college essay about family history

How to Write an Essay About My Family History

A family comprises of people living together that form a social group within a community. The people creating this group are subject to relationships either by birth or blood, and it comprises at least two adults as parents and grandparents, together with young children. The family members have a mutual connection between them. Therefore, an essay about family history is a synopsis of an individual's social identity and the reciprocal relationship(s) he/she shares with the people living together. Learning family history is vital to understand our social status, humanity, and diversity. History keeps our memories for generations to understand who they are and their geographic origin. Having a good knowledge of family background lets you appreciate the things or sacrifices made before by grandparents to experience better things in life. An individual's roots and origin bring a sense of self-discovery. Also, writing about your family history is one way of preserving its heritage for future generations.

How to Start A Family History Essay

Outline writing, tips concerning writing a family history essay introduction, how to write body paragraphs, how to write a conclusion for a family history essay, essay revision, essay proofreading, make citations, catchy titles for an essay about family history, short example of a college essay about family history.

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When writing an essay, there is a logical structure you must follow in giving out your arguments. A proper outline will produce an exciting presentation of every section, and it will fascinate the reader. The standard structure of an essay has an introduction, body, and conclusion. Here is an excellent example of an outline for a family history essay:

• Introduction
• Short family background information
• Importance of writing about the family
• Body (paragraphs)
• Family members; grandparents, parents, and children
• The community in which family resides
• Form of livelihood
• Conclusion (a summarizing paragraph)
• Restating your contention
• Summarize your key ideas
• Provide a final comment or reflection about the essay

When writing a presentation about family history, you need to provide a hook to the readers, to make them interested to know much about the family. You can start with facts or anecdotes about grandparents; for example, how they met on the first date and opted to make a family together, you can as well describe the circumstances. You can also provide an insight into a situation by your ancestors that impacted your life experience—the other thing to include in the short background information about your family. Remember to provide a clear and debatable thesis statement that will serve as the roadmap for your discussion in the paper.

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The body paragraphs contain the arguments one needs to discuss the subject topic. Every section includes the main idea or explanatory statement as the first sentence; the primary purpose is a debatable point that you need to prove. The length of a paragraph depends on the accurate measurement of ideas. In most cases, a section has about five sentences; but it can be as short or long as you want, depending on what you discuss. A paragraph has the main statement, supporting sentence(s) with evidence, and concluding sentences. When crafting the body, ensure a clear flow of ideas, connecting from one argument to the other. Transitional words, when used accordingly, can provide a nice transition and flow of ideas from one paragraph to the other. The commonly used transitional words or phrases include moreover, also, therefore, consequently, hence, thus, finally, etc.

A conclusion is as crucial as the introduction; it is the final recap of what your essay entails. The ending paragraph contains three main parts that form a full section. First, remind the audience of your thesis statement and show its relation to the essay topic. Second, provide a summary of the key arguments that you discussed in the body paragraphs. Third, it is advisable to add a final comment or general reflection about the essay. It's important to state that you should use different wording in the conclusion when restating statements and arguments. Also, remember to use signal words at the start of concluding paragraphs like in conclusion, finish, etc.

Revision is an opportunity for a student to review the content in his/her paper and identify parts that need improvement. Some students start revising as they begin drafting their essays. During revision, you need to restructure and rearrange sentences to enhance your work quality and ensure the message reaches your audience well. Revising gives you a chance to recheck whether the essay has a short main idea and a thesis statement, a specific purpose, whether the introduction is strong enough to hook the audience and organization of the article. Also, you check if there is a clear transition from one paragraph to another and ascertain if the conclusion is competent enough to emphasize the purpose of the paper.

Nothing is more frustrating than submitting an essay to earn dismal grade due to silly common mistakes. Proofreading is an essential stage in the editing process. It is an opportunity for reviewing the paper, identifying and correcting common mistakes such as typos, punctuation, grammatical errors, etc. Since proofreading is the final part of the editing, proofread only after finishing the other editing stages like revision. It is advisable to get help from another pair of eyes; you can send the paper to your friend to help you in the same process. There are online proofreading tools such as Grammarly and Hemingway, which you can use to proofread, but you should not only rely on grammar checkers. Remember to proofread the document at least three times.

Making citations is an essential way of keeping references for the sources of content you used. As you are editing, you may make several changes to the document. Do not forget to correctly provide citations for every fact or quote you obtained from other sources. There are different citation formats such as APA, MLA, etc.; therefore, you need to ensure correct usage of quotes depending on the requirement by your professor. The sources you cite present the list of references or bibliography at the end of your essay for easy reference.

• Generation to Generation
• The Origin of My Family
• Our Circle and Family Heritage
• A Lifetime of Love
• Because of Two Lovebirds, I Am Here
• The Family Archives
• The Family Ties
• Branches of The Family Tree
• The Generational Genes
• Forever as a Family
• It All Started with a Date
• Bits of Yesteryears

Would you want to know how it all started until here? My grandpa told me that he met my grandma at a concert where one of the greatest artists was performing during one of the summer holidays in New York City. As he was dancing alone, my grandpa approached a beautiful lady (who would become his soulmate) to ask her to dance together. They later agreed to meet for a dinner date. Our family lives in New York. Undoubtedly, this is the best family, and it's an honor to be part of it.

Every person has two sides within his/her family; my paternal side originates from Canada, while the maternal side is from America. Although my great grandfather comes from Canada, my grandpa and grandma live in New York. My grandfather is Afro-American who worked as a bartender, no wonder he loved concerts! My father works as a conservationist for aquatic fauna while my mother works in the bakery. My mother and father met in a supermarket when they were both doing shopping.

Although we live in the same city, my grandparents have their apartment, a distance from ours. We live as a family of five; dad, mum, and three children. As we all live in the same city, we (me and my two sisters) occasionally visit our grandparents during the weekends to spend some time with them; grandpa and I were doing some gardening while my sisters and grandma do cook and other house chores. The bond between our great parents and ours is very excellent.

At Christmas, all my children, mum, and dad travel to our grandparents for a whole week. During the new year, we get together at our house, my parent's house, to welcome the year as an entire family. Sometimes during the weekends, we usually spend most of our time on the beach swimming, except on church days. As a family, our favorite food is deep-fried fish, rice, and vegetables. However, my grandpa likes chicken hash.

In conclusion, the social co-existence between us is excellent, which has created a robust mutual bond for the family. From visiting each other, spending time on the beach, having to get together meals to usher the new year, and celebrating Christmas as a family, the bond keeps growing. I am privileged to be part of such a great family.

How to Get the Best Family History Essay?

Every student would want to produce the best essay possible to earn a better grade. One way of getting information is through previously written materials such as essay samples. Pre-written essay samples have become popular recently among college students due to the vital information they offer. There are several sites, such as Essay Kitchen, that provide pre-written essays on family history at affordable prices. Students can use the essay samples to obtain enough content and idea about paper outline the professor expect; thus, producing a quality article.

Essay writing is a daunting experience for most college students. The academic pressure, coupled with a lot of other activities, makes the whole experience an ordeal. Some students have a lot of responsibilities and find themselves with limited time to handle their academic essays. Consequently, the students use online essay writing service 12 hours at Edu Jungles to write my essay for me at an affordable rate.

Knowing your family history is very important. It enables one to self-discover himself within the society and appreciate the lineage. When you learn about your family's past, you will understand the things you see and experience today. Writing an essay on family history requires a lot of understanding and attention to the aspects you need to describe. The critical factor being family background, then understanding how you need to structure and jot down your ideas.

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Nine brilliant student essays on honoring your roots.

Read winning essays from our fall 2019 student writing contest.

For the fall 2019 student writing contest, we invited students to read the YES! article “ Native and European—How Do I Honor All Parts of Myself? ” by Kayla DeVault. Like the author, students reflected on their heritage and how connected they felt to different parts of their identities. Students then wrote about their heritage, family stories, how they honor their identities, and more.

The Winners

From the hundreds of essays written, these nine were chosen as winners. Be sure to read the author’s response to the essay winners, literary gems and clever titles that caught our eye, and even more essays on identity in our Gallery of Voices.

Middle School Winner: Susanna Audi

High School Winner: Keon Tindle

High School Winner: Cherry Guo

University Winner: Madison Greene

Powerful Voice: Mariela Alschuler

Powerful Voice: Reese Martin

Powerful Voice: Mia De Haan

Powerful Voice: Laura Delgado

Powerful Voice: Rowan Burba

From the Author, Kayla DeVault: Response to All Student Writers and Essay Winners

Gallery of voices: more essays on identity, literary gems, titles we loved, middle school winner.

Susanna Audi

Ethical Culture Fieldston School, Bronx, N.Y.

BRAZIL: MY HEART’S HOME

Saudades. No word in the English language sums up the meaning of this Portuguese term: a deep feeling of longing that makes your heart ache and pound like a drum inside your chest. I feel saudades for Brazil, its unique culture, and my Brazilian family. When I’m in my second home, Bahia, Brazil, I’m a butterfly emerging from its cocoon—colorful, radiant, and ready to explore the world. I see coconut trees waving at the turquoise waves that are clear as glass. I smell the familiar scent of burning incense. I hear the rhythm of samba on hand-beaten drums, and I feel my grandma’s delicate fingers rub my back as I savor the mouth-watering taste of freshly made doce de leite .  Although I’m here for only two precious weeks a year, I feel a magnetic connection to my father’s homeland, my heart’s home.

My grandfather or vovô , Evandro, was born in Brazil to a family who had immigrated from Lebanon and was struggling to make ends meet. His parents couldn’t afford to send him to college, so he remained at home and sold encyclopedias door-to-door. My vovô eventually started a small motorcycle parts company that grew so much that he was able to send my father to the U.S. at age sixteen. My father worked hard in school, overcoming language barriers and homesickness. Even though he has lived in America for most of his life, he has always cherished his Brazilian roots. 

I’ve been raised with my father’s native language, foods, and customs. At home, I bake Brazilian snacks, such as the traditional cheese bread, pão de queijo , which is crunchy on the outside but soft and chewy on the inside. My family indulges in the same sweet treats that my father would sneak from the cupboard as a child. Two relaxing customs we share are listening to Brazilian music while we eat breakfast on weekends and having conversations in Portuguese during meals. These parts of my upbringing bring diversity and flavor to my identity. 

Living in the U.S. makes me feel isolated from my Brazilian family and even more distant from Brazilian culture. It’s hard to maintain both American and Brazilian lifestyles since they are so different. In Brazil, there are no strangers; we treat everybody like family, regardless if that person works at the local shoe store or the diner. We embrace each other with loving hugs and exchange kisses on the cheeks whenever we meet. In the U.S., people prefer to shake hands. Another difference is that I never come out of Starbucks in New York with a new friend. How could I when most people sit with their eyes glued to their laptop screens? Life seems so rushed. To me, Brazilians are all about friendships, family, and enjoying life. They are much more relaxed, compared to the stressed and materialistic average American. 

As Kayla DeVault says in her YES! article “Native and European—How Do I Honor All Parts of Myself,” “It doesn’t matter how many pieces make up my whole: rather, it’s my relationship with those pieces that matters—and that I must maintain.”  I often ask myself if I can be both American and Brazilian. Do I have to choose one culture over the other? I realize that I shouldn’t think of them as two different cultures; instead, I should think of them as two important, coexisting parts of my identity. Indeed, I feel very lucky for the full and flavorful life I have as a Brazilian American. 

Susanna Audi is an eighth-grader who lives in the suburbs of New York. Susanna loves painting with watercolors, cooking Brazilian snacks, and playing the cello. On weekends, she enjoys babysitting and plays several sports including lacrosse, soccer, and basketball. Susanna would love to start her own creative design business someday. 

High School Winner

Keon Tindle

Kirkwood High School, Kirkwood, Mo.

Walking Through the Forest of Culture

What are my roots? To most people, my roots only go as far as the eye can see. In a world where categorization and prejudice run rampant, the constant reminder is that I am Black. My past is a living juxtaposition: my father’s father is a descendant of the enslaved and oppressed and his wife’s forefathers held the whips and tightened the chains. Luckily for me, racial hatred turned to love. A passion that burned brighter than any cross, a love purer than any poison. This is the past I know so well. From the slave ship to the heart of Saint Louis, my roots aren’t very long, but they are deeply entrenched in Amerikkkan history.

This country was made off of the backs of my brothers and sisters, many of whom have gone unrecognized in the grand scheme of things. From a young age, White children are told stories of heroes—explorers, politicians, freedom fighters, and settlers whose sweat and determination tamed the animalistic lands of America. They’re given hope and power through their past because when they look in the mirror they see these heroes. But what about me? My stories are conveniently left out of the textbooks; I have never been the son of a king or a powerful African leader, just expensive cargo to be bought and sold to the highest bidder. It seems we, as a people, never truly left the ship.

Even now, we’re chained to the whitewashed image of Black history. I can never truly experience the Black tradition because there are multiple perspectives. The truth is clouded and lost due to the lack of documentation and pervasive amount of fabrication. How am I supposed to connect to my heritage? America tells me to celebrate the strength of my ancestors, the strength of the slaves, to praise something they helped create. The Afrocentrics tell me to become one with the motherland, celebrate the culture I was pulled away from. However, native Africans make it clear I’ll never truly belong.

Even the honorable Elijah Muhammad tells me to keep my chin pointed to the clouds, to distrust the creation of Yakub, and to take my place among the rest of Allah’s children. Most people don’t have the luxury of “identifying with all of the pieces of [themselves],” as Kayla DeVault says in the YES! article “Native and European—How Do I Honor All Parts of Myself?” 

They’re forced to do research and to formulate their own ideas of who they are rather than follow the traditions of an elder. For some, their past works as a guide. A walk through life that has been refined over generations. Others, however, are forced to struggle through the dark maze of life. Hands dragging across the walls in an attempt to not lose their way. As a result, their minds create stories and artwork from every cut and scratch of the barriers’ surface. Gaining direction from the irrelevant, finding patterns in the illogical. 

So what are my roots? My roots are my branches, not where I come from but where this life will take me. The only constant is my outstretched arms pointed towards the light. A life based on the hope that my branches will sprout leaves that will fall and litter the path for the next generation.

Keon Tindle is unapologetically Black and embraces his African American background. Keon is an esports competitor, musician, and producer, and especially enjoys the craft of pairing history with hip-hop music. He is always ecstatic to dabble in new creative outlets and hopes to pursue a career in neuroscience research.

Thomas Jefferson High School for Science and Technology, Alexandria, Va.

Tying the Knot

The kitchen smells like onions and raw meat, neither unpleasant nor pleasant. Nainai’s house slippers slap against our kitchen floor as she bustles around, preparing fillings for zongzi: red bean paste, cooked peanuts, and marinated pork. I clap my pudgy hands together, delighted by the festivities. 

Nainai methodically folds the bamboo leaves into cones, fills them up with rice, and binds the zongzi together with string that she breaks between her teeth. I try to follow suit, but when I try to tie the zongzi together, half the rice spills out. Tired from my lack of progress, I abandon Nainai for my parents, who are setting up the mahjong table. 

After raising me to the age of ten, my grandparents returned to China. They dropped back into their lives like they had never left, like they hadn’t shaped my entire upbringing. Under their influence, my first language was not English, but Chinese. 

At school, my friends cajoled me into saying Chinese words for them and I did so reluctantly, the out-of-place syllables tasting strange on my palate. At home, I slowly stopped speaking Chinese, embarrassed by the way my tongue mangled English words when I spoke to classmates. One particular memory continually plagues me. “It’s Civil War, silly. Why do you pronounce “L” with an ‘R’?” Civil. Civil. Civil.

At dinner, my dad asked us to speak Chinese. I refused, defiantly asking my brother in English to pass the green beans. I began constructing false narratives around my silence. Why would I use my speech to celebrate a culture of foot binding and feudalism? In truth, I was afraid. I was afraid that when I opened my mouth to ask for the potatoes, I wouldn’t be able to conjure up the right words. I was afraid I would sound like a foreigner in my own home. If I refused to speak, I could pretend that my silence was a choice.

In Kayla DeVault’s YES! article “Native and European – How Do I Honor All Parts of Myself?” she insists that “Simply saying “I am this” isn’t enough. To truly honor my heritage, I found I must understand and participate in it.” And for the first time, I wonder if my silence has stolen my cultural identity. 

I decide to take it back.

Unlike DeVault, I have no means of travel. Instead, my reclamation starts with collecting phrases: a string of words from my dad when he speaks to Nainai over the phone, seven characters from two Chinese classmates walking down the hall, another couple of words from my younger sister’s Chinese cartoons. 

The summer before my senior year marks the eighth year of my grandparents’ return to China. Once again, I am in the kitchen, this time surrounded by my parents and siblings. The bamboo leaves and pot of rice sit in front of me. We all stand, looking at each other expectantly. No one knows how to make zongzi. We crowd around the iPad, consulting Google. Together, we learn how to shape the leaves and pack the rice down. 

The gap in knowledge bothers me. Does it still count as honoring a family tradition when I follow the directions given by a nameless pair of hands on YouTube rather than hearing Nainai’s voice in my mind? 

Instead of breaking the string with my teeth like Nainai had shown me, I use scissors to cut the string—like I had done with my ties to Chinese language and culture all those years ago. And now, I’m left with the severed string that I must hurriedly tie around the bamboo leaf before the rice falls out of my zongzi.

Cherry Guo is a senior at Thomas Jefferson High School for Science and Technology in Alexandria, Virginia. Cherry rows for her school’s crew team and plays the viola in her school orchestra. She spends what little free time she has eating pretzel crisps and listening to podcasts about philosophy.

University Winner

Madison Greene

Kent State University, Kent, Ohio

Carrying the Torch

I have been called a pizza bagel–the combination of a Catholic Italian and an Ashkenazi Jew. Over time, I have discovered the difficulty of discretely identifying the ratio of pizza to bagel. It is even more arduous when the pizza and the bagel have theologies that inherently contradict each other. Therefore, in a society that emphasizes fine lines and exact distinctions, my identity itself becomes a contradiction.  

In the winter, my family tops our Christmas tree with the Star of David. I’ve recited the Lord’s Prayer; I’ve prayed in Hebrew. I attended preschool at a church, and my brother was a preschooler in a synagogue. Every week at Sunday morning mass, my maternal family donates money to the collection basket during the offertory. My paternal family has donated authentic Holocaust photographs to a local Jewish heritage museum. Growing up, none of this was contradictory; in fact, it all seemed complementary. My Jewish and Catholic identities did not cancel each other out but rather merged together.

However, the compatibility of my Catholic-Jewish identities was in upheaval when I decided to become acquainted with the Jewish community on campus. While attending Hillel events, I felt insecure because I did not share many of the experiences and knowledge of other Jewish students. Despite this insecurity, I continued to participate — until a good friend of mine told me that I was not Jewish enough because of my Catholic mother. She also said that families like mine were responsible for the faltering of Jewish culture. I wanted my identity to be validated. Instead, it was rejected. I withdrew and avoided not only my Jewish identity but also my identity as a whole.

I soon realized that this friend and I look at my situation using different filters. My Catholic-Jewish identities have evolved into a codependent relationship, and I am entitled to unapologetically embrace and explore both aspects of my identity. I realized that even without my friend’s validation of my identity, I still exist just the same. Any discredit of my Catholic-Jewish identities does not eliminate my blended nature. So, after a few months of avoiding my Jewish identity, I chose to embrace my roots; I resumed participating in the Jewish community on campus, and I have not stopped since.

Kayla DeVault’s YES! article “Native and European – How Do I Honor All Parts of Myself?” describes the obligation to one’s ancestral chain. The best way to fulfill this duty is to fully dedicate oneself to understanding the traditions that accompany those cultural origins. In this generation, my mother’s Catholic-Italian maiden name has no men to carry it on to the next generation. It is difficult to trace my last name past the mid-1900s because my Jewish ancestors shortened our surname to make it sound less Semitic, to be less vulnerable to persecution. Given the progressive fading of my family’s surnames, how do I continue the legacies of both family lines?

On behalf of my ancestors and for the sake of the generations still to come, I feel obligated to blend and simultaneously honor my Jewish and Catholic heritage to ensure that both prevail. 

Now I know that whether I am sitting next to my Jewish father at my young cousin’s baptism, or whether I am sitting at the Passover Seder table with my mother’s Catholic parents, it is up to me to keep both flames of my ancestry burning bright. The least I can do is hold each family’s candle in my hands. Imagine the tremendous blaze I could create if I brought the flames of my two families together.

Madison Greene is a Communication Studies major at Kent State University. Madison is also pursuing a minor in Digital Media Production. She is currently the president of her sorority.

Powerful Voice Winner

Mariela Alschuler

Behind My Skin

My roots go deeper than the ground I stand on. My family is from all over the world with extended branches that reach over whole countries and vast oceans.

Though I am from these branches, sometimes I never see them. My Dominican roots are obvious when I go to my abuela’s house for holidays. My family dances to Spanish music. I fill my plate with platanos fritos and my favorite rice and beans. I feel like a Dominican American girl. Maybe it’s the food. Maybe it’s the music. Or maybe it’s just the way that my whole family—aunts, uncles, grandparents, and cousins— laugh and talk and banter in my grandparents’ small, beautiful apartment.

Even though I am blood to this family, I stick out like a sore thumb. I stick out for my broken Spanish, my light skin, my soft, high-pitched voice and how I do my hair. I feel like I don’t belong to my beautiful, colorful family, a disordered array of painted jars on a shelf.

If my Dominican family is like a disorganized and vibrant shelf of colors, then my European family is a neat and sparse one with just a hint of color. For Christmas in New York, there are dozens of us crammed in the small apartment. For Thanksgiving in Massachusetts, there are rarely more than twelve people in the grandiose, pristine house that looks like something out of House Beautiful . I adore my grandparent’s house. It is expansive and neatly painted white. After growing up in a small house on a school campus and visiting my other grandparents’ small apartment in New York, I thought that their house was the greatest thing in the world. I would race up the stairs, then slide down the banister. I would sip Grandma’s “fancy” gingerbread tea, loving the feeling of sophistication. There, I could forget about the struggles of my Dominican family. I was the granddaughter of a wealthy, Jewish, Massachusetts couple rather than the granddaughter of a working-class second-generation Dominican abuela and abuelo from the Bronx.  

I don’t fit in with my European family either. My dark skin and my wild hair don’t belong in this tidy family. In Massachusetts, the branches of my Dominican family, no matter how strong and extensive, are invisible. The same way my European roots are lost when I am in New York.

So what am I? For years I have asked myself this question. Wondering why I couldn’t have a simple garden of a family rather than the jungle that I easily get lost in. As Kayla DeVault says in her YES! article “Native and European—How can I honor all parts of myself?,” “Simply saying ‘I am this’ isn’t enough.” And it isn’t. My race, color, and ethnicity do not make up who I am. I am still a daughter. A sister. A cousin. A friend. My mixed identity does not make me less whole, less human. I may have lightly tanned skin and my lips may not form Spanish words neatly, but behind my skin is bright color and music. There is warm gingerbread tea and golden platanos fritos. There is Spanish singing from my abuelo’s speaker and “young people” songs that play from my headphones. There is a little, cozy apartment and a large, exquisite house. Behind my skin is more than what you can see. Behind my skin is what makes me me. 

Mariela Alschuler is a seventh-grader at Ethical Culture Fieldston School and lives in the Bronx, New York. When she’s not in school, Mariela likes to read, write, do gymnastics, watch Netflix, and spend time with her friends and family. She hopes to be a doctor and writer when she grows up.

Reese Martin

University Liggett School, Grosse Point Woods, Mich.

A True Irishman?

Similar to Kayla Devault in her YES! article “Native and European-How Do I Honor All Parts of Myself,” I hold holistic pride in my cultural identity. As a descendant of Irish immigrants, my childhood was filled with Irish folk music, laughter, and all things green. I remember being a toddler, sitting on my Popo’s lap wearing a shiny green, slightly obnoxious, beaded shamrock necklace. There, in the living room, I was surrounded by shamrocks hanging on the walls and decorations spread throughout, courtesy of my grandmother who always went overboard. My father and his siblings were Irish fanatics, as well. My aunt, whom I loved spending time with as a child, was notorious for wild face painting, ear-splitting music, and crazy outfits on St. Patrick’s Day. The holiday typically started in Detroit’s historic Corktown for the annual St. Patrick’s Day Parade with the promise of authentic Irish corned beef and soda bread at the Baile Corcaigh Irish Restaurant following the festivities. Charlie Taylor, a local Irish musician, belted folk songs from Baile Corcaigh’s makeshift stage. It was one of the few days a year my father and his large family came together. Although my aunt and grandparents have passed, our family’s Irish pride is eternal.

There was, however, one peculiar thing about our Irish heritage— none of my family looked classic Irish. My father and his five siblings have nearly black eyes and fairly dark skin, not the typical Irish traits of blue eyes and light skin. DeVault wrote, “When I was older, the questions came, which made me question myself.” I fell into a similar predicament, questioning my heritage. It truly came as a shock when a couple of my paternal aunts and several cousins took DNA tests through 23andMe and AncestryDNA. The results revealed the largest percentage of our ethnicity was Lebanese and Middle Eastern, not Irish.

It felt like a punch to the gut. I was clueless on how to move forward. According to the numbers, we possessed an insignificant amount of Irish blood. How was it possible to be wrong about such a huge part of my identity? Not only was I confused about my culture and history, but I also experienced a great deal of shame—not of my newfound Middle Eastern heritage, but the lack of Irish DNA, which I had previously held so close and felt so proud of. It felt as though I was betraying the memory of my late grandparents and aunt.

Even amidst my confusion, I found this new heritage intriguing; I was excited to explore all that my newly found Lebanese culture had to offer: unique foods, unfamiliar traditions, and new geography. In addition to the familiar boiled and mashed potatoes, my family now eats hummus and shawarma. I also know more about the basic facts, history, and government of Lebanon. One thing dampens my enthusiasm, however. I wonder how I can fully develop a love for my newly discovered culture without being too deliberate and appearing to be insensitive to cultural appropriation.

It is here, in the depths of uncertainty and intrigue, I relate most to DeVault’s question, “How do I honor all parts of myself?” Although my Irish ancestry may not be as authentic as I once believed, I still feel a strong connection to the Irish culture. I’ve found that to truly honor all pieces of my identity, I must be willing to accept every aspect of my ancestry. I don’t need to reject Lebanese ethnicity, nor disregard the Irish memories of my childhood. I am allowed to be everything all at once. At the end of the day, with both Irish culture and Lebanese heritage, I am still simply and perfectly me.

Reese Martin is a junior at University Liggett School in Grosse Pointe Woods, Michigan. Reese plays hockey and soccer, swims competitively and is a violinist in her school orchestra. She enjoys volunteering, especially peer tutoring and reading with young children.

Rowan Burba

Saluting Shadows

On the floor, a murdered woman lays bloody and dead. Two young boys stare in horror at their dead mother. At only 10 years old, my great-grandfather experienced unfathomable suffering. A generation later, my grandfather and two great-uncles grew up under an abusive roof. My great-uncle Joe, the youngest of three boys, endured the worst of the abuse. Joe’s scarred brain altered during the sexual and emotional abuse his father subjected him to. From the time he was 18 months old, trusted adults of Joe’s community violated him throughout his childhood. These traumas spiraled into a century of silence, the silence I am determined to break. 

My father’s lineage is littered with trauma. Our family doesn’t openly share its past. We constantly masquerade as “normal” so we can fit in, but the alienation we experience is understandable. In Kayla DeVault’s YES! article “Native and European—How Do I Honor All Parts of Myself?” she explains her numerous identities, which include Shawnee, Anishinaabe, Eastern European, Scottish, and Irish. Although I don’t have her rich ethnic ancestry, I question my roots just as she does. I have limited photos of my deceased relatives. There are only two prominent ones: my paternal grandmother as a child with her siblings and my maternal grandmother’s obituary photo. These frosted images hide the truth of my family’s history. They’re not perfect 4″ x 6″ moments frozen in time. They’re shadowed memories of a deeply disturbed past.

For 17 years, my family was clueless about our past family trauma. Two months ago, my great-aunt explained Joe’s story to me. Joe developed Dissociative Identity Disorder (DID) as a result of his abuse. By the age of 18, his brain contained 95 alters (fragments of his identity that broke off and developed into true individuals), causing Joe to appear as the “weird one,” the one who my family dismissed, the outcast of my dad’s childhood. My dad only learned one year ago, long after Joe died, about Joe’s DID. My family’s adamancy to hold secrets outweighed accepting and helping Joe. The shadows around these secrets quickly dispersed. 

The silence and shame from a mother’s death a century ago still have a chokehold on my family today. My family appears a disaster to outsiders.  My mom’s side is so religious they would never fathom a conversation about these harsh realities. In addition to Joe, my dad’s side has uncles who struggle with codependency and trauma from past abuses. Joe’s brother coped by latching onto another “normal” family, and my grandfather coped by never talking about issues. My parents married soon after my maternal grandmother and three of her four siblings died within a few weeks of each other. Despite years of therapy, my parents divorced when I was 11 years old. I grew up surrounded by dysfunction without recognizing it. 

How do I honor my roots? I work to break the silence and stigmas of abuse and mental health. I’ve participated in therapy for about five years and have been on medicine for about two. I must reprogram my brain’s attachment to codependent tendencies and eliminate the silence within me. I’m working through my intrusive thoughts and diving into my family’s past and disrupting harmful old patterns. I’m stepping away from the shadows of my ancestors and into the light, ensuring that future generations grow up with knowledge of our past history of abuse and mental illness. Knowledge that allows us to explore the shadows without living in them. Knowledge that there’s more in life outside of the frames.

Rowan Burba, a junior at Kirkwood High School in Missouri, loves to participate as a witness in Mock Trial competitions, build and paint sets for the KHS theatre department, play viola in her school orchestra, and do crafts with kids. She is involved in politics and wants to help change the world for the better.

Mia De Haan

Estrella Mountain Community College, Avondale, Ariz.

What Being a Part of the LGBTQ+ Community Means to Me

Being queer is that one thing about me I am most proud of, yet also most scared of. Knowing that I am putting my life at risk for the simplest thing, like being gay, is horrifying.

Let’s talk about my first crush. Her name was Laurel, and she was always in front of me when we lined up after recess in first grade. I remember wishing that girls could marry girls because she had the prettiest long, blonde hair. I left these thoughts in the back of my head until middle school. I couldn’t stop staring at a certain girl all day long. That one girl who I would have sleepovers with every weekend and slow dance with at school dances—but only as friends. She changed my life. She was the first person to tell me that I was accepted and had no reason to be afraid. 

Being part of the LGBTQ+ community isn’t all rainbows and Pride parades. It is watching your family turn away from you in disgust but never show it on their faces. It’s opening Twitter and learning that it’s still illegal to be gay in 71+ countries. It’s astonishing that we had to wait until 2015 for the U.S. Supreme Court to make it legal to marry in all 50 states.  

My identity is happiness yet pain, so much pain. I hated myself for years, shoved myself back into a closet and dated my best friend for two years because maybe if I brought a boy home my family would wish me “Happy Birthday” again or send me Christmas presents like they do for my brother and sister.

When I began to explore my identity again, I asked myself, “Am I safe?” “Will I still be loved?” I was horrified. I am horrified. Legally, I am safe, but I am not safe physically. I can still be beaten up on the streets for holding a girl’s hand. Protesters at Pride festivals are still allowed to shout profanities at us and tell us that we are going to burn in hell—and the cops protect them. I am not safe mentally because I still allow the words of people and homophobes in the media and on my street get inside of my head and convince me that I am a criminal. 

When I read Kayla DeVault’s YES! article “Native and European—How Do I Honor All Parts of Myself?” I could feel how proud DeVault is to be Shawnee and Irish. While we do not share the same identity, I could tell that we are the same because we both would do anything for our cultures and want to show our pride to the rest of the world.

I honor my LGBTQ+ identity by going to Pride festivals and events. I also participate in an LGBTQ+ church and club, where, for years, was the only place I could be myself without the fear of being outed or harmed. Whenever I hear people being ignorant towards my community, I try to stay calm and have a conversation about why our community is great and valid and that we are not doing anything wrong. 

I don’t know if the world will ever change, but I do know that I will never change my identity just because the world is uncomfortable with who I am. I have never been one to take risks; the idea of making a fool of myself scares me. But I took one because I thought someone might listen to my gay sob story. I never expected it to be heard. If you have your own gay sob story, I will listen, and so will many others, even if you don’t realize it yet.  

Amelia (Mia) De Haan was born and raised in Phoenix, Arizona. Mia has devoted her entire life to art, specifically theatre and dance. While she has struggled to figure out what she wants to do for the rest of her life, she does know that she wants to inspire people and be a voice for the people of the LGBTQ+ community who still feel that no one is listening. Mia dreams of moving to New York with her cat Loki and continuing to find a way to inspire people.

Laura Delgado

Spring Hill College, Mobile, Ala.

I moved to the United States when I was eight years old because my father knew Venezuela was becoming more corrupt. He wanted to give his family a better life. My sense of self and belonging was wiped clean when I moved to the United States, a country that identified me and continues to label me as an “alien.” On U.S Citizenship and Immigration Services (USCIS) documents, I am Alien Number xxx-xxx-xxx.  I will not let that alien number define who I am: a proud Venezuelan and American woman.

In her YES! article “Native and European—How Do I Honor All Parts of Myself?” author Kayla DeVault says that “to truly honor [her] heritage, [she] found [she] must understand and participate in it.” This is why during Christmas I help my mom make hallacas (a traditional Venezuelan dish made out of cornmeal, stuffed with beef, pork, chicken, raisins, capers, and olives, wrapped in a banana leaf that is boiled to perfection), pan de jamón (a Christmas bread filled with ham, cheese, raisins, and olives—the perfect sweet and salty combination, if you ask me), and ensalada de gallina (a chicken, potatoes, and green apple salad seasoned with mayonnaise, salt, and pepper). While the gaitas (traditional Venezuelan folk music) is playing, we set up the Christmas tree and, under it, the nativity scene. The smell of Venezuelan food engulfs our small apartment. Every time I leave the house, the smell of food sticks to me like glue, and I love it.

We go to our fellow Venezuelan friend’s house to dance, eat, and laugh like we were back in Venezuela. We play bingo and gamble quarters as we talk over each other.  My favorite thing is how we poke fun at each other, our way of showing our love. There is nothing better than being surrounded by my Venezuelan family and friends and feeling like I belong.

My ancestors are Spanish settlers, West African slaves, and Indigenous Venezuelans. To my peers, I am a Latina woman who can speak Spanish and comes from a country they have never heard of. To my family, I am a strong and smart Venezuelan woman who is succeeding in this country she calls home. 

I was immediately an outcast as a young newcomer to this country. I was the new, exotic girl in class who did not speak a word of English; all of that led to bullying. Growing up in a country that did not want me was—and still is—hard. People often ask me why I would ever want to identify as American. My answer to their question is simple: This is my home. I knew that the chances of us going back to Venezuela were slim to none so I decided to make this country my home. At first, I fought it. My whole life was back in Venezuela. Eventually, I made lifelong friends, had my first kiss and my first heartbreak. I went to all of the homecoming and prom dances and made memories with my best friends to last me a lifetime. Yes, I was born in Venezuela and the pride of being a Venezuelan woman will never be replaced, but my whole life is in the United States and I would never trade that for the world. 

I am Venezuelan and I am American. I am an immigrant and I am Latina. The United States government will always know me as Alien Number xxx-xxx-xxx, but they will not know that my heritage is rich and beautiful and that I am a proud Venezuelan and a proud American woman.

Laura Delgado is a Junior at Spring Hill College in Mobile, Alabama, majoring in Graphic Design and minoring in Hispanic Studies. Laura and her family migrated to the United States from Venezuela in 2007 to escape the Chavez regime. She is a DACA recipient and a first-generation college student who has a passion for graphic design and hopes to one day open her own interior design company.

Dear every human who wrote in this contest or thought about writing,

I want to start by addressing all of you. 

I think stepping out of your comfort zone and writing your truth—even if you think you aren’t a writer— is a brave thing to do. 

I want you to understand that not being selected does not mean your story isn’t valid or that your identity wasn’t “enough.” Remember, you’re always enough. You’re enough to God, to Allah, to your Higher Power, to the Flying Spaghetti Monster in the sky, to your parents, and to your ancestors who endured long enough for you to come into existence. 

As I read through the various essays, I saw a common thread of food . Whether it’s the pierogi sales at churches in Pittsburgh, the neverias around Phoenix, or the soul food joints in Birmingham, the history of our ancestors’ movements have left their impressions in our cuisine. 

Another theme I found in several essays was a “uniformed diaspora.” Some of you talked about not being able to fully trace your lineage, having your history stolen by some method of political racism, and even grappling with finding that your genetics are not all you thought they were. As a Native person, I know all too well that we had much taken from us. I know that the conquerors wrote our history, so ours is recorded with bias, racism, and flippancy. 

And now to the essay winners:

To Susanna: Obrigada for your story. I encourage you to keep exploring your identity and how it informs your existence today on Lenape, Rockaway, and Canarsie traditional lands (New York City). Your imagery reflects saudades well. I think there is an intriguing and untapped story embedded in your father’s experience from Lebanon, and I encourage you to explore how that merges with your Brazilian identity.

When I read that passage about Starbucks, I thought about how the average young American seems to be private in public, but public in private—meaning this culture and its technology isolates us (private) when we are around other people (public), yet so many of us share most about ourselves on social media (public) where we can pick and choose if we want to engage with someone (private). By the way, I, too, played lacrosse… Did you know it has Indigenous roots?

To Cherry: 非常感谢你!  Don’t listen to the American stereotypes of who you are, as hard as that can be. You sadly may always hear them, but hearing is not the same as listening. People undermine the things they don’t understand because the things they don’t understand scare them. While it is not your job to feel you have to educate them, you do have the freedom to choose how you navigate those spaces.

I understand how it may feel inauthentic to learn how to make traditional foods like zongzi from a YouTube video. For me, I have had to learn beading and other crafts because I was too ashamed to learn them when I had the elders still in my life. I  tell young folk to know their elders now while they can. Furthermore, please speak every language no matter how imperfect because it’s a gift. Also, I’ll eat your zongzi any day, even if all the rice falls out!

To Keon: The imagery and symbols of slavery you use, powerfully describe a revisionist history that further blocks access to what would be a culturally-rich ancestry. 

I remember standing on the shores of Ouidah, Benin, from where the majority of slaves left, looking through La Porte du Non Retour (The Door of No Return) memorial, and hearing a local say, “Our relatives, they left these shores for the ships and then… we never heard from them again.” And so we come to realize our stories are known only so far as they have been carried. 

I see hope in the way you have embraced your roots as your branches to move forward. I believe that, in looking towards your branches, you have actually found your roots. You are a product of all the stories, told and untold, remembered and forgotten. I encourage you to keep writing and exploring how your seemingly contradicting and somewhat unknown roots shaped your ancestors and shape their product: you. Don’t hold back. 

To Madison: Grazie and תודה. First of all, pizza bagels are delicious… just saying… talk about the best of both worlds! You write about the challenge of fitting into your communities, and I can certainly see how religious differences can become contentious. 

I am sorry that you had a negative Hillel experience. In the end, we can’t let the persecutors steal our ancestral identities from us because that allows them to win. Cultures are fluid, not rigid and defined as peers might bully us into thinking. It’s rotten when people label us with things like “pizza bagel,” but if you boldly embrace it, you can turn it on its head. So I encourage you to be the smartest, wittiest, and most deliciously confident pizza bagel out there, writing your experience for all to read!

To Laura: Gracias , you write with a motif of sorts, one that conflates your identity to a number and the label of “alien.” For people in the United States to be dismissive of immigrants and judgmental of their cultures and languages is for the same people to forget their own origins, their own stories, and their own roles (as benefactors or as victims) in this age-old system of oppression for gain. It is also rather ironic that we call people “aliens;” unless they are from an Indigenous nation. Are not nearly all Americans “aliens” to some degree?

You write about being bullied as the new, exotic girl in school and I have also experienced that as my family moved around a bit growing up; however, I have also had the privilege to speak English.

It’s sad that these experiences are still so proliferate, and so I think it is vital that people like you share their experiences. Perhaps your background can inform how you think about spaces as an interior designer. 

To Mariela: Gracias and תודה for the story you shared. You write about a complex existence that is a mix of poor and wealthy, white and brown, warm and cool. Learning to navigate these contrasting sides of your family will help you work with different kinds of people in your future.

I can understand your point about feeling out of place by your skin color. Lighter skin is largely considered a privilege in society, yet for those of us with non-white heritages, it can make us feel like we don’t belong amongst our own family. We have to walk a fine line where we acknowledge we may be treated better than our relatives in some circumstances but we have to sit with the feeling of not being “brown enough” other times. I encourage you to keep exploring your branches and sharing your feelings with your relatives about these topics. Perhaps one day you can use your deep understanding of human relations to inform your bedside manner as a doctor!

To Mia: Thank you for your brave piece, despite your fears. Your emotional recollection about the first girl you loved is very touching and powerful. 

I am sorry that you don’t feel as though you are treated the same by your family on account of your identity and that you have to take extra steps to be accepted, but I believe your continuing to be your authentic self is the only way to prove you mean what you mean.

I hope the utmost safety and acceptance for you. I also thank you for seeing and relating to my pride that I have for myself, and I encourage you to consider creative outlets— maybe even podcast hosting—to uplift your story and the stories of others, spread awareness, and facilitate change.

To Reese: Go raibh maith agat . That’s how you thank a singular person in Irish, if you didn’t know already. I enjoyed your piece because, of course, we have an Irish connection that I understand.

I find it pretty interesting that you came back with a lot of Lebanese results in your family tests. Understand those tests only represent the inherited genes, so if both of your parents were a quarter Irish but three-quarters Lebanese, for example, you would get half of each of their genes. You might get half Lebanese from both and you would appear full Lebanese—or any other variation. My point is those tests aren’t exact reports.

I am excited you have found new aspects of your heritage and I hope you will continue to explore—as best you can—what your ancestral history is. And, by the way, I, too, play hockey and the violin—fine choices!

To Rowan: Many families put up a facade, and it’s only the brave ones, like you, addressing the trauma head-on who will be able to break the cycle that causes intergenerational trauma. 

When we explore the parts of our identity, many of us may find how much trauma —including historic policy, racism, and displacement—has impacted our ancestors, perhaps centuries upon centuries ago. Learning about my family history and about religious factors has revealed stories of abuse and secrets that have been hushed wildly, even within my immediate family. Photos can be sad when we know the stories behind them and even when we never knew the person; they’re still a part of us and we can honor them by remembering them. I think you choosing to write about your Uncle Joe and the effects of trauma in your family— especially as you process and heal yourself—will be a tremendous resource both internally and for others. Thank you for sharing and I hope you find happiness in those frames.

Again, thank you all for your essays. It is exciting to see the youth writing. I am grateful for my piece to have been chosen for this contest and, I hope I’ve encouraged readers to consider every part that makes up their whole and how it has informed their life experiences.

Kayla DeVault

“ In seventh grade, I went to an affinity group meeting. And all I remember was being called a bad Asian again and again. I was called a bad Asian because I couldn’t use chopsticks. I was called a bad Asian because I didn’t know what bubble tea or K-pop was. Time and again, I was called a bad Asian because I didn’t know the things I was expected to know, and I didn’t do the things that I was expected to do. That meeting made me truly question my identity. “ . —Sebastian Cynn, Ethical Culture Fieldston Middle School, Bronx, N.Y. Click here to read the entire essay.

“It’s difficult being Dominican but born and raised in New York. I’m supposed to speak fluent Spanish. I’m supposed to listen to their music 24/7, and I’m supposed to follow their traditions. I’m supposed to eat their main foods. I’m unique and it’s not only me. Yes, I may not speak Spanish. Yes, I may not listen to their kind of music, but I don’t think that defines who I am as a Dominican. I don’t think I should be discriminated for not being the same as most Dominicans. Nobody should be discriminated against for being different from the rest because sometimes different is good. “ —Mia Guerrero, KIPP Washington Heights Middle School, New York, N.Y. Click here to read the entire essay.

When I hang out with some of my older friend groups, which are mainly white, straight kids, I don’t mention that I’m Asian or Gay, but as soon as I’m with my friends, I talk about my identifiers a lot. A lot of them are part of the LGBTQ+ community, and 11 out of 14 of them are a person of color. With my grandparents, I am quieter, a good Asian grandchild who is smart, gets good grades, is respectful. And I don’t act “Gay.” … Why do I have to act differently with different people? Why do I only feel comfortable with all of my identities at school?

—Gillian Okimoto, Ethical Culture Fieldston Middle School, Bronx, N.Y. Click here to read the entire essay .

“ Torah, Shema, yarmulke, all important elements of Jewish identity—except for mine. All these symbols assume the existence of a single God, but that doesn’t resonate with me. Religion is a meaningful part of my family’s identity. After all, wanting to freely practice their religion was what brought my great-grandparents to America from Eastern Europe. Being very interested in science, I could never wrap my head around the concept of God. Can I be Jewish while not believing in God? “ —Joey Ravikoff, Ethical Culture Fieldston Middle School, Bronx, N.Y. Click here to read the entire essay.

“ Yes, I am transgender, but I am also a son, a friend, an aspiring writer, and a dog trainer. I love riding horses. I’ve had the same volunteer job since sixth grade. I love music and trips to the art museum. I know who I am and whether other people choose to see me for those things is out of my control.  Holidays with my family feels like I’m suffocating in a costume. I’ve come out twice in my life. First, as a lesbian in middle school. Second, as a transgender man freshman year. I’ve gotten good at the classic sit-down. With hands folded neatly in front of me, composure quiet and well-kept, although I’m always terrified. “ —Sebastian Davies-Sigmund, Kirkwood High School, Kirkwood, Mo. Click here to read the entire essay.

“ No longer do I wish to be stared at when civil rights and slavery are discussed. In every Socratic seminar, I shudder as expectant white faces turn to mine. My brown skin does not make me the ambassador for Black people everywhere. Please do not expect me to be the racism police anymore. Do not base the African American experience upon my few words. Do not try to be relatable when mentioning Hannukah is in a few days. Telling me you tell your White friends not to say the N-word doesn’t do anything for me. “ —Genevieve Francois, Kirkwood High School, Kirkwood, Mo. Click here to read the entire essay.

“ I often walk into the kitchen greeted by my mother sitting on her usual stool and the rich smells of culture—the spicy smell of India, the hearty smell of cooked beans, or the sizzling of burgers on the grill. Despite these great smells, I find myself often yearning for something like my friends have; one distinct culture with its food, people, music, and traditions. I don’t have a one-click culture. That can be freeing, but also intimidating . People who know me see me as a fraction: ¼ black, ¾ white, but I am not a fraction. I am human, just human. “ —Amaela Bruce, New Tech Academy at Wayne High School, Fort Wayne, Ind. Click here to read the entire essay.

“‘We just don’t want you to go to hell. ‘ I am not an atheist. I am not agnostic. I have no religion nor do I stand strong in any one belief. My answer to the mystery of life is simple: I don’t know. But I live in a world full of people who think they do.  There will be a day when that capital G does not control my conversations. There will be a day when I can speak of my beliefs, or lack thereof, without judgment, without the odd stare, and without contempt. The day will come when a life without religion is just another life. That is the day I wait for. That day will be Good. “ —Amara Lueker, New Tech Academy at Wayne High School, Fort Wayne, Ind. Click here to read the entire essay.

“¡Correle!” yell the people around him. He runs to the grass, ducks down and starts to wait. He’s nervous. You can smell the saltiness of sweat. He looks up and hears the chopping of helicopter blades. You can see the beam of light falling and weaving through the grass field … out of a group of thirteen, only four were left hidden. He and the others crossed and met up with people they knew to take them from their own land down south to the opportunity within grasp up north. That was my father many years ago. I’ve only asked for that story once, and now it’s committed to memory. “ —Luz Zamora, Woodburn Academy of Art Science & Technology, Woodburn, Ore. Click here to read the entire essay.

“ How do I identify myself? What do I connect to? What’s important to you? Here’s the answer: I don’t. Don’t have a strong connection. Don’t know the traditions. Don’t even know the languages. I eat some of the food and kinda sorta hafta** the major holidays but thinking about it I don’t know anything important. I think that the strongest connection to my family is my name, Mei Li (Chinese for “beautiful” Ana (a variation on my mother’s very American middle name: Anne) Babuca (my father’s Mexican last name). “ —Mei Li Ana Babuca, Chief Sealth International High School, Seattle, Wash. Click here to read the entire essay.

“ My whole life I have felt like I don’t belong in the Mexican category. I mean yeah, I’m fully Mexican but, I’ve always felt like I wasn’t. Why is that you ask? Well, I feel that way because I don’t know Spanish. Yes, that’s the reason. It may not sound like a big deal, but, for me, I’ve always felt disconnected from my race. I felt shameful. I felt like it was an obligation to know what is supposed to be my mother tongue. My whole family doesn’t really know fluent Spanish and that has always bothered me growing up. “ —Yazmin Perez, Wichita North High School, Wichita, Kan Click here to read the entire essay.

“ I believe differently from DeVault, who believes it’s important to connect and participate with your heritage. I believe that our personal pasts have more to do with who we are as people than any national identity ever could. Sure, our heritage is important, but it doesn’t do nearly as much to shape our character and perspective as our struggles and burdens do. Out of all my past experiences, illness—and especially mental illness—has shaped me. “ —Chase Deleon, Central York High School, York, Penn. Click here to read the entire essay.

“ … I can now run that whole grape leaf assembly line, along with other traditional plates, by myself. I have begun speaking out on current topics, such as Middle-Eastern representation in acting. I have become so much closer with my relatives and I don’t mind busting a move with them on the dance floor. Although a trip to Syria is not in my near future, DeVault made me realize that a connection to your geographical cultural roots is important. According to my aunt, I have become a carefree, happy, and more passionate person. I no longer feel stuck in the middle of ethnicity and society. Becoming one with and embracing my identity truly is ‘A Whole New World.’” —Christina Jarad, University Ligget School, Grosse Pointe Woods, Mich. Click here to read the entire essay.

“While my bow is not made of wood and my arrows lack a traditional stone tip, the connections are always present, whether I am stalking bull elk in the foothills of the Rockies or fly fishing in the mystical White River. The methods and the technologies may be different, but the motivations are the same. It is a need to be connected to where my food originates. It is a desire to live in harmony with untouched lands. It is a longing to live wild, in a time where the wild is disappearing before our eyes. “ —Anderson Burdette, Northern Oklahoma University, Stillwater, Okla. Click here to read the entire essay.

“Black people always say that White people don’t use seasoning. This saying is one of those sayings that I always heard, but never understood. I am Black, but I was adopted into a White household … Even though I identify as a Black woman, all my life I have struggled with breaking into the Black culture because other people around me consciously or unconsciously prevent me from doing so. “ —Brittany Hartung, Spring Hill College, Mobile, Ala. Click here to read the entire essay.

We received many outstanding essays for the Fall 2019 Student Writing Competition. Though not every participant can win the contest, we’d like to share some excerpts that caught our eye:

How can other people say that I only have one identity before I can even do that for myself? —Arya Gupta, Ethical Culture Fieldston Middle School, Bronx, N.Y.

‘Middle Child’ by J. Cole blasts through the party. Everyone spits the words like they’re on stage with him. J. Cole says the N-Word, and I watch my Caucasian peers proudly sing along. Mixed Girl is perplexed. Black Girl is crestfallen that people she calls friends would say such a word. Each letter a gory battlefield; White Girls insists they mean no harm; it’s how the song’s written. Black Girl cries. —Liz Terry, Kirkwood High School, Kirkwood, Mo.

To me, valuing my ancestors is a way for me to repay them for their sacrifices. —Jefferson Adams Lopez, Garrison Middle School, Walla Walla, Wash.

A one-hour drive with light traffic. That’s the distance between me and my cousins. Short compared to a 17-hour flight to the Philippines, yet 33 miles proved to create a distance just as extreme. Thirty-three miles separated our completely different cultures. —Grace Timan, Mount Madonna High School, Gilroy, Calif.

What does it mean to feel Korean? Does it mean I have to live as if I live in Korea? Does it mean I have to follow all the traditions that my grandparents followed? Or does it mean that I can make a decision about what I love? —Max Frei, Ethical Culture Fieldston Middle School, Bronx, N.Y.

Not knowing feels like a safe that you can’t open (speaking about her ancestry) . —Madison Nieves-Ryan, Rachel Carson High School, New York, N.Y.

As I walked down the halls from classroom to classroom in high school, I would see smiling faces that looked just like mine. At every school dance, in every school picture, and on every sports team, I was surrounded by people who looked, thought, and acted similar to me. My identity was never a subject that crossed my mind. When you aren’t exposed to diversity on a daily basis, you aren’t mindful of the things that make you who you are. —Jenna Robinson, Kent State University, Kent, Ohio

When my Great-Great-Grandfather Bill was 12, he ran away to work with his uncles. And then when he was older and married, he called up his wife and said, “Honey, I’m heading off to college for a few years. Buh-Bye!” Because of his adventurous spirit, Bill Shea was the first Shea to go to college. Ever since my mom told me this story, I’ve always thought that we could all use a little Bill attitude in our lives.  —Jordan Fox, Pioneer Middle School, Walla Walla, Wash.

I defy most of the stereotypes of the Indian community. I’m a gender-fluid, American, Belizean kid who isn’t very studious. I want to be a writer, not a doctor, and I would hang out with friends rather than prepare for the spelling bee. —Yadna Prasad, Ethical Culture Fieldston Middle School, Bronx, N.Y.

While my last name may be common, the history behind my family is not. A line of warriors, blacksmiths, intellectuals, and many more. I’m someone who is a story in progress. —Ha Tuan Nguyen, Chief Sealth International High School, Seattle, Wash.

My family is all heterosexual. I did not learn about my identity from them. LGBTQ+ identity is not from any part of the world. I cannot travel to where LGBTQ+people originate. It does not exist. That is the struggle when connecting with our identities. It is not passed on to us. We have to find it for ourselves. —Jacob Dudley, Kent State University, Kent, Ohio

My race is DeVault’s childhood kitchen, so warm and embracing. Familiar. My sexuality is DeVault’s kitchen through adulthood: disconnected. —Maddie Friar, Kirkwood High School, Kirkwood, Mo.

At school, I was Dar-SHAW-na and at home DAR-sha-na. There were two distinct versions, both were me, but neither were complete. \ —Darshana Subramaniam, University Liggett School, Grosse Pointe Woods, Mich.

I do not think that heritage and ethnic roots are always about genetics. It is about the stories that come with it, and those stories are what shapes who you are. —Lily Cordon-Siskind, Ethical Culture Fieldston Middle School, Bronx, N.Y.

In my sixteen-year-old mind, the two ethnicities conflicted. I felt like I couldn’t be both. I couldn’t be in touch with Southern roots and Cuban ones at the same time. How could I, they contradict each other? The Cuban part of me ate all my food, was loud and blunt, an underdog and the Southerner was reserved, gentle, and polite. —Grace Crapps, Spring Hill College, Mobile, Ala.

I thought I was simply an American. However, I learned that I am not a jumbled mix of an untraceable past, but am an expertly woven brocade of stories, cultures, and hardships. My ancestors’ decisions crafted me…I am a story, and I am a mystery. —Hannah Goin, Pioneer Middle School, Walla Walla, Wash.

We received many outstanding essays for the Fall 2019 Student Writing Competition, and several students got clever and creative with their titles. Here are some titles that grabbed our attention:

“A Mixed Child in a Mixed-Up Family” Caitlin Neidow, Ethical Culture Fieldston Middle School, Bronx, N.Y.

“Diggin’ in the DNA” Honnor Lawton, Chestnut Hill Middle School, Liverpool, N.Y.

“Hey! I’m Mexican (But I’ve Never Been There)” Alexis Gutierrez-Cornelio, Wellness, Business & Sports School, Woodburn, Ore.

“What It Takes to Be a Sinner” Amelia Hurley, Kirkwood High School, Kirkwood, Mo.

“Mirish” Alyssa Rubi, Chief Sealth International High School, Seattle, Wash.

“Nunca Olvides de Donde Vienes ” ( Never forget where you came from ) Araceli Franco, Basis Goodyear High School, Goodyear, Ariz.

“American Tacos” Kenni Rayo-Catalan, Estrella Mountain Community College, Avondale, Ariz.

“Corn-Filled Mornings and Spicy Afternoons” Yasmin Medina, Tarrant County Community College, Fort Worth, Tex.

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Essay about Family: What It Is and How to Nail It

Humans naturally seek belonging within families, finding comfort in knowing someone always cares. Yet, families can also stir up insecurities and mental health struggles.

Family dynamics continue to intrigue researchers across different fields. Every year, new studies explore how these relationships shape our minds and emotions.

In this article, our dissertation service will guide you through writing a family essay. You can also dive into our list of topics for inspiration and explore some standout examples to spark your creativity.

What is Family Essay

A family essay takes a close look at the bonds and experiences within families. It's a common academic assignment, especially in subjects like sociology, psychology, and literature.

So, what's involved exactly? Simply put, it's an exploration of what family signifies to you. You might reflect on cherished family memories or contemplate the portrayal of families in various media.

What sets a family essay apart is its personal touch. It allows you to express your own thoughts and experiences. Moreover, it's versatile – you can analyze family dynamics, reminisce about family customs, or explore other facets of familial life.

If you're feeling uncertain about how to write an essay about family, don't worry; you can explore different perspectives and select topics that resonate with various aspects of family life.

Tips For Writing An Essay On Family Topics

A family essay typically follows a free-form style, unless specified otherwise, and adheres to the classic 5-paragraph structure. As you jot down your thoughts, aim to infuse your essay with inspiration and the essence of creative writing, unless your family essay topics lean towards complexity or science.

Here are some easy-to-follow tips from our essay service experts:

• Focus on a Specific Aspect: Instead of a broad overview, delve into a specific angle that piques your interest, such as exploring how birth order influences sibling dynamics or examining the evolving role of grandparents in modern families.
• Share Personal Anecdotes: Start your family essay introduction with a personal touch by sharing stories from your own experiences. Whether it's about a favorite tradition, a special trip, or a tough time, these stories make your writing more interesting.
• Use Real-life Examples: Illustrate your points with concrete examples or anecdotes. Draw from sources like movies, books, historical events, or personal interviews to bring your ideas to life.
• Explore Cultural Diversity: Consider the diverse array of family structures across different cultures. Compare traditional values, extended family systems, or the unique hurdles faced by multicultural families.
• Take a Stance: Engage with contentious topics such as homeschooling, reproductive technologies, or governmental policies impacting families. Ensure your arguments are supported by solid evidence.
• Delve into Psychology: Explore the psychological underpinnings of family dynamics, touching on concepts like attachment theory, childhood trauma, or patterns of dysfunction within families.
• Emphasize Positivity: Share uplifting stories of families overcoming adversity or discuss strategies for nurturing strong, supportive family bonds.
• Offer Practical Solutions: Wrap up your essay by proposing actionable solutions to common family challenges, such as fostering better communication, achieving work-life balance, or advocating for family-friendly policies.

Family Essay Topics

When it comes to writing, essay topics about family are often considered easier because we're intimately familiar with our own families. The more you understand about your family dynamics, traditions, and experiences, the clearer your ideas become.

If you're feeling uninspired or unsure of where to start, don't worry! Below, we have compiled a list of good family essay topics to help get your creative juices flowing. Whether you're assigned this type of essay or simply want to explore the topic, these suggestions from our history essay writer are tailored to spark your imagination and prompt meaningful reflection on different aspects of family life.

So, take a moment to peruse the list. Choose the essay topics about family that resonate most with you. Then, dive in and start exploring your family's stories, traditions, and connections through your writing.

• Supporting Family Through Tough Times
• Staying Connected with Relatives
• Empathy and Compassion in Family Life
• Strengthening Bonds Through Family Gatherings
• Quality Time with Family: How Vital Is It?
• Navigating Family Relationships Across Generations
• Learning Kindness and Generosity in a Large Family
• Communication in Healthy Family Dynamics
• Forgiveness in Family Conflict Resolution
• Building Trust Among Extended Family
• Defining Family in Today's World
• Understanding Nuclear Family: Various Views and Cultural Differences
• Understanding Family Dynamics: Relationships Within the Family Unit
• What Defines a Family Member?
• Modernizing the Nuclear Family Concept
• Exploring Shared Beliefs Among Family Members
• Evolution of the Concept of Family Love Over Time
• Examining Family Expectations
• Modern Standards and the Idea of an Ideal Family
• Life Experiences and Perceptions of Family Life
• Genetics and Extended Family Connections
• Utilizing Family Trees for Ancestral Links
• The Role of Younger Siblings in Family Dynamics
• Tracing Family History Through Oral Tradition and Genealogy
• Tracing Family Values Through Your Family Tree
• Exploring Your Elder Sister's Legacy in the Family Tree
• Connecting Daily Habits to Family History
• Documenting and Preserving Your Family's Legacy
• Navigating Online Records and DNA Testing for Family History
• Tradition as a Tool for Family Resilience
• Involving Family in Daily Life to Maintain Traditions
• Creating New Traditions for a Small Family
• The Role of Traditions in Family Happiness
• Family Recipes and Bonding at House Parties
• Quality Time: The Secret Tradition for Family Happiness
• The Joy of Cousins Visiting for Christmas
• Including Family in Birthday Celebrations
• Balancing Traditions and Unconditional Love
• Building Family Bonds Through Traditions

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Family Essay Example

For a better grasp of the essay on family, our team of skilled writers has crafted a great example. It looks into the subject matter, allowing you to explore and understand the intricacies involved in creating compelling family essays. So, check out our meticulously crafted sample to discover how to craft essays that are not only well-written but also thought-provoking and impactful.

Final Outlook

In wrapping up, let's remember: a family essay gives students a chance to showcase their academic skills and creativity by sharing personal stories. However, it's important to stick to academic standards when writing about these topics. We hope our list of topics sparked your creativity and got you on your way to a reflective journey. And if you hit a rough patch, you can just ask us to ' do my essay for me ' for top-notch results!

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FAQs on Writing an Essay about Family

Family essays seem like something school children could be assigned at elementary schools, but family is no less important than climate change for our society today, and therefore it is one of the most central research themes.

Below you will find a list of frequently asked questions on family-related topics. Before you conduct research, scroll through them and find out how to write an essay about your family.

How to Write an Essay About Your Family History?

How to write an essay about a family member, how to write an essay about family and roots, how to write an essay about the importance of family.

Daniel Parker

is a seasoned educational writer focusing on scholarship guidance, research papers, and various forms of academic essays including reflective and narrative essays. His expertise also extends to detailed case studies. A scholar with a background in English Literature and Education, Daniel’s work on EssayPro blog aims to support students in achieving academic excellence and securing scholarships. His hobbies include reading classic literature and participating in academic forums.

is an expert in nursing and healthcare, with a strong background in history, law, and literature. Holding advanced degrees in nursing and public health, his analytical approach and comprehensive knowledge help students navigate complex topics. On EssayPro blog, Adam provides insightful articles on everything from historical analysis to the intricacies of healthcare policies. In his downtime, he enjoys historical documentaries and volunteering at local clinics.

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Your chance of acceptance, your chancing factors, extracurriculars, are there any memorable college essays about family that stood out to admissions.

I’m thinking of writing my college essay about my family dynamics and how they’ve shaped me. I've heard that essays about family can be cliché, but it’s something that’s really important to me. Does anyone know examples of family-centric essays that really made an impression on admissions officers? Looking for inspiration. Thanks a bunch!

Essays that delve into family dynamics can indeed be profound if you approach them with specificity and insight, rather than generalizations. For inspiration, consider essays that unpack a single, defining family event or delve into a unique family tradition.

When tackling your own family-centric essay, focus on such moments that offer a nuanced insight into who you are. The more specific you can be about your experiences and what they've taught you, the more you'll stand out.

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CollegeVine’s Q&A seeks to offer informed perspectives on commonly asked admissions questions. Every answer is refined and validated by our team of admissions experts to ensure it resonates with trusted knowledge in the field.

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Essays on Family History

Every family history essay will define it differently. According to the same essay-writers, family history, sometimes also referred to as genealogy, covers a family's lineage, ancestry, and development. Essays on family history explain how it helps people to learn more about the origin of their predecessors. People were always interested in family history, but this trend is especially popular now, as there are ways to test one's genetics and find out more about their ancestors. Some samples of family history essays below suggest ways you can research your family history. Learning about your family is very exciting and helps build a stronger emotional connection with your family. Look through our family history essay samples if you need guidance or inspiration for your essays.

Introduction Several literary authors have previously written about family and kinship; many of them have used their own personal experiences to explain the mortal bond that exists between people. Pearl Buck and The Good Earth As the daughter of a Presbyterian missionary, Pearl Buck spent the most of her early years immersed...

Words: 1141

Hearing disorder, obsessive-compulsive disorder (OCD), trichotillomania (hair-pulling disorder), body dysmorphic disorder, and exoriation (skin-picking) disorder are obsessive-compulsive and associated disorders (OCRDs). Past research suggests that between OCD and the remaining conditions there is a substantial similarity. As such, these diseases are classified into one group. The categories of OCRDs have...

Words: 2256

I did not quite understand the reason behind it when Dr. Keeping asked us to create a genogram and draw a family root. I had the requisite details on my family health background, because I was mostly away from my family. As such, I called my mom and asked her about...

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By nature, human beings derive their life from members of the family that came before them. Any of the characteristics people possess may have been inherited directly or indirectly from the family lineage to which an individual belongs. By definition, a genogram can be defined as a family diagram that...

Words: 1519

Family past: The ongoing crisis of indiscrete symbolism The inheritors of 1970s neo-conservatism contributed to the family crisis for left and right social conservatives, which inevitably seems to have changed very little over the past few decades. It also appears like the American family is suffering from a general fatherlessness crisis....

Words: 1737

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Home — Essay Samples — Life — Family History — My Family History: A Comprehensive Report

My Family History: a Comprehensive Report

• Categories: Family History Family Values

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Published: Mar 28, 2023

Words: 3024 | Pages: 7 | 16 min read

Table of contents

Introduction, maternal great grandparents.

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Related Essays on Family History

McGoldrick, M., Gerson, R., & Shellenberger, S. (Eds.). (2014). Genograms: Assessment and Intervention. Routledge.Pedersen, P. B., & Draguns, J. G. (2001). Counseling across cultures (5th ed.). Sage Publications.Potts, M., & [...]

Collins, J. M., Jordan, C., & Coleman, H. L. K. (2013). Family Genograms: An Overview. Journal of Contemporary Family Therapy, 35(3), 365-373.Hutchinson, M. K. (2017). The Family: A Conceptual Approach. Sage Publications.Fish, [...]

Understanding one's family cultural background is an essential aspect of self-awareness and identity. Family cultural background encompasses the traditions, beliefs, values, and practices that have been passed down through [...]

McAuliffe, G. J. (2007). Culturally Alert Counseling: A Comprehensive Introduction. SAGE Publications.   

In this essay I am going to explain my family history. It is almost a tradition to go into the army, or into different areas related to that, like the Marines, in my family. My uncle, my mother’s father, my great grandfather, [...]

I was born in central Africa(Cameroon) in a small city called Bamenda a very rough and challenging community, an environment which the leaders are corrupt, fighting between the francophone and the Anglophone to stay [...]

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My Family History Essay Example

Family history is a journey that can take many different shapes. For some, it’s the story of how they became who they are today. For others, it might be simple curiosity about their roots or where their last name came from. It could also be an investigation into family secrets and mysteries for those with a more adventurous personality.

Writing an essay on family history is really challenging when it comes to describing every important aspect of it. That is why the essay sample serves an important purpose for the students here.

Essay Sample on My Family History

• Thesis Statement of My Family History Essay
• Introduction of My Family History Essay
• How Did Our Family use to live under a Single Roof?
• What are the Values that we learn by living in Joint Family?
• Causes that Separated the Family into little pieces

Thesis Statement of My Family History Essay This essay talks about my joint family or family tree in which we used to have a lot of fun and enjoy being together. Various glimpses of this happiness of togetherness is described in the essay below. Introduction of My Family History Essay Like every other family, we have our own family history which is illustrated herein details to the readers. The essay talks about how we used to live under a single roof and we have no need to set appointments to ask our elders for dinner. These joys of togetherness bring certain values in us as well like how to be happy among the people of different nature and hope. What is the result of being in togetherness that could be found in this essay? Readers will come to know about the instances that separate us from a joint family to a nuclear family in recent times. Main Body of My Family History Essay Here a detailed description of the family history is given to let you know about the era of happiness that used to exist in our life. Each and every single detail is given in this essay for better clarity of things. How Did Our Family use to live under a Single Roof? It dates back to the days when we were small kids and our grandmother used to feed us with a variety of dishes. Every day was like a festival for us as we were not supposed to go out for school and used to sit in the vicinity of our grandmother to listen to the different stories from her. We used to dine together and no one was supposed to watch television at the time of food. This is how we were spending our days happily. My parents were also very melodious towards us and everyone who visits our home at that time was bringing some refreshments to us. Hire USA Experts for My Family History Essay Order Now What are the Values that we learn by living in Joint Family? The joint family not only gave us happiness but at the same time, we adopt many values from our elders as well. For instance, living happily and ignoring the mistakes of others is the most important feature of residing in a joint family. That is what happened to us. We never fight with each other our siblings and always used to abide by the instructions of the parents whatever they ask us to do. More patience, compromise for small things, and becoming happy in the joy of others are some important things that we gained from our family history. The roots of love between the family members could easily be traced in those days. Causes that Separated the Family into little pieces As well said by a great philosopher that every good thing comes to an end eventually similar happened in our case as well. My grandmother died of cholera and we remain behind with the parents. As our age was gradually increasing we were sent to a school where the boring routine makes us remind of the old days and then the pressure of study starts suppressing our joy of being with the grandmother. We used to miss her for the entire long day, be that in the school hours or in the evening. Even the parents fail to continue the same routine of dining together owing to their jobs and all that we find around us was chaos in life. Buy Customized Essay on My Family History At Cheapest Price Order Now Conclusion The above essay draws a conclusion that it is a very positive thing to live in a joint family as it teaches values to us. But at the same time due to time constraints and technology-driven lifestyle we cannot suppose to cope up our life in joint families. This is how the family history has been narrated and it gives us a lesson that we should do something to save the ancient culture of staying together happily.

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Genealogy 101: Using Theses & Dissertations for Family History Research

Introduction : In this article – part of an ongoing “Introduction to Genealogy” series – Gena Philibert-Ortega writes about an unusual resource for genealogists: theses and dissertations. Gena is a genealogist and author of the book “From the Family Kitchen.”

What sources have you used for your family history research beyond the genealogically familiar censuses, land records, old newspapers, and city directories? What are some of the more unusual sources available to the family historian? You know you should research at a library, and maybe you’ve even ventured out to a university library to do your research. Have you checked out their thesis and dissertation collections?

You may be wondering how an academic thesis or dissertation can help you with your family history research. While it is true that they are less likely to have lists of names, dates, and places, they can include information about a community, a group of people, or even individuals.

Before we continue our discussion, let’s define what theses and dissertations are. Theses and dissertations are unpublished works by college graduate students (Masters and Ph.D students, respectively) who have spent much time and effort researching and documenting a subject. These works focus on a narrowly defined topic within a course of study.

For example, I wrote a Master’s thesis on: “Nineteenth Century American Women’s Attitudes toward Mormon Polygamy.” This means that I researched that topic at length, I used a combination of original and derivative sources, and I wrote about individual women, including one of my ancestors.

In some cases, a thesis or dissertation may be eventually published as a full-length book or a scholarly journal article. While some of these works have no genealogical relevance, there are many in the realms of history, anthropology, social work and other disciplines that would be of interest to the family historian. In some cases, personal and oral histories might be a part of the research paper that may even shed some light on your own family.

In the case of one of my 4th great-grandmothers, her 1850 Texas divorce was documented in a student’s dissertation that was later published as a book. I found the mention of her in that book by searching for her name in Google Books . I found details about her divorce in that book that were not available when I researched at the court house in person.

One of the reasons that family historians don’t explore theses and dissertations has to do with the difficulty in searching for relevant manuscripts. No easy-to-access index is available. There is an index available through the subscription website ProQuest . Unfortunately for family historians, searching the index would need to be done at an academic institution – which isn’t always convenient. However, there are a few other ways to find these works while searching from home. Let’s take a look at a few.

WorldCat is “the world’s largest network of library content and services.” WorldCat is a catalog of over two billion items available from libraries worldwide. You can conduct a keyword search to receive results that include books, articles and yes, even theses and dissertations. To find a relevant thesis or dissertation, conduct a search using a keyword or keywords for the location your ancestor lived, their occupation, an event, or something else that you might want to know about their life. Once you receive your results, narrow the results by the category thesis/dissertation (found on the left-hand side of the page, as shown in this screenshot).

Because the thesis or dissertation you may be interested in might not circulate, consult your public library reference librarian about other ways to access the material.

University Library Catalogs

Another way to find a thesis or dissertation is by searching a university or college library catalog. When searching, remember to not limit your search to just the surname of your ancestor. Instead, search under the ancestor’s locality and any other keywords that may describe him/her, like a religion or occupation. In some cases, under an advanced search option you may be able to limit your results to only show theses or dissertations.

A small example of what can be found are these titles from the University of California, Riverside . A search on the city “Redlands” brings 274 results including books, articles, and newspapers. However, when I chose “Dissertations” under Materials Type in the Advanced Search, I received 9 results, some of which are historical studies of the city and its residents such as:

• A study of attitudes and actions of the citizens of Redlands, California, toward the local Chinese immigrant labor force from 1885 to 1895, by Loren Marvin Horton
• Crime and scandal in early Redlands, by Edith Parker
• Louis Robidoux, California pioneer, by John William Nelson

A search on the phrase “California women” included historically rich results:

• Presidarias y pobladoras: Spanish-Mexican women in frontier Monterey, Alta California, 1770-1821, by Antonia I. Castañeda
• Gender and justice: Women police in America, 1910-1946, by Janis Appier

Google Scholar

Various online periodical indexes might also help in finding relevant works, including the website Google Scholar which is a search engine for “academic” works including peer-reviewed journal articles, books, theses and dissertations. You can search Google Scholar as you would Google. The results I found included some theses and dissertations that were available to download for free.

Theses and Dissertations for Your Genealogy

There are other ways to find theses and dissertations; in some cases a thorough online search may uncover them. I’ve had times when I googled a subject and came across a dissertation available to download as a PDF for free. Googling beyond just your ancestor’s name can lead to helpful discoveries.

Have you used theses and dissertations in your family history research? You should search for topics involving a location, event, occupation, or religion – but you may be surprised to find something focused on your family or surname. For example, did you know that the last name origin for Taylor comes from the occupational name for a tailor? ProQuest published a blog article that lists a few family history-related dissertations to give you an idea of what may be available.

Consider adding a different source to your family history research: explore theses and dissertations. You may be surprised at what you find.

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College Essays That Worked: See Examples

Experts say a good college essay features a student's voice and personality.

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Students should know themselves and write authoritatively so they can share a sense of their lives with admissions officers.

Many college applications require a personal essay, which can be daunting for students to write.

But a few simple tips, some introspection and insight into what admissions officers are looking for can help ease the pressure. U.S. News has compiled several college essay examples that helped students get into school. Shared by admissions staff or referenced from admissions websites, these essays stand out, they say, because the student voices shine, helping the school get to know the applicants.

"Students can get caught in the trap of overthinking it and write the essay that's going to impress the admissions committee," says Andrew Strickler, dean of admission and financial aid at Connecticut College . "The best essays, the ones that really pop, are the ones that come across as authentic and you really hear the student's voice."

The essay gives schools a feel for how a student writes, but it's the content of the essay that matters most, admissions professionals say. In other words, while it's important to showcase sound grammar and writing, it's even more important to showcase your character and personality.

"I care more about their stories than if it is a perfect five paragraph essay," David Graves, interim director of admissions at the University of Georgia , wrote in an email.

Many schools give students a wide range of topics to choose from, which experts say can be beneficial in helping students find their voice.

While you want your voice to be apparent, it's wise to be aware of your tone, says Allen Koh, CEO of Cardinal Education, an admissions consulting company that works with students to craft and revise their college essays. The goal of the essay is to make a strong case for why you’re different from all the other applicants, not necessarily why you’re better, he adds.

"You have to pass the genuine likability test. Sometimes kids are so busy trying to brag or tell their story that they’re forgetting they have to sound like a likable person. That’s a very simple test, but it’s really important."

Good essays tend to be "positively emotional," he says. It's best to avoid using sarcasm because it tends to fail on college essays.

Any humor used "really has to be a very positive, witty humor, not sarcastic," which he says can be hard to pick up on in an essay.

The Perils of Using AI for Essays

Choosing the right tone can be a challenge for many students, but admissions pros encourage them not to take shortcuts to completing their essay.

Though some college professors have embraced artificial intelligence tools like ChatGPT in their classrooms, Strickler says he's begun to stress in recent talks with high school audiences the importance of original work and avoiding the use of AI tools like ChatGPT to craft college essays. While it might produce a technically well-written essay and save time, your unique voice will be stripped away, and it may leave a bad impression on admissions offices as well as prevent them from truly getting to know you, he says.

Instead, Graves says, start early and take time to write it yourself, then "actually read it out loud to someone ... to listen to the rhythm and words as they are 'read.'"

Each spring on his admissions blog , Graves shares an enrolling student's essay and why it was strong. The essay excerpted below, shared with the permission of the University of Georgia, uses descriptive word choice and gives the admissions office deep insight into the student's life, their love for writing and their connection to their family, Graves says.

It was chosen as an example "to show our applicant pool how to express themselves through similes, sensory language (words that capture the senses of the reader), and emotion," Graves wrote on the blog.

Here's how the essay opened:

If you asked me what object I’d save in a burning fire, I’d save my notebook. My notebook isn’t just any notebook, it’s bubble gum pink with purple tie dye swirls, and has gold coil binding it together. But more importantly, it’s the key that unlocked my superpower, sending me soaring into the sky, flying high above any problems that could ever catch me. However, my notebook is simply the key. My real power rests in the depths of my mind, in my passion for writing. But to know how my powers came to be (not from a spider or a special rock), I must travel back to the first spark.

Four years ago, I wrote my first 6-word memoir in my eighth-grade rhetoric class. Inspired by my father’s recently diagnosed terminal illness, I wrote “Take his words, don’t take him”. It was as if all the energy of my powers surged into six meaningful words meant to honor the man that I would soon lose to a villain known as ALS. This was the first time I felt my writing. Three years ago, my dad’s disease severely progressed. The ALS seized his ability to speak and locked it in a tower with no key. The only way we could communicate was with an old spiral notebook. ...

The essay counted down each year ("three years ago," "two years ago," etc.) and concluded with this paragraph:

One month ago, I needed my powers more than ever before. I needed them to convey who I truly am for the chance at the future of my dreams as a writer. Except this time, I didn’t need the key because my powers grew into fruition. Instead, I opened my laptop only to type out one sentence… “If you asked me what object to save in a burning fire, I’d save my notebook.”

This style of storytelling, which shows not just the triumph at the end but also the conflict, struggle and evolution in between, makes for great essays, Koh says.

"The student also used an intriguing timeline (counting down years and month) to tell their story, and showed how she had grown," Graves says.

This next essay, by an anonymous writer and shared on Connecticut College 's admissions page , "manages to capture multiple aspects of the writer's personality, while not becoming overly cluttered or confusing," writes Susanna Matthews, associate director of admission at the school.

Every person who truly knows me believes that I was born in the wrong century. They call me "an old soul" because I'm a collector, attracted to books, antiques, vinyl records and anything from the 80's. But they also think I am unique in other ways. I believe it is because of the meaningful connections to my two languages and two cultures.

When we moved into our first American house, I was excited to decorate my new room. The first thing I knew I needed was a place to organize my most cherished possessions I have collected throughout my life. I searched and finally found a bookshelf with twenty-five thick sections that I could build and organize alphabetically ... Each shelf holds important objects from different parts of my life. ...

These books are a strong connection to my Brazilian heritage. They also remind me of the time when I was growing up in Brazil, as a member of a large Italian-Brazilian family.

The writer continues on, describing the types of books on each shelf, from Harry Potter to books used to learn English. They describe the bottom of the bookshelf housing some of their most prized possessions, like an old typewriter their grandfather gave them. They wonder about the words it has crafted and stories it has told.

As I grab my favorite Elvis vinyl to play, I can only wonder about the next chapter of my life. I look forward to adding new books, new friends, and a wide variety of experiences to my bookshelf.

"By placing one subject (the bookshelf) at the center of the piece, it lends some flexibility to layer in much more detail than if they had tried to discuss a few different interests in the essay," Matthews writes. "You learn a lot about the person, in a way that isn't in your face – a great thing when trying to write a personal essay."

Some colleges require a supplemental essay in addition to the personal statement. Typically, admissions pros note, these essays are shorter and focus on answering a specific question posed by the college.

The University of Chicago in Illinois allows students to submit essay prompts as inspiration for the admissions office and gives students some latitude in how they answer them. Essay prompts range from questions about the school itself to asking students to pick a question from a song title or lyric and give their best shot at answering it.

"We think of them as an opportunity for students to tell us about themselves, their tastes, and their ambitions," the school's admissions website reads. "They can be approached with utter seriousness, complete fancy, or something in between."

While the University of Chicago says there is no strict word limit on its supplemental essays, other schools prefer brevity. For example, Stanford University in California asks students to answer several short questions, with a 50-word limit, in addition to answering three essay questions in 100 to 250 words.

Georgia asks for a school-specific supplemental essay that's 200-300 words in addition to a 250- to 650-word personal essay.

"Sometimes a shorter essay response is not as polished an essay, but instead is a more casual, more relaxed essay," Graves says. "In addition, sometimes a student needs to get to the point or be concise, and this helps see if they can give us their story without overdoing it."

Other schools allow for a little more creativity in how the supplemental essay questions are answered. Babson College in Massachusetts, for example, gives students a 500-word limit to answer a prompt, or they can choose to submit a one-minute video about why they chose to apply to the school.

One student, Gabrielle Alias, chose to film a "day-in-the-life" video , which she narrated to answer the prompt, "Who Am I?"

"Visiting campus twice, I know I could see myself as one of the many interesting, innovative, and enticing students that come out of Babson," she says in the video. "But who am I you ask? I am a student. I am a reader. I am a researcher. I am a music lover. ... I am Gabrielle Alias and I am excited for who I will be as a graduate of Babson."

An essay by Babson student Bessie Shiroki, seen below, describes her experience in the school's admissions office and how she immediately felt comfortable.

I immediately smiled at the sight of my favorite board game. Babsonopoly. I love the combination of strategy and luck in this traditional family pastime. Seeing this on the wall in the admissions office gave me immediate comfort; I knew I was home.

Shiroki describes what she felt set Babson College apart from other schools, such as being surrounded by "sophisticated and mature individuals" and a tight-knit, entrepreneurial environment that would help her reach her career goals.

It is natural for me to be in a small class where more than one language is spoken. I am accustomed to discussions with diverse viewpoints, open minds, and where differences are seen as advantages. I embrace my cultural uniqueness, and I will add my voice to the community. I can’t imagine not continuing this in college.

She notes that as she toured the campus and saw students studying, she could see herself as one of them, feeding off of their studious and entrepreneurial energy. She mentions that Babson's Foundations of Management and Entrepreneurship class got her attention immediately and she saw it as a launch pad for a future that included running a business.

Babson recognizes the potential of their students, and FME is a great way for young entrepreneurs like me to find our place in the business world and learn from our mistakes. I am capable of this challenge and will conquer it with tenacity. I will bring my dedication, commitment, and innovative skills to Babson College.

Now it’s my turn to pass go and collect my Babson acceptance letter. I’ve found my next challenge.

Babson College offers several tips for what make good essays, including a strong "hook" to engage the reader from the start and a topic that allows you to share something that's not as obvious on your application.

When it comes to writing a college admissions essay – whether personal or supplemental – experts advise students to follow these rules:

• Find your voice.
• Write about a topic that matters to you.
• Share your personality.
• Express yourself.
• Proofread extensively.

With both traditional essays and supplemental essays, Koh says it's best to write long and work with someone you trust to edit it down. Teachers, friends and parents can all be helpful proofreaders, but experts note that the student voice should remain intact.

A good editor can help edit a long essay to keep the main message but with fewer words. “If I see 400 words, I know I’m a dozen drafts away from getting it to 650,” he says. “If I see 1200 words, we might just be one or two away. It’s at least going to be a shorter haul.”

Strickler encourages students not to stress too much over the essay or put unnecessary weight on it as part of their college application . While a strong essay helps, he says, it doesn't make or break an application.

"There's this sense that you write the most amazing essay and it gets you over the top because it opens the door to the pathway to the Magic Kingdom," he says. "But it's just one piece of a myriad of pieces that allow us to get to know a particular student and help us figure out if they're a good fit and how they're going to contribute to our community."

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Choose Your Test

Sat / act prep online guides and tips, 177 college essay examples for 11 schools + expert analysis.

College Admissions , College Essays

The personal statement might just be the hardest part of your college application. Mostly this is because it has the least guidance and is the most open-ended. One way to understand what colleges are looking for when they ask you to write an essay is to check out the essays of students who already got in—college essays that actually worked. After all, they must be among the most successful of this weird literary genre.

In this article, I'll go through general guidelines for what makes great college essays great. I've also compiled an enormous list of 100+ actual sample college essays from 11 different schools. Finally, I'll break down two of these published college essay examples and explain why and how they work. With links to 177 full essays and essay excerpts , this article is a great resource for learning how to craft your own personal college admissions essay!

What Excellent College Essays Have in Common

Even though in many ways these sample college essays are very different from one other, they do share some traits you should try to emulate as you write your own essay.

Visible Signs of Planning

Building out from a narrow, concrete focus. You'll see a similar structure in many of the essays. The author starts with a very detailed story of an event or description of a person or place. After this sense-heavy imagery, the essay expands out to make a broader point about the author, and connects this very memorable experience to the author's present situation, state of mind, newfound understanding, or maturity level.

Knowing how to tell a story. Some of the experiences in these essays are one-of-a-kind. But most deal with the stuff of everyday life. What sets them apart is the way the author approaches the topic: analyzing it for drama and humor, for its moving qualities, for what it says about the author's world, and for how it connects to the author's emotional life.

Stellar Execution

A killer first sentence. You've heard it before, and you'll hear it again: you have to suck the reader in, and the best place to do that is the first sentence. Great first sentences are punchy. They are like cliffhangers, setting up an exciting scene or an unusual situation with an unclear conclusion, in order to make the reader want to know more. Don't take my word for it—check out these 22 first sentences from Stanford applicants and tell me you don't want to read the rest of those essays to find out what happens!

A lively, individual voice. Writing is for readers. In this case, your reader is an admissions officer who has read thousands of essays before yours and will read thousands after. Your goal? Don't bore your reader. Use interesting descriptions, stay away from clichés, include your own offbeat observations—anything that makes this essay sounds like you and not like anyone else.

Technical correctness. No spelling mistakes, no grammar weirdness, no syntax issues, no punctuation snafus—each of these sample college essays has been formatted and proofread perfectly. If this kind of exactness is not your strong suit, you're in luck! All colleges advise applicants to have their essays looked over several times by parents, teachers, mentors, and anyone else who can spot a comma splice. Your essay must be your own work, but there is absolutely nothing wrong with getting help polishing it.

And if you need more guidance, connect with PrepScholar's expert admissions consultants . These expert writers know exactly what college admissions committees look for in an admissions essay and chan help you craft an essay that boosts your chances of getting into your dream school.

Check out PrepScholar's Essay Editing and Coaching progra m for more details!

Links to Full College Essay Examples

Some colleges publish a selection of their favorite accepted college essays that worked, and I've put together a selection of over 100 of these.

Common App Essay Samples

Please note that some of these college essay examples may be responding to prompts that are no longer in use. The current Common App prompts are as follows:

1. Some students have a background, identity, interest, or talent that is so meaningful they believe their application would be incomplete without it. If this sounds like you, then please share your story. 2. The lessons we take from obstacles we encounter can be fundamental to later success. Recount a time when you faced a challenge, setback, or failure. How did it affect you, and what did you learn from the experience? 3. Reflect on a time when you questioned or challenged a belief or idea. What prompted your thinking? What was the outcome? 4. Reflect on something that someone has done for you that has made you happy or thankful in a surprising way. How has this gratitude affected or motivated you? 5. Discuss an accomplishment, event, or realization that sparked a period of personal growth and a new understanding of yourself or others. 6. Describe a topic, idea, or concept you find so engaging that it makes you lose all track of time. Why does it captivate you? What or who do you turn to when you want to learn more?

7. Share an essay on any topic of your choice. It can be one you've already written, one that responds to a different prompt, or one of your own design.

Now, let's get to the good stuff: the list of 177 college essay examples responding to current and past Common App essay prompts. 

Connecticut college.

• 12 Common Application essays from the classes of 2022-2025

Hamilton College

• 7 Common Application essays from the class of 2026
• 7 Common Application essays from the class of 2022
• 7 Common Application essays from the class of 2018
• 8 Common Application essays from the class of 2012
• 8 Common Application essays from the class of 2007

Johns Hopkins

These essays are answers to past prompts from either the Common Application or the Coalition Application (which Johns Hopkins used to accept).

• 1 Common Application or Coalition Application essay from the class of 2026
• 6 Common Application or Coalition Application essays from the class of 2025
• 6 Common Application or Universal Application essays from the class of 2024
• 6 Common Application or Universal Application essays from the class of 2023
• 7 Common Application of Universal Application essays from the class of 2022
• 5 Common Application or Universal Application essays from the class of 2021
• 7 Common Application or Universal Application essays from the class of 2020

Essay Examples Published by Other Websites

• 2 Common Application essays ( 1st essay , 2nd essay ) from applicants admitted to Columbia

Other Sample College Essays

Here is a collection of essays that are college-specific.

Babson College

• 4 essays (and 1 video response) on "Why Babson" from the class of 2020

Emory University

• 5 essay examples ( 1 , 2 , 3 , 4 , 5 ) from the class of 2020 along with analysis from Emory admissions staff on why the essays were exceptional
• 5 more recent essay examples ( 1 , 2 , 3 , 4 , 5 ) along with analysis from Emory admissions staff on what made these essays stand out

University of Georgia

• 1 “strong essay” sample from 2019
• 1 “strong essay” sample from 2018
• 10 Harvard essays from 2023
• 10 Harvard essays from 2022
• 10 Harvard essays from 2021
• 10 Harvard essays from 2020
• 10 Harvard essays from 2019
• 10 Harvard essays from 2018
• 6 essays from admitted MIT students

Smith College

• 6 "best gift" essays from the class of 2018

Books of College Essays

If you're looking for even more sample college essays, consider purchasing a college essay book. The best of these include dozens of essays that worked and feedback from real admissions officers.

College Essays That Made a Difference —This detailed guide from Princeton Review includes not only successful essays, but also interviews with admissions officers and full student profiles.

50 Successful Harvard Application Essays by the Staff of the Harvard Crimson—A must for anyone aspiring to Harvard .

50 Successful Ivy League Application Essays and 50 Successful Stanford Application Essays by Gen and Kelly Tanabe—For essays from other top schools, check out this venerated series, which is regularly updated with new essays.

Heavenly Essays by Janine W. Robinson—This collection from the popular blogger behind Essay Hell includes a wider range of schools, as well as helpful tips on honing your own essay.

Analyzing Great Common App Essays That Worked

I've picked two essays from the examples collected above to examine in more depth so that you can see exactly what makes a successful college essay work. Full credit for these essays goes to the original authors and the schools that published them.

Example 1: "Breaking Into Cars," by Stephen, Johns Hopkins Class of '19 (Common App Essay, 636 words long)

I had never broken into a car before.

We were in Laredo, having just finished our first day at a Habitat for Humanity work site. The Hotchkiss volunteers had already left, off to enjoy some Texas BBQ, leaving me behind with the college kids to clean up. Not until we were stranded did we realize we were locked out of the van.

Someone picked a coat hanger out of the dumpster, handed it to me, and took a few steps back.

"Can you do that thing with a coat hanger to unlock it?"

"Why me?" I thought.

More out of amusement than optimism, I gave it a try. I slid the hanger into the window's seal like I'd seen on crime shows, and spent a few minutes jiggling the apparatus around the inside of the frame. Suddenly, two things simultaneously clicked. One was the lock on the door. (I actually succeeded in springing it.) The other was the realization that I'd been in this type of situation before. In fact, I'd been born into this type of situation.

My upbringing has numbed me to unpredictability and chaos. With a family of seven, my home was loud, messy, and spottily supervised. My siblings arguing, the dog barking, the phone ringing—all meant my house was functioning normally. My Dad, a retired Navy pilot, was away half the time. When he was home, he had a parenting style something like a drill sergeant. At the age of nine, I learned how to clear burning oil from the surface of water. My Dad considered this a critical life skill—you know, in case my aircraft carrier should ever get torpedoed. "The water's on fire! Clear a hole!" he shouted, tossing me in the lake without warning. While I'm still unconvinced about that particular lesson's practicality, my Dad's overarching message is unequivocally true: much of life is unexpected, and you have to deal with the twists and turns.

Living in my family, days rarely unfolded as planned. A bit overlooked, a little pushed around, I learned to roll with reality, negotiate a quick deal, and give the improbable a try. I don't sweat the small stuff, and I definitely don't expect perfect fairness. So what if our dining room table only has six chairs for seven people? Someone learns the importance of punctuality every night.

But more than punctuality and a special affinity for musical chairs, my family life has taught me to thrive in situations over which I have no power. Growing up, I never controlled my older siblings, but I learned how to thwart their attempts to control me. I forged alliances, and realigned them as necessary. Sometimes, I was the poor, defenseless little brother; sometimes I was the omniscient elder. Different things to different people, as the situation demanded. I learned to adapt.

Back then, these techniques were merely reactions undertaken to ensure my survival. But one day this fall, Dr. Hicks, our Head of School, asked me a question that he hoped all seniors would reflect on throughout the year: "How can I participate in a thing I do not govern, in the company of people I did not choose?"

The question caught me off guard, much like the question posed to me in Laredo. Then, I realized I knew the answer. I knew why the coat hanger had been handed to me.

Growing up as the middle child in my family, I was a vital participant in a thing I did not govern, in the company of people I did not choose. It's family. It's society. And often, it's chaos. You participate by letting go of the small stuff, not expecting order and perfection, and facing the unexpected with confidence, optimism, and preparedness. My family experience taught me to face a serendipitous world with confidence.

What Makes This Essay Tick?

It's very helpful to take writing apart in order to see just how it accomplishes its objectives. Stephen's essay is very effective. Let's find out why!

An Opening Line That Draws You In

In just eight words, we get: scene-setting (he is standing next to a car about to break in), the idea of crossing a boundary (he is maybe about to do an illegal thing for the first time), and a cliffhanger (we are thinking: is he going to get caught? Is he headed for a life of crime? Is he about to be scared straight?).

Great, Detailed Opening Story

More out of amusement than optimism, I gave it a try. I slid the hanger into the window's seal like I'd seen on crime shows, and spent a few minutes jiggling the apparatus around the inside of the frame.

It's the details that really make this small experience come alive. Notice how whenever he can, Stephen uses a more specific, descriptive word in place of a more generic one. The volunteers aren't going to get food or dinner; they're going for "Texas BBQ." The coat hanger comes from "a dumpster." Stephen doesn't just move the coat hanger—he "jiggles" it.

Details also help us visualize the emotions of the people in the scene. The person who hands Stephen the coat hanger isn't just uncomfortable or nervous; he "takes a few steps back"—a description of movement that conveys feelings. Finally, the detail of actual speech makes the scene pop. Instead of writing that the other guy asked him to unlock the van, Stephen has the guy actually say his own words in a way that sounds like a teenager talking.

Turning a Specific Incident Into a Deeper Insight

Suddenly, two things simultaneously clicked. One was the lock on the door. (I actually succeeded in springing it.) The other was the realization that I'd been in this type of situation before. In fact, I'd been born into this type of situation.

Stephen makes the locked car experience a meaningful illustration of how he has learned to be resourceful and ready for anything, and he also makes this turn from the specific to the broad through an elegant play on the two meanings of the word "click."

Using Concrete Examples When Making Abstract Claims

My upbringing has numbed me to unpredictability and chaos. With a family of seven, my home was loud, messy, and spottily supervised. My siblings arguing, the dog barking, the phone ringing—all meant my house was functioning normally.

"Unpredictability and chaos" are very abstract, not easily visualized concepts. They could also mean any number of things—violence, abandonment, poverty, mental instability. By instantly following up with highly finite and unambiguous illustrations like "family of seven" and "siblings arguing, the dog barking, the phone ringing," Stephen grounds the abstraction in something that is easy to picture: a large, noisy family.

Using Small Bits of Humor and Casual Word Choice

My Dad, a retired Navy pilot, was away half the time. When he was home, he had a parenting style something like a drill sergeant. At the age of nine, I learned how to clear burning oil from the surface of water. My Dad considered this a critical life skill—you know, in case my aircraft carrier should ever get torpedoed.

Obviously, knowing how to clean burning oil is not high on the list of things every 9-year-old needs to know. To emphasize this, Stephen uses sarcasm by bringing up a situation that is clearly over-the-top: "in case my aircraft carrier should ever get torpedoed."

The humor also feels relaxed. Part of this is because he introduces it with the colloquial phrase "you know," so it sounds like he is talking to us in person. This approach also diffuses the potential discomfort of the reader with his father's strictness—since he is making jokes about it, clearly he is OK. Notice, though, that this doesn't occur very much in the essay. This helps keep the tone meaningful and serious rather than flippant.

An Ending That Stretches the Insight Into the Future

But one day this fall, Dr. Hicks, our Head of School, asked me a question that he hoped all seniors would reflect on throughout the year: "How can I participate in a thing I do not govern, in the company of people I did not choose?"

The ending of the essay reveals that Stephen's life has been one long preparation for the future. He has emerged from chaos and his dad's approach to parenting as a person who can thrive in a world that he can't control.

This connection of past experience to current maturity and self-knowledge is a key element in all successful personal essays. Colleges are very much looking for mature, self-aware applicants. These are the qualities of successful college students, who will be able to navigate the independence college classes require and the responsibility and quasi-adulthood of college life.

What Could This Essay Do Even Better?

Even the best essays aren't perfect, and even the world's greatest writers will tell you that writing is never "finished"—just "due." So what would we tweak in this essay if we could?

Replace some of the clichéd language. Stephen uses handy phrases like "twists and turns" and "don't sweat the small stuff" as a kind of shorthand for explaining his relationship to chaos and unpredictability. But using too many of these ready-made expressions runs the risk of clouding out your own voice and replacing it with something expected and boring.

Use another example from recent life. Stephen's first example (breaking into the van in Laredo) is a great illustration of being resourceful in an unexpected situation. But his essay also emphasizes that he "learned to adapt" by being "different things to different people." It would be great to see how this plays out outside his family, either in the situation in Laredo or another context.

Example 2: By Renner Kwittken, Tufts Class of '23 (Common App Essay, 645 words long)

My first dream job was to be a pickle truck driver. I saw it in my favorite book, Richard Scarry's "Cars and Trucks and Things That Go," and for some reason, I was absolutely obsessed with the idea of driving a giant pickle. Much to the discontent of my younger sister, I insisted that my parents read us that book as many nights as possible so we could find goldbug, a small little golden bug, on every page. I would imagine the wonderful life I would have: being a pig driving a giant pickle truck across the country, chasing and finding goldbug. I then moved on to wanting to be a Lego Master. Then an architect. Then a surgeon.

Then I discovered a real goldbug: gold nanoparticles that can reprogram macrophages to assist in killing tumors, produce clear images of them without sacrificing the subject, and heat them to obliteration.

Suddenly the destination of my pickle was clear.

I quickly became enveloped by the world of nanomedicine; I scoured articles about liposomes, polymeric micelles, dendrimers, targeting ligands, and self-assembling nanoparticles, all conquering cancer in some exotic way. Completely absorbed, I set out to find a mentor to dive even deeper into these topics. After several rejections, I was immensely grateful to receive an invitation to work alongside Dr. Sangeeta Ray at Johns Hopkins.

In the lab, Dr. Ray encouraged a great amount of autonomy to design and implement my own procedures. I chose to attack a problem that affects the entire field of nanomedicine: nanoparticles consistently fail to translate from animal studies into clinical trials. Jumping off recent literature, I set out to see if a pre-dose of a common chemotherapeutic could enhance nanoparticle delivery in aggressive prostate cancer, creating three novel constructs based on three different linear polymers, each using fluorescent dye (although no gold, sorry goldbug!). Though using radioactive isotopes like Gallium and Yttrium would have been incredible, as a 17-year-old, I unfortunately wasn't allowed in the same room as these radioactive materials (even though I took a Geiger counter to a pair of shoes and found them to be slightly dangerous).

I hadn't expected my hypothesis to work, as the research project would have ideally been led across two full years. Yet while there are still many optimizations and revisions to be done, I was thrilled to find -- with completely new nanoparticles that may one day mean future trials will use particles with the initials "RK-1" -- thatcyclophosphamide did indeed increase nanoparticle delivery to the tumor in a statistically significant way.

A secondary, unexpected research project was living alone in Baltimore, a new city to me, surrounded by people much older than I. Even with moving frequently between hotels, AirBnB's, and students' apartments, I strangely reveled in the freedom I had to enjoy my surroundings and form new friendships with graduate school students from the lab. We explored The Inner Harbor at night, attended a concert together one weekend, and even got to watch the Orioles lose (to nobody's surprise). Ironically, it's through these new friendships I discovered something unexpected: what I truly love is sharing research. Whether in a presentation or in a casual conversation, making others interested in science is perhaps more exciting to me than the research itself. This solidified a new pursuit to angle my love for writing towards illuminating science in ways people can understand, adding value to a society that can certainly benefit from more scientific literacy.

It seems fitting that my goals are still transforming: in Scarry's book, there is not just one goldbug, there is one on every page. With each new experience, I'm learning that it isn't the goldbug itself, but rather the act of searching for the goldbugs that will encourage, shape, and refine my ever-evolving passions. Regardless of the goldbug I seek -- I know my pickle truck has just begun its journey.

Renner takes a somewhat different approach than Stephen, but their essay is just as detailed and engaging. Let's go through some of the strengths of this essay.

One Clear Governing Metaphor

This essay is ultimately about two things: Renner’s dreams and future career goals, and Renner’s philosophy on goal-setting and achieving one’s dreams.

But instead of listing off all the amazing things they’ve done to pursue their dream of working in nanomedicine, Renner tells a powerful, unique story instead. To set up the narrative, Renner opens the essay by connecting their experiences with goal-setting and dream-chasing all the way back to a memorable childhood experience:

This lighthearted–but relevant!--story about the moment when Renner first developed a passion for a specific career (“finding the goldbug”) provides an anchor point for the rest of the essay. As Renner pivots to describing their current dreams and goals–working in nanomedicine–the metaphor of “finding the goldbug” is reflected in Renner’s experiments, rejections, and new discoveries.

Though Renner tells multiple stories about their quest to “find the goldbug,” or, in other words, pursue their passion, each story is connected by a unifying theme; namely, that as we search and grow over time, our goals will transform…and that’s okay! By the end of the essay, Renner uses the metaphor of “finding the goldbug” to reiterate the relevance of the opening story:

While the earlier parts of the essay convey Renner’s core message by showing, the final, concluding paragraph sums up Renner’s insights by telling. By briefly and clearly stating the relevance of the goldbug metaphor to their own philosophy on goals and dreams, Renner demonstrates their creativity, insight, and eagerness to grow and evolve as the journey continues into college.

An Engaging, Individual Voice

This essay uses many techniques that make Renner sound genuine and make the reader feel like we already know them.

Technique #1: humor. Notice Renner's gentle and relaxed humor that lightly mocks their younger self's grand ambitions (this is different from the more sarcastic kind of humor used by Stephen in the first essay—you could never mistake one writer for the other).

My first dream job was to be a pickle truck driver.

I would imagine the wonderful life I would have: being a pig driving a giant pickle truck across the country, chasing and finding goldbug. I then moved on to wanting to be a Lego Master. Then an architect. Then a surgeon.

Renner gives a great example of how to use humor to your advantage in college essays. You don’t want to come off as too self-deprecating or sarcastic, but telling a lightheartedly humorous story about your younger self that also showcases how you’ve grown and changed over time can set the right tone for your entire essay.

Technique #2: intentional, eye-catching structure. The second technique is the way Renner uses a unique structure to bolster the tone and themes of their essay . The structure of your essay can have a major impact on how your ideas come across…so it’s important to give it just as much thought as the content of your essay!

For instance, Renner does a great job of using one-line paragraphs to create dramatic emphasis and to make clear transitions from one phase of the story to the next:

Suddenly the destination of my pickle car was clear.

Not only does the one-liner above signal that Renner is moving into a new phase of the narrative (their nanoparticle research experiences), it also tells the reader that this is a big moment in Renner’s story. It’s clear that Renner made a major discovery that changed the course of their goal pursuit and dream-chasing. Through structure, Renner conveys excitement and entices the reader to keep pushing forward to the next part of the story.

Technique #3: playing with syntax. The third technique is to use sentences of varying length, syntax, and structure. Most of the essay's written in standard English and uses grammatically correct sentences. However, at key moments, Renner emphasizes that the reader needs to sit up and pay attention by switching to short, colloquial, differently punctuated, and sometimes fragmented sentences.

Even with moving frequently between hotels, AirBnB's, and students' apartments, I strangely reveled in the freedom I had to enjoy my surroundings and form new friendships with graduate school students from the lab. We explored The Inner Harbor at night, attended a concert together one weekend, and even got to watch the Orioles lose (to nobody's surprise). Ironically, it's through these new friendships I discovered something unexpected: what I truly love is sharing research.

In the examples above, Renner switches adeptly between long, flowing sentences and quippy, telegraphic ones. At the same time, Renner uses these different sentence lengths intentionally. As they describe their experiences in new places, they use longer sentences to immerse the reader in the sights, smells, and sounds of those experiences. And when it’s time to get a big, key idea across, Renner switches to a short, punchy sentence to stop the reader in their tracks.

The varying syntax and sentence lengths pull the reader into the narrative and set up crucial “aha” moments when it’s most important…which is a surefire way to make any college essay stand out.

Renner's essay is very strong, but there are still a few little things that could be improved.

Connecting the research experiences to the theme of “finding the goldbug.”  The essay begins and ends with Renner’s connection to the idea of “finding the goldbug.” And while this metaphor is deftly tied into the essay’s intro and conclusion, it isn’t entirely clear what Renner’s big findings were during the research experiences that are described in the middle of the essay. It would be great to add a sentence or two stating what Renner’s big takeaways (or “goldbugs”) were from these experiences, which add more cohesion to the essay as a whole.

Give more details about discovering the world of nanomedicine. It makes sense that Renner wants to get into the details of their big research experiences as quickly as possible. After all, these are the details that show Renner’s dedication to nanomedicine! But a smoother transition from the opening pickle car/goldbug story to Renner’s “real goldbug” of nanoparticles would help the reader understand why nanoparticles became Renner’s goldbug. Finding out why Renner is so motivated to study nanomedicine–and perhaps what put them on to this field of study–would help readers fully understand why Renner chose this path in the first place.

4 Essential Tips for Writing Your Own Essay

How can you use this discussion to better your own college essay? Here are some suggestions for ways to use this resource effectively.

#1: Get Help From the Experts

Getting your college applications together takes a lot of work and can be pretty intimidatin g. Essays are even more important than ever now that admissions processes are changing and schools are going test-optional and removing diversity standards thanks to new Supreme Court rulings .  If you want certified expert help that really makes a difference, get started with  PrepScholar’s Essay Editing and Coaching program. Our program can help you put together an incredible essay from idea to completion so that your application stands out from the crowd. We've helped students get into the best colleges in the United States, including Harvard, Stanford, and Yale.  If you're ready to take the next step and boost your odds of getting into your dream school, connect with our experts today .

#2: Read Other Essays to Get Ideas for Your Own

As you go through the essays we've compiled for you above, ask yourself the following questions:

• Can you explain to yourself (or someone else!) why the opening sentence works well?
• Look for the essay's detailed personal anecdote. What senses is the author describing? Can you easily picture the scene in your mind's eye?
• Find the place where this anecdote bridges into a larger insight about the author. How does the essay connect the two? How does the anecdote work as an example of the author's characteristic, trait, or skill?
• Check out the essay's tone. If it's funny, can you find the places where the humor comes from? If it's sad and moving, can you find the imagery and description of feelings that make you moved? If it's serious, can you see how word choice adds to this tone?

Make a note whenever you find an essay or part of an essay that you think was particularly well-written, and think about what you like about it . Is it funny? Does it help you really get to know the writer? Does it show what makes the writer unique? Once you have your list, keep it next to you while writing your essay to remind yourself to try and use those same techniques in your own essay.

#3: Find Your "A-Ha!" Moment

All of these essays rely on connecting with the reader through a heartfelt, highly descriptive scene from the author's life. It can either be very dramatic (did you survive a plane crash?) or it can be completely mundane (did you finally beat your dad at Scrabble?). Either way, it should be personal and revealing about you, your personality, and the way you are now that you are entering the adult world.

Check out essays by authors like John Jeremiah Sullivan , Leslie Jamison , Hanif Abdurraqib , and Esmé Weijun Wang to get more examples of how to craft a compelling personal narrative.

#4: Start Early, Revise Often

Let me level with you: the best writing isn't writing at all. It's rewriting. And in order to have time to rewrite, you have to start way before the application deadline. My advice is to write your first draft at least two months before your applications are due.

Let it sit for a few days untouched. Then come back to it with fresh eyes and think critically about what you've written. What's extra? What's missing? What is in the wrong place? What doesn't make sense? Don't be afraid to take it apart and rearrange sections. Do this several times over, and your essay will be much better for it!

For more editing tips, check out a style guide like Dreyer's English or Eats, Shoots & Leaves .

What's Next?

Still not sure which colleges you want to apply to? Our experts will show you how to make a college list that will help you choose a college that's right for you.

Interested in learning more about college essays? Check out our detailed breakdown of exactly how personal statements work in an application , some suggestions on what to avoid when writing your essay , and our guide to writing about your extracurricular activities .

Working on the rest of your application? Read what admissions officers wish applicants knew before applying .

The recommendations in this post are based solely on our knowledge and experience. If you purchase an item through one of our links PrepScholar may receive a commission.

Anna scored in the 99th percentile on her SATs in high school, and went on to major in English at Princeton and to get her doctorate in English Literature at Columbia. She is passionate about improving student access to higher education.

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Family History College Essays Samples For Students

46 samples of this type

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Genomic Counselling And Its Associated Uncertainty Essay To Use For Practical Writing Help

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{Author Name [first-name middle-name-initials last-name]} {Institution Affiliation [name of Author’s institute]}

Health History and Physical Examination

A 50 years old American Male comes to the hospital with angina-like symptoms. Subjective Data Demographic data: There exists a risk of cardiovascular ailments or malfunctioning. The patient is an IT professional with long sitting schedules.

Reason for care: The patient was admitted to the emergency ward due to the severity of the pain 6 days back.

Hypertrophic cardiomyopathy essay samples.

A 16-year-old male was seen for routine physical exam for sports participation clearance. States he feels well today and past medical history is non-contributory. Upon exam, all systems are within normal limits with the exception of a cardiovascular murmur, loudest over the apex, grade II/IV systolic. Patient denies current or previous cardiac symptoms. Denies family history of cardiovascular disease or sudden cardiac death.

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This essay critically examines the nature of duchenne muscular dystrophy. The condition, affecting 1 out of 3,600 boys, is an inheritable disorder arising due to mutation of the dystrophin gene. To a great extent, duchenne muscular dystrophy can be effectively managed by controlling the symptoms that lead to its development. However, currently, there is no cure for the condition, but with advances in medical technology there is hope for a complete control of the disease through gene therapy.

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Care Plan Subjective MK, the patient presents with a chief complaint of decreased urinary flow but has also had troublesome nocturia for the last two weeks as well as significant terminal dysuria. History of present illness: Patients states that in the past day he has had significant difficulties especially in starting his urine flow and this has affected his ability to enrage in normal daily activities. Patient denies radiating pain. Patient history: Patient has had a history of hypertension, hypercholesterolemia, costochondritis, as well as suspected angina characterized by chest wall syndrome which was however treated.

Significant family history: There is also a probable positive family history for cardiovascular or heart diseases

Draw topic & writing ideas from this essay on advanced writing, good example of approach to care essay.

Cancer is not a new disease. For many years, people had been suffering from it. While there are many clinical trials on their way, cancer remains to put people in misery and pain. As such, it is important to have a definitive knowledge of cancer. The knowledge of cancer should cover its diagnosis, treatment, complications, and how all of its physical and physiological consequences may be minimized. Furthermore, this paper will cover all of the aforementioned knowledge regarding cancer and describe the approach to the care of cancer patients.

Autoimmune Reactions Essays Examples

What is the possible disease process according to the client’s history.

Based on the client’s history, the patient has been experiencing frequent colds, especially in the springs and falls. This is an indication of a type of hypersensitivity to the allergens being propagated by colds and chilly conditions. On exposure to these allergens, the patient’s the body reacts with the various manifestations such as itchy eyes, nasal congestion with watery nasal discharge and a tickling cough at night which however do disappear with the elimination of the allergen,. However, upon subsequent exposure, these symptoms reoccur.

What assessment questions would be useful to ask about her medical and family history?

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Women’s Health / Primary Care SOAP Age Range: 20-30 Gender: Female Occupation: Home maker. Subjective: ID: M.M.

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Reason for seeking Care (CC): Patient states “I have missed last two menstrual cycles of mine. I just need to confirm if I am pregnant.” History of Present Illness: Patient is a 29-year-old Asian female with no significant medical illness in the past history. Patient is a new patient to the clinic, and has come to confirm if she is pregnant. Travel History past 30 days: Patient has returned from a trip to her home land last week..

Current Medications: She uses some Homoeopathic medicines for constipation and heartburn sometimes.

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ENTER TITLE/TYPE OF YOUR REPORT [OPTIONAL] DSM-5 Case Number: F 32.1 MDD single episode. Moderate

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Presenting Problems

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The given study involves a 25-year old girl who has met with an accident and fell off the bike on a mountain her right side, while jumping over a curb and presents with a significantly large abrasion and ecchymotic area on the right thigh. She reports to have been wearing her helmet and no loss of consciousness and absence of any swelling. The patient may be evaluated and diagnosed for occurrence of musculoskeletal disorder for pain in her hip, arms and thigh.

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Women’s Health / Primary Care SOAP Age Range: 25- 30 Gender: Female Occupation: Receptionist Subjective: ID: M.L.

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Reason for seeking Care (CC): Complaint of heaviness and pain in the left breast on and off since the last 4 months. History of Present Illness: Not applicable. No history of change in surgical, medical or family history.

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Inspiring Essay About Upper Respiratory System Infections Pamphlet

Upper respiratory disease is a term that encompasses acute infections ranging from the benign common cold to life-threatening conditions (e.g., epiglottitis). Cases of upper respiratory disease are easy to recognize because the patients will complain about the following symptoms (Centers for Disease Control and Prevention [CDC], 2016):

Runny nose (always)

Sore throat (always) Coughing (common, usually in cases of viral etiology) Sneezing (common, usually in cases of viral etiology) Other symptoms depend on the patient’s age, medical history, and the pathogen causing the infection, so it is important to conduct a thorough assessment which consists of the following steps:

Interview the patient.

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(Insert Instructor) (Insert Course) (Insert Date)

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Breast cancer is the most common type of cancer found in women, second only to melanoma. Although breast cancer occurs in both men and women it is far more frequently diagnosed in women. Increased awareness and support for breast cancer on a community and national level as improved the ability to detect breast cancer early, and to diagnose type of cancer accurately and quickly has led to new treatments and increased survival rates.

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What I’ve Learned From My Students’ College Essays

The genre is often maligned for being formulaic and melodramatic, but it’s more important than you think.

By Nell Freudenberger

Most high school seniors approach the college essay with dread. Either their upbringing hasn’t supplied them with several hundred words of adversity, or worse, they’re afraid that packaging the genuine trauma they’ve experienced is the only way to secure their future. The college counselor at the Brooklyn high school where I’m a writing tutor advises against trauma porn. “Keep it brief , ” she says, “and show how you rose above it.”

I started volunteering in New York City schools in my 20s, before I had kids of my own. At the time, I liked hanging out with teenagers, whom I sometimes had more interesting conversations with than I did my peers. Often I worked with students who spoke English as a second language or who used slang in their writing, and at first I was hung up on grammar. Should I correct any deviation from “standard English” to appeal to some Wizard of Oz behind the curtains of a college admissions office? Or should I encourage students to write the way they speak, in pursuit of an authentic voice, that most elusive of literary qualities?

In fact, I was missing the point. One of many lessons the students have taught me is to let the story dictate the voice of the essay. A few years ago, I worked with a boy who claimed to have nothing to write about. His life had been ordinary, he said; nothing had happened to him. I asked if he wanted to try writing about a family member, his favorite school subject, a summer job? He glanced at his phone, his posture and expression suggesting that he’d rather be anywhere but in front of a computer with me. “Hobbies?” I suggested, without much hope. He gave me a shy glance. “I like to box,” he said.

I’ve had this experience with reluctant writers again and again — when a topic clicks with a student, an essay can unfurl spontaneously. Of course the primary goal of a college essay is to help its author get an education that leads to a career. Changes in testing policies and financial aid have made applying to college more confusing than ever, but essays have remained basically the same. I would argue that they’re much more than an onerous task or rote exercise, and that unlike standardized tests they are infinitely variable and sometimes beautiful. College essays also provide an opportunity to learn precision, clarity and the process of working toward the truth through multiple revisions.

When a topic clicks with a student, an essay can unfurl spontaneously.

Even if writing doesn’t end up being fundamental to their future professions, students learn to choose language carefully and to be suspicious of the first words that come to mind. Especially now, as college students shoulder so much of the country’s ethical responsibility for war with their protest movement, essay writing teaches prospective students an increasingly urgent lesson: that choosing their own words over ready-made phrases is the only reliable way to ensure they’re thinking for themselves.

Teenagers are ideal writers for several reasons. They’re usually free of preconceptions about writing, and they tend not to use self-consciously ‘‘literary’’ language. They’re allergic to hypocrisy and are generally unfiltered: They overshare, ask personal questions and call you out for microaggressions as well as less egregious (but still mortifying) verbal errors, such as referring to weed as ‘‘pot.’’ Most important, they have yet to put down their best stories in a finished form.

I can imagine an essay taking a risk and distinguishing itself formally — a poem or a one-act play — but most kids use a more straightforward model: a hook followed by a narrative built around “small moments” that lead to a concluding lesson or aspiration for the future. I never get tired of working with students on these essays because each one is different, and the short, rigid form sometimes makes an emotional story even more powerful. Before I read Javier Zamora’s wrenching “Solito,” I worked with a student who had been transported by a coyote into the U.S. and was reunited with his mother in the parking lot of a big-box store. I don’t remember whether this essay focused on specific skills or coping mechanisms that he gained from his ordeal. I remember only the bliss of the parent-and-child reunion in that uninspiring setting. If I were making a case to an admissions officer, I would suggest that simply being able to convey that experience demonstrates the kind of resilience that any college should admire.

The essays that have stayed with me over the years don’t follow a pattern. There are some narratives on very predictable topics — living up to the expectations of immigrant parents, or suffering from depression in 2020 — that are moving because of the attention with which the student describes the experience. One girl determined to become an engineer while watching her father build furniture from scraps after work; a boy, grieving for his mother during lockdown, began taking pictures of the sky.

If, as Lorrie Moore said, “a short story is a love affair; a novel is a marriage,” what is a college essay? Every once in a while I sit down next to a student and start reading, and I have to suppress my excitement, because there on the Google Doc in front of me is a real writer’s voice. One of the first students I ever worked with wrote about falling in love with another girl in dance class, the absolute magic of watching her move and the terror in the conflict between her feelings and the instruction of her religious middle school. She made me think that college essays are less like love than limerence: one-sided, obsessive, idiosyncratic but profound, the first draft of the most personal story their writers will ever tell.

Nell Freudenberger’s novel “The Limits” was published by Knopf last month. She volunteers through the PEN America Writers in the Schools program.

A Family Story About Colonialism and Its Aftereffects

Claire Messud tells a complicated and ambivalent tale about her French family’s history in Algeria.

To tell a story is to place a frame around wayward events. The storyteller points to scenes unfolding within the frame and says, This is important. The implication is that what transpires beyond those borders is less consequential, or not so at all. Susan Sontag offered a similar assessment in one of the final speeches she gave before her death: “To tell a story is to say: This is the important story. It is to reduce the spread and simultaneity of everything to something linear, a path.”

In the United States, many of our recent cultural battles about history are actually conflicts over where to place the frame. Does the American story start with a group of English pilgrims who landed at Plymouth in 1620? Or with the arrival of slaves at the British colony of Virginia a year before? Should we merely admire an ancient artifact we encounter in a museum, or extend our imagination to consider how it came to be there in the first place? In many fields—artistic, historical, political—people find themselves on opposite sides of a widening divide: those who believe that the frames we’ve inherited capture reality effectively, and those who believe that they must be expanded, adjusted, or perhaps jettisoned altogether.

Claire Messud’s latest novel, This Strange Eventful History , can be read in the context of this cultural shift. In many ways, it is a traditional tale, a multigenerational narrative that stretches from 1927 to 2010, and takes place across multiple continents, following the life and times of the Cassars. They are a French family from Algeria, part of the large expatriate community that arrived with the colonization of the country starting in 1830 and became known as pieds-noirs . (The novel, as Messud reveals in her author’s note, is based on her own family history.)

The pieds-noirs owed their presence to a conflict between France and Algeria tracing back to 1827. As a character in Messud’s novel puts it: “Basically, France owed a good deal of money to Hussein Dey, the Algerian leader, and rather than pay it, especially after he insulted us by hitting our consul with a fly whisk, we invaded the country.” The Indigenous population endured brutal treatment from the French (famously documented by Frantz Fanon in A Dying Colonialism ) and eventually instigated a revolution in 1954. The conflict raged until 1962, when Algeria achieved independence.

Read: The patron saint of political violence

This Strange Eventful History is set, at least initially, against this backdrop, and its contours suggest a story that has been told by many artists, such as Graham Greene in The Heart of the Matter and Sydney Pollack in the film adaptation of the memoir Out of Africa : an elaborate narrative about the travails of a relatively privileged colonial family whose members feel both connected to and estranged from the distant metropole. In these stories, the native people, living just beyond the borders of the frame, remain unacknowledged, or appear intermittently as background characters. Yet at the outset of her book, Messud hints at her intention to gently expand the limits of her novel to include perspectives that are not central to her story but nevertheless shape the lives and world of her main characters. Throughout this unfailingly ambitious work, Messud oscillates between modes, from a saga about a family that is defined by the loss of their adopted home to one that, in fits and starts, moves beyond the confines of its frame.

Perhaps the most revealing aspect of This Strange Eventful History is Messud’s seeming ambivalence about how to start it. The prologue announces her theory of storytelling through Chloe, the novel’s narrator and the character who serves as Messud’s stand-in. In a formulation that seems to contradict Sontag’s, Chloe says: “A story is not a line; it is a richer thing, one that circles and eddies, rises and falls, repeats upon itself.” She then describes how this perspective complicates her work: “And so this story—the story of my family—has many possible beginnings, or none … all and each a part of the vast and intricate web. Any version only partial.”

Messud passes back and forth before several possible doors through which she might enter her novel, all of them entryways to potentially rich and meaningful stories. The door that she spends the most time considering opens to her family’s remorse about its past and origins:

I could begin with the secrets and shame, the ineffable shame that in telling their story I would wish at last to heal. The shame of the family history, of the history into which we were born. (How to forget that after attending the birth of his first grandson, my father, elderly then, tripped on the curb and fell in the street, a toppled mountain, and as he lay with the white down of his near-bald head in the gutter’s muck he muttered not “Help me” but “I’m sorry, I’m sorry, I’m sorry”?)

It’s an arresting scene; the elderly man, brought low by gravity and maybe guilt as well, seems to be arriving at a kind of end-of-life awareness—if not comprehension of his direct culpability for the history into which he was born, then, perhaps, a flicker of understanding that his relative comfort might have come at the expense of others. Yet Messud-as-Chloe does not elaborate, and quickly moves on. This is emblematic of her approach throughout the novel; she does not focus solely on the story of the colonizers or the colonized, but does something more subtle. During the period of French rule in Algeria, the Indigenous population was subjected to appalling abuse (in A Dying Colonialism , Fanon describes “the overrunning of villages by the [French] troops, the confiscation of property and the raping of women, the pillaging of a country”). Messud’s decision to foreground the struggles and sorrows of the Cassars amid these circumstances doubles as a recognition of how humans metabolize suffering: Our particular experiences assume paramount importance, while political events are often folded into our personal dramas.

Messud eventually chooses an entry point—she opens in 1940 with a character named François, who is based on her father, writing a letter to his own father, who lives in Greece. François has recently traveled from Greece to Algeria with his younger sister, Denise; his mother; and his aunt. His father, a French naval officer, sent them away because of the rapidly accelerating conflict between the Allied and Axis powers. The children have never lived in Algeria, though their parents consider it home. As his mother makes clear to a young François, “This was where his family belonged, and where they had been from for a hundred years.”

In the next section, the novel dashes ahead several years; François, as a college student in Massachusetts, reminisces about his childhood in Algeria, a place he too now considers home. For the most part, This Strange Eventful History proceeds accordingly, skipping years and darting across the map, charting the stories of its central characters’ lives as they move around the world; as they get married, have children, and contend with life’s various trials.

Read: A redacted past slowly emerges

Yet there are notable moments when Messud widens her frame. In the following chapter, we meet an older Denise, now a law student in Algiers. One day, she writes to François in America about how she and her friends were recently struck by a car as they were gossiping outside a coffee shop. As Messud describes it:

The car attacked her from behind like a shark, a blue Deux Chevaux, it mounted the curb and took a bite, as it were, and then slipped back into the ocean, back onto the road—but the car wasn’t going fast —it could really have injured her if it had been going fast, right? It was perfectly calibrated—the speed, the silence, the suddenness—as if the driver had planned the whole thing, maybe a joke, but maybe to terrify, or terrorize her, if you’d rather, to make her afraid just to walk down the street laughing with her friends. To make her afraid to be. Why would someone do that? To Denise, who wouldn’t hurt a fly?

Denise is initially unsure whom she sees in the passenger seat of the departing car, but she suspects it is a “Berber girl from the provinces” whose name she cannot remember. By the time she recalls the girl’s name, however, she wonders if she is thinking of the right person: “Zohra, yes, Zohra, the name came back to her even as her certainty evaporated; maybe it hadn’t been her?” Only years later, after Zohra achieves notoriety as a resistance fighter, does Denise “insist that she had definitely seen Zohra Drif in the Deux Chevaux that morning.”

Messud’s decision to include this anecdote is essential for many reasons. First, the sudden appearance of the blue car represents a literal incursion into the blithe and serene reality that Denise and her friends inhabit, untroubled by the profound anguish of their Indigenous Algerian neighbors, such as Drif herself (the real Drif, now in her 80s, spoke with The Washington Post in 2021 about her time as a resistance fighter). It also represents a narrative incursion into the story of a pied-noir family that, despite its own desire for freedom and happiness, largely seems unable to recognize the struggles of Indigenous Algerians to achieve the same. And it is notable that Denise remains unsure about Drif’s presence at the scene of the crash until Drif’s fame motivates Denise to become the star of her own personal drama, an innocent who survived an “early salvo of the insurgency” with “only torn stockings and a constellation of bruises.” In her self-mythologizing, Denise narrows the “spread and simultaneity” of narrative possibilities—including the possibility that Drif wasn’t there—until she is the only person staring at us from the frame.

Messud’s strange and eventful novel leaps across space and time occasionally and subversively, including episodes that reveal the larger backdrop against which the lives of her characters take shape. Throughout, Messud seems to be transmitting a message to her readers about our contemporary relationship with stories: As our understanding of history becomes more complicated and nuanced, so too must the stories we tell about the past, and the way we tell them.

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