving. Explain how the writer evokes this response and discuss why you find the text inspirational or moving.
• Choose a piece of journalism which presents difficult or challenging ideas in an accessible way. Explain what is difficult or challenging about the writer’s ideas and discuss how she or he presents them in an accessible way
• Choose a piece of non-fiction writing in which the writer’s presentation of an experience triggers an emotional response from you. Give a brief description of the experience and then, in more detail, discuss how the writer’s presentation of this description evokes this strong emotional response.
• Choose a non-fiction text which explores a significant aspect of political or cultural life. Discuss how the writer’s presentation enhances your understanding of the chosen aspect of political or cultural life and how this impacts on your appreciation of the text as a whole.
• Choose an example of biography or autobiography which gives you a detailed insight into a person’s life. Explain how the writer’s presentation made you think deeply about the person and his or her life, enhancing your overall appreciation of the text.
• Choose a non-fiction text which is set in a society that is different to the one in which we live. Briefly explain what is significantly different and discuss how the writer made you aware of this.
• Choose a non-fiction text in which the writer’s ability to evoke a sense of place is very important to the success of the text. Show how the writer’s presentation of the location(s) enhanced your appreciation of the text.
• Choose a non-fiction text in which the writer presents a strong point of view on a particular subject. Briefly explain what the writer’s view is and discuss in detail how this view is presented convincingly.
• Choose a work of biography and autobiography which you feel is written with great insight and/or sensitivity. Discuss, in detail, how the writer’s presentation of this life leads you to this conclusion.
• Choose a non-fiction text in which the writer puts forward a view of a social issue. Briefly explain what the issue is and discuss how effective the writer is in influencing you to share his or her point of view.
• Choose a non-fiction text in which the style of writing is an important factor in your appreciation of the writer’s ideas. Discuss in detail how features of this style enhanced your appreciation of the text as a whole.

109 Outstanding Frankenstein Essay Topics

Welcome to the Frankenstein Essay Topics page prepared by our editorial team! Here, you’ll find a selection of top ideas, questions, and titles for any academic paper. We have topics about Frankenstein’s literary analysis, characters, themes, and more.

• 🔬 Literary Analysis
• 🎭 Characters
• 📊 Compare & Contrast
• 🗺️ Navigation

🎓 References

Frankenstein is a famous novel, and students will often have to write papers about it. If you have received such an assignment, this article is for you! When writing a Frankenstein literary analysis essay , there are many areas you can consider, such as characters, themes, and context. Below, we have provided 99 outstanding ideas that you can use for your assignment or to find inspiration. Don’t forget to illustrate your arguments with quotes from text when writing your Frankenstein literary analysis.

🔬 Frankenstein Literary Analysis Essay Topics

• What are the literary devices used to create the image of Victor Frankenstein ?
• What literary devices are used to create the image of the Monster?
• What is the importance of setting in Frankenstein ?
• Romanticism in Frankenstein : the use of poetry in the novel’s narrative
• Who is the narrator of Frankenstein , and why is the narration important?
• Narrative technique in Frankenstein .
• Nature symbolism in Frankenstein .
• Mary Shelley’s Frankenstein as a tragedy
• How does weather reflect the narrative of Frankenstein ? Give examples.
• What does fire symbolize in Frankenstein ?
• How is the power of nature depicted in Frankenstein ?
• What is the purpose of letters in Frankenstein ?
• The importance of allusions in Mary Shelley’s Frankenstein .
• Biblical symbolism in Frankenstein .
• Why is Frankenstein called Modern Prometheus?
• Point of view in Frankenstein by Mary Shelley
• Frankenstein : a deconstructive reading
• Analyze the romantic elements in Frankenstein .
• Is Frankenstein a gothic novel?
• What literary devices are used to create fear in Frankenstein ?
• What is the writing style of Frankenstein ?
• Examine the role of suspense and foreshadowing throughout Frankenstein . Do you think these devices are effective?
• How does foreshadowing differ among the three main narrators of Frankenstein (Walton, Victor, and the Monster)?
• What is the purpose of the ring composition of Frankenstein ?
• How does Mary Shelley ’s Frankenstein allude to the myth of Prometheus?
• How is Frankenstein a romantic and horror novel?
• What role do letters from Elizabeth play in Frankenstein ‘s narrative?
• What would the novel be like if it was narrated by only Frankenstein or only the monster ?
• What does the novel gain from having so many levels of narration? Why do you suppose it might have been structured with so many embedded narratives?
• In what ways and for what ends does Mary Shelley utilize the myth of Prometheus in her novel, Frankenstein ?
• Three Separate Narratives within Shelley’s Frankenstein
• Frankenstein : Weather, Seasons, and Emotional Symbolism

🎭 Frankenstein Essay Topics: Characters

• How are women depicted in Frankenstein ? How does Shelley make them look passive?
• Why isn’t Frankenstein ’s monster given a name?
• Who is the real monster in Frankenstein ?
• Is Frankenstein ’s monster responsible for the characters’ deaths ?
• What did the childhood of Victor Frankenstein look like? What role does it play in the narrative?
• Does the monster’s eloquence and persuasiveness make it easier for the reader to sympathize with him? Why do you think most film versions of the story present the monster as mute or inarticulate?
• Trace the similarities between Victor Frankenstein and the Monster . Consider their respective relationships with nature, desires for family , and any other important parallels you find.
• Do Victor and the Monster become more similar to Frankenstein ‘s plot? How does their relationship with each other develop?
• Victor attributes his tragic fate to his relentless search for knowledge. Do you think that this is the true cause of his suffering?
• Why does Shelley describe all female characters in Frankenstein as self-sacrificing and passive?
• Who is more human, the Monster of Frankenstein ?
• Analyze the motivations of the main characters in Frankenstein .
• Victor and the Monster feature radically different perspectives on the events of Frankenstein . Whose viewpoint do you support?
• Is the Creature’s demand for a female companion a valid request? Examine the pros and cons of Victor’s compliance.
• After watching the she-monster torn to pieces, the Creature vows that Victor will “repent of the injuries (he) inflicts. Is the Creature justified in his feelings? Why or why not?
• What role does Elizabeth play in Frankenstein ?
• What is the motivation behind Victor’s vow to find and destroy his creature? Has he learned any lessons?
• Discuss the humanity of Frankenstein ‘s Monster.
• What role does Justine Moritz play in the novel?
• What is the Monster’s experience of meeting people? How do they react? Why is it so?
• How does the Monster learn to read and speak? What is his motivation?
• What role does Safie play in Frankenstein ? Look at her situation from the feminist perspective. She considers marrying a Christian as the only way to become a freer woman. What does this fact tell us about the society she lives in?
• Why does the Monster kill William Frankenstein?
• Examine the relationship between Victor Frankenstein and his monster. How do they interact and communicate with each other?
• How does the creature of Frankenstein form the archetypal monster/horror character?
• “Victor Frankenstein and the Monster share the same personality: like father, like son”. Defend or attack this statement.
• How does Walton’s narration affect the story? How does it affect your interpretation of characters and events?
• Do you think that the monster has free will? Provide textual examples in support of your claim.

🌻 Frankenstein Essay Topics: Themes

• How is the theme of loneliness depicted in Frankenstein by Mary Shelley?
• Discuss the role of sickness in the novel. Victor often seems to fall ill after traumatic events. Is this a means of escape, and, if so, is it effective?
• In what ways does Frankenstein present science and knowledge as dangerous and destructive ?
• How is the idea of exploration revealed in Frankenstein ?
• Responsibility as a Theme in Frankenstein
• How are the dangers of obsession shown in Frankenstein ?
• What ethical concerns the use of animal and human bodies by Victor Frankenstein might raise?
• Analyze Frankenstein through the prism of feminist theory
• Describe the theme of kindness and compassion in Frankenstein
• Frankenstein : the theme of birth
• To what extent does Frankenstein support Mary Wollstonecraft’s claim that women were treated as inferior to men?
• Homosexuality in Frankenstein by Mary Shelley
• Science is portrayed in a bad light in the novel Frankenstein . The author implies that the direction that civilization moves in is determined by what it understands about power. Analyze this statement in relation to the current society.
• Does Frankenstein present the value of the domestic circle?
• Describe how the theme of ambition is presented in Frankenstein .
• Throughout the novel, Victor Frankenstein states that he had no choice, that he was destined, that it was fate that he created the monster. Were his actions really a matter of fate? Or is he simply using fate as an excuse for his actions?
• Critical analysis of human Nature in Frankenstein , as it Connects to Freudian Psychology
• Scientific inquiry in Frankenstein
• Frankenstein as a feminist novel
• Desire and revenge in Frankenstein and Prometheus
• The theme of knowledge portrayed in Frankenstein

⌛ Frankenstein Essay Topics: Context

• Describe how Mary Shelley’s life experiences influenced the story of Frankenstein
• What is the historical relevance of Frankenstein by Mary Shelley? Find in the text the examples of reactions to the historical movements of the Enlightenment , industrial revolution, and romanticism.
• How are the ideas of Shelley’s parents presented in Frankenstein ?
• How does Frankenstein rely on the ideas, beliefs, and issues presented in other texts?
• How might Frankenstein be read as a commentary on scientific progress?
• Historical Context in Frankenstein
• Frankenstein : the autobiography of Mary Shelley?

📊 Compare & Contrast Frankenstein Essay Questions

• Compare and contrast Frankenstein and The Last Man by Mary Shelley
• Science & Nature in Frankenstein & Blade Runner
• How is the theme of revenge shown in Frankenstein and Hamlet ?
• Frankenstein : compare the novel with the movie of 1937
• Compare Frankenstein and The Picture of Dorian Gray
• On First Looking into Chapman’s Homer vs. Frankenstein : compare & contrast
• Compare Frankenstein and Macbeth
• Make a comparison of The Handmaid’s Tale and Frankenstein
• Which Frankenstein movie is most like the book?
• Macbeth & Frankenstein : compare & contrast
• Discuss the differences and similarities between Victor Frankenstein and Beowulf
• Compare and contrast Mary Shelley’s Frankenstein and Robert Stevenson’s The Strange Case of Dr. Jekyll and Mr. Hyde .
• How has Frankenweenie , a film by Tim Burton, transformed Frankenstein by Mary Shelley to appeal to modern audiences?
• Frankenstein vs. Great Expectations : compare & contrast
• From superhuman to posthuman: The gothic technological imaginary in Mary Shelley’s Frankenstein and Octavia Butler’s Xenogenesis
• Science, gender and otherness in Shelley’s Frankenstein and Kenneth Branagh’s film adaptation
• Compare and contrast the theme of appearances in Frankenstein to the same theme in other literary works.
• Monstrous characters in Frankenstein and Hedda Gabler
• Pity and revenge in Frankenstein and The Cry of the Children
• Technology’s effect on human relationships: comparing Station Eleven and Frankenstein
• Gender roles in Frankenstein and Fantomina
• Choosing a Topic: Purdue OWL
• Selecting a Topic: UM-Flint
• Introduction to Research: Cornell University
• Find a Topic Idea: Questia
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Study Guide Menu

• Plot Summary
• Summary & Analysis
• Literary Devices & Symbols
• Essay Samples
• Essay Topics
• Questions & Answers
• Mary Shelley: Biography
• Chicago (A-D)
• Chicago (N-B)

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Bibliography

IvyPanda . "109 Outstanding Frankenstein Essay Topics." March 12, 2024. https://ivypanda.com/lit/study-guide-on-frankenstein/outstanding-essay-topics/.

15 of the Best Questions for Teaching Literary Analysis

Teaching literary analysis in the secondary English classroom is an essential cornerstone of high school English and middle school English curriculum. When students learn the process of literary analysis, they will embrace the new challenge each literary text brings. How do you teach literary analysis essay?

When I first teach literature to my students, I use direct instruction strategies. I provide my students with literary analysis terms and examples. Then we begin short stories and excerpts together. Usually, we will analyze a couple of short stories together as a class before moving on to more substantial pieces, like novels. One blog post that might be helpful is this one about how to  write a literary analysis response .

When I’m teaching a piece of fiction, I like to have set questions I can use throughout the year to ask my students. As students answer the same question about various texts throughout the year, they improve their analytical skills and begin to form a better understanding of how literature analysis works.

If you are teaching response to analysis and literary analysis, here are ten questions you should ask your students about the piece they are reading. These questions are some of the questions included in my Response to Literature Task Cards that work with any piece of fiction. Here are several questions to guide your students as they analyze literature.

Here are 15 questions you can use when teaching literary analysis to your students.

Literary analysis questions about theme.

• How do the characters in the story develop or enhance the theme?
• How does the conflict of the story develop or enhance the theme?
• How do the symbols within the story develop or enhance the theme?
• How does the author’s tone of the story develop or enhance the theme?
• How is the story’s theme reflect the context in which it was written?

Literary Analysis Questions About Setting

• How does the setting affect the plot?
• How does the setting affect the conflict?
• How does the setting affect the tone of the story?

Literary Analysis Questions About Characters

• What is one of the protagonist’s flaws or weaknesses?
• What is one of the antagonist’s flaws or weaknesses?
• What motivates the protagonist to act?
• What motivates the antagonist to act?
• What character is most believable and why?

Literary Analysis Questions About Conflict

• How does the conflict reflect the context of the time in which the story was written?
• How does the author create a believable conflict?

Here are some literary analysis teaching resources you may like: 

Literary analysis with sticky notes.

Teaching literary analysis can be fun, engaging, and accessible for all students! Increase student engagement and understanding in your next literary analysis unit (whether it be short stories or novels) with interactive and hands-on close reading organizers and scaffolded writing responses. Students will enjoy using sticky notes in class as they analyze the author’s use of various literary devices in complex short stories and novels.

What fellow teachers say about this resource:

⭐️⭐️⭐️⭐️⭐️ Extremely satisfied

“ My students found this very helpful to organize their writing and the movement involved with using sticky notes was a hit. The kids loved getting to use sticky notes and to flip them up and down. It made the planning for their writing so much faster. Would highly recommend for all students but especially for any kids who have a hard time focusing.”

“ This is a great way to have kids write literary analysis in a different way instead of just asking for essays. It’s like a little trick to get them to do academic work while thinking they are just doodling on sticky notes. I even use this with AP Lit and just modify my expectations somewhat. I appreciate all the different handouts/options.”

More resources:

My  Literary Analysis Mini Flip Book  combines the fun and excitement of sticky notes with the format of a mini flipbook. It is the perfect culminating activity for students to analyze a final short story in your short story teaching unit.

These  Response to Literature Task Cards  are an ideal way to get students talking about complex literary themes and ideas within any piece of fiction. There are two sets of tasks cards in this set, and you can use them again and again with any short story or novel.

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50 Must-Read Contemporary Essay Collections

Liberty Hardy

Liberty Hardy is an unrepentant velocireader, writer, bitey mad lady, and tattoo canvas. Turn-ons include books, books and books. Her favorite exclamation is “Holy cats!” Liberty reads more than should be legal, sleeps very little, frequently writes on her belly with Sharpie markers, and when she dies, she’s leaving her body to library science. Until then, she lives with her three cats, Millay, Farrokh, and Zevon, in Maine. She is also right behind you. Just kidding! She’s too busy reading. Twitter: @MissLiberty

View All posts by Liberty Hardy

I feel like essay collections don’t get enough credit. They’re so wonderful! They’re like short story collections, but TRUE. It’s like going to a truth buffet. You can get information about sooooo many topics, sometimes in one single book! To prove that there are a zillion amazing essay collections out there, I compiled 50 great contemporary essay collections, just from the last 18 months alone.  Ranging in topics from food, nature, politics, sex, celebrity, and more, there is something here for everyone!

I’ve included a brief description from the publisher with each title. Tell us in the comments about which of these you’ve read or other contemporary essay collections that you love. There are a LOT of them. Yay, books!

Must-Read Contemporary Essay Collections

They can’t kill us until they kill us  by hanif abdurraqib.

“In an age of confusion, fear, and loss, Hanif Willis-Abdurraqib’s is a voice that matters. Whether he’s attending a Bruce Springsteen concert the day after visiting Michael Brown’s grave, or discussing public displays of affection at a Carly Rae Jepsen show, he writes with a poignancy and magnetism that resonates profoundly.”

Would Everybody Please Stop?: Reflections on Life and Other Bad Ideas  by Jenny Allen

“Jenny Allen’s musings range fluidly from the personal to the philosophical. She writes with the familiarity of someone telling a dinner party anecdote, forgoing decorum for candor and comedy. To read  Would Everybody Please Stop?  is to experience life with imaginative and incisive humor.”

Longthroat Memoirs: Soups, Sex and Nigerian Taste Buds  by Yemisi Aribisala

“A sumptuous menu of essays about Nigerian cuisine, lovingly presented by the nation’s top epicurean writer. As well as a mouth-watering appraisal of Nigerian food,  Longthroat Memoirs  is a series of love letters to the Nigerian palate. From the cultural history of soup, to fish as aphrodisiac and the sensual allure of snails,  Longthroat Memoirs  explores the complexities, the meticulousness, and the tactile joy of Nigerian gastronomy.”

Beyond Measure: Essays  by Rachel Z. Arndt

“ Beyond Measure  is a fascinating exploration of the rituals, routines, metrics and expectations through which we attempt to quantify and ascribe value to our lives. With mordant humor and penetrating intellect, Arndt casts her gaze beyond event-driven narratives to the machinery underlying them: judo competitions measured in weigh-ins and wait times; the significance of the elliptical’s stationary churn; the rote scripts of dating apps; the stupefying sameness of the daily commute.”

Magic Hours  by Tom Bissell

“Award-winning essayist Tom Bissell explores the highs and lows of the creative process. He takes us from the set of  The Big Bang Theory  to the first novel of Ernest Hemingway to the final work of David Foster Wallace; from the films of Werner Herzog to the film of Tommy Wiseau to the editorial meeting in which Paula Fox’s work was relaunched into the world. Originally published in magazines such as  The Believer ,  The New Yorker , and  Harper’s , these essays represent ten years of Bissell’s best writing on every aspect of creation—be it Iraq War documentaries or video-game character voices—and will provoke as much thought as they do laughter.”

Dead Girls: Essays on Surviving an American Obsession  by Alice Bolin

“In this poignant collection, Alice Bolin examines iconic American works from the essays of Joan Didion and James Baldwin to  Twin Peaks , Britney Spears, and  Serial , illuminating the widespread obsession with women who are abused, killed, and disenfranchised, and whose bodies (dead and alive) are used as props to bolster men’s stories. Smart and accessible, thoughtful and heartfelt, Bolin investigates the implications of our cultural fixations, and her own role as a consumer and creator.”

Betwixt-and-Between: Essays on the Writing Life  by Jenny Boully

“Jenny Boully’s essays are ripe with romance and sensual pleasures, drawing connections between the digression, reflection, imagination, and experience that characterizes falling in love as well as the life of a writer. Literary theory, philosophy, and linguistics rub up against memory, dreamscapes, and fancy, making the practice of writing a metaphor for the illusory nature of experience.  Betwixt and Between  is, in many ways, simply a book about how to live.”

Wedding Toasts I’ll Never Give by Ada Calhoun

“In  Wedding Toasts I’ll Never Give , Ada Calhoun presents an unflinching but also loving portrait of her own marriage, opening a long-overdue conversation about the institution as it truly is: not the happy ending of a love story or a relic doomed by high divorce rates, but the beginning of a challenging new chapter of which ‘the first twenty years are the hardest.'”

How to Write an Autobiographical Novel: Essays  by Alexander Chee

“ How to Write an Autobiographical Novel  is the author’s manifesto on the entangling of life, literature, and politics, and how the lessons learned from a life spent reading and writing fiction have changed him. In these essays, he grows from student to teacher, reader to writer, and reckons with his identities as a son, a gay man, a Korean American, an artist, an activist, a lover, and a friend. He examines some of the most formative experiences of his life and the nation’s history, including his father’s death, the AIDS crisis, 9/11, the jobs that supported his writing—Tarot-reading, bookselling, cater-waiting for William F. Buckley—the writing of his first novel,  Edinburgh , and the election of Donald Trump.”

Too Much and Not the Mood: Essays  by Durga Chew-Bose

“ Too Much and Not the Mood is a beautiful and surprising exploration of what it means to be a first-generation, creative young woman working today. On April 11, 1931, Virginia Woolf ended her entry in A Writer’s Diary with the words ‘too much and not the mood’ to describe her frustration with placating her readers, what she described as the ‘cramming in and the cutting out.’ She wondered if she had anything at all that was truly worth saying. The attitude of that sentiment inspired Durga Chew-Bose to gather own writing in this lyrical collection of poetic essays that examine personhood and artistic growth. Drawing inspiration from a diverse group of incisive and inquiring female authors, Chew-Bose captures the inner restlessness that keeps her always on the brink of creative expression.”

We Were Eight Years in Power: An American Tragedy  by Ta-Nehisi Coates

“‘We were eight years in power’ was the lament of Reconstruction-era black politicians as the American experiment in multiracial democracy ended with the return of white supremacist rule in the South. In this sweeping collection of new and selected essays, Ta-Nehisi Coates explores the tragic echoes of that history in our own time: the unprecedented election of a black president followed by a vicious backlash that fueled the election of the man Coates argues is America’s ‘first white president.'”

Look Alive Out There: Essays by Sloane Crosley

“In  Look Alive Out There,  whether it’s scaling active volcanoes, crashing shivas, playing herself on  Gossip Girl,  befriending swingers, or squinting down the barrel of the fertility gun, Crosley continues to rise to the occasion with unmatchable nerve and electric one-liners. And as her subjects become more serious, her essays deliver not just laughs but lasting emotional heft and insight. Crosley has taken up the gauntlets thrown by her predecessors—Dorothy Parker, Nora Ephron, David Sedaris—and crafted something rare, affecting, and true.”

Fl â neuse: Women Walk the City in Paris, New York, Tokyo, Venice, and London  by Lauren Elkin

“Part cultural meander, part memoir,  Flâneuse  takes us on a distinctly cosmopolitan jaunt that begins in New York, where Elkin grew up, and transports us to Paris via Venice, Tokyo, and London, all cities in which she’s lived. We are shown the paths beaten by such  flâneuses  as the cross-dressing nineteenth-century novelist George Sand, the Parisian artist Sophie Calle, the wartime correspondent Martha Gellhorn, and the writer Jean Rhys. With tenacity and insight, Elkin creates a mosaic of what urban settings have meant to women, charting through literature, art, history, and film the sometimes exhilarating, sometimes fraught relationship that women have with the metropolis.”

Idiophone  by Amy Fusselman

“Leaping from ballet to quiltmaking, from the The Nutcracker to an Annie-B Parson interview,  Idiophone  is a strikingly original meditation on risk-taking and provocation in art and a unabashedly honest, funny, and intimate consideration of art-making in the context of motherhood, and motherhood in the context of addiction. Amy Fusselman’s compact, beautifully digressive essay feels both surprising and effortless, fueled by broad-ranging curiosity, and, fundamentally, joy.”

Not That Bad: Dispatches from Rape Culture  by Roxane Gay

“In this valuable and revealing anthology, cultural critic and bestselling author Roxane Gay collects original and previously published pieces that address what it means to live in a world where women have to measure the harassment, violence, and aggression they face, and where they are ‘routinely second-guessed, blown off, discredited, denigrated, besmirched, belittled, patronized, mocked, shamed, gaslit, insulted, bullied’ for speaking out.”

Sunshine State: Essays  by Sarah Gerard

“With the personal insight of  The Empathy Exams , the societal exposal of  Nickel and Dimed , and the stylistic innovation and intensity of her own break-out debut novel  Binary Star , Sarah Gerard’s  Sunshine State  uses the intimately personal to unearth the deep reservoirs of humanity buried in the corners of our world often hardest to face.”

The Art of the Wasted Day  by Patricia Hampl

“ The Art of the Wasted Day  is a picaresque travelogue of leisure written from a lifelong enchantment with solitude. Patricia Hampl visits the homes of historic exemplars of ease who made repose a goal, even an art form. She begins with two celebrated eighteenth-century Irish ladies who ran off to live a life of ‘retirement’ in rural Wales. Her search then leads to Moravia to consider the monk-geneticist, Gregor Mendel, and finally to Bordeaux for Michel Montaigne—the hero of this book—who retreated from court life to sit in his chateau tower and write about whatever passed through his mind, thus inventing the personal essay.”

A Really Big Lunch: The Roving Gourmand on Food and Life  by Jim Harrison

“Jim Harrison’s legendary gourmandise is on full display in  A Really Big Lunch . From the titular  New Yorker  piece about a French lunch that went to thirty-seven courses, to pieces from  Brick ,  Playboy , Kermit Lynch Newsletter, and more on the relationship between hunter and prey, or the obscure language of wine reviews,  A Really Big Lunch  is shot through with Harrison’s pointed aperçus and keen delight in the pleasures of the senses. And between the lines the pieces give glimpses of Harrison’s life over the last three decades.  A Really Big Lunch  is a literary delight that will satisfy every appetite.”

Insomniac City: New York, Oliver, and Me  by Bill Hayes

“Bill Hayes came to New York City in 2009 with a one-way ticket and only the vaguest idea of how he would get by. But, at forty-eight years old, having spent decades in San Francisco, he craved change. Grieving over the death of his partner, he quickly discovered the profound consolations of the city’s incessant rhythms, the sight of the Empire State Building against the night sky, and New Yorkers themselves, kindred souls that Hayes, a lifelong insomniac, encountered on late-night strolls with his camera.”

Would You Rather?: A Memoir of Growing Up and Coming Out  by Katie Heaney

“Here, for the first time, Katie opens up about realizing at the age of twenty-eight that she is gay. In these poignant, funny essays, she wrestles with her shifting sexuality and identity, and describes what it was like coming out to everyone she knows (and everyone she doesn’t). As she revisits her past, looking for any ‘clues’ that might have predicted this outcome, Katie reveals that life doesn’t always move directly from point A to point B—no matter how much we would like it to.”

Tonight I’m Someone Else: Essays  by Chelsea Hodson

“From graffiti gangs and  Grand Theft Auto  to sugar daddies, Schopenhauer, and a deadly game of Russian roulette, in these essays, Chelsea Hodson probes her own desires to examine where the physical and the proprietary collide. She asks what our privacy, our intimacy, and our own bodies are worth in the increasingly digital world of liking, linking, and sharing.”

We Are Never Meeting in Real Life.: Essays  by Samantha Irby

“With  We Are Never Meeting in Real Life. , ‘bitches gotta eat’ blogger and comedian Samantha Irby turns the serio-comic essay into an art form. Whether talking about how her difficult childhood has led to a problem in making ‘adult’ budgets, explaining why she should be the new Bachelorette—she’s ’35-ish, but could easily pass for 60-something’—detailing a disastrous pilgrimage-slash-romantic-vacation to Nashville to scatter her estranged father’s ashes, sharing awkward sexual encounters, or dispensing advice on how to navigate friendships with former drinking buddies who are now suburban moms—hang in there for the Costco loot—she’s as deft at poking fun at the ghosts of her past self as she is at capturing powerful emotional truths.”

This Will Be My Undoing: Living at the Intersection of Black, Female, and Feminist in (White) America  by Morgan Jerkins

“Doubly disenfranchised by race and gender, often deprived of a place within the mostly white mainstream feminist movement, black women are objectified, silenced, and marginalized with devastating consequences, in ways both obvious and subtle, that are rarely acknowledged in our country’s larger discussion about inequality. In  This Will Be My Undoing , Jerkins becomes both narrator and subject to expose the social, cultural, and historical story of black female oppression that influences the black community as well as the white, male-dominated world at large.”

Everywhere Home: A Life in Essays  by Fenton Johnson

“Part retrospective, part memoir, Fenton Johnson’s collection  Everywhere Home: A Life in Essays  explores sexuality, religion, geography, the AIDS crisis, and more. Johnson’s wanderings take him from the hills of Kentucky to those of San Francisco, from the streets of Paris to the sidewalks of Calcutta. Along the way, he investigates questions large and small: What’s the relationship between artists and museums, illuminated in a New Guinean display of shrunken heads? What’s the difference between empiricism and intuition?”

One Day We’ll All Be Dead and None of This Will Matter: Essays  by Scaachi Koul

“In  One Day We’ll All Be Dead and None of This Will Matter , Scaachi Koul deploys her razor-sharp humor to share all the fears, outrages, and mortifying moments of her life. She learned from an early age what made her miserable, and for Scaachi anything can be cause for despair. Whether it’s a shopping trip gone awry; enduring awkward conversations with her bikini waxer; overcoming her fear of flying while vacationing halfway around the world; dealing with Internet trolls, or navigating the fears and anxieties of her parents. Alongside these personal stories are pointed observations about life as a woman of color: where every aspect of her appearance is open for critique, derision, or outright scorn; where strict gender rules bind in both Western and Indian cultures, leaving little room for a woman not solely focused on marriage and children to have a career (and a life) for herself.”

Tell Me How It Ends: An Essay in 40 Questions  by Valeria Luiselli and jon lee anderson (translator)

“A damning confrontation between the American dream and the reality of undocumented children seeking a new life in the U.S. Structured around the 40 questions Luiselli translates and asks undocumented Latin American children facing deportation,  Tell Me How It Ends  (an expansion of her 2016 Freeman’s essay of the same name) humanizes these young migrants and highlights the contradiction between the idea of America as a fiction for immigrants and the reality of racism and fear—both here and back home.”

All the Lives I Want: Essays About My Best Friends Who Happen to Be Famous Strangers  by Alana Massey

“Mixing Didion’s affected cool with moments of giddy celebrity worship, Massey examines the lives of the women who reflect our greatest aspirations and darkest fears back onto us. These essays are personal without being confessional and clever in a way that invites readers into the joke. A cultural critique and a finely wrought fan letter, interwoven with stories that are achingly personal, All the Lives I Want is also an exploration of mental illness, the sex industry, and the dangers of loving too hard.”

Typewriters, Bombs, Jellyfish: Essays  by Tom McCarthy

“Certain points of reference recur with dreamlike insistence—among them the artist Ed Ruscha’s  Royal Road Test , a photographic documentation of the roadside debris of a Royal typewriter hurled from the window of a traveling car; the great blooms of jellyfish that are filling the oceans and gumming up the machinery of commerce and military domination—and the question throughout is: How can art explode the restraining conventions of so-called realism, whether aesthetic or political, to engage in the active reinvention of the world?”

Nasty Women: Feminism, Resistance, and Revolution in Trump’s America  by Samhita Mukhopadhyay and Kate Harding

“When 53 percent of white women voted for Donald Trump and 94 percent of black women voted for Hillary Clinton, how can women unite in Trump’s America? Nasty Women includes inspiring essays from a diverse group of talented women writers who seek to provide a broad look at how we got here and what we need to do to move forward.”

Don’t Call Me Princess: Essays on Girls, Women, Sex, and Life  by Peggy Orenstein

“Named one of the ’40 women who changed the media business in the last 40 years’ by  Columbia Journalism Review , Peggy Orenstein is one of the most prominent, unflinching feminist voices of our time. Her writing has broken ground and broken silences on topics as wide-ranging as miscarriage, motherhood, breast cancer, princess culture and the importance of girls’ sexual pleasure. Her unique blend of investigative reporting, personal revelation and unexpected humor has made her books bestselling classics.”

When You Find Out the World Is Against You: And Other Funny Memories About Awful Moments  by Kelly Oxford

“Kelly Oxford likes to blow up the internet. Whether it is with the kind of Tweets that lead  Rolling Stone  to name her one of the Funniest People on Twitter or with pictures of her hilariously adorable family (human and animal) or with something much more serious, like creating the hashtag #NotOkay, where millions of women came together to share their stories of sexual assault, Kelly has a unique, razor-sharp perspective on modern life. As a screen writer, professional sh*t disturber, wife and mother of three, Kelly is about everything but the status quo.”

Too Fat, Too Slutty, Too Loud: The Rise and Reign of the Unruly Woman  by Anne Helen Petersen

“You know the type: the woman who won’t shut up, who’s too brazen, too opinionated—too much. She’s the unruly woman, and she embodies one of the most provocative and powerful forms of womanhood today. In  Too Fat, Too Slutty, Too Loud , Anne Helen Petersen uses the lens of ‘unruliness’ to explore the ascension of pop culture powerhouses like Lena Dunham, Nicki Minaj, and Kim Kardashian, exploring why the public loves to love (and hate) these controversial figures. With its brisk, incisive analysis,  Too Fat, Too Slutty, Too Loud  will be a conversation-starting book on what makes and breaks celebrity today.”

Well, That Escalated Quickly: Memoirs and Mistakes of an Accidental Activist  by Franchesca Ramsey

“In her first book, Ramsey uses her own experiences as an accidental activist to explore the many ways we communicate with each other—from the highs of bridging gaps and making connections to the many pitfalls that accompany talking about race, power, sexuality, and gender in an unpredictable public space…the internet.”

Shrewed: A Wry and Closely Observed Look at the Lives of Women and Girls  by Elizabeth Renzetti

“Drawing upon Renzetti’s decades of reporting on feminist issues,  Shrewed  is a book about feminism’s crossroads. From Hillary Clinton’s failed campaign to the quest for equal pay, from the lessons we can learn from old ladies to the future of feminism in a turbulent world, Renzetti takes a pointed, witty look at how far we’ve come—and how far we have to go.”

What Are We Doing Here?: Essays  by Marilynne Robinson

“In this new essay collection she trains her incisive mind on our modern political climate and the mysteries of faith. Whether she is investigating how the work of great thinkers about America like Emerson and Tocqueville inform our political consciousness or discussing the way that beauty informs and disciplines daily life, Robinson’s peerless prose and boundless humanity are on full display.”

Double Bind: Women on Ambition  by Robin Romm

“‘A work of courage and ferocious honesty’ (Diana Abu-Jaber),  Double Bind  could not come at a more urgent time. Even as major figures from Gloria Steinem to Beyoncé embrace the word ‘feminism,’ the word ‘ambition’ remains loaded with ambivalence. Many women see it as synonymous with strident or aggressive, yet most feel compelled to strive and achieve—the seeming contradiction leaving them in a perpetual double bind. Ayana Mathis, Molly Ringwald, Roxane Gay, and a constellation of ‘nimble thinkers . . . dismantle this maddening paradox’ ( O, The Oprah Magazine ) with candor, wit, and rage. Women who have made landmark achievements in fields as diverse as law, dog sledding, and butchery weigh in, breaking the last feminist taboo once and for all.”

The Destiny Thief: Essays on Writing, Writers and Life  by Richard Russo

“In these nine essays, Richard Russo provides insight into his life as a writer, teacher, friend, and reader. From a commencement speech he gave at Colby College, to the story of how an oddly placed toilet made him reevaluate the purpose of humor in art and life, to a comprehensive analysis of Mark Twain’s value, to his harrowing journey accompanying a dear friend as she pursued gender-reassignment surgery,  The Destiny Thief  reflects the broad interests and experiences of one of America’s most beloved authors. Warm, funny, wise, and poignant, the essays included here traverse Russo’s writing life, expanding our understanding of who he is and how his singular, incredibly generous mind works. An utter joy to read, they give deep insight into the creative process from the prospective of one of our greatest writers.”

Curry: Eating, Reading, and Race by Naben Ruthnum

“Curry is a dish that doesn’t quite exist, but, as this wildly funny and sharp essay points out, a dish that doesn’t properly exist can have infinite, equally authentic variations. By grappling with novels, recipes, travelogues, pop culture, and his own upbringing, Naben Ruthnum depicts how the distinctive taste of curry has often become maladroit shorthand for brown identity. With the sardonic wit of Gita Mehta’s  Karma Cola  and the refined, obsessive palette of Bill Buford’s  Heat , Ruthnum sinks his teeth into the story of how the beloved flavor calcified into an aesthetic genre that limits the imaginations of writers, readers, and eaters.”

The River of Consciousness  by Oliver Sacks

“Sacks, an Oxford-educated polymath, had a deep familiarity not only with literature and medicine but with botany, animal anatomy, chemistry, the history of science, philosophy, and psychology.  The River of Consciousness  is one of two books Sacks was working on up to his death, and it reveals his ability to make unexpected connections, his sheer joy in knowledge, and his unceasing, timeless project to understand what makes us human.”

All the Women in My Family Sing: Women Write the World: Essays on Equality, Justice, and Freedom (Nothing But the Truth So Help Me God)  by Deborah Santana and America Ferrera

“ All the Women in My Family Sing  is an anthology documenting the experiences of women of color at the dawn of the twenty-first century. It is a vital collection of prose and poetry whose topics range from the pressures of being the vice-president of a Fortune 500 Company, to escaping the killing fields of Cambodia, to the struggles inside immigration, identity, romance, and self-worth. These brief, trenchant essays capture the aspirations and wisdom of women of color as they exercise autonomy, creativity, and dignity and build bridges to heal the brokenness in today’s turbulent world.”

We Wear the Mask: 15 True Stories of Passing in America  by Brando Skyhorse and Lisa Page

“For some, ‘passing’ means opportunity, access, or safety. Others don’t willingly pass but are ‘passed’ in specific situations by someone else.  We Wear the Mask , edited by  Brando Skyhorse  and  Lisa Page , is an illuminating and timely anthology that examines the complex reality of passing in America. Skyhorse, a Mexican American, writes about how his mother passed him as an American Indian before he learned who he really is. Page shares how her white mother didn’t tell friends about her black ex-husband or that her children were, in fact, biracial.”

Feel Free: Essays by Zadie Smith

“Since she burst spectacularly into view with her debut novel almost two decades ago, Zadie Smith has established herself not just as one of the world’s preeminent fiction writers, but also a brilliant and singular essayist. She contributes regularly to  The New Yorker  and the  New York Review of Books  on a range of subjects, and each piece of hers is a literary event in its own right.”

The Mother of All Questions: Further Reports from the Feminist Revolutions  by Rebecca Solnit

“In a timely follow-up to her national bestseller  Men Explain Things to Me , Rebecca Solnit offers indispensable commentary on women who refuse to be silenced, misogynistic violence, the fragile masculinity of the literary canon, the gender binary, the recent history of rape jokes, and much more. In characteristic style, Solnit mixes humor, keen analysis, and powerful insight in these essays.”

The Wrong Way to Save Your Life: Essays  by Megan Stielstra

“Whether she’s imagining the implications of open-carry laws on college campuses, recounting the story of going underwater on the mortgage of her first home, or revealing the unexpected pains and joys of marriage and motherhood, Stielstra’s work informs, impels, enlightens, and embraces us all. The result is something beautiful—this story, her courage, and, potentially, our own.”

Against Memoir: Complaints, Confessions & Criticisms  by Michelle Tea

“Delivered with her signature honesty and dark humor, this is Tea’s first-ever collection of journalistic writing. As she blurs the line between telling other people’s stories and her own, she turns an investigative eye to the genre that’s nurtured her entire career—memoir—and considers the price that art demands be paid from life.”

A Twenty Minute Silence Followed by Applause  by Shawn Wen

“In precise, jewel-like scenes and vignettes,  A Twenty Minute Silence Followed by Applause  pays homage to the singular genius of a mostly-forgotten art form. Drawing on interviews, archival research, and meticulously observed performances, Wen translates the gestural language of mime into a lyric written portrait by turns whimsical, melancholic, and haunting.”

Acid West: Essays  by Joshua Wheeler

“The radical evolution of American identity, from cowboys to drone warriors to space explorers, is a story rooted in southern New Mexico.  Acid West  illuminates this history, clawing at the bounds of genre to reveal a place that is, for better or worse, home. By turns intimate, absurd, and frightening,  Acid West  is an enlightening deep-dive into a prophetic desert at the bottom of America.”

Sexographies  by Gabriela Wiener and Lucy Greaves And jennifer adcock (Translators)

“In fierce and sumptuous first-person accounts, renowned Peruvian journalist Gabriela Wiener records infiltrating the most dangerous Peruvian prison, participating in sexual exchanges in swingers clubs, traveling the dark paths of the Bois de Boulogne in Paris in the company of transvestites and prostitutes, undergoing a complicated process of egg donation, and participating in a ritual of ayahuasca ingestion in the Amazon jungle—all while taking us on inward journeys that explore immigration, maternity, fear of death, ugliness, and threesomes. Fortunately, our eagle-eyed voyeur emerges from her narrative forays unscathed and ready to take on the kinks, obsessions, and messiness of our lives.  Sexographies  is an eye-opening, kamikaze journey across the contours of the human body and mind.”

The Nature Fix: Why Nature Makes Us Happier, Healthier, and More Creative  by Florence Williams

“From forest trails in Korea, to islands in Finland, to eucalyptus groves in California, Florence Williams investigates the science behind nature’s positive effects on the brain. Delving into brand-new research, she uncovers the powers of the natural world to improve health, promote reflection and innovation, and strengthen our relationships. As our modern lives shift dramatically indoors, these ideas—and the answers they yield—are more urgent than ever.”

Can You Tolerate This?: Essays  by Ashleigh Young

“ Can You Tolerate This?  presents a vivid self-portrait of an introspective yet widely curious young woman, the colorful, isolated community in which she comes of age, and the uneasy tensions—between safety and risk, love and solitude, the catharsis of grief and the ecstasy of creation—that define our lives.”

What are your favorite contemporary essay collections?

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A Fresh Take on Ray Bradbury’s Fahrenheit 451: an Intimate Book Summary

This essay about Ray Bradbury’s “Fahrenheit 451” examines the dystopian future where books are outlawed and firemen burn any they find. It focuses on Guy Montag, a fireman whose encounters with his curious neighbor Clarisse and an old woman who chooses death over life without books lead him to question the society’s book-burning policy. Montag’s transformation from a conforming fireman to a rebellious seeker of knowledge is discussed, highlighting his risky plan to undermine the system by planting books on firemen. The essay also reflects on the broader themes of censorship and the importance of intellectual freedom, illustrating how the novel remains relevant today as a defense of the right to think, read, and access information freely. It emphasizes Bradbury’s warning about the dangers of complacency and the critical need to preserve the ability to seek and share knowledge.

How it works

Ray Bradbury’s “Fahrenheit 451” isn’t just a book; it’s a sobering look at a future where books are illegal, and “firemen” torch any they find. Imagine living in a world where your job is to destroy knowledge, where curiosity is a crime, and all your dramas and distractions are spoon-fed through wall-sized televisions. That’s the reality for Guy Montag, the protagonist of this chilling narrative.

Montag’s life as a fireman means he’s respected by the public and feared by the book-lovers whose treasures he burns.

But his encounter with Clarisse McClellan, a free-spirited teenager who dares to question everything, starts to crack the facade. Clarisse doesn’t just walk around; she notices things—like why the sky is the color it is or how it feels to walk in the rain. Her odd, almost quaint habit of questioning the world stirs something in Montag. For the first time, he starts wondering if books, the very things he burns, might hold something worth saving.

This seed of doubt blooms into full-blown defiance after he watches an old woman choose to burn alive rather than leave her books. It’s a raw, intense moment that drives Montag to do the unthinkable: he steals a book. As you might guess, this doesn’t sit well with his wife, Mildred, who’s happy in her ignorance, content with her shallow shows and radio earpieces.

Montag’s transformation from obedient fireman to rebellious seeker leads him to Faber, a former professor who still sees value in the written word. Faber is a kind of underground scholar, and with his help, Montag begins to see a path forward—a way to maybe make a change. They concoct a risky plan to plant books on other firemen to sabotage the status quo.

Of course, nothing goes smoothly. Montag finds himself on the run, forced to torch his own home and even confront his boss in a life-changing, fiery encounter. He flees the city, becoming a fugitive among a band of scholarly vagabonds who are committed to preserving knowledge through the spoken word, each memorizing books to keep their contents alive.

The novel’s climax sees Montag’s former city obliterated by bombs, hinting at a chance to rebuild from the ground up. It’s a stark, hopeful, and somewhat ambiguous ending. Montag, with his new friends, looks ahead to a time when they can share their hoarded knowledge and maybe, just maybe, books can once again be cherished.

Bradbury’s “Fahrenheit 451” isn’t merely a cautionary tale about censorship—it’s a story about how easily society can be lulled into complacency, about how vital it is to remain curious, ask questions, and seek truth. In an era where digital distractions often replace deeper insights, Bradbury’s message is starkly relevant: guard your right to think, read, and know—because these are not just acts of rebellion, but acts of survival.

So, if you’ve never given much thought to the true weight of words on a page, “Fahrenheit 451” might just change how you view that book on your shelf. It’s a compelling reminder that in a world barraged by information, the right to freely access and interpret that information is crucial. Bradbury’s narrative is a powerful call to appreciate and protect this freedom.

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A Fresh Take on Ray Bradbury's Fahrenheit 451: An Intimate Book Summary. (2024, May 12). Retrieved from https://papersowl.com/examples/a-fresh-take-on-ray-bradburys-fahrenheit-451-an-intimate-book-summary/

"A Fresh Take on Ray Bradbury's Fahrenheit 451: An Intimate Book Summary." PapersOwl.com , 12 May 2024, https://papersowl.com/examples/a-fresh-take-on-ray-bradburys-fahrenheit-451-an-intimate-book-summary/

PapersOwl.com. (2024). A Fresh Take on Ray Bradbury's Fahrenheit 451: An Intimate Book Summary . [Online]. Available at: https://papersowl.com/examples/a-fresh-take-on-ray-bradburys-fahrenheit-451-an-intimate-book-summary/ [Accessed: 16 May. 2024]

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"A Fresh Take on Ray Bradbury's Fahrenheit 451: An Intimate Book Summary," PapersOwl.com , 12-May-2024. [Online]. Available: https://papersowl.com/examples/a-fresh-take-on-ray-bradburys-fahrenheit-451-an-intimate-book-summary/. [Accessed: 16-May-2024]

PapersOwl.com. (2024). A Fresh Take on Ray Bradbury's Fahrenheit 451: An Intimate Book Summary . [Online]. Available at: https://papersowl.com/examples/a-fresh-take-on-ray-bradburys-fahrenheit-451-an-intimate-book-summary/ [Accessed: 16-May-2024]

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A strong analytical question

• speaks to a genuine dilemma presented by your sources . In other words, the question focuses on a real confusion, problem, ambiguity, or gray area, about which readers will conceivably have different reactions, opinions, or ideas.  
• yields an answer that is not obvious . If you ask, "What did this author say about this topic?” there’s nothing to explore because any reader of that text would answer that question in the same way. But if you ask, “how can we reconcile point A and point B in this text,” readers will want to see how you solve that inconsistency in your essay.  
• suggests an answer complex enough to require a whole essay's worth of discussion. If the question is too vague, it won't suggest a line of argument. The question should elicit reflection and argument rather than summary or description.  
• can be explored using the sources you have available for the assignment , rather than by generalizations or by research beyond the scope of your assignment.  

How to come up with an analytical question  

One useful starting point when you’re trying to identify an analytical question is to look for points of tension in your sources, either within one source or among sources. It can be helpful to think of those points of tension as the moments where you need to stop and think before you can move forward. Here are some examples of where you may find points of tension:

• You may read a published view that doesn’t seem convincing to you, and you may want to ask a question about what’s missing or about how the evidence might be reconsidered.  
• You may notice an inconsistency, gap, or ambiguity in the evidence, and you may want to explore how that changes your understanding of something.  
• You may identify an unexpected wrinkle that you think deserves more attention, and you may want to ask a question about it.  
• You may notice an unexpected conclusion that you think doesn’t quite add up, and you may want to ask how the authors of a source reached that conclusion.  
• You may identify a controversy that you think needs to be addressed, and you may want to ask a question about how it might be resolved.  
• You may notice a problem that you think has been ignored, and you may want to try to solve it or consider why it has been ignored.  
• You may encounter a piece of evidence that you think warrants a closer look, and you may raise questions about it.  

Once you’ve identified a point of tension and raised a question about it, you will try to answer that question in your essay. Your main idea or claim in answer to that question will be your thesis.

• "How" and "why" questions generally require more analysis than "who/ what/when/where” questions.  
• Good analytical questions can highlight patterns/connections, or contradictions/dilemmas/problems.  
• Good analytical questions establish the scope of an argument, allowing you to focus on a manageable part of a broad topic or a collection of sources.  
• Good analytical questions can also address implications or consequences of your analysis.
• picture_as_pdf Asking Analytical Questions

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Can You Recognize This Novel From a One-Line Description?

By J. D. Biersdorfer May 6, 2024

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Welcome to Lit Trivia, the Book Review’s multiple-choice quiz designed to test your knowledge of books and literary culture. This week’s challenge asks you to identify five famous 20th-century novels based on a very simple one-sentence plot description.

Just tap or click on the title you think is correct to see the answer and a snippet of the original coverage in The Times. After the last question, you’ll find links to the titles in case you’re looking for a something to read.

A man runs around Dublin all day in June 1904.

“Birchwood,” by John Banville

“Borstal Boy,” by Brendan Behan

“Ulysses,” by James Joyce

“Strumpet City,” by James Plunkett

A young girl grows up in an impoverished urban area and, inspired by nature’s tenacity, strives to get an education as a key to success in life.

“Angels on Toast,” by Dawn Powell

“Brown Girl, Brownstones,” by Paule Marshall

“My Sister Eileen,” by Ruth McKenney

“A Tree Grows in Brooklyn,” by Betty Smith

A man recalls his childhood and young adulthood in high society for thousands of pages and has a memorable encounter with a snack food.

“The Remains of the Day,” by Kazuo Ishiguro

“In Search of Lost Time,” by Marcel Proust

“A Portrait of the Artist as a Young Man,” by James Joyce

“The Grapes of Wrath,” by John Steinbeck

An American in Paris, dealing with social alienation and other issues, has a relationship with an Italian bartender.

“Paris France,” by Gertrude Stein

“Giovanni’s Room,” by James Baldwin

“Gigi and the Cat,” by Colette

“The Ambassadors,” by Henry James

A clairvoyant woman keeps a journal for decades and records the dramatic lives of several generations of her family through love and political upheaval.

“In the Time of the Butterflies,” by Julia Alvarez

“The Kitchen God’s Wife,” by Amy Tan

“Paradise,” by Toni Morrison

“The House of the Spirits,” by Isabel Allende

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Each week, top authors and critics join the Book Review’s podcast to talk about the latest news in the literary world. Listen here .