essay 3 paragraph example

3 Paragraph Essay: How to Write a 3 Paragraph Essay

There are many types of essays you will come across while in school. All of them require a specific number of words and paragraphs, depending on your tutor’s specifications.

Although not very common, you will sometimes get assigned a 3 paragraph essay. They help sharpen writing skills for students who don’t have prior essay writing experience.

If you are out there wondering how to write a 3 paragraph essay, worry no more because the following article will explicitly guide you on the process. You will also learn about the number of words expected and the format. Read on for a detailed review.

How to Write a 3 Paragraph Essay

Writing a 3 paragraph essay is pretty straightforward if you have the necessary skill set. You have adequate knowledge about the various writing formats (APA, Chicago, MLA, or Harvard), good grammar, and appropriate research techniques. Endeavor to make the meaning clear and understandable such that the presentation is logical.

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Remember that you only have three paragraphs to explain your point of view. Your sentences should, therefore, be precise and to the point. Provide facts, explain ideas, give directions and define words to ensure the reader understands your logic without struggle.

A typical 3-paragraph essay should have;

• An introduction
• A conclusion

Let us cover each section in detail;

1. Introduction

Your first paragraph should feature the introduction. Start by writing your topic. For example, How to “Write a 3 Paragraph Essay”. After the title, the first sentence of the introductory paragraph should incorporate a topic sentence (thesis statement). It is a sentence that outlines the title and your point of view or argument.

Also see: Should you capitalize the title of your essay? 

The second sentence then provides extra information that supports the topic sentence. It should help explain why your argument is relevant. The third and final sentence should outline the points you will incorporate in your body and should be in the order of presentation.

The second paragraph is the body of your essay. Here you will be explaining your points further. The first sentence of your body (number 4 overall) should outline your first point. You can also add two or three sentences to support your argument.

The number of sentences in your body should get determined by the number of points you plan to incorporate in your essay. For example, if you have three points, each should have at least three sentences because you will have to provide proof to support each.

3. Conclusion

The third and final paragraph is the conclusion of your essay. Start by restating the topic sentence using different words. Outline the main points, and finish by prompting the reader to reflect on your topic. You can conclude with a call to action or by phrasing a question.

4. The Final Touches

After writing your essay, polish it by;

• Reviewing the whole essay
• Ensuring the sentence flow is smooth
• Adding transitional phrases that join your ideas and thoughts
• Listing down your sources of information
• Checking for punctuation, spelling errors, grammar, and capitalization.

How Long Is A 3 Paragraph Essay?

A typical 3 paragraph essay should have around 250 words. However, this figure varies because the number of words in each sentence varies. Each paragraph should have between 100-200 words and each sentence 15-20 words.

Since you will be writing only three paragraphs, avoid using filler words because they will significantly increase the total number of words. To make the essay readable, you can incorporate subheadings to help the reader follow your thoughts.

Aim to keep your sentences and paragraphs short as it helps captivate the attention of the reader. Too long sentences and sections may be boring, and the reader may skip crucial points.

Can You Have Three Paragraphs In An Essay?

You can have three paragraphs in an essay. There is no rule that says an essay must have a certain number of paragraphs. However, all essays must have at least three paragraphs. In the case of a 3 paragraph essay, each paragraph gets allocated a section. The first paragraph becomes the introduction, while the second and third become the body and conclusion.

Most instructors assign 3 paragraph essays to train students about the general format of crafting essays. You will, therefore, mostly get these kinds of essays in high school. The main objective is to enhance writing, research, and formatting skills. However, this does not mean you should not take them seriously because they contribute to your overall marks.

Remember that the body paragraph carries your main points. Ensure you state and explain them clearly while still providing proof.

Posted on 13th October 2017

Writing a Three-Paragraph Essay

By Elise Barbeau

Sally Baggett holds a master’s in literature. She enjoys inspiring students, cooking with her family, and helping others achieve their dreams.

Just like there is more than one way to skin a cat (or so they say), there is more than one way to write an essay. One is not required to produce a perfectly formatted five-paragraph essay every time one composes a piece of writing. There is another type of essay you can write that may just be simpler than the traditional style: the three-paragraph essay. This type of essay might be beneficial for beginning writers as it offers the organizational structure of a longer essay without requiring the length. It also offers a challenge to more advanced writers to condense their points.

The Parts of the Essay and Its Benefits

As with most essays, the three-paragraph essay has three parts: an introduction, a body, and a conclusion. Yet with this type of essay–unlike its five-paragraph counterpart–each one of these sections has only one paragraph. The three-paragraph essay, therefore, might be ideal for young writers or those who are currently mastering the English language.

Another benefit to the three-paragraph essay could be that it requires you to condense your supporting points into just one, which can be a good exercise. If you had to choose only one point to convince a reader to agree with you, what would it be?

After performing some light prewriting, such as brainstorming or writing an outline, students can move right into composing the essay. While this process is similar across the board for writing academic papers, the three-paragraph essay is unique in that the body will take up less space in the finished product.

An outline for this essay might look like this :

• Background Points
• Thesis Statement
• Supporting fact 1
• Supporting fact 2
• Transition Sentence
• Re-statement of Thesis
• Summary of Main Point
• Challenge to the Reader

Paragraph One: Introduction

As with most formal essays, the three-paragraph essay begins with an introduction paragraph. Such paragraphs must, obviously, introduce the reader to your idea and, in most cases, convince the reader that this essay is worth reading. To craft a strong introduction, be sure to open with a solid hook. You want to draw in readers so they are compelled to engage with your writing.

A hook can be something compelling such as a question, a powerful quote, or an interesting fact. Introduction paragraphs also usually contain background information that assists the reader in understanding your topic, perhaps defining it or explaining an important part. Finally, you want to include a thesis statement. Even though your essay only has three paragraphs, there still needs to be a purpose to the writing.

You could structure your introduction paragraph according to this outline :

• Hook: Is there no solution for dumping waste in the ocean?
• Explain why trash is dumped in the ocean
• Statistics about dumping trash in the ocean
• Thesis Statement: Dumping waste in the ocean is a problem because it spells disaster for the ecosystem, leading to problems on land.

This structure is not mandatory, though it might be useful in the long run for organizing your thoughts.

Paragraph Two: Body

The second paragraph, as we have discussed, is the one and only body paragraph. This paragraph bears the burden of communicating support for the thesis statement all on its own. As such, it may take more than one rough draft to get this paragraph to communicate everything you want it to.

Your body paragraph needs to underscore the thesis statement. Create a topic sentence for this body paragraph that communicates this and also transitions from the introduction into the body. For example, your body paragraph topic sentence based on the outline above could be:

One of those problems might play itself out as food scarcity where humans live.

This topic sentence reiterates the thesis and moves the reader into a body paragraph that contains a supporting point: that damage to the ocean’s ecosystem could lead to food scarcity. Within the body paragraph, you can quote different sources that support this point.

Again, this paragraph does not have room to contain everything that a full five-paragraph essay might. But that doesn’t mean you can’t fit in some strong evidence to convince your reader to see your perspective, such as is accomplished through quotes and analysis. Don’t forget to end with a strong transition sentence to move the reader seamlessly into the conclusion.

Paragraph Three: Conclusion

The final paragraph in an essay is usually the conclusion. The three-paragraph essay is no exception. In this essay, the conclusion can be just as long as the other two paragraphs, and it can drive home the point made in the thesis statement and body paragraph. As with most conclusion paragraphs, this paragraph ought to restate the thesis in different words. It should then summarize what was stated in the body paragraph before challenging the reader in some way, whether in thought or action.

Editing Before Turning It In

One thing to be sure of in this type of essay (as in any other) is to polish it. Make it flow well. In other words, revise it!

Before beginning the revision process, take a break from your writing so that you can look at it with fresh eyes. Once you start revising, hunt not only for grammar and punctuation errors but for ways to make the writing flow better. Take a look at the sentences at the beginning and end of each paragraph. Do these sentences contain transition words? Do these paragraphs link to each other? Transition words or phrases like “Likewise,” “In spite of,” or “In addition to” can ensure that your paragraphs are coherent. There are also other services that will automatically proofread you paper.

If you used any sources (i.e. websites, books, videos, etc.) to help support your points and write your paper, you need to cite them! Most teachers will ask you to create a bibliography in MLA format . Others may have you one in APA format , or create references in Chicago style. Ask your teacher for guidance on what citation style they prefer.

Final Thoughts

Don’t forget that you aren’t limited to using this type of essay for just persuasion. You can also use it to relate a narrative tale, using the three parts as the beginning, middle, and end of a story. You can use this to craft an informative essay. See if other types of essays–such as a process analysis or an evaluation–will fit inside the three-paragraph essay format.

In many ways, the three-paragraph essay is similar to the five-paragraph essay. They both make a solid point using an introduction, body, and conclusion. This simpler essay only requires that you condense your points into one body paragraph, perhaps only one supporting point, before reaching a conclusion. Again, this can make a good exercise for beginning English writers, but can also make a challenge for a more advanced writer to select their strongest supporting points.

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Traditional Academic Essays In Three Parts

Part i: the introduction.

An introduction is usually the first paragraph of your academic essay. If you’re writing a long essay, you might need 2 or 3 paragraphs to introduce your topic to your reader. A good introduction does 2 things:

• Gets the reader’s attention. You can get a reader’s attention by telling a story, providing a statistic, pointing out something strange or interesting, providing and discussing an interesting quote, etc. Be interesting and find some original angle via which to engage others in your topic.
• Provides a specific and debatable thesis statement. The thesis statement is usually just one sentence long, but it might be longer—even a whole paragraph—if the essay you’re writing is long. A good thesis statement makes a debatable point, meaning a point someone might disagree with and argue against. It also serves as a roadmap for what you argue in your paper.

Part II: The Body Paragraphs

Body paragraphs help you prove your thesis and move you along a compelling trajectory from your introduction to your conclusion. If your thesis is a simple one, you might not need a lot of body paragraphs to prove it. If it’s more complicated, you’ll need more body paragraphs. An easy way to remember the parts of a body paragraph is to think of them as the MEAT of your essay:

Main Idea. The part of a topic sentence that states the main idea of the body paragraph. All of the sentences in the paragraph connect to it. Keep in mind that main ideas are…

• like labels. They appear in the first sentence of the paragraph and tell your reader what’s inside the paragraph.
• arguable. They’re not statements of fact; they’re debatable points that you prove with evidence.
• focused. Make a specific point in each paragraph and then prove that point.

Evidence. The parts of a paragraph that prove the main idea. You might include different types of evidence in different sentences. Keep in mind that different disciplines have different ideas about what counts as evidence and they adhere to different citation styles. Examples of evidence include…

• quotations and/or paraphrases from sources.
• facts , e.g. statistics or findings from studies you’ve conducted.
• narratives and/or descriptions , e.g. of your own experiences.

Analysis. The parts of a paragraph that explain the evidence. Make sure you tie the evidence you provide back to the paragraph’s main idea. In other words, discuss the evidence.

Transition. The part of a paragraph that helps you move fluidly from the last paragraph. Transitions appear in topic sentences along with main ideas, and they look both backward and forward in order to help you connect your ideas for your reader. Don’t end paragraphs with transitions; start with them.

Keep in mind that MEAT does not occur in that order. The “ T ransition” and the “ M ain Idea” often combine to form the first sentence—the topic sentence—and then paragraphs contain multiple sentences of evidence and analysis. For example, a paragraph might look like this: TM. E. E. A. E. E. A. A.

Part III: The Conclusion

A conclusion is the last paragraph of your essay, or, if you’re writing a really long essay, you might need 2 or 3 paragraphs to conclude. A conclusion typically does one of two things—or, of course, it can do both:

• Summarizes the argument. Some instructors expect you not to say anything new in your conclusion. They just want you to restate your main points. Especially if you’ve made a long and complicated argument, it’s useful to restate your main points for your reader by the time you’ve gotten to your conclusion. If you opt to do so, keep in mind that you should use different language than you used in your introduction and your body paragraphs. The introduction and conclusion shouldn’t be the same.
• For example, your argument might be significant to studies of a certain time period .
• Alternately, it might be significant to a certain geographical region .
• Alternately still, it might influence how your readers think about the future . You might even opt to speculate about the future and/or call your readers to action in your conclusion.

Handout by Dr. Liliana Naydan. Do not reproduce without permission.

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A Guide to Writing a Three-Paragraph Essay

Table of Contents

There is no one method to write an essay. It is optional to create a perfectly formatted five-paragraph paper every time someone writes a piece. It’s possible to write a different type of essay, which may be simpler than the traditional style: A three-paragraph essay.

Read on to learn about 3 paragraph introduction body conclusion style.

Components of a Three Paragraph Essay

Three-paragraph essays are commonly comprised of three parts: An introduction, a body, and a conclusion .

Despite this type of essay, unlike its five-paragraph counterpart, each section has only one paragraph. Therefore, the three-paragraph paper suits young writers or those already mastering English. 

1. Brief Introduction

A three-paragraph essay begins with an introduction paragraph. In most cases, such sections must introduce the reader to your idea and convince others that this essay is worth reading. Make sure you begin with a good hook to make a powerful introduction. You want readers to engage with your writing so they will engage with it. 

A hook can be anything compelling, such as a powerful quote or an interesting fact. In addition to general background information, introduction paragraphs usually contain details. These details assist readers in understanding your topic, such as highlighting it or explaining an important point. Finally, you will need a thesis statement. Even if your essay is only three paragraphs, there is still a reason behind it. 

2. Body Paragraph

As we have discussed at length, the only body paragraph is the second paragraph. This paragraph is responsible for showing why the thesis statement is true. Your section may take more than one rough draft. Thus, it may only convey some of what you want it to portray. 

Body paragraphs should emphasize the thesis statement. In this body paragraph, create a topic sentence that communicates this and then transitions from the introduction into the body. 

3. Conclusion

An essay usually ends with a final paragraph. Three paragraph essay is no exception. Conclusions can be as long throughout this essay as in the other two sections. They can bring the thesis statement and body paragraph across.

Conclusion paragraphs should restate the thesis differently, as with most conclusion paragraphs. The body paragraph should summarize what has been said and challenge the reader to do or think something .

Benefits of a Three-Paragraph Essay

You could also use the three-paragraph essay to condense your supporting points into one, which is a great exercise. What would you choose if you had to convince readers to agree with you only one way? 

Students can begin composing the essay by performing light prewriting, such as brainstorming or writing a structure. The writing process for academic papers is similar across the board, but the three-paragraph article is unique. The body will take up less space in the finished product. 

Final Thoughts

Remember that you can use this type of essay for just persuasive purposes. You can use this to tell a story by relating the three parts of the story. You relate it to a narrative’s beginning, middle, and end. Using this to write a compelling essay can be helpful.

You should ask yourself if other types of essays, like a process analysis or an evaluation, fit within the three-paragraph essay format. Remember to stick to the structure- 3 paragraph introduction body conclusion .

Abir Ghenaiet

Abir is a data analyst and researcher. Among her interests are artificial intelligence, machine learning, and natural language processing. As a humanitarian and educator, she actively supports women in tech and promotes diversity.

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What this handout is about

This handout will help you understand how paragraphs are formed, how to develop stronger paragraphs, and how to completely and clearly express your ideas.

What is a paragraph?

Paragraphs are the building blocks of papers. Many students define paragraphs in terms of length: a paragraph is a group of at least five sentences, a paragraph is half a page long, etc. In reality, though, the unity and coherence of ideas among sentences is what constitutes a paragraph. A paragraph is defined as “a group of sentences or a single sentence that forms a unit” (Lunsford and Connors 116). Length and appearance do not determine whether a section in a paper is a paragraph. For instance, in some styles of writing, particularly journalistic styles, a paragraph can be just one sentence long. Ultimately, a paragraph is a sentence or group of sentences that support one main idea. In this handout, we will refer to this as the “controlling idea,” because it controls what happens in the rest of the paragraph.

How do I decide what to put in a paragraph?

Before you can begin to determine what the composition of a particular paragraph will be, you must first decide on an argument and a working thesis statement for your paper. What is the most important idea that you are trying to convey to your reader? The information in each paragraph must be related to that idea. In other words, your paragraphs should remind your reader that there is a recurrent relationship between your thesis and the information in each paragraph. A working thesis functions like a seed from which your paper, and your ideas, will grow. The whole process is an organic one—a natural progression from a seed to a full-blown paper where there are direct, familial relationships between all of the ideas in the paper.

The decision about what to put into your paragraphs begins with the germination of a seed of ideas; this “germination process” is better known as brainstorming . There are many techniques for brainstorming; whichever one you choose, this stage of paragraph development cannot be skipped. Building paragraphs can be like building a skyscraper: there must be a well-planned foundation that supports what you are building. Any cracks, inconsistencies, or other corruptions of the foundation can cause your whole paper to crumble.

So, let’s suppose that you have done some brainstorming to develop your thesis. What else should you keep in mind as you begin to create paragraphs? Every paragraph in a paper should be :

• Unified : All of the sentences in a single paragraph should be related to a single controlling idea (often expressed in the topic sentence of the paragraph).
• Clearly related to the thesis : The sentences should all refer to the central idea, or thesis, of the paper (Rosen and Behrens 119).
• Coherent : The sentences should be arranged in a logical manner and should follow a definite plan for development (Rosen and Behrens 119).
• Well-developed : Every idea discussed in the paragraph should be adequately explained and supported through evidence and details that work together to explain the paragraph’s controlling idea (Rosen and Behrens 119).

How do I organize a paragraph?

There are many different ways to organize a paragraph. The organization you choose will depend on the controlling idea of the paragraph. Below are a few possibilities for organization, with links to brief examples:

• Narration : Tell a story. Go chronologically, from start to finish. ( See an example. )
• Description : Provide specific details about what something looks, smells, tastes, sounds, or feels like. Organize spatially, in order of appearance, or by topic. ( See an example. )
• Process : Explain how something works, step by step. Perhaps follow a sequence—first, second, third. ( See an example. )
• Classification : Separate into groups or explain the various parts of a topic. ( See an example. )
• Illustration : Give examples and explain how those examples support your point. (See an example in the 5-step process below.)

Illustration paragraph: a 5-step example

From the list above, let’s choose “illustration” as our rhetorical purpose. We’ll walk through a 5-step process for building a paragraph that illustrates a point in an argument. For each step there is an explanation and example. Our example paragraph will be about human misconceptions of piranhas.

Step 1. Decide on a controlling idea and create a topic sentence

Paragraph development begins with the formulation of the controlling idea. This idea directs the paragraph’s development. Often, the controlling idea of a paragraph will appear in the form of a topic sentence. In some cases, you may need more than one sentence to express a paragraph’s controlling idea.

Controlling idea and topic sentence — Despite the fact that piranhas are relatively harmless, many people continue to believe the pervasive myth that piranhas are dangerous to humans.

Step 2. Elaborate on the controlling idea

Paragraph development continues with an elaboration on the controlling idea, perhaps with an explanation, implication, or statement about significance. Our example offers a possible explanation for the pervasiveness of the myth.

Elaboration — This impression of piranhas is exacerbated by their mischaracterization in popular media.

Step 3. Give an example (or multiple examples)

Paragraph development progresses with an example (or more) that illustrates the claims made in the previous sentences.

Example — For example, the promotional poster for the 1978 horror film Piranha features an oversized piranha poised to bite the leg of an unsuspecting woman.

Step 4. Explain the example(s)

The next movement in paragraph development is an explanation of each example and its relevance to the topic sentence. The explanation should demonstrate the value of the example as evidence to support the major claim, or focus, in your paragraph.

Continue the pattern of giving examples and explaining them until all points/examples that the writer deems necessary have been made and explained. NONE of your examples should be left unexplained. You might be able to explain the relationship between the example and the topic sentence in the same sentence which introduced the example. More often, however, you will need to explain that relationship in a separate sentence.

Explanation for example — Such a terrifying representation easily captures the imagination and promotes unnecessary fear.

Notice that the example and explanation steps of this 5-step process (steps 3 and 4) can be repeated as needed. The idea is that you continue to use this pattern until you have completely developed the main idea of the paragraph.

Step 5. Complete the paragraph’s idea or transition into the next paragraph

The final movement in paragraph development involves tying up the loose ends of the paragraph. At this point, you can remind your reader about the relevance of the information to the larger paper, or you can make a concluding point for this example. You might, however, simply transition to the next paragraph.

Sentences for completing a paragraph — While the trope of the man-eating piranhas lends excitement to the adventure stories, it bears little resemblance to the real-life piranha. By paying more attention to fact than fiction, humans may finally be able to let go of this inaccurate belief.

Finished paragraph

Despite the fact that piranhas are relatively harmless, many people continue to believe the pervasive myth that piranhas are dangerous to humans. This impression of piranhas is exacerbated by their mischaracterization in popular media. For example, the promotional poster for the 1978 horror film Piranha features an oversized piranha poised to bite the leg of an unsuspecting woman. Such a terrifying representation easily captures the imagination and promotes unnecessary fear. While the trope of the man-eating piranhas lends excitement to the adventure stories, it bears little resemblance to the real-life piranha. By paying more attention to fact than fiction, humans may finally be able to let go of this inaccurate belief.

Troubleshooting paragraphs

Problem: the paragraph has no topic sentence.

Imagine each paragraph as a sandwich. The real content of the sandwich—the meat or other filling—is in the middle. It includes all the evidence you need to make the point. But it gets kind of messy to eat a sandwich without any bread. Your readers don’t know what to do with all the evidence you’ve given them. So, the top slice of bread (the first sentence of the paragraph) explains the topic (or controlling idea) of the paragraph. And, the bottom slice (the last sentence of the paragraph) tells the reader how the paragraph relates to the broader argument. In the original and revised paragraphs below, notice how a topic sentence expressing the controlling idea tells the reader the point of all the evidence.

Original paragraph

Piranhas rarely feed on large animals; they eat smaller fish and aquatic plants. When confronted with humans, piranhas’ first instinct is to flee, not attack. Their fear of humans makes sense. Far more piranhas are eaten by people than people are eaten by piranhas. If the fish are well-fed, they won’t bite humans.

Revised paragraph

Although most people consider piranhas to be quite dangerous, they are, for the most part, entirely harmless. Piranhas rarely feed on large animals; they eat smaller fish and aquatic plants. When confronted with humans, piranhas’ first instinct is to flee, not attack. Their fear of humans makes sense. Far more piranhas are eaten by people than people are eaten by piranhas. If the fish are well-fed, they won’t bite humans.

Once you have mastered the use of topic sentences, you may decide that the topic sentence for a particular paragraph really shouldn’t be the first sentence of the paragraph. This is fine—the topic sentence can actually go at the beginning, middle, or end of a paragraph; what’s important is that it is in there somewhere so that readers know what the main idea of the paragraph is and how it relates back to the thesis of your paper. Suppose that we wanted to start the piranha paragraph with a transition sentence—something that reminds the reader of what happened in the previous paragraph—rather than with the topic sentence. Let’s suppose that the previous paragraph was about all kinds of animals that people are afraid of, like sharks, snakes, and spiders. Our paragraph might look like this (the topic sentence is bold):

Like sharks, snakes, and spiders, piranhas are widely feared. Although most people consider piranhas to be quite dangerous, they are, for the most part, entirely harmless . Piranhas rarely feed on large animals; they eat smaller fish and aquatic plants. When confronted with humans, piranhas’ first instinct is to flee, not attack. Their fear of humans makes sense. Far more piranhas are eaten by people than people are eaten by piranhas. If the fish are well-fed, they won’t bite humans.

Problem: the paragraph has more than one controlling idea

If a paragraph has more than one main idea, consider eliminating sentences that relate to the second idea, or split the paragraph into two or more paragraphs, each with only one main idea. Watch our short video on reverse outlining to learn a quick way to test whether your paragraphs are unified. In the following paragraph, the final two sentences branch off into a different topic; so, the revised paragraph eliminates them and concludes with a sentence that reminds the reader of the paragraph’s main idea.

Although most people consider piranhas to be quite dangerous, they are, for the most part, entirely harmless. Piranhas rarely feed on large animals; they eat smaller fish and aquatic plants. When confronted with humans, piranhas’ first instinct is to flee, not attack. Their fear of humans makes sense. Far more piranhas are eaten by people than people are eaten by piranhas. A number of South American groups eat piranhas. They fry or grill the fish and then serve them with coconut milk or tucupi, a sauce made from fermented manioc juices.

Problem: transitions are needed within the paragraph

You are probably familiar with the idea that transitions may be needed between paragraphs or sections in a paper (see our handout on transitions ). Sometimes they are also helpful within the body of a single paragraph. Within a paragraph, transitions are often single words or short phrases that help to establish relationships between ideas and to create a logical progression of those ideas in a paragraph. This is especially likely to be true within paragraphs that discuss multiple examples. Let’s take a look at a version of our piranha paragraph that uses transitions to orient the reader:

Although most people consider piranhas to be quite dangerous, they are, except in two main situations, entirely harmless. Piranhas rarely feed on large animals; they eat smaller fish and aquatic plants. When confronted with humans, piranhas’ instinct is to flee, not attack. But there are two situations in which a piranha bite is likely. The first is when a frightened piranha is lifted out of the water—for example, if it has been caught in a fishing net. The second is when the water level in pools where piranhas are living falls too low. A large number of fish may be trapped in a single pool, and if they are hungry, they may attack anything that enters the water.

In this example, you can see how the phrases “the first” and “the second” help the reader follow the organization of the ideas in the paragraph.

Works consulted

We consulted these works while writing this handout. This is not a comprehensive list of resources on the handout’s topic, and we encourage you to do your own research to find additional publications. Please do not use this list as a model for the format of your own reference list, as it may not match the citation style you are using. For guidance on formatting citations, please see the UNC Libraries citation tutorial . We revise these tips periodically and welcome feedback.

Lunsford, Andrea. 2008. The St. Martin’s Handbook: Annotated Instructor’s Edition , 6th ed. New York: St. Martin’s.

Rosen, Leonard J., and Laurence Behrens. 2003. The Allyn & Bacon Handbook , 5th ed. New York: Longman.

You may reproduce it for non-commercial use if you use the entire handout and attribute the source: The Writing Center, University of North Carolina at Chapel Hill

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Sample Essays

The breadth of Georgetown’s core curriculum means that students are required to write for a wide variety of academic disciplines. Below, we provide some student samples that exhibit the key features the most popular genres. When reading through these essays, we recommend paying attention to their 

1. Structure (How many paragraphs are there? Does the author use headers?) 

2. Argument (Is the author pointing out a problem, and/or proposing a solution?) 

3. Content (Does the argument principally rely on facts, theory, or logic?) and 

4. Style (Does the writer use first person? What is the relationship with the audience?)

Philosophy Paper

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• Sacred Space and Time
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Sat / act prep online guides and tips, 3 great narrative essay examples + tips for writing.

General Education

A narrative essay is one of the most intimidating assignments you can be handed at any level of your education. Where you've previously written argumentative essays that make a point or analytic essays that dissect meaning, a narrative essay asks you to write what is effectively a story .

But unlike a simple work of creative fiction, your narrative essay must have a clear and concrete motif —a recurring theme or idea that you’ll explore throughout. Narrative essays are less rigid, more creative in expression, and therefore pretty different from most other essays you’ll be writing.

But not to fear—in this article, we’ll be covering what a narrative essay is, how to write a good one, and also analyzing some personal narrative essay examples to show you what a great one looks like.

What Is a Narrative Essay?

At first glance, a narrative essay might sound like you’re just writing a story. Like the stories you're used to reading, a narrative essay is generally (but not always) chronological, following a clear throughline from beginning to end. Even if the story jumps around in time, all the details will come back to one specific theme, demonstrated through your choice in motifs.

Unlike many creative stories, however, your narrative essay should be based in fact. That doesn’t mean that every detail needs to be pure and untainted by imagination, but rather that you shouldn’t wholly invent the events of your narrative essay. There’s nothing wrong with inventing a person’s words if you can’t remember them exactly, but you shouldn’t say they said something they weren’t even close to saying.

Another big difference between narrative essays and creative fiction—as well as other kinds of essays—is that narrative essays are based on motifs. A motif is a dominant idea or theme, one that you establish before writing the essay. As you’re crafting the narrative, it’ll feed back into your motif to create a comprehensive picture of whatever that motif is.

For example, say you want to write a narrative essay about how your first day in high school helped you establish your identity. You might discuss events like trying to figure out where to sit in the cafeteria, having to describe yourself in five words as an icebreaker in your math class, or being unsure what to do during your lunch break because it’s no longer acceptable to go outside and play during lunch. All of those ideas feed back into the central motif of establishing your identity.

The important thing to remember is that while a narrative essay is typically told chronologically and intended to read like a story, it is not purely for entertainment value. A narrative essay delivers its theme by deliberately weaving the motifs through the events, scenes, and details. While a narrative essay may be entertaining, its primary purpose is to tell a complete story based on a central meaning.

Unlike other essay forms, it is totally okay—even expected—to use first-person narration in narrative essays. If you’re writing a story about yourself, it’s natural to refer to yourself within the essay. It’s also okay to use other perspectives, such as third- or even second-person, but that should only be done if it better serves your motif. Generally speaking, your narrative essay should be in first-person perspective.

Though your motif choices may feel at times like you’re making a point the way you would in an argumentative essay, a narrative essay’s goal is to tell a story, not convince the reader of anything. Your reader should be able to tell what your motif is from reading, but you don’t have to change their mind about anything. If they don’t understand the point you are making, you should consider strengthening the delivery of the events and descriptions that support your motif.

Narrative essays also share some features with analytical essays, in which you derive meaning from a book, film, or other media. But narrative essays work differently—you’re not trying to draw meaning from an existing text, but rather using an event you’ve experienced to convey meaning. In an analytical essay, you examine narrative, whereas in a narrative essay you create narrative.

The structure of a narrative essay is also a bit different than other essays. You’ll generally be getting your point across chronologically as opposed to grouping together specific arguments in paragraphs or sections. To return to the example of an essay discussing your first day of high school and how it impacted the shaping of your identity, it would be weird to put the events out of order, even if not knowing what to do after lunch feels like a stronger idea than choosing where to sit. Instead of organizing to deliver your information based on maximum impact, you’ll be telling your story as it happened, using concrete details to reinforce your theme.

3 Great Narrative Essay Examples

One of the best ways to learn how to write a narrative essay is to look at a great narrative essay sample. Let’s take a look at some truly stellar narrative essay examples and dive into what exactly makes them work so well.

A Ticket to the Fair by David Foster Wallace

Today is Press Day at the Illinois State Fair in Springfield, and I’m supposed to be at the fairgrounds by 9:00 A.M. to get my credentials. I imagine credentials to be a small white card in the band of a fedora. I’ve never been considered press before. My real interest in credentials is getting into rides and shows for free. I’m fresh in from the East Coast, for an East Coast magazine. Why exactly they’re interested in the Illinois State Fair remains unclear to me. I suspect that every so often editors at East Coast magazines slap their foreheads and remember that about 90 percent of the United States lies between the coasts, and figure they’ll engage somebody to do pith-helmeted anthropological reporting on something rural and heartlandish. I think they asked me to do this because I grew up here, just a couple hours’ drive from downstate Springfield. I never did go to the state fair, though—I pretty much topped out at the county fair level. Actually, I haven’t been back to Illinois for a long time, and I can’t say I’ve missed it.

Throughout this essay, David Foster Wallace recounts his experience as press at the Illinois State Fair. But it’s clear from this opening that he’s not just reporting on the events exactly as they happened—though that’s also true— but rather making a point about how the East Coast, where he lives and works, thinks about the Midwest.

In his opening paragraph, Wallace states that outright: “Why exactly they’re interested in the Illinois State Fair remains unclear to me. I suspect that every so often editors at East Coast magazines slap their foreheads and remember that about 90 percent of the United States lies between the coasts, and figure they’ll engage somebody to do pith-helmeted anthropological reporting on something rural and heartlandish.”

Not every motif needs to be stated this clearly , but in an essay as long as Wallace’s, particularly since the audience for such a piece may feel similarly and forget that such a large portion of the country exists, it’s important to make that point clear.

But Wallace doesn’t just rest on introducing his motif and telling the events exactly as they occurred from there. It’s clear that he selects events that remind us of that idea of East Coast cynicism , such as when he realizes that the Help Me Grow tent is standing on top of fake grass that is killing the real grass beneath, when he realizes the hypocrisy of craving a corn dog when faced with a real, suffering pig, when he’s upset for his friend even though he’s not the one being sexually harassed, and when he witnesses another East Coast person doing something he wouldn’t dare to do.

Wallace is literally telling the audience exactly what happened, complete with dates and timestamps for when each event occurred. But he’s also choosing those events with a purpose—he doesn’t focus on details that don’t serve his motif. That’s why he discusses the experiences of people, how the smells are unappealing to him, and how all the people he meets, in cowboy hats, overalls, or “black spandex that looks like cheesecake leotards,” feel almost alien to him.

All of these details feed back into the throughline of East Coast thinking that Wallace introduces in the first paragraph. He also refers back to it in the essay’s final paragraph, stating:

At last, an overarching theory blooms inside my head: megalopolitan East Coasters’ summer treats and breaks and literally ‘getaways,’ flights-from—from crowds, noise, heat, dirt, the stress of too many sensory choices….The East Coast existential treat is escape from confines and stimuli—quiet, rustic vistas that hold still, turn inward, turn away. Not so in the rural Midwest. Here you’re pretty much away all the time….Something in a Midwesterner sort of actuates , deep down, at a public event….The real spectacle that draws us here is us.

Throughout this journey, Wallace has tried to demonstrate how the East Coast thinks about the Midwest, ultimately concluding that they are captivated by the Midwest’s less stimuli-filled life, but that the real reason they are interested in events like the Illinois State Fair is that they are, in some ways, a means of looking at the East Coast in a new, estranging way.

The reason this works so well is that Wallace has carefully chosen his examples, outlined his motif and themes in the first paragraph, and eventually circled back to the original motif with a clearer understanding of his original point.

When outlining your own narrative essay, try to do the same. Start with a theme, build upon it with examples, and return to it in the end with an even deeper understanding of the original issue. You don’t need this much space to explore a theme, either—as we’ll see in the next example, a strong narrative essay can also be very short.

Death of a Moth by Virginia Woolf

After a time, tired by his dancing apparently, he settled on the window ledge in the sun, and, the queer spectacle being at an end, I forgot about him. Then, looking up, my eye was caught by him. He was trying to resume his dancing, but seemed either so stiff or so awkward that he could only flutter to the bottom of the window-pane; and when he tried to fly across it he failed. Being intent on other matters I watched these futile attempts for a time without thinking, unconsciously waiting for him to resume his flight, as one waits for a machine, that has stopped momentarily, to start again without considering the reason of its failure. After perhaps a seventh attempt he slipped from the wooden ledge and fell, fluttering his wings, on to his back on the window sill. The helplessness of his attitude roused me. It flashed upon me that he was in difficulties; he could no longer raise himself; his legs struggled vainly. But, as I stretched out a pencil, meaning to help him to right himself, it came over me that the failure and awkwardness were the approach of death. I laid the pencil down again.

In this essay, Virginia Woolf explains her encounter with a dying moth. On surface level, this essay is just a recounting of an afternoon in which she watched a moth die—it’s even established in the title. But there’s more to it than that. Though Woolf does not begin her essay with as clear a motif as Wallace, it’s not hard to pick out the evidence she uses to support her point, which is that the experience of this moth is also the human experience.

In the title, Woolf tells us this essay is about death. But in the first paragraph, she seems to mostly be discussing life—the moth is “content with life,” people are working in the fields, and birds are flying. However, she mentions that it is mid-September and that the fields were being plowed. It’s autumn and it’s time for the harvest; the time of year in which many things die.

In this short essay, she chronicles the experience of watching a moth seemingly embody life, then die. Though this essay is literally about a moth, it’s also about a whole lot more than that. After all, moths aren’t the only things that die—Woolf is also reflecting on her own mortality, as well as the mortality of everything around her.

At its core, the essay discusses the push and pull of life and death, not in a way that’s necessarily sad, but in a way that is accepting of both. Woolf begins by setting up the transitional fall season, often associated with things coming to an end, and raises the ideas of pleasure, vitality, and pity.

At one point, Woolf tries to help the dying moth, but reconsiders, as it would interfere with the natural order of the world. The moth’s death is part of the natural order of the world, just like fall, just like her own eventual death.

All these themes are set up in the beginning and explored throughout the essay’s narrative. Though Woolf doesn’t directly state her theme, she reinforces it by choosing a small, isolated event—watching a moth die—and illustrating her point through details.

With this essay, we can see that you don’t need a big, weird, exciting event to discuss an important meaning. Woolf is able to explore complicated ideas in a short essay by being deliberate about what details she includes, just as you can be in your own essays.

Notes of a Native Son by James Baldwin

On the twenty-ninth of July, in 1943, my father died. On the same day, a few hours later, his last child was born. Over a month before this, while all our energies were concentrated in waiting for these events, there had been, in Detroit, one of the bloodiest race riots of the century. A few hours after my father’s funeral, while he lay in state in the undertaker’s chapel, a race riot broke out in Harlem. On the morning of the third of August, we drove my father to the graveyard through a wilderness of smashed plate glass.

Like Woolf, Baldwin does not lay out his themes in concrete terms—unlike Wallace, there’s no clear sentence that explains what he’ll be talking about. However, you can see the motifs quite clearly: death, fatherhood, struggle, and race.

Throughout the narrative essay, Baldwin discusses the circumstances of his father’s death, including his complicated relationship with his father. By introducing those motifs in the first paragraph, the reader understands that everything discussed in the essay will come back to those core ideas. When Baldwin talks about his experience with a white teacher taking an interest in him and his father’s resistance to that, he is also talking about race and his father’s death. When he talks about his father’s death, he is also talking about his views on race. When he talks about his encounters with segregation and racism, he is talking, in part, about his father.

Because his father was a hard, uncompromising man, Baldwin struggles to reconcile the knowledge that his father was right about many things with his desire to not let that hardness consume him, as well.

Baldwin doesn’t explicitly state any of this, but his writing so often touches on the same motifs that it becomes clear he wants us to think about all these ideas in conversation with one another.

At the end of the essay, Baldwin makes it more clear:

This fight begins, however, in the heart and it had now been laid to my charge to keep my own heart free of hatred and despair. This intimation made my heart heavy and, now that my father was irrecoverable, I wished that he had been beside me so that I could have searched his face for the answers which only the future would give me now.

Here, Baldwin ties together the themes and motifs into one clear statement: that he must continue to fight and recognize injustice, especially racial injustice, just as his father did. But unlike his father, he must do it beginning with himself—he must not let himself be closed off to the world as his father was. And yet, he still wishes he had his father for guidance, even as he establishes that he hopes to be a different man than his father.

In this essay, Baldwin loads the front of the essay with his motifs, and, through his narrative, weaves them together into a theme. In the end, he comes to a conclusion that connects all of those things together and leaves the reader with a lasting impression of completion—though the elements may have been initially disparate, in the end everything makes sense.

You can replicate this tactic of introducing seemingly unattached ideas and weaving them together in your own essays. By introducing those motifs, developing them throughout, and bringing them together in the end, you can demonstrate to your reader how all of them are related. However, it’s especially important to be sure that your motifs and clear and consistent throughout your essay so that the conclusion feels earned and consistent—if not, readers may feel mislead.

5 Key Tips for Writing Narrative Essays

Narrative essays can be a lot of fun to write since they’re so heavily based on creativity. But that can also feel intimidating—sometimes it’s easier to have strict guidelines than to have to make it all up yourself. Here are a few tips to keep your narrative essay feeling strong and fresh.

Develop Strong Motifs

Motifs are the foundation of a narrative essay . What are you trying to say? How can you say that using specific symbols or events? Those are your motifs.

In the same way that an argumentative essay’s body should support its thesis, the body of your narrative essay should include motifs that support your theme.

Try to avoid cliches, as these will feel tired to your readers. Instead of roses to symbolize love, try succulents. Instead of the ocean representing some vast, unknowable truth, try the depths of your brother’s bedroom. Keep your language and motifs fresh and your essay will be even stronger!

Use First-Person Perspective

In many essays, you’re expected to remove yourself so that your points stand on their own. Not so in a narrative essay—in this case, you want to make use of your own perspective.

Sometimes a different perspective can make your point even stronger. If you want someone to identify with your point of view, it may be tempting to choose a second-person perspective. However, be sure you really understand the function of second-person; it’s very easy to put a reader off if the narration isn’t expertly deployed.

If you want a little bit of distance, third-person perspective may be okay. But be careful—too much distance and your reader may feel like the narrative lacks truth.

That’s why first-person perspective is the standard. It keeps you, the writer, close to the narrative, reminding the reader that it really happened. And because you really know what happened and how, you’re free to inject your own opinion into the story without it detracting from your point, as it would in a different type of essay.

Stick to the Truth

Your essay should be true. However, this is a creative essay, and it’s okay to embellish a little. Rarely in life do we experience anything with a clear, concrete meaning the way somebody in a book might. If you flub the details a little, it’s okay—just don’t make them up entirely.

Also, nobody expects you to perfectly recall details that may have happened years ago. You may have to reconstruct dialog from your memory and your imagination. That’s okay, again, as long as you aren’t making it up entirely and assigning made-up statements to somebody.

Dialog is a powerful tool. A good conversation can add flavor and interest to a story, as we saw demonstrated in David Foster Wallace’s essay. As previously mentioned, it’s okay to flub it a little, especially because you’re likely writing about an experience you had without knowing that you’d be writing about it later.

However, don’t rely too much on it. Your narrative essay shouldn’t be told through people explaining things to one another; the motif comes through in the details. Dialog can be one of those details, but it shouldn’t be the only one.

Use Sensory Descriptions

Because a narrative essay is a story, you can use sensory details to make your writing more interesting. If you’re describing a particular experience, you can go into detail about things like taste, smell, and hearing in a way that you probably wouldn’t do in any other essay style.

These details can tie into your overall motifs and further your point. Woolf describes in great detail what she sees while watching the moth, giving us the sense that we, too, are watching the moth. In Wallace’s essay, he discusses the sights, sounds, and smells of the Illinois State Fair to help emphasize his point about its strangeness. And in Baldwin’s essay, he describes shattered glass as a “wilderness,” and uses the feelings of his body to describe his mental state.

All these descriptions anchor us not only in the story, but in the motifs and themes as well. One of the tools of a writer is making the reader feel as you felt, and sensory details help you achieve that.

What’s Next?

Looking to brush up on your essay-writing capabilities before the ACT? This guide to ACT English will walk you through some of the best strategies and practice questions to get you prepared!

Part of practicing for the ACT is ensuring your word choice and diction are on point. Check out this guide to some of the most common errors on the ACT English section to be sure that you're not making these common mistakes!

A solid understanding of English principles will help you make an effective point in a narrative essay, and you can get that understanding through taking a rigorous assortment of high school English classes !

Melissa Brinks graduated from the University of Washington in 2014 with a Bachelor's in English with a creative writing emphasis. She has spent several years tutoring K-12 students in many subjects, including in SAT prep, to help them prepare for their college education.

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Argumentative Essay Examples (3 College Samples to Use)

When writing an argumentative essay, it can be helpful to look at examples and samples that provide the structure of the outline for the essay form. Here are argumentative essay examples to use when writing your university-level essay.

What is an argumentative essay?

An argumentative essay backs up its claims with facts and evidence. Its ultimate goal is to persuade the reader to concur with the thesis. Instead of only the author’s thoughts and feelings, a strong argumentative essay will incorporate facts and evidence to back up its claims.

This article will find three different argumentative essay examples to help you understand how to frame a good argument.

Argumentative essay outline:

Argumentative essays typically follow the conventional five-paragraph pattern. However, this is not necessary. The two common frameworks for these articles are the Toulmin model and the Rogerian model.

• The most popular model is the Toulmin one. It starts with an introduction, moves on to a thesis or claim, and then provides information and proof to support that argument. Rebuttals of opposing points are also included in this type of essay.
• The Rogerian paradigm examines both sides of an argument, weighs their advantages and disadvantages, and then draws a decision.

Argumentative essay examples

Below are three examples of argumentative essays.

Essay Example 1:

Some people have proposed closing public libraries and replacing them with iPads with e-reader subscriptions as online learning becomes more widespread and more resources are transformed into digital form.

The idea’s proponents claim that it will result in financial savings for nearby cities and villages because libraries are expensive. They think more people will read since they won’t have to go to the library to borrow a book. Instead, they can just click on the book they want to read and read it from wherever they are. Additionally, since libraries won’t need to purchase physical copies of books because they can simply rent as many digital ones, they’ll have access to more resources.

But using tablets to replace libraries would be a grave error. First, compared to print resources, digital books and resources are more problematic and are connected with less learning. According to research comparing tablet and book reading, tablet users read 20–30% slower, remember 20–20% less information, and comprehend 10–15% less of what they read than those who read the same material in print. Additionally, it has been demonstrated that gazing at a computer for an extended period is significantly more likely than reading print to result in several health issues. Such as blurred vision, faintness, dry eyes, headaches, and eye strain.

A higher incidence of more significant health conditions like fibromyalgia, shoulder and back discomfort, and carpal tunnel syndrome. And muscle strain is also observed in individuals who use tablets and mobile devices extensively.

Second, assuming that libraries provide book lending is limited-minded. There are many advantages to libraries, many of which can only be accessed if the library is physically there. These advantages include serving as a peaceful study area, offering a forum for neighborhood interaction, hosting classes on various subjects, creating employment opportunities, responding to client inquiries, and maintaining a sense of community. Over a third of residents in one neighborhood said they felt more connected to their community when a local library started hosting community events like play dates for young children and their parents .

Similarly, a 2015 Pew survey revealed that nearly two-thirds of American respondents believed eliminating their neighborhood library would significantly negatively impact their neighborhood.

Tablets can’t provide these advantages nearly as well as libraries do for those looking to connect with others and find answers to their queries.

Despite the numerous problems with digital screens, replacing libraries with tablets may seem straightforward, but it would inspire people to spend even more time staring at screens. Additionally, many of the advantages of libraries on which people have come to rely would no longer be accessible. A simple object in many communities could never replace libraries since they are such a vital element of the social fabric.

Essay Example 2:

Malaria is a contagious illness brought on by parasites that are spread to humans by female Anopheles mosquitoes. Over 500 million people contract malaria each year, with about 80% of those individuals residing in Sub-Saharan Africa. Every year, malaria claims the lives of close to 500,000 people, the majority of them being young children under the age of five. Malaria has a higher death rate than many other infectious disorders.

Rather than treating the illness once the person is already infected, even though there have been numerous programs created to increase access to malaria treatment.

Numerous medications are available to treat malaria; many are effective and life-saving. Nonetheless, malaria eradication projects in Sub-Saharan Africa that place an excessive emphasis on treatment and insufficient emphasis on prevention have not been successful over the long run . The WHO’s Global Malaria Eradication Programme was a significant initiative to eradicate malaria. It was founded in 1955 to eradicate malaria in Africa during the following ten years . The program largely focused on vector control and was based on earlier successful initiatives in Brazil and the US. Chloroquine was widely dispersed, while DDT was sprayed in massive quantities.

The effort to eradicate malaria cost more than one billion dollars. However, the initiative was plagued by numerous issues, and in 1969, WHO had to acknowledge that the program had failed to eradicate malaria. During the period the initiative was in place, the number of malaria cases and malaria-related deaths in Sub-Saharan Africa had increased by more than 10%.

The project’s failure was largely due to the consistent strategies and procedures it imposed. The program was not nearly as effective as it could have been since it did not consider differences in governments, geography, and infrastructure. Sub-Saharan Africa lacks the resources and infrastructure necessary to sustain such a complex program, making it impossible to carry out in an intended manner.

Most African nations lack the funds to adequately treat and immunize all of their citizens, let alone afford to clean marshes or other malaria-prone areas. Only 25% of what Brazil spent on malaria eradication was spent per person on the continent. Africa’s Sub-Saharan region cannot rely on a strategy that calls for increased funding, infrastructure, or further expertise.

The widespread use of chloroquine has also led to developing parasites that are now a problem in Sub-Saharan Africa. Because chloroquine was used frequently but ineffectively, mosquitoes became resistant, and as a result, over 95% of mosquitoes in Sub-Saharan Africa are now resistant to it. To prevent and treat malaria, newer, more expensive treatments must be utilized, which raises the price of malaria treatment for a region that can’t afford it.

Programs should concentrate on preventing infection from arising in the first place rather than creating plans to treat malaria after the infection has already occurred. This strategy is more affordable and effective and also decreases the number of days lost to missed work or school, which can further impair the region’s output.

Insecticide-treated bed nets are one of the easiest and most cost-efficient ways to prevent malaria (ITNs). These nets offer a secure perimeter around whoever is utilizing them. Bed nets treated with insecticides are far more useful than those that haven’t since they prevent mosquitoes from biting people through the netting. And help lower mosquito populations in a neighborhood, aiding those who don’t even possess bed nets. Because most mosquito bites occur when a person is asleep, bed nets can significantly lessen the number of transmissions at night. Where ITNs are widely used, malaria transmission can be decreased by as much as 90%.

Households suffering from malaria can usually only gather 40% of the yields that healthy families can. A household with malaria sufferers also spends about a fifth of its income on medical expenses, not accounting for the time lost from work due to the sickness. According to estimates, malaria causes Africa to lose 12 billion USD in revenue annually. Sub-Saharan Africa needs a strong economy made possible by a large working population.

Essay Example 3:

People are once again debating whether college athletes should be paid due to the continued popularity of college athletics and the significant financial success of the National Collegiate Athletic Association (NCAA).

There are numerous possible payment structures. Student-athletes might receive compensation through sponsorships, autographs, and the right to use their likeness, just like professional Olympians do. These payments could take a free-market approach in which players can earn whatever the market offers.

The idea’s proponents contend that college athletes need to be paid in some way for their labor since they are the ones who practice, compete in games, along with drawing spectators. Without college athletes, the NCAA wouldn’t exist, coaches wouldn’t be paid their (sometimes very high) salaries, and companies like Nike wouldn’t be able to make money off college sports. College athletes don’t receive any of the $1 billion in annual revenue that the NCAA generates in the form of a paycheck.

People who support paying college athletes assert that doing so will encourage them to stay in school longer and delay turning pro.

The Duke basketball sensation Zion Williamson, who suffered a catastrophic knee injury during his freshman year, is cited by the idea’s proponents as evidence. Many others claimed that even he adored representing Duke, risking another injury and prematurely terminating his professional career for an organization that wasn’t paying him wasn’t worth it. Later that year, Williamson declared his eligibility for the NCAA draught, showing that he agreed with them. He might have remained at Duke for more time had he been paid.

Paying athletes might also end the NCAA’s ongoing recruitment issues. Because it was determined that coaches were utilizing sex workers to attract recruits to join the team, which was completely wrong. The NCAA stripped the University of Louisville men’s basketball team of its national championship trophy in 2018. Numerous additional recruiting scandals have occurred, in which college athletes and recruiters were bought off with anything from free automobiles to having their grades modified to outright bribery.

The NCAA might end the dishonest and unlawful methods certain schools and coaches use to recruit athletes by paying college athletes and disclosing their earnings.

Even though both sides have valid arguments, it is evident that the drawbacks of compensating collegiate athletes exceed their advantages. College athletes dedicate much time and effort to representing their institution but are rewarded with scholarships and benefits. This can result in a bidding war only for the top athletes.

In contrast, most student athletics and college athletic programs would suffer or shut down due to a lack of funding. It is possible for many people if benefits for student-athletes are maintained at the current level.

A successful argumentative essay incorporates the author’s thoughts and opinions and uses facts and evidence to support its claims. For instance, you might have wished to write an argumentative essay arguing that your friends would like to travel to New York.

The majority of individuals concur that eating fast food is unhealthy. It is arguable whether the federal government should regulate the size of sodas sold at fast-food restaurants because junk food is detrimental to your health. The statement is open to reasonable agreement or disagreement.

Start with a sentence that will grab your attention. Describe the texts in detail. Declare your position. Verify that you have rephrased the prompt. Add a topic sentence that restates your assertion and justification.

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About the author

Dalia Y.: Dalia is an English Major and linguistics expert with an additional degree in Psychology. Dalia has featured articles on Forbes, Inc, Fast Company, Grammarly, and many more. She covers English, ESL, and all things grammar on GrammarBrain.

Core lessons

• Abstract Noun
• Accusative Case
• Active Sentence
• Alliteration
• Adjective Clause
• Adjective Phrase
• Adverbial Clause
• Appositive Phrase
• Body Paragraph
• Compound Adjective
• Complex Sentence
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• Comparative Adjective
• Comparative and Superlative
• Compound Noun
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• Compound Sentence
• Copular Verb
• Collective Noun
• Colloquialism
• Conciseness
• Conditional
• Concrete Noun
• Conjunction
• Conjugation
• Conditional Sentence
• Comma Splice
• Correlative Conjunction
• Coordinating Conjunction
• Coordinate Adjective
• Cumulative Adjective
• Dative Case
• Declarative Statement
• Direct Object Pronoun
• Direct Object
• Dangling Modifier
• Demonstrative Pronoun
• Demonstrative Adjective
• Direct Characterization
• Definite Article
• Doublespeak
• Equivocation Fallacy
• Future Perfect Progressive
• Future Simple
• Future Perfect Continuous
• Future Perfect
• First Conditional
• Gerund Phrase
• Genitive Case
• Helping Verb
• Irregular Adjective
• Irregular Verb
• Imperative Sentence
• Indefinite Article
• Intransitive Verb
• Introductory Phrase
• Indefinite Pronoun
• Indirect Characterization
• Interrogative Sentence
• Intensive Pronoun
• Inanimate Object
• Indefinite Tense
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• Interjection
• Intensifier
• Indicative Mood
• Juxtaposition
• Linking Verb
• Misplaced Modifier
• Nominative Case
• Noun Adjective
• Object Pronoun
• Object Complement
• Order of Adjectives
• Parallelism
• Prepositional Phrase
• Past Simple Tense
• Past Continuous Tense
• Past Perfect Tense
• Past Progressive Tense
• Present Simple Tense
• Present Perfect Tense
• Personal Pronoun
• Personification
• Persuasive Writing
• Parallel Structure
• Phrasal Verb
• Predicate Adjective
• Predicate Nominative
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• Plural Noun
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• Punctuation Marks
• Preposition
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• Possessive Adjective
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• Present Participle
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• Relative Pronoun
• Reflexive Pronoun
• Reciprocal Pronoun
• Subordinating Conjunction
• Simple Future Tense
• Stative Verb
• Subjunctive
• Subject Complement
• Subject of a Sentence
• Sentence Variety
• Second Conditional
• Superlative Adjective
• Slash Symbol
• Topic Sentence
• Types of Nouns
• Types of Sentences
• Uncountable Noun
• Vowels and Consonants

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Ways to Start an Essay

Ways to start your essay generator.

While every part of an essay is important, it is important to note that it is in the introduction where readers get to decide whether they should be reading the rest of your composition or not. If you start off your essay on the wrong foot, it is not you who will trip but your readers. You need to have a mindset that you do not have any other way of winning your reader’s interest but through your introduction. There is a vast number of ways to open your essay, but a few effective ones will suffice to get your readers hooked until the last word of your composition.

1. Give Cliches a Twist

Questions, sayings, quotes, and definition of terms might be the most common way to start an essay, but dumbing down these usual ways of starting an essay is the last thing you might want to do.

The reason why a cliche is formed is when an effective method gets to the point of being overused until it does not anymore look or sound original. People still begin their essays with a question because they know their target readers are also asking the same question. There are still who use sayings and quotes of popular figures because they are confident enough that their readers are familiar with it.

And defining terms are still used in introductions because most of the time, every writer’s goal is to inform their readers. You can still make use of these cliche methods by tweaking things here and there, combining two or three cliches in the introduction, or deconstructing the usual format of a particular cliche. For example, you can start an essay by both posing a thought-provoking question, then followed by defining a term.

Student Essay Example

2. Just KISS (Keep It Short and Simple)

Just keep your introduction short and simple.

Do not intimidate your readers with a long introduction. Leave all the long sentences to the body of your essay.

However, keeping it short does not mean you have to leave the readers with less information. In fact, a short and simple introduction is jam-packed with information since its main goal would be brevity. Keeping the thesis short and simple means that you kept the main idea direct to the point and the points have already been narrowed down.

This technique is mostly applicable for expository, persuasive, and analytical types of essays since these kinds of essays are laden down with facts and allowing your readers to deal with lengthy factual statements would just bore and wear them out.

College Essay Example

Size: 95 KB

3. Start with Simple Hooks

Do not disappoint your readers by starting off with so much grandiosity at the beginning only to end up mediocre at the middle and the end part of the essay. It is totally all right not to start with large hooks.

Hooks are the first one or two sentences in the introduction that grabs the interest of the reader. We might have piqued their interest at the start of the essay but in writing the introductory part of an essay, we still need to give regard to the rest of the parts. Starting off big can also give your readers a lot of big expectations from your composition.

Sample Graduate School Essay

Size: 41 KB

4. Get personal

As long as your personal experience is indeed related and connected to your topic, starting off your essay with your personal experience would be favorable. Aside from the fact that writing personal experiences are pretty easy to write, it is also a way of building connections and relations with your readers.

Short Geology Student Essay

Size: 100 KB

This method is effective in narrative essays. If you find that your personal experiences are not relatable to the readers but is definitely related to your topic, make sure to narrate it in a way that a mental picture would appear in the minds of your readers. In this manner, your readers would find it easy to follow through and will soon find its important connection to the main topic.

Text prompt

• Instructive
• Professional

Write about an effective way to hook your reader in the introduction of your essay.

Create an opening that sets the tone for a reflective narrative.

Deciphering the Meaning Behind Movie “3:10 to Yuma”

This essay about the significance of the title “3:10 to Yuma” in Western cinema explores the metaphorical journey undertaken by the characters Dan Evans and Ben Wade. Through their interactions during the perilous escort mission, themes of morality, courage, and human nature are explored. The title symbolizes not only a physical journey but also a metaphorical odyssey towards redemption and self-discovery. Ultimately, “3:10 to Yuma” transcends its genre conventions to offer a thought-provoking exploration of the human condition and the complexities of morality.

How it works

In the realm of Western cinema, “3:10 to Yuma” holds a significant place, not merely as a classic film, but also as a symbol laden with cultural and thematic depth. Directed by Delmer Daves in 1957 and later reimagined by James Mangold in 2007, the title itself encapsulates a journey fraught with tension, moral dilemmas, and the timeless struggle between good and evil.

At its surface, “3:10 to Yuma” refers to a specific train departing at 3:10 destined for the town of Yuma. However, delving deeper, it becomes evident that the train serves as a metaphor for the characters’ journey towards redemption, justice, and self-discovery.

The film follows the story of Dan Evans, a struggling rancher portrayed by Van Heflin in the original and Christian Bale in the remake, who volunteers to escort the notorious outlaw Ben Wade, played by Glenn Ford and Russell Crowe respectively, to the train station to catch the 3:10 to Yuma.

The significance of the journey lies not in the destination itself, but in the transformation undergone by the characters along the way. Dan Evans represents the common man, grappling with his own sense of morality and the societal pressures imposed upon him. His decision to escort Ben Wade stems not only from a desire for financial reward but also from a quest for personal redemption and validation. Through their interactions during the perilous journey to the train station, Evans and Wade engage in a psychological battle that forces them to confront their own beliefs and values.

Moreover, “3:10 to Yuma” explores themes of courage, sacrifice, and the complexities of human nature. As the narrative unfolds, it becomes apparent that both Evans and Wade are not merely archetypes of good and evil, but multifaceted individuals shaped by their past experiences and circumstances. Evans, despite his initial reluctance, discovers a newfound sense of bravery and integrity as he grapples with the moral implications of his actions. Conversely, Wade, while portrayed as a ruthless outlaw, exhibits moments of vulnerability and introspection that humanize his character and challenge the audience’s perceptions of morality.

Furthermore, the title “3:10 to Yuma” serves as a poignant reminder of the passage of time and the inevitability of fate. The ticking clock, symbolized by the scheduled departure of the train, creates a sense of urgency and tension that permeates the narrative. Each passing minute brings the characters closer to their fateful encounter at the train station, where their destinies will be decided.

In conclusion, “3:10 to Yuma” transcends its status as a mere Western film and emerges as a timeless exploration of the human condition. Through its richly drawn characters, moral complexities, and thematic depth, the film invites viewers to ponder the nature of morality, redemption, and the pursuit of justice. Ultimately, the title “3:10 to Yuma” encapsulates not only a physical journey but also a metaphorical odyssey towards self-discovery and enlightenment.

Cite this page

Deciphering the Meaning Behind Movie "3:10 to Yuma". (2024, May 12). Retrieved from https://papersowl.com/examples/deciphering-the-meaning-behind-movie-310-to-yuma/

"Deciphering the Meaning Behind Movie "3:10 to Yuma"." PapersOwl.com , 12 May 2024, https://papersowl.com/examples/deciphering-the-meaning-behind-movie-310-to-yuma/

PapersOwl.com. (2024). Deciphering the Meaning Behind Movie "3:10 to Yuma" . [Online]. Available at: https://papersowl.com/examples/deciphering-the-meaning-behind-movie-310-to-yuma/ [Accessed: 13 May. 2024]

"Deciphering the Meaning Behind Movie "3:10 to Yuma"." PapersOwl.com, May 12, 2024. Accessed May 13, 2024. https://papersowl.com/examples/deciphering-the-meaning-behind-movie-310-to-yuma/

"Deciphering the Meaning Behind Movie "3:10 to Yuma"," PapersOwl.com , 12-May-2024. [Online]. Available: https://papersowl.com/examples/deciphering-the-meaning-behind-movie-310-to-yuma/. [Accessed: 13-May-2024]

PapersOwl.com. (2024). Deciphering the Meaning Behind Movie "3:10 to Yuma" . [Online]. Available at: https://papersowl.com/examples/deciphering-the-meaning-behind-movie-310-to-yuma/ [Accessed: 13-May-2024]

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