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150 great articles & essays: interesting articles to read online, life & death, attitude by margaret atwood, this is water by david foster wallace, why go out by sheila heti, after life by joan didion, when things go missing by kathryn schulz, 50 more great articles about life, 25 more great articles about death.

Travel & Adventure

The book by patrick symmes, shipping out by david foster wallace, death of an innocent by jon krakauer, the place to disappear by susan orlean, trapped by aron ralston, 75 more great travel articles, words and writing, on keeping a notebook by joan didion, autobiographical notes by james baldwin, how to talk about books you haven't read by pierre bayard, where do you get your ideas by neil gaiman, everything you need to know about writing by stephen king, 20 more great essays about writing, short memoirs, goodbye to all that by joan didion, seeing by annie dillard, explicit violence by lidia yuknavitch, these precious days by ann patchett, 100 more short memoirs, tennis, trigonometry, tornadoes by david foster wallace, losing religion and finding ecstasy in houston by jia tolentino, a brief history of forever by tavi gevinson, 50 more great articles about growing up, the female body by margaret atwood, the tyranny of the ideal woman by jia tolentino, grand unified theory of female pain by leslie jamison, 50 more great articles about women, revelations about sex by alain de botton, safe-sex lies by meghan daum, my life as a sex object by jessica valenti, sex is a coping mechanism by jill neimark, 50 more great articles about sex.

The Women's Movement by Joan Didion

Bad feminist by roxane gay, what the hell am i (and who the hell cares) by neko case, 10 more great articles about feminism, men explain things to me by rebecca solnit, the end of men by hanna rosin, 10 more great articles about men, linguistics/language, who decides what words mean by lane greene, the world’s most efficient languages by john mcwhorter, tense present by david foster wallace, 40 more great articles about linguistics, pigeon wars by jon mooallem, violence of the lambs by john j. sullivan, 25 more great articles about animals, quitting the paint factory by mark slouka, nickel and dimed by barbara ehrenreich, shop class as soul craft by matthew b. crawford, 40 more great articles about work, to have is to owe by david graeber, why does it feel like everyone has more money than you by jen doll, the austerity delusion by paul krugman, the blind side by michael lewis, 25 more great articles about money, science & technology, how life (and death) spring from disorder by philip ball, a compassionate substance by philip ball, your handy postcard-sized guide to statistics by tim harford, on being the right size by j. b. s. haldane, 100 more great science & tech. articles, the environment, the fate of earth by elizabeth kolbert, state of the species by charles c. mann, the real reason humans are the dominant species by justin rowlatt and laurence knight, 30 more great reads about the environment, climate change, losing earth by nathaniel rich, sixty years of climate change warnings by alice bell, beyond catastrophe by david wallace wells, we should fix climate change — but we should not regret it by thomas r. wells, 35 more great climate change articles, the tinkering of robert noyce by tom wolfe, creation myth by malcolm gladwell, mother earth mother board by neal stephenson, i saw the face of god in a semiconductor factory by virginia heffernan, 50 more great articles about computers, the internet, forty years of the internet by oliver burkeman, escape the matrix by virginia heffernan, you are the product by john lanchester, a nation of echo chambers by will leitch, the long tail by chris anderson, 50 more articles about the internet.

Social Media

The machine always wins by richard seymour, my instagram by dayna tortorici, why the past 10 years of american life have been uniquely stupid by jonathan haidt, 15 more articles about social media, m by john sack, blackhawk down by mark bowden, hiroshima by john hersey, the ai-powered, totally autonomous future of war is here by will knight, 35 more great articles about war, the hinge of history by joan didion, how america lost its mind by kurt andersen, the problem with facts by tim harford, constant anxiety won't save the world by julie beck, 75 more great articles about politics, crime & punishment, the caging of america by adam gopnik, the crooked ladder by malcolm gladwell, cruel and unusual punishment by matt taibbi, 20 more great articles about crime, the body in room 348 by mark bowden, the art of the steal by joshua bearman, true crime by david grann, the crypto trap by andy greenberg, 35 more great true crime stories, does it help to know history by adam gopnik, 1491 by charles c. mann, a history of violence by steven pinker, the worst mistake in history by j. diamond, 25 more great articles about history, notes of a native son by james baldwin, how to slowly kill yourself and others in america by kiese laymon, magic actions by tobi haslett, 30 more great essays about race, cities and ambition by paul graham, here is new york by e. b. white, 25 more great articles about cities, we are all confident idiots by david dunning, fantastic beasts and how to rank them by kathryn schulz, the problem with p-values by david colquhoun, what is the monkeysphere by david wong, 100 more great psychology articles, love & relationships, love by lauren slater, masters of love by emily esfahani smith, this is emo by chuck klosterman, 50 more great articles about relationships, what makes us happy by joshua shenk, social connection makes a better brain by emily esfahani smith, the real roots of midlife crisis by jonathan rauch, 20 more great articles about happiness, success & failure, you can do it, baby by leslie garrett, what drives success by amy chua and jed rubenfeld, the fringe benefits of failure, and the importance of imagination by j.k. rowling, 10 more great articles about success, health & medicine, somewhere worse by jia tolentino, race to the vaccine by david heath and gus garcia-roberts, an epidemic of fear by amy wallace the score by atul gawande, 50 more great articles about health, mental health, darkness visible by william styron, the epidemic of mental illness by marcia angell, surviving anxiety by scott stossel, 50 more great articles about mental health, the moral instinct by steven pinker, not nothing by stephen cave, the greatest good by derek thompson, 15 more great articles about ethics, getting in by malcolm gladwell, learning by degrees by rebecca mead, the end of the english major by nathan heller, 20 more great articles about education, the string theory by david foster wallace, the istanbul derby by spencer hall, the kentucky derby is decadent and depraved by hunter s. thompson, 50 more great sports articles, why does music make us feel good by philip ball, one more time by elizabeth margulis, how to be a rock critic by lester bangs, 50 more great music articles, the arts & culture, inhaling the spore by lawrence weschler, death by harry potter by chuck klosterman, a one-man art market by bryan aappleyard, welcome to airspace by kyle chayka, 35 more great articles about the arts, fx porn by david foster wallace, flick chicks by mindy kaling, the movie set that ate itself by michael idov, 15 more great articles about movies, the last meal by michael paterniti, if you knew sushi by nick tosches, consider the lobster by david foster wallace, 50 more great articles about food.

Fear and Loathing in Las Vegas by Hunter S. Thompson

The last american hero is junior johnson. yes by tom wolfe, masters of the universe go to camp by philip weiss, what is glitter by caity weaver.

About The Electric Typewriter We search the net to bring you the best nonfiction, articles, essays and journalism

40 Best Essays of All Time (Including Links & Writing Tips)

I wanted to improve my writing skills. I thought that reading the forty best essays of all time would bring me closer to my goal.

I had little money (buying forty collections of essays was out of the question) so I’ve found them online instead. I’ve hacked through piles of them, and finally, I’ve found the great ones. Now I want to share the whole list with you (with the addition of my notes about writing). Each item on the list has a direct link to the essay, so please click away and indulge yourself. Also, next to each essay, there’s an image of the book that contains the original work.

About this essay list:

Reading essays is like indulging in candy; once you start, it’s hard to stop. I sought out essays that were not only well-crafted but also impactful. These pieces genuinely shifted my perspective. Whether you’re diving in for enjoyment or to hone your writing, these essays promise to leave an imprint. It’s fascinating how an essay can resonate with you, and even if details fade, its essence remains. I haven’t ranked them in any way; they’re all stellar. Skim through, explore the summaries, and pick up some writing tips along the way. For more essay gems, consider “Best American Essays” by Joyce Carol Oates or “101 Essays That Will Change The Way You Think” curated by Brianna Wiest.

40 Best Essays of All Time (With Links And Writing Tips)

1. david sedaris – laugh, kookaburra.

A great family drama takes place against the backdrop of the Australian wilderness. And the Kookaburra laughs… This is one of the top essays of the lot. It’s a great mixture of family reminiscences, travel writing, and advice on what’s most important in life. You’ll also learn an awful lot about the curious culture of the Aussies.

Writing tips from the essay:

• Use analogies (you can make it funny or dramatic to achieve a better effect): “Don’t be afraid,” the waiter said, and he talked to the kookaburra in a soothing, respectful voice, the way you might to a child with a switchblade in his hand”.
• You can touch a few cognate stories in one piece of writing . Reveal the layers gradually. Intertwine them and arrange for a grand finale where everything is finally clear.
• Be on the side of the reader. Become their friend and tell the story naturally, like around the dinner table.
• Use short, punchy sentences. Tell only as much as is required to make your point vivid.
• Conjure sentences that create actual feelings: “I had on a sweater and a jacket, but they weren’t quite enough, and I shivered as we walked toward the body, and saw that it was a . . . what, exactly?”
• You may ask a few tough questions in a row to provoke interest and let the reader think.

2. Charles D’Ambrosio – Documents

Do you think your life punches you in the face all too often? After reading this essay, you will change your mind. Reading about loss and hardships often makes us sad at first, but then enables us to feel grateful for our lives . D’Ambrosio shares his documents (poems, letters) that had a major impact on his life, and brilliantly shows how not to let go of the past.

• The most powerful stories are about your family and the childhood moments that shaped your life.
• You don’t need to build up tension and pussyfoot around the crux of the matter. Instead, surprise the reader by telling it like it is: “The poem was an allegory about his desire to leave our family.” Or: “My father had three sons. I’m the eldest; Danny, the youngest, killed himself sixteen years ago”.
• You can use real documents and quotes from your family and friends. It makes it so much more personal and relatable.
• Don’t cringe before the long sentence if you know it’s a strong one.
• At the end of the essay, you may come back to the first theme to close the circuit.
• Using slightly poetic language is acceptable, as long as it improves the story.

3. E. B. White – Once more to the lake

What does it mean to be a father? Can you see your younger self, reflected in your child? This beautiful essay tells the story of the author, his son, and their traditional stay at a placid lake hidden within the forests of Maine. This place of nature is filled with sunshine and childhood memories. It also provides for one of the greatest meditations on nature and the passing of time.

• Use sophisticated language, but not at the expense of readability.
• Use vivid language to trigger the mirror neurons in the reader’s brain: “I took along my son, who had never had any fresh water up his nose and who had seen lily pads only from train windows”.
• It’s important to mention universal feelings that are rarely talked about (it helps to create a bond between two minds): “You remember one thing, and that suddenly reminds you of another thing. I guess I remembered clearest of all the early mornings when the lake was cool and motionless”.
• Animate the inanimate: “this constant and trustworthy body of water”.
• Mentioning tales of yore is a good way to add some mystery and timelessness to your piece.
• Using double, or even triple “and” in one sentence is fine. It can make the sentence sing.

4. Zadie Smith – Fail Better

Aspiring writers feel tremendous pressure to perform. The daily quota of words often turns out to be nothing more than gibberish. What then? Also, should the writer please the reader or should she be fully independent? What does it mean to be a writer, anyway? This essay is an attempt to answer these questions, but its contents are not only meant for scribblers. Within it, you’ll find some great notes about literary criticism, how we treat art , and the responsibility of the reader.

• A perfect novel ? There’s no such thing.
• The novel always reflects the inner world of the writer. That’s why we’re fascinated with writers.
• Writing is not simply about craftsmanship, but about taking your reader to the unknown lands. In the words of Christopher Hitchens: “Your ideal authors ought to pull you from the foundering of your previous existence, not smilingly guide you into a friendly and peaceable harbor.”
• Style comes from your unique personality and the perception of the world. It takes time to develop it.
• Never try to tell it all. “All” can never be put into language. Take a part of it and tell it the best you can.
• Avoid being cliché. Try to infuse new life into your writing .
• Writing is about your way of being. It’s your game. Paradoxically, if you try to please everyone, your writing will become less appealing. You’ll lose the interest of the readers. This rule doesn’t apply in the business world where you have to write for a specific person (a target audience).
• As a reader, you have responsibilities too. According to the critics, every thirty years, there’s just a handful of great novels. Maybe it’s true. But there’s also an element of personal connection between the reader and the writer. That’s why for one person a novel is a marvel, while for the other, nothing special at all. That’s why you have to search and find the author who will touch you.

5. Virginia Woolf – Death of the Moth

Amid an ordinary day, sitting in a room of her own, Virginia Woolf tells about the epic struggle for survival and the evanescence of life. This short essay is truly powerful. In the beginning, the atmosphere is happy. Life is in full force. And then, suddenly, it fades away. This sense of melancholy would mark the last years of Woolf’s life.

• The melody of language… A good sentence is like music: “Moths that fly by day are not properly to be called moths; they do not excite that pleasant sense of dark autumn nights and ivy-blossom which the commonest yellow- underwing asleep in the shadow of the curtain never fails to rouse in us”.
• You can show the grandest in the mundane (for example, the moth at your window and the drama of life and death).
• Using simple comparisons makes the style more lucid: “Being intent on other matters I watched these futile attempts for a time without thinking, unconsciously waiting for him to resume his flight, as one waits for a machine, that has stopped momentarily, to start again without considering the reason of its failure”.

6. Meghan Daum – My Misspent Youth

Many of us, at some point or another, dream about living in New York. Meghan Daum’s take on the subject differs slightly from what you might expect. There’s no glamour, no Broadway shows, and no fancy restaurants. Instead, there’s the sullen reality of living in one of the most expensive cities in the world. You’ll get all the juicy details about credit cards, overdue payments, and scrambling for survival. It’s a word of warning. But it’s also a great story about shattered fantasies of living in a big city. Word on the street is: “You ain’t promised mañana in the rotten manzana.”

• You can paint a picture of your former self. What did that person believe in? What kind of world did he or she live in?
• “The day that turned your life around” is a good theme you may use in a story. Memories of a special day are filled with emotions. Strong emotions often breed strong writing.
• Use cultural references and relevant slang to create a context for your story.
• You can tell all the details of the story, even if in some people’s eyes you’ll look like the dumbest motherfucker that ever lived. It adds to the originality.
• Say it in a new way: “In this mindset, the dollars spent, like the mechanics of a machine no one bothers to understand, become an abstraction, an intangible avenue toward self-expression, a mere vehicle of style”.
• You can mix your personal story with the zeitgeist or the ethos of the time.

7. Roger Ebert – Go Gentle Into That Good Night

Probably the greatest film critic of all time, Roger Ebert, tells us not to rage against the dying of the light. This essay is full of courage, erudition, and humanism. From it, we learn about what it means to be dying (Hitchens’ “Mortality” is another great work on that theme). But there’s so much more. It’s a great celebration of life too. It’s about not giving up, and sticking to your principles until the very end. It brings to mind the famous scene from Dead Poets Society where John Keating (Robin Williams) tells his students: “Carpe, carpe diem, seize the day boys, make your lives extraordinary”.

• Start with a powerful sentence: “I know it is coming, and I do not fear it, because I believe there is nothing on the other side of death to fear.”
• Use quotes to prove your point -”‘Ask someone how they feel about death’, he said, ‘and they’ll tell you everyone’s gonna die’. Ask them, ‘In the next 30 seconds?’ No, no, no, that’s not gonna happen”.
• Admit the basic truths about reality in a childlike way (especially after pondering quantum physics) – “I believe my wristwatch exists, and even when I am unconscious, it is ticking all the same. You have to start somewhere”.
• Let other thinkers prove your point. Use quotes and ideas from your favorite authors and friends.

8. George Orwell – Shooting an Elephant

Even after one reading, you’ll remember this one for years. The story, set in British Burma, is about shooting an elephant (it’s not for the squeamish). It’s also the most powerful denunciation of colonialism ever put into writing. Orwell, apparently a free representative of British rule, feels to be nothing more than a puppet succumbing to the whim of the mob.

• The first sentence is the most important one: “In Moulmein, in Lower Burma, I was hated by large numbers of people — the only time in my life that I have been important enough for this to happen to me”.
• You can use just the first paragraph to set the stage for the whole piece of prose.
• Use beautiful language that stirs the imagination: “I remember that it was a cloudy, stuffy morning at the beginning of the rains.” Or: “I watched him beating his bunch of grass against his knees, with that preoccupied grandmotherly air that elephants have.”
• If you’ve ever been to war, you will have a story to tell: “(Never tell me, by the way, that the dead look peaceful. Most of the corpses I have seen looked devilish.)”
• Use simple words, and admit the sad truth only you can perceive: “They did not like me, but with the magical rifle in my hands I was momentarily worth watching”.
• Share words of wisdom to add texture to the writing: “I perceived at this moment that when the white man turns tyrant it is his freedom that he destroys.”
• I highly recommend reading everything written by Orwell, especially if you’re looking for the best essay collections on Amazon or Goodreads.

9. George Orwell – A Hanging

It’s just another day in Burma – time to hang a man. Without much ado, Orwell recounts the grim reality of taking another person’s life. A man is taken from his cage and in a few minutes, he’s going to be hanged. The most horrible thing is the normality of it. It’s a powerful story about human nature. Also, there’s an extraordinary incident with the dog, but I won’t get ahead of myself.

• Create brilliant, yet short descriptions of characters: “He was a Hindu, a puny wisp of a man, with a shaven head and vague liquid eyes. He had a thick, sprouting mustache, absurdly too big for his body, rather like the mustache of a comic man on the films”.
• Understand and share the felt presence of a unique experience: “It is curious, but till that moment I had never realized what it means to destroy a healthy, conscious man”.
• Make your readers hear the sound that will stay with them forever: “And then when the noose was fixed, the prisoner began crying out on his god. It was a high, reiterated cry of “Ram! Ram! Ram! Ram!”
• Make the ending original by refusing the tendency to seek closure or summing it up.

10. Christopher Hitchens – Assassins of The Mind

In one of the greatest essays written in defense of free speech, Christopher Hitchens shares many examples of how modern media kneel to the explicit threats of violence posed by Islamic extremists. He recounts the story of his friend, Salman Rushdie, author of Satanic Verses who, for many years, had to watch over his shoulder because of the fatwa of Ayatollah Khomeini. With his usual wit, Hitchens shares various examples of people who died because of their opinions and of editors who refuse to publish anything related to Islam because of fear (and it was written long before the Charlie Hebdo massacre). After reading the essay, you realize that freedom of expression is one of the most precious things we have and that we have to fight for it. I highly recommend all essay collections penned by Hitchens, especially the ones written for Vanity Fair.

• Assume that the readers will know the cultural references. When they do, their self-esteem goes up – they are a part of an insider group.
• When proving your point, give a variety of real-life examples from eclectic sources. Leave no room for ambiguity or vagueness. Research and overall knowledge are essential here.
• Use italics to emphasize a specific word or phrase (here I use the underlining): “We live now in a climate where every publisher and editor and politician has to weigh in advance the possibility of violent Muslim reprisal. In consequence, several things have not happened.”
• Think about how to make it sound more original: “So there is now a hidden partner in our cultural and academic and publishing and the broadcasting world: a shadowy figure that has, uninvited, drawn up a chair to the table.”

11. Christopher Hitchens – The New Commandments

It’s high time to shatter the tablets and amend the biblical rules of conduct. Watch, as Christopher Hitchens slays one commandment after the other on moral, as well as historical grounds. For example, did you know that there are many versions of the divine law dictated by God to Moses which you can find in the Bible? Aren’t we thus empowered to write our version of a proper moral code? If you approach it with an open mind, this essay may change the way you think about the Bible and religion.

• Take the iconoclastic approach. Have a party on the hallowed soil.
• Use humor to undermine orthodox ideas (it seems to be the best way to deal with an established authority).
• Use sarcasm and irony when appropriate (or not): “Nobody is opposed to a day of rest. The international Communist movement got its start by proclaiming a strike for an eight-hour day on May 1, 1886, against Christian employers who used child labor seven days a week”.
• Defeat God on legal grounds: “Wise lawmakers know that it is a mistake to promulgate legislation that is impossible to obey”.
• Be ruthless in the logic of your argument. Provide evidence.

12. Phillip Lopate – Against Joie de Vivre

While reading this fantastic essay, this quote from Slavoj Žižek kept coming back to me: “I think that the only life of deep satisfaction is a life of eternal struggle, especially struggle with oneself. If you want to remain happy, just remain stupid. Authentic masters are never happy; happiness is a category of slaves”. I can bear the onus of happiness or joie de vivre for some time. But this force enables me to get free and wallow in the sweet feelings of melancholy and nostalgia. By reading this work of Lopate, you’ll enter into the world of an intelligent man who finds most social rituals a drag. It’s worth exploring.

• Go against the grain. Be flamboyant and controversial (if you can handle it).
• Treat the paragraph like a group of thoughts on one theme. Next paragraph, next theme.
• Use references to other artists to set the context and enrich the prose: “These sunny little canvases with their talented innocence, the third-generation spirit of Montmartre, bore testimony to a love of life so unbending as to leave an impression of rigid narrow-mindedness as extreme as any Savonarola. Their rejection of sorrow was total”.
• Capture the emotions in life that are universal, yet remain unspoken.
• Don’t be afraid to share your intimate experiences.

13. Philip Larkin – The Pleasure Principle

This piece comes from the Required Writing collection of personal essays. Larkin argues that reading in verse should be a source of intimate pleasure – not a medley of unintelligible thoughts that only the author can (or can’t?) decipher. It’s a sobering take on modern poetry and a great call to action for all those involved in it. Well worth a read.

• Write about complicated ideas (such as poetry) simply. You can change how people look at things if you express yourself enough.
• Go boldly. The reader wants a bold writer: “We seem to be producing a new kind of bad poetry, not the old kind that tries to move the reader and fails, but one that does not even try”.
• Play with words and sentence length. Create music: “It is time some of you playboys realized, says the judge, that reading a poem is hard work. Fourteen days in stir. Next case”.
• Persuade the reader to take action. Here, direct language is the most effective.

14. Sigmund Freud – Thoughts for the Times on War and Death

This essay reveals Freud’s disillusionment with the whole project of Western civilization. How the peaceful European countries could engage in a war that would eventually cost over 17 million lives? What stirs people to kill each other? Is it their nature, or are they puppets of imperial forces with agendas of their own? From the perspective of time, this work by Freud doesn’t seem to be fully accurate. Even so, it’s well worth your time.

• Commence with long words derived from Latin. Get grandiloquent, make your argument incontrovertible, and leave your audience discombobulated.
• Use unending sentences, so that the reader feels confused, yet impressed.
• Say it well: “In this way, he enjoyed the blue sea and the grey; the beauty of snow-covered mountains and green meadowlands; the magic of northern forests and the splendor of southern vegetation; the mood evoked by landscapes that recall great historical events, and the silence of untouched nature”.
• Human nature is a subject that never gets dry.

15. Zadie Smith – Some Notes on Attunement

“You are privy to a great becoming, but you recognize nothing” – Francis Dolarhyde. This one is about the elusiveness of change occurring within you. For Zadie, it was hard to attune to the vibes of Joni Mitchell – especially her Blue album. But eventually, she grew up to appreciate her genius, and all the other things changed as well. This top essay is all about the relationship between humans, and art. We shouldn’t like art because we’re supposed to. We should like it because it has an instantaneous, emotional effect on us. Although, according to Stansfield (Gary Oldman) in Léon, liking Beethoven is rather mandatory.

• Build an expectation of what’s coming: “The first time I heard her I didn’t hear her at all”.
• Don’t be afraid of repetition if it feels good.
• Psychedelic drugs let you appreciate things you never appreciated.
• Intertwine a personal journey with philosophical musings.
• Show rather than tell: “My friends pitied their eyes. The same look the faithful give you as you hand them back their “literature” and close the door in their faces”.
• Let the poets speak for you: “That time is past, / And all its aching joys are now no
• more, / And all its dizzy raptures”.
• By voicing your anxieties, you can heal the anxieties of the reader. In that way, you say: “I’m just like you. I’m your friend in this struggle”.
• Admit your flaws to make your persona more relatable.

16. Annie Dillard – Total Eclipse

My imagination was always stirred by the scene of the solar eclipse in Pharaoh, by Boleslaw Prus. I wondered about the shock of the disoriented crowd when they saw how their ruler could switch off the light. Getting immersed in this essay by Annie Dillard has a similar effect. It produces amazement and some kind of primeval fear. It’s not only the environment that changes; it’s your mind and the perception of the world. After the eclipse, nothing is going to be the same again.

• Yet again, the power of the first sentence draws you in: “It had been like dying, that sliding down the mountain pass”.
• Don’t miss the extraordinary scene. Then describe it: “Up in the sky, like a crater from some distant cataclysm, was a hollow ring”.
• Use colloquial language. Write as you talk. Short sentences often win.
• Contrast the numinous with the mundane to enthrall the reader.

17. Édouard Levé – When I Look at a Strawberry, I Think of a Tongue

This suicidally beautiful essay will teach you a lot about the appreciation of life and the struggle with mental illness. It’s a collection of personal, apparently unrelated thoughts that show us the rich interior of the author. You look at the real-time thoughts of another person, and then recognize the same patterns within yourself… It sounds like a confession of a person who’s about to take their life, and it’s striking in its originality.

• Use the stream-of-consciousness technique and put random thoughts on paper. Then, polish them: “I have attempted suicide once, I’ve been tempted four times to attempt it”.
• Place the treasure deep within the story: “When I look at a strawberry, I think of a tongue, when I lick one, of a kiss”.
• Don’t worry about what people might think. The more you expose, the more powerful the writing. Readers also take part in the great drama. They experience universal emotions that mostly stay inside.  You can translate them into writing.

18. Gloria E. Anzaldúa – How to Tame a Wild Tongue

Anzaldúa, who was born in south Texas, had to struggle to find her true identity. She was American, but her culture was grounded in Mexico. In this way, she and her people were not fully respected in either of the countries. This essay is an account of her journey of becoming the ambassador of the Chicano (Mexican-American) culture. It’s full of anecdotes, interesting references, and different shades of Spanish. It’s a window into a new cultural dimension that you’ve never experienced before.

• If your mother tongue is not English, but you write in English, use some of your unique homeland vocabulary.
• You come from a rich cultural heritage. You can share it with people who never heard about it, and are not even looking for it, but it is of immense value to them when they discover it.
• Never forget about your identity. It is precious. It is a part of who you are. Even if you migrate, try to preserve it. Use it to your best advantage and become the voice of other people in the same situation.
• Tell them what’s really on your mind: “So if you want to hurt me, talk badly about my language. Ethnic identity is twin skin to linguistic identity – I am my language”.

19. Kurt Vonnegut – Dispatch From A Man Without a Country

In terms of style, this essay is flawless. It’s simple, conversational, humorous, and yet, full of wisdom. And when Vonnegut becomes a teacher and draws an axis of “beginning – end”, and, “good fortune – bad fortune” to explain literature, it becomes outright hilarious. It’s hard to find an author with such a down-to-earth approach. He doesn’t need to get intellectual to prove a point. And the point could be summed up by the quote from Great Expectations – “On the Rampage, Pip, and off the Rampage, Pip – such is Life!”

• Start with a curious question: “Do you know what a twerp is?”
• Surprise your readers with uncanny analogies: “I am from a family of artists. Here I am, making a living in the arts. It has not been a rebellion. It’s as though I had taken over the family Esso station.”
• Use your natural language without too many special effects. In time, the style will crystalize.
• An amusing lesson in writing from Mr. Vonnegut: “Here is a lesson in creative writing. First rule: Do not use semicolons. They are transvestite hermaphrodites representing absolutely nothing. All they do is show you’ve been to college”.
• You can put actual images or vignettes between the paragraphs to illustrate something.

20. Mary Ruefle – On Fear

Most psychologists and gurus agree that fear is the greatest enemy of success or any creative activity. It’s programmed into our minds to keep us away from imaginary harm. Mary Ruefle takes on this basic human emotion with flair. She explores fear from so many angles (especially in the world of poetry-writing) that at the end of this personal essay, you will look at it, dissect it, untangle it, and hopefully be able to say “f**k you” the next time your brain is trying to stop you.

• Research your subject thoroughly. Ask people, have interviews, get expert opinions, and gather as much information as possible. Then scavenge through the fields of data, and pull out the golden bits that will let your prose shine.
• Use powerful quotes to add color to your story: “The poet who embarks on the creation of the poem (as I know by experience), begins with the aimless sensation of a hunter about to embark on a night hunt through the remotest of forests. Unaccountable dread stirs in his heart”. – Lorca.
• Writing advice from the essay: “One of the fears a young writer has is not being able to write as well as he or she wants to, the fear of not being able to sound like X or Y, a favorite author. But out of fear, hopefully, is born a young writer’s voice”.

21. Susan Sontag – Against Interpretation

In this highly intellectual essay, Sontag fights for art and its interpretation. It’s a great lesson, especially for critics and interpreters who endlessly chew on works that simply defy interpretation. Why don’t we just leave the art alone? I always hated it when at school they asked me: “What did the author have in mind when he did X or Y?” Iēsous Pantocrator! Hell if I know! I will judge it through my subjective experience!

• Leave the art alone: “Today is such a time, when the project of interpretation is reactionary, stifling. Like the fumes of the automobile and heavy industry which befoul the urban atmosphere, the effusion of interpretations of art today poisons our sensibilities”.
• When you have something really important to say, style matters less.
• There’s no use in creating a second meaning or inviting interpretation of our art. Just leave it be and let it speak for itself.

22. Nora Ephron – A Few Words About Breasts

This is a heartwarming, coming-of-age story about a young girl who waits in vain for her breasts to grow. It’s simply a humorous and pleasurable read. The size of breasts is a big deal for women. If you’re a man, you may peek into the mind of a woman and learn many interesting things. If you’re a woman, maybe you’ll be able to relate and at last, be at peace with your bosom.

• Touch an interesting subject and establish a strong connection with the readers (in that case, women with small breasts). Let your personality shine through the written piece. If you are lighthearted, show it.
• Use hyphens to create an impression of real talk: “My house was full of apples and peaches and milk and homemade chocolate chip cookies – which were nice, and good for you, but-not-right-before-dinner-or-you’ll-spoil-your-appetite.”
• Use present tense when you tell a story to add more life to it.
• Share the pronounced, memorable traits of characters: “A previous girlfriend named Solange, who was famous throughout Beverly Hills High School for having no pigment in her right eyebrow, had knitted them for him (angora dice)”.

23. Carl Sagan – Does Truth Matter – Science, Pseudoscience, and Civilization

Carl Sagan was one of the greatest proponents of skepticism, and an author of numerous books, including one of my all-time favorites – The Demon-Haunted World . He was also a renowned physicist and the host of the fantastic Cosmos: A Personal Voyage series, which inspired a whole generation to uncover the mysteries of the cosmos. He was also a dedicated weed smoker – clearly ahead of his time. The essay that you’re about to read is a crystallization of his views about true science, and why you should check the evidence before believing in UFOs or similar sorts of crap.

• Tell people the brutal truth they need to hear. Be the one who spells it out for them.
• Give a multitude of examples to prove your point. Giving hard facts helps to establish trust with the readers and show the veracity of your arguments.
• Recommend a good book that will change your reader’s minds – How We Know What Isn’t So: The Fallibility of Human Reason in Everyday Life

24. Paul Graham – How To Do What You Love

How To Do What You Love should be read by every college student and young adult. The Internet is flooded with a large number of articles and videos that are supposed to tell you what to do with your life. Most of them are worthless, but this one is different. It’s sincere, and there’s no hidden agenda behind it. There’s so much we take for granted – what we study, where we work, what we do in our free time… Surely we have another two hundred years to figure it out, right? Life’s too short to be so naïve. Please, read the essay and let it help you gain fulfillment from your work.

• Ask simple, yet thought-provoking questions (especially at the beginning of the paragraph) to engage the reader: “How much are you supposed to like what you do?”
• Let the readers question their basic assumptions: “Prestige is like a powerful magnet that warps even your beliefs about what you enjoy. It causes you to work not on what you like, but what you’d like to like”.
• If you’re writing for a younger audience, you can act as a mentor. It’s beneficial for younger people to read a few words of advice from a person with experience.

25. John Jeremiah Sullivan – Mister Lytle

A young, aspiring writer is about to become a nurse of a fading writer – Mister Lytle (Andrew Nelson Lytle), and there will be trouble. This essay by Sullivan is probably my favorite one from the whole list. The amount of beautiful sentences it contains is just overwhelming. But that’s just a part of its charm. It also takes you to the Old South which has an incredible atmosphere. It’s grim and tawny but you want to stay there for a while.

• Short, distinct sentences are often the most powerful ones: “He had a deathbed, in other words. He didn’t go suddenly”.
• Stay consistent with the mood of the story. When reading Mister Lytle you are immersed in that southern, forsaken, gloomy world, and it’s a pleasure.
• The spectacular language that captures it all: “His French was superb, but his accent in English was best—that extinct mid-Southern, land-grant pioneer speech, with its tinges of the abandoned Celtic urban Northeast (“boned” for burned) and its raw gentility”.
• This essay is just too good. You have to read it.

26. Joan Didion – On Self Respect

Normally, with that title, you would expect some straightforward advice about how to improve your character and get on with your goddamn life – but not from Joan Didion. From the very beginning, you can feel the depth of her thinking, and the unmistakable style of a true woman who’s been hurt. You can learn more from this essay than from whole books about self-improvement . It reminds me of the scene from True Detective, where Frank Semyon tells Ray Velcoro to “own it” after he realizes he killed the wrong man all these years ago. I guess we all have to “own it”, recognize our mistakes, and move forward sometimes.

• Share your moral advice: “Character — the willingness to accept responsibility for one’s own life — is the source from which self-respect springs”.
• It’s worth exploring the subject further from a different angle. It doesn’t matter how many people have already written on self-respect or self-reliance – you can still write passionately about it.
• Whatever happens, you must take responsibility for it. Brave the storms of discontent.

27. Susan Sontag – Notes on Camp

I’ve never read anything so thorough and lucid about an artistic current. After reading this essay, you will know what camp is. But not only that – you will learn about so many artists you’ve never heard of. You will follow their traces and go to places where you’ve never been before. You will vastly increase your appreciation of art. It’s interesting how something written as a list could be so amazing. All the listicles we usually see on the web simply cannot compare with it.

• Talking about artistic sensibilities is a tough job. When you read the essay, you will see how much research, thought and raw intellect came into it. But that’s one of the reasons why people still read it today, even though it was written in 1964.
• You can choose an unorthodox way of expression in the medium for which you produce. For example, Notes on Camp is a listicle – one of the most popular content formats on the web. But in the olden days, it was uncommon to see it in print form.
• Just think about what is camp: “And third among the great creative sensibilities is Camp: the sensibility of failed seriousness, of the theatricalization of experience. Camp refuses both the harmonies of traditional seriousness and the risks of fully identifying with extreme states of feeling”.

28. Ralph Waldo Emerson – Self-Reliance

That’s the oldest one from the lot. Written in 1841, it still inspires generations of people. It will let you understand what it means to be self-made. It contains some of the most memorable quotes of all time. I don’t know why, but this one especially touched me: “Every true man is a cause, a country, and an age; requires infinite spaces and numbers and time fully to accomplish his design, and posterity seems to follow his steps as a train of clients”. Now isn’t it purely individualistic, American thought? Emerson told me (and he will tell you) to do something amazing with my life. The language it contains is a bit archaic, but that just adds to the weight of the argument. You can consider it to be a meeting with a great philosopher who shaped the ethos of the modern United States.

• You can start with a powerful poem that will set the stage for your work.
• Be free in your creative flow. Do not wait for the approval of others: “What I must do is all that concerns me, not what the people think. This rule, equally arduous in actual and in intellectual life, may serve for the whole distinction between greatness and meanness”.
• Use rhetorical questions to strengthen your argument: “I hear a preacher announce for his text and topic the expediency of one of the institutions of his church. Do I not know beforehand that not possibly say a new and spontaneous word?”

29. David Foster Wallace – Consider The Lobster

When you want simple field notes about a food festival, you needn’t send there the formidable David Foster Wallace. He sees right through the hypocrisy and cruelty behind killing hundreds of thousands of innocent lobsters – by boiling them alive. This essay uncovers some of the worst traits of modern American people. There are no apologies or hedging one’s bets. There’s just plain truth that stabs you in the eye like a lobster claw. After reading this essay, you may reconsider the whole animal-eating business.

• When it’s important, say it plainly and stagger the reader: “[Lobsters] survive right up until they’re boiled. Most of us have been in supermarkets or restaurants that feature tanks of live lobster, from which you can pick out your supper while it watches you point”.
• In your writing, put exact quotes of the people you’ve been interviewing (including slang and grammatical errors). It makes it more vivid, and interesting.
• You can use humor in serious situations to make your story grotesque.
• Use captions to expound on interesting points of your essay.

30. David Foster Wallace – The Nature of the Fun

The famous novelist and author of the most powerful commencement speech ever done is going to tell you about the joys and sorrows of writing a work of fiction. It’s like taking care of a mutant child that constantly oozes smelly liquids. But you love that child and you want others to love it too. It’s a very humorous account of what it means to be an author. If you ever plan to write a novel, you should read that one. And the story about the Chinese farmer is just priceless.

• Base your point on a chimerical analogy. Here, the writer’s unfinished work is a “hideously damaged infant”.
• Even in expository writing, you may share an interesting story to keep things lively.
• Share your true emotions (even when you think they won’t interest anyone). Often, that’s exactly what will interest the reader.
• Read the whole essay for marvelous advice on writing fiction.

31. Margaret Atwood – Attitude

This is not an essay per se, but I included it on the list for the sake of variety. It was delivered as a commencement speech at The University of Toronto, and it’s about keeping the right attitude. Soon after leaving university, most graduates have to forget about safety, parties, and travel and start a new life – one filled with a painful routine that will last until they drop. Atwood says that you don’t have to accept that. You can choose how you react to everything that happens to you (and you don’t have to stay in that dead-end job for the rest of your days).

• At times, we are all too eager to persuade, but the strongest persuasion is not forceful. It’s subtle. It speaks to the heart. It affects you gradually.
• You may be tempted to talk about a subject by first stating what it is not, rather than what it is. Try to avoid that.
• Simple advice for writers (and life in general): “When faced with the inevitable, you always have a choice. You may not be able to alter reality, but you can alter your attitude towards it”.

32. Jo Ann Beard – The Fourth State of Matter

Read that one as soon as possible. It’s one of the most masterful and impactful essays you’ll ever read. It’s like a good horror – a slow build-up, and then your jaw drops to the ground. To summarize the story would be to spoil it, so I recommend that you just dig in and devour this essay in one sitting. It’s a perfect example of “show, don’t tell” writing, where the actions of characters are enough to create the right effect. No need for flowery adjectives here.

• The best story you will tell is going to come from your personal experience.
• Use mysteries that will nag the reader. For example, at the beginning of the essay, we learn about the “vanished husband” but there’s no explanation. We have to keep reading to get the answer.
• Explain it in simple terms: “You’ve got your solid, your liquid, your gas, and then your plasma”. Why complicate?

33. Terence McKenna – Tryptamine Hallucinogens and Consciousness

To me, Terence McKenna was one of the most interesting thinkers of the twentieth century. His many lectures (now available on YouTube) attracted millions of people who suspect that consciousness holds secrets yet to be unveiled. McKenna consumed psychedelic drugs for most of his life and it shows (in a positive way). Many people consider him a looney, and a hippie, but he was so much more than that. He dared to go into the abyss of his psyche and come back to tell the tale. He also wrote many books (the most famous being Food Of The Gods ), built a huge botanical garden in Hawaii , lived with shamans, and was a connoisseur of all things enigmatic and obscure. Take a look at this essay, and learn more about the explorations of the subconscious mind.

• Become the original thinker, but remember that it may require extraordinary measures: “I call myself an explorer rather than a scientist because the area that I’m looking at contains insufficient data to support even the dream of being a science”.
• Learn new words every day to make your thoughts lucid.
• Come up with the most outlandish ideas to push the envelope of what’s possible. Don’t take things for granted or become intellectually lazy. Question everything.

34. Eudora Welty – The Little Store

By reading this little-known essay, you will be transported into the world of the old American South. It’s a remembrance of trips to the little store in a little town. It’s warm and straightforward, and when you read it, you feel like a child once more. All these beautiful memories live inside of us. They lay somewhere deep in our minds, hidden from sight. The work by Eudora Welty is an attempt to uncover some of them and let you get reacquainted with some smells and tastes of the past.

• When you’re from the South, flaunt it. It’s still good old English but sometimes it sounds so foreign. I can hear the Southern accent too: “There were almost tangible smells – licorice recently sucked in a child’s cheek, dill-pickle brine that had leaked through a paper sack in a fresh trail across the wooden floor, ammonia-loaded ice that had been hoisted from wet Croker sacks and slammed into the icebox with its sweet butter at the door, and perhaps the smell of still-untrapped mice”.
• Yet again, never forget your roots.
• Childhood stories can be the most powerful ones. You can write about how they shaped you.

35. John McPhee – The Search for Marvin Gardens

The Search for Marvin Gardens contains many layers of meaning. It’s a story about a Monopoly championship, but also, it’s the author’s search for the lost streets visible on the board of the famous board game. It also presents a historical perspective on the rise and fall of civilizations, and on Atlantic City, which once was a lively place, and then, slowly declined, the streets filled with dirt and broken windows.

• There’s nothing like irony: “A sign- ‘Slow, Children at Play’- has been bent backward by an automobile”.
• Telling the story in apparently unrelated fragments is sometimes better than telling the whole thing in a logical order.
• Creativity is everything. The best writing may come just from connecting two ideas and mixing them to achieve a great effect. Shush! The muse is whispering.

36. Maxine Hong Kingston – No Name Woman

A dead body at the bottom of the well makes for a beautiful literary device. The first line of Orhan Pamuk’s novel My Name Is Red delivers it perfectly: “I am nothing but a corpse now, a body at the bottom of a well”. There’s something creepy about the idea of the well. Just think about the “It puts the lotion in the basket” scene from The Silence of the Lambs. In the first paragraph of Kingston’s essay, we learn about a suicide committed by uncommon means of jumping into the well. But this time it’s a real story. Who was this woman? Why did she do it? Read the essay.

• Mysterious death always gets attention. The macabre details are like daiquiris on a hot day – you savor them – you don’t let them spill.
• One sentence can speak volumes: “But the rare urge west had fixed upon our family, and so my aunt crossed boundaries not delineated in space”.
• It’s interesting to write about cultural differences – especially if you have the relevant experience. Something normal for us is unthinkable for others. Show this different world.
• The subject of sex is never boring.

37. Joan Didion – On Keeping A Notebook

Slouching Towards Bethlehem is one of the most famous collections of essays of all time. In it, you will find a curious piece called On Keeping A Notebook. It’s not only a meditation about keeping a journal. It’s also Didion’s reconciliation with her past self. After reading it, you will seriously reconsider your life’s choices and look at your life from a wider perspective.

• When you write things down in your journal, be more specific – unless you want to write a deep essay about it years later.
• Use the beauty of the language to relate to the past: “I have already lost touch with a couple of people I used to be; one of them, a seventeen-year-old, presents little threat, although it would be of some interest to me to know again what it feels like to sit on a river levee drinking vodka-and-orange-juice and listening to Les Paul and Mary Ford and their echoes sing ‘How High the Moon’ on the car radio”.
• Drop some brand names if you want to feel posh.

38. Joan Didion – Goodbye To All That

This one touched me because I also lived in New York City for a while. I don’t know why, but stories about life in NYC are so often full of charm and this eerie-melancholy-jazz feeling. They are powerful. They go like this: “There was a hard blizzard in NYC. As the sound of sirens faded, Tony descended into the dark world of hustlers and pimps.” That’s pulp literature but in the context of NYC, it always sounds cool. Anyway, this essay is amazing in too many ways. You just have to read it.

• Talk about New York City. They will read it.
• Talk about the human experience: “It did occur to me to call the desk and ask that the air conditioner be turned off, I never called, because I did not know how much to tip whoever might come—was anyone ever so young?”
• Look back at your life and reexamine it. Draw lessons from it.

39. George Orwell – Reflections on Gandhi

George Orwell could see things as they were. No exaggeration, no romanticism – just facts. He recognized totalitarianism and communism for what they were and shared his worries through books like 1984 and Animal Farm . He took the same sober approach when dealing with saints and sages. Today, we regard Gandhi as one of the greatest political leaders of the twentieth century – and rightfully so. But did you know that when asked about the Jews during World War II, Gandhi said that they should commit collective suicide and that it: “would have aroused the world and the people of Germany to Hitler’s violence.” He also recommended utter pacifism in 1942, during the Japanese invasion, even though he knew it would cost millions of lives. But overall he was a good guy. Read the essay and broaden your perspective on the Bapu of the Indian Nation.

• Share a philosophical thought that stops the reader for a moment: “No doubt alcohol, tobacco, and so forth are things that a saint must avoid, but sainthood is also a thing that human beings must avoid”.
• Be straightforward in your writing – no mannerisms, no attempts to create ‘style’, and no invocations of the numinous – unless you feel the mystical vibe.

40. George Orwell – Politics and the English Language

Let Mr. Orwell give you some writing tips. Written in 1946, this essay is still one of the most helpful documents on writing in English. Orwell was probably the first person who exposed the deliberate vagueness of political language. He was very serious about it and I admire his efforts to slay all unclear sentences (including ones written by distinguished professors). But it’s good to make it humorous too from time to time. My favorite examples of that would be the immortal Soft Language sketch by George Carlin or the “Romans Go Home” scene from Monty Python’s Life of Brian. Overall, it’s a great essay filled with examples from many written materials. It’s a must-read for any writer.

• Listen to the master: “This mixture of vagueness and sheer incompetence is the most marked characteristic of modern English prose.” Do something about it.
• This essay is all about writing better, so go to the source if you want the goodies.

Other Essays You May Find Interesting

The list that I’ve prepared is by no means complete. The literary world is full of exciting essays and you’ll never know which one is going to change your life. I’ve found reading essays very rewarding because sometimes, a single one means more than reading a whole book. It’s almost like wandering around and peeking into the minds of the greatest writers and thinkers that ever lived. To make this list more comprehensive, below I included more essays you may find interesting.

Oliver Sacks – On Libraries

One of the greatest contributors to the knowledge about the human mind, Oliver Sacks meditates on the value of libraries and his love of books.

Noam Chomsky – The Responsibility of Intellectuals

Chomsky did probably more than anyone else to define the role of the intelligentsia in the modern world . There is a war of ideas over there – good and bad – intellectuals are going to be those who ought to be fighting for the former.

Sam Harris – The Riddle of The Gun

Sam Harris, now a famous philosopher and neuroscientist, takes on the problem of gun control in the United States. His thoughts are clear of prejudice. After reading this, you’ll appreciate the value of logical discourse overheated, irrational debate that more often than not has real implications on policy.

Tim Ferriss – Some Practical Thoughts on Suicide

This piece was written as a blog post , but it’s worth your time. The author of the NYT bestseller The 4-Hour Workweek shares an emotional story about how he almost killed himself, and what can you do to save yourself or your friends from suicide.

Edward Said – Reflections on Exile

The life of Edward Said was a truly fascinating one. Born in Jerusalem, he lived between Palestine and Egypt and finally settled down in the United States, where he completed his most famous work – Orientalism. In this essay, he shares his thoughts about what it means to be in exile.

Richard Feynman – It’s as Simple as One, Two, Three…

Richard Feynman is one of the most interesting minds of the twentieth century. He was a brilliant physicist, but also an undeniably great communicator of science, an artist, and a traveler. By reading this essay, you can observe his thought process when he tries to figure out what affects our perception of time. It’s a truly fascinating read.

Rabindranath Tagore – The Religion of The Forest

I like to think about Tagore as my spiritual Friend. His poems are just marvelous. They are like some of the Persian verses that praise love, nature, and the unity of all things. By reading this short essay, you will learn a lot about Indian philosophy and its relation to its Western counterpart.

Richard Dawkins – Letter To His 10-Year-Old Daughter

Every father should be able to articulate his philosophy of life to his children. With this letter that’s similar to what you find in the Paris Review essays , the famed atheist and defender of reason, Richard Dawkins, does exactly that. It’s beautifully written and stresses the importance of looking at evidence when we’re trying to make sense of the world.

Albert Camus – The Minotaur (or, The Stop In Oran)

Each person requires a period of solitude – a period when one’s able to gather thoughts and make sense of life. There are many places where you may attempt to find quietude. Albert Camus tells about his favorite one.

Koty Neelis – 21 Incredible Life Lessons From Anthony Bourdain

I included it as the last one because it’s not really an essay, but I just had to put it somewhere. In this listicle, you’ll find the 21 most original thoughts of the high-profile cook, writer, and TV host, Anthony Bourdain. Some of them are shocking, others are funny, but they’re all worth checking out.

Lucius Annaeus Seneca – On the Shortness of Life

It’s similar to the Rubaiyat of Omar Khayyam because it praises life. Seneca shares some of his stoic philosophy and tells you not to waste your time on stupidities. Drink! – for once dead you shall never return.

Bertrand Russell – In Praise of Idleness

This old essay is a must-read for modern humans. We are so preoccupied with our work, our phones, and all the media input we drown in our business. Bertrand Russell tells you to chill out a bit – maybe it will do you some good.

James Baldwin – Stranger in the Village

It’s an essay on the author’s experiences as an African-American in a Swiss village, exploring race, identity, and alienation while highlighting the complexities of racial dynamics and the quest for belonging.

Bonus – More writing tips from two great books

The mission to improve my writing skills took me further than just going through the essays. I’ve come across some great books on writing too. I highly recommend you read them in their entirety. They’re written beautifully and contain lots of useful knowledge. Below you’ll find random (but useful) notes that I took from The Sense of Style and On Writing.

The Sense of Style – By Steven Pinker

• Style manuals are full of inconsistencies. Following their advice might not be the best idea. They might make your prose boring.
• Grammarians from all eras condemn students for not knowing grammar. But it just evolves. It cannot be rigid.
• “Nothing worth learning can be taught” – Oscar Wilde. It’s hard to learn to write from a manual – you have to read, write, and analyze.
• Good writing makes you imagine things and feel them for yourself – use word pictures.
• Don’t fear using voluptuous words.
• Phonesthetics – or how the words sound.
• Use parallel language (consistency of tense).
• Good writing finishes strong.
• Write to someone. Never write for no one in mind. Try to show people your view of the world.
• Don’t tell everything you are going to say in summary (signposting) – be logical, but be conversational.
• Don’t be pompous.
• Don’t use quotation marks where they don’t “belong”. Be confident about your style.
• Don’t hedge your claims (research first, and then tell it like it is).
• Avoid clichés and meta-concepts (concepts about concepts). Be more straightforward!
• Not prevention – but prevents or prevented – don’t use dead nouns.
• Be more vivid while using your mother tongue – don’t use passive where it’s not needed. Direct the reader’s gaze to something in the world.
• The curse of knowledge – the reader doesn’t know what you know – beware of that.
• Explain technical terms.
• Use examples when you explain a difficult term.
• If you ever say “I think I understand this” it probably means you don’t.
• It’s better to underestimate the lingo of your readers than to overestimate it.
• Functional fixedness – if we know some object (or idea) well, we tend to see it in terms of usage, not just as an object.
• Use concrete language instead of an abstraction.
• Show your work to people before you publish (get feedback!).
• Wait for a few days and then revise, revise, revise. Think about clarity and the sound of sentences. Then show it to someone. Then revise one more time. Then publish (if it’s to be serious work).
• Look at it from the perspective of other people.
• Omit needless words.
• Put the heaviest words at the end of the sentence.
• It’s good to use the passive, but only when appropriate.
• Check all text for cohesion. Make sure that the sentences flow gently.
• In expository work, go from general to more specific. But in journalism start from the big news and then give more details.
• Use the paragraph break to give the reader a moment to take a breath.
• Use the verb instead of a noun (make it more active) – not “cancellation”, but “canceled”. But after you introduce the action, you can refer to it with a noun.
• Avoid too many negations.
• If you write about why something is so, don’t spend too much time writing about why it is not.

On Writing Well – By William Zinsser

• Writing is a craft. You need to sit down every day and practice your craft.
• You should re-write and polish your prose a lot.
• Throw out all the clutter. Don’t keep it because you like it. Aim for readability.
• Look at the best examples of English literature . There’s hardly any needless garbage there.
• Use shorter expressions. Don’t add extra words that don’t bring any value to your work.
• Don’t use pompous language. Use simple language and say plainly what’s going on (“because” equals “because”).
• The media and politics are full of cluttered prose (because it helps them to cover up for their mistakes).
• You can’t add style to your work (and especially, don’t add fancy words to create an illusion of style). That will look fake. You need to develop a style.
• Write in the “I” mode. Write to a friend or just for yourself. Show your personality. There is a person behind the writing.
• Choose your words carefully. Use the dictionary to learn different shades of meaning.
• Remember about phonology. Make music with words .
• The lead is essential. Pull the reader in. Otherwise, your article is dead.
• You don’t have to make the final judgment on any topic. Just pick the right angle.
• Do your research. Not just obvious research, but a deep one.
• When it’s time to stop, stop. And finish strong. Think about the last sentence. Surprise them.
• Use quotations. Ask people. Get them talking.
• If you write about travel, it must be significant to the reader. Don’t bother with the obvious. Choose your words with special care. Avoid travel clichés at all costs. Don’t tell that the sand was white and there were rocks on the beach. Look for the right detail.
• If you want to learn how to write about art, travel, science, etc. – read the best examples available. Learn from the masters.
• Concentrate on one big idea (“Let’s not go peeing down both legs”).
• “The reader has to feel that the writer is feeling good.”
• One very helpful question: “What is the piece really about?” (Not just “What the piece is about?”)

Now immerse yourself in the world of essays

By reading the essays from the list above, you’ll become a better writer , a better reader, but also a better person. An essay is a special form of writing. It is the only literary form that I know of that is an absolute requirement for career or educational advancement. Nowadays, you can use an AI essay writer or an AI essay generator that will get the writing done for you, but if you have personal integrity and strong moral principles, avoid doing this at all costs. For me as a writer, the effect of these authors’ masterpieces is often deeply personal. You won’t be able to find the beautiful thoughts they contain in any other literary form. I hope you enjoy the read and that it will inspire you to do your writing. This list is only an attempt to share some of the best essays available online. Next up, you may want to check the list of magazines and websites that accept personal essays .

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15 Essays To Read Again in 2022

A list of our staff’s favorite essays from the past year that they did not commission themselves, or that they think cover a topic that deserves a second look.

As we prepare for 2022, we wanted to share with you a list of our staff’s favorite essays from the past year that they did NOT commission themselves or that they think cover a topic that deserves a second look.

Why I Stopped Writing About Syria, by Asser Khattab

Riada Asimovic Akyol, Contributing Editor

Among so many informative, eloquent pieces published in New Lines this year, this one I think I will actually never forget. It hit so many buttons and allowed so many people to be seen like never before. I caught myself nodding so many times while reading it, and I know a lot of people from the Balkans could understand what Asser was sharing. Others could learn with humility. The way he wrote about growing up “surrounded by people who have never experienced the joy of peaceful tranquility,” thinking that was the normal , and both the vulnerability and confidence with which he wrote about different challenges, as well as his human and professional yearnings and aspirations, were powerful and inspiring. Many conversations in open, and behind closed doors, will from now on be held, with employers, between employees, among friends, across the borders thanks to Asser’s piece. I am thankful for New Lines for publishing it.

How Arabs Have Failed Their Language, by Hossam Abouzahr

Kevin Blankinship, Contributing Editor

After the requisite boilerplate about how hard it is to choose favorites, about how every essay adds something to knowledge, etc., let me say that his is the piece I liked most from 2021. The reason is that it surprised me. It surprised me not because it was new to me: As an Arabic professor, I’ve heard who knows how many catfights about “diglossia,” namely high versus low (colloquial) varieties of Greek, Chinese, Serbian and other languages. What surprised me was how fresh the wounds are. For a quarrel looping back a thousand years, when Arab linguists tried to check “pollution” from non-native speakers, especially Persians, by setting up rules of grammar, I was stunned to see how much it agitates today. Abouzahr’s essay came out and so did the partisans. Formal Arabic is the Arabic of Islam, some said: the Arabic of the Qur’an, of classical poetry. But, said others, colloquial Arabic is the Arabic of hearth and home, of jokes and secrets, of friendship. Could it not, I thought as I watched the skirmish, be both? In the spirit of Christmas, isn’t there room for all the Arabics at the inn? A naïve thought that softens the majesty, the Whitman-like container of multitudes and, what’s more, one that misses how real language is used by real people and how it can’t be everything to everyone. Oh, well, let the fight go on, then.

The ISIS War Crime Iraqi Turkmen Won’t Talk About, by Hollie McKay

Courtney Dobson, Senior Editor

In this essay, Hollie McKay reports on women in Iraq who have been “disappeared” by the Islamic State group, the group’s use of rape as a weapon of war and how minority communities struggle to heal and come to terms with the stigma associated with sexual violence. It is a haunting piece, but McKay masterfully conveys the anguish and pain that comes with sexual violence, not just for the victim, but also for their loved ones trying to help. “Through the gap in the door flap,” McKay writes, “I noticed that scores of men and boys had lined up outside, maintaining a respectful distance from the distraught women but with curiosity etched into their sun-kissed faces. They wanted to be involved somehow, to be part of the healing process, to remind us that men were not the enemy — twisted men were the enemy. These were the fathers and brothers and sons, the nephews and neighbors.” McKay’s essay resonates for communicating the universal need for support, connection and justice, while also laying bare why these don’t come easily. Published a few months after New Lines launched, this essay left a deep impression on me.

How I Escaped China’s War on Uyghurs, by Tahir Hamut Izgil

Rasha Elass, Editorial Director

When we launched New Lines we wanted to cover themes and stories from beyond the geographic Middle East. The oppression of the Uyghurs in China struck me as an underreported story in mainstream media because it hardly featured first-person voices from the Uyghur community. So I got to work and found Tahir Hamut Izgil, a Uyghur poet who tells a story with moving prose and nuance. His essay about the chilling effect of a document that the Chinese authorities require members of the Uyghur community to fill out is both simple and profound, capturing a Kafkaesque reality that is often lost in the daily coverage of foreign affairs. Months after we translated and published Izgil’s essay, other media outlets followed suit. To us this is a triumph, evidence that we are already creating new lines in international reporting.

F ull essay

A Castle in the Air: Trekking the Secret Mountain Paths of Yemen, by Tim Mackintosh-Smith

Anthony Elghossain, Contributing Editor

Mountain men tell their stories. In Yemen, some folks speak of “an ancient city” atop a mountain. “What,” asks Tim Mackintosh-Smith after hearing them, “is really at the top of Jabal Balq?” To answer this question, he quests through myth, memory and the mind for a “castle in the air.” Is it a place? Maybe. Is it a journey? Yes. Having always gotten along with and been fascinated by folks in the mountains and hills, I was interested in reading this piece as soon as it was in our pipeline. And I loved how our writer came back for some “unfinished business.” Writing is about the quest. So, too, is life. Our writer captured those truths in this piece.

After America: Inside the Taliban’s New Emirate, by Fazelminallah Qazizai

Hassan Hassan, Editor in Chief

My choice of a favorite essay is to illustrate part of why we established  New Lines  in the first place. It was a dispatch by Fazelminallah Qazizai from a Taliban-held area, published four months before the Taliban would take over the country as fast as their trucks could drive through towns and provinces. If you read that story, nothing about what happened in the summer would come as a shock to you. After the Taliban’s takeover, it was easy for journalists to go through their old notes and write compelling stories about what they had witnessed in the months and years before, to make sense of what unfolded. It is harder to do that before the event, and Qazazai did just that. He also did it really well. The piece should be a template in how dispatches should be done. Qazazai was not parachuted into the country to come back with a piece from there. He is an Afghan journalist who actually knows the terrain, the society and history, and who goes to a Taliban area and eloquently captures and reconstructs the situation there.

The Key to Understanding Iran Is Poetry, by Muhammad Ali Mojaradi

Tam Hussein, Contributing Editor

Muhammad Ali Mojaradi in his essay is right: The key to understanding Iran is poetry. In Shiraz and Isfahan you see beggars recite Hafez and children hawking for money with birds picking couplets from small envelopes trying to tell your fortune. Perhaps it’s just Frank Miller’s “300” or the politics of the region that makes its peoples appear to have a culture built on hate and cruelty. But that is far from the truth. It has ambiguity built in, abundant variations on love, mysticism and much, much more. It just gave me an appreciation as to how all-encompassing Persianate culture is, including Iran, central Asia, Afghanistan and the subcontinent.

The Wandering Alawite, by Adnan Younes

Faysal Itani, Associate Editor

This was, as far as I’m aware, the best if not the only piece by a constituent of Syria’s mass murderer about his and his coreligionists’ implication in Bashar al-Assad’s crimes. I think it took tremendous intellectual courage to reflect on what drew Syria’s Alawites to support this regime, but it also posed an uncomfortable challenge to readers who understandably deplore any and all support for the war criminal Assad. It was difficult to write and difficult to read, because of its ability to humanize and contextualize horrible choices by Assad’s supporters and detractors alike. It was a tragic story in the most literal and compelling way.

A Multigenerational American Story of Immigration and Return, by Rasha Elass

Ola Salem, Managing Editor

A topic we often visit at New Lines is identity. Over the past year, we’ve run a number of first-person pieces looking at how environment and ancestry have shaped writers’ identity and how the answer is usually far more complex than a quick answer to the question, “Where are you from?” One story I found to be particularly fascinating was Rasha Elass’s piece in which she wrote about her Syrian great-grandfather who moved to America, carved a life for himself and later created a family of his own, only later to uproot his children and move back to Syria and face an attack from the French.

Gone to Waste: the ‘CVE’ Industry After 9/11, by Lydia Wilson

Chris Sands, South Asia Editor

The legacy of 9/11 has dominated my life and career. As a journalist for local newspapers in the U.K. in the weeks and months after the attacks, I saw and heard the racist backlash against British Muslims. Later, as a young reporter in the Middle East, I witnessed the daily indignities Palestinians suffer under Israeli occupation. But it was while living in Afghanistan for almost a decade that I came to understand the true folly of the countering violent extremism industry — a money-making enterprise perpetuated by governments, international NGOs and private companies in the guise of curbing Islamic militancy. Lydia Wilson’s article brilliantly details how this house of cards was built to ignore the social ills and legitimate political grievances that lie at the root of what was once called the “war on terror.”

The Bandit Warlords of Nigeria, by James Barnett

Kareem Shaheen, Middle East and Newsletters Editor

One of the things I was looking forward to the most when we started New Lines was giving the space to writers to explore stories that haven’t been told in the mainstream media. Too often, the rich tapestry of our lives and societies are obscured rather than illuminated. This piece is a fascinating investigation into an untold story that has long been neglected in favor of the “sexier” stories of Boko Haram extremists in Nigeria. It is about the farmer-herder conflict that has cost tens of thousands of lives, has been exacerbated by climate change and is destabilizing important parts of Africa’s most populous country. The color and fascinating exchanges in the piece, chronicled through Barnett’s exclusive access to the bandit warlords, make this unique investigation shine.

Where the Russian Gulag Once Thrived, Life Remains Isolated, by Owen Matthews

Michael Weiss, News Director

Believe it or not, one of our best essays this year grew out of the field research journal for a forthcoming spy novel. Owen Mathews spent 10 days touring the remains of the Gulag Archipelago — the slave-labor camps Stalin built to punish to send his enemies (and quite a lot of his friends) in the Russian Arctic. Whole communities and cities sprung up around these grim “colonies” of the 20th century, which helped industrialize the Soviet Union at the price of around 6 million souls. As one might expect, this architecture of atrocity has been left to rot or freeze or be swallowed up by the taiga. Matthews, an accomplished historian and biographer, travels to parts unknown and unremembered with an eye for detail and — no small trick given the circumstances — a sense of humor.

How an Email Sting Operation Unearthed a Pro-Assad Conspiracy—and Russia’s Role in It, by Michael Weiss and Jett Goldsmith

Brian Whitaker, Contributing Editor

A moment of light relief in the weird world of conspiracy theorists. Paul McKeigue is a university professor who denies the Assad regime’s chemical attacks in Syria and claims that those who died in them were executed by rebel fighters in a gas chamber. He got the gas chamber idea from an American who had a dream about it after eating anchovy pizza shortly before going to bed. McKeigue considers himself a smart guy, so when a mysterious emailer contacted him using the name “Ivan,” he assumed “Ivan” was working for Russian intelligence and began passing him information – mainly about people who disagreed with his conspiracy theories. But “Ivan” was neither Russian nor an intelligence agent – the professor had been caught in a sting.

An Elegy for Afghanistan, by Habib Zahori

Lydia Wilson, Contributing Editor

The piece is everything I want an essay to be: personal, informative and visceral, communicating a raw experience while simultaneously expressing far bigger themes about humanity and war. We published it at a time when all eyes were on Afghanistan, after the Taliban took control once coalition forces had withdrawn. For me it’s pieces like this that really cut through the immense amount that was being published at that time on this subject; it was so well written and based on so much personal and intimate knowledge. And his love for Afghanistan – and the heartbreak of that love — came through powerfully.

In Search of African Arabic, by Vaughn Rasberry

Faisal Al Yafai, Executive Editor

It was always going to be difficult to choose one essay over the others, and many of the choices of the team could easily have been my first picks. But Vaughn Rasberry’s essay on the influence of the Arabic language in Africa stands out for me because it explores such a rarely considered subject.

Rasberry believes, as I do, that African histories cannot be told without understanding the role of Arabic in shaping the political, social and literary environments of many of the countries and civilisations of the continent. The flip side is also true: that the Arab world cannot understand itself without reference to the African continent.

As Rasberry points out, there is a vast corpus of literature in African countries written in Arabic, much of it under-explored – some, no doubt, still undiscovered. Hidden histories of the African continent and the Arab world are in those texts, waiting to be sought out. Without it, both regions will only know half of their own stories.

Rethinking Radicalization — With Elizabeth Pearson

How a childhood memory opened a window on islam in china, the death of debate on palestine and israel, remembering sergei parajanov, the bard of the caucasus, against tyranny: two stories told in pictures warn us to fight on, looking for the roots of today’s germany, sign up to our newsletter.

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The Best Reviewed Essay Collections of 2021

Featuring joan didion, rachel kushner, hanif abdurraqib, ann patchett, jenny diski, and more.

Well, friends, another grim and grueling plague year is drawing to a close, and that can mean only one thing: it’s time to put on our Book Marks stats hats and tabulate the best reviewed books of the past twelve months.

Yes, using reviews drawn from more than 150 publications, over the next two weeks we’ll be revealing the most critically-acclaimed books of 2021, in the categories of (deep breath): Memoir and Biography ; Sci-Fi, Fantasy, and Horror ; Short Story Collections ; Essay Collections; Poetry; Mystery and Crime; Graphic Literature; Literature in Translation; General Fiction; and General Nonfiction.

Today’s installment: Essay Collections .

Brought to you by Book Marks , Lit Hub’s “Rotten Tomatoes for books.”

1. These Precious Days by Ann Patchett (Harper)

21 Rave • 3 Positive • 1 Mixed Read Ann Patchett on creating the work space you need, here

“… excellent … Patchett has a talent for friendship and celebrates many of those friends here. She writes with pure love for her mother, and with humor and some good-natured exasperation at Karl, who is such a great character he warrants a book of his own. Patchett’s account of his feigned offer to buy a woman’s newly adopted baby when she expresses unwarranted doubts is priceless … The days that Patchett refers to are precious indeed, but her writing is anything but. She describes deftly, with a line or a look, and I considered the absence of paragraphs freighted with adjectives to be a mercy. I don’t care about the hue of the sky or the shade of the couch. That’s not writing; it’s decorating. Or hiding. Patchett’s heart, smarts and 40 years of craft create an economy that delivers her perfectly understated stories emotionally whole. Her writing style is most gloriously her own.”

–Alex Witchel ( The New York Times Book Review )

2. Let Me Tell You What I Mean by Joan Didion (Knopf)

14 Rave • 12 Positive • 6 Mixed Read an excerpt from Let Me Tell You What I Mean here

“In five decades’ worth of essays, reportage and criticism, Didion has documented the charade implicit in how things are, in a first-person, observational style that is not sacrosanct but common-sensical. Seeing as a way of extrapolating hypocrisy, disingenuousness and doubt, she’ll notice the hydrangeas are plastic and mention it once, in passing, sorting the scene. Her gaze, like a sentry on the page, permanently trained on what is being disguised … The essays in Let Me Tell You What I Mean are at once funny and touching, roving and no-nonsense. They are about humiliation and about notions of rightness … Didion’s pen is like a periscope onto the creative mind—and, as this collection demonstrates, it always has been. These essays offer a direct line to what’s in the offing.”

–Durga Chew-Bose ( The New York Times Book Review )

3. Orwell’s Roses by Rebecca Solnit (Viking)

12 Rave • 13 Positive • 1 Mixed Read an excerpt from Orwell’s Roses here

“… on its simplest level, a tribute by one fine essayist of the political left to another of an earlier generation. But as with any of Solnit’s books, such a description would be reductive: the great pleasure of reading her is spending time with her mind, its digressions and juxtapositions, its unexpected connections. Only a few contemporary writers have the ability to start almost anywhere and lead the reader on paths that, while apparently meandering, compel unfailingly and feel, by the end, cosmically connected … Somehow, Solnit’s references to Ross Gay, Michael Pollan, Ursula K. Le Guin, and Peter Coyote (to name but a few) feel perfectly at home in the narrative; just as later chapters about an eighteenth-century portrait by Sir Joshua Reynolds and a visit to the heart of the Colombian rose-growing industry seem inevitable and indispensable … The book provides a captivating account of Orwell as gardener, lover, parent, and endlessly curious thinker … And, movingly, she takes the time to find the traces of Orwell the gardener and lover of beauty in his political novels, and in his insistence on the value and pleasure of things .”

–Claire Messud ( Harper’s )

4. Girlhood by Melissa Febos (Bloomsbury)

16 Rave • 5 Positive • 1 Mixed Read an excerpt from Girlhood here

“Every once in a while, a book comes along that feels so definitive, so necessary, that not only do you want to tell everyone to read it now, but you also find yourself wanting to go back in time and tell your younger self that you will one day get to read something that will make your life make sense. Melissa Febos’s fierce nonfiction collection, Girlhood , might just be that book. Febos is one of our most passionate and profound essayists … Girlhood …offers us exquisite, ferocious language for embracing self-pleasure and self-love. It’s a book that women will wish they had when they were younger, and that they’ll rejoice in having now … Febos is a balletic memoirist whose capacious gaze can take in so many seemingly disparate things and unfurl them in a graceful, cohesive way … Intellectual and erotic, engaging and empowering[.]”

–Michelle Hart ( Oprah Daily )

5. Why Didn’t You Just Do What You Were Told by Jenny Diski (Bloomsbury)

14 Rave • 7 Positive

“[Diski’s] reputation as an original, witty and cant-free thinker on the way we live now should be given a significant boost. Her prose is elegant and amused, as if to counter her native melancholia and includes frequent dips into memorable images … Like the ideal artist Henry James conjured up, on whom nothing is lost, Diski notices everything that comes her way … She is discerning about serious topics (madness and death) as well as less fraught material, such as fashion … in truth Diski’s first-person voice is like no other, selectively intimate but not overbearingly egotistic, like, say, Norman Mailer’s. It bears some resemblance to Joan Didion’s, if Didion were less skittish and insistently stylish and generated more warmth. What they have in common is their innate skepticism and the way they ask questions that wouldn’t occur to anyone else … Suffice it to say that our culture, enmeshed as it is in carefully arranged snapshots of real life, needs Jenny Diski, who, by her own admission, ‘never owned a camera, never taken one on holiday.’” It is all but impossible not to warm up to a writer who observes herself so keenly … I, in turn, wish there were more people around who thought like Diski. The world would be a more generous, less shallow and infinitely more intriguing place.”

–Daphne Merkin ( The New York Times Book Review )

6. The Hard Crowd: Essays 2000-2020 by Rachel Kushner (Scribner)

12 Rave • 7 Positive Listen to an interview with Rachel Kushner here

“Whether she’s writing about Jeff Koons, prison abolition or a Palestinian refugee camp in Jerusalem, [Kushner’s] interested in appearances, and in the deeper currents a surface detail might betray … Her writing is magnetised by outlaw sensibility, hard lives lived at a slant, art made in conditions of ferment and unrest, though she rarely serves a platter that isn’t style-mag ready … She makes a pretty convincing case for a political dimension to Jeff Koons’s vacuities and mirrored surfaces, engages repeatedly with the Italian avant garde and writes best of all about an artist friend whose death undoes a spell of nihilism … It’s not just that Kushner is looking back on the distant city of youth; more that she’s the sole survivor of a wild crowd done down by prison, drugs, untimely death … What she remembers is a whole world, but does the act of immortalising it in language also drain it of its power,’neon, in pink, red, and warm white, bleeding into the fog’? She’s mining a rich seam of specificity, her writing charged by the dangers she ran up against. And then there’s the frank pleasure of her sentences, often shorn of definite articles or odd words, so they rev and bucket along … That New Journalism style, live hard and keep your eyes open, has long since given way to the millennial cult of the personal essay, with its performance of pain, its earnest display of wounds received and lessons learned. But Kushner brings it all flooding back. Even if I’m skeptical of its dazzle, I’m glad to taste something this sharp, this smart.”

–Olivia Laing ( The Guardian )

7. The Right to Sex: Feminism in the Twenty-First Century by Amia Srinivasan (FSG)

12 Rave • 7 Positive • 5 Mixed • 1 Pan

“[A] quietly dazzling new essay collection … This is, needless to say, fraught terrain, and Srinivasan treads it with determination and skill … These essays are works of both criticism and imagination. Srinivasan refuses to resort to straw men; she will lay out even the most specious argument clearly and carefully, demonstrating its emotional power, even if her ultimate intention is to dismantle it … This, then, is a book that explicitly addresses intersectionality, even if Srinivasan is dissatisfied with the common—and reductive—understanding of the term … Srinivasan has written a compassionate book. She has also written a challenging one … Srinivasan proposes the kind of education enacted in this brilliant, rigorous book. She coaxes our imaginations out of the well-worn grooves of the existing order.”

–Jennifer Szalai ( The New York Times )

8. A Little Devil in America by Hanif Abdurraqib (Random House)

13 Rave • 4 Positive Listen to an interview with Hanif Abdurraqib here

“[A] wide, deep, and discerning inquest into the Beauty of Blackness as enacted on stages and screens, in unanimity and discord, on public airwaves and in intimate spaces … has brought to pop criticism and cultural history not just a poet’s lyricism and imagery but also a scholar’s rigor, a novelist’s sense of character and place, and a punk-rocker’s impulse to dislodge conventional wisdom from its moorings until something shakes loose and is exposed to audiences too lethargic to think or even react differently … Abdurraqib cherishes this power to enlarge oneself within or beyond real or imagined restrictions … Abdurraqib reminds readers of the massive viewing audience’s shock and awe over seeing one of the world’s biggest pop icons appearing midfield at this least radical of American rituals … Something about the seemingly insatiable hunger Abdurraqib shows for cultural transaction, paradoxical mischief, and Beauty in Blackness tells me he’ll get to such matters soon enough.”

–Gene Seymour ( Bookforum )

9. On Animals by Susan Orlean (Avid Reader Press)

11 Rave • 6 Positive • 1 Mixed Listen to an interview with Susan Orlean here

“I very much enjoyed Orlean’s perspective in these original, perceptive, and clever essays showcasing the sometimes strange, sometimes sick, sometimes tender relationships between people and animals … whether Orlean is writing about one couple’s quest to find their lost dog, the lives of working donkeys of the Fez medina in Morocco, or a man who rescues lions (and happily allows even full grown males to gently chew his head), her pages are crammed with quirky characters, telling details, and flabbergasting facts … Readers will find these pages full of astonishments … Orlean excels as a reporter…Such thorough reporting made me long for updates on some of these stories … But even this criticism only testifies to the delight of each of the urbane and vivid stories in this collection. Even though Orlean claims the animals she writes about remain enigmas, she makes us care about their fates. Readers will continue to think about these dogs and donkeys, tigers and lions, chickens and pigeons long after we close the book’s covers. I hope most of them are still well.”

–Sy Montgomery ( The Boston Globe )

10. Graceland, at Last: Notes on Hope and Heartache from the American South  by Margaret Renkl (Milkweed Editions)

9 Rave • 5 Positive Read Margaret Renkl on finding ideas everywhere, here

“Renkl’s sense of joyful belonging to the South, a region too often dismissed on both coasts in crude stereotypes and bad jokes, co-exists with her intense desire for Southerners who face prejudice or poverty finally to be embraced and supported … Renkl at her most tender and most fierce … Renkl’s gift, just as it was in her first book Late Migrations , is to make fascinating for others what is closest to her heart … Any initial sense of emotional whiplash faded as as I proceeded across the six sections and realized that the book is largely organized around one concept, that of fair and loving treatment for all—regardless of race, class, sex, gender or species … What rises in me after reading her essays is Lewis’ famous urging to get in good trouble to make the world fairer and better. Many people in the South are doing just that—and through her beautiful writing, Renkl is among them.”

–Barbara J. King ( NPR )

Our System:

RAVE = 5 points • POSITIVE = 3 points • MIXED = 1 point • PAN = -5 points

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10 Great Places to Find Articles Worth Reading on the Web

The Internet is arguably the best news morgue on the planet right now. And apart from that great collection of old articles, thousands of new ones are added every day.

The internet unquestionably has masses of content that is enjoyable to read. But there is also a fair amount of clickbait rubbish. How do you find interesting articles to read while avoiding all the low-effort ones?

Here are some of the best article reading sites to find thoughtful and engaging content.

1. Longform

Longform is an article curation service. It recommends both new and classic non-fiction articles from a variety of different online sources.

It encourages submissions from its engaged community of readers, thus giving rise to a diverse and delightful selection of interesting articles to read on any given day. Furthermore, it also accepts readers' own work, though the work has to pass through a strict editorial filter before it is recommended on the site.

The core focus of the Longform site is non-fiction, though a spinoff fiction service launched in 2012 has become perennially popular.

Although Longform retired its article recommendation service in September 2022, you can still check out the “Best Of” annual archive for a rich trove of suggestions from bygone years, or browse by sections to discover topics that interest you. The sections on this article reading site include Arts, Business, Crime, History, Politics, Science, Sports, Tech, and World.

2. Longreads

Another one of the most popular article reading sites is Longreads, a direct competitor of Longform. The different categories of articles you can dig into include food, crime, sports, current events, arts and culture, and more. On Longreads, a section called Shortreads if you prefer having short articles to read.

The site also produces its own stories (often revolving around gun violence, genocide, and environmental destruction), with the work funded by its membership pass. The membership costs $5/month and $50/year.

And in case you still doubt the quality of the work on Longreads, be aware that it has been nominated for four National Magazine Awards and has been highlighted as a quality source by both the Online News Association and the Peabody Awards.

3. The Browser

If you’re drowning from the mindless content on social media, finding interesting articles to read is one of the best things to do when you’re bored online . The Browser sifts through hundreds of articles every day to bring you the finest content from across the web in the form of a newsletter. All the content is handpicked.

The free newsletter itself offers five interesting articles to read per day, and subscribers will also get access to a daily podcast, a daily video, a daily quote, and more.

For this site, subscription plans start at $5/month and $48/year. It offers a free preview, so you can try out their service before you commit. The higher tier plans offer you a special letter from the editor every week, a unique merchandise item every year, and a spot on their London Amble Tour.

4. r/InDepthStories

Reddit has no shortage of enjoyable content posted across its thousands of Subreddits. But as any Reddit user will know, there is also an enormous number of poor submissions that you should not waste your time with. These tips to find your next favorite Subreddit will help you discover content you’ll love the most.

Now, to use Reddit as a good article reading site, you need to know where to look. If you are specifically keen on long-form journalism, you should subscribe to r/InDepthStories for interesting articles to read. It started life as a forum for investigative journalism, but has since grown to become a repo of all forms of high-quality long-form content.

Standards are kept high by the Subreddits mods, who rule with an iron fist. Anything that is not considered long-form will be removed, and they also do not allow political long-form articles. The ban on political content might seem Draconian, but it is done to keep the community civilized and make sure the comments on each article remain focused and thoughtful.

Pocket is best known as a read-it-later bookmarking service. By using browser extensions or mobile apps, you can save stories that pique your curiosity. Later, when you have the time, you can revisit these interesting articles to read and give them your full attention.

However, Pocket also offers a list of curated stories for you. Stories are partially sourced by the company's own editorial team, but are also pulled from the content that its users are saving most frequently on a given day.

The main section focuses on “essential reads”. However, there are also subcategories for topics such as business, career, education, self-improvement, tech, personal finance, science, food, health and fitness, entertainment, and more.

6. CoolTools: The Best Magazine Articles Ever

If you want to delve into some of the most iconic and memorable magazine articles of all time, check out The Best Magazine Articles Ever subsection of CoolTools. This article reading site is a great place to start your journey.

The list is based on suggestions by readers and is not vetted, but there is still a tremendous amount of fantastic and interesting articles for you to read and enjoy.

The best part is The Top 25 Articles list. It rounds up some of the best articles going back as far as the 1960s. Some of the pieces that have made the cut include 1996's Mother Earth, Mother Board: Wiring the Planet by Neal Stephenson in Wired, and 1971's Secrets of the Little Blue Box by Ron Rosenbaum in Esquire.

You can also use the filters to browse by decade. The 60s, 70s, 80s, 90s, 00s, and 2010s are all available.

Medium is a social journalism platform that launched back in 2012. As one of the most popular article reading sites on the internet, it offers content from a mix of professional journalists and writers, as well as amateur writers who want to discuss a topic in which they are an expert.

Users can subscribe to writers or topics that they are interested in to curate their own feed of relevant content, but Medium also offers browsable sections in case you want to digest something that is outside of your usual wheelhouse when you’re looking for interesting articles to read.

Although you can read some content for free, Medium is designed as a paid platform. It costs $5/month or $50/year, and you get unlimited access to every story with no ads or additional paywalls. Check out our article if you want to get started on Medium today .

Aeon is digital magazine that covers philosophy, science, psychology, society, and culture. The majority of Aeon's articles today are long essays. However, you can still find short articles to read in its archive as the magazine used to publish a category of content called Ideas.

Aeon is a registered charity and all the articles are free for everyone to read. There are no ads, and the organization promises that its content will never have a paywall. Therefore, you don't have to worry about subscriptions. The site only asks you to consider donating if you enjoy the published work and would like to help support them.

9. Nautilus

Nautilus is a great site to get your daily dose of science . You'll find articles on anthropology, neuroscience, the environment, sociology, astronomy, and many more.

Don't worry about being bombarded with jargon or dry facts, though. The content is written in a vivid style, along with gorgeous illustrations, so it feels as though you're being drawn into story after story on the site.

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Find the Best Article Reading Sites to Read More of What Matters

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With new stories suggested almost every day, you’ll never run out of interesting articles to read. So, what are you waiting for? Start reading more today.

Choose Your Test

Sat / act prep online guides and tips, 53 stellar college essay topics to inspire you.

College Essays

Most colleges and universities in the United States require applicants to submit at least one essay as part of their application. But trying to figure out what college essay topics you should choose is a tricky process. There are so many potential things you could write about!

In this guide, we go over the essential qualities that make for a great college essay topic and give you 50+ college essay topics you can use for your own statement . In addition, we provide you with helpful tips for turning your college essay topic into a stellar college essay.

What Qualities Make for a Good College Essay Topic?

Regardless of what you write about in your personal statement for college , there are key features that will always make for a stand-out college essay topic.

#1: It’s Specific

First off, good college essay topics are extremely specific : you should know all the pertinent facts that have to do with the topic and be able to see how the entire essay comes together.

Specificity is essential because it’ll not only make your essay stand out from other statements, but it'll also recreate the experience for admissions officers through its realism, detail, and raw power. You want to tell a story after all, and specificity is the way to do so. Nobody wants to read a vague, bland, or boring story — not even admissions officers!

For example, an OK topic would be your experience volunteering at a cat shelter over the summer. But a better, more specific college essay topic would be how you deeply connected with an elderly cat there named Marty, and how your bond with him made you realize that you want to work with animals in the future.

Remember that specificity in your topic is what will make your essay unique and memorable . It truly is the key to making a strong statement (pun intended)!

#2: It Shows Who You Are

In addition to being specific, good college essay topics reveal to admissions officers who you are: your passions and interests, what is important to you, your best (or possibly even worst) qualities, what drives you, and so on.

The personal statement is critical because it gives schools more insight into who you are as a person and not just who you are as a student in terms of grades and classes.

By coming up with a real, honest topic, you’ll leave an unforgettable mark on admissions officers.

#3: It’s Meaningful to You

The very best college essay topics are those that hold deep meaning to their writers and have truly influenced them in some significant way.

For instance, maybe you plan to write about the first time you played Skyrim to explain how this video game revealed to you the potentially limitless worlds you could create, thereby furthering your interest in game design.

Even if the topic seems trivial, it’s OK to use it — just as long as you can effectively go into detail about why this experience or idea had such an impact on you .

Don’t give in to the temptation to choose a topic that sounds impressive but doesn’t actually hold any deep meaning for you. Admissions officers will see right through this!

Similarly, don’t try to exaggerate some event or experience from your life if it’s not all that important to you or didn’t have a substantial influence on your sense of self.

#4: It’s Unique

College essay topics that are unique are also typically the most memorable, and if there’s anything you want to be during the college application process, it’s that! Admissions officers have to sift through thousands of applications, and the essay is one of the only parts that allows them to really get a sense of who you are and what you value in life.

If your essay is trite or boring, it won’t leave much of an impression , and your application will likely get immediately tossed to the side with little chance of seeing admission.

But if your essay topic is very original and different, you’re more likely to earn that coveted second glance at your application.

What does being unique mean exactly, though? Many students assume that they must choose an extremely rare or crazy experience to talk about in their essays —but that's not necessarily what I mean by "unique." Good college essay topics can be unusual and different, yes, but they can also be unique takes on more mundane or common activities and experiences .

For instance, say you want to write an essay about the first time you went snowboarding. Instead of just describing the details of the experience and how you felt during it, you could juxtapose your emotions with a creative and humorous perspective from the snowboard itself. Or you could compare your first attempt at snowboarding with your most recent experience in a snowboarding competition. The possibilities are endless!

#5: It Clearly Answers the Question

Finally, good college essay topics will clearly and fully answer the question(s) in the prompt.

You might fail to directly answer a prompt by misinterpreting what it’s asking you to do, or by answering only part of it (e.g., answering just one out of three questions).

Therefore, make sure you take the time to come up with an essay topic that is in direct response to every question in the prompt .

Take this Coalition Application prompt as an example:

What is the hardest part of being a teenager now? What's the best part? What advice would you give a younger sibling or friend (assuming they would listen to you)?

For this prompt, you’d need to answer all three questions (though it’s totally fine to focus more on one or two of them) to write a compelling and appropriate essay.

This is why we recommend reading and rereading the essay prompt ; you should know exactly what it’s asking you to do, well before you start brainstorming possible college application essay topics.

53 College Essay Topics to Get Your Brain Moving

In this section, we give you a list of 53 examples of college essay topics. Use these as jumping-off points to help you get started on your college essay and to ensure that you’re on track to coming up with a relevant and effective topic.

All college application essay topics below are categorized by essay prompt type. We’ve identified six general types of college essay prompts:

Why This College?

Change and personal growth, passions, interests, and goals, overcoming a challenge, diversity and community, solving a problem.

Note that these prompt types could overlap with one another, so you’re not necessarily limited to just one college essay topic in a single personal statement.

• How a particular major or program will help you achieve your academic or professional goals
• A memorable and positive interaction you had with a professor or student at the school
• Something good that happened to you while visiting the campus or while on a campus tour
• A certain class you want to take or a certain professor you’re excited to work with
• Some piece of on-campus equipment or facility that you’re looking forward to using
• Your plans to start a club at the school, possibly to raise awareness of a major issue
• A study abroad or other unique program that you can’t wait to participate in
• How and where you plan to volunteer in the community around the school
• An incredible teacher you studied under and the positive impact they had on you
• How you went from really liking something, such as a particular movie star or TV show, to not liking it at all (or vice versa)
• How yours or someone else’s (change in) socioeconomic status made you more aware of poverty
• A time someone said something to you that made you realize you were wrong
• How your opinion on a controversial topic, such as gay marriage or DACA, has shifted over time
• A documentary that made you aware of a particular social, economic, or political issue going on in the country or world
• Advice you would give to your younger self about friendship, motivation, school, etc.
• The steps you took in order to kick a bad or self-sabotaging habit
• A juxtaposition of the first and most recent time you did something, such as dance onstage
• A book you read that you credit with sparking your love of literature and/or writing
• A school assignment or project that introduced you to your chosen major
• A glimpse of your everyday routine and how your biggest hobby or interest fits into it
• The career and (positive) impact you envision yourself having as a college graduate
• A teacher or mentor who encouraged you to pursue a specific interest you had
• How moving around a lot helped you develop a love of international exchange or learning languages
• A special skill or talent you’ve had since you were young and that relates to your chosen major in some way, such as designing buildings with LEGO bricks
• Where you see yourself in 10 or 20 years
• Your biggest accomplishment so far relating to your passion (e.g., winning a gold medal for your invention at a national science competition)
• A time you lost a game or competition that was really important to you
• How you dealt with the loss or death of someone close to you
• A time you did poorly in a class that you expected to do well in
• How moving to a new school impacted your self-esteem and social life
• A chronic illness you battled or are still battling
• Your healing process after having your heart broken for the first time
• A time you caved under peer pressure and the steps you took so that it won't happen again
• How you almost gave up on learning a foreign language but stuck with it
• Why you decided to become a vegetarian or vegan, and how you navigate living with a meat-eating family
• What you did to overcome a particular anxiety or phobia you had (e.g., stage fright)
• A history of a failed experiment you did over and over, and how you finally found a way to make it work successfully
• Someone within your community whom you aspire to emulate
• A family tradition you used to be embarrassed about but are now proud of
• Your experience with learning English upon moving to the United States
• A close friend in the LGBTQ+ community who supported you when you came out
• A time you were discriminated against, how you reacted, and what you would do differently if faced with the same situation again
• How you navigate your identity as a multiracial, multiethnic, and/or multilingual person
• A project or volunteer effort you led to help or improve your community
• A particular celebrity or role model who inspired you to come out as LGBTQ+
• Your biggest challenge (and how you plan to tackle it) as a female in a male-dominated field
• How you used to discriminate against your own community, and what made you change your mind and eventually take pride in who you are and/or where you come from
• A program you implemented at your school in response to a known problem, such as a lack of recycling cans in the cafeteria
• A time you stepped in to mediate an argument or fight between two people
• An app or other tool you developed to make people’s lives easier in some way
• A time you proposed a solution that worked to an ongoing problem at school, an internship, or a part-time job
• The steps you took to identify and fix an error in coding for a website or program
• An important social or political issue that you would fix if you had the means

How to Build a College Essay in 6 Easy Steps

Once you’ve decided on a college essay topic you want to use, it’s time to buckle down and start fleshing out your essay. These six steps will help you transform a simple college essay topic into a full-fledged personal statement.

Step 1: Write Down All the Details

Once you’ve chosen a general topic to write about, get out a piece of paper and get to work on creating a list of all the key details you could include in your essay . These could be things such as the following:

• Emotions you felt at the time
• Names, places, and/or numbers
• Dialogue, or what you or someone else said
• A specific anecdote, example, or experience
• Descriptions of how things looked, felt, or seemed

If you can only come up with a few details, then it’s probably best to revisit the list of college essay topics above and choose a different one that you can write more extensively on.

Good college essay topics are typically those that:

• You remember well (so nothing that happened when you were really young)
• You're excited to write about
• You're not embarrassed or uncomfortable to share with others
• You believe will make you positively stand out from other applicants

Step 2: Figure Out Your Focus and Approach

Once you have all your major details laid out, start to figure out how you could arrange them in a way that makes sense and will be most effective.

It’s important here to really narrow your focus: you don’t need to (and shouldn’t!) discuss every single aspect of your trip to visit family in Indonesia when you were 16. Rather, zero in on a particular anecdote or experience and explain why and how it impacted you.

Alternatively, you could write about multiple experiences while weaving them together with a clear, meaningful theme or concept , such as how your math teacher helped you overcome your struggle with geometry over the course of an entire school year. In this case, you could mention a few specific times she tutored you and most strongly supported you in your studies.

There’s no one right way to approach your college essay, so play around to see what approaches might work well for the topic you’ve chosen.

If you’re really unsure about how to approach your essay, think about what part of your topic was or is most meaningful and memorable to you, and go from there.

Step 3: Structure Your Narrative

• Beginning: Don’t just spout off a ton of background information here—you want to hook your reader, so try to start in the middle of the action , such as with a meaningful conversation you had or a strong emotion you felt. It could also be a single anecdote if you plan to center your essay around a specific theme or idea.
• Middle: Here’s where you start to flesh out what you’ve established in the opening. Provide more details about the experience (if a single anecdote) or delve into the various times your theme or idea became most important to you. Use imagery and sensory details to put the reader in your shoes.
• End: It’s time to bring it all together. Finish describing the anecdote or theme your essay centers around and explain how it relates to you now , what you’ve learned or gained from it, and how it has influenced your goals.

Step 4: Write a Rough Draft

By now you should have all your major details and an outline for your essay written down; these two things will make it easy for you to convert your notes into a rough draft.

At this stage of the writing process, don’t worry too much about vocabulary or grammar and just focus on getting out all your ideas so that they form the general shape of an essay . It’s OK if you’re a little over the essay's word limit — as you edit, you’ll most likely make some cuts to irrelevant and ineffective parts anyway.

If at any point you get stuck and have no idea what to write, revisit steps 1-3 to see whether there are any important details or ideas you might be omitting or not elaborating on enough to get your overall point across to admissions officers.

Step 5: Edit, Revise, and Proofread

• Sections that are too wordy and don’t say anything important
• Irrelevant details that don’t enhance your essay or the point you're trying to make
• Parts that seem to drag or that feel incredibly boring or redundant
• Areas that are vague and unclear and would benefit from more detail
• Phrases or sections that are awkwardly placed and should be moved around
• Areas that feel unconvincing, inauthentic, or exaggerated

Start paying closer attention to your word choice/vocabulary and grammar at this time, too. It’s perfectly normal to edit and revise your college essay several times before asking for feedback, so keep working with it until you feel it’s pretty close to its final iteration.

This step will likely take the longest amount of time — at least several weeks, if not months — so really put effort into fixing up your essay. Once you’re satisfied, do a final proofread to ensure that it’s technically correct.

Step 6: Get Feedback and Tweak as Needed

After you’ve overhauled your rough draft and made it into a near-final draft, give your essay to somebody you trust , such as a teacher or parent, and have them look it over for technical errors and offer you feedback on its content and overall structure.

Use this feedback to make any last-minute changes or edits. If necessary, repeat steps 5 and 6. You want to be extra sure that your essay is perfect before you submit it to colleges!

Recap: From College Essay Topics to Great College Essays

Many different kinds of college application essay topics can get you into a great college. But this doesn’t make it any easier to choose the best topic for you .

In general, the best college essay topics have the following qualities :

• They’re specific
• They show who you are
• They’re meaningful to you
• They’re unique
• They clearly answer the question

If you ever need help coming up with an idea of what to write for your essay, just refer to the list of 53 examples of college essay topics above to get your brain juices flowing.

Once you’ve got an essay topic picked out, follow these six steps for turning your topic into an unforgettable personal statement :

• Write down all the details
• Figure out your focus and approach
• Structure your narrative
• Write a rough draft
• Edit, revise, and proofread
• Get feedback and tweak as needed

And with that, I wish you the best of luck on your college essays!

What’s Next?

Writing a college essay is no simple task. Get expert college essay tips with our guides on how to come up with great college essay ideas and how to write a college essay, step by step .

You can also check out this huge list of college essay prompts  to get a feel for what types of questions you'll be expected to answer on your applications.

Want to see examples of college essays that absolutely rocked? You're in luck because we've got a collection of 100+ real college essay examples right here on our blog!

Hannah received her MA in Japanese Studies from the University of Michigan and holds a bachelor's degree from the University of Southern California. From 2013 to 2015, she taught English in Japan via the JET Program. She is passionate about education, writing, and travel.

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The best essay collections to read now

From advice on friendship and understanding modern life to getting a grasp on coronavirus, these books offer insight on life. 

What better way to get into the work of a writer than through a collection of their essays? 

These seven collections, from novelists and critics alike, address a myriad of subjects from friendship to how colleges are dealing with sexual assaults on campus to race and racism. 

Trick Mirror by Jia Tolentino (2019)

As a staff writer at The New Yorker , Jia Tolentino has explored everything from a rise in youth vaping to the ongoing cultural reckoning about sexual assault. Her first book Trick Mirror takes some of those pieces for The New Yorker as well as new work to form what is one of the sharpest collections of cultural criticism today.

Using herself and her own coming of age as a lens for many of the essays, Tolentino turns her pen and her eye to everything from her generation’s obsession with extravagant weddings to how college campuses deal with sexual assault.

If you’re looking for an insight into millennial life, then Trick Mirror should be on your to-read list.

In Search of Our Mothers’ Gardens by Alice Walker (1983)

Sometimes essays collected from a sprawling period of a successful writer’s life can feel like a hasty addition to a bibliography; a smash-and-grab of notebook flotsam. Not so In Search of Our Mother’s Gardens , from which one can truly understand the sheer range of the Pulitzer Prize winner’s range of study and activism. From Walker’s first published piece of non-fiction (for which she won a prize, and spent her winnings on cut peonies) to more elegiac pieces about her heritage, Walker’s thoughts on feminism (which she terms “womanism”) and the Civil Rights Movement remain grippingly pertinent 50 years on.

Me Talk Pretty One Day by David Sedaris (2000)

That David Sedaris’s ascent to literary stardom happened later in his life – his breakthrough collection of humour essays was released when he was 44 – suited the author’s writing style perfectly. Me Talk Pretty One Day is both a painfully funny account of his childhood and an enduring snapshot of mid-forties malaise. First story ‘Go Carolina’, about his attempt to transcend a childhood lisp, is told from a perfect distance and with all the worldliness necessary to milk every drop of tragic, cringeworthy humour from his childhood. It never falters from there: by the book’s second half, in which Sedaris is living in France, he’s firmly established his niche, writing about the ways that even snobs experience utter humiliation ­– and Me Talk Pretty One Day is all the more human for it. 

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Essays Every High School Student Should Read

December 4, 2016 in  Pedagogy

One of the most important goals of any English class should be to help students learn how to express themselves to an audience — how to tell their own stories, how to provide much-needed information, and how to convince others to see things from a different perspective.

Below are some essays students can read, not only to help them see how such writing is done in the real world, but also to learn more about the world around them.

[bctt tweet=”Need a #mentortext for student essays? Check out these exemplars for personal narrative, argumentative, and expository essay writing.”]

Note : This is a living list. I will continue adding to it as I find important essays and articles, and as my readers make suggestions.

If You Think Racism Doesn’t Exist by Jordan Womack | Lesson Plan

A 17-year-old Oklahoma author details incidents of discrimination he has faced within his own community. Brief, yet impactful, the author’s authenticity strikes readers at their core and naturally leads the audience to consider other perspectives.

Facebook hack ‘worse than when my house burned down’ says teacher by Michelle Boyd Waters, M.Ed.

When a hacker destroyed my Facebook account and I couldn’t find a way to reach out to Facebook, I decided to use my story, voice, and platform to shed light on a situation faced by people around the world. This can serve as a mentor text for students writing personal narratives on shared experiences in the context of current events.

Letter from a Vietnamese to an Iraqi Refugee by Andrew Lam

Vietnamese lecturer, journalist, and author Andrew Lam offers advice in this letter to a young Iraqi refugee he sees in a photograph on the Internet.

Allowing Teenage Boys to Love Their Friends by Jan Hoffman

Learn why early and lifelong friendships are as vital for boys as they are for girls and what happens when those friendships are fractured.

Chris Cecil: Plagiarism Gets You Fired by Leonard Pitts Jr

The Miami Herald columnist and 2004 Pulitzer Prize for Commentary winner castigates a Georgia newspaper editor for plagiarizing his work. This column would go great with this followup article from The Boston Globe: Ga. Editor is Fired for Lifting Columns .

Class Dismissed by Walter Kirn

The author of Lost in the Meritocracy postulates that getting rid of the high school senior year might be good for students.

Complaint Box | Packaging by Dylan Quinn

A high school junior complains about the impossible-to-open packaging faced by consumers of everything “from action figures to zip drives.”

Drowning in Dishes, but Finding a Home  by Danial Adkison

In this 2014 essay, a teenager learns important lessons from his boss at Pizza Hut.

How to Tame a Wild Tongue by Gloria Anzaldua

An American scholar of Chicana cultural theory discusses how she maintained her identity by refusing to submit to linguistic terrorism.

Humble Beast: Samaje Perine by John Rohde

The five-time Oklahoma Sportswriter of the Year features the University of Oklahoma’s running back.

In Praise of the F Word by Mary Sherry

An adult literacy program teacher argues that allowing students to fail will actually help them.

The Joy of Reading and Writing: Superman and Me by Sherman Alexie

A Native American novelist recounts his experience loving reading and finally writing in spite of a culture that expected him to fail in the “non-Indian world” in order to be accepted.

Lane’s Legacy: One Final Ride by Keith Ryan Cartwright

A heartbreaking look back at the hours before and the circumstances surrounding Lane Frost’s untimely death, followed by reflections on his rise to fame — before and after death.

Learning to Read by Malcolm X

The 1960s Civil Rights leader writes about how educating himself in prison opened his mind and lead him to become one of the leading spokesmen for black separatism.

Learning to Read and Write by Frederick Douglass

A former slave born in 1818 discusses how he learned to read in spite of laws against teaching slaves and how reading opened his eyes to his “wretched condition, without remedy.”

Learning From Animal Friendships by Erica Goode

Scientists consider studying the phenomenon of cross-species animal friendships like the ones you see on YouTube.

Losing Everything, Except What Really Matters by Dan Barry

After a 2011 tornado destroys a house, but spares the family, a reporter writes about what’s important.

The Marked Woman by David Grann

How an Osage Indian family in Oklahoma became the prime target of one of the most sinister crimes in American history.

Meet Mikey, 8: U.S. Has Him on Watch List by Lizette Alvarez

Read about what happens if you happen to share a name of a “suspicious person” on the U.S. No-Fly List.

Newly Homeless in Japan Re-Establish Order Amid Chaos by Michael Wines

After the tsunami that resulted in nuclear disaster in 2011, a reporter writes about the “quiet bravery in the face of tragedy” of the Japanese people.

No Ordinary Joe by Rick Reilly

Why in creation did American Football Conference’s 1981 best young running back Joe Delaney jump into that pit full of water that day, even though he couldn’t swim?

Politics and the English Language By George Orwell

Animal Farm and 1984 author, Orwell correlates the degradation of the English language into multi-syllabic drivel and the corruption of the American political process.

Serving in Florida by Barbara Ehrenreich

The Nickel and Dimed: On (Not) Getting By in America author tells about her experiences attempting to survive on income of low-paying jobs.

Starvation Under the Orange Trees by John Steinbeck

John Steinbeck, who later authored the fictionalized account of Okies in California, The Grapes of Wrath, first wrote this essay documenting the starvation of migrant workers in California during the Great Depression.

To Fall in Love With Anyone, Do This by Mandy Len Catron

Is falling in love really a random event, or can two people “love smarter?”

We’ll Go Forward from this Moment by Leonard Pitts

The 2004 Pulitzer Prize for Commentary winner pens a column chronicling the toughness of the American family’s spirit in the face of the September 11, 2001 World Trade Center attacks. He wrote the column one day after the attacks.

What’s Wrong with Black English? by Rachel L. Jones

Jones, a student at Southern Illinois University in the 1980s, wrote this piece for Newsweek. In her essay, Jones adds her story and perspective to the debate over Black English.

Related topics: Mentor Texts , Teaching Writing

About the author 

Michelle Boyd Waters, M.Ed.

I am a secondary English Language Arts teacher, a University of Oklahoma student working on my doctorate in Instructional Leadership and Academic Curriculum with an concentration in English Education and co-Editor of the Oklahoma English Journal. I am constantly seeking ways to amplify students' voices and choices.

A wonderful list of essays! I have neglected to teach essays as literature (only as student writing samples before we began work on an essay, after a novel). I’m looking forward to using these!

Thank you very much! I’d love to hear (or read) your feedback on the selections. Your input can help other teachers decide which essays to teach their students.

This list looks really great. Unfortunately, the first two links I chose were not working. One took me to a professors homepage and the other never opened.

Thank you for letting us know. I checked the “If you think racism doesn’t exist” went to the WordPress.com site where the author wrote his article and “Letter from a Vietnamese to an Iraqi Refugee” went to the Huffington Post article. Is it possible that your school web filter is blocking WordPress and Huffington Post?

Thank you for this. I am teaching a summer class that prepares 8th graders for high school essay writing. Trying to find a way to make it more creative and interesting, even interactive. I like the essays. If you have ideas about specific ways to use them, beyond reading and discussion, I would love to hear them.

You’re welcome! I think additional activities would depend on who your students are, their interests, and which essay(s) you plan to use. Perhaps if you join our RTE Facebook group and tell us about your kids and the essay you want to use, we can devise some activities to help them engage. Check us out here .

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• 40 Useful Words and Phrases for Top-Notch Essays

To be truly brilliant, an essay needs to utilise the right language. You could make a great point, but if it’s not intelligently articulated, you almost needn’t have bothered.

Developing the language skills to build an argument and to write persuasively is crucial if you’re to write outstanding essays every time. In this article, we’re going to equip you with the words and phrases you need to write a top-notch essay, along with examples of how to utilise them.

It’s by no means an exhaustive list, and there will often be other ways of using the words and phrases we describe that we won’t have room to include, but there should be more than enough below to help you make an instant improvement to your essay-writing skills.

If you’re interested in developing your language and persuasive skills, Oxford Royale offers summer courses at its Oxford Summer School , Cambridge Summer School , London Summer School , San Francisco Summer School and Yale Summer School . You can study courses to learn english , prepare for careers in law , medicine , business , engineering and leadership.

General explaining

Let’s start by looking at language for general explanations of complex points.

1. In order to

Usage: “In order to” can be used to introduce an explanation for the purpose of an argument. Example: “In order to understand X, we need first to understand Y.”

2. In other words

Usage: Use “in other words” when you want to express something in a different way (more simply), to make it easier to understand, or to emphasise or expand on a point. Example: “Frogs are amphibians. In other words, they live on the land and in the water.”

3. To put it another way

Usage: This phrase is another way of saying “in other words”, and can be used in particularly complex points, when you feel that an alternative way of wording a problem may help the reader achieve a better understanding of its significance. Example: “Plants rely on photosynthesis. To put it another way, they will die without the sun.”

4. That is to say

Usage: “That is” and “that is to say” can be used to add further detail to your explanation, or to be more precise. Example: “Whales are mammals. That is to say, they must breathe air.”

5. To that end

Usage: Use “to that end” or “to this end” in a similar way to “in order to” or “so”. Example: “Zoologists have long sought to understand how animals communicate with each other. To that end, a new study has been launched that looks at elephant sounds and their possible meanings.”

Adding additional information to support a point

Students often make the mistake of using synonyms of “and” each time they want to add further information in support of a point they’re making, or to build an argument . Here are some cleverer ways of doing this.

6. Moreover

Usage: Employ “moreover” at the start of a sentence to add extra information in support of a point you’re making. Example: “Moreover, the results of a recent piece of research provide compelling evidence in support of…”

7. Furthermore

Usage:This is also generally used at the start of a sentence, to add extra information. Example: “Furthermore, there is evidence to suggest that…”

8. What’s more

Usage: This is used in the same way as “moreover” and “furthermore”. Example: “What’s more, this isn’t the only evidence that supports this hypothesis.”

9. Likewise

Usage: Use “likewise” when you want to talk about something that agrees with what you’ve just mentioned. Example: “Scholar A believes X. Likewise, Scholar B argues compellingly in favour of this point of view.”

10. Similarly

Usage: Use “similarly” in the same way as “likewise”. Example: “Audiences at the time reacted with shock to Beethoven’s new work, because it was very different to what they were used to. Similarly, we have a tendency to react with surprise to the unfamiliar.”

11. Another key thing to remember

Usage: Use the phrase “another key point to remember” or “another key fact to remember” to introduce additional facts without using the word “also”. Example: “As a Romantic, Blake was a proponent of a closer relationship between humans and nature. Another key point to remember is that Blake was writing during the Industrial Revolution, which had a major impact on the world around him.”

12. As well as

Usage: Use “as well as” instead of “also” or “and”. Example: “Scholar A argued that this was due to X, as well as Y.”

13. Not only… but also

Usage: This wording is used to add an extra piece of information, often something that’s in some way more surprising or unexpected than the first piece of information. Example: “Not only did Edmund Hillary have the honour of being the first to reach the summit of Everest, but he was also appointed Knight Commander of the Order of the British Empire.”

14. Coupled with

Usage: Used when considering two or more arguments at a time. Example: “Coupled with the literary evidence, the statistics paint a compelling view of…”

15. Firstly, secondly, thirdly…

Usage: This can be used to structure an argument, presenting facts clearly one after the other. Example: “There are many points in support of this view. Firstly, X. Secondly, Y. And thirdly, Z.

16. Not to mention/to say nothing of

Usage: “Not to mention” and “to say nothing of” can be used to add extra information with a bit of emphasis. Example: “The war caused unprecedented suffering to millions of people, not to mention its impact on the country’s economy.”

Words and phrases for demonstrating contrast

When you’re developing an argument, you will often need to present contrasting or opposing opinions or evidence – “it could show this, but it could also show this”, or “X says this, but Y disagrees”. This section covers words you can use instead of the “but” in these examples, to make your writing sound more intelligent and interesting.

17. However

Usage: Use “however” to introduce a point that disagrees with what you’ve just said. Example: “Scholar A thinks this. However, Scholar B reached a different conclusion.”

18. On the other hand

Usage: Usage of this phrase includes introducing a contrasting interpretation of the same piece of evidence, a different piece of evidence that suggests something else, or an opposing opinion. Example: “The historical evidence appears to suggest a clear-cut situation. On the other hand, the archaeological evidence presents a somewhat less straightforward picture of what happened that day.”

19. Having said that

Usage: Used in a similar manner to “on the other hand” or “but”. Example: “The historians are unanimous in telling us X, an agreement that suggests that this version of events must be an accurate account. Having said that, the archaeology tells a different story.”

20. By contrast/in comparison

Usage: Use “by contrast” or “in comparison” when you’re comparing and contrasting pieces of evidence. Example: “Scholar A’s opinion, then, is based on insufficient evidence. By contrast, Scholar B’s opinion seems more plausible.”

21. Then again

Usage: Use this to cast doubt on an assertion. Example: “Writer A asserts that this was the reason for what happened. Then again, it’s possible that he was being paid to say this.”

22. That said

Usage: This is used in the same way as “then again”. Example: “The evidence ostensibly appears to point to this conclusion. That said, much of the evidence is unreliable at best.”

Usage: Use this when you want to introduce a contrasting idea. Example: “Much of scholarship has focused on this evidence. Yet not everyone agrees that this is the most important aspect of the situation.”

Adding a proviso or acknowledging reservations

Sometimes, you may need to acknowledge a shortfalling in a piece of evidence, or add a proviso. Here are some ways of doing so.

24. Despite this

Usage: Use “despite this” or “in spite of this” when you want to outline a point that stands regardless of a shortfalling in the evidence. Example: “The sample size was small, but the results were important despite this.”

25. With this in mind

Usage: Use this when you want your reader to consider a point in the knowledge of something else. Example: “We’ve seen that the methods used in the 19th century study did not always live up to the rigorous standards expected in scientific research today, which makes it difficult to draw definite conclusions. With this in mind, let’s look at a more recent study to see how the results compare.”

26. Provided that

Usage: This means “on condition that”. You can also say “providing that” or just “providing” to mean the same thing. Example: “We may use this as evidence to support our argument, provided that we bear in mind the limitations of the methods used to obtain it.”

27. In view of/in light of

Usage: These phrases are used when something has shed light on something else. Example: “In light of the evidence from the 2013 study, we have a better understanding of…”

28. Nonetheless

Usage: This is similar to “despite this”. Example: “The study had its limitations, but it was nonetheless groundbreaking for its day.”

29. Nevertheless

Usage: This is the same as “nonetheless”. Example: “The study was flawed, but it was important nevertheless.”

30. Notwithstanding

Usage: This is another way of saying “nonetheless”. Example: “Notwithstanding the limitations of the methodology used, it was an important study in the development of how we view the workings of the human mind.”

Giving examples

Good essays always back up points with examples, but it’s going to get boring if you use the expression “for example” every time. Here are a couple of other ways of saying the same thing.

31. For instance

Example: “Some birds migrate to avoid harsher winter climates. Swallows, for instance, leave the UK in early winter and fly south…”

32. To give an illustration

Example: “To give an illustration of what I mean, let’s look at the case of…”

Signifying importance

When you want to demonstrate that a point is particularly important, there are several ways of highlighting it as such.

33. Significantly

Usage: Used to introduce a point that is loaded with meaning that might not be immediately apparent. Example: “Significantly, Tacitus omits to tell us the kind of gossip prevalent in Suetonius’ accounts of the same period.”

34. Notably

Usage: This can be used to mean “significantly” (as above), and it can also be used interchangeably with “in particular” (the example below demonstrates the first of these ways of using it). Example: “Actual figures are notably absent from Scholar A’s analysis.”

35. Importantly

Usage: Use “importantly” interchangeably with “significantly”. Example: “Importantly, Scholar A was being employed by X when he wrote this work, and was presumably therefore under pressure to portray the situation more favourably than he perhaps might otherwise have done.”

Summarising

You’ve almost made it to the end of the essay, but your work isn’t over yet. You need to end by wrapping up everything you’ve talked about, showing that you’ve considered the arguments on both sides and reached the most likely conclusion. Here are some words and phrases to help you.

36. In conclusion

Usage: Typically used to introduce the concluding paragraph or sentence of an essay, summarising what you’ve discussed in a broad overview. Example: “In conclusion, the evidence points almost exclusively to Argument A.”

37. Above all

Usage: Used to signify what you believe to be the most significant point, and the main takeaway from the essay. Example: “Above all, it seems pertinent to remember that…”

38. Persuasive

Usage: This is a useful word to use when summarising which argument you find most convincing. Example: “Scholar A’s point – that Constanze Mozart was motivated by financial gain – seems to me to be the most persuasive argument for her actions following Mozart’s death.”

39. Compelling

Usage: Use in the same way as “persuasive” above. Example: “The most compelling argument is presented by Scholar A.”

40. All things considered

Usage: This means “taking everything into account”. Example: “All things considered, it seems reasonable to assume that…”

How many of these words and phrases will you get into your next essay? And are any of your favourite essay terms missing from our list? Let us know in the comments below, or get in touch here to find out more about courses that can help you with your essays.

At Oxford Royale Academy, we offer a number of  summer school courses for young people who are keen to improve their essay writing skills. Click here to apply for one of our courses today, including law , business , medicine  and engineering .

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31 Of The Most Beautiful And Profound Passages In Literature You’ll Want To Read Over And Over Again

• https://thoughtcatalog.com/?p=493373

Whenever I’m feeling uninspired I look to a collection of my favorite literary quotes I keep in a document on my computer. Today was one of those days. As I was re-reading some of these and remembering why I love writing, reading, and the power of words and a good story, I thought perhaps someone somewhere out there might be feeling the same as me this morning. Here are 31 of the most beautiful passages in literature .

“Atticus said to Jem one day, “I’d rather you shot at tin cans in the backyard, but I know you’ll go after birds. Shoot all the blue jays you want, if you can hit ‘em, but remember it’s a sin to kill a mockingbird.” That was the only time I ever heard Atticus say it was a sin to do something, and I asked Miss Maudie about it. “Your father’s right,” she said. “Mockingbirds don’t do one thing except make music for us to enjoy. They don’t eat up people’s gardens, don’t nest in corn cribs, they don’t do one thing but sing their hearts out for us. That’s why it’s a sin to kill a mockingbird.” – Harper Lee, To Kill a Mockingbird

“i took a deep breath and listened to the old brag of my heart. i am, i am, i am.” – sylvia plath, the bell jar, “we believe that we can change the things around us in accordance with our desires—we believe it because otherwise we can see no favourable outcome. we do not think of the outcome which generally comes to pass and is also favourable: we do not succeed in changing things in accordance with our desires, but gradually our desires change. the situation that we hoped to change because it was intolerable becomes unimportant to us. we have failed to surmount the obstacle, as we were absolutely determined to do, but life has taken us round it, led us beyond it, and then if we turn round to gaze into the distance of the past, we can barely see it, so imperceptible has it become.” – marcel proust, in search of lost time, “the most beautiful things in the world cannot be seen or touched, they are felt with the heart.” – antoine de saint-exupéry, the little prince, “hello babies. welcome to earth. it’s hot in the summer and cold in the winter. it’s round and wet and crowded. on the outside, babies, you’ve got a hundred years here. there’s only one rule that i know of, babies-“god damn it, you’ve got to be kind.” – kurt vonnegut, god bless you, mr. rosewater, “why, sometimes i’ve believed as many as six impossible things before breakfast.” – lewis carroll, alice in wonderland, “we are all in the gutter, but some of us are looking at the stars.” – oscar wilde, lady windermere’s fan, “i must not fear. fear is the mind-killer. fear is the little-death that brings total obliteration. i will face my fear. i will permit it to pass over me and through me. and when it has gone past i will turn the inner eye to see its path. where the fear has gone there will be nothing. only i will remain.” – frank herbert, dune, “nolite te bastardes carborundorum.” (don’t let the bastards grind you down) – margaret atwood, the handmaid’s tale, “just remember that the things you put into your head are there forever, he said. you might want to think about that. you forget some things, dont you yes. you forget what you want to remember and you remember what you want to forget.” – cormac mccarthy,  the road, “you can tell yourself that you would be willing to lose everything you have in order to get something you want. but it’s a catch-22: all of those things you’re willing to lose are what make you recognizable. lose them, and you’ve lost yourself.” – jodi picoult, handle with care, “the only people for me are the mad ones, the ones who are mad to live, mad to talk, mad to be saved, desirous of everything at the same time, the ones who never yawn or say a commonplace thing, but burn, burn, burn like fabulous yellow roman candles exploding like spiders across the stars.” – jack kerouac, on the road, “he allowed himself to be swayed by his conviction that human beings are not born once and for all on the day their mothers give birth to them, but that life obliges them over and over again to give birth to themselves.” ― gabriel garcí­a márquez, love in the time of cholera, “there is an idea of a patrick bateman, some kind of abstraction, but there is no real me, only an entity, something illusory, and though i can hide my cold gaze and you can shake my hand and feel flesh gripping yours and maybe you can even sense our lifestyles are probably comparable: i simply am not there.” – bret easton ellis, american psycho, “sometimes fate is like a small sandstorm that keeps changing directions. you change direction but the sandstorm chases you. you turn again, but the storm adjusts. over and over you play this out, like some ominous dance with death just before dawn. why because this storm isn’t something that blew in from far away, something that has nothing to do with you. this storm is you. something inside of you. so all you can do is give in to it, step right inside the storm, closing your eyes and plugging up your ears so the sand doesn’t get in, and walk through it, step by step. there’s no sun there, no moon, no direction, no sense of time. just fine white sand swirling up into the sky like pulverized bones. that’s the kind of sandstorm you need to imagine., and you really will have to make it through that violent, metaphysical, symbolic storm. no matter how metaphysical or symbolic it might be, make no mistake about it: it will cut through flesh like a thousand razor blades. people will bleed there, and you will bleed too. hot, red blood. you’ll catch that blood in your hands, your own blood and the blood of others., and once the storm is over you won’t remember how you made it through, how you managed to survive. you won’t even be sure, in fact, whether the storm is really over. but one thing is certain. when you come out of the storm you won’t be the same person who walked in. that’s what this storm’s all about.” – haruki murakami, kafka on the shore, “a heart is not judged by how much you love; but by how much you are loved by others” – l. frank baum, the wonderful wizard of oz, “sometimes i can hear my bones straining under the weight of all the lives i’m not living.”- jonathan safran foer, extremely loud and incredibly close, “the most important things are the hardest to say. they are the things you get ashamed of, because words diminish them — words shrink things that seemed limitless when they were in your head to no more than living size when they’re brought out. but it’s more than that, isn’t it the most important things lie too close to wherever your secret heart is buried, like landmarks to a treasure your enemies would love to steal away. and you may make revelations that cost you dearly only to have people look at you in a funny way, not understanding what you’ve said at all, or why you thought it was so important that you almost cried while you were saying it. that’s the worst, i think. when the secret stays locked within not for want of a teller but for want of an understanding ear.” stephen king, different seasons, “i don’t have any problem understanding why people flunk out of college or quit their jobs or cheat on each other or break the law or spray-paint walls. a little bit outside of things is where some people feel each other. we do it to replace the frame of family. we do it to erase and remake our origins in their own images. to say, i too was here.” – lidia yuknavitch, the chronology of water, “i never believed in santa claus. none of us kids did. mom and dad refused to let us. they couldn’t afford expensive presents and they didn’t want us to think we weren’t as good as other kids who, on christmas morning, found all sorts of fancy toys under the tree that were supposedly left by santa claus. dad had lost his job at the gypsum, and when christmas came that year, we had no money at all. on christmas eve, dad took each one of us kids out into the desert night one by one., “pick out your favorite star”, dad said., “i like that one” i said., dad grinned, “that’s venus”, he said. he explained to me that planets glowed because reflected light was constant and stars twinkled because their light pulsed., “i like it anyway” i said., “what the hell,” dad said. “it’s christmas. you can have a planet if you want.” and he gave me venus., venus didn’t have any moons or satellites or even a magnetic field, but it did have an atmosphere sort of similar to earth’s, except it was super hot-about 500 degrees or more. “so,” dad said, “when the sun starts to burn out and earth turns cold, everyone might want to move to venus to get warm. and they’ll have to get permission from your descendants first., we laughed about all the kids who believed in the santa myth and got nothing for christmas but a bunch of cheap plastic toys. “years from now, when all the junk they got is broken and long forgotten,” dad said, “you’ll still have your stars.” – jeannette walls, the glass castle, “lolita, light of my life, fire of my loins. my sin, my soul. lo-lee-ta: the tip of the tongue taking a trip of three steps down the palate to tap, at three, on the teeth. lo. lee. ta. she was lo, plain lo, in the morning, standing four feet ten in one sock. she was lola in slacks. she was dolly at school. she was dolores on the dotted line. but in my arms she was always lolita. did she have a precursor she did, indeed she did. in point of fact, there might have been no lolita at all had i not loved, one summer, an initial girl-child. in a princedom by the sea. oh when about as many years before lolita was born as my age was that summer. you can always count on a murderer for a fancy prose style. ladies and gentlemen of the jury, exhibit number one is what the seraphs, the misinformed, simple, noble-winged seraphs, envied. look at this tangle of thorns.” vladimir nabokov, lolita, “you think because he doesn’t love you that you are worthless. you think that because he doesn’t want you anymore that he is right — that his judgement and opinion of you are correct. if he throws you out, then you are garbage. you think he belongs to you because you want to belong to him. don’t. it’s a bad word, ‘belong.’ especially when you put it with somebody you love. love shouldn’t be like that. did you ever see the way the clouds love a mountain they circle all around it; sometimes you can’t even see the mountain for the clouds. but you know what you go up top and what do you see his head. the clouds never cover the head. his head pokes through, beacuse the clouds let him; they don’t wrap him up. they let him keep his head up high, free, with nothing to hide him or bind him. you can’t own a human being. you can’t lose what you don’t own. suppose you did own him. could you really love somebody who was absolutely nobody without you you really want somebody like that somebody who falls apart when you walk out the door you don’t, do you and neither does he. you’re turning over your whole life to him. your whole life, girl. and if it means so little to you that you can just give it away, hand it to him, then why should it mean any more to him he can’t value you more than you value yourself.” – toni morrison, song of solomon, “…i think we are well-advised to keep on nodding terms with the people we used to be, whether we find them attractive company or not. otherwise they turn up unannounced and surprise us, come hammering on the mind’s door at 4 a.m. of a bad night and demand to know who deserted them, who betrayed them, who is going to make amends. we forget all too soon the things we thought we could never forget. we forget the loves and the betrayals alike, forget what we whispered and what we screamed, forget who we were.” ― joan didion, slouching towards bethlehem, “i don’t let anyone touch me,” i finally said. why not” why not because i was tired of men. hanging in doorways, standing too close, their smell of beer or fifteen-year-old whiskey. men who didn’t come to the emergency room with you, men who left on christmas eve. men who slammed the security gates, who made you love them then changed their minds. forests of boys, their ragged shrubs full of eyes following you, grabbing your breasts, waving their money, eyes already knocking you down, taking what they felt was theirs. (…) it was a play and i knew how it ended, i didn’t want to audition for any of the roles. it was no game, no casual thrill. it was three-bullet russian roulette.” – janet fitch, white oleander, “i wanted so badly to lie down next to her on the couch, to wrap my arms around her and sleep. not fuck, like in those movies. not even have sex. just sleep together in the most innocent sense of the phrase. but i lacked the courage and she had a boyfriend and i was gawky and she was gorgeous and i was hopelessly boring and she was endlessly fascinating. so i walked back to my room and collapsed on the bottom bunk, thinking that if people were rain, i was drizzle and she was hurricane.” ― john green, looking for alaska, “but i tried, didn’t i goddamnit, at least i did that.” – ken kesey, one flew over the cuckoo’s nest, “if you’re going to try, go all the way. otherwise, don’t even start. this could mean losing girlfriends, wives, relatives and maybe even your mind. it could mean not eating for three or four days. it could mean freezing on a park bench. it could mean jail. it could mean derision. it could mean mockery–isolation. isolation is the gift. all the others are a test of your endurance, of how much you really want to do it. and, you’ll do it, despite rejection and the worst odds. and it will be better than anything else you can imagine. if you’re going to try, go all the way. there is no other feeling like that. you will be alone with the gods, and the nights will flame with fire. you will ride life straight to perfect laughter. it’s the only good fight there is.” ― charles bukowski, factotum, “i will be very careful the next time i fall in love, she told herself. also, she had made a promise to herself that she intended on keeping. she was never going to go out with another writer: no matter how charming, sensitive, inventive or fun they could be. they weren’t worth it in the long run. they were emotionally too expensive and the upkeep was complicated. they were like having a vacuum cleaner around the house that broke all the time and only einstein could fix it. she wanted her next lover to be a broom.” ― richard brautigan, sombrero fallout, “usually we walk around constantly believing ourselves. “i’m okay” we say. “i’m alright”. but sometimes the truth arrives on you and you can’t get it off. that’s when you realize that sometimes it isn’t even an answer–it’s a question. even now, i wonder how much of my life is convinced.” ― markus zusak, the book thief, “i love you without knowing how, or when, or from where. i love you simply, without problems or pride: i love you in this way because i do not know any other way of loving but this, in which there is no i or you, so intimate that your hand upon my chest is my hand, so intimate that when i fall asleep your eyes close.” ― pablo neruda, 100 love sonnets, “it doesn’t interest me what you do for a living. i want to know what you ache for, and if you dare to dream of meeting your heart’s longing., it doesn’t interest me how old you are. i want to know if you will risk looking like a fool for love, for your dream, for the adventure of being alive., it doesn’t interest me what planets are squaring your moon. i want to know if you have touched the center of your own sorrow, if you have been opened by life’s betrayals or have become shriveled and closed from fear of further paini want to know if you can sit with pain, mine or your own, without moving to hide it or fade it, or fix it., i want to know if you can be with joy, mine or your own, if you can dance with wildness and let the ecstasy fill you to the tips of your fingers and toes without cautioning us to be careful, to be realistic, to remember the limitations of being human., it doesn’t interest me if the story you are telling me is true. i want to know if you can disappoint another to be true to yourself; if you can bear the accusation of betrayal and not betray your own soul; if you can be faithless and therefore trustworthy., i want to know if you can see beauty even when it’s not pretty, every day,and if you can source your own life from its presence., i want to know if you can live with failure, yours and mine, and still stand on the edge of the lake and shout to the silver of the full moon, “yes”, it doesn’t interest me to know where you live or how much money you have. i want to know if you can get up, after the night of grief and despair, weary and bruised to the bone, and do what needs to be done to feed the children., it doesn’t interest me who you know or how you came to be here. i want to know if you will stand in the center of the fire with me and not shrink back., it doesn’t interest me where or what or with whom you have studied. i want to know what sustains you, from the inside, when all else falls away., i want to know if you can be alone with yourself and if you truly like the company you keep in the empty moments.”, ― oriah mountain dreamer, the invitation, koty neelis.

Former senior staff writer and producer at Thought Catalog.

Keep up with Koty on Twitter

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Emily Polson

Emily Polson is a freelance writer and publishing assistant at Simon & Schuster. Originally from central Iowa, she studied English and creative writing at Belhaven University in Jackson, Mississippi, before moving to a small Basque village to teach English to trilingual teenagers. Now living in Brooklyn, she can often be found meandering through Prospect Park listening to a good audiobook. Twitter: @emilycpolson | https://emilycpolson.wordpress.com/

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I love memoirs and essays, so the genre of essay-length short memoirs is one of my favorites. I love delving into the details of other people’s lives. The length allows me to read broadly on a whim with minimal commitment. In roughly 5–30 minutes, I can consume a complete morsel of literature, which always leaves me happier than the same amount of time spent doom-scrolling through my various social news feeds.

What are short memoirs? 

What exactly are short memoirs? I define them as essay-length works that weave together life experiences around a central theme. You see examples of short memoirs all the time on sites like Buzzfeed and The New York Times . Others are stand-alone pieces published in essay collections.

Memoir essays were my gateway into reading full-length memoirs. It was not until I took a college class on creative nonfiction that I realized memoirs were not just autobiographies of people with exciting lives. Anyone with any amount of life experience can write a memoir—no dramatic childhood or odd-defying life accomplishments required. A short memoir might be an account of a single, life-changing event, or it may be reflection on a period of growth or transition.

Of course, when a young adult tells people she likes writing creative nonfiction—not journalism or technical writing—she hears a lot of, “You’re too young to write a memoir!” and “What could someone your age possibly have to write about?!” As Flannery O’Connor put it, however, “The fact is that anybody who has survived his childhood has enough information about life to last him the rest of his days. If you can’t make something out of a little experience, you probably won’t be able to make it out of a lot. The writer’s business is to contemplate experience, not to be merged in it.”

Memoir essay examples

As the lit magazine Creative Nonfiction puts it, personal essays are just “True stories, well told.” And everyone has life stories worth telling.

Here are a few of my favorite memoir examples that are essay length.

SHORT MEMOIRS ABOUT GROWING UP

Scaachi koul, “there’s no recipe for growing up”.

In this delightful essay, Koul talks about trying to learn the secrets of her mother’s Kashmiri cooking after growing up a first-generation American. The story is full of vivid descriptions and anecdotal details that capture something so specific it transcends to the realm of universal. It’s smart, it’s funny, and it’ll break your heart a little as Koul describes “trying to find my mom at the bottom of a 20-quart pot.”

ASHLEY C. FORD, “THE YEAR I GREW WILDLY WHILE MEN LOOKED ON”

This memoir essay is for all the girls who went through puberty early in a world that sexualizes children’s bodies. Ford weaves together her experiences of feeling at odds with her body, of being seen as a “distraction” to adult men, of being Black and fatherless and hungry for love. She writes, “It was evident that who I was inside, who I wanted to be, didn’t match the intentions of my body. Outside, there was no little girl to be loved innocently. My body was a barrier.”

Kaveh Akbar, “How I Found Poetry in Childhood Prayer”

Akbar writes intense, searing poetry, but this personal essay contextualizes one of his sweetest poems, “Learning to Pray,” which is cradled in the middle of it. He describes how he fell in love with the movement, the language, and the ceremony of his Muslim family’s nightly prayers. Even though he didn’t (and doesn’t) speak Arabic, Akbar points to the musicality of these phonetically-learned hymns as “the bedrock upon which I’ve built my understanding of poetry as a craft and as a meditative practice.” Reading this essay made me want to reread his debut poetry collection, Calling a Wolf a Wolf , all over again.

JIA TOLENTINO, “LOSING RELIGION AND FINDING ECSTASY IN HOUSTON”

New Yorker staff writer Jia Tolentino grew up attending a Houston megachurch she referred to as “the Repentagon.” In this personal essay, she describes vivid childhood memories of her time there, discussing how some of the very things she learned from the church contributed to her growing ambivalence toward it and its often hypocritical congregants. “Christianity formed my deepest instincts,” she writes, “and I have been walking away from it for half my life.” As the essay title suggests, this walking away coincided with her early experiences taking MDMA, which offered an uncanny similarity to her experience of religious devotion.

funny short memoirs

Patricia lockwood, “insane after coronavirus”.

Author Patricia Lockwood caught COVID-19 in early March 2020. In addition to her physical symptoms, she chronicled the bizarre delusions she experienced while society also collectively operated under the delusion that this whole thing would blow over quickly. Lockwood has a preternatural ability to inject humor into any situation, even the dire ones, by highlighting choice absurdities. This is a rare piece of pandemic writing that will make you laugh instead of cry–unless it makes you cry from laughing.

Harrison Scott Key,  “My Dad Tried to Kill Me with an Alligator”

This personal essay is a tongue-in-cheek story about the author’s run-in with an alligator on the Pearl River in Mississippi. Looking back on the event as an adult, Key considers his father’s tendencies in light of his own, now that he himself is a dad. He explores this relationship further in his book-length memoir, The World’s Largest Man , but this humorous essay stands on its own. (I also had the pleasure of hearing him read this aloud during my school’s homecoming weekend, as Key is an alumnus of my alma mater.)

David Sedaris, “Me Talk Pretty One Day”

Sedaris’s humor is in a league of its own, and he’s at his best in the title essay from Me Talk Pretty One Day . In it, he manages to capture the linguistic hilarities that ensue when you combine a sarcastic, middle-aged French student with a snarky French teacher.

SAMANTHA IRBY, “THE WORST FRIEND DATE I EVER HAD”

Samantha Irby is one of my favorite humorists writing today, and this short memoir essay about the difficulty of making friends as an adult is a great introduction to her. Be prepared for secondhand cringe when you reach the infamous moment she asks a waiter, “Are you familiar with my work?” After reading this essay, you’ll want to be, so check out Wow, No Thank You . next.

Bill Bryson, “Coming Home”

Bryson has the sly, subtle humor that only comes from Americans who have spent considerable time living among dry-humored Brits. In “Coming Home,” he talks about the strange sensation of returning to America after spending his first twenty years of adulthood in England. This personal essay is the first in a book-length work called I’m a Stranger Here Myself , in which Bryson revisits American things that feel like novelties to outsiders and the odd former expat like himself.

Thought-provoking Short memoirs

Tommy orange, “how native american is native american enough”.

Many people claim some percentage of Indigenous ancestry, but how much is enough to “count”? Novelist Tommy Orange–author of There There –deconstructs this concept, discussing his relationship to his Native father, his Certificate of Degree of Indian Blood, and his son, who will not be considered “Native enough” to join him as an enrolled member of the Cheyenne and Arapaho Tribes. “ How come math isn’t taught with stakes?” he asks in this short memoir full of lingering questions that will challenge the way you think about heritage. 

Christine Hyung-Oak Lee, “I Had a Stroke at 33”

Lee’s story is interesting not just because she had a stroke at such a young age, but because of how she recounts an experience that was characterized by forgetting. She says that after her stroke, “For a month, every moment of the day was like the moment upon wakening before you figure out where you are, what time it is.” With this personal essay, she draws readers into that fragmented headspace, then weaves something coherent and beautiful from it.

Kyoko Mori, “A Difficult Balance: Am I a Writer or a Teacher?”

In this refreshing essay, Mori discusses balancing “the double calling” of being a writer and a teacher. She admits that teaching felt antithetical to her sense of self when she started out in a classroom of apathetic college freshmen. When she found her way into teaching an MFA program, however, she discovered that fostering a sanctuary for others’ words and ideas felt closer to a “calling.” While in some ways this makes the balance of shifting personas easier, she says it creates a different kind of dread: “Teaching, if it becomes more than a job, might swallow me whole and leave nothing for my life as a writer.” This memoir essay is honest, well-structured, and layered with plenty of anecdotal details to draw in the reader.

Alex Tizon, “My Family’s Slave”

In this heartbreaking essay, Tizon pays tribute to the memory of Lola, the domestic slave who raised him and his siblings. His family brought her with them when they emigrated to America from the Philippines. He talks about the circumstances that led to Lola’s enslavement, the injustice she endured throughout her life, and his own horror at realizing the truth about her role in his family as he grew up. While the story is sad enough to make you cry, there are small moments of hope and redemption. Alex discusses what he tried to do for Lola as an adult and how, upon her death, he traveled to her family’s village to return her ashes.

Classic short memoirs

James baldwin, “notes of a native son”.

This memoir essay comes from Baldwin’s collection of the same name. In it, he focuses on his relationship with his father, who died when Baldwin was 19. He also wrestles with growing up black in a time of segregation, touching on the historical treatment of black soldiers and the Harlem Riot of 1943. His vivid descriptions and honest narration draw you into his transition between frustration, hatred, confusion, despair, and resilience.

JOAN DIDION,  “GOODBYE TO ALL THAT”

Didion is one of the foremost literary memoirists of the twentieth century, combining journalistic precision with self-aware introspection. In “Goodbye to All That,” Didion recounts moving to New York as a naïve 20-year-old and leaving as a disillusioned 28-year-old. She captures the mystical awe with which outsiders view the Big Apple, reflecting on her youthful perspective that life was still limitless, “that something extraordinary would happen any minute, any day, any month.”  This essay concludes her masterful collection,   Slouching Towards Bethlehem .

Tim O’Brien, “The Things They Carried”

This is the title essay from O’Brien’s collection, The Things They Carried . It’s technically labeled a work of fiction, but because the themes and anecdotes are pulled from O’Brien’s own experience in the Vietnam War, it blurs the lines between fact and fiction enough to be included here. (I’m admittedly predisposed to this classification because a college writing professor of mine included it on our creative nonfiction syllabus.) The essay paints an intimate portrait of a group of soldiers by listing the things they each carry with them, both physical and metaphorical. It contains one of my favorite lines in all of literature: “They all carried ghosts.”

Multi-Media Short Memoirs

Allie brosh, “richard”.

In this blog post/webcomic, Allie Brosh tells the hilarious story about the time as a child that she, 1) realized neighbors exist, and 2) repeatedly snuck into her neighbor’s house, took his things, and ultimately kidnapped his cat. Her signature comic style drives home the humor in a way that will split your sides. The essay is an excerpt from Brosh’s second book, Solutions and Other Problems , but the web version includes bonus photos and backstory. For even more Allie classics, check out “Adventures in Depression” and “Depression Part Two.”

George Watsky, “Ask Me What I’m Doing Tonight”

Watsky is a rapper and spoken word poet who built his following on YouTube. Before he made it big, however, he spent five years performing for groups of college students across the Midwest. “Ask Me What I’m Doing Tonight!” traces that soul-crushing monotony while telling a compelling story about trying to connect with people despite such transience. It’s the most interesting essay about boredom you’ll ever read, or in this case watch—he filmed a short film version of the essay for his YouTube channel. Like his music, Watsky’s personal essays are vulnerable, honest, and crude, and the whole collection, How to Ruin Everything , is worth reading.

If you’re looking for even more short memoirs, keep an eye on these pages from Literary Hub , Buzzfeed , and Creative Nonfiction . You can also delve into these 25 nonfiction essays you can read online and these 100 must-read essay collections . Also be sure to check out the “Our Reading Lives” tag right here on Book Riot, where you’ll find short memoirs like “Searching for Little Free Libraries as a Way to Say Goodbye” and “How I Overcame My Fear of Reading Contemporary Poets.”

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Summer Reader Poll 2019: Funny Books

We did it for the lols: 100 favorite funny books.

Petra Mayer

The news cycle is driving us to the edge of madness, so why not switch off, unplug and pick up a book? We know you could use a laugh right now — and luckily, several thousand of you told us all about the books, stories and poems that make you laugh .

We took your votes (more than 7,000 of them!) and with the help of our panel of expert judges — people so cool and so hilarious I'm surprised they even talked to me — created this list of 100 reads designed to make you laugh out loud. Want slice-of-life essays? Loopy poetry? Surreal one-panel cartoons? Blackly comic novels? Texts from famous literary figures? Scroll down — we've got it all.

As with all our reader polls, this is a curated list and not a straight-up popularity contest; you'll see that the books are grouped into categories rather than ranked from one to 100.

Summer Reader Poll 2018: Horror

Click if you dare: 100 favorite horror stories.

Summer Reader Poll 2017: Comics And Graphic Novels

Let's get graphic: 100 favorite comics and graphic novels.

And, as always, there are a few things that didn't make the list — surprisingly, Shakespeare didn't get enough votes to make it to the semifinals, and our judges decided the immortal Bard of Avon didn't exactly need our help to find new readers. (But read some Shakespeare anyhow, just for the scorching burns in Much Ado About Nothing .) Then there were books that didn't quite stand the test of time, or were so new we couldn't tell whether they'd stand up.

Some of the authors on this list are incredibly popular, and you voted them in over and over again (three guesses as to whom, and the first two don't count, David Sedaris). Because space is limited, we try to hold each author to one spot on the list, but there are some exceptions — in 2015, for the romance poll, we created the Nora Roberts Rule . We've applied it somewhat ... flexibly, but it generally means that each year, one particularly beloved or prolific author gets two spots on the list. This year, we used it for an actual Nora, Nora Ephron, which our judges thought was the perfect application.

And speaking of our judges, you will find a couple of their works on the list this year — we don't let judges vote for their own work, but readers loved Samantha Irby's We Are Never Meeting In Real Life and Guy Branum's My Life as a Goddess , so the panel agreed they should stay.

Laughter is the best medicine, or so we hear — so read two (heck, read three) and call us in the morning!

To make navigating the list a little easier, click these links to get to each category: Memoirs , Essays , Comics & Cartoons , Novels , Fantasy & Science Fiction , Nonfiction , Kids' Books & YA , Poetry , Classics , Short Stories and ... Deep Thoughts (no, really, just Deep Thoughts . We couldn't figure out where else to put it).

Born A Crime

by Trevor Noah

Daily Show host Trevor Noah was born in South Africa in 1984, to a white father and a black mother — against the law under the apartheid system. In this memoir, by turns funny and wrenching, he describes the lengths his parents went to keep him safe and hidden from the authorities. "I think it set me up for where I am now in life," he told NPR's Renee Montagne in 2016 . "More of my comedy and my showbiz, and that feeling came for me partly from my mother, came for me from the world that I lived in."

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Fear And Loathing In Las Vegas

by Hunter S. Thompson

We put this in the Memoirs section because Raoul Duke and Dr. Gonzo are, more or less, based on Hunter S. Thompson and his buddy Oscar Zeta Acosta ... but one category can't really contain this drug-addled desert odyssey. "If you're gonna take a road trip and you're gonna do it by car, I'm sad to say that the best you can hope for is for yours to be the second-greatest of all time," says our critic Jason Sheehan . "Why? Because Hunter Thompson and Oscar Zeta Acosta have already taken the top slot and will hold it forever."

by Tina Fey

Reading Tina Fey's delightful memoir is like eating a bucket of movie popcorn — you can't stop until you get to the bottom. But unlike a bucket of movie popcorn, Bossypants will leave you light and happy and wishing you were at least a tenth as cool as Tina Fey. (And yes, of course, there's also lots about actually being a boss on the sets of Saturday Night Live and 30 Rock .)

Funny In Farsi

by Firoozeh Dumas

When Firoozeh Dumas moved to America as a child, she knew exactly seven words of English — the names of seven colors. (Her father had taught English in Iran, but as it turned out, he wasn't that great at speaking American.) Funny in Farsi is a charming chronicle of her family's encounters with American culture, from her mother's fondness for The Price is Right to the true meaning of "elbow grease."

I Feel Bad About My Neck

by Nora Ephron

A few years ago when we did the romance poll, our judges created the Nora Roberts Rule : Normally, an author gets only one slot in the final list, but someone as legendary as Ms. Roberts can have two (she got in as herself and as her pen name, J.D. Robb). We applied that rule again this year to another Nora — Nora Ephron, because we couldn't decide between this candid, rueful, hilarious collection of essays on aging as a woman and her scathing autobiographical novel Heartburn, which you'll see farther along in the list.

Wishful Drinking

by Carrie Fisher

Oh, Carrie Fisher. We miss you so much. Luckily, Fisher's words are still here for us — Wishful Drinking, adapted from her autobiographical stage show, is a painfully funny, unsparing account of her childhood as Hollywood royalty; her own ascent to fame, far too young, with Star Wars; and marrying (and divorcing) Paul Simon. What's it like to have your parents' marriage broken up by Elizabeth Taylor? And to have your own action figure at the age of 19? Fisher lays it all out.

Let's Pretend This Never Happened

by Jenny Lawson

Jenny Lawson kicks off this memoir with a story about how, at the age of 3, she allegedly almost set her family's apartment on fire by shoving a broom into the furnace and then waving it, aflame, around her head. And things don't get any less weird from there — in fact, Lawson says she has spent her whole life being pigeonholed as "that weird girl." Is it a little embellished? Yes. (Lawson herself calls it "a mostly true memoir" on the cover.) Is it hilarious? Also yes, even when Lawson is recounting the more painful parts of her life.

Is Everyone Hanging Out Without Me? (And Other Concerns)

by Mindy Kaling

Mindy Kaling's combination memoir, advice column and Hollywood tour is irreverent and eminently relatable — from her childhood struggles with weight and popularity to her eventual career breakthrough. But the most resonant part is her description of herself as a teenage comedy nerd breaking away from a familiar childhood clique to write sketches and film clips with a new friend who actually appreciated the glories of Wayne's World and Monty Python's Flying Circus .

My Life As A Goddess

by Guy Branum

"Guy Branum's collection of essays isn't just a hilarious memoir — though don't get me wrong, it is VERY much that," says Pop Culture Happy Hour's Glen Weldon. "It's a call to arms, a stirring, touching, beautifully written manifesto for queer self-made autodidacts everywhere — anyone who has failed to see themselves reflected in popular culture and knew that meant the culture had to change, not them. The searing insight with which he dissects his late father's love of the film The Man Who Shot Liberty Valance, for example, will have you reassessing fathers, sons, violence, masculinity and — not for nothing — the film The Man Who Shot Liberty Valance ."

Priestdaddy

by Patricia Lockwood

Patricia Lockwood grew up with a Catholic priest for a father (he had originally been a Lutheran, and kept his wife and family through a special Vatican dispensation) who converted onboard a submarine during a showing of The Exorcist. Her memoir is part freewheeling family portrait and part scathing, ribald critique of the Church and its predatory, controlling men — our critic Annalisa Quinn calls the book " antic, deadpan, heartbreaking — and so, so gross ."

Running With Scissors

by Augusten Burroughs

Augusten Burroughs' darkly comic memoir chronicles his childhood as the son of alcoholic, troubled parents who eventually sent him to live in the chaotic household of a psychiatrist he describes as almost like a cult leader. Both his family and that of the doctor have challenged his account — but as long as you're not holding to journalistic standards of truth, Running With Scissors is a wild ride of a read, by turns disgusting, upsetting and hilarious.

Life Among The Savages

by Shirley Jackson

Sure, everyone knows Shirley Jackson as the queen of chills — find me someone who claims to not have read "The Lottery" and I'll find you a liar. But Jackson had another life as a humorist, whose wry, detailed observations about her family and their small Vermont town — originally published in women's magazines — share a little bit of that edge, that darkness that makes her horror writing so powerful.

The Last Black Unicorn

by Tiffany Haddish

"I just kept pushing," comedian Tiffany Haddish told NPR in 2017 , "because I know what I'm supposed to do here on this Earth." The Last Black Unicorn is her account of what she had to keep pushing through on her way to success — including an abusive marriage, years in foster care and, ultimately, the challenge from a social worker that put her on the path to a career in comedy. Haddish herself says she couldn't mine her marriage for laughs, but the rest of the book is honest, funny and, in the end, inspiring.

Ayoade On Ayoade

by Richard Ayoade

British actor and filmmaker Richard Ayoade — The IT Crowd 's beloved, awkward Moss — began directing music videos in 2007 and made his full-length directorial debut with Submarine in 2010. Mix that love of film with his comedic chops and you get Ayoade on Ayoade, an extremely loosely autobiographical series of essays (and silly footnotes) in which he interviews himself about his career as a filmmaker and the movies that shaped him. Did I mention the footnotes?

by Amy Poehler

Amy Poehler takes off her wigs and costumes and steps out of character for her memoir, Yes Please — a decision she says was difficult . But it's fun getting closer to the real Poehler in this funny, eclectic, somewhat scattershot book and discovering the thought process behind some of her most indelible characters.

I Was Told There'd Be Cake

by Sloane Crosley

If David Sedaris thinks you're funny, you're probably pretty funny — and he has called Sloane Crosley "perfectly, relentlessly funny." I Was Told There'd Be Cake is her debut collection, and it introduces her as an original yet definitely relatable voice. Who among us, after all, hasn't worried about dying suddenly and having friends and family discover something embarrassing — like a stash of toy ponies under the sink — while cleaning out our stuff?

Me Talk Pretty One Day

by David Sedaris

Everybody has a favorite David Sedaris collection. Many champion his early fiction/memoir-hybrid stuff like Barrel Fever and Naked, but in Me Talk Pretty, the hilarious essayist mines his real life — strip-mines it, in some cases — and the result feels richer, truer. In the first half, he selects moments from his childhood as well as his life as a writer in New York City for gentle (and not-so-gentle) (and often self-) mockery. In the second half, Sedaris manages to write about moving to a country house in France with his lover in a way that's so fresh and funny we somehow get over our seething jealousy.

Assassination Vacation

by Sarah Vowell

Sarah Vowell walks the reader through the first three U.S. presidential assassinations (Lincoln, Garfield, McKinley), but make no mistake: This is no whistle-stop tour. Vowell, in her sardonic but never caustic way, grounds us firmly in the era in question while never missing an opportunity to draw trenchant parallels to our own. She visits gravesites and ghoulish medical museums, but the book doesn't seem so much death-obsessed as death-charmed. You'll come away wanting to trace her steps to the Washington, D.C., boardinghouse where the Lincoln assassins met and plotted, which is now, as she notes, a karaoke restaurant serving better-than-average bubble tea.

by David Rakoff

Readers voted in almost every book David Rakoff ever wrote, but our judges agreed that Half Empty — in which he writes about the power of what he calls "defensive pessimism," or assuming the worst — was, in fact, the best. "I can see a great beauty in acknowledging the fact that the world is dark," Rakoff told NPR's Linda Wertheimer in 2010. While writing the book, he learned he had the cancer that would eventually kill him, but as he put it in another interview , with defensive pessimism, "you imagine the worst-case scenario you can and you go through it step by step, and you dismantle those things and you manage your anxiety about it."

Cool, Calm, And Contentious

by Merrill Markoe

Merrill Markoe has won multiple Emmy Awards for her work as a writer on Late Night with David Letterman, but she is less well-known than a lot of the other funny women on this list. (On her website, she claims to be "haunted by the fear that the creation of 'Stupid Pet Tricks' was going to be the only thing that would appear in her obituary.") So pick up this volume of essays and start getting to know Markoe — we promise, she's really funny.

We Are Never Meeting In Real Life

by Samantha Irby

Readers loved this painfully relatable collection of essays from poll judge Samantha Irby, and rightfully so — you may cringe occasionally as you read, but it'll be because you know you've done exactly what Irby is describing in such droll, deadpan fashion. Also, her cat, Helen Keller, is one of the greatest comic creations of all time.

If Life Is A Bowl Of Cherries What Am I Doing In The Pits

by Erma Bombeck

Erma Bombeck was an American humorist who, yes, captured the travails of suburban life and homemaking in the pages of newspapers and women's magazines — as well as weekly segments on Good Morning America for over a decade. But she was also a consummate prose stylist. You can't read a Bombeck essay without hearing the weary affection behind every withering observation and her clear-eyed charm that never devolved to familiar clichés. This collection of essays finds her at the very top of her game as a voice for millions of Americans who were beginning to realize that the American dream was one that came with its share of night terrors.

You Can't Touch My Hair

by Phoebe Robinson

Phoebe Robinson is one-half of the awesome podcast 2 Dope Queens and a fierce voice for diversity in comedy . Her debut essay collection is about black hair, yes, but also about what it's like to be the one black friend in your group ("Hint," she writes, "it's annoying"), what it's like to be black in general ("very cool and awesome and also annoying") and, as she puts it, "all the stuff that makes some dude on the Internet call me a 'See You Next Tuesday.' " You should also check out her follow-up collection, Everything's Trash, But It's Okay.

I Can't Date Jesus

by Michael Arceneaux

Writer Michael Arceneaux grew up black, gay and Catholic in Houston, an experience he chronicles in this eloquent, honest — and extremely funny — essay collection. He told Fresh Air's Terry Gross that his very religious mother hated the book's title, but it actually came from a conversation they had. "I know that you're born gay. I know that you can't help it. But if you have sex and get hit by a bus, I don't know where you're going to go," his mother told him — to which he replied, "Well, girl, I can't date Jesus."

The Awkward Thoughts Of W. Kamau Bell

by W. Kamau Bell

Comedian W. Kamau Bell says he has spent most of his life feeling awkward — growing up tall, but not an athlete, interested in comedy but feeling out of place in comedy clubs. He writes about that, along with race relations, intersectionality, politics and being a blerd (a black nerd) in this conversational collection that will leave you feeling like you've spent the afternoon with a very funny and definitely smarter-than-you friend.

One Day We'll All Be Dead And None Of This Will Matter

by Scaachi Koul

Scaachi Koul grew up in Canada the child of Indian immigrants, an experience she draws on in this sharp-edged collection of essays. Koul takes on some tough subjects — privilege, gender roles, online abuse and all the things that have made her miserable — but she manages to wring laughs out of it all.

So Sad Today

by Melissa Broder

Writer Melissa Broder started the @sosadtoday Twitter account in 2012 to deal with a merciless cycle of panic attacks and anxiety that went on and on. Which doesn't sound like great material for comedy, but sometimes the only way out of unhappiness is to make fun of it. As she puts it in the introduction to this collection, based on those darkly funny tweets, "There aren't that many ways to find comfort in this world. We must take it where we can get it, even in the darkest, most disgusting places."

The Fran Lebowitz Reader

by Fran Lebowitz

Collecting her bestsellers Metropolitan Life and Social Studies, this indispensable volume of Fran Lebowitz's essays transports the reader to a place (New York City) and a time (late '70s-early '80s) with uncanny specificity. Lebowitz writes lean but compact prose as effortless as it is ruthless. You could bounce a quarter off every blistering sentence, every scalding take (her ferocious defense of smoking in restaurants, for example) and come away with your eyebrows happily singed. They call her the modern-day Dorothy Parker, but there's a generation of contemporary writers who'd kill to be called the heir apparent to Fran Lebowitz.

The Misadventures Of Awkward Black Girl

by Issa Rae

Our judges and you, the readers, were unanimous in wanting to see Issa Rae's debut collection on this list. Named after her hit Web comedy series — but written in her own voice, rather than that of her character in the show — it's a winningly deadpan account of all the awkward, frustrating and embarrassing moments that helped shape her (as well as a guide to navigating any awkward situations you might find yourself in). Also, Rae had a great conversation with our own Michel Martin about the Web series, which you can check out here .

Vacationland

by John Hodgman

John Hodgman wrote his first few books in a voice one might call "Erudite, Condescending Polymath," but with 2011's That is All, he began to drop that pose and let notes of searching melancholy enter the mix. That process continued apace with this, his fourth book, a collection of essays built from his life as a writer, husband, father, friend, homeowner, full-time Yankee and part-time Mainer. He's as funny and charming as ever here, but he is also more worried, more doubtful, shuffling off the carapace of intellectual swagger to expose something more raw and relatable.

You'll Grow Out Of It

by Jessi Klein

In this collection, comedy writer Jessi Klein — she won an Emmy as the head writer for Inside Amy Schumer — considers everything from life as a tomboy to her philosophical objections to baths ("I feel like getting in the bath is a kind of surrender to the idea that we can't really make it on land," she writes). Poll judge Aparna Nancherla says Klein "is an absolute genius at taking an experience she's had and making it universally relatable using the most delightful imagery you would have never thought of, but is, in fact, the perfect and only description."

Comics And Cartoons

by Noelle Stevenson

Noelle Stevenson's breakout graphic novel about a charming shape-shifter who apprentices herself to the local villain starts as a lighthearted comic fantasy — and blossoms into a morally and emotionally complex (but still funny) story about good and evil, love and friendship and betrayal. Our critic Tasha Robinson calls it "a perpetual surprise ... still puckish even when it turns grim, but for something that starts out so lighthearted and silly, it's astonishingly intense."

Hark! A Vagrant

by Kate Beaton

History and literature (even Canadian history and literature) were never more fun than in Kate Beaton's Hark! A Vagrant. Beaton's loose, rubbery and incredibly expressive renderings of the Kennedy family, Jane Eyre and Mr. Rochester, and Odysseus encountering Sirens posing with Facebook duck lips will make you laugh for sure — and you might even learn something. (For example, she was way ahead of the rest of us on Rosalind Franklin .)

Almost Completely Baxter

by Glen Baxter and Marlin Canasteen

Glen Baxter is British, something that isn't immediately apparent in his masterful drawings of cowboys holding each other at gunpoint over a shirtful of kumquats or a strange speech balloon. And if that previous sentence went in a direction you didn't exactly expect, so do Baxter's surreally deadpan one-panel cartoons, each with a caption like "Hubert gazed on in awe at the morsel" or "The concept of the dimmer switch had yet to reach the Lazy K bunkhouse."

The Complete Far Side

by Gary Larson

If you grew up in the '80s, Gary Larson's laconic cows and chickens, befuddled scientists, aliens and ever present women in cat's-eye glasses were an indelible part of your cultural landscape. Or if you were my dad, you bought yourself a Far Side cartoon-a-day calendar every year, carefully saved your favorite jokes, wrapped them up and gave them to yourself at Christmas so you could savor them all again (Jane Goodall, that tramp!).

Can't We Talk About Something More Pleasant?

by Roz Chast

Cartoonist Roz Chast turns her pen on herself in this painfully funny account of taking care of her aging parents after they became incapable of living alone. Chast's jittery, wordy style is perfect for depicting the indignities of age as they affected her overbearing mother and her gentle, unassuming father — who referred to each other unironically as "soul mates" and who, in Chast's words, "aside from WWII, work, illness and going to the bathroom ... did everything together."

The Great Outdoor Fight

by Chris Onstad

Chris Onstad's resonantly weird comic about anthropomorphic animals doesn't really have an ongoing story, but it does have a few standout arcs — including this one, about the legendary, 3,000-man Great Outdoor Fight. Ray Smuckles — nominally a cat — discovers that his dad, Ramses, won the 1973 fight, so he is determined to repeat the feat with the help of his best friend, Roast Beef. But things go sideways when Ray realizes he is going to have to beat Beef to win. Onstad's art is spare at best, but his cats (and otters and robots) speak with a kind of poetry that'll stick in your head long after you close the book.

Woman World

by Aminder Dhaliwal

There are grim, dystopian visions of what life would be like if one gender went missing — think Y: The Last Man — and then there's Aminder Dhaliwal's gently goofy Woman World . Human males are mysteriously extinct in her world, and the women really aren't all that worked up about it. Our critic Etelka Lehoczky says their comfortable, uninhibited, matter-of-fact (and occasionally nude) lives make for a " remarkably sly and devastating critique of patriarchy ."

Hyperbole And A Half

by Allie Brosh

Allie Brosh adapted her deranged but deep blog into this book, which collects her bright, crude and incredibly quotable comics about All The Things , from grammar peeves and depression to the unholy power of a little kid's dinosaur costume. She described it to Fresh Air's Terry Gross as "stand-up comedy in book form," adding that her signature style — tubular bodies, shark-fin hair and mismatched goggle eyes — is "what I'm like when I view myself. I am this crude absurd little thing, this squiggly little thing on the inside."

The Unbeatable Squirrel Girl (Comics)

by Ryan North and Erica Henderson

Eats nuts, kicks butts! Ryan North and Erica Henderson reboot one of the weirder Marvel heroes as a bubbly, irrepressible computer science major who relies just as much on her STEM chops as on her ability to communicate with squirrels in defeating the bad guys. The marginalia — including footnotes and imaginary social media chats between SG and other Marvel characters — are almost as fun as the main story.

The Essential Calvin And Hobbes

by Bill Watterson

A boy, his stuffed tiger, some tuna sandwiches and a really useful cardboard box — cartoonist Bill Watterson didn't need much to spin this heartfelt, gloriously loopy paean to childhood (and childhood imagination). Watterson stopped drawing the strip more than 20 years ago (sob!) but luckily we still have The Essential Calvin and Hobbes. It's a magical world, Hobbes, ol' buddy ... let's go exploring!

Trust No Aunty

by Maria Qamar

Artist Maria Qamar — known on Instagram as hatecopy — turned her online work into this bright, satirical pop art-inflected tribute to the overbearing "aunties" who meddle in her life. "An aunty is any older woman who thinks she knows what's best for you," Qamar told NPR . "My mom's family is huge, so I have a million aunties."

Bridget Jones's Diary

by Helen Fielding

"V. v. good!" as Bridget Jones herself would say. Helen Fielding's messy, relatable heroine is an icon of chick lit — and really, literature in general. Follow along with Bridget Jones for a tumultuous year of too many cigarettes, too many alcohol units consumed, three colorful best friends and the one and only Mr. Mark Darcy.

A Confederacy Of Dunces

by John Kennedy Toole

John Kennedy Toole's singular novel is the kind of book you'll finish, put down, and instantly pick up to read again — though you may feel a little weird spending so much time with Toole's belching, bellowing protagonist Ignatius J. Reilly as he torments his long-suffering mother, attempts (with comic lack of success) new jobs, and lolls in bed with his Big Chief tablets full of ramblings about medieval history. The city of New Orleans is almost as much of a character as Reilly is; Toole's rendering of street life, local characters and accents brings it blazing off the page.

by Joseph Heller

Joseph Heller's masterpiece captures the brutal absurdity of war by building absurdity into the prose itself ("The Texan turned out to be good-natured, generous and likable. In three days no one could stand him"). Structurally innovative and blisteringly funny in its indictment of humanity in general and the military in particular, Heller's novel became a phenomenon, and its title, referring to a military diktat that a soldier cannot claim insanity to avoid flying missions, because asking not to fly proves one sane, entered the lexicon as a means to describe, broadly, a no-win situation.

French Exit

by Patrick Dewitt

To make a "French exit" means to leave without saying goodbye — and in the case of "moneyed, striking" widow Frances Price, to ditch Manhattan for Paris, along with her lumpish, loyal son and geriatric cat in order to avoid looming penury and scandal. "All good things must end," says Frances at the start of the book — so savor Patrick DeWitt's mix of understatement and over-frankness while it lasts.

Crazy Rich Asians

by Kevin Kwan

Kevin Kwan's tale of love complicated by absurd amounts of money is as fizzy as a flute of Champagne sipped in a super-deluxe first-class cabin. As far as NYU professor Rachel Chu knows, her boyfriend, Nick Young, is reasonably well-off. But when she agrees to spend the summer with him back home in Singapore, she discovers his family owns half the island — and everyone's got their knives out for the nobody from New York.

Dear Committee Members

by Julie Schumacher

Julie Schumacher's epistolary novel is a little bit unusual — instead of recording a correspondence between writers, the story here unfolds through an increasingly unhinged series of letters from one man, a disaffected creative writing professor who's got no problem writing incredibly insulting letters of "recommendation" for his students. "He is the sort of rageful person who you feel yourself to be, before the superego takes over and tells you, 'Don't say that,' " Schumacher told NPR in 2014 .

High Fidelity

by Nick Hornby

Rob, the ostensible hero of Nick Hornby's brilliantly incisive comic novel, is not just a bad boyfriend — though he is very much that — he's a bad nerd. He's the kind of obsessive who's not content to love what he loves — in his case, music. No, he and his co-workers at his London record shop insist on reducing music to an endless series of lists to be memorized, categorized, cross-referenced and, mostly, used as a cudgel to lord their expertise over others. Years before nerd culture became inescapable, Hornby had captured something essential about the contemporary male — how fear of intimacy inspires a fondness for arcana, and the corresponding conviction that personal taste is a reliable arbiter of worth.

The Princess Bride

by William Goldman

If you've only seen the movie version of The Princess Bride, you're in for a treat (not to denigrate the movie, which is pretty much the most quotable movie of all time). All your favorite characters have complex, well-rounded backstories. And William Goldman's original framing device is much funnier and more elaborate than the movie's simple storytime — Goldman claims to be searching for the book his father read to him as a child, only to discover that the real book is excruciatingly boring and his father was only reading him the good parts (not a spoiler, I promise). And in the interest of not spoiling things, we won't talk about how different the ending is ...

What happens when a power couple short-circuits? Nora Ephron's autobiographical novel about the collapse of her high-profile marriage to reporter Carl Bernstein is filled with righteous fury, though it's filtered through Ephron's gimlet eye for the perfect, cutting detail. Her novelistic stand-in is a food writer, so she includes several recipes that send up the prose style of those we would nowadays call foodies, even as they underscore Ephron's tart-tongued ambivalence about being treated as a "woman writer."

Big Trouble

by Dave Barry

We love Dave Barry for his gently humorous approach to real life — but poll voters also loved his debut novel, a comic thriller about a truly catastrophic chain of events set off when a dumb kid with a watergun gets mixed up in an actual assassination attempt. In his foreword, Barry refers to the novel as part of the "Bunch of South Florida Wackos" genre, so fans of Carl Hiaasen will definitely get a bang out of Big Trouble.

In God We Trust

by Jean Shepherd

If you've ever seen a leg lamp in a basement rec room, or triple-dog-dared a friend to do something stupid, you've experienced the comic legacy (har har) of Jean Shepherd, whose affectionately ironic stories about his Depression-era Indiana childhood were eventually made into the cult movie A Christmas Story . (Interestingly enough, a lot of them were originally published in Playboy magazine — but you can find them in this handy-dandy compilation and its follow-up volume, Wanda Hickey's Night of Golden Memories. )

by Christopher Moore

What if Jesus Christ knew kung fu? That's the after-midnight dorm room musing at the heart of Christopher Moore's novel about the parts of Jesus' life that aren't detailed in the Bible. He is born and laid in the manger, sure — and then the next time we see him, he's in his 30s and kicking money-changers out of the Temple. So what was he doing all those years? Enter "Levi who is called Biff," resurrected by the angels after two millennia to tell the story of his adventures with his childhood best friend — including a trip to China to study martial arts.

Jitterbug Perfume

by Tom Robbins

Dueling perfumers! Ancient Eurasia! A multidimensional quest for immortality! Pan, the goat-god! Characters named Wiggs Dannyboy and Bingo Pajama! Welcome to Tom Robbins' sprawling, sexy cult novel (are there any Tom Robbins novels that cannot be said to be cult novels?). Jitterbug Perfume . Every Robbins novel has its devotees, but Jitterbug matches the author's gift for hilarious wordplay with his ability to spin disparate plot threads that ultimately weave together in surprising but hugely satisfying ways.

Daisy Fay And The Miracle Man

by Fannie Flagg

We thought the Fannie Flagg book that might end up on this list would be Fried Green Tomatoes at the Whistle Stop Cafe — but readers went for Flagg's first novel, about irreverent almost-sixth-grader Daisy Fay Harper and her life on Mississippi's Gulf Coast during the 1950s. (The title comes from Daisy's ne'er-do-well dad, who concocts a get-rich-quick scheme with a local preacher to milk the faithful for money by pretending to raise Daisy from the dead.)

by Andrew Sean Greer

"Andrew Sean Greer's Pulitzer-winning comic novel about a middle-aged gay man on a round-the-world trip is light in tone but never slight in impact," says our own Glen Weldon. "The narrator observes the absent-minded Arthur Less' sexual and logistical perambulations with an artisanal blend of exasperation and affection, only occasionally granting us access to the wider, deeper story Less is running away from. As funny as it is, it's achingly poignant about what's been lost — an entire generation of gay men who aren't around to model what aging can look like. All that, plus a final image that leaves you gasping — and grinning."

The Sellout

by Paul Beatty

Paul Beatty was the first American to win the Man Booker Prize, for his blistering satire The Sellout . It's the story of an African American man who ends up being tried in court for reintroducing segregation in his hometown, and even owning a slave — a terrible transgression in our supposedly post-racial era. Our critic Michael Schaub calls it a comic masterpiece and also "one of the smartest and most honest reflections on race and identity in America in a very long time."

Made For Love

by Alissa Nutting

Alissa Nutting's wild ride of a novel is set in Florida (where else) and begins with the protagonist rolling up at her father's trailer only to find he's living with a sex doll. Named Diane. "It's absolutely ridiculous but also FULL OF JOKES, and the characters are fully realized and hilarious," says poll judge Samantha Irby. "There's dolphin romance and a lifelike sex doll and robots!! It's perfect."

My Sister, The Serial Killer

by Oyinkan Braithwaite

Korede, the protagonist in Oyinkan Braithwaite's debut novel, is tired. Tired of cleaning up the bloody crime scenes after her beautiful sister Ayoola murders yet another boyfriend. Korede knows she has to stop her sister, but she can't quite bear to see her get caught. Our critic Annalisa Quinn praises Braithwaite's " vicious, delicious deadpan " that borrows from soap operas as much as it does from Hitchcock.

The World According To Garp

by John Irving

"In the world according to Garp, we are all terminal cases." That's the famous last line of John Irving's novel — a sprawling, darkly funny family saga about a moderately successful writer, his uncompromisingly feminist mother (who turns out to be much more successful with her own writing), and the strange but winning community that forms around them.

Nobody's Fool

by Richard Russo

Richard Russo's sprawling, irascibly funny novel invites us to eavesdrop on the townsfolk of the less-than-idealized upstate New York village of North Bath — once a posh spa resort, and now home to a motley assortment of down-on-their-luck locals. And there's none more motley or luckless than Donald "Sully" Sullivan, a wisecracking, 60-year-old, bandy-legged old cuss who clings to a rootless existence "divorced from his own wife, carrying on halfheartedly with another man's, estranged from his son, devoid of self-knowledge, badly crippled and virtually unemployable — all of which he stubbornly confused with independence." Russo's prose and dialogue crackle with dry, mordant wit.

by Carl Hiaasen

Carl Hiaasen was all over the poll results, but we went with Skinny Dip, a classic that packs in everything you want from Hiaasen: crooked businessmen, crooked scientists (crooked everyone, really), an attempted murder gone flamboyantly wrong, colorfully bizarre supporting characters (also crooked) and exotic animals, all stewing in the swampy Florida heat.

The Wangs Vs. The World

by Jade Chang

The Wangs — the titular family in Jade Chang's debut novel — are having a bad year. Financial disaster has left them destitute, and they're on an epic cross-country road trip from their lost mansion in California to a new life crowded into the remaining family home in the Catskills. Critic Jason Heller says "their madcap trip serves as a travelogue of American weirdness, from desolate sands of the Mojave desert to the breakfast buffets of the Deep South."

Fantasy And Science Fiction

Discworld (series).

by Terry Pratchett

There are almost as many ways to read Terry Pratchett's classic comic fantasy series as there are volumes in it. Do you prefer witches? Specifically, badass teenage witches? Perhaps you're more the type for wizards? Bumbling guardsmen? Charismatic swindlers? Death personified (and his pale steed Binky)? Or maybe a stand-alone adventure (seriously, read Monstrous Regiment )? There's one thing most Pratchett fans agree on — skip the first two books, and if you must start at the beginning, go with Equal Rites, which introduces one of Pratchett's most iconic characters: the formidable witch Granny Weatherwax.

The Tough Guide To Fantasyland

by Diana Wynne Jones

Diana Wynne Jones starts with the idea that every single fantasy narrative is set in one place, called "Fantasyland," and follows it to the furthest reaches of absurdity in this mock travel guide. If, while on your Tour of Fantasyland, you need help decoding a Small Ambiguous Confrontation, figuring out whether a brown-haired person with silver eyes is Good or Evil or deciding what to order at an Inn (the answer is nothing, because Inns serve only Stew and Beer), the Tough Guide is an indispensable companion — far more useful than the Bard, Female Mercenary or Unpleasant Stranger that Management may have added to your party.

To Say Nothing Of The Dog

by Connie Willis

If time travel really existed, it seems obvious that historians would have a go at it. Connie Willis imagines just that in To Say Nothing of the Dog — a romp between centuries that kicks off when a time-traveling Oxford researcher accidentally brings something back from the Victorian era, prompting a mad scramble to prevent the timeline from disruption. The title is a reference to Jerome K. Jerome's 1889 comic travelogue, Three Men in a Boat (To Say Nothing of the Dog), which you'll find in the Classics section of this list. And yes, there is a boat and a thoroughly delightful dog.

The Hitchhiker's Guide To The Galaxy (Series)

by Douglas Adams

Do you know where your towel is? Are you prepared for the horrors of Vogon poetry? Do you know how to fly? (It's easy: Just throw yourself at the ground, and miss.) Douglas Adams' spacefaring epic about a bumbling, bathrobe-wearing human and his hitchhiking alien friend has warped the minds of countless impressionable baby nerds. Adams' voice and his comic sensibility were sui generis; lots of authors have tried to imitate him over the decades, and lots of authors have failed. Don't forget your Babel fish.

Thursday Next (Series)

by Jasper Fforde

If you've ever talked about diving into a book, getting lost in a book or wishing you could visit your favorite literary character in person, Jasper Fforde's delightfully surreal Thursday Next series is for you. Thursday herself is a literary detective in an alternate 1980s England where the Crimean War never ended, dodos have been reverse-engineered out of extinction and the BookWorld is as real as the world outside your door — and just as prone to crime and mischief (just ask all the Shakespeare forgers and Dickens thieves).

A Walk In The Woods

by Bill Bryson

In all of his books, Bill Bryson skillfully and hilariously mixes exhaustive scholarship with personal, and often ruefully self-deprecating, anecdotes. Never more so, perhaps, than in A Walk In The Woods , about his many abortive attempts to hike the Appalachian Trail. Whether he's supplying the reader with useful information about the behavior and habitat of black bears, or describing in painful detail how woefully unprepared he found himself for the challenge before him, Bryson is an indispensable guide to both the eccentrics, and the ecology, of the AT.

How To Weep In Public

by Jacqueline Novak

Jacqueline Novak's combination memoir and advice book is a brilliant read for anyone who has depression — and anyone wanting to learn more about it. It's the darkest of dark humor (check out the chapter about the joys crying on your cat), written by someone who knows that when you're down in the dumps, lying on the floor is great because at least you can't fall any further.

The New Joys Of Yiddish

by Leo Rosten and Lawrence Bush

"No dictionary has ever taken so much pride or pleasure in exploring a language," says poll judge Guy Branum. "From the nuances of the many words for penis and prostitute to the use of classic jokes to illustrate definitions, it's bound to leave you farmisht, verklempt and occasionally farblondjet. " And, I might add — a lebn af dayn kopf!

by Lindy West

Sometimes it seems like any woman who speaks up in public gets tagged as "shrill." Writer Lindy West embraces the label in this memoir — now a very funny TV show — about life as a loud, fat woman who refuses to comply with the demands society places on women's bodies and voices — and not only survives, but thrives.

How To Be A Woman

by Caitlin Moran

Part memoir and part banners-on-the-barricades defense of feminism, Caitlin Moran's How to Be a Woman is packed with funny, provocative observations on what it's like to be a woman today. "People get really scared when women reclaim words, talk about themselves honestly and also make jokes because it's a really unstoppable combination," Moran told Fresh Air's Terry Gross in 2012. "It's part of the reason why I decided to use humor in my book because it's kind of hard to argue with someone who's making you laugh."

by Mary Roach

Morbidly fascinating and cringingly funny, Mary Roach's dissection (heh) of humanity's use of cadavers in science and medicine is enlivened (sorry) by her cheery enthusiasm for the subject and her deft ability to explain, say, the process of decomposition in hilarious, disgusting detail — and utter clarity. The book touches on issues of morality, ethics and spirituality, but never gets bogged down in them, buoyed by a sincere fondness for the wonders of science.

Kids' Books And YA

Sal & gabi break the universe.

by Carlos Hernandez

Gabi Real just knows Sal Vidon is the one who planted a raw chicken in a bully's locker, but how? Sal is an amateur magician, true — but beyond that, he has a truly arcane skill: He can open holes in the space-time continuum and pull out all kinds of things, including alternate versions of his deceased mother. Quantum high jinks, a wonderful team of friends and descriptions of incredibly delicious Cuban food make this a delightful read, though you may be hungry afterward.

Sideways Stories From Wayside School

by Louis Sachar

Wayside School was supposed to have 30 classrooms in a row, all on one floor. But instead, it was built with 30 classrooms all on top of each other in a teetering tower full of terribly cute children and extremely odd teachers. (Watch out for Mrs. Gorf — you don't want to be turned into an apple!) OK, the children are pretty odd, too, (especially Leslie, who tries to sell her own toes) but extremely entertaining.

The Phantom Tollbooth

by Norton Juster and Jules Feiffer

Join Milo and Tock the Watchdog on a road trip through the Kingdom of Wisdom in search of the exiled princesses Rhyme and Reason — with stops along the way to jump to Conclusions, get stalled out in the Doldrums and tangle with short Officer Shrift. Norton Juster's classic takes every figure of speech you can imagine and makes them gloriously literal — you'll never look at a square meal the same way again.

Angus, Thongs And Full-Frontal Snogging

by Louise Rennison

Fourteen-year-old Georgia Nicolson is a comic creation right up there with her spiritual older sister, Bridget Jones. Angus is her cat — who keeps trying to eat the poodle next door. And thongs? "They just go up your bum, as far as I can tell." Georgia's sometimes minute-to-minute chronicle of the indignities of life with embarrassing parents and a toddler sister is a comic delight. Yes, the book is full of snarky British slang, but author Louise Rennison has thoughtfully included a glossary at the back of the book for us Yanks.

The Stinky Cheese Man And Other Fairly Stupid Tales

by Jon Scieszka and Lane Smith

Writer Jon Scieszka and illustrator Lane Smith's picture book riffs on classic kids' tales such as "Chicken Little" and "The Gingerbread Man" but outfits them with a knowing, smart-alecky, meta-fictional attitude. The narrator admonishes one character for trying to start her story on the inside cover of the book; other characters get flattened when the Table of Contents collapses on them. Lane Smith's gorgeously grotesque art lends the book a disquietingly surreal feeling while driving home the humor. There have been plenty of children's books that delight in fracturing classic fairy tales, but none of them is this gleefully, and thoroughly, weird.

Where The Sidewalk Ends

by Shel Silverstein

Every kid should have copies of Shel Silverstein's poetry books, A Light in the Attic and Where the Sidewalk Ends — but every discerning kid knows that Sidewalk is the superior of the two, because it has "Sarah Cynthia Sylvia Stout," ol' man Simon in his garden full of diamonds and, of course, the terrible Boa Constrictor. (Oh, heck, it's up to my neck!) Silverstein's Ralph-Steadman-for-kids illustrations are just the icing on the kingly cake.

Archy And Mehitabel

by Don Marquis

Archy, a free verse poet reincarnated as a cockroach, lives in a newspaper office and spends his evenings jumping on the keys of a typewriter to bang out, yes, free verse descriptions of the critters he encounters every day — including, most memorably, Mehitabel the alley cat, who claims to have once been Cleopatra. Get the edition illustrated by Krazy Kat creator George Herriman, for maximum cat-and-cockroach glee.

The Best Of Ogden Nash

by Ogden Nash and Linell Nash Smith

"Being a Great Bad Poet is actually super hard," says poll judge Alexandra Petri, but Ogden Nash is one of the best. His loopy abuses of rhyme and meter swing so far out that they come back around to greatness, and this collection brings together a feast of his greatest. It's an easy read, too, since so many of his poems are bite-size. Always remember: "If called by a panther/Don't anther."

by Aristophanes

The great-great-we're-not-counting-all-the-greats granddaddy of all the works on this list. Ancient Greek playwright Aristophanes sends up the intellectual fashions of Athens in this work, thought to have been produced for the stage around 423 B.C. Aristophanes doesn't pull any punches — in fact, he was so mean about his contemporary Socrates, depicting him as a fraud and mocking his famed teaching style, that Plato indirectly blamed him for Socrates' trial and execution. Spicy!

Jeeves And Wooster (Series)

by P. G. Wodehouse

Apparently, there are people in America who don't know that House star Hugh Laurie was once a comic actor. Which is a shame, because he is the perfect embodiment of upper-class nitwit Bertie Wooster in the '90s TV adaptation of P.G. Wodehouse's classic novels. Wooster and his impossibly competent butler, Jeeves, exist in a lovely, unmoored England with a vaguely 1920s feel, untroubled by anything more than unpleasant aunts, finicky fiancées and hapless friends. Carry on, Jeeves!

by Voltaire

Voltaire coined the term "best of all possible worlds" in this scabrous 1759 satire on optimism and disillusionment. Candide himself is a cheerful young man whose at first uncomplicated life goes as wrong as it possibly can, leading him — eventually — to reject his tutor's stubborn insistence that all is for the best. Though it was banned for blasphemy (among other sins) shortly after its publication, it's never been out of print since, and it's considered one of the most influential works in Western literature.

Cold Comfort Farm

by Stella Gibbons

There's something nasty in the woodshed! Sophisticated city girl Flora Poste finds herself an orphan at the age of 19, so she decides to move in with her rural relatives, the doom-and-gloom Starkadders — including Aunt Ada Doom, a recluse ever since her woodshed encounter at the age of 2 — and takes it upon herself to improve their lives. Our favorite librarian, Nancy Pearl, calls it " a deliciously entertaining read ." The movie's pretty great, too.

Pride And Prejudice

by Jane Austen

It is a truth universally acknowledged that Jane Austen was plenty funny even without zombies or secret diaries (or Bridget Jones's Diary — which you'll find elsewhere on this list). If you can read about Mrs. Bennet's nerves, or Mary's purse-lipped piety, or Kitty and Lydia's antics without cracking a smile, you're more sour a soul than Lady Catherine de Bourgh.

Roughing It

by Mark Twain

Sure, we know Mark Twain as a writer and a humorist — but as a young man he went west and tried his hand at prospecting in the wilds of Nevada, alongside his good friend Calvin Higbie (the book is inscribed to Higbie, in honor of "the Curious Time When We Two WERE MILLIONAIRES FOR TEN DAYS" after finding and losing an ill-fated gold claim). It's not quite fact and not quite fiction — rather, it's a glorious tall tale of misadventures in a place long gone.

Importance Of Being Earnest

by Oscar Wilde

Few people have contributed as many bons mots to English literature as Oscar Wilde, and a lot of them are in his most popular play, about two Victorian louts who are anything but earnest in their endless attempts to wiggle out of the era's stifling social strictures. Wilde's writing is like a good cocktail: tart, refreshing and complex — and liable to leave you a little giddy.

The Loved One

by Evelyn Waugh

Personally, as a journalist (says Petra), I was hoping readers would vote in Evelyn Waugh's wicked journalism satire Scoop — but no, you guys preferred The Loved One, his savage take on death, American style. Waugh had visited Hollywood in 1947, and while he had no truck with the big studios or their interest in his work, he found great inspiration in the famous Forest Lawn cemetery (Bette Davis is buried there!) and its team of morticians.

by Kingsley Amis

Kingsley Amis' biting satire of college life follows the unfortunate Jim Dixon, a junior medieval history professor at a middle-of-nowhere university who has to put up with all kinds of indignities. Amis was swapping letters and jokes and rants about the world in general with his friend the poet Philip Larkin as he wrote it (in fact, Jim Dixon is based partly on Larkin), so if you don't know Larkin's bitter gem " This Be the Verse ," go read it now and you'll get an idea of where their heads were at. Just be ready for a little profanity.

The Portable Dorothy Parker

by Dorothy Parker and Marion Meade

If Dorothy Parker isn't already the voice of your inner monologue, you can carry her around in book form with The Portable Dorothy Parker, which collects favorite stories like "The Big Blonde," her magazine writings and criticism, and, of course, her eminently quotable poetry, which though dark, delicately skirts the edge of utter hopelessness ("you might as well live").

Three Men In A Boat (To Say Nothing Of The Dog)

by Jerome K. Jerome and Geoffrey Harvey

"I did not intend to write a funny book at first," Jerome K. Jerome (and yes, that is his name) once said. Apparently, he intended this comic travelogue to be an actual travel guide for people considering boating expeditions along the Thames — but the characters, based on Jerome and his friends, quickly took over. (We regret to inform you that Montmorency, the excellent dog, is entirely fictional.) Jerome made comic hay out of the most mundane things, like weather, boats and English food — keep an eye out for the episode of the canned pineapple!

The Pursuit Of Love

by Nancy Mitford

Nancy Mitford was a journalist, novelist and part of the notorious "Bright Young Things" who ruled London's social scene between the wars. Our judge Guy Branum picked The Pursuit of Love, Mitford's lightly fictionalized memoir of her aristocratic British childhood and her famous (and sometimes infamous) sisters. "The book delights in cruel wit and endless scandal," he says — and if you enjoy The Pursuit of Love, there are two more books featuring the same characters.

My Life and Hard Times

by James Thurber

No list of funny books would be complete without writer and cartoonist James Thurber, one of the finest American humorists of the 20th century. Lots of readers voted in his story " The Night the Bed Fell ," a confection of chaos that only tangentially concerns the actual bed — but we thought we'd give you more Thurber, so here's the book that contains that story, his illustrated account of growing up in Columbus, Ohio, with a family of peerless eccentrics and a rather put-upon bull terrier.

The Benchley Roundup

by Robert Benchley and Nathaniel Benchley

Humorist and occasional actor Robert Benchley held down one curve of the famed Algonquin Round Table (along with Dorothy Parker, whom you'll find elsewhere on this list), and this collection, curated by his son Nathaniel, rounds up (har har) some of his most timeless pieces on everything from Shakespeare to football. As our poll judge Alexandra Petri says, "You gotta have Benchley! He's a funnier Thurber!"

Short Stories

Texts from jane eyre.

by Daniel Mallory Ortberg

You KNOW, you just know that if Jane Eyre and Mr. Rochester could text, he'd be bombarding her with florid all-caps inanities — and that she would shut him down demurely. "JANE I BOUGHT YOU A DRESS MADE OF TEN THOUSAND PEARLS AS A BRIDAL PRESENT." "where on earth would I wear that." But honestly, the best part of this entirely delightful book is Daniel Mallory Ortberg's impression of Emily Dickinson, whose fractured phrases are already text perfect.

"Victory Lap"

by George Saunders

"Victory Lap" is part of George Saunders' acclaimed collection Tenth of December, which you should also read. But start with this story (conveniently, the first one in the book), which veers from uneasily charming to bleakly funny to black as night, right before it whacks you in the head with a precious, expensive geode; those stars you're seeing are a tiny sparkle of hope.

Deep Thoughts

by Jack Handey

"I can picture in my mind a world without war, a world without hate. And I can picture us attacking that world because they'd never expect it." We had to end the list with Jack Handey's little nuggets of absurdity, so cue the sunset backdrop and the easy-listening music, and remember that rain means God is crying — probably because of something you did.

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“ the world’s on fire ” by dena linn.

🏆 Winner of Contest #249

Trigger: Cancer My head rocks back, long hair sticks to sweaty shoulders and my tank barely holds my jiggling A-cups as I pound it out, dancing. I’m that “Girl on Fire,” a single mom gyrating to Ms. Keys. Flinging out one arm, hips swing and dip, fingers snap, eyes close, and my rock and roll fantasy, straight from a music video: my apartment’s clutter, with the snap of my fingers, flies to order. I burn, more than a flickering flame, heart thumps, shoulders shimmy, sweat drips into my pierced belly button. The fuchsia, sun-yellow and ...

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Calls for help came every day, in every language spoken from Alpha Centauri to Xanoid 10. Meteor. Famine. War!!! Help us, they pleaded. Whoever they was in that particular society that had figured out how to contact us. “Please remain calm,” I used to say. “A unit will be dispatched to your location.” But after our people went Silent, the calls went more like this:  “Hello? We need help.” “We're sorry, but Planetary Assistance is no longer available. Our thoughts are with you during your pending apocalypse. Goodbye.” “Wait —” And I woul...

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“ DANGER: UNSTABLE GROUND ” by Madeline McCourt

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Do not ever step foot on the ground. Charlie had been told this his entire life, but it never really sunk in. He didn’t understand the deep-seated fear everyone else seemed to harbor. He thought it was incredible, a beautiful problem to be solved. Until he was laying on the floor of the lab staring at the ceiling and blinking away tears. The first time Charlie ever saw the ground consume a person he’d been twelve. What the tree-top teachers referred to as “live mummification” was a quick, disturbing process. Dirt crawling over skin to creat...

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Many people don't believe that everything is connected. It's strange. They believe in magnets, in electromagnetic waves, in quantum action at a distance. They believe that the force of gravity makes the Earth revolve around the Sun, and yet they do not believe that the same forces can influence the smaller details of our fate. They believe that it is all up to them. That they have free will. They say that Jupiter can gently pull the Sun, yet it cannot move our infinitely smaller souls.A paradox.The stars are difficult to read, for sure. The ...

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Short stories may be small, but they are mighty! With the weight of a novel stripped away, great short stories strike directly at the heart of their topics. Often maligned as the novel’s poor cousin, the short story medium has produced some of the most beloved works of fiction. From the eerily-accurate predictions of Ray Bradbury to the spine-chilling thrills of Stephen King and the wildly imaginative worlds of N.K. Jemison, some of the best authors in the business have made their mark writing short stories .

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What I’ve Learned From My Students’ College Essays

The genre is often maligned for being formulaic and melodramatic, but it’s more important than you think.

By Nell Freudenberger

Most high school seniors approach the college essay with dread. Either their upbringing hasn’t supplied them with several hundred words of adversity, or worse, they’re afraid that packaging the genuine trauma they’ve experienced is the only way to secure their future. The college counselor at the Brooklyn high school where I’m a writing tutor advises against trauma porn. “Keep it brief , ” she says, “and show how you rose above it.”

I started volunteering in New York City schools in my 20s, before I had kids of my own. At the time, I liked hanging out with teenagers, whom I sometimes had more interesting conversations with than I did my peers. Often I worked with students who spoke English as a second language or who used slang in their writing, and at first I was hung up on grammar. Should I correct any deviation from “standard English” to appeal to some Wizard of Oz behind the curtains of a college admissions office? Or should I encourage students to write the way they speak, in pursuit of an authentic voice, that most elusive of literary qualities?

In fact, I was missing the point. One of many lessons the students have taught me is to let the story dictate the voice of the essay. A few years ago, I worked with a boy who claimed to have nothing to write about. His life had been ordinary, he said; nothing had happened to him. I asked if he wanted to try writing about a family member, his favorite school subject, a summer job? He glanced at his phone, his posture and expression suggesting that he’d rather be anywhere but in front of a computer with me. “Hobbies?” I suggested, without much hope. He gave me a shy glance. “I like to box,” he said.

I’ve had this experience with reluctant writers again and again — when a topic clicks with a student, an essay can unfurl spontaneously. Of course the primary goal of a college essay is to help its author get an education that leads to a career. Changes in testing policies and financial aid have made applying to college more confusing than ever, but essays have remained basically the same. I would argue that they’re much more than an onerous task or rote exercise, and that unlike standardized tests they are infinitely variable and sometimes beautiful. College essays also provide an opportunity to learn precision, clarity and the process of working toward the truth through multiple revisions.

When a topic clicks with a student, an essay can unfurl spontaneously.

Even if writing doesn’t end up being fundamental to their future professions, students learn to choose language carefully and to be suspicious of the first words that come to mind. Especially now, as college students shoulder so much of the country’s ethical responsibility for war with their protest movement, essay writing teaches prospective students an increasingly urgent lesson: that choosing their own words over ready-made phrases is the only reliable way to ensure they’re thinking for themselves.

Teenagers are ideal writers for several reasons. They’re usually free of preconceptions about writing, and they tend not to use self-consciously ‘‘literary’’ language. They’re allergic to hypocrisy and are generally unfiltered: They overshare, ask personal questions and call you out for microaggressions as well as less egregious (but still mortifying) verbal errors, such as referring to weed as ‘‘pot.’’ Most important, they have yet to put down their best stories in a finished form.

I can imagine an essay taking a risk and distinguishing itself formally — a poem or a one-act play — but most kids use a more straightforward model: a hook followed by a narrative built around “small moments” that lead to a concluding lesson or aspiration for the future. I never get tired of working with students on these essays because each one is different, and the short, rigid form sometimes makes an emotional story even more powerful. Before I read Javier Zamora’s wrenching “Solito,” I worked with a student who had been transported by a coyote into the U.S. and was reunited with his mother in the parking lot of a big-box store. I don’t remember whether this essay focused on specific skills or coping mechanisms that he gained from his ordeal. I remember only the bliss of the parent-and-child reunion in that uninspiring setting. If I were making a case to an admissions officer, I would suggest that simply being able to convey that experience demonstrates the kind of resilience that any college should admire.

The essays that have stayed with me over the years don’t follow a pattern. There are some narratives on very predictable topics — living up to the expectations of immigrant parents, or suffering from depression in 2020 — that are moving because of the attention with which the student describes the experience. One girl determined to become an engineer while watching her father build furniture from scraps after work; a boy, grieving for his mother during lockdown, began taking pictures of the sky.

If, as Lorrie Moore said, “a short story is a love affair; a novel is a marriage,” what is a college essay? Every once in a while I sit down next to a student and start reading, and I have to suppress my excitement, because there on the Google Doc in front of me is a real writer’s voice. One of the first students I ever worked with wrote about falling in love with another girl in dance class, the absolute magic of watching her move and the terror in the conflict between her feelings and the instruction of her religious middle school. She made me think that college essays are less like love than limerence: one-sided, obsessive, idiosyncratic but profound, the first draft of the most personal story their writers will ever tell.

Nell Freudenberger’s novel “The Limits” was published by Knopf last month. She volunteers through the PEN America Writers in the Schools program.

Your Best College Essay

Maybe you love to write, or maybe you don’t. Either way, there’s a chance that the thought of writing your college essay is making you sweat. No need for nerves! We’re here to give you the important details on how to make the process as anxiety-free as possible.

What's the College Essay?

When we say “The College Essay” (capitalization for emphasis – say it out loud with the capitals and you’ll know what we mean) we’re talking about the 550-650 word essay required by most colleges and universities. Prompts for this essay can be found on the college’s website, the Common Application, or the Coalition Application. We’re not talking about the many smaller supplemental essays you might need to write in order to apply to college. Not all institutions require the essay, but most colleges and universities that are at least semi-selective do.

How do I get started?

Look for the prompts on whatever application you’re using to apply to schools (almost all of the time – with a few notable exceptions – this is the Common Application). If one of them calls out to you, awesome! You can jump right in and start to brainstorm. If none of them are giving you the right vibes, don’t worry. They’re so broad that almost anything you write can fit into one of the prompts after you’re done. Working backwards like this is totally fine and can be really useful!

What if I have writer's block?

You aren’t alone. Staring at a blank Google Doc and thinking about how this is the one chance to tell an admissions officer your story can make you freeze. Thinking about some of these questions might help you find the right topic:

• What is something about you that people have pointed out as distinctive?
• If you had to pick three words to describe yourself, what would they be? What are things you’ve done that demonstrate these qualities?
• What’s something about you that has changed over your years in high school? How or why did it change?
• What’s something you like most about yourself?
• What’s something you love so much that you lose track of the rest of the world while you do it?

If you’re still stuck on a topic, ask your family members, friends, or other trusted adults: what’s something they always think about when they think about you? What’s something they think you should be proud of? They might help you find something about yourself that you wouldn’t have surfaced on your own.  

How do I grab my reader's attention?

It’s no secret that admissions officers are reading dozens – and sometimes hundreds – of essays every day. That can feel like a lot of pressure to stand out. But if you try to write the most unique essay in the world, it might end up seeming forced if it’s not genuinely you. So, what’s there to do? Our advice: start your essay with a story. Tell the reader about something you’ve done, complete with sensory details, and maybe even dialogue. Then, in the second paragraph, back up and tell us why this story is important and what it tells them about you and the theme of the essay.

THE WORD LIMIT IS SO LIMITING. HOW DO I TELL A COLLEGE MY WHOLE LIFE STORY IN 650 WORDS?

Don’t! Don’t try to tell an admissions officer about everything you’ve loved and done since you were a child. Instead, pick one or two things about yourself that you’re hoping to get across and stick to those. They’ll see the rest on the activities section of your application.

I'M STUCK ON THE CONCLUSION. HELP?

If you can’t think of another way to end the essay, talk about how the qualities you’ve discussed in your essays have prepared you for college. Try to wrap up with a sentence that refers back to the story you told in your first paragraph, if you took that route.

SHOULD I PROOFREAD MY ESSAY?

YES, proofread the essay, and have a trusted adult proofread it as well. Know that any suggestions they give you are coming from a good place, but make sure they aren’t writing your essay for you or putting it into their own voice. Admissions officers want to hear the voice of you, the applicant. Before you submit your essay anywhere, our number one advice is to read it out loud to yourself. When you read out loud you’ll catch small errors you may not have noticed before, and hear sentences that aren’t quite right.

ANY OTHER ADVICE?

Be yourself. If you’re not a naturally serious person, don’t force formality. If you’re the comedian in your friend group, go ahead and be funny. But ultimately, write as your authentic (and grammatically correct) self and trust the process.

And remember, thousands of other students your age are faced with this same essay writing task, right now. You can do it!

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Teacher finds stone with ancient ogham writing from Ireland in Coventry garden

Exclusive: Sandstone rock featuring language markings created 1,600 years ago to go on display at museum

A geography teacher was tidying his overgrown garden at his home in Coventry when he stumbled across a rock with mysterious incisions. Intrigued, he sent photographs to a local archaeologist and was taken aback to learn that the markings were created more than 1,600 years ago and that the artefact was worthy of a museum.

The rectangular sandstone rock that Graham Senior had discovered was inscribed in ogham, an alphabet used in the early medieval period primarily for writing in the Irish language.

Before the people of Ireland began using manuscripts made from vellum, they used the ogham writing system , consisting of parallel lines in groups on materials such as stone. Rare examples of such stones offer an insight into the Irish language before the use of the Latin insular script.

Senior, 55, said: “I was just clearing a flowerbed of weeds and stones when I saw this thing and thought, that’s not natural, that’s not scratchings of an animal. It can’t have been more than four or five inches below the surface.”

He washed it and consulted a relative who was an archaeologist, who suggested that he contact the Portable Antiquities Scheme, which encourages the recording of archaeological objects found by members of the public.

Teresa Gilmore, am archaeologist and finds liaison officer for Staffordshire and West Midlands based at Birmingham Museums, said : “This is an amazing find. The beauty of the Portable Antiquities Scheme is that people are finding stuff that keeps rewriting our history.

“This particular find has given us a new insight into early medieval activity in Coventry, which we still need to make sense of. Each find like this helps in filling in our jigsaw puzzle and gives us a bit more information.”

When Senior sent her some photographs, she immediately saw its potential. She contacted Katherine Forsyth, professor of Celtic Studies at the University of Glasgow, who confirmed that it was an ogham script, that of an early style, which most likely dates to the fifth to sixth century but possibly as early as the fourth century.

Gilmore said such stones were “very rare and have generally been found in Ireland or Scotland … so to find them in the Midlands is actually unusual.”

She suggested it could be linked to people coming over from Ireland or to early medieval monasteries in the area. “You would have had monks and clerics moving between the different monasteries.”

The stone, which is 11cm long and weighs 139g, is inscribed on three of its four sides.

Its purpose is unclear, said Gilmore, adding: “It could have been a portable commemorative item. We don’t know. It’s an amazing little thing.”

Explaining its inscription, “Maldumcail/ S/ Lass”, Gilmore said: “The first part relates to a person’s name, Mael Dumcail. The second part is less certain. We’re not sure where the S/ Lass comes from. It is probably a location. So something like ‘had me made’.”

Senior said it was exciting to be told that theartefact was significant, adding: “We’re not far from the River Sowe. My thinking is that it must have been a major transport route.”

The rock will be displayed at the Herbert Art Gallery and Museum in Coventry, to which Senior has donated it permanently.

It will feature in the forthcoming Collecting Coventry exhibition, which opens on 11 May.

Ali Wells, a curator at the museum, said: “It is really quite incredible. The language originates from Ireland. So, to have found it within Coventry, has been an exciting mystery. Coventry has been dug up over the years, especially the city centre, so there’s not that many new finds. It was quite unexpected.”

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VIDEO: From the Writers: Dawn and Eric Olsen Are Heading For Home

On the heels of the 50th anniversary of Cleveland’s infamous 10-cent Beer Night, Dawn & Eric discuss the historical fiction novel and how it inspired the podcast of the same name.

The couple detail how their screenplay idea morphed from novel to podcast and their respective methods for character-building and story-telling.

Other works by Eric Olsen include, “America’s Most Haunted” , “ The Encyclopedia of Record Producers” and “Networking In the Music Industry.” 

Dawn Olsen is a former writer for Blogcritics and various other publications, she’s also worked as an editor and writer for Technorati’s entertainment section, and garnered the reputation of a legendary blogger.

To learn more about the Heading For Home Podcast, click here .

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