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How to Write the AP Lit Prose Essay with Examples

March 30, 2024

AP Lit Prose Essay Examples – The College Board’s Advanced Placement Literature and Composition Course is one of the most enriching experiences that high school students can have. It exposes you to literature that most people don’t encounter until college , and it helps you develop analytical and critical thinking skills that will enhance the quality of your life, both inside and outside of school. The AP Lit Exam reflects the rigor of the course. The exam uses consistent question types, weighting, and scoring parameters each year . This means that, as you prepare for the exam, you can look at previous questions, responses, score criteria, and scorer commentary to help you practice until your essays are perfect.

What is the AP Lit Free Response testing? 

In AP Literature, you read books, short stories, and poetry, and you learn how to commit the complex act of literary analysis . But what does that mean? Well, “to analyze” literally means breaking a larger idea into smaller and smaller pieces until the pieces are small enough that they can help us to understand the larger idea. When we’re performing literary analysis, we’re breaking down a piece of literature into smaller and smaller pieces until we can use those pieces to better understand the piece of literature itself.

So, for example, let’s say you’re presented with a passage from a short story to analyze. The AP Lit Exam will ask you to write an essay with an essay with a clear, defensible thesis statement that makes an argument about the story, based on some literary elements in the short story. After reading the passage, you might talk about how foreshadowing, allusion, and dialogue work together to demonstrate something essential in the text. Then, you’ll use examples of each of those three literary elements (that you pull directly from the passage) to build your argument. You’ll finish the essay with a conclusion that uses clear reasoning to tell your reader why your argument makes sense.

AP Lit Prose Essay Examples (Continued)

But what’s the point of all of this? Why do they ask you to write these essays?

Well, the essay is, once again, testing your ability to conduct literary analysis. However, the thing that you’re also doing behind that literary analysis is a complex process of both inductive and deductive reasoning. Inductive reasoning takes a series of points of evidence and draws a larger conclusion. Deductive reasoning departs from the point of a broader premise and draws a singular conclusion. In an analytical essay like this one, you’re using small pieces of evidence to draw a larger conclusion (your thesis statement) and then you’re taking your thesis statement as a larger premise from which you derive your ultimate conclusion.

So, the exam scorers are looking at your ability to craft a strong thesis statement (a singular sentence that makes an argument), use evidence and reasoning to support that argument, and then to write the essay well. This is something they call “sophistication,” but they’re looking for well-organized thoughts carried through clear, complete sentences.

This entire process is something you can and will use throughout your life. Law, engineering, medicine—whatever pursuit, you name it—utilizes these forms of reasoning to run experiments, build cases, and persuade audiences. The process of this kind of clear, analytical thinking can be honed, developed, and made easier through repetition.

Practice Makes Perfect

Because the AP Literature Exam maintains continuity across the years, you can pull old exam copies, read the passages, and write responses. A good AP Lit teacher is going to have you do this time and time again in class until you have the formula down. But, it’s also something you can do on your own, if you’re interested in further developing your skills.

AP Lit Prose Essay Examples 

Let’s take a look at some examples of questions, answers and scorer responses that will help you to get a better idea of how to craft your own AP Literature exam essays.

In the exam in 2023, students were asked to read a poem by Alice Cary titled “Autumn,” which was published in 1874. In it, the speaker contemplates the start of autumn. Then, students are asked to craft a well-written essay which uses literary techniques to convey the speaker’s complex response to the changing seasons.

The following is an essay that received a perfect 6 on the exam. There are grammar and usage errors throughout the essay, which is important to note: even though the writer makes some mistakes, the structure and form of their argument was strong enough to merit a 6. This is what your scorers will be looking for when they read your essay.

Example Essay 

Romantic and hyperbolic imagery is used to illustrate the speaker’s unenthusiastic opinion of the coming of autumn, which conveys Cary’s idea that change is difficult to accept but necessary for growth.

Romantic imagery is utilized to demonstrate the speaker’s warm regard for the season of summer and emphasize her regretfulness for autumn’s coming, conveying the uncomfortable change away from idyllic familiarity. Summer, is portrayed in the image of a woman who “from her golden collar slips/and strays through stubble fields/and moans aloud.” Associated with sensuality and wealth, the speaker implies the interconnection between a season and bounty, comfort, and pleasure. Yet, this romantic view is dismantled by autumn, causing Summer to “slip” and “stray through stubble fields.” Thus, the coming of real change dethrones a constructed, romantic personification of summer,  conveying the speaker’s reluctance for her ideal season to be dethroned by something much less decorated and adored.

Summer, “she lies on pillows of the yellow leaves,/ And tries the old tunes for over an hour”, is contrasted with bright imagery of fallen leaves/ The juxtaposition between Summer’s character and the setting provides insight into the positivity of change—the yellow leaves—by its contrast with the failures of attempting to sustain old habits or practices, “old tunes”. “She lies on pillows” creates a sympathetic, passive image of summer in reaction to the coming of Autumn, contrasting her failures to sustain “old tunes.” According to this, it is understood that the speaker recognizes the foolishness of attempting to prevent what is to come, but her wishfulness to counter the natural progression of time.

Hyperbolic imagery displays the discrepancies between unrealistic, exaggerated perceptions of change and the reality of progress, continuing the perpetuation of Cary’s idea that change must be embraced rather than rejected. “Shorter and shorter now the twilight clips/The days, as though the sunset gates they crowd”, syntax and diction are used to literally separate different aspects of the progression of time. In an ironic parallel to the literal language, the action of twilight’s “clip” and the subject, “the days,” are cut off from each other into two different lines, emphasizing a sense of jarring and discomfort. Sunset, and Twilight are named, made into distinct entities from the day, dramatizing the shortening of night-time into fall. The dramatic, sudden implications for the change bring to mind the switch between summer and winter, rather than a transitional season like fall—emphasizing the Speaker’s perspective rather than a factual narration of the experience.

She says “the proud meadow-pink hangs down her head/Against the earth’s chilly bosom, witched with frost”. Implying pride and defeat, and the word “witched,” the speaker brings a sense of conflict, morality, and even good versus evil into the transition between seasons. Rather than a smooth, welcome change, the speaker is practically against the coming of fall. The hyperbole present in the poem serves to illustrate the Speaker’s perspective and ideas on the coming of fall, which are characterized by reluctance and hostility to change from comfort.

The topic of this poem, Fall–a season characterized by change and the deconstruction of the spring and summer landscape—is juxtaposed with the final line which evokes the season of Spring. From this, it is clear that the speaker appreciates beautiful and blossoming change. However, they resent that which destroys familiar paradigms and norms. Fall, seen as the death of summer, is characterized as a regression, though the turning of seasons is a product of the literal passage of time. Utilizing romantic imagery and hyperbole to shape the Speaker’s perspective, Cary emphasizes the need to embrace change though it is difficult, because growth is not possible without hardship or discomfort.

Scoring Criteria: Why did this essay do so well? 

When it comes to scoring well, there are some rather formulaic things that the judges are searching for. You might think that it’s important to “stand out” or “be creative” in your writing. However, aside from concerns about “sophistication,” which essentially means you know how to organize thoughts into sentences and you can use language that isn’t entirely elementary, you should really focus on sticking to a form. This will show the scorers that you know how to follow that inductive/deductive reasoning process that we mentioned earlier, and it will help to present your ideas in the most clear, coherent way possible to someone who is reading and scoring hundreds of essays.

So, how did this essay succeed? And how can you do the same thing?

First: The Thesis 

On the exam, you can either get one point or zero points for your thesis statement. The scorers said, “The essay responds to the prompt with a defensible thesis located in the introductory paragraph,” which you can read as the first sentence in the essay. This is important to note: you don’t need a flowery hook to seduce your reader; you can just start this brief essay with some strong, simple, declarative sentences—or go right into your thesis.

What makes a good thesis? A good thesis statement does the following things:

• Makes a claim that will be supported by evidence
• Is specific and precise in its use of language
• Argues for an original thought that goes beyond a simple restating of the facts

If you’re sitting here scratching your head wondering how you come up with a thesis statement off the top of your head, let me give you one piece of advice: don’t.

The AP Lit scoring criteria gives you only one point for the thesis for a reason: they’re just looking for the presence of a defensible claim that can be proven by evidence in the rest of the essay.

Second: Write your essay from the inside out 

While the thesis is given one point, the form and content of the essay can receive anywhere from zero to four points. This is where you should place the bulk of your focus.

My best advice goes like this:

• Choose your evidence first
• Develop your commentary about the evidence
• Then draft your thesis statement based on the evidence that you find and the commentary you can create.

It will seem a little counterintuitive: like you’re writing your essay from the inside out. But this is a fundamental skill that will help you in college and beyond. Don’t come up with an argument out of thin air and then try to find evidence to support your claim. Look for the evidence that exists and then ask yourself what it all means. This will also keep you from feeling stuck or blocked at the beginning of the essay. If you prepare for the exam by reviewing the literary devices that you learned in the course and practice locating them in a text, you can quickly and efficiently read a literary passage and choose two or three literary devices that you can analyze.

Third: Use scratch paper to quickly outline your evidence and commentary 

Once you’ve located two or three literary devices at work in the given passage, use scratch paper to draw up a quick outline. Give each literary device a major bullet point. Then, briefly point to the quotes/evidence you’ll use in the essay. Finally, start to think about what the literary device and evidence are doing together. Try to answer the question: what meaning does this bring to the passage?

A sample outline for one paragraph of the above essay might look like this:

Romantic imagery

Portrayal of summer

• Woman who “from her golden collar… moans aloud”
• Summer as bounty

Contrast with Autumn

• Autumn dismantles Summer
• “Stray through stubble fields”
• Autumn is change; it has the power to dethrone the romance of Summer/make summer a bit meaningless

Recognition of change in a positive light

• Summer “lies on pillows / yellow leaves / tries old tunes”
• Bright imagery/fallen leaves
• Attempt to maintain old practices fails: “old tunes”
• But! There is sympathy: “lies on pillows”

Speaker recognizes: she can’t prevent what is to come; wishes to embrace natural passage of time

By the time the writer gets to the end of the outline for their paragraph, they can easily start to draw conclusions about the paragraph based on the evidence they have pulled out. You can see how that thinking might develop over the course of the outline.

Then, the speaker would take the conclusions they’ve drawn and write a “mini claim” that will start each paragraph. The final bullet point of this outline isn’t the same as the mini claim that comes at the top of the second paragraph of the essay, however, it is the conclusion of the paragraph. You would do well to use the concluding thoughts from your outline as the mini claim to start your body paragraph. This will make your paragraphs clear, concise, and help you to construct a coherent argument.

Repeat this process for the other one or two literary devices that you’ve chosen to analyze, and then: take a step back.

Fourth: Draft your thesis 

Once you quickly sketch out your outline, take a moment to “stand back” and see what you’ve drafted. You’ll be able to see that, among your two or three literary devices, you can draw some commonality. You might be able to say, as the writer did here, that romantic and hyperbolic imagery “illustrate the speaker’s unenthusiastic opinion of the coming of autumn,” ultimately illuminating the poet’s idea “that change is difficult to accept but necessary for growth.”

This is an original argument built on the evidence accumulated by the student. It directly answers the prompt by discussing literary techniques that “convey the speaker’s complex response to the changing seasons.” Remember to go back to the prompt and see what direction they want you to head with your thesis, and craft an argument that directly speaks to that prompt.

Then, move ahead to finish your body paragraphs and conclusion.

Fifth: Give each literary device its own body paragraph 

In this essay, the writer examines the use of two literary devices that are supported by multiple pieces of evidence. The first is “romantic imagery” and the second is “hyperbolic imagery.” The writer dedicates one paragraph to each idea. You should do this, too.

This is why it’s important to choose just two or three literary devices. You really don’t have time to dig into more. Plus, more ideas will simply cloud the essay and confuse your reader.

Using your outline, start each body paragraph with a “mini claim” that makes an argument about what it is you’ll be saying in your paragraph. Lay out your pieces of evidence, then provide commentary for why your evidence proves your point about that literary device.

Move onto the next literary device, rinse, and repeat.

Sixth: Commentary and Conclusion 

Finally, you’ll want to end this brief essay with a concluding paragraph that restates your thesis, briefly touches on your most important points from each body paragraph, and includes a development of the argument that you laid out in the essay.

In this particular example essay, the writer concludes by saying, “Utilizing romantic imagery and hyperbole to shape the Speaker’s perspective, Cary emphasizes the need to embrace change though it is difficult, because growth is not possible without hardship or discomfort.” This is a direct restatement of the thesis. At this point, you’ll have reached the end of your essay. Great work!

Seventh: Sophistication 

A final note on scoring criteria: there is one point awarded to what the scoring criteria calls “sophistication.” This is evidenced by the sophistication of thought and providing a nuanced literary analysis, which we’ve already covered in the steps above.

There are some things to avoid, however:

• Sweeping generalizations, such as, “From the beginning of human history, people have always searched for love,” or “Everyone goes through periods of darkness in their lives, much like the writer of this poem.”
• Only hinting at possible interpretations instead of developing your argument
• Oversimplifying your interpretation
• Or, by contrast, using overly flowery or complex language that does not meet your level of preparation or the context of the essay.

Remember to develop your argument with nuance and complexity and to write in a style that is academic but appropriate for the task at hand.

If you want more practice or to check out other exams from the past, go to the College Board’s website .

Brittany Borghi

After earning a BA in Journalism and an MFA in Nonfiction Writing from the University of Iowa, Brittany spent five years as a full-time lecturer in the Rhetoric Department at the University of Iowa. Additionally, she’s held previous roles as a researcher, full-time daily journalist, and book editor. Brittany’s work has been featured in The Iowa Review, The Hopkins Review, and the Pittsburgh City Paper, among others, and she was also a 2021 Pushcart Prize nominee.

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Your chance of acceptance, your chancing factors, extracurriculars, writing an ap lit literary argument essay: what are the key elements.

Hi! I'm taking AP Lit this year and I need some help with the literary argument essay. Can someone give me some guidance on the key elements I need to include, like thesis statement, evidence, structure, etc., to have a strong essay? Thank you so much!

Hey! Here are some key elements to include in your essay for a strong result:

1. Introduction: Start with a hook to engage the reader. Introduce the work you'll be discussing (including the title and author). Provide any necessary context or background info.

2. Thesis statement: In a clear, concise sentence, state your overall argument or claim. This should appear towards the end of your introduction.

3. Body paragraphs: In each body paragraph, present a specific point that supports your thesis. Begin with a topic sentence, provide textual evidence (like quotes), and then analyze the significance of that evidence. Make sure to connect each point back to your thesis.

4. Structure: Make sure your essay follows a logical structure. Each paragraph should flow smoothly into the next, and your ideas should be organized in a coherent manner.

5. Conclusion: Restate your thesis (in slightly different words) and summarize your main points. Finish your essay with a final thought that connects your argument to a broader context or theme.

Good luck with your essay, and I hope this helps!

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AP Lit Prose Analysis Practice Essays & Feedback

26 min read • january 2, 2021

Candace Moore

Writing essays is a great way to practice prose analysis and prep for the AP exam! Review student responses for an essay prompt and corresponding feedback from Fiveable teacher Candace Moore.

The Practice Essay Prompt

Here’s the prompt:   the 2013 exam prompt with a passage from  The Rainbow.

D. H. Lawrence’s The Rainbow (1915): The following passage focuses on the lives of the Brangwens, a farming family who lived in rural England during the late nineteenth century. Read the passage carefully.

Then write an essay in which you analyze how Lawrence employs literary devices to characterize the woman and capture her situation.

Try to give yourself a timer to do this – 45 minutes

Keep in mind everything about setting and social environment, diction as choice, and symbolism of spaces and thoughts.

Your completed essay should include:

• introduction optional
• thesis for sure
• at least two body paragraphs
• organized for complexity instead of by device
• a conclusion
• broader context application for sophistication

Student Responses and Teacher Feedback

Student response 1.

In D.H. Lawrence’s The Rainbow, a woman wants to explore urban life but is restricted by her situation. Lawrence’s curious diction and juxtaposition of inquisitiveness and complacency portrays Mrs. Brangwen to be an ambitious yet judgmental woman who looks down on her husband and almost idolizes city people.

By using diction that implies a strong spirit of inquiry, the author establishes the ambiousness of the woman. She looks towards the cities and governments and wonders about the “scope” of man. The land outside of the village being “magic” in her eyes. She proclaims it is where “secrets” are revealed. Such words characterize her curiosity. She wants to know what their secrets are, how far can man go, what can he achieve? The author yet again uses similar descriptors such as “enlarge” and’ “range.” These imply that there’s a plethora of knowledge outside of her rural home in England. Although she is physically limited, her mind constantly wonders about the world outside. Her desires are not met as a wife in a farming and believes there’s other things that will fulfill her interests. Her word choice of describing outside life not only shows admiration for urban life, but her disdain of the village lifestyle.

Throughout the excerpt, Mrs. Brangwen’s husband is contrasted with urban men. When describing the farmers day to day life and activities, the author repeats “it was enough”. “Enough” meaning that menial physical activities and mother nature satisfied him. Unlike her husband, the men outside are “dominant and creative.” They strive to answer questions and problems. “whilst her husband looked out to the back at sky and harvest and beast and land, she strained her eyes to see what man had done in fighting outwards to knowledge.” Compared to her husband who enjoys farm life and passes time by looking at the sky and attending to his crops, city men are adventurous. They fight each day to expand their horizons and apprehension: hoping to increase their grasp of the world. Although it’s enough for her husband, it isn’t sufficient for Mrs. Brangwen. She wants to join the “war” with the men. Her husband represents a complacent farming lifestyle while the vicar (city man) represents a superior, inquisive lifestyle. She later expands her views by proclaiming it’s not power or money that makes the vicar a “master” over her husband: it was his knowledge. It’s knowledge that makes him more appealing. She yearns to appease her intellectual curiosity: what her current situation is not providing.

The curious diction and juxtaposition of inquisitiveness and complacency in the passage showcases Mrs. Brangwen’s ambitiousness and longing to obtain more knowledge, though she’s restricted by her rural life. She represent people who want to achieve more in their life, but are tied down by their circumstances.

Teacher feedback:

Very nice! I see that you have tightened your evidence points – these are word by word, as opposed to longer phrases or sentences, and this emphasizes your choice to analyze diction.

Your thesis is written well, although I’m not completely clear on what the situation is, in your argument. You have analyzed her character, and the devices that create it, but not the situation. Be sure to address all parts of the prompt, and if a concept is given (like “situation”), make sure that you qualify it and establish your interpretation. However, your use of 'restricted" implies your understanding. 1/1

Your evidence supports your assertion, but your commentary stops at interpretation of the words. In order to increase the effectiveness of your commentary, you would need to show more clearly not only how the words show her curiosity, but also how that curiosity shows the reader who the woman is. In the second paragraph, you show the contrast, but the paragraph’s focus on the men overshadows your argument about Mrs. Brangwen, although your thesis made a claim about her. This separates your commentary from your thesis, and therefore veers away from your line of reasoning. 2-3/4

I see your application of a broader context, which could have been more present throughout, but does push toward sophistication. But because your line of reasoning and argument are not supported consistently, and a few grammatical mistakes, you haven’t earned the sophistication point. 0/1

Student Response 2

Sometimes, viewing history, we find ourselves drawn into the trap of believing that oppressed groups completely lacked strength and power. This was not so; for years, minorities have fought for their empowerment and found communities within one another, enough to grant them the strength to persevere in a society that rejected them or that attempted to reduce their social power to nothing at all. People are not as altogether weak as we sometimes assume. But that strength can only come from community, from forcibly pulling that power out of the solidarity that comes from co-existing with people who are like you; it cannot exist in isolation. And thus is the plight of the woman in D. H. Lawrence’s “The Rainbow,” who finds herself surrounded by men, forced to live on a farm, and trapped in a life far away from any urban area where she could hope to better herself or find a community of like-minded women. Thus, she begins to idolize the city as a miracle cure for all her ails, growing more and more resentful toward the men who keep her trapped in a life she never wanted nor chose. In “The Rainbow,” D. H. Lawrence characterizes the woman as unsatisfied with her traditional life and desperate to escape it by comparing her attitudes to those of the men, highlighting her interest in the outside world, and revealing her obsession toward the vicar.

Early on in the passage, Lawrence contrasts the woman’s attitudes toward her lifestyle with those held by the men in her family. Particularly, he uses the imagery of staring into the distance. Both the woman and the men, each drawn to certain lifestyles, engage in this action. However, the men stare toward “the sun […] the source of generation,” whereas she faces “toward where men moved dominant and creative.” Interestingly, both the men and the woman are seeking something similar. They are interested in “generation,” and she in creativity, both of which deal explicitly with creation and invention. However, by having them be physically turned in different directions, the author shows us that the woman wants to achieve her desire for creation elsewhere, somewhere where she is not burdened by her obligation to them as a wife and homemaker. Again, this disparity is given a physical description, with the men “faced inwards,” and her “faced outwards.” The repetition of this shared language, modified only slightly by a few letters at the beginning of the second word, helps to establish both the shared desires of the woman and the men, as well as their differences in approach. She seeks to find this “[creativity]” in the outside world, while they are already able to find it within themselves. Interestingly, this language suggests that, on some personal level, the woman is not satisfied with herself, or else she should, supposedly, find strength and meaning internally. Perhaps the problem exists within and cannot be solved by the outside world at all.

Lawrence also characterizes the woman’s dissatisfaction with fanciful language to describe the way that she views the outside world. The author uses the metaphor of a battle, saying that men have “[fought] outwards to knowledge” and that woman wants to be “of the fighting host.” The metaphor of physical conflict is so strong that it shows the extent to which the woman feels trapped in her life, as she is literally being subdued and kept at bay by malevolent enemy forces, rather than by where her family happens to live. For her, living in the city is not just a dream, but a noble fight against all the social norms that keep her down and bound to these men. Furthermore, the repetition of the word “outwards,” already used to interesting effect much earlier in the piece, reinforces the woman’s desperation to find this satisfaction in something outside of herself, something larger and more significant. She has constructed the image of this battle in order to justify that thinking, despite the fact that her desire and feeling of being trapped is something in which she is, as a result of being trapped in the country, utterly alone.

Finally, the author uses the woman’s obsession with the vicar to reveal just how dissatisfied she is with her life and her husband. Observing the vicar, she notes that he is “little and frail,” whereas her husband is like a “bull.” None of these words have especially positive connotations, but “bull” is still much harsher. “Little and frail” have to do with physical observation alone, whereas the word “bull” is very much tied to the imagery of destruction and physical power over intellectual power, such as in the idiom of “a bull in a china shop.” This word alone reveals much about her thoughts toward her husband, whom she also describes as seeming “dull and local” compared to the vicar. Throughout the piece, her husband has been described as having similar, though differently oriented, desires as her, but now we see just how much she has come to resent the situation in which she lives—so much so that her resentment has turned toward people. Yet with the vicar, she observes that he has “power” over her husband, despite his size and physical strength, or lack thereof. She is entranced by this notion, probably because she is envious of him. She, too, wishes to have some power of her husband, as she feels that he represents her trapped state in a rural area. Being a woman, it makes that she herself would also be “little and frail” compared to her husband, and she is astonished that someone like the vicar can be so powerful, in spite of his relative physical weakness. Although she does not make this connection explicitly, it is obvious that her obsession with the vicar comes from a desire to, like him, have such freedom and power that has been denied to her as a result of her gender.

Through the use of comparison between the woman and the men, fanciful language in the woman’s description of the city, and her obsession with the vicar, D. H. Lawrence creates a complicated and nuanced character, struggling to find a place for herself in a world where, isolated from other women, she is forced to become subservient, her opinions not a factor in her own life. The piece is a fascinating look into a time long gone, set almost 200 years in the past. And yet, much of the reality of that time still exists today, with women across the world, irrespective of all other factors, still not granted the same privileges as those given to men. In this way, “The Rainbow” is not simply a spyglass from which to view history, but a mirror to hold up to our own time, even in a world as different from the woman’s as ours today.

Good job bringing broader context into your introduction, which helps to show that it is a part of your line of reasoning. Your thesis establishes an argument about both the woman and her situation. I like that you’ve done so by referencing what the author’s language  does . 1/1

Good insight on the direction of the woman’s attention vs. the men’s. For your analysis, the contrast is stronger as evidence than the imagery, but your commentary does bring it together. The end of your first body paragraph seems slightly disjointed, as you go in various directions in your interpretation of the woman facing inwards, and don’t fully manage to bring them all together to connect to her dissatisfaction wth her traditional life. Your analysis of the diction of conflict is also strong, but the relationship between that language and “outwards” is tenuous. In the final paragraph, you also make clear arguments about the comparison of the vicar and her husband, but your evidence does not connect to your final insight about her desire for power like the vicar. The obsession with the vicar is an inference that you wrote as a device, so your evidence was unable to serve its purpose. Overall, you make plausible arguments, but the evidence is inconsistently supportive of them. Your commentary is therefore much stronger than your selection of evidence. 3/4

You have explored a broader context to this passage, and written persuasively, but the inconsistencies in your analysis/evidence relationship preclude a sophistication point. 0/1

Student Response 3

It is a common saying that knowledge is power. In the passage given, the author follows a woman’s search for dominance to demonstrate that knowledge, and therefore power, is available only to a select few. The author uses grimy imagery and combative but yearning diction to convey the woman’s dissatisfaction with her life on the farm and her ambitious character, which causes her to hopelessly seek power through knowledge and intellectual conquest.

The author begins by presenting dingy images of the mens’ labor on the farm, which portrays the life on the farm as primitive and unpleasant. The men must “ferret[] the rats from under the barn” and “br[eak] the back of the rabbit with a sharp knock of the hand” in order to maintain their lives on the farm. The descriptions of rats and the killing of the rabbits evoke images of disease and death, which are reinforced by the author’s mention of their “teeming life” of “blood-intimacy,” which implies that the woman’s life has been infested by her rural lifestyle. By selecting images that portray the lowliest aspects of farm living, the author illustrates the woman’s belief that her life is primitive, repulsive, and unwanted.

The woman’s dissatisfaction for her life manifests in her deep desire to seek a higher, magical knowledge to feel fulfilled. The author employs combative diction to develop the woman’s ambitious character and her futile attempts to gain knowledge and power. The woman wants to “enlarge [her] own scope and range and freedom” and wage a war “on the edge of the unknown.” She “crave[s]” knowledge of “conquest” as she believes that it will bring her “dominan[ce] and creativ[ity].” The author selects aggressive language that reflects the woman’s longing for control over her life. By implementing both assertive and longing language, the author characterizes the woman as ambitious while demonstrating her yearning for power that she cannot have. The author further develops the woman’s unfulfilled desires by repeating the word “man.” Despite the woman’s ambitious character, she acknowledges that she can only learn about “man[’s]” conquests, and experience “man[’s]” dominance and creativity. The woman craves higher knowledge “not in herself,” but in her children. By repeatedly mentioning mens’ accomplishments and failing to mention the accomplishments of women, the author suggests that men are the only ones capable of being dominant. The woman, therefore, is constrained by her gender and is unable to achieve the knowledge and power that she desires. Thus, by using assertive and longing diction to characterize the woman and by only associating men with knowledge and dominance, the author develops the woman’s unrealistically ambitious character and establishes her unfulfilled desires as the result of her gender.

Through primitive imagery and assertive but longing diction, the author characterizes the woman as ambitious and power-hungry and demonstrates that her gender confines to her distasteful rural lifestyle and prevents her from achieving the knowledge and control over her life that she craves. Much like rats on a farm, the passage reminds readers of the gender inequality that infests society and prevents people from achieving their dreams.

Grimy imagery! Love it. You fit all of the pieces into your thesis, which was quite a task for this prompt, and created a line of reasoning about power and knowledge that could wind through your essay and create a sophistication to your argument. 1/1

In your first body paragraph, I think you gave a solid analysis of the images, but missed the opportunity to make that connection to your argument about the woman, beyond that her life was infested. It would have been strengthened to point out there that the primitive life was good enough for the men, but the woman’s perspective showed her dissatisfaction. In the second paragraph, combative diction is appropriate and analytical, but I wonder if you have overcomplicated your argument by conflating the aggressive and longing language, and then how those show her ambition  and  her yearning. I appreciate how you continued the thread about power and gender, which adds to the insight you planted the seed for in your intro, but your ideas are entangled in each other, muddling your argument. It’s a great idea to have two bold and effective paragraphs, but it’s also a good choice to have your paragraphs be as streamlined as possible, so the diction of yearning and craving could have been its own paragraph. 3/4

However, noting the broader context and acknowledging the complexities of the woman, in addition to your mastery of language, I believe you have earned a sophistication point here. 1/1

Student Response 4

In D.H. Lawrence’s The Rainbow, the author characterizes the woman with her sensible and perceptive observations. The author emphasizes her mental journey and desire for knowledge through figurative language and a third-person limited, inquiry-like narration. The contrasting descriptions between the vicar and the Brangwens further indicate the woman’s desire for a more intellectual life not only for herself but also for her children.

A sense of urgency and conflicting mind can be perceived by the woman’s inquiry-like tone and repeated diction: The passage opens with a parallel structure that describes the mundane farming tasks of the Brangwens. Yet the pervasive descriptions all started with the phrase “it is enough”. These lively scenes are so common to the woman as everyday events on repetition that they are emphasized and imprinted upon the woman’s mind. Though the woman half reserved her comments on those “dominant” tasks, which are full of strong senses and actions and with the “heat of blood”, she believes that her need is much more. The woman desires a greater range of freedom, like town life that is “perceived yet not attained”. The distance between the woman’s expectation and the reality she is living is also underscored by the repeated diction such as “face out”, “look out”, “outwards” and “far-off”. This emphasis on the imagery of “out” further indicates the woman’s pressing need and endless curiosity outside the limited worldview she possesses. She describes Brangwens living on the “desert island”, but that is her true reflection on her feeling about being trapped by the farmhouse.

Lawrence uses an interesting analogy to describe the woman’s passion toward the world beyond her. The writer shows that the woman desires the same level of freedom her husband enjoys: “strained her eyes to see what man had done in fighting outwards to knowledge.” She seeks to be a gladiator or an adventurer who is called out for a battle waged by the knowledge, a conquest of inquisition. The description is mirrored with the opening actions of the Brangwens, painted with masculinity and an “active scope of man”. The reader is able to perceive how the woman breaks the boundary of her social expectation and takes an active role of a woman who is secretly full of desire and makes future plans for her family on the journey toward civility.

The woman’s desire for more education in her household is punctuated by the juxtaposition between the vicar and Brangwens: Lawrence makes deft use of colorful contrast to show the conflicting value between a peaceful village life “pulsating the heat of creation” with a life of inquisition, a broader ambition, and meaningful conquest of knowledge, “waged on the edge of the unknown.” A lively analogy between Brangwens being cattle and the vicar being their master shows the woman’s astute opinion on the power of knowledge. While the vicar is week and frail, his scholarship exceeds the physical boundary of robust Brangwen men. The spiritual existence of the vicar is so appealing to the woman that she makes a final resolution acknowledging the importance of knowledge.

Through the woman’s mental journey, the reader can relate to the woman for not only her desire of knowledge but an elevated expectation for her children, and this cannot be better achieved by Lawrence’s skillful use of figurative language, inquisitive tone through questions she asked, and the contrast between the vicar and the Brangwens.

What a great insight about the narration – that’s a perspective I haven’t seen often. Your thesis is strong on the characterization of the woman, but slight on your argument about her situation, although perhaps her mental journey is her situation? Even with that lack of clarity, you have an argument and the plan for analysis. 1/1

Your body paragraphs are solid, although the first paragraph ends up in a different analytical point than it began. Your analysis of the language establishes your characterization of the woman as seeking and curious, but not urgent or conflicted. The repetition of “it is enough” is misinterpreted as her thought, as opposed to her attribution to the man. This paragraph suffers from an organizational weakness, since your evidence matches your commentary, just not your assertion. The second paragraph, though shorter, is still stronger because it all supports her desire for knowledge beyond her gendered expectations. It seems as though your commentary goes farther than your evidence supports, however, because the idea that she has broken the boundary is beyond the reach of the passage. The third is also slight on commentary, and does not sufficiently explain your own argument. Your commentary is more interpretation of the juxtaposition than application to the woman. Your line of reasoning is not clear throughout the essay, and your commentary is inconsistent in its connection to the thesis and between paragraphs. 2/4

You have reference to a broader context, and you have a line of reasoning about inquiry and knowledge that is introduced and concluded, but the body of your essay is not in line. 0/1

Student Response 5

In life, we often feel confined in our situation and are in a state of utter bewilderment as to how to rectify it. This passage, taken from The Rainbow by D.H. Lawrence, speaks of a woman who feels trapped and confused in her calm, simple pastoral life. In the society she lives in, one is meant to pledge allegiance to the vicar and the church, to work the fields, and to stay inward, yet the woman is stuck because she understands that there is more to explore in the world and she wants to get out and see it. She also is not convinced about the vicar’s authority and ponders over the fact that he seems to have all power over her dear husband. The author uses vivid religious imagery, anaphora, and the symbol of light and heat in order to convey the message.

In the first sentence, the author uses anaphora with the refrain of “it was enough” and the second sentence with “so much”. This paragraph describes the contentment of the men in the society as the author prepares to introduce the woman and contrast her with the members of the opposite gender. These men are simple, and they do not need much in order to be happy. Their duties on the farm, such as plowing, hunting, and harvesting, are of utmost importance to them, but this is their main goal. The paragraph has two mentions of blood which points to this work as a sort of life force for them.

On the other hand, the woman feels that she needs something more than this basic life force of blood in order to feel fulfilled. She wants to see the outside world and see how other people live. It seems that she is tired of her way of life and wants to live a different way. All the men around her have “turned their back on the pulsing heat of creation.” This sentence has the religious imagery of creation and the heat and light energy. As opposed to the men who create with their hands, the woman wants to create with her mind. She feels stifled, as the church may control what people are allowed to think and she does not want to be controlled anymore. The men get their fulfillment of free thinking from working the farm, but she needs to be able to think for herself.

The woman, as we all are, is a product of her society. She presumably was brought up in a farm town, to farmer parents, married off to a farmer and is expected to raise a farming family. However, she deviates from this accepted norm as she wants to live in a city, away from the “magic” of the town. She feels conflicted, and by the end of the passage, she decides that the vicar is to blame. He has the most knowledge out of all the farmers, and this is what makes him superior. This passage brings truth to the cliche, “knowledge is power.”

Your introduction does a great job of establishing your line of reasoning about the woman and her situation – “trapped and confused in her calm, simple, pastoral life”. Your statement on her society also begins to open up a window into the broader context that could be followed through the essay. 1/1

Your analysis paragraphs clearly assert which device you are analyzing, and what the author’s language implies, but fall short of establishing why the author made those choices in his characterization of the woman. In the first body paragraph, you cite the anaphora, and then interpret it as the contrast between the woman and the men, but the commentary does not push deeper into the connection between these instances of anaphora and your line of reasoning about the woman. In the second body paragraph, there is a missing connection between Lawrence’s choice of religious imagery and the woman’s desire, so the line of reasoning is dropped. Because of these gaps in analysis, your evidence loses its relevance to your argument. 2/4

While you have made references to a broader context, that reference does not expand your own argument. 0/1

Student Response 6

Set in the late 20th century, the main character is the wife of a farmer who is satisfied by the routine of a rural farm life. The men are satisfied with the physical work they are performing, however the woman feels as if her life is missing the intellectual stimulation and this is made especially clear when she dotes over the vicar at her home. Through extrapolating the personification of the landscape to an abstract image of intellect and the nonchalant jabs at mens’ spirituality threaded throughout the story, the woman initially appears to be dissatisfied with the routine of being the wife of a farmer. With the introduction of the vicar, she becomes inquisitive and a sense of longing is communicated over her boredom in her current situation.

The story opens with an introduction of the men, although it is the earth that is personified, given living traits of ‘heaving’ and the wind is ‘blowing’ the wheat that the men planted. This structure establishes the static character of the men by drawing attention to the actions of the scenery that the men tend to. The men are static, unwilling and physically unable to change their ways because they are satisfied with their agricultural progress and developments on the farm alone. Despite having invested a significant amount of hard work, it remains that they live the same routine of tending to the crops and animals without intellectual challenge. However, this is what the woman craves. The verbal parallel between her house facing out toward the road, the church, and the earth beyond and herself facing outward highlights her desire to expand her sphere of contact to the outside world, she would feel at home in places that mentally challenge her. However, she herself is shackled to the men who work tirelessly to control the possibilities of the earth to something that they themselves can consume in a cycle for their own benefit. Her longing for adventure, even contingency, is why she is suffocated by the men who do not wonder for more.

For the woman, the vicar was a form of home because of the vast intellectual depth he offers. Emotional cracks in her marriage are hinted at in her comparison of her husband to the vicar, where she declares the vicar the winner if both were stripped and set on a desert island. Her husband Tom Brangwan was of greater physical might and could control the cattle which translated to food, a fundamental need of living, but the woman believes the vicar to be mightier than her husband because he was of greater intellectual and spiritual depth. This reveal hints at the woman being a sapiophile, as she focuses on his knowledge and soul when she decides him as the winner in a true, life-and-death situation of being stripped and thrown into the desert. Her attitude toward the vicar is so admiring because she wanted to be like him, and her stable marriage is something that keeps her from achieving the closeness she wants to feel with the mystique of a universe she does not know. To the woman, the vicar represents the emotional depth that she longs for and because of this, she establishes the vicar to be greater than all the other men she knows.

The woman craves intellectual and spiritual exploration, which is evident in her interest in the vicar despite being the least physically noticeable man in the story. The immediate world she experiences is not of her interest, instead she wants an abstract life and this is highlighted in the juxtaposition of her husband and the vicar. The woman is discontent because of the mens’ secure aims of agricultural tending, and this is expressed through the narrator corresponding action with what is in the landscape rather than the men that tend to it. Her interest in the vicar indicates her shift from mere boredom to someone that desires to know more about the abstraction in the world she lives in.

Through your introduction, you have thoroughly established your interpretation of the woman’s situation, and your argument about her character. 1/1

I strongly recommend using more quoted text as evidence, instead of paraphrase, summary, or even your interpretation. It strengthens your argument when you ground it in the author’s specific words and language devices (evaluated in the rubric), and then make connections between those two essay elements in your own voice. Quoting evidence also helps to distinguish your analysis, and make sure that you are not restating the text as commentary. In this essay, your thesis clearly establishes the woman as dissatisfied and inquisitive, but your analysis paragraphs do not analyze the  creation  of these traits (through the author’s language and devices) as deeply as the  portrayal  of these traits. The second analysis paragraph also is less grounded in the literary language of the text, although it is still making inferences about the character of the woman. Your evidence is not consistently specific, therefore your line of reasoning, while established by the thesis, is not thoroughly supported by the evidence. 2/4

Your style of writing is clear, but you have not analyzed complexity or a line of reasoning that explores broader context, so this essay does not earn a sophistication point.

Student Response 7

Society’s progress has been driven because humanity craves knowledge of the unknown, because it gives them power. When deprived of knowledge, a person is left powerless. This deprivation can stem from many places: youth, willful ignorance, and, most notably, societal expectations. In “The Rainbow,” D. H. Lawrence’s use of contrasting foils, monotonous listing, repetition, and conservative setting convey that the woman longs for knowledge and power, but is trapped in a stagnant situation by the rural area and society’s expectations for women.

The passage first speaks of the men, content with their station in life, not wanting anything more. These men are then used as a foil to contrast their contentment with the woman’s longing for something greater, for knowledge of what is unknown to her. Lawrence writes “Her house faced out from the farm-buildings and fields, looked out to the road and the village with church and Hall and the world beyond.” This by itself characterizes the woman as unsatisfied, yearning for the world beyond her rural life. By contrasting it to the previously mentioned contentment of the men, Lawrence places the woman and her desires on a stark background, highlighting the intensity and bizarreness of her wanting. This is further highlighted by the repeated use of diction meant to indicate longing. Lawrence writes that the woman “strained” to see more than her situation, that the “wanted to know” more, that she “craved to know” and “craved to achieve.” This language is pervasive, appearing throughout the passage. By repeatedly using this language, Lawrence depicts the extent of the woman’s longing and further solidifies that her craving is unique to her, a defining character trait that sets her apart from her surroundings. Additionally, the vicar is used as another foil. Lawrence writes, “the vicar, who spoke the other, magic language, and had the other, finer bearing, both of which she could perceive, but could never attain to,” and later “She decided it was a question of knowledge.” In the first quote, Lawrence sets the vicar aside from the rest men in the area, who are content with their lives and their ignorance. He also establishes that the vicar has what the woman wants, which is, as shown in the latter quote, knowledge. The vicar is characterized as a powerful man, starkly contrasting the woman, who longs for that which the vicar has but cannot attain it. Through character foils and repetitive diction, Lawrence characterizes the woman as someone who longs for knowledge and power.

The woman cannot obtain the knowledge and power she so craves because she is stuck in a stagnant, rural area and chained by conventional gender roles. The stagnancy of her situation is shown when Lawrence lists the life of the men, and then contrasts that to how the woman feels about that life. The listing uses no commas, instead joining each item with “and” or “or”. This gives the writing a dreary feeling, showing the monotonous nature of the woman’s situation. This is partially due to the fact that she is in a rural area, where “the world beyond” and “the battle that she heard” are far from her grasp. This highlights the powerlessness of the woman’s situation, because she is trapped in her house that faces out but cannot go out to see the battles that she has heard of and wishes to take part in. The reader may infer that she cannot take part in these battles because she is a woman, which is forms the other aspect of her stagnant situation. The setting of the passage is the late eighteenth century in rural England. It can be inferred that due to the sentiments of the time, women were not expected to have power or knowledge, showing that the woman was stuck in her powerless situation by gender roles.

Through his use of contrasting foils, dreary listing, fervent repetition, and conservative setting, D. H. Lawrence depicts the woman as someone who wants knowledge and power but cannot achieve it because of her stagnant situation.

My feedback is brief, but this is a very strong essay. Your thesis establishes an argument that is defensible and thorough. 1/1

Your evidence and commentary support the thesis, although some of the devices are analyzed more effectively. Your second paragraph analyzes the syntax succinctly, but the second half of the paragraph is less strong. Your first body paragraph feels a little disorganized, although you have a reference to your argument as both a first and last sentence, which brings the focus back. I don’t think the diction section feels connected to the men and vicar as foils argument in style or content. However, overall, you chose significant evidence and explained its role in the characterization of the woman thoroughly and consistently. 4/4

The essay does not earn a sophistication point, although it strongly meets the criteria for other points.

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5 Tips for Writing a Great AP Lit Essay

Nervous about the 'free response prompt' on AP Lit? Don't be. We broke it down into manageable steps!

This year, if you’re taking the AP English Literature exam, you’ll be responsible for responding to three questions, which the College Board calls “free response prompts.” First , you’ll write a literary analysis of a poem. Second, you’ll write a literary analysis of a piece of fiction, which could be an excerpt from a play. Third , you’ll analyze a major literary aspect—a theme or a literary device, for example—of a literary work of your choosing.

The last of these prompts attracts perhaps the most attention and, by extension, produces the most anxiety among students. Anyone would admit that such a capacious (‘open, roomy’) question is challenging, especially when a year of AP Lit has taught you to focus on the details of the book you’re reading. And it certainly doesn’t help that this question comes at the very end of the essay, and you and your fingers are about as tired as they could possibly be!

But if you approach the prompt with enthusiasm, it can be the cherry on top of your exam, not the straw that breaks the camel’s back (getting creative with metaphors is always important in AP Lit!).

Here are five tips to help you write a great essay response to the third prompt on the AP Lit exam.

1. Select the perfect work.

Wait a minute—you can write about anything under the sun, as long as the College Board defines it as “a work of literary merit?” How is that even possible? In truth, your evaluators are using this prompt as a way to gauge your analytical abilities no matter the text. You’re not going to be judged for the work you select, as long as it’s substantial enough to ensure your analysis can be rich and meaningful. A good rule to live by: if a work pops into your head and you don’t immediately have at least a few different ideas for how to answer the prompt with it, toss it out of your brainstorming process. You want to find a work that is challenging and complex in order to show that you’re capable of effectively analyzing such works.

You have two main options for selecting the perfect work, both equally effective. The first is probably the most common: choose a book, play, or other literary work you read in AP Lit. Because you read it in class, you will almost surely be familiar with its themes and literary devices. Your second option is to pick a work you’ve read on your own, which could be anything from a novel you adored over summer break or the Shakespeare play you starred in at school. We recommend creating a short list of works you’d like to write about before you take your AP Lit exam, just to have your options at hand. As you’ve learned to do in class, consider each work’s rhetorical situation. This way, if you’re on the fence about whether a work is really “of literary merit,” you can ask your teacher or someone else in the know for an expert second opinion!

2. Practice really does make perfect.

You don’t know what the third free-response prompt will be, but you know that it will be! The College Board’s AP Lit exam page is only one of a gazillion easily accessible resources online that compile prompts from past years and devise hypothetical ones, too. These are great places to look. In the weeks leading up to the exam, we recommend selecting three to seven prompts—the more diverse in content, the better—and practicing with your list of works of literary merit. We recommend practicing with a work no more than two or three times—it’s great to know a text inside and out, but you don’t want to be a one-trick pony in case the prompt on the exam doesn’t lend itself to an essay about that text.

3. Outline, outline, outline!

Whether for AP exams , the SAT , or the ACT , you’ve heard the dictum a million times—outlines make better essays, even when your time feels extremely limited! When it’s time for the test, this can feel a little bit trite, but we challenge you to find one soul in the grand history of the AP English Literature exam who hasn’t benefited from creating even a rough outline. This is the place where your reasoning and organization come alive. We recommend devoting 5-7 minutes to your outline—the lower end if you’re confident you know the text inside and out and just need to nail down your claims and evidence, and the higher end if you need to jog your memory and give your thesis a bit more time to gestate.

What should your outline include? Keep it clear and concise. You definitely want to write your thesis; plan the topics of your body paragraphs, including potential topic sentences; and—a helpful, oft-forgotten third part—remind yourself why the work you’ve chosen is the best for the prompt. This last part won’t be formally integrated into your essay, but it’s extremely helpful as you try to stay focused and pointed while writing what can feel like an impossible broad essay.

4. Each paragraph is a new opportunity to be creative

The third free-response prompt, and the AP Lit exam in general, is extremely structured. It can feel downright constricting. The little-known truth about the last essay is that it’s the most creative part of the whole exam. You not only get to choose the prompt, but within the roughly five-paragraph structure of the essay you’re penning, you get to be quite creative with what you say in each paragraph. There are so many ways to explain to your readers how, say, a symbol illuminates an important theme in a text. We find this knowledge incredibly liberating; paired wisely with the organization that the outline and the essay require, this creative approach can lead to a top-notch essay.

5. Proofread, but not just for the sake of proofreading.

We’ve all been there—time is nearly up, you’ve put the period at the end of your conclusion, and now it’s time to make sure you haven’t written an incoherent jumble of nothingness. This is the last, crucial step before handing in your AP Lit exam and never reading again (just kidding!)

Because you’re so exhausted from hours of test-taking, proofreading your third free-response essay can feel like a chore—a hurdle you have to jump to reach the finish line. But it can also be an opportunity to make sure your argument, your analysis, and your claims and evidence are coherent . We don’t mean that you should restructure your thesis—there isn’t time for that, and we’re sure it’s great, anyway!—but we encourage you to make sure that every sentence is as clear, concise, and (reasonably) creative as possible. Proofreading is the time to read every sentence with a fundamental question in the back of your head: What is this sentence doing, and what are the words that form it doing? If something feels like it’s not pulling its weight, don’t hesitate—change or delete it. Now that you’ve nailed the bigger picture, you must demand only the best from the details.

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AP® English Literature

How to get a 9 on prose analysis frq in ap® english literature.

• The Albert Team
• Last Updated On: March 1, 2022

When it’s time to take the AP® English Literature and Composition exam, will you be ready? If you’re aiming high, you’ll want to know the best route to a five on the AP® exam. You know the exam is going to be tough, so how do prepare for success? To do well on the AP® English Literature and Composition exam, you’ll need to score high on the essays. For that, you’ll need to write a competent, efficient essay that argues an accurate interpretation of the work under examination in the Free Response Question section.

The AP® English Literature and Composition exam consists of two sections, the first being a 55-question multiple choice portion worth 45% of the total test grade. This section tests your ability to read drama, verse, or prose fiction excerpts and answer questions about them. The second section, worth 55% of the total score, requires essay responses to three questions demonstrating your ability to analyze literary works. You’ll have to discuss a poem analysis, a prose fiction passage analysis, and a concept, issue, or element analysis of a literary work–in two hours.

Before the exam, you should know how to construct a clear, organized essay that defends a focused claim about the work under analysis. You must write a brief introduction that includes the thesis statement, followed by body paragraphs that further the thesis statement with detailed, thorough support, and a short concluding paragraph that reiterates and reinforces the thesis statement without repeating it. Clear organization, specific support, and full explanations or discussions are three critical components of high-scoring essays.

General Tips to Bettering Your Odds at a Nine on the AP® English Literature Prose FRQ

You may know already how to approach the prose analysis, but don’t forget to keep the following in mind coming into the exam:

• Carefully read, review, and underline key to-do’s in the prompt.
• Briefly outline where you’re going to hit each prompt item — in other words, pencil out a specific order.
• Be sure you have a clear thesis that includes the terms mentioned in the instructions, literary devices, tone, and meaning.
• Include the author’s name and title of the prose selection in your thesis statement. Refer to characters by name.
• Use quotes — lots of them — to exemplify the elements and your argument points throughout the essay.
• Fully explain or discuss how your examples support your thesis. A deeper, fuller, and more focused explanation of fewer elements is better than a shallow discussion of more elements (shotgun approach).
• Avoid vague, general statements or merely summarizing the plot instead of clearly focusing on the prose passage itself.
• Use transitions to connect sentences and paragraphs.
• Write in the present tense with generally good grammar.
• Keep your introduction and conclusion short, and don’t repeat your thesis verbatim in your conclusion.

The newly-released 2016 sample AP® English Literature and Composition exam questions, sample responses, and grading rubrics provide a valuable opportunity to analyze how to achieve high scores on each of the three Section II FRQ responses. However, for purposes of this examination, the Prose Analysis FRQ strategies will be the focus. The prose selection for analysis in last year’s exam was Thomas Hardy’s The Mayor of Casterbridge , a 19th-century novel. Exam takers had to respond to the following instructions:

• Analyze the complex relationship between the two characters Hardy portrays in the passage.
• Pay attention to tone, word choice, and detail selection.
• Write a well-written essay.

For a clear understanding of the components of a model essay, you’ll find it helpful to analyze and compare all three sample answers provided by the CollegeBoard: the high scoring (A) essay, the mid-range scoring (B) essay, and the low scoring (C) essay. All three provide a lesson for you: to achieve a nine on the prose analysis essay, model the ‘A’ essay’s strengths and avoid the weaknesses of the other two.

Start with a Succinct Introduction that Includes Your Thesis Statement

The first sample essay (A) begins with a packed first sentence: the title of the work, author, named characters, and the subject alluded to in the prompt that will form the foundation of the upcoming argument — the strained relationship between father and daughter. Then, after summarizing the context of the passage — that tense relationship — the student quotes relevant phrases (“lower-class”, “verbal aggressions”) that depict the behavior and character of each.

By packing each sentence efficiently with details (“uncultivated”, “hypocritical”) on the way to the thesis statement, the writer controls the argument by folding in only the relevant details that support the claim at the end of the introduction: though reunited physically, father and daughter remain separated emotionally. The writer wastes no words and quickly directs the reader’s focus to the characters’ words and actions that define their estranged relationship. From the facts cited, the writer’s claim or thesis is logical.

The mid-range B essay introduction also mentions the title, author, and relationship (“strange relationship”) that the instructions direct the writer to examine. However, the student neither names the characters nor identifies what’s “strange” about the relationship. The essay needs more specific details to clarify the complexity in the relationship. Instead, the writer merely hints at that complexity by stating father and daughter “try to become closer to each other’s expectations”. There’s no immediately clear correlation between the “reunification” and the expectations. Finally, the student wastes time and space in the first two sentences with a vague platitude for an “ice breaker” to start the essay. It serves no other function.

The third sample lacks cohesiveness, focus, and a clear thesis statement. The first paragraph introduces the writer’s feelings about the characters and how the elements in the story helped the student analyze, both irrelevant to the call of the instructions. The introduction gives no details of the passage: no name, title, characters, or relationship. The thesis statement is shallow–the daughter was better off before she reunited with her father–as it doesn’t even hint at the complexity of the relationship. The writer merely parrots the prompt instructions about “complex relationship” and “speaker’s tone, word choice, and selection of detail”.

In sum, make introductions brief and compact. Use specific details from the passage that support a logical thesis statement which clearly directs the argument and addresses the instructions’ requirements. Succinct writing helps. Pack your introduction with specific excerpt details, and don’t waste time on sentences that don’t do the work ahead for you. Be sure the thesis statement covers all of the relevant facts of the passage for a cohesive argument.

Use Clear Examples to Support Your Argument Points

The A answer supports the thesis by qualifying the relationship as unhealthy in the first sentence. Then the writer includes the quoted examples that contrast what one would expect characterizes a father-daughter relationship — joyous, blessing, support, praise — against the reality of Henchard and Elizabeth’s relationship: “enigma”, “coldness”, and “open chiding”.

These and other details in the thorough first body paragraph leave nothing for the reader to misunderstand. The essayist proves the paragraph’s main idea with numerous examples. The author controls the first argument point that the relationship is unhealthy by citing excerpted words and actions of the two characters demonstrating the father’s aggressive disapproval and the daughter’s earnestness and shame.

The second and third body paragraphs not only add more proof of the strained relationship in the well-chosen example of the handwriting incident but also explore the underlying motives of the father. In suggesting the father has good intentions despite his outward hostility, the writer proposes that Henchard wants to elevate his long-lost daughter. Henchard’s declaration that handwriting “with bristling characters” defines refinement in a woman both diminishes Elizabeth and reveals his silent hope for her, according to the essayist. This contradiction clearly proves the relationship is “complex”.

The mid-range sample also cites specific details: the words Elizabeth changes (“fay” for “succeed”) for her father. These details are supposed to support the point that class difference causes conflict between the two. However, the writer leaves it to the reader to make the connection between class, expectations, and word choices. The example of the words Elizabeth eliminates from her vocabulary does not illustrate the writer’s point of class conflict. In fact, the class difference as the cause of their difficulties is never explicitly stated. Instead, the writer makes general, unsupported statements about Hardy’s focus on the language difference without saying why Hardy does that.

Like the A essay, sample C also alludes to the handwriting incident but only to note that the description of Henchard turning red is something the reader can imagine. In fact, the writer gives other examples of sensitive and serious tones in the passage but then doesn’t completely explain them. None of the details noted refer to a particular point that supports a focused paragraph. The details don’t connect. They’re merely a string of details.

Discussion is Crucial to Connect Your Quotes and Examples to Your Argument Points

Rather than merely citing phrases and lines without explanation, as the C sample does, the A response spends time thoroughly discussing the meaning of the quoted words, phrases, and sentences used to exemplify their assertions. For example, the third paragraph begins with the point that Henchard’s attempts to elevate Elizabeth in order to better integrate her into the mayor’s “lifestyle” actually do her a disservice. The student then quotes descriptive phrases that characterize Elizabeth as “considerate”, notes her successfully fulfilling her father’s expectations of her as a woman, and concludes that success leads to her failure to get them closer — to un-estrange him.

The A sample writer follows the same pattern throughout the essay: assertion, example, explanation of how the example and assertion cohere, tying both into the thesis statement. Weaving the well-chosen details into the discussion to make reasonable conclusions about what they prove is the formula for an orderly, coherent argument. The writer starts each paragraph with a topic sentence that supports the thesis statement, followed by a sentence that explains and supports the topic sentence in furtherance of the argument.

On the other hand, the B response begins the second paragraph with a general topic sentence: Hardy focuses on the differences between the daughter’s behavior and the father’s expectations. The next sentence follows up with examples of the words Elizabeth changes, leading to the broad conclusion that class difference causes clashes. They give no explanation to connect the behavior — changing her words — with how the diction reveals class differences exists. Nor does the writer explain the motivations of the characters to demonstrate the role of class distinction and expectations. The student forces the reader to make the connections.

Similarly, in the second example of the handwriting incident, the student sets out to prove Elizabeth’s independence and conformity conflict. However, the writer spends too much time re-telling the writing episode — who said what — only to vaguely conclude that 19th-century gender roles dictated the dominant and submissive roles of father and daughter, resulting in the loss of Elizabeth’s independence. The writer doesn’t make those connections between gender roles, dominance, handwriting, and lost freedom. The cause and effect of the handwriting humiliation to the loss of independence are never made.

Write a Brief Conclusion

While it’s more important to provide a substantive, organized, and clear argument throughout the body paragraphs than it is to conclude, a conclusion provides a satisfying rounding out of the essay and last opportunity to hammer home the content of the preceding paragraphs. If you run out of time for a conclusion because of the thorough preceding paragraphs, that is not as fatal to your score as not concluding or not concluding as robustly as the A essay sample.

The A response not only provides another example of the father-daughter inverse relationship — the more he helps her fit in, the more estranged they become — but also ends where the writer began: though they’re physically reunited, they’re still emotionally separated. Without repeating it verbatim, the student returns to the thesis statement at the end. This return and recap reinforce the focus and control of the argument when all of the preceding paragraphs successfully proved the thesis statement.

The B response nicely ties up the points necessary to satisfy the prompt had the writer made them clearly. The parting remarks about the inverse relationship building up and breaking down to characterize the complex relationship between father and daughter are intriguing but not well-supported by all that came before them.

Write in Complete Sentences with Proper Punctuation and Compositional Skills

Though pressed for time, it’s important to write an essay with crisp, correctly punctuated sentences and properly spelled words. Strong compositional skills create a favorable impression to the reader, like using appropriate transitions or signals (however, therefore) to tie sentences and paragraphs together, and making the relationships between sentences clear (“also” — adding information, “however” — contrasting an idea in the preceding sentence).

Starting each paragraph with a clear, focused topic sentence that previews the main idea or focus of the paragraph helps you the writer and the reader keep track of each part of your argument. Each section furthers your points on the way to convincing your reader of your argument. If one point is unclear, unfocused, or grammatically unintelligible, like a house of cards, the entire argument crumbles. Excellent compositional skills help you lay it all out neatly, clearly, and fully.

For example, the A response begins the essay with “In this passage from Thomas Hardy”. The second sentence follows with “Throughout the passage” to tie the two sentences together. There’s no question that the two thoughts link by the transitional phrases that repeat and reinforce one another as well as direct the reader’s attention. The B response, however, uses transitions less frequently, confuses the names of the characters, and switches verb tenses in the essay. It’s harder to follow.

So by the time the conclusion takes the reader home, the high-scoring writer has done all of the following:

• followed the prompt
• followed the propounded thesis statement and returned to it in the end
• provided a full discussion with examples
• included quotes proving each assertion
• used clear, grammatically correct sentences
• wrote paragraphs ordered by a thesis statement
• created topic sentences for each paragraph
• ensured each topic sentence furthered the ideas presented in the thesis statement

Have a Plan and Follow it

To get a nine on the prose analysis FRQ essay in the AP® Literature and Composition exam, you should practice timed essays. Write as many practice essays as you can. Follow the same procedure each time. After reading the prompt, map out your thesis statement, paragraph topic sentences, and supporting details and quotes in the order of their presentation. Then follow your plan faithfully.

Be sure to leave time for a brief review to catch mechanical errors, missing words, or clarifications of an unclear thought. With time, an organized approach, and plenty of practice, earning a nine on the poetry analysis is manageable. Be sure to ask your teacher or consult other resources, like albert.io’s Prose Analysis practice essays, for questions and more practice opportunities.

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Advanced Placement (AP)

If you're planning to take the AP Language (or AP Lang) exam , you might already know that 55% of your overall exam score will be based on three essays. The first of the three essays you'll have to write on the AP Language exam is called the "synthesis essay." If you want to earn full points on this portion of the AP Lang Exam, you need to know what a synthesis essay is and what skills are assessed by the AP Lang synthesis essay.

In this article, we'll explain the different aspects of the AP Lang synthesis essay, including what skills you need to demonstrate in your synthesis essay response in order to achieve a good score. We'll also give you a full breakdown of a real AP Lang Synthesis Essay prompt, provide an analysis of an AP Lang synthesis essay example, and give you four tips for how to write a synthesis essay.

Let's get started by taking a closer look at how the AP Lang synthesis essay works!

Synthesis Essay AP Lang: What It Is and How It Works

The AP Lang synthesis essay is the first of three essays included in the Free Response section of the AP Lang exam.

The AP Lang synthesis essay portion of the Free Response section lasts for one hour total . This hour consists of a recommended 15 minute reading period and a 40 minute writing period. Keep in mind that these time allotments are merely recommendations, and that exam takers can parse out the allotted 60 minutes to complete the synthesis essay however they choose.

Now, here's what the structure of the AP Lang synthesis essay looks like. The exam presents six to seven sources that are organized around a specific topic (like alternative energy or eminent domain, which are both past synthesis exam topics).

Of these six to seven sources, at least two are visual , including at least one quantitative source (like a graph or pie chart, for example). The remaining four to five sources are print text-based, and each one contains approximately 500 words.

In addition to six to seven sources, the AP Lang exam provides a written prompt that consists of three paragraphs. The prompt will briefly explain the essay topic, then present a claim that students will respond to in an essay that synthesizes material from at least three of the sources provided.

Here's an example prompt provided by the College Board:

Directions : The following prompt is based on the accompanying six sources.

This question requires you to integrate a variety of sources into a coherent, well-written essay. Refer to the sources to support your position; avoid mere paraphrase or summary. Your argument should be central; the sources should support this argument .

Remember to attribute both direct and indirect citations.

Introduction

Television has been influential in United States presidential elections since the 1960's. But just what is this influence, and how has it affected who is elected? Has it made elections fairer and more accessible, or has it moved candidates from pursuing issues to pursuing image?

Read the following sources (including any introductory information) carefully. Then, in an essay that synthesizes at least three of the sources for support, take a position that defends, challenges, or qualifies the claim that television has had a positive impact on presidential elections.

Refer to the sources as Source A, Source B, etc.; titles are included for your convenience.

Source A (Campbell) Source B (Hart and Triece) Source C (Menand) Source D (Chart) Source E (Ranney) Source F (Koppel)

Like we mentioned earlier, this prompt gives you a topic — which it briefly explains — then asks you to take a position. In this case, you'll have to choose a stance on whether television has positively or negatively affected U.S. elections. You're also given six sources to evaluate and use in your response. Now that you have everything you need, now your job is to write an amazing synthesis essay.

But what does "synthesize" mean, exactly? According to the CollegeBoard, when an essay prompt asks you to synthesize, it means that you should "combine different perspectives from sources to form a support of a coherent position" in writing. In other words, a synthesis essay asks you to state your claim on a topic, then highlight the relationships between several sources that support your claim on that topic. Additionally, you'll need to cite specific evidence from your sources to prove your point.

The synthesis essay counts for six of the total points on the AP Lang exam . Students can receive 0-1 points for writing a thesis statement in the essay, 0-4 based on incorporation of evidence and commentary, and 0-1 points based on sophistication of thought and demonstrated complex understanding of the topic.

You'll be evaluated based on how effectively you do the following in your AP Lang synthesis essay:

Write a thesis that responds to the exam prompt with a defensible position

Provide specific evidence that to support all claims in your line of reasoning from at least three of the sources provided, and clearly and consistently explain how the evidence you include supports your line of reasoning

Demonstrate sophistication of thought by either crafting a thoughtful argument, situating the argument in a broader context, explaining the limitations of an argument

Make rhetorical choices that strengthen your argument and/or employ a vivid and persuasive style throughout your essay.

If your synthesis essay meets the criteria above, then there's a good chance you'll score well on this portion of the AP Lang exam!

If you're looking for even more information on scoring, the College Board has posted the AP Lang Free Response grading rubric on its website. ( You can find it here. ) We recommend taking a close look at it since it includes additional details about the synthesis essay scoring.

Don't be intimidated...we're going to teach you how to break down even the hardest AP synthesis essay prompt.

Full Breakdown of a Real AP Lang Synthesis Essay Prompt

In this section, we'll teach you how to analyze and respond to a synthesis essay prompt in five easy steps, including suggested time frames for each step of the process.

Step 1: Analyze the Prompt

The very first thing to do when the clock starts running is read and analyze the prompt. To demonstrate how to do this, we'll look at the sample AP Lang synthesis essay prompt below. This prompt comes straight from the 2018 AP Lang exam:

Eminent domain is the power governments have to acquire property from private owners for public use. The rationale behind eminent domain is that governments have greater legal authority over lands within their dominion than do private owners. Eminent domain has been instituted in one way or another throughout the world for hundreds of years.

Carefully read the following six sources, including the introductory information for each source. Then synthesize material from at least three of the sources and incorporate it into a coherent, well-developed essay that defends, challenges, or qualifies the notion that eminent domain is productive and beneficial.

Your argument should be the focus of your essay. Use the sources to develop your argument and explain the reasoning for it. Avoid merely summarizing the sources. Indicate clearly which sources you are drawing from, whether through direct quotation, paraphrase, or summary. You may cite the sources as Source A, Source B, etc., or by using the descriptions in parentheses.

On first read, you might be nervous about how to answer this prompt...especially if you don't know what eminent domain is! But if you break the prompt down into chunks, you'll be able to figure out what the prompt is asking you to do in no time flat.

To get a full understanding of what this prompt wants you to do, you need to identify the most important details in this prompt, paragraph by paragraph. Here's what each paragraph is asking you to do:

• Paragraph 1: The prompt presents and briefly explains the topic that you'll be writing your synthesis essay about. That topic is the concept of eminent domain.
• Paragraph 2: The prompt presents a specific claim about the concept of eminent domain in this paragraph: Eminent domain is productive and beneficial. This paragraph instructs you to decide whether you want to defend, challenge, or qualify that claim in your synthesis essay , and use material from at least three of the sources provided in order to do so.
• Paragraph 3: In the last paragraph of the prompt, the exam gives you clear instructions about how to approach writing your synthesis essay . First, make your argument the focus of the essay. Second, use material from at least three of the sources to develop and explain your argument. Third, provide commentary on the material you include, and provide proper citations when you incorporate quotations, paraphrases, or summaries from the sources provided.

So basically, you'll have to agree with, disagree with, or qualify the claim stated in the prompt, then use at least three sources substantiate your answer. Since you probably don't know much about eminent domain, you'll probably decide on your position after you read the provided sources.

To make good use of your time on the exam, you should spend around 2 minutes reading the prompt and making note of what it's asking you to do. That will leave you plenty of time to read the sources provided, which is the next step to writing a synthesis essay.

Step 2: Read the Sources Carefully

After you closely read the prompt and make note of the most important details, you need to read all of the sources provided. It's tempting to skip one or two sources to save time--but we recommend you don't do this. That's because you'll need a thorough understanding of the topic before you can accurately address the prompt!

For the sample exam prompt included above, there are six sources provided. We're not going to include all of the sources in this article, but you can view the six sources from this question on the 2018 AP Lang exam here . The sources include five print-text sources and one visual source, which is a cartoon.

As you read the sources, it's important to read quickly and carefully. Don't rush! Keep your pencil in hand to quickly mark important passages that you might want to use as evidence in your synthesis. While you're reading the sources and marking passages, you want to think about how the information you're reading influences your stance on the issue (in this case, eminent domain).

When you finish reading, take a few seconds to summarize, in a phrase or sentence, whether the source defends, challenges, or qualifies whether eminent domain is beneficial (which is the claim in the prompt) . Though it might not feel like you have time for this, it's important to give yourself these notes about each source so you know how you can use each one as evidence in your essay.

Here's what we mean: say you want to challenge the idea that eminent domain is useful. If you've jotted down notes about each source and what it's saying, it will be easier for you to pull the relevant information into your outline and your essay.

So how much time should you spend reading the provided sources? The AP Lang exam recommends taking 15 minutes to read the sources . If you spend around two of those minutes reading and breaking down the essay prompt, it makes sense to spend the remaining 13 minutes reading and annotating the sources.

If you finish reading and annotating early, you can always move on to drafting your synthesis essay. But make sure you're taking your time and reading carefully! It's better to use a little extra time reading and understanding the sources now so that you don't have to go back and re-read the sources later.

A strong thesis will do a lot of heavy lifting in your essay. (See what we did there?)

Step 3: Write a Strong Thesis Statement

After you've analyzed the prompt and thoroughly read the sources, the next thing you need to do in order to write a good synthesis essay is write a strong thesis statement .

The great news about writing a thesis statement for this synthesis essay is that you have all the tools you need to do it at your fingertips. All you have to do in order to write your thesis statement is decide what your stance is in relationship to the topic provided.

In the example prompt provided earlier, you're essentially given three choices for how to frame your thesis statement: you can either defend, challenge, or qualify a claim that's been provided by the prompt, that eminent domain is productive and beneficial . Here's what that means for each option:

If you choose to defend the claim, your job will be to prove that the claim is correct . In this case, you'll have to show that eminent domain is a good thing.

If you choose to challenge the claim, you'll argue that the claim is incorrect. In other words, you'll argue that eminent domain isn't productive or beneficial.

If you choose to qualify, that means you'll agree with part of the claim, but disagree with another part of the claim. For instance, you may argue that eminent domain can be a productive tool for governments, but it's not beneficial for property owners. Or maybe you argue that eminent domain is useful in certain circumstances, but not in others.

When you decide whether you want your synthesis essay to defend, challenge, or qualify that claim, you need to convey that stance clearly in your thesis statement. You want to avoid simply restating the claim provided in the prompt, summarizing the issue without making a coherent claim, or writing a thesis that doesn't respond to the prompt.

Here's an example of a thesis statement that received full points on the eminent domain synthesis essay:

Although eminent domain can be misused to benefit private interests at the expense of citizens, it is a vital tool of any government that intends to have any influence on the land it governs beyond that of written law.

This thesis statement received full points because it states a defensible position and establishes a line of reasoning on the issue of eminent domain. It states the author's position (that some parts of eminent domain are good, but others are bad), then goes on to explain why the author thinks that (it's good because it allows the government to do its job, but it's bad because the government can misuse its power.)

Because this example thesis statement states a defensible position and establishes a line of reasoning, it can be elaborated upon in the body of the essay through sub-claims, supporting evidence, and commentary. And a solid argument is key to getting a six on your synthesis essay for AP Lang!

Step 4: Create a Bare-Bones Essay Outline

Once you've got your thesis statement drafted, you have the foundation you need to develop a bare bones outline for your synthesis essay. Developing an outline might seem like it's a waste of your precious time, but if you develop your outline well, it will actually save you time when you start writing your essay.

With that in mind, we recommend spending 5 to 10 minutes outlining your synthesis essay . If you use a bare-bones outline like the one below, labeling each piece of content that you need to include in your essay draft, you should be able to develop out the most important pieces of the synthesis before you even draft the actual essay.

To help you see how this can work on test day, we've created a sample outline for you. You can even memorize this outline to help you out on test day! In the outline below, you'll find places to fill in a thesis statement, body paragraph topic sentences, evidence from the sources provided, and commentary :

• Present the context surrounding the essay topic in a couple of sentences (this is a good place to use what you learned about the major opinions or controversies about the topic from reading your sources).
• Write a straightforward, clear, and concise thesis statement that presents your stance on the topic
• Topic sentence presenting first supporting point or claim
• Evidence #1
• Commentary on Evidence #1
• Evidence #2 (if needed)
• Commentary on Evidence #2 (if needed)
• Topic sentence presenting second supporting point or claim
• Topic sentence presenting three supporting point or claim
• Sums up the main line of reasoning that you developed and defended throughout the essay
• Reiterates the thesis statement

Taking the time to develop these crucial pieces of the synthesis in a bare-bones outline will give you a map for your final essay. Once you have a map, writing the essay will be much easier.

Step 5: Draft Your Essay Response

The great thing about taking a few minutes to develop an outline is that you can develop it out into your essay draft. After you take about 5 to 10 minutes to outline your synthesis essay, you can use the remaining 30 to 35 minutes to draft your essay and review it.

Since you'll outline your essay before you start drafting, writing the essay should be pretty straightforward. You'll already know how many paragraphs you're going to write, what the topic of each paragraph will be, and what quotations, paraphrases, or summaries you're going to include in each paragraph from the sources provided. You'll just have to fill in one of the most important parts of your synthesis—your commentary.

Commentaries are your explanation of why your evidence supports the argument you've outlined in your thesis. Your commentary is where you actually make your argument, which is why it's such a critical part of your synthesis essay.

When thinking about what to say in your commentary, remember one thing the AP Lang synthesis essay prompt specifies: don't just summarize the sources. Instead, as you provide commentary on the evidence you incorporate, you need to explain how that evidence supports or undermines your thesis statement . You should include commentary that offers a thoughtful or novel perspective on the evidence from your sources to develop your argument.

One very important thing to remember as you draft out your essay is to cite your sources. The AP Lang exam synthesis essay prompt indicates that you can use generic labels for the sources provided (e.g. "Source 1," "Source 2," "Source 3," etc.). The exam prompt will indicate which label corresponds with which source, so you'll need to make sure you pay attention and cite sources accurately. You can cite your sources in the sentence where you introduce a quote, summary, or paraphrase, or you can use a parenthetical citation. Citing your sources affects your score on the synthesis essay, so remembering to do this is important.

Keep reading for a real-life example of a great AP synthesis essay response!

Real-Life AP Synthesis Essay Example and Analysis

If you're still wondering how to write a synthesis essay, examples of real essays from past AP Lang exams can make things clearer. These real-life student AP synthesis essay responses can be great for helping you understand how to write a synthesis essay that will knock the graders' socks off .

While there are multiple essay examples online, we've chosen one to take a closer look at. We're going to give you a brief analysis of one of these example student synthesis essays from the 2019 AP Lang Exam below!

Example Synthesis Essay AP Lang Response

To get started, let's look at the official prompt for the 2019 synthesis essay:

In response to our society's increasing demand for energy, large-scale wind power has drawn attention from governments and consumers as a potential alternative to traditional materials that fuel our power grids, such as coal, oil, natural gas, water, or even newer sources such as nuclear or solar power. Yet the establishment of large-scale, commercial-grade wind farms is often the subject of controversy for a variety of reasons.

Carefully read the six sources, found on the AP English Language and Composition 2019 Exam (Question 1), including the introductory information for each source. Write an essay that synthesizes material from at least three of the sources and develops your position on the most important factors that an individual or agency should consider when deciding whether to establish a wind farm.

Source A (photo) Source B (Layton) Source C (Seltenrich) Source D (Brown) Source E (Rule) Source F (Molla)

In your response you should do the following:

• Respond to the prompt with a thesis presents a defensible position.
• Select and use evidence from at least 3 of the provided sources to support your line of reasoning. Indicate clearly the sources used through direct quotation, paraphrase, or summary. Sources may be cited as Source A, Source B, etc., or by using the description in parentheses.
• Explain how the evidence supports your line of reasoning.
• Use appropriate grammar and punctuation in communicating your argument.

Now that you know exactly what the prompt asked students to do on the 2019 AP Lang synthesis essay, here's an AP Lang synthesis essay example, written by a real student on the AP Lang exam in 2019:

[1] The situation has been known for years, and still very little is being done: alternative power is the only way to reliably power the changing world. The draw of power coming from industry and private life is overwhelming current sources of non-renewable power, and with dwindling supplies of fossil fuels, it is merely a matter of time before coal and gas fuel plants are no longer in operation. So one viable alternative is wind power. But as with all things, there are pros and cons. The main factors for power companies to consider when building wind farms are environmental boon, aesthetic, and economic factors.

[2] The environmental benefits of using wind power are well-known and proven. Wind power is, as qualified by Source B, undeniably clean and renewable. From their production requiring very little in the way of dangerous materials to their lack of fuel, besides that which occurs naturally, wind power is by far one of the least environmentally impactful sources of power available. In addition, wind power by way of gearbox and advanced blade materials, has the highest percentage of energy retention. According to Source F, wind power retains 1,164% of the energy put into the system – meaning that it increases the energy converted from fuel (wind) to electricity 10 times! No other method of electricity production is even half that efficient. The efficiency and clean nature of wind power are important to consider, especially because they contribute back to power companies economically.

[3] Economically, wind power is both a boon and a bone to electric companies and other users. For consumers, wind power is very cheap, leading to lower bills than from any other source. Consumers also get an indirect reimbursement by way of taxes (Source D). In one Texan town, McCamey, tax revenue increased 30% from a wind farm being erected in the town. This helps to finance improvements to the town. But, there is no doubt that wind power is also hurting the power companies. Although, as renewable power goes, wind is incredibly cheap, it is still significantly more expensive than fossil fuels. So, while it is helping to cut down on emissions, it costs electric companies more than traditional fossil fuel plants. While the general economic trend is positive, there are some setbacks which must be overcome before wind power can take over as truly more effective than fossil fuels.

[4] Aesthetics may be the greatest setback for power companies. Although there may be significant economic and environmental benefit to wind power, people will always fight to preserve pure, unspoiled land. Unfortunately, not much can be done to improve the visual aesthetics of the turbines. White paint is the most common choice because it "[is] associated with cleanliness." (Source E). But, this can make it stand out like a sore thumb, and make the gargantuan machines seem more out of place. The site can also not be altered because it affects generating capacity. Sound is almost worse of a concern because it interrupts personal productivity by interrupting people's sleep patterns. One thing for power companies to consider is working with turbine manufacturing to make the machines less aesthetically impactful, so as to garner greater public support.

[5] As with most things, wind power has no easy answer. It is the responsibility of the companies building them to weigh the benefits and the consequences. But, by balancing economics, efficiency, and aesthetics, power companies can create a solution which balances human impact with environmental preservation.

And that's an entire AP Lang synthesis essay example, written in response to a real AP Lang exam prompt! It's important to remember AP Lang exam synthesis essay prompts are always similarly structured and worded, and students often respond in around the same number of paragraphs as what you see in the example essay response above.

Next, let's analyze this example essay and talk about what it does effectively, where it could be improved upon, and what score past exam scorers awarded it.

To get started on an analysis of the sample synthesis essay, let's look at the scoring commentary provided by the College Board:

• For development of thesis, the essay received 1 out of 1 possible points
• For evidence and commentary, the essay received 4 out of 4 possible points
• For sophistication of thought, the essay received 0 out of 1 possible points.

This means that the final score for this example essay was a 5 out of 6 possible points . Let's look more closely at the content of the example essay to figure out why it received this score breakdown.

Thesis Development

The thesis statement is one of the three main categories that is taken into consideration when you're awarded points on this portion of the exam. This sample essay received 1 out of 1 total points.

Now, here's why: the thesis statement clearly and concisely conveys a position on the topic presented in the prompt--alternative energy and wind power--and defines the most important factors that power companies should consider when deciding whether to establish a wind farm.

Evidence and Commentary

The second key category taken into consideration when synthesis exams are evaluated is incorporation of evidence and commentary. This sample received 4 out of 4 possible points for this portion of the synthesis essay. At bare minimum, this sample essay meets the requirement mentioned in the prompt that the writer incorporate evidence from at least three of the sources provided.

On top of that, the writer does a good job of connecting the incorporated evidence back to the claim made in the thesis statement through effective commentary. The commentary in this sample essay is effective because it goes beyond just summarizing what the provided sources say. Instead, it explains and analyzes the evidence presented in the selected sources and connects them back to supporting points the writer makes in each body paragraph.

Finally, the writer of the essay also received points for evidence and commentary because the writer developed and supported a consistent line of reasoning throughout the essay . This line of reasoning is summed up in the fourth paragraph in the following sentence: "One thing for power companies to consider is working with turbine manufacturing to make the machines less aesthetically impactful, so as to garner greater public support."

Because the writer did a good job consistently developing their argument and incorporating evidence, they received full marks in this category. So far, so good!

Sophistication of Thought

Now, we know that this essay received a score of 5 out of 6 total points, and the place where the writer lost a point was on the basis of sophistication of thought, for which the writer received 0 out of 1 points. That's because this sample essay makes several generalizations and vague claims where it could have instead made specific claims that support a more balanced argument.

For example, in the following sentence from the 5th paragraph of the sample essay, the writer misses the opportunity to state specific possibilities that power companies should consider for wind energy . Instead, the writer is ambiguous and non-committal, saying, "As with most things, wind power has no easy answer. It is the responsibility of the companies building them to weigh the benefits and consequences."

If the writer of this essay was interested in trying to get that 6th point on the synthesis essay response, they could consider making more specific claims. For instance, they could state the specific benefits and consequences power companies should consider when deciding whether to establish a wind farm. These could include things like environmental impacts, economic impacts, or even population density!

Despite losing one point in the last category, this example synthesis essay is a strong one. It's well-developed, thoughtfully written, and advances an argument on the exam topic using evidence and support throughout.

4 Tips for How to Write a Synthesis Essay

AP Lang is a timed exam, so you have to pick and choose what you want to focus on in the limited time you're given to write the synthesis essay. Keep reading to get our expert advice on what you should focus on during your exam.

Tip 1: Read the Prompt First

It may sound obvious, but when you're pressed for time, it's easy to get flustered. Just remember: when it comes time to write the synthesis essay, read the prompt first !

Why is it so important to read the prompt before you read the sources? Because when you're aware of what kind of question you're trying to answer, you'll be able to read the sources more strategically. The prompt will help give you a sense of what claims, points, facts, or opinions to be looking for as you read the sources.

Reading the sources without having read the prompt first is kind of like trying to drive while wearing a blindfold: you can probably do it, but it's likely not going to end well!

Tip 2: Make Notes While You Read

During the 15-minute reading period at the beginning of the synthesis essay, you'll be reading through the sources as quickly as you can. After all, you're probably anxious to start writing!

While it's definitely important to make good use of your time, it's also important to read closely enough that you understand your sources. Careful reading will allow you to identify parts of the sources that will help you support your thesis statement in your essay, too.

As you read the sources, consider marking helpful passages with a star or check mark in the margins of the exam so you know which parts of the text to quickly re-read as you form your synthesis essay. You might also consider summing up the key points or position of each source in a sentence or a few words when you finish reading each source during the reading period. Doing so will help you know where each source stands on the topic given and help you pick the three (or more!) that will bolster your synthesis argument.

Tip 3: Start With the Thesis Statement

If you don't start your synthesis essay with a strong thesis statement, it's going to be tough to write an effective synthesis essay. As soon as you finish reading and annotating the provided sources, the thing you want to do next is write a strong thesis statement.

According to the CollegeBoard grading guidelines for the AP Lang synthesis essay, a strong thesis statement will respond to the prompt— not restate or rephrase the prompt. A good thesis will take a clear, defensible position on the topic presented in the prompt and the sources.

In other words, to write a solid thesis statement to guide the rest of your synthesis essay, you need to think about your position on the topic at hand and then make a claim about the topic based on your position. This position will either be defending, challenging, or qualifying the claim made in the essay's prompt.

The defensible position that you establish in your thesis statement will guide your argument in the rest of the essay, so it's important to do this first. Once you have a strong thesis statement, you can begin outlining your essay.

Tip 4: Focus on Your Commentary

Writing thoughtful, original commentary that explains your argument and your sources is important. In fact, doing this well will earn you four points (out of a total of six)!

AP Lang provides six to seven sources for you on the exam, and you'll be expected to incorporate quotations, paraphrases, or summaries from at least three of those sources into your synthesis essay and interpret that evidence for the reader.

While incorporating evidence is very important, in order to get the extra point for "sophistication of thought" on the synthesis essay, it's important to spend more time thinking about your commentary on the evidence you choose to incorporate. The commentary is your chance to show original thinking, strong rhetorical skills, and clearly explain how the evidence you've included supports the stance you laid out in your thesis statement.

To earn the 6th possible point on the synthesis essay, make sure your commentary demonstrates a nuanced understanding of the source material, explains this nuanced understanding, and places the evidence incorporated from the sources in conversation with each other. To do this, make sure you're avoiding vague language. Be specific when you can, and always tie your commentary back to your thesis!

What's Next?

There's a lot more to the AP Language exam than just the synthesis essay. Be sure to check out our expert guide to the entire exam , then learn more about the tricky multiple choice section .

Is the AP Lang exam hard...or is it easy? See how it stacks up to other AP tests on our list of the hardest AP exams .

Did you know there are technically two English AP exams? You can learn more about the second English AP test, the AP Literature exam, in this article . And if you're confused about whether you should take the AP Lang or AP Lit test , we can help you make that decision, too.

Ashley Sufflé Robinson has a Ph.D. in 19th Century English Literature. As a content writer for PrepScholar, Ashley is passionate about giving college-bound students the in-depth information they need to get into the school of their dreams.

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AP English Language and Composition, commonly known as AP Lang, is one of the most engaging and popular AP classes offered at most high schools, with over 535,000 students taking the class . AP Lang tests your ability to analyze written pieces, synthesize information, write rhetorical essays, and create cohesive and concrete arguments. However, the class is rather challenging as only 62% of students were able to score a three or higher on the exam. 

The AP Lang exam has two sections. The first consists of 45 multiple choice questions which need to be completed in an hour. This portion counts for around 45% of your total score. These questions ask students to analyze written pieces and answer questions related to each respective passage.  All possible answer choices can be found within the text, and no prior knowledge of literature is needed to understand the passages.

The second section contains three free-response questions to be finished in under two hours and 15 minutes. This section counts for 55% of your score and includes the synthesis essay, the rhetorical essay, and the argumentative essay.

• The synthesis essay requires you to read 6-7 sources and create an argument using at least three sources.
• The rhetorical analysis essay requires you to describe how a piece of writing evokes specific meanings and symbolism.
• The argumentative essay requires you to pick a perspective of a debate and create an argument based on the evidence provided.

In this post, we will take a look at the AP Lang synthesis essay and discuss tips and tricks to master this part of the exam. We will also provide an example of a well-written essay for review.  

The AP Lang synthesis essay is the first of three essays included in the Free Response section of the AP Lang exam. The exam presents 6-7 sources that are organized around a specific topic, with two of those sources purely visual, including a single quantitative source (like a graph or pie chart). The remaining 4-5 sources are text-based, containing around 500 words each. It’s recommended that students spend an hour on this essay—15 minute reading period, 40 minutes writing, and 5 minutes of spare time to check over work.

Each synthesis essay has a topic that all the sources will relate to. A prompt will explaining the topic and provide some background, although the topics are usually broad so you will probably know something related to the issue. It will also present a claim that students will respond to in an essay format using information from at least three of the provided sources. You will need to take a stance, either agreeing or disagreeing with the position provided in the claim. 

According to the CollegeBoard, they are looking for essays that “combine different perspectives from sources to form a support of a coherent position.” This means that you must state your claim on the topic and highlight relationships between several sources that support your specific position on the topic. Additionally, you’ll need to cite clear evidence from your sources to prove your point.

The synthesis essay counts for six points on the AP Lang exam. Students can receive 0-1 points for writing a thesis statement, 0-4 based on the incorporation of evidence and commentary, and 0-1 points based on the sophistication of thought and demonstration of complex understanding.

While this essay seems extremely overwhelming, considering there are a total of three free-response essays to complete, with proper time management and practiced skills, this essay is manageable and straightforward. In order to enhance the time management aspect of the test to the best of your ability, it is essential to divide the essay up into five key steps.

Step 1: Analyze the Prompt

As soon as the clock starts, carefully read and analyze what the prompt asks from you. It might be helpful to markup the text to identify the most critical details. You should only spend around 2 minutes reading the prompt so you have enough time to read all the sources and figure out your argument. Don’t feel like you need to immediately pick your stance on the claim right after reading the prompt. You should read the sources before you commit to your argument.

Step 2: Read the Sources Carefully

Although you are only required to use 3 of the 6-7 sources provides, make sure you read ALL of the sources. This will allow you to better understand the topic and make the most educated decision of which sources to use in your essay. Since there are a lot of sources to get through, you will need to read quickly and carefully.

Annotating will be your best friend during the reading period. Highlight and mark important concepts or lines from each passage that would be helpful in your essay. Your argument will probably begin forming in your head as you go through the passages, so you will save yourself a lot of time later on if you take a few seconds to write down notes in the margins. After you’ve finished reading a source, reflect on whether the source defends, challenges, or qualifies your argument.

You will have around 13 minutes to read through all the sources, but it’s very possible you will finish earlier if you are a fast reader. Take the leftover time to start developing your thesis and organizing your thoughts into an outline so you have more time to write. 

Step 3: Write a Strong Thesis Statement 

In order to write a good thesis statement, all you have to do is decide your stance on the claim provided in the prompt and give an overview of your evidence. You essentially have three choices on how to frame your thesis statement: You can defend, challenge or qualify a claim that’s been provided by the prompt. 

• If you are defending the claim, your job will be to prove that the claim is correct .
• If you are challenging the claim, your job will be to prove that the claim is incorrect .
• If you choose to qualify the claim, your job will be to agree to a part of the claim and disagree with another part of the claim. 

A strong thesis statement will clearly state your stance without summarizing the issue or regurgitating the claim. The CollegeBoard is looking for a thesis statement that “states a defensible position and establishes a line of reasoning on the issue provided in the prompt.”

Step 4: Create a Minimal Essay Outline

Developing an outline might seem like a waste of time when you are up against the clock, but believe us, taking 5-10 minutes to outline your essay will be much more useful in the long run than jumping right into the essay.

Your outline should include your thesis statement and three main pieces of evidence that will constitute each body paragraph. Under each piece of evidence should be 2-3 details from the sources that you will use to back up your claim and some commentary on how that evidence proves your thesis.

Step 5: Write your Essay

Use the remaining 30-35 minutes to write your essay. This should be relatively easy if you took the time to mark up the sources and have a detailed outline.  Remember to add special consideration and emphasis to the commentary sections of the supporting arguments outlined in your thesis. These sentences are critical to the overall flow of the essay and where you will be explaining how the evidence supports or undermines the claim in the prompt.

Also, when referencing your sources, write the in-text citations as follows: “Source 1,” “Source 2,” “Source 3,” etc. Make sure to pay attention to which source is which in order to not incorrectly cite your sources. In-text citations will impact your score on the essay and are an integral part of the process.

After you finish writing, read through your essay for any grammatical errors or mistakes before you move onto the next essay.

Here are six must-have tips and tricks to get a good score on the synthesis essay:

• Cite at least four sources , even though the minimum requirement is three. Remember not to plagiarize and cite everything you use in your arguments.
• Make sure to develop a solid and clear thesis . Develop a stable stance for the claim and stick with it throughout the entire paper.
• Don’t summarize the sources. The summary of the sources does not count as an argument. 
• You don’t necessarily have to agree with the sources in order to cite them. Using a source to support a counterargument is still a good use of a source.
• Cite the sources that you understand entirely . If you don’t, it could come back to bite you in the end. 
• Use small quotes , do not quote entire paragraphs. Make sure the quote does not disrupt the flow or grammar of the sentence you write. 

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Here is an example prompt and essay from 2019 that received 5 of the 6 total points available:

In response to our society’s increasing demand for energy, large-scale wind power has drawn attention from governments and consumers as a potential alternative to traditional materials that fuel our power grids, such as coal, oil, natural gas, water, or even newer sources such as nuclear or solar power. Yet the establishment of large-scale, commercial-grade wind farms is often the subject of controversy for a variety of reasons.

Carefully read the six sources, found on the AP English Language and Composition 2019 Exam (Question 1), including the introductory information for each source. Write an essay that synthesizes material from at least three of the sources and develops your position on the most important factors that an individual or agency should consider when deciding whether to establish a wind farm.

Source A (photo)

Source B (Layton)

Source C (Seltenrich)

Source D (Brown)

Source E (Rule)

Source F (Molla)

In your response you should do the following:

• Respond to the prompt with a thesis presents a defensible position.
• Select and use evidence from at least 3 of the provided sources to support your line of reasoning. Indicate clearly the sources used through direct quotation, paraphrase, or summary. Sources may be cited as Source A, Source B, etc., or by using the description in parentheses.
• Explain how the evidence supports your line of reasoning.
• Use appropriate grammar and punctuation in communicating your argument.

[1] The situation has been known for years, and still very little is being done: alternative power is the only way to reliably power the changing world. The draw of power coming from industry and private life is overwhelming current sources of non-renewable power, and with dwindling supplies of fossil fuels, it is merely a matter of time before coal and gas fuel plants are no longer in operation. So one viable alternative is wind power. But as with all things, there are pros and cons. The main factors for power companies to consider when building wind farms are environmental boon, aesthetic, and economic factors.

[2] The environmental benefits of using wind power are well-known and proven. Wind power is, as qualified by Source B, undeniably clean and renewable. From their production requiring very little in the way of dangerous materials to their lack of fuel, besides that which occurs naturally, wind power is by far one of the least environmentally impactful sources of power available. In addition, wind power by way of gearbox and advanced blade materials, has the highest percentage of energy retention. According to Source F, wind power retains 1,164% of the energy put into the system – meaning that it increases the energy converted from fuel (wind) to electricity 10 times! No other method of electricity production is even half that efficient. The efficiency and clean nature of wind power are important to consider, especially because they contribute back to power companies economically.

[3] Economically, wind power is both a boon and a bone to electric companies and other users. For consumers, wind power is very cheap, leading to lower bills than from any other source. Consumers also get an indirect reimbursement by way of taxes (Source D). In one Texan town, McCamey, tax revenue increased 30% from a wind farm being erected in the town. This helps to finance improvements to the town. But, there is no doubt that wind power is also hurting the power companies. Although, as renewable power goes, wind is incredibly cheap, it is still significantly more expensive than fossil fuels. So, while it is helping to cut down on emissions, it costs electric companies more than traditional fossil fuel plants. While the general economic trend is positive, there are some setbacks which must be overcome before wind power can take over as truly more effective than fossil fuels.

[4] Aesthetics may be the greatest setback for power companies. Although there may be significant economic and environmental benefit to wind power, people will always fight to preserve pure, unspoiled land. Unfortunately, not much can be done to improve the visual aesthetics of the turbines. White paint is the most common choice because it “[is] associated with cleanliness.” (Source E). But, this can make it stand out like a sore thumb, and make the gargantuan machines seem more out of place. The site can also not be altered because it affects generating capacity. Sound is almost worse of a concern because it interrupts personal productivity by interrupting people’s sleep patterns. One thing for power companies to consider is working with turbine manufacturing to make the machines less aesthetically impactful, so as to garner greater public support.

[5] As with most things, wind power has no easy answer. It is the responsibility of the companies building them to weigh the benefits and the consequences. But, by balancing economics, efficiency, and aesthetics, power companies can create a solution which balances human impact with environmental preservation.

More examples can be found here at College Board.

While AP Scores help to boost your weighted GPA, or give you the option to get college credit, AP Scores don’t have a strong effect on your admissions chances . However, colleges can still see your self-reported scores, so you might not want to automatically send scores to colleges if they are lower than a 3. That being said, admissions officers care far more about your grade in an AP class than your score on the exam.

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If any body is a beach body, any book is a beach read. Try on these books this summer.

Just like any body can be a beach body, any book can be a beach read. 

When you’re packing a travel bag this summer and mulling over the Beach Reads ! display at your local independent bookstore , stop and ask yourself: What do I really want to read? What do I enjoy reading?

The category “beach read,” as best as anyone can tell, came into fashion in the 1990s, according to The Guardian. It’s a marketing trick, not a mandate. 

As a marketing term, it’s successful because it’s aspirational. We see ourselves on a beach, relaxed and lazily reading that fun book with the bright cover, one that looks nothing like spreadsheets or reports, a book that entertains but doesn’t ask too much. 

But not everyone relaxes the same way.

Check out: USA TODAY's weekly Best-selling Booklist

Maybe you really do want to spend time with the light contemporary fiction, steamy romance, or compulsive thriller that generally gets labeled “beach read.” Totally fine. We’ve got some suggestions for you.

On the other hand, lazy days and long flights mean vacation can be a perfect time to tackle the books you’ve always meant to read. Classics, essays, literary fiction — if you’re a reader who considers heavy reading light work, we’ve got some less conventional recommendations, too. 

Is it a body on the beach? Yes: Beach body. Is it a book on a beach? Yes: Beach read. 

Find your next read USA TODAY's Best-selling booklist

Smart romance

"The Other Side of Disappearing," Kate Clayborn (Kensington, pp 432.. Out now)

What does “smart romance” mean? This book gave me a definition: a romance in which a happy-ever-after ending happens but doesn’t feel required because the characters all had emotional growth. Here, Clayborn sends a true crime podcast producer and a tough-as-nails older sister on a road trip that will change their lives. 

More like this: "Summer Romance," Annabel Monaghan; "When I Think of You," Myah Ariel; "Funny Story," Emily Henry

Literary Larks

"Martyr!," Kaveh Akbar (Penguin Random House, pp.352, out now)

Akbar is a poet, and you can see that in the lyrical writing of his debut novel. The story dips in and out of time and memory and points of view, always twisting around the idea of love. Fun and touching and a little weird, this book is made for hot summer nights. 

More like this: "Help Wanted," Adelle Waldman ; "Come and Get It," Kiley Reid; "Family Meal," Bryan Washington

Literary Adventures

"James," Percival Everett (Doubleday, pp 320, out now)

Consider this retelling of "Huck Finn" your summer reading assignment. Told from the perspective of clever and compassionate Jim, the dangerous Mississippi River raft trip includes familiar stops and characters (no need to read the original), but is sharper and comes with higher stakes as our hero tries to reunite his family. 

More like this: "The Vaster Wilds ," Lauren Groff; "Lies & Weddings", Kevin Kwan; "Lone Women," Victor Lavalle

"While We Were Burning," Sara Koffi (Penguin, pp. 304, out now)

Unreliable narrators and blurry relationship boundaries make this story, examining race and class in Memphis, especially twisty. 

More like this : "First Lie Wins," Ashley Elston; "A Line in The Sand," Kevin Powers; "Bright Young Women," Jessica Knoll 

"The Count of Monte Cristo," Alexander Dumas (Penguin, pp. 1,276, out now)

Don’t be intimidated by size. Many classics, including this one, were written in installments, which means short chapters and built-in cliffhangers. And no matter the time period, people are the same, loving and scheming and struggling. Think of this classic revenge story like your latest binge watch. 

More like this : "Their Eyes Were Watching God," Zora Neale Hurston; "Anna Karenina," Leo Tolstoy; "Jane Eyre," Charlotte Bronte 

"Bite by Bite ," Aimee Nezhukumatathil (HarperCollins, pp. 224, out now)

Essay collections are excellent vacation reads, able to be picked up and put down without interrupting a narrative. Each of these short essays is a perfect little bite, exploring the ways food sparks memory and meaning in our lives. 

More like this: "Divine Might," Natalie Haynes; "The Comfort of Crows," Margaret Renkl; "A Praise Song for Kitchen Ghosts," Crystal Wilkinson

"There’s Always This Year," Hanif Abdurraqib (Random House, pp. 352 out now)

If you want nonfiction that requires you to go a little deeper, Abdurraqib delivers. This is a book about basketball. It’s also about belonging and grief, ambition and America. And all of it is delivered in a structure that perfectly, brilliantly mimics a basketball game. Everything comes down to the final two minutes. 

More like this: "A Map of Future Ruins," Lauren Markham; "Grief Is for People," Sloane Crosley; "This Is What It Sounds Like," Susan Rogers & Ogi Ogas

Hillary Copsey is the book advisor at The Mercantile Library in Cincinnati, Ohio.