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Book Review Templates

50 best book review templates (kids, middle school etc.).

A book review template enables you to illustrate the intentions of the author who wrote the book while creating your own opinions and criticisms about the written material as a whole. By writing this template, you formulate your own opinions about the ideas presented by the author. In some cases, teachers assign students with the task of writing a book review template too. Through this, the teachers can determine how well the students understood the book.

Table of Contents

• 1 Book Review Templates
• 2 How long should the book review template be?
• 3 Book Review Templates For Kids
• 4 Parts of a book review template
• 5 Book Review Templates Middle School
• 6 Planning to write your book review
• 7 Book Review Templates High School
• 8 Starting to write your book review
• 9 Book Review Templates for College
• 10 What to include in your book review?

How long should the book review template be?

One main purpose of a book review template is to help other people determine whether or not they would feel interested to read a book . A book review worksheet serves as a “sneak peek” at a book. Written well, it can encourage others to read the same book to see what all the fuss is about.

Just don’t make your review too short as it might not serve its purpose. Conversely, a review that’s too long might bore the reader, thus, prompting them not to finish reading all the way to the end. Instead of focusing on the length of your review, focus on what you want to say in it.

Book Review Templates For Kids

Parts of a book review template

If you’re a student, all you have to do is give your own opinions and thoughts about the book you have read. But if you want your review to stand out, you may want to include more information:

• A brief summary When writing a book review template, include a brief summary along with some background information about the topic and the author. As you write, don’t assume that the readers have already read the book. This is why you should explain the main ideas and topics you have read and their significance.
• Background information about the topic As you write the background information, do a lot of research about the main topic to provide comprehensive data. Even if it’s a fictional story, doing research is essential. That way, the opinions and evaluations you share about the book come from your own good understanding of what you have read. For non-fiction, you may choose to include studies or research about the topic of the book to come up with a comprehensive review that your readers will appreciate.
• Your evaluation Conclude your book review worksheet with an evaluation of what you’ve read. More than just your opinions, provide an evaluation of the strong points, weaknesses, and even the objectives of the book and if the author met these objectives. After this evaluation, you can include your opinions. Explain your reactions and the reasons for these reactions. Don’t just say “I didn’t like the book.” Specify the parts you didn’t appreciate and your reason why. This makes your review more believable, especially when you’re writing for a book that’s available for purchase.

Book Review Templates Middle School

Planning to write your book review

You can write a book review template for books of all genres and for different purposes. Of course, writing a book review template for different genres requires skill. While you would follow a single format for these reviews, the content varies greatly. Part of the writing process is to plan what to write in your review. Here are some tips to guide you:

• Create an outline that includes all of the most important points that you want to include in your review. In the outline, include information about the plot, the characters, and other important details in the book.
• For each point in your outline, create a paragraph that talks about it.
• You should have a good understanding of the plot so that you can write your review effectively.
• Analyze the writing techniques that the author used. This makes it easier for you to understand why and how the author wrote the book.
• Analyze the characters of the book to see if they seem realistic, believable or even logical, especially in terms of the roles they play in the plot of the story.
• Decide whether you would recommend the book you’ve read to other people. If you want to recommend it, explain why. If not, provide an explanation for this decision too.

Book Review Templates High School

Starting to write your book review

Most book review templates start with a brief summary of the book. If you decide to start the “traditional” way by writing a summary, make sure that you don’t give away too many details about the book. You shouldn’t retell the story or share too much information that the reader won’t even bother to read the book because they already know what it’s about. More importantly, people don’t appreciate it when reviews include spoilers.

When it comes to reviews, you can also begin in different ways depending on your preference or the requirements given to you by your teacher. Here are some suggestions for you:

• Provide background information about the book Here, you share what makes the book interesting or important. It might have a well-known author, it may be part of a series of books or it may even be a bestseller. The background information you provide should hook the reader and make them feel curious.
• Explain an important term used in the book If you think that an important term or phrase in the book might confuse the readers, you can start your review by providing a short explanation for it. This makes it easier for readers to understand the book and not feel intimidated by it.
• Share an interesting fact about the book This way of starting your review is particularly effective for nonfiction books. By sharing an interesting fact that you have taken from the book, you will catch the interest of your readers.
• Start with a quote Finally, you can also begin your review using a striking quote you’ve taken from the book. This is a powerful way to begin your review and it also makes the whole document more interesting to read.

Book Review Templates for College

What to include in your book review?

Thinking about what you want to say in your book review template can feel like a challenge. But it doesn’t have to be. As long as you have an idea of the content to include in your review, the words may start flowing easily. Here are some ideas of what your book review may contain:

• General information Talk about what kind of book is it – is it an adventure book, a fantasy book, a nonfiction book, a novel, and more. State if it is a standalone book or if it’s part of the series. You can even share interesting facts about the author of the book if you feel like this information can help your readers. Here, you can also compare the book to others of the same genre or topic. Talk about the style of the book and the language the author used for it. You can even recommend the age groups the book is most recommended for.
• Plot Writing this part is the most challenging since you want to provide your readers with a taste of what the book is all about without divulging too many details or spoilers. When writing a book review for stories, never give away the ending!
• Characters Your review should provide good information about all the characters in the story. You can learn more about the characters by analyzing their dialogues, actions, and how they interact with the other characters in the story. When talking about the characters, you can share some examples of instances that stood out in your mind. But again, don’t give away too much.
• Theme Here, you talk about what the book is really about. Apart from the plot, you should also try to share the ideas behind the story that you’ve read. For instance, is the book about hope, love, friendship, the triumph of good over evil, and so on. This is another important piece of information that your readers may appreciate.
• Setting This refers to the place and time when the story happens. When including this information, don’t just share the location. You can even add descriptions to make this part more interesting to read.
• Opinions and analyses Finally, this is where you would share your reactions to the book. After giving the facts, it’s time to talk about how the book moved you, what you thought about it, and how you interpreted everything you’ve read. This would be the “meatiest” part of your book so you should spend more time on it. This also happens to be the main purpose of the book – your review – which is why it’s called a review!

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Printable Book Review Templates

Get ready to take your book reviews to the next level! We've got just the thing for you: a collection of printable book review templates that you can download in PDF, PNG, and JPG formats. These templates are editable, allowing you to customize fonts, colors, and even add or remove text sections. Plus, you can choose between A4 or US Letter size for your convenience. It's time to make your book reviews shine with these user-friendly and customizable templates. Download now and let your creativity run wild!

What is a Book Review Template?

A book review template is a handy tool for your reading journal that helps you organize your thoughts and opinions about a book. It serves as a structured way to record what you've read and provide a review of the book. With a book review template, you can easily keep track of your reading experiences and share your insights with others. It's like a personal roadmap that guides you through the process of reviewing and reflecting on the books you read.

Information in a Book Review Template

When using a book review template, there are certain details you should include to provide a complete picture of the book. Here are some key pieces of information to include:

• Start Date and End Date: The dates when you started and finished reading the book.
• Book Title: The title of the book you're reviewing.
• Author: The name of the author who wrote the book.
• Genre: The genre or category the book belongs to (e.g., mystery, romance, science fiction).
• Rating: Your overall rating or evaluation of the book (e.g., on a scale of 1 to 5 stars).
• Favorite Quotes: Any lines or passages from the book that stood out to you and you want to highlight.
• Favorite Pages: Specific pages or sections of the book that you found particularly interesting or impactful.
• Favorite Moment: A memorable or significant moment in the book that resonated with you.
• Review: Your detailed thoughts, opinions, and analysis of the book. This is where you can discuss the plot, characters, writing style, themes, and any other aspects you want to explore.

How to Use a Book Review Template

Using a book review template is simple and can make the review-writing process much easier. Here's a step-by-step guide on how to use one:

• Start by filling in the basic information such as the start date, book title, author, and genre.
• While reading the book, identify any favorite quotes, pages, or moments that stood out to you. Note them down in the template.
• After finishing the book, think about your rating for it. Consider the overall impression it left on you and assign a rating accordingly.
• Finally, dive into writing your review. Discuss the book's strengths, weaknesses, and your overall recommendation.

Remember, a book review is a personal opinion, so feel free to express yourself and share your genuine thoughts. Don't be afraid to be critical or highlight both the positives and negatives of the book.

Extra Resources

If you're looking for additional resources to enhance your reading experience and keep track of the books you read, we have just the thing for you! In addition to the book review template, we also offer reading log templates and book report templates that you can download and use.

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50 Free Templates For Book Review

Explore our curated collection of book review templates to effectively articulate your thoughts and critiques. Perfect for academics, literary enthusiasts, and casual readers seeking structured frameworks for insightful analysis.

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Tips For Using Book Review Templates

• 1. Summarize without Spoiling Provide a brief synopsis of the book's plot, but avoid giving away any key twists or the ending. Keep the reader intrigued without ruining the experience.
• 2. Analyze the Core Elements Discuss the book's key elements such as theme, character development, and writing style. Mention how these contribute to or detract from the overall story.
• 3. Offer a Balanced Opinion Ensure your review includes both what you liked and what you didn’t. Be fair and explain your reasoning to provide valuable insight to prospective readers.

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25+ Book Review Templates and Ideas to Organize Your Thoughts

Danika Ellis

Danika spends most of her time talking about queer women books at the Lesbrary. Blog: The Lesbrary Twitter: @DanikaEllis

View All posts by Danika Ellis

When I was a kid I loved reading, but I hated book reports. It felt impossible to boil a book down to a few lines or even a page of writing. Besides, by the time I had to write the report, I had already forgotten a lot. It never ceases to be painful to try to pull my thoughts and opinions out of my head and put them on the page, especially in a coherent way.

As an adult, I continue to usually find writing book reviews painful . And yet, I maintain a book blog with reviews of all the (bi and lesbian) books I read. Why? For one thing, I want to raise the visibility of these books — or, in the case of a book I loathed, warn other readers of what to expect. It helps me to build community with other book lovers. It’s also a great way to force myself pay attention to how I’m feeling while I’m reading a book and what my thoughts are afterwards. I have learned to take notes as I go, so I have something to refer to by the time I write a review, and it has me notice what a book is doing well (and what it isn’t). The review at the end helps me to organize my thoughts. I also find that I remember more once I’ve written a review.

Once you’ve decided it’s worthwhile to write a review, though, how do you get started? It can be a daunting task. The good news is, book reviews can adapt to whatever you want them to be. A book review can be a tweet with a thumbs up or thumbs down emoji, maybe with a sentence or two of your thoughts; it can also be an in-depth essay on the themes of the book and its influence on literature. Most are going to fall somewhere between those two! Let go of the idea of trying to create the One True Book Review. Everyone is looking for something different, and there is space for GIF-filled squee fests about a book and thoughtful, meditative explorations of a work.

This post offers a variety of book reviews elements that you can mix and match to create a book review template that works for you. Before you get started, though, there are some questions worth addressing.

Questions to Ask Before Choosing a Book Review Template

Where will you be posting your book reviews.

An Instagram book review will likely look different from a blog book review. Consider which platform you will be using for your book review. You can adapt it for different platforms, or link to your original review, but it’s a good starting point. Instagram reviews tend to be a lot shorter than blog reviews, for instance.

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Will you be using the same template every time?

Some book reviewers have a go-to book review template. Others have a different one for each genre, while another group doesn’t use a template at all and just reacts to whatever each book brings up.

Heading or no headings?

When choosing which book review elements to mix and match, you can also decide whether to include a header for each section (like Plot, Characterization, Writing, etc). Headers make reviews easier to browse, but they may not have the professional, essay-style look that you’re going for.

Why are you writing a review?

When selecting which elements to include in your review, consider what the purpose is. Do you want to better remember the plot by writing about it? You probably want to include a plot summary, then. Do you want to help readers decide whether they should read this book? A pros and cons list might be helpful. Are you trying to track something about your reading, like an attempt to read more books in translation or more books by authors of color? Are you trying to buy fewer books and read off your TBR shelf instead? These are all things you can note in a review, usually in a point-form basic information block at the beginning.

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Book Review Templates and Formats

Essay-style.

This is a multi-paragraph review, usually with no headers. It’s the same format most newspapers and academics use for book reviews. Many essay-style reviews use informal categories in their writing, often discussing setting, writing, characters, and plot in their own paragraphs. They usually also discuss the big themes/messages of a story. Here are some questions to consider when writing an essay-style review:

What is the author trying to do? Don’t evaluate a romance novel based on a mystery novel’s criteria. First try to think about what the book was attempting to do, then try to evaluate if they achieved it. You can still note if you didn’t like it, but it’s good to know what it was aiming for first.

What are some of the themes of the story? What big message should the reader take away? Did you agree with what the book seemed to be saying? Why or why not?

How is this story relevant to the world? What is it saying about the time it was written in? About human nature? About society or current issues? Depending on the book, there may be more or less to dig into here.

What did this book make you think about? It may be that the themes in the book were just a launching off point. How did they inspire your own thinking? How did this book change you?

A Classic Book Review

This is probably the most common kind of book review template. It uses a few criteria, usually including Setting, Writing, Characters, and Plot (for a novel). The review then goes into some detail about each element, describing what the book did well, and where it fell short.

The advantage of this format is that it’s very straightforward and applies to almost any fiction read. It can also be adapted–you will likely have more to say about the plot in a mystery/thriller than a character study of a novel. A drawback, though, is that it can feel limiting. You might have thoughts that don’t neatly fit into these categories, or you could feel like you don’t have enough to say about some of the categories.

Pros and Cons

A common format for a Goodreads review is some variation of pros and cons. This might be “What I Liked/What I Didn’t Like” or “Reasons to Bump This Up Your TBR/Reasons to Bump This Down On Your TBR.” This is a very flexible system that can accommodate anything from a few bullet points each to paragraphs each. It gives a good at-a-glance impression of your thoughts (more cons than pros is a pretty good indication you didn’t like it). It also is broad enough that almost all your thoughts can likely be organized into those headings.

This is also a format that is easily mix and matched with the elements listed below. A brief review might give the title, author, genre, some brief selling points of the novel, and then a pros and cons list. Some reviews also include a “verdict” at the end. An example of this format:

The Tea Dragon Society by Katie O’Neill

🌟 Fantasy All-Ages Comic 💫 Adorable pet dragons ✨ A diverse cast

Pros: This book has beautiful artwork. It is a soothing read, and all the character are supportive of each other. This is a story about friendship and kindness.

Cons: Don’t expect a fast-moving plot or a lot of conflict. This is a very gentle read.

Another approach to the review is not, strictly speaking, a book review template at all. Instead, it’s something like “5 Reasons to Read TITLE by Author” or “The # Most Shocking Plot Twists in X Series.” An advantage of this format is that it can be very to-the-point: if you want to convince people to read a book, it makes sense to just write a list of reasons they should read the book. It may also be more likely to get clicked on–traditional book reviews often get less views than more general posts.

On the other hand, listicles can come off as gimmicky or click-bait. You’ll have to decide for yourself if the book matches this format, and whether you are writing this out of genuine enthusiasm or are just trying to bend a review to be more clickable.

Your Own Original Rating System

Lots of reviewers decide to make their own review format based on what matters to them. This is often accompanied by a ratings system. For instance, the BookTube channel Book Roast uses the CAWPILE system:

CAWPILE is an acronym for the criteria she rates: Characters, Atmosphere, Writing, Plot, Intrigue, Logic, Enjoyment. Each of those are rated 1–10, and the average given is the overall rating. By making your own ratings/review system, you can prioritize what matters to you.

My favorite rating system is Njeri’s from Onyx Pages , because it shows exactly what she’s looking for from books, and it helps her to think about and speak about the things she values:

A “Live Tweet” or Chronological Review

Another format possibility is live tweeting (or updating as you go on Goodreads, or whatever your platform of choice is). This has you document your initial thoughts as you read, and it’s usually informal and often silly. You can add what you’re loving, what you’re hating, and what questions you have as you go.

This is a fun format for when you’re reading a popular book for the first time. That way, other people can cackle at how unprepared you are as you read it. This requires you to remember to always have your phone on you as you read, to get your authentic thoughts as they happen, but it saves on having to write a more in-depth review. Alternately, some people include both a “first impressions” section and a more in-depth analysis section in their final review.

Get Creative

There are plenty of book review templates to choose from and elements to mix-and-match, but you can also respond in a completely original way. You could create a work of art in response to the book! Here are some options:

• Writing a song , a short story, or a poem
• Writing a letter to the author or the main character (you don’t have to send it to the author!)
• Writing an “interview” of a character from the book, talk show style
• Making a visual response, like a collage or painting
• Making a book diorama, like your elementary school days!

Mix-and-Match Elements of a Book Review

Most book reviews are made up of a few different parts, which can be combined in lots of different ways. Here is a selection to choose from! These might also give you ideas for your own elements. Don’t take on too much, though! It can easily become an overwhelming amount of information for readers.

Information

Usually a book review starts with some basic information about the book. What you consider basic information, though, is up for interpretation! Consider what you and your audience will think is important. Here are some ideas:

• The title and author (pretty important)
• The book’s cover
• Format (audiobook, comic, poetry, etc)
• Genre (this can be broad, like SFF, or narrow, like Silkpunk or Dark Academia)
• Content warnings
• Source (where did you get the book? Was is borrowed from the library, bought, or were you sent an ARC?)
• Synopsis/plot summary (your own or the publisher’s)
• What kind of representation there is in the novel (including race, disability, LGBTQ characters, etc)
• Anything you’re tracking in your reading, including: authors of color, authors’ country, if a book is in translation, etc

Review Elements

Once you’ve established your basic information, you’re into the review itself! Some of these are small additions to a review, while others are a little more time-intensive.

Bullet point elements:

• Rating (star rating, thumbs up/down, recommend/wouldn’t recommend, or your own scale)
• Who would like it/Who wouldn’t like it
• Read-alikes (or movies and TV shows like the book)
• Describe the book using an emoji or emojis
• Describe the book using a gif or gifs
• Favorite line(s) from the book
• New vocabulary/the most beautiful words in the novel
• How it made you feel (in a sentence or two)
• One word or one sentence review
• Bullet points listing the selling points of a book
• BooksandLala’s Scary, Unsettling, and Intrigue ratings, for horror
• World-building, for fantasy and science fiction titles
• Art, for comics
• Narration, for audiobooks
• Romance, for…romance
• Heat level, for erotica

Visual elements:

• Design a graphic (usually incorporating the cover, your star rating, and some other basic info)
• Take a selfie of yourself holding the book, with your expression as the review
• Make a mood board
• Design your own book cover
• Make fan art

Elements to incorporate into a review:

• Quick/initial thoughts (often while reading or immediately after reading), then a more in-depth review (common on Goodreads)
• A list of facts about the book or a character from the book
• Book club questions about the book
• Spoiler/non-spoiler sections
• Research: look up interviews with the author and critique of the book, incorporate it (cited!) into your review
• Links to other resources, such as interviews or other reviews — especially #OwnVoices reviews
• A story of your own, whether it’s your experience reading the book, or something it reminded you of

This is not a complete list! There are so many ways to write a book review, and it should reflect your own relationship with books, as well as your audience. If you’re looking for more ways to keep track of your reading, you’ll also like 50+ Beautiful Bujo Spread Ideas to Track Your Reading .

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How to Write a Great Book Review: 6 Templates and Ideas

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Whether you’ve loved or hated your recent reads, writing book reviews can be a fun and satisfying process. It’s a great way to unpack messages and information from a story, and it also helps you remember key elements of a book for much longer than you usually would. Plus, book reviews open up some interesting and exciting debates between readers with different opinions, and they also help others decide which books to read next .

Table of Contents

Where Can You Post Book Reviews?

Back in the old days, book reviews were reserved for leading publications and journals, but now, anyone can create their own book reviews, and they’re popping up almost everywhere.

Social Media

Bookworms have taken over social media, with hashtags like # bookstagram drawing in millions of readers from around the internet to share thoughts, ideas, inspiration, and of course, reviews.

Book blogs are also blowing up right now, and plenty of avid readers are making a solid income by writing and sharing their book reviews this way. You can either create your own from scratch or write guest posts and reviews for already established blogs.

Goodreads is the undisputed online home of books. It’s a great place to find inspiration for your next reads, browse other people’s book reviews, and of course, add your own reviews, too.

If you post a review of a popular book on Goodreads, it’s bound to be seen by a huge audience. Plus, it’s a great way to advertise your blog if you have one, as the Goodreads guidelines allow you to insert a link within the body of your review.

The world’s largest bookstore gets an incredible amount of traffic, so it’s one of the best places to get your reviews seen by the masses. But bear in mind that there are more rules and regulations for Amazon book reviews than on some of the other platforms listed here. Make sure you familiarize yourself with the guidelines first, or your submission could be rejected.

Booktube is a Youtube community dedicated to reviewing, discussing, and recommending books. If you’re comfortable in front of a camera, vlogging your book reviews on Booktube is an excellent alternative to the more traditional written book reviews above. It’s also a great way to get noticed by viewers around the world.

Some Booktube reviewers make their entire income from their channel, so if you’re passionate about reviewing and want to turn it into a living, this is a great avenue to explore.

Get Paid for Your Book Reviews

Some of the platforms I’ve listed above, like Booktube, Instagram, and blogging , allow you to get paid for your book reviews if you generate enough traffic, but getting to that level takes a lot of dedication, time, and patience.

Thankfully, there are plenty of websites that pay reviewers on a freelance basis. Here are three of the most popular:

Remember, each site has strict submission guidelines and requirements that you’ll need to check carefully before writing and submitting a review.

Kirkus Reviews

The Kirkus Reviews magazine, founded in 1933, is one of America’s oldest, most respected book reviewing companies.

They accept reviews around 350 words in length, and once you’re assigned the gig, you have a two-week submission deadline.

Kirkus is always on the lookout for new book reviewers, but you’ll need to prove you have experience and talent before they’ll accept your submissions. The best way to do this is to create a professional-looking portfolio that showcases your previous reviews, both paid and unpaid.

Booklist is a subgroup of the American Library Association. They feature all kinds of book reviews, both fiction and non-fiction, and publish them online and in print.

They pay their reviewers on a freelance, book-by-book basis. Their rates aren’t going to make you rich (around $12- $15 per review), but it’s a great way to gain some professional experience and build your book review portfolio without having to work for free.

Booklist has various publication outlets, such as their quarterly in-print magazine, a reader’s blog, and top book lists. Plus, they also accept pitches for book-related news and author interviews.

Online Book Club

This free-to-access community of bibliophiles has been going for over ten years, with a million active members and counting.

To join their professional freelance team, you’ll first have to submit an unpaid review to help them to determine if you’re worth hiring. If your review makes the cut, then your next submission is paid at a rate varying between $5 and $60, depending on the book’s length, the quality of the review, etc.

One of the major stipulations of Online Book Club is that your reviews are in-depth and honest. If you don’t like the book, never put a positive spin on it for the sake of it. ( The same goes for any book review platform you post on. )

It’s also worth noting that with Online Book Club, you’ll never pay for the books you review. So even if they reject your submission, you’ll still get a free book out of it.

How to Write a Book Review?

Book reviews can range from a simple tweet to a full-length essay or long-form blog post and anything in between.

As I mentioned above, some book review sites and platforms have strict guidelines and parameters to follow. But if you’re writing a book review for social media, your own blog, or any other purpose that lets you take the reins, then the following ideas will give you some help and inspiration to get started.

But before we dive in, let’s take a look at four key elements that a comprehensive book review should contain.

1. Information about the author and the name of the book

You might want to include any accolades that the author has received in the past and mention some of their previous notable works.

Also, consider the publication date; is the book a brand-new release, a few years old, or a classic from another century?

2. A summary of the plot

Writing about the plot takes skill and consideration; if your description is too thorough, you risk ruining the book for your audience with spoilers. But on the other hand, if you’re too vague on the details, your review can lack depth.

Consider your audience carefully, and if you feel like your book review contains even the slightest hint of spoilers, always add a warning at the beginning so people can decide for themselves whether to read on.

3. Your evaluation

This is the part where you get to describe what you feel about the book as a whole and give your opinion on the different elements within it. But, again, don’t be tempted to fall into the trap of positively evaluating books you didn’t actually like; no one wants to read a false review, so if you didn’t like it, explain why.

4. Your reader recommendation

Who might the book appeal to? Is it suitable for all audiences? In your opinion, is it a universal must-read, or should people avoid it?

Keep in mind that the purpose of most book reviews is to help the reader decide whether or not they would like to read it themselves. What works for you might not work for others, so consider this when writing your recommendations.

6 Book Review Templates and Ideas

1. the traditional approach.

Most traditional fiction reviews, like the ones found in newspapers and other popular publications, are based on the following format…

Introduction

The introduction is a paragraph or two which includes:

• Key information that the reader needs to know. For example, the book’s title, the author’s name, the publication date, and any relevant background information about the author and their work.
• A brief one-sentence summary of the plot. This sets the general scene of what the book is about.
• Your overall opinion of the book. Again, keep it brief. (you can delve deeper into what you liked and disliked later in the review).

This is the main body of your book review, where you break down and analyze the work. Some of the key elements you might want to examine are listed below. Approach each element one at a time to help your analysis flow.

• The characters
• The setting
• The structure of the story
• The quality of the writing

What did you notice about each one, what did you enjoy, and what did you dislike? Why?

The conclusion is usually the shortest part of a traditional book review, which usually contains:

• A summary of your thoughts about the book as a whole
• Your reader recommendation

Remember that unless you’re writing a book review for a pre-existing publication, there are no rules that you need to follow. This traditional format can be adapted to suit your own style, the book you are reviewing, and your audience.

Also Read : BEST FICTION BOOK REVIEWS

2. Social Media Book Reviews

Book reviews posted on social media tend to have a more relaxed tone than a traditional book review. Again, there are no set rules, but here are a few guidelines and suggestions for posting reviews on platforms like Instagram and Facebook.

• Include an eye-catching image

This is essential on Instagram, but whatever social media platform you’re posting on, including a great photo will draw people in to read your review.

In the Instagram world, photos of books taken directly from above are called ‘flat lays.’ You can keep it simple and just snap the front cover, or you can get creative and shoot your book flat lay against an interesting backdrop or include items related to the story.

• Break up your review into short, bite-sized paragraphs

This rule applies to most web content, but it’s even more important on social media, where everyone competes for your reader’s attention.

Big blocks of text are much harder to follow and a sure-fire way to lose your reader’s attention before they even get started. Instead, stick to short paragraphs of one, two, or three sentences, and include spaces between each one.

• Know your character limit

At just 280 characters, Twitter is by far the stingiest of the major social media platforms when it comes to the length of posts. That’s why most people choose platforms like Instagram or Facebook for book reviews. That being said, you can still use Twitter as a way of linking to them once they go live.

Instagram is considerably more generous with its 2,200-character limit, but if you have a lot to say about the book you’re reviewing, it can still be limiting.

If you want to post a more comprehensive review on social media, Facebook is your best bet; they have an upper limit of 63,206 characters.

Whichever platform you post on, remember to factor any hashtags into your character limit too.

• Keep it succinct

Book reviews on social media perform better when sentences are concise. This helps to combat the character limit issue I mentioned above and gets your point across quickly, without the fluff.

Readers on platforms like Instagram and Facebook flit from post to post, so if you don’t say what you mean in as few words as possible, you’ll risk losing your audience altogether.

• Don’t be afraid of emojis.

Love them or hate them, emojis convey mood and emotion where words can sometimes fail us. They also add an extra visual element to a post, help to break up blocks of text and keep the tone informal.

Of course, there’s no rule that you have to include emojis in your social media book reviews, but if you’re already comfortable using them elsewhere, consider incorporating them here too.

• Add a star rating

Star ratings instantly tell your audience whether you loved the book or not before they read a single word of your post. It’s also another visual element to help draw your audience in to find out more.

• Avoid spoilers

I’ve already touched on spoilers above, but it’s essential to avoid them on social media book reviews. That’s because unsuspecting users are scrolling from post to post on these platforms with no way of knowing what’s coming next. As a result, it’s very easy to read something you can’t unread.

• Consider tagging the author and publisher.

But ONLY do this if you enjoyed the book and your review is favorable. It’s not good online etiquette to tag in the creators if you’re posting a scathing critique; it’s mean-spirited, and it could lead to a social media squabble, which the internet has enough of already.

3. Goodreads and Amazon Book Reviews

Both Goodreads and Amazon allow anyone to upload a review of any book, so they’re great places to get started if you’re new to the reviewing world. Plus, you can post more in-depth and lengthy reviews than you can on social media platforms.

There are endless ways to write reviews for sites like these, but if you’re looking for a bit of inspiration, here’s a good template that will help you to flesh out your ideas.

• Star Rating

Sites like Goodreads and Amazon usually ask for a 1-5 star rating before writing your review. 3 is your baseline which translates to “pretty good.” It can be tempting to rush straight in for a 5 star if you loved a book, but where possible, try to reserve this rating for books that really blow you away.

• A Brief Synopsis

Reviews on these sites appear directly under the book listing, so generally, there’s no need to mention the author, title, or publishing details. Instead, you can dive straight into a quick overview of the plot, using the official publisher’s summary to help you if needed.

Avoid revealing any significant details or spoilers, but include enough to outline the story and give context to the rest of your review.

Talking about how the book made you feel is a good place to start. Did you learn something you didn’t know before? Was it a page-turner or a hard slog? Were there any twists you did or didn’t see coming? Mentioning the existence of a plot twist is usually deemed ok, as long as you don’t reveal what it is.

Next, examine the book’s various elements, including the characters, setting, and plot, using examples. You might even want to include some direct quotes from the book, as long as they don’t give too much away.

Just like the traditional book review format, conclude it with a summary. Are you glad you read it? Who might enjoy this book, and who should avoid it?

4. Listicle Book Reviews

Listicles are articles and blog posts structured like a numbered list. An example from the book review world is “10 reasons why you need to read X by X”.

These types of reviews are particularly well suited to blog posts, as they’re an excellent way to encourage people to click on your link compared with a less attention-grabbing traditional format.

That being said, listicle book reviews tend only to work if your feedback is positive. Using this format to review a book you hated risks alienating your audience and coming across as harsh and judgemental. Less favorable reviews are better presented in a more traditional format that explores a book’s different aspects one by one.

5. An Essay Style Analysis

An essay-style review isn’t technically a review, as it delves much deeper into the work and examines it from multiple angles.

If you’re not limited to a word count and want to dissect an author’s work, then an in-depth essay-style analysis can be a great addition to your blog. Plus, they’re generally written for people who have already read the book, so there’s no need to worry about spoilers.

But when you’re writing more than 500 words about a book, it can be easy to ramble or go off on a tangent. Here’s an example format to keep you on track:

• Include the author’s name, the title of the book, and the date of publication.
• Is the book a standalone novel or part of a series?
• What made you choose this book in the first place? Have you read any of the author’s previous work?
• Describe the cover. Does it draw you in? Is it an appropriate representation of the book as a whole?

Set the Scene

• Include an overview of the plot.
• Did you have any expectations or preconceived ideas about the book before you read it?

Your Review

Discuss the following elements one at a time. Use quotes or direct examples when talking about each one.

• Describe the geographical location, the period in time, and the environment.
• Is the setting based on reality or imagination?
• How does the setting help to add mood and tone to the story?
• Give an overview of the main characters and their backgrounds.
• Discuss the significant plot points in the story in chronological order.
• What are the conflicts, the climaxes, and the resolutions?
• How does the author use literary devices to bring meaning and life to book?
• For example, discuss any elements of foreshadowing, metaphors, symbolism, irony, or imagery.
• What are the overall themes and big ideas in the story? For example, love, death, friendship , war, and coming of age.
• What, if any, are the morals within the story?
• Are there any underlying or less prominent themes that the author is trying to portray?

Your Opinion

• Which elements were successful, and which weren’t?
• Were the characters believable? Did you want them to succeed?
• In the case of plot twists, did you see them coming?
• Are there any memorable scenes or quotes that particularly stood out to you? If so, why?
• How did the book make you feel? Did it evoke any strong emotions?
• Did the book meet your preconceived expectations?
• Were you satisfied by the ending, or did you find it frustrating?
• Summarise the plot and theme in a couple of sentences.
• Give your overall opinion. Was the book a success, a failure, or something in between?
• Include a reader recommendation, for example, “this book is a must-read for anyone with a love of dystopian science fiction.”
• Include a star rating if you wish.

6. Create Your Own Book Review Template

If you plan on becoming a regular book reviewer, it’s a good idea to create your own unique template that you can use for every book you review, whether you’re posting on a blog, website, or social media account.

You can mix and match the various elements of the review styles above to suit your preferences and the types of books you’ll be reviewing.

Creating a template unique to you helps build your authority as an independent reviewer and makes writing future reviews a lot easier.

Writing book reviews is a great way to get even more out of your reading journey. Whether you loved or hated a title, reviewing it will help you remember and process the story, and you’ll also be helping others to decide whether or not it’s worth their time, too.

And who knows, you might fall in love with writing book reviews and decide to pursue it as an additional source of income or even a new career!

Whatever your book reviewing plans and goals are, I hope the templates, tips, and ideas above will help you get started.

Do you have any advice for writing a great book review? Let me know in the comments below!

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17+ Book Review Templates

Book review writing is not always easy. There are many aspects of review writing which should be taken care of. In order to learn all about the book review writing task, you need to do research. However, the better option for a perfect review writing is downloading book review templates. These templates will work as Performance Review Templates . They will allow you to learn your mistakes and enhance the accuracy in your reviews.

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Goodreads: Book Reviews 12+

Kindle, audible, amazon & more.

• #4 in Books
• 4.8 • 565.9K Ratings

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Discover stories that matter to you, from readers like you. Goodreads is the world's largest community of readers. Find new and interesting books by browsing personalized recommendations based on books you've read and your favorite genres. See what your friends are reading, write book reviews, and keep track of what you want to read. Goodreads is a free service for book tracking, recommendations and reviews. Use our barcode scanner the next time you are in a bookstore. Add the book in your hands to your "Want To Read" shelf and browse reviews before buying. Features: • Get personalized recommendations and discover new books based on your tastes. • Goodreads Choice Awards: vote for your favorite books of the year and see the winners! • Participate in the Reading Challenge! • Book cover and barcode scanner! • Keep a want-to-read list. • See book reviews and updates from your friends. • Discover new books and explore popular book lists. • Rate and review books you read. • Share notes and progress updates as you read. • Recommend books to friends. • Join online book clubs and connect with other readers. By using this app, you agree to Goodreads’s Terms of Use (https://www.goodreads.com/about/terms) and Privacy Policy (https://www.goodreads.com/about/privacy).

Version 4.20.0

This release contains several bug fixes and improvements.

Ratings and Reviews

565.9K Ratings

Time AND Money saver

Good reads is amazing. Whether its the upcoming books in a certain genre updated daily, the recommendations from people with similar taste. A favorite feature of mine is the Preview feature, which allows the reader to read a few chapters (depending the the chapters lengths and books itself). With the different versions and and publications -and languages- that has saved me money. Something I wish I discovered before to save money from previous book that I ended up disliking. The slight problem I have with Goodreads is that my other bookshelves have combined with my want to read. As a reader, I will take note of upcoming and eye catching books that I might enjoy. Putting my "airballs if you will" shelf automatically in the want to read section is tiring and annoying. I can see the airball shelf itself separately, I cannot do the same with my want to reads as they combine automatically. Overall, this app is amazing has been a saving grace, and enjoyable books and reviews. Which are incredibly helpful when you find people with similar interests. My slight problem can be easily solved with a separate list of permissions in the settings to combine bookshelves.

Love it but I’ve got some ideas

Don’t get me wrong this app is helpful and I use it all the times but it can be pretty clunky sometimes The featured booklists on your page are kinda tricky to find again and I wish there was a whole tab for them with like recently viewed lists and recommendations and things like that because when you accidentally leave an amazing list and can’t find it it’s the worst. The biggest issue I have is it’s not the most new user friendly. I got this app and had so many books and shelves to create for my previous reads but it takes five clicks to add a book to a shelf. When I make a shelf it’s because I realize I have lots of books similar and so scrolling through my reads and clicking five times for each is not fun at all and takes all day. I wish there was a select tool so you could add multiple books to a shelf at a time this would probably make this review five stars. Another little issue I have (and maybe I just can’t figure it out) is Re reading. If I read a book multiple times why can’t I count both towards my reading challenge? It won’t be an accurate page count if it turns out that was just the one of the times I read the book that year. I feel like you should have multiple reading dates on your book info so it isn’t just showing the last time you read it. If this is a feature and I just haven’t found it then I apologize. Definitely needs a refresh I just looked at version history and it’s mostly bug fixes! This app NEEDS something new

needs a revamp

i use this app religiously but it needs an revamp BAD. the UI looks like it hasnt changed since day 1 and itd be nice if i could see my friends activity more often than i see ads on my feed 😑. would be nice if we could personalize our profiles, but not necessary. also recommendations or searching through genres could be greatly enhanced by further filtering of intended audiences—i dont want to scroll through twenty 20 childrens fantasy books before even finding one mediocre adult fantasy book im not interested in. ABSOLUTELY would benefit from half star rating system or even 10 star rating system im tired of seeing a 3 star review with “3.5 stars …” or a 1 star review with “0.5 stars…” in the actual review. the app is also not super user friendly and is generally clunky. lots of unnecessary tapping needed and idk what it is but the searching function is super clunky too. i feel like the search option should first search our shelves for matches before searching the rest of the database for matches. definitely need a multi-select option to make shelving multiple books easier. i have over 300 books in my read im not reshelving each individual book, jeffrey. add tags in reviews so we can filter by tags. basically more filtering options for everything. add private reviews only your friends can see so that they dont affect the overall review of the book (sometimes you can acknowledge a book is well-written and still hate it).

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Book Review Generator

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Introducing WriteCream’s Instant Book Review Generator : Crafting Book Reviews with a Single Click

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The 10 Best Book Reviews of 2020

Adam morgan picks parul sehgal on raven leilani, merve emre on lewis carroll, and more.

The pandemic and the birth of my second daughter prevented me from reading most of the books I wanted to in 2020. But I was able to read vicariously  through book critics, whose writing was a true source of comfort and escape for me this year. I’ve long told my students that criticism is literature—a genre of nonfiction that can and should be as insightful, experimental, and compelling as the art it grapples with—and the following critics have beautifully proven my point. The word “best” is always a misnomer, but these are my personal favorite book reviews of 2020.

Nate Marshall on Barack Obama’s A Promised Land ( Chicago Tribune )

A book review rarely leads to a segment on The 11th Hour with Brian Williams , but that’s what happened to Nate Marshall last month. I love how he combines a traditional review with a personal essay—a hybrid form that has become my favorite subgenre of criticism.

“The presidential memoir so often falls flat because it works against the strengths of the memoir form. Rather than take a slice of one’s life to lay bare and come to a revelation about the self or the world, the presidential memoir seeks to take the sum of a life to defend one’s actions. These sorts of memoirs are an attempt maybe not to rewrite history, but to situate history in the most rosy frame. It is by nature defensive and in this book, we see Obama’s primary defensive tool, his prodigious mind and proclivity toward over-considering every detail.”

Merve Emre on Lewis Carroll’s Alice’s Adventures in Wonderland ( The Point )

I’m a huge fan of writing about books that weren’t just published in the last 10 seconds. And speaking of that hybrid form above, Merve Emre is one of its finest practitioners. This piece made me laugh out loud and changed the way I think about Lewis Carroll.

“I lie awake at night and concentrate on Alice,  on why my children have fixated on this book at this particular moment. Part of it must be that I have told them it ‘takes place’ in Oxford, and now Oxford—or more specifically, the college whose grounds grow into our garden—marks the physical limits of their world. Now that we can no longer move about freely, no longer go to new places to see new things, we are trying to find ways to estrange the places and objects that are already familiar to us.”

Parul Sehgal on Raven Leilani’s Luster ( The New York Times Book Review )

Once again, Sehgal remains the best lede writer in the business. I challenge you to read the opening of any  Sehgal review and stop there.

“You may know of the hemline theory—the idea that skirt lengths fluctuate with the stock market, rising in boom times and growing longer in recessions. Perhaps publishing has a parallel; call it the blurb theory. The more strained our circumstances, the more manic the publicity machine, the more breathless and orotund the advance praise. Blurbers (and critics) speak with a reverent quiver of this moment, anointing every other book its guide, every second writer its essential voice.”

Constance Grady on Anne Brontë’s The Tenant of Wildfell Hall ( Vox )

Restoring the legacies of ill-forgotten books is one of our duties as critics. Grady’s take on “the least famous sister in a family of celebrated geniuses” makes a good case for Wildfell Hall’ s place alongside Wuthering Heights  and Jane Eyre  in the Romantic canon.

“[T]he heart of this book is a portrait of a woman surviving and flourishing after abuse, and in that, The Tenant of Wildfell Hall feels unnervingly modern. It is fresh, shocking, and wholly new today, 200 years after the birth of its author.”

Ismail Muhammad on Anna Wiener’s Uncanny Valley ( The Atlantic )

Muhammad is a philosophical critic, so it’s always fun to see him tackle a book with big ideas. Here, he makes an enlightened connection between Wiener’s Silicon Valley memoir and Michael Lewis’s 1989 Wall Street exposé, Liar’s Poker.

“Like Lewis, Wiener found ‘a way out of unhappiness’ by writing her own gimlet-eyed generational portrait that doubles as a cautionary tale of systemic dysfunction. But if her chronicle acquires anything like the must-read status that Lewis’s antic tale of a Princeton art-history major’s stint at Salomon Brothers did, it will be for a different reason. For all her caustic insight and droll portraiture, Wiener is on an earnest quest likely to resonate with a public that has been sleepwalking through tech’s gradual reshaping of society.”

Hermione Hoby on Mieko Kawakami’s Breasts and Eggs ( 4 Columns )

Hoby’s thousand-word review is a great example of a critic reading beyond the book to place it in context.

“When Mieko Kawakami’s Breasts and Eggs  was first published in 2008, the then-governor of Tokyo, the ultraconservative Shintaro Ishihara, deemed the novel ‘unpleasant and intolerable.’ I wonder what he objected to? Perhaps he wasn’t into a scene in which the narrator, a struggling writer called Natsuko, pushes a few fingers into her vagina in a spirit of dejected exploration: ‘I . . . tried being rough and being gentle. Nothing worked.’”

Taylor Moore on C Pam Zhang’s How Much Of These Hills Is Gold ( The A.V. Club )

Describing Zhang’s wildly imaginative debut novel is hard, but Moore manages to convey the book’s shape and texture in less than 800 words, along with some critical analysis.

“Despite some characteristics endemic to Wild West narratives (buzzards circling prey, saloons filled with seedy strangers), the world of How Much Of These Hills Is Gold feels wholly original, and Zhang imbues its wide expanse with magical realism. According to local lore, tigers lurk in the shadows, despite having died out ‘decades ago’ with the buffalo. There also exists a profound sense of loss for an exploited land, ‘stripped of its gold, its rivers, its buffalo, its Indians, its tigers, its jackals, its birds and its green and its living.’”

Grace Ebert on Paul Christman’s Midwest Futures ( Chicago Review of Books )

I love how Ebert brings her lived experience as a Midwesterner into this review of Christman’s essay collection. (Disclosure: I founded the Chicago Review of Books five years ago, but handed over the keys in July 2019.)

“I have a deep and genuine love for Wisconsin, for rural supper clubs that always offer a choice between chicken soup or an iceberg lettuce salad, and for driving back, country roads that seemingly are endless. This love, though, is conflicting. How can I sing along to Waylon Jennings, Tanya Tucker, and Merle Haggard knowing that my current political views are in complete opposition to the lyrics I croon with a twang in my voice?”

Michael Schaub on Bryan Washington’s Memorial ( NPR )

How do you review a book you fall in love with? It’s one of the most challenging assignments a critic can tackle. But Schaub is a pro; he falls in love with a few books every year.

“Washington is an enormously gifted author, and his writing—spare, unadorned, but beautiful—reads like the work of a writer who’s been working for decades, not one who has yet to turn 30. Just like Lot, Memorial  is a quietly stunning book, a masterpiece that asks us to reflect on what we owe to the people who enter our lives.”

Mesha Maren on Fernanda Melchor’s Hurricane Season ( Southern Review of Books )

Maren opens with an irresistible comparison between Melchor’s irreverent novel and medieval surrealist art. (Another Disclosure: I founded the Southern Review of Books in early 2020.)

“Have you ever wondered what internal monologue might accompany the characters in a Hieronymus Bosch painting? What are the couple copulating upside down in the middle of that pond thinking? Or the man with flowers sprouting from his ass? Or the poor fellow being killed by a fire-breathing creature which is itself impaled upon a knife? I would venture to guess that their voices would sound something like the writing of Mexican novelist Fernanda Melchor.”

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Blog – Posted on Wednesday, Apr 03

How to write a book review in 3 steps.

If the idea of reading for free — or even getting paid to read — sounds like a dream come true, remember that it isn’t a pipe dream. There are many places aspiring book reviewers can read books for free, such as Reedsy Discovery — a new platform for reviewing indie books. Of course, if you’re giving serious thought to becoming a book reviewer, your first step should be learning how to write a book review. To that end, this post covers all the basics of literary criticism. Let’s get started!

The three main steps of writing a book review are simple:

• Provide a summary: What is story about? Who are the main characters and what is the main conflict? 
• Present your evaluation: What did you think of the book? What elements worked well, and which ones didn’t? 
• Give your recommendation: Would you recommend this book to others? If so, what kinds of readers will enjoy it?

You can also download our free book review templates and use it as a guide! Otherwise, let’s take a closer look at each element.

Pro-tip : But wait! How are you sure if you should become a book reviewer in the first place? If you're on the fence, or curious about your match with a book reviewing career, take our quick quiz:

Should you become a book reviewer?

Find out the answer. Takes 30 seconds!

How to write a review of a book

Step 1. provide a summary.

Have you ever watched a movie only to realize that all the good bits were already in the trailer? Well, you don’t want the review to do that. What you do want the summary to do is reveal the genre, theme, main conflict, and main characters in the story — without giving away spoilers or revealing how the story ends.

A good rule of thumb is not to mention anything that happens beyond the midpoint. Set the stage and give readers a sense of the book without explaining how the central issue is resolved.

Emily W. Thompson's review of The Crossing :

In [Michael] Doane’s debut novel, a young man embarks on a journey of self-discovery with surprising results.

An unnamed protagonist (The Narrator) is dealing with heartbreak. His love, determined to see the world, sets out for Portland, Oregon. But he’s a small-town boy who hasn’t traveled much. So, the Narrator mourns her loss and hides from life, throwing himself into rehabbing an old motorcycle. Until one day, he takes a leap; he packs his bike and a few belongings and heads out to find the Girl. Read more...

Here are a few more reviews with well-written summaries for you to check out. The summary tend to be the longest part of the book review, so we won’t turn this post into a novel itself by pasting them all here: Le Cirque Navire reviewed by Anna Brill, The Heart of Stone reviewed by Kevin R. Dickinson, Fitting Out: The Friendship Experiment reviewed by Lianna Albrizio.

Non-fiction summary tip: The primary goal of a non-fiction summary is to provide context: what problems or issues has the book spotted, and how does it go about addressing them? Be sure to mention the authors of the title and what experience or expertise they bring to the title. Check Stefan Kløvning’s review of Creativity Cycling for an example of a summary that establishes the framework of the book within the context of its field.

Step 2. Present your evaluation

While you should absolutely weave your own personal take of a book into the review, your evaluation shouldn’t only be based on your subjective opinion. Along with presenting how you reacted to the story and how it affected you, you should also try to objectively critique the stronger and weaker elements of the story, and provide examples from the text to back up your points.

To help you write your evaluation, you should record your reactions and thoughts as you work your way through a novel you’re planning on reviewing. Here are some aspects of the book to keep in mind as you do.

Your evaluation might focus heartily on the book’s prose:

Donald Barker's review of Mercenary : 

Such are the bones of the story. But, of course, it is the manner in which Mr Gaughran puts the bones back together and fills them with life that makes “Mercenary” such a great read. The author’s style seems plain; it seems straightforward and even simple. But an attempt at imitation or emulation quickly proves that simple it is not. He employs short, punchy sentences that generate excellent dialogue dripping with irony, deadpan humour and wit. This, mixed with good descriptive prose, draws the characters – and what characters they are – along with the tumultuous events in which they participated amidst the stinking, steaming heat of the South American jungle, out from the past to the present; alive, scheming, drinking, womanising and fighting, onto the written page.

You can give readers a sense of the book by drawing comparisons to other well-known titles or authors:

Laura Hartman's review of The Mystery of Ruby's Mistletoe :

Reading Ms. Donovan’s book is reminiscent to one of my favorite authors, Dame Agatha Christie. Setting up the suspects in a snowbound house, asking them to meet in the drawing room and the cleverly satisfying conclusion was extremely gratifying. I can picture Miss Marple and Hercule Poirot nodding at Ms. Donovan saying “Well done!”

Not everyone’s tastes are the same, and you can always acknowledge this by calling out specific story elements in your evaluation: 

Kevin R. Dickinson's review of The Heart of Stone :

Whether you enjoy Galley’s worldbuilding will depend heavily on preference. Galley delivers information piecemeal, letting the characters, not the author, navigate the reader through Hartlund. A notable example is the magic system, an enigmatic force that lacks the ridge structures of, say, a Brandon Sanderson novel. While the world’s magical workings are explained, you only learn what the characters know and many mysteries remain by the end. Similar choices throughout make the world feel expansive and authentic.

Non-fiction evaluation tip: A book’s topic is only as compelling as its supporting arguments. Your evaluation of a nonfiction book should address that: how clearly and effectively are the points communicated? Turn back to Stefan’s critique for an example of a non-fiction critique that covers key takeaways and readability, without giving away any “big reveals.”

Step 3. Give your recommendation 

At the end of the day, your critique needs to answer this question: is this a book you would (or wouldn’t) recommend to other readers? You might wrap up by comparing it to other books in the same genre, or authors with similar styles, such as: “Fans of so-and-so will enjoy this book.” 

Let’s take a look at a few more tips:

You don’t need to write, “I recommend this book” — you can make it clear by highlighting your favorable opinion:

Following in the footsteps of Jack Kerouac and William Least Heat-Moon, Doane offers a coming of age story about a man finding himself on the backroads of America. Doane’s a gifted writer with fluid prose and insightful observations, using The Narrator’s personal interactions to illuminate the diversity of the United States.

Despite his flaws, it’s a pleasure to accompany The Narrator on his physical and emotional journey. The unexpected ending is a fitting denouement to an epic and memorable road trip.

Add more punch to your rating by mentioning what kind of audience will or won’t enjoy the book:

Charleigh Aleyna Reid's review of The King of FU :

I would recommend this book to anyone who grew up in the 90’s and would like to reminisce about the time, someone who is interested to see what it was like to be a 90’s kid, or perhaps anyone who is looking for a unique, funny story about someone’s life.

Unless you found the title absolutely abhorrent, a good way to balance out a less favorable book review it to share what you did like about the book — before ultimately stating why you wouldn’t recommend the novel:

Nicola O's review of Secrets of the Sea Lord :

Overall, there are plenty of enjoyable elements in this story and fans of Atlantis and mer mythology should give it a try. Despite this, it does not rise above a three-star rating, and while I had some difficulty pinning down why this is, I concluded that it comes from a surprisingly unsophisticated vocabulary. There are a couple of graphic sex scenes, which is absolutely fine in a paranormal romance, but if they were removed, I could easily imagine this as an appealing story for middle-schoolers.

Non-fiction recommendation tip: As with fiction book reviews, share why you did or didn’t enjoy the title. However, in one of the starkest divergences from fiction book reviews it’s more important than ever that you mention your expectations coming into the non-fiction book. For instance, if you’re a cow farmer who’s reading a book on the benefits of becoming a vegetarian, you’re coming in with a large and inherent bias that the book will struggle to alter. So your recommendation should cover your thoughts about the book, while clearly taking account your perspective before you started reading. Let’s look once more at Stefan’s review for an example of a rating that includes an explanation of the reviewer’s own bias.

Bonus tips for writing a book review

Let’s wrap up with a few final tips for writing a compelling review.

• Remember, this isn’t a book report. If someone wants the summary of a book, they can read the synopsis. People turn to book reviews for a fellow reader’s take on the book. And for that reason...
• Have an opinion. Even if your opinion is totally middle-of-the-line — you didn’t hate the book but you didn’t love it either — state that clearly, and explain why.
• Make your stance clear from the outset. Don’t save your opinion just for the evaluation/recommendation. Weave your thoughts about the book into your summary as well, so that readers have an idea of your opinion from the outset.
• Back up your points. Instead of just saying, “the prose was evocative” — show readers by providing an actual passage that displays this. Same goes for negative points — don’t simply tell readers you found a character unbelievable, reference a certain (non-spoiler) scene that backs this up.
• Provide the details. Don’t forget to weave the book’s information into the review: is this a debut author? Is this one installment of a series? What types of books has the author written before? What is their background? How many pages does the book have? Who published the book? What is the book’s price?
• Follow guidelines. Is the review you’re writing for Goodreads? For The New York Times ? The content and tone of your review will vary a good deal from publication to publication.
• Learn from others. One of the best ways to learn how to write a great review is to read other reviews! To help you out with that, we’ve published a post all about book review examples .

Writing book reviews can be a rewarding experience! As a book-lover yourself, it’s a great opportunity to help guide readers to their next favorite title. If you’re just getting started as a reviewer and could use a couple more tips and nudges in the right direction, check out our comprehensive blog post on how to become a book reviewer . And if you want to find out which review community is the right fit for you, we recommend taking this quick quiz:

Which review community should you join?

Find out which review community is best for your style. Takes 30 seconds!

Finally, if you feel you've nailed the basics of how to write a book review, we recommend you check out Reedsy Discovery , where you can review books for free and are guaranteed people will read them. To register as a book reviewer, simply go here !

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FREE 26+ Book Review Templates in PDF | MS Word

A good book review is elementary in attracting a larger gamut of readers. It is the first impression of the story plot and the narration style of the book. Book Article Review Templates are a reflection of the story telling that gives the readers just the right cue to take up for further reading of the sample book . A good book review template will also give a general detail of the author. Here are some templates that offer the perfect framework that can be used to make the most interesting book review formats. You may also see performance review samples

Book Review Template

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Book Review Example

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This book review template has a very clean and neat look. The template design offers separate segments that will be furnishing information about the plot of the book, the most special aspect about the story plot that will help to build the interest of the readers and also a general recommendation as to why should one read this book. The template is fully editable and the users can feed in information as per their own requirement.You may also see business review

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Books for kids have to be given an especially interesting look and feel. The review of this book should be having a special touch that will develop the interest and the curiosity of the young readers. This template has the most unique design that offers information such as the title and the author of the book, the name of the publisher and also a sample brief story line. The template also has other interesting features such as the section that illustrates the best and the worst aspects of the book.You may also see management review

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Sample Book Review Template

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Book review template provides the users with the perfect structure or format that can be used for the purpose of making the crispest, attractive and professional book reviews. You may also see  book summary 

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Book Review

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Book reviews are an essential part of literature review and criticism, providing readers with an overview of a book’s content, style, text structure , and quality. They offer readers an insight into the author’s writing and provide an assessment of the book’s strengths and weaknesses . Book reviews are written by professional book reviewers, literary critics, and even readers who have read the book and want to share their opinion with others. Other readers, or the author, would also reply to the critic with an argument essay .

What is a Book Review?

A book review is a critical evaluation of a book, where the reviewer shares their analysis, opinions, and overall assessment of the book’s content, style, and merit. It includes a summary of the book’s key points, an evaluation of its strengths and weaknesses, and a recommendation for potential readers. Book reviews help readers decide whether a book is worth reading.

Book Review Format

When writing a book review, it’s essential to follow a structured format that includes specific elements. Below is a detailed guide to help you create an engaging and comprehensive book review.

1. Introduction

• Book Title and Author : Clearly state the title of the book and the author’s name.
• Publication Details : Include the publisher, publication date, and edition if relevant.
• Genre : Mention the genre of the book (e.g., fiction, non-fiction, mystery, fantasy).
• Brief Overview : Provide a brief overview or summary of the book’s premise without giving away any spoilers.

Example: To Kill a Mockingbird by Harper Lee, published by J.B. Lippincott & Co. in 1960, is a classic piece of American literature. This novel falls within the historical fiction genre and explores deep themes of racial injustice and moral growth through the eyes of young Scout Finch.

• Main Plot : Summarize the main plot points of the book in a concise manner.
• Setting : Describe the time and place where the story occurs.
• Main Characters : Introduce the main characters and their roles in the story.

Example: Set in the racially segregated South during the 1930s, the novel follows Scout Finch, her brother Jem, and their father Atticus, a principled lawyer. When Atticus defends a black man falsely accused of raping a white woman, the family faces hostility from the community. The story is a poignant exploration of racial tensions and moral integrity.

3. Analysis

• Themes : Discuss the main themes and messages of the book.
• Character Development : Analyze the growth and complexity of the main characters.
• Writing Style : Comment on the author’s writing style and how it contributes to the story.
• Pacing and Structure : Evaluate the pacing of the plot and the structure of the book.

Example: Harper Lee masterfully addresses themes of racism, moral courage, and the innocence of childhood. Through Scout’s eyes, we witness her coming-of-age and grappling with the harsh realities of her society. Lee’s descriptive prose and authentic dialogue create an immersive and emotionally charged narrative.

4. Personal Reflection

• Personal Connection : Share your personal connection to the book and how it impacted you.
• Strengths and Weaknesses : Highlight the strengths and any weaknesses you perceived in the book.
• Favorite Part : Mention any part or aspect of the book that stood out to you.

Example: Reading To Kill a Mockingbird was a profound experience. The book’s exploration of morality in the face of prejudice resonated deeply with me. While the pacing in some parts felt slow, the rich character development and powerful themes more than compensated for it. Atticus Finch’s unwavering integrity remains my favorite aspect of the book.

5. Conclusion

• Overall Impression : Provide your overall impression of the book.
• Recommendation : State whether you would recommend the book and to whom.
• Rating : Optionally, include a rating out of 5 or 10.

Example: Overall, To Kill a Mockingbird is a beautifully crafted novel that offers valuable insights into human nature and social justice. I highly recommend this book to readers of all ages, particularly those interested in historical fiction and ethical dilemmas. I would rate it 4.5 out of 5 stars.

6. Additional Information (Optional)

• Author’s Background : Briefly discuss the author’s background and other notable works.
• Comparison : Compare the book to other similar works or the author’s other books.
• Discussion Questions : Provide a few questions for further discussion or book clubs.

Example: Harper Lee, born in 1926 in Alabama, is best known for To Kill a Mockingbird , her only novel until the release of Go Set a Watchman in 2015. Her portrayal of Southern life and deep moral questions sets her apart from other authors in the genre.

Example of Book Review

“To Kill a Mockingbird” by Harper Lee Introduction To Kill a Mockingbird by Harper Lee, published by J.B. Lippincott & Co. in 1960, is a classic piece of American literature. This novel falls within the historical fiction genre and explores deep themes of racial injustice and moral growth through the eyes of young Scout Finch. Summary Set in the racially segregated South during the 1930s, the novel follows Scout Finch, her brother Jem, and their father Atticus, a principled lawyer. When Atticus defends a black man falsely accused of raping a white woman, the family faces hostility from the community. The story is a poignant exploration of racial tensions and moral integrity. Analysis Harper Lee masterfully addresses themes of racism, moral courage, and the innocence of childhood. Through Scout’s eyes, we witness her coming-of-age and grappling with the harsh realities of her society. Lee’s descriptive prose and authentic dialogue create an immersive and emotionally charged narrative. The character of Atticus Finch stands out as a paragon of virtue and empathy, serving as a moral guidepost for both Scout and the readers. The pacing of the book, though steady, allows for deep character development and a thorough exploration of its themes. Personal Reflection Reading To Kill a Mockingbird was a profound experience. The book’s exploration of morality in the face of prejudice resonated deeply with me. While the pacing in some parts felt slow, the rich character development and powerful themes more than compensated for it. Atticus Finch’s unwavering integrity remains my favorite aspect of the book. The trial scenes were particularly impactful, highlighting the deep-seated injustices of the time. Conclusion Overall, To Kill a Mockingbird is a beautifully crafted novel that offers valuable insights into human nature and social justice. I highly recommend this book to readers of all ages, particularly those interested in historical fiction and ethical dilemmas. I would rate it 4.5 out of 5 stars. Additional Information Harper Lee, born in 1926 in Alabama, is best known for To Kill a Mockingbird , her only novel until the release of Go Set a Watchman in 2015. Her portrayal of Southern life and deep moral questions sets her apart from other authors in the genre. This book is often compared to other great American novels such as The Adventures of Huckleberry Finn by Mark Twain, both dealing with themes of race and morality.

Example of Book Review for Students

“Charlotte’s Web” by E.B. White Introduction Charlotte’s Web by E.B. White, published by Harper & Brothers in 1952, is a classic children’s novel that tells the story of a pig named Wilbur and his friendship with a spider named Charlotte. This book is a staple in children’s literature and has been cherished by generations of readers. Summary Wilbur, the runt of the litter, is saved from an untimely death by a girl named Fern. He is sent to live on her uncle’s farm, where he meets Charlotte, a wise and kind spider. When Wilbur’s life is again threatened, Charlotte writes messages in her web praising Wilbur, which amaze the humans and save his life. The story ends with the changing of seasons and Charlotte’s passing, leaving behind her legacy through her offspring. Analysis E.B. White’s Charlotte’s Web is a heartwarming tale about friendship, loyalty, and the cycle of life. The author’s gentle prose and vivid descriptions bring the farm to life, making readers feel as if they are part of Wilbur and Charlotte’s world. Themes of sacrifice and the power of words are central to the story, teaching young readers about the impact of kindness and creativity. The characters are well-developed, each with their own unique personalities that add depth to the story. Personal Reflection Charlotte’s Web is a touching story that has stayed with me since childhood. The bond between Wilbur and Charlotte is beautifully depicted, and the lessons of friendship and selflessness are profound. The book’s ending, while bittersweet, is a poignant reminder of life’s natural progression. Charlotte’s cleverness and dedication to saving Wilbur are inspirational, showing the true meaning of friendship and love. Conclusion Charlotte’s Web is a timeless story that continues to resonate with readers of all ages. It’s a must-read for elementary and middle school students, offering valuable lessons in compassion and the importance of friendship. I would rate it 5 out of 5 stars for its enduring charm and profound messages.

Example of Book Review for College Students

“1984” by George Orwell Introduction 1984 by George Orwell, published by Secker & Warburg in 1949, is a seminal work of dystopian fiction. The novel explores themes of totalitarianism, surveillance, and the manipulation of truth in a society dominated by a tyrannical regime. Orwell’s chilling depiction of a future where individuality and freedom are systematically obliterated remains profoundly relevant today. Summary Set in a grim future where the Party, led by the enigmatic Big Brother, exerts absolute control over all aspects of life, 1984 follows Winston Smith, a low-ranking member of the Party. Winston works at the Ministry of Truth, where his job is to alter historical records to fit the Party’s ever-changing narratives. Disillusioned with the oppressive regime, Winston begins a covert rebellion by starting an illicit love affair with Julia and seeking the truth about the Party’s deceptions. As Winston delves deeper into his quest for truth, he encounters the brutal reality of the Party’s power and the futility of resistance. Analysis Orwell’s 1984 is a masterclass in dystopian literature, vividly illustrating the dangers of totalitarianism and the pervasive power of propaganda. The novel’s bleak setting and oppressive atmosphere effectively convey the sense of hopelessness that pervades Winston’s world. Themes of surveillance, control, and the malleability of truth resonate strongly, especially in the context of contemporary debates about privacy and government overreach. Orwell’s writing is both stark and evocative, immersing readers in the nightmarish reality of Oceania. The character of Winston Smith serves as a poignant representation of human vulnerability and the yearning for freedom. His tragic arc underscores the novel’s central message about the destructive potential of absolute power. Personal Reflection Reading 1984 as a college student, I found Orwell’s exploration of power dynamics and ideological control to be profoundly thought-provoking. The novel’s portrayal of a society stripped of individuality and truth resonated deeply, prompting reflection on the importance of critical thinking and resistance to authoritarianism. Winston’s futile struggle against the Party’s omnipotence was both heartbreaking and a stark reminder of the fragility of human rights. Conclusion 1984 is an essential read for college students, offering critical insights into the mechanisms of control and the importance of safeguarding democratic values. Orwell’s chilling vision of a dystopian future serves as a powerful warning against the perils of totalitarianism and the erosion of truth. I highly recommend this novel for its timeless relevance and profound impact. I would rate it 5 out of 5 stars.

More Samples & Examples of Book Review in PDF

1. writing a book review.

2. Write a Critical Book Review

3. Book Review Assignment Example

4. Steps for Writing a Good Book Review

5. Writing a Book Review of a Nonfiction Book

6. Writing Book Reviews in Political Science

Common Mistakes to Avoid in Book Reviews

Writing a book review requires a careful balance of summarizing the content, providing analysis, and offering a critical assessment. Here are some common mistakes to avoid to ensure your book review is effective and insightful:

1. Spoilers

• Mistake : Revealing too much of the plot, including twists, climaxes, and the ending.
• Avoidance : Provide a brief summary without giving away key plot points. Maintain the element of surprise for readers who have not yet read the book.

2. Lack of Structure

• Mistake : Writing a review without a clear structure, making it hard for readers to follow your thoughts.
• Avoidance : Organize your review with clear sections: Introduction, Summary, Analysis, Critical Assessment, Conclusion, and (if applicable) Personal Reflection.

3. Overly Negative or Positive Bias

• Mistake : Being overly harsh or excessively praising without providing balanced criticism.
• Avoidance : Offer a fair assessment, highlighting both the strengths and weaknesses of the book. Ensure your review is balanced and objective.

4. Inadequate Analysis

• Mistake : Focusing too much on the plot summary and not enough on analysis and evaluation.
• Avoidance : Analyze the book’s themes, characters, writing style, and overall impact. Provide thoughtful insights rather than just recounting the story.

5. Personal Bias

• Mistake : Letting personal preferences overshadow an objective evaluation of the book’s merits and flaws.
• Avoidance : While personal reflections are valuable, they should not dominate the review. Keep your assessment fair and objective, considering the book’s intended audience and genre.

6. Ignoring the Author’s Intent

• Mistake : Criticizing the book for not being something it was never intended to be.
• Avoidance : Understand the author’s goals and evaluate the book based on those criteria. Judge the book within the context of its genre and intended audience.

7. Inadequate Support for Opinions

• Mistake : Making bold statements without supporting evidence from the book.
• Avoidance : Back up your opinions with specific examples and quotations from the text. This strengthens your arguments and provides clarity to your critique.

8. Vague Language

• Mistake : Using vague or generic terms that do not provide clear insights.
• Avoidance : Use specific and descriptive language. Instead of saying “the book is interesting,” explain what makes it engaging or compelling.

9. Ignoring the Book’s Audience

• Mistake : Failing to consider the book’s target audience in your review.
• Avoidance : Assess how well the book meets the needs and expectations of its intended readers. A book aimed at children, for example, should be evaluated differently than one aimed at adults.

10. Overlooking the Book’s Context

• Mistake : Not considering the historical, cultural, or literary context of the book.
• Avoidance : Place the book within its broader context. Discuss its relevance, influences, and how it fits within the author’s body of work or its genre.

11. Inconsistent Tone and Style

• Mistake : Switching between formal and informal tones or using inconsistent writing styles.
• Avoidance : Maintain a consistent tone and style throughout the review. Ensure your language matches the seriousness or lightheartedness of the book.

12. Poor Proofreading

• Mistake : Submitting a review with grammatical errors, typos, and poorly constructed sentences.
• Avoidance : Proofread your review carefully before publishing. Consider having someone else read it to catch any mistakes you might have missed.

How to write a Book Review

Here are some steps to follow when writing a book review:

Step 1: Read the book

The first step in writing a book review is to read the book thoroughly. Take notes while reading to help you remember important plot points, themes, and characters.

Step 2: Start with a summary

Begin your review with a brief summary of the book’s plot, characters, and setting. This will give readers an idea of what the book is about.

Step 3: Analyze the book

After providing a summary, analyze the book by discussing its strengths and weaknesses. Consider elements such as the author’s writing style, character development, plot structure, and themes.

Step 4: Provide evidence

When making statements about the book, provide evidence to support your opinions. This could include quotes from the book or references to specific scenes or characters.

Step 5: Include your opinion

Share your personal opinion of the book, but be sure to back it up with evidence from the text. Be honest in your review and explain why you feel the way you do about the book.

Step 6: Provide recommendations

Conclude your review with recommendations for readers who may be interested in the book. This could include mentioning similar books or authors, or suggesting who the book may appeal to.

Step 7: Edit and revise

Once you have completed your review, edit and revise it to ensure that it is clear, concise, and free of errors.

How do I start a book review?

Begin with the book’s title, author, and a brief introduction. Include a thesis statement summarizing your overall impression.

What should be included in a book review?

Include a summary, analysis of characters, plot, themes, writing style, strengths, weaknesses, and a final recommendation.

How long should a book review be?

A book review typically ranges from 500 to 1,000 words, depending on the publication or audience requirements.

Can I include quotes from the book?

Yes, using quotes can support your analysis and provide readers with a sense of the book’s style and tone.

How much of the plot should I reveal?

Provide a brief summary without revealing major plot twists or the ending to avoid spoilers for future readers.

Is it okay to be critical in a book review?

Yes, providing balanced criticism is important. Highlight both strengths and weaknesses to give a fair assessment.

Should I compare the book to others?

Comparisons can be useful if they help illustrate the book’s place within its genre or its relation to the author’s other works.

How can I make my review engaging?

Use a clear structure, vivid descriptions, and personal reflections to make your review interesting and relatable.

Can I review a book if I didn’t like it?

Yes, negative reviews are valuable if they are constructive and explain why the book didn’t work for you.

Where can I publish my book review?

Publish on blogs, literary websites, social media, or submit to magazines and journals that accept book reviews.

Text prompt

• Instructive
• Professional

10 Examples of Public speaking

20 Examples of Gas lighting

The Englewood Review of Books launches landmark study of clergy reading habits

The englewood review of books.

But what do these larger trends mean for churches and their leaders? Historically, Christianity has been one the key religious traditions identified as “People of the Book,” but is this identity being challenged by declining reading habits in the broader culture? The Englewood Review of Books (ERB), a leading source of book news and reviews for church leaders, set out to explore these questions. “Reading is a vital part of our Christian faith,” notes ERB Senior Editor C. Christopher Smith, “and the cultural reading trends seemingly pose a threat to the life and flourishing of our churches.”

The ERB was founded in 2008 by Englewood Christian Church in Indianapolis. Although started as an online publication, they also published a quarterly print magazine for a decade. Their readership consists of over 30,000 Christians across a broad spectrum of church traditions, the vast majority of whom identify as church leaders – either clergy or lay leaders.

Working with sociologist of religion John Hawthorne, the ERB designed a survey of clergy reading habits. The survey inquires not only about pastors’ personal reading habits (how much they read, what sorts of books they read, and their preferred reading format – print, ebook, or audiobook), but also about the reading habits of their congregations. The data collected will provide important insight into how congregations learn together and may also present valuable information for Christian authors, publishers, and content creators who desire to reach church leaders and impact congregational formation. This study is funded in part by a grant from the Lilly Endowment’s Thriving Congregations Initiative.

Active clergy and church staff are invited to participate in this study which will run through September 30, and everyone who participates will receive a copy of the study’s findings after its completion: englewoodreview.org/clergy-reading-survey-2024

Contact: C. Christopher Smith The Englewood Review of Books 317-697-2246 [email protected]

Disclaimer: The views and opinions expressed in this article are those of the authors and do not necessarily reflect the official policy or position of Religion News Service or Religion News Foundation.

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Book Review: Matt Haig extols the magic of Ibiza in 'The Life Impossible'

Matt Haig’s follow-up to his worldwide bestseller, “The Midnight Library,” finds ordinary characters once again doing extraordinary things

“Reality is not always probable, or likely.” That’s the quote from the late Argentine poet Jorge Luis Borges that prefaces Matt Haig’s new novel, “The Life Impossible.” If you fundamentally take issue with it, don’t bother turning the page.

But if you’re willing to suspend disbelief when reading fiction, this is an engaging story. Some readers, like my teenage daughter who devoured Haig’s bestselling book, “The Midnight Library,” may not vibe as well with the septuagenarian narrator recovering from varicose vein surgery, but the book’s plot takes care of her physical deterioration soon enough.

The action is set in Ibiza, the Spanish island famous for its nightclubs. When the narrator, Grace Winters, suddenly inherits a rundown house there, she leaves behind her tragic life as a childless and widowed mathematics teacher in England for an adventure. And, oh, what an adventure! As Grace pieces together the fate of a collegiate acquaintance, Christina, who gifted her the house, she meets Alberto Ribas, a “once respected marine biologist” who now gives diving tours in the Mediterranean and who Grace describes as “not so much of a pirate but a castaway, with the unkempt hair and the beard escaping his face in every direction.” On one of those dives, Grace’s life is forever altered by a blue phosphorescent light she swims toward under the water. “La Presencia,” or “The Presence,” imbues her with actual superpowers, the details of which are too much fun to spoil here.

And while at this point the plot proudly strays from reality, it’s not embarrassed by it. Grace is a reliable narrator and the structure of the novel is her telling her story to a former student. “Mathematics is… as mysterious and enigmatic as the whole of life, and expecting it — or anything — to confirm to what I wanted it to be was a mistake,” she writes. Grace’s reawakening to the wonders of the natural world forms the second half of the story, as she and a cast of characters work to save parts of Ibiza from development.

The entire book will take an average reader just a few hours to read. Really short chapters — some just a sentence long — help the pages fly. And while some may finish the last sentence shaking their head at the implausibility of it all, Grace’s realization that everything on Earth is worthy of admiration and preservation is a message the whole world can get behind.

AP book reviews: https://apnews.com/hub/book-reviews

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Book Reviews

What this handout is about.

This handout will help you write a book review, a report or essay that offers a critical perspective on a text. It offers a process and suggests some strategies for writing book reviews.

What is a review?

A review is a critical evaluation of a text, event, object, or phenomenon. Reviews can consider books, articles, entire genres or fields of literature, architecture, art, fashion, restaurants, policies, exhibitions, performances, and many other forms. This handout will focus on book reviews. For a similar assignment, see our handout on literature reviews .

Above all, a review makes an argument. The most important element of a review is that it is a commentary, not merely a summary. It allows you to enter into dialogue and discussion with the work’s creator and with other audiences. You can offer agreement or disagreement and identify where you find the work exemplary or deficient in its knowledge, judgments, or organization. You should clearly state your opinion of the work in question, and that statement will probably resemble other types of academic writing, with a thesis statement, supporting body paragraphs, and a conclusion.

Typically, reviews are brief. In newspapers and academic journals, they rarely exceed 1000 words, although you may encounter lengthier assignments and extended commentaries. In either case, reviews need to be succinct. While they vary in tone, subject, and style, they share some common features:

• First, a review gives the reader a concise summary of the content. This includes a relevant description of the topic as well as its overall perspective, argument, or purpose.
• Second, and more importantly, a review offers a critical assessment of the content. This involves your reactions to the work under review: what strikes you as noteworthy, whether or not it was effective or persuasive, and how it enhanced your understanding of the issues at hand.
• Finally, in addition to analyzing the work, a review often suggests whether or not the audience would appreciate it.

Becoming an expert reviewer: three short examples

Reviewing can be a daunting task. Someone has asked for your opinion about something that you may feel unqualified to evaluate. Who are you to criticize Toni Morrison’s new book if you’ve never written a novel yourself, much less won a Nobel Prize? The point is that someone—a professor, a journal editor, peers in a study group—wants to know what you think about a particular work. You may not be (or feel like) an expert, but you need to pretend to be one for your particular audience. Nobody expects you to be the intellectual equal of the work’s creator, but your careful observations can provide you with the raw material to make reasoned judgments. Tactfully voicing agreement and disagreement, praise and criticism, is a valuable, challenging skill, and like many forms of writing, reviews require you to provide concrete evidence for your assertions.

Consider the following brief book review written for a history course on medieval Europe by a student who is fascinated with beer:

Judith Bennett’s Ale, Beer, and Brewsters in England: Women’s Work in a Changing World, 1300-1600, investigates how women used to brew and sell the majority of ale drunk in England. Historically, ale and beer (not milk, wine, or water) were important elements of the English diet. Ale brewing was low-skill and low status labor that was complimentary to women’s domestic responsibilities. In the early fifteenth century, brewers began to make ale with hops, and they called this new drink “beer.” This technique allowed brewers to produce their beverages at a lower cost and to sell it more easily, although women generally stopped brewing once the business became more profitable.

The student describes the subject of the book and provides an accurate summary of its contents. But the reader does not learn some key information expected from a review: the author’s argument, the student’s appraisal of the book and its argument, and whether or not the student would recommend the book. As a critical assessment, a book review should focus on opinions, not facts and details. Summary should be kept to a minimum, and specific details should serve to illustrate arguments.

Now consider a review of the same book written by a slightly more opinionated student:

Judith Bennett’s Ale, Beer, and Brewsters in England: Women’s Work in a Changing World, 1300-1600 was a colossal disappointment. I wanted to know about the rituals surrounding drinking in medieval England: the songs, the games, the parties. Bennett provided none of that information. I liked how the book showed ale and beer brewing as an economic activity, but the reader gets lost in the details of prices and wages. I was more interested in the private lives of the women brewsters. The book was divided into eight long chapters, and I can’t imagine why anyone would ever want to read it.

There’s no shortage of judgments in this review! But the student does not display a working knowledge of the book’s argument. The reader has a sense of what the student expected of the book, but no sense of what the author herself set out to prove. Although the student gives several reasons for the negative review, those examples do not clearly relate to each other as part of an overall evaluation—in other words, in support of a specific thesis. This review is indeed an assessment, but not a critical one.

Here is one final review of the same book:

One of feminism’s paradoxes—one that challenges many of its optimistic histories—is how patriarchy remains persistent over time. While Judith Bennett’s Ale, Beer, and Brewsters in England: Women’s Work in a Changing World, 1300-1600 recognizes medieval women as historical actors through their ale brewing, it also shows that female agency had its limits with the advent of beer. I had assumed that those limits were religious and political, but Bennett shows how a “patriarchal equilibrium” shut women out of economic life as well. Her analysis of women’s wages in ale and beer production proves that a change in women’s work does not equate to a change in working women’s status. Contemporary feminists and historians alike should read Bennett’s book and think twice when they crack open their next brewsky.

This student’s review avoids the problems of the previous two examples. It combines balanced opinion and concrete example, a critical assessment based on an explicitly stated rationale, and a recommendation to a potential audience. The reader gets a sense of what the book’s author intended to demonstrate. Moreover, the student refers to an argument about feminist history in general that places the book in a specific genre and that reaches out to a general audience. The example of analyzing wages illustrates an argument, the analysis engages significant intellectual debates, and the reasons for the overall positive review are plainly visible. The review offers criteria, opinions, and support with which the reader can agree or disagree.

Developing an assessment: before you write

There is no definitive method to writing a review, although some critical thinking about the work at hand is necessary before you actually begin writing. Thus, writing a review is a two-step process: developing an argument about the work under consideration, and making that argument as you write an organized and well-supported draft. See our handout on argument .

What follows is a series of questions to focus your thinking as you dig into the work at hand. While the questions specifically consider book reviews, you can easily transpose them to an analysis of performances, exhibitions, and other review subjects. Don’t feel obligated to address each of the questions; some will be more relevant than others to the book in question.

• What is the thesis—or main argument—of the book? If the author wanted you to get one idea from the book, what would it be? How does it compare or contrast to the world you know? What has the book accomplished?
• What exactly is the subject or topic of the book? Does the author cover the subject adequately? Does the author cover all aspects of the subject in a balanced fashion? What is the approach to the subject (topical, analytical, chronological, descriptive)?
• How does the author support their argument? What evidence do they use to prove their point? Do you find that evidence convincing? Why or why not? Does any of the author’s information (or conclusions) conflict with other books you’ve read, courses you’ve taken or just previous assumptions you had of the subject?
• How does the author structure their argument? What are the parts that make up the whole? Does the argument make sense? Does it persuade you? Why or why not?
• How has this book helped you understand the subject? Would you recommend the book to your reader?

Beyond the internal workings of the book, you may also consider some information about the author and the circumstances of the text’s production:

• Who is the author? Nationality, political persuasion, training, intellectual interests, personal history, and historical context may provide crucial details about how a work takes shape. Does it matter, for example, that the biographer was the subject’s best friend? What difference would it make if the author participated in the events they write about?
• What is the book’s genre? Out of what field does it emerge? Does it conform to or depart from the conventions of its genre? These questions can provide a historical or literary standard on which to base your evaluations. If you are reviewing the first book ever written on the subject, it will be important for your readers to know. Keep in mind, though, that naming “firsts”—alongside naming “bests” and “onlys”—can be a risky business unless you’re absolutely certain.

Writing the review

Once you have made your observations and assessments of the work under review, carefully survey your notes and attempt to unify your impressions into a statement that will describe the purpose or thesis of your review. Check out our handout on thesis statements . Then, outline the arguments that support your thesis.

Your arguments should develop the thesis in a logical manner. That logic, unlike more standard academic writing, may initially emphasize the author’s argument while you develop your own in the course of the review. The relative emphasis depends on the nature of the review: if readers may be more interested in the work itself, you may want to make the work and the author more prominent; if you want the review to be about your perspective and opinions, then you may structure the review to privilege your observations over (but never separate from) those of the work under review. What follows is just one of many ways to organize a review.

Introduction

Since most reviews are brief, many writers begin with a catchy quip or anecdote that succinctly delivers their argument. But you can introduce your review differently depending on the argument and audience. The Writing Center’s handout on introductions can help you find an approach that works. In general, you should include:

• The name of the author and the book title and the main theme.
• Relevant details about who the author is and where they stand in the genre or field of inquiry. You could also link the title to the subject to show how the title explains the subject matter.
• The context of the book and/or your review. Placing your review in a framework that makes sense to your audience alerts readers to your “take” on the book. Perhaps you want to situate a book about the Cuban revolution in the context of Cold War rivalries between the United States and the Soviet Union. Another reviewer might want to consider the book in the framework of Latin American social movements. Your choice of context informs your argument.
• The thesis of the book. If you are reviewing fiction, this may be difficult since novels, plays, and short stories rarely have explicit arguments. But identifying the book’s particular novelty, angle, or originality allows you to show what specific contribution the piece is trying to make.
• Your thesis about the book.

Summary of content

This should be brief, as analysis takes priority. In the course of making your assessment, you’ll hopefully be backing up your assertions with concrete evidence from the book, so some summary will be dispersed throughout other parts of the review.

The necessary amount of summary also depends on your audience. Graduate students, beware! If you are writing book reviews for colleagues—to prepare for comprehensive exams, for example—you may want to devote more attention to summarizing the book’s contents. If, on the other hand, your audience has already read the book—such as a class assignment on the same work—you may have more liberty to explore more subtle points and to emphasize your own argument. See our handout on summary for more tips.

Analysis and evaluation of the book

Your analysis and evaluation should be organized into paragraphs that deal with single aspects of your argument. This arrangement can be challenging when your purpose is to consider the book as a whole, but it can help you differentiate elements of your criticism and pair assertions with evidence more clearly. You do not necessarily need to work chronologically through the book as you discuss it. Given the argument you want to make, you can organize your paragraphs more usefully by themes, methods, or other elements of the book. If you find it useful to include comparisons to other books, keep them brief so that the book under review remains in the spotlight. Avoid excessive quotation and give a specific page reference in parentheses when you do quote. Remember that you can state many of the author’s points in your own words.

Sum up or restate your thesis or make the final judgment regarding the book. You should not introduce new evidence for your argument in the conclusion. You can, however, introduce new ideas that go beyond the book if they extend the logic of your own thesis. This paragraph needs to balance the book’s strengths and weaknesses in order to unify your evaluation. Did the body of your review have three negative paragraphs and one favorable one? What do they all add up to? The Writing Center’s handout on conclusions can help you make a final assessment.

Finally, a few general considerations:

• Review the book in front of you, not the book you wish the author had written. You can and should point out shortcomings or failures, but don’t criticize the book for not being something it was never intended to be.
• With any luck, the author of the book worked hard to find the right words to express her ideas. You should attempt to do the same. Precise language allows you to control the tone of your review.
• Never hesitate to challenge an assumption, approach, or argument. Be sure, however, to cite specific examples to back up your assertions carefully.
• Try to present a balanced argument about the value of the book for its audience. You’re entitled—and sometimes obligated—to voice strong agreement or disagreement. But keep in mind that a bad book takes as long to write as a good one, and every author deserves fair treatment. Harsh judgments are difficult to prove and can give readers the sense that you were unfair in your assessment.
• A great place to learn about book reviews is to look at examples. The New York Times Sunday Book Review and The New York Review of Books can show you how professional writers review books.

Works consulted

We consulted these works while writing this handout. This is not a comprehensive list of resources on the handout’s topic, and we encourage you to do your own research to find additional publications. Please do not use this list as a model for the format of your own reference list, as it may not match the citation style you are using. For guidance on formatting citations, please see the UNC Libraries citation tutorial . We revise these tips periodically and welcome feedback.

Drewry, John. 1974. Writing Book Reviews. Boston: Greenwood Press.

Hoge, James. 1987. Literary Reviewing. Charlottesville: University Virginia of Press.

Sova, Dawn, and Harry Teitelbaum. 2002. How to Write Book Reports , 4th ed. Lawrenceville, NY: Thomson/Arco.

Walford, A.J. 1986. Reviews and Reviewing: A Guide. Phoenix: Oryx Press.

You may reproduce it for non-commercial use if you use the entire handout and attribute the source: The Writing Center, University of North Carolina at Chapel Hill

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Book review: anya gillinson’s wholly engrossing ‘dreaming in russian’.

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“Think about your most embarrassing moment. Then multiply it many times. That’s what it feels like when your clients are losing money.” The latter is a paraphrase of Shelwyn Weston, a senior wealth manager at Goldman Sachs back in 1998. She was speaking to a class of new associates that I was part of, and what she said stays with me to this day.

It came to mind while reading Anya Gillinson’s beautifully written and remarkable new memoir, Dreaming in Russian . Gillinson’s life story is largely about her time in the United States, after she, her mother, and sister Liana exited the defunct Soviet Union. Writing about immigration itself, as in trying to make it in a new country, Gillinson observes that it is “a humiliating trial that exposes your most unflattering characteristics and your deepest weakness.”

Gillinson’s observation will stick with me as Weston’s always has simply because the two kinds of embarrassment introduce a new way of looking at a job and a decision. With immigration, we so often think of its impact on the country. It’s what immigrants do to us, or the most vulnerable, or to the cities and states they wind up in. Rarely discussed is the humiliation involved for those who love themselves enough to get to countries like the United States. There’s your humiliation it seems. Think about it.

U.S. culture is revered globally, as are U.S. products and services. A Polish immigrant recently told me that McDonald’s for his family in Poland was the stuff of Sundays and formal wear . In Africa to this day, the rare U.S. fast food place is where men hoping to impress a girl take a date. In other words, the U.S. is the cool kid to the world. The coolest .

Imagine then, what it feels like to arrive in a country you revere. You lack the money, the clothes, and most often the command of the language in the country you’ve long looked longingly at. Maybe Gillinson means something different, but that’s the point of books. No one reads the same one. In my case, Gillinson opened my eyes to another aspect of immigration: it’s not just that people risk their lives to get here (Cato Institute co-founder Ed Crane has long said the act of getting here stamps “immigrants” as Americans ), it’s not just that the decision to risk one’s life to get to the United States is on its own not very easy (the guess is that those who leave not infrequently were the stars from whence they came), and it’s not just that if you’re lucky enough to get here that you’re frequently bereft of possessions of any meaningful kind, it’s that once you’re here and so successful as to be living and working, that the existence itself is defined by routine embarrassment.

What’s interesting about all this, is that Gillinson’s humiliation upon reaching New York City was much more gold-plated. Consider her background. Crucial here is that her background explains her eventual arrival in the United States. Though Russian names are always confusing, Gillinson was born Anya Novikova in the Soviet Union of the 1970s. She was the daughter and granddaughter of prominent entertainers (her mother a concert pianist, he grandmother an actress, her grandfather Saul an entertainment impresario) on her mother’s side, and doctors on her father’s side. Her father, Arkaday Novikov, was known throughout the Soviet Union, and people would travel far and wide to Moscow in order to be treated by him.

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Gillinson describes her father as “the architect of my life, the inventor of my character, my judge, and my true protector.” Her father was notable to Gillinson’s book for so many reasons, including that the United States was “the country of my father’s dreams and his greatest aspiration for me.” It’s a reminder that the Soviets, including Arkady, knew . Propaganda is only successful if it’s not needed. It’s like banks in a simplistic sense. They say about them that they lend to those who don’t need the money, and propaganda that actually works is an effect of there being no need for it.

This wasn’t true in the Soviet Union. Gillinson writes that “my father came to loathe the Soviet healthcare system. He saw bureaucracy, inertia, stupidity, lack of resources and negligence toward patients that was not personal so much as it was systemic.” To which more than a few readers will nod along knowingly. Well yes, central planning and its demerits. Except that Gillinson gives the reader more. And she does so in powerful fashion.

She writes that “those who fell out of favor at work and got fired were subject to arrest if they couldn’t get another job right away. This law was often used to intimidate dissidents.” Please think about the previous passage with Fyodor Dostoevsky’s (Gillinson swipes Dostoevsky closer to the end of book as popular with westerners for facile reasons…!) line about the alleged criminal element in Crime and Punishment top of mind; as in the extraordinary people “who have the gift or talent of speaking a new word in their environment.” In pre-Soviet Russia they had a chance because they were, well, extraordinary . In the Soviet Union of Gillinson’s time and before, anyone with an opposite idea didn’t dare utter it, particularly on the job.

Remember, in the words of Gillinson unemployment “was a crime in the new workers’ heaven” of the Soviet Union, so people just got along as best they could. Translated, the extraordinary largely kept their mouths shut. Imagine the horrors of that. No freedom to be, say, or do differently. The agony . And then the agony further explains why the Soviet Union didn’t just fail because central planning always fails, but because stagnation and decline is the certain consequence of the suffocation of those with talent who might otherwise speak “a new word.” Again, the agony of having the mindset of an entrepreneur but with no way to express these opposite views. They’d become – yes – criminal.

No wonder Anya’s father wanted out. He most certainly was a criminal in the Dostoevsky sense. This was his solace of sorts, but also crucial for the many who were treated by him. Gillinson writes that away from the opposite thinkers like her brilliant father, “people would rather drink urine in hopes for a cure than adhere to a medical treatment coming from an educated doctor.” A profession that couldn’t innovate by design was stuck in decline and the result was substantial “distrust toward medical science” within the citizenry. Shades of what shamefully happened in 2020 when doctors near monolithically bought into the notion that the taking of freedom and the crushing of the U.S. economy were necessary to mitigate the effects of a spreading virus. Sorry, but wealth is the greatest enemy that death and disease have ever known.

All of which brings up a quibble with the author. She mentions the coronavirus at a couple of stages in the book, and with good reason as readers will see. What didn’t ring true was this freedom-loving author’s accepting lines like “she succumbed to COVID like so many millions of others.” About my quibble, let me be clear with my belief that easily the worst excuses for the lockdowns in response to the virus were the initial ones: hospitals weren’t ready for all the sick people who would get the virus by living freely, along with 2 million+ Americans would die if they were allowed to remain free. Utter nonsense. And that’s not a scientific or medical statement, that’s just a comment that if the virus had been at all like what the experts said it was with highly limited knowledge, Americans would have locked down on their own. Translated, the more threatening anything is, the more superfluous is the government’s response.

My quibble will come in three questions: Why didn’t the author express horror at was done, and as being of a piece of what happened to doctors in the old Soviet Union whereby dissenting opinion was muzzled? Second, does she really think the virus was the catalyst for millions of deaths, or was it largely a factor in the deaths of frequently older, rather unwell people, including her former stepfather, Ed McCauley? Three, how interesting to imagine what her rebellious father would have thought. As he’s rightly written about in heroic fashion, I’d like to think he would have found the lockdowns and the attempted suffocation of dissent (in America, no less!) as thoroughly tragic, and for being that way, wholly inimical to positive health outcomes.

This is important because Anya’s father most certainly was a rebel. He was operating a private medical practice out of his fancy apartment despite it being “a sin against socialism to be in business for yourself.” Yet how lucky the people were that he was actually practicing medicine that he uniquely intuited relative to what was taught and allowed. Still, it raises an obvious question of how he was able to practice despite doing so privately in such a public way, all the while practicing so differently . The freedom-lover in Novikov courageously chose to be free where freedom was largely non-existent.

Gillinson indicates that he avoided major trouble mainly because “everyone in Russian had trouble breathing.” Translated, communism is dirty, it’s smoky, and according to Ed Crane (Cato co-founder mentioned earlier), communism smells. And with so many people sick, including family members of Politburo members, “they needed him more than he needed them.” Which brings up another interesting, but also crucial anecdote from this wonderful book.

Gillinson is clear that her father did not like talking money with patients. When asked about payment, he would reply “I don’t get involved in such matters,” then leave the room. What’s important is that he knew they had to pay, “otherwise they would not trust him.” Yes!!! It’s not just that central planning, collectivism and force result in the production of what no one wants, it’s that people instinctually don’t trust what is free. No thanks. Prices or payment signal something about the value of the good or service. Though the range of payments to Dr. Novikov was surely all over the place (I kept wishing Gillinson would indicate how often the pay was in U.S. dollars?), they all paid. Prices are communication, and they live even where they’re being crushed.

Gillson herself would frequently be the one who would take payment, as the doctor was training her “in the forbidden science of capitalist economics.” Yes, but capitalist economics is as natural as breathing. Governments to varying degrees suffocate the patient, and communist governments kill, but what’s natural never dies precisely because it’s natural.

The main, beautiful point about Gillinson’s father is that in addition to thriving where it was illegal (their Moscow apartment was “imperial,” “five rooms with high ceilings and huge windows”), in addition to loving America from afar, in addition to being a remarkable father, Arkady Novikov “challenged the absence of freedom in every way he could.” Oh wow, how I hope Gillinson’s story reaches a wide audience. Crane (Cato again) would view her, but especially her father, as “a hero of the revolution.”

Which is why it’s so tragic how her father died. He was murdered in New York City, the greatest city in the country of his dreams. A botched robbery attempt by some sick criminal. Galina Novikova, Anya’s mother, returned to the Soviet Union to give her worshipful-of-dad daughter the horrible news. It’s a cruel world, and Gillinson’s world was forever altered.

It brings us briefly to Gillinson’s mother. Having been married to her own Zeus who would eventually bring her to the U.S. in the right way, suddenly she had to navigate a life without Arkady, and soon enough without the money that his not-so-hidden work provided them. They were the elite, yet suddenly they would have to get to the United States for the “humiliation” that is part and parcel of being an immigrant.

A hero in this story is Soviet refusenik Marik who was already living in New York, and who knew Arkady in medical school. Marik had savage qualities (he would eat an onion like an apple) that plainly revolted these refined people, but Gillinson is clear “we needed a Marik in our life” because “his plan was to build a life with us.” It all begs for a memoir by Gillinson’s mother. She knew she was stepping down as it were, but she made a noble choice for everyone.

Eventually it didn’t work with Marik, only for a dashing bar owner by the name of Ed McCauley to enter the picture. He lived on 85 th & 3 rd in the apartment building made famous by The Jeffersons (look it up!). Galina eventually married him (McCauley “getting married was a heroic mistake” – she has such a way with words), which similarly was marrying down in a variety of ways, but when you think about it, how remarkable . A Russian Jewish immigrant with two daughters would likely lack confidence as she endured the difficulties of being an immigrant, but somehow she had that special something. The view here is that in general, immigrants have that special something. My question amid all this was whether or not Galina felt cheated? What was her mindset?

At the same time, Galina’s story, the fact that she was noticed at an Upper East Side bar in the first place, raised questions. Not bad ones, just questions. This is a 278 page memoir spanning decades, which means so much is going to be left out. This is important mainly because as desperate-sounding as their arrival to the U.S. was, almost right away this displaced family was spending time with elites, including bold-faced names like Denise Rich. When Galina wanted to get Liana (Gillinson’s younger sister) ballet instruction during her short-lived stint in New York, she called Mikhail Baryshnikov . They knew people.

Notable about the time around when Arkady was murdered (June 24, 1990), the Soviet Union was on the verge of collapse. This is of importance since upon collapse, property was privatized. This included their fancy Moscow apartment that was soon rented by a British businessman working for an American company. As in they had income. Eventually the apartment was sold, and a smaller one purchased for Gillinson’s sister (a very sad story), yet her mother continued to live and socialize in elite Manhattan circles. It’s a long way of saying there’s a bigger story to tell. Here’s hoping Gillinson has more books in her.

For now, there will be lots of questions simply because the book shifts. Once a family story, it logically becomes more about Anya herself. In particular, some failed relationships. There was Daniel Roitman (“I never loved him but was rather in love with the feeling of being in love with him.”), there was Eddy #2 (Eddy #1 being her mother’s McCauley) who reveled in the alleged nobility of his socialism relative to the evil rich, but who was, “like Marx himself, a scrivener with a wealthy benefactor.” As always, Gillinson puts things so very well.

Most important of all, there was the courtship by Sam Melzer, and eventual marriage to same. Of fairly prominent upbringing in Long Island (one grandparent lived in a grand apartment at Sutton Place), Melzer will perhaps ring true to readers. In business on his own, and always doing business, it’s apparent that neither Gillinson nor anyone who knew him could ever really figure out what business he was in. And they couldn’t because he seemingly couldn’t describe his business.

Meanwhile, Gillinson herself was going the law school path via Pace, a (by her own admission) lower-tier place to study the law. Law school and what followed (including several New York Bar fails) is depressing, as is Sam’s path. What was hard to get is that he was so frugal on his own (much of their courtship he lived on Long Island), his business was going nowhere, but they decide to have one, and eventually two kids. Their existence was dreary, and included a live-in babysitter in at one point, a one-bedroom apartment. Think about it.

Eventually Sam’s business fails, at which point Gillinson becomes the primary breadwinner via her soul-crushing document review work as an unlicensed, and eventually licensed lawyer. Why didn’t she skip law school and stay at Morgan Stanley? Similarly, it never made sense that someone from Sam’s prominent network or his family itself never picked him up? Evidence they didn’t was Sam’s eventual joining of a group referred to as “the Wolfpack” which, according to Gillinson, “all shared one common bond: failure.” As always, a way with words. Even when sad.

Sam’s descent would be tough on any marriage, but especially their marriage. It brings up an aspect of Gillinson that some will take offense to: she’s blunt about her disdain for feminism and what she deems its myriad discontents. As she puts it, “the natural order of things is for men to be strong and women to be soft.” She believes harmony is disturbed when these “honest laws of nature” are messed around with. Gillinson is plainly writing about the United States.

While she doesn’t “argue with a woman’s right to choose, or the right to have an equal opportunity with man. They should, if only to prove to themselves and to the world that they are not as good as men in many things they so brazenly claim to be.” Gillinson’s view is that nature trumps fads, or theory, or feminism, that “Two female hormones control women’s life: estrogen and progesterone.” She believes these factors loom powerfully large and explain the need within women to jump off the corporate path. Childrearing is a must for them, that even Vladimir Lenin “could never eliminate in women the instinctive desire to be women.”

Reading all this, I found myself wondering why Americans are so different in this regard. This isn’t me taking sides, but it is me saying Gillinson has a point that’s worthy of discussion. About the previous sentence, nothing about it is a call to put women in their place, or anything of the sort. In my case, it’s unwelcome to imagine American women as the halting, worshipful kind. Men need a kick-in-the-ass, lots of them. Still, the essential value of Gillinson’s view can be found in her adopted Manhattan. As she describes the bar that Ed McCauley once owned, each night women “would perch themselves like spiders and patiently wait for their male prey.” Sorry, but it’s a fair description of New York in the fall, winter and spring, and the Hamptons in the summer. The tension between women for the few good men is palpable.

The bet here for why the tension has grown so much is the sexual revolution. It was terrible for women because it gave men who desire choices too much choice. And it allowed men to act like children in pursuit of endless choice. Where does Gillinson stand on this? It’s hard to say, but she’s clear in her view that women are in many ways the author of their misfortune and their disappointment about men, marriages, or lack thereof. She wants women to assert themselves, but instead says they “take themselves far too seriously to play the role of seductress,” not to mention her view that “few things in a relationship depend on a man” as is. Readers can decide, and in deciding, they might have questions of Gillinson herself?

Her memoir is such an uplifting love letter to the U.S. and her Manhattan. She refers to the latter as “the glittering island of the pursuit of happiness.” Amen! At the same time, could she have been the seductress and did she want to take responsibility for her marriage to Sam when he was suggesting leaving wildly expensive Manhattan, and did she feel responsibility for the relationship not just when he was failing on the job, but also failing as family man as “the Wolfpack” took up more and more of his time? My conclusion from this is that respect is earned, and this includes a man’s respect from his wife. Maybe it’s the American in me, but it seems impossible to expect so much from women if the men in their lives aren’t trying.

Ultimately, it seems Gillinson agrees? A friendship struck up by the charming British head of Carnegie Hall (her mother brought her to an after-party there) led to a close friendship, then an affair, and eventually the dissolution of two marriages. Anya’s last name is her second husband Clive’s last name. She’s asked if she would have fallen for Clive if he weren’t how he was, and she’s refreshingly clear that “I fell in love with all of Clive, as he appeared to me when we met. If I had met him when he was a musician in the orchestra, I might have found him charming but no more than that. Few pay attention to a greenish bud; they wait for it to bloom into a succulent rose.” Well, yes. For women to play seductress and to make the relationship what it should be, men must do their part.

It’s a long or short way of saying that in falling in love for the second, or realistically first time, Gillinson arguably discovered the American woman residing within her all along. Read this spectacular book to see if you agree.

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Can You Find the 12 Thrillers Hidden Within This Text?

By J. D. Biersdorfer Sept. 3, 2024

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The 20th-century Cold War era of geopolitical tension between the United States, the Soviet Union and their allies also produced some gripping thrillers. This week’s Title Search puzzle is focused on novels set during that period, which ran from 1947 to 1991, and your challenge is to uncover the names of a dozen such books hidden below within an unrelated text passage. As you read along, tap or click the words when you think you’ve found a title. Correct answers stay highlighted. When you uncover each title, the answer section at the bottom of the screen grows to create a reading list with more information and links to the books.

A new literary quiz lands on the Books page each week and you can match wits with previous puzzles in the Book Review Quiz Bowl archive .

“When we left Cuba after that disastrous operation on the beach, our team should have left more than one agent in place,” said White. “Our man in Havana lost the Soviet agent.”

“Thankfully, our woman in Moscow is keeping us on our game,” replied Black. “One of her people got intel from an American spy when they met up today at the Higgins funeral in Berlin. Saw the Russki coming out of one of their safe houses near The Last Frontier nightclub and followed along.”

“That Soviet agent, a most clever girl, is on a train to Moscow right now and will be collected at the Minsk stop.”