best english essays books

The 25 Greatest Essay Collections of All Time

Today marks the release of Aleksandar Hemon’s excellent book of personal essays, The Book of My Lives , which we loved, and which we’re convinced deserves a place in the literary canon. To that end, we were inspired to put together our list of the greatest essay collections of all time, from the classic to the contemporary, from the personal to the critical. In making our choices, we’ve steered away from posthumous omnibuses (Michel de Montaigne’s Complete Essays , the collected Orwell, etc.) and multi-author compilations, and given what might be undue weight to our favorite writers (as one does). After the jump, our picks for the 25 greatest essay collections of all time. Feel free to disagree with us, praise our intellect, or create an entirely new list in the comments.

The Book of My Lives , Aleksandar Hemon

Hemon’s memoir in essays is in turns wryly hilarious, intellectually searching, and deeply troubling. It’s the life story of a fascinating, quietly brilliant man, and it reads as such. For fans of chess and ill-advised theme parties and growing up more than once.

Slouching Towards Bethlehem , Joan Didion

Well, obviously. Didion’s extraordinary book of essays, expertly surveying both her native California in the 1960s and her own internal landscape with clear eyes and one eyebrow raised ever so slightly. This collection, her first, helped establish the idea of journalism as art, and continues to put wind in the sails of many writers after her, hoping to move in that Didion direction.

Pulphead , John Jeremiah Sullivan

This was one of those books that this writer deemed required reading for all immediate family and friends. Sullivan’s sharply observed essays take us from Christian rock festivals to underground caves to his own home, and introduce us to 19-century geniuses, imagined professors and Axl Rose. Smart, curious, and humane, this is everything an essay collection should be.

The Boys of My Youth , Jo Ann Beard

Another memoir-in-essays, or perhaps just a collection of personal narratives, Jo Ann Beard’s award-winning volume is a masterpiece. Not only does it include the luminous, emotionally destructive “The Fourth State of the Matter,” which we’ve already implored you to read , but also the incredible “Bulldozing the Baby,” which takes on a smaller tragedy: a three-year-old Beard’s separation from her doll Hal. “The gorgeous thing about Hal,” she tells us, “was that not only was he my friend, he was also my slave. I made the majority of our decisions, including the bathtub one, which in retrospect was the beginning of the end.”

Consider the Lobster , David Foster Wallace

This one’s another “duh” moment, at least if you’re a fan of the literary essay. One of the most brilliant essayists of all time, Wallace pushes the boundaries (of the form, of our patience, of his own brain) and comes back with a classic collection of writing on everything from John Updike to, well, lobsters. You’ll laugh out loud right before you rethink your whole life. And then repeat.

Notes of a Native Son , James Baldwin

Baldwin’s most influential work is a witty, passionate portrait of black life and social change in America in the 1940s and early 1950s. His essays, like so many of the greats’, are both incisive social critiques and rigorous investigations into the self, told with a perfect tension between humor and righteous fury.

Naked , David Sedaris

His essays often read more like short stories than they do social criticism (though there’s a healthy, if perhaps implied, dose of that slippery subject), but no one makes us laugh harder or longer. A genius of the form.

Against Interpretation , Susan Sontag

This collection, Sontag’s first, is a dazzling feat of intellectualism. Her essays dissect not only art but the way we think about art, imploring us to “reveal the sensuous surface of art without mucking about in it.” It also contains the brilliant “Notes on ‘Camp,'” one of our all-time favorites.

The Common Reader , Virginia Woolf

Woolf is a literary giant for a reason — she was as incisive and brilliant a critic as she was a novelist. These witty essays, written for the common reader (“He is worse educated, and nature has not gifted him so generously. He reads for his own pleasure rather than to impart knowledge or correct the opinions of others. Above all, he is guided by an instinct to create for himself, out of whatever odds and ends he can come by, some kind of whole- a portrait of a man, a sketch of an age, a theory of the art of writing”), are as illuminating and engrossing as they were when they were written.

Teaching a Stone to Talk , Annie Dillard

This is Dillard’s only book of essays, but boy is it a blazingly good one. The slender volume, filled with examinations of nature both human and not, is deft of thought and tongue, and well worth anyone’s time. As the Chicago Sun-Times ‘s Edward Abbey gushed, “This little book is haloed and informed throughout by Dillard’s distinctive passion and intensity, a sort of intellectual radiance that reminds me both Thoreau and Emily Dickinson.”

Thirteen Ways of Looking at a Black Man , Henry Louis Gates Jr.

In this eloquent volume of essays, all but one of which were originally published in the New Yorker , Gates argues against the notion of the singularly representable “black man,” preferring to represent him in a myriad of diverse profiles, from James Baldwin to Colin Powell. Humane, incisive, and satisfyingly journalistic, Gates cobbles together the ultimate portrait of the 20th-century African-American male by refusing to cobble it together, and raises important questions about race and identity even as he entertains.

Otherwise Known As the Human Condition , Geoff Dyer

This book of essays, which won the National Book Critics Circle Award in the year of its publication, covers 25 years of the uncategorizable, inimitable Geoff Dyer’s work — casually erudite and yet liable to fascinate anyone wandering in the door, witty and breathing and full of truth. As Sam Lipsyte said, “You read Dyer for his caustic wit, of course, his exquisite and perceptive crankiness, and his deep and exciting intellectual connections, but from these enthralling rants and cultural investigations there finally emerges another Dyer, a generous seeker of human feeling and experience, a man perhaps closer than he thinks to what he believes his hero Camus achieved: ‘a heart free of bitterness.'”

Art and Ardor , Cynthia Ozick

Look, Cynthia Ozick is a genius. One of David Foster Wallace’s favorite writers, and one of ours, Ozick has no less than seven essay collections to her name, and we could have chosen any one of them, each sharper and more perfectly self-conscious than the last. This one, however, includes her stunner “A Drugstore in Winter,” which was chosen by Joyce Carol Oates for The Best American Essays of the Century , so we’ll go with it.

No More Nice Girls , Ellen Willis

The venerable Ellen Willis was the first pop music critic for The New Yorker , and a rollicking anti-authoritarian, feminist, all-around bad-ass woman who had a hell of a way with words. This collection examines the women’s movement, the plight of the aging radical, race relations, cultural politics, drugs, and Picasso. Among other things.

The War Against Cliché , Martin Amis

As you know if you’ve ever heard him talk , Martin Amis is not only a notorious grouch but a sharp critical mind, particularly when it comes to literature. That quality is on full display in this collection, which spans nearly 30 years and twice as many subjects, from Vladimir Nabokov (his hero) to chess to writing about sex. Love him or hate him, there’s no denying that he’s a brilliant old grump.

Cultural Amnesia: Necessary Memories From History and the Arts , Clive James

James’s collection is a strange beast, not like any other essay collection on this list but its own breed. An encyclopedia of modern culture, the book collects 110 new biographical essays, which provide more than enough room for James to flex his formidable intellect and curiosity, as he wanders off on tangents, anecdotes, and cultural criticism. It’s not the only who’s who you need, but it’s a who’s who you need.

I Feel Bad About My Neck: And Other Thoughts on Being a Woman , Nora Ephron

Oh Nora, we miss you. Again, we could have picked any of her collections here — candid, hilarious, and willing to give it to you straight, she’s like a best friend and mentor in one, only much more interesting than any of either you’ve ever had.

Arguably , Christopher Hitchens

No matter what you think of his politics (or his rhetorical strategies), there’s no denying that Christopher Hitchens was one of the most brilliant minds — and one of the most brilliant debaters — of the century. In this collection, packed with cultural commentary, literary journalism, and political writing, he is at his liveliest, his funniest, his exactingly wittiest. He’s also just as caustic as ever.

The Solace of Open Spaces , Gretel Ehrlich

Gretel Ehrlich is a poet, and in this collection, you’ll know it. In 1976, she moved to Wyoming and became a cowherd, and nearly a decade later, she published this lovely, funny set of essays about rural life in the American West.”Keenly observed the world is transformed,” she writes. “The landscape is engorged with detail, every movement on it chillingly sharp. The air between people is charged. Days unfold, bathed in their own music. Nights become hallucinatory; dreams, prescient.”

The Braindead Megaphone , George Saunders

Saunders may be the man of the moment, but he’s been at work for a long while, and not only on his celebrated short stories. His single collection of essays applies the same humor and deliciously slant view to the real world — which manages to display nearly as much absurdity as one of his trademark stories.

Against Joie de Vivre , Phillip Lopate

“Over the years,” the title essay begins, “I have developed a distaste for the spectacle of joie de vivre , the knack of knowing how to live.” Lopate goes on to dissect, in pleasantly sardonic terms, the modern dinner party. Smart and thought-provoking throughout (and not as crotchety as all that), this collection is conversational but weighty, something to be discussed at length with friends at your next — oh well, you know.

Sex and the River Styx , Edward Hoagland

Edward Hoagland, who John Updike deemed “the best essayist of my generation,” has a long and storied career and a fat bibliography, so we hesitate to choose such a recent installment in the writer’s canon. Then again, Garrison Keillor thinks it’s his best yet , so perhaps we’re not far off. Hoagland is a great nature writer (name checked by many as the modern Thoreau) but in truth, he’s just as fascinated by humanity, musing that “human nature is interstitial with nature, and not to be shunned by a naturalist.” Elegant and thoughtful, Hoagland may warn us that he’s heading towards the River Styx, but we’ll hang on to him a while longer.

Changing My Mind , Zadie Smith

Smith may be best known for her novels (and she should be), but to our eyes she is also emerging as an excellent essayist in her own right, passionate and thoughtful. Plus, any essay collection that talks about Barack Obama via Pygmalion is a winner in our book.

My Misspent Youth , Meghan Daum

Like so many other writers on this list, Daum dives head first into the culture and comes up with meat in her mouth. Her voice is fresh and her narratives daring, honest and endlessly entertaining.

The White Album , Joan Didion

Yes, Joan Didion is on this list twice, because Joan Didion is the master of the modern essay, tearing at our assumptions and building our world in brisk, clever strokes. Deal.

100 Must-Read Essay Collections

Rebecca Hussey

Rebecca holds a PhD in English and is a professor at Norwalk Community College in Connecticut. She teaches courses in composition, literature, and the arts. When she’s not reading or grading papers, she’s hanging out with her husband and son and/or riding her bike and/or buying books. She can't get enough of reading and writing about books, so she writes the bookish newsletter "Reading Indie," focusing on small press books and translations. Newsletter: Reading Indie Twitter: @ofbooksandbikes

View All posts by Rebecca Hussey

There’s something about a shiny new collection of essays that makes my heart beat a little faster. If you feel the same way, can we be friends? If not, might I suggest that perhaps you just haven’t found the right collection yet? I don’t expect everyone to love the thought of sitting down with a nice, juicy personal essay, but I also think the genre gets a bad rap because people associate it with the kind of thing they had to write in school.

Well, essays don’t have to be like the kind of thing you wrote in school. Essays can be anything, really. They can be personal, confessional, argumentative, informative, funny, sad, shocking, sexy, and all of the above. The best essayists can make any subject interesting. If I love an essayist, I’ll read whatever they write. I’ll follow their minds anywhere. Because that’s really what I want out of an essay — the sense that I’m spending time with an interesting mind. I want a companionable, challenging, smart, surprising voice in my head.

So below is my list, not of essay collections I think everybody “must read,” even if that’s what my title says, but collections I hope you will consider checking out if you want to.

1. Against Interpretation — Susan Sontag

2. Alibis: Essays on Elsewhere — André Aciman

3. American Romances — Rebecca Brown

4. Art & Ardor — Cynthia Ozick

5. The Art of the Personal Essay — anthology, edited by Phillip Lopate

6. Bad Feminist — Roxane Gay

7. The Best American Essays of the Century — anthology, edited by Joyce Carol Oates

8. The Best American Essays series — published every year, series edited by Robert Atwan

9. Book of Days — Emily Fox Gordon

10. The Boys of My Youth — Jo Ann Beard

11. The Braindead Megaphone — George Saunders

12. Broken Republic: Three Essays — Arundhati Roy

13. Changing My Mind — Zadie Smith

14. A Collection of Essays — George Orwell

15. The Common Reader — Virginia Woolf

16. Consider the Lobster — David Foster Wallace

17. The Crack-up — F. Scott Fitzgerald

18. Discontent and its Civilizations — Mohsin Hamid

19. Don’t Let Me Be Lonely: An American Lyric — Claudia Rankine

20. Dreaming of Hitler — Daphne Merkin

21. Self-Reliance and Other Essays — Ralph Waldo Emerson

22. The Empathy Exams — Leslie Jameson

23. Essays After Eighty — Donald Hall

24. Essays in Idleness — Yoshida Kenko

25. The Essays of Elia — Charles Lamb

26. Ex Libris: Confessions of a Common Reader — Anne Fadiman

27. A Field Guide to Getting Lost — Rebecca Solnit

28. Findings — Kathleen Jamie

29. The Fire Next Time — James Baldwin

30. The Folded Clock — Heidi Julavits

31. Forty-One False Starts — Janet Malcolm

32. How To Slowly Kill Yourself and Others in America — Kiese Laymon

33. I Feel Bad About My Neck — Nora Ephron

34. I Just Lately Started Buying Wings — Kim Dana Kupperman

35. In Fact: The Best of Creative Nonfiction — anthology, edited by Lee Gutkind

36. In Praise of Shadows — Junichiro Tanizaki

37. In Search of Our Mother’s Gardens — Alice Walker

38. Is Everyone Hanging Out Without Me? — Mindy Kaling

39. I Was Told There’d Be Cake — Sloane Crosley

40. Karaoke Culture — Dubravka Ugresic

41. Labyrinths — Jorge Luis Borges

42. Living, Thinking, Looking — Siri Hustvedt

43. Loitering — Charles D’Ambrosio

44. Lunch With a Bigot — Amitava Kumar

45. Madness, Rack, and Honey — Mary Ruefle

46. Magic Hours — Tom Bissell

47. Meatless Days — Sara Suleri

48. Meaty — Samantha Irby

49. Meditations from a Movable Chair — Andre Dubus

50. Memories of a Catholic Girlhood — Mary McCarthy

51. Me Talk Pretty One Day — David Sedaris

52. Multiply/Divide: On the American Real and Surreal — Wendy S. Walters

53. My 1980s and Other Essays — Wayne Koestenbaum

54. The Next American Essay, The Lost Origins of the Essay, and The Making of the American Essay — anthologies, edited by John D’Agata

55. The Norton Book of Personal Essays — anthology, edited by Joseph Epstein

56. Notes from No Man’s Land — Eula Biss

57. Notes of a Native Son — James Baldwin

58. Not That Kind of Girl — Lena Dunham

59. On Beauty and Being Just — Elaine Scarry

60. Once I Was Cool — Megan Stielstra

61. 100 Essays I Don’t Have Time to Write — Sarah Ruhl

62. On Kissing, Tickling, and Being Bored — Adam Phillips

63. On Lies, Secrets, and Silence — Adrienne Rich

64. The Opposite of Loneliness — Marina Keegan

65. Otherwise Known as the Human Condition — Geoff Dyer

66. Paris to the Moon — Adam Gopnik

67. Passions of the Mind — A.S. Byatt

68. The Pillow Book — Sei Shonagon

69. A Place to Live — Natalia Ginzburg

70. Playing in the Dark: Whiteness and the Literary Imagination — Toni Morrison

71. Pulphead — John Jeremiah Sullivan

72. Selected Essays — Michel de Montaigne

73. Shadow and Act — Ralph Ellison

74. Sidewalks — Valeria Luiselli

75. Sister Outsider — Audre Lorde

76. The Size of Thoughts — Nicholson Baker

77. Slouching Towards Bethlehem — Joan Didion

78. The Souls of Black Folk — W. E. B. Du Bois

79. The Story About the Story — anthology, edited by J.C. Hallman

80. A Supposedly Fun Thing I’ll Never Do Again — David Foster Wallace

81. Ten Years in the Tub — Nick Hornby

82. Thirteen Ways of Looking at a Black Man — Henry Louis Gates

83. This Is Running for Your Life — Michelle Orange

84. This Is the Story of a Happy Marriage — Ann Patchett

85. Tiny Beautiful Things — Cheryl Strayed

86. Tuxedo Junction: Essays on American Culture — Gerald Early

87. Twenty-eight Artists and Two Saints — Joan Acocella

88. The Unspeakable — Meghan Daum

89. Vermeer in Bosnia — Lawrence Weschler

90. The Wave in the Mind — Ursula K. Le Guin

91. We Need Silence to Find Out What We Think — Shirley Hazzard

92. We Should All Be Feminists — Chimamanda Ngozi Adichi

93. What Are People For? — Wendell Berry

94. When I Was a Child I Read Books — Marilynne Robinson

95. The White Album — Joan Didion

96. White Girls — Hilton Als

97. The Woman Warrior — Maxine Hong Kinston

98. The Writing Life — Annie Dillard

99. Writing With Intent — Margaret Atwood

100. You Don’t Have to Like Me — Alida Nugent

If you have a favorite essay collection I’ve missed here, let me know in the comments!

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The best essays: the 2021 pen/diamonstein-spielvogel award, recommended by adam gopnik.

WINNER OF the 2021 PEN/Diamonstein-Spielvogel Award for the Art of the Essay

Had I Known: Collected Essays by Barbara Ehrenreich

Every year, the judges of the PEN/Diamonstein-Spielvogel Award for the Art of the Essay search out the best book of essays written in the past year and draw attention to the author's entire body of work. Here, Adam Gopnik , writer, journalist and PEN essay prize judge, emphasizes the role of the essay in bearing witness and explains why the five collections that reached the 2021 shortlist are, in their different ways, so important.

Interview by Benedict King

Unfinished Business: Notes of a Chronic Re-Reader by Vivian Gornick

Nature Matrix: New and Selected Essays by Robert Michael Pyle

Terroir: Love, Out of Place by Natasha Sajé

Maybe the People Would be the Times by Luc Sante

1 Had I Known: Collected Essays by Barbara Ehrenreich

2 unfinished business: notes of a chronic re-reader by vivian gornick, 3 nature matrix: new and selected essays by robert michael pyle, 4 terroir: love, out of place by natasha sajé, 5 maybe the people would be the times by luc sante.

W e’re talking about the books shortlisted for the 2021 PEN/Diamonstein-Spielvogel Award for the Art of the Essay . As an essayist yourself, or as a reader of essays, what are you looking for? What’s the key to a good essay ?

Let’s turn to the books that made the shortlist of the 2021 PEN Award for the Art of the Essay. The winning book was Had I Known: Collected Essays by Barbara Ehrenreich , whose books have been recommended a number of times on Five Books. Tell me more. 

One of the criteria for this particular prize is that it should be not just for a single book, but for a body of work. One of the things we wanted to honour about Barbara Ehrenreich is that she has produced a remarkable body of work. Although it’s offered in a more specifically political register than some essayists, or that a great many past prize winners have practised, the quiddity of her work is that it remains rooted in personal experience, in the act of bearing witness. She has a passionate political point to make, certainly, a series of them, many seeming all the more relevant now than when she began writing. Nonetheless, her writing still always depends on the intimacy of first-hand knowledge, what people in post-incarceration work call ‘lived experience’ (a term with a distinguished philosophical history). Her book Nickel and Dimed is the classic example of that. She never writes from a distance about working-class life in America. She bears witness to the nature and real texture of working-class life in America.

“One point of giving awards…is to keep passing the small torches of literary tradition”

Next up of the books on the 2021 PEN essay prize shortlist is Unfinished Business: Notes of a Chronic Re-Reader by Vivian Gornick.

Vivian Gornick is a writer who’s been around for a very long time. Although longevity is not in itself a criterion for excellence—or for this prize, or in the writing life generally—persistence and perseverance are. Writers who keep coming back at us, again and again, with a consistent vision, are surely to be saluted. For her admirers, her appetite to re-read things already read is one of the most attractive parts of her oeuvre , if I can call it that; her appetite not just to read but to read deeply and personally. One of the things that people who love her work love about it is that her readings are never academic, or touched by scholarly hobbyhorsing. They’re readings that involve the fullness of her experience, then applied to literature. Although she reads as a critic, she reads as an essayist reads, rather than as a reviewer reads. And I think that was one of the things that was there to honour in her body of work, as well.

Is she a novelist or journalist, as well?

Let’s move on to the next book which made the 2021 PEN essay shortlist. This is Nature Matrix: New and Selected Essays by Robert Michael Pyle.

I have a special reason for liking this book in particular, and that is that it corresponds to one of the richest and oldest of American genres, now often overlooked, and that’s the naturalist essay. You can track it back to Henry David Thoreau , if not to Ralph Waldo Emerson , this American engagement with nature , the wilderness, not from a narrowly scientific point of view, nor from a purely ecological or environmental point of view—though those things are part of it—but again, from the point of view of lived experience, of personal testimony.

Let’s look at the next book on the shortlist of the 2021 PEN Awards, which is Terroir: Love, Out of Place by Natasha Sajé. Why did these essays appeal?

One of the things that was appealing about this book is that’s it very much about, in every sense, the issues of the day: the idea of place, of where we are, how we are located on any map as individuals by ethnic identity, class, gender—all of those things. But rather than being carried forward in a narrowly argumentative way, again, in the classic manner of the essay, Sajé’s work is ruminative. It walks around these issues from the point of view of someone who’s an expatriate, someone who’s an émigré, someone who’s a world citizen, but who’s also concerned with the idea of ‘terroir’, the one place in the world where we belong. And I think the dialogue in her work between a kind of cosmopolitanism that she has along with her self-critical examination of the problem of localism and where we sit on the world, was inspiring to us.

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Last of the books on the shortlist for the 2021 Pen essay award is Maybe the People Would Be the Times by Luc Sante.

Again, here’s a writer who’s had a distinguished generalised career, writing about lots of places and about lots of subjects. In the past, he’s made his special preoccupation what he calls ‘low life’, but I think more broadly can be called the marginalized or the repressed and abject. He’s also written acute introductions to the literature of ‘low life’, the works of Asbury and David Maurer, for instance.

But I think one of the things that was appealing about what he’s done is the sheer range of his enterprise. He writes about countless subjects. He can write about A-sides and B-sides of popular records—singles—then go on to write about Jacques Rivette’s cinema. He writes from a kind of private inspection of public experience. He has a lovely piece about tabloid headlines and their evolution. And I think that omnivorous range of enthusiasms and passions is a stirring reminder in a time of specialization and compartmentalization of the essayist’s freedom to roam. If Pyle is in the tradition of Thoreau, I suspect Luc Sante would be proud to be put in the tradition of Baudelaire—the flaneur who walks the streets, sees everything, broods on it all and writes about it well.

One point of giving awards, with all their built-in absurdity and inevitable injustice, is to keep alive, or at least to keep passing, the small torches of literary tradition. And just as much as we’re honoring the great tradition of the naturalist essay in the one case, I think we’re honoring the tradition of the Baudelairean flaneur in this one.

April 18, 2021

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Adam Gopnik

Adam Gopnik has been a staff writer at the New Yorker since 1986. His many books include A Thousand Small Sanities: The Moral Adventure of Liberalism . He is a three time winner of the National Magazine Award for Essays & Criticism, and in 2021 was made a chevalier of the Legion d'Honneur by the French Republic.

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The best essay collections to read now

From advice on friendship and understanding modern life to getting a grasp on coronavirus, these books offer insight on life. 

What better way to get into the work of a writer than through a collection of their essays? 

These seven collections, from novelists and critics alike, address a myriad of subjects from friendship to how colleges are dealing with sexual assaults on campus to race and racism. 

Trick Mirror by Jia Tolentino (2019)

As a staff writer at The New Yorker , Jia Tolentino has explored everything from a rise in youth vaping to the ongoing cultural reckoning about sexual assault. Her first book Trick Mirror takes some of those pieces for The New Yorker as well as new work to form what is one of the sharpest collections of cultural criticism today.

Using herself and her own coming of age as a lens for many of the essays, Tolentino turns her pen and her eye to everything from her generation’s obsession with extravagant weddings to how college campuses deal with sexual assault.

If you’re looking for an insight into millennial life, then Trick Mirror should be on your to-read list.

In Search of Our Mothers’ Gardens by Alice Walker (1983)

Sometimes essays collected from a sprawling period of a successful writer’s life can feel like a hasty addition to a bibliography; a smash-and-grab of notebook flotsam. Not so In Search of Our Mother’s Gardens , from which one can truly understand the sheer range of the Pulitzer Prize winner’s range of study and activism. From Walker’s first published piece of non-fiction (for which she won a prize, and spent her winnings on cut peonies) to more elegiac pieces about her heritage, Walker’s thoughts on feminism (which she terms “womanism”) and the Civil Rights Movement remain grippingly pertinent 50 years on.

Me Talk Pretty One Day by David Sedaris (2000)

That David Sedaris’s ascent to literary stardom happened later in his life – his breakthrough collection of humour essays was released when he was 44 – suited the author’s writing style perfectly. Me Talk Pretty One Day is both a painfully funny account of his childhood and an enduring snapshot of mid-forties malaise. First story ‘Go Carolina’, about his attempt to transcend a childhood lisp, is told from a perfect distance and with all the worldliness necessary to milk every drop of tragic, cringeworthy humour from his childhood. It never falters from there: by the book’s second half, in which Sedaris is living in France, he’s firmly established his niche, writing about the ways that even snobs experience utter humiliation ­– and Me Talk Pretty One Day is all the more human for it. 

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Harry Mount's top 10 essays

Harry Mount is a journalist, author and editor of the Notting Hill Editions Journal , which commissions a new essay every week. The latest series of essays are published this month.

Buy Notting Hill Editions essays

"There's not much point in trying to define an essay. Its parameters are so broad and slack that they encompass practically any shortish passage of non-fiction which makes a general argument.

"As a rough rule of thumb, I'd say anything that creeps over 40,000 words is entering book territory; and anything too autobiographical strays into memoir. But, still, you could write 50,000 words about yourself, and it could be an essay in every regard.

"It sounds banal, but all that matters is quality of writing and thought. Here are 10 that are exceptional in both departments."

1. George Orwell, Why I Write (1946)

Not an original choice of writer, or of essay. But it would be churlish not to include the man who, more than any other writer over the last century, fine-tuned the form. He applied his essayistic touch to an extreme variety of subjects – the ideal pub, school stories, what makes England England - but this one, on how he became a writer, is my favourite.

The word "intellectual" often brings a lot of dull baggage with it. But Orwell's honesty and humour mean that you're never in danger of being bored. His four reasons for writing - aesthetic enthusiasm, historical impulse, political purpose, sheer egoism - still seem unassailably true today.

2. Martha Gellhorn, Eichmann and the Private Conscience (1962)

You might call Gellhorn's account of Adolf Eichmann's trial in Jerusalem reportage. But that just shows up the flexibility of the essay. A routine bit of reportage remains reportage; brilliant reportage leaps its chains and becomes an essay.

Gellhorn's essay begins with a straight description of the conditions in the court, albeit an atmospheric, closely-observed description: "The air conditioning was too cold, and yet one sweated." But she constantly jumps from factual observation to general, philosophical thought. The seamlessly stitched combination of facts and thoughts becomes a compulsive essay.

3. Evelyn Waugh, A Call to the Orders (1938)

Evelyn Waugh considered life as a printer, cabinet-maker and carpenter before becoming a novelist. He maintained an interest in the visual arts throughout his life; this plea in defence of the classical orders of architecture appeared some time after his literary success began.

The essay is full of angry argument, deep architectural knowledge and lyrical description. "The baroque has never had a place in England; its brief fashion was of short duration; it has been relegated to the holidays – a memory of the happy days in sunglasses, washing away the dust of the southern roads with heady southern wines."

You don't have to agree with the argument to be compelled by it – a rare thing in an essay.

4. Michel de Montaigne, On the Cannibals (1595)

Montaigne is regularly wheeled out as the father of the essay. Debatable, I'd say – the baggy definition of the essay includes much older works.

Still, as well as being early on the essay scene, Montaigne was a natural essay-writer. His essay on cannibalism introduces devices that crop up again and again among the essayists that followed through the centuries. Taking the cannibalism of the Tupinamba tribesmen of Brazil, he uses it as a general analogy for barbarism. "Every man calls barbarous anything he is not accustomed to," he writes, expanding the subject into a discussion on the ideas of primitivism, natural purity and perfection.

5. JM Barrie, Courage (1922)

If you thought Steve Jobs's address to the graduating class of Stanford in 2005 was impressive, prepare to be even more deeply moved by Barrie's speech to the students of St Andrews University in 1922, where he had been voted rector.

Ostensibly about courage, the essay is really about how to deal with the loss of friends and brothers in the first world war; it's aimed at those "who still hear their cries [of the war dead] being blown across the links".

It opens up from the particular to the general, to the qualities needed to deal with such loss, and all with astonishing prescience: "By the time the next eruption comes it may be you who are responsible for it and your sons who are in the lava."

6. Truman Capote, The Duke in his Domain (1957)

Capote is best remembered for his novels, but his non-fiction was exceptional: acidly witty, to the point of nastiness; hyper-observational, to the point of even deeper nastiness. But what is more enjoyable – or, often, truer – than nastiness?

This is the essay-as-interview - in this case with Marlon Brando, at the height of his fame. There's a good deal of nastiness, and racism – "You come see Marron?" says Capote's Japanese guide. But it also gives a rare insight into the perils of celebrity: of too big an entourage, of isolation, of too many appetites being too readily satisfied.

For dinner, Brando, on a diet, orders soup, beefsteak with French-fried potatoes, three supplementary vegetables, a side dish of spaghetti, rolls and butter, a bottle of sake, salad, and cheese and crackers.

7. Jonathan Swift, A Modest Proposal (1729)

Extremely well-known, but that doesn't take away from the effectiveness of Swift's satirical suggestion that the way for the Irish to beat their poverty was to sell their children to the rich as meat and leather.

The best essays, like Swift's, use wit – not just to sugar the pill of heavy prose, but also to ramp up the argument beyond the merely prosaic statement of a thesis.

8. Thomas Paine, Common Sense; Addressed to the Inhabitants of America, on the following interesting subjects (1776)

Paine's pamphlet, anonymous at the time of publication, had a direct effect on the Declaration of Independence.

An argument in the real sense of an argument, it's as if Paine is shouting at you as he rips into the unfairness of a king on one island ruling a continent on the other side of an ocean: "If we will suffer ourselves to examine the component parts of the English Constitution, we shall find them to be the base remains of two ancient tyrannies, compounded with some new Republican materials."

The course of a couple of centuries often turns writing a bit Olde Worlde and quaint. Not here.

9. Isaiah Berlin, The Hedgehog and the Fox (1953)

For all his reputation as the planet-sized brain of the 20th century, Isaiah Berlin was better at the short sprint than the magnum opus. His lectures stick in the minds of those who heard them half a century ago. This essay is just as memorable.

The inspiration came from the Ancient Greek idiom: "The fox knows many things, but the hedgehog knows one big thing."

Berlin then sifts through his storage room of a brain to divide writers into one or the other category. Tolstoy, who forms the heart of the essay, wanted to be a hedgehog but was really a fox. Other foxes include Aristotle, Montaigne and Shakespeare. Plato and Proust are hedgehogs.

All a bit reductive perhaps, but really enjoyable, and a useful boilerplate when it comes to considering the ideas of other writers.

10. AN Wilson, In Defence of Gay Priests (2003)

Normally, a newspaper comment piece would never be long, or substantial, enough to constitute an essay. But this article – justifying the appointment of Jeffrey John, the Dean of St Albans, as Bishop of Reading – went way beyond tomorrow's-chip-wrapper material. The personal anecdote and light, jokey manner disguise serious thought and a deeply convincing argument; and the article becomes an essay.

• Evelyn Waugh
• George Orwell
• Jonathan Swift
• Truman Capote
• Michel de Montaigne

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10 Best Books on Essay Writing (You Should Read Today)

You can improve your essay writing skills with practice, repetition, and perusing books on essay writing, which are full of useful examples.  

While simply living life, observing your surroundings, and diving into classic essays can naturally hone your writing skills, sometimes a trusty guidebook can give you that extra edge. Interested in mastering the craft of essay writing? Dive into some of the best essay-writing manuals out there. If you dream of becoming a professional essay writer , it’s essential to grasp the nuances of structure, tone, and format. Not all gifted writers can craft an exemplary essay, after all. Recognizing the significance of essays, especially in college admissions, can elevate your approach. If you’re gearing up to write a compelling college admission essay , I’d recommend perusing my guide on crafting an outstanding essay .

“I hate writing, I love having written.” – Dorothy Parker

Here are 10 Books That Will Help You With Essay Writing:

1. a professor’s guide to writing essays: the no-nonsense plan for better writing by dr. jacob neumann.

This is the highest-rated book on the subject available on the market right now. It’s written for students at any level of education. The author uses an unorthodox approach, claiming that breaking essays down into different formats is unnecessary. It doesn’t matter if it’s a persuasive or a narrative essay – the difference is not in how you write, but rather in how you build your case . Length: 118 pages Published: 2016

2. College Essay Essentials: A Step-by-Step Guide to Writing a Successful College Admissions Essay – by Ethan Sawyer

Every year, millions of high-schoolers scramble to achieve above-average GPAs and score well on the SAT , or in some cases, the ACT , or both. They also have to write a 650-word essay and find their way to their dream college. If you’re one of them, then make sure you read this concise book . Ethan Sawyer (The College Essay Guy), breaks the whole essay-writing process down into simple steps and shows you the way around the most common mistakes college applicants usually make. Length: 256 pages Published: 2016

3. The Only Grammar Book You’ll Ever Need: A One-Stop Source for Every Writing Assignment by Susan Thurman

The institution of a grammar school is defunct, but it doesn’t mean you can ignore the basic rules that govern your language. If you’re writing an essay or a college paper , you better keep your grammar tight. Otherwise, your grades will drop dramatically because professors abhor simple grammar mistakes. By reading this little book , you’ll make sure your writing is pristine. Length: 192 pages Published: 2003

4. Escape Essay Hell!: A Step-by-Step Guide to Writing Narrative College Application Essays by Janine W. Robinson

A well-written essay has immense power. Not only that, it is the prerequisite to getting admitted to colleges and universities, but you also have to tackle a few essay questions in most, if not all exams you will ever take for career or academic advancement. For instance, when taking the LSAT to qualify for law school , the MCAT to get into med school , the DAT to pursue a degree in dentistry, or even the GRE or GMAT as the first step in earning a master’s degree. That is why this book is highly recommended to anyone navigating through the sea of higher learning. In this amusing book, Janine Robinson focuses mostly on writing narrative essays . She’s been helping college-bound students to tell unique stories for over a decade and you’ll benefit from her expert advice. The book contains 10 easy steps that you can follow as a blueprint for writing the best “slice of life” story ever told. Length: 76 pages Published: 2013

5. The Art of the Personal Essay: An Anthology from the Classical Era to the Present by Phillip Lopate

This large volume is a necessary diversion from the subject of formal, highly constrained types of writing. It focuses only on the genre of the personal essay which is much more free-spirited, creative, and tongue-and-cheek-like. Phillip Lopate, himself an acclaimed essayist, gathers seventy of the best essays of this type and lets you draw timeless lessons from them. Length: 777 pages Published: 1995

6. The Best American Essays of the Century by Joyce Carol Oates

The art of the modern essay starts with Voltaire at the beginning of the eighteenth century. Since then, many a writer attempted to share their personal stories and philosophical musings in this free-flowing form. Americans are no different. In this anthology, Joyce Carol Oates shares some fantastic reads that you need to absorb if you want to become a highly skilled polemicist. Length: 624 pages Published: 2001

7. On Writing Well: The Classic Guide to Writing Nonfiction by William Zinsser

On Writing Well is a classic writing guide that will open your eyes to the art of producing clear-cut copy. Zinsser approached the subject of writing with a warm, cheerful attitude that seeps through the pages of his masterpiece. Whether you want to describe places, communicate with editors, self-edit your copy, or avoid verbosity, this book will have the right answer for you. Length: 336 pages Published: 2016 (reprint edition)

8. How To Write Any High School Essay: The Essential Guide by Jesse Liebman

The previous titles I mentioned were mostly for “grown-up” writers, but the list wouldn’t be complete without a book for ambitious high-school students. Its length is appropriate, making it possible even for the most ADHD among us to get through it. It contains expert advice, easy-to-implement essay outlines , and tips on finding the best topics and supporting them with strong arguments. Length: 124 pages Published: 2017

9. Essential Writing Skills for College and Beyond by C.M. Gill

On average, after finishing high school or college, Americans read only around twelve books per year. This is a pity because books contain a wealth of information. People at the top of the socio-economic ladder read between forty and sixty books per year – and you should too! But reading is just one skill that gets neglected after college. Writing is the other one. By reading the “Essential Writing Skills” you’ll be able to crush all of your college writing assignments and use them throughout your life to sharpen your prose. Length: 250 Published: 2014

10. The Hidden Machinery: Essays on Writing by Margot Livesey

If you want to write, you first need to read some of the best essays ever written . Developing your style results from conversing with great minds and then borrowing from them to create something new. All great artists are inspired by someone. In Hidden Machinery, Margot Livesey shares her essays on what makes good fiction and a strong narrative. It’s a must-read for all aspiring writers. Length: 224 Published: 2017 How did you like this article? Are you going to read any of the books listed above? Can you recommend any other book that I should add to this list?

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Last updated on May 31, 2022

The 40 Best Books About Writing: A Reading List for Authors

For this post, we’ve scoured the web (so you don’t have to) and asked our community of writers for recommendations on some indispensable books about writing. We've filled this list with dozens of amazing titles, all of which are great — but this list might seem intimidating. So for starters, here are our top 10 books about writing:

• On Writing by Stephen King
• The Kick-Ass Writer by Chuck Wendig
• Dreyer’s Englis h by Benjamin Dreyer
• The Elements of Style by Strunk, White, and Kalman
• The Story Grid by Shawn Coyne
• A Swim in a Pond in the Rain by George Saunders
• Bird by Bird by Anne Lamott
• Mouth Full of Blood by Toni Morrison
• How to Market a Book by Ricardo Fayet
• On Writing Well by William Zinsser

But if you're ready to get into the weeds, here are 40 of our favorite writing books.

Books about becoming a writer

1. on writing by stephen king.

Perhaps the most-cited book on this list, On Writing is part-memoir, part-masterclass from one of America’s leading authors. Come for the vivid accounts of his childhood and youth — including his extended "lost weekend" spent on alcohol and drugs in the 1980s. Stay for the actionable advice on how to use your emotions and experiences to kickstart your writing, hone your skills, and become an author. Among the many craft-based tips are King’s expert takes on plot, story, character, and more.

From the book: “Amateurs sit and wait for inspiration, the rest of us just get up and go to work.” 

2. The Kick-Ass Writer by Chuck Wendig

If you haven’t checked out Wendig’s personal blog, head over there now and bookmark it. Unfiltered, profane, and almost always right, Wendig’s become a leading voice among online writing communities in the past few years. In The Kick-Ass Writer , he offers over 1,000 pearls of wisdom for authors, ranging from express writing tips to guidance on getting published. Written to be read in short bursts, we’re sure he’d agree that this is the perfect bathroom book for writers.

From the book: “I have been writing professionally for a lucky-despite-the-number 13 years. Not once — seriously, not once ever — has anyone ever asked me where I got my writing degree… Nobody gives two ferrets fornicating in a filth-caked gym sock whether or not you have a degree… The only thing that matters is, Can you write well? ” 

3. Find Your Voice by Angie Thomas

Taking advice from famous authors is not about imitation, but about finding your own voice . Take it from someone who knows: Thomas is the New York Times #1 Bestselling author of The Hate U Give , On the Come Up , and Concrete Rose . While she’s found her calling in YA literature , she has plenty of insight into finding your own voice in your genre of choice. Written in the form of a guided journal, this volume comes with step-by-step instructions, writing prompts, and exercises especially aimed at helping younger creatives develop the strength and skills to realize their vision.

From the book: “Write fearlessly. Write what is true and real to you.” 

4. The Forest for the Trees by Betsy Lerner

Since its publication in 2000, The Forest for the Trees has remained an essential resource for authors at various stages in their careers. As an editor, Lerner gives advice not only on producing quality content, but also on how to build your career as an author and develop a winning routine — like how writers can be more productive in their creative process, how to get published , and how to publish well . 

From the book: “The world doesn't fully make sense until the writer has secured his version of it on the page. And the act of writing is strangely more lifelike than life.”

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5. How to Write Like Tolstoy by Richard Cohen

From the book: “Great writers can be inhibiting, and maybe after one has read a Scott Fitzgerald or Henry James one can’t escape imitat­ing them; but more often such writers are inspiring.”

6. Feel Free: Essays by Zadie Smith

Smith is well-known for her fiction, but she is also a prolific essay writer. In Feel Free , she has gathered several essays on recent cultural and political developments and combined them with experiences from her own life and career. In “The I Who Is Not Me”, she explores how her own lived experience comes into play in her fiction writing, and how she manages to extrapolate that to comment on contemporary social contexts, discussing race, class, and ethnicity.

From the book: “Writing exists (for me) at the intersection of three precarious, uncertain elements: language, the world, the self. The first is never wholly mine; the second I can only ever know in a partial sense; the third is a malleable and improvised response to the previous two.”

Books about language and style 

7. dreyer’s english by benjamin dreyer.

A staple book about writing well, Dreyer’s English serves as a one-stop guide to proper English, based on the knowledge that Dreyer — a senior copy editor at Random House — has accumulated throughout his career. From punctuation to tricky homophones, passive voice, and commas, the goal of these tools should be to facilitate effective communication of ideas and thoughts. Dreyer delivers this and then some, but not without its due dosage of humor and informative examples. 

From the book: “A good sentence, I find myself saying frequently, is one that the reader can follow from beginning to end, no matter how long it is, without having to double back in confusion because the writer misused or omitted a key piece of punctuation, chose a vague or misleading pronoun, or in some other way engaged in inadvertent misdirection.”

8. The Elements of Style (Illustrated) by William Strunk, Jr., E. B. White, and Maira Kalman

A perfect resource for visual learners, this illustrated edition of The Elements of Style has taken the classic style manual to a new, more accessible level but kept its main tenet intact: make every word tell. The written content by Strunk and White has long been referred to as an outline of the basic principles of style. Maira Kalman’s illustrations elevate the experience and make it a feast for both the mind and the eye. 

From the book: “A sentence should contain no unnecessary words, a paragraph no unnecessary sentences, for the same reason that a drawing should have no unnecessary lines and a machine no unnecessary parts.”

9. Sin and Syntax by Constance Hale

If you’re looking to bring a bit of spunk into your writing, copy editor Constance Hale may hold the key . Whether you’re writing a work-related email or the next rap anthem, she has one goal: to make creative communication available to everyone by dispelling old writing myths and making every word count. Peppered with writing prompts and challenges, this book will have you itching to put pen to paper.

From the book: “Verbose is not a synonym for literary.”

10. The Sense of Style by Steven Pinker

Combining entertainment with intellectual pursuit, Pinker, a cognitive scientist and dictionary consultant, explores and rethinks language usage in the 21st century . With illustrative examples of both great and not-so-great linguistic constructions, Pinker breaks down the art of writing and gives a gentle but firm nudge in the right direction, towards coherent yet stylish prose. This is not a polemic on the decay of the English language, nor a recitation of pet peeves, but a thoughtful, challenging, and practical take on the science of communication. 

From the book: “Why is so much writing so bad, and how can we make it better? Is the English language being corrupted by texting and social media? Do the kids today even care about good writing—and why should we care?”

11. Eats, Shoots, & Leaves: The Zero Tolerance Approach to Punctuation by Lynne Truss

From the book: “A panda walks into a cafe. He orders a sandwich, eats it, then draws a gun and fires two shots in the air. "Why?" asks the confused waiter, as the panda makes towards the exit. The panda produces a badly punctuated wildlife annual and tosses it over his shoulder. "I'm a panda," he says, at the door. "Look it up." The waiter turns to the relevant entry and, sure enough, finds an explanation. Panda. Large black-and-white bear-like mammal, native to China. Eats, shoots and leaves.”

Books about story structure

12. save the cat by blake snyder.

Best known as a screenwriting manual, Save the Cat! is just as often named by authors as one of their most influential books about writing. The title comes from the tried-and-true trope of the protagonist doing something heroic in the first act (such as saving a cat) in order to win over the audience. Yes, it might sound trite to some — but others swear by its bulletproof beat sheet. More recently, there has been Save the Cat! Writes a Novel , which tailors its principles specifically to the literary crowd. (For a concise breakdown of the beat sheet, check this post out!)

From the book: “Because liking the person we go on a journey with is the single most important element in drawing us into the story.” 

13. The Story Grid by Shawn Coyne

Shawn Coyne is a veteran editor with over 25 years of publishing experience, and he knows exactly what works and what doesn’t in a story — indeed, he’s pretty much got it down to a science. The Story Grid: What Good Editors Know outlines Coyne’s original “Story Grid” evaluation technique, which both writers and editors can use to appraise, revise, and ultimately improve their writing (in order to get it ready for publication). Coyne and his friend Tim Grahl also co-host the acclaimed Story Grid podcast , another great resource for aspiring writers.

From the book: “The Story Grid is a tool with many applications. It pinpoints problems but does not emotionally abuse the writer… it is a tool to re-envision and resuscitate a seemingly irredeemable pile of paper stuck in an attack drawer, and it can inspire an original creation.”

14. Story Structure Architect by Victoria Schmidt

For those who find the idea of improvising utterly terrifying and prefer the security of structures, this book breaks down just about every kind of story structure you’ve ever heard of. Victoria Schmidt offers no less than fifty-five different creative paths for your story to follow — some of which are more unconventional, or outright outlandish than others. The level of detail here is pretty staggering: Schmidt goes into the various conflicts, subplots, and resolutions these different story structures entail — with plenty of concrete examples! Suffice to say that no matter what kind of story you’re writing, you’ll find a blueprint for it in Story Structure Architect .

From the book: “When you grow up in a Westernized culture, the traditional plot structure becomes so embedded in your subconscious that you may have to work hard to create a plot structure that deviates from it… Understand this and keep your mind open when reading [this book]. Just because a piece doesn’t conform to the model you are used to, does not make it bad or wrong.”

15. The Writer's Journey  by Christopher Vogler

Moving on, we hone in on the mythic structure. Vogler’s book, originally published in 1992, is now a modern classic of writing advice; though intended as a screenwriting textbook, its contents apply to any story of mythic proportions. In The Writer’s Journey: Mythic Structure for Writers , Vogler takes a page (literally) from Joseph Campbell’s Hero of a Thousand Faces to ruminate upon the most essential narrative structures and character archetypes of the writing craft. So if you’re thinking of drawing up an epic fantasy series full of those tropes we all know and love, this guide should be right up your alley.

From the book: “The Hero’s Journey is not an invention, but an observation. It is a recognition of a beautiful design… It’s difficult to avoid the sensation that the Hero’s Journey exists somewhere, somehow, as an external reality, a Platonic ideal form, a divine model. From this model, infinite and highly varied copies can be produced, each resonating with the essential spirit of the form.”

16. Story Genius by Lisa Cron

From the book: “We don't turn to story to escape reality. We turn to story to navigate reality.”

17. A Swim in a Pond in the Rain by George Saunders

More than just a New York Times bestseller and the winner of the Booker Prize, A Swim in a Pond in the Rain is a distillation of the MFA class on Russian short stories that Saunders has been teaching. Breaking down narrative functions and why we become immersed in a story, this is a must-read for anyone wanting to understand and nurture our continued need for fiction.

From the book: “We’re going to enter seven fastidiously constructed scale models of the world, made for a specific purpose that our time maybe doesn’t fully endorse but that these writers accepted implicitly as the aim of art—namely, to ask the big questions, questions like, How are we supposed to be living down here? What were we put here to accomplish? What should we value? What is truth, anyway, and how might we recognize it?”

Books about overcoming obstacles as a writer

18. bird by bird by anne lamott .

Like Stephen King’s book about writing craft, this work from acclaimed novelist and nonfiction writer Anne Lamott also fuses elements of a memoir with invaluable advice on the writer’s journey. Particularly known for popularizing the concept of “shitty first drafts”, Bird by Bird was recently recommended by editor Jennifer Hartmann in her Reedsy Live webinar for its outlook take on book writing. She said, “This book does exactly what it says it will do: it teaches you to become a better writer. [Lamott] is funny and witty and very knowledgeable.”

From the book: “Perfectionism is the voice of the oppressor, the enemy of the people. It will keep you cramped and insane your whole life, and it is the main obstacle between you and a shitty first draft.”

19. Take Off Your Pants by Libbie Hawker 

From the book: “When it comes to the eternal quandary of pantsing or plotting, you can keep a foot in each camp. But if your goals will require you to write with speed and confidence, an effective outline will be your best friend.”

20. Writing into the Dark by Dean Wesley Smith 

And for those who eschew structure altogether, we’ll now refer you to this title from profile science fiction author Dean Wesley Smith . Having authored a number of official Star Trek novels, he definitely knows what he’s talking about when he encourages writers to go boldly into the unknown with an approach to writing books that doesn’t necessarily involve an elaborate plan. It might not be your action plan, but it can be a fresh perspective to get out of the occasional writer’s block .

From the book: “Imagine if every novel you picked up had a detailed outline of the entire plot… Would you read the novel after reading the outline? Chances are, no. What would be the point? You already know the journey the writer is going to take you on. So, as a writer, why do an outline and then have to spend all that time creating a book you already know?”

21. No Plot, No Problem by Chris Baty

If you’re procrastinating to the point where you haven’t even started your novel yet, NaNo founder Chris Baty is your guy! No Plot, No Problem is a “low-stress, high-velocity” guide to writing a novel in just 30 days (yup, it’s great prep for the NaNoWriMo challenge ). You’ll get tons of tips on how to survive this rigorous process, from taking advantage of your initial momentum to persisting through moments of doubt . Whether you’re participating in everyone’s favorite November write-a-thon or you just want to bang out a novel that’s been in your head forever, Baty will help you cross that elusive finish line.

From the book: “A rough draft is best written in the steam-cooker of an already busy life. If you have a million things to do, adding item number 1,000,001 is not such a big deal.”

22. The 90-Day Novel by Alan Watt

And for those who think 30 days is a bit too steam cooker-esque, there’s always Alan Watt’s more laid-back option. In The 90-Day Novel , Watt provides a unique three-part process to assist you with your writing. The first part provides assistance in developing your story’s premise, the second part helps you work through obstacles to execute it, and the third part is full of writing exercises to unlock the “primal forces” of your story — aka the energy that will invigorate your work and incite readers to devour it like popcorn at the movies.

From the book: “Why we write is as important as what we write. Grammar, punctuation, and syntax are fairly irrelevant in the first draft. Get the story down… fast. Get out of your head, so you can surprise yourself on the page.”

23. The War of Art by Steven Pressfield

If you feel like you’re constantly in the trenches of your “inner creative battle,” The War of Art is the book for you. Pressfield emphasizes the importance of breaking down creative barriers — what he calls “Resistance” — in order to defeat your demons (i.e. procrastination, self-doubt, etc.) and fulfill your potential. Though some of his opinions are no doubt controversial (he makes repeated claims that almost anything can be procrastination, including going to the doctor), this book is the perfect remedy for prevaricating writers who need a little bit of tough love.

From the book: “Most of us have two lives. The life we live, and the unlived life within us. Between the two stands Resistance.”

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Books about writing as a lifestyle and career

24. steal like an artist by austin kleon.

As Kleon notes in the first section of Steal Like an Artist , this title obviously doesn’t refer to plagiarism. Rather, it acknowledges that art cannot be created in a vacuum, and encourages writers (and all other artists) to be open and receptive to all sources of inspiration. By “stealing like an artist,” writers can construct stories that already have a baseline of familiarity for readers, but with new twists that keep them fresh and exciting .

From the book: “If we’re free from the burden of trying to be completely original, we can stop trying to make something out of nothing, and we can embrace influence instead of running away from it.”

25. Mouth Full of Blood by Toni Morrison

From the book: “A writer's life and work are not a gift to mankind; they are its necessity.”

26. Writing Down the Bones by Natalie Goldberg

No matter what stage you’re at in your writing career, Goldberg’s Writing Down the Bones will help you write more skillfully and creatively. With suggestions, encouragement, and valuable advice on the many aspects of the writing craft, Goldberg doesn’t shy away from making the crucial connection between writing and adding value to your life. Covering a range of topics including taking notes of your initial thoughts, listening, overcoming doubt, choosing where to write, and the selection of your verbs, this guide has plenty to say about the minute details of writing, but excels at exploring the author life.

From the book: “Write what disturbs you, what you fear, what you have not been willing to speak about. Be willing to be split open.”

27. Zen in the Art of Writing by Ray Bradbury

What does it take to become a great author? According to the beloved writer Ray Bradbury , it takes zest, gusto, curiosity, as well as a spirit of adventure. Sharing his wisdom and experiences as one of the most prolific writers in America, Bradbury gives plenty of practical tips and tricks on how to develop ideas, find your voice, and create your own style in this thoughtful volume. In addition to that, this is also an insight into the life and mind of this prolific writer, and a celebration of the act of writing. 

From the book: “Every morning I jump out of bed and step on a land mine. The land mine is me. After the explosion, I spend the rest of the day putting the pieces back together. Now, it's your turn. Jump!”

28. The Kite and the String by Alice Mattison

One of the most common dilemmas an author faces is the struggle between spontaneity and control. Literary endeavors need those unexpected light-bulb moments, but a book will never be finished if you rely solely on inspiration. In The Kite and the String , Mattison has heard your cry for help and developed a guide for balancing these elements throughout the different stages of writing a novel or a memoir. Sure, there may be language and grammar rules that govern the way you write, but letting a bit of playfulness breathe life into your writing will see it take off to a whole new level. On the other hand, your writing routine, solitude, audience, and goal-setting will act as the strings that keep you from floating too far away. 

From the book: "Don’t make yourself miserable wishing for a kind of success that you wouldn’t enjoy if you had it."

29. How to Become a Successful Indie Author by Craig Martelle

This one’s for all the indie authors out there! Even if you’ve already self-published a book , you can still learn a lot from this guide by Craig Martelle , who has dozens of indie books — “over two and a half million words,” as he puts it — under his belt. With patience and expertise, Martelle walks you through everything you need to know: from developing your premise to perfecting your writing routine, to finally getting your work to the top of the Amazon charts.

From the book: “No matter where you are on your author journey, there’s always a new level you can reach. Roll up your sleeves, because it’s time to get to work.”

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30. How to Market a Book by Ricardo Fayet 

From the book: “Here’s the thing: authors don’t find readers; readers find books . [...] Marketing is not about selling your book to readers. It’s about getting readers to find it.”

31. Everybody Writes by Ann Handley

The full title of Handley’s all-inclusive book on writing is actually Everybody Writes: Your Go-To Guide to Creating Ridiculously Good Content — which should tell you something about its broad appeal. Not only does Handley have some great ideas on how to plan and produce a great story, but she also provides tips on general content writing, which comes in handy when it’s time to build your author platform or a mailing list to promote your book. As such, Everybody Writes is nothing like your other books on novel writing — it’ll make you see writing in a whole new light.

From the book: “In our world, many hold a notion that the ability to write, or write well, is a gift bestowed on a chosen few. That leaves us thinking there are two kinds of people: the writing haves — and the hapless, for whom writing well is a hopeless struggle, like trying to carve marble with a butter knife. But I don’t believe that, and neither should you.” 

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Books on writing poetry 

32. madness, rack, and honey by mary ruefle.

With a long history of crafting and lecturing about poetry, Ruefle invites the reader of Madness, Rack, and Honey to immerse themselves into its beauty and magic. In a powerful combination of lectures and musings, she expertly explores the mind and craft of writers while excavating the magical potential of poetry. Often a struggle between giving and taking, poetry is, according to Ruefle, a unique art form that reveals the innermost workings of the human heart.

From the book: “In one sense, reading is a great waste of time. In another sense, it is a great extension of time, a way for one person to live a thousand and one lives in a single lifespan, to watch the great impersonal universe at work again and again”

33. Threads by Sandeep Parmar, Nisha Ramayya, and Bhanu Kapil

If you’re looking for something that explores the philosophical aspects of writing, Threads asks big questions about writing and the position of the writer in an industry that has largely excluded marginalized voices. Where does the writer exist in relation to its text and, particularly in the case of poetry, who is the “I”? Examining the common white, British, male lens, this collection of short essays will make it hard for you not to critically consider your own perceptions and how they affect your writing process.

From the book: “It is impossible to consider the lyric without fully interrogating its inherent promise of universality, its coded whiteness.”

34. The Hatred of Poetry by Ben Lerner

Despite its eye-catching title, this short essay is actually a defense of poetry . Lerner begins with his own hatred of the art form, and then moves on to explore this love-hate dichotomy that actually doesn’t seem to be contradictory. Rather, such a multitude of emotions might be one of the reasons that writers and readers alike turn to it. With its ability to evoke feelings and responses through word-play and meter, poetry has often been misconceived as inaccessible and elitist; this is a call to change that perception. 

From the book: “All I ask the haters — and I, too, am one — is that they strive to perfect their contempt, even consider bringing it to bear on poems, where it will be deepened, not dispelled, and where, by creating a place for possibility and present absences (like unheard melodies), it might come to resemble love.”

35. Poemcrazy by Susan G. Wooldridge

If you’ve ever felt that the mysterious workings of poetry are out of your reach and expressly not for you, Wooldridge is here to tell you that anyone who wants to can write poetry . An experienced workshop leader, she will help you find your inner voice and to express it through the written word. Giving you advice on how to think, use your senses, and practice your writing, Wooldrige will have you putting down rhyme schemes before you know it. 

From the book: “Writing a poem is a form of listening, helping me discover what's wrong or frightening in my world as well as what delights me.”

36. Writing Better Lyrics by Pat Pattison

From the book: “Don't be afraid to write crap — it makes the best fertilizer. The more of it you write, the better your chances are of growing something wonderful.”

Books about writing nonfiction

37. on writing well by william zinsser.

Going strong with its 30th-anniversary edition, On Writing Well: The Classic Guide to Writing Nonfiction is an evergreen resource for nonfiction writers which breaks down the fundamental principles of written communication. As a bonus, the insights and guidelines in this book can certainly be applied to most forms of writing, from interviewing to camp-fire storytelling. Beyond giving tips on how to stay consistent in your writing and voice, how to edit, and how to avoid common pitfalls, Zinsser can also help you grow as a professional writer, strengthening your career and taking steps in a new direction. 

From the book: “Don’t try to visualize the great mass audience. There is no such audience—every reader is a different person.”

38. Essays by Lydia Davis

Ironically enough, this rather lengthy book is a celebration of brevity. As one of the leading American voices in flash-fiction and short-form writing, Davis traces her literary roots and inspirations in essays on everything, ranging from the mastodonic work of Proust to minimalism. In both her translations and her own writing, she celebrates experimental writing that stretches the boundaries of language. Playing with the contrast between what is said and what is not, this collection of essays is another tool to the writing shed to help you feel and use the power of every word you write.

From the book: “Free yourself of your device, for at least certain hours of the day — or at the very least one hour. Learn to be alone, all alone, without people, and without a device that is turned on. Learn to experience the purity of that kind of concentration. Develop focus, learn to focus intently on one thing, uninterrupted, for a long time.”

39. Essayism by Brian Dillon

In this volume, Dillon explores the often overlooked genre of essay writing and its place in literature’s past, present, and future. He argues that essays are an “experiment in attention” but also highlights how and why certain essays have directly impacted the development of the cultural and political landscape, from the end of the Middle Ages until the present day. At its heart, despite its many forms, subject areas, and purposes, essayism has its root in self-exploration. Dip in and out of Dillon’s short texts to find inspiration for your own nonfiction writing.

From the book: “What exactly do I mean, even, by 'style'? Perhaps it is nothing but an urge, an aspiration, a clumsy access of admiration, a crush.”

40. Naked, Drunk, and Writing by Adair Lara

From the book: “Write it down. Whatever it is, write it down. Chip it into marble. Type it into Microsoft Word. Spell it out in seaweeds on the shore. We are each of us an endangered species, delicate as unicorns.”

With a few of these books in your arsenal, you’ll be penning perfect plots in no time! And if you’re interested in learning more about the editing process, check these books on editing out as well!

ZUrlocker says:

11/03/2019 – 19:46

I'm familiar with several of these books. But for new authors, I urge you caution. It is very tempting to read so many books about writing that you never get around to writing. (I did this successfully for many years!) So I will suggest paring it down to just two books: Stephen King on Writing and Blake Snyder Save the Cat. Snyder's book is mostly about screenwriting, so you could also consider Save the Cat Writes a Novel by Jessica Brody. Best of luck!

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The Best Reviewed Essay Collections of 2020

Featuring zadie smith, helen macdonald, claudia rankine, samantha irby, and more.

Zadie Smith’s Intimations , Helen Macdonald’s Vesper Flights , Claudia Rankine’s Just Us , and Samantha Irby’s Wow, No Thank You all feature among the Best Reviewed Essay Collections of 2020.

Brought to you by Book Marks , Lit Hub’s “Rotten Tomatoes for books.”

1. Vesper Flights by Helen Macdonald (Grove)

18 Rave • 3 Positive • 1 Mixed

Read Helen Macdonald on Sherlock Holmes, Ursula Le Guin, and hating On the Road  here

“A former historian of science, Macdonald is as captivated by the everyday (ants, bird’s nests) as she is by the extraordinary (glowworms, total solar eclipses), and her writing often closes the distance between the two … Always, the author pushes through the gloom to look beyond herself, beyond all people, to ‘rejoice in the complexity of things’ and to see what science has to show us: ‘that we are living in an exquisitely complicated world that is not all about us’ … The climate crisis shadows these essays. Macdonald is not, however, given to sounding dire, all-caps warnings … For all its elegiac sentences and gray moods, Vesper Flights  is a book of tremendous purpose. Throughout these essays, Macdonald revisits the idea that as a writer it is her responsibility to take stock of what’s happening to the natural world and to convey the value of the living things within it.”

–Jake Cline  ( The Washington Post )

2. Intimations by Zadie Smith (Penguin)

13 Rave • 7 Positive • 3 Mixed

Listen to Zadie Smith read from Intimations here

“Smith…is a spectacular essayist—even better, I’d say, than as a novelist … Smith…get[s] at something universal, the suspicion that has infiltrated our interactions even with those we want to think we know. This is the essential job of the essayist: to explore not our innocence but our complicity. I want to say this works because Smith doesn’t take herself too seriously, but that’s not accurate. More to the point, she is willing to expose the tangle of feelings the pandemic has provoked. And this may seem a small thing, but it’s essential: I never doubt her voice on the page … Her offhandedness, at first, feels out of step with a moment in which we are desperate to feel that whatever something we are trying to do matters. But it also describes that moment perfectly … Here we see the kind of devastating self-exposure that the essay, as a form, requires—the realization of how limited we are even in the best of times, and how bereft in the worst.”

–David L. Ulin  ( The Los Angeles Times )

3. Just Us: An American Conversation by Claudia Rankine (Graywolf)

11 Rave • 6 Positive • 5 Mixed

Read an excerpt from Just Us here

“ Just Us  is about intimacy. Rankine is making an appeal for real closeness. She’s advocating for candor as the pathway to achieving universal humanity and authentic love … Rankine is vulnerable, too. In ‘lemonade,’ an essay about how race and racism affect her interracial marriage, Rankine models the openness she hopes to inspire. ‘lemonade’ is hard to handle. It’s naked and confessional, deeply moving and, ultimately, inspirational … Just Us , as a book, is inventive … Claudia Rankine may be the most human human I’ve ever encountered. Her inner machinations and relentless questioning would exhaust most people. Her labor should be less necessary, of course.”

–Michael Kleber-Diggs  ( The Star Tribune )

4. Minor Feelings: An Asian American Reckoning by Cathy Park Hong (One World)

7 Rave • 10 Positive • 2 Mixed

Listen to an interview with Cathy Park Hong here

“Hong’s metaphors are crafted with stinging care. To be Asian-American, she suggests, is to be tasked with making an injury inaccessible to the body that has been injured … I read Minor Feelings  in a fugue of enveloping recognition and distancing flinch … The question of lovability, and desirability, is freighted for Asian men and Asian women in very different ways—and Minor Feelings  serves as a case study in how a feminist point of view can both deepen an inquiry and widen its resonances to something like universality … Hong reframes the quandary of negotiating dominance and submission—of desiring dominance, of hating the terms of that dominance, of submitting in the hopes of achieving some facsimile of dominance anyway—as a capitalist dilemma … Hong is writing in agonized pursuit of a liberation that doesn’t look white—a new sound, a new affect, a new consciousness—and the result feels like what she was waiting for. Her book is a reminder that we can be, and maybe have to be, what others are waiting for, too.”

–Jia Tolentino  ( The New Yorker )

5. World of Wonders: In Praise of Fireflies, Whale Sharks, and Other Astonishments by Aimee Nezhukumatathil (Milkweed Editions)

11 Rave • 3 Positive

Read an excerpt from World of Wonders here

“In beautifully illustrated essays, poet Aimee Nezhukumatathil writes of exotic flora and fauna and her family, and why they are all of one piece … In days of old, books about nature were often as treasured for their illustrations as they were for their words. World of Wonders,  American poet and teacher Aimee Nezhukumatathil’s prose ode to her muses in the natural world, is a throwback that way. Its words are beautiful, but its cover and interior illustrations by Fumi Mini Nakamura may well be what first moves you to pick it up in a bookstore or online … The book’s magic lies in Nezhukumatathil’s ability to blend personal and natural history, to compress into each brief essay the relationship between a biographical passage from her own family and the life trajectory of a particular plant or animal … Her kaleidoscopic observations pay off in these thoughtful, nuanced, surprise-filled essays.”

–Pamela Miller  ( The Star Tribune )

6. Wow, No Thank You by Samantha Irby (Vintage)

10 Rave • 3 Positive • 1 Mixed

Watch an interview with Samantha Irby here

“Haphazard and aimless as she claims to be, Samantha Irby’s Wow, No Thank You  is purposefully hilarious, real, and full of medicine for living with our culture’s contradictory messages. From relationship advice she wasn’t asked for to surrendering her cell phone as dinner etiquette, Irby is wholly unpretentious as she opines about the unspoken expectations of adulting. Her essays poke holes and luxuriate in the weirdness of modern society … If anyone whose life is being made into a television show could continue to keep it real for her blog reading fans, it’s Irby. She proves we can still trust her authenticity not just through her questionable taste in music and descriptions of incredibly bloody periods, but through her willingness to demystify what happens in any privileged room she finds herself in … Irby defines professional lingo and describes the mundane details of exclusive industries in anecdotes that are not only entertaining but powerfully demystifying. Irby’s closeness to financial and physical precariousness combined with her willingness to enter situations she feels unprepared for make us loyal to her—she again proves herself to be a trustworthy and admirable narrator who readers will hold fast to through anything at all.”

–Molly Thornton  ( Lambda Literary )

7. Funny Weather: Art in an Emergency by Olivia Laing (W. W. Norton & Company)

5 Rave • 10 Positive • 3 Mixed • 1 Pan

“Yes, you’re in for a treat … There are few voices that we can reliably read widely these days, but I would read Laing writing about proverbial paint drying (the collection is in fact quite paint-heavy), just as soon as I would read her write about the Grenfell Tower fire, The Fire This Time , or a refugee’s experience in England, The Abandoned Person’s Tale , all of which are included in Funny Weather … Laing’s knowledge of her subjects is encyclopaedic, her awe is infectious, and her critical eye is reminiscent of the critic and author James Wood … She is to the art world what David Attenborough is to nature: a worthy guide with both a macro and micro vision, fluent in her chosen tongue and always full of empathy and awe.”

–Mia Colleran  ( The Irish Times )

8. Conditional Citizens: On Belonging in America by Laila Lalami (Pantheon)

6 Rave • 7 Positive • 1 Mixed • 2 Pan

“A] searing look at the struggle for all Americans to achieve liberty and equality. Lalami eloquently tacks between her experiences as an immigrant to this country and the history of U.S. attempts to exclude different categories of people from the full benefits of citizenship … Lalami offers a fresh perspective on the double consciousness of the immigrant … Conditional citizenship is still conferred on people of color, women, immigrants, religious minorities, even those living in poverty, and Lalami’s insight in showing the subtle and overt ways discrimination operates in so many facets of life is one of this book’s major strengths.”

–Rachel Newcomb  ( The Washington Post )

9. This is One Way to Dance by Sejal Shah (University of Georgia Press)

7 Rave • 2 Positive 

Watch an interview with Sejal Shah here

“Shah brings important, refreshing, and depressing observations about what it means to have dark skin and an ‘exotic’ name, when the only country you’ve ever lived in is America … The essays in this slim volume are engaging and thought-provoking … The essays are well-crafted with varying forms that should inspire and enlighten other essayists … A particularly delightful chapter is the last, called ‘Voice Texting with My Mother,’ which is, in fact, written in texts … Shah’s thoughts on heritage and belonging are important and interesting.”

–Martha Anne Toll  ( NPR )

10. Having and Being Had by Eula Biss (Riverhead)

5 Rave • 4 Positive • 4 Mixed

Read Eula Biss on the anticapitalist origins of Monopoly here

“… enthralling … Her allusive blend of autobiography and criticism may remind some of The Argonauts  by Maggie Nelson, a friend whose name pops up in the text alongside those of other artists and intellectuals who have influenced her work. And yet, line for line, her epigrammatic style perhaps most recalls that of Emily Dickinson in its radical compression of images and ideas into a few chiseled lines … Biss wears her erudition lightly … she’s really funny, with a barbed but understated wit … Keenly aware of her privilege as a white, well-educated woman who has benefited from a wide network of family and friends, Biss has written a book that is, in effect, the opposite of capitalism in its willingness to acknowledge that everything she’s accomplished rests on the labor of others.”

–Ann Levin  ( Associated Press )

The Book Marks System: RAVE = 5 points • POSITIVE = 3 points • MIXED = 1 point • PAN = -5 points

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10 Best Books for Learning English Writing

Learning English writing is a complex process that takes time and practice. There are many ways to learn English writing, and each person has their own way of doing things. The important thing is that you find a way that works for you and stick with it. If you follow these books, you will be able to improve your English writing skills in no time.

There are many ways to learn English writing. The most popular way is to take English classes in school. However, many people find that learning English through books is more beneficial. Learning a new language can be difficult, but the process of learning one through books is much easier and more efficient. There are many books on learning English written by native English speakers, so you can be sure that you will get the best results if you use these books as your starting point.

If you want to learn how to write in English, be sure to check out these 10 best books. These books can help you improve your English writing skills, and will give you the knowledge and tools you need to write in a clear and concise way. Each book will take you by the hand and show you how to create effective and well-written essays, letters, and articles.

Table of Contents

10 Best Books for Learning English Writing:

If you want to learn English writing quickly and easily, these ten books are a great option. Each book covers a different aspect of the skill and will help you improve your written English.

1. The Oxford Essential Guide to Writing

This essential resource helps all writers organize, shape, and complete their work while expressing their ideas creatively and clearly. Rules of style and technique are covered, with examples of expert prose from the masters. An Appendix covers punctuation and grammar.

Whether you’re composing a letter, writing a school thesis, or starting a novel, this resource offers expert advice on how to think more creatively, how to conjure up ideas from scratch, and how to express those ideas clearly and elegantly. No matter where you find yourself in the writing process—from the daunting look of a blank page, to the rough draft that needs shaping, to the small but important questions of punctuation—you’ll find what you need in this one handy, all-inclusive volume.

2. Great Writing Foundations Student’s Book

Great Writing bridges the gap from ESL writers to mainstream writers! The Great Writing series uses clear explanations and extensive practical activities to help students write great sentences, paragraphs, and essays. Each book contains a wide variety of writing models in carefully selected rhetorical styles that provide practice in working with the writing process to develop a final piece of writing. * An all-new level, Great Writing Foundations introduces students to the basics of sentence structure, grammar, spelling, and vocabulary for writing. * Impactful National Geographic images open every unit and help to stimulate student writing. * Updated “Grammar for Writing” sections help students apply target structures to the writing goals. * “Building Better Vocabulary” activities highlight words from the Academic Word List and encourage students to use new words in their writing. * Student writing models help students focus on specific writing skills and multiple rhetorical structures

3. Writing Better English for ESL Learners

Write in English like a native speaker! Taking a developmental approach to improving writing skills, Writing Better English helps you increase your levels of proficiency in both grammar and vocabulary. Before tackling sentence structures, the book helps you reinforce those grammar elements you may have trouble with, like verb tenses and pronouns. You’ll then expand your written communication abilities through comprehensive explanations, skill-building exercises, and practical writing activities.

4. Writing Sentences – Structured Tasks for English Practice

Structured Tasks for English Practice is a series of programmed workbooks designed to assist deaf adults and young people in writing better English. The books in the series include Articles; Verbs: Past, Present, and Future; Nouns; Pronouns; Conjunctions; Adjectives and Linking Verbs; Adverb Clauses; Prepositional Phrases; Infinitives and Gerunds; and Writing Sentences. The workbooks are intended to be used in conjunction with classroom lectures or for independent study. The self-instructional format provides opportunities for frequent student response, immediate feedback, and self-pacing.

5. Better English Writing – Improve Your Writing Power

From writing emails to writing a thesis, CV or letter, this book will give you all the tools you need to improve your written English and make it more readable and interesting. In many situations, you must be able to put your ideas across as clearly and concisely as possible. This book will ensure that you come across in a memorable and professional way. Aimed at ages 12+, it will also suit those in higher education or as a tool of reference in the home, office, college, and school.

6. Writing Learn to Write Better Academic Essays

A step-by-step guide to writing better academic essays

Using this guide will teach students the skills and strategies needed to write well-structured essays, reports, and case studies, and achieve academic success at school. They will learn how to interpret the question; structure their work; paraphrase, quote, and reference sources; avoid plagiarism, and understand their reader. This guide includes a complete 2500-word model essay.

7. How to Write Effective Business English

How to Write Effective Business English teaches the non-native reader how to create clear, concise messages and avoid verbosity. Assuming an intermediate knowledge of English, this book provides guidelines for further development, deals with real-life scenarios, and gives readers answers that even their bosses might not know.

Focusing on emails, letters, resumes, or job applications, gives readers an easy system for writing clearly, quickly, and easily. It will also appeal to native English speakers who feel that their written business English needs practice.

8. A Practical Guide To Business Writing – Writing In English For Non-Native Speakers

This book provides a wealth of practical information for any person who aims to produce short, effective documents within the work environment. It offers sensible, valuable and helpful rules for producing effective short reports, memos, letters and e-mails that are clear, concise and easy to read for the busy manager or supervisor working in the demanding setting of modern industry or commerce.

9. So You Think You Can Write – The Definitive Guide to Successful Online Writing

So You Think You Can Write? is your ultimate guidebook to learning every skill it takes to write great copy for the web, from the fundamentals of using storytelling in online content all the way to knowing how to write for both search engines and people, what it takes to craft different forms of content on the web, and much more; plus, a bonus chapter revealing how to market yourself and make income as an online copywriter in a modern world. Written by Julia McCoy, who spent years of her life teaching herself the elements of successful online writing and launched a writing business that hit seven figures within five years, this book is your essential blueprint to learning what it takes to write great online copy, both as a freelancer and brand/business owner.

10. Creative Writing – How to unlock your imagination, develop your writing skills – and get published.

Intended for writers who are looking for ways to improve their output. This guide focuses on: fiction writing and the world of genre fiction; ways of drawing on personal experience in order to write non-fiction articles on a variety of topics in a number of different styles; and, writing for children. This book is a first-rate guide for writers who are looking for ways to improve their output.

In conclusion, these are the 10 best books for learning English writing. These books will give you the skills and knowledge you need to write in a proficient manner. If you are looking to improve your English writing skills, then these books are a great way to start.

If you want to download all of these Books for Learning English writing, just click the link below.

Have fun learning English Writing!

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Writing Better English for ESL Learners, Second Edition 2nd Edition

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Write in English like a native speaker!

Taking a developmental approach to improvingwriting skills, Writing Better English helps you increase your levels of proficiency in both grammar and vocabulary. Before tackling sentence structures, the book helps you reinforce those grammar elements you may have trouble with, like verb tenses and pronouns. You'll then expand your written communication abilities through comprehensive explanations, skill-building exercises, and practical writing activities.

• ISBN-10 0071628037
• ISBN-13 978-0071628037
• Edition 2nd
• Publisher McGraw Hill
• Publication date May 20, 2009
• Language English
• Dimensions 7 x 0.44 x 10 inches
• Print length 256 pages
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Ed Swick has taught ESL for more than 30 years. During this time, he has written numerous titles on the subject.

About the Author

Ed Swick has taught ESL for more than 30 years. Duringthis time, he has written numerous titles on the subject.

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• Publisher ‏ : ‎ McGraw Hill; 2nd edition (May 20, 2009)
• Language ‏ : ‎ English
• Paperback ‏ : ‎ 256 pages
• ISBN-10 ‏ : ‎ 0071628037
• ISBN-13 ‏ : ‎ 978-0071628037
• Item Weight ‏ : ‎ 1 pounds
• Dimensions ‏ : ‎ 7 x 0.44 x 10 inches
• #2,387 in Foreign Language Instruction (Books)
• #2,713 in English as a Second Language Instruction
• #3,117 in Fiction Writing Reference (Books)

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Summer Boarding Courses

10 Books for Essay Writing You Need To Know About

Do you have an essay writing task? Are you looking for an example of essay writing which is the absolute best? We understand how essay writing can feel very daunting at first. It can take time to research, understand the material, plan what you want to write and have the creativity and confidence to produce the work. There are some great books for essay writing to help you out!

At Summer Boarding Courses, we recommend you take the time to work through the format for essay writing step-by-step. Many of our courses, including our Creative Writing Course at  Oxford College , can help you with this.

We advise you to keep practicing. Listen to feedback from your friends and teachers. Most of all, do not give up! Soon enough you will be able to deliver excellent work.

To help you become a better writer, it’s essential to have the best instruction too. Whilst you’re waiting for our Summer Boarding Courses to start in Oxford, why not read up on our favourite books on essay writing?

Here are our Top 10 Books for Essay Writing that will have you creating unique and captivating essays for your school assignments!

Academic Writing: A Handbook for International Students  – Stephen Bailey

If you’re one of our ESL international students wanting help for essay writing at University, this is a great book to start with! We recommend reading this before you attend University in the UK as there are many an example of how to write an excellent piece inside. Many exercises are included that you can try, which is perfect for self-study in your own time.

College Essay Essentials: A Step-by-Step Guide to Writing a Successful College Admissions Essay  – Ethan Sawyer

Are you applying to a College or University? Do you need to write a personal statement ( check out our personal statement guide here )?

Writing your application to enter the school you’re dreaming of may be making you feel very anxious, but college counsellor Ethan Sawyer has written a fantastic guide to help you through it. He will help you bring your personal experiences to life and show you that this application is not too scary after all.

We particularly love his advice in answering these two very important questions:

Have you experienced significant challenges in your life?

Do you know what you want to be or do in the future?

College Essay Essentials has lots of essay writing tips, tricks, exercises and real-life examples to reassure you. Good luck! You can do it!

Oxford A-Z of Grammar and Punctuation  – John Seely

If you want to produce good essay writing, you need your English Grammar to be clear and correct. At Summer Boarding Courses, we understand that English Grammar can sometimes be very confusing and unintuitive.

For a clear, simple and easy-to-understand pocket grammar book, John Seely’s Oxford A-Z of Grammar and Punctuation is extremely helpful.

Whether you are writing a professional piece, a school paper or a fun personal letter to a friend, this book will give you straightforward advice – and it’s small enough to easily fit in your rucksack!

Study with us in the UK!

Take your English writing to the next level.

How to Write an Essay in Five Easy Steps  – Inklyo

Do you need a short and easy introduction to essay writing? We recommend you start with this. It is 58 pages long, not a difficult read and covers all the basics that you need to know. The authors take you through your essay writing step-by-step and help you minimise your anxiety, even if it is the night before your project is due!

We love their recommendation about how to make your instructor happy:

‘Demonstrate that you have understood the course material and write intelligently about your subject’.

A Professor’s Guide to Writing Essays: The No-Nonsense Plan for Better Writing  – Dr. Jacob Neumann

Dr. Neumann is straight-talking. He believes that the plan for any type of essay is the same but how you approach essay writing is critical. The only thing that changes for each essay is the length and complexity of the project.

This book covers every aspect of academic writing for College, University and Secondary (High School) students. We love how simple, honest and clear his instructions are and believe you will complete your writing task much more confidently with his advice.

100 Ways to Improve Your Writing  – Gary Provost

This book may have been written in 1985, but it still a fantastic resource for the best essay writing! It does not matter if you are a student or an established successful writer. This easy-to-use guidebook will inspire you to write even better than before.

100 Ways to Improve Your Writing includes many writing examples and plenty of straightforward writing tips. It’s also easy to dip in and out of. Read through it all in one go or pick a chapter or two when you are feeling inspired!

GCSE English Writing Skills Study Guide  – CGP Books

For our younger learners aged 14 to 16, this is an excellent guide for students to refine their writing skills in essays, non-fiction, creative writing and more. There are clear, helpful exercises throughout the book for students to complete and understand the best English topics for essay writing.

The content is also written for students studying GCSE English: if you are taking this exam, you’ll have a much better chance of passing!

How to Write Better Essays (Palgrave Study Skills)  – Bryan Greetham

We all want to be confident when we are writing our essays. This step-by-step guide will help you analyse concepts, consider different arguments about a subject, and argue your ideas well. The chapters are easy to read and digest and will show you how to research ideas, take notes, write productively in exams and be engaging in your writing.

The Art of the Personal Essay: An Anthology from the Classical Era to the Present  – Phillip Lopate

It is by reading other writers, that we develop our own ideas and unique style. Discover how your own writing can progress and grow through gaining an insight into other writers’ minds and lives.

The Art of the Personal Essay is an excellent collection of essays, from old to new, that are highly entertaining, creative and reflective. Make sure to have this text on your bookshelf or in your bag, so that you can take it out whenever you are seeking inspiration for your next essay. Enjoy!

The Oxford Book of Essays  – John Gross

For the ultimate essay writing book, this is the collection of work that you need to read. There are 140 essays in here by 120 writers. You will find every kind of style; from poetry and fantasy to serious arguments. Some pieces are old, others are incredibly modern. Read through the essays at your own leisure, so that your ideas about how to write gently expand alongside your imagination and creativity.

Do you feel ready to write with our recommended books for essay writing?

Essay writing is an essential skill for English students but just getting started can be difficult! You will need to think about what type of essay you are being asked to write. You will have to plan your outline in essay writing – considering the introduction, the main body of the essay, an excellent conclusion and references.

Having excellent research skills, avoiding plagiarism, and making your essay stand out from the rest of the students in your class are key things you need to know.

We hope our recommendations have inspired you and lead you to writing excellent essays in the future. Good luck and get started. We look forward to seeing you at Summer Boarding Courses in Summer, where you can receive the best writing tips from our teachers in the UK!

Explore 18 of the best books to learn English, for beginner to advanced learners

Reading books is a great way to learn English . Whether you want to expand your vocabulary, enjoy a short story, or study English grammar or pronunciation, books will help improve many facets of your English language skills.

Here we will take you through 18 of the best books to learn English through self-study . You can choose to focus on one topic at a time or pick a comprehensive resource to take your English to the next level.

We will also look at how you can use ebooks and audiobooks to learn English .

In each section, we have book recommendations suitable for beginner, intermediate, and advanced English learners. So, we hope you find something here that piques your interest, whether you are browsing English learning books for yourself or as a gift for someone else.

The best English learning books

Let’s begin with some of the best books for English learners who want to take a comprehensive approach to learning English or improving their fluency. The following books cover all aspects of English in one place – from vocabulary and grammar to reading, writing, and more.

English for Everyone: Beginner Box Set

Level: Beginner (A1 – A2)

Focus: Straightforward and well-illustrated vocabulary, grammar, and sentence-building lessons for self-study.

Highlights: This box set of 2 course books and 2 practice books is ideal for beginners who want to give themselves a strong start in learning English. The full-color pages are engaging and easy to understand. Supplementary audio recordings are available on the DK website and app to enhance ESL learning, making this one of the best self-study English books for beginners .

English Made Easy: Volume One

Level: Beginner to intermediate

Focus: Learning English through pictures

Highlights: Written by experienced language teachers who wanted a completely new way to teach English visually, this book is full of illustrations and comic-style dialogue. Rather than directly teaching grammar, it lets English students learn by observing language patterns and building simple sentences.

Volume Two moves on to more complex sentences and grammar patterns.

Practical English Usage, 4th Edition

Level: Advanced

Focus: Common vocabulary and grammar questions from advanced English learners

Highlights: Divided into two parts covering grammar and vocabulary, this is one of the best books to learn more advanced aspects of English like the singular ‘they’, how to communicate politely, and differences between British English vs American English . The book is written by an English teacher with over 20 years’ experience, so he understands the questions that ESL learners often have.

English Short Stories for Beginners

Level: Beginner

Focus: Building English skills by reading stories (with comprehension exercises)

Highlights: Build up your English vocabulary by reading short stories in English for beginners, based on real-life situations. While reading, you will also naturally improve your English grammar skills through exposure to different sentence structures.

Stories are written in simple English suitable for beginners. Each chapter has a glossary and a comprehension test to reinforce what you have learned.

If you like this style of English learning book, you may also want to purchase English Short Stories for Intermediate Learners .

The best books to learn English vocabulary

Next, we have some English books that focus on learning new vocabulary at different levels. Whether you want to learn words, phrases, idioms, or slang, the books in this list should help.

1001 English Expressions and Phrases

Level: Intermediate

Focus: Common expressions and phrases shown in natural English conversation dialogues

Highlights: An essential part of English language learning is not just learning individual words, but knowing how they fit together to form phrases. This book has over 1,000 expressions to help intermediate English learners get a better grasp of the language.

The author, Jackie Bolen, has been an ESL teacher for over 20 years. She has also published Advanced English Expressions, Idioms, Collocations, Slang, and Phrasal Verbs , which is an equally good resource for advanced learners mastering English.

English for Everyone English Idioms, Vocabulary Builder, Phrasal Verbs – 3 Book Box Set

Level: Beginner to advanced

Focus: General vocabulary, idioms, and phrasal verbs

Highlights: This set of 3 books for English learners teaches more than 5,000 words, expressions, and helpful phrases. Beginners will find it helpful for expanding their general vocabulary, while intermediate and advanced learners can dig into more complex phrasal verbs and idioms.

77 Real Life English Dialogues with 500 Most Common English Words

Focus: Learning how to use 500 common English words

Highlights: This book includes 77 English conversation dialogues for beginners, including free audio dialogues that you can play at slow or normal speed. They cover everyday topics such as ordering food and making plans, and you’ll even begin learning business English .

This English learning book is a good way for beginners to understand how to use 500 of the most common English words in writing and speaking.

The Big Book of Words You Should Know

Level: Advanced (and native)

Focus: Advanced and obscure vocabulary

Highlights: Reading this book will expand your vocabulary beyond a reasonable level and teach you some new words that most native speakers don’t even know. It’s certainly not an essential book for English learners, but is a real treat for those who like to have an above-average vocabulary.

English Collocations in Dialogue

Level:  Intermediate

Focus: See English collocations in use in conversation and learn what they mean

Highlights: Collocations are groups of two or more words that commonly go together, such as “make a mistake” or “take care”. They are an important linguistic element for anyone wanting to improve their vocabulary for TOEFL, TOEIC, or IELTS exams. This book lets you learn American English collocations by seeing how they are used in everyday conversations, with a definition provided for each one.

Fancy A Cuppa? The Hilarious Guide to British Slang

Level: Intermediate to advanced (and native)

Focus: A humorous guide to British slang, idioms, swear words, and more

Highlights: For those who want to learn British English in a way the textbooks don’t teach, Fancy A Cuppa? is packed full of authentic English colloquialisms. You’ll learn some classic British idioms , insults, and Cockney Rhyming Slang to make you feel more at home in the UK.

This book would also make a great novelty gift for a language lover who is unfamiliar with British slang terms – but be advised that some of the language used is not suitable for children.

Of course, another book that you’ll find invaluable for improving your vocabulary is an ESL dictionary . These are specially designed with English learners in mind and cover grammar points and confusing words, too.

The best books for learning English grammar rules

Our final selection has some books for English learners (and even native speakers) who want to learn English grammar properly or build on what they already know.

Grammar Daily: 365 Quick Tips for Successful Writing from Grammar Girl

Focus: An assortment of 365 grammar tips to help you communicate more clearly (and correctly)

Highlights: New York Times  bestseller and successful podcaster Mignon Fogarty (AKA Grammar Girl) addresses common grammar questions – as well as some vocabulary and punctuation topics – in an approachable way. From the misused ‘supposably’ to the controversial ‘a myriad of’ and from prepositions to pronouns, each day you can take a step toward improving your use of English.

The English Grammar Workbook for Adults

Focus: Detailed explanation of essential grammar for everyday use

Highlights: Whether you are learning English as a second language or are a native speaker who needs to improve your grammar skills, this comprehensive guide to English grammar is an excellent resource. Look up a particular topic of interest or work through the book methodically, completing simple exercises on each topic you learn.

Word Order in English Sentences

Level: Intermediate to advanced

Focus: Word types and sentence structure

Highlights: If you’d prefer to tackle one topic at a time rather than buying an all-encompassing grammar guide, Phil Williams’ learning guides are great books to learn from. This one focuses specifically on how to build sentences and the flexibility that exists in English grammar. Exercises throughout the book put into practice what you are learning.

The English Tenses Practical Grammar Guide is another book by the same author that’s a good investment for anyone who needs help understanding verb tenses.

The Perfect English Grammar Workbook

Focus: A comprehensive grammar guide to American Standard English that’s easy to understand

Highlights: This self-study grammar workbook takes you through everything you need to know to keep your speaking and writing mistake-free. It’s a great reference tool for ESL students and teachers, and even editors. Each section contains quizzes and exercises to recap the topic.

This workbook is deliberately written to be easy to understand, without the academic explanations that make some grammar guides unapproachable for learners.

The Blue Book of Grammar and Punctuation

Focus: A guide to grammar, punctuation, and other helpful topics – with quizzes

Highlights: This book is a straightforward guide to the basics of English grammar, as well as punctuation, capitalization , and commonly misused words. It doesn’t go as in-depth into grammar as some of the other resources mentioned here, but nevertheless, it’s a popular reference guide that’s now in its 12th edition.

Can you learn English with ebooks?

Yes, studying English with ebooks (digital books) can be just as effective as using physical copies. The only slight inconvenience is that where there are questions to answer, you can’t write directly on the page. However, it’s much easier to carry books around with you on a Kindle or other e-reader than to take a physical copy wherever you go.

Most of the best books to learn English that we listed above are available on Amazon Kindle. If you are planning to read a lot as you study, consider a Kindle Unlimited subscription. This gives you access to up to 10 ebooks at a time for a fixed monthly fee, so you can mix some fiction books in with your English learning textbooks.

The best audiobooks for English learners

If you prefer to listen to audiobooks rather than read physical books to learn English, you will find that some of the books on this list are also available as audiobooks. This format works better with some (such as the short stories) than with others (such as grammar guides).

Probably the best way to learn English with audiobooks is to listen along while you read. Reading helps with comprehension while listening helps you pick up the correct pronunciation.

If you just want to be able to listen to audiobooks as part of learning English, we recommend using Audible . This program from Amazon gives access to thousands of audiobooks and you can try it free for 1 month .

Here are some of the top Audible audiobooks for learning English:

• Learn English for Adult Beginners: 3 Books in 1
• Talk English: The Secret to Speak English Like a Native in 6 Months for Busy People
• English Short Stories for Beginners and Intermediate Learners
• The Black Book of Speaking Fluent English: The Quickest Way to Improve Your Spoken English

You might also benefit from listening to podcasts to learn English . Many of these come with free transcripts and accompanying exercises so you can dig deeper into each topic.

Benefits of using books to learn English

Here are some great reasons to use books to help you learn English:

• Affordable: A book costs a lot less than a course of English lessons. Although it’s a different way of learning English , it can be just as valuable. There’s also the possibility of buying textbooks second-hand to make them even more affordable.
• Longevity: A physical book can last a lifetime and be passed on or sold to other people.
• Accessibility: You can take a book anywhere and read it any time; no internet connection or power source needed.
• Self-study: When you buy a book to learn English, you can work through it at your own pace; as fast or slow as you like. You can also dig deeper into any topics that particularly interest you, without the constraints of a course curriculum.

Tips for using books for English learning

Although reading a book is an effective way to learn, there are other things you can do to supplement your learning, giving you a better chance of retaining the knowledge and feeling confident using it yourself.

Firstly, we would recommend you keep a notebook handy at all times to write down the key points of what you are learning. You may want to keep a list of new vocabulary and topics you need to research in more detail, for example. Refer back to this regularly to review the vocabulary you have learned and to take action on any notes you made while reading.

Secondly, although books are a great self-study tool, you will probably learn English faster and more effectively if you take an online course or use a language-learning app to boost your learning in other areas at the same time.

Finally, one of the best ways to improve your speaking skills and become more fluent in English is to practice conversations in real life. Whether it’s with a group of other English language learners, with friends who are native English speakers, or via an online language exchange , this is where you will truly build confidence.

Oxford University Press's Academic Insights for the Thinking World

Walter W. Skeat and the Oxford English Dictionary

Origin Uncertain: Unraveling the Mysteries of Etymology 

Anatoly Liberman's column on word origins,  The Oxford Etymologist , appears on the OUPblog each Wednesday. Subscribe to Anatoly Liberman’s weekly etymology articles via  email  or  RSS .

• By Anatoly Liberman
• April 17 th 2024

For many years, I have been trying to talk an old friend of mine into writing a popular book on Skeat. A book about such a colorful individual, I kept repeating, would sell like hotcakes. But he never wrote it. Neither will I (much to my regret), but there is no reason why I should not devote another short essay to Skeat. In 2016, Oxford University Press published Peter Gilliver’s book The Making of the Oxford English Dictionary , a work of incredible erudition. Skeat is mentioned in it many times, and I decided to glean those mentions, to highlight Skeat’s role in the production of the epoch-making work.

Twenty-six years separated the day on which the idea of the dictionary was made public and the appearance of the first fascicle. Countless people contributed to the production of the OED , but the public, if it knows anything about the history of this project, has heard only the name of James A. H. Murray , its first and greatest editor. This is perhaps as it should be, but in the wings we find quite a few actors waiting for broader recognition. One of them is Walter W. Skeat , a man of incredible erudition and inexhaustible energy. I have lauded him more than once (see, for example, the post for November 17, 2010 , reprinted in my book Origin Uncertain … .). However, today I’ll use only the material mentioned in or suggested by Peter Gilliver.

Skeat was not only the greatest English etymologist of his time (in a way, I think, of all times, despite the progress made by this branch of linguistics since 1912, the year he died). In 1873, he also founded the English Dialect Society and remained active in it as secretary and later director until 1896 (in 1897, after fulfilling its function, the society was dissolved). He edited the numerous book-length glossaries published by the society; attended its meetings wherever they were held, and without him Joseph Wright ’s work The English Dialect Dictionary (1898-1905), still a source of inspiration to students of English, would probably not have been completed.

Among very many other things (!), he was a founding member of The Early English Text Society , and in 1865, he became a member of its committee. Neither post was “ceremonial,” for it presupposed a lot of work. Last but not least, Skeat was a generous man, a rare quality in scholars. For instance, he contributed a large sum of money to the Dialect Society at its inception, and much earlier, in 1885, he loaned Murray £1,660 for the purchase of a house in Oxford, the location of the future famous Scriptorium . Curiously, to this day, it is often the philanthropists who subsidize historical linguistics.

In the early eighteen-seventies, some influential people suggested that Skeat should become the main figure in the production of what became the OED . Fortunately, he concentrated on editing medieval texts and writing his etymological dictionary. He would not have become a second Murray, but by way of compensation, no one else would have done so much for the study of word origins and early English literature. Amazingly, Murray, a wonder of erudition, had little formal education and no university degree, while the Reverend Skeat’s background was in the classics. As individuals, Skeat and Murray represented different psychological types. Skeat was impatient and ready to bring out a book, not yet quite perfect, in the hope of a revised version. He would have been satisfied with a much smaller OED , while Murray made no concessions to haste (his invariable goal was absolute perfection, a wagon hitched to a star) and advised Skeat to wait for the completion of the OED before publishing his etymological dictionary. Fortunately, his suggestion fell on deaf ears, but Skeat’s readiness to agree that the text of the OED might be shortened infuriated Murray. (The episode was the result of a misunderstanding, and Skeat apologized.)

At that time, all thick dictionaries appeared in fascicles, which presupposed a good deal of competition among the lexicographers, the more so as a relatively small circle of publishers was involved. The people whom we know only from the names on the covers of their works were often not only colleagues and even friends but also rivals. At a certain moment, Skeat concluded that the Clarendon Press had declined to take on the OED and turned to the Press with an offer of his own etymological dictionary. As it happened, the two projects ran concurrently and did not get into each other’s way. Skeat’s work appeared in 1882, two years before the first fascicle of the OED came out. Murray once commented on Skeat’s dependence on the research at the OED , but Skeat responded rather testily that the OED had also had access to his findings. Yet Skeat remained Murray’s trusted friend and often maneuvered among various projects, to prevent other publishers from interfering with the OED . Though also hot-tempered, he was more diplomatic than Murray, and the relations between the two men remained friendly and even warm for years. To James Murray, Skeat’s death in 1912 was a heavy blow. He survived Skeat by three years. (Skeat: 1835-1912, Murray: 1837-1915.)

Throughout his life, Skeat supported the OED by his reviews (today it seems incredible that once not everybody praised Murray’s work) and kept chastising his countrymen for their ignorance and stupidity when it came to philology. He never stopped complaining that people used to offer silly hypotheses of word origins, instead of consulting the greatest authority there was. He also tried to encourage Murray, who often felt exhausted and dispirited. This is the letter he wrote to Murray, when he was working on cu -words: “I could find enough talk to cumber you. You could come by a curvilinear railway. Bring a cudgel to walk with. We will give you culinary dishes. Your holiday will culminate in sufficient rest; we can cultivate new ideas, & cull new flowers of speech. We have cutlets in the cupboards , & currants , & curry , & custards , & (naturally) cups . […] Write & say you’ll CUM!” Nor did Skeat stay away from the least interesting part of the work connected with the OED and often read the proofs of the pages before they went into print.

Gilliver states that Skeat’s support for the Dictionary and its editors in so many ways places him alongside Furnivall and Henry Hucks Gibbs. Gibbs was “a wealthy merchant banker (and director of the bank of England) who would go on to become one of the Dictionary’s greatest supporters… He had been reading for the Dictionary at least since July 1860.” And the somewhat erratic Frederick James Furnivall (1825-1910) earned fame as a central figure in the philology of his day, even though today only specialists remember him.

A picture of Furnivall can be seen on p. 12. Gibbs appears sitting in a comfortable armchair on p. 43, and on p. 67, an entry for rebeck “a rude kind of fiddle” (among other senses), subedited by Skeat, is photographed. Quite a few more bagatelles of this type can be produced by an attentive reader of Peter Gilliver’s monumental book, but for the moment, I’ll stay with Skeat.

Header: James Murray photographed in the Scriptorium on 10 July 1915 with his assistants: (back row) Arthur Maling, Frederick Sweatman, F. A. Yockney, (seated) Elsie Murray, Rosfrith Murray. Reproduced by permission of the Secretary to the Delegates of Oxford University Press.

Anatoly Liberman  is the author of  Word Origins And How We Know Them ,   An Analytic Dictionary of English Etymology: An Introduction , and  Take My Word For It: A Dictionary of English Idioms .

Anatoly's latest book,  Origin Uncertain: Unraveling the Mysteries of Etymology  (OUP, 2024), is available to pre-order. 

His column on word origins,  The Oxford Etymologist , appears on the OUPblog each Wednesday. Send your etymology question to him care of  [email protected] ; he’ll do his best to avoid responding with “origin unknown.”

Subscribe to Anatoly Liberman’s weekly etymology articles via  email  or  RSS .

• Linguistics
• Oxford Etymologist

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Iran’s Attacks Bring Long Shadow War With Israel Into the Open

The volley of drones and missiles was the first time that Tehran directly attacked Israel from its own territory, one expert said.

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By Cassandra Vinograd

• Published April 14, 2024 Updated April 18, 2024

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For decades, Israel and Iran have fought a shadow war across the Middle East , trading attacks by land, sea, air and in cyberspace. The barrage of drones and missiles Iran launched at Israel on Saturday — though nearly all were shot down or intercepted — represented a watershed in the conflict.

It was the first time that Iran directly attacked Israel from its own territory, according to Ahron Bregman, a political scientist and expert in Middle East security issues at King’s College in London, who called it a “historic event.”

Iran has largely used foreign proxies such as Lebanon’s Hezbollah militia to strike Israeli interests, while targeted assassinations of Iranian military leaders and nuclear scientists have been a key part of Israel’s strategy. Here is a recent history of the conflict:

August 2019: An Israeli airstrike killed two Iranian-trained militants in Syria, a drone set off a blast near a Hezbollah office in Lebanon and an airstrike in Qaim, Iraq, killed a commander of an Iran-backed Iraqi militia. Israel accused Iran at the time of trying to establish an overland arms-supply line through Iraq and northern Syria to Lebanon, and analysts said the strikes were aimed at stopping Iran and signaling to its proxies that Israel would not tolerate a fleet of smart missiles on its borders.

January 2020: Israel greeted with satisfaction the assassination of Maj. Gen. Qassim Suleimani , the commander of the foreign-facing arm of Iran’s Islamic Revolutionary Guards Corps, in an American drone strike in Baghdad.

Iran hit back by attacking two bases in Iraq that housed American troops with a barrage of missiles, wounding about 100 U.S. military personnel .

2021-22: In July 2021, an oil tanker managed by an Israeli-owned shipping company was attacked off the coast of Oman, killing two crew members, according to the company and three Israeli officials. Two of the officials said that the attack appeared to have been carried out by Iranian drones.

Iran did not explicitly claim or deny responsibility, but a state-owned television channel described the episode as a response to an Israeli strike in Syria.

In November 2021, Israel killed Iran’s top nuclear scientist, Mohsen Fakhrizadeh , and followed up with the assassination of a Revolutionary Guards commander, Col. Sayad Khodayee , in May 2022.

December 2023: After Israel’s bombardment of Gaza began in response to the Oct. 7 Hamas-led assault, Iranian-backed militias stepped up their own attacks . And late last year, Iran accused Israel of killing a high-level military figure, Brig. Gen. Sayyed Razi Mousavi , in a missile strike in Syria.

A senior adviser to the Revolutionary Guards, General Mousavi was described as having been a close associate of General Suleimani and was said to have helped oversee the shipment of arms to Hezbollah. Israel, adopting its customary stance, declined to comment directly on whether it was behind General Mousavi’s death.

January 2024: An explosion in a suburb of Beirut, Lebanon, killed Saleh al-Arouri , a Hamas leader, along with two commanders from that group’s armed wing, the first assassination of a top Hamas official outside the West Bank and Gaza in recent years. Officials from Hamas, Lebanon and the United States ascribed the blast to Israel , which did not publicly confirm involvement.

Hezbollah, which receives major support from Iran, stepped up its assaults on Israel after Mr. al-Arouri’s death. Israel’s military hit back at Hezbollah in Lebanon, killing several of the group’s commanders .

March and April: An Israeli drone strike hit a car in southern Lebanon, killing at least one person. Israel’s military said it had killed the deputy commander of Hezbollah’s rocket and missile unit. Hezbollah acknowledged the death of a man, Ali Abdulhassan Naim, but did not provide further details.

The same day, airstrikes killed soldiers near Aleppo, northern Syria, in what appeared to be one of the heaviest Israeli attacks in the country in years. The strikes killed 36 Syrian soldiers, seven Hezbollah fighters and a Syrian from a pro-Iran militia, according to the Syrian Observatory for Human Rights, a British-based group that tracks Syria’s civil war.

Israel’s military did not claim responsibility. But the country’s defense minister, Yoav Gallant, wrote on social media, “We will pursue Hezbollah every place it operates and we will expand the pressure and the pace of the attacks.”

Three days later, strikes on an Iranian Embassy building in Damascus killed three top Iranian commanders and four officers, an attack Iran blamed on Israel.

Matthew Mpoke Bigg contributed reporting.