what is a biography pdf

Definition of Biography

A biography is the non- fiction , written history or account of a person’s life. Biographies are intended to give an objective portrayal of a person, written in the third person. Biographers collect information from the subject (if he/she is available), acquaintances of the subject, or in researching other sources such as reference material, experts, records, diaries, interviews, etc. Most biographers intend to present the life story of a person and establish the context of their story for the reader, whether in terms of history and/or the present day. In turn, the reader can be reasonably assured that the information presented about the biographical subject is as true and authentic as possible.

Biographies can be written about a person at any time, no matter if they are living or dead. However, there are limitations to biography as a literary device. Even if the subject is involved in the biographical process, the biographer is restricted in terms of access to the subject’s thoughts or feelings.

Biographical works typically include details of significant events that shape the life of the subject as well as information about their childhood, education, career, and relationships. Occasionally, a biography is made into another form of art such as a film or dramatic production. The musical production of “Hamilton” is an excellent example of a biographical work that has been turned into one of the most popular musical productions in Broadway history.

Common Examples of Biographical Subjects

Most people assume that the subject of a biography must be a person who is famous in some way. However, that’s not always the case. In general, biographical subjects tend to be interesting people who have pioneered something in their field of expertise or done something extraordinary for humanity. In addition, biographical subjects can be people who have experienced something unusual or heartbreaking, committed terrible acts, or who are especially gifted and/or talented.

As a literary device, biography is important because it allows readers to learn about someone’s story and history. This can be enlightening, inspiring, and meaningful in creating connections. Here are some common examples of biographical subjects:

• political leaders
• entrepreneurs
• historical figures
• serial killers
• notorious people
• political activists
• adventurers/explorers
• religious leaders
• military leaders
• cultural figures

Famous Examples of Biographical Works

The readership for biography tends to be those who enjoy learning about a certain person’s life or overall field related to the person. In addition, some readers enjoy the literary form of biography independent of the subject. Some biographical works become well-known due to either the person’s story or the way the work is written, gaining a readership of people who may not otherwise choose to read biography or are unfamiliar with its form.

Here are some famous examples of biographical works that are familiar to many readers outside of biography fans:

• Alexander Hamilton (Ron Chernow)
• Prairie Fires: The American Dreams of Laura Ingalls Wilder (Caroline Fraser)
• Steve Jobs (Walter Isaacson)
• Churchill: A Life (Martin Gilbert)
• The Professor and the Madman: A Tale of Murder, Insanity, and the Making of the Oxford English Dictionary (Simon Winchester)
• A Beautiful Mind (Sylvia Nasar)
• The Black Rose (Tananarive Due)
• John Adams (David McCullough)
• Into the Wild ( Jon Krakauer )
• John Brown (W.E.B. Du Bois)
• Frida: A Biography of Frida Kahlo (Hayden Herrera)
• The Immortal Life of Henrietta Lacks (Rebecca Skloot)
• Team of Rivals: The Political Genius of Abraham Lincoln (Doris Kearns Goodwin)
• Shirley Jackson : A Rather Haunted Life ( Ruth Franklin)
• the stranger in the Woods: The Extraordinary Story of the Last True Hermit (Michael Finkel)

Difference Between Biography, Autobiography, and Memoir

Biography, autobiography , and memoir are the three main forms used to tell the story of a person’s life. Though there are similarities between these forms, they have distinct differences in terms of the writing, style , and purpose.

A biography is an informational narrative and account of the life history of an individual person, written by someone who is not the subject of the biography. An autobiography is the story of an individual’s life, written by that individual. In general, an autobiography is presented chronologically with a focus on key events in the person’s life. Since the writer is the subject of an autobiography, it’s written in the first person and considered more subjective than objective, like a biography. In addition, autobiographies are often written late in the person’s life to present their life experiences, challenges, achievements, viewpoints, etc., across time.

Memoir refers to a written collection of a person’s significant memories, written by that person. Memoir doesn’t generally include biographical information or chronological events unless it’s relevant to the story being presented. The purpose of memoir is reflection and an intention to share a meaningful story as a means of creating an emotional connection with the reader. Memoirs are often presented in a narrative style that is both entertaining and thought-provoking.

Examples of Biography in Literature

An important subset of biography is literary biography. A literary biography applies biographical study and form to the lives of artists and writers. This poses some complications for writers of literary biographies in that they must balance the representation of the biographical subject, the artist or writer, as well as aspects of the subject’s literary works. This balance can be difficult to achieve in terms of judicious interpretation of biographical elements within an author’s literary work and consideration of the separate spheres of the artist and their art.

Literary biographies of artists and writers are among some of the most interesting biographical works. These biographies can also be very influential for readers, not only in terms of understanding the artist or writer’s personal story but the context of their work or literature as well. Here are some examples of well-known literary biographies:

Example 1:  Savage Beauty: The Life of Edna St. Vincent Millay  (Nancy Milford)

One of the first things Vincent explained to Norma was that there was a certain freedom of language in the Village that mustn’t shock her. It wasn’t vulgar. ‘So we sat darning socks on Waverly Place and practiced the use of profanity as we stitched. Needle in, . Needle out, piss. Needle in, . Needle out, c. Until we were easy with the words.’

This passage reflects the way in which Milford is able to characterize St. Vincent Millay as a person interacting with her sister. Even avid readers of a writer’s work are often unaware of the artist’s private and personal natures, separate from their literature and art. Milford reflects the balance required on the part of a literary biographer of telling the writer’s life story without undermining or interfering with the meaning and understanding of the literature produced by the writer. Though biographical information can provide some influence and context for a writer’s literary subjects, style, and choices , there is a distinction between the fictional world created by a writer and the writer’s “real” world. However, a literary biographer can illuminate the writer’s story so that the reader of both the biography and the biographical subject’s literature finds greater meaning and significance.

Example 2:  The Invisible Woman: The Story of Nelly Ternan and Charles Dickens  (Claire Tomalin)

The season of domestic goodwill and festivity must have posed a problem to all good Victorian family men with more than one family to take care of, particularly when there were two lots of children to receive the demonstrations of paternal love.

Tomalin’s literary biography of Charles Dickens reveals the writer’s extramarital relationship with a woman named Nelly Ternan. Tomalin presents the complications that resulted for Dickens from this relationship in terms of his personal and family life as well as his professional writing and literary work. Revealing information such as an extramarital relationship can influence the way a reader may feel about the subject as a person, and in the case of literary biography it can influence the way readers feel about the subject’s literature as well. Artists and writers who are beloved , such as Charles Dickens, are often idealized by their devoted readers and society itself. However, as Tomalin’s biography of Dickens indicates, artists and writers are complicated and as subject to human failings as anyone else.

Example 3:  Virginia Woolf  (Hermione Lee)

‘A self that goes on changing is a self that goes on living’: so too with the biography of that self. And just as lives don’t stay still, so life-writing can’t be fixed and finalised. Our ideas are shifting about what can be said, our knowledge of human character is changing. The biographer has to pioneer, going ‘ahead of the rest of us, like the miner’s canary, testing the atmosphere , detecting falsity, unreality, and the presence of obsolete conventions’. So, ‘There are some stories which have to be retold by each generation’. She is talking about the story of Shelley, but she could be talking about her own life-story.

In this passage, Lee is able to demonstrate what her biographical subject, Virginia Woolf, felt about biography and a person telling their own or another person’s story. Literary biographies of well-known writers can be especially difficult to navigate in that both the author and biographical subject are writers, but completely separate and different people. As referenced in this passage by Lee, Woolf was aware of the subtleties and fluidity present in a person’s life which can be difficult to judiciously and effectively relay to a reader on the part of a biographer. In addition, Woolf offers insight into the fact that biographers must make choices in terms of what information is presented to the reader and the context in which it is offered, making them a “miner’s canary” as to how history will view and remember the biographical subject.

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Posted on Jun 30, 2023

How to Write a Biography: A 7-Step Guide [+Template]

From time to time, nonfiction authors become so captivated by a particular figure from either the present or the past, that they feel compelled to write an entire book about their life. Whether casting them as heroes or villains, there is an interesting quality in their humanity that compels these authors to revisit their life paths and write their story.

However, portraying someone’s life on paper in a comprehensive and engaging way requires solid preparation. If you’re looking to write a biography yourself, in this post we’ll share a step-by-step blueprint that you can follow. 

How to write a biography: 

1. Seek permission when possible 

2. research your subject thoroughly, 3. do interviews and visit locations, 4. organize your findings, 5. identify a central thesis, 6. write it using narrative elements, 7. get feedback and polish the text.

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While you technically don’t need permission to write about public figures (or deceased ones), that doesn't guarantee their legal team won't pursue legal action against you. Author Kitty Kelley was sued by Frank Sinatra before she even started to write His Way , a biography that paints Ol Blue Eyes in a controversial light. (Kelley ended up winning the lawsuit, however).  

Whenever feasible, advise the subject’s representatives of your intentions. If all goes according to plan, you’ll get a green light to proceed, or potentially an offer to collaborate. It's a matter of common sense; if someone were to write a book about you, you would likely want to know about it well prior to publication. So, make a sincere effort to reach out to their PR staff to negotiate an agreement or at least a mutual understanding of the scope of your project. 

At the same time, make sure that you still retain editorial control over the project, and not end up writing a puff piece that treats its protagonist like a saint or hero. No biography can ever be entirely objective, but you should always strive for a portrayal that closely aligns with facts and reality.

If you can’t get an answer from your subject, or you’re asked not to proceed forward, you can still accept the potential repercussions and write an unauthorized biography . The “rebellious act” of publishing without consent indeed makes for great marketing, though it’ll likely bring more headaches with it too. 

✋ Please note that, like other nonfiction books, if you intend to release your biography with a publishing house , you can put together a book proposal to send to them before you even write the book. If they like it enough, they might pay you an advance to write it.  

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Once you’ve settled (or not) the permission part, it’s time to dive deep into your character’s story.  

Deep and thorough research skills are the cornerstone of every biographer worth their salt. To paint a vivid and accurate portrait of someone's life, you’ll have to gather qualitative information from a wide range of reliable sources. 

Start with the information already available, from books on your subject to archival documents, then collect new ones firsthand by interviewing people or traveling to locations. 

Browse the web and library archives

Put your researcher hat on and start consuming any piece on your subject you can find, from their Wikipedia page to news articles, interviews, TV and radio appearances, YouTube videos, podcasts, books, magazines, and any other media outlets they may have been featured in. 

Establish a system to orderly collect the information you find 一 even seemingly insignificant details can prove valuable during the writing process, so be sure to save them. 

Depending on their era, you may find most of the information readily available online, or you may need to search through university libraries for older references. 

For his landmark biography of Alexander Hamilton, Ron Chernow spent untold hours at Columbia University’s library , reading through the Hamilton family papers, visiting the New York Historical Society, as well as interviewing the archivist of the New York Stock Exchange, and so on. The research process took years, but it certainly paid off. Chernow discovered that Hamilton created the first five securities originally traded on Wall Street. This finding, among others, revealed his significant contributions to shaping the current American financial and political systems, a legacy previously often overshadowed by other founding fathers. Today Alexander Hamilton is one of the best-selling biographies of all time, and it has become a cultural phenomenon with its own dedicated musical. 

Besides reading documents about your subject, research can help you understand the world that your subject lived in. 

Try to understand their time and social environment

Many biographies show how their protagonists have had a profound impact on society through their philosophical, artistic, or scientific contributions. But at the same time, it’s worth it as a biographer to make an effort to understand how their societal and historical context influenced their life’s path and work.

An interesting example is Stephen Greenblatt’s Will in the World . Finding himself limited by a lack of verified detail surrounding William Shakespeare's personal life, Greenblatt, instead, employs literary interpretation and imaginative reenactments to transport readers back to the Elizabethan era. The result is a vivid (though speculative) depiction of the playwright's life, enriching our understanding of his world.

Many readers enjoy biographies that transport them to a time and place, so exploring a historical period through the lens of a character can be entertaining in its own right. The Diary of Samuel Pepys became a classic not because people were enthralled by his life as an administrator, but rather from his meticulous and vivid documentation of everyday existence during the Restoration period.

Once you’ve gotten your hands on as many secondary sources as you can find, you’ll want to go hunting for stories first-hand from people who are (or were) close to your subject.

With all the material you’ve been through, by now you should already have a pretty good picture of your protagonist. But you’ll surely have some curiosities and missing dots in their character arc to figure out, which you can only get by interviewing primary sources.

Interview friends and associates

This part is more relevant if your subject is contemporary, and you can actually meet up or call with relatives, friends, colleagues, business partners, neighbors, or any other person related to them. 

In writing the popular biography of Steve Jobs, Walter Isaacson interviewed more than one hundred people, including Jobs’s family, colleagues, former college mates, business rivals, and the man himself.

🔍 Read other biographies to get a sense of what makes a great one. Check out our list of the 30 best biographies of all time , or take our 30-second quiz below for tips on which one you should read next. 

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When you conduct your interviews, make sure to record them with high quality audio you can revisit later. Then use tools like Otter.ai or Descript to transcribe them 一 it’ll save you countless hours. 

You can approach the interview with a specific set of questions, or follow your curiosity blindly, trying to uncover revealing stories and anecdotes about your subject. Whatever your method, author and biography editor Tom Bromley suggests that every interviewer arrives prepared, "Show that you’ve done your work. This will help to put the interviewee at ease, and get their best answers.” 

Bromley also places emphasis on the order in which you conduct interviews. “You may want to interview different members of the family or friends first, to get their perspective on something, and then go directly to the main interviewee. You'll be able to use that knowledge to ask sharper, more specific questions.” 

Finally, consider how much time you have with each interviewee. If you only have a 30-minute phone call with an important person, make it count by asking directly the most pressing questions you have. And, if you find a reliable source who is also particularly willing to help, conduct several interviews and ask them, if appropriate, to write a foreword as part of the book’s front matter .

Sometimes an important part of the process is packing your bags, getting on a plane, and personally visiting significant places in your character’s journey.

Visit significant places in their life

A place, whether that’s a city, a rural house, or a bodhi tree, can carry a particular energy that you can only truly experience by being there. In putting the pieces together about someone’s life, it may be useful to go visit where they grew up, or where other significant events of their lives happened. It will be easier to imagine what they experienced, and better tell their story. 

In researching The Lost City of Z , author David Grann embarked on a trek through the Amazon, retracing the steps of British explorer Percy Fawcett. This led Grann to develop new theories about the circumstances surrounding the explorer's disappearance.

Hopefully, you won’t have to deal with jaguars and anacondas to better understand your subject’s environment, but try to walk into their shoes as much as possible. 

Once you’ve researched your character enough, it’s time to put together all the puzzle pieces you collected so far. 

Take the bulk of notes, media, and other documents you’ve collected, and start to give them some order and structure. A simple way to do this is by creating a timeline. 

Create a chronological timeline

It helps to organize your notes chronologically 一 from childhood to the senior years, line up the most significant events of your subject’s life, including dates, places, names and other relevant bits. 

You should be able to divide their life into distinct periods, each with their unique events and significance. Based on that, you can start drafting an outline of the narrative you want to create.  

Draft a story outline 

Since a biography entails writing about a person’s entire life, it will have a beginning, a middle, and an end. You can pick where you want to end the story, depending on how consequential the last years of your subject were. But the nature of the work will give you a starting character arc to work with. 

To outline the story then, you could turn to the popular Three-Act Structure , which divides the narrative in three main parts. In a nutshell, you’ll want to make sure to have the following:

• Act 1. Setup : Introduce the protagonist's background and the turning points that set them on a path to achieve a goal. 
• Act 2. Confrontation : Describe the challenges they encounter, both internal and external, and how they rise to them. Then..
• Act 3. Resolution : Reach a climactic point in their story in which they succeed (or fail), showing how they (and the world around them) have changed as a result. 

Only one question remains before you begin writing: what will be the main focus of your biography?

Think about why you’re so drawn to your subject to dedicate years of your life to recounting their own. What aspect of their life do you want to highlight? Is it their evil nature, artistic genius, or visionary mindset? And what evidence have you got to back that up? Find a central thesis or focus to weave as the main thread throughout your narrative. 

Or find a unique angle

If you don’t have a particular theme to explore, finding a distinct angle on your subject’s story can also help you distinguish your work from other biographies or existing works on the same subject.

Plenty of biographies have been published about The Beatles 一 many of which have different focuses and approaches: 

• Philip Norman's Shout is sometimes regarded as leaning more towards a pro-Lennon and anti-McCartney stance, offering insights into the band's inner dynamics. 
• Ian McDonald's Revolution in the Head closely examines their music track by track, shifting the focus back to McCartney as a primary creative force. 
• Craig Brown's One Two Three Four aims to capture their story through anecdotes, fan letters, diary entries, and interviews. 
• Mark Lewisohn's monumental three-volume biography, Tune In , stands as a testament to over a decade of meticulous research, chronicling every intricate detail of the Beatles' journey.

Finally, consider that biographies are often more than recounting the life of a person. Similar to how Dickens’ Great Expectations is not solely about a boy named Pip (but an examination and critique of Britain’s fickle, unforgiving class system), a biography should strive to illuminate a broader truth — be it social, political, or human — beyond the immediate subject of the book. 

Once you’ve identified your main focus or angle, it’s time to write a great story. 

While biographies are often highly informative, they do not have to be dry and purely expository in nature . You can play with storytelling elements to make it an engaging read. 

You could do that by thoroughly detailing the setting of the story , depicting the people involved in the story as fully-fledged characters , or using rising action and building to a climax when describing a particularly significant milestone of the subject’s life. 

One common way to make a biography interesting to read is starting on a strong foot…

Hook the reader from the start

Just because you're honoring your character's whole life doesn't mean you have to begin when they said their first word. Starting from the middle or end of their life can be more captivating as it introduces conflicts and stakes that shaped their journey.

When he wrote about Christopher McCandless in Into the Wild , author Jon Krakauer didn’t open his subject’s childhood and abusive family environment. Instead, the book begins with McCandless hitchhiking his way into the wilderness, and subsequently being discovered dead in an abandoned bus. By starting in medias res , Krakauer hooks the reader’s interest, before tracing back the causes and motivations that led McCandless to die alone in that bus in the first place.

You can bend the timeline to improve the reader’s reading experience throughout the rest of the story too…

Play with flashback 

While biographies tend to follow a chronological narrative, you can use flashbacks to tell brief stories or anecdotes when appropriate. For example, if you were telling the story of footballer Lionel Messi, before the climax of winning the World Cup with Argentina, you could recall when he was just 13 years old, giving an interview to a local newspaper, expressing his lifelong dream of playing for the national team. 

Used sparsely and intentionally, flashbacks can add more context to the story and keep the narrative interesting. Just like including dialogue does…

Reimagine conversations

Recreating conversations that your subject had with people around them is another effective way to color the story. Dialogue helps the reader imagine the story like a movie, providing a deeper sensory experience. 

One thing is trying to articulate the root of Steve Jobs’ obsession with product design, another would be to quote his father , teaching him how to build a fence when he was young: “You've got to make the back of the fence just as good looking as the front of the fence. Even though nobody will see it, you will know. And that will show that you're dedicated to making something perfect.”

Unlike memoirs and autobiographies, in which the author tells the story from their personal viewpoint and enjoys greater freedom to recall conversations, biographies require a commitment to facts. So, when recreating dialogue, try to quote directly from reliable sources like personal diaries, emails, and text messages. You could also use your interview scripts as an alternative to dialogue. As Tom Bromley suggests, “If you talk with a good amount of people, you can try to tell the story from their perspective, interweaving different segments and quoting the interviewees directly.”

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These are just some of the story elements you can use to make your biography more compelling. Once you’ve finished your manuscript, it’s a good idea to ask for feedback. 

If you’re going to self-publish your biography, you’ll have to polish it to professional standards. After leaving your work to rest for a while, look at it with fresh eyes and self-edit your manuscript eliminating passive voice, filler words, and redundant adverbs. 

Then, have a professional editor give you a general assessment. They’ll look at the structure and shape of your manuscript and tell you which parts need to be expanded on or cut. As someone who edited and commissioned several biographies, Tom Bromley points out that a professional “will look at the sources used and assess whether they back up the points made, or if more are needed. They would also look for context, and whether or not more background information is needed for the reader to understand the story fully. And they might check your facts, too.”  

In addition to structural editing, you may want to have someone copy-edit and proofread your work.

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Importantly, make sure to include a bibliography with a list of all the interviews, documents, and sources used in the writing process. You’ll have to compile it according to a manual of style, but you can easily create one by using tools like EasyBib . Once the text is nicely polished and typeset in your writing software , you can prepare for the publication process.  

In conclusion, by mixing storytelling elements with diligent research, you’ll be able to breathe life into a powerful biography that immerses readers in another individual’s life experience. Whether that’ll spark inspiration or controversy, remember you could have an important role in shaping their legacy 一 and that’s something not to take lightly. 

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Biography: A Very Short Introduction

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Biography: A Very Short Introduction looks at the origins and development of biographical writing. Why do certain people and historical events arouse so much interest? How can biographies be compared with history and works of fiction? Does a biography need to be true? Is it acceptable to omit or conceal things? Does the biographer need to personally know the subject? Must a biographer be subjective? This VSI considers the cultural and historical background of different types of biographies, looking at the factors that affect biographers and whether there are different strategies, ethics, and principles required for writing about one person compared to another.

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Biographical information.

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• Searching for Biographical Sources in NUsearch

Biographical resources

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• American National Biography This link opens in a new window There is no need to sign in at website to access this resource. Begin searching or browsing for articles. The American National Biography is the premier, authoritative, historical biographical encyclopedia for the United States. Over 18,700 men and women are included, and the resource is updated quarterly with new entries and revisions of previously published entries to enhance their accuracy and currency. Articles are by established scholars. Living individuals are not included.
• Oxford Dictionary of National Biography This link opens in a new window The Oxford Dictionary of National Biography provides biographies of over 50,000 individuals worldwide who have shaped the history of the British Isles. Access restricted to 3 simultaneous users at a time.
• Gale in Context: Biography This link opens in a new window Gale In Context: Biography is an engaging online experience for those seeking contextual information on the world's most influential people. Biography merges Gale's authoritative reference content with periodicals and multimedia organized into a user-friendly portal experience while allowing users to search for people based on name, occupation, nationality, ethnicity, birth/death dates and places, or gender as well as keyword and full text.
• Current Biography Illustrated This link opens in a new window Current Biography Illustrated contains profiles of individuals living at the time of publication, often at the height of, or even the beginning of, their fame or notoriety. Occasionally a revised biography will be published, and a brief obituary, but published biographies are never revised in light of later events, so a useful source for seeing how individuals were perceived at the time they were active. Illustrations for most individuals are included.
• Chambers Biographical Dictionary International and historical coverage of all areas of human achievement including the arts, science, technology, sport, politics, philosophy and business.
• World Biographical Information System WBIS This link opens in a new window Over 3.6 million short biographical entries for individuals who lived across the world from ancient times to the present. Includes full text images of the original sources, usually older biographical dictionaries. Especially valuable for locating information on hard-to-find individuals from the past.
• Almanac of American Politics Includes profiles of every member of Congress and every governor. It offers in-depth and completely up-to-date narrative profiles of all 50 states and 435 House districts.
• African American Biographical Database This link opens in a new window From July 1, 2023 AABD became a component of ProQuest Black Studies Center. Biographical sketches and essays on African Americans from 1790 to 1950. The Database corresponds to the printed Black Biographical Dictionaries. These sketches have been assembled from biographical dictionaries, yearbooks, directories, histories, personal accounts, and other published sources. The full text of 300 rare books is displayed and searchable in page images, intact with images and illustrations.
• Complete Dictionary of Scientific Biography Provides information on the history of science through articles on the professional lives of scientists. Covers all periods of science from classical antiquity to modern times.
• Gale Literature Resource Center This link opens in a new window Provides access to biographies, bibliographies, and critical analayses of authors from every age and literary discipline. Covers more than 120,000 novelists, essayist, poets, journalists, and other writers, with in-depth coverage of 2,500 of the most-studied authors. Includes links to: Dictionary of literary biography, Contemporary authors, Contemporary literary criticism, and more.
• Palgrave MacMillan Dictionary of Women’s Biography Biographical information about women: historical, current, and worldwide.

• Next: Searching for Biographical Sources in NUsearch >>
• Last Updated: Jul 7, 2023 1:49 PM
• URL: https://libguides.northwestern.edu/biographical

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Arizona’s 1864 abortion law was made in a women’s rights desert – here’s what life was like then

Professor of History, Arizona State University

Disclosure statement

Calvin Schermerhorn does not work for, consult, own shares in or receive funding from any company or organisation that would benefit from this article, and has disclosed no relevant affiliations beyond their academic appointment.

Arizona State University provides funding as a member of The Conversation US.

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Dora Juhl, a 15-year-old teenager, walked into Dr. Rosa Goodrich Boido’s obstetrical practice in Phoenix in January 1918. Juhl wanted to end her pregnancy.

But abortion was illegal in Arizona.

Boido, the city’s sole female physician, asked Juhl for US$100 – about $2,000 today – to perform the abortion.

Juhl said she could pay $27 – her entire savings – but Boido explained the legal risks, including the prison time she could face, and insisted on full payment. Juhl left the office, then tried to give herself an abortion and returned to Boido’s practice in physical distress.

Boido then admitted Juhl as a patient. It is unclear whether Boido performed an abortion, removed fetal tissue, or merely gave her pain medication. The next day, police arrived and arrested Boido. Arizona charged Boido under a 54-year-old law banning abortions. She lost her medical license and spent three months in jail with bail set at $15,000 – about $300,000 today – before her trial.

Those days may soon return to Arizona.

The Arizona Supreme Court ruled on April 9, 2024, that this same 160-year-old territorial law that bans abortion – unless the pregnant person’s life is in danger – will go into effect .

Since that ruling, the Arizona Legislature has been grappling with how to handle the near-total ban. After several weeks of attempts, the state House of Representatives passed a repeal of the law on April 24, 2024, that now goes to the state Senate for debate and a vote. But even if the ban is fully repealed , it could still take temporary effect this summer.

Passed during the Civil War in 1864, this law mandated that anyone who used medicine or surgery “to procure the miscarriage of any woman then being with child, and shall be thereof duly convicted, shall be punished by imprisonment in the Territorial prison for a term not less than two years nor more than five years.”

The sole exception was a physician who “deems it necessary to produce the miscarriage of any woman in order to save her life.”

In the late 1800s, women in Arizona, as in other places in the U.S., had no direct say in laws governing their bodies. As someone who teaches history in Arizona and researches slavery, I think it is useful to understand what life was like in Arizona when this abortion ban was in force.

A women’s rights desert

In 1864, Arizona – which was an official territory of the United States – was a vast desert.

In the 1870s, Arizona had less than 10,000 residents, excluding Native Americans, whom the Census refused to count and the U.S. refused to grant citizenship.

Most women living in territorial Arizona were Diné, meaning Navajo, or Chiricahua Apache. In 1864, the U.S. Army was fighting Indigenous people in an effort to take Native lands. U.S. forces crowded Apaches onto reservations in Arizona and New Mexico.

All women in Arizona could not vote, serve on juries or exercise full control over property in a marriage. Demographically, the territory had a pronounced gender imbalance in favor of men – women were just one-quarter of the non-Native population .

Most of the white men in Arizona moved there to work as miners and soldiers. People there also worked on cattle ranches and grew cotton. Mining and ranching interests controlled politics, and many Arizonans supported the Southern Confederacy, though Arizona was a free territory in 1863, meaning slavery was not legal .

Many politicians in Arizona, like House Speaker William Claude Jones, were transplants from the South.

Jones was responsible for shepherding the abortion ban through the Legislature. Around this time, Jones abandoned his first wife. Throughout his life, he would have three more wives, including a 12-year-old, a 15-year-old and a 14-year-old at the time of their weddings.

Women’s rights in territorial Arizona

Women had few basic rights in Arizona before it became a state in 1912. And territorial law did not favor women.

Hispanic and African American women had even fewer rights than white women. Arizona punished anyone who kidnapped a Black person for the purpose of selling them into slavery. But, at the same time, it outlawed “all marriages of white persons with negroes or mulattoes.”

Until 1871, a wife who divorced a husband for adultery faced the prospect of a court-appointed trustee to oversee the property or alimony she received.

But if a wife was found to have committed adultery, she lost all her property to her husband, forever. The 1871 Married Woman’s Property Act granted women more autonomy, but marriage remained an unequal partnership.

By around 1870, women’s suffragists began advocating for Arizona to follow Wyoming, Colorado and Utah in giving women the right to vote . This was 50 years before the 19th Amendment gave the right to vote to all women in the U.S.

Led by female attorney Murat Masterson, suffragists introduced a bill to enfranchise women in 1883 . It failed. White women were allowed to cast ballots in county school board elections, but it took determined activism by women’s rights activists to achieve even this vote.

Suffragists led by Pauline O’Neill, Frances Willard Munds and others continued to push for the right for women to vote through organized clubs and staged rallies – and worked to sway pubic opinion.

Women’s health doctor Boido was also active in the women’s suffrage fight in Arizona by promoting sex education, as well as anti-death penalty, anti-alcohol and anti-tobacco efforts.

In 1913, one year after Arizona became a state, women finally got the right to vote .

Getting an abortion in territorial Arizona

Some women like Juhl did indeed violate Arizona’s abortion ban , based on historical evidence of physicians charging a high fee.

After Boido’s arrest and arraignment, she remained in jail for three months, including during her trial. The jury “ found her guilty of performing an illegal operation,” according to the Arizona Republican newspaper.

Historian Mary S. Melcher has argued that Boido did not have a jury of her peers since women were not allowed on them .

Juhl returned to her family in Yavapai County and went back to high school.

After her conviction in 1918, Boido became prisoner 5159 at the women’s wing of the state penitentiary. She served two months, then was paroled because the women’s section of the prison was too hot and unlivable in the Arizona summer. With Boido’s medical license gone, she moved to California. She died in Hawaii in 1959 at age 89.

Arizona kept this 1864 abortion ban in place until the U.S. Supreme Court ruled, in Roe v. Wade in 1973, that the right to get an abortion was constitutionally guaranteed. The court reversed Roe v. Wade in 2022, sparking a series of events that have led to the resurrection of the 1864 Arizona abortion ban.

• Reproductive rights
• Women's rights
• Women's right to vote
• Suffragists
• Dobbs v. Jackson Women’s Health Organization

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Jury Finds U.S. Army Major Guilty After He Smuggled Guns to Ghana in Blue Barrels of Rice and Home Goods

“We are partnering with law enforcement agencies across the globe to expose international criminals – from money launderers to rogue international arms traffickers capable of fueling violence abroad,” said U.S Attorney Michael Easley.  “Through a partnership with Ghanaian officials, this rogue Army Major was convicted at trial after smuggling guns to Ghana in blue barrels of rice and household goods. I want to thank the Ghana Revenue Authority and the International Cooperation Unit Office of the Attorney-General of Ghana for their assistance in the investigation. I also commend the Drug Enforcement Administration (DEA) and the Federal Bureau of Investigation (FBI) attachés to U.S. Embassy Accra and the U.S. Department of Justice’s Office of International Affairs of the Department’s Criminal Division for their significant assistance to this prosecution.”

“Far from being a victimless crime, firearms trafficking threatens public safety across our nation and beyond,” said Toni M. Crosby, Special Agent in Charge of the ATF Baltimore Field Division. “The Baltimore Field Division is proud to partner with the Ghana Revenue Authority and ATF’s Charlotte and Louisville Field Divisions for this investigation, which has kept firearms off the streets — preventing them from being used in any number of killings and other crimes — and ended this international firearm trafficking scheme.”

According to court records and evidence presented at trial, between June 28 and July 2, 2021, Dartey purchased seven firearms in the Fort Liberty area and tasked a U.S. Army Staff Sergeant at Fort Campbell, Kentucky, to purchase three firearms there and send them to Dartey in North Carolina.  Dartey then hid all the firearms, including multiple handguns, an AR15, 50-round magazines, suppressors, and a combat shotgun inside blue barrels underneath rice and household goods and smuggled the barrels out of the Port of Baltimore, Maryland, on a container ship to the Port of Tema in Ghana.  The Ghana Revenue Authority recovered the firearms and reported the seizure to the DEA attaché in Ghana and the Bureau of Alcohol, Tobacco, Firearms and Explosives (ATF) Baltimore Field Division.  At the same time, Dartey was a witness in the trial of U.S. v. Agyapong. A case that involved a 16-defendant marriage fraud scheme between soldiers on Fort Liberty and foreign nationals from Ghana that Dartey had tipped off officials to. In preparation for the trial, Dartey lied to federal law enforcement about his sexual relationship with a defense witness and lied on the stand and under oath about the relationship. 

Michael Easley, U.S. Attorney for the Eastern District of North Carolina, made the announcement after Chief U.S. District Judge Richard E. Myers II accepted the verdict. The ATF, Army Criminal Investigation Division and the U.S. Department of Commerce’s Office of Export Enforcement investigated the case. Assistant U.S. Attorney Gabriel J. Diaz prosecuted it with technical assistance from David Ryan, DOJ Counterintelligence and Export Control Section.

Related court documents and information can be found on the website of the U.S. District Court for the Eastern District of North Carolina or on PACER by searching for Case No. 5:23-cr-00165-M-RJ-1.

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