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Customers find the writing insightful, succinct, and funny. They also appreciate the author's incisive wit and keen observations.
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Customers find the writing insightful, beautiful, and complex. They also appreciate the good detail, relatable narrative, and sensible form. Readers also appreciate that the book rids the book of unnecessary detail.
"The beautiful and complex prose is enough alone to make you read it but then there's that incredible insight that you can only give when perceiving..." Read more
"...in the way it follows an ordinary love story, and then interjects with deep analysis . It branches into psychology, philosophy, religion, etc...." Read more
"...One is astonished by the record of fine detail and lucidity that de Botton maintains right all the way through the relationship,but again,no..." Read more
"...spey was written, however in saying that, there were some beautifully put statements about certain aspects of love which I took note of for future..." Read more
Customers find the humor insightful and incisive, with keen observations.
"Alain de Botton has a good sense of humour , and it makes this book very enjoyable...." Read more
"...of its demise, told through an anonymous narrator, were spot on, funny and s bit too close to home. I couldn't put it down." Read more
"...It's funny, ironic , smart and poignant. His characters shine through brilliantly." Read more
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The fireflies danced around us, the wind winding through the trees, and when he set his eyes on me, I felt like the only story he wanted to read. And that was dangerous, because he was fictional and Rachel had written someone for him. Someone good. And it wasn’t me
“Follow your heart, Even if it leads you wrong, will you really regret it?”
"Sometimes a book can change your life. It's hard to explain that to someone who doesn't read, or who has never felt their heart bend so strongly towards a story that it might just snap in two."
"So who could blame me for sinking into books, where I knew the people weren't real, but they also never disappointed me?
"The fireflied danced around us, the wind winding through the trees, and when he set his eyes on me, I felt like the only story he wanted to read."
"I couldn't remember the last time someone had kissed me that passionately--savored me, like I was the last sentence in his favorite book."
"You don't like naps? What's wrong with you? Who hurt you as a child?"
"It wasn't the end that mattered, but every word leading up to it."
"Love was a bunch of small things that added up to bigger things. Love was feeling valued. And accepted. Just the way you were."
Long distance I could travel, language barriers I could learn, but fictional ?
"I had buried my head in stories so long that I'd forgotton to live the real thing."
"You're cute," he went on, "when you're pretending to be angry with me."
"Your mouth is better at kissing than lying, Elsy."
"Well, I was certainly in trouble tonight. And the worst part was, I feared I was going to like it."
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In July 2017, I wrote an article about toplessness for Vogue Italia. The director, actor, and political activist Lina Esco had emerged from the world of show business to question public nudity laws in the United States with 2014’s Free the Nipple . Her film took on a life of its own and, thanks to the endorsement from the likes of Miley Cyrus, Cara Delevingne, and Willow Smith, eventually developed into a whole political movement, particularly on social media where the hashtag #FreeTheNipple spread at lightning speed. The same year as that piece, actor Alyssa Milano tweeted “me too” and encouraged others who had been sexually assaulted to do the same, building on the movement activist Tarana Burke had created more than a decade earlier. The rest is history.
In that Vogue article, I chatted with designer Alessandro Michele about a shared memory of our favorite topless beaches of our youth. Anywhere in Italy where water appeared—be it the hard-partying Riviera Romagnola, the traditionally chic Amalfi coast and Sorrento peninsula, the vertiginous cliffs and inlets of Italy’s continuation of the French Côte d’Azur or the towering volcanic rocks of Sicily’s mythological Riviera dei Ciclopi—one was bound to find bodies of all shapes and forms, naturally topless.
In the ’90s, growing up in Italy, naked breasts were everywhere and nobody thought anything about it. “When we look at our childhood photos we recognize those imperfect breasts and those bodies, each with their own story. I think of the ‘un-beauty’ of that time and feel it is actually the ultimate beauty,” Michele told me.
Indeed, I felt the same way. My relationship with toplessness was part of a very democratic cultural status quo. If every woman on the beaches of the Mediterranean—from the sexy girls tanning on the shoreline to the grandmothers eating spaghetti al pomodoro out of Tupperware containers under sun umbrellas—bore equally naked body parts, then somehow we were all on the same team. No hierarchies were established. In general, there was very little naked breast censorship. Free nipples appeared on magazine covers at newsstands, whether tabloids or art and fashion magazines. Breasts were so naturally part of the national conversation and aesthetic that Ilona Staller (also known as Cicciolina) and Moana Pozzi, two porn stars, cofounded a political party called the Love Party. I have a clear memory of my neighbor hanging their party’s banner out his window, featuring a topless Cicciolina winking.
A lot has changed since those days, but also since that initial 2017 piece. There’s been a feminist revolution, a transformation of women’s fashion and gender politics, the absurd overturning of Harvey Weinstein’s 2020 rape conviction in New York, the intensely disturbing overturning of Roe v Wade and the current political battle over reproductive rights radiating from America and far beyond. One way or another, the female body is very much the site of political battles as much as it is of style and fashion tastes. And maybe for this reason naked breasts seem to populate runways and street style a lot more than they do beaches—it’s likely that being naked at a dinner party leaves more of a permanent mark than being naked on a glamorous shore. Naked “dressing” seems to be much more popular than naked “being.” It’s no coincidence that this year Saint Laurent, Chloé, Ferragamo, Tom Ford, Gucci, Ludovic de Saint Sernin, and Valentino all paid homage to sheer dressing in their collections, with lacy dresses, see-through tops, sheer silk hosiery fabric, and close-fitting silk dresses. The majority of Anthony Vaccarello’s fall 2024 collection was mostly transparent. And even off the runway, guests at the Saint Laurent show matched the mood. Olivia Wilde appeared in a stunning see-through dark bodysuit, Georgia May Jagger wore a sheer black halter top, Ebony Riley wore a breathtaking V-neck, and Elsa Hosk went for translucent polka dots.
In some strange way, it feels as if the trends of the ’90s have swapped seats with those of today. When, in 1993, a 19-year-old Kate Moss wore her (now iconic) transparent, bronze-hued Liza Bruce lamé slip dress to Elite Model Agency’s Look of the Year Awards in London, I remember seeing her picture everywhere and feeling in awe of her daring and grace. I loved her simple sexy style, with her otherworldly smile, the hair tied back in a bun. That very slip has remained in the collective unconscious for decades, populating thousands of internet pages, but in remembering that night Moss admitted that the nude look was totally unintentional: “I had no idea why everyone was so excited—in the darkness of Corinne [Day’s] Soho flat, the dress was not see-through!” That’s to say that nude dressing was usually mostly casual and not intellectualized in the context of a larger movement.
But today nudity feels loaded in different ways. In April, actor and author Julia Fox appeared in Los Angeles in a flesh-colored bra that featured hairy hyper-realist prints of breasts and nipples, and matching panties with a print of a sewn-up vagina and the words “closed” on it, as a form of feminist performance art. Breasts , an exhibition curated by Carolina Pasti, recently opened as part of the 60th Venice Biennale at Palazzo Franchetti and showcases works that span from painting and sculpture to photography and film, reflecting on themes of motherhood, empowerment, sexuality, body image, and illness. The show features work by Cindy Sherman, Robert Mapplethorpe, Louise Bourgeois, and an incredible painting by Bernardino Del Signoraccio of Madonna dell’Umiltà, circa 1460-1540. “It was fundamental for me to include a Madonna Lactans from a historical perspective. In this intimate representation, the Virgin reveals one breast while nurturing the child, the organic gesture emphasizing the profound bond between mother and child,” Pasti said when we spoke.
Through her portrayal of breasts, she delves into the delicate balance of strength and vulnerability within the female form. I spoke to Pasti about my recent musings on naked breasts, which she shared in a deep way. I asked her whether she too noticed a disparity between nudity on beaches as opposed to the one on streets and runways, and she agreed. Her main concern today is around censorship. To Pasti, social media is still far too rigid around breast exposure and she plans to discuss this issue through a podcast that she will be launching in September, together with other topics such as motherhood, breastfeeding, sexuality, and breast cancer awareness.
With summer at the door, it was my turn to see just how much of the new reread on transparency would apply to beach life. In the last few years, I noticed those beaches Michele and I reminisced about have grown more conservative and, despite being the daughter of unrepentant nudists and having a long track record of militant topless bathing, I myself have felt a bit more shy lately. Perhaps a woman in her 40s with two children is simply less prone to taking her top off, but my memories of youth are populated by visions of bare-chested mothers surveilling the coasts and shouting after their kids in the water. So when did we stop? And why? When did Michele’s era of “un-beauty” end?
In order to get back in touch with my own naked breasts I decided to revisit the nudist beaches of my youth to see what had changed. On a warm day in May, I researched some local topless beaches around Rome and asked a friend to come with me. Two moms, plus our four children, two girls and two boys of the same ages. “Let’s make an experiment of this and see what happens,” I proposed.
The kids all yawned, but my friend was up for it. These days to go topless, especially on urban beaches, you must visit properties that have an unspoken nudist tradition. One of these in Rome is the natural reserve beach at Capocotta, south of Ostia, but I felt a bit unsure revisiting those sands. In my memory, the Roman nudist beaches often equated to encounters with promiscuous strangers behind the dunes. I didn’t want to expose the kids, so, being that I am now a wise adult, I went ahead and picked a compromise. I found a nude-friendly beach on the banks of the Farfa River, in the rolling Sabina hills.
We piled into my friend’s car and drove out. The kids were all whining about the experiment. “We don’t want to see naked mums!” they complained. “Can’t you just lie and say you went to a nudist beach?”
We parked the car and walked across the medieval fairy-tale woods until we reached the path that ran along the river. All around us were huge trees and gigantic leaves. It had rained a lot recently and the vegetation had grown incredibly. We walked past the remains of a Roman road. The colors all around were bright green, the sky almost fluorescent blue. The kids got sidetracked by the presence of frogs. According to the indications, the beach was about a mile up the river. Halfway down the path, we bumped into a couple of young guys in fanny packs. I scanned them for signs of quintessential nudist attitude, but realized I actually had no idea what that was. I asked if we were headed in the right direction to go to “the beach”. They nodded and gave us a sly smile, which I immediately interpreted as a judgment about us as mothers, and more generally about our age, but I was ready to vindicate bare breasts against ageism.
We reached a small pebbled beach, secluded and bordered by a huge trunk that separated it from the path. A group of girls was there, sharing headphones and listening to music. To my dismay they were all wearing the tops and bottoms of their bikinis. One of them was in a full-piece bathing suit and shorts. “See, they are all wearing bathing suits. Please don’t be the weird mums who don’t.”
At this point, it was a matter of principle. My friend and I decided to take our bathing suits off completely, if only for a moment, and jumped into the river. The boys stayed on the beach with full clothes and shoes on, horrified. The girls went in behind us with their bathing suits. “Are you happy now? my son asked. “Did you prove your point?”
I didn’t really know what my point actually was. I think a part of me wanted to feel entitled to those long-gone decades of naturalism. Whether this was an instinct, or as Pasti said, “an act that was simply tied to the individual freedom of each woman”, it was hard to tell. At this point in history, the two things didn’t seem to cancel each other out—in fact, the opposite. Taking off a bathing suit, at least for my generation who never had to fight for it, had unexpectedly turned into a radical move and maybe I wanted to be part of the new discourse. Also, the chances of me going out in a fully sheer top were slim these days, but on the beach it was different. I would always fight for an authentic topless experience.
After our picnic on the river, we left determined to make our way—and without children—to the beaches of Capocotta. In truth, no part of me actually felt very subversive doing something I had been doing my whole life, but it still felt good. Once a free breast, always a free breast.
This article was originally published on British Vogue .
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By Tina Brown
Ms. Brown is the author, most recently, of “The Palace Papers: Inside the House of Windsor — the Truth and the Turmoil."
The sight at the Democratic convention on Wednesday night of Tim Walz’s 17-year-old son leaping to his feet, with streaming eyes, a hand to his chest with a cry of “That’s my Dad” was heart piercing.
As the mother of Georgie, a 38-year-old on the spectrum who still lives with me, I recognized him immediately as one of “ours,” a sweet, unfiltered, slightly bewildered-looking young man who wasn’t quite sure what was expected of him in this epic moment of political adulation.
Gus Walz has, according to his parents, a nonverbal learning disorder, A.D.H.D. and an anxiety disorder, all of which they regard not as a setback but as his “secret power,” that makes him “brilliant” and “hyperaware.”
I know exactly what they mean. One of the joys of my life in the social churn of New York is living with a son whose inability to read the room makes him incapable of telling anything but the truth. Once, as my husband, Harry Evans, and I left a pretentious social gathering in the Hamptons, Georgie told the host sunnily: “Thank you very much. No one spoke to me really, so it was a very boring evening. The food was OK. I doubt I will come again.”
“I have never been prouder of you in my life!” shouted my husband in the car. How many times have all of us wanted to say that as we gushed about the fabulous time we just hadn’t had? Then there was the moment he went up to Anna Wintour at one of my book parties and asked if she was Camilla Parker Bowles. And the time at the intake meeting for a supported work program, when the therapist asked Georgie, “Has anyone ever molested you?” “Unfortunately not,” he replied. Georgie teaches me every day how much we depend on social lies to make the world go round. His sister — his forever best friend — and I feel so lucky to have him in our lives. So did his dad, who died in 2020.
And yet for people who are different and have no support, the world can be bleak. Their loneliness can be agonizing. Some people assume the school days are the hardest, but it’s the years after that are the social desert. Having a friendly, forgiving workplace to go to is critical. It’s often their only taste of community and what makes them such reliable and rewarding employees. The work from home movement has been a killer for people with special needs, often depriving them of the only social connections they have.
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Essays in Love is a novel about two young people, who meet on an airplane between London and Paris and rapidly fall in love. The structure of the story isn't unusual, but what lends the book its interest is the extraordinary depth with which the emotions involved in the relationship are analysed. Love comes under the philosophical microscope ...
A. 30/10/1993. Gabriele Annan. From the Reviews: "Alain de Botton picks up the torch, so to speak, more or less where Stendhal left off. De Botton's On Love reads as if Stendhal had lived into the '90s, survived modern critical theory (as he clearly has), thought it was funny (as he likely would have), but retained a novelist's sympathy ...
Essays in Love = On Love, Alain de Botton Alain de Botton, is a Swiss-born British philosopher and author. His books discuss various contemporary subjects and themes, emphasizing philosophy's relevance to everyday life. He published Essays in Love (1993), which went on to sell two million copies.
Essays in Love. Paperback - January 1, 2006. by Alain De Botton (Author) 4.4 1,333 ratings. See all formats and editions. Essays in Love will appeal to anyone who has ever been in a relationship or confused about love. The book charts the progress of a love affair from the first kiss to argument and reconciliation, from intimacy and ...
This book is a rarity. Feeling so content and warm when reading a book happens only on occasion, and this book has been successful in doing so. Written by Alain de Botton as his first novel in such a beautifully poetic manner, Essays in Love documents a passionate and tender relationship between a man and a woman, which happened coincidentally ...
Essays in love by De Botton, Alain. Publication date 1993 Topics Romance fiction, English, Man-woman relationships -- Fiction, Man-woman relationships, English fiction Publisher London : Macmillan Collection internetarchivebooks; inlibrary; printdisabled Contributor Internet Archive Language English
Alain de Botton is the author of Essays in Love (1993), The Romantic Movement (1994), Kiss and Tell (1995), How Proust can Change your Life (1997), The Consolations of Philosophy (2000) The Art of Travel (2002), Status Anxiety (2004) and most recently, The Architecture of Happiness (2006).
0 reviews. Free Download Read Online. Essays in Love is a novel by Alain de Botton that combines elements of fiction and philosophy to analyse the emotions of love. The book follows the relationship between a man and a woman, from their first meeting to their breakup, and explores the psychological and ethical aspects of their feelings.
Essays In Love is an iconic book - one that should be read by anyone who has ever fallen in love. Publisher: Pan Macmillan. ISBN: 9781447275329. Number of pages: 224. Weight: 176 g. Dimensions: 197 x 129 x 15 mm. MEDIA REVIEWS. Buy Essays In Love by Alain de Botton, Sheila Heti from Waterstones today!
Genre: Fiction, Romance Pages: 249 Published: November 1993 ... Essays in Love is a book following to characters who meet and fall in love immediately. For some reason I found the cliché overdone and I just couldn't get into it. Our two main characters are really annoying, and definitely not memorable which made reading about them almost ...
2. One mid-morning in early December, with no thought of love or stories, I was sitting in the economy section of a British Airways jet making its way from Paris to London. We had recently crossed the Normandy coast, where a blanket of winter cloud had given way to an uninterrupted view of brilliant blue waters.
Literature is full of stories of love. You could choose a genre, like mythology or science fiction, and explore the role of love in that particular genre. With this essay topic, you may find many instances where love is a vital central theme of the work. Keep in mind that in some genres, like myths, love becomes a driving force in the plot ...
The rest of the world falls away on either side.". - Delirium, Lauren Oliver. 10. "Differences of habit and language are nothing at all if our aims are identical and our hearts are open.". — Harry Potter and the Goblet of Fire, J.K. Rowling. 11. "Passion makes a person stop eating, sleeping, working, feeling at peace.
The Beast in the Jungle is a 1903 novella by Henry James, first published as part of the collection The Better Sort.Almost universally considered one of James' finest short narratives, this story treats appropriately universal themes: loneliness, fate, love and death.The parable of John Marcher and his peculiar destiny has spoken to many readers who have speculated on the worth and meaning of ...
Studies suggest that individuals in love marriages often report higher levels of relationship satisfaction due to shared emotional bonds. In contrast, arranged marriages can result in strong unions built on respect, shared values, and familial support. The key to a successful marriage, regardless of its origin, lies in the commitment and effort ...
Essay on Romance Movies and Real Life Relationships. Today, romance is one of the most popular genres to watch on television. Unlike most, romance is a genre where the plot revolves around the love between two main characters as they experience the highs and lows of love. "Common themes that revolve around romantic movies are kissing, love at ...
Romance genre is fiction that place their primary focus on the relationship and romantic love between two people, and must have an emotionally satisfying and optimistic ending. For consecutive years the all-time high grossing films have consisted of romantic love themes inspired by romance genre. Throughout the years the percentage popularity ...
An essay (ES-ey) is a nonfiction composition that explores a concept, argument, idea, or opinion from the personal perspective of the writer. Essays are usually a few pages, but they can also be book-length. Unlike other forms of nonfiction writing, like textbooks or biographies, an essay doesn't inherently require research. Literary essayists are conveying ideas in a more informal way.
To celebrate the column's 20th anniversary, we're asking readers to share their favorite lines of wisdom from Modern Love essays and Tiny Love Stories. By Miya Lee and Daniel Jones As the ...
Essays in Love is a stunningly original love story. Taking in Aristotle, Wittgenstein, history, religion and Groucho Marx, Alain de Botton charts the progress of a love affair from the first kiss to argument and reconciliation, from intimacy and tenderness to the onset of anxiety and heartbreak.
"Feels Like I'm Falling in Love" (stylised in all lowercase, without spaces in-between) is a song by British rock band Coldplay, from their upcoming tenth studio album, Moon Music. [1] It was released on 21 June 2024, through Parlophone in the United Kingdom and Atlantic Records in the United States, as the record's lead single.
A reading deal for: Love's Recipe In The Old West by Grace Clemens - Emily Jones spends her days cooking delicious meals at her father's ranch, yet her gastronomic masterpieces remain unshared experiences, as her reclusive existence is governed by the unyielding grip of her father's rules. Straining against the confines of her father's restrictions, Emily dreams of a life beyond the ranch's ...
- From the book "I love this version of myself that you brought out" The book is a memoir exploring what it means to let go and move on. It recalls unsent letters, texts, thought essays and poses the question: How can we move on if the person who taught us how to love is the one we have to let go of?
Mike Flanagan appeared at FanExpo Canada, where he addressed his future projects. The director has just admitted that he is a big fan of DC Studios co-CEO James Gunn, both on a personal and ...
Essay on Romance Movies Are Favorite Movie Genre There are many movie genres out today than there were before in earlier years. Movie genres are basically different types of movies, such as: horror, Essay Examples ... it is filled with love and a lot of laughter throughout the whole movie. While most romance movies start off bad and end up with ...
"Love was a bunch of small things that added up to bigger things. Love was feeling valued. And accepted. Just the way you were. It was never feeling too much, or not enough, even though often you were both, because Love loved you anyway. Not in spite of it, but because of it." Eileen is quite relatable. The way she sought peace, escapism ...
Indeed, I felt the same way. My relationship with toplessness was part of a very democratic cultural status quo. If every woman on the beaches of the Mediterranean—from the sexy girls tanning on ...
In Love with My Lonely Teacher. In your final year of college, you meet the captivating teacher, Yun Si. With only a short time left before graduation, you must do everything you can to win her heart. ... Title: In Love with My Lonely Teacher Genre: Casual, Indie, Simulation. Developer: Mr. Cucumber. Publisher: Mr. Cucumber. Release Date ...
Guest Essay. Jennifer Lopez Is Becoming an Elizabeth Taylor for a New Generation. Aug. 22, 2024. ... It was a love story for the ages — or, at least, for second-chance-loving pop-culture fans of ...
Guest Essay. My Son and Gus Walz Deserve a Champion Like Tim Walz. Aug. 23, 2024. ... "I'd love for John Fetterman to have, like, good gainful employment," he continued. "Maybe he could be ...