poetry essay on eating poetry

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Eating Poetry Summary & Analysis by Mark Strand

• Line-by-Line Explanation & Analysis
• Poetic Devices
• Vocabulary & References
• Form, Meter, & Rhyme Scheme
• Line-by-Line Explanations

"Eating Poetry" is the opening poem in Mark Strand's 1968 collection Reasons for Moving . Using Strand's characteristically dark humor, the poem finds its speaker in the act of "eating" poetry in a library, devouring poems like a ravenous, wild animal. The librarian, for her part, can't believe what she's seeing and becomes increasingly terrified—especially as the speaker's passionate consumption seems to summon dogs from the basement! Surreal and strange, the poem testifies to the wonders of poetry itself—and perhaps suggests that it's not necessary to explain, categorize, or even fully understand poems in order to enjoy them.

• Read the full text of “Eating Poetry”

The Full Text of “Eating Poetry”

“eating poetry” summary, “eating poetry” themes.

The Power of Poetry

Line-by-line explanation & analysis of “eating poetry”.

Ink runs from ... ... been eating poetry.

The librarian does ... ... in her dress.

The poems are ... ... and coming up.

Lines 10-12

Their eyeballs roll, ... ... feet and weep.

Lines 13-15

She does not ... ... she screams.

Lines 16-18

I am a ... ... the bookish dark.

“Eating Poetry” Symbols

• Lines 9-11: “The dogs are on the basement stairs and coming up. / Their eyeballs roll, / their blond legs burn like brush.”

“Eating Poetry” Poetic Devices & Figurative Language

Alliteration.

• Line 1: “my mouth”
• Line 6: “walks with,” “her hands,” “her”
• Line 11: “blond,” “legs,” “burn,” “like,” “brush”
• Line 14: “her hand”
• Line 7: “The”
• Line 8: “The”
• Line 9: “The”
• Line 16: “I”
• Line 17: “I”
• Line 18: “I”
• Line 2: “like mine”
• Line 4: “believe,” “she sees”
• Line 8: “is dim”
• Line 12: “feet,” “weep”
• Line 14: “knees”
• Line 15: “she screams”
• Line 16: “am,” “man”
• Line 17: “snarl,” “bark”
• Line 1: “Ink runs,” “corners,” “my mouth”
• Line 3: “eating poetry”
• Line 9: “basement stairs”
• Line 10: “eyeballs roll”
• Line 12: “to stamp,” “feet”
• Line 16: “am,” “new man”
• Line 18: “bookish dark”

End-Stopped Line

• Line 1: “mouth.”
• Line 2: “mine.”
• Line 3: “poetry.”
• Line 4: “sees.”
• Line 6: “dress.”
• Line 7: “gone.”
• Line 8: “dim.”
• Line 9: “up.”
• Line 11: “brush.”
• Line 12: “weep.”
• Line 13: “understand.”
• Line 15: “screams.”
• Line 16: “man.”
• Line 17: “bark.”
• Line 18: “dark.”

Juxtaposition

Extended metaphor.

• Line 1: “Ink runs from the corners of my mouth.”
• Line 3: “I have been eating poetry.”
• Line 7: “The poems are gone.”
• Lines 17-18: “I snarl at her and bark. / I romp with joy in the bookish dark.”
• Line 11: “their blond legs burn like brush.”

“Eating Poetry” Vocabulary

Select any word below to get its definition in the context of the poem. The words are listed in the order in which they appear in the poem.

• (Location in poem: Line 11: “their blond legs burn like ,” “brush”)

Form, Meter, & Rhyme Scheme of “Eating Poetry”

Rhyme scheme, “eating poetry” speaker, “eating poetry” setting, literary and historical context of “eating poetry”, more “eating poetry” resources, external resources.

Mark Strand's Biography — Learn more about Strand's life and work via the Poetry Foundation.  

Strand's Artistic Imagination — A podcast in which Strand talks about creativity and inspiration. 

Strand in His Own Words — An interview in which the poet talks about his early works. 

The Poem Out Loud — Listen to a recording of Strand reading his poem aloud.

Another Side of Strand — Mark Strand was also an accomplished visual artist, making collages like those pictured in this interview. 

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Home — Essay Samples — Literature — Poetry — Mark Strand’s “Eating Poetry”: A Poem Analysis

Mark Strand's "Eating Poetry": a Poem Analysis

• Categories: Poetry

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Published: Jun 13, 2024

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Eating Poetry Analysis

Summary & analysis of eating poetry by mark strand.

Eating Poetry by Mark Strand is a surrealist poem that explores the idea of “consuming” poetry. The poem, consisting of six stanzas each containing three lines in a form commonly known as tercet, talks primarily about the speaker’s boundless delight in ‘eating’ or consuming poetry. His joy is so powerful that it engenders a surrealist metamorphosis of the speaker into a dog, while the gloomy and apprehensive librarian watches on.

Mark Strand is a Canadian-American surrealist poet who was America’s Poet Laureate in 1990, as well as the winner of the Pulitzer Prize for Poetry in 1999, and one of the leading figures of contemporary surrealist poetry in America. “Eating Poetry” is a part of his collection  Reasons for Moving,  published in 1968.

Eating Poetry | Summary and Analysis

“Ink runs from the corners of my mouth. There is no happiness like mine. I have been eating poetry.”

The narrative voice uses the first-person narrative device, which can be viewed as reflecting not only the narrator but also the poet’s happiness from ‘eating’ or reading poetry. The titular phrase ‘Eating Poetry’ can be a pun on the word ‘consumption’, which is often used to denote the act of reading poetry or literature in general. The lines are short, sharp, and precise, a pattern that continues throughout the poem. The poem is written in free verse, with an occasional rhyming couplet inserted in the middle of non-rhyming lines. 

The reference to ink running from the corners of the narrator’s mouth brings to mind the image of a pen, which can be interpreted as an allusion not only to the process of reading it but also to the process of writing/creating it, for we know that it is primarily for the purpose of the latter that pen and ink are essential. In a larger scheme of things, this line can be a comment on the interrelation between reading poetry and writing it, since to be able to write good poetry, one has to first read it. The dominant literary device used here is metaphor.

Eating Poetry | Analysis,  Lines 4-6 

“The librarian does not believe what she sees. Her eyes are sad and she walks with her hands in her dress.”

In the second stanza, we are introduced to the only other character featured in the poem, the librarian, establishing the poem’s setting as that of a library. The librarian, we are told, is shocked to see the narrator’s antics, or perhaps she is unable to understand or relate to his passion for poetry. Her manner of walking ‘with her hands in her dress’ has an air of glamourous superficiality about it, possibly pointing towards an absence of true interest in her profession, which would explain her inability to sympathize with the poet’s insane amount of joy and excitement at reading poetry. Her ‘sad eyes’ may be a result of her perceiving the narrator as having lost his mind, a label that is often attached to poets, artists, and geniuses. 

There exists a wide gap between the poet’s love and understanding of poetry and the librarian’s, a gap that only keeps increasing as the poem progresses. The figure of the librarian functions in a way similar to the chorus in a Greek play, guiding and mirroring the reader’s reaction to the narrator’s transformation. The dominant literary device used in these lines is alliteration.

Eating Poetry | Analysis,  Lines 7-9

“The poems are gone. The light is dim. The dogs are on the basement stairs and coming up.”

The third stanza sees a sudden darkening in the mood and tone of the poem, strengthening the surrealist elements in its premise. We are told that ‘the poems are gone’, which can be an implication of two things – either that they have been destroyed by the poet who literally ate them, or that they have been metaphorically consumed and read in an act of absorbing existing knowledge and artistry and producing or recycling it to something entirely new. 

The dim lights serve to add an ominous undertone to the setting, and the sudden appearance of dogs in the library keeps with its general theme of surrealism. This stanza also introduces the theme of the destructive potential of excessive literary consumption that transforms the reader/eater into something else altogether, as we will witness in the following paragraphs. Anaphora is a literary device that has been used in these lines 

Eating Poetry | Analysis,  Lines 10-12

“Their eyeballs roll, their blond legs burn like brush. The poor librarian begins to stamp her feet and weep.”

The ominous undertones that the introduction of the dogs did in the poem turn darker and more menacing in this stanza, with semi-gothic descriptions of dogs with eyeballs rolling and blond legs burning. The librarian is scared and puzzled, not knowing what to do since the dogs here symbolize a destructive, disorganizing force, an antithesis of her role as a preserver and organizer of the library. She is as distant from these dogs as she is from the narrator. Alliteration, assonance anaphora, and simile are the literary devices used in these lines.

Eating Poetry | Analysis,  Lines 13-15

“She does not understand. When I get on my knees and lick her hand, she screams.”

As mentioned in the analysis of the previous stanza, the librarian is as distant with the narrator, as he is with the dogs, failing to understand their mad, destructive passion for poetry. In the second line, however, the surrealist metamorphosis of the poetic voice begins, where he starts crouching and licking like a dog, terrifying the librarian. It is this transformative and potentially destructive power of poetry that forms the thematic crux of the poem, making the poetic voice forget his own identity, transforming one to the greatest extent imaginable. Here, the poet’s transformation is surrealistic, fantastical, and scary, eliciting fear and astonishment in both the reader and the librarian. 

Lines 13 and 14 form a rare rhyming couplet in the poem while line fifteen goes back to the original, unrhymed free verse pattern. Alliteration and symbolism are featured in these few lines. 

Eating Poetry | Analysis,  Lines 16-18

“I am a new man. I snarl at her and bark. I romp with joy in the bookish dark.”

In the final stanza of the poem, the narrative voice consciously acknowledges his unnerving metamorphosis in the poem for the first time. He appears to exhibit characteristics of a rabid dog as he snarls and barks unprovoked at the librarian, wandering off aimlessly around the dark corners of the library.

The dark, animalistic transformation of the narrator serves as a testament to the strong transformative force that poetry and art hold, to be understood, experienced, and appreciated only by a select few who understand the true genius of the poetic form as it penetrates their mind, rupturing and maddening, while common readers, much like the librarian, fail to gauge the depth and strength of this transformative potential of poetry, staring from afar in wonder, amazement, and horror as we see people metamorphosing under the poetic influence in front of our own eyes. The poem ends with another rhyming couplet, illustrating the use of consonance.

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Eating Poetry

By mark strand, eating poetry analysis.

These notes were contributed by members of the GradeSaver community. We are thankful for their contributions and encourage you to make your own.

Written by Timothy Sexton

Trying to analyze the meaning of “ Eating Poetry ” is kind of like trying to analyze the meaning of a Giorgio de Chirico painting. Not all surrealism is the same. The comparison to de Chirico is far more apt than a comparison to a Salvador Dali painting or a Rene Magritte. To call “Eating Poetry” an exercise in surrealism is not without cause, but there are levels of surrealism in the written word as well. Dali’s most famous painting features melting clocks and other bizarre imagery that bears really very little resemblance to the real world. The paintings of de Chirico, by contrast, are solidly situated within recognizable reality. That said, the long shadows and silhouetted figures create a sense of menace that is palpable but very difficult to establish.

The imagery provided in “Eating Poetry” firmly locates the events as taking place in a recognizable reality. Although the events may be unlikely or improbably, they are so no bizarre as to exist outside reason such as the apple on the face of the man wearing the bowler in Magritte’s most famous painting. What happens here could happen here. Most likely it won’t, to be sure, but it could.

It is in that thin crack between could and wouldn’t that interpretation exists. When something that can never happen occurs, it is easy to define it in metaphorical terms. When something that can happen takes places, however, readers are usually encouraged to take it literally. So the question becomes: is the assault by the dogs and the evolutionary degradation of a human being into beast form intended as metaphor or a literal occurrence. Both are possible and neither can be rejected.

That crevice is also where the genius of the poem exists. Very few works of literature exist in which the narrative can be conceived entirely in literal terms or entirely in figurative terms or any possible combination of the two. While this creates utter ambiguity that limits any absolute interpretation, it also serves to expand the possibilities for interpretation to an almost infinite level.

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Eating Poetry Questions and Answers

The Question and Answer section for Eating Poetry is a great resource to ask questions, find answers, and discuss the novel.

"Eating Poetry"

The metaphor alludes to the narrator's joy.... his consumption of poetry. He has literally been "eating poetry."

Eating Poetry Question-Characters

The dog is merely a human (man) acting like a dog. In my opinion, the dogs exist only in the man's mind. I do not believe the lighting is meant to scare us, but rather, illustrate the passage of time.

Do you associate certain things with librarians versus say comedians?

Does this question pertain to "Eating Poetry"?

Study Guide for Eating Poetry

Eating Poetry study guide contains a biography of Mark Strand, literature essays, quiz questions, major themes, characters, and a full summary and analysis.

• About Eating Poetry
• Eating Poetry Summary
• Character List

Essays for Eating Poetry

Eating Poetry essays are academic essays for citation. These papers were written primarily by students and provide critical analysis of Eating Poetry by Mark Strand.

• An Analysis of "Eating Poetry"

Eating Poetry by Mark Strand: poem analysis

• mark-strand

This is an analysis of the poem Eating Poetry that begins with:

Ink runs from the corners of my mouth. There is no happiness like mine....

More information about poems by Mark Strand

• Analysis of Breath
• Analysis of The Coming Of Light
• Analysis of Lines For Winter

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