personal essay in creative writing

Picturing the Personal Essay: A Visual Guide

A design professor from Denmark once drew for me a picture of the creative process, which had been the subject of his doctoral dissertation. “Here,” he said. “This is what it looks like”:

Nothing is wasted though, said the design professor, because every bend in the process is helping you to arrive at your necessary structure. By trying a different angle or creating a composite of past approaches, you get closer and closer to what you intend. You begin to delineate the organic form that will match your content.

The remarkable thing about personal essays, which openly mimic this exploratory process, is that they can be so quirky in their “shape.” No diagram matches the exact form that evolves, and that is because the best essayists resist predictable approaches. They refuse to limit themselves to generic forms, which, like mannequins, can be tricked out in personal clothing. Nevertheless, recognizing a few basic underlying structures may help an essay writer invent a more personal, more unique form. Here, then, are several main options.

Narrative with a lift

Take, for example, Jo Ann Beard’s essay “The Fourth State of Matter.” The narrator, abandoned by her husband, is caring for a dying dog and going to work at a university office to which an angry graduate student has brought a gun. The sequence of scenes matches roughly the unfolding of real events, but there is suspense to pull us along, represented by questions we want answered. In fact, within Beard’s narrative, two sets of questions, correlating to parallel subplots, create a kind of double tension. When the setting is Beard’s house, we wonder, “Will she find a way to let go of the dying dog, not to mention her failing marriage?” And when she’s at work, we find ourselves asking, “What about the guy with the gun? How will he impact her one ‘safe place’?”

One interesting side note: trauma, which is a common source for personal essays, can easily cause an author to get stuck on the sort of plateau Kittredge described. Jo Ann Beard, while clearly wrestling with the immobilizing impact of her own trauma, found a way to keep the reader moving both forward and upward, until the rising tension reached its inevitable climax: the graduate student firing his gun. I have seen less-experienced writers who, by contrast, seem almost to jog in place emotionally, clutching at a kind of post-traumatic scar tissue.

The whorl of reflection

Let’s set aside narrative, though, since it is not the only mode for a personal essay. In fact, most essays are more topical or reflective, which means they don’t move through time in a linear fashion as short stories do.

One of the benefits of such a circling approach is that it seems more organic, just like the mind’s creative process. It also allows for a wider variety of perspectives—illuminating the subject from multiple angles. A classic example would be “Under the Influence,” Scott Russell Sanders’s essay about his alcoholic father. Instead of luring us up the chronological slope of plot, Sanders spirals around his father’s drinking, leading us to a wide range of realizations about alcoholism: how it gets portrayed in films, how it compares to demon-possession in the Bible, how it results in violence in other families, how it raises the author’s need for control, and even how it influences the next generation through his workaholic over-compensation. We don’t read an essay like this out of plot-driven suspense so much as for the pleasure of being surprised, again and again, by new perspective and new insight.

The formal limits of focus

My own theory is that most personal essayists, because of a natural ability to extrapolate, do not struggle to find subjects to write about. Writer’s block is not their problem since their minds overflow with remembered experiences and related ideas. While a fiction writer may need to invent from scratch, adding and adding, the essayist usually needs to do the opposite, deleting and deleting. As a result, nonfiction creativity is best demonstrated by what has been left out. The essay is a figure locked in a too-large-lump of personal experience, and the good essayist chisels away all unnecessary material.

Virginia Woolf’s “Street Haunting” is an odd but useful model. She limits that essay to a single evening walk in London, ostensibly taken to buy a pencil. I suspect Woolf gave herself permission to combine incidents from several walks in London, but no matter. The essay feels “brought together” by the imposed limits of time and place.

As it happens, “Street Haunting” is also an interesting prototype for a kind of essay quite popular today: the segmented essay. Although the work is unified by the frame of a single evening stroll, it can also be seen as a combination of many individual framed moments. If we remove the purpose of the journey—to find a pencil—the essay falls neatly into a set of discrete scenes with related reveries: a daydreaming lady witnessed through a window, a dwarfish woman trying on shoes, an imagined gathering of royalty on the other side of a palace wall, and eventually the arguing of a married couple in the shop where Woolf finally gets her pencil.

Dipping into the well

Our attention to thematic unity brings up one more important dynamic in most personal essays. Not only do we have a horizontal movement through time, but there is also a vertical descent into meaning. As a result, essayists will often pause the forward motion to dip into a thematic well.

In fact, Berry uses several of these loops of reflective commentary, and though they seem to be digressions, temporarily pulling the reader away from the forward flow of the plot, they develop an essential second layer to the essay.

Braided and layered structures

Want an example? Look at Judith Kitchen’s three-page essay “Culloden,” which manages to leap back and forth quite rapidly, from a rain-pelted moor in 18th-century Scotland to 19th-century farms in America to the blasted ruins of Hiroshima on August 6, 1945, the author’s birthday. The sentences themselves suggest the impressionistic effect that Kitchen is after, being compressed to fragments, rid of the excess verbiage we expect in formal discourse: “Late afternoon. The sky hunkers down, presses, like a lover, against the land. Small sounds. A far sheep, faint barking. . . .” And as the images accumulate, layer upon layer, we begin to feel the author’s fundamental mood, a painful awareness of her own inescapable mortality. We begin to encounter the piece on a visceral level that is more intuitive than rational. Like a poem, in prose.

Coming Full Circle

First of all, endings are related to beginnings. That’s why many essays seem to circle back to where they began. Annie Dillard, in her widely anthologized piece “Living Like Weasels,” opens with a dried-out weasel skull that is attached, like a pendant, to the throat of a living eagle—macabre proof that the weasel was carried aloft to die and be torn apart. Then, at the end of the essay, Dillard alludes to the skull again, stating, “I think it would be well, and proper, and obedient, and pure, to grasp your one necessity and not let it go, to dangle from it limp wherever it takes you.”

See how deftly Dillard accomplishes this effect simply by positing one last imagined or theoretical possibility—a way of life she hopes to master, that we ourselves might master: “Seize it and let it seize you up aloft even, till your eyes burn out and drop; let your musky flesh fall off in shreds, and let your very bones unhinge and scatter, loosened over fields, over fields and woods, lightly, thoughtless, from any height at all, from as high as eagles.” Yes, the essay has come full circle, echoing the opening image of the weasel’s skull, but it also points away, beyond itself, to something yet to be realized. The ending both closes and opens at the same time.

All diagrams rendered by Claire Bascom. An earlier version of this essay appeared in Volume I, issue 1 of The Essay Review .

This essay is fabulously This essay is fabulously useful! I’ll be showing it to my creative writing students semester after semester, I’m sure. I appreciate the piece’s clarity and use of perfect examples.

I love the succinct diagrams and cited writing examples. Very instructive and useful as A.P. comments above. I also loved that I had read the Woolf journey to buy a pencil–one of my favorite essays because it is such a familiar experience–that of observing people.

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How to Write a Creative Essay: Useful Tips and Examples

Samuel Gorbold

Essay creative writing is not always seen as fun by most students, but the realm of creative essays can offer an enjoyable twist. The inherent freedom in choosing a topic and expressing your thoughts makes this type of paper a creative playground. Engaging in composing a creative essay provides an opportunity to flex your creative muscles. Yet, if you're new to crafting compositions, it can pose a challenge. This article guides you through the steps to write an impressive creative essay, helping you navigate the process seamlessly. In a hurry? Our writing service is there for you 24/7, with guidance and practical help.

What Is a Creative Essay

A creative essay is a form of writing that goes beyond traditional academic structures, allowing the author to express themselves more imaginatively and artistically. Unlike formal essays, creative ones emphasize storytelling, personal reflection, and the exploration of emotions. They often incorporate literary elements such as vivid descriptions, dialogue, and poetic language to engage readers on a more emotional and sensory level. Follow our creative essay tips to experiment with style and structure, offering a unique platform to convey ideas, experiences, or perspectives in a captivating and inventive way.

To answer the question what does creative writing mean, it’s necessary to point out that it departs from traditional academic writing, offering a canvas for artistic expression and storytelling. It diverges from the rigid structure of formal writings, providing a platform for writers to infuse their work with imagination and emotion. In this genre, literary elements such as vivid descriptions and poetic language take center stage, fostering a more engaging and personal connection with the reader.

Unlike a poem analysis essay , this form of writing prioritizes narrative and self-expression, allowing authors to delve into their experiences and perspectives uniquely. It's a departure from the conventional rules, encouraging experimentation with style and structure. Creative essays offer a distinct avenue for individuals to convey ideas and emotions, weaving a tapestry that captivates and resonates with readers on a deeper, more sensory level.

Creative Writing Essay Outline Explained From A to Z

Moving on, let's delve into how to write a creative writing essay from s structural perspective. Despite the focus on creativity and imagination, a robust structure remains essential. Consider your favorite novel – does it not follow a well-defined beginning, middle, and end? So does your article. Before diving in, invest some time crafting a solid plan for your creative writing essay.

Creative Essay Introduction

In creative essay writing, the introduction demands setting the scene effectively. Begin with a concise portrayal of the surroundings, the time of day, and the historical context of the present scenario. This initial backdrop holds significant weight, shaping the atmosphere and trajectory of the entire storyline. Ensure a vivid depiction, employing explicit descriptions, poetic devices, analogies, and symbols to alter the text's tone promptly.

Creative Essay Body

The body sections serve as the engine to propel the storyline and convey the intended message. Yet, they can also be leveraged to introduce shifts in motion and emotion. For example, as creative writers, injecting conflict right away can be a powerful move if the plot unfolds slowly. This unexpected twist startles the reader, fundamentally altering the narrative's tone and pace. Additionally, orchestrating a fabricated conflict can keep the audience on edge, adding an extra layer of intrigue.

Creative Essay Conclusion

Typically, creative writers conclude the narrative towards the end. Introduce a conflict and then provide its resolution to tie up the discourse neatly. While the conclusion often doesn't lead to the story's climax, skilled writers frequently deploy cliffhangers. By employing these writing techniques suggested by our write my college essay experts, the reader is left in suspense, eagerly anticipating the fate of the characters without a premature revelation.

Creative Writing Tips

Every student possesses a distinct mindset, individual way of thinking, and unique ideas. However, considering the academic nature of creative writing essays, it is essential to incorporate characteristics commonly expected in such works, such as:

• Select a topic that sparks your interest or explores unique perspectives. A captivating subject sets the stage for an engaging paper.
• Begin with a vivid and attention-grabbing introduction. Use descriptive language, anecdotes, or thought-provoking questions to draw in your readers from the start.
• Clearly articulate the main idea or theme of your essay in a concise thesis statement. This provides a roadmap for your readers and keeps your writing focused.
• Use descriptive language to create a sensory experience for your readers. Appeal to sight, sound, touch, taste, and smell to enhance the imagery.
• Play with the structure of your content. Consider nonlinear narratives, flashbacks, or unconventional timelines to add an element of surprise and creativity.
• If applicable, develop well-rounded and relatable characters. Provide details that breathe life into your characters and make them memorable to the reader.
• Establish a vivid and immersive setting for your narrative. The environment should contribute to the overall mood and tone.
• Blend dialogue and narration effectively. Dialogue adds authenticity and allows characters to express themselves, while narration provides context and insight.
• Revisit your essay for revisions. Pay attention to the flow, coherence, and pacing. Edit for clarity and refine your language to ensure every word serves a purpose.
• Share your creative writing article with others and welcome constructive feedback. Fresh perspectives can help you identify areas for improvement and refine your storytelling.
• Maintain an authentic voice throughout your essay. Let your unique style and perspective shine through, creating a genuine connection with your audience.
• Craft a memorable conclusion that leaves a lasting impression. Summarize key points, evoke emotions, or pose thought-provoking questions to resonate with your readers.

Types of Creative Writing Essays

A creative writing essay may come in various forms, each offering a unique approach to storytelling and self-expression. Some common types include:

• Reflects the author's personal experiences, emotions, and insights, often weaving in anecdotes and reflections.

Descriptive 

• Focuses on creating a vivid and sensory-rich portrayal of a scene, person, or event through detailed descriptions.
• Tells a compelling story with a clear plot, characters, and often a central theme or message.

Reflective 

• Encourages introspection and thoughtful examination of personal experiences, revealing personal growth and lessons learned.

Expository 

• Explores and explains a particular topic, idea, or concept creatively and engagingly.

Persuasive 

• Utilizes creative elements to persuade the reader to adopt a particular viewpoint or take a specific action.

Imaginative 

• These creative writing papers allow for the free expression of imagination, often incorporating elements of fantasy, surrealism, or speculative fiction.

Literary Analysis

• Learning how to write a creative writing essay, analyze and interpret a piece of literature, and incorporate creativity to explore deeper meanings and connections.
• Blends personal experiences with travel narratives, offering insights into different cultures, places, and adventures.
• Focuses on creating a detailed and engaging portrait of a person, exploring their character, experiences, and impact on others.

Experimental 

• Pushes the boundaries of traditional essay structures, experimenting with form, style, and narrative techniques.
• Combines elements from different essay types, allowing for a flexible and creative approach to storytelling.

As you can see, there are many types of creative compositions, so we recommend that you study how to write an academic essay with the help of our extensive guide.

How to Start a Creative Writing Essay

Starting a creative writing essay involves capturing the reader's attention and setting the tone for the narrative. Here are some effective ways to begin:

• Pose a thought-provoking question that intrigues the reader and encourages them to contemplate the topic.
• Begin with a short anecdote or a brief storytelling snippet that introduces the central theme or idea of your essay.
• Paint a vivid picture of the setting using descriptive language, setting the stage for the events or emotions to unfold.
• Open with a compelling dialogue that sparks interest or introduces key characters, immediately engaging the reader in the conversation.
• Incorporate a relevant quotation or epigraph that sets the mood or provides insight into the essay's theme.
• Begin with a bold or intriguing statement that captivates the reader's attention, encouraging them to delve further into your essay.
• Present a contradiction or unexpected scenario that creates a sense of curiosity and compels the reader to explore the resolution.
• Employ a striking metaphor or simile that immediately draws connections and conveys the essence of your creative essay.
• Start by directly addressing the reader, creating a sense of intimacy and involvement right from the beginning.
• Establish the mood or atmosphere of your essay by describing the emotions, sounds, or surroundings relevant to the narrative.
• Present a dilemma or conflict that hints at the central tension of your essay, enticing the reader to discover the resolution.
• Start in the middle of the action, dropping the reader into a pivotal moment that sparks curiosity about what happened before and what will unfold.

Choose an approach to how to write a creative essay that aligns with your tone and theme, ensuring a captivating and memorable introduction.

Creative Essay Formats

Working on a creative writing essay offers a canvas for writers to express themselves in various formats, each contributing a unique flavor to the storytelling. One prevalent format is personal writing, where writers delve into their own experiences, emotions, and reflections, creating a deeply personal narrative that resonates with readers. Through anecdotes, insights, and introspection, personal essays provide a window into the author's inner world, fostering a connection through shared vulnerabilities and authentic storytelling.

Another captivating format is the narrative, which unfolds like a traditional story with characters, a plot, and a clear arc. Writers craft a compelling narrative, often with a central theme or message, engaging readers in a journey of discovery. Through vivid descriptions and well-developed characters, narrative articles allow for the exploration of universal truths within the context of a captivating storyline, leaving a lasting impression on the audience.

For those who seek to blend fact and fiction, the imaginative format opens the door to vivid exploration. This format allows writers to unleash their imagination, incorporating elements of fantasy, surrealism, or speculative fiction. By bending reality and weaving imaginative threads into the narrative, writers can transport readers to otherworldly realms or offer fresh perspectives on familiar themes. The imaginative essay format invites readers to embrace the unexpected, challenging conventional boundaries and stimulating creativity in both the writer and the audience. Check out our poetry analysis essay guide to learn more about the freedom of creativity learners can adopt while working on assignments. 

Creative Essay Topics and Ideas

As you become familiar with creative writing tips, we’d like to share several amazing topic examples that might help you get out of writer’s block:

• The enchanted garden tells a tale of blooms and whispers.
• Lost in time, a journey through historical echoes unfolds.
• Whispering winds unravel the secrets of nature.
• The silent symphony explores the soul of music.
• Portraits of the invisible capture the essence of emotions.
• Beyond the horizon is a cosmic adventure in stardust.
• Can dreams shape reality? An exploration of the power of imagination.
• The forgotten key unlocks doors to the past.
• Ripples in the void, an exploration of cosmic mysteries.
• Echoes of eternity are stories written in the stars.
• In the shadow of giants, unveils the unsung heroes.
• Can words paint pictures? An exploration of the artistry of literary expression.
• Whispers of the deep explore the ocean's hidden stories.
• Threads of time weave lives through generations.
• Do colors hold emotions? A journey of painting the canvas of feelings.
• The quantum quandary navigates the world of subatomic particles.
• Reflections in a mirror unmask the layers of identity.
• The art of silence crafts narratives without words.
• The ethereal dance explores movement beyond the visible.
• Can shadows speak? Unveiling stories cast in darkness.

Examples of Creative Writing Essays

We've added a couple of brief creative writing essays examples for your reference and inspiration.

Creative Writing Example 1: Admission Essay

Creative writing example 2: narrative essay.

What Are the Types of Creative Writing Essays?

What is a creative writing essay, how to start a creative writing essay, what are some creative writing tips.

Samuel Gorbold , a seasoned professor with over 30 years of experience, guides students across disciplines such as English, psychology, political science, and many more. Together with EssayHub, he is dedicated to enhancing student understanding and success through comprehensive academic support.

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Telling the Story of Yourself: 6 Steps to Writing Personal Narratives

By Jennifer Xue

Table of Contents

Why do we write personal narratives, 6 guidelines for writing personal narrative essays, inspiring personal narratives, examples of personal narrative essays, tell your story.

First off, you might be wondering: what is a personal narrative? In short, personal narratives are stories we tell about ourselves that focus on our growth, lessons learned, and reflections on our experiences.

From stories about inspirational figures we heard as children to any essay, article, or exercise where we're asked to express opinions on a situation, thing, or individual—personal narratives are everywhere.

According to Psychology Today, personal narratives allow authors to feel and release pains, while savouring moments of strength and resilience. Such emotions provide an avenue for both authors and readers to connect while supporting healing in the process.

That all sounds great. But when it comes to putting the words down on paper, we often end up with a list of experiences and no real structure to tie them together.

In this article, we'll discuss what a personal narrative essay is further, learn the 6 steps to writing one, and look at some examples of great personal narratives.

As readers, we're fascinated by memoirs, autobiographies, and long-form personal narrative articles, as they provide a glimpse into the authors' thought processes, ideas, and feelings. But you don't have to be writing your whole life story to create a personal narrative.

You might be a student writing an admissions essay , or be trying to tell your professional story in a cover letter. Regardless of your purpose, your narrative will focus on personal growth, reflections, and lessons.

Personal narratives help us connect with other people's stories due to their easy-to-digest format and because humans are empathising creatures.

We can better understand how others feel and think when we were told stories that allow us to see the world from their perspectives. The author's "I think" and "I feel" instantaneously become ours, as the brain doesn't know whether what we read is real or imaginary.

In her best-selling book Wired for Story, Lisa Cron explains that the human brain craves tales as it's hard-wired through evolution to learn what happens next. Since the brain doesn't know whether what you are reading is actual or not, we can register the moral of the story cognitively and affectively.

In academia, a narrative essay tells a story which is experiential, anecdotal, or personal. It allows the author to creatively express their thoughts, feelings, ideas, and opinions. Its length can be anywhere from a few paragraphs to hundreds of pages.

Outside of academia, personal narratives are known as a form of journalism or non-fiction works called "narrative journalism." Even highly prestigious publications like the New York Times and Time magazine have sections dedicated to personal narratives. The New Yorke is a magazine dedicated solely to this genre.

The New York Times holds personal narrative essay contests. The winners are selected because they:

had a clear narrative arc with a conflict and a main character who changed in some way. They artfully balanced the action of the story with reflection on what it meant to the writer. They took risks, like including dialogue or playing with punctuation, sentence structure and word choice to develop a strong voice. And, perhaps most important, they focused on a specific moment or theme – a conversation, a trip to the mall, a speech tournament, a hospital visit – instead of trying to sum up the writer’s life in 600 words.

In a nutshell, a personal narrative can cover any reflective and contemplative subject with a strong voice and a unique perspective, including uncommon private values. It's written in first person and the story encompasses a specific moment in time worthy of a discussion.

Writing a personal narrative essay involves both objectivity and subjectivity. You'll need to be objective enough to recognise the importance of an event or a situation to explore and write about. On the other hand, you must be subjective enough to inject private thoughts and feelings to make your point.

With personal narratives, you are both the muse and the creator – you have control over how your story is told. However, like any other type of writing, it comes with guidelines.

1. Write Your Personal Narrative as a Story

As a story, it must include an introduction, characters, plot, setting, climax, anti-climax (if any), and conclusion. Another way to approach it is by structuring it with an introduction, body, and conclusion. The introduction should set the tone, while the body should focus on the key point(s) you want to get across. The conclusion can tell the reader what lessons you have learned from the story you've just told.

2. Give Your Personal Narrative a Clear Purpose

Your narrative essay should reflect your unique perspective on life. This is a lot harder than it sounds. You need to establish your perspective, the key things you want your reader to take away, and your tone of voice. It's a good idea to have a set purpose in mind for the narrative before you start writing.

Let's say you want to write about how you manage depression without taking any medicine. This could go in any number of ways, but isolating a purpose will help you focus your writing and choose which stories to tell. Are you advocating for a holistic approach, or do you want to describe your emotional experience for people thinking of trying it?

Having this focus will allow you to put your own unique take on what you did (and didn't do, if applicable), what changed you, and the lessons learned along the way.

3. Show, Don't Tell

It's a narration, so the narrative should show readers what happened, instead of telling them. As well as being a storyteller, the author should take part as one of the characters. Keep this in mind when writing, as the way you shape your perspective can have a big impact on how your reader sees your overarching plot. Don't slip into just explaining everything that happened because it happened to you. Show your reader with action.

You can check for instances of telling rather than showing with ProWritingAid. For example, instead of:

"You never let me do anything!" I cried disdainfully.

"You never let me do anything!" To this day, my mother swears that the glare I levelled at her as I spat those words out could have soured milk.

Using ProWritingAid will help you find these instances in your manuscript and edit them without spending hours trawling through your work yourself.

4. Use "I," But Don't Overuse It

You, the author, take ownership of the story, so the first person pronoun "I" is used throughout. However, you shouldn't overuse it, as it'd make it sound too self-centred and redundant.

ProWritingAid can also help you here – the Style Report will tell you if you've started too many sentences with "I", and show you how to introduce more variation in your writing.

5. Pay Attention to Tenses

Tense is key to understanding. Personal narratives mostly tell the story of events that happened in the past, so many authors choose to use the past tense. This helps separate out your current, narrating voice and your past self who you are narrating. If you're writing in the present tense, make sure that you keep it consistent throughout.

6. Make Your Conclusion Satisfying

Satisfy your readers by giving them an unforgettable closing scene. The body of the narration should build up the plot to climax. This doesn't have to be something incredible or shocking, just something that helps give an interesting take on your story.

The takeaways or the lessons learned should be written without lecturing. Whenever possible, continue to show rather than tell. Don't say what you learned, narrate what you do differently now. This will help the moral of your story shine through without being too preachy.

GoodReads is a great starting point for selecting read-worthy personal narrative books. Here are five of my favourites.

Owl Moon by Jane Yolen

Jane Yolen, the author of 386 books, wrote this poetic story about a daughter and her father who went owling. Instead of learning about owls, Yolen invites readers to contemplate the meaning of gentleness and hope.

Night by Elie Wiesel

Elie Wiesel was a teenager when he and his family were sent to Auschwitz concentration camp in 1944. This Holocaust memoir has a strong message that such horrific events should never be repeated.

The Diary of a Young Girl by Anne Frank

This classic is a must-read by young and old alike. It's a remarkable diary by a 13-year-old Jewish girl who hid inside a secret annexe of an old building during the Nazi occupation of the Netherlands in 1942.

The Year of Magical Thinking by Joan Didion

This is a personal narrative written by a brave author renowned for her clarity, passion, and honesty. Didion shares how in December 2003, she lost her husband of 40 years to a massive heart attack and dealt with the acute illness of her only daughter. She speaks about grief, memories, illness, and hope.

Educated by Tara Westover

Author Tara Westover was raised by survivalist parents. She didn't go to school until 17 years of age, which later took her to Harvard and Cambridge. It's a story about the struggle for quest for knowledge and self-reinvention.

Narrative and personal narrative journalism are gaining more popularity these days. You can find distinguished personal narratives all over the web.

Curating the best of the best of personal narratives and narrative essays from all over the web. Some are award-winning articles.

Narratively

Long-form writing to celebrate humanity through storytelling. It publishes personal narrative essays written to provoke, inspire, and reflect, touching lesser-known and overlooked subjects.

Narrative Magazine

It publishes non,fiction narratives, poetry, and fiction. Among its contributors is Frank Conroy, the author of Stop-Time , a memoir that has never been out of print since 1967.

Thought Catalog

Aimed at Generation Z, it publishes personal narrative essays on self-improvement, family, friendship, romance, and others.

Personal narratives will continue to be popular as our brains are wired for stories. We love reading about others and telling stories of ourselves, as they bring satisfaction and a better understanding of the world around us.

Personal narratives make us better humans. Enjoy telling yours!

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Love writing? ProWritingAid will help you improve the style, strength, and clarity of your stories.

Jennifer Xue

Jennifer Xue is an award-winning e-book author with 2,500+ articles and 100+ e-books/reports published under her belt. She also taught 50+ college-level essay and paper writing classes. Her byline has appeared in Forbes, Fortune, Cosmopolitan, Esquire, Business.com, Business2Community, Addicted2Success, Good Men Project, and others. Her blog is JenniferXue.com. Follow her on Twitter @jenxuewrites].

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How to Write a Creative Essay: Your Fresh Guide

What Is a Creative Essay

Creative essay is a form of writing that combines elements of fiction, personal experience, and imagination.

Do you ever want to let your imagination loose in your school essays? Creative writing lets you do just that. It allows you to invent characters, places, and stories that might not exist in real life. This type of writing encourages you to play with words, structure, and style to stir emotions, provoke thoughts, or simply entertain your readers.

Unlike more formal writing like journalism or academic essays, creative writing is all about expressing yourself artistically. It gives you the freedom to showcase your personality through characters, stories, and plots that you create.

In this guide, our college essay writer will walk you through everything you need to know, from picking a great topic to putting your ideas down on paper. You'll find examples of creative essays, a template to help you organize your thoughts, and tips on how to make your writing more vivid and impactful.

How to Write a Creative Essay in 6 Steps

Let's go through the key steps for writing a creative essay. By breaking down the process into manageable parts, you'll find it more straightforward to develop engaging ideas and structure your essay effectively.

Meanwhile, check out our special article on how to write in cursive .

Write Freely

When you start writing, whether it's for essays or stories, it's best to sit down and jot down your first thoughts. Freewriting is a common technique among writers. It helps you start thinking and brainstorming ideas.

Freewriting does two main things:

• It keeps your ideas flowing so you don't forget any good ones.
• It improves your ability to write continuously for longer periods.

For essays, you can begin by writing the topic in the center of a page and then creating a mind map with any relevant ideas that come to mind. This can include different aspects of the topic you want to cover and examples or quotes you've come across.

Remember, this brainstorming session shouldn't take too long. Set a timer for about ten minutes, play your favorite music, and let your ideas flow naturally. This initial step is all about getting your thoughts out there without overthinking it.

Tell the Story in Three Parts

In storytelling, we often use a three-part structure: Setup, Confrontation, and Resolution. This approach is widely used in writing, movies, and TV shows. Unlike the acts in a play, these parts flow into each other seamlessly.

• Setup - Introduces the characters, their relationships, and the world they live in. Early on, there's usually an event called an 'inciting incident' (often around 19 minutes into a film) that sets the story in motion. The main character faces challenges and makes decisions that shape the rest of the narrative.
• Confrontation - The central problem emerges from the inciting incident, and the main character strives to resolve it. They encounter obstacles that test their abilities and resolve. For instance, in a detective story, this phase involves the detective uncovering clues and facing setbacks before reaching a breakthrough.
• Resolution - The story reaches its peak as the main conflict is confronted and resolved. Loose ends are tied up, and the characters' journeys conclude, leaving a sense of closure.

This structure helps writers build engaging narratives that keep audiences invested in the characters' journeys from start to finish.

Start with a Hook

In creative writing, it's often recommended to start with an exciting beginning. One good way is to begin with a 'conversation,' jumping straight into a lively talk to grab the reader's interest right away. For example, in a spy thriller, instead of easing into the story, the writer might open with agents arguing about a secret mission, setting the stage for suspense and excitement. The story could then unfold with more dialogue revealing the characters' motives and actions.

This method also works in essays, especially for certain topics. For instance, if you were writing about the ethical issues of cloning, rather than starting with a slow introduction to different viewpoints, you could begin with a conversation between scientists debating the consequences of cloning animals. Showing different opinions and ethical dilemmas through dialogue could engage readers and lead them into the broader discussion of bioethics and scientific advancements. This approach may not follow the usual essay structure, but it can make your writing more engaging and thought-provoking.

Add Rich Details

To keep your reader engaged, add vivid details about settings and locations, much like creative writers do. Essays can become dull if they only focus on academic concepts, but you can make them more captivating by including descriptive details.

While it can be challenging in essays with strict word limits or those focused on scientific topics, you can certainly incorporate relevant details in subjects like humanities, literature, theater, or history. For example, when analyzing a novel by Jane Austen, you might explore how societal expectations of the time shaped her portrayal of female characters.

By including these extra details and snippets of information, you not only maintain reader interest but also demonstrate your depth of understanding and independent study. This approach can impress your reader and potentially enhance your academic performance.

End Clearly

In creative writing, ambiguity can spark debate, but in essays, clarity is key. Unlike creative writing, in which open endings can be intriguing, essays require a clear conclusion.

Always ensure your essay concludes definitively. This shows your examiner what you've learned and your final answer to the essay question. Unlike creative writing, your goal is to demonstrate understanding and reach a clear conclusion to earn marks.

Make sure your conclusion is straightforward and easy to locate. With many essays to assess, clarity helps your teacher quickly identify your final thoughts. Avoid ambiguity or vague language, which can frustrate readers, including your examiner.

Revise and Improve

Most writers don't nail it on the first try. Editing is crucial, especially when trimming down your word count. It can be tough to cut out sections you've crafted carefully.

After completing your first draft, read through it critically. Consider the order of your points and ensure everything makes sense. With modern technology, editing is easier—you can rearrange sections by copying and pasting and refining your wording for smooth transitions. Once you've made these edits, give your essay a final read-through to polish the wording. Don't overlook proofreading to catch any spelling or grammar mistakes.

Outline for Creative Writing Essay

Here is an outline that will help you structure your creative writing essay, whether it's a poem, a personal essay, a short story, or a speech.

Types of Creative Essays 

Creative writing comes in many forms, each a great way to tell stories and express yourself. Here are 5 main types:

• Poetry uses short, powerful words to describe feelings, thoughts, and experiences. It can rhyme and have a beat or be more free-flowing. Poets play with language to create strong emotions and ideas, capturing moments in special ways.
• Personal essays mix memories, reflections, and stories to explore a person's experiences and what they learned. Unlike school essays, they focus on the writer's unique voice, using stories and thoughts to tell a narrative. They can be about almost anything, giving readers a glimpse into the writer's mind and feelings with the goal of connecting through shared experiences.
• Short stories can be very short or complete stories, but they have a word limit. This challenges writers to create interesting characters, plots, and settings using concise storytelling. Short stories come in all sorts of genres, like realistic fiction or fantasy, and aim to build suspense and give a satisfying ending in a short space.
• Novels are longer fictional works with complex characters, plots, and settings. They can be literary fiction, science fiction, romance, mysteries, or anything else, offering in-depth stories that unfold over many chapters. Writing novels requires planning and a strong understanding of storytelling to keep readers engaged with vivid worlds and compelling narratives.
• Speeches are written to be spoken aloud, with the goal of informing, inspiring, persuading, or entertaining listeners. They can be formal addresses or informal talks and use special writing techniques along with storytelling elements. Speechwriting is about crafting messages that resonate with listeners' emotions and minds, using stories and anecdotes to capture their attention and hold their interest.

20 Creative Essay Topics 

Before putting yourself into creative essay writing, you should pick among the creative writing essay topics that you will be talking about. Here, our paper writer prepared some fresh ideas to make your choice easier:

• Write about a time you overcame a challenge. What did you learn from the experience?
• Imagine you can talk to animals. What would you ask your pet?
• Describe a place that brings back special memories. What makes it so special?
• Create a story about a forgotten object. Where did it come from? Who used it?
• Write a letter to your future self. What are your hopes and dreams?
• If you could have any superpower, what would it be? Why?
• Imagine a world without technology. How would your life be different?
• What is the most important lesson you've learned in life so far?
• Describe a dream you'll never forget. What do you think it means?
• Write a story about a character who is very different from you.
• What historical figure do you find most interesting? Why?
• Create a dialogue between two unlikely characters.
• Imagine you could travel anywhere in the universe. Where would you go? Why?
• Write a story about a robot who wants to be human.
• What does friendship mean to you?
• Describe a work of art that you find moving. Why does it affect you?
• What is your favorite thing about nature? Why?
• Imagine you are invisible for a day. What would you do?
• Write a story about a creature from myth or legend.
• What do you think the future holds for humanity?

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Example of a Creative Essay

If you liked these samples, you can buy essays online from us. Our authors will write them flawlessly and deliver them within the specified timeframe. Additionally, you can find helpful information on a book review format in our dedicated article.

Wrapping Up

We hope you now understand what a creative essay is and how to write one. Some people find writing creative essays easier than others. By applying the tips mentioned above, you should be well-equipped to create work that you're proud of.

If you need extra guidance, consider working with our expert coursework writers . They have developed numerous academic essays with professionalism. Place an order today and experience our dedication firsthand!

Are You Short on Creative Writing Topics?

Whether you need a compelling personal statement, a thought-provoking argumentative essay, or a captivating narrative, we've got you covered.

If you feel like some questions were left unanswered, don't you feel disappointed just yet! Our dissertation writers for hire compiled the most frequently asked question on creative essay writing, so take a look for additional information:

What Are the 7 Types of Creative Writing?

What are the 5 c's of creative writing, is creative writing a skill.

is an expert in nursing and healthcare, with a strong background in history, law, and literature. Holding advanced degrees in nursing and public health, his analytical approach and comprehensive knowledge help students navigate complex topics. On EssayPro blog, Adam provides insightful articles on everything from historical analysis to the intricacies of healthcare policies. In his downtime, he enjoys historical documentaries and volunteering at local clinics.

• Added new examples, topics and FAQs
• Added new writing steps and an outline
• 7 Techniques from Creative Writing You Can Use to Improve Your Essays. (2014, June 21). Oxford Royale Academy. https://www.oxford-royale.com/articles/techniques-creative-writing-improve-essays/  
• (2023). Oxfordsummercourses.com. https://oxfordsummercourses.com/articles/creative-writing-techniques-to-improve-your-essays/  

How To Write A Personal Essay: In 6 Easy Steps

When you’re learning how to write a personal essay, it’s normal to feel overwhelmed. Here, we’ll break down everything you need to know about essay writing.

If you’re worried about writing a personal essay,  you’re not alone. Many people have a hard time writing in essay format, especially regarding a topic that elicits an emotional response. A good personal essay may share a deeper truth, describe a profound life experience, tell a striking personal story, or describe relationships with family members in a relatable way. 

Whether you’re a seasoned essayist or in high school and writing an essay thesis statement for the first time, following a few simple steps can help you grab your reader’s attention. With practice, you can hammer home your main points, and share a personal experience in an enjoyable way for readers. Learn more about what is a personal essay

1. Choose Your Essay Topic 

2. create a personal essay outline, 3. write your first draft , 4. revie and revise your essay draft, 5. format your essay , 6. seek feedback , the final word on how to write a personal essay, what topics are acceptable for a personal essay, how long should a personal essay outline be.

A personal essay is a type of creative nonfiction writing that shares a personal, profound life experience. Often told in first-person style, a personal essay relays a sequence of events with deep meaning. 

Before beginning your personal essay, you’ll need to brainstorm a list of personal essay topics. Think about parts of your life that had a large impact on your current view of the world. Events that seemed small at the moment may have largely informed your life view. As your brainstorm, try not to judge yourself — freely jotting down all of your ideas will help you begin to craft your real-life piece of writing. 

Narrow down your subject matter options and choose a topic from your list. Hang onto your list for another time — you may want to return to it later in life when it’s time to write a college admissions essay (check out these fantastic college admissions essays ).

Your narrative essay outline will guide your writing, making it easier for you to create a well-organized piece of writing that makes sense for your target audience. A good personal essay outline should contain several sections, including an introduction, several body paragraphs, and a conclusion. The introduction must draw the reader into a story. The first sentence should grab your reader’s attention and give them a reason to continue reading, even if they disagree with you.

This example from a Cornell applicant does a great job at making the reader want to learn more: 

My face brightened as morning commuters passed by and took flyers from my hand. As they turned the corner, they carelessly tossed the flyers away. My brows furrowed. Is this what I woke up at seven in the morning for? To hand out flyers to indifferent strangers who won’t give the time of day, nevertheless a second glance? I was just a background character, a boy handing out flyers in the scene of a lively street. I was a mannequin, easily passed by unnoticed.

Throughout the rest of the introduction, work to breadcrumb your story (drop hints about exciting points to come). Try to hit on one point in each body paragraph. Longer isn’t necessarily better—try to eliminate fluff from your essay. Your goal is to keep your reader engaged in your story from start to finish. Looking for more how-to-guide articles? You might find our guide on how to write a game review helpful in writing that review on a new app or game online.

After you’ve completed your outline, it’s time to start fleshing out your work with a first draft. Try not to worry too much about writing in active voice versus passive voice, or about perfecting the mechanics of your grammar. 

Your first draft is all about getting your thoughts on the paper, and you’ll have plenty of time to proofread and revise later. 

As you write your first draft, you may find that you need to adjust your outline—and that’s ok. Writing a college essay or other personal narrative isn’t usually linear. During the initial writing phases, share your experiences or point of view honestly. If you’re struggling, start small. Write the first sentence of each paragraph and fill in your first draft from there. Check out our guide to writing a first draft .

For your conclusion, be sure to tie your story together and hammer home your main point. Take a look at this personal essay conclusion from an essayist exploring her feelings about her cultural heritage:

I can now appreciate the value of my unique culture and background, and of living with less. This perspective offers room for progress, community integration, and a future worth fighting for. My time with Assemblyman Sepulveda’s office taught me that I can be a change agent in enabling this progression. Far from being ashamed of my community, I want to someday return to local politics in the Bronx to continue helping others access the American Dream. I hope to help my community appreciate the opportunity to make progress together. By embracing reality, I learned to live it. Along the way, I discovered one thing: life is good, but we can make it better.

If time permits, take a day or two away from writing before you begin the process of editing and proofreading your first draft. Taking a step back will allow you to gain some distance from your piece of writing, and can allow you to see what you’ve written with fresh eyes. 

First, read over your draft and pay attention to how your personal narrative essay flows from one point to the next. Don’t worry about formatting or voice yet—simply make sure your introductory paragraph flows easily into your body paragraphs and that your final body paragraph flows easily into your essay’s conclusion. Is this your first time creating writing prompts? Check out our guide on how to create a writing prompt . Or you can also check out our other how-to articles by typing “how to” in our search bar.

Once you have your story straight, it’s time to ensure that your essay is reader-friendly. Be sure you’re meeting any specified formatting requirements (for example, if you’re writing a college essay, you may need to use certain margins or spacing). You’ll also want to take some time to go over the mechanics of your essay, working to write in active voice over passive voice, as well as working to eliminate any grammatical errors. 

In short, read or ask for the style guide for wherever you’re submitting the essay in question. Common style guides include APA, the Chicago Manual of Style and the Havard style guide. Check out our guide to style guide templates .

It’s tough sharing personal writing with someone else, but doing so can help you dramatically improve the quality of an essay. So, ask a trusted friend or family member to take a look at your essay and give you honest feedback on how you can make it even better. Ask them to provide critical feedback and suggest areas for improvement. Alternative, why not find a beta reader ?

The process of writing a personal essay can feel daunting, but breaking it down into steps can make it a little bit easier. Take your time, and remember, if you’re sharing your personal story and deep truths, you’re doing it right. Once you’ve written a personal essay, publish it online, submit it to a competition or a journal. Don’t let it sit in your drawer. If still need help writing an essay, in this interview, Pam Munter explains the art of personal essay writing .

FAQs on How To Write a Personal Essay

For a personal essay, any topic that examines an important life experience or a learned deep truth is an excellent jumping-off point.

An outline can be anything from a few words to a few sentences. If it gives you an idea of where your essay is headed and helps to guide your first draft, you’re on the right track

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How to Write a Personal Essay

Last Updated: February 2, 2023 Fact Checked

This article was co-authored by Jake Adams . Jake Adams is an academic tutor and the owner of Simplifi EDU, a Santa Monica, California based online tutoring business offering learning resources and online tutors for academic subjects K-College, SAT & ACT prep, and college admissions applications. With over 14 years of professional tutoring experience, Jake is dedicated to providing his clients the very best online tutoring experience and access to a network of excellent undergraduate and graduate-level tutors from top colleges all over the nation. Jake holds a BS in International Business and Marketing from Pepperdine University. There are 10 references cited in this article, which can be found at the bottom of the page. This article has been fact-checked, ensuring the accuracy of any cited facts and confirming the authority of its sources. This article has been viewed 311,993 times.

A good personal essay can move and inspire readers. It can also leave the reader unsettled, uncertain, and full of more questions than answers. To write an effective personal essay, you will need to first understand the structure of a personal essay. You will then need to brainstorm ideas for the personal essay so you are ready when it is time to sit down and craft your essay.

Starting Your Personal Essay

• For example, maybe you want to write about an experience where you learned about failure. You may think the time you failed a pop quiz in class. Though the quiz may have seemed insignificant to you at the time, you realized later that failing the pop quiz forced you to reassess your goals and motivated you to get a passing grade. Seen from a certain angle, your small failure became a gateway to perseverance and determination.

• This could be a seemingly small moment that ended up having a profound influence on you later, such the first time you experienced disgust as a child or the look on your mother’s face when you told her you were gay. Try to really dig into why you were hurt or compelled to overcome a challenge in this moment in your essay.
• Remember that moments charged with strong emotion will often be more engaging to readers. Having a strong reaction to a specific moment will allow you to write passionately about it and keep your reader interested in your essay.

• For example, you may focus on the day you found out your father cheated on your mother, or the week you mourned the death of a loved one. Think about a heavy experience in your life that shaped who you are today.
• You may also decide to write about a seemingly light topic or event, such as your first ride on a roller coaster, or the first time you went on a cruise with your partner. No matter what event you choose, make sure it is an event that triggered a strong emotional response, ranging from anger to confusion to unabashed joy.

• For example, you may think about why you and your mother stopped speaking years ago or why you are no longer close to a childhood friend. You may also look at past romantic relationships that failed and consider why they did not succeed or a relationship with a mentor that went sour.
• This could also be about someone that you're close with. For example, you could write about a moment that tested your relationship with a close friend.

• Ask yourself questions about the current event. For example, how does the current event intersect with your own experiences? How can you explore a current social issue or event using your personal thoughts, experiences, and emotions?
• For example, you may have an interest in writing about Syrian refugee camps in Europe. You may then focus your personal essay on your own status as a refugee in America and how your experiences a refugee have shaped the person you are now. This will allow you to explore a current event from a personal perspective, rather than simply talk about the current event from a distant, journalistic perspective.

• The introductory section should include “the hook”, opening lines where you catch the reader’s attention. It should also have some sort of narrative thesis, which is often the beginning of an important event in the piece or a theme that connects your experience to a universal idea.
• The body sections should include supporting evidence for your narrative thesis and/or the key themes in your piece. Often, this is in the form of your experiences and your reflections on your experiences. You should also note the passage of time in your body sections so the reader is aware of when and how certain events occurred.
• The concluding section should include a conclusion to the events and experiences discussed in the essay. You should also have a moral of the story moment, where you reflect on what you learned from your experiences or how your experiences changed your life.
• In the past, it was advised to have five paragraphs total, one paragraph for the introductory section, three paragraphs for the body section, and one paragraph for the concluding section. But you can have more or less than five paragraphs for your personal essay as long as you have all three sections.

Writing the Personal Essay

• Don't begin with a line that explains exactly what is going to be discussed in, such as, “In this essay, I will be discussing my fraught relationship with my mother." Instead, draw your reader into your piece and still provide all the information needed in your opening line.
• Start instead with a specific scene that contains the key characters of the essay and allows you discuss the central question or theme. Doing this will allow you to introduce the reader to the characters and the central conflict right away.
• For example, if you are writing about your fraught relationship with your mother, you may focus on a specific memory where you both disagreed or clashed. This could be the time you and your mother fought over a seemingly insignificant item, or the time you argued about a family secret.
• Try to use an active voice instead of a passive voice as much as possible when you're writing your essay.

• This writing voice may be conversational, much like how you might speak to a good friend or a family member. Or, the writing voice may be more reflective and internal, where you question your own assumptions and thoughts about the subject of the essay.
• Many personal essays are written in the first person, using “I”. You may decide to write in the present tense to make the story feel immediate, or past tense, which will allow you to reflect more on specific events or moments.
• Include vivid sensory descriptions in your essay to help the reader connect with your unique perspective. Describing touch, smell, taste, sight, and sound can help the reader invest in your story and feel like they're there with you.

• You can also include lines of dialogue spoken by your characters, based on your memory of the event. However, you should limit dialogue to only a few lines a page, as too much dialogue can start to veer away from personal essay and more toward fiction.

• You may use a plot outline to organize your essay. The plot points should act as supporting evidence for the central question or issue of the essay.

• It’s important to remember that though an experience may appear to have all the drama necessary to make a good personal essay, it may be a drama that is too familiar to the reader already. Be wary of experiences that are familiar and filled with pathos that a reader may have experienced before.
• If you are writing about the sudden death of a loved one, for example, it may feel important and deep to you. But the reader will likely know what to expect of an essay about a dead loved one, and may not relate to your essay because they did not know the loved one like you did.
• Instead, you may try to uncover a truth that is deeper than “I am sad my loved one died.” Think about what the loved one meant to you and how the loved one affected your life, in positive and negative ways. This could lead to the uncovering of a deeper truth and a stronger personal essay.

Polishing Your Essay

• For example, you may use metaphor to describe the experience of telling your mother you are gay. You may describe your mother’s face as “impenetrable, a sudden wall”. Or you may use a simile, such as “my mother’s reaction was silent and stunned, as if she had been struck by lightning.”

• As you read it out loud, you should highlight any sentences that are confusing or unclear as well as sentences that do not appear as strong as the rest of the draft. You should also make sure your characters are well developed and your essay follows some kind of structure or sense of plot. Consider if you are hitting a deeper truth in your draft and what you can do to get there if it is not yet on the page.Revising your essay will only make it that much stronger.

• When you are revising, you should consider if your content is really worth writing about, if you are writing about a topic or subject you are passionate about, and if your reader will understand your writing. You want to avoid confusing your reader, as this can turn her off from reading to the end of your essay.
• You should also make sure the focus and themes of the essay are clear. Your experiences should center around a central question, issue, or theme. This will ensure your personal essay is well written and concise.
• Avoid relying on spellcheck to catch all of the spelling and grammar errors in your essay.

Expert Q&A

• To get a better sense of the genre, you should read highly crafted examples of personal essay. There are several known personal essays that are often taught in academia, including "Notes of a Native Son” by James Baldwin, “The Death of a Moth” by Virginia Woolf, “Shipping Out” by David Foster Wallace, “The White Album” by Joan Didion, and “We Do Abortions Here” by Sallie Tisdale. Thanks Helpful 1 Not Helpful 0
• Ask yourself several questions as you read the examples, such as: How does the writer introduce the subject of their essay? How does the writer explore the subject for a personal perspective? What are the key themes in the essay? How does the writer connect their personal experiences to a universal theme or idea? How does the writer use humor or wit in the essay? What is the concluding moral of the essay? Does the end of the essay leave you satisfied, unsettled, curious, or all of the above? Thanks Helpful 1 Not Helpful 0

Sample Essay and Template

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• ↑ https://owl.excelsior.edu/writing-process/thesis-sentence/thesis-sentence-angles/
• ↑ Jake Adams. Academic Tutor & Test Prep Specialist. Expert Interview. 20 May 2020.
• ↑ https://courses.lumenlearning.com/englishcomp1/chapter/writing-a-narrative-or-personal-essay/
• ↑ https://www.grammarly.com/blog/personal-essay/
• ↑ https://www.indeed.com/career-advice/career-development/how-to-write-a-personal-essay
• ↑ https://stlcc.edu/student-support/academic-success-and-tutoring/writing-center/writing-resources/point-of-view-in-academic-writing.aspx
• ↑ https://www.grammarly.com/blog/story-plot/
• ↑ https://www.grammarly.com/blog/literary-devices/
• ↑ http://admissions.vanderbilt.edu/vandybloggers/2013/09/how-to-write-your-personal-essay/
• ↑ http://writingcenter.unc.edu/handouts/revising-drafts/

About This Article

To write a personal essay, start by deciding on an experience that affected your life in some way, such as how failing a pop quiz in class made you change your goals. Next, draft an outline containing the points you want to make, and including an introduction, body paragraphs, and conclusion. When writing, start your essay with an engaging scene that introduces the characters and main theme, then develop the characters in the body section so they're well-rounded. Conclude by summing up what you learned from the experience. For tips on how to include a plot in your essay and how to proofread your work, read on! Did this summary help you? Yes No

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2. Explore the Personal Essay

Now, zoom out and examine your "why." You'll put your personal voice and story into a wider context. Your essay for this class will take a stand to make an impact on your readers.

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10 Personal Narrative Examples to Inspire Your Writing

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Personal narratives are short pieces of creative nonfiction that recount a story from someone’s own experiences. They can be a memoir, a thinkpiece, or even a polemic — so long as the piece is grounded in the writer's beliefs and experiences, it can be considered a personal narrative.

Despite the nonfiction element, there’s no single way to approach this topic, and you can be as creative as you would be writing fiction. To inspire your writing and reveal the sheer diversity of this type of essay, here are ten great examples personal narratives from recent years: 

1. “Only Disconnect” by Gary Shteyngart

Personal narratives don’t have to be long to be effective, as this thousand-word gem from the NYT book review proves. Published in 2010, just as smartphones were becoming a ubiquitous part of modern life, this piece echoes many of our fears surrounding technology and how it often distances us from reality.

In this narrative, Shteyngart navigates Manhattan using his new iPhone—or more accurately, is led by his iPhone, completely oblivious to the world around him. He’s completely lost to the magical happenstance of the city as he “follow[s] the arrow taco-ward”. But once he leaves for the country, and abandons the convenience of a cell phone connection, the real world comes rushing back in and he remembers what he’s been missing out on. 

The downfalls of technology is hardly a new topic, but Shteyngart’s story remains evergreen because of how our culture has only spiraled further down the rabbit hole of technology addiction in the intervening years.

What can you learn from this piece?

Just because a piece of writing is technically nonfiction, that doesn’t mean that the narrative needs to be literal. Shteyngart imagines a Manhattan that physically changes around him when he’s using his iPhone, becoming an almost unrecognizable world. From this, we can see how a certain amount of dramatization can increase the impact of your message—even if that wasn’t exactly the way something happened. 

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2. “Why I Hate Mother's Day” by Anne Lamott

The author of the classic writing text Bird by Bird digs into her views on motherhood in this piece from Salon. At once a personal narrative and a cultural commentary, Lamott explores the harmful effects that Mother’s Day may have on society —how its blind reverence to the concept of motherhood erases women’s agency and freedom to be flawed human beings. 

Lamott points out that not all mothers are good, not everyone has a living mother to celebrate, and some mothers have lost their children, so have no one to celebrate with them. More importantly, she notes how this Hallmark holiday erases all the people who helped raise a woman, a long chain of mothers and fathers, friends and found family, who enable her to become a mother. While it isn’t anchored to a single story or event (like many classic personal narratives), Lamott’s exploration of her opinions creates a story about a culture that puts mothers on an impossible pedestal. 

In a personal narrative essay, lived experience can be almost as valid as peer-reviewed research—so long as you avoid making unfounded assumptions. While some might point out that this is merely an opinion piece, Lamott cannily starts the essay by grounding it in the personal, revealing how she did not raise her son to celebrate Mother’s Day. This detail, however small, invites the reader into her private life and frames this essay as a story about her —and not just an exercise in being contrary.

3. “The Crane Wife” by CJ Hauser 

Days after breaking off her engagement with her fiance, CJ Hauser joins a scientific expedition on the Texas coast r esearching whooping cranes . In this new environment, she reflects on the toxic relationship she left and how she found herself in this situation. She pulls together many seemingly disparate threads, using the expedition and the Japanese myth of the crane wife as a metaphor for her struggles. 

Hauser’s interactions with the other volunteer researchers expand the scope of the narrative from her own mind, reminding her of the compassion she lacked in her relationship. In her attempts to make herself smaller, less needy, to please her fiance, she lost sight of herself and almost signed up to live someone else’s life, but among the whooping cranes of Texas, she takes the first step in reconnecting with herself.

With short personal narratives, there isn’t as much room to develop characters as you might have in a memoir so the details you do provide need to be clear and specific. Each of the volunteer researchers on Hauser’s expedition are distinct and recognizable though Hauser is economical in her descriptions. 

For example, Hauser describes one researcher as “an eighty-four-year-old bachelor from Minnesota. He could not do most of the physical activities required by the trip, but had been on ninety-five Earthwatch expeditions, including this one once before. Warren liked birds okay. What Warren really loved was cocktail hour.” 

In a few sentences, we get a clear picture of Warren's fun-loving, gregarious personality and how he fits in with the rest of the group.

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4. “The Trash Heap Has Spoken” by Carmen Maria Machado

The films and TV shows of the 80s and 90s—cultural touchstones that practically raised a generation—hardly ever featured larger women on screen. And if they did, it was either as a villain or a literal trash heap. Carmen Maria Machado grew up watching these cartoons, and the absence of fat women didn’t faze her. Not until puberty hit and she went from a skinny kid to a fuller-figured teen. Suddenly uncomfortable in her skin, she struggled to find any positive representation in her favorite media.

As she gets older and more comfortable in her own body, Machado finds inspiration in Marjory the Trash Heap from Fraggle Rock and Ursula, everyone’s favorite sea witch from The Little Mermaid —characters with endless power in the unapologetic ways they inhabit their bodies. As Machado considers her own body through the years, it’s these characters she returns to as she faces society’s unkind, dismissive attitudes towards fat women.

Stories shape the world, even if they’re fictional. Some writers strive for realism, reflecting the world back on itself in all its ugliness, but Carmen Maria Machado makes a different point. There is power in being imaginative and writing the world as it could be, imagining something bigger, better, and more beautiful. So, write the story you want to see, change the narrative, look at it sideways, and show your readers how the world could look. 

5. “Am I Disabled?” by Joanne Limburg 

The titular question frames the narrative of Joanne Limburg’s essay as she considers the implications of disclosing her autism. What to some might seem a mundane occurrence—ticking ‘yes’, ‘no’, or ‘prefer not to say’ on a bureaucratic form—elicits both philosophical and practical questions for Limburg about what it means to be disabled and how disability is viewed by the majority of society. 

Is the labor of disclosing her autism worth the insensitive questions she has to answer? What definition are people seeking, exactly? Will anyone believe her if she says yes? As she dissects the question of what disability is, she explores the very real personal effects this has on her life and those of other disabled people. 

Limburg’s essay is written in a style known as the hermit crab essay , when an author uses an existing document form to contain their story. You can format your writing as a recipe, a job application, a resume, an email, or a to-do list – the possibilities are as endless as your creativity. The format you choose is important, though. It should connect in some way to the story you’re telling and add something to the reader’s experience as well as your overall theme. 

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6. “Living Like Weasels” by Annie Dillard

While out on a walk in the woods behind her house, Annie Dillard encounters a wild weasel. In the short moment when they make eye contact, Dillard takes an imaginary journey through the weasel’s mind and wonders if the weasel’s approach to life is better than her own. 

The weasel, as Dillard sees it, is a wild creature with jaws so powerful that when it clamps on to something, it won’t let go, even into death. Necessity drives it to be like this, and humanity, obsessed with choice, might think this kind of life is limiting, but the writer believes otherwise. The weasel’s necessity is the ultimate freedom, as long as you can find the right sort, the kind that will have you holding on for dear life and refusing to let go. 

Make yourself the National Geographic explorer of your backyard or neighborhood and see what you can learn about yourself from what you discover. Annie Dillard, queen of the natural personal essay, discovers a lot about herself and her beliefs when meeting a weasel.

What insight can you glean from a blade of grass, for example? Does it remind you that despite how similar people might be, we are all unique? Do the flights of migrating birds give you perspective on the changes in your own life? Nature is a potent and never-ending spring of inspiration if you only think to look. 

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7. “Love In Our Seventies” by Ellery Akers

“ And sometimes, when I lift the gray hair at the back of your neck and kiss your shoulder, I think, This is it.”

In under 400 words, poet Ellery Akers captures the joy she has found in discovering romance as a 75-year-old . The language is romantic, but her imagery is far from saccharine as she describes their daily life and the various states in which they’ve seen each other: in their pajamas, after cataract surgeries, while meditating. In each singular moment, Akers sees something she loves, underscoring an oft-forgotten truth. Love is most potent in its smallest gestures.  

Personal narrative isn’t a defined genre with rigid rules, so your essay doesn’t have to be an essay. It can be a poem, as Akers’ is. The limitations of this form can lead to greater creativity as you’re trying to find a short yet evocative way to tell a story. It allows you to focus deeply on the emotions behind an idea and create an intimate connection with your reader. 

8. “What a Black Woman Wishes Her Adoptive White Parents Knew” by Mariama Lockington

Mariama Lockington was adopted by her white parents in the early 80s, long before it was “trendy” for white people to adopt black children. Starting with a family photograph, the writer explores her complex feelings about her upbringing , the many ways her parents ignored her race for their own comfort, and how she came to feel like an outsider in her own home. In describing her childhood snapshots, she takes the reader from infancy to adulthood as she navigates trying to live as a black woman in a white family. 

Lockington takes us on a journey through her life through a series of vignettes. These small, important moments serve as a framing device, intertwining to create a larger narrative about race, family, and belonging. 

With this framing device, it’s easy to imagine Lockington poring over a photo album, each picture conjuring a different memory and infusing her story with equal parts sadness, regret, and nostalgia. You can create a similar effect by separating your narrative into different songs to create an album or episodes in a TV show. A unique structure can add an extra layer to your narrative and enhance the overall story.

9. “Drinking Chai to Savannah” by Anjali Enjeti

On a trip to Savannah with her friends, Anjali Enjeti is reminded of a racist incident she experienced as a teenager . The memory is prompted by her discomfort of traveling in Georgia as a South Asian woman and her friends’ seeming obliviousness to how others view them. As she recalls the tense and traumatic encounter she had in line at a Wendy’s and the worry she experiences in Savannah, Enjeti reflects on her understanding of otherness and race in America. 

Enjeti paints the scene in Wendy’s with a deft hand. Using descriptive language, she invokes the five senses to capture the stress and fear she felt when the men in line behind her were hurling racist sentiments. 

She writes, “He moves closer. His shadow eclipses mine. His hot, tobacco-tinged breath seeps over the collar of my dress.” The strong, evocative language she uses brings the reader into the scene and has them experience the same anxiety she does, understanding why this incident deeply impacted her. 

10. “Siri Tells A Joke” by Debra Gwartney

One day, Debra Gwartney asks Siri—her iPhone’s digital assistant—to tell her a joke. In reply, Siri recites a joke with a familiar setup about three men stuck on a desert island. When the punchline comes, Gwartney reacts not with laughter, but with a memory of her husband , who had died less than six months prior.

In a short period, Gwartney goes through a series of losses—first, her house and her husband’s writing archives to a wildfire, and only a month after, her husband. As she reflects on death and the grief of those left behind in the wake of it, she recounts the months leading up to her husband’s passing and the interminable stretch after as she tries to find a way to live without him even as she longs for him. 

A joke about three men on a deserted island seems like an odd setup for an essay about grief. However, Gwartney uses it to great effect, coming back to it later in the story and giving it greater meaning. By the end of her piece, she recontextualizes the joke, the original punchline suddenly becoming deeply sad. In taking something seemingly unrelated and calling back to it later, the essay’s message about grief and love becomes even more powerful.

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What Is a Personal Essay (Personal Statement)?

Glossary of Grammatical and Rhetorical Terms

• An Introduction to Punctuation
• Ph.D., Rhetoric and English, University of Georgia
• M.A., Modern English and American Literature, University of Leicester
• B.A., English, State University of New York

A personal essay is a short work of autobiographical nonfiction characterized by a sense of intimacy and a conversational manner. Also called a personal statement . 

A type of creative nonfiction , the personal essay is "all over the map," according to Annie Dillard. "There's nothing you can't do with it. No subject matter is forbidden, no structure is prescribed. You get to make up your own form every time." ("To Fashion a Text," 1998) .

Examples of Personal Essays

• An Apology for Idlers , by Robert Louis Stevenson
• On Laziness , by Christopher Morley
• Coney Island at Night, by James Huneker
• New Year's Eve , by Charles Lamb
• How It Feels to Be Colored Me , by Zora Neale Hurston
• My Wood, by E.M. Forster
• Two Ways of Seeing a River , by Mark Twain
• What I Think and Feel at 25, by F. Scott Fitzgerald

Observations

• The personal essay is one of the most common types of writing assignment--and not only in freshman composition courses. Many employers, as well as graduate and professional schools, will ask you to submit a personal essay (sometimes called a personal statement ) before even considering you for an interview. Being able to compose a coherent version of yourself in words is clearly an important skill.
• What qualities does a personal essay reveal about you? Here are just a few:
• Communication Skills How effective are your communication skills? Do you write clearly, concisely, and correctly? Note that many employers put communication skills at the top of the list of essential qualifications.
• Critical Thinking Skills How fresh and imaginative are you in your thinking? Is your writing cluttered with cliches , or is it obvious that you have original ideas to contribute?
• Maturity What specific lessons have you learned from experience, and are you ready to apply those lessons to the job or the academic program you're considering? Keep in mind that it's not enough to be able to recount a personal experience; you should be prepared to interpret it as well.
• Self and Subject in Personal Essays "[W]here the familiar essay is characterized by its everyday subject matter, the personal essay is defined more by the personality of its writer, which takes precedence over the subject. On the other hand, the personal essayist does not place himself firmly in center stage, as does the autobiographical essayist; the autobiographical element of the personal essay is far less calculated..."
• The Essayist's Persona "Personal essayists from Montaigne on have been fascinated with the changeableness and plasticity of the materials of human personality. Starting with self-description, they have realized they can never render all at once the entire complexity of a personality. So they have elected to follow an additive strategy, offering incomplete shards, one mask or persona after another: the eager, skeptical, amiable, tender, curmudgeonly, antic, somber. If 'we must remove the mask,' it is only to substitute another mask..."
• The "Antigenre": An Alternative to Academic Prose "[T]he more personal essay offers an escape from the confines of academic prose . By using this antigenre form that in contemporary essays embodies multiple kinds of writing, many essayists in search of democracy find a freedom for expressing in their writings spontaneity, self-reflexivity, accessibility, and a rhetoric of sincerity."
• Teaching the Personal Essay "Given the opportunity to speak their own authority as writers, given a turn in the conversation, students can claim their stories as primary source material and transform their experiences into evidence ..."
• Essay Forms "Despite the anthologists' custom of presenting essays as 'models of organization ,' it is the loose structure or apparent shapelessness of the essay that is often stressed in standard definitions. . . . Samuel Johnson famously defined the essay as 'an irregular, indigested piece, not a regular and orderly performance.' And certainly, a number of essayists (Hazlitt and Emerson, for instance, after the fashion of Montaigne) are readily identifiable by the wayward or fragmentary nature of their explorations. Yet each of these writers observes certain distinctive organizing (or disorganizing) principles of his own, thus charting the ramble and shaping the form. As Jeanette Harris observes in Expressive Discourse , 'Even in the case of a personal essay , which may appear informal and loosely structured, the writer has crafted with care this very appearance of informality' (122).

Theresa Werner, "Personal Essay."  Encyclopedia of the Essay , ed. by Tracy Chevalier. Fitzroy Dearborn, 1997

E.B. White , Foreword to  Essays of E.B. White . Harper and Row, 1977

Cristina Kirklighter,  Traversing the Democratic Borders of the Essay . SUNY Press, 2002

Nancy Sommers, "Between the Drafts."  College Composition and Communication , February 1992

Richard F. Nordquist, "Voices of the Modern Essay." Dissertation University of Georgia, 1991

• Definition and Examples of Humorous Essays
• Periodical Essay Definition and Examples
• Learn How to Use Extended Definitions in Essays and Speeches
• personal statement (essay)
• How to Define Autobiography
• The Essay: History and Definition
• exploratory essay
• Definition and Examples of Formal Essays
• What Does It Mean to Be a Writer?
• Definition Examples of Collage Essays
• lexicographer
• Personal Pronoun Definition and Examples in English
• What is a Familiar Essay in Composition?
• Irrealis 'Were' (Grammar)
• Free Modifiers: Definition, Usage, and Examples
• What Is a Compound Verb?

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$ 645.00 Original price was: $645.00. $ 550.00 Current price is: $550.00. Enroll Now

Write authentic, well-crafted personal essays in this creative nonfiction course.

If you have a story to tell, if you’re fairly confessional and believe that truth is stranger than fiction, then the creative nonfiction, personal essay writing class is for you.

Creative nonfiction and personal essay are powerhouses in the story-telling genre. They’re the volcanic marriage of real life and literary technique, and a chance to deliver our stories with sass, color and voice. By using a variety of techniques such as dialogue, scene, detail and narrative, creative non-fiction and personal essay breathe new life into the ordinary telling of our tales.

Anything is fodder for creative nonfiction; the fight you had with the supermarket check-out person, the time your brother ran you over with his bike, your first real kiss and the lessons you learned about yourself when you stopped to give change to the corner panhandler. By delving into our experiences we squeeze the marrow from our lives and explore our emotional territory, sharing and making meaning out of the ordinary events in our lives.

The ten-week class will focus on finding your voice and locating the heart of your story, as well as finding creative ways to tell these stories, edit what we have, and familiarize ourselves with non-fiction markets. There will be a weekly writing assignment, a chance to post each week and get in-depth, detailed feedback from your peers as well as feedback on five of your stories from Gretchen.

Gretchen was wonderful—positive, understanding, and helpful. She clearly put a lot of time into reading and responding to our work, and I am so thankful for that! —Kathryn Martinak

Introduction to Creative Nonfiction and Personal Writing: Course Syllabus

Each week a new writing lesson is posted and students are given a couple of assignment options as well as a deadline to turn a piece in each week. Writing lessons cover the territory of personal essay with an emphasis on voice, detail, scene, dialogue and resolve.

What is creative nonfiction and the personal essay? Personal essay is about uncovering the truth and telling our stories in our real voices. Creative Nonfiction uses elements of fiction in the telling of a true story. We use narrative combined with live voice to make the writing more melodic, more alive and more accessible.

Beginning our stories. What are we obsessed by and deeply interested in? What are the stories we must tell? Using free writing to unearth raw, unedited material and honing with diversity, melody and voice.

Week Three:

Using memories and images that burn to be told. Using the material from our lives, from our childhood to jump start story and delve in deeply.

Re-working our assignments.

 Week Five:

The stories we’re afraid to tell. Writing as liberation. What aren’t we writing about? Using the hardest parts of our lives as material for story because that’s where the energy is. When we write from these places our stories come alive because we’re writing from an edge.

Truth or Fiction? How creative can the personal essay be? How much can we bend the truth? Where do the boundaries blur?

Week Seven:

 week eight:.

Speaking to the dead. Who lingers in our lives and what kind of power do they hold for us? Choosing friends or relatives to write about, using their stories to tell our larger stories.

 Week Nine

Critiquing the personal essay. How can we help each other tell the truth better? Setting a stage: what stays and what goes? Using the elements that are intrinsic to the telling of the story.

To market to market. Where to sell our work? Ideas and suggestions for where the writers can send their work.

Why Take a Creative Nonfiction and Personal Essay Course with Writers.com?

• We welcome writers of all backgrounds and experience levels, and we are here for one reason: to support you on your writing journey.
• Small groups keep our online writing classes lively and intimate.
• Work through your weekly written lectures, course materials, and writing assignments at your own pace.
• Share and discuss your work with classmates in a supportive class environment.
• Award-winning instructor Gretchen Clark will offer you direct, personal feedback and suggestions on every assignment you submit.

Dive into creative nonfiction and the craft of the personal essay. Reserve your spot today!

Student feedback for gretchen clark:.

Definitely very happy with class content. Gretchen's critiques are so, so helpful. I liked the way Gretchen set up the class so that we were able to choose from many options for our assignments. We could revise an essay or write a new one. As a teacher, Gretchen is like chocolate cake with two scoops of vanilla ice cream. Can't get enough of her. I would take any class Gretchen offered. Caroline Commins

Gretchen was wonderful—positive, understanding, and helpful without being negative or overly critical. Her comments were insightful and extremely helpful to me. She clearly put a lot of time into reading and responding to our work, and I am SO thankful for that! Kathryn Martinak

This course helped me expand my understanding of what an essay can be, and encouraged me to push myself to try different forms of expression. I learned a lot from my fellow students and the instructor and received excellent feedback on my writing. I learned so much from Gretchen's lectures as well as from her comments, not only on my writing but on my fellow students' writings as well.  Elizabeth Speziale

Gretchen was great. I have taken over a dozen online writing courses and this one was almost calming. Instead of feeling like I 'had' to submit work for critique, I not only wanted to, but I was anxious to read the other writers' work.  Barbara Reidmiller

Gretchen seems to have a way of seeing things in my writing that I overlook; a series of details, a recurring theme, an underlying emotion I have yet to discover within myself. Her critiques are always thoughtful and thought provoking. She takes the time to read and respond carefully, challenging ideas and questioning my writing while encouraging and offering support. When I was looking for more personal and in-depth editorial critique, it was Writers.com and Gretchen that I turned to. Having taken the Personal Essay class, I knew that she would grant me the time and attention that I was seeking. She seems to have unlimited patience to answer questions and hash out ideas. Working one-on-one with her has provided me with a forum and a conversation about my writing. She is an invaluable teacher and editor.

 I learned a lot and had fun doing it. We were encouraged to think and write outside the box. It made me more creative. Loved the experience.  Svetlana Dietz

Gretchen has great ideas and gives coaching feedback as well as praise. It was exciting to learn about new forms in essay writing and how the form can help carry the story. The group of writers was helpful and positive in providing feedback to each others; I really enjoyed the experience of the community.  Karen McCall

I was recently offered my own bi-monthly column in Blue Water Sailing magazine. Writers.com and private time working with Gretchen has certainly contributed to my work improving enough to be given that opportunity. Heather Francis, yachtkate.com

Gretchen was extremely diligent with her feedback and it felt like nothing I wrote went unnoticed. She took the pains to respond equally diligently even with the re-posted material. Her feedback made me want to write more. Mannu Kohli

I thought Gretchen was great. Despite having a lot of people in the class, I always felt that she gave full attention to her feedback on my submissions. She was always quite responsive to questions I had. I really liked her lectures and her suggested materials, I found all of those quite helpful.  Allison Allen

I loved this course. Gretchen provided me with really helpful feedback and I appreciate how open she was to discussing the works in progress. I wrote ten pieces I want to keep working with and submit to journals, and want to keep playing with the form. I definitely got my money's worth and am happy with the progress I made in the course overall as a writer. Nicole Breit

Do you have a couple hours? Because that is how long it would take me to sing Gretchen's praises. Every piece she has helped me with, let's make that six, has been accepted for publication. All told, actually, I've received 11 acceptances within a relatively short time span for a writer who has just recently begun to submit her work. ... It isn't just that Gretchen is a gifted writer and teacher/editor, she possesses unusual insight. She reads with many eyes, ears, and hearts and on many different levels. She is present to the reading like a psychoanalyst is present to her patient's free associations: unbiased, unattached, letting herself be moved or struck by anything and everything. ... And she is patient and kind and even when her suggestions maddened me because they forced me to think and feel myself more deeply into my story, she was, 98% of the time, right on. ... What more can I say. I just love working with Gretchen! Pat Heim

Though Gretchen included specific assignments with each week's lecture...they were given to us as suggestions and for inspiration, but we were always free to go off on our own and write whatever caught our imaginations that week. I was also very pleasantly surprised at the high level of talent among my classmates in this course. ... Your classes allow every student to write and post something each week, not simply once or twice during the course, as other classes do. Elaine Kehoe

I thought the lectures were thoughtful and inspiring and I liked that the assignments were flexible in that I could write about anything that I wanted, but Gretchen gave us prompts for if we needed some ideas. I also liked that she provided some optional readings and referenced other books on writing, I ended up doing a lot of outside reading which was very helpful. I did feel like I learned a lot..... Gretchen was excellent. Her positive tone was just the thing to keep students in the class encouraged and motivated. She was also very willing to answer any questions students had and seemed to tailor her critique to what students were asking for, which was wonderful. Overall I felt that she was approachable and was there if I wanted to ask anything. McKenzie Long

I've taken several other on-line writing classes with other schools and this unique approach was the most interesting and challenging of all. I thought the teachers were the freshest and most thorough in the time they put into their critiques. I totally enjoyed the class. I would do something unique with these teachers again. Eve Bandler

I was very happy with both the class content and the teacher. Gretchen’s comments on my essays were insightful; she offered suggestions that I would not have thought of on my own. This was my first online writing class, and I will take another. Thank you so much! Kim Baumgaertel

Gretchen's writing and her lessons are superb and she's a great teacher. I learned a ton from her. I had never heard of the lyric essay before. Gretchen gave me a thorough understanding of it - and lots of practice. Bonnie Gold

Gretchen was great, and always available for questions/clarification. I am definitely driven by challenge, and felt that Gretchen has a good way of keeping you on your toes and helping you to consistently improve. Lessons were inspiring and assignments perfect for challenging the creative side of the brain. An advanced lyric class would be awesome! I would recommend the class to anyone interested in writing. I have signed up for several classes through November. Jenifer Patureau

I loved the class. The Lyric Essay is/was/and shall continue to be a favorte of mine now that I've taken this class. The freedom to manipulate material in new ways, soak words with lyric structure, really came through. Feedback was personal and always offered ways to take a piece to another level. Rewrites were encouraged and feedback was prompt and insighful. Keep those new classes coming so I can continue to write on your site for many years to come. Joanna Johns

This course is terrific. The lessons are creative and inspiring--just look at the lecture titles! Gretchen is smart, kind, and encouraging. Her critiques are full of insight and ideas for taking the writer a step or many steps further. I keep recommending Writers.com when I talk w/ friends. I'll be back for another class. Marge Osborn

Creative, inspiring, motivating, delightful, fun. <Gretchen's> lessons were written with so much imagination and creative juice. It just made you rub your hands together and want to dive in. She was encouraging as well. I have considered taking *this* class again! Tatyana Sussex

Gretchen's class was really great!The Lyric Essay was one of the best courses I've taken from Writers.com. I would like to take a "Lyric Essay 2" course. Caroline Commins

The class was wonderful. Couldn't have had better teachers. Wonderful about letting us veer in our own directions at times. They provided a very nurturing environment for everyone. ... Their comments were very helpful and clearly they know their stuff. ... I would absolutely take another class from either instructor. I can't give them a glowing enough review. ... This is the way you dream a class will work. David Ladd

This was my first online course, and I'm very glad I took it. I feel that the tuition was money well-spent and I emerge from this experience wiser about the subject and very much encouraged to continue my writing using techniques I learned in class. Jean Dutton

“Gretchen was wonderful—positive, understanding, and helpful without being negative or overly critical. Her comments were insightful and extremely helpful to me. She clearly put a lot of time into reading and responding to our work, and I am SO thankful for that!” —Kathryn Martinak

About Gretchen Clark

Gretchen Clark has been a freelancer for an online naming company and a creative arts mentor for at-risk teens. Her essay Pink Chrysanthemum  was nominated for the Pushcart Prize.  Her work has been published in The Boston Globe, Hamilton Stone Review, 94 Creations, Writer Advice, Literary Mama , Hip Mama , Flashquake , Blood Lotus , Foliate Oak , Skirt! , Word Riot , Quiet Mountain Essays , 34th Parallel , New York Family Magazine , Pithead Chapel , Switchback , Underwired , Toasted Cheese , Celia’s Roundtrip , Brevity , River Teeth , Flashquake , Tiny Lights , Ray's Road Review , Cleaver Magazine,   Hippocampus , The MacGuffin, Awakenings Review, and Nailpolish Stories, among others.

Gretchen's Courses

Long Story Short: Compressing Life into Meaningful Micro Memoirs Creative Nonfiction and the Personal Essay The Lyric Essay Block Buster: Turbocharge Your Creativity with Breakneck Writing

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Personal Essay I

Learn to write essays, opinion pieces, and mini-memoirs about your life in this introductory course.

What you can learn.

• Learn to be a compelling first-person narrator
• Work on theme, character development, voice, and pacing for your life stories
• Complete at least one personal essay of at least 600 words

About this course:

Fall 2024 schedule.

No meeting November 11. Enrollment limited to 15 students; early enrollment advised. Visitors not permitted. Internet access required.

Internet access required to retrieve course materials.

CLICK HERE TO VIEW THE PUBLIC SYLLABUS FOR THIS COURSE.

Enrollment limited to 15 students; early enrollment advised. Visitors not permitted. Internet access required.

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How to Write a Personal Essay for Your College Application

What does it take to land in the “accept” (instead of “reject”) pile?

How can you write an essay that helps advance you in the eyes of the admissions officers and makes a real impression? Here are some tips to get you started.

• Start early.  Do not leave it until the last minute. Give yourself time when you don’t have other homework or extracurriculars hanging over your head to work on the essay.
• Keep the focus narrow.  Your essay does not have to cover a massive, earth-shattering event. Some people in their teens haven’t experienced a major life event. Some people have. Either way, it’s okay.
• Be yourself.  Whether writing about a painful experience or a more simple experience, use the narrative to be vulnerable and honest about who you are. Use words you would normally use. Trust your voice and the fact that your story is interesting enough in that no one else has lived it.
• Be creative.  “Show, don’t tell,” and that applies here — to an extent. The best essays typically do both. You can help your reader see and feel what you are describing by using some figurative language throughout your piece.
• Make a point. As you finish your final body paragraphs ask yourself “So what?” This will help you hone in on how to end your essay in a way that elevates it into a story about an insight or discovery you made about yourself, rather than just being about an experience you had.

Where your work meets your life. See more from Ascend here .

We’ve all heard about the dreaded “college essay,” the bane of every high school senior’s existence. This daunting element of the college application is something that can create angst for even the most accomplished students.

• AA Amy Allen is a writer, educator, and lifelong learner. Her freelance writing business,  All of the Write Words , focuses on providing high school students with one-on-one feedback to guide them through the college application process and with crafting a thoughtful personal essay. A dedicated poet, Amy’s work has also been published in several journals including  Pine Row Press ,  Months to Years,  and  Atlanta Review .

Partner Center

A business journal from the Wharton School of the University of Pennsylvania

Knowledge at Wharton Podcast

What does your writing style say about you, july 23, 2024 • 15 min listen.

Wharton’s Jonah Berger explains how writing style can predict future success.

Listen to the podcast.

Wharton marketing professor Jonah Berger discusses his published study, “ Topography of Thought ,” which was co-authored with Olivier Toubia , business professor at Columbia Business School. The paper examines how someone’s writing style can be indicative of their future success, and where generative AI might come into the picture.

Read an edited transcript below.

Studying How Successful People Think

Angie Basiouny: Give us an overview of this paper by way of explaining your title. What is topography of thought?

Jonah Berger: I don’t have to tell you that we all use language all the time. We write emails, make presentations, and submit job applications. We use language all the time. And language, in some sense, is a fingerprint. It reveals or reflects things about the people who produce it. You can predict how extraverted someone is, for example, based on the words they use.

But beyond the individual words people use, might the pattern of ideas they put out there, the way they organize their ideas, reveal something interesting about them and their likelihood of future success?”

I think it’s important to talk about what I mean about the pattern of ideas. When someone talks about something, they can cover a small amount of ground or a large amount of ground. If you ask someone about their work history, for example, they can talk about a variety of things they’ve done or a smaller set of things they’ve done. They can cover a lot of ground or a little bit of ground.

If you want to use an analogy here, you can almost think about going for a run. Someone can go for a run and go all the way around the city, or they can go for the same number of miles, but just go around the block a number of times. In both cases, they did the same distance, but they covered more ground in one than the other. So, one way we express ideas is the amount of ground we cover. We cover more ground with our ideas, or less. We can talk about more ideas, more topics, more themes, more things that are disparate from one another, or things that are related to one another.

But it’s not just that. It’s also the speed with which we move between adjoining ideas. Imagine a movie. It can cover more or less ground across the course of the movie, but it can also move faster or slower between ideas. If a movie has one scene, for example, that’s at the beginning of a wedding, if the next scene is the later part in a wedding, that’s related to the first part. Different things may happen, but it’s pretty closely related. But if you jump from a wedding to an action scene, that would be really different sorts of ideas. They’re not very related. They’re moving further across those two points.

We wondered if these two ideas, how much ground someone covers, and how quickly they move between ideas, might tell us something about their likelihood of future success.

Basiouny: You’re not talking about the length of the piece of writing. You’re not talking about whether it’s a 500-word essay or 1,000-word essay. It’s really about how they use that space to move through their ideas. Correct?

Berger: Yes, great point. It’s not about the length. It’s about the ground covered. Are they covering a lot of ground in their hundred or thousand words, whatever it is? Or are they covering less ground? Someone talking about their vacation could share 1,000 words, but they could use those words to talk just about the food they ate, or also to talk about the sights they saw and the places they visited.  The former would cover less ground while the latter would cover more.

Basiouny: How did you go about studying this?

Berger: The same ideas can be applied to any type of content, but here we looked at college applications. In other work we’ve looked at online reviews, and in related work we looked at books, movies, and TV shows.

We took 40,000 college application essays from a variety of folks who were applying to school, and we looked at what they wrote and the topography of thought of what they wrote — how much ground they covered in that essay. Again, similar length, but how much ground they covered, and how quickly they moved between ideas. And we looked at their future success. How well did they do in school? What was their GPA once they got there? We were interested in seeing whether, not just the individual words they use, but the way they express ideas might that reveal something or predict how likely they are to be successful in the future.

The Essay Writing Style That’s Linked to Greater Success

Basiouny: What did you find?

Berger: We found two very important things. First, covering more ground, that notion of covering a broad range of things in the same amount of length, was linked to greater success. But doing so while moving rather slowly, was also important.

Think about the numbers arrayed on a circular clock. You could cover a lot of ground by moving in a circle, (e.g., going from 12 to 1 to 2 to 3 to 4) or by traversing the same ground but going from like 12 to 6 to 1 to 7 to 3 to 11. You’ve covered the same amount of ground, but you’ve taken a much longer route between each individual point.

What we found is that folks who are successful in school are able to blend these two things that might seem mutually exclusive. It might seem like covering a lot of ground requires moving really quickly between points to get there. But folks that end up doing well in school figure out a way to cover that ground really efficiently. They’re able to do so by moving slowly between these points, and they don’t have to take a lot of big jumps along the way.

Basiouny: In this paper, you controlled for some socioeconomic factors. Can you talk about that a little bit?

Berger: Yes, so someone could wonder, “OK, so you’ve found that people did well in school, and you’re using writing as a way to indicate how they think. But does it indicate something else?” Maybe it’s just that people who do better on the SAT also have higher grades and also tend to write a certain way. Maybe it’s that people who have parents who are more educated tend to write a certain way and also do better in school. Or maybe people who have parents who are more educated can afford to pay for an essay consultant who helps them write a certain way and also helps them do better in school.

So, we controlled for a variety of different things. We controlled for what they wrote about. Maybe certain types of people tend to write about certain types of things, rather than other types of things. Maybe it’s not about how they write, it’s about what they wrote about — the topics or themes they discussed. No, it wasn’t that.

Maybe it’s parents’ education. No, we controlled for that. Maybe it’s SAT scores. No, we can control for that. What this suggests is that the topography of thought goes beyond things related to just socioeconomic factors or family background. It’s not just that people who might have had wealthier families, for example, tend to write a certain way or have application consultants and do better in school because they get tutoring. No, it really suggests that writing reveals something about the way we think, which can reveal or predict our likelihood of being successful in the future.

Implications Beyond College Essay Writing

Basiouny: There are other critical forms of writing that we do every day in business, like cover letters, resumes, a press release, communications to the C-suite. Can you take this research and translate it into a business context?

Berger: What I find fascinating about these ideas is yes, we looked at the case of college application essays, but it doesn’t have to be only about application essays. These same ideas should apply more broadly to a variety of contexts, whether it’s a cover letter that someone writes, whether it’s an online review that someone puts together, whether it’s the emails they write at the office — all these things provide insight into who people are and what they’re likely to do in the future. I think on a previous episode that you had me on, I talked about a paper I loved recently, where they can tell whether someone is going to default on the loan or not by the language they use in their application. Similarly, you can predict whether someone is going to get promoted or fired or leave a job for a better opportunity elsewhere based on the language they use in their email.

Most of this work that I just mentioned is using individual words, but I think what our work suggests beyond the individual words someone used, you can get insight into who they are, how they think, and how well they’re going to do in the future, based on the pattern of ideas that they have or their topography of thought.

Basiouny: As a manager, it gives you an indication of how they might move through their physical work or their knowledge work, right?

Berger: Yes, one thing we’re looking at right now is, as people learn more, does that change the way their topography of thought looks? Obviously, as we gain more knowledge in a given domain, we may talk differently. We may think about ideas differently. One thought we have is, “Hey, if people who are able to cover a lot of ground really efficiently by moving slowly between points, how did they get there? Are they naturally that way?” Probably not. They may have gained more knowledge along the way that allows them to represent their ideas differently.

One thing we’re doing right now is looking at online forums where people write multiple reviews over time. Someone, for example, might write hundreds of wine reviews over the years. They’ve learned more about wine years later. We’re looking at how do they represent ideas differently as they gain knowledge? And that may help us understand why people who represent ideas certain ways end up doing better.

Humans Still Write Better than ChatGPT and Gen AI — For Now

Basiouny: ChatGPT and artificial intelligence have entered the conversation. People have access to these free tools that can help them perfect their cover letters and written business communication. How does this change things? We can’t really tell how good someone’s topography of thought is if they have an AI-assisted piece of writing. What do we do?

Berger: Yes, so I’d say a couple of things. I agree with much of what you said, except one word. I’m not sure they allow you to “perfect” your writing. At least at the moment. What they do is allow you to write something pretty good quickly and easily. You give it a prompt, and it produces content that’s pretty interesting, does a pretty good job of doing something that might have been difficult for you to do.

And to a degree it uses your own content somehow. Like you could say, “Take my CV and use it to put together a cover letter based on my past experiences.” So that is based on you, and someone else’s might look different, to the degree that their CV is different, but I wouldn’t say it necessarily perfects anything. At least at the moment.

Certainly, tools like ChatGPT and others have made the production of content much easier, and I can imagine a time down the road where we do use them for many tasks, rather than writing ourselves. But I still think there is a lot to be understood about how language reflects the people that produce it and how to write more effective content, based on understanding what makes language impactful.

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Essays and Short Answer Prompts

The Penn application process includes a personal essay —which is sent to most schools you apply to—as well as a few short answer prompts . We read your words carefully, as they are yet another window into how you think, what you value, and how you see the world. Through your writing, we get a glimpse of what you might bring to our community—including your voice and creativity. 

Remember, you are the expert on your story. This is an opportunity for you to reflect and understand who you are now, and who you want to be in the future. You have the agency to choose the information you want to share. This is your story: your experiences, your ideas, your perspective.   

A Few Writing Tips

• Review the prompts thoroughly.  Be sure you’re answering the question or prompt being asked. Topics are chosen because the Admissions Committee wants to know specific things about you. If you don’t address them directly, we are left to make decisions regarding your application with incomplete information. 
• Consider your response carefully.  We understand that you may be writing responses for different schools and you may want to reuse material, but be sure to read through your response to make sure it is relevant to the prompt. 
• Double-check your writing.  Give yourself time to revisit your response. Try to avoid rushing your writing process so you have time to revise your work. Ultimately, it is up to you to polish and proofread your writing before you submit. 
• Do your research. Are there classes you’re eager to take? Research opportunities you’d love to pursue? A group or club you want to be a part of? This kind of specificity shows us you’re serious about Penn and have thought about how you’d spend your time here. 

2023-24 Short Answer and Essay Prompts

When answering these prompts, be precise when explaining both why you are applying to Penn and why you have chosen to apply to that specific undergraduate school. Some of our specialized programs will have additional essays to complete, but the  Penn short answer prompts should address your single-degree or single-school choice.  

• Write a short thank-you note to someone you have not yet thanked and would like to acknowledge. (We encourage you to share this note with that person, if possible, and reflect on the experience!) (150-200 words, not required for transfer applicants) 
• How will you explore community at Penn? Consider how Penn will help shape your perspective, and how your experiences and perspective will help shape Penn. (150-200 words) 
• The school-specific prompt is unique to the school to which you are applying. (For example, all applicants applying to the College of Arts and Sciences will respond to the prompt under the “College of Arts and Sciences” section). Considering the undergraduate school you have selected for your single-degree option, please respond to your school-specific prompt below.  

Transfer Essay (required for all transfer applicants): Please explain your reasons for transferring from your current institution and what you hope to gain by transferring to another institution. (4150 characters) 

Undergraduate School-Specific Short Answer Prompts

For students applying to coordinated dual-degree and specialized programs, please answer this question about your single-degree school choice; your interest in the coordinated dual-degree or specialized program may be addressed through the program-specific essay.  

Penn Nursing intends to meet the health needs of society in a global and multicultural world by preparing its students to impact healthcare by advancing science and promoting equity. What do you think this means for the future of nursing, and how do you see yourself contributing to our mission of promoting equity in healthcare? (150-200 words) 

To help inform your response, applicants are encouraged to learn more about  Penn Nursing’s mission and how we promote equity in healthcare . This information will help you develop a stronger understanding of our values and how they align with your own goals and aspirations. 

The flexible structure of The College of Arts and Sciences’ curriculum is designed to inspire exploration, foster connections, and help you create a path of study through general education courses and a major. What are you curious about and how would you take advantage of opportunities in the arts and sciences? (150-200 words) 

To help inform your response, applicants are encouraged to learn more about the  academic offerings within the College of Arts and Sciences .  This information will help you develop a stronger understanding of how the study of the liberal arts aligns with your own goals and aspirations. 

Wharton prepares its students to make an impact by applying business methods and economic theory to real-world problems, including economic, political, and social issues.  Please reflect on a current issue of importance to you and share how you hope a Wharton education would help you to explore it.  (150-200 words) 

To help inform your response, applicants are encouraged to learn more about  the foundations of a Wharton education . This information will help you better understand what you could learn by studying at Wharton and what you could do afterward. 

Penn Engineering prepares its students to become leaders in technology, by combining a strong foundation in the natural sciences and mathematics, exploration in the liberal arts, and depth of study in focused disciplinary majors. Please share how you hope to explore your engineering interests at Penn. (150-200 words) 

To help inform your response, applicants are encouraged to learn more about  Penn Engineering and its mission to prepare students for global leadership in technology . This information will help you develop a stronger understanding of academic pathways within Penn Engineering and how they align with your goals and interests. 

Coordinated Dual Degree and Specialized Program Essay Prompts

For students applying to coordinated dual-degree and specialized programs, please answer the program-specific essay below. 

** Numbers marked with double asterisks indicate a character count that only applies to transfer students applying through Common App.  

Why are you interested in the Digital Media Design (DMD) program at the University of Pennsylvania? (400-650 words / 3575 characters**) 

We encourage you to learn more about the DMD: Digital Media Design Program . 

The Huntsman Program supports the development of globally minded scholars who become engaged citizens, creative innovators, and ethical leaders in the public, private, and non-profit sectors in the United States and internationally. What draws you to a dual-degree program in business and international studies, and how would you use what you learn to contribute to a global issue where business and international affairs intersect? (400-650 words) 

The LSM program aims to provide students with a fundamental understanding of the life sciences and their management with an eye to identifying, advancing, and implementing innovations. What issues would you want to address using the understanding gained from such a program? Note that this essay should be distinct from your single degree essay. (400-650 words) 

• Explain how you will use the M&T program to explore your interest in business, engineering, and the intersection of the two. (400-650 words) 
• Describe a problem that you solved that showed leadership and creativity. (250 words) 

Describe your interests in modern networked information systems and technologies, such as the internet, and their impact on society, whether in terms of economics, communication, or the creation of beneficial content for society. Feel free to draw on examples from your own experiences as a user, developer, or student of technology. (400-650 words / 3575 characters**) 

Discuss your interest in nursing and health care management. How might Penn's coordinated dual-degree program in nursing and business help you meet your goals? (400-650 words) 

How do you envision your participation in the Vagelos Integrated Program in Energy Research (VIPER) furthering your interests in energy science and technology? Please include any past experiences (ex. academic, research, or extracurricular) that have led to your interest in the program. Additionally, please indicate why you are interested in pursuing dual degrees in science and engineering and which VIPER majors are most interesting to you at this time. (400-650 words) 

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A powerhouse of voices. A champion of different perspectives. A pipeline of talent.

A POWERHOUSE OF VOICES. A CHAMPION OF DIFFERENT PERSPECTIVES. A PIPELINE OF TALENT. This is Girls Write Now.

Connect with us, writing contests & publication opportunities for youth.

Girls Write Now is a dynamic, multi-generational community of writers on a mission. For more than 20 years, our nationally award-winning programs have provided creative, critical and digital writing training, college and career readiness, personalized mentoring and massive opportunities for the next generation of leaders.

Know about a great writing contest for teens or young adults? Feel free to reach out to Kenna McCafferty at [email protected] .

Girls Write Now Contests

FIRST CHAPTERS CONTEST A Writing Contest in Partnership with Penguin Random House and Electric Lit Girls Write Now is proud to team up with Penguin Random House and Electric Lit for  an exciting opportunity to be published on the Electric Lit website and win a cash prize of $500! The First Chapters contest is part of Penguin Random House’s and Electric Lit’s commitment to support Girls Write Now in amplifying diverse voices. To qualify your first Chapter MUST:

• Be 4500 words or fewer
• NOT have been previously published in any medium
• NOT have been recognized with any prior awards
• Be submitted as a Google Doc via the form below  before   11:50PM ET on May 9, 2024

SELECT YOUTH CONTESTS

The Alexandrian Review is an entirely student run international youth literary magazine and they are looking for submissions. To submit, applicants must be 10-20 years of age. The Alexandrian Review receives any submissions within their guidelines. While they do emphasize the theme of amplifying the voices of marginalized communities, they are happy to accept and provide feedback on any works. The submission window will be open from  April 7 – July 31.  Learn more about the submission requirements  here .

Select Annual Contest Schedules

Bennington’s Young Writers Awards exists to promote excellence in writing at the high school level. Included genres are poetry, fiction and nonfiction. A first, second, and third place winner is selected in each category. The details below can be found on their Submittable page at https://www.bennington.edu/events/young-writers-awards .

Awards & Rules First-place winners in each category are awarded a prize of $1,000; second-place winners receive $500; third-place winners receive $250.

There is no entry fee.

All entries must be original work reviewed, approved and sponsored by a high school teacher. We will use your sponsoring teacher as a contact for the competition should we have any questions. For homeschooled students, please contact a mentor to sponsor your writing.

Young Writers Award finalists and winners are also eligible for undergraduate scholarships at Bennington. YWA finalists who apply, are admitted, and enroll at Bennington will receive a $10,000 scholarship every year for four years, for a total of $40,000. YWA winners who apply, are admitted, and enroll at Bennington will receive a $15,000 scholarship every year for four years, for a total of $60,000.

Black Lawrence Press has annual awards and competitions for a variety of genres. The schedule below, as well as individual descriptions for each award, can be found on their Submittable page at https://blacklawrencepress.submittable.com/submit . The Big Moose Prize: Open December 1 – January 31 (Open competition, novels) The Hudson Prize: Open February 1 – March 31 (Open competition, poetry and short story collections) The Spring Black River Chapbook Competition : Open April 1 – May 31 (Open competition, poetry and prose chaps) Open Reading Period 1: Between June 1 – June 30 The St. Lawrence Book Award: Open July 1- August 31 (First book competition, poetry and short story collections) The Fall Black River Chapbook Competition: Open September 1 – October 31 (Open competition, poetry and prose chaps) Open Reading Period 2: Between November 1 – November 30 (Please note that Black Lawrence Press occasionally offers early bird specials on their contests. These specials allow authors to submit their manuscripts ahead of time at a discounted rate.)

The American Writers Museum, John Estey Student Writing Competition, has opened its 4th annual student writing competition. To learn more, visit American Writers Museum

PUBLICATION OPPORTUNITIES FOR EMERGING WRITERS

THE ADROIT JOURNAL  is run by high school students, college students, and emerging writers. Adroit publishes within “over 21” and “under 21” categories, so your writing will appear alongside great work by writers of any age. Adroit publishes fiction and poetry, and includes art and photography. They will reopen our submission reading period in January 2021. Find them online at:  http://www.theadroitjournal.org/

AFFINITY MAGAZINE works to spotlight teen voices about current events. We find that the media sometimes forgets the voices of teens on many topics! So we are here to give them a voice. Affinity Magazine allows you to get your writing published and read by thousands of people! You can get your work published and sharpen up on your writing so you can write for The New York Times one day (hopefully!!). For ages 13-20. Visit http://affinitymagazine.us/write-for-us/ for more information on all the different

AGNI  is Boston University’s well-respected journal. It appears in both print and online. AGNI submissions are not limited to high school writers, but the journal is known to accept and publish lots of work by new writers. Get published in high school at AGNI and you’ve taken an important step to becoming a writer in the real world! Find them online at:  http://www.bu.edu/agni/submit.htm

THE ALCOTT YOUTH MAGAZINE is a magazine devoted to sharing the written perspectives of young people. The magazine publishes work on a variety of topics, including current events, young adult life, and women’s rights issues. Published works are primarily focused on young women from ages thirteen to twenty-two. However, anyone who is interested in sharing their voice is encouraged to submit to the magazine, regardless of age or gender. The Alcott Youth Magazine is open to publishing articles, essays, short stories, illustrations, cartoons, photographs, or any other works. Visit https://www.alcottmagazine.com/submit

THE AUDACITY is Roxanne Gay’s bi-monthly newsletter where she features emerging writers with fewer than three article/essay/short story publications and no published books or book contracts. The Audacity features only non-fiction and is particularly interested in literary essays and memoir. All essays are paid a flat fee of $2,000. For more information, visit https://gay.submittable.com/submit

BLUE MARBLE publishes four times a year and accepts submissions of poetry, fiction, nonfiction, essays, opinion pieces, travel writing, photography and art on a rolling basis. Blue Marble looks for new work from writers ages 13-21 that hasn’t been published anywhere else either online or in print. For more details on how to submit your work, visit https://bluemarblereview.com/submit/ .

DIALOGUE HUMANITIES is an online, biannual journal that publishes high quality, humanities-focused essays written by middle and high school students. Essays will be reviewed by a panel of experts in various humanities-based fields and will be chosen based on the strength of the writing, the author’s familiarity with his or her chosen topic, and the appropriateness of the essay’s content. Dialogue Humanities Review aims to include academic essays from a wide variety of fields, including but not limited to: African-American Studies; American Studies; Anthropology; Archaeology; Art Criticism, History, and Theory; Classics; Ethics; Ethnic Studies; Folklore; Geography; History; History and Ethics of Science; International Studies; Jurisprudence; Languages and Linguistics; Literature; Music History and Criticism; Philosophy; Political Science; Psychology; Religion and Comparative Religion; Sociology; Social Sciences; Theatre History and Criticism; and Women’s Studies. If selected, authors will be asked to revise their essays to ready it for publication. Please visit http://dialoguehumanitiesreview.org/about/ or contact Jessica Rafferty at [email protected] for more information.

ÉLAN LITERARY MAGAZINE accepts original fiction, poetry, creative nonfiction, screenwriting, plays, and all kinds of art from students ages 14-18 in locations internationally. Élan produces two online editions a year, one in the Fall/Winter and another in the Spring/Summer. The two editions are combined into a single Print Edition each Summer. For more information on how to submit, visit: https://www.elanlitmag.com/submit .

EMBER only publishes twice a year, but this beautiful and dreamy journal of poetry, fiction, and creative nonfiction appeals to all age groups. Although it doesn’t exclusively publish young writers, submissions from writers and artists ages 10 to 18 are strongly encouraged. Submissions open March 1, 2023 . For more details, visit them online at:  http://emberjournal.org/ .

ENOUGH PLAYS is taking submissions from teen writers (ages 13-19) of 10-MIN PLAYS confronting the issue of gun violence. Six plays will be selected by a panel of astonishing writers to be published and performed nationwide and the writers will receive $500. Deadline for submissions is April 20, 2023 . Visit them online: https://www.enoughplays.com/amplify

GIRLS RIGHT THE WORLD  is a literary journal inviting young, female-identified writers and artists, ages 14–21, to submit work for consideration for the fourth annual issue. They believe girls’ voices transform the world for the better. We accept poetry, prose, and visual art of any style or theme. Girls Right The World ask to be the first to publish your work in North America; after publication, the rights return to you. Please include a note mentioning your age, where you’re from, and a bit about your submission. Send your best work, in English or English translation, to [email protected] between September 1 and December 31. 

HANGING LOOSE PRESS has had a section of high school writing in their issues since 1968. Hanging Loose has long been known for its special interest in new writers. This press reads manuscripts throughout the year, accepting poetry and prose. For more details on the submission process, visit https://www.hangingloosepress.com/submissions/ .

HELLOGIGGLES a positive online community for female-identifying readers (although others are always welcome!) covering the latest in beauty and style, relationships, career and money, culture, identity, and more. Featuring a mix of news, personal essays, reported features, and service, we’re committed to providing our readers with smart, thoughtful, and relatable content representing a range of voices. We were founded by Zooey Deschanel, Molly McAleer, and Sophia Rossi in 2011 as a place on the Internet to inspire a smile, and years later, we’re still doing just that. Tor ages 14 and up.

HOT DISH MAGAZINE , an online journal serving up a bubbling mixture of poetry and fiction by teens (grades 9–12), wants your voice to be heard! We award cash prizes for fiction, poetry, and the Hot Dish Challenge. Our submission period is October-January. Visit us at  www.hotdishmagazine.com .  The GOAT ( the-goat.org ) publishes student writing on everything sports related and is looking for new submissions. Students can email their writing pieces to me. No work is rejected, and editors provide any mentoring and editing necessary. Students will see their work online within weeks and can include the link on their college or summer school applications.

ICE LOLLY REVIEW:  Ice Lolly Review accepts a variety of pieces including, creative nonfiction, fiction, haikus, poems, plays, spoken word, and etc. They are looking for pieces that have a strong, solid voice and aren’t afraid of delving into deep topics. For more details, go to  https://www.icelollyreview.com/submissions .

jGIRLS   MAGAZINE:   jGirls Magazine accepts submissions on an ongoing basis from self-identifying Jewish teenage girls and gender-expansive youth ages 13-19. You can submit articles, essays, fiction, poetry, cultural reviews, humor, photographs, music, videos, artwork and other creative materials. You can submit as often as you’d like. For more details, visit  https://jgirlsmagazine.org/submission-guidelines/ .

KIDSPIRIT is a nonprofit online magazine and community by and for youth to engage each other about life’s big questions in an open and inclusive spirit. Its mission is to promote mutual understanding among 11- to 17-year-olds of diverse backgrounds and support their development into world citizens with strong inner grounding. KidSpirit is in syndication on the Huffington Post and Spirituality & Practice and has won numerous awards from major educational, parenting, and spiritual organizations. Visit the Get Involved section to learn more about publishing your work, becoming an editor, or facilitating a conversation about one of the 50 themes KidSpirit contributors have explored: https://kidspiritonline.com/get-involved/

THE LUMIERE REVIEW is a literary magazine dedicated to shining the light on all voices through poetry, prose, and art. General submissions are now open. Submissions to the forthcoming Issue 08 of The Lumiere Review in poetry, prose (creative fiction and non-fiction), and all forms of art can be sent to [email protected] . Details on how to submit and format your work can be found at: https://lumierereview.com/submit .

NARRATIVE MAGAZINE A prize of $2,500 and publication in Narrative is given annually for a short story, a short short story, an essay, a memoir, or an excerpt from a longer work of fiction or creative nonfiction. A second-place prize of $1,000 is also awarded. The editors will judge. Using only the online submission system, submit up to 15,000 words of prose with a $27 entry fee by March 28. All entries are considered for publication. Visit the website for complete guidelines. Deadline, March 28, 2024 at midnight PST.

POLYPHONY LIT:  invites submissions of poetry, fiction, and creative non-fiction from high school students worldwide. Student editors provide feedback to all submissions, including the ones not accepted for publication. Submissions are open from February 1-28, 2022 and June 1-30, 2022. More details can be found at  https://www.polyphonylit.org/.

TEEN INK is one of the most popular and diverse writing spaces to get published in high school. The broad categories for publication reflect the diversity of writing that this lively online magazine celebrates. Some publication categories include: community service, travel and culture, the environment, health, reviews of TV shows and video games, and college essays, among the more traditional poetry, fiction, and nonfiction. Visit online at:  http://www.teenink.com

THE TRAILBLAZER LITERARY MAGAZINE is an international high school publication dedicated to push for cultural diversity through creative writing. For general submissions, the magazine accepts fiction, poetry, and creative nonfiction all year, from middle and high school students between 14 and 18 years old. In addition, they host the Cultural Heritage Writing Contest, which welcomes submissions about the young creatives’ cultural background, ancestry, values, customs, etc. Visit online at: https://www.thetrailblazerreview.com/ TRAVELNITCH was founded in 2018 to encourage a love of travel and make it more accessible to all families. Travelnitch believes travel has the power to changes lives, open minds, and build stronger communities. They love to feature new & aspiring travel writers who can delight and entertain readers. They currently need support developing family-centric travel content to engage kids (and sometimes parents) in fun and innovative ways.  If you are a writer who loves to travel, this could be the perfect fit for you—turn your own passion into an inspiring story for our readers! https://travelnitch.org/writers/storyteller-spotlight/

TYRIAN INK is an independent LGBTQIA+ press that is dedicated to uplifting youth voices. TYRIAN INK is currently open to chapbook manuscripts of any genre (poetry, fiction, creative nonfiction, hybrid, etc) with a minimum of 30 pages and a maximum of 50 pages in length. Please only submit if you are a member of the LGBTQ+ community and are 22 or below. Writers will be paid $250 for their manuscripts and receive a percent of royalties for every chapbook sold. https://tyrianinkpress.com/home/submission-guidelines/

WRITING RESIDENCIES & FELLOWSHIPS

Hedgebrook’s mission is to support visionary women-identified writers,18 and older, whose stories and ideas shape our culture now and for generations to come. Writers must be women, which is inclusive of transgender women and female-identified individuals.

Hedgebrook’s Writer-in-Residence Program supports writers from all over the world for fully-funded residencies of two to four weeks (travel is not included and is the responsibility of the writer to arrange and pay for). Up to 6 writers can be in residence at a time, each housed in their own handcrafted cottage. They spend their days in solitude – writing, reading, taking walks in the woods on the property or on nearby Double Bluff beach. In the evenings, “The Gathering” is a social time for residents to connect and share over their freshly prepared meals.

Writers can apply here for a residency in Fiction, Non-fiction, Playwriting, Poetry, Screenwriting/TV Writing, or Songwriting. Read more and apply at https://www.hedgebrook.org/writers-in-residence.

MacDowell’s mission is to nurture the arts by offering creative individuals an inspiring environment in which they can produce enduring works of the imagination. We encourage applications from artists representing the widest possible range of perspectives and demographics, and who are investigating an unlimited array of inquiries and concerns.

MacDowell  is currently accepting applications for the Spring Summer 2023 residency season (March – August 2023). Learn more at https://macdowell.slideroom.com/#/Login.

The NYSCA/NYFA Artist Fellowship is a $8,000 unrestricted cash grant available to artists living in New York State and/or one of the Indian Nations located therein. This grant is awarded in fifteen different disciplines over a three-year period (five categories a year) and the application is free to complete. The NYSCA/NYFA Artist Fellowship is not a project grant, but is intended to fund an artist’s vision or voice, at all levels of their artistic development.

Learn more at https://www.nyfa.org/awards-grants/artist-fellowships/ .

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Trump and Allies Forge Plans to Increase Presidential Power in 2025

The former president and his backers aim to strengthen the power of the White House and limit the independence of federal agencies.

Donald J. Trump intends to bring independent regulatory agencies under direct presidential control. Credit... Doug Mills/The New York Times

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By Jonathan Swan Charlie Savage and Maggie Haberman

• Published July 17, 2023 Updated July 18, 2023

Donald J. Trump and his allies are planning a sweeping expansion of presidential power over the machinery of government if voters return him to the White House in 2025, reshaping the structure of the executive branch to concentrate far greater authority directly in his hands.

Their plans to centralize more power in the Oval Office stretch far beyond the former president’s recent remarks that he would order a criminal investigation into his political rival, President Biden, signaling his intent to end the post-Watergate norm of Justice Department independence from White House political control.

Mr. Trump and his associates have a broader goal: to alter the balance of power by increasing the president’s authority over every part of the federal government that now operates, by either law or tradition, with any measure of independence from political interference by the White House, according to a review of his campaign policy proposals and interviews with people close to him.

Mr. Trump intends to bring independent agencies — like the Federal Communications Commission, which makes and enforces rules for television and internet companies, and the Federal Trade Commission, which enforces various antitrust and other consumer protection rules against businesses — under direct presidential control.

He wants to revive the practice of “impounding” funds, refusing to spend money Congress has appropriated for programs a president doesn’t like — a tactic that lawmakers banned under President Richard Nixon.

He intends to strip employment protections from tens of thousands of career civil servants, making it easier to replace them if they are deemed obstacles to his agenda. And he plans to scour the intelligence agencies, the State Department and the defense bureaucracies to remove officials he has vilified as “the sick political class that hates our country.”

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COLLEGE FOOTBALL 25 TEAM BUILDER DEEP DIVE

Create your own dream team with team builder in ea sports college football ‘25..

Hey College Football Fans, welcome back to the Campus Huddle! We have one last topic prior to the worldwide launch of EA SPORTS™ College Football 25 tonight. Did you think that we forgot about Team Builder?

The most important thing to know is Team Builder for College Football 25 will arrive later TONIGHT on web! Before we let you in to create your dream team, let's see what is in store for you.

BUILDING TEAM BUILDER

When the Team Builder tool was unveiled back in 2009, millions of fans were able to bring their custom creations to the field. Now, with the release of EA SPORTS™ College Football 25 we’re thrilled to be able to bring back this feature which was beloved by so many.

When the return of our College Football 25 was confirmed, it became clear that fans wanted Team Builder to return as well. One of the first things we did as a team was figure out what it would take to bring the feature back, and to improve upon what we had already built. 

We met with creators, spent hours rewatching many different Team Builder videos, read blogs and wish lists, and even hired people from within the community to help design and build Team Builder. One of the first people brought back onto the team was Senior Engineer Chris Markuck, who was one of the original architects of Team Builder in 2009. When Chris got word that Team Builder was coming back, it was an easy decision for him to return to EA and lead the charge of bringing one of the community’s favorite features back. 

Our approach to Team Builder centered around three core pillars. First it was about creating a Deep Creation Suite where our players felt a strong sense of ownership and were empowered to create and customize their schools more than ever before. Our second pillar was Discover & Share , which was about making it easy to discover great content and content creators, as well as providing the ability to share your creations with others. Finally, our third pillar was about Elevating Creators where we wanted to celebrate creators for their creative accomplishments.

With our three core pillars in mind, let’s dive into the details where we will outline how you can create teams using the Team Builder website and import them into your Dynasty.

ACCESSING THE WEBSITE

To access the website, you’ll need to create or use your EA Account information to log in. After that, you’ll utilize the College Football URL to access Team Builder for College Football 25.

This main screen is where we showcase and elevate all the work done by our most devoted fans. You’ll be able to see the top downloaded and highest-rated teams by members of the community. We’ve also made it easier to search for existing content. In addition, our filters allow you to sort by uniform provider or by state. Think you’ve got what it takes to make it to the top of the list?

CREATING A BRAND AND IDENTITY

After selecting “Start Creating,” the first thing you’ll be tasked with is creating your school’s identity and brand. This is where you’ll get to define the basics of your program, like its name, nickname, logos, uniform provider, and team colors. 

For logos, you will be able to add a primary, secondary, and tertiary logo. Your primary logo is what will be used throughout the in-game UI in Dynasty mode. Your secondary and tertiary logos will be able to be added to your uniform and field. As a part of your logo creation, you will be able to upload your own logos or choose from one of our recolorable generic logos.

In College Football 25’s Team Builder you will be able to select Nike, Adidas, or Under Armour as your uniform provider. This will impact the equipment your players wear, the name and number fonts you can choose from, as well as what jersey and pant stitch pattern your team uses. For example, if you select Nike you will be able to choose from the Vapor Fusion and Vapor Untouchable jersey stitch patterns. The stitch pattern you select will change which stripe patterns that are available and compatible with that stitching.

When selecting your team colors, you can utilize the eyedropper tool to set the team colors from your primary logo. For more advanced users, you can customize each color’s hue, saturation, brightness, Hex, or RGB value. We’ve also provided all existing school team colors under Presets.

In an age where teams are constantly trying to expand and modernize their uniform suite, we wanted to give users the ability to reflect that in their work. To give users the ultimate amount of customization, we’ve expanded the amount of uniform presets you can have to 5 total. If you’re counting socks, that means your team can have up to 5 helmets, 5 jerseys, 5 pants, and 5 socks or 625 uniform combinations, giving you the ability to showcase new looks on the field each game.

Before we go into how you can customize the various uniform parts, let’s orient you to the preview area. This is where you can navigate the camera to rotate the parts of the uniform you are editing. In the center of the screen, is the preview area, utilizing the mouse button you can scroll around the assets horizontally or vertically. Or zoom in and out using the scroll wheel. There are auto preset camera controls that you can select that will auto focus to various angles for you to view your creations. Test around as you desire.

Once in the editor, the helmet is the first part of the uniform that you can customize. Start by choosing your base color and then choose your reflectiveness. For the helmet reflectiveness, you can choose from matte, shiny, or chrome. In addition to customizing the base helmet shell reflectiveness, in the accessories section you can change the color and reflectiveness of the facemask, chinstrap strap and cup, front bumper, and back bumper.

Once you’ve customized the base helmet shell, it’s time to start decorating it with logos and stripes. Begin by choosing your helmet stripe from one of our available presets and customize its color. If you’d like to add helmet numbers you can do that too. We’ve added four preset placement options (front, back, left side, and right side), but you can also use the advanced placement editor to customize the size, position, and spacing to place them anywhere on the helmet.

Now let’s talk about where the fun really begins with custom layers.

CUSTOM LAYERS

No modern uniform editor would be complete without the ability to incorporate custom designs and logos. So we’re giving users the ability to add custom layers onto each element of the uniform. Under “Custom Layers'' for helmets, for example, you’re able to add up to 7 custom layers on the helmet, each having their own unique properties and placement options on the helmet. For each layer, you will have the ability to choose from one of our existing assets or upload your own image. You can then customize the finish of that layer choosing between shiny, matte, satin, or chrome.

Adjusting the logo once it’s on the helmet is easy. You can adjust the dimensions, flip or rotate it, and place it in the exact spot you want. This is the same functionality for both titles. You will even be able to customize the reflectiveness of every single logo!

Customizing the Jersey represents a big area of opportunity. For College, you’ll have the ability to select from Adidas, Nike, or Under Armour, to better represent the wide variety of uniforms used at the FBS level and beyond.

Based on your apparel brand that you selected, you’ll have a specific set of Jersey stitch patterns, or chassis, available for you to start with. Once you select the stitch pattern, you’ll then have that provider’s real-life stripes, designs, cuffs, collars, and fonts available to you. Note that certain chassis go with specific stripe patterns and designs.

For college, the design team has worked closely with all 3 providers with authenticity in mind. And if we’re missing something? Don’t worry. We’re working closely with each company to release additional post-launch content throughout the year to give users more ways to create the perfect look. 

There’s still room for customization if you’d like to add your own personal touch. Don’t forget you can still add layers on the jersey asset. So if you want to put your team name on the front of the jersey or have a unique design running down the sides of your jersey, it’s all available to you. Just make sure to save so you don’t lose your work!

PANTS/SOCKS

After you’ve completed the perfect jersey, it’s time to work on the pants. You’ll have plenty of stripes to choose from, as decided by the provider. You still have the ability to add layers to your pants, as well as set the color of the accessories.

For the socks, you’ll be able to set the color on the “Oversock”, the color of the “Base/Undersock '' and the Brand color on the sock on the collegiate site. And just like that, you’ve completed your first uniform set! But you’ve still got more work to do.

GOTTA HAVE ALTERNATIVES

Creating an alternate uniform is easy. Let’s say you want to create a set that’s the same as your away uniform but with different colors. When you’re creating one of the uniform elements like helmets or jerseys, select the Preview Uniform option in the right-hand corner.

When you’re creating one of the uniform elements like helmets or jerseys, select the Preview Uniform option in the right-hand corner.

Then, click the plus sign and select Duplicate from “Away” to pull over all the existing designs, and name the new uniform. Then you can close preview, select the new alternate at the top, and get to editing!

YOUR OWN HOME FIELD

Now that your team is swagged out with the perfect uniform suite, it’s time to create the perfect home stadium. You’ll have 8 components of your stadium that you can set: Stadium, Crowd, Surface, Logos, Endzone, Numbers, Sidelines, and Benches. Each component has unique properties that you can set. 

Start by choosing from one of the existing 134 team stadiums and rename it to be your own. With your stadium set, it’s time to customize your crowd. You can set the primary and secondary color your crowd wears on gameday. Want everyone to do a white out every Saturday? Set both your primary and secondary crowd colors to white. You can also adjust the percentage of the crowd that wears each color by adjusting the slider. 

Once your stadium and crowd are locked in, it’s time to customize your field. Start by selecting whether your field is grass or turf, as well as its color. You can choose a natural field color or go crazy with any color you can think of. Next add logos to your field. We’ve added preset locations at midfield and the 25/20 yard-lines for you to quickly create your field. With that being said, if you want to go deeper with customization you can add up to 5 custom layers and place those logos anywhere on the field. For your endzones, you can choose from one of the existing endzone designs and recolor it or you can build your own custom endzone with custom layers. 

With your base field in place, put the finishing touches on it by customizing your field number font, the number position , the number frequency (every 10 yards or every 5 yards), the arrow position (top, center, or bottom), whether a G appears at the goal line, and the number color and outline. Additionally, you can color the 20 and 50 yard lines, as well as the goal line. Lastly, customize your field sidelines and bench areas. Both options allow you to choose from one of our existing recolorable templates.

PROGRAM/FRANCHISE

The last piece is the players. On the last tab, you’ll have the opportunity to modify the players that will play for you on the field.

On the College Football 25 side, you’ll be able to set your playbooks and select from 7 generic roster types that you can further adjust to fit your playing style. You want to adjust your starting running back to be a 5 '5, 350-lb bowling ball? Or how about a pair of 6’8 receivers on the outside. Go for it.

Once you are satisfied with your creation, you are ready to submit and publish your team. Hit the submit button and this will take you to a Preview Screen where an overview is presented for approval. After you review all your uniforms and team data, you will publish the team that you can jump over to the console and import into your College Dynasties!

DOWNLOAD CENTER

Now it’s time for you to explore our download center, are you looking to download your friends or favorite creators' custom teams? How about looking to share your custom team? Head over to the Create and Share section in the main menu and select the Download Center . This is where you will be able to begin exploring!

Once you're in, you can browse through a diverse array of content. At the very top is featured content. This is content that we have handpicked to showcase the great work of creators. This will be updated periodically to ensure we are always keeping the download center fresh, while also giving creators the ability to showcase their incredible work.

Once you find the school that you feel suits you best all you will need to do is just download it directly to your console. And don't worry, we've made it super easy to keep the community safe and enjoyable, you can report any offensive content you come across and even preview items before downloading.

If you’re hunting for something specific, just press the Triangle/Y  button on your controller. This will open up a powerful search tool where you can look for content by keywords, usernames, content types, and more. It's all about making sure you find exactly what you’re looking for.

IMPORTING YOUR TEAM INTO DYNASTY MODE

As we talked about in the Dynasty Deep Dive , importing a Team Builder team into Dynasty is available only in a private cloud Dynasty. You will be able to import up to 16 teams per Dynasty. When you’re starting a new league, only the commissioner has the ability to import custom teams and this can happen exclusively at the beginning of the season and will not be possible at any other point.

When importing a team, you have the option whether or not you want to replace the team’s roster. This allows you to maintain the existing team’s roster and only change their uniforms and field. Regardless of whether or not you replace the roster, your Team Builder team will inherit some of the characteristics of the team it’s replacing. This includes their rivalries, their coaching staff (unless you decide to bring in a new coach), their My School grades, and their team records. Be sure to keep this in mind when you are deciding who to replace.

A NOTE FROM US

When developing Team Builder, our goal was to give fans the freedom to bring their creativity to life and share their passion and designs with the community. In order to facilitate this, we knew that we had to offer you the ability to bring your creations to life with deep customization while building an experience that matched what we set up to do.  

This goal meant we needed to lean into a more robust tool set for a web-based solution that gave fans as much freedom for creation and customization as we could build.

Since this Team Builder experience will be new not only for you but our team as well, we want to ask for your feedback. Since this is a new journey, we are inviting you, the community, to share your feedback with us in our official College Football 25 Community Forum so we can hear your thoughts on the experience for creators and fans of those creations. We will use that space and our other channels to keep you informed of changes, enhancements and quality-improvements we will be making throughout the year. We would love your feedback and input as our team  continues to evolve Team Builder throughout the season.

TIME TO BUILD YOUR TEAM

Now, all that’s left is to take them to glory. We are so proud that we could bring this beloved feature back to you and we can't tell you enough how excited we are to see what creations you all will put together to make this feel like it is your game. Well, it is time to put our pens down and get to creating our own teams as well! Are you ready?

 - Team Builder Developer Team

College Football 25 launches worldwide on July 19th, 2024. Pre-order the Deluxe Edition* or the EA SPORTS™ MVP Bundle** and play 3 days early. Conditions and restrictions apply. See disclaimers for details. Stay in the conversation by following us on Facebook , Twitter , Instagram , YouTube , and Answers HQ .

Score the MVP Bundle*** to make game day every day, and get both Madden NFL 25 (when Early Access goes live on 8/13) and College Football 25 with bonus pre-order content.

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