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Chup: Revenge Of The Artist Trailer - Sunny Deol, Dulquer Salmaan And An Unsolved Case

Chup: revenge of the artist , starring dulquer salmaan and sunny deol, will release on september 23.

Finally, the makers have dropped the trailer of Chup: Revenge Of The Artist , starring Dulquer Salmaan, Sunny Deol, Pooja Bhatt and Shreya Dhanwanthary. Helmed by R Balki, the romantic psychological thriller is a homage to legendary filmmaker Guru Dutt and his 1959 classic movie Kaagaz Ke Phool . The trailer opens with Sunny Deol, who plays the role of a cop, saying, "Sir, we have got a new kind of serial killer who is giving stars to people who give star ratings. A critic's critic." In the film, he is on a mission to track down a serial killer who carves stars (gives rating) on the forehead of victims' bodies.

Next in the trailer, we see moments of romance between Dulquer Salmaan and Shreya Dhanwanthary, interspersed with scenes of gruesome murders. Towards the end of the trailer, Dulquer can be heard talking about Guru Dutt's movie Kaagaz Ke Phool , " Unki sabse personal aur best film ko critics ne trash kar diya. Depressed hokar unhone koi film hi nahi banayi. (His best and most personal film was trashed by the critics. He got depressed and didn't make the films after that." Then, the song Yeh Duniya Agar Mil Bhi Jaaye Toh from the movie Kaagaz Ke Phool starts playing in the background and scenes of Sunny Deol searching for the killer are shown. 

Watch the Chup: Revenge Of The Artist trailer below: 

Dulquer Salmaan also shared the trailer on his Instagram handle and captioned it as "Are y'all ready for this ?". Check out the post below: 

View this post on Instagram A post shared by Dulquer Salmaan (@dqsalmaan)

Chup: Revenge Of The Artist is co-produced by Pranab Kapadia and Anirudh Sharma. It is slated to release on September 23.

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Chup Reviews

Chup is absolutely hilarious when it focuses on its slasher aspect. The murders are incredibly creative. Balki uses the freedom that comes with the A-rating to its fullest.

Full Review | Original Score: 3/5 | Jul 20, 2023

For this critic Chup remains an interesting, intriguing idea that couldn’t quite execute what it ambitiously set out to achieve .

Full Review | Original Score: 2.5/5 | Jan 2, 2023

Director R Balki's Chup: Revenge of the Artist isn't a slasher horror or a serial killer thriller; it's actually a parody of those genres, with lots to say about the state of films and film criticism.

Full Review | Dec 2, 2022

It surely left me asking for more...

Full Review | Oct 17, 2022

The smug reply isn’t actually aimed at him. No such movie exists, a character declares. (It does: it’s called Chup...)

Full Review | Oct 1, 2022

Chup: Revenge of the Artist can only be described as an experiment. Watch the film for the fine performances by the entire ensemble cast and for its homage to Guru Dutt and his brand of cinema.

Full Review | Original Score: 3/5 | Sep 26, 2022

That it ventures into uncharted territory is undeniably commendable. But it needed something more to elevate itself above a mere idiosyncratic concept.

Full Review | Original Score: 2/5 | Sep 26, 2022

Dulquer Salmaan is better than the Hindi films he's choosing.

Full Review | Original Score: 2.5/5 | Sep 26, 2022

Dulquer Salmaan gives in his best to play a loner and a lover. One can see the actor’s struggle in juggling his complex character and he does a satisfactory job of it.

R Balki's film mixes a serial killer thriller with a take on film critics but fails to effectively tackle both.

Full Review | Sep 26, 2022

This Dulquer Salmaan film, about dream-makers and those who destroy those dreams, is less satisfactory than it should have been.

Sunny Deol and Dulquer Salmaan try to salvage this film, but it’s an uphill task.

Attributing violent vendetta to psychological imbalance is an easy crutch to fall on when makers are reluctant to debate righteous anger over difference of opinion.

Full Review | Original Score: 3/5 | Sep 25, 2022

It's hard to not be excited, amused, or even invested in any of these premises. Except, it's easy to forget one crucial thing -- what might prevent these one-line plots from ending up as a gimmick is intelligent filmmaking. There is no shortcut to that.

Full Review | Original Score: 2.5/5 | Sep 23, 2022

Not only is this premise a droll kick up the arse for the Scream-style meta-slasher, it has to be the first film in which someone says “I need a critic” in the same imperative tone usually reserved for a Swat team or an elite hitman.

Full Review | Original Score: 4/5 | Sep 22, 2022

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Home » Review » Chup review: Dulquer Salmaan gets a perfect score for bringing his A-game in R Balki's gory thriller »

Chup review: Dulquer Salmaan gets a perfect score for bringing his A-game in R Balki's gory thriller

One cannot deny the fact that Chup: Revenge of the Artist is flawed, but R. Balki's charm with his work is undeniable and crisp.

• Aishwarya Vasudevan

Last Updated: 02.22 PM, Sep 22, 2022

The story of Chup is about a psychopath killer who preys on movie critics. Mumbai is being rocked by a string of strange and disturbing murders. Every new film's release results in the weekly murder of cinema critics. In charge of the Mumbai Crime Branch, Arvind Mathur (Sunny Deol) has a case to solve. He tries to grasp the killer's thoughts in order to catch him with the aid of Zenobia (Pooja Bhatt), a criminal psychologist.

" Jane Kya Tune Kahi " is a romantic song from Pyaasa (1957) that is constantly played in Chup: Revenge of the Artist . The track shows an aloof Guru Dutt looking at a joyous Waheeda Rehman (sung by Geeta Dutt) while she sings her heart out. However, in the film, the song, even though it comes during a romantic sequence, is also an indication to the masses about how a filmmaker speaks about a film and how the audience/critics take it.

Chup starts off in the most thrilling way, and we just have to be prepared to see how one can be murdered in the goriest way. The first killing shows that the film is going to leave you on the edge of your seat, and there's no way you can turn around now.

R. Balki, the filmmaker, is known to bring twisted plots that are true to nature and execute them in the most entertaining way. We have seen him do that with Cheeni Kum, Paa, Ki & Ka , and more. Here, in Chup , he attempts something heinous that we have not seen before: a serial killer who is slashing film critics and marking their foreheads with stars.

Also Read: Dulquer Salmaan, Sunny Deol’s film set for grand opening with positive buzz, Rs 75 tickets  

The assignment is understood and the execution takes the plunge in the right way. We've become accustomed to the gruesome visuals that cinema has reserved in every way thanks to the era of OTT, with less regulation. But with Chup , we just can't deal with it right then and there while preparing how the next murder will be performed.

The psychopath's nature is shown through patterns, such as taking a paragraph out of a review and performing the murder in exactly the same way. "Bang on with that execution!"

I, still being an amateur critic, was dreading how to perceive this film, with fear or just as another piece of art and a filmmaker's labour of love.

Chup is a film that pays homage to cinephiles who live, breathe, and sleep cinema. Their lives revolve around giving references to movies every now and then, watching movies, and even getting their hearts broken when movies fail to impress. The film shows all kinds of critics, from the world of print to videos; some are genuine, while others are paid. So how does the killer decide on his next target? He is such a film buff that he has not only seen Indian films but has also been exposed to global culture.

The psyche of the serial killer is kind of convenient, but hey, mental illness cannot be put into a box and the motive cannot be always justified. A movie lover can take cues from any of the films he has watched over the years or cook up a mission that looks like a perfect script to be made into a movie or a series in the future.

Also Read: Chup 'free screening': Tickets for Sunny Deol, Dulquer Salmaan starrer sold within 10 minutes!   

There's no intended cat-and-mouse chase between Sunny Deol's character as investigating officer Arvind Mathur and the serial killer. But as the story unfolds, the pattern looks very interesting, so to speak.

On one hand, Deol's character is solving this man, who is making the world of movies a slaughterhouse with the killings of film critics. On the other hand, there's a love story brewing between Danny (Dulquer Salmaan), the owner of a flower shop, and an entertainment reporter, Nila Menon (Shreya Dhanwanthary).

Their love story in the first half gives another mysterious angle on how it's related to the serial killer. The first half thus runs parallelly well and leaves you intrigued. However, in the second half, the romantic angle doesn't help much with the story and makes you impatient to know about the hunt for the serial killer.

As mentioned earlier, Jane Kya Tune Kahi 's context in this film. Another beautiful song, Waqt Ne Kiya Kya Haseen Sitam from Kaagaz Ke Phool (1959), is also a kind of metaphor for Chup . We saw Guru Dutt never direct a film after Kaagaz Ke Phool , knowing how the film was heavily criticised for its content. He died just a few years after the release of the film. But now, times have changed, and the criticism has become harsher with the rise of social media too.

These metaphors work beautifully with Chup , as Guru Dutt is remembered with utmost respect and regret that he didn't get his due for his contribution to Indian cinema when he was alive.

However, a little criticism of Chup would indeed be a matter of convenience. The film slightly loses logic and seems fictitious in terms of giving the benefit of the doubt to the plot. It thickens once Zenobia (Pooja Bhatt), a criminal psychologist, comes into the picture. Her way of showing the "pattern" of the serial killer is kind of a known fact but is shown as a shocking twist in the film.

When it comes to performances, Chup is an out-and-out Dulquer Salmaan show. The actor is terrific in every scene, and you can't take your eyes off him. Knowing his body of work in the past decade, the actor has shown every shade in the films he has starred in, irrespective of the language. But the way Balki oozes out the more hidden talent he has is incredible to watch.

Sunny Deol as a cop is brilliant and brings back the charm he had with his performances in Damini, Ghayal, Ghatak and more. The one scene where he jumps off from the top floor and limps while he walks shows that he has aged but will never be less than the action hero he has been.

Pooja Bhatt's presence in the second half is just fabulous and proves how she has always been a talented actor. She deserves to be on screen more often.

Shreya Dhanwanthary looks promising with the way her character starts. But it just doesn't gel well as the film shapes up. The actor feels like a love interest who does have a role to play in the climax, but it is less impactful.

Saranya Ponvannan as the visually impaired mother of Shreya's character is just picture-perfect. She is the kind of millennial mother one would root for and want in their lives.

The music, which is a blend of the old-world charm of tracks from Guru Dutt movies composed by SD Burman and a modern twist by Amit Trivedi and Sneha Khanwalkar, sets Chup apart from the rest of the serial killer movies. Even the background score by Aman Pant is top-notch, which sets the thrilling pace just right. Even the constant sounds of crickets fit in perfectly between the songs.

Chup is a brave attempt by Balki in every sense, which he penned with former critic Raja Sen and Rishi Virmani. Brave for taking on a subject that no one had considered, braver for carrying it out by demonstrating how a film can be gory and uncomfortable to watch, and bravest for pulling off such a casting coup that will be remembered for a long time.

Chup: Revenge of the Artist has one scene which shows a poster saying "Woody Allen is innocent," which is equally disturbing to be present at a woman's house. That's another metaphor for how the film is designed to be. Moreover, Dulquer Salmaan takes the cake that Balki bakes and decorates it with a sharp icing.

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‘Chup’ review: Silence! The court is in session and film critics are in the dock

R balki directs dulquer salmaan, sunny deol and shreya dhanwanthary..

Some of R Balki’s movies can be summed up by one-liners. Real-life father and son cast as son and father with some help from a genetic disease: Paa . Mute actor borrows thespian’s voice to hit the big league: Shamitabh . She works, he doesn’t: Ki & Ka . Guru Dutt as the inspiration for a serial killer who murders film critics: Chup: Revenge of the Artist.

Balki’s slash-the-messenger thriller claims to have identified the real problem that is hurting the Hindi film industry. It isn’t bad scripts, Bollywood-hating trolls, paid publicity that creates false expectations or hard-to-please audiences. It’s film reviewers. To justify bringing a sword to a bout of arm-wrestling, Balki invokes no less than Guru Dutt.

Guru Dutt’s masterpiece Pyaasa (1957) and the critical and commercial failure Kaagaz Ke Phool (1959) serve as lodestars for Balki’s script. Shot compositions from Pyaasa and Kaagaz Ke Phool inspire some of Chup ’s visuals. Songs from his films are used in their original form or as covers, as well as sung (badly) by Chup’ s antagonist.

There’s a Freudian touch too to the grudge report about the impact of criticism on a creator’s mental state. The writers of Chup include film reviewer Raja Sen, alongside Balki and Rishi Virmani.

Kaagaz Ke Phool , Guru Dutt’s cri de coeur about the travails of filmmaking, is of particular interest to Chup . Kaagaz Ke Phool traces the decline of a director who loses his audience, the woman he loves and cinema itself. It was the last film Guru Dutt officially directed (he made immeasurable contributions to his subsequent productions, including Sahib Biwi aur Ghulam and Chaudhvin Ka Chand ).

The director himself acknowledged that Kaagaz Ke Phool was unwieldy and far too maudlin for public taste. Although now regarded as a cult classic, Kaagaz Ke Phool is better seen as a deeply flawed diamond, reflecting Guru Dutt’s troubled mind rather than as the crowning glory of his achievements.

According to Chup’ s alt-history, though, Kaagaz Ke Phool was demolished by bad reviews. Like wights swarming over Winterfell, critics descended on Kaagaz Ke Phool , denying the film and its maker the greatness they deserve, Chup dubiously claims.

Danny (Dulquer Salmaan) is a hunky florist who catches the eye of journalist Nila (Shreya Dhanwanthary). Danny is actually a “critic of the critics”, eviscerating reviewers in the same manner in which they rip apart films. Danny’s calling card is carved into the foreheads of his victims – the numbers of stars that accompany movie reviews and are regarded as markers of a film’s worth.

Might the killer be a copy-cat inspired by a film, wonders police investigator Arvind (Sunny Deol)? The smug reply isn’t actually aimed at him. No such movie exists, a character declares. (It does: it’s called Chup .)

Arvind’s floundering investigation gets a boost from psychologist Zenobia (Pooja Bhatt). While the source of Danny’s actions is clear enough, Chup itself is never quite coherent about the role of critique in the ecosystem of cinema.

In a cameo, Amitabh Bachchan declaims about the importance of constructive criticism. Danny tells a victim, be a critic by all means but be a good one. The film holds the contradictory position that downbeat reviews can harm the box office but also have zero impact on ticket sales.

There’s a missing element in the equation, which was wonderfully articulated in Ram Gopal Varma’s Rangeela (1995). Aamir Khan’s Munna declares, we are the paying public, we can say whatever we want about the quality of movies. Chup has no equivalent moment of coruscating insight.

The film’s intent is more explicitly conveyed by the gratuitous depiction of Danny’s gruesomeness and its empathy for his psychosis. In the kangaroo court of Danny’s mind, he is judge, jury and executioner, with film critics cowering in the dock, wishing they had been soft instead of honest.

There are patches of humour in the gore. Nila’s mother (Saranya Ponnvanan) is to Chup what Zohra Sehgal was to Balki’s directorial debut Cheeni Kum (2007): a dispenser of wisecracks and welcome distraction.

Some comic moments are surely unintentional. Sunny Deol is encouraged to bellow and leap into the unknown in spectacular fashion. Except in these moments, Deol is exceptionally understated and a surprisingly steadying presence.

The use of SD Burman’s music from Guru Dutt’s films, taken out of their original context and set against grimy visuals, has flashes of spark. The sound made by temple blocks in Jaane Kya Tune Kahi from Pyaasa serve as a sinister sonic marker of Danny’s actions. Sneha Khanwalkar bravely covers Ye Duniya Agar Mil Bhi Jaye , also from Pyaasa , transporting lyricist Sahir Ludhianvi’s 1950s lament to a contemporary tale of madness.

There’s plenty going on in Guru Dutt’s name, including the proposition that the sensitive filmmaker’s brooding themes can lend themselves to murderous sentiment. But Guru Dutt is ultimately a prop, plaything and convenient blank canvas for a scattershot and unevenly paced psychological thriller.

If Chup encourages viewers to seek out the real article, it might achieve half its purpose. As for critics, they are well-advised to keep their distance from florists, steer clear of anybody named Danny, and avoid using similes and metaphors that could give serial killers odd ideas.

As the deranged dispatcher, Dulquer Salmaan unleashes an evil laugh and gamely chews through sad wordplay on industry terms such as “editing” and “director’s first cut”. The more convincing actor is Shreya Dhanwanthary, who turns out a warm and nuanced performance.

Why ‘Chup’ director R Balki decided to bite the hand that fed him

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• Chup review

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Film review: ‘Chup: Revenge of the Artist’ led by Dulquer Salmaan strikes hot and cold

Entertainment bollywood.

R Balki shines the spotlight on a dark and twisted mind in his sobering thriller ‘Chup’

How do you review a bloody thriller about a brutal serial killer who hunts down film critics and slices them open for their written words?

A whole lot of trepidation and a smidgen of survivor’s guilt, I say.

But jokes aside, director R Balki’s atmospheric ‘why-dunnit’ transports you into a dreamy-yet-dreary world of a florist recluse Danny (Dulquer Salmaan) living in the metropolis if Mumbai with a gore-happy serial killer on the loose.

The rakish and reserved Danny, with his tousled hair and nervous energy, talks more to his carefully-tended flowers than his customers.

He’s socially awkward and tense, but his sombre existence blooms when a twentysomething entertainment journalist Nila Menon, played efficiently by Shreya Dhanwanthary, walks into his nursery/store.

Sparks fly instantly and they embark on this sweet and meditative adventure of discovering each other. Guru Dutt’s haunting melody from his critically-mutilated classic ‘Kaagaz Ke Phool’ lends incredible atmospherics to their monsoon rendezvous. The effective background score and the moody visuals work.

But their whimsical love story is playing out in a city that’s being terrorised by a serial killer who chooses his victims based on their film reviews and star ratings. ‘A critic’s critic’ is how the cop (Sunny Deol) describes the deviant mind. It’s a definite dampener, but these two young guns seem immune to it largely as they lean into each other.

After every kill, the violent murderer carves out a star rating on his prey’s forehead. The degree of violence and gore is directly proportional to the killer’s critiquing of their review. If it doesn’t pass muster, then your death shall be more grotesque and violent.

From very early on, we are given broad cues on who the killer is, but the focus is largely on what triggered those bloody and brazenly butchering episodes. The body count is mounting and the serial killer is getting emboldened with each target.

When it comes to setting a scene and building a tense tone of a film, nobody does it better than director R Balki. The cloudy skies and the murky weather is a fair match to the dark, disturbed, and warped mind at work. The build-up is real and raw.

But be warned, it’s a thriller that takes its own time to unravel and the violence on display is not for the faint hearted. The critics — mostly ageing rotund males — who are perhaps just doing their job shabbily, meet undignified ends. Their crime and punishment is unevenly balanced.

But it’s the assured acting by the lead pair — Salmaan and Dhanwanthary — that makes this dark thriller with a wicked sense of humour throb with life. Both are in impressive form and have an easy chemistry. Both exude an aching vulnerability and are an emotional minefield.

Barring cinephile and Guru Dutt groupie Dhanwanthary’s questionable poster choices that has ‘Woody Allen is Innocent’ emblazoned on it (for those in the dark, acclaimed filmmaker Woody Allen has been accused of sexually abusing his daughter, an allegation that he has consistently denied), she exhibits a good grip on her character. Her equation with her sassy specially-abled mother (Saranya Ponvannan) is wonderfully captured. While these actors seem to be marching to tunes of subtlety, a bit of star dust appeared in the form of Sunny Deol.

Deol as the cop facing the heat for the rise in crime under his watch exercises considerable restraint, but he lets loose towards the end and succumbs to overdramatic histrionics. Just when you think that the high-decibel stereotype around Deol had faded, he’s back in his screechy hyper-masculine role screeching ‘bastard’ and jumping off a building in rage after he’s outwitted by a criminal. All the good work that he did when it came to being sardonic was undone with that melodramatic screech.

Actress Pooja Bhatt on call as an expert on serial killers’ psychology does what’s on the tin, but her dialogues sometimes appear contrived. But she nailed the part where she questions the cop about manipulating an idealistic journalist to pose as a prey for the serial killer. The film is filled with some shining moments, but there are bits that appear laboured. The climax, that’s supposed to provide us with all the answers, is underwhelming and pedestrian.

Perhaps it’s the makers’s bid to humanise the serial killer that doesn’t land well.

His motives seem almost romantic, making you forget that here’s a desperate sick man who bludgeons someone to death because he’s narcissistic and is averse to criticism — constructive or otherwise. His back-story isn’t wholly convincing and the ease with which he carries out his murders makes it look borderline silly. But if you can silence those thoughts, then you might enjoy this thriller that’s adequately sly and sobering.

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Chup Movie Review: Film critics, beware. You're about to lose your organs

Chup, starring sunny deol and dulquer salmaan, is a riveting thriller that makes an impact without trying too hard. it also features romance and a strong message..

Listen to Story

• Chup will be released in theatres on September 23.
• The film is directed by R Balki.
• Chup features Sunny Deol and Dulquer Salmaan in the lead.

Cast & Crew

Dulquer Salmaan Actor

Release Date: 23 Sep, 2022

R Balki's latest movie, Chup, starring Dulquer Salmaan and Sunny Deol, is an intense and thought-provoking thriller that tries to examine the true purpose of film criticism. The flick luckily does so without being preachy or overly dramatic. Chup revolves around a serial killer who brutally murders critics for insulting artistes with their ruthless remarks. The authorities soon rope in the bold cop Arvind Mathur (Sunny) to investigate the case. He finds a few striking similarities between the killings, which sets the stage for a cat-and-mouse game.

Broadly speaking, a thriller can work only if it packs a punch without trying too hard to do so. Take Drishyam, for instance. The Mohanlal-led movie, which was remade in Hindi under the same title with Ajay Devgn in the lead, attained cult status as everything about it felt as organic as possible. This is exactly where Chup succeeds. The film moves at its own pace initially as director R Balki carefully constructs its world. Given the genre, violence is an integral part of the narrative. None of the scenes try to shock the audience. The focus instead is on using these scenes to explore the serial killer's psyche.

The same applies to the big twists as well. The work, despite being obvious mainly as the staging, is as good as it gets.

The writing, however, peaks in the romantic scenes. Dulquer Salmaan's exchanges with Shreya Dhanwanthary cater to those fond of breezy yet realistic love stories. There is absolutely nothing filmi or pretentious about these sequences.

The film features several short yet watchable scenes that examine the complex relationship between art and its critics. The second half feels a bit slow in the portions but does a fair job of setting the stage for the thrilling finale. The closing sequences of Chup touch upon a sensitive topic while celebrating the magic of cinema.

Chup's true beauty lies in the fact that it manages to deal with three distinct aspects or subplots rather competently. None of these tracks feel undercooked.

Coming to the performances, Dulquer does justice to a complex character. His chemistry with Shreya may initially remind one of his breezy rapport with Nithya Menen in OK Kanmani.

The way he deals with the scenes depicting his character's trauma, however, is quite different from the approach adopted by Fahadh Faasil in films such as Joji and Maheshinte Pratikaaram. FaFa used his eyes to internalise his characters. DQ, on the other hand, uses his body language to bring out the complexities of his character.

Shreya, who plays a young journalist, channels her character's innocence .

It is, however, Sunny Doel who proves to be the scene stealer here. The veteran actor delivers a beautifully restrained performance. He packs a punch without even flexing his muscles. The natural intensity that he brings to the table in Chup may remind one of his work in the underrated Ghayal 2.

Saranya and Pooja Bhatt are a bit underutilised. The former, however, makes her presence felt despite the limited screen time.

The dialogues have situational appeal, and lines such as 'Scorcese nahi Shetty' and 'Galti Se Tax' stand out. The editing is good as Chup doesn't drag. The romantic song featured in the film, however, could have been catchier. The other technical aspects are up to the mark.

To sum up, Chup is a highly watchable and layered thriller that may 'silence' its critics, courtesy of its refreshing concept.

We're going with 3.5 stars out of 5. Published By: Roktim Rajpal Published On: Sep 22, 2022 --- ENDS --- ALSO READ | Amitabh Bachchan shares Chup Revenge Of The Artist teaser. Sunny Deol, Dulquer Salmaan's film is an ode to Guru Dutt

• Cast & crew
• User reviews

A lonesome florist with a new-found love interest and a psychopath killer who targets film critics in Mumbai. Are the two related? Inspector Arvind Mathur and Dr. Zenobia are about to find o... Read all A lonesome florist with a new-found love interest and a psychopath killer who targets film critics in Mumbai. Are the two related? Inspector Arvind Mathur and Dr. Zenobia are about to find out. A lonesome florist with a new-found love interest and a psychopath killer who targets film critics in Mumbai. Are the two related? Inspector Arvind Mathur and Dr. Zenobia are about to find out.

• Rishi Virmani
• Dulquer Salmaan
• Shreya Dhanwanthary
• 252 User reviews
• 24 Critic reviews
• 3 wins & 3 nominations

Top cast 60

• Sebastian Gomes

• Arvind Mathur

• Dr. Zenobia Shroff

• Nila's Mother

• Police Commissioner

• Insp. Srinivas Shetty

• Purab Kapoor
• Nitin Shrivastav

• Mrs. Shrivastav

• Govind Pandey

• Irshaad Ali
• Parikshit Prabhu
• All cast & crew
• Production, box office & more at IMDbPro

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Did you know

• Trivia Film pays grand tribute to legend Guru Dutt and his masterpiece Kaagaz Ke Phool 1959 which was slammed by critics as flop.But in coming years it gained a cult status.
• Connections Features Thirst (1957)

User reviews 252

• akshay-01837
• Sep 21, 2022
• How long is Chup? Powered by Alexa
• September 23, 2022 (India)
• Chup - The Revenge of an Artist
• Hope Productions
• See more company credits at IMDbPro

Technical specs

• Runtime 2 hours 15 minutes

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