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The Man Who Loved Flowers

“infobox Book “
name Night Shift
image
image caption Signet Edition
author Stephen King
country United States
language English language
genre(s) Short story
publisher Signet
release date 1978
media type Paperback
pages 326
isbn

The Man Who Loved Flowers is a short story by Stephen King, published first in 1977 in  Gallery and then as part of the Night Shift collection in 1978.

Character Summaries

The protagonist.

The protagonist of the story is unnamed and unreliable. We follow him on his journey to see his girl Norma, but this journey has an unexpected end.

The woman the protagonist encounters at the end of the story does not seem to be Norma after all. She meets an untimely end.

Plot Summary

The year is 1963, and a young man makes his way down New York City’s Third Avenue. The young man is happy, and the weather is wonderful. His hand is in his pocket as he travels down the street.

Everyone he meets seems to be happy and enjoying the night. It seems the young man is in love – an old lady makes the comment as she passes by him.

The young man continues on his way, stopping at a flower stand. As he is at the flower vendor, he hears a radio broadcast. Among its other items it mentions a woman’s body being pulled from the East River. To the young man, none of it seems real. Nothing seems to matter on a night such as this.

He continues on is way, checking that the thing in his pocket is still where it should be. His face becomes briefly troubled, but then he regains his happiness and continues walking.

The young man decides to return to the flower stand. He’ll buy his girl some flowers. He knows what Norma likes. He has a joking conversation with the flower vendor, makes his purchase and then leaves.

He continues on, seemingly so lost in thought about the one he loves that he fails to notice anything else. His journey takes him into a narrow lane. It’s night time. He sees Norma coming towards him – always a surprise to see her.

He catches up to her and for a moment hesitates. Is this really Norma? Of course. He gives her the flowers but strangely she hands them back. She tells him he’s mistaken. Before she can tell him her real name, he interrupts. Her name is Norma. These flowers are for her. Everything he does is for her.

The woman backs away and there is the sudden realization that she isn’t Norma because Norma is dead, and has been for ten years. The man takes the hammer that has been in his pocket the whole time and hits the woman on the head over and over until he kills her.

He leaves, continuing on his journey. There is a spring in his step. He’ll find Norma eventually.

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The Man Who Loved Flowers

" The Man Who Loved Flowers " is a short story written by Stephen King . The story was originally published in the August 1977 issue of Gallery , and was later included in King's own 1978 collection Night Shift .

Plot Summary [ ]

The story begins in New York City, during an early evening in May 1963. The main character is an unnamed man who is walking up 3rd Avenue. It's a gorgeous evening, and the sky is just changing color from light blue to violet. The man is wearing a light gray suit. He looks like he is in love. The people around him all seem to perceive and respond to this feeling. The man stops at a flower vendor.

A transistor radio drones on about a war brewing in Vietnam. Also mentioned is a story about a woman's body that was found in the local river and a hammer murderer that was on the loose. Based on the conversation the man has with the vendor, we learn he is buying flowers for a girl named Norma. He buys half a dozen roses, and leaves. He continues up the street, and the people on the street continue to respond to him and the lovestruck look on his face.

He then turns into an alley. By now it is getting darker, and stars are starting to appear. We learn he is on his way to meet Norma. He sees a woman walking down the alleyway, and he rushes up to her. He calls her name, and she looks around. He says: "I've bought some flowers for you, Norma." The woman tells him: "You must be mistaken, my name is-" She then sees a hammer in his pocket and opens her mouth to scream. The man kills the woman because she isn't Norma, just as he has done five times previously. After an unspecified amount of time, he leaves the alleyway. Through the narrator, we find out that 'Norma' has been dead for ten years. The young man says that his name is Love. He feels optimistic, sure that he will find Norma some day soon.

He passes a middle-aged couple on the street. The woman turns to her partner and asks: "Why don't you ever look like that anymore?" "Huh?" "Nothing," she says, while thinking that "if there is anything more beautiful than springtime, it's young love".

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The Man Who Loved Flowers (from the Night Shift collection) by Stephen King

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The Man Who Loved Flowers

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25 pages • 50 minutes read

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Story Analysis

Character Analysis

Symbols & Motifs

Literary Devices

Important Quotes

Essay Topics

Discussion Questions

Often used as a symbol in literature, the motif of flowers serves multiple purposes in the text. Flowers represent The Joy of Young Love , as evidenced by the bouquet the young man buys for Norma. Flowers are also representative of spring, when new life abounds, which is essentially what the young man is searching for. His desperate desire to revive the life of his love is echoed in the flower vendor’s advice to add sugar to the vase’s water to “preserve them longer” (Paragraph 32).

As the narrative progresses, the flowers mentioned at the beginning of the text become a symbol of mortality and mourning. While the young man’s purchase of tea roses symbolizes his love for Norma, they become a funeral spray, spilling out around the corpse of the young woman. The flowers are the final calling card of a brutal serial killer who is mourning his loss alone. Of all the flowers in the fallen spray, the lilies are the most symbolic. Often utilized at funerals, they represent the innocence of the soul as it finds its resting place in Heaven.

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Analysis of “The Man Who Loved Flowers” by Stephen King Accomplishment Essay

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Stephen King might be known as one of the best horror and suspense authors in today’s society. His many literary works have caused controversy and most of his work has been transferred into film or in television. “The Man Who Loved Flowers” is a short story written by Stephen King about a young man who is cruising through the streets of New York. Captivated by the spring setting, everyone around him assumes that he is a man who is in love. However, when reminded of his one true love his obsessive behavior comes to light. Soon after the story takes a dark turn, bringing forth the Hammer Killer.

The man who everyone believed to be in love was indeed an obsessed serial killer . Stephen King sets the story in the 1960’s because he wants people to remember the era that is known for the civil rights movements and (as well as) people’s need for peace and love. This author has spoken about society’s need to exercise their primitive emotions, consequently horror is the outlet in which he chooses to exploit the readers emotional connections. King targets an audience that have a need to constantly experience uncomfortable situations and feelings.

Therefore, he assumes that anyone reading his stories have experienced or understand dark themes and topics. King utilizes pathos to convey his message; he uses vivid language to portray a woman who is repeatedly beaten to death to create emotional distress within the audience. The author uses literary devices such as symbolism, imagery, and foreshadowing to convince his audience that what they are reading is part of normal behavior.

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“The Man Who Loved Flowers” is politically and socially relevant because of the time the story is set in. Although the story was written in the 1970s, Stephen King decided to focus his story during the 1960s. In this story, he makes historical references to “a little Asian country called Vietnam” and how “the Russians had exploded a nuclear device”. Both historical references are important because it reminds readers of a time where things were very hostile, and everyone was either afraid or oblivious. Clive Barker mentions King as an author that knows how to sell his stories, perhaps he knew what caught the audience’s attention, “he describes the confrontation between the real and the fantastic elements”, (Barker, 339).

Despite being in a hostile environment and having a serial killer on the loose in the story, none of the characters dares to question the young man. In fact, throughout the story the young man is seen as a man who is in love simply because he looks happy. Characters in the story felt that there is nothing wrong with the main character and that there was no malicious intentions in the character because happiness could only be connected to positive emotions. Stephen King knows that by setting up a story in a period where he can connect a social event or a moment in history the audience will be more connected to the characters; therefore increasing his ability to manipulate the emotions of his audience.

King has been known for creating stories that will create suspense and fear within his audience. Although we know that horror novels and stories will provoke these types of emotions Stephen King brings it to another level. He wants the readers to reveal the darkness within themselves and to constantly exercise these uncivil manners. M. P. McCrillis analyses Stephen King’s ideals and his intended purpose by using one of Kings own publications, “Why We Crave Horror Movies”.

In his literary criticism McCrillis expresses how most of King’s audience members tend to enjoy other people suffering or going through painful life situations, “, we as an audience tend to delight in the pain and agony that are depicted through such artistic imitation.”, (McCrillis, 239). Not only does Stephen King want his audience to feel emotions that go against the norm, he wants us to enjoy said feelings, by realizing that he wants us to enjoy pain, suffering, disgust and other emotions for that reason. The author constantly reminds us that “ we recognize that it demands its own exercise to maintain proper muscle tone.

Certain of these emotional muscles are accepted”, (King, 2). He wants horror to be the outlet in which we experience and exercise the more unconventional emotions. Needless to say that King has a single purpose in his career as a author in horror, he acknowledges people’s need to express hateful emotions and uses his work as a tool to get that from his audience, that is his desired goal for us as his readers to experience these types of emotions and change the way our everyday society sees inhumane actions.

Stephen King is known as one of the best horror authors of this generation and most of his work gets transferred into film and television adaptations, that gives him an even bigger audience to expand his literary works. Individuals in today’s society are very well informed and pop culture is readily accessible for anyone with any interest in the horror theme. Tony Magistrale focuses on Stephen King’s accomplishments such as being the first author that has had five titles on the New York Times best sellers list, This means that his audience is broad and can vary from people that are really young to people in their later years.

“King labors deliberately to create an easily identifiable world littered with touchstones of reality: corporate brand names, products, recent political and historical figures and events. Moreover, his typical protagonists are ordinary middle-class men and women who suddenly find themselves in extraordinary circumstance”, (Magistrale, 2). King captures essential emotions and the audience believes what they are reading. Stephen King manages to seize certain emotions and also twists his stories in order to make his audience feel uneasy and experience these “uncivilized emotions”, (King, 1).

The author Stephen King knows most of his readers are aware of the references he places in his stories as most of his work has become part of pop culture in general, this means that his audience is anyone that has any slight knowledge in our daily culture and things that are part of our past. Furthermore an author that has knowledge of who reads his material can expand and go in great detail with his stories, adding serious topics in the mix and controversial settings to help in his manipulation.

Stephen King is an author that tends to please his audience in his literary works, we do not know what every reader wants, but we can assume the majority of what the readers demand from King can range between blood, suspense, murder, laughs, psychological intrigue, etcetera, etcetera. The reality is most of the people demanding said things from the author have been through dark moments in our lives, and even without knowing so.

Harold Nelson brings an interesting perspective on King, he states that, “ Exposing children to tales of horror does not affect them adversely, he feels, for it’s easier for children to suspend their beliefs when reading, whereas adults can clearly distinguish between what is real and what is not.”, (Nelson, 1). This adds to the ideals of evil as almost being part of our subconscious. We have been exposed to darkness and evil stories as far as most of us can remember, learning to be afraid of that which we do not understand and yet we as audience members crave these emotions. It all might be connected to society’s desire for that which we can not have.

Nelson also analyses Stephen King’s potential, “other novels by King could be classified as psychological thrillers, but to do so would ignore the fact that horror fiction’s main purpose is to evoke uneasiness and fear in readers, and that King’s novels repeatedly do so. King presents well-defined characters who are in surroundings like those his readers know”, (Nelson, 1). Stephen King assumes that every single one of his readers has experienced or felt emotional distress, that we as members of society have experienced something out of the ordinary; perhaps that is what draws us to Kings literary work.

Short stories are difficult for some writers because it gives them a very short canvas for them to get their main ideas across. The story needs to be persuasive to every reader and it needs to be very detailed as well. Setting is very important, the way in which the characters are affected by the things going on around them needs to get audience’s interest and that can be difficult, Some authors utilize ethos, pathos, and logos to convey their message it is a very helpful tool to use in short stories. “The Man Who Loved Flowers” by Stephen King shows the perfect example on how the author manages to utilize two of these persuasive methods. Stephen King utilizes pathos when he describes violence against women, in this case murder in order to control the audience’s emotions.

A woman gets murdered and her real name is never mentioned, it is as if she was part of the story just to show the main characters true side. He is trying to appeal to the readers emotions by having something gruesome happen to an innocent bystander, in this case an unknown woman, representing one of the main characters many victims. Walter Kendrick focuses on Stephen King’s “interest in the demonic and the paranormal”, (Kendrick, 197). King also utilizes kids or teenagers in his story to appeal to the audiences emotions, to have kids or teens go through “psychological complexities or abnormalities”, Kendrick, 197) can be an easy tool to appeal to people’s emotions since for the most part kids can be seen as innocent, and they are placed in story settings so dark and twisted that the audience wishes for nothing bad to happen to the main characters or King’s stories.

Stephen King also utilizes logos in the short story as he sets “The Man Who Loved Flowers” in the 1960’s, a time period where the Vietnam war was taking place and most people had a desire for positive moments in their ordinary lives. To say that the people surrounding the main character in the story are naive is an understatement, they assume that people that are happy have a connection with love, we as an audience and as horror genre enthusiasts recognize that happiness cannot just be connected with love but it can also be linked to our many adrenaline seeking emotions, uncivilized ones for example.

Literary short stories are known to be difficult because the author needs to create a powerful story in order to get his main point across to his audience. It is not like a novel where they get to go in depth about the setting, the characters, the plotline and anything that can help them summerge the readers, in this case short stories need to set the reader in a world without being completely descriptive. It is up to the reader to imagine the places and location in the story. Stephen King utilizes literary devices to expand on his stories in order for him to completely focus on the suspense and horror.

In “The Man Who Loved Flowers”, King gives us a very specific time setting; in this case being 1963. For the story and also decides to set his short story in the springtime, knowing that in most stories and films there is a connection with spring and summer love.

Because Stephen King wants his audience to feel warmth and happiness for most of the story he sets the story in a bright sunny day and as the time changes the darkness takes over the story. King leaves little to the imagination when he sets the time, he talks about New York in the spring, about the colors surrounding the main character and how everyone else assumes that this character is in love because he seems truly happy. Marc Laidlaw wrote a literary criticism on Stephen King in which he praised Kings writing and his use of literary devices, these help strengthen the story and make the readers immerse themselves in the story as if it was happening in real life.

Laidlaw stated that “King’s creation of atmosphere is masterful-the first irrational hint I had that anything unusual might happen terrified me as fully as the later, more logically constructed episodes.”, (Laidlaw, 311). By this I believe laidlaw is speaking to us about setting, the use of setting and imagery can be linked to the atmosphere set in the short story. “On an early evening in May of 1963, a young man with his hand in his pocket walked briskly up New York’s Third Avenue. The air was soft and beautiful, the sky was darkening by slow degrees from blue to the calm and lovely violet of dusk. There are people who love the city, and this was one of the nights that made them love it. Everyone standing in the doorways of the delicatessens and dry-cleaning shops and restaurants seemed to be smiling”, (King, 1).

Stephen King sets the audience for a nice and positive experience, If someone that did not know Kings work were to read this, they would be expecting a beautiful love story, not a short story with a dark twist at the end of it. King also utilizes repetition and alliteration in “The Man Who Loved Flowers” in order to help the stories plot twist at the end, “He swung the hammer and she didn’t scream, but she might scream because she wasn’t Norma, none of them were Norma, and he swung the hammer, swung the hammer, swung the hammer. She wasn’t Norma and so he swung the hammer, as he had done five other times”, (King, 5).

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COMMENTS

  1. The Man Who Loved Flowers Story Analysis

    Analysis: "The Man Who Loved Flowers". King uses the story's setting to establish The Joy of Young Love and The Brutality of Love Lost. Springtime in New York City evokes the beauty and promise of young love. King employs a third-person omniscient narrator, so readers view the young man at a distance, as through the eyes of passersby.

  2. The Man Who Loved Flowers Summary and Study Guide

    Summary: "The Man Who Loved Flowers". "The Man Who Loved Flowers," a short story by American horror writer Stephen King, follows a young man's journey on his quest to meet Norma, the love of his life. Published first in August 1977 in Gallery, an adult magazine, it was later included in 1978's Night Shift, King's first collection ...

  3. Analysis of The Man Who Loved Flowers

    The short story "The Man Who Loved Flowers" written by Stephen King has a classic plot structure for a work of thriller fiction, including key foreshadowing elements as well as a plot twist which reveals the protagonist is actually a killer.. The story features the main character (the young man), and several secondary characters (the flower vendor, an old lady, a middle-aged couple, a ...

  4. The Man Who Loved Flowers

    "The Man Who Loved Flowers" is a short story by Stephen King, first published in the August 1977 issue of Gallery, and later collected in King's 1978 collection Night Shift. [1] The story revolves around a young man who buys flowers for his love interest, but he is eventually revealed to be a serial killer who went insane after his lover's supposed death.

  5. Analysis of The Man Who Loved Flowers

    Analysis. The short story "The Man Who Loved Flowers" written by Stephen King has a structure where tension is constantly rising, culminating in a dramatic climax which also includes a huge plot twist. Several foreshadowing elements hint that the main character is actually a killer. The main character (the young man) is the most important ...

  6. The Man Who Loved Flowers Themes

    Thanks for exploring this SuperSummary Study Guide of "The Man Who Loved Flowers" by Stephen King. A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

  7. The Man Who Loved Flowers

    The Man Who Loved Flowers is a short story by Stephen King, published first in 1977 in Gallery and then as part of the Night Shift collection in 1978. Character Summaries The protagonist. The protagonist of the story is unnamed and unreliable. We follow him on his journey to see his girl Norma, but this journey has an unexpected end. The woman

  8. Narrator and point of view of The Man Who Loved Flowers

    The story "The Man Who Loved Flowers" by Stephen King is a third-person narrative with multiple points of view. The narrator is outside the plot, which focuses on the young man, and follows him like a camera on a movie set: "The young man crossed Sixty-third Street, walking with a bounce in his step and that same half-smile on his lips."; "The young man passed the flower-stand and ...

  9. Analysis Of "The Man Who Loved Flowers" By Stephen King

    In "The Man Who Loved Flowers", King gives us a very specific time setting; in this case being 1963. For the story and also decides to set his short story in the springtime, knowing that in most stories and films there is a connection with spring and summer love. Because Stephen King wants his audience to feel warmth and happiness for most ...

  10. Summary of The Man Who Loved Flowers

    Summary. "The Man Who Loved Flowers" by Stephen King follows a well-dressed young man walking through the streets of New York in the spring of 1963. He passes by an old lady who thinks he looks like he is in love and calls him beautiful. He waves at her, smiling. An old flower vendor listens to the radio next to his cart.

  11. The Man Who Loved Flowers

    The Man Who Loved Flowers. Thomas Mahoney 2-15-13 ENG 112 The Man Who Loved Flowers This story starts out in a very peaceful innocent setting, in New York City. There is a sense of love in the air, and the smell of spring. There is a man walking along the streets in a gray streets turning everyones attention because then can tell he is happy ...

  12. The Man Who Loved Flowers Essay

    The chief character in the narrative " The Man Who Loves Flowers " by Stephen King from 1977. Acts of the Apostless like it is no large trade possibly his greatest sorrow is that he will ne'er see his one true love. Norma. once more. The chief character is a immature adult male. who appears to be in love. He wears a Grey suit and a tie that ...

  13. The Man Who Loved Flowers Character Analysis

    The Young Man is the story's protagonist, a tortured soul who lost Norma, the love of his life, 10 years earlier. King's portrayal of the young man as an unnamed "everyman" initially misdirects the reader to assume a common humanity with the character based on the experience of young love. The character's anonymity also emphasizes his ...

  14. The Man Who Loved Flowers by Stephen King

    Get your custom essay on. The main character in the story "The Man Who Loves Flowers" by Stephen King from 1977, acts like it is no big deal maybe his greatest regret is that he will never see his one true love, Norma, again. The main character is a young man, who appears to be in love. He wears a grey suit and a tie that is pulled down a ...

  15. The Man Who Loved Flowers

    "The Man Who Loved Flowers" is a short story written by Stephen King. The story was originally published in the August 1977 issue of Gallery, and was later included in King's own 1978 collection Night Shift. Plot Summary [] The story begins in New York City, during an early evening in May 1963. The main character is an unnamed man who is ...

  16. Structure of The Man Who Loved Flowers

    A minor tension point is introduced when the young man passes the flower vendor: "…the sound of the bad news faded. He hesitated, looked over his shoulder, and thought it over. […] For a moment his face seemed puzzled, lonely, almost haunted...". In the same passage, there is a reference to the ma…. The text shown above is just an ...

  17. The Man Who Loved Flowers (from the Night Shift collection) by Stephen

    In Stephen King's short story "The Man Who Loved Flowers" a man stops to buy roses on the way to see the woman he loves. His warm energy infects all those around him, but there is something they don't know. Now join Arnie as he completes his reviews of the short stories contained in King's Night Shift anthology. In this podcast he reviews "The ...

  18. Themes and message of The Man Who Loved Flowers

    10) The thoughts of the old woman are shared by the old flower vendor and the middle-aged woman at the very end of the story. At the same time, the story mentions the policeman also being in love and seeing himself in the young man: "the cop was engaged himself and recognized the dreamy expression on the young man's face from his own shaving ...

  19. The Man Who Loved Flowers Symbols & Motifs

    Of all the flowers in the fallen spray, the lilies are the most symbolic. Often utilized at funerals, they represent the innocence of the soul as it finds its resting place in Heaven. Don't Miss Out! Thanks for exploring this SuperSummary Study Guide of "The Man Who Loved Flowers" by Stephen King. A modern alternative to SparkNotes and ...

  20. Analysis of "The Man Who Loved Flowers" by Stephen King Accomplishment

    Get custom essay. "The Man Who Loved Flowers" is politically and socially relevant because of the time the story is set in. Although the story was written in the 1970s, Stephen King decided to focus his story during the 1960s. In this story, he makes historical references to "a little Asian country called Vietnam" and how "the ...

  21. Summary of The Man Who Loved Flowers

    Summary. "The Man Who Loved Flowers" by Stephen King follows a well-dressed young man walking through the streets of New York in the spring of 1963. He passes by an old lady who thinks he looks like he is in love and calls him beautiful. He waves at her, smiling. An old flower vendor listens to the radio next to his cart.

  22. The Man Who Loved Flowers

    Assignment 1: Essay on Stephen King: The Man Who Loved Flowers, 1977 Write an essay in which you analyse and interpret The Man Who Loved Flowers by Stephen King. A part of your essay must focus on symbolism and the mood of the story (which we have been working a great deal with during class).

  23. Themes and message of The Man Who Loved Flowers

    The story "The Man Who Loved Flowers" by Stephen King explores love in a misleading and dark way. At first, the text seems like a romantic story, focusing on the feeling of being in love. All the secondary characters who cross paths with the main character assume he is in love: "She passed on her way, thinking: He's in love."