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There are seven meanings listed in OED's entry for the noun thesis . See ‘Meaning & use’ for definitions, usage, and quotation evidence.
thesis has developed meanings and uses in subjects including
OED is undergoing a continuous programme of revision to modernize and improve definitions. This entry has not yet been fully revised.
1750 | 1.6 |
1760 | 1.8 |
1770 | 2.6 |
1780 | 1.9 |
1790 | 1.7 |
1800 | 1.9 |
1810 | 1.4 |
1820 | 1.3 |
1830 | 1.3 |
1840 | 1.8 |
1850 | 2.0 |
1860 | 1.8 |
1870 | 2.6 |
1880 | 2.9 |
1890 | 3.7 |
1900 | 4.2 |
1910 | 5.7 |
1920 | 8.2 |
1930 | 13 |
1940 | 15 |
1950 | 19 |
1960 | 24 |
1970 | 27 |
1980 | 27 |
1990 | 25 |
2000 | 23 |
2010 | 23 |
British english, u.s. english, where does the noun thesis come from.
Earliest known use
Middle English
The earliest known use of the noun thesis is in the Middle English period (1150—1500).
OED's earliest evidence for thesis is from before 1398, in a translation by John Trevisa, translator.
thesis is a borrowing from Greek.
Etymons: Greek θέσις .
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Pronunciation, compounds & derived words, entry history for thesis, n..
thesis, n. was first published in 1912; not yet revised.
thesis, n. was last modified in December 2023.
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In high school, college, or graduate school, students often have to write a thesis on a topic in their major field of study. In many fields, a final thesis is the biggest challenge involved in getting a master's degree, and the same is true for students studying for a Ph.D. (a Ph.D. thesis is often called a dissertation ). But a thesis may also be an idea; so in the course of the paper the student may put forth several theses (notice the plural form) and attempt to prove them.
These examples are programmatically compiled from various online sources to illustrate current usage of the word 'thesis.' Any opinions expressed in the examples do not represent those of Merriam-Webster or its editors. Send us feedback about these examples.
in sense 3, Middle English, lowering of the voice, from Late Latin & Greek; Late Latin, from Greek, downbeat, more important part of a foot, literally, act of laying down; in other senses, Latin, from Greek, literally, act of laying down, from tithenai to put, lay down — more at do
14th century, in the meaning defined at sense 3a(1)
the sins of the fathers are visited upon the children
thesis novel
“Thesis.” Merriam-Webster.com Dictionary , Merriam-Webster, https://www.merriam-webster.com/dictionary/thesis. Accessed 7 Sep. 2024.
Kids definition of thesis, more from merriam-webster on thesis.
Nglish: Translation of thesis for Spanish Speakers
Britannica English: Translation of thesis for Arabic Speakers
Britannica.com: Encyclopedia article about thesis
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[Etymonline for 'thesis (n.)':] late 14c., "unaccented syllable or note," from Latin thesis "unaccented syllable in poetry," later (and more correctly) "stressed part of a metrical foot," from Greek thesis "a proposition," also "downbeat" (in music), originally "a setting down, a placing, an arranging; position, situation," from root of tithenai "to place, put, set," from PIE root * dhe- "to set, to put" (see factitious ).
Please help me dig deeper than the etymology. I heed the Etymological Fallacy, but what are some right ways of interpreting the etymology, to make it feel reasonable and intuitive?
How does "to set, to put" evolve to mean the modern definition of 'thesis' ?
Update: This website answers my question, but I do not post it as an answer hereunder as others may still find something new with which to contribute.
thesis is Ancient Greek for "setting (down), placing", and @user438 is completely correct that the connection is that someone "sets down" arguments and propositions. Other related indirect senses mentioned in the LSJ dictionary include "instituting games", "setting forth" in legal form, monetary deposits, a "general question" (as opposed to the hypothesis , lit. "under-placing", the "special case"), a "downbeat" in music, and a stop in punctuation.
The earliest attestation of the philosophical sense given in LSJ, "thesis, position, assumed and requiring proof" is in Plato's Republic, 335a:
http://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A1999.01.0168%3Abook%3D1%3Asection%3D335a
Notice how thesis "placing" is led up to in this excerpt by repeated use of the related verb tithēmi "to put; (mediopassive) to take up a position"—both in the same sense of "taking up an intellectual position":
καὶ μάλα, ἔφη, οὕτω συμβαίνει. ἀλλὰ μεταθώμεθα : κινδυνεύομεν γὰρ οὐκ ὀρθῶς τὸν φίλον καὶ ἐχθρὸν θέσθαι . “Most certainly,” he said, “it does work out so. But let us change our ground [" change position "]; for it looks as if we were wrong in the notion we took up about [" in positioning "] the friend and the enemy.”
πῶς θέμενοι , ὦ Πολέμαρχε; “What notion ["how did we position "], Polemarchus?”
τὸν δοκοῦντα χρηστόν, τοῦτον φίλον εἶναι. “That the man who seems to us good is the friend.”
νῦν δὲ πῶς, ἦν δ᾽ ἐγώ, μεταθώμεθα ; “And to what shall we change it now [" change position "]?” said I.
τὸν δοκοῦντά τε, ἦ δ᾽ ὅς, καὶ τὸν ὄντα χρηστὸν φίλον: καὶ περὶ τοῦ ἐχθροῦ δὲ ἡ αὐτὴ θέσις . “That the man who both seems and is good is the friend, but that he who seems but is not really so seems but is not really the friend. And there will be the same assumption [" position , thesis "] about the enemy.”
Because you "set down" your arguments and propositions.
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arsis and thesis , in prosody, respectively, the accented and unaccented parts of a poetic foot . Arsis, a term of Greek origin meaning “the act of raising or lifting” or “raising the foot in beating time,” refers in Greek, or quantitative , verse to the lighter or shorter part of a poetic foot, and thesis to the accented part of the poetic foot. In Latin, or accentual , verse, the meanings of these words were reversed— arsis came to mean the accented or longer part of the foot, and thesis the unaccented part. It is the Latin meaning that has been retained in modern usage.
Origin & history.
Entries where "θέσις" occurs:
thesis : thesis (English) Origin & history From Latin thesis, from Ancient Greek θέσις ("a proposition, a statement, a thing laid down, thesis in rhetoric, thesis in prosody") Pronunciation IPA: /ˈθiːsɪs/ Pronunciation example: Audio (US) Rhymes:…
deed : …action"), Swedish and Danish dåd ("act, action"). The Proto-Indo-European root is also the source of Ancient Greek θέσις ("setting, arrangement"). Related to do. Pronunciation IPA: /diːd/ Pronunciation example: Audio (US) Rhymes:…
tes : …Origin & history I Noun tes Indefinite genitive singular of te Origin & history II From Latin thesis and Ancient Greek θέσις ("a proposition, a statement"), used in Swedish since 1664. Noun tes (common gender) a thesis, a statement…
Tat : …Low German Daat, Dutch daad, English deed, Danish dåd, Gothic 𐌳𐌴𐌸𐍃, and Ancient Greek θέσις ("arrangement"). Pronunciation IPA: /taːt/ Rhymes: -aːt Homophones: tat Noun Tat (fem.) (genitive Tat…
antithesis : antithesis (English) Origin & history From Ancient Greek ἀντί ("against") + θέσις ("position"). Surface analysis anti- + thesis. Pronunciation (Amer. Eng.) IPA: /ænˈtɪ.θə.sɪs/ Pronunciation example: Audio (US) Examples:…
Cite this page : "θέσις" – WordSense Online Dictionary (7th September, 2024) URL: https://www.wordsense.eu/θέσις/
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θέσκελος (Ancient Greek)
θές (Ancient Greek)
θέτης (Ancient Greek)
θέτο (Ancient Greek)
θέτω (Greek)
θέω (Ancient Greek)
θέων (Ancient Greek)
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saltatio , waying , pravoslavac , salvamento
The son of either Poseidon or Aegeus and Aethra , Theseus was widely considered the greatest Athenian hero , the king who managed to politically unify Attica under the aegis of Athens . Son of either Aegeus , the king of Athens , or Poseidon , the god of the sea, and Aethra , a princess, Theseus was raised by his mother in the palaces of Troezen . Upon reaching adulthood and finding out the identity of his father, he set out on a journey to Athens, during which he managed to outwit and overpower few notorious brigands: Periphetes, Sinis, Phaea , Sciron, Cercyon, and Procrustes. In Athens, after thwarting Medea ’s attempts to eliminate him and capturing the Marathonian Bull, he volunteered to be one of the fourteen young Athenians sent to Crete as a sacrifice to the Minotaur so as to be able to kill the monster inside his Labyrinth. With the help of Ariadne who gave him a ball of thread to navigate himself inside the maze, Theseus managed to find and slay the Minotaur , after which he set sail back to Athens. There he ruled admirably for many years before an unsuccessful attempt (taken with his friend Pirithous ) to abduct Persephone from the Underworld resulted in his deposition and, consequently, treacherous murder by Lycomedes of Scyros.
The night Theseus was conceived, his mother Aethra slept with Aegeus, the king of Athens, and Poseidon, the god of the sea. Whoever his father had been, Theseus’ exceptional parentage was evident even in his early years. Soon after Theseus reached adulthood, Aethra sent him to Athens.
Even after two wives – Meta and Chalciope – Aegeus, the esteemed king of Athens, was still childless. Fearing the intentions of his three brothers, he headed off to Pythia to learn from the Oracle if he will ever produce a male heir. As always, the advice was all but straightforward: “The bulging mouth of the wineskin, o best of men, loose not until thou hast reached the height of Athens.” Aegeus didn’t understand any of this and sorrowfully set out on a journey back home. On his way to Athens, however, he did make one stop: calling at Troezen , he didn’t miss the chance to ask its king Pittheus if he would help him decipher the Oracle’s ambiguous reply. Pittheus , wise as he famously was, understood it perfectly, but chose to use the knowledge to his benefit: wishing for a nephew with Aegeus’ blood, he got his guest drunk and then introduced him to his daughter Aethra; Aegeus slept with her, a few hours before Poseidon, the mighty god of the sea, did the same. Nine months later, Aethra gave birth to a beautiful child: Theseus.
Whether the son of a god or an exceptional mortal, Theseus was discernibly unlike his peers even as a child, outshining them in every category. One time, when Heracles visited Pittheus’ kingdom and took off his lion-skin before sitting at the dinner table, the children of the palace, mistaking it for a real lion, all fled in fear and alarm. Theseus calmly took an ax and attacked the skin; even back then, watching the scene with eyes full of love and awe, Aethra already knew what she was supposed to do in few years’ time.
Because, you see, before Aegeus left Troezen, he hid his sword and a pair of sandals under a great rock. “If you bore a son in nine months,” he told Aethra, “and if he is able to lift this rock once he reaches manhood – then send him to Athens with this sword and these sandals, for then I’d know that he is, indeed, my son, the future king of Athens.” When the time came, Aethra led Theseus to the rock and relayed to him his father’s message. Theseus lifted the rock with ease and, equipped with Theseus’ tokens of paternity, hit the road to Athens.
Sending him off to Athens, Aethra begged Theseus to travel by sea and, thus, bypass all the dangers which, by all accounts, lay on the land-route ahead of him. Theseus, however, wanted to earn himself a reputation worthy of a formidable hero before meeting his father. And by the time he reached Athens, he had vanquished so many famous villains – each with a memorable modus operandi – that people were already eager to compare him to his childhood idol, Heracles .
Wielding a bronze club, Periphetes haunted the road near Epidaurus, threatening to savagely beat any traveler daring to cross paths with him. But Theseus wasn’t just any traveler: before Periphetes could realize, he managed to grab the club out of his hands and beat him to death with his own weapon. Emulating Heracles’ actions (who barely slipped out of the skin of the Nemean lion after completing his first labor), Theseus appropriated Periphetes’ club and, soon enough, it became the most recognizable piece of his equipment.
Before leaving Peloponnese, Theseus happened upon Sinis, the Pine Bender, so called because of his notorious habit of tying casual travelers to bent-down pine trees, which, upon release, instantaneously tore in two anyone unfortunate enough to be caught by this brutish bandit. However – and somewhat expectedly – Sinis was no match for Theseus: once again, the Athenian hero prevailed using his enemy’s own method of destruction.
An offspring of Typhon and Echidna , the Crommyonian Sow was either a huge wild pig which troubled the lands around Corinth and Megara or a vicious female robber nicknamed “The Sow” because of her appearance and vulgar manners. Either way, Theseus had no problems dealing with her as well.
Not much further, on the rocky coastal road of the Isthmus of Corinth , Theseus encountered Sciron, a mighty brigand who would force passing travelers to wash his feet – only so that he is able to kick his kneeling victims off the cliffs into the sea where a giant sea turtle waited to devour them. Recognizing the danger, once he bent down, Theseus grabbed Sciron by his foot, lifted him up, and then hurled him into the sea. The turtle got its meal either way.
Compared to the other five malefactors Theseus came across on his road to Athens, Cercyon of Eleusis was somewhat old school: he challenged passersby on a win-or-die wrestling match. Not a good idea when your opponent is Theseus! Needless to say, it was Cercyon who got the wrong side of the proposed bargain. Or as a Greek poet put it in both humorous and oblique manner: Theseus “closed the wrestling school of Cercyon.”
At first sight, Procrustes seemed a kind man: he offered his house as a shelter to any traveler in need who happened to run into him. The house had two beds, a short and a long one. However, once the ill-fated traveler would choose and lay down in one of them, Procrustes made sure to make him fit the bed ( not the other way around), either by using his infernal apparatus to elongate his extremities or by hammering down his length. As it should be evident by now, Theseus eventually dealt with his host in the same way he did with his guests. And even though we don’t know which one of Procrustes’ two beds spelled the end for Procrustes, it couldn’t have been a pleasurable experience either way.
In Athens, Theseus was quickly recognized by Medea , the wife of his father, Aegeus. So, before Aegeus could make out Theseus’ identity, the hero had to prove his worth and capture the Marathonian Bull.
When Theseus arrived in Athens, he had the misfortune of being recognized by the wrong person: not by his father Aegeus, but by his then-wife, the sorceress Medea. Obviously, Medea didn’t want Aegeus to be succeeded in his throne by a son from a previous marriage, so she resolved to kill Theseus. She had no problem convincing Aegeus to her side, since the Athenian king still feared that he would be killed by one of his brother’s sons or, even worse, by an outsider. So, soon after arriving in Athens, Aegeus sent Theseus to capture the Marathonian Bull.
Now, the Marathonian Bull is actually the same bull Heracles managed to capture for his seventh labor. Formerly known as the Cretan Bull , the creature was either set free by Heracles or escaped from Tiryns by itself. After traversing the Isthmus of Corinth, it arrived at Marathon and bothered its inhabitants for years before Theseus finally managed to master it. After showing it to Aegeus and Medea, Theseus killed the Bull and sacrificed it to Apollo .
Medea didn’t expect Theseus to emerge victorious from his clash with the Marathonian Bull; nevertheless, she did have a Plan B, which included a feast and a cup of poison. Fortunately, barely a second before the poison touched Theseus’ lips, Aegeus recognized his sword and his sandals – and, moreover, Medea’s cruel intentions. Two proclamations followed, one naming Theseus as Aegeus’ rightful successor to the throne, and another banishing Medea from Athens forevermore.
Soon after Theseus’ return to Athens, it was due for Aegeus to pay the third yearly tribute to Minos , the king of Crete . Namely, in recompense for the death of Minos ’ son, Androgeus – once savagely killed by the Athenians out of jealousy and envy – Athens obliged to regularly send fourteen of its noblest young men and women to Crete, where each of them was destined to meet the same end: to be thrown into Daedalus ’ Labyrinth and be devoured by the monstrous half-man half-bull Minotaur.
Always in pursuit for fame and glory – and now deeply despaired over the gruesome fate awaiting the innocent young Athenians – Theseus resolved to do something about this. So, when the time came, he volunteered to go to Crete, where Ariadne , Minos’ beautiful daughter, fell in love with him upon arrival, the very moment she laid eyes on the muscular Athenian prince. Determined to assist him, she begged Daedalus to tell her the secret of the Labyrinth, which, eventually, the old craftsman agreed to. And when the time came for Theseus to enter the Labyrinth, Ariadne gave him a ball of thread (provided by Daedalus) that was supposed to help him navigate himself inside the structure and guide him safely out of it.
Comforted by the fact that he would always be able to find his way out, Theseus delved deep into the Labyrinth and found the Minotaur haunting its innermost depths. As beastly as he was, the Minotaur was no match for Theseus’ strength and determination: after a brief fight, the Athenian killed the monster and followed the thread back to safety.
Now, Theseus had promised Ariadne to marry her before even making his first step inside the Labyrinth; and, that’s the first thing he did after coming out of it safe and sound. After the brief marital ceremony, he took Ariadne with him and, together with the other young Athenians, left Crete. Strangely, his marriage with Ariadne lasted no more than just a few days: as soon as his ships reached the island of Dia (later called Naxos), Theseus left the sleeping Ariadne behind him and sailed away. Some say that he did this because he had fallen in love with another girl in the meantime (Panopeus’ daughter Aegle); others – because he had no choice but to obey the will of Dionysus who wanted Ariadne for himself. The latter claim that the god arrived on the island of Dia just moments after Theseus had left it, and swiftly carried Ariadne off in his chariot to be his beloved and immortal wife.
A broken promise.
Before setting off for Crete, Theseus had promised his father that, if he survived the Minotaur, he would change his ship’s black sail to a white one. Thus, Aegeus would be able to discern from some distance whether his son was still alive. Unfortunately, he either forgot his promise altogether or was too distraught to make the change on time. Watching from a vantage point, Aegeus couldn’t bear the sight he had most dreaded to see, so he hurled himself to his death straight away.
Theseus was now the king of Athens – and what a king he was! The list of his achievements is rather lengthy, but most authors agree that the greatest among them was the successful political unification ( synoikismos ) of Attica under Athens. In addition, Theseus is credited with instituting the festival of the Panathenaea and the Isthmian Games.
From his expedition against the Amazons (see below), Theseus brought back to Athens one of their queens – either Antiope or Hippolyte – and she subsequently bore him a son, Hippolytus . After some time, he grew bored with his wife, so he found himself another: strangely enough, none other than Ariadne’s sister, Phaedra ! Phaedra gave Theseus two children – Acamas and Demophon – but, then, to her surprise, fell madly in love with her stepson, Hippolytus . After Hippolytus rejected her advances, she told Theseus that he had tried to rape her. Theseus cursed Hippolytus and, before long, his curse came true: Hippolytus was dragged to death by his horses. Either out of grief or because her treachery was exposed in the meantime, Phaedra hanged herself.
While a king, Theseus befriended the king of the Lapiths, Pirithous . He shared numerous adventures with him, the most famous among them being the hunt for the Calydonian Boar , the Centauromachy, and an expedition among the Amazons , from which – to the utter dismay of the women warriors – both returned with new wives. Some years later, the two friends attempted a similar raid in the Underworld, but the abduction of Hades ’ wife, Persephone , didn’t go according to plan: instead of getting Persephone out of there, Theseus and Pirithous remained stuck inside, fixed immovable to two enchanted seats. On his way to capturing Cerberus , Heracles noticed and recognized the heroes ; even though, with some effort, he managed to free Theseus, the earth shook when he tried to do the same with Pirithous; so, Heracles had no choice but to leave Pirithous in the Underworld forevermore.
Once freed from the Underworld, Theseus hurried back to Athens only to find out that the city now had a new ruler: Menestheus. He fled right away for refuge to Lycomedes, the king of the island of Scyros. A tragic mistake, since Lycomedes was a supporter of Menestheus! After a few days of feigned hospitality, Lycomedes took the unsuspecting Theseus on a tour of the island; the second they reached its highest cliff, he violently pushed Theseus to his death.
Generations passed without much thought being given to Theseus. Then, during the Persian wars, Athenian soldiers reported seeing the ghost of Theseus, clad in bronze armor and in full charge, and came to believe that he was responsible for their victories. The Athenian general Cimon received a command from the Oracle at Delphi to find Theseus' bones and return them to Athens. He did so, and the gigantic skeleton of Theseus was reburied in a magnificent tomb in the heart of Athens, which thereon served as a sanctuary for the defenseless and the oppressed of the world.
Mentioned in both the “Iliad” and the “Odyssey,” Theseus is an important character in Euripides’ play “ Hippolytus .” Ovid recounts his conflict with Medea and the Minotaur in the seventh and the eighth book of his “Metamorphoses.” The first biography narrated in Plutarch’s influential “Parallel Lives” is that of Theseus .
See Also: Theseus Adventures , Minotaur, Aegeus, Aethra, Cretan Bull , Ariadne, Phaedra, Pirithous, Calydonian Boar
Who was theseus.
The son of either Poseidon or Aegeus and Aethra , Theseus was widely considered the greatest Athenian hero , the king who managed to politically unify Attica under the aegis of Athens . Son of either Aegeus , the king of Athens , or Poseidon , the god of the sea, and Aethra , a princess, Theseus was raised by his mother in the palaces of Troezen .
Theseus ruled over the Athens .
Theseus ' home was Athens .
The parents of Theseus were Aegeus and Aethra .
Theseus ' consorts were Perigune, Antiope, Ariadne and Phaedra .
Theseus had 4 children: Melanippus , Hippolytus , Acamas and Demophon .
Theseus ' symbol was the Club.
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, , Acamas, |
BARDAZZI / Getty Images Plus
Theseus is one of the great heroes of Greek mythology, a prince of Athens who battled numerous foes including the Minotaur , the Amazons , and the Crommyon Sow , and traveled to Hades, where he had to be rescued by Hercules . As the legendary king of Athens, he is credited with inventing a constitutional government, limiting his own powers in the process.
The King of Athens, Aegeus (also spelled Aigeus), had two wives, but neither produced an heir. He goes to the Oracle of Delphi who tells him "not to untie the mouth of the wineskin until he arrived at the heights of Athens." Confused by the purposefully-confusing oracle, Aegeus visits Pittheus, the King of Troezen (or Troizen), who figures out that the oracle means "don't sleep with anyone until you return to Athens." Pittheus wants his kingdom to unite with Athens, so he gets Aegeus drunk and slips his willing daughter Aethra into Aegeus' bed.
When Aegeus wakes up, he hides his sword and sandals under a large rock and tells Aethra that should she bear a son, if that son is able to roll away the stone, he should bring his sandals and swords to Athens so that Aegeus can recognize him. Some versions of the tale say that she has a dream from Athena saying to cross over to the island of Sphairia to pour a libation, and there she is impregnated by Poseidon .
Theseus is born, and when he comes of age, he is able to roll away the rock and take the armor to Athens, where he is recognized as heir and eventually becomes king.
By all the various accounts, Theseus is steadfast in the din of battle, a handsome, dark-eyed man who is adventurous, romantic, excellent with the spear, a faithful friend but spotty lover. Later Athenians credit Theseus as a wise and just ruler, who invented their form of government, after the true origins were lost to time.
One myth is set in his childhood: Hercules (Herakles) comes to visit Theseus' grandfather Pittheus and drops his lion skin cloak on the ground. The children of the palace all run away thinking it is a lion, but the brave Theseus whacks it with an ax.
When Theseus decides to make his way to Athens, he chooses to go by land rather than sea because a land journey would be more open to adventure. On his way to Athens, he slays several robbers and monsters—Periphetes in Epidaurus (a lame, one-eyed club-wielding thief); the Corinthian bandits Sinis and Sciron; Phaea (the " Crommyonion Sow ," a giant pig and its mistress who were terrorizing the Krommyon countryside); Cercyon (a mighty wrestler and bandit in Eleusis); and Procrustes (a rogue blacksmith and bandit in Attica).
When he arrives in Athens, Medea —then the wife of Aegeus and mother of his son Medus—is the first to recognize Theseus as Aegeus' heir and attempts to poison him. Aegeus eventually does recognize him and stops Theseus from drinking the poison. Medea sends Theseus on an impossible errand to capture the Marathonian Bull, but Theseus completes the errand and returns to Athens alive.
As the prince, Theseus takes on the Minotaur , a half-man, half-bull monster owned by King Minos and to whom Athenian maidens and youths were sacrificed. With the help of the princess Ariadne, he slays the Minotaur and rescues the young people, but fails to provide a signal to his father that all is well—to change the black sails to white ones. Aegeas leaps to his death and Theseus becomes king.
Becoming a king does not suppress the young man, and his adventures while king include an attack on the Amazons, after which he carries off their queen Antiope. The Amazons, led by Hippolyta, in turn invade Attica and penetrate into Athens, where they fight a losing battle. Theseus has a son named Hippolytus (or Demophoon) by Antiope (or Hippolyta) before she dies, after which he marries Ariadne's sister Phaedra.
Theseus joins Jason's Argonauts and participates in the Calydonian boar hunt . As a close friend of Pirithous, the king of Larissa, Theseus helps him in the battle of the Lapithae against the centaurs.
Pirithous develops a passion for Persephone , the Queen of the Underworld, and he and Theseus travel to Hades to abduct her. But Pirithous dies there, and Theseus is trapped and must be rescued by Hercules.
As king of Athens, Theseus is said to have broken up the 12 separate precincts in Athens and united them in a single commonwealth. He is said to have established a constitutional government, limited his own powers, and distributed the citizens into three classes: Eupatridae (nobles), Geomori (peasant farmers), and Demiurgi (craft artisans).
Theseus and Pirithous carry off the legendary beauty Helen of Sparta , and he and Pirithous take her away from Sparta and leave her at Aphidnae under Aethra's care, where she is rescued by her brothers the Dioscuri (Castor and Pollux).
The Dioscuri set up Menestheus as Theseus successor—Menestheus would go on to lead Athens into battle over Helen in the Trojan Wars . He incites the people of Athens against Theseus, who retires to the island Scryos where he is tricked by King Lycomedes and, like his father before him, falls into the sea.
Theseus, hero of athens.
Signed by Taleides as potter
Attributed to the Diosphos Painter
Attributed to the Briseis Painter
Attributed to a painter of the Group of Polygnotos
Attributed to the Dwarf Painter
Attributed to the Eretria Painter
Andrew Greene Department of Greek and Roman Art, The Metropolitan Museum of Art
August 2009
In the ancient Greek world, myth functioned as a method of both recording history and providing precedent for political programs. While today the word “myth” is almost synonymous with “fiction,” in antiquity, myth was an alternate form of reality . Thus, the rise of Theseus as the national hero of Athens, evident in the evolution of his iconography in Athenian art, was a result of a number of historical and political developments that occurred during the sixth and fifth centuries B.C.
Myth surrounding Theseus suggests that he lived during the Late Bronze Age, probably a generation before the Homeric heroes of the Trojan War. The earliest references to the hero come from the Iliad and the Odyssey , the Homeric epics of the early eighth century B.C. Theseus’ most significant achievement was the Synoikismos, the unification of the twelve demes, or local settlements of Attica, into the political and economic entity that became Athens.
Theseus’ life can be divided into two distinct periods, as a youth and as king of Athens . Aegeus, king of Athens, and the sea god Poseidon ( 53.11.4 ) both slept with Theseus’ mother, Aithra, on the same night, supplying Theseus with both divine and royal lineage. Theseus was born in Aithra’s home city of Troezen, located in the Peloponnesos , but as an adolescent he traveled around the Saronic Gulf via Epidauros, the Isthmus of Corinth, Krommyon, the Megarian Cliffs, and Eleusis before finally reaching Athens. Along the way he encountered and dispatched six legendary brigands notorious for attacking travelers.
Upon arriving in Athens, Theseus was recognized by his stepmother, Medea, who considered him a threat to her power. Medea attempted to dispatch Theseus by poisoning him, conspiring to ambush him with the Pallantidae Giants, and by sending him to face the Marathonian Bull ( 56.171.48 ).
Likely the most famous of Theseus’ deeds was the slaying of the Minotaur ( 64.300 ; 47.11.5 ; 09.221.39 ). Athens was forced to pay an annual tribute of seven maidens and seven youths to King Minos of Crete to feed the Minotaur, half man, half bull, that inhabited the labyrinthine palace of Minos at Knossos. Theseus, determined to end Minoan dominance, volunteered to be one of the sacrificial youths. On Crete, Theseus seduced Minos’ daughter, Ariadne, who conspired to help him kill the Minotaur and escape by giving him a ball of yarn to unroll as he moved throughout the labyrinth ( 90.12a,b ). Theseus managed to flee Crete with Ariadne, but then abandoned her on the island of Naxos during the voyage back to Athens. King Aegeus had told Theseus that upon returning to Athens, he was to fly a white sail if he had triumphed over the Minotaur, and to instruct the crew to raise a black sail if he had been killed. Theseus, forgetting his father’s direction, flew a black sail as he returned. Aegeus, in his grief, threw himself from the cliff at Cape Sounion into the Aegean, making Theseus the new king of Athens and giving the sea its name.
There is but a sketchy picture of Theseus’ deeds in later life, gleaned from brief literary references of the early Archaic period , mostly from fragmentary works by lyric poets. Theseus embarked on a number of expeditions with his close friend Peirithoos, the king of the Lapith tribe from Thessaly in northern Greece. He also undertook an expedition against the Amazons, in some versions with Herakles , and kidnapped their queen Antiope, whom he subsequently married ( 31.11.13 ; 56.171.42 ). Enraged by this, the Amazons laid siege to Athens, an event that became popular in later artistic representations.
There are certain aspects of the myth of Theseus that were clearly modeled on the more prominent hero Herakles during the early sixth century B.C. Theseus’s encounter with the brigands parallels Herakles’ six deeds in the northern Peloponnesos. Theseus’ capture of the Marathonian Bull mirrors Herakles’ struggle with the Cretan Bull. There also seems to be some conflation of the two since they both partook in an Amazonomachy and a Centauromachy. Both heroes additionally have links to Athena and similarly complex parentage with mortal mothers and divine fathers.
However, while Herakles’ life appears to be a string of continuous heroic deeds, Theseus’ life represents that of a real person, one involving change and maturation. Theseus became king and therefore part of the historical lineage of Athens, whereas Herakles remained free from any geographical ties, probably the reason that he was able to become the Panhellenic hero. Ultimately, as indicated by the development of heroic iconography in Athens, Herakles was superseded by Theseus because he provided a much more complex and local hero for Athens.
The earliest extant representation of Theseus in art appears on the François Vase located in Florence, dated to about 570 B.C. This famous black-figure krater shows Theseus during the Cretan episode, and is one of a small number of representations of Theseus dated before 540 B.C. Between 540 and 525 B.C. , there was a large increase in the production of images of Theseus, though they were limited almost entirely to painted pottery and mainly showed Theseus as heroic slayer of the Minotaur ( 09.221.39 ; 64.300 ). Around 525 B.C. , the iconography of Theseus became more diverse and focused on the cycle of deeds involving the brigands and the abduction of Antiope. Between 490 and 480 B.C. , interest centered on scenes of the Amazonomachy and less prominent myths such as Theseus’ visit to Poseidon’s palace ( 53.11.4 ). The episode is treated in a work by the lyric poet Bacchylides. Between 450 and 430 B.C. , there was a decline in representations of the hero on vases; however, representations in other media increase. In the mid-fifth century B.C. , youthful deeds of Theseus were placed in the metopes of the Parthenon and the Hephaisteion, the temple overlooking the Agora of Athens. Additionally, the shield of Athena Parthenos, the monumental chryselephantine cult statue in the interior of the Parthenon, featured an Amazonomachy that included Theseus.
The rise in prominence of Theseus in Athenian consciousness shows an obvious correlation with historical events and particular political agendas. In the early to mid-sixth century B.C. , the Athenian ruler Solon (ca. 638–558 B.C. ) made a first attempt at introducing democracy. It is worth noting that Athenian democracy was not equivalent to the modern notion; rather, it widened political involvement to a larger swath of the male Athenian population. Nonetheless, the beginnings of this sort of government could easily draw on the Synoikismos as a precedent, giving Solon cause to elevate the importance of Theseus. Additionally, there were a large number of correspondences between myth and historical events of this period. As king, Theseus captured the city of Eleusis from Megara and placed the boundary stone at the Isthmus of Corinth, a midpoint between Athens and its enemy. Domestically, Theseus opened Athens to foreigners and established the Panathenaia, the most important religious festival of the city. Historically, Solon also opened the city to outsiders and heightened the importance of the Panathenaia around 566 B.C.
When the tyrant Peisistratos seized power in 546 B.C. , as Aristotle noted, there already existed a shrine dedicated to Theseus, but the exponential increase in artistic representations during Peisistratos’ reign through 527 B.C. displayed the growing importance of the hero to political agenda. Peisistratos took Theseus to be not only the national hero, but his own personal hero, and used the Cretan adventures to justify his links to the island sanctuary of Delos and his own reorganization of the festival of Apollo there. It was during this period that Theseus’s relevance as national hero started to overwhelm Herakles’ importance as Panhellenic hero, further strengthening Athenian civic pride.
Under Kleisthenes, the polis was reorganized into an even more inclusive democracy, by dividing the city into tribes, trittyes, and demes, a structure that may have been meant to reflect the organization of the Synoikismos. Kleisthenes also took a further step to outwardly claim Theseus as the Athenian hero by placing him in the metopes of the Athenian treasury at Delphi, where he could be seen by Greeks from every polis in the Aegean.
The oligarch Kimon (ca. 510–450 B.C. ) can be considered the ultimate patron of Theseus during the early to mid-fifth century B.C. After the first Persian invasion (ca. 490 B.C. ), Theseus came to symbolize the victorious and powerful city itself. At this time, the Amazonomachy became a key piece of iconography as the Amazons came to represent the Persians as eastern invaders. In 476 B.C. , Kimon returned Theseus’ bones to Athens and built a shrine around them which he had decorated with the Amazonomachy, the Centauromachy, and the Cretan adventures, all painted by either Mikon or Polygnotos, two of the most important painters of antiquity. This act represented the final solidification of Theseus as national hero.
Greene, Andrew. “Theseus, Hero of Athens.” In Heilbrunn Timeline of Art History . New York: The Metropolitan Museum of Art, 2000–. http://www.metmuseum.org/toah/hd/thes/hd_thes.htm (August 2009)
Barber, Elizabeth Wayland, and Paul T. Barber. When They Severed Earth from Sky: How the Human Mind Shapes Myth . Princeton: Princeton University Press, 2005.
Boardman, John "Herakles." In Lexicon Iconographicum Mythologicae Classicae , vol. V, 1. Zürich: Artemis, 1981.
Camp, John McK. The Archaeology of Athens . New Haven: Yale University Press, 2001.
Gehrke, Hans-Joachim. "Myth, History, and Collective Identity: Uses of the Past in Ancient Greece and Beyond." In The Historian's Craft in the Age of Herodotus , edited by Nino Luraghi, pp. 286–313. New York: Oxford University Press, 2001.
Harrison, Evelyn B. "Motifs of the City Siege of Athena Parthenos." American Journal of Archaeology 85, no. 3 (July 1981), pp. 281–317.
Hornblower, Simon, and Antony Spawforth, eds. The Oxford Classical Dictionary . 3d ed., rev. New York: Oxford University Press, 2003.
Neils, Jenifer. "Theseus." In Lexicon Iconographicum Mythologicae Classicae , vol. VII, 1, pp. 922–51. Zürich: Artemis, 1981.
Servadei, Cristina. La figura di Theseus nella ceramica attica: Iconografia e iconologia del mito nell'Atene arcaica e classica . Bologna: Ante Quem, 2005.
Shapiro, H. A. "Theseus: Aspects of the Hero in Archaic Greece." In New Perspectives in Early Greek Art , edited by Diana Buitron-Oliver, pp. 123–40. Washington, D.C.: National Gallery of Art, 1991.
Shapiro, H. A. Art and Cult under the Tyrants in Athens . Mainz am Rhein: Philipp von Zabern, 1989.
Simon, Erika. Festivals of Attica . Madison: University of Wisconsin Press, 1983.
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[ thee -sis ]
He vigorously defended his thesis on the causes of war.
Synonyms: proposal , contention , theory
/ ˈθiːsɪs /
Origin of thesis 1
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But the word thesis, when applied to Systems, does not mean the 'position' of single notes, but of groups of notes.
This conclusion, it need hardly be said, is in entire agreement with the main thesis of the preceding pages.
Sundry outlying Indians, with ammunition to waste, took belly and knee rests and strengthened the thesis to the contrary.
Plural word for thesis.
The plural form of thesis is theses , pronounced [ thee -seez ]. The plurals of several other singular words that end in -is are also formed in this way, including hypothesis / hypotheses , crisis / crises , and axis / axes . A similar change is made when pluralizing appendix as appendices .
Irregular plurals that are formed like theses derive directly from their original pluralization in Latin and Greek.
Theseus is a legendary hero from Greek mythology who was considered an early king of Athens . Famously killing villains, Amazons , and centaurs, Theseus' most celebrated adventure was his slaying of the fearsome Minotaur in the labyrinth of the Cretan king Minos.
In the Classical period, Theseus came to represent the perfect Athenian - the just man of action determined to serve his city as best he could and the staunch defender of democracy. Theseus appears in several Greek tragedy plays and his battle with the Minotaur was a favourite subject of Greek vase painters. He is the subject, too, of one of Plutarch 's Lives biographies.
In legend, Theseus' father was considered either the son of the god Poseidon or King Aegeus of Athens. His mother was Aethra, daughter of Pittheus, the king of Troezen, whom Aegeus seduced. Theseus spent his childhood at Troezen in the northeast of the Peloponnese as Aegeus had warned Aethra not to tell her son who his real father was until he came of age, perhaps explaining why Theseus was considered the son of Poseidon in his youth. When a young adult, the hero gathered up gifts of sandals and a sword from his father which had been buried under a heavy rock for when he was old enough to lift it. With these tokens, Theseus set off for Athens to claim, as Aegeus' only son, his inheritance, the kingdom of Athens. Before he could reach the city, though, he first had to battle various villains and monsters.
The first villain to be dispatched was Periphetes, who smashed the heads of anyone he came across with a huge iron club. Theseus killed him without ceremony and took his club as a handy weapon for his future adventures. A similar baddy was Sinis (also Sines) who hung around the Corinth countryside and bent pine trees so that they might strike and kill people who passed through the Isthmus. Our hero killed the troublesome Sinis using, of course, a bent pine tree. According to Plutarch, Theseus had a son, Melanippus, by Sinis' daughter Perigune.
Next came Skiron who blocked the narrow sea passage through the rocks of Megara . He took delight in forcing people to wash his feet and when they bent down to do so he would kick them over the cliff and into the sea. Whether the unfortunate travellers survived the fall or not was irrelevant as, in any case, they were then eaten by a giant turtle that haunted those parts. All this frightful behavior was put to an end by Theseus who kicked Skiron into the sea to be eaten by his own accomplice or, in another version, to be turned into a rock.
Next in line came Kerkyon, the champion wrestler who crushed to death anyone who passed his way, but Theseus beat him at his own sport. The last scoundrel was Prokroustes (also Procrustes or Damastes) who waylaid travellers and forced them onto a bed; if they were too tall for the bed he would chop off the excess, if they were too short he would stretch them using weights or hammer their limbs to increase their length. Theseus swiftly dealt with him too by putting him on his own device.
Finished with littering the Greek countryside with dead villains, Theseus then had to kill a bad-tempered sow called Phaia which was causing trouble, again, in the Corinth area. He finally did arrive at Athens, where he was not helped by his jealous step-mother Medea . She and Theseus' cousins, the Pallantidae, tried several times to do away with our hero but their ambushes and poisonings came to nothing. Medea then sent Theseus off on the dangerous errand of dealing with the bull of Marathon which was terrorizing the countryside. The hero captured the animal and sacrificed it to Apollo . In yet more adventures, Theseus even found time to help Meleager in the Calydonian Boar hunt and to accompany Jason and his Argonauts on their quest to find the Golden Fleece , but his greatest trial was yet to come.
Theseus' most famous adventure was his slaying of the Minotaur of King Minos on Crete . Every year (or every nine, according to Plutarch) Athens was compelled to send seven young men and seven young women to feed this fearsome creature with a man's body and the head of a bull, which dwelt in the mysterious labyrinth at Knossos , built by the famed architect Daedalus . The terrible tribute was, in some sources, compensation for the death of Minos' son Androgeous, killed by jealous competitors after he won at the Athenian Games (in other versions he was killed by the bull of Marathon). The unique Minotaur came from the union of Minos' wife Pasiphae and a bull after the queen was made to fall in love with the animal by Zeus as revenge for Minos' refusal to sacrifice it in the god's honour.
Theseus, seeking to put a stop to this barbarity, enrolled himself as one of the seven youths and sailed to Crete. On the way, our hero, with the help of Amphitrite , Poseidon's wife, retrieved a ring which had been thrown into the sea by Minos. On arrival Theseus fearlessly entered the lair of the Minotaur from which no one had ever come out alive. There, with the help of Ariadne , daughter of Minos, the hero marked his way through the winding passages of the labyrinth using a ball of string. Striking down the beast with his sword, he easily followed the string back to the labyrinth's entrance and freed Athens from her terrible obligation to Minos.
Sailing back to Athens, Theseus rather ungallantly abandoned Ariadne on the island of Naxos , perhaps on the advice of Athena , but she soon found solace in the arms of the god of wine Dionysos , whom she married. In another version she is killed by Artemis , acting on instructions from Dionysos, who had once been betrothed to the princess and was miffed to have lost her to Theseus. The hero then stopped at Delos , offered a sacrifice to Apollo, and performed what would become a famous dance, the geranos or Crane dance, which mimics the movements inside the labyrinth.
Theseus then sailed on home but was hit by tragedy when he forgot, as he had promised to his father before setting off, to hoist a white sail instead of the usual black one (set as a mark of mourning for the doomed youths) which would signal to his waiting father that all was well. Theseus' father saw the black sail, thought his son had been killed by the Minotaur and, utterly distraught, threw himself off the cliff into the sea below. Thereafter, the sea carried his name, the Aegean . Theseus thus inherited the throne and he settled down to government, unifying the many small settlements of the area into a single political unit (synoecism), and establishing a peaceful and prosperous period for Athens.
This was not the end of Theseus' adventures as he was involved in several other myths too. He fought the Amazons alongside Hercules when they invaded Attica to regain the girdle of their queen Hippolyta , aka Antiope, which Hercules had stolen as one of his labours. In some accounts, Hippolyta was Theseus' first wife and together they had a son, Hippolytos. Next up, Theseus fought the centaurs, the half-man, half-horse creatures, which had disrupted the wedding of Theseus' good friend Pirithous (Peirithoos) of the Lapiths.
Theseus then tried to abduct Persephone from Hades in the underworld so that Peirithous might marry her. Hades was not to give up his bride so easily (especially after the trouble taken to get her down there in the first place) and he tricked the pair into sitting on thrones which entrapped them. Theseus was only rescued by the exploits of Hercules, who had come to capture Cerberos in his final labour, but Peirithous was, alas, left to his fate.
Theseus' second wife was Phaidra, sister of Ariadne, with whom he had two sons, Akamas and Demophon. Unfortunately for family harmony, Phaidra then fell in love with her step-son Hippolytos. Her advances were not reciprocated, though, and scorned, she furiously told Theseus that his son had tried to rape her. Outraged, Theseus called upon Poseidon to punish Hippolytos, and the god of the sea responded by sending a bull from the depths of the ocean. This creature so frightened the horses of Hippolytos' chariot that they tipped the youth into the sea where he drowned. Phaidra, hit by pangs of guilt, then hanged herself to complete a typical cycle of Greek tragedy.
In another abduction, but this time more successful, Theseus captured Helen when she was a child and gave her to his mother to look after until she reached womanhood. The girl was rescued by her brothers, though, the Dioscuri . The latter invaded Attica for the purpose and Theseus was forced to flee to the Aegean island of Skyros. According to legend, the hero was killed there by King Lycomdedes, who pushed him off a cliff. His bones were eventually recovered by the Athenian statesman and admiral Cimon c. 475 BCE, who brought them back to Athens and placed them in a temple , the Theseion. Theseus was subsequently honoured by the Theseia festival held each year in the city and was forever associated with the 8th day of each month, the traditional day the hero had first arrived in Athens as a youth.
The myths involving Theseus became prominent in the 6th century BCE, at a time when the city of Athens was entering a period of dominance in wider Greece . Theseus may have been a convenient alternative to that other great Greek hero Hercules, and he gave the city a prestigious heritage which differed from other cities . Theseus was also promoted by the Athenian statesman Cleisthenes , who was arch-rival to the Peisistratids who regarded Hercules as the symbol of Athens' strength. The long list of villains that Theseus deals with is also very similar in nature to the older story of Hercules' twelve labours. In his fight against the Amazons and centaurs, Theseus was likely a metaphor for Athens' resistance against foreign attack.
The requirement of paying a tribute of youths to Minoan Crete may have been based on a real payment of tribute to the Aegean's dominant trading power in the middle Bronze Age . The Minoans were also bull-worshippers as attested by archaeological finds such as bull horn architectural decorations, bull rhytons, and frescoes, and other artwork depicting a sport of bull-leaping. In addition, the palace of Knossos was extremely large for its time and was composed of multiple small adjoining rooms, many with columns and open ceilings acting as light-wells. It would not be at all surprising that Athenian visitors might consider this architectural wonder a labyrinth. In another possible link, the very word labyrinth may be connected to the labrys, a double axe symbol of important religious significance to the Minoans.
Theseus appears, in particular fighting the Minotaur, in Greek art from the last decade of the 6th century BCE. Scenes from the hero's battles on his first journey to Athens were present in relief sculpture on the Hephaesteion of Athens and the Athenian treasury at Delphi - both buildings date to c. 500 BCE - and the temple of Poseidon at Sounion and the heroon at Trysa in Lycia .
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The hero's battles with the bull of Marathon and the Minotaur were particularly popular with black-figure vase painters, the finest example being the Francois Vase , which shows many scenes from the Theseus story. Special mention should be given to a magnificent Attic red-figure Kylix, now in the British Museum, which depicts all of the hero's labours. Theseus is distinguished from similar painted scenes of Hercules fighting a bull and centaurs as the former is usually depicted without a beard.
Theseus appears in the tragedies of both Euripides ( Hippolytus and Suppliant Women – where he criticizes tyranny and defends democracy) and Sophocles ( Oedipus at Colonus ). Finally, the labyrinth appeared on Cretan coins, and the motif was also a popular device in Roman art , especially floor mosaics.
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COMMENTS
thesis (n.) thesis. (n.) late 14c., "unaccented syllable or note, a lowering of the voice in music," from Latin thesis "unaccented syllable in poetry," later (and more correctly) "stressed part of a metrical foot," from Greek thesis "a proposition," also "downbeat" (in music), originally "a setting down, a placing, an arranging; position ...
Thesis was the primordial, ancient Greek goddess of creation, a divinity related to Physis (Mother Nature). She occurs in the Orphic Theogonies as the first being to emerge at creation alongside Hydros (the Primordial Waters) and Mud. Thesis was sometimes portrayed as the female aspect of the first-born, bi-gendered god Phanes (Life).
The Greek origin of the word "thesis" emphasizes its connection to proposing and arguing a point. A thesis is not simply a summary of existing knowledge but a unique contribution based on original research. The process of writing a thesis involves critical thinking, analysis, and the ability to communicate complex ideas effectively. ...
The name Thesis is one given to a rarely spoken about goddess from Greek mythology; with her name mainly surviving only in fragments of ancient texts. In her own right Thesis was an important goddess for she was a Greek goddess of Creation, but Thesis' role was within the Orphic tradition whilst surviving tales are based on the tradition ...
Theseus - Wikipedia ... Theseus
thesis (plural theses) Senses relating to logic, rhetoric, etc. (rhetoric) A proposition or statement supported by arguments. (by extension) A lengthy essay written to establish the validity of a thesis (sense 1.1), especially one submitted in order to complete the requirements for a non- doctoral degree in the US and a doctoral degree in the ...
θέσῐς • (thésis) f (genitive θέσεως); third declension. a setting, placement, arrangement. deposit. adoption (of a child) adoption (in the more general sense of accepting as one's own) (philosophy) position, conclusion, thesis. (dance) putting down the foot. (metre) the last half of the foot. (rhetoric) affirmation.
There are seven meanings listed in OED's entry for the noun thesis. See 'Meaning & use' for definitions, usage, and quotation evidence. thesis has developed meanings and uses in subjects including. prosody (Middle English) music (Middle English) rhetoric (late 1500s) logic (late 1500s) education (late 1700s) philosophy (1830s)
The meaning of THESIS is a dissertation embodying results of original research and especially substantiating a specific view; especially : one written by a candidate for an academic degree. ... from Late Latin & Greek; Late Latin, from Greek, downbeat, more important part of a foot, literally, act of laying down; in other senses, Latin, from ...
[Etymonline for 'thesis (n.)':] late 14c., "unaccented syllable or note," from Latin thesis "unaccented syllable in poetry," later (and more correctly) "stressed part of a metrical foot," from Greek thesis "a proposition," also "downbeat" (in music), originally "a setting down, a placing, an arranging; position, situation," from root of tithenai "to place, put, set," from PIE root * dhe-"to ...
Arsis, a term of Greek origin meaning "the act of raising or lifting" or "raising the foot in beating time," refers in Greek, or quantitative, verse to the lighter or shorter part of a poetic foot, and thesis to the accented part of the poetic foot. In Latin, or accentual, verse, the meanings of these words were reversed— arsis came ...
θέσῐς (fem.) (genitive θέσεως) a setting, placement, arrangement. deposit. adoption (of a child) adoption (in the more general sense of accepting as one's own) (philosophy) position, conclusion, thesis. (dancing) putting down the foot. (metre) the last half of the foot. (rhetoric) affirmation.
The son of either Poseidon or Aegeus and Aethra, Theseus was widely considered the greatest Athenian hero, the king who managed to politically unify Attica under the aegis of Athens.Son of either Aegeus, the king of Athens, or Poseidon, the god of the sea, and Aethra, a princess, Theseus was raised by his mother in the palaces of Troezen.Upon reaching adulthood and finding out the identity of ...
A thesis (plural: 'theses') is a document written in support of an idea that is presented for discussion or disputation. ... The word "thesis" comes from the Greek θέσις, meaning "position", and refers to an intellectual proposition. "Dissertation" comes from the Latin dissertāti ...
Updated on August 31, 2019. Theseus is one of the great heroes of Greek mythology, a prince of Athens who battled numerous foes including the Minotaur, the Amazons, and the Crommyon Sow, and traveled to Hades, where he had to be rescued by Hercules. As the legendary king of Athens, he is credited with inventing a constitutional government ...
In the ancient Greek world, myth functioned as a method of both recording history and providing precedent for political programs. While today the word "myth" is almost synonymous with "fiction," in antiquity, myth was an alternate form of reality.Thus, the rise of Theseus as the national hero of Athens, evident in the evolution of his iconography in Athenian art, was a result of a ...
Thesis definition: a proposition stated or put forward for consideration, especially one to be discussed and proved or to be maintained against objections. See examples of THESIS used in a sentence.
Syn and Thesis- Greek root words. Syn. Click the card to flip 👆. with,together. Click the card to flip 👆.
Theseus - World History Encyclopedia ... Theseus
The origin of the Pyanepsia, and the reinstitution of the Isthmian games, were also ascribed to Theseus. One of the most renowned of the adventures of Theseus was his expedition against the Amazons. He is said to have assailed them before they had recovered from the attack of Hercules, and to have carried off their queen Antiope.
4286 próthesis (from 4253 /pró, "before" and 5087 /títhēmi, "purposefully set forth") - properly, providence - literally, "a setting forth in advance for a specific purpose ("God's pre-thesis").
Thesis definition: A proposition that is maintained by argument. A proposition maintained or defended in argument, formerly one publicly disputed by a candidate for a degree in a medieval university.
Thesis. A position taken in a argument supported by a set of reasons. Theme. An essay or composition on a certain subject with a statement and supporting reasons. Parenthesis. (Para - beside) - statement beside (or inside) a main sentence. Synthetic. (Syn-Together) elements put together to make a material like a natural one (synthetic rubber ...
Figs, Syko in Greek, represented an important product of the ancient Athenian economy. Credit: E.Abadjieva/Wikimedia Commons/ CC BY-SA 4.0. We all know about the great richness of Greek words and how they have been influential in so many other languages. Speaking about the Greek origin of a word is familiar to most people.
Black Greek letter organizations have a history of advocating for people's access to equal […] DAYTON, Ohio (WDTN) — We are nine weeks away from election day, and the race for president is ...
Cedi averaged 6.8 points, 2.5 rebounds, and 1.7 assists while shooting 39 percent from behind the arc and 47.9 percent from the floor last season with the San Antonio Spurs.. Any playoff team ...