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Spiderman Essay | Essay on Spiderman for Students and Children in English

Spiderman Essay : Spiderman is a fictional character who became very famous among children and also in teenagers. He first appeared in the Amazing Comics in August 1962. He was introduced by Stan Lee in Marvel Comics. Since then, he appeared in many movies and video games and is still a favourite among many kids and adults. The story of Spiderman revolves around a boy Peter Parker who got bitten by a radioactive spider which gives him a superpower and a will to fight against the crimes in New York City. So let’s know more about the character

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Long and Short Essays on Spiderman for Students and Kids in English

A long essay of 450-500 words has been provided it is useful for students in classes 7, 8, 9, and 10. For the reference of students in Classes 1, 2, 3, 4, 5, and 6, a short essay of 100-150 words has been provided.

Long Essay on Spiderman 500 Words in English

Spiderman is one of the famous cartoon characters who is liked by everyone. It is a fictional character that was introduced by a comic artist known as Stan Lee in the year 1962. He first appeared in the Amazing comics and then he got praised and loved by children so much that they started his personalised comic series. The story of spiderman revolves around a boy named Peter Parker. He is a college student who also works in a media house that publishes newspaper as a photographer. The name of the company is Daily Bugle which is owned by J. Johan Jameson.

The parents of Peter Parker died in an accident which makes him stay and grow up with his uncle and aunt. His uncle’s name was Ben Parker and his Aunt’s name was May parker. Peter Parker got his superpowers from a radioactive spider as one day, a radioactive spider bit him and changed his DNA. As a result of a change in DNA, he got superpowers such as super strength, able to climb on the wall like a spider, can throw and swing on webs, sharp senses as he can now sense the danger around him.

One day, his uncle got killed by a thief whom he spares. Then at that moment, he decided to use his powers to fight crime and save others in need. To hide his identity, he made a suit which was red and blue in colour and had a spider symbol in the middle. He then starts catching thieves and criminals for the police but the police would only call him a vigilante. Then he faces and defeats many villains like doctor octopus, rhino, venom, vulture, and many more. The main villain in the Spiderman series was a company known as Oscorp Industries. Peter Parker’s father Richard Parker worked as a scientist in the same company. Spiderman got many allies like a black cat, spider woman, and many more.

Apart from being a super hero, Peter Parker is a brilliant student in his class and also likes to build tech for his suit. He builds web-shooters which helps to throw webs on the enemies. Parker’s girlfriend was Mary Jane Watson who was a student of the same college where Peter studied. They liked each other and ended up marrying each other. Later with all the good work, Peter was then recruited by the Avengers, a team of superheroes to stop the attacks of aliens.

The story of spiderman comics was inspirational and liked by people. Thus, they decided to make a movie on it. The first live-action cinematic movie of spiderman was released in the year 2002 which was hit and loved by everyone. Further, the director decided to make the sequels of the film and from that moment, there are so many live-action movies of spiderman. Many companies launched its merchandise and video games to attract more and more customers. From a cameo in a comic to making its franchise, this fictional character was and still is loved by everyone.

Short Essay on Spiderman 150 words in English

The story of Spiderman is about a boy who got bit by a radioactive spider which gave him superpowers. With the death of his uncle during a robbery, he decided to use his powers to stop and prevent crime and help people. The boy’s name was Peter Parker and he works as a photographer in a media house. The superpowers of Spiderman include super strength, senses danger, throwing webs like spiders, and climbing walls. Peter Parker lives with his uncle and aunt. His uncle was killed by a thief. He lived in New York City and was known as the Friendly Neighbourhood spiderman. There is a very famous quote in Spiderman comics which is ‘With great power comes great responsibility’. With popularity, many companies started selling their merchandise and many directors came up with the idea of making movies. He is loved by everyone and by every age group.

10 lines on Spiderman Essay in English

• Spiderman is a fictional character of Marvel Comics created by Stan Lee.
• It first appeared in August 1962 in Amazing Fantasy comics.
• The story revolves around a boy who got bit by a radioactive spider which gives him a superpower.
• His superpower was to climb like a spider and swing through webs and super strength.
• A famous quote from the Spiderman comics is ‘with great power comes great responsibilities’.
• Many villains that appeared in the Spiderman comics like the Vulture, Venom, and Kingpin.
• The original name of Spiderman is Peter Richard Parker.
• He lives with his uncle and aunt.
• He lives in New York and works as a photographer in a company called Daily Bugle.
• Spiderman later joined other heroic team known as The Avengers.

FAQ’s on Spiderman essay

Question 1: How did Peter Parker become Spiderman?

Answer: Peter Parker was bit by a radioactive spider that gave him superpowers.

Question 2: What is the profession of Peter Parker? 

Answer: The profession of Peter Parker is a Photographer at Daily Bugle.

Question 3: Where did Richard Parker used to work?

Answer: Richard Parker was a scientist in the Oscorp industries.

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Spider-Man: Into the Spider-Verse Essay

Self Concept and Costume Design in Spider-Man: Into the Spider-Verse

The Spider-Man saga explores a young man’s struggle with taking on responsibilities well beyond his maturity level. Almost all depictions of the character in both film and comic book form convey themes of maturity and responsibility. Peter Ramsey, Rodney Rothman, and Bob Persichetti’s Spider-Man: Into the Spider-Verse similarly focuses on adulthood and identity, this time with main character Miles Morales. Miles struggles with his newfound responsibilities as Spider-Man, symbolized by his cheap costume that he wears throughout the film. Once he accepts his role, he starts wearing an official Spider-Man costume. This physical change in appearance reflects Miles’ mental transition from self-doubt and immaturity to confidence in his capabilities and identity.

Initially, Miles looks up to his uncle Aaron as a representation of his ideal self. Rebelling from his father’s strict household, Miles admires his uncle’s freedom, suave confidence, and creative expression. When Aaron is revealed as a villain, Miles realizes he has chosen the wrong idol and is forced to remake his ideal self-image. This poses a challenge to Miles–initially, he only understands his identity in terms of his dislikes, rather than celebrating his unique passions and capability. In the first half of the film, his personality is centered around the fact dislikes his private school and the life of discipline and heavy responsibility that his father enforces. However, Miles’ transformation into Spider-Man reshapes his identity and confidence, giving him a new sense of duty. When Miles witnesses the death of his universe’s Peter Parker and gains powers from the radioactive spider, he is forced to take on Spider-Man’s role. With the responsibility of saving the world on his shoulders, Miles must embrace his inner strength and form a new identity. 

The film represents Miles’ newfound confidence and identity through his change in costume. When Miles discovers his powers, he no longer idolizes his uncle–instead, as he takes on Spider-Man’s role, he idolizes his universe’s Spider-Man. At this point in the film, Miles wears a cheap Spider-Man costume he grabbed at a store. The fact that he wears a costume, rather than a “uniform” like the others, suggests he hasn’t embraced his own identity and his new responsibility as Spider-Man. Rather, he feels like he is filling a role, pretending to be the “old” Spider-Man without fully acknowledging his duties. 

The alternate universe’s team of Spider-Mans, especially his mentor, Peter Parker, help Miles realize his full potential and inspire him to step into his role. With their help, he sheds his imposter syndrome and embraces his identity as his own Spider-Man. Miles exchanges the cheap costume for his unique Spider-Man uniform. He finally becomes a hero in his own right, and the film ends with his comic book introduction scene, symbolizing his official acceptance as Spider-Man. Spider-Man: Into the Spider-Verse details Miles’ struggle with identity, following his process of maturing and embracing his new role and responsibilities.

Works Cited:

Spiderman: Into the Spiderverse . Peter Ramsey, Rodney Rothman, Bob Persichetti, directors. Marvel Entertainment, Columbia Pictures, Sony Pictures Animation. 2018.

Thompson, Kristin, and David Bordwell.  Film History: An Introduction . New York: McGraw-Hill, 1994.

Spider-Man and The Hero’s Journey Essay

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Spider-Man is an action movie directed by Sam Raimi. It tells the story of a teenager acquiring supernatural abilities. The following text will depict the twelve steps of the Hero’s Journey, using the scenes as examples. During the first step, Peter Parker is depicted as a schoolboy who is bullied by his classmates. The movie introduces his love interest, Mary Jane Watson, and his friend, Harry Osborn. Peter’s life changes after being bitten by a spider during a field trip to a laboratory. As a result, he acquires supernatural abilities, such as web shooting and climbing walls. At this point, Parker is overjoyed and unaware of the responsibilities that follow. The third step takes place when Peter is given a chance to catch a robber who steals money from an accountant after a wrestling match Parker has finished. The guy rejects the opportunity, letting the bandit run away. This mistake leads to said robber killing Peter’s uncle, Ben.

After the death of the boy’s uncle, he recognizes the latter as a mentor figure and follows his words. During the fifth step, Parker becomes a hero by fighting crime in New York. The multiple tests approach him when he is confronted by his new nemesis: the Green Goblin. The latter believes that humans are unreliable and offers Peter an alliance. Moreover, Peter’s love interest is dating his best friend, and the boss at his new job despises Spider-Man.

The stakes are raised when Norman (Goblin) notices a cut on the guy’s arm during a Thanksgiving dinner with May, MJ, and Harry. He realizes that Parker is Spider-Man because the injury is identical to his enemy’s. This leads to the eighth step when May is attacked by Goblin. Peter realizes what may happen if he loses his anonymity (Raimi, 2002). The Reward is represented by Mary Jane having a personal conversation, and after May overhears it and advises Peter to confess, he does it indirectly, and MJ holds his hand.

Spider-Man has his final battle with the Green Goblin, with the latter forcing the former to choose between Mary Jane’s life and saving the lives of a group of kids he is holding hostage. Peter successfully rescues both MJ and the children, having to fight the Goblin for the last time later. Norman dies, trying to kill the guy but indirectly causing his own demise. Parker acknowledges his responsibilities in the final stage and continues living as Spider-Man.

Raimi, S. (2002). Spider-Man . Columbia Pictures.

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IvyPanda. (2023, July 29). Spider-Man and The Hero's Journey. https://ivypanda.com/essays/spider-man-and-the-heros-journey/

"Spider-Man and The Hero's Journey." IvyPanda , 29 July 2023, ivypanda.com/essays/spider-man-and-the-heros-journey/.

IvyPanda . (2023) 'Spider-Man and The Hero's Journey'. 29 July.

IvyPanda . 2023. "Spider-Man and The Hero's Journey." July 29, 2023. https://ivypanda.com/essays/spider-man-and-the-heros-journey/.

1. IvyPanda . "Spider-Man and The Hero's Journey." July 29, 2023. https://ivypanda.com/essays/spider-man-and-the-heros-journey/.

Bibliography

IvyPanda . "Spider-Man and The Hero's Journey." July 29, 2023. https://ivypanda.com/essays/spider-man-and-the-heros-journey/.

Spider-Man (2002 Film)

By sam raimi, spider-man (2002 film) analysis.

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Written by Timothy Sexton

When the history of 21st century cinema is written, Sam Raimi’s take on Spider-Man will sit alongside will sit alongside such iconic titles as Double Indemnity and Butch Cassidy and the Sundance Kid . The former may not have been the very first film noir, but it set the standard for what a film noir is. The latter may not have been the first “buddy movie” but it also set a template. Certainly, Spider-Man was not the first superhero megahit in Hollywood history. In fact, it was not even the first comic book movie megahit of the new millennium, having been beaten to the punch by the first entry in The X-Men series. Those mutants, however, worked as a team and carried varied amounts of baggage as ambiguous in terms of being good or bad. Especially Wolverine.

Spider-Man was the first superhero blockbuster of the post-9/11 world, however, and therein lies all the difference. They say that the world for those living at the time can be evenly divided between the time before the attacks of September 11, 2001 and everything afterward. That may be hyperbole, but in terms of superhero cinema it is absolutely true. Ever since Christopher Reeve put on the cape to play Superman in the late 1970’s, comic book superhero movies have been hitting movie theaters every summer. Many were hits, most were misses and some were disasters. Since the attacks on the Twin Towers and the Pentagon, however, comic book superhero movies have essentially dominate Hollywood. They are to the first two decades of the 21st century what westerns were from 1939 to 1970 and what Biblical epics and glossy musicals were in the 1950’s and what gritty paranoid fantasies were in the 1970’s.

Superhero movies are what define this generation’s cinema in the way that screwball comedies defined the Great Depression. The lives of Americans during the Great Depression were as far removed from the realities of rich people beset by absurdly unlikely comedic circumstances as the ambiguous world of good and evil in 21st century is removed from the black and white world of superheroes. The difference is that whereas the American government did not try to convince moviegoers that the reel world and the real world were one and the same, in the early days of superhero dominance at the box office, American politicians tried to do exactly that. To paraphrase Pres. George W. Bush, if you were not with him, then you were against America.

The world has never been so quaintly delineated and the American people knew this even if they did allow themselves to be momentarily distracted by the revelation that not all the bad guys wore sheets and beards; some even wore Brooks Brothers suits and pins of the American flag on their lapels. The rush of being able to identify with ease who the bad guys were and who the good guys were in the wake of the attacks of September 11, 2001 was already beginning to wear away by the spring of 2002. But, oh how nice it was!

Enter Peter Parker . Just by looking at the kid, you knew he was good. A clean-cut teenager who loved from afar because he dare not betray his best friend who also just so happened to be a straight-A student. And he worked hard and loved his aunt and uncle. Peter Parker was a guy you just knew you didn’t have to worry about being ambiguous. Nor, for that matter, was Spider-Man. Even as a superhero suddenly endowed with ridiculous power just aching to be used irresponsibly, Peter maintained his integrity. This guy didn’t seem equally dangerous and liable to go rogue like that Wolverine. Or Jean Grey, for that matter. Or even like Superman did once a long time ago in a movie where he briefly broke bad to the point of blowing out the Olympic torch just because he could.

What Americans desperately wanted in the post-9/11 world—easily identifiable good guys and bad guys—has never really existed and is, to a large degree, what made movies popular. The western solidified the idea of good versus evil in the most axiomatic manner possible: the good guys wore white hats and the bad guys wore black hats. The ambiguous morality of film noir leapt across genres rarely and it is notable that the one film genre aside from the crime movie where it prospered most was the western films of the 1950’s. Even John Wayne’s morality is decidedly ambiguous in The Searchers .

The modern day superhero movie which really got its start not from the adventures of mutants, but an everyday high school teenager is the modern day western of the 1930’s and 1940’s. Before film noir got its hands into things. Back in those movies— Stagecoach, For Apache and She Wore a Yellow Ribbon though Red River not so much—Wayne’s moral standing was never in doubt. The Ringo Kid may have escaped from prison, but he was never anything other than heroic. Nathan Brittles may be a jerk, but he’s the kind of jerk that audiences of 1949 would find as appealing as George Custer. (By contrast, Ethan Edwards is a not just a jerk but a racist psychopath whose one purpose left in his life is to save the girl. If that sounds familiar, The Searchers was the inspiration for Taxi Driver .)

Peter Parker did not introduce the idea of total goodness fighting total badness to the superhero movie. That honor would go to Clark Kent and Lex Luthor, but Superman is, after all, an illegal immigrant and, as noted, he would eventually go rogue. Batman is by definition a fascist and Bruce Wayne is something perhaps even worse: a billionaire. Peter Parker gave American moviegoers what it so very desperately craved in the confusion wrought the collision of an evil attack upon American from without and an evil response to seeking vengeance from within: a world where heroes are not just immediately distinguished from the non-heroic by virtue of what they wear, but distinguished from the bad guys by virtue of acting only out of an instinct for the greater good.

In retrospect, the contractual difficulties which disallowed Spider-Man from taking his rightful place among the Avengers seems perfectly poetic. One of the few elements which sets Spider-Man apart from his Marvel costumed brethren is his status as a lone protector of society. If America has learned anything since September 11, 2001—and it has certainly learned much—it is that the greater the number of “good guys” involved in an operation, the greater the chance of one going rogue. Of course, it has also learned something else equally important: putting faith in just one single hero to save the world only works when that person is really and truly heroic rather than someone who just sells the idea of being a hero as self-promulgating propaganda.

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Spider-Man (2002 Film) Questions and Answers

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Study Guide for Spider-Man (2002 Film)

Spider-Man (2002 Film) study guide contains a biography of director Sam Raimi, literature essays, quiz questions, major themes, characters, and a full summary and analysis.

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Spider-Man (2002 Film) essays are academic essays for citation. These papers were written primarily by students and provide critical analysis of Spider-Man (2002 Film), directed by Sam Raimi.

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Origins and development in the comics

Spider-man in the modern era, spider-man in film and onstage.

How does Spider-Man get his powers?

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Who created Spider-Man?

Spider-Man, a comic-book character who was the original everyman superhero, was created by writer Stan Lee and illustrator Steve Ditko .

American teenager Peter Parker, a poor sickly orphan, is bitten by a radioactive spider. As a result of the bite, he gains superhuman strength, speed, and agility, along with the ability to cling to walls, turning him into Spider-Man. Parker also acquired a precognitive “spidey-sense” that alerted him to approaching dangers.

When was the Spider-Man "Ultimate" comic line launched?

The Spider-Man “Ultimate” comic line was launched in 2000 with the debut of Ultimate Spider-Man . The “Ultimate” series allowed writers and artists to reinterpret classic stories. The Ultimate Spider-Man ran until 2009 and concluded with Peter Parker's apparent death.

In what Marvel movie did Tom Holland first appear as Spider-Man?

Tom Holland made his Marvel Cinematic Universe debut as Spider-Man in Captain America: Civil War (2016) as the protégé of Iron Man's alter ego, Tony Stark. His scene-stealing turn as the web-slinger breathed new life into the character.

Which Spider-Man film won an Academy Award in 2019?

Spider-Man: Into the Spider-Verse won the Academy Award for best animated feature in 2019. Slick visuals, a compelling story, and an engaging hip-hop soundtrack won over audiences and critics.

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Spider-Man , comic-book character who was the original everyman superhero . In Spider-Man’s first story, in Marvel Comics ’ Amazing Fantasy , no. 15 (1962), American teenager Peter Parker, a poor sickly orphan , is bitten by a radioactive spider . As a result of the bite, he gains superhuman strength, speed, and agility along with the ability to cling to walls. Writer Stan Lee and illustrator Steve Ditko created Spider-Man as a filler story for a canceled anthology series. At the time, a teenage lead hero was unheard of in comic books . However, young readers responded powerfully to Peter Parker, prompting an ongoing title and, ultimately, a media empire, including video games, several animated and one live-action television series, a live-action film franchise, and a Broadway musical.

Spider-Man was a radical departure from the established conventions of the comic-book superhero: he was a teenage character who was not relegated to sidekick status beside an older, more-experienced hero. In addition to enhanced speed and strength, Parker also possessed a precognitive “spider sense” that alerted him to approaching dangers. Using his inborn scientific talents, Parker synthesized a unique adhesive “web fluid” and built a pair of wrist-mounted web-shooters that enabled him to shape the webbing into various useful forms. He also designed and sewed the web-festooned red-and-blue costume that quickly became Spider-Man’s most visible trademark.

However, Marvel publisher Martin Goodman was not initially receptive to the idea of a teen hero taking center stage, nor did he want to accept Spider-Man’s neuroses , romantic deficiencies, and chronic concerns about money. Goodman also thought that the audience would be repelled by the character’s spider motif. Fortunately, Lee’s instincts prevailed. Spider-Man’s debut in Amazing Fantasy was an immediate and resounding success.

From the beginning, Spider-Man’s behavior deviated significantly from the prevailing superheroic norms. Instead of selflessly dedicating his superhuman gifts to crime fighting or the general betterment of humankind, the newly empowered Spider-Man cashes in on his talents by becoming a television celebrity. After his first performance before the cameras, he refuses to stop a robber from stealing the television station’s studio box-office receipts. Spider-Man’s world abruptly collapses a few days later when a burglar murders his uncle, Ben Parker, leaving Peter’s Aunt May—now his only surviving guardian—a widow. The grief-stricken Spider-Man tracks down Uncle Ben’s killer, only to make the horrible discovery that the murderer is the very same robber he had allowed to escape from the television studio. Spider-Man’s origin story closes with a sombre narration that permanently sets the series’ moral tone:

And a lean, silent figure slowly fades into the gathering darkness, aware at last that in this world, with great power there must also come—great responsibility!

Spider-Man’s debut soon led to an ongoing comic series that began with The Amazing Spider-Man (abbreviated ASM ), vol. 1, no. 1, in March 1963. The eponymous character immediately became integral to the ever-burgeoning “Marvel universe” as well, interacting (and sometimes exchanging blows) with such mainstays as the Fantastic Four , that group’s Human Torch (another teen hero), Daredevil, and the Incredible Hulk . “Spidey” also quickly developed a colorful, soap-opera-worthy supporting cast, including the rabidly anti-vigilante Daily Bugle newspaper publisher J. Jonah Jameson, girlfriend Gwen Stacy (to be replaced later by Mary Jane Watson, following Stacy’s untimely death), and a roster of costumed adversaries such as Doctor Octopus, the Sandman, the Green Goblin, and Kraven the Hunter.

Parker is beset by chronic personal and financial difficulties from the outset, such as having to earn enough money to pay the medical bills of his ailing Aunt May; she had been poised at death’s door virtually from the beginning of ASM and even experienced “fake deaths” on two notable occasions. For many years, Peter Parker earned the money he needed to keep his aunt alive by selling photos of himself in action as Spider-Man (taken surreptitiously with an automatic camera, usually webbed to a wall) to his unsuspecting newsprint nemesis , Jameson. Although Parker’s earnings are barely sufficient to make ends meet, he generally approaches life—and crime fighting—with an upbeat attitude and a sly sense of humor that often manifests as wisecracks delivered in the midst of battle.

Spider-Man became a fast-expanding franchise, unable to be contained between the covers of a single monthly publication. Spidey’s frequent crossovers with other Marvel characters led to a bimonthly title dedicated to this idea, Marvel Team-Up , which began in March 1972 and ran for 150 issues. The debut issue teamed Spider-Man with the Human Torch, and the series eventually paired him with nearly every high-profile character in the Marvel universe (the series was replaced by the Web of Spider-Man monthly series, which started in April 1985).

As the 1970s continued, Spider-Man’s adventures expanded into a fourth ongoing comic series (a monthly intended for the mainstream Spidey audience) titled Peter Parker: The Spectacular Spider-Man (later shortened to The Spectacular Spider-Man ), which debuted in December 1976 and ran for 263 issues. This title, along with ASM , would carry the Spider-Man franchise through the next two decades. One of the notable events of this era took place in ASM Annual no. 21 (1987), when Parker and Mary Jane Watson were married.

Spider-Man , launched in August 1990, showcased the writing and illustrations of Todd McFarlane , whose eye-grabbing, rococo style drew unprecedented fan attention to the character. Particularly noteworthy were the detailed renderings of “Ditko-esque” poses and the ornately braided “spaghetti webbing” that flowed from Spidey’s web shooters. The first issue of Spider-Man also inaugurated Marvel’s soon-to-be-ubiquitous practice of releasing a single comic book with multiple covers, a marketing maneuver that arguably appealed more to collectors than to readers. Nevertheless, that issue set a benchmark for sales, pumping more than three million copies into direct-market comics shops and newsstand venues around the world.

The Amazing Spider-Man , vol. 2, no. 36 (December 2001), written by J. Michael Straczynski and drawn by John Romita, Jr., dealt with Spider-Man’s reactions to the September 11 attacks . The issue gained national media attention. Consistent with his “everyman” viewpoint, Spider-Man sees the non-superpowered police and fire personnel who risked—and lost—their lives during the catastrophe as the real heroes of the day. The carnage of 9/11 forces Spider-Man to confront the limits of his ability to thwart evil. Writer Dan Slott rehabilitated the wall-crawling hero after the disastrously received 2007 story line “One More Day,” which featured Spider-Man engaging in a deal with the devil that erased his marriage to Mary Jane from comics continuity . Slott would spend a decade writing Spider-Man titles, and during that period the undoing of “One More Day” was teased several times. This was done most overtly in the alternate-reality series Amazing Spider-Man: Renew Your Vows (2015), a story that imagined a world in which Peter and Mary Jane were married and had a young daughter. By the time Slott’s run ended in 2018, Mary Jane had returned as Peter’s romantic partner, a development that was met with widespread approval from both fans and critics.

Elsewhere in the Marvel Universe, the “Ultimate” comic line was launched in 2000 with the debut of Ultimate Spider-Man . Using existing Marvel characters but eschewing decades of continuity, the “Ultimate” series allowed writers and artists to reinterpret classic stories. In the “Ultimate” universe, Peter Parker was once again a high-school student navigating the perils of teenage life. Ultimate Spider-Man ran until 2009 and concluded with Peter’s apparent death. The mantle of Spider-Man was then claimed by Miles Morales, a Black and Hispanic teenager from Brooklyn. Miles would go on to become one of Marvel’s breakout characters of the 21st century. After the events of the massive Secret Wars (2015) crossover, Miles’s “Ultimate Spider-Man” was brought into the mainstream Marvel Universe.

The momentum that Spidey gained in the comics pages was also reflected in Hollywood. After resolving a host of legal issues that had previously prevented its production, Sony brought Spider-Man to the big screen in May 2002 with Tobey Maguire as the masked hero and Kirsten Dunst as Mary Jane. Critics adored the film, and it eventually earned more than $800 million worldwide. Spider-Man 2 (2004) and Spider-Man 3 (2007) proved equally successful. Director Sam Raimi , who helmed the trilogy, bowed out after the third film.

Spider-Man’s Broadway debut was somewhat less auspicious , as Spider-Man: Turn Off the Dark was plagued with problems. U2 members Bono and the Edge wrote the music and lyrics, and the original show was directed by Julie Taymor , who had overseen the spectacularly successful Broadway production of Disney’s The Lion King . Exasperated by the repeated postponements of the official opening, theatre critics reviewed the show anyway, and most panned it. Taymor was forced out, and playwright and Marvel comics writer Roberto Aguirre-Sacasa was brought in to collaborate on revisions to the script. The musical finally opened in June 2011; the critics’ reviews were still mostly negative, but the show, nevertheless, remained popular with audiences.

The Spider-Man film series underwent a “reboot” for The Amazing Spider-Man (2012) and The Amazing Spider-Man 2 (2014). Marvel, which had been purchased by the Walt Disney Company in 2009, developed its own successful franchise of superhero films under the banner of the “Marvel Cinematic Universe,” but existing licensing agreements precluded the use of Spider-Man. That impasse was resolved in February 2015 with a unique deal between Disney and Sony that allowed the character to appear in films produced by either studio. Spider-Man made his Marvel Cinematic Universe debut in the third act of Captain America: Civil War (2016) as the protégé of Iron Man alter ego Tony Stark. Tom Holland ’s scene-stealing turn as the webslinger breathed new life into a character who had been experiencing diminishing returns at the box office. In Spider-Man: Homecoming (2017) Holland led an impressive ensemble cast, which included Zendaya as love interest Michelle (“MJ”) Jones, in a sly action comedy that traced the slow and often painful transformation of a Queens high-school student into a superhero. Holland returned to the screen as the teenaged webslinger in the blockbusters Avengers: Infinity War (2018), Avengers: Endgame (2019), Spider-Man: Far from Home (2019), and Spider-Man: No Way Home (2021).

The animated Spider-Man: Into the Spider-Verse (2018) marked the silver screen debut of Miles Morales, and the film was greeted with nearly universal acclaim. Slick visuals, a compelling story, and an engaging hip-hop soundtrack won over audiences and critics, and the film won the Academy Award for best animated feature. A sequel, Spider-Man: Across the Spider-Verse , was released in 2023, and a third installment in the series is in the works.

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Analyzing the Character of Spiderman: A Relatable Heroic Figure

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Peter Parker Spider-Man

Along came a spider.

A bite from a spider somehow granted teenager Peter Parker its arachnid abilities and instead of using them for personal gain, he decided to help others with them. An orphan living with his aunt, May Parker, the boy chose to wear a mask while fighting crime so as not to burden her with his actions.

Calling himself Spider-Man and sporting a pair of web-shooting devices he’d constructed, Parker wound up in internet videos which attracted the attention of Tony Stark. The billionaire industrialist deduced Spider-Man’s secret identity and approached Parker at his and May’s home in Queens, New York with a request for aid from the hero in an upcoming confrontation with Captain America and a group of other rogue Avengers and associates. Parker was initially hesitant to even admit his secret career as Spider-Man, but the thrill of adventure and Stark’s talk of responsibility drew him in and he accepted the invitation, as well as a new, high-tech costume and web-shooters.

Does Whatever a Spider Can

Peter Parker’s gifts from the spider bite include enhanced strength, stamina, and agility, as well as the ability to cling to nearly any surface by his hands and feet, and an internal “alarm” of sorts that warns him of impending danger. When in costume he becomes a figure in motion, leaping and jumping about with a steady stream of wisecracks.

The Spider-Man suit designed by Tony Stark includes wrist-worn web-shooters (adapted from Peter’s own invention) that emit lines of synthetic “webbing” capable of supporting great weight with a high-degree of holding power. In addition, the suit provides various optical powers, a voice-changer, a drone tracking device, and some protection against outside elements. When not in use, the suit appears as loose, thin cloth, but when donned, it adheres tightly to the body and stretches easily to almost any movement by the wearer.

Recently, Parker acquires a specialized suit of armor from Stark that features many qualities of the inventor’s own Iron Man suits, including enhanced protective layering, optics, internal air supply, along with a set of four spider-like extra “arms” that answer to the teenager’s mental commands.

To Squash a Spider

Spider-Man has yet to attract a sizable Rogues Gallery, but his first real Super Villain adversary is Adrian Toomes, the Vulture.

Over the course of Spider-Man’s interactions with the Vulture, he advanced from a nuisance in Toomes’ eyes to a true obstruction in the man’s schemes. Toomes also perhaps saw a bit of himself in Spider-Man, albeit at a younger age. Unfortunately, the Vulture discovered his foe’s secret identity and was able to initially warn Parker off with threats toward his family and friends. But, the young man’s sense of responsibility and justice outweighed any fear and he did everything within his power to ensure that Toomes never flew again. Now in prison, the Vulture still harbors Spider-Man’s secret, though he had decided to keep that to himself as an apparent sign of respect towards his enemy.

In addition to the Vulture himself, two of his associates may also still cause trouble for Spider-Man: Herman Schultz, AKA the Shocker, who wields a powerful gauntlet inherited from his late colleague, Jackson Brice, and Mac Gargan, a dangerous criminal who was injured in a confrontation with Spider-Man. Both men have been incarcerated, but Gargan in particular seems eager to enact his revenge on New York’s young champion.

When Thanos made his play for the Infinity Stones, Spider-Man, coming to Iron Man’s aid, placed himself in direct opposition to both Thanos and those who serve him.

Classmates, Comrades, and Kin

May Parker took her nephew in to raise him as if he was her own son and has instilled values in Peter Parker that serve him well. So close are the two that he worries over hurting May with his Spider-Man activities and feels the pain of lying to her. May is easygoing to some extent, but is quick to let her nephew know when she is unhappy with any situation he may be involved in.

As a student at the Midtown School of Science and Technology, Parker enjoys only a very small circle of friends, partially due to his extracurricular time as Spider-Man. His best friend is his classmate Ned, who discovers Spider-Man’s secret identity by accident and is in complete awe over the details of Parker’s costumed career. During Spider-Man’s first real adventure involving a major adversary, Ned provides valuable support, despite his seemingly bumbling demeanor.

Peter Parker’s kindhearted first crush, Liz, led to Peter’s shocking discovery that her father was his enemy, Adrian Toomes, and Liz’s departure not only from Peter’s school, but also from the city with her family.

Spider-Man maintains a mentor-student relationship with Tony Stark, even through ups and downs between them, due to Parker’s rebellious streak and his desire to be just like Stark when it comes to heroics.

To the Avengers and Beyond

After securing Peter Parker’s promise of help in the aftermath of the Sokovia Accords, Tony Stark flew the teenager to Germany under the pretense, to his aunt, of a scholarship program and internship. Once there, Parker suited up in his new Stark-created Spider-Man gear and joined the confrontation under Stark’s direction against the rogue heroes. Though a self-professed fan of Captain America, Parker temporarily stole the man’s famous shield at the onset of the battle, and later regretted having to clash with him and his companions. Overall, Spider-Man held his own against the Falcon and the Winter Soldier, and toppled a giant-size Ant-Man. He was taken out of the fight when Ant-Man accidentally struck him while falling, however. Stark ordered Parker to stand down for the rest of the action.

Upon returning to Queens, Parker explained away his injuries as the result of a brawl he’d been in; May assumed that it was with fellow students. In reality, the young man looked forward to more battles, despite Stark’s seeming reluctance to involve him in any future battles.

Finally, after growing frustrated with the lack of direct communication with Stark, and itching to be useful as Spider-Man, Parker returned to crimefighting on the streets of his neighborhood. As fate would have it, he came across a group of criminals robbing a bank with weapons left over from the alien Chitauri invasion of New York. In the process of confronting them, however, he accidentally destroyed a nearby establishment. To make matters worse, Parker’s friend, Ned, discovered his Spider-Man secret. Tony Stark also personally warned Parker to curtail his Super Hero activities and his campaign against the Vulture, the man responsible for supplying high tech weaponry to criminals.

Together, Parker and Ned figured out a way to track the criminals’ power source. After discovering it led to Washington D.C., the location of an upcoming school trip, the young hero went along as part of a science competition team. After a harrowing experience at the Washington Monument with a Chitauri explosive, Parker returned to New York and tracked the Vulture to a deal on the Staten Island Ferry. Iron Man jetted in to help when the ensuing fight threatened to sink the ferry and kill those onboard; later Stark warned Parker again, in no uncertain terms, that his career as a Super Hero was over. To ensure Parker took him seriously, he also took back the Spider-Man suit.

Dejected, Peter Parker turned back to his school activities and asked the girl of his dreams, Liz, to accompany him to the Homecoming dance. The night of the dance, he learned that Liz’s father is Adrian Toomes, the Vulture, and in turn, Toomes learned that he was Spider-Man. Toomes warned Parker to stay away, but the young man, wearing his original homemade Spider-Man costume, stubbornly refused to give up and battled his foe all the way into the air and on top of a plane carrying Stark weapons the Vulture attempted to hijack.

Upon defeating his adversary, Spider-Man left him for the police and prepared to face Tony Stark’s wrath. Instead, impressed by the growth he had seen, Stark commended him for his victory, and offered Parker a new, upgraded Spider-Man suit and full Avengers membership. However, Peter had reevaluated how quickly he was trying to raise his status and politely declined Stark’s offer, deciding to stay a local hero for the time being. Returning home, he discovered Stark had returned the suit he’d taken back from him earlier, and Peter donned it again, only to be stumbled upon by May.

When Thanos’ followers came to Earth to acquire the Infinity Stones harbored there, Spider-Man aided Iron Man and Doctor Strange in confronting the powerful being. Wanting to try to save Strange when he was abducted by the aliens, he stubbornly disobeyed Stark’s orders to stay behind and hitched a ride on the departing starship—ultimately given an assist by the upgraded, armored suit Stark had made for him that he’d once turned down while declining Avengers membership.

Together, Parker, Stark, and Strange travelled to the dead world of Titan, where they met members of the Guardians of the Galaxy and prepared a plan to keep Thanos from getting Strange’s own Infinity Stone. The plan failed and the tyrant left Titan with the Stone, going on to gain the sixth and final Infinity Stone on Earth. Having done so, with a snap of his fingers, Thanos caused half of all life throughout the Universe to end. On Titan, those affected included Peter Parker, who could feel something was happening to him. Peter told Tony Stark he didn’t want to go and that he was sorry before disintegrating into nothingness in Stark’s arms.

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Spider-Man Taught Me How to Live, Comics Taught Me How to Write

Nikesh shukla on the dual life of an immigrant son in north west london.

“People like us… we don’t get a choice.”  –Amazing Spider-Man Annual #35

Spider-Man was the perfect superhero for the child of immigrants from London in the 1990s. He understood shame and guilt like I did.

Peter Parker’s dual identity—one moment the science nerd, the other as friendly neighborhood Spider-Man—spoke to me. I empathized with the way he code-switched between shyness in one life, and cockiness in the other. He wore different masks and spoke in different languages, a duality synonymous with that of the child of immigrants. Often, while trying to do good, he was caught in lies. He led a secret life. He was unpopular at school. He could have been me.

I kept my head down at school and studied hard, trying my best not to fail at the subjects my father longed for me to succeed in—science, math, while easing my way to As in English and creative writing. I spoke in codes—at my predominantly white school, I stuck with the nerds as it was the best place to hide; at home, I spoke Gujarati; with friends, I spoke like a fan of gangster rap.

With great power comes responsibility , Uncle Ben told Peter, before dying tragically. It became a mantra—for Spider-Man and for me.

I felt the responsibility of my parents’ migration. Mum and dad came here to have a family and ensure that that family get a good education and become successful. Dad spent the 1970s buying into the conservative myth that if you work hard, you’ll be rewarded for your labor. He wasn’t so naïve that he assumed it was a level playing field—instead, he knew, as all immigrants knew, that you have to work twice as hard to have half the opportunities.

“Fate gave me some terrific super-powers, and I realize now that it’s my duty to use them… without doubt… without hesitation!!” –The Amazing Spider-Man #18

It’s a strange time, your first one in a comic shop. You don’t understand the code, feel inferior for not knowing exactly what you’re looking for, and take up space in front of shelves long-term fans feel entitled to. The first Spider-Man comic I picked up had the Green Goblin lobbing pumpkin bombs at Spidey. My best friend Junaid was obsessed with Superman. My loyalty was yet to be bought.

It was 1990 and we were at Calamity Comics, in North West London. Soon, I learned the code. Through the episodic adventures of Spider-Man, I felt a part of something.

“All these years—I’ve done my best to make up for that! I’ve worn this suit—gone out there and put my life on the line again and again! But no matter how hard I try people die!” –Amazing Spider-Man: Soul of the Hunter vol. 1

My parents weren’t wealthy and the worst thing I could do, in their eyes, was waste money. Comics were a waste of money: specifically, a fiver a week on several issues that took fifteen minutes to read, and then five minutes to re-read a day later. I binged through issues. My eyes danced across each panel.

The idea of putting on a suit and being a better version of yourself appealed to me. For Superman, putting on the suit entailed being himself (Clark Kent being the everyday mask he wore); for Spider-Man, putting on the suit meant being everything Peter Parker couldn’t be. I found comfort in that. In life I was Peter Parker—reading comics I was Spider-Man. I dreamed of the confidence with which Spider-Man dispensed of Dr. Octopus or the Green Goblin; the cockiness with which he deployed his web-shooters; the wisecracks he flung at villains with abandon.

“I’m glad you remembered the hyphen,” he told Electro. “Most people leave it out.”

“Too bad you couldn’t get a new hairstyle,” he told Doc Ock.

“You always have an answer for everything,” Richard Milestone once told me.

Comics became a lifeline as I approached my teenage years. Spider-Man lived with the consequences of bad decisions he made. To be in physical danger because of bad decisions, because of the burden of guilt, because of the need to hide your true self, that was me as a teenager.

I lived in fear of being beaten up. Not because there was any real threat of someone knocking me out, but because I was a teenager and I wore my outsider status like a brick wall I was always on the verge of getting shoved against. Comics allowed me stillness, escapism, a world where quiet nerds like me could make a difference.

The more comics I read, the more I became obsessed with being a writer. I didn’t care what: short stories, the great American novel, film scripts, arcs for comics, raps. I wasn’t fussy.

My first, terrible attempts at writing were synopses for Spider-Man arcs that were yet to be written. Thankfully, such juvenilia no longer exists, because when I moved out of home with my girlfriend at 22, I decided I could no longer have ties to such childishness. I threw it all away. I think back to what those issues taught me about storytelling, how they gave me the tools to pace, to ensure that dialogue is punchy, exciting, realistic and not overwritten.

The biggest thing comics taught me about writing was that bad writing involved characters explaining the plot to each other. Good writing showed you the plot. Writing those synopses, in a brown exercise book, I honed these skills.

I wrote Peter Parker into my school. I made his antagonists my own. I made Mary-Jane a girl he got the train with. I resituated his battles with Sandman and the Vulture in North West London. Peter Parker became a cypher for me. Spider-Man became the best possible version of myself.

Being a writer was the furthest thing from what my dad wanted me to be. He was desperate for me to take over the family business and expand it. Our small family business, importing gift-wrapping paper from abroad and selling it to high street retailers, was a homespun affair. In tandem with my homework, my mother and I would sit in front of the television, watching sitcoms like The Fresh Prince of Bel-Air while folding reams of gift-wrapping paper to the correct size for the correct retailer. Start at the bottom and you will then understand every level of the business for when you take it over, my dad thought. He probably also liked my sister and I for the cheap labor. He sat on the other side of the room, listening to ABBA records, a whisky in hand, thinking, strategizing. We watched television with subtitles on.

Most Sundays, I went with him to the warehouse to pack orders. While they took breaks, I was expected to do my homework, time I saw as an opportunity to find comfortable boxes to slouch on, and read comics. They were my dirty secret.

Our lives were about saving money. Mum bought most things in bulk, because cooking for our family, my dad’s brother’s family and my grandparents—all of whom were working on the family business—was cheaper than shopping meal to meal. I made money to buy Spidey comics by buying up cheap Batman and Superman comics I could sell on to rich kids at my school who lived in the suburbs and wouldn’t go to the comic shop.

I wrote in secret. I read in secret. When I was caught, I lied: “I borrowed this comic from Junaid. This rap song, with the swear words still in? Taped off the radio. These notebooks of writing? They’re for English class. That film script that has my name on the cover? Junaid wrote it. I just helped.”

I felt shame that my heart was not in the family business.

Flicking through the racks in Calamity Comics one Saturday, I came across parts one and two of a four-part arc called Kraven’s Last Hunt. In it, Kraven the Hunter hunts down Spider-Man, defeats him, and appears to shoot him dead. Kraven then buries him, and, donning a copy of Spider-Man’s costume, seeks to prove himself superior at his adversary’s former activities. By becoming Spider-Man, he becomes his best attempt at his public perception of who Spider-Man is. But he misses a crucial component—Peter Parker. He has no idea who he is. He has no knowledge of his rage, his caring for others, his compassion, his humanity. These are the key ingredients for Spider-Man. The person behind the mask. I didn’t understand that at the time. That much as I hid, people could still see me.

Years later, my mum was in hospital, diagnosed with lung cancer. About a fortnight before she died, I came to visit her and dad and to give her a finished copy of my first novel. She held it in her hands and looked at me

“I always knew you’d do it,” she said. Dad nodded.

In that moment, I felt like my parents were finally looking at the teenager behind the mask, the boy driven by guilt and shame but also responsibility. I felt like they were really seeing me.

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Essay Spiderman Essay Sample

Does spiderman have some contributions to america.

Spiderman is one of the super heroes in America. His character was a marvel and did not spare any of his slings nor arrows. He had difficult times with his friends, employees, as well as his sweetheart. He had immense powers which enabled him to do exceptional things to people. It was ironical, though, that he did remarkably little to improve his life. Being a simple character, he has been able to attract millions of fans globally. He has not lost touch with the fans, and he is described as a friend from the neighborhood. This has enhanced the relationship of America with the entire world. This includes, but is not limited to trade, entertainment, as well as in improving information technology globally. Spiderman has taken to himself the mission of fighting crime since 1962. What motivated him was the death of his uncle called Ben. He was motivated by guilt, but not revenge as it seemed. However, it was evident that he could not have stopped the death of such an action. Despite the efforts he put in place, he was greatly suspected by those in power. This is because the officers suspected him of being a criminal.

Understanding Spiderman was not an easy task. This is because sometimes, he behaved like a joker; while at some other times he was a figure that is tragic. He greatly acknowledged the irony behind the predicaments he encountered. He was a trickster and no one realized that he was the one also referred to as Peter Parker. This tactic was greatly seen in his films. He was able to act in more than one form, which made his audience entertained. They could not understand how one person could possess different names. He acted both as Peter Parker and Spiderman. Different interpretations of him made people love his films. People wanted to watch all of them in an attempt to unravel the truth. In Africa, for example, he recorded much sale of his films. This is because people wanted to unravel the secret behind him expressing himself in more than one form.

In addition, his films were used in museums. This provided great entertainment to tourists. This significantly increased tourist’s attractions in those areas. This is because by then, there were few films of such a high caliber. Today, they form the part of the documentaries that are watched globally. This has made people respect America for being capable of producing such actors.

The Powers of Spiderman

The senses of a spiderman.

Just like a spider does, Spiderman was capable of knowing whether or not someone is good or bad. Spiderman had enormous senses. These senses can detect/sense someone who is dangerous. The abilities possessed by Spiderman were incredible. He had power that amazed majority, the sense of uncanny. This sensation is tingling and usually originates from the back of the skull. It warns of danger. The danger could be something that could happen immediately. This can be as fast as a gunshot or retaliatory punch that is aimed at the head. The sense of the Spiderman may not exactly tell about the nature of the threat. It only tells which direction to go in order to avoid danger. This made America sense danger and act promptly.

Spiderman had a sense that could be compared to radar. He did not have worries on where he went or slept. This is because he had personal radar that directed him to safe places. He was able to avoid dangerous places. Despite being surrounded by his enemies, his senses made him escape from the enemies. It was very difficult to ambush the Spiderman. He had tracers that that could sense enemies that were far away. He was able to sense the direction of the threat. He reacted to troubles instinctively. This prevented trouble from escalating to the surrounding regions. This enhanced peace and stability in America. This would help America protect itself. In addition, it would act as a warning sign, so that some action were taken.

Wall Crawling

Spiderman possessed many attributes that enhanced his ability to survive. Another power of Spiderman that enabled him to survive in severe battles was the ability to cling. He clanged on surfaces and never fell down. This enhanced his survival when over powered by the enemies. The ability to cling by Spiderman was a mystery to many. Others said that he had super magnetic power. This magnetism enabled him to cling on surfaces. This is because there were attractive forces between the body and the surface molecules around. That made him able to cling on any surface. He just had to concentrate in order to bond with the surface. This was a conscious action unlike the ability to sense. Every part of the body had the ability to cling. His head, back, as well his toes were able to cling on the surfaces.

Strength and Agility

Because of Spiderman’s exceptional strength and energy, he could withstand radioactive waves from atomic bombs directed against him. In addition, he endured gun shots, as well as falling from high roof buildings. He was able to lift heavy objects. It is documented that the maximum weight was about ten tons. His strength made him have great speed, as well agility. Spiderman was able to kick heavy object in the process of protecting itself.

Web Slinging

Just as spider needs the webs, the Spiderman also needs it. The Spiderman decided to create a web for himself. He produced adhesives that he used in making the web. This was the agent of binding. Besides, he made web shooters so that he could fire all the times he had something to eat.

Just like any other person, Spiderman had costumes. He used them for budding. It is believed that it is these costumes that contributed to his becoming a hero. He had no intention of getting involved in fighting crimes initially. He had great interests in business. For him to match well while in the stage and draw the attention of people, he needed a good outfit. Initially, he had a skin tight, pair of gloves, as well as boots. The boots were very important in protecting his legs during the battles. Since, in most incidences, he fled by running, the boots helped him in protecting his feet.

The boots and gloves of the Spiderman were made of thin material. This was to ensure that the costumes did not prevent him from clinging on the surfaces. The eye pieces were transparent. This ensured that he could see through them well. In addition, they protected his eyes from explosives in his endeavor to protect himself. The under arm was composed of a nylon that was netted. Under the shirt, Spiderman wore a belt that had signals similar to that of a spider.

The Alien Costume

Spiderman was important in American science. He was used in many explorations and journeys to the objects in space. He travelled to many satellites during scientific journeys. This made America one of the leading nations in the world in research and development. He was one of the astronauts that went to the objects in space to collect useful information. He went to satellite together with another hero called Beyonder. Beyonder wanted the Spiderman involved in the space war. The war was called the world battle. Spiderman was involved in many wars that aimed at protecting America. His clothes and costumes were torn off in the wars. He decided to come up with a machine that could be used to mend them. This further earned him more credit as far as innovation was concerned. This was among the contributions he made in the world as an American.

The design used by Spiderman in his costumes found applications in America and the entire world. They were the imitations that were used as safety clothes for those who rided motor during competitions. In addition, the head gears used in hockey to protect the head of the goal keeper were borrowed from the costumes of Spiderman. Thus, Spiderman revolutionized sports in America and the entire world. It was believed that America was among the first countries to develop such designs.

While in the satellite, Spiderman won many battles. This greatly improved the recognition of America as a super power. He defeated the villains and later escaped from the Beyonder. His alien costume helped him predict what he wanted. He realized he was capable of changing to suit the prevailing circumstances. He believed his alien costume made him remain energetic. That is why he never lost any of his battles. He remained energetic throughout the battles. Spiderman did not allow anyone to the alien costumes. This is because he believed that people could learn the reason behind his strength and supernatural powers. Before he could sleep, he kept the alien costume under his bedding. He was sure that no one could get access to them. When his alien clothes got old, Spiderman was also old. This made his super natural powers reduce significantly. He had to seek the interventions of other supernatural powers among his colleagues.

Reed Richards was of great help to Peter. This is because Spiderman had a bad nightmare and this meant that he needed a great counselor. Reed was that person. He had a great experience in handling issues. In addition, he was also a superpower and there were possibilities that he had encountered the same challenges. Despite Spiderman’s sleeping with his costumes so that he did not get tired, this did not help him. Reed recommended that the alien costumes should be replaced. His new costume was to be a living creature. This would ensure that he had maintained a physical and mental bond with the creature. Spiderman did not welcome the costume. He did everything not to get the costume. Reed was so assertive in that he almost convinced Spiderman.

Spiderman was committed to ensuring that he did not take the new costume. Reed was able to learn that Spiderman was vulnerable to some sounds of a given frequency. Reed applied the principles of waves to detect the sensitivity. Finally, Reed decided to separate the costumes from Spiderman. This had been a scheme by Richards Reed to do away with Spiderman. Spiderman was relieved. This led to the imprisonment of Reed.

The hatred between the Spiderman and Reed increased. This was brought about by the imprisonment of Reeds. Spiderman did not suspect that Reed could escape from Prison. Reed decided to look for ways of escaping from the prison, so as to attack the Spiderman. The senses of the Spiderman had greatly declined. He could not sense dangers, as he did before. In fact, people could not imagine that Spiderman was getting old.

Reed finally managed to escape from the prison. He decided to hide, so that nobody could see him. His major mission was to attack the Spiderman unknowingly. He attacked the Spiderman, who was in a state of desperation. Spiderman yelled pronouncing the name of God. He believed that God was the only person who could redeem him. Reed took the costumes he had given Spiderman. Spiderman had no option but to go back to his initial costumes. He later changed to black costumes. However, his strength and supernatural powers had diminished.

In summary, superpowers had a great role in ensuring that America becomes a super power. Scientific interventions in the satellites were because of the superpowers. This enabled the Americans engage in space wars. The most important war under the involvement of Peter, famously known Spiderman, was the defeating of Villains. Spiderman also contributed to the film industries by the actions. These were recorded and sold to the entire world. The revenue gained from the sale of the good contributed to enormous income of America. It is said that the distribution of his films are what made him famous. His actions were so unique and greatly entertained the audience. His techniques of acting have greatly been used in sports science. This has been useful in training people on body movements. These techniques have been borrowed and are being used by counters all over the world.

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Spider-Man: No Way Home

The best of “Spider-Man: No Way Home” reminded me why I used to love comic books, especially the ones about a boy named Peter Parker. There was a playful unpredictability to them that has often been missing from modern superhero movies, which feel so precisely calculated. Yes, of course, “No Way Home” is incredibly calculated, a way to make more headlines after killing off so many of its event characters in Phase 3, but it’s also a film that’s often bursting with creative joy.

Director Jon Watts and his team have delivered a true event movie, a double-sized crossover issue of a comic book that the young me would have waited in line to read first, excitedly turning every page with breathless anticipation of the next twist and turn. And yet they generally avoid getting weighed down by the expectations fans have for this film, somehow sidestepping the cluttered traps of other crowded part threes. “No Way Home” is crowded, but it’s also surprisingly spry, inventive, and just purely entertaining, leading to a final act that not only earns its emotions but pays off some of the ones you may have about this character that you forgot.

Note: I will very carefully avoid spoilers but stay offline until you see it because there are going to be landmines on social media.

“No Way Home” picks up immediately after the end of “Spider-Man: Far From Home,” with the sound of that film’s closing scene playing over the Marvel logo. Mysterio has revealed the identity of the man in the red tights, which means nothing will ever be the same for Peter Parker ( Tom Holland ). With an almost slapstick energy, “No Way Home” opens with a series of scenes about the pitfalls of super-fame, particularly how it impacts Peter’s girlfriend M.J. (Zendaya) and best bud Ned ( Jacob Batalon ). It reaches a peak when M.I.T. denies all three of them admission, citing the controversy about Peter’s identity and the roles his buddies played in his super-adventures.

Peter has a plan. The “wizard” he met when he saved half the population with The Avengers can cast a spell and make it all go away. So he asks Dr. Strange ( Benedict Cumberbatch ) to make the world forget that Spider-Man is Peter Parker, which, of course, immediately backfires. He doesn’t want M.J. or Ned or Aunt May ( Marisa Tomei ) to forget everything they’ve been through together, and so the spell gets derailed in the middle of it. Strange barely gets it under control. And then Doc Ock ( Alfred Molina ) and the Green Goblin ( Willem Dafoe ) show up.

As the previews have revealed, “Spider-Man: No Way Home” weaves characters and mythology from the other cinematic iterations of this character into the universe of the current one, but I’m happy to report that it’s more than a casting gimmick. My concern going in was that this would merely be a case of “ Batman Forever ” or even “ Spider-Man 3 ,” where more was often the enemy of good. It’s not. The villains that return from the Sam Raimi and Marc Webb films don’t overcrowd the narrative as much as they speak to a theme that emerges in the film that ties this entire series back to the other ones. For a generation, the line about Spidey was “With great power comes great responsibility.” “Spider-Man: No Way Home” is about the modern Peter Parker learning what that means. (It also helps a great deal to have actors like Molina and Dafoe in villain roles again given how the lack of memorable villains has been a problem in the MCU.)

So many modern superhero movies have confronted what it means to be a superhero, but this is the first time it’s really been foregrounded in the current run of Peter Parker, which turns “No Way Home” into something of a graduation story. It’s the one in which Parker has to grow up and deal with not just the fame that comes with Spider-Man but how his decisions will have more impact than most kids planning to go to college. It asks some interesting questions about empathy as Peter is put in a position to basically try to save the men who tried to kill other multiverse iterations of him. And it playfully becomes a commentary on correcting mistakes of the past not just in the life of Holland’s Parker but those of characters (and even filmmakers) made long before he stepped into the role. “No way Home” is about the weight of heroic decisions. Even the right ones mean you may not be able to go home again.

Watts hasn’t gotten enough credit in his other two Spider-Man movies for his action and “No Way Home” should correct that. There are two major sequences—a stunner in a mirror dimension in which Spidey fights Strange, and the climactic one—but it’s also filled with expertly rendered minor action beats throughout. There’s a fluidity to the action here that’s underrated as Mauro Fiore ’s camera swoops and dives with Spider-Man. And the big final showdown doesn’t succumb to the common over-done hollowness of MCU climaxes because it has undeniable emotional weight. I also want to note that Michael Giacchino ’s score here is one of the best in the MCU, by far. It’s one of the few themes in the entire cinematic universe that feels heroic.

With so much to love about “No Way Home,” the only shame is that it’s not a bit more tightly presented. There’s no reason for this movie to be 148 minutes, especially given how much the first half has a habit of repeating its themes and plot points. Watts (and the MCU in general) has a habit of over-explaining things and there’s a sharper version of “No Way Home” that trusts its audience a bit more, allowing them to unpack the themes that these characters have a habit of explicitly stating. And, no offense to Batalon, turning Ned into a major character baffles me a bit. He always feels like a distraction from what really works here. On the other hand, this is the first of these three films that has allowed Zendaya and Holland’s chemistry to shine. In particular, she nails the emotional final beats of her character in a way that adds weight to a film that can feel a bit airy in terms of performance.

“Spider-Man: No Way Home” could have just been a greatest hits, a way to pull different projects into the same IP just because the producers can. Some will see it that way just on premise alone, but there’s more going on here than the previews would have you believe. It’s about what historic heroes and villains mean to us in the first place—why we care so much and what we consider a victory over evil. More than any movie in the MCU that I can remember, it made me want to dig out my old box of Spider-Man comic books. That’s a heroic accomplishment.

In theaters on December 17 th .

Brian Tallerico

Brian Tallerico is the Managing Editor of RogerEbert.com, and also covers television, film, Blu-ray, and video games. He is also a writer for Vulture, The Playlist, The New York Times, and GQ, and the President of the Chicago Film Critics Association.

• Tom Holland as Peter Parker / Spider-Man
• Zendaya as Michelle 'MJ' Jones
• Benedict Cumberbatch as Stephen Strange / Doctor Strange
• Jon Favreau as Harold 'Happy' Hogan
• Jacob Batalon as Ned Leeds
• Marisa Tomei as May Parker
• Alfred Molina as Otto Octavius / Doctor Octopus
• Jamie Foxx as Max Dillon / Electro
• Willem Dafoe as Norman Osborn / Green Goblin
• Tony Revolori as Eugene 'Flash' Thompson
• Angourie Rice as Betty Brant
• Martin Starr as Mr. Harrington
• Hannibal Buress as Coach Wilson
• J.B. Smoove as Mr. Dell
• J.K. Simmons as J. Jonah Jameson
• Benedict Wong as Wong
• Chris McKenna
• Erik Sommers

Cinematographer

• Mauro Fiore
• Michael Giacchino

Writer (based on the Marvel comic book by)

• Steve Ditko

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All Of Spider-Man's Powers, Explained

Since his debut in 1962, Spider-Man has become a pop culture fixture. He's the star of multiple feature films, numerous animated series, thousands of comic books, and even a Broadway musical . His simple origin story has become as well-known as that of Superman, despite his relative newness: While watching a science demonstration, an irradiated (or in certain interpretations, genetically altered) spider bites high school student Peter Parker, granting him amazing abilities. But when a decision not to act leads to personal tragedy, Peter quickly learns that with great power, there must also come great responsibility.

A major part of Spider-Man's enduring appeal is his everyman quality. Despite his superheroic identity, he still has to worry about bills, school, his  love life, and other relatable problems. This normalcy makes it all the more thrilling to see him use his spectacular spider powers to defeat supervillains and save the day. As his famous theme song says, he can do "whatever a spider can" — and we're here to take a detailed look at what that means. These are Spider-Man's powers, including the ones he rarely uses, explained.

Super-strength

In his very first appearance in 1962's "Amazing Fantasy" #15 , Peter accidentally crumples a steel pipe in his hands as easily as if it were paper. His newly granted super-strength comes in handy when he decides to take on Crusher Hogan in a wrestling match to earn some money. In the ring, Peter is shown making short work of his massive opponent, lifting and incapacitating a man who is easily twice his size and weight.

Perhaps the most iconic and memorable display of Spider-Man's strength takes place in the pages of 1965's "Amazing Spider-Man" #33 . In this issue, Spider-Man finds himself trapped under a ton of machinery, with the medicine he needs to save his Aunt May's life just out of reach. On the verge of giving up, Peter finds strength in the memory of his Uncle Ben. He proceeds to lift the debris and escape with the item.

During Spider-Man's early career, Marvel officially classified him as a " super-mediumweight ," putting him in the same strength tier as the metallic mutant Colossus, the cosmic-powered Silver Surfer, and the nigh-invulnerable Luke Cage. However, following his metamorphosis into a man-spider hybrid during the events of " Avengers Disassembled " and his death and rebirth in " The Other: Evolve or Die ," Spider-Man got a strength boost. He can now lift "20 tons under optimal conditions," per the " Spider-Man: Back in Black Handbook ."

Enhanced speed and agility

To the average New Yorker living in the Marvel universe, it's not unusual to witness a lean, acrobatic figure performing feats of superhuman agility from street lamps, traffic lights, and rooftops. Still, such a sight probably wouldn't grow old, no matter how many times one sees it.

While other street-level superheroes like Daredevil are certainly limber in their own right, it's a safe bet that Spider-Man outclasses pretty much all of them. After all, the web-slinger is estimated to be 15 times more agile than an average human being (per the " Official Handbook of the Marvel Universe: Spider-Man 2005 "). Spider-Man has been seen escaping impossibly difficult predicaments innumerable times because of his extraordinary ability to twist, turn, and contort his body. According to the "Spider-Man: Back in Black Handbook," the secret to his spectacular agility is the fact that the tendons and connective tissue in his body are two times as elastic as a regular person's. This ability doesn't work against his super-strength, meaning Spider-Man's body defies both the rules of human anatomy and the laws of physics.

Spider-Man is also one of the Marvel universe's quickest non-speedster heroes. While he can't quite run like Quicksilver, he can definitely outrun someone like Usain Bolt. Amusingly, this is an ability that's easy to overlook, simply because Spider-Man doesn't really have to do much running.

Spider-sense

"Amazing Spider-Man" #1 gave readers their first-ever glimpse of Peter's spider-sense, an iconic ability that became so popular, it's a pop culture trope in itself . Of course, it's worth noting that spiders can't really do this. As the National Wildlife Federation cheekily puts it, "Spiders can detect danger coming their way with an early-warning system called eyes."

Typically depicted as a low-level psychic ability, Spider-Man's spider-sense manifests as a tingling sensation, warning him of impending danger. This amazing ability has saved Spider-Man's hide more times than anyone can count. Spider-sense is a major component of his combat style according to the "Spider-Man: Back in Black Handbook," allowing him to become almost impossible to hit when it is used in conjunction with his superhuman agility and reflexes. While Spidey's spider-sense isn't precise enough to pinpoint the exact source of danger 100% of the time, it can help him anticipate threats that are seconds or even minutes away. Moreover, Spider-Man can gauge the severity of the threat by the intensity of the tingling sensation. This works fabulously with his custom-built tracking devices, which also make him the worst possible person to play hide-and-seek with.

Enhanced reflexes

Peter Parker's spider-sense is certainly remarkable, but it's only one part of the equation when it comes to his ability to avoid incoming danger. His enhanced reflexes make him almost unbeatable in combat, and act as a key component of his early-warning system. Thanks to his body's quick responses, Spider-Man can dodge threats without even seeing them, like a punch from behind or a projectile thrown from a direction not within his direct line of sight.

Over the course of Spider-Man's growth as a superhero, his reflexes, like his other abilities, have gotten a significant boost. According to the "Spider-Man: Back in Black Handbook," Peter now responds to threats faster than an ordinary human being by about 18 times, and can even evade gunfire (provided that the source is a sufficient distance away from him). 

Spider-Man's superhuman reflexes also come in handy for non-combat purposes. For instance, in the first Sam Raimi "Spider-Man" movie, Peter (Tobey Maguire) catches Mary Jane Watson (Kirsten Dunst) and her cafeteria tray after she slips. Amazingly enough this scene was created without CGI , meaning the "Spider-Man" production team proved this feat is possible in real life — albeit with a lot of preparation and a ton of takes.

Increased durability and endurance

If you're a superhero, it's a given that you'll find yourself in harm's way on a regular basis. And if you're a street-level superhero in the Marvel universe — a place populated by megalomaniacs with cosmic powers and literal gods — there's a good chance that a well-timed punch from your opponent could make your next adventure your last. Thus, for a superhero like Spider-Man who often finds himself in sticky situations involving far more powerful opponents, the ability to survive seriously strong blows is a godsend.

As the " Official Handbook of the Marvel Universe: Spider-Man 2004 " explains, Spider-Man's skeleton and muscles have been greatly enhanced. This allows him to withstand attacks that would scramble a non-super-powered person like an egg. In 1964's "Amazing Spider-Man" #14 , for instance, Spider-Man's tussle with the Green Goblin leads to an unexpected confrontation with the Hulk. While he does manage to narrowly dodge a punch from the Hulk, Spider-Man describes the sheer force it generates as "the hardest punch [he] ever felt."  "Amazing Spider-Man" #33  offers another example: In that issue, a tired Spider-Man ironically takes a breather by getting beaten up by Doc Ock's goons, giving him time to recover (while taking punches) and fight anew.

Spider-Man also possesses extraordinary endurance, allowing him to surpass the limits of human exhaustion. In recent years, Spider-Man's endurance has increased to the point where he can "fight for hours without rest," according to the "Spider-Man: Back in Black Handbook."

Wall-crawling

Another signature Spider-Man power — the one that earned him the moniker "wall-crawler" — is his ability to cling to various surfaces, even those that are perpendicular to the ground, and traverse them with minimal effort.

According to the "Official Handbook of the Marvel Universe: Spider-Man 2004," Spider-Man's wall-crawling ability (sometimes referred to as "biomagnetism") is possible because of the superhero's mental control over "the inter-atomic attraction between molecular boundary layers." This is essentially a fancy way of saying that he can attach himself to surfaces at will. The upper limit of his ability to stick to surfaces is estimated to be at around several tons per finger. Other individuals who have taken on the mantle of Spider-Man have demonstrated a similar ability, albeit through different methods. Spider-Man 2099 , for example, is able to climb walls because of sharp talons on his fingers and toes that retract when they come in contact with his own skin.

For the longest time, this unique trait seemed to be limited to Spider-Man's hands and feet (per the "Spider-Man: Back in Black Handbook"). Over time, however, it has extended to the rest of his body. By this point, he can attach objects and even people to his back — he rescues someone from a collapsed apartment building in this manner in "Amazing Spider-Man" #528 .

Webbing (mechanical and organic)

Depending on the incarnation, Spider-Man's webbing may be mechanical or organic in nature. Nevertheless, Peter's ability to "spin a web, any size" has become permanently associated with the character.

In "Amazing Fantasy" #15, Peter is shown creating his web-shooters himself. Utilizing a special nylon-related adhesive formula of his own invention, the teen is able to expel web-like fluid from his wrist-mounted devices via a 65-pound-pressure tap of a button on his palm, using his middle fingers. Per the "Official Handbook of the Marvel Universe: Spider-Man 2004," Peter's synthetic webs have a tensile strength of approximately 120 pounds per square millimeter, and are stored in cartridges that are pressurized to 300 pounds per square inch. They dissolve into powder after two hours.

Following the popularity of the Sam Raimi "Spider-Man" movies, the comics adopted the "organic webs" angle, beginning in 2004's "Spectacular Spider-Man" #20 . Returning to his human form after transforming into a human-spider hybrid, Peter discovers he can create organic webbing from his wrists, "limited by his body's health and nutrition" (per the "Official Handbook of the Marvel Universe: Spider-Man 2005"). These new organic webs are as strong as his artificial ones. Modern comics have since disregarded this power, however, and Peter is back to his mechanical web-shooters.

Web-swinging

Spider-Man's webs enable him to pull off odd and exciting feats, from shooting web-balls at opponents to detecting vibrations from his web lines. By far, though, the most beloved, practical, and arguably exciting way Spider-Man uses his webs is to travel around the city, swinging from building to building with relative ease.

When Spider-Man releases webbing from his wrist shooters, they can travel up to approximately 60 feet (more if they're expelled in a ballistic parabolic arc). This allows him to simply leap into the air, sling a web, and perform gravity-defying feats of web-swinging. With this ability, Spider-Man doesn't need vehicles to get around, and can respond to emergency calls very quickly. He can even hitch a ride on moving aircraft in this manner.

In case you were curious about how web-swinging would work in real life, the team that worked on 2012's "The Amazing Spider-Man" has answers for you. In an interview with Popular Mechanics , stunt coordinator Andy Armstrong revealed that they studied slowed-down footage of a gymnast performing acrobatics on high bars to understand Spidey's web-swinging. "In reality, the gymnast is driving himself down with his feet and he pulls this enormous force at the bottom of the arc," Armstrong said. "Then he slows until, at the top of the swing, he's absolutely weightless. And then he starts the next swing." Armstrong's team built a rig that actor Andrew Garfield used to "swing" like Spider-Man at an estimated speed of 40 mph.

Spider-tracers

If Peter's mechanical web-shooters and web fluid formula still aren't enough to have you in awe of his brilliance as an inventor, then perhaps his use of spider-sense as a built-in GPS is. In 1964's "Amazing Spider-Man" #11 , Peter uses his self-designed "spider-tracer" for the very first time. A tiny device that typically comes in the shape of his back costume logo, the web-slinging superhero can attach it to any individual or vehicle, which allows him to track them within a certain range. Initially, Peter has to use a spider-tracer-tracker to get readings from the gadget up to 20 miles away. Over time, however, Peter discovers he can attune the tracer's signal to his spider-sense , although the range is much shorter (about 100 yards, as confirmed by Spider-Man himself in "Marvel Knights: Spider-Man" #15 ). Ben Reilly, Spider-Man's clone , shares this ability as well.

All that said, Spider-Man's tracers do have a significant flaw: Once the person being tracked notices the tracker, they can turn the tables on Spider-Man and lure him into a trap. Symbiotes like Venom can also easily detect (and get rid of) spider-tracers. In an attempt to combat this, newer versions of the spider-tracers are equipped with listening and camouflage capabilities, with some even designed to neutralize specific enemies.

Spider-signal

Just as DC Comics' Gotham City has a Bat-Signal that Commissioner Gordon uses to summon Batman, the Marvel universe has a similar device for Spider-Man — although it doesn't start out that way. In "Amazing Spider-Man" #3 , Spider-Man apprehends a group of criminals by shocking them with a high-powered spotlight that resembles his mask. The Spider-Signal is effectively Spider-Man's flashlight, integrated into his belt buckle to help him navigate low-light areas and scare his enemies into surrendering (which typically works on small-time crooks). Per the "Official Handbook of the Marvel Universe: Spider-Man 2004," the rest of Spider-Man's belt holds his web fluid refills, with enough space for 30 cartridges.

The one time that an actual Spider-Signal akin to Gotham's Bat-Signal is built, it doesn't last very long. In "Superior Spider-Man" #3 , New York City mayor J. Jonah Jameson proudly unveils the large signal, which is pointed at the night sky. He switches it on in an attempt to summon Spider-Man, but unfortunately, the Spider-Man who shows up is secretly Doc Ock in control of Spider-Man's body — and he's a man with limited patience for such frivolities. The self-christened "Superior Spider-Man" promptly deactivates the signal, and later destroys it completely in a violent battle against the Vulture.

Healing factor

While there's no doubt that Spider-Man is an amazing hero, he certainly isn't the strongest or hardiest one around. In fact, it's quite common for him to sustain all sorts of injuries after every battle, whether it's a cut from one of the Green Goblin's razorbats, burns from Electro's electric blasts, or flesh wounds from gunshots he narrowly dodged. Fortunately, the web-slinger can heal from injuries faster than the average person.

According to the "Spider-Man: Back in Black Handbook," Spider-Man has a "superhuman metabolism" that allows him to bounce back from nearly any beating. Unfortunately, this doesn't mean that he's immune to illnesses. As countless issues of the comics have shown, a simple bout of the flu or a nasty cold can render Spider-Man powerless and bedridden until he fully recovers.

Additionally, his healing factor isn't as powerful as Wolverine or Deadpool's regenerative powers. When the dimension-hopping life force vampire Morlun rips out Spider-Man's left eye in "Amazing Spider-Man" #526 , it doesn't grow back. Thankfully, a few issues later, Spider-Man emerges from his "rebirth cocoon" with all his body parts intact.

Night vision

For most of his costumed career, Spider-Man has been able to see in the dark just about as well as most other heroes can. This never really bothers the wall-crawler much, as he learns to use his spider-sense to guide him through total darkness. While obviously not as good as Daredevil's radar sense, it certainly works in a pinch. This is why his discovery of a new ability in "Amazing Spider-Man" #528 comes as a complete shock to him.

Peter emerges from his cocoon, following his death at the hands of Morlun. While he's still getting used to being back in the land of the living, a news report about a collapsed apartment building jolts him into action. Arriving at the scene, Spider-Man responds without hesitation, attempting to save as many lives from the wreckage as possible. However, when he ventures deeper into the ruins, he is surprised to discover that he can see in the dark, just as if he were wearing a pair of night-vision goggles.

One would think that such an ability would see increased use in the comics. Curiously, Spider-Man's night vision capabilities are rarely brought up and sometimes even ignored, just like many of the other upgrades he received before the " Brand New Day " storyline revamped the status quo.

Despite the tremendous power at his disposal, Spider-Man isn't known for using brutal attacks or offensive weapons. In fact, he often practices immense self-restraint so as not to permanently injure or incapacitate his opponents. Doc Ock learns this fact firsthand in "Amazing Spider-Man" #700 when, while controlling Spider-Man's body, he accidentally knocks the Scorpion's jaw right off his face with a single punch. Perhaps that's why it feels so odd and out of place when Spider-Man (temporarily) has the ability to release stingers from his wrists.

First seen in his fatal struggle against Morlun in "Friendly Neighborhood Spider-Man" #3 , Spider-Man has, for a limited time, a stinger housed in each arm. He ejects the stingers from his wrists after being subjected to intense stress, or when facing off against mystical opponents. Aside from being sharp tools for impaling his foes, Spider-Man's stingers also contain a polyamine venom that can paralyze an ordinary human being for hours and outright kill mystical beings like Morlun (per the "Spider-Man: Back in Black Handbook").

Spider-Man no longer possesses this strange power. However, his genetic duplicate Kaine gains the ability, alongside other power upgrades, when he embraces the spider-deity known as the Other .

Connection to the Web of Life and Destiny

When the mysterious Spider-person known as Ezekiel Sims enters Spider-Man's life in "Amazing Spider-Man" #30 , he introduces a new idea:  The circumstances that gave Peter Parker his powers may not have been solely scientific in nature. In later appearances, Ezekiel tells Peter about the Great Web, a metaphysical construct spun by mystical forces eons ago. This idea is further developed in later comics, especially the massive "Spider-Verse" storyline, which reveals the Web to be the source from which Spider-Man and his multiversal counterparts derive their unique abilities, particularly their spider-sense.

The Web of Life and Destiny serves as a multi-pronged "bridge" that connects all realities across the Marvel multiverse. Guarded by the Great Weaver, the Web enables Spider-people from different realities to travel to different Earths by means of a Dimensional Travel Watch. Spider-Man and his counterparts first use this to stop Morlun and his family of Inheritors from consuming the life forces of all Spider-people across the multiverse. 

While the Web itself hardly plays a role in Spider-Man's everyday adventures, it does get brought up fairly frequently, especially when the hero has to deal with interdimensional threats that require the assistance of other Spider-types.

Home — Essay Samples — Entertainment — Spiderman — Spider-Man Movie: a Critical Analysis

Spider-man Movie: a Critical Analysis

• Categories: Spiderman

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Published: Nov 22, 2018

Words: 352 | Page: 1 | 2 min read

Works Cited:

• Bazin, A. (1957). What is Cinema? University of California Press.
• Bordwell, D. (2002). Intensified continuity: Visual style in contemporary American film. Film Quarterly, 55(3), 16-28.
• Cook, P. (2016). Auteurism in the 21st Century. Edinburgh University Press.
• Hitchcock, A. (Director). (1960). Psycho [Film]. Paramount Pictures.
• Naremore, J. (1993). Acting in the cinema. University of California Press.
• Roud, R. (1975). Francois Truffaut. Thames and Hudson.
• Sarris, A. (1962). Notes on the Auteur Theory in 1962. Film Culture, 27, 1-8.
• Thompson, K., & Bordwell, D. (2010). Film History: An Introduction. McGraw-Hill.
• Truffaut, F. (Director). (1959). The 400 Blows [Film]. Cocinor.
• Wollen, P. (2002). Signs and meaning in the cinema. Indiana University Press.

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