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Format | NTSC |
Contributor | Peter Joseph, none |
Runtime | 2 hours |
Number Of Discs | 1 |
Manufacturer | Gentle Machine Productions LLC |
Zeitgeist: The Movie, by Peter Joseph.
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Directed by Peter Joseph
A documentary examining possible historical and modern conspiracies surrounding Christianity, the 9/11 terrorist attacks, and the Federal Reserve bank.
Chögyam Trungpa Jordan Maxwell George Carlin Bill Hicks David Ray Griffin Joe Casaliggi Joseph Casaliggi
Peter Joseph
Original writer original writer.
Gentle Machine Productions LLC
01 jun 2007, 05 may 2008, releases by country.
118 mins More at IMDb TMDb Report this page
Review by Jay ½ 22
Directed, written and narrated by - Peter Joseph
It takes a special kind of moron to make a film this bad. Zeitgeist is a “documentary” (in the loosest sense of the word) that is split into three distinct parts; an attack on organised religion (specifically Christianity), an attack on the “9/11 myth” and an attack on the global financial system.
Let’s begin with the first part of the film, in which Joseph suggests that Jesus never existed and that all religions are based on the same basic myth. For anyone with even the remotest interest in religion and the debunking of superstition this is a point that simply does not need to be made, let alone laboured. The virgin birth,…
Review by Jack ★ 5
TIP: When your Dad says he has a really interesting documentary to show you, DON'T WATCH IT.
Review by Bethany ★★ 3
we live in a society
Review by MattLovesMovies 4
Me at 15: “god isn’t real. You’re all a bunch of sheeple. I’m wildly insecure and need to feel like I’m the smartest guy in the room!”
Me at 19, high 24/7: “this is it. This is the pot of gold at the end of the conspiracy rainbow. This is what it all stems from. 9/11. The moon landing. JFK maybe, idk. You’re all a bunch of sheeple. I’m wildly insecure and need to feel like I’m the smartest guy in the room!”
Me at almost 27: “besides some of the sun deity stuff most of this is borderline InfoWars level conspiracy nonsense…but the editing was kind of fire for 2007.”
Review by Tentin Quarantino ☭ 4
Whether you believe any of this or not, it's best to exist as far outside of the system as you possibly can. The big businesses and corporations don't need your money, but the local band trying to make a name for themselves does. The local coffee shop could use that money you're throwing away on garbage at Starbucks. The local artists can use some recognition for their work. Fuck the people who already have money. Support those trying to make a living on their own, outside of the system. And dammit, find a way to do that for yourself. Life will improve immediately.
Review by essie ½ 1
Reminiscing about the time my first ever boyfriend thought it was a good idea to show this film to my parents.
Review by Mike Apps🍿 ★★ 6
Who wrote the bible? Was jesus a fictional character? Was religion a great scam to control the masses? Was 9/11 an inside job? What happened to tower 7 and the Pentagon? How is money made? Is there a secret plot to insert microchips in all of us? Peter Joseph felt like the guy with all the answers to modern life's questions with his Zeitgeist documentary!
Of course you can only think these things when you're a confused impressionable teenager searching for validation in your angst.......which was me in the 2000s. I thought Zeitgeist was the most profound scoop I had ever heard at the time. I wouldn't shut up about the doc or Joseph's movement back then. I would shove…
Review by Jared "Mid-Sized Sedan" Dennis ½ 7
I unironically used to think this was the most brilliant piece of documentary filmmaking I'd ever seen. The "facts" presented in this movie are shocking and interesting as long as you don't do a modicum of research yourself or look into any of the claims that Zeitgeist makes.
This film is a dark reminder that my friends and I were one step away from being full blown Alex Jones-adjacent anti-Semites back in our conspiracy theory days. Thank god I started smoking weed and having sex or I might still be trapped in this "2 smart 4 u" edgelord mentality.
Review by Mike Hricik ½ 4
Just one poorly-sourced conspiracy theory after another. If anything, director Peter Joseph is an auteur of liberal-leaning troll cinema, incorporating weirdly trippy geometric graphics into the mise en scène.
Review by Gavin Charles ★★★★ 1
Whether or not you can appreciate Zeitgeist: The Movie depends hugely on your political and religious standings, as well as your tolerance for conspiracy-theories. This documentary’s thesis is essentially that the American government has conned and lied to its people since the gaining of independence. Religion, 9/11 and other national disasters, the federal system, as well as many other facets of the inner workings of America are explored and deconstructed here in an angry attempt to expose corruption and free viewers’ minds.
Based on this premise alone, it would be easy to write off this movie as merely the work of inflamed new-age conspiracy theorists, but as it turns out, there’s a lot of fascinating material to be found in…
Review by sophia!!!
reading reviews on this just makes me wonder if anyone ever heard of ✨critical thinking✨
Review by SorryBabyy ★★½
watched it drunk i have no idea what the fuck was that
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1h 58m | Documentary, Drama
Zeitgeist was created as a nonprofit filmiac expression to inspire people to start looking at the world from a more critical perspective and to understand that very often things are not what the population at large think they are.
Director: | |
Studio: | Zeitgeist Films |
Writer(s): | Peter Joseph |
Official Site: |
Announcement.
Zeitgeist: IV Trailer Released
Tickets now available for the March 15th Screening in Los Angeles
View Press Release
PRESS KIT | |
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PRESS KIT COMPANION GUIDE |
By Ellise Shafer
When Alex Ross Perry set out to make a film about Pavement , he wanted it to be as absurd as some of the ’90s slacker band’s lyrics. For the indie director, known for “Listen Up Philip” and “Her Smell,” that meant pushing the very boundaries of what a film could be.
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Greene adds that the goal was to deliver a project that felt like flipping on one of Pavement’s five records, released over a short seven-year span between 1992 and the band’s 1999 breakup.
“The band uses all these super self-aware references to other bands and other kinds of music and is super ironic in that way and also deeply sincere at the same time,” Greene says. “And when Alex brought the idea, it was like, that’s exactly what we could do here. We could be ironic and sincere, exactly like what it feels like to listen to a Pavement record.”
Once Perry came on board, the band had been tapped for two 2020 reunion shows at Primavera Sound to mark its 30th anniversary — but then the pandemic happened, and plans were pushed. But it was during what Perry describes as the “COVID vacuum” when the magic really happened and he was able to fully develop his unique approach to the film. Pavement also strangely blew up on TikTok with the “Brighten the Corners” B-side “Harness Your Hopes,” bringing newfound recognition from Gen Z and reigniting love from older listeners. By the time Pavement played its reunion tour in 2022, the band meant something totally different in the cultural zeitgeist.
“When we started talking, these guys hadn’t seen each other in 10 years and they were going to do two shows. And by the time we were filming, there were 40 shows booked and indisputably the biggest tangible success of their career, in a weird way,” Perry says. “Some of these gimmicks that I thought of in 2020 — what if Pavement had a museum, what if Pavement had a musical — were 75% more probable by the time we did them because Pavement meant something so different by 2022.”
One of the most entertaining gimmicks in the film is the biopic of the band, which is presented in meta fashion as the audience sees Keery method-acting as Malkmus and scenes are presented with “for your consideration” pasted over top of them. In addition to Wolff as Spiral Stairs, Fred Hechinger plays all-purpose member Bob Nastanovich, Logan Miller is bassist Mark Ibold and Griffin Newman takes on drummer Steve West.
Perry thought a “treacly, cliché, paint-by-numbers, cookie-cutter Pavement biopic was a funny thing to explore,” and immediately had Keery as Malkmus in mind. Without him involved, Perry says he would have scrapped the concept entirely.
“It just wouldn’t have been worth doing because he’s exactly the guy in the real world, in Hollywood, who would be getting an offer — like when we were doing this, New York Magazine’s website ran fan-casting for a Sublime biopic, and they put Joe in it,” Perry says. “He has too much integrity as an actor to take an offer like that seriously, but he has exactly the right amount of creative curiosity to play that part in quotation marks.”
In fact, Perry says “all these guys are up for these roles for real,” revealing that Wolff was “supposed to be” in James Mangold’s Bob Dylan movie “A Complete Unknown.”
“The whole time we were shooting, every one of them had to at some point duck out to audition for the ‘SNL’ movie, which none of them got,” Perry adds with a laugh. “It just all made perfect sense.”
“What’s a great musical but great melodies and great lyrics? And those are there,” he says. “You can’t see those as clearly in a concert hall because you’re there for a rock show, but when you take these elements apart and you put them back together, it’s like, ‘Oh, these are perfect melodies and perfect lyrics.'”
Kannberg, who attended the musical’s premiere with the rest of the band, says seeing his music translated to the stage gave him a fresh perspective on the songs, even after all these years.
“It had been so long since I listened to Steve’s lyrics and they really stood out, how great they were, and the musical performances made that happen. So I concentrated more on that then, ‘Oh, this is ridiculous,'” he says. “It kind of made sense to me that, yeah, there should be a musical of these songs because they’re great songs. It’s like, why not? Why shouldn’t there be a Pavement musical?”
Now, as the film prepares to premiere at Venice, Pavement is still riding the high of its second act — “Harness Your Hopes” went viral on TikTok once again earlier this year, and the band is playing a headlining slot at Chicago’s Riot Fest next month. Oh, and last year, Malkmus was also name-dropped in a little movie called “Barbie,” which is mentioned in “Pavements” with a sweet scene of the band meeting director Greta Gerwig and co-writer Noah Baumbach.
“I would have never in my wildest dreams been like, ‘We’ll get a Malkmus joke in a billion-dollar Hollywood movie,'” Perry laughs. “Like, I never would have even gone that far, but we got that before we finished, so it really helped us out a lot.”
Reflecting on the entire filmmaking process, Perry says: “We said, what if we made a movie where Pavement were so iconic and important to culture at large that they not only get a doc about their reunion, but they get a museum, a musical and a biopic? And by the time we finished this thing, five days ago, they are that, and they’ve been that for two years. And it’s a joke without a punchline now, because that exactly happened in tandem with us making this movie.”
Perry, Greene and the band will be in attendance at Venice, with Greene and Kannberg both bringing their teenage daughters (who are huge Pavement fans).
“I mean, it’s pretty surreal. I knew watching it people would dig it and I don’t know the film world at all,” Kannberg says. “But yeah, I guess when they show the movie in the theater there, I’ll start crying.”
For Perry, premiering at Venice has given him confidence that he accomplished his intention of making a “cinematic film” as opposed to just another rock doc.
Greene adds that premiering at Venice is “just a perfect, unpredictable thing for this film.”
“Everything about this started out as, ‘I don’t know, who the hell knows if that will work but let’s do it, why not?’ And then it becomes this other thing,” he says. “I think going to Venice is just the final step of that.”
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The highly anticipated sequel to Joker (2019) is as deranged and exciting as you would have hoped. By incorporating song and dance in the vein of a jukebox musical , filmmaker Todd Philips (also known for The Hangover trilogy) gives Joaquin Phoenix’s Joker a different kind of strut, one that’s more meditative and less violent than what would be expected from the sequel to one of the highest-grossing R-rated movies of all time . Nothing will compare to the original 2019 phenomenon, but Joker: Folie à Deux does an exceptional job at following up with an imaginative comic book film unlike any other.
Joker: Folie à Deux picks the story up with Arthur Fleck (Joaquin Phoenix) incarcerated at Arkham State Hospital. He lives a repetitive life as he struggles with his infamous dual identity as “The Joker,” constantly being teased by fellow patients to make them laugh. Everything changes for Arthur when he meets his true love, Harleen “Lee” Quinzel (Lady Gaga). The two become infatuated with each other after meeting in a singing class at Arkham. Music and singing become a huge part of their love language as Arthur goes on trial for the murders he committed (as seen in the first film), which is put on a live television broadcast for the whole world to see.
While on trial, Arthur is reunited with familiar faces like Gary Puddles (Leigh Gill), who testifies to what he was like before he became the Joker. The overall testimony is persuasive and sincere to Arthur’s previous pathetic life, which ironically paints him in a terrible light that will almost certainly lead to him being sentenced for murder. As the “Trial of the century” continues, Joker’s supporters gather in the thousands outside the Gotham City courthouse. Whatever happens, it’s made clear that Joker’s influence will live on, having impacted so many everyday Gotham citizens who are disillusioned by society. What ensues is a musical misadventure that walks the line between reality and fantasy.
Opening with a classic Looney Tunes -inspired animated sequence, Arthur faces off with his shadow, an alternate personality that takes center stage as he sings Tom Jones ‘ “What the World Needs Now Is Love” on his own Murray Franklin-type show. It’s a fantastic opening that foreshadows the plot’s main focus on Joker’s split personality. Writer-director Todd Phillips doesn’t try to one-up the first Joker but rather tries to expand the audience’s understanding of Arthur’s mental state, offering a closer, more personal look at the protagonist. It sidelines the thrills of the first movie for musical numbers that express Joker and Harley’s emotions beyond what words would have been able to communicate. It’s a much-welcomed surprise to see a studio franchise film, based on DC Comics so less, care so little for genre conventions.
Apart from focusing on a singular hefty theme, the musical numbers in Joker: Folie à Deux are well-performed and incredibly entertaining. Most of them fit into the narrative structure of Todd Phillips’ script, which is once again co-written by Scott Silver ( The Fighter , 8 Mile ). Everything moves along at a smooth pace, and the two-plus hour runtime is rarely felt. Seeing Joker and Harley Quinn belting out their hearts is not something that DC fans would have ever expected to see in an adaptation like this. However, it’s a joy to watch this absurd take on the iconic DC villains, especially when the story takes a break from their cruel reality. Whether it’s the two lovers dancing on a Gotham rooftop under the moonlight or a dream-like fantasy of them getting married, Joker and Harley’s shared delusion and infatuation for each other is chaotically charming.
Joaquin Phoenix’s return as Joker feels like no time has passed, delivering another Oscar-worthy performance. This time, Phoenix is asked to do much more with the addition of singing and dancing, yet he still embodies the character’s disturbed personality to perfection. Phoenix wears Joker’s skin, embracing the struggles and moments of madness once again. Created by Bruce Timm and Paul Dini for Batman: The Animated Series , Harley Quinn returns to the big screen with popstar-turned-actress Lady Gaga filling the shoes. Gaga is an understated, less psychotic version of Harley that aptly fits this film’s tone. Naturally, Gaga shines in the sequel’s musical sequences, which will leave many viewers obsessed with the selected songs. Not including any original music (apart from the score) in the vein of a jukebox musical was the right choice, as the duo pulls these tunes from their own twisted realities living in Gotham City.
Returning cinematographer Lawrence Sher beautifully lights and lenses Joker: Folie a Deux , capturing the fantastical numbers and Gotham’s griminess to great effect. Sher utilizes deep focus to isolate Phoenix’s Joker as he wrestles with his tragic existence while lighting most scenes with contrasting teals and oranges. The world of Joker: Folie à Deux is just as visually rich as the original, aided by Oscar-winner Hildur Guðnadóttir ‘s haunting orchestral score that breathes new life into the titular character. As aforementioned, the screenplay is more restrained and less sensationalist than its predecessor, which works well with the themes at hand. Despite how controversial the musical elements may be and how less “thrilling” it is compared to 2019’s Joker , it’s better that the filmmakers chose to take a creative swing rather than be safe. Otherwise, this would’ve just been another sequel. Instead, Joker: Folie a Deux is an entirely unique anti-hero film.
Joker: Folie à Deux is an enchanting follow-up that boasts some bold risks and surprise twists that will leave fans speculating for days. It ends in a satisfying way that teases a potential future while highlighting the effect that Joker had on society in the original film. There will undoubtedly be a lot of awards chatter as Joker: Folie à Deux is superbly made by a range of top creatives with two excellent performances from Joaquin Phoenix and Lady Gaga. Love it or hate it, it’s looking like this one-of-a-kind interpretation of Joker and Harley Quinn’s romance will have a tight grip on the public zeitgeist for the foreseeable future.
Release Date: October 4, 2024. Directed by Todd Phillips. Written by Scott Silver & Todd Phillips. Based on characters by Bob Kane, Bill Finger, Jerry Robinson, Bruce Timm, & Paul Dini. Produced by Todd Phillips, Emma Tillinger Koskoff, & Joseph Garner. Executive Producers: Scott Silver, Jason Ruder, Mark Friedberg, Georgia Kacandes, & Michael E. Uslan. Main Cast: Joaquin Phoenix, Lady Gaga, Brendan Gleeson, Catherine Keener, Zazie Beetz, Harry Lawtey, Steve Coogan, Leigh Gill, Sharon Washington, Jacob Lofland, & Ken Leung. Cinematographer: Lawrence Sher. Composer: Hildur Guðnadóttir. Production Companies: Warner Bros. Pictures, DC Studios, & Joint Effort. Distributor: Warner Bros. Pictures. Runtime: 138 minutes. Rated R.
DiscussingFilm's Senior Film Critic, Ben Rolph, loves to review films, ranging from indies to blockbusters. He loves musicals, horror, and indies among a broad range of other genres. Also, Ben is the Chairman and Founder of the DiscussingFilm Critic Awards. In his spare time, Ben’s watching DCTV shows and going on about Melissa Benoist, Chris Wood, and Grant Gustin. Follow him here: @thedctvshow
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Rent Zeitgeist: The Movie on Prime Video, Apple TV, or buy it on Prime Video, Apple TV. A triumph of truth in our world and a far superior introduction film to an otherwise politically charged and ...
Zeitgeist: The Movie is a 2007 film by Peter Joseph presenting a number of conspiracy theories. [1] The film assembles archival footage, animations, and narration. [2] Released online on June 18, 2007, it soon received tens of millions of views on Google Video, YouTube, and Vimeo. [3] According to Peter Joseph, the original Zeitgeist was not presented in a film format, but was a "performance ...
The Zeitgeist movie has been circulating on the internet since 2007. In the video its director, Peter Joseph, seeks to persuade viewers that the authors of the New Testament essentially plagiarized the concept of the virgin birth, December 25 as Christ's birth date, the twelve disciples, the miracles, the crucifixion, and the resurrection from astrological sources and pagan […]
The most recent web film to step this ground is the forebodingly named Zeitgeist: The Movie, which has pulled in enormous interest since it debuted in June. For a DIY exertion, Zeitgeist sure doesn't need for desire - it "uncovered" the three extraordinary fakes executed on humankind to monitor us: Christianity ; 9⁄11; and the worldwide ...
Today we're going to point the skeptical eye at one of the most popular Internet phenomena from the last couple of years: Zeitgeist, a freely downloadable documentary movie. It purports to critically examine Christianity, the cause of 9/11, and the world economy. Instead, it paints them all with a single wide stroke of the conspiracy paintbrush.
While browsing Netflix for some time, the independent film 'Zeitgeist' kept maneuvering to the top of my various lists, so I gave it a go. Zeitgeist is a film by Peter Joseph which has sparked much controversy, as it takes head-on issues of religion, conspiracy theory, corruption, and each of their influences on today's society, bringing ...
Zeitgeist: The Movie. Ratings: 7.38 / 10 from 551 users. Documentary Zeitgeist: The Movie, authored by Peter Joseph, reflects on the the myth of Jesus, the attacks of 9/11, and the Federal Reserve Bank as well as on a number of conspiracy theories related to those three main topics. It was released free online via Google Video in June 2007.
In Genesis, Adam and Eve tended to the Garden (society), obediently doing their duty and obeying the orders of God (bureaucracy). They were naked, repressed and stupid, but they had food and water and enough kinky Biblical entertainment to keep them busy. Along came Satan, the story's actual hero.
Top critical review. Poorly directed, and utter trash with some gold nuggets. DM Murdoch as a scholar investigating and studying religions and finding parallels, is an absolute genius. I am told by someone who knew her well that she only contributed and advised on the first third of the film. Okay.Peter Joseph, the director, as an "expert" or ...
This documentary takes a look at how modern society approaches beliefs in mythological phenomena, including correlating astronomical predictions to historical events like wars, 9/11 and the world ...
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Watch the full documentary Zeitgeist: The Movie from director Peter Joseph, a treatment on Mythology and Belief in society today, presenting uncommon perspec...
Zeitgeist: Directed by Peter Joseph. With Chogyam Trungpa, Jordan Maxwell, George Carlin, Bill Hicks. Mythology and belief in society today, presenting uncommon perspectives of common cultural issues.
Zeitgeist: The Movie (2007) is a treatment on Mythology and Belief in society today presenting uncommon perspectives of common cultural issues. ... Ratings and reviews aren't verified info_outline. arrow_forward. Ratings and reviews aren't verified info_outline. 4.4. 27 reviews. 5. 4. 3. 2. 1. jer and. more_vert. Flag inappropriate ...
"Zeitgeist: The Movie" is the first film which is directed and produced by Peter Joseph in 2007.*PLEASE SHARE WITH EVERYONE*More information can be found her...
Zeitgeist: Requiem: Directed by Peter Joseph. With Martin Luther King. Director Peter Joseph explorers the fundamental incompatibility of our economy and the culture it has created with our future survival as a species, while posing solutions based on system's science and cybernetics.
This movie proves that the Illuminati themselves are behind all three movies. Rated 0.5/5 Stars • Rated 0.5 out of 5 stars 01/31/23 Full Review s r Far fetched at times, and rather long.
Another part of a video series from Wordonfire.org. Bishop Barron will be commenting on subjects from modern day culture. For more visit http://www.wordonfir...
Zeitgeist, The Movie is a film that was released on Google Video in the spring of 2007 and was created by Peter Joseph. Essentially the video covers three areas of Interest: Part I, entitled "The Greatest Story Ever Told" evaluates Christian beliefs and asserts that it was all taken from pre-existing myths, primarily Egyptian mythology.
There was a problem filtering reviews right now. Please try again later. Amazon Customer. 5.0 out of 5 stars HUUUUGE EYE-OPENER!! Reviewed in the United States on July 17, 2024. ... Wenn der Film Zeitgeist also mit den Mitteln unserer Gesellschaft "manipuliert", dann hat er auch eine Absicht damit.
Directed, written and narrated by - Peter Joseph. It takes a special kind of moron to make a film this bad. Zeitgeist is a "documentary" (in the loosest sense of the word) that is split into three distinct parts; an attack on organised religion (specifically Christianity), an attack on the "9/11 myth" and an attack on the global ...
7 votes and 1 Reviews | Write a Review. 1h 58m | Documentary, Drama. Zeitgeist was created as a nonprofit filmiac expression to inspire people to start looking at the world from a more critical perspective and to understand that very often things are not what the population at large think they are. Director: Peter Joseph. Studio: Zeitgeist Films.
Zeitgeist: IV Trailer Released. Tickets now available for the March 15th Screening in Los Angeles. View Press Release. "Zeitgeist | Requiem" by Peter Joseph | Official Trailer. Watch on. WATCH NOW. DVD ORDER. PRESS KIT. WATCH NOW.
When Alex Ross Perry set out to make a film about Pavement, he wanted it to be as absurd as some of the '90s slacker band's lyrics.For the indie director, known for "Listen Up Philip" and ...
THE ZEITGEIST The latest movies, films and albums dropping this fall. 2024-09-04 - By Andre Claudio MOVIES BEETLEJUICE BEETLEJUICE. The juice is loose. On Sept. 6, it will officially be showtime for "Beetlejuice Beetlejuice," a sequel to the 1988. Tim Burton cult classic, "Beetlejuice."
Joker: Folie à Deux premiered at the 2024 Venice Film Festival. The film hits theaters on October 4! Release Date: October 4, 2024. Directed by Todd Phillips. Written by Scott Silver & Todd Phillips. Based on characters by Bob Kane, Bill Finger, Jerry Robinson, Bruce Timm, & Paul Dini. Produced by Todd Phillips, Emma Tillinger Koskoff, & Joseph Garner. ...
Bollywood's Rs 500 crore milestone signifies more than just earnings; it represents a cultural event. Films like Shraddha Kapoor's Stree 2, Shah Rukh Khan's Jawan and Pathaan, Sunny Deol's Gadar 2 ...