expository essay on media literacy

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Media Literacy, Essay Example

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Introduction

Media literacy is a complex issue that requires further investigation and evaluation in the modern era. It is important to identify the resources that are required to effectively adapt to a media-filled culture, whereby there are significant opportunities to achieve growth and change in the context of new ideas for growth and maturity for the average viewer/reader. It is known that “Interactivity as a core factor in multimedia is in some ways closely related to performance and can enable the viewer/reader/user to participate directly in the construction of meaning” (Daley 36). This quote is inspiring because it requires individuals to truly connect with the media on several levels that will have an instrumental impact on personal growth and the ability to be informative on many levels. The media saturates society through Facebook, Twitter, 24-hour news channels, and traditional forms such as magazines newspapers. Therefore, it is essential to identify a personal strategy that enables the reader/viewer to decipher through the hundreds if not thousands of messages that the media delivers on a daily basis so that individuals are better prepared to manage their own degree of literacy effectively.

For a website such as CNN.com, there appears to be a clash of sorts between that which is truly newsworthy and important to the lives of many people and that which might be deemed sensationalism to grab readers’ attention and an increased number of views, as well as ratings. This is a complex situation because the network and its accompanying website strive to remain competitive with the needs of its readers/viewers, while also requiring other factors to be considered that might improve their ability to decipher through the messages and to identify those which are most meaningful and appropriate within their lives. The homepage of the CNN website typically has an emerging or news-worthy story that is designed to grab the reader’s attention and to facilitate a response from the reader, perhaps a visceral reaction. This is part of the appeal of online news, as it attempts to draw viewers’ attention to what the website deems as newsworthy and of value to the reader. Although this is not always the case, the website achieves it key objective by attracting the reader enough to at least read the headlines and perhaps read some of the other stories that are listed on the homepage. Nonetheless, it is likely that many viewers will barely scratch the surface of an article because they lose interest or do not understand the backstory regarding the topic to keep reading. This is a key component of the high level of media illiteracy that exists in the modern era and that supports the development of new strategies to encourage readers to become less media illiterate and to improve their literacy regarding issues that generate much attention and focus from the masses.

There are critical factors associated with media literacy that require further consideration and evaluation, such as the tools that support the growth of individuals as they learn how to weave through the messages that they receive online, on television, and in print. Media literacy is more than merely reading stories, as it is about taking these stories in, forming opinions, developing a passion for a topic or an idea, and forming a bond with others who might share or contrast with these views (Media Literacy Project). In this context, it is important to identify the resources that are required to develop a strategy that supports media literacy on a much larger level that will impact society and its people as they develop a higher level of intelligence and/or acceptance of the ideas set forth within a given story or headline.

Overcoming media illiteracy requires the development of new strategies for individuals to take ideas that they read on a website such as CNN.com and to make them their own and perhaps apply them to their own lives in one or more ways. This is how media literacy works, as it enables individuals to transition from simply reading news stories online towards adapting them to their own lives in one way or another. This process engages readers and enables them to recognize the importance of improving their own level of literacy through these opportunities. It is imperative to recognize the value of media literacy as it applies to the human condition in the modern era, particularly as individuals have become increasingly dependent on the news as a part of their daily routines. This process supports and engages readers/viewers in the context of many different situations that enable them to cross over into a world where they have a better understanding of the media and how it impacts their lives in different ways.

Media literacy is a complex and ongoing phenomenon that has a unique impact on the lives of individuals. Many websites influence how people interpret the news, such as CNN.com, as they only tend to scratch the surface of news without any real opportunity to formulate opinions regarding the topics that are within. Therefore, it is important to identify some of the issues that are common in these stories and to recognize the importance of developing new approaches to stories that will have a positive impact on the response from readers/viewers. Media literacy is an ongoing process that requires the full attention and focus of individuals in order to accomplish the desired goals and objectives, while also considering the value of developing new perspectives that will encourage readers to take greater steps towards formulating their own opinions regarding stories and topics that may impact their own lives on many levels.

Works Cited

CNN.com. 11 May 2014: http://www.cnn.com/

Daley, Elizabeth. “Expanding the concept of literacy.” Educause, 11 May 2014: https://net.educause.edu/ir/library/pdf/erm0322.pdf

Media Literacy Project. “What is media literacy?” 11 May 2014: http://medialiteracyproject.org/learn/media-literacy

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Essays on Media Literacy

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How to Write an Expository Essay | Structure, Tips & Examples

Published on July 14, 2020 by Jack Caulfield . Revised on July 23, 2023.

“Expository” means “intended to explain or describe something.” An expository essay provides a clear, focused explanation of a particular topic, process, or set of ideas. It doesn’t set out to prove a point, just to give a balanced view of its subject matter.

Expository essays are usually short assignments intended to test your composition skills or your understanding of a subject. They tend to involve less research and original arguments than argumentative essays .

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Table of contents

When should you write an expository essay, how to approach an expository essay, introducing your essay, writing the body paragraphs, concluding your essay, other interesting articles, frequently asked questions about expository essays.

In school and university, you might have to write expository essays as in-class exercises, exam questions, or coursework assignments.

Sometimes it won’t be directly stated that the assignment is an expository essay, but there are certain keywords that imply expository writing is required. Consider the prompts below.

The word “explain” here is the clue: An essay responding to this prompt should provide an explanation of this historical process—not necessarily an original argument about it.

Sometimes you’ll be asked to define a particular term or concept. This means more than just copying down the dictionary definition; you’ll be expected to explore different ideas surrounding the term, as this prompt emphasizes.

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An expository essay should take an objective approach: It isn’t about your personal opinions or experiences. Instead, your goal is to provide an informative and balanced explanation of your topic. Avoid using the first or second person (“I” or “you”).

The structure of your expository essay will vary according to the scope of your assignment and the demands of your topic. It’s worthwhile to plan out your structure before you start, using an essay outline .

A common structure for a short expository essay consists of five paragraphs: An introduction, three body paragraphs, and a conclusion.

Like all essays, an expository essay begins with an introduction . This serves to hook the reader’s interest, briefly introduce your topic, and provide a thesis statement summarizing what you’re going to say about it.

Hover over different parts of the example below to see how a typical introduction works.

In many ways, the invention of the printing press marked the end of the Middle Ages. The medieval period in Europe is often remembered as a time of intellectual and political stagnation. Prior to the Renaissance, the average person had very limited access to books and was unlikely to be literate. The invention of the printing press in the 15th century allowed for much less restricted circulation of information in Europe, paving the way for the Reformation.

The body of your essay is where you cover your topic in depth. It often consists of three paragraphs, but may be more for a longer essay. This is where you present the details of the process, idea or topic you’re explaining.

It’s important to make sure each paragraph covers its own clearly defined topic, introduced with a topic sentence . Different topics (all related to the overall subject matter of the essay) should be presented in a logical order, with clear transitions between paragraphs.

Hover over different parts of the example paragraph below to see how a body paragraph is constructed.

The invention of the printing press in 1440 changed this situation dramatically. Johannes Gutenberg, who had worked as a goldsmith, used his knowledge of metals in the design of the press. He made his type from an alloy of lead, tin, and antimony, whose durability allowed for the reliable production of high-quality books. This new technology allowed texts to be reproduced and disseminated on a much larger scale than was previously possible. The Gutenberg Bible appeared in the 1450s, and a large number of printing presses sprang up across the continent in the following decades. Gutenberg’s invention rapidly transformed cultural production in Europe; among other things, it would lead to the Protestant Reformation.

The conclusion of an expository essay serves to summarize the topic under discussion. It should not present any new information or evidence, but should instead focus on reinforcing the points made so far. Essentially, your conclusion is there to round off the essay in an engaging way.

Hover over different parts of the example below to see how a conclusion works.

The invention of the printing press was important not only in terms of its immediate cultural and economic effects, but also in terms of its major impact on politics and religion across Europe. In the century following the invention of the printing press, the relatively stationary intellectual atmosphere of the Middle Ages gave way to the social upheavals of the Reformation and the Renaissance. A single technological innovation had contributed to the total reshaping of the continent.

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An expository essay is a broad form that varies in length according to the scope of the assignment.

Expository essays are often assigned as a writing exercise or as part of an exam, in which case a five-paragraph essay of around 800 words may be appropriate.

You’ll usually be given guidelines regarding length; if you’re not sure, ask.

An expository essay is a common assignment in high-school and university composition classes. It might be assigned as coursework, in class, or as part of an exam.

Sometimes you might not be told explicitly to write an expository essay. Look out for prompts containing keywords like “explain” and “define.” An expository essay is usually the right response to these prompts.

An argumentative essay tends to be a longer essay involving independent research, and aims to make an original argument about a topic. Its thesis statement makes a contentious claim that must be supported in an objective, evidence-based way.

An expository essay also aims to be objective, but it doesn’t have to make an original argument. Rather, it aims to explain something (e.g., a process or idea) in a clear, concise way. Expository essays are often shorter assignments and rely less on research.

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Article contents

Critical media literacy in teacher education, theory, and practice.

• Jeff Share , Jeff Share University of California Los Angeles
• Tatevik Mamikonyan Tatevik Mamikonyan School of Education, University of California Los Angeles
• , and  Eduardo Lopez Eduardo Lopez University of California Los Angeles
• https://doi.org/10.1093/acrefore/9780190264093.013.1404
• Published online: 30 September 2019
• This version: 20 September 2023
• Previous version

Democracy in the digital networked age of “fake news” and “alternative facts” requires new literacy skills and critical awareness to read, write, and use media and technology to empower civic participation and social transformation. Unfortunately, not many educators have been prepared to teach students how to think critically with and about the media and technology that engulf us. Across the globe there is a growing movement to develop media and information literacy curriculum (UNESCO) and train teachers in media education (e-Media Education Lab), but these attempts are limited and in danger of co-optation by the faster growing, better financed, and less critical education and information technology corporations. It is essential to develop a critical response to the new information communication technologies, artificial intelligence, and algorithms that are embedded in all aspects of society. The possibilities and limitations are vast for teaching educators to enter K-12 classrooms and teach their students to use various media, critically question all types of texts, challenge problematic representations, and create alternative messages. Through applying a critical media literacy framework that has evolved from cultural studies and critical pedagogy, students at all grade levels can learn to critically analyze the messages and create their own alternative media. The voices of teachers engaging in this work can provide pragmatic insight into the potential and challenges of putting the theory into practice in K-12 public schools.

• critical literacy
• critical pedagogy
• media education
• media literacy
• critical media literacy
• social justice
• politics of representation
• cultural studies
• teacher education

Updated in this version

The authors made minor revisions to this text to reflect more recent scholarship. The reference list and further readings have similarly been updated.

Introduction

It is a formidable challenge to prepare critical educators to work inside a system in which every brick in the wall has been laid to transmit the information, skills, and ideas necessary to reproduce the social norms, inequities, ideologies, and alienation that are undermining the quality and sustainability of life on this planet. However, education can be a powerful tool to challenge these problems and create opportunities for students to work in solidarity with others to create a more socially and environmentally just world. To support these changes, we need teachers ready to engage students in critical inquiry by posing questions about systemic and structural issues of power, hierarchies of oppression, and social injustice. In the current media and information age, information communication technologies (ICTs) are available to either continue the control and degradation or to deconstruct the systems of oppression and reconstruct a more just and sustainable society.

Digital technology is opening opportunities for individual participation and alternative points of view, while at the same time a handful of enormous media and technology corporations have become the dominant storytellers, often repeating the same story at the expense of countless different perspectives and creative ways of thinking. Many of these storytellers are actually story-sellers, more interested in peddling ideas and products than informing, enlightening, inspiring, or challenging. While young people are using more media, they are also being used more by media companies. Giant transnational corporations are targeting youth as one of the most valuable markets for building brand loyalty and selling to advertisers. Researchers found 8- to 18-year-olds in the United States spend well over 10 hours a day interacting with various forms of media, such as music, computers, video games, television, film, and print ( Rideout et al., 2011 ). Another investigation discovered that 95% of American 13- to 17-year-olds have access to a smartphone and 97% say they are online daily and 46% use it constantly ( Vogels et al., 2022 ).

Not only is the amount of time with media increasing but the quality of that engagement is also changing by becoming more commercial and rarely critical. Researchers at Stanford University administered six tasks to 3,466 high schools across 14 states in the US to judge their ability to assess online information. In one task, students were asked to evaluate the credibility of a website that claimed to “disseminate factual reports” and 96% failed to learn about the site’s ties to the fossil fuel industry. In a different task, over half of students believed an anonymously posted video purporting to show voter fraud in the US was real, even though it was filmed in Russia ( Breakstone et al., 2021 ). In another study, Vosoughi et al. (2018) examined approximately 126,000 stories tweeted over 4.5 million times between 2006 and 2017 . The researchers were interested in understanding what accounted for the differential diffusion of verified true and false news stories. They found that false news stories spread “farther, faster, deeper, and more broadly than the truth because humans, not robots, are more likely to spread it” (p. 5). In analyzing the tweets, the authors concluded, false stories were 70% more likely to be retweeted because people found them not only more novel but the stories also inspired emotional responses of fear, disgust, or surprise.

The concern about “fake news” has encouraged many people to recognize the need for critical readers and writers of media. Some have suggested that we simply need better cognitive skills to determine truth from lies. However, making sense of the media and our information society is far more complicated than a reductionist idea of simply finding the truth. Rather than judging information as either true or false, students need to learn to search for multiple sources, different perspectives, and various types of evidence to triangulate and evaluate findings. In order to best evaluate and understand the information, they also need to question the influence of media in shaping the message and positioning the audience. Since all knowledge is an interpretation ( Kincheloe, 2007 ), interpreting the meaning of a message is a complex process that requires skills to probe empirical evidence, evaluate subjective biases, analyze the medium and construction of the text, and explore the social contexts.

This is an opportunity for educators to guide their students to think critically with and about the ICTs and media that surround them. Morrell et al. (2013) argue that the technology itself will not bring about transformative educational change. “That change will only come through teachers who draw on critical frameworks to create learning communities where the use of these tools becomes an empowering enterprise” (p. 14). Therefore, the changes in media, technology, and society require critical media literacy (CML) that can support teachers and students to question and create with and about the very tools that can empower or oppress, entertain or distract, inform or mislead, and buy or sell everything from lifestyles to politicians. Now more than ever, teachers should encourage students to be reading, viewing, listening to, interacting with, and creating a multitude of texts, from digital podcasts to multimedia productions.

Teacher Education

Even though youth are immersed in a world in which media and technology have entered all aspects of their lives and society, few teacher education programs are preparing teachers to help their students to critically understand the potential and limitations of these changes. It is crucial that new teachers learn how to teach their K-12 students to critically read and write everything, from academic texts to social media.

This means that schools of education responsible for training the new wave of teachers must be up to date, not just with the latest technology, but more importantly, with critical media literacy (CML) theory and pedagogy in order to prepare teachers and students to think and act critically with and about media and technology. In Canada, where media literacy is mandatory in every grade from 1 to 12, most new teachers are not receiving media literacy training in their preservice programs ( Wilson & Duncan, 2009 ). Researchers investigating media education in the United Kingdom and the US have found that many teachers are unprepared to teach media education and that professional learning opportunities are limited ( Butler, 2020 ; Kirwan et al., 2003 ). The progress has been slow, especially considering that inclusion of media literacy in formal public education has a history dating back to the 1980s in Australia, Britain, and Canada. However, nonformal media education has been occurring in many parts of the world for decades ( Hart, 1998 ; Kaplún, 1998 ; Kubey, 1997 ; Pegurer Caprino & Martínez-Cerdá, 2016 ; Prinsloo & Criticos, 1991 ).

While it is difficult to know for sure who is and who is not teaching critically about media and technology ( Mihailidis, 2008 ), there seems to be an increased interest in media literacy in the United States. In 2022 , the National Council of Teachers of English published a position statement recommending implementation of media education in English Language Arts along with two special issue journal publications ( Lynch, 2021 ; Kist & Christel, 2022 ) devoted to critical media literacy, arguing that “media education must be an essential component of the professional identity of teachers” ( National Council of Teachers of English, 2022 ).

As technology and media continue to evolve and increasingly enter public and private spaces, more educators are recognizing the need for training new teachers about media literacy ( Domine, 2011 ; Goetze et al., 2005 ; Hobbs, 2007a ) and some are even addressing the need to teach about CML ( Flores-Koulish et al., 2011 ; Funk et al., 2016 ; Robertson & Hughes, 2011 ; Trust et al., 2022 ). Researchers Tiede et al. (2015) studied 64 universities or colleges of teacher education in Germany and 316 U.S. public educational institutions that provide teacher training and graduate studies, concluding that very few offer more than media didactics (basic educational technology that teaches with media, not about media). From their data in the United States, they report, “media education, with emphasis on the instructional practices associated with the critical evaluation of media, culture, and society, were scarce, representing only 2% of all study programs in teacher training programs” (pp. 540−541). In Germany, the percentage increases to 25%, but “media didactics tends to be emphasized to the disadvantage of media education in both countries” (p. 542).

In 2011 , the United Nations Educational, Scientific, and Cultural Organization (UNESCO) published a curriculum guide online in 11 languages for training teachers in media education ( Grizzle & Wilson, 2011 ), declaring that “teacher training in media and information literacy will be a major challenge for the global education system at least for the next decade” ( Pérez-Tornero & Tayie, 2012 , p. 11). 1 In Europe, Ranieri and Bruni (2018) analyzed the successes and challenges of training preservice and in-service teachers about media and digital literacy. An initiative called e-Media Educational Lab, funded by the European Commission, provided blended training to 279 preservice teachers and 81 in-service teachers in six countries. Based on surveys and fieldnotes, Ranieri and Bruni (2018) reported that the preservice and in-service teachers found critical media analysis and media production to be very important; they described their intent to transfer their media competency to their classrooms and expressed a desire to learn more practical ways to help their students develop media competencies.

UNESCO’s approach to media education combines media and information literacy (MIL) to include many competencies, from learning about and using information communication technologies to thinking critically about ethics and democracy. Carolyn Wilson (2012) explains, “MIL is both a content area and way of teaching and learning; it is not only about the acquisition of technical skills, but the development of a critical framework and approaches” (p. 16).

Combining information technology with media-cultural studies is essential, but still infrequent. Within the current wave of educational reform that prioritizes the newest technology and career readiness over civic engagement and critical inquiry, schools are more likely to adopt only information technology or information literacy and not critical media education. In the United States, few universities offer more than a single course in media literacy and most do not even offer that ( Goetze et al., 2005 ; Meehan et al., 2015 ).

Schwarz (2001) asserts that because of the power of emerging literacies, “teacher education needs media literacy as an essential tool and an essential topic in the new millennium” (pp. 111−112). She calls for integrating media literacy across all subject areas of teacher education, “from methods courses and educational psychology to foundational courses and student teaching” (p. 118). This interdisciplinary approach for media education could be easier now for K-12 teachers in the United States since the Common Core State Standards require literacy to be taught and technology to be used across the curriculum ( California Common Core State Standards, 2013 ; Moore & Bonilla, 2014 ; Trust et al., 2022 ).

Two studies with a total of 31 preservice teachers found a discrepancy between their positive attitudes for teaching media literacy and the lack of attention and support in their teacher education programs to prepare them to teach MIL ( Gretter & Yadav, 2018 ). Based on interviews with these preservice teachers, Gretter and Yadav (2018) report that they associated MIL with critical thinking skills and expressed concerns about not knowing how to teach MIL because their teacher preparation program encouraged “teaching with technology and not necessarily about technology” (p. 115). These preservice teachers complained about “a lack of preparation to help them transfer their knowledge of digital media to MIL pedagogies that would benefit students” (p. 111). This highlights the importance of preparing educators with the theory and conceptual understandings as well as the pedagogy and practical applications for how to teach their students to critically analyze and create media.

Teaching Teachers Critical Media Literacy

Transforming education to critically use media, technology, and popular culture for social and environmental justice is the overarching goal of a critical media literacy (CML) course in the teacher education program at the University of California, Los Angeles (UCLA). The authors of this article have been involved in designing and teaching this course to in-service and preservice teachers. Through combining theory from cultural studies and critical pedagogy with practical classroom applications of digital media and technology, this course prepares K-12 educators to teach their students how to critically analyze and create all types of media. In 2011 , this four-unit course on CML was officially approved and became a required class for all students working on their teaching credential at UCLA.

The teacher education program at UCLA is primarily a two-year master’s and credential program that accepts about 130 candidates annually. The program is committed to developing social justice educators to work with and improve the schooling conditions of California’s ethnically, culturally, and linguistically diverse children. While most of the students go through the two-year program, additional pathways for earning a teaching credential and master’s degree have been offered, such as a master’s-only program for in-service teachers with two years or more of full-time teaching experience.

The CML class is taught in separate sections, usually divided by subjects, with 25−50 students per section. Most of the candidates taking the class are student teaching at the same time, except for the master’s-only candidates, who were teaching full-time while attending the class once a week in the evening. The class includes lectures, discussions, and activities interwoven into each session during the 10-week quarter.

Beginning with a theoretical overview, the course explores the development of media education that is defined less as a specific body of knowledge or set of skills and more as a framework of conceptual understandings ( Buckingham, 2003 ). Much of the theory behind CML has evolved from cultural studies, a field of critical inquiry that began in the 20th century in Europe and continues to grow with new critiques of media and society. From the 1930s through the 1960s, researchers at the Frankfurt Institute for Social Research used critical social theory to analyze how media culture and the new tools of communication technology induce ideology and social control. In the 1960s, researchers at the Centre for Contemporary Cultural Studies at the University of Birmingham added to the earlier concerns of ideology with a more sophisticated understanding of the audience as active constructors of reality, not simply mirrors of an external reality. Kellner (1995) explains that cultural studies has continued to grow and incorporate concepts of semiotics, feminism, multiculturalism, and postmodernism. Incorporating a dialectical understanding of political economy, textual analysis, and audience theory, cultural studies critiques media culture as dynamic discourses that reproduce dominant ideologies as well as entertain, educate, and offer the possibilities for counter-hegemonic alternatives ( Hammer & Kellner, 2009 ).

Critical media literacy includes three dimensions ( Share & Gambino, 2022 ). The first involves the content students learn about systems, structures, and ideologies that reproduce hierarchies of power and knowledge concerning race, gender, class, sexuality and other forms of identity and environmental justice, as well as general understandings about how media and communication function. The second dimension engages the skills to critically think and question media representations and biases, to deconstruct and reconstruct media texts, and use a variety of media to access, analyze, evaluate, and create. The third involves developing a disposition for empathy, critical consciousness, and empowerment to take action to challenge and transform society to be more socially and environmentally just. This third dimension is based on Freire’s (2010) notion of conscientização , a revolutionary critical consciousness that involves perception as well as action against oppression. These three dimensions of critical media literacy pedagogy are supported through an inquiry-based democratic approach that follows ideas of transformative educators like John Dewey and Paulo Freire. We incorporate feminist theory and critical pedagogy to analyze relationships between media and audiences, information and power ( Carlson et al., 2013 ; Garcia et al., 2013 ). When we first began teaching the course, we used a simple framework with five core concepts and key questions from the Center for Media Literacy. 2 To emphasize the critical potential of these ideas, while providing an accessible tool for teachers to use in the classroom, the following critical media literacy framework was developed, with six conceptual understandings and questions, as shown in Table 1 ( Kellner & Share, 2019 ).

These six conceptual understandings and questions are referred to regularly and are addressed in all lesson plans. It is important for teachers to understand the concepts and questions because theory should inform practice for all three dimensions. However, it is better for K-12 students to learn to ask the questions rather than memorize the concepts, since the questions, with appropriate guidance, can lead students on a path of inquiry where they are more likely to make meaning themselves, related to the conceptual understandings.

The CML framework is designed to help teachers and their students question the role of power and ideology that socialize and control society through making some people and ideas seem “normal” and “natural” while the rest are “othered” and “marginalized” ( Hall, 2003 ). This critical framing supports teachers and students to deepen their explorations of racism, sexism, classism, homophobia, overconsumption, environmental exploitation, and other problematic representations in media. Candidates analyze and discuss current media examples, while also learning how to use various ICTs to create their own media with alternative counter-hegemonic representations. Using an inquiry process and democratic pedagogy, problems are posed to the students to collaboratively wrestle with, unpack, and respond to through media production.

Critical media literacy promotes an expansion of our understanding of literacy to include many types of texts, such as images, sounds, music, video games, social media, advertising, popular culture, and print, as well as a deepening of critical analysis to explore the connections between information and power. In our digital networked media age, it is not enough to teach students how to read and write just with print while their world has moved far beyond letters on a page. Literacy education in the 21st century requires breaking from traditional practices to include all the varied ways people communicate with media, technology, and any tool that facilitates the transfer of information or connects people. This calls for new skills and understandings to decode and analyze as well as to create and produce all types of texts. The California Teaching Performance Expectations also require teacher education programs to expand this view of literacy and integrate media and technology into coursework in order to “deepen teaching and learning to provide students with opportunities to participate in a digital society and economy” ( California Commission on Teacher Credentialing, 2016 , p. 9).

Each class starts by reviewing and applying the conceptual understandings and questions. Since one goal of the course is for candidates to understand that literacy includes reading and writing all types of texts, we encourage students to analyze as well as produce media. A series of assignments requires candidates to work together to create various types of media projects such as visual posters, photographs, podcasts, memes, digital stories, and social media. The candidates are also expected to work collaboratively on a CML lesson plan and learning segment that they write up, present a summary of to the whole class, and when possible, also teach it. For a detailed description of this course, see Share (2015) and visit the UCLA Library Critical Media Literacy Research Guide for links to articles, videos, and websites used in the course. 3

Table 1. Critical Media Literacy Framework

From a desire to explore if and how former students are applying the skills and knowledge gained from the critical media literacy (CML) course into their teaching practice, we created an online survey for students who had taken the course. Through purposeful sampling, we sent out the survey to the 738 students who had taken the CML course and ended up with 185 usable responses (25% response rate), 153 preservice and 32 in-service teachers. Of the 185 respondents, 53 taught elementary school and 132 were secondary-level teachers. The breakdown of the middle school and high school teachers was: 38 science, 34 math, 33 social sciences, 28 English, and several reported teaching a combination of subjects as well as some who taught other areas such as music, visual arts, Spanish, English language development, or adult education. The span of experience was wide; some just started teaching and some had been teaching over seven years, yet most of the teachers (52%) had been teaching between two and three years.

The mixed method survey included 20 questions. The first eight sought to identify participants’ teaching background. The remaining 12 questions inquired about their experiences teaching CML skills and concepts to their K-12 students. Ten quantitative questions used a Likert scale with a choice of responses, including very frequently, frequently, occasionally, rarely, and never, as well as an option to choose not applicable. The final two qualitative questions were open-ended in which respondents could type their thoughts about any “memorable moment(s) teaching critical media literacy” and “any additional comments.” During the analysis phase, we found it helpful to combine the categories very frequently and frequently and refer to them as VF/F.

Voices From the Field

Using mixed methods of quantitative and qualitative data, we analyzed the survey responses to explore teachers’ ideas about what they had been doing with their students. The overall feedback suggested that the majority of the respondents had brought aspects of media literacy education into their K-12 classrooms, and sometimes even incorporated CML. One of the most recurring patterns we noticed was that these teachers had been expanding the traditional concept of literacy by engaging their students with various types of media.

Teaching With Media

In reply to the first question, most of the respondents reported having integrated media into their class activities: 64% VF/F, 30% occasionally, 6% rarely, and no one responded never ( N = 185). The responses to Question 1 were very similar for elementary and secondary teachers, with only a 1% to 5% difference. Where we saw greater variation was when comparing the subject matter of secondary teachers. The English and science teachers had the highest percentages (75% and 76%) of VF/F responses to Question 1 about integrating media into class activities. Math teachers, by contrast, reported the lowest percentage, with 44% reporting VF/F and 15% rarely integrating media into the curriculum (see Figure 1 ).

Figure 1. Responses from secondary teachers to Question 1 about how often they integrated media into class activities.

While these responses demonstrated an overall high amount of media integration, it was not clear how the teachers integrated media and what students were doing with the media. The responses from Question 5 (“my students have created the following media”) provided more information about the students’ interactions with media, showing that the vast majority of respondents (92%) had their students create some type of media (see Figure 2 for a list of the various media students created).

Since the question only asked teachers to check the box for the type of media their students created, we did not know how often this occurred or with what degree of analysis. Questions 1 and 5 indicated that teaching with media occurred with over 90% of the respondents.

Figure 2. Responses to Question 5 about the different types of media that all 185 respondents report their students have created. They were asked to choose all that apply.

Teaching About Media

The second question tried to find out more about those interactions with media by asking respondents to rate how often they had given their “students opportunities to engage in media analysis.” For Question 2, about one-third of all 185 respondents, 32%, reported VF/F, 43% occasionally, 21% rarely, and 4% never. When comparing responses from Questions 1 and 2, the respondents seemed to have been doing more teaching with media (Question 1) than teaching about media (Question 2) (see Figure 3 ). A similar finding was mentioned in the research conducted in Germany and the United States by Tiede et al. (2015) .

Figure 3. Comparing all responses from Question 1 about integrating media into class activities (teaching with media) with Question 2 about engaging in media analysis (teaching about media).

A more nuanced perspective of Question 2 is possible when comparing the responses about media analysis from different content area secondary teachers. In response to Question 2, the teachers who reported VF/F were the following: 63% of English teachers reported giving the most opportunities for their students to engage in media analysis, as compared to almost half as often by 32% of science teachers and about five times less often by 12% of math teachers (see Figure 4 ). Since literacy is a primary goal of English instruction, it is not surprising that English teachers reported the highest levels of media analysis ( Hobbs, 2007b ).

It is important to recognize that teaching about media can be a highly complex and multifaceted undertaking, especially when done through a CML lens. For example, the second conceptual understanding encourages students to analyze the codes and conventions of the media text and the medium through which they travel by asking how the text was constructed and delivered or accessed. This, in itself, can have many layers and yet is just one of six questions intended to help students think critically about media. Livingstone (2018) asserts, “media literacy is needed not only to engage with the media but to engage with society through the media .” As Luke and Freebody (1997) argue, it is not enough to only have a psychological approach to literacy, as if reading and writing is just an individual cognitive process. We need to also bring a sociological lens into the process of questioning the contexts, the dominant ideologies, and the systems that make some things seem “natural” or “normal.” The CML framework is a holistic tool for thinking about and questioning the dynamic role media play in our relationships with ourselves, each other, and society. Responses and comments to other questions in the survey provide more insight into how some teachers have engaged their students in various types of media analysis.

Figure 4. Comparing responses from different content areas about Question 2 regarding how often secondary teachers gave their students opportunities to engage in media analysis.

Evaluating Information and Advertising

In the qualitative responses to Questions 11 and 12, teachers mentioned embracing basic media literacy principles in the ways students were evaluating the credibility of information and advertising as well as creating different types of media. The popularity of the term “fake news” and the growing amount of disinformation have increased the challenge to distinguish misinformation and propaganda from journalism and scientifically researched facts ( Rogow, 2018 ). An elementary teacher who reported “frequently” integrating media into the classroom, asserted:

Though my students are younger and some of these concepts are more difficult to teach than others, I find it important to bring up especially in terms of making sure they don’t believe every YouYube video they watch. We’ve had many meaningful discussions about what can be created for a video shouldn’t just be accepted as the truth. For example, the ‘mermaid’ documentary that came out a few years ago had all of my students convinced that they had found a mermaid. It led to an interesting discussion on hoaxes and further reading about Bigfoo[t] and other such stories.

Since all media contain bias because they are created by subjective humans, it is important for teachers to help their students to recognize the bias and also be able to judge the credibility of information. A high school math teacher wrote:

It has not happened until this school year, when I began teaching Statistics. I introduced some pictographs for students to analyze and an article for students to read about how a website stated that if polls were unskewed, Trump would be leading the polls for election. I had students read and discuss about the validity and why/why not it is trustable.

Several respondents mentioned having their students study political advertising, and since all U.S. elections are now multimillion-dollar advertising campaigns (e.g., Barack Obama’s 2008 presidential campaign won the top prizes at the Cannes Lions International Advertising Awards), there is little distinction between selling products, ideas, and political candidates.

Analyzing advertising is an important aspect of media education because advertising is the motor that drives commercial media and has become so common in our lives that there are few spaces that are completely ad-free ( Jhally, 2003 ). Several respondents reported about their students investigating advertisements for false health messages, misleading packaging, political campaigns, tobacco, alcohol, and different perspectives. One secondary English teacher wrote, “My students took pictures of advertisements that surrounded their neighborhood and we analyzed them for patterns, themes, and purposes.” A high school science teacher reported, “I had many times this past year where students were able to reflect on marketing strategies and how they affect the viewer’s perspective of their life and themselves. Students made great connections.”

During the critical media literacy (CML) class, students scrutinize consumer culture and the role advertising plays in creating anxieties, shaping desires, and normalizing representations about all things, from consumption to gender, race, and class. Candidates in the CML class learn about these ideas through readings, by analyzing advertisements, and also by creating ads for different target audiences. When asked about the media their students had created, one third reported their students created advertisements.

Creating Different Types of Media

When students are taught print literacy, they are instructed how to decode letters on a page and how to write with those letters to construct words, sentences, and paragraphs. The same process of teaching reading and writing should be applied to visual images, movies, songs, video games, social media, and all the various multimedia texts that students are encountering daily. In responses from the survey, teachers reported about having their students write and create many different types of texts beyond print (see Figure 2 ).

One English teacher wrote that having students create media was “very successful. They loved being able to create memes, posters, Prezis, etc. to present their work.” An elementary teacher shared about students “creating podcasts/npr style news stories regarding UN sustainability goals.” Several respondents commented on their students designing commercials or challenging ads by producing spoofs that parody the ads. One middle school teacher shared, “students analyzed ads for nicotine and alcohol products, then used the practice with critical media skills to create ‘anti-ads’ with Google drawings.”

During the first year of teaching, a high school science teacher reported about a memorable moment when “creating a multi-lingual, easy-to-understand and scientifically supported pamphlet on the hazards in LA’s environment.” A high school Spanish teacher wrote about his students creating critical memes in Spanish, like the ones they created in the critical media literacy (CML) class. During the session exploring racism and media, candidates challenge racist representations through creating racial myth-busting memes. As a strategy to demonstrate the value of media production, the CML class has students create various media in almost every session, and these activities are often the favorite lessons mentioned in the end of course evaluations.

Increasing Engagement

While engagement is not a learning objective, all teaching benefits from students being engaged in their learning. One of the patterns that emerged from the responses was teachers’ observations that student engagement increased. An eighth-grade English teacher wrote that after incorporating media literacy, the students’ “entire attitude toward learning shifted. Especially the hard to reach students.” An elementary teacher reported, “Media literacy has made great contributions in my class with science research in the past. The simple act of using google images, google maps and finding credible sources has sparked learning and interest in my class.” Another elementary teacher shared about using critical media literacy (CML) to analyze food justice issues: “They were instantly engaged and students who had a difficult time writing and with critical thinking then did not.”

A secondary science teacher reported, “Students spent the entire class engaged in discussion when I intended for it to only be an introduction to the unit.” Another high school science teacher wrote, “When I did teach a class specifically geared towards media literacy, it was great because students were engaged. They were quick at analyzing images and creating their own.” A third science teacher wrote, “using critical media literacy made engaging my students in abstract chemistry concepts more meaningful and engaging.” Engagement tends to increase when students are genuinely interested and intrinsically motivated, something that often comes out of personal connection, a sense of meaningfulness, and an authentic belief in the value of the learning ( Dewey, 1963 ). These are all elements of good CML pedagogy. A high school science teacher described the feelings of students and their parents as they responded to their CML work: “My favorite moments are students exuding pride and passion over the work they are creating that speaks to their perspectives and experiences; parents proud of their students’ media creations.” Feelings of pride and passion are important for all students to experience; they help lower students’ affective filters for learning ( Krashen, 1995 ) and increase intrinsic motivation to want to learn.

Critical Media Literacy

As we analyzed teachers’ written responses, we saw a number of comments in which they were taking basic media literacy concepts to deeper levels of criticality. Several mentioned how useful the class was to understanding critical theory and be able to see how it can be enacted in their K-12 classroom. Similar findings were mentioned after Joanou (2017) analyzed data about a critical media literacy (CML) class taught to master’s-level practicing K-12 educators. Joanou (2017) reported, “critical media literacy helps bridge the gap between theory and practice” (p. 40). The use of media texts and popular culture can provide relevant examples for entry into abstract concepts that are often politically and emotionally charged, and sometimes too sensitive or too distant to begin discussing on a personal level.

Teaching about the connections between information and power reflects a key goal of CML ( Kellner & Share, 2007 ) and our respondents demonstrated this through their qualitative comments about recreating counter-narratives, analyzing the politics of representation, making critical connections between history and current events with media texts, and engaging in political, social, and environmental media activism. Questions 3 and 4 attempted to assess the frequency in which teachers were bringing critical aspects of media education to their students.

Question 3 asks teachers to rate how often: “My students have engaged in media analysis by exploring media representations of ideology, race, class, gender, sexuality, environmentalism, and/or other social justice issues.” Elementary and secondary teachers reported almost identical frequencies in response to Question 3: 22% in both groups reported VF/F while 42% (elementary) and 45% (secondary) stated occasionally. When asked Question 4 about making connections between information and power, the differences increased: 39% of the secondary teachers responded doing this VF/F while just 23% of the elementary teachers reported doing this VF/F.

In-service teachers reported higher frequencies for Question 3: 54% of in-service teachers reported VF/F while preservice teachers reported 14% VF/F. For Question 4: 56% of in-service teachers reported VF/F compared with 30% of preservice teachers who reported VF/F.

When comparing responses separated by subject matter with secondary teachers, 33% of English teachers and 30% of social science teachers reported VF/F for engaging in critical media analysis, as seen in Question 3 about exploring media representations. This is considerably higher than the 16% of science teachers and 9% of math teachers reporting VF/F. The math and science teachers reported the highest percentages for rarely or never having their students explore media representations of social justice issues (see Figure 5 ). The literature supports similar findings. Garii and Rule (2009) reported that student teachers had a difficult time integrating social justice into math and science content due to several factors. In their research with novice elementary teachers, Garii and Rule discovered that the candidates were not confident in their ability to teach math and science and had limited and unsophisticated knowledge of the content. They also viewed math and science “to be a set of routinized, algorithmic practices that lead to a single, correct answer and neither science nor mathematics are assumed to be closely connected to real-world issues and concerns” (p. 491). Given that they are struggling to learn and understand the content, math and science candidates turned to classroom textbooks to guide instructional practices. Incorporating nontraditional practices or making connections to students’ lives becomes a challenge because they disconnect social justice from their teaching and focus on teaching to the content ( Garii & Rule, 2009 ).

Figure 5. Responses to Question 3 from secondary teachers about how often they engaged their students in critical “media analysis by exploring media representations of ideology, race, class, gender, sexuality, environmentalism, and/or other social justice issues.”

One of the more significant findings of the study is the number of respondents reporting they “noticed that using critical media literacy encourages critical thinking among students” (Question 9). Of the preservice respondents, 61% reported VF/F, and for the in-service teachers, the percentages jump to 81% who reported VF/F. In both cases, the majority of respondents expressed their feelings that CML promotes critical thinking most of the time (see Figure 6 ). A middle school social science teacher wrote that after teaching CML, “students were deeper thinkers and our discussions were so much richer. Students were highly engaged and more invested in the classroom.” When comparing grade levels for Question 9, we see 78% of elementary teachers reported that using CML VF/F encourages critical thinking, and 61% of secondary teachers reported VF/F. This large percentage of elementary teachers reporting about CML encouraging critical thinking shows great promise for the potential of CML in the early grades.

Figure 6. Comparison of preservice and in-service teachers’ responses to Question 9 about how often they have noticed CML encourages critical thinking among their students.

Creating Counter Narratives and Supporting Students’ Voices

Many of the responses regarding transformative education centered on guiding students to create counternarratives and supporting student ideas and voices. Respondents mentioned activities that enabled their students to recreate media texts with a critical lens. These counternarratives included recreating superhero comic books, news, advertisements, digital storytelling, national holiday observances, and poems. A high school English teacher noted, “after analyzing recent and popular superhero comic books, my students used the comic medium to tell an autobiographical story wherein they exhibited power in the face of oppression.” A middle school English teacher reported:

The most memorable lesson I’ve taught involving critical media literacy was a unit based on perseverance and the power of the human spirit in regards to power structures and oppression. After analyzing multiple types of media, students created their own VoiceThread using spoken word in order to share their own messages of perseverance. It was incredibly powerful to hear their messages.

For most respondents, the notion of enabling their students to share personal stories using multimedia tools meant that they were integrating critical media pedagogy into their teaching practice. Traditionally, personal and experiential knowledge as a form of literacy is not often valued; thus, it is a critical pedagogical orientation to encourage students to recreate media texts that reflect their intersecting realities and challenge the pervasive dominant ideologies. Students’ personal histories become scholarly pursuits when digital storytelling encompasses media production skills taught through a critical media literacy (CML) framework. Vasquez (2017) asserts, “students learn best when what they are learning has importance in their lives, using the topics, issues, and questions that they raise should therefore be an important part of creating the classroom curriculum” (p. 8). A middle school math and technology teacher commented about incorporating CML into her master’s inquiry project:

The project we ultimately created was a digital storytelling project, in which students interviewed their parents or someone they admire and created some sort of media project around that story to tell counter-narratives to the dominant story told in media about people of color.

Guiding students to create counternarratives can be an empowering instructional strategy that nurtures their personal realities and supports their voice. Considering the context of urban education, it becomes particularly important for low-income students and students of color, who have been historically denied the power to be heard, to engage in their learning as empowered subjects through creating digital counter-narratives.

Politics of Representation

A major difference between critical media literacy (CML) and the more common media literacy practiced in the United States is the rigorous examination of the politics of representation; an analysis of how historically disenfranchised social groups are represented in media ( Funk et al., 2016 ). Many of the respondents discussed analyzing issues related to representations of different identities with their students. A high school visual arts teacher reported that through “using current events in the media, students created headline news with people of color perspective.” The majority of the responses highlighted engaging in discussions related to gender and a few responses about race. One elementary teacher noted:

My grade level did a Critical Media Literacy unit and after it was over, a week later, a student showed me a box of Chips Ahoy cookies and said that it was made to be sold to boys and girls. She compared it to a rainbow pop tarts box made for girls and a basketball cereal box made for boys that we had discussed during the CML unit.

A high school social science teacher reported:

My 11th and 12th grade Sociology class created representation boards. Each group was assigned an identity (‘white male,’ ‘Asian male,’ ‘black female,’ etc.). When each group was done, we compared the images and discussed the similarities between representations of race and gender. It really opened their eyes.

The politics of representation explores the complexities and intersections of identity markers, such as ethnicity, culture, gender, class, sexual orientation, religion, and ableism. Several candidates alluded to the intersectionality between race and gender in their responses, mostly engaging their students in discussions related to the unequal representation and socialization of gender roles. They also noted that discussing stereotypical gender roles challenged their students’ internalized notions of gender. Responses such as the following highlight the shift in their students’ perspectives about gender: An elementary teacher wrote, “We’ve had some successful discussions around gender stereotypes and I’ve heard the language change in the classroom and students be more thoughtful about others’ choices.” Another elementary teacher reported, “My students showed greater acceptance. After teaching a lesson invoking gender all my male students felt accepted to choose any color paper—the favorite was pink for the rest of the year.”

Making Critical Connections

In response to the open-ended questions, an array of items was mentioned that demonstrate critical engagement, from teaching about racism and whitewashing, to numerous examples of analyzing gender and sexism, as well as projects on environmental justice and climate change at all grade levels. Some respondents discussed their transformative practice through the way their students analyzed and created media to make critical connections between historical and current events.

A high school social science teacher stated, “I had students create videos explaining the situation in Ukraine and relating it to the Cold War. In United States history, I often had students look at political cartoons and think about current examples of imperialism and how they’re represented in media.” Similarly, another social science teacher described a memorable moment of teaching critical media literacy (CML) as: “When students could make the connection between yellow journalism in Spanish-American War and media sensationalism during the War on Terror.” An elementary school teacher wrote:

My students began to think critically about history after showing them the spoken word poem ‘History Textbooks,’ which talked about world history being American Propaganda. Through this poem, they began questioning: who gets to write history and whose stories are told? It was a really powerful lesson we returned to over and over again throughout my course.

Analyzing media texts by acknowledging their historical continuity is vital because marginalization and exploitation are historically bound. Discovering these historical connections helps teachers and students learn how dominance and ideology are perpetuated, transcending time and space. Bridging the gap between the past and the present enables students to identify the common thread of hegemony across various spheres of social life. This instructional approach of CML promotes critical thinking with a social justice emphasis.

Another topic on which respondents commented was using CML to teach about environmental issues, especially the climate crisis. This is an important area for CML, since so many media messages about climate change distort the scientific evidence and mislead the public ( Beach et al., 2017 ; Share & Beach, 2022 ). A high school science teacher reported, “My class analyzed the politics behind climate change denial and how climate change is represented in the media. It was very easy for my students to see the connection between the message and its creators.” Exploring the connection between media ownership and media messages, another high school science teacher commented that a memorable moment was having a “discussion with students about where they were getting their information about environmental issues, and talking about who owns and controls Univision.”

In addition to becoming more aware, being engaged in critical analysis and creating counternarratives, some respondents noted that their students had engaged in political, environmental, and social media activism. A high school science teacher mentioned:

My class was looking at environmental justice and one student took that information and used it for an English project she was working on and that project transformed into a petition to the city council to plant more trees as her contribution to offsetting pollution in the inner city.

Another science teacher reported about how his “students created social media campaigns to raise awareness about animals affected by climate change. Different groups created the ‘Puffin Dance’ and #peekatmypika to help their campaigns get going.” A kindergarten teacher wrote about her students creating a video with opinion posters for change they shared with their school community.

Activism can be enacted in multiple ways; some efforts are more explicit, like petitions and protests, while others are more subtle, such as creating alternative media. Teacher responses reflect their students’ activism related to social, environmental, and political issues materialized through local and issue-specific efforts.

In analyzing the responses, we found many encouraging and hopeful comments about how critical media literacy (CML) has helped teachers rethink their pedagogy and increase student engagement. However, the responses also highlight challenges for implementing CML, such as limited resources, support, and clarity about how to integrate it into the curriculum. An elementary teacher wrote about the scarcity of technology at the school and how that “makes it difficult to do anything around critical media.” From the answers to Question 7 (incorporating CML into my teaching is difficult), secondary teachers reported more difficulty teaching CML (35% VF/F) than elementary teachers (26% VF/F). This is another place where the potential for CML in the lower grades surfaced, since they seem to have less difficulty incorporating it than secondary teachers. The design of most elementary classrooms, which requires the same teacher to cover all subject matter to the same group of students throughout the day, opens the potential for integrating CML pedagogy through thematic teaching, project-based learning, or problem-posing pedagogy.

A first-year middle school social science teacher shared wanting to use more CML, but had little departmental and administrative support. An elementary teacher shared about an administrator who “is reluctant to have me teach how to be critical of all media.” Three responses focused on wanting more resources, instructional strategies, and school-appropriate material in order to be able to implement CML in their classrooms. These qualitative statements of lack of support can be seen in the quantitative responses to Question 10 in which respondents rated the statement: “I feel supported by people at my school when teaching critical media literacy”: 36% VF/F, 24% occasionally, 18% rarely, 6% never felt supported, and 17% not applicable.

The group that shared the most challenges for implementing CML consisted of five teachers who taught secondary math and science. Their qualitative responses broadly discussed the difficulty of integrating CML into their content and finding only limited application. One of these responses from a high school math teacher mentioned:

I remember how when I was in the [CML] class, it seemed all over the place. I was unable to fully find the purpose of the class and how we can use it in a math class. In a traditional math class, such as Pre-Calculus or Calculus, it was rather difficult to find ways to incorporate the idea of CML.

This same person also commented that once he began teaching statistics, he was able to find ways to integrate CML. Of the 34 math teachers who answered Question 7, 59% of them reported that incorporating CML into their teaching was difficult VF/F. This is about double the VF/F responses from the other subjects.

A high school math teacher saw the value in teaching students CML but limited its application to challenging students’ misinformation about math and who is or is not a mathematician:

Critical Media Literacy is pretty important for students, especially in an age where they’re exposed to various forms of media, a lot of which is very skewed in one way or the other, and usually takes a reductionist viewpoint of the issues it addresses. I try to use CML to help students understand the misinformation about mathematics, the nature of mathematics, and challenge stereotypes of who is or isn’t a mathematician (examples: Not all mathematicians are white or Asian, there are Latino and African/African American mathematicians, there are mathematicians from faith backgrounds, mathematics isn’t just about calculations, etc.).

Two additional respondents also acknowledged the benefits of CML but felt challenged by the additional work needed to integrate it into the curriculum. A high school science teacher shared:

When I took the Critical Media Literacy class, it felt like it was more geared towards the humanities and not necessarily for the sciences. While it would be great to come up with lessons that connect chemistry and critical media literacy, it is immensely time-consuming when I can’t find other people to brainstorm with.

Another secondary science teacher also felt CML was important but struggled to find ways to integrate it into the classroom:

It was a great shared learning space and I got a ton of inspiration from taking the class; however, it has been difficult to use CML when direct instruction does focus on the explanation of scientific concepts. That’s not to say it is impossible, it just does take one more step of planning and student buy in.

Researchers in Canada found that after teaching CML concepts and skills in a Language Arts methods course, their preservice teachers felt enthusiastic about teaching media literacy, but challenged when designing CML lessons ( Robertson & Hughes, 2011 , p. 51). Robertson and Hughes (2011) list five reasons why teaching CML was so challenging for their students: (1) when these preservice teachers were K-12 students, most did not experience CML lessons; (2) the majority of their mentor teachers did not teach CML or know much about it; (3) critical analysis practices are not easy; (4) few resources are available; and (5) some schools have little technology and technical support. These are many of the same challenges that our teachers reported.

Intent and Importance of Incorporating Critical Media Literacy

Numerous teachers wrote about how meaningful, vital, transformative, and important this class was for them. A high school science teacher shared that the critical media literacy (CML) class, “was transformative! I’m still working on ways to fully integrate what I learned, but I have had my students creating media ever since.” A middle school English teacher commented about how the CML class “gave us techniques, projects, lessons that we can incorporate in our classrooms. Teaching students how to be critical of information related through the media is highly important because student[s] gain that critical awareness necessary for a technology-based society!”

A desire to bring more CML into the classroom surfaced throughout many of the qualitative responses. When asked to indicate any additional comments, 16 out of 64 respondents (25%) expressed their intention to integrate concepts related to media literacy or CML. A high school math teacher who wrote about having students create ads to represent data in graphs stated, “I wish I could incorporate more. I’ll keep trying.” A kindergarten teacher commented, “I wish I had more time to engage my students in this topic. As I grow in experience and expertise, I incorporate it more and more. Teaching in urban areas is a challenge but I do find the ideas of the course to be valuable in the classroom.”

The data and voices of these teachers raise practical, theoretical, and policy implications for future work in supporting teachers in adopting a pedagogical approach that can ignite engagement, make learning relevant, and deepen critical thinking with media, technology, and all information. In order for this to happen, teacher education programs need to address some of the challenges and limitations highlighted in the study.

The teachers surveyed reported challenges for implementing critical media literacy (CML) such as limited access to resources, lack of support, and a struggle to understand how to integrate it into the curriculum. This was especially evident for the math and science teachers. CML courses need to help teachers in all content areas rethink the silo approach to separate subject matter instruction and recognize the ways literacy is used in all areas and how information is connected to students’ lives through issues of power, privilege, and pleasure. To help teachers integrate CML into the curriculum, it is important for them to see content and grade-level examples while also receiving ongoing support and resources.

One way to support teachers in various subject matter is to create groups or projects modeled after the Stanford History Education Group (SHEG) or the Center X professional development projects. 4 The SHEG is a research and development group that provides free online resources and lesson plans for history teachers to support students in developing historical thinking skills. In a similar way, the Center X projects provide resources, lesson ideas, and professional development to support working teachers and administrators, while also creating curriculum, providing trainings, and engaging in research. The creation of a CML project or research and development group could provide ongoing professional development for new and experienced teachers in order to sustain CML implementation and support the growth of CML as an important field of investigation.

In-service teachers in our survey reported higher rates of integration of CML, perhaps because experienced teachers have figured out issues of classroom management, lesson planning, and how to balance work and life expectations. As a result, they are better situated to build and expand their curricula and teaching practices to bring CML into their classrooms. While creating a site modeled after the SHEG or Center X projects will require a significant investment of time and money, a more immediate and economical way to provide support for preservice teachers could be through integrating CML across various teacher preparation courses, especially in methods classes. This integration would require working with teacher educators to explore the CML theoretical framework and co-construct new practices and curricula for integrating these ideas throughout different content areas.

Despite the challenges reported by our teachers, the data also suggest promising possibilities for CML. While we do not claim causality between their teaching and the CML course, the data provide a window into how our preservice and in-service teachers have supported critical engagement with the information, entertainment, and social media embedded in the lives of students.

The similarities between elementary and secondary teachers suggest that CML can be just as appropriate for lower grades as it is commonly assumed to be for older students. The work in critical literacy by Comber (2013) and Vasquez (2014) offers support for the notion that young children can engage deeply in critical thinking and social justice education. The elementary teachers in our study demonstrate these ideas through the work they have done to engage their young students with media analysis and critical media production from kindergarten on up. While some teachers reported deep levels of critical analysis more often than others, many expressed their belief in the importance of CML and their desire to teach about social justice. Vasquez (2017) reminds us that critical literacy should not be a topic to teach: “Instead it should be looked on as a lens, frame, or perspective for teaching throughout the day, across the curriculum, and perhaps beyond. What this means is that critical literacy involves having a critical perspective or way of being” (p. 8). Developing social justice educators who internalize a critical way of looking at the world and questioning systems of power is the project for which CML provides a pragmatic framework and pedagogy.

It is impressive to see the majority of teachers reporting that using CML encourages critical thinking, something more important than ever in the age of fake news and alternative facts. There is hope in the teachers’ voices as they describe the activities they have been doing with their students, the successes they have encountered, and the challenges they have struggled to overcome. The comments about their intentions to teach CML and the importance they attribute to teaching these concepts provide encouragement for teacher educators to embrace CML. More than anything, the data demonstrate the potential for teaching CML in elementary and secondary settings with preservice and in-service teachers and in all content areas, even though some are more challenging than others. The use of media and technology offers opportunities for teachers to build on students’ prior knowledge, create a bridge to connect the outside world with school learning, and provide the raw material to examine everyday experiences of power, marginalization, and resistance.

Simply integrating media into the curriculum is not enough to develop critical literacies given the changing and multiple literacies associated with new digital information and communication technologies and practices. In the contemporary moment, there is a pressing pedagogical need to navigate the increasingly consequential artificial intelligence (AI) systems that collect, collate, process, predict and disseminate information determined by algorithms. Data from the survey suggest that our teachers are teaching more with media than critically analyzing it. Further studies are needed in order to better understand how to develop teachers’ CML frameworks and support more implementation.

Preparing educators to teach CML is not easy, and unfortunately, few institutes of higher education are attempting the challenge. However, it is possible, and in fact, it can be highly rewarding. By listening to the voices of teachers who have taken a CML course, we see the potential. As one high school science teacher commented, “CML changed me, changed my teaching, continues to change my students.”

While information communication technologies are integrating into all aspects of our lives, we are also witnessing increasing divisions between the haves and have nots, out-of-control climate change, and the weaponization of information and media. In order to create a socially just democratic society and sustainable planet, we must have people who can critically read and write the word and the world ( Freire & Macedo, 1987 ). The need for CML has never been greater. A high school English teacher wrote, “there is no literacy without media literacy. There is not critical pedagogy without critical media literacy.” It is our hope that this article serves as a resource to continue exploring the potential that CML offers to transform students, schools, and society.

Acknowledgments

We would like to thank the following educators who helped us design and teach this critical media literacy course: Shani Byard, Peter Carlson, Steven Funk, Antero Garcia, Mark Gomez, Clifford Lee, Elexia Reyes-McGovern, and Martin Romero. We are grateful to Megan Franke for her guidance with the creation of the survey. We also appreciate the assistance of Jarod Kawasaki, Jose-Felipe Martinez, and Brandon McMillan with helping to organize the survey data.

Further Reading

• Funk, S. , Kellner, D. , & Share, J. (2016). Critical media literacy as transformative pedagogy. In M. N. Yildiz & J. Keengwe (Eds.), Handbook of research on media literacy in the digital age (pp. 1–30). IGI Global.
• Goodman, S. (2003). Teaching youth media: A critical guide to literacy, video production, and social change . Teachers College Press.
• Hammer, R. , & Kellner, D. (Eds.). (2009). Media/cultural studies: Critical approaches . Peter Lang.
• Kellner, D. , & Share, J. (2019). The critical media literacy guide: Engaging media and transforming education . Brill/Sense Publishers.
• López, A. (2021). Ecomedia literacy: Integrating ecology into media education . Routledge.
• Luke, A. , & Freebody, P. (1997). Shaping the social practices of reading. In S. Muspratt , A. Luke , & P. Freebody (Eds.), Constructing critical literacies: Teaching and learning textual practice (pp. 185–225). Allen & Unwin, Hampton Press.
• Morrell, E. , Dueñas, R. , Garcia, V. , & López, J. (2013). Critical media pedagogy: Teaching for achievement in city schools . Teachers College Press.
• Noble, S. U. (2018). Algorithms of oppression . New York University Press.
• O’Connor, A. (2006). Raymond Williams . Rowman & Littlefield.
• Share, J. (2015). Media literacy is elementary: Teaching youth to critically read and create media (2nd ed.). Peter Lang.
• Vasquez, V. (2014). Negotiating critical literacies with young children (10th anniversary ed.). Routledge.
• Beach, R. , Share, J. , & Webb, A. (2017). Teaching climate change to adolescents: Reading, writing, and making a difference . Routledge.
• Breakstone, J. , Smith, M. , Wineburg, S. , Rapaport, A. , Carle, J. , Garland, M. , & Saavedra, A. (2021). Students’ civic online reasoning: A national portrait . Educational Researcher , 50 (8), 505–515.
• Buckingham, D. (2003). Media education: Literacy, learning and contemporary culture . Polity Press.
• Butler, A. (2020). Educating media literacy: The need for teacher education in media literacy . Brill-Sense.
• California Commission on Teacher Credentialing . (2016). California teaching performance expectations .
• California Common Core State Standards . (2013). https://www.cde.ca.gov/be/st/ss/documents/finalelaccssstandards.pdf
• Carlson, P. , Share, J. , & Lee, C. (2013). Critical media literacy: Pedagogy for the digital age. Oregon English Journal , 35 (1), 50–55.
• Comber, B. (2013). Critical literacy in the early years: Emergence and sustenance in an age of accountability. In J. Larson & J. Marsh (Eds.), The SAGE handbook of early childhood literacy (pp. 587–601). SAGE.
• Dewey, J. (1963). Experience and education . Macmillan.
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• Flores-Koulish, S. A. , Deal, D. , Losinger, J. , McCarthy, K. , & Rosebrugh, E. (2011). After the media literacy course: Three early childhood teachers look back. Action in Teacher Education , 33 , 127–143.
• Freire, P. (2010). Pedagogy of the oppressed ( M. B. Ramos, Trans.). The Continuum International Publishing Group.
• Freire, P. , & Macedo, D. (1987). Literacy: Reading the word & the world . Bergin & Garvey.
• Garcia, A. , Seglem, R. , & Share, J. (2013). Transforming teaching and learning through critical media literacy pedagogy. LEARNing Landscapes , 6 (2), 109–124.
• Garii, B. , & Rule, A. C. (2009). Integrating social justice with mathematics and science: An analysis of student teacher lessons. Teaching and Teacher Education: An International Journal of Research and Studies , 25 (3), 490–499.
• Gretter, S. , & Yadav, A. (2018). What do preservice teachers think about teaching media literacy? An exploratory study using the theory of planned behavior. Journal of Media Literacy Education , 10 (1), 104–123.
• Grizzle, A. , & Wilson, C. (Eds.). (2011). Media and information literacy: Curriculum for teachers . United Nations Educational, Scientific and Cultural Organization.
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• Hobbs, R. (2007a). Approaches to instruction and teacher education in media literacy (Research paper commissioned within the United Nations Literacy Decade). UNESCO Regional Conferences in Support of Global Literacy.
• Hobbs, R. (2007b). Reading the media: Media literacy in high school English . Teachers College Press.
• Hobbs, R. , Moen, M. , Tang, R. , & Steager, P. (2022). Measuring the implementation of media literacy instructional practices in schools: Community stakeholder perspectives . Learning, Media and Technology .
• Jhally, S. (2003). Image-based culture: Advertising and popular culture. In G. Dines & J. M. Humez (Eds.), Gender, race, and class in media: A text-reader (2nd ed.). SAGE.
• Joanou, J. P. (2017). Examining the world around us: Critical media literacy in teacher education. Multicultural Perspectives , 19 (1), 40–46.
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• Kellner, D. (1995). Media culture: Cultural studies, identity and politics between the modern and the postmodern . Routledge.
• Kellner, D. , & Share, J. (2007). Critical media literacy, democracy, and the reconstruction of education . In D. Macedo & S. R. Steinberg (Eds.), Media literacy: A reader (pp. 3–23). Peter Lang.
• Kincheloe, J. (2007). Critical pedagogy: Primer . Peter Lang.
• Kirwan, T. , Learmonth, J. , Sayer, M. , & Williams, R. (2003). Mapping media literacy: Media education 11–16 years in the United Kingdom . British Film Institute, Broadcasting Standards Commission, Independent Television Commission.
• Kist, W. , & Christel, M. T. (Eds.). (2022). Special issues: Critical media literacy: Bringing critical media literacy into ELA Classrooms, 2 . National Council of Teachers of English.
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• Livingstone, S. (2018, May 8). Media literacy—everyone’s favourite solution to the problems of regulation [Web log post].
• Lynch, T. L. (2021). (Ed.). Special issues: Critical media literacy: Bringing lives to texts, 1 . National Council of Teachers of English.
• Meehan, J. , Ray, B. , Walker, A. , Wells, S. , & Schwarz, G. (2015). Media literacy in teacher education: A good fit across the curriculum. Journal of Media Literacy Education , 7 (2), 81–86.
• Mihailidis, P. (2008). Are we speaking the same language? Assessing the state of media literacy in U.S. higher education. Studies in Media & Information Literacy Education , 8 (4), 1–14.
• Moore, D. C. , & Bonilla, E. (2014). Media literacy education & the common core state standards: NAMLE an educator’s guide . National Association for Media Literacy Education.
• National Council of Teachers of English . (2022, April 9). Media Education in English Language Arts .
• Pegurer Caprino, M. , & Martínez-Cerdá, J. (2016). Media literacy in Brazil: Experiences and models of non-formal education. Comunicar , 24 (49), 39–48.
• Pérez-Tornero, J. M. , & Tayie, S. (2012). Introduction. Teacher training in media education: Curriculum and international experiences . Comunicar , 20 (39), 10–14.
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• Ranieri, M. , & Bruni, I. (2018). Promoting digital and media competencies of pre- and in-service teachers: Research findings of a project from six European countries. Journal of e-Learning and Knowledge Society , 14 (2), 111–125.
• Rideout, V. , Lauricella, A. , & Wartella, E. (2011). Children, media, and race: Media use among white, black, hispanic, and Asian American children . Center on Media and Human Development School of Communication, Northwestern University.
• Robertson, L. , & Hughes, J. M. (2011). Investigating pre-service teachers’ understandings of critical media literacy. Language & Literacy , 13 (2), 37–53.
• Rogow, F. (2018, August 1). How to adjust your “brights” to see through the fog of “fake” news [Web log post]
• Schwarz, G. (2001). Literacy expanded: The role of media literacy in teacher education. Teacher Education Quarterly , 28 (2), 111–119.
• Share, J. , & Beach, R. (2022). Critical media literacy analysis and production for systems thinking about climate change . The Journal of Media Literacy: Research Symposium Issue.
• Share, J. , & Gambino, A. (2022). A framework, disposition, and pedagogy for teaching critical media literacy. In W. Kist & M. T. Christel (Eds.), special issues: Critical media literacy, volume 2 : Bringing critical media literacy into ELA classrooms (pp. 11–17). National Council of Teachers of English.
• Tiede, J. , Grafe, S. , & Hobbs, R. (2015). Pedagogical media competencies of preservice teachers in Germany and the United States: A comparative analysis of theory and practice. Peabody Journal of Education , 90 (4), 533–545.
• Trust, T. , Maloy, R. , Butler, A. & Goodman, L. (2022). Critical media literacy in teacher education: Discerning truth amidst a crisis of misinformation and disinformation. Journal of Technology and Teacher Education , 30 (2), 167–176.
• Vasquez, V. M. (2017). Curriculum and pedagogy, educational purposes and ideals, education theories and philosophies . In G. W. Noblit (Ed.), Oxford research encyclopedia of education . Oxford University Press.
• Vogels, E. , Gelles-Watnick, R. , & Massarat, N. (2022). Teens, social media & technology 2018 . Pew Research Center.
• Vosoughi, S. , Roy, D. , & Aral, S. (2018). The spread of true and false news online. Science , 359 (6380), 1146–1151.
• Wilson, C. (2012). Media and information literacy: Pedagogy and possibilities . Comunicar , 20 (39), 15–22.
• Wilson, C. , & Duncan, B. (2009). Implementing mandates in media education: The Ontario experience. Comunicar , 32 (16), 127–140.

1. The UNESCO Media and Information Literacy Curriculum can be found at the following location.

2. These can be found at the Center for Media Literacy website .

3. See The UCLA Library Critical Media Literacy Research Guide .

4. The Stanford History Education Group (SHEG) and the Center X site is at UCLA CENTER X PREPARES & SUPPORTS EDUCATORS .

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5 Expository Essay Examples (Full Text with Citations)

Chris Drew (PhD)

Dr. Chris Drew is the founder of the Helpful Professor. He holds a PhD in education and has published over 20 articles in scholarly journals. He is the former editor of the Journal of Learning Development in Higher Education. [Image Descriptor: Photo of Chris]

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An expository essay attempts to explain a topic in-depth, demonstrating expert knowledge and understanding.

This form of essay is structured around the clear, factual presentation of information, devoid of the writer’s personal opinions or arguments.

The primary goal is to inform or explain rather than persuade.

Unlike an argumentative essay, which is built around defending a particular point of view with evidence and persuasion, an expository essay maintains a neutral stance, focusing on delivering straightforward facts and explanations.

An example of expository writing could be an article explaining the process of photosynthesis.

The article would systematically describe each stage of how plants convert sunlight into energy, detailing the role of sunlight, water, and carbon dioxide.

It would explain the sequence of reactions – first, second, third, fourth, fifth – that occur and the importance of each step in supporting the life of the plant.

An expository essay generally follows this essay format:

• A) To persuade the reader to adopt a particular viewpoint
• B) To inform or explain a topic clearly
• C) To present the writer’s personal opinions and arguments
• D) To entertain the reader with creative writing
• A) An expository essay uses creative storytelling techniques
• B) An expository essay remains neutral and avoids personal opinions
• C) An expository essay focuses on persuading the reader with evidence
• D) An expository essay prioritizes the writer’s personal experiences

Expository Essay Examples

#1 impacts of technology on education.

955 words | 4 Pages | 15 References

Thesis Statement: “The integration of technology in education represents a complex and critical area of study crucial for understanding and shaping the future of educational practices.”

#2 Impacts of Globalization on Education

1450 words | 5 Pages | 9 References

Thesis Statement: “This essay examines the profound and multifaceted effects of globalization on education, exploring how technological advancements and policy reforms have transformed access to, delivery of, and perceptions of education.”

#3 The Role of Emotional Intelligence in Interpersonal Relationships

1211 Words | 5 Pages | 22 References

Thesis Statement: “The central thesis is that EI, defined as the ability to perceive, understand, and manage emotions, is a crucial determinant of success and well-being.”

#4 The Future of Renewable Energy Sources and Their Impact

870 words | 4 Pages | 20 References

Thesis Statement: “The essay posits that although renewable energy sources hold immense promise for a sustainable future, their full integration into the global energy grid presents significant challenges that must be addressed through technological innovation, economic investment, and policy initiatives.”

#5 The Psychology Behind Consumer Behavior

1053 words | 4 Pages | 17 References

Thesis Statement: “The thesis of this essay is that consumer behavior is not merely a product of rational decision-making; it is deeply rooted in psychological processes, both conscious and subconscious, that drive consumers’ choices and actions.”

How to Write an Expository Essay

Unlike argumentative or persuasive essays, expository essays do not aim to convince the reader of a particular point of view.

Instead, they focus on providing a balanced and thorough explanation of a subject.

Key characteristics of an expository essay include:

• Clarity and Conciseness
• Structured Organization (Introduction, Body, Conclusion)
• Objective Tone
• Evidence-Based (Cite academic sources in every body paragraph)
• Objective thesis statement (see below)
• Informative purpose (Not argumentative)

You can follow my expository essay templates with AI prompts to help guide you through the expository essay writing process:

How to write a Thesis Statement for an Expository Essay

An expository thesis statement doesn’t make an argument or try to persuade. It uses ‘is’ rather than ‘ought’ statements.

Take these comparisons  below. Note how the expository thesis statements don’t prosecute an argument or attempt to persuade, while the argumentative thesis statements clearly take a side on an issue:

💡 AI Prompt for Generating Sample Expository Thesis Statements An expository essay’s thesis statement should be objective rather than argumentative. Write me five broad expository thesis statement ideas on the topic “[TOPIC]”.

Go Deeper: 101 Thesis Statement Examples

Differences Between Expository and Argumentative Essays

Expository and argumentative essays are both common writing styles in academic and professional contexts, but they serve different purposes and follow different structures.

Here are the key differences between them:

• Expository Essay : The primary purpose is to explain, describe, or inform about a topic. It focuses on clarifying a subject or process, providing understanding and insight.
• Argumentative Essay : The goal is to persuade the reader to accept a particular point of view or to take a specific action. It’s about presenting a stance and supporting it with evidence and logic.
• Expository Essay : It maintains a neutral and objective tone. The writer presents information factually and impartially, without expressing personal opinions or biases.
• Argumentative Essay : It often adopts a more assertive, persuasive, and subjective tone. The writer takes a clear position and argues in favor of it, using persuasive language.
• Expository Essay : The reader is expected to gain knowledge, understand a process, or become informed about a topic. There’s no expectation for the reader to agree or disagree.
• Argumentative Essay : The reader is encouraged to consider the writer’s viewpoint, evaluate arguments, and possibly be persuaded to adopt a new perspective or take action.

Go Deeper: Expository vs Argumentative Essays

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Chapter 6: 21st-century media and issues

6.10.2 Social media and communication (research essay)

Lindsey Matier

English 102, April 2021

Communication is extremely important in today’s world, whether it be verbal or nonverbal. It can take place through many different forms such as through writing, speaking, listening and physical actions. These forms of communication evolve and continue to improve over time. As humans, we rely on communication for almost everything and it is a way of life. Communication has evolved from talking to writing letters to texting or talking over the phone. Every time a new form of communication is brought up and becomes more popular, we have to adapt and evolve to that new lifestyle. Throughout all the new forms of communication and ways of evolving, social media has been one of the most influential so far. Social media has allowed us to create new ways of communicating, such as texting or posting through different apps. It can connect us with people all over the world and give us a platform to express ourselves in ways that have not been possible before. While social media started off as a small form of technology, it has morphed into aspects of our everyday life. Now there are apps for everything from social media profiles to online shopping. While social media and technology itself has evolved, this has also affected our communication with each other and the world. Social media has created a fast track for information in a matter of seconds. It can give people a platform with millions of followers overnight for doing practically anything. It can help people express themselves in new ways and connect with people who have similar interests. The end goal of social media is to make people happy and ultimately make lives easier.

Introduction

With all this being said, it is evident that social media is in our everyday lives and will continue to change. It has a very strong grip on society as social media usage continues to rise throughout the years. Generalizing social media, we are exposed to forms of media at almost all times of the day. Answering the question of what media is will help give a better understanding of social media as a whole. Media can be defined as a way of mass communication. This could include siting in the car listening to ads on the radio all the way to scrolling on twitter. We are exposed to social media less often than generalized media, but it tends to come in greater quantities when exposed. For example, for people that wake up and check twitter it is an instant flood of information with every scroll. Everything from politics to sports to celebrity news is available at the fingertips. The concern is not all focused on the overwhelming information, but also the overwhelming number of comments and opinions. If we wanted to debate or talk about something before social media it had to be done in person, face to face. Now with social media, we are able to fight with people in comment sections on a backup account with a different name and no connection to who we really are. This new form of communication takes away the vulnerability of speaking to people and having genuine conversation, and makes up for it in internet trolls. Overall, social media is impacting the way we communicate with each other and the real questions are: Is social media impacting us in a positive or negative way? Do the positive aspects outweigh the negative aspects? Is social media hindering the way we communicate in person with each other? Is their more room for improvement when it comes to dealing with communication in the social media spectrum? How is social media impacting younger generation’s communication versus older generation’s communication? How can we help improve our communication skills on social media and in real life?

Personal Research 

Along with the other studies that I found from the sources I chose, I also conducted my own study to determine more accurate and recent data. I asked students mostly within high school and college range questions relating to social media and communication. I tried to get a wide range of data dealing with social media apps, screen time, and overall communication as a result of social media. I expected to see almost all negative responses about social media and communication. I figured that most people would respond saying that it has affected them negatively rather than positively, but the results were different compared to what I expected.

The first questions I asked had to do with social media itself. I asked questions about their most used social media apps, screen time, what age they were allowed to start using social media, and whether or not they think social media has had a negative or positive impact on them. As expected, most of the social media apps were some of the most popular ones like Snapchat, Instagram, and TikTok. Overall, the average screen time for all apps was evenly split between 4-6 and 6-8 hours, which I also expected. Something that did surprise me was the amount of time spent on certain social media apps. The data was split pretty evenly three ways and all between 1-4 hours. The next two questions dealt with when they group surveyed started using social media. I asked these questions because a lot of the points I want to discuss later in my paper have to deal with age and whether younger generations are suffering when it comes to communication. More than half the people surveyed said that they wished that they had waited to get social media until they were older. Some said that it is not appropriate for younger kids and that it is just toxic in general. Something that I really like that a couple people mentioned was that in reality, social media at a young age is stupid and useless. A lot of people said they wish they would have enjoyed their childhood more and they would be more extroverted now if they had not been exposed that early. The last question of this section that I asked was if they thought social media has had a more positive or negative impact on them. Overall, the data was split but leaning slightly towards the more positive side. The positive answers mostly dealt with being able to talk to stay in contact with people and meeting new friends. The negative answers all related to mental health and feeling bad about themselves. A lot of people said it is toxic and very controlling and takes up too much of our time.

The next set of questions I asked had to do more with communication and interaction with and without social media. I asked questions like how they feel about social media and how it has impacted their communication, their mental health, and if it has made our lives easier. I decided to ask questions like these because I figured I would get a wide range of responses and a lot of people’s different opinions. I started off by asking if people are an introvert or an extrovert to get an idea of what the responses would be like, and 66% said somewhere in between the two. The response for the next question really shocked me because I received such a one-side response. I asked if they think social media has impacted their communication and the way they interact with others and 75% (18/24 people) said yes. This is the information that I was looking for along with the next two questions. The next question asked if they think social media has negatively impacted their mental health and 50% said yes. I also plan on using this as a research question to show that social media can affect our mental health and therefore affect the way we interact with and around other people. The last two questions are similar but the responses were both very good. Almost everyone answered yes to the question asking if social media has made our lives easier. Everyone that answered yes said they think so because it helps them talk to friends, stay in touch with people they do not see as much, and meet new people that they are comfortable talking to. The people that said no also made good points such as it takes over our lives and it is filled with too much hate and cancel culture. I agree with both sides and am very happy that people can feel a positive response especially when it comes to communicating with other people online. The last question I asked was used to wrap up the whole survey and topic. I asked if they think social media has made our generation’s communication improve or worsen. The data was pretty evenly split, and most people gave a positive and a negative. The people that said improve gave that answer because they said it broadens our communication and allows us to talk to people at a wider range. The people who said it has made it worse all said that it is ruining our face-to-face interaction and causing us to lose emotion. They said that some people do not even know how to have a proper in person conversation and that they are too dependent on their phones. Overall, I agree with both arguments that people made but I do think that the positives outweigh the negatives in most of these situations and questions.

Research Questions

The first question I want to ask has to deal with the overall social media and communication connection and has multiple other questions I would like to cover within it. The main question is: Is social media hindering the way we communicate with each other? I also want to touch on questions like: Is social media impacting us in a positive or negative way? Do the positives outweigh the negatives? The second set of research questions I have is: Is their more room for improvement when it comes to dealing with communication in the social media spectrum? How can we help improve our communication skills on social media and in real life? How is social media impacting younger generation’s communication versus older generation’s communication?

Research Question One

Social media and communication have a direct connection to each other and both have a strong impact on the outcome of the other. My first research question has to do with that. My questions center around how social media has impacted our communication, and whether or not it is positive or negative. First, I think it is important to note the changes and different characteristics that come into play when talking about this. Things like age and problems going on in our world can affect our social media usage and communication. While we connect to people on a deeper level when talking to the in person, social media has also given us a newer and more broad way of communicating. The article “How Social Media Affects Our Ability to Communicate” by Stacey Hanke, talks about different ways social media has impacted our communication. Social media has become so relevant in our day to day lives and Hanke describes it in a couple different ways. She describes it as information binging and the fear of missing out, social graces and conversational boredom. Within these, she explains how social media has become an excuse and escape to talk to people face to face. Hanke also talks about how even though it is limiting our in person communication, it can sometimes make communicating in general easier, by being able to talk to each other in just a few words (Hanke 1). In another article by Ryan J. Fuller titled “The Impact of Social Media Use on Our Social Skills”, he discusses similar topics to Hanke’s article but also brings up more positive attributes of social media. Fuller starts of his article by giving some statistics, stating that 75% of teens own cellphones and 25% of them using it for social media, and also says that they use 7.5 hours a day using it (Fuller 1). I am glad that this was brought up because it is important to know how much time is spent on social media, scrolling through feed. Next, Fuller starts to discuss some of the benefits of social media. He briefly explains how social media is beneficial because we are able to stay in touch with our friends and family, and share important parts of our lives with them. He also explains how it helps people reach out to new friends and provide themselves with more opportunities (Fuller 1). Overall, I really like that he mentioned these because it is important to keep in mind the vast majority of social media and communication. While some use it for more simpler purposes likes just keeping up to date with what is going on in the world, others use it to make new friends, find new job opportunities, and stay in touch with people. Another topic I find important when it comes to answering this research question is how Covid affected everything. With the pandemic, we were left inside with nothing to do but what was at our fingertips. This pandemic increased social media usage drastically. The article “Social Media Insights Into US Mental Health During the COVID-19 Pandemic: Longitudinal Analysis of Twitter Data” by Danny Valdez et al, shows extensive research into determining just how much social media usage in the United States increased during the pandemic. They did experiments and surveys to determine multiple responses to research questions and show how much we rely on social media to communicate with each other. During the pandemic, everyone spent more time on their social media and their phone in general, probably more than they would like to admit. The article helps give more insight into this claim. There is the idea that social media was meant as an addition to our lives. For some people, it has become an addiction and a new piece of their life. The article focuses on how social media could be a toxic place and have a negative effect on our mental health. The time period for this information focuses around the COVID-19 pandemic. Using data from Twitter, Valdez created a study to determine the mood of people during the pandemic and the usage throughout (Valdez et al 2). Collecting tweets with certain hashtags and during time periods, the goal was to determine how much the pandemic affected people’s moods, and how much they put out and shared on social media. They used hashtags, timeline data, and tweets from different periods such as the first lockdown, different stay at home orders, etc. Given the responses to the data, they were able to determine the increase in social media usage. We cannot determine if this had a positive or negative effect on the people who were using Twitter, but we can infer that social media is becoming a key part of our lives. Not being able to talk to people as much in person during the first few months of the pandemic greatly affected communication, in positive and negative ways. Communication over the phone increased due to the amount of free time that people had and were able to spend talking to others. Contrary to that, in person communication also decreased given that people were not really allowed to leave the house. The next article by Tayebi et al, “The Role of Information Systems in Communication Through Social Media” focuses a lot about how we have evolved over time with social media and communication. They start off by talking about how social networks are like social media societies. They explain it by resembling it to a human society, as it is filled with people communicating, regardless of time or place. They also exemplify other aspects such as emotional support, information, emotions (Tayebi 2). Social media is constantly looked at through such a negative light due to some of the major bad events that have taken place. While it can be difficult at times to look past the negatives, it is important to recognize and acknowledge the positives. The growth of scientific research would not be possible without the amount of information received from the media (Tayebi 3). Without social media and media in general, we would not be where we are today as a society. As mentioned earlier, it is so easy to get lost in the negative aspects of social media and discard the positive ones. Positive parts of social media such as widespread communication and unlimited access to information makes it all worth it. Staying on topic with positive aspects of social media and communication, social media in the workplace has also broken down barriers for communication. The article “A Guide to the Successful Use of Social Media in the Workplace” by Clark Boyd gives insight into how social media has improved the workplace, and ultimately communication and interaction as a whole. Companies can use social media as a form of branding and way to communicate their products (Boyd 4). Boyd states, “Harvard Business Review finds that 82% of employees believe social media improves work relationships. Left to their own devices, your teams will connect and communicate on social networks, both inside and outside the office.” This directly relates to the research question asking whether social media hinders our communication with each other. Social media also helps when it comes to dealing with complaints placed online. By seeing these through social media, it can help the company communicate either with the person or their company the concerns that are being stated (Boyd 9). Overall, it is safe to say that social media has directly affected communication throughout different aspects of our lives.

Research Question Two

My second set of research questions has a lot to do with the future and how we can improve. Questions such as: Is their more room for improvement when it comes to dealing with communication in the social media spectrum? How can we help improve our communication skills on social media and in real life? How is social media impacting younger generation’s communication versus older generation’s communication? The article “What is Literacy” by James Paul Gee talks a lot about the basics of communication. I find this an important article to talk about before I go into more detail with this second research question. Gee explains discourse as a socially accepted way of speaking, thinking, and acting (Gee 1). It is important to note this because social media has changed that discourse for us. We no longer communicate and interact the same way in which we use to therefore almost giving us a new discourse. Another thing Gee discusses is identity kits. Gee explains identity kits as “appropriate costumes and instructions on how to act and talk” (Gee 2). This relates to social media because there is a certain way we communicate online that we wouldn’t do in person. For example, we use emojis and abbreviations to communicate on social media or over text, but this is something we would not do when communicating face-to-face. There are also some basic well-known rules of social media that follow along the lines of an identity kit. Such as, for Instagram it is a common idea not to like people’s pictures from too long ago. When you say this aloud it sounds like it is not a big deal and silly almost, but for people that use social media it is something that makes sense. The next article is going to focus more on the question that has to do with room for improvement of communication. The article “The Positive Effect of Not Following Others on Social Media” by Francesca Valsesia, Davide Proserpio, and Joseph C. Nunes involves how we deal with social media and how we react to it. The article has a lot to do with pyramid schemes and marketing schemes on social media, simply due to follower count. Social media has a lot of power over us and the content we see. Influencers have too much impact on what we see every day and this overall effects our communication (Valsesia 1). Social media feeds us information at our fingertips, whether it be true or false. Valsesia is trying to get the point across that social media has no impact on our lives without the phone and therefore, having a smaller follower count is better for our communication and overall wellbeing in the first place. Leading into my next article, social media can have a huge impact on the younger generation. This leads into part of my second research question dealing with the younger generation and their communication. The article “The Impact of Social Media on Youth Mental Health: Challenges and Opportunities” by Jacqueline Nesi shows how social media is a very complex brand of information and makes it complicated for everyone. Younger kids having access to it and multiple devices like computers and phones makes it that much more difficult. There are a lot of positives and negatives for younger kids having access to social media and the internet in general. It has an impact on their mental health and studies show it leads to signs of depression, body dysmorphia, eating disorders (Nesi 2). It can also affect their communication and outward identity due to things such as bullying, internet drama, and behavioral problems. While it does have serious negative risks, social media also can bring a lot of new positive ones. Things like creative ideas, humor and entertainment, and being able to explore their identity are all really great positives that social media gives us (Nesi 4). Most of them using it as a way to connect with friends and family and help them feel a sense of acceptance and belonging (Nesi 4). Similarly to this, social media has given a great outlet for kids and young adults to speak out on issues going on in the world. The article “Building Bridges: Exploring the Communication Trends and Perceived Sociopolitical Benefits of Adolescents Engaging in Online Social Justice Efforts” by Mariah Elsa Kornbluh goes into detail about the racial injustices in the world and how they are communicated through social media. Social media networks can help connect kids to different backgrounds and aspects of their lives (Kornbluh 1). Kornbluh expresses how a society only can flourish under civic engagement and being able to express ourselves, and social media is helping us do that. It is helping the younger generation prepare for the civic role that they will undergo (Kornbluh 2). Social media helps play a major role in participating in political movements and bringing awareness to topics (Kornbluh 3). This all is done by the younger generation and would not be possible without them. So, while it is easy to look at the negative parts of social media and how it effects the younger generation, it also brings great awareness to real life problems in our world. This last article I wanted to go over dealing with this research question has to do with the pandemic. The article “Responses to COVID-19 in Higher Education: Social Media Usage for Sustaining Formal Academic Communication in Developing Countries” by Abu Elnasr E. Sobaih, Ahmed M. Hasanein and Ahmed E. Abu Elnasr briefly talks about communication with social media in higher education systems. Education systems had to switch from in person learning and communication to online learning, which was a struggle for everyone. Throughout the time that this took place, results showed that social media had a positive effect on students dealing with this (Sobaih 1). Students used social media to build a community and help support each other through this rough time. Through these results, proper usage of social media can be shown as a positive result for a new era of learning (Sobaih 1). This is just one more reason why social media can help us improve our future.

After answering my research questions, it has become clear to me that while social media does have negative aspects, the positive aspects outweigh them. Between the articles and my own research, I have enough evidence to prove that social media does effect communication, but in a more positive way. The way we act and present ourselves is heavily influenced by social media and communication between generations are different and can be seen that way. It is important to note the accomplishments we have made as a society with social media and the media in general. It has helped connect families, provide support groups, and provide entertainment in desperate times. Our communication has changed because of social media but has changed and helped us for the better in the long run. Keeping social media a positive place and staying away from the toxic people on it will only help us grow and learn new things about ourselves.

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Tayeb, Seyed Mohammad, et al. “The Role of Information Systems in Communication through Social Media.”  International Journal of Data and Network Science , vol. 3, no. 3, 2019, pp. 245–268., doi:10.5267/j.ijdns.2019.2.002.

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Understanding Literacy in Our Lives by Lindsey Matier is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License , except where otherwise noted.

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