essay for literary genre

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Introduction

You’ve been assigned a literary analysis paper—what does that even mean? Is it like a book report that you used to write in high school? Well, not really.

A literary analysis essay asks you to make an original argument about a poem, play, or work of fiction and support that argument with research and evidence from your careful reading of the text.

It can take many forms, such as a close reading of a text, critiquing the text through a particular literary theory, comparing one text to another, or criticizing another critic’s interpretation of the text. While there are many ways to structure a literary essay, writing this kind of essay follows generally follows a similar process for everyone

Crafting a good literary analysis essay begins with good close reading of the text, in which you have kept notes and observations as you read. This will help you with the first step, which is selecting a topic to write about—what jumped out as you read, what are you genuinely interested in? The next step is to focus your topic, developing it into an argument—why is this subject or observation important? Why should your reader care about it as much as you do? The third step is to gather evidence to support your argument, for literary analysis, support comes in the form of evidence from the text and from your research on what other literary critics have said about your topic. Only after you have performed these steps, are you ready to begin actually writing your essay.

Writing a Literary Analysis Essay

How to create a topic and conduct research:.

Writing an Analysis of a Poem, Story, or Play

If you are taking a literature course, it is important that you know how to write an analysis—sometimes called an interpretation or a literary analysis or a critical reading or a critical analysis—of a story, a poem, and a play. Your instructor will probably assign such an analysis as part of the course assessment. On your mid-term or final exam, you might have to write an analysis of one or more of the poems and/or stories on your reading list. Or the dreaded “sight poem or story” might appear on an exam, a work that is not on the reading list, that you have not read before, but one your instructor includes on the exam to examine your ability to apply the active reading skills you have learned in class to produce, independently, an effective literary analysis.You might be asked to write instead or, or in addition to an analysis of a literary work, a more sophisticated essay in which you compare and contrast the protagonists of two stories, or the use of form and metaphor in two poems, or the tragic heroes in two plays.

You might learn some literary theory in your course and be asked to apply theory—feminist, Marxist, reader-response, psychoanalytic, new historicist, for example—to one or more of the works on your reading list. But the seminal assignment in a literature course is the analysis of the single poem, story, novel, or play, and, even if you do not have to complete this assignment specifically, it will form the basis of most of the other writing assignments you will be required to undertake in your literature class. There are several ways of structuring a literary analysis, and your instructor might issue specific instructions on how he or she wants this assignment done. The method presented here might not be identical to the one your instructor wants you to follow, but it will be easy enough to modify, if your instructor expects something a bit different, and it is a good default method, if your instructor does not issue more specific guidelines.You want to begin your analysis with a paragraph that provides the context of the work you are analyzing and a brief account of what you believe to be the poem or story or play’s main theme. At a minimum, your account of the work’s context will include the name of the author, the title of the work, its genre, and the date and place of publication. If there is an important biographical or historical context to the work, you should include that, as well.Try to express the work’s theme in one or two sentences. Theme, you will recall, is that insight into human experience the author offers to readers, usually revealed as the content, the drama, the plot of the poem, story, or play unfolds and the characters interact. Assessing theme can be a complex task. Authors usually show the theme; they don’t tell it. They rarely say, at the end of the story, words to this effect: “and the moral of my story is…” They tell their story, develop their characters, provide some kind of conflict—and from all of this theme emerges. Because identifying theme can be challenging and subjective, it is often a good idea to work through the rest of the analysis, then return to the beginning and assess theme in light of your analysis of the work’s other literary elements.Here is a good example of an introductory paragraph from Ben’s analysis of William Butler Yeats’ poem, “Among School Children.”

“Among School Children” was published in Yeats’ 1928 collection of poems The Tower. It was inspired by a visit Yeats made in 1926 to school in Waterford, an official visit in his capacity as a senator of the Irish Free State. In the course of the tour, Yeats reflects upon his own youth and the experiences that shaped the “sixty-year old, smiling public man” (line 8) he has become. Through his reflection, the theme of the poem emerges: a life has meaning when connections among apparently disparate experiences are forged into a unified whole.

In the body of your literature analysis, you want to guide your readers through a tour of the poem, story, or play, pausing along the way to comment on, analyze, interpret, and explain key incidents, descriptions, dialogue, symbols, the writer’s use of figurative language—any of the elements of literature that are relevant to a sound analysis of this particular work. Your main goal is to explain how the elements of literature work to elucidate, augment, and develop the theme. The elements of literature are common across genres: a story, a narrative poem, and a play all have a plot and characters. But certain genres privilege certain literary elements. In a poem, for example, form, imagery and metaphor might be especially important; in a story, setting and point-of-view might be more important than they are in a poem; in a play, dialogue, stage directions, lighting serve functions rarely relevant in the analysis of a story or poem.

The length of the body of an analysis of a literary work will usually depend upon the length of work being analyzed—the longer the work, the longer the analysis—though your instructor will likely establish a word limit for this assignment. Make certain that you do not simply paraphrase the plot of the story or play or the content of the poem. This is a common weakness in student literary analyses, especially when the analysis is of a poem or a play.

Here is a good example of two body paragraphs from Amelia’s analysis of “Araby” by James Joyce.

Within the story’s first few paragraphs occur several religious references which will accumulate as the story progresses. The narrator is a student at the Christian Brothers’ School; the former tenant of his house was a priest; he left behind books called The Abbot and The Devout Communicant. Near the end of the story’s second paragraph the narrator describes a “central apple tree” in the garden, under which is “the late tenant’s rusty bicycle pump.” We may begin to suspect the tree symbolizes the apple tree in the Garden of Eden and the bicycle pump, the snake which corrupted Eve, a stretch, perhaps, until Joyce’s fall-of-innocence theme becomes more apparent.

The narrator must continue to help his aunt with her errands, but, even when he is so occupied, his mind is on Mangan’s sister, as he tries to sort out his feelings for her. Here Joyce provides vivid insight into the mind of an adolescent boy at once elated and bewildered by his first crush. He wants to tell her of his “confused adoration,” but he does not know if he will ever have the chance. Joyce’s description of the pleasant tension consuming the narrator is conveyed in a striking simile, which continues to develop the narrator’s character, while echoing the religious imagery, so important to the story’s theme: “But my body was like a harp, and her words and gestures were like fingers, running along the wires.”

The concluding paragraph of your analysis should realize two goals. First, it should present your own opinion on the quality of the poem or story or play about which you have been writing. And, second, it should comment on the current relevance of the work. You should certainly comment on the enduring social relevance of the work you are explicating. You may comment, though you should never be obliged to do so, on the personal relevance of the work. Here is the concluding paragraph from Dao-Ming’s analysis of Oscar Wilde’s The Importance of Being Earnest.

First performed in 1895, The Importance of Being Earnest has been made into a film, as recently as 2002 and is regularly revived by professional and amateur theatre companies. It endures not only because of the comic brilliance of its characters and their dialogue, but also because its satire still resonates with contemporary audiences. I am still amazed that I see in my own Asian mother a shadow of Lady Bracknell, with her obsession with finding for her daughter a husband who will maintain, if not, ideally, increase the family’s social status. We might like to think we are more liberated and socially sophisticated than our Victorian ancestors, but the starlets and eligible bachelors who star in current reality television programs illustrate the extent to which superficial concerns still influence decisions about love and even marriage. Even now, we can turn to Oscar Wilde to help us understand and laugh at those who are earnest in name only.

Dao-Ming’s conclusion is brief, but she does manage to praise the play, reaffirm its main theme, and explain its enduring appeal. And note how her last sentence cleverly establishes that sense of closure that is also a feature of an effective analysis.

You may, of course, modify the template that is presented here. Your instructor might favour a somewhat different approach to literary analysis. Its essence, though, will be your understanding and interpretation of the theme of the poem, story, or play and the skill with which the author shapes the elements of literature—plot, character, form, diction, setting, point of view—to support the theme.

Academic Writing Tips : How to Write a Literary Analysis Paper. Authored by: eHow. Located at: https://youtu.be/8adKfLwIrVk. License: All Rights Reserved. License Terms: Standard YouTube license

BC Open Textbooks: English Literature Victorians and Moderns: https://opentextbc.ca/englishliterature/back-matter/appendix-5-writing-an-analysis-of-a-poem-story-and-play/

Literary Analysis

The challenges of writing about english literature.

Writing begins with the act of reading . While this statement is true for most college papers, strong English papers tend to be the product of highly attentive reading (and rereading). When your instructors ask you to do a “close reading,” they are asking you to read not only for content, but also for structures and patterns. When you perform a close reading, then, you observe how form and content interact. In some cases, form reinforces content: for example, in John Donne’s Holy Sonnet 14, where the speaker invites God’s “force” “to break, blow, burn and make [him] new.” Here, the stressed monosyllables of the verbs “break,” “blow” and “burn” evoke aurally the force that the speaker invites from God. In other cases, form raises questions about content: for example, a repeated denial of guilt will likely raise questions about the speaker’s professed innocence. When you close read, take an inductive approach. Start by observing particular details in the text, such as a repeated image or word, an unexpected development, or even a contradiction. Often, a detail–such as a repeated image–can help you to identify a question about the text that warrants further examination. So annotate details that strike you as you read. Some of those details will eventually help you to work towards a thesis. And don’t worry if a detail seems trivial. If you can make a case about how an apparently trivial detail reveals something significant about the text, then your paper will have a thought-provoking thesis to argue.

Common Types of English Papers Many assignments will ask you to analyze a single text. Others, however, will ask you to read two or more texts in relation to each other, or to consider a text in light of claims made by other scholars and critics. For most assignments, close reading will be central to your paper. While some assignment guidelines will suggest topics and spell out expectations in detail, others will offer little more than a page limit. Approaching the writing process in the absence of assigned topics can be daunting, but remember that you have resources: in section, you will probably have encountered some examples of close reading; in lecture, you will have encountered some of the course’s central questions and claims. The paper is a chance for you to extend a claim offered in lecture, or to analyze a passage neglected in lecture. In either case, your analysis should do more than recapitulate claims aired in lecture and section. Because different instructors have different goals for an assignment, you should always ask your professor or TF if you have questions. These general guidelines should apply in most cases:

• A close reading of a single text: Depending on the length of the text, you will need to be more or less selective about what you choose to consider. In the case of a sonnet, you will probably have enough room to analyze the text more thoroughly than you would in the case of a novel, for example, though even here you will probably not analyze every single detail. By contrast, in the case of a novel, you might analyze a repeated scene, image, or object (for example, scenes of train travel, images of decay, or objects such as or typewriters). Alternately, you might analyze a perplexing scene (such as a novel’s ending, albeit probably in relation to an earlier moment in the novel). But even when analyzing shorter works, you will need to be selective. Although you might notice numerous interesting details as you read, not all of those details will help you to organize a focused argument about the text. For example, if you are focusing on depictions of sensory experience in Keats’ “Ode to a Nightingale,” you probably do not need to analyze the image of a homeless Ruth in stanza 7, unless this image helps you to develop your case about sensory experience in the poem.
• A theoretically-informed close reading. In some courses, you will be asked to analyze a poem, a play, or a novel by using a critical theory (psychoanalytic, postcolonial, gender, etc). For example, you might use Kristeva’s theory of abjection to analyze mother-daughter relations in Toni Morrison’s novel Beloved. Critical theories provide focus for your analysis; if “abjection” is the guiding concept for your paper, you should focus on the scenes in the novel that are most relevant to the concept.
• A historically-informed close reading. In courses with a historicist orientation, you might use less self-consciously literary documents, such as newspapers or devotional manuals, to develop your analysis of a literary work. For example, to analyze how Robinson Crusoe makes sense of his island experiences, you might use Puritan tracts that narrate events in terms of how God organizes them. The tracts could help you to show not only how Robinson Crusoe draws on Puritan narrative conventions, but also—more significantly—how the novel revises those conventions.
• A comparison of two texts When analyzing two texts, you might look for unexpected contrasts between apparently similar texts, or unexpected similarities between apparently dissimilar texts, or for how one text revises or transforms the other. Keep in mind that not all of the similarities, differences, and transformations you identify will be relevant to an argument about the relationship between the two texts. As you work towards a thesis, you will need to decide which of those similarities, differences, or transformations to focus on. Moreover, unless instructed otherwise, you do not need to allot equal space to each text (unless this 50/50 allocation serves your thesis well, of course). Often you will find that one text helps to develop your analysis of another text. For example, you might analyze the transformation of Ariel’s song from The Tempest in T. S. Eliot’s poem, The Waste Land. Insofar as this analysis is interested in the afterlife of Ariel’s song in a later poem, you would likely allot more space to analyzing allusions to Ariel’s song in The Waste Land (after initially establishing the song’s significance in Shakespeare’s play, of course).
• A response paper A response paper is a great opportunity to practice your close reading skills without having to develop an entire argument. In most cases, a solid approach is to select a rich passage that rewards analysis (for example, one that depicts an important scene or a recurring image) and close read it. While response papers are a flexible genre, they are not invitations for impressionistic accounts of whether you liked the work or a particular character. Instead, you might use your close reading to raise a question about the text—to open up further investigation, rather than to supply a solution.
• A research paper. In most cases, you will receive guidance from the professor on the scope of the research paper. It is likely that you will be expected to consult sources other than the assigned readings. Hollis is your best bet for book titles, and the MLA bibliography (available through e-resources) for articles. When reading articles, make sure that they have been peer reviewed; you might also ask your TF to recommend reputable journals in the field.

Harvard College Writing Program: https://writingproject.fas.harvard.edu/files/hwp/files/bg_writing_english.pdf

In the same way that we talk with our friends about the latest episode of Game of Thrones or newest Marvel movie, scholars communicate their ideas and interpretations of literature through written literary analysis essays. Literary analysis essays make us better readers of literature.

Only through careful reading and well-argued analysis can we reach new understandings and interpretations of texts that are sometimes hundreds of years old. Literary analysis brings new meaning and can shed new light on texts. Building from careful reading and selecting a topic that you are genuinely interested in, your argument supports how you read and understand a text. Using examples from the text you are discussing in the form of textual evidence further supports your reading. Well-researched literary analysis also includes information about what other scholars have written about a specific text or topic.

Literary analysis helps us to refine our ideas, question what we think we know, and often generates new knowledge about literature. Literary analysis essays allow you to discuss your own interpretation of a given text through careful examination of the choices the original author made in the text.

ENG134 – Literary Genres Copyright © by The American Women's College and Jessica Egan is licensed under a Creative Commons Attribution 4.0 International License , except where otherwise noted.

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Understanding What is Meant by the Word "Genre"

What do we mean by genre? This means a type of writing, i.e., an essay, a poem, a recipe, an email, a tweet. These are all different types (or categories) of writing, and each one has its own format, type of words, tone, and so on.  Analyzing a type of writing (or genre) is considered a genre analysis project. A genre analysis grants students the means to think critically about how a particular form of communication functions as well as a means to evaluate it.

Every genre (type of writing/writing style) has a set of conventions that allow that particular genre to be unique. These conventions include the following components:

• Tone: tone of voice, i.e. serious, humorous, scholarly, informal.
• Diction : word usage - formal or informal, i.e. “disoriented” (formal) versus “spaced out” (informal or colloquial).
•   Content : what is being discussed/demonstrated in the piece? What information is included or needs to be included?
•   Style / Format (the way it looks): long or short sentences? Bulleted list? Paragraphs? Short-hand? Abbreviations? Does punctuation and grammar matter? How detailed do you need to be? Single-spaced or double-spaced? Can pictures / should pictures be included? How long does it need to be / should be? What kind of organizational requirements are there?
•   Expected Medium of Genre : where does the genre appear? Where is it created? i.e. can be it be online (digital) or does it need to be in print (computer paper, magazine, etc)? Where does this genre occur? i.e. flyers (mostly) occur in the hallways of our school, and letters of recommendation (mostly) occur in professors’ offices.
• Genre creates an expectation in the minds of its audience and may fail or succeed depending on if that expectation is met or not.
• Many genres have built-in audiences and corresponding publications that support them, such as magazines and websites.
• The goal of the piece that is written, i.e. a newspaper entry is meant to inform and/or persuade, and a movie script is meant to entertain.
• Basically, each genre has a specific task or a specific goal that it is created to attain.
• Understanding Genre
• Understanding the Rhetorical Situation

To understand genre, one has to first understand the rhetorical situation of the communication. 

Below are some additional resources to assist you in this process:

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• The four main types of essay | Quick guide with examples

The Four Main Types of Essay | Quick Guide with Examples

Published on September 4, 2020 by Jack Caulfield . Revised on July 23, 2023.

An essay is a focused piece of writing designed to inform or persuade. There are many different types of essay, but they are often defined in four categories: argumentative, expository, narrative, and descriptive essays.

Argumentative and expository essays are focused on conveying information and making clear points, while narrative and descriptive essays are about exercising creativity and writing in an interesting way. At university level, argumentative essays are the most common type. 

In high school and college, you will also often have to write textual analysis essays, which test your skills in close reading and interpretation.

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Table of contents

Argumentative essays, expository essays, narrative essays, descriptive essays, textual analysis essays, other interesting articles, frequently asked questions about types of essays.

An argumentative essay presents an extended, evidence-based argument. It requires a strong thesis statement —a clearly defined stance on your topic. Your aim is to convince the reader of your thesis using evidence (such as quotations ) and analysis.

Argumentative essays test your ability to research and present your own position on a topic. This is the most common type of essay at college level—most papers you write will involve some kind of argumentation.

The essay is divided into an introduction, body, and conclusion:

• The introduction provides your topic and thesis statement
• The body presents your evidence and arguments
• The conclusion summarizes your argument and emphasizes its importance

The example below is a paragraph from the body of an argumentative essay about the effects of the internet on education. Mouse over it to learn more.

A common frustration for teachers is students’ use of Wikipedia as a source in their writing. Its prevalence among students is not exaggerated; a survey found that the vast majority of the students surveyed used Wikipedia (Head & Eisenberg, 2010). An article in The Guardian stresses a common objection to its use: “a reliance on Wikipedia can discourage students from engaging with genuine academic writing” (Coomer, 2013). Teachers are clearly not mistaken in viewing Wikipedia usage as ubiquitous among their students; but the claim that it discourages engagement with academic sources requires further investigation. This point is treated as self-evident by many teachers, but Wikipedia itself explicitly encourages students to look into other sources. Its articles often provide references to academic publications and include warning notes where citations are missing; the site’s own guidelines for research make clear that it should be used as a starting point, emphasizing that users should always “read the references and check whether they really do support what the article says” (“Wikipedia:Researching with Wikipedia,” 2020). Indeed, for many students, Wikipedia is their first encounter with the concepts of citation and referencing. The use of Wikipedia therefore has a positive side that merits deeper consideration than it often receives.

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An expository essay provides a clear, focused explanation of a topic. It doesn’t require an original argument, just a balanced and well-organized view of the topic.

Expository essays test your familiarity with a topic and your ability to organize and convey information. They are commonly assigned at high school or in exam questions at college level.

The introduction of an expository essay states your topic and provides some general background, the body presents the details, and the conclusion summarizes the information presented.

A typical body paragraph from an expository essay about the invention of the printing press is shown below. Mouse over it to learn more.

The invention of the printing press in 1440 changed this situation dramatically. Johannes Gutenberg, who had worked as a goldsmith, used his knowledge of metals in the design of the press. He made his type from an alloy of lead, tin, and antimony, whose durability allowed for the reliable production of high-quality books. This new technology allowed texts to be reproduced and disseminated on a much larger scale than was previously possible. The Gutenberg Bible appeared in the 1450s, and a large number of printing presses sprang up across the continent in the following decades. Gutenberg’s invention rapidly transformed cultural production in Europe; among other things, it would lead to the Protestant Reformation.

A narrative essay is one that tells a story. This is usually a story about a personal experience you had, but it may also be an imaginative exploration of something you have not experienced.

Narrative essays test your ability to build up a narrative in an engaging, well-structured way. They are much more personal and creative than other kinds of academic writing . Writing a personal statement for an application requires the same skills as a narrative essay.

A narrative essay isn’t strictly divided into introduction, body, and conclusion, but it should still begin by setting up the narrative and finish by expressing the point of the story—what you learned from your experience, or why it made an impression on you.

Mouse over the example below, a short narrative essay responding to the prompt “Write about an experience where you learned something about yourself,” to explore its structure.

Since elementary school, I have always favored subjects like science and math over the humanities. My instinct was always to think of these subjects as more solid and serious than classes like English. If there was no right answer, I thought, why bother? But recently I had an experience that taught me my academic interests are more flexible than I had thought: I took my first philosophy class.

Before I entered the classroom, I was skeptical. I waited outside with the other students and wondered what exactly philosophy would involve—I really had no idea. I imagined something pretty abstract: long, stilted conversations pondering the meaning of life. But what I got was something quite different.

A young man in jeans, Mr. Jones—“but you can call me Rob”—was far from the white-haired, buttoned-up old man I had half-expected. And rather than pulling us into pedantic arguments about obscure philosophical points, Rob engaged us on our level. To talk free will, we looked at our own choices. To talk ethics, we looked at dilemmas we had faced ourselves. By the end of class, I’d discovered that questions with no right answer can turn out to be the most interesting ones.

The experience has taught me to look at things a little more “philosophically”—and not just because it was a philosophy class! I learned that if I let go of my preconceptions, I can actually get a lot out of subjects I was previously dismissive of. The class taught me—in more ways than one—to look at things with an open mind.

A descriptive essay provides a detailed sensory description of something. Like narrative essays, they allow you to be more creative than most academic writing, but they are more tightly focused than narrative essays. You might describe a specific place or object, rather than telling a whole story.

Descriptive essays test your ability to use language creatively, making striking word choices to convey a memorable picture of what you’re describing.

A descriptive essay can be quite loosely structured, though it should usually begin by introducing the object of your description and end by drawing an overall picture of it. The important thing is to use careful word choices and figurative language to create an original description of your object.

Mouse over the example below, a response to the prompt “Describe a place you love to spend time in,” to learn more about descriptive essays.

On Sunday afternoons I like to spend my time in the garden behind my house. The garden is narrow but long, a corridor of green extending from the back of the house, and I sit on a lawn chair at the far end to read and relax. I am in my small peaceful paradise: the shade of the tree, the feel of the grass on my feet, the gentle activity of the fish in the pond beside me.

My cat crosses the garden nimbly and leaps onto the fence to survey it from above. From his perch he can watch over his little kingdom and keep an eye on the neighbours. He does this until the barking of next door’s dog scares him from his post and he bolts for the cat flap to govern from the safety of the kitchen.

With that, I am left alone with the fish, whose whole world is the pond by my feet. The fish explore the pond every day as if for the first time, prodding and inspecting every stone. I sometimes feel the same about sitting here in the garden; I know the place better than anyone, but whenever I return I still feel compelled to pay attention to all its details and novelties—a new bird perched in the tree, the growth of the grass, and the movement of the insects it shelters…

Sitting out in the garden, I feel serene. I feel at home. And yet I always feel there is more to discover. The bounds of my garden may be small, but there is a whole world contained within it, and it is one I will never get tired of inhabiting.

Though every essay type tests your writing skills, some essays also test your ability to read carefully and critically. In a textual analysis essay, you don’t just present information on a topic, but closely analyze a text to explain how it achieves certain effects.

Rhetorical analysis

A rhetorical analysis looks at a persuasive text (e.g. a speech, an essay, a political cartoon) in terms of the rhetorical devices it uses, and evaluates their effectiveness.

The goal is not to state whether you agree with the author’s argument but to look at how they have constructed it.

The introduction of a rhetorical analysis presents the text, some background information, and your thesis statement; the body comprises the analysis itself; and the conclusion wraps up your analysis of the text, emphasizing its relevance to broader concerns.

The example below is from a rhetorical analysis of Martin Luther King Jr.’s “I Have a Dream” speech . Mouse over it to learn more.

King’s speech is infused with prophetic language throughout. Even before the famous “dream” part of the speech, King’s language consistently strikes a prophetic tone. He refers to the Lincoln Memorial as a “hallowed spot” and speaks of rising “from the dark and desolate valley of segregation” to “make justice a reality for all of God’s children.” The assumption of this prophetic voice constitutes the text’s strongest ethical appeal; after linking himself with political figures like Lincoln and the Founding Fathers, King’s ethos adopts a distinctly religious tone, recalling Biblical prophets and preachers of change from across history. This adds significant force to his words; standing before an audience of hundreds of thousands, he states not just what the future should be, but what it will be: “The whirlwinds of revolt will continue to shake the foundations of our nation until the bright day of justice emerges.” This warning is almost apocalyptic in tone, though it concludes with the positive image of the “bright day of justice.” The power of King’s rhetoric thus stems not only from the pathos of his vision of a brighter future, but from the ethos of the prophetic voice he adopts in expressing this vision.

Literary analysis

A literary analysis essay presents a close reading of a work of literature—e.g. a poem or novel—to explore the choices made by the author and how they help to convey the text’s theme. It is not simply a book report or a review, but an in-depth interpretation of the text.

Literary analysis looks at things like setting, characters, themes, and figurative language. The goal is to closely analyze what the author conveys and how.

The introduction of a literary analysis essay presents the text and background, and provides your thesis statement; the body consists of close readings of the text with quotations and analysis in support of your argument; and the conclusion emphasizes what your approach tells us about the text.

Mouse over the example below, the introduction to a literary analysis essay on Frankenstein , to learn more.

Mary Shelley’s Frankenstein is often read as a crude cautionary tale about the dangers of scientific advancement unrestrained by ethical considerations. In this reading, protagonist Victor Frankenstein is a stable representation of the callous ambition of modern science throughout the novel. This essay, however, argues that far from providing a stable image of the character, Shelley uses shifting narrative perspectives to portray Frankenstein in an increasingly negative light as the novel goes on. While he initially appears to be a naive but sympathetic idealist, after the creature’s narrative Frankenstein begins to resemble—even in his own telling—the thoughtlessly cruel figure the creature represents him as. This essay begins by exploring the positive portrayal of Frankenstein in the first volume, then moves on to the creature’s perception of him, and finally discusses the third volume’s narrative shift toward viewing Frankenstein as the creature views him.

If you want to know more about AI tools , college essays , or fallacies make sure to check out some of our other articles with explanations and examples or go directly to our tools!

• Ad hominem fallacy
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At high school and in composition classes at university, you’ll often be told to write a specific type of essay , but you might also just be given prompts.

Look for keywords in these prompts that suggest a certain approach: The word “explain” suggests you should write an expository essay , while the word “describe” implies a descriptive essay . An argumentative essay might be prompted with the word “assess” or “argue.”

The vast majority of essays written at university are some sort of argumentative essay . Almost all academic writing involves building up an argument, though other types of essay might be assigned in composition classes.

Essays can present arguments about all kinds of different topics. For example:

• In a literary analysis essay, you might make an argument for a specific interpretation of a text
• In a history essay, you might present an argument for the importance of a particular event
• In a politics essay, you might argue for the validity of a certain political theory

An argumentative essay tends to be a longer essay involving independent research, and aims to make an original argument about a topic. Its thesis statement makes a contentious claim that must be supported in an objective, evidence-based way.

An expository essay also aims to be objective, but it doesn’t have to make an original argument. Rather, it aims to explain something (e.g., a process or idea) in a clear, concise way. Expository essays are often shorter assignments and rely less on research.

The key difference is that a narrative essay is designed to tell a complete story, while a descriptive essay is meant to convey an intense description of a particular place, object, or concept.

Narrative and descriptive essays both allow you to write more personally and creatively than other kinds of essays , and similar writing skills can apply to both.

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• Literary Terms
• Definition & Examples
• When & How to Write Within a Genre

I. What is a Genre?

A genre is a category of literature identified by form, content, and style. Genres allow literary critics and students to classify compositions within the larger canon of literature. Genre (pronounced ˈzhän-rə) is derived from the French phrase genre meaning “kind” or “type.”

II. Types and Examples of Genres

Literature could be divided into countless genres and subgenres, but there are three main genres which preside over most subgenres. Here are the main genres in literature:

As poetry has evolved, it has taken on numerous forms, but in general poetry is the genre of literature which has some form of meter or rhyme with focus based on syllable counts, musicality, and division of lines (lineation). Unlike prose which runs from one end of the page to the other, poetry is typically written in lines and blocks of lines known as stanzas .

Here is an excerpt from Maya Angelou’s “Still I Rise”:

You may write me down in history

With your bitter, twisted lies,

You may trod me in the very dirt

But still, like dust, I’ll rise.

Does my sassiness upset you?

Why are you beset with gloom?

‘Cause I walk like I’ve got oil wells

Pumping in my living room.

Just like moons and like suns,

With the certainty of tides,

Just like hopes springing high,

Still I’ll rise.

Prose encompasses any literary text which is not arranged in a poetic form. Put simply, prose is whatever is not poetry. Prose includes novels, short stories, journals, letters, fiction and nonfiction, among others. This article is an example of prose.

Drama is a text which has been written with the intention of being performed for an audience. Dramas range from plays to improvisations on stage. Popular dramas include Shakespeare’s Romeo and Juliet , Lorraine Hansberry’s A Raisin in the Sun , and Tennessee Williams’ A Streetcar Named Desire.

III. The Importance of Using Genres

Genres give writers a specific type of literature to work within. They allow writers to specialize in one genre or to dabble in others. Students in creative writing may focus in a variety of genres from poetry to prose to nonfiction to playwriting. Genres allow us to classify literature, to deem what is appropriate for a certain type of literature, and to judge the merit of literature based on its genre. In general, genre is a classifying tool which allows us to compare and contrast works within the same genre and to study how works broaden or challenge certain genre-based constraints. New genres like media (writing for television, film, websites, radios, billboards, etc.) and the graphic novel (comic books) are expanding what we consider literature today.

IV. Genres in Literature

The three main genres in literature are prose, poetry, and drama, but there are many more subgenres, or genres within genres. Here are a few examples of other genres in literature:

Maus: A Survivor’s Tale by Art Spiegelman

Maus is an example of a literary genre called the graphic novel, sometimes better known as the comic book. In Maus , Spiegelman tells the story of the Holocaust using animal characters .

Speak by Laurie Halse Anderson

THE FIRST TEN LIES THEY TELL YOU IN HIGH SCHOOL 1. We are here to help you. 2. You will have time to get to your class before the bell rings. 3. The dress code will be enforced. 4. No smoking is allowed on school grounds. 5. Our football team will win the championship this year. 6. We expect more of you here. 7. Guidance counselors are always available to listen. 8. Your schedule was created with you in mind. 9. Your locker combination is private. 10.These will be the years you look back on fondly.   TEN MORE LIES THEY TELL YOU IN HIGH SCHOOL 1. You will use algebra in your adult lives. 2.Driving to school is a privilege that can be taken away. 3. Students must stay on campus during lunch. 4. The new text books will arrive any day now. 5. Colleges care more about you than your SAT scores. 6. We are enforcing the dress code. 7. We will figure out how to turn off the heat soon. 8. Our bus drivers are highly trained professionals. 9. There is nothing wrong with summer school. 10. We want to hear what you have to say.

Speak is an example of young adult fiction, another subgenre of prose. YA fiction appeals to young adults from the ages of twelve to eighteen with coming-of-age stories about various subjects from high school struggles to family conflict to relationships.

There are numerous genres in literature, including poetry and prose, fiction and nonfiction, short stories and novels, dramas, fables , fairytales, legends , biographies, and reference books. The list goes on with countless genres and subgenres categorizing literature in numerous ways based on numerous characteristics and styles of writing.

V. Genres in Pop Culture

Genres are not limited to literature. There are genres of movies, television shows, and songs as well. Here are a few examples of genres in pop culture.

Nicholas Sparks’ The Notebook is considered by many to be the quintessential example of the romance genre in both fiction books and movies. Other movie genres include drama, comedy, romantic comedy, sci-fi, animated, and fantasy.

The are a lot of musical genres. The following are some of the most popular genres:

• Hip hop music
• Classical period
• Country music
• Classical music
• Popular music
• Rhythm and blues
• Heavy metal
• Electronic dance music
• Alternative rock
• Instrumental

VI. Related Terms: Style vs. Genre

Often, an aspect of what allows us to define a genre is the specific style of the writing. The mystery genre purposely uses suspense and withholding certain information from the reader. Different subgenres of poetry are written in different styles: haikus tend to be peaceful or playful, sonnets are often romantic, and free verse is free to hop styles with or without rhyme, with or without line breaks. The difference between style and genre is that genre is an overarching type of literature, whereas style can be considered an aspect of a genre or even of a specific writer’s voice. Here is an example of style versus genre:

We have no idea what’s going on! Who knows? Who could possibly know? Who murdered Mr. Brown?! Everyone is panicking! No one knows what to do! This is insane!

The style of this writing is choppy, overly dramatic, and panicked.

This story investigates the murder of Mr. Brown, who was found dead in the library. 

The genre, on the other hand, is the murder mystery.

VII. In Closing

Genres allow us to divide various types of literature, music, movies, and other art forms into classifiable groups. Beyond the classical genres of prose, poetry, and drama in literature, there are numerous subgenres ranging from fantasy to nonfiction.

List of Terms

• Alliteration
• Amplification
• Anachronism
• Anthropomorphism
• Antonomasia
• APA Citation
• Aposiopesis
• Autobiography
• Bildungsroman
• Characterization
• Circumlocution
• Cliffhanger
• Comic Relief
• Connotation
• Deus ex machina
• Deuteragonist
• Doppelganger
• Double Entendre
• Dramatic irony
• Equivocation
• Extended Metaphor
• Figures of Speech
• Flash-forward
• Foreshadowing
• Intertextuality
• Juxtaposition
• Literary Device
• Malapropism
• Onomatopoeia
• Parallelism
• Pathetic Fallacy
• Personification
• Point of View
• Polysyndeton
• Protagonist
• Red Herring
• Rhetorical Device
• Rhetorical Question
• Science Fiction
• Self-Fulfilling Prophecy
• Synesthesia
• Turning Point
• Understatement
• Urban Legend
• Verisimilitude
• Essay Guide
• Cite This Website

Definition of Genre

When I fall in love, it will be forever.

Difference Between Style and Genre

Common examples of genre, common examples of fiction genre.

Here are some common examples of genre fiction and their characteristics:

Examples of Writers Associated with Specific Genre Fiction

Famous examples of genre in other art forms, examples of genre in literature.

As a literary device, the genre is like an implied social contract between writers and their readers. This does not mean that writers must abide by all conventions associated with a specific genre. However, there are organizational patterns within a genre that readers tend to expect. Genre expectations allow readers to feel familiar with the literary work and help them to organize the information presented by the writer. In addition, keeping with genre conventions can establish a writer’s relationship with their readers and a framework for their literature.

Example 1: Macbeth by William Shakespeare

Tomorrow, and tomorrow, and tomorrow , Creeps in this petty pace from day to day To the last syllable of recorded time, And all our yesterdays have lighted fools The way to dusty death. Out, out , brief candle! Life’s but a walking shadow, a poor player That struts and frets his hour upon the stage And then is heard no more: it is a tale Told by an idiot, full of sound and fury, Signifying nothing.

The formal genre of this well-known literary work is Shakespearean drama or play. Macbeth can be sub-categorized as a literary tragedy in that the play features the elements of a classical tragic work. For example, Macbeth’s character aligns with the traits and path of a tragic hero –a protagonist whose tragic flaw brings about his downfall from power to ruin. This tragic arc of the protagonist often results in catharsis (emotional release) and potential empathy among readers and members of the audience .

Example 2: The Color Purple by Alice Walker

All my life I had to fight. I had to fight my daddy . I had to fight my brothers. I had to fight my cousins and my uncles. A girl child ain’t safe in a family of men. But I never thought I’d have to fight in my own house. She let out her breath. I loves Harpo, she say. God knows I do. But I’ll kill him dead before I let him beat me.

Example 3: A Word to Husbands by Ogden Nash

To keep your marriage brimming With love in the loving cup, Whenever you’re wrong, admit it; Whenever you’re right, shut up.

Synonyms of Genre

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Literary Genres: Definition and Examples of the 4 Essential Genres and 100+ Subgenres

by Joe Bunting | 1 comment

What are literary genres? Do they actually matter to readers? How about to writers? What types of literary genres exist? And if you're a writer, how do you decide which genre to write in?

To begin to think about literary genres, let's start with an example.

Let's say want to read something. You go to a bookstore or hop onto a store online or go to a library.

But instead of a nice person wearing reading glasses and a cardigan asking you what books you like and then thinking through every book ever written to find you the next perfect read (if that person existed, for the record, they would be my favorite person), you're faced with this: rows and rows of books with labels on the shelves like “Literary Fiction,” “Travel,” “Reference,” “Science Fiction,” and so on.

You stop at the edge of the bookstore and just stand there for a while, stumped. “What do all of these labels even mean?!” And then you walk out of the store.

Or maybe you're writing a book , and someone asks you a question like this: “What kind of book are you writing? What genre  is it?”

And you stare at them in frustration thinking, “My book transcends genre, convention, and even reality, obviously. Don't you dare put my genius in a box!”

What are literary genres? In this article, we'll share the definition and different types of literary genres (there are four main ones but thousands of subgenres). Then, we'll talk about why genre matters to both readers and writers. We'll look at some of the components that people use to categorize writing into genres. Finally, we'll give you a chance to put genre into practice with an exercise .

Table of Contents

Introduction Literary Genres Definition Why Genre Matters (to Readers, to Writers) The 4 Essential Genres 100+ Genres and Subgenres The 7 Components of Genre Practice Exercise

Ready to get started? Let's get into it.

What Are Literary Genres? Literary Genre Definition

Let's begin with a basic definition of literary genres:

Literary genres are categories, types, or collections of literature. They often share characteristics, such as their subject matter or topic, style, form, purpose, or audience.

That's our formal definition. But here's a simpler way of thinking about it:

Genre is a way of categorizing readers' tastes.

That's a good basic definition of genre. But does genre really matter?

Why Literary Genres Matter

Literary genres matter. They matter to readers but they also matter to writers. Here's why:

Why Literary Genres Matter to Readers

Think about it. You like to read (or watch) different things than your parents.

You probably also like to read different things at different times of the day. For example, maybe you read the news in the morning, listen to an audiobook of a nonfiction book related to your studies or career in the afternoon, and read a novel or watch a TV show in the evening.

Even more, you probably read different things now than you did as a child or than you will want to read twenty years from now.

Everyone has different tastes.

Genre is one way we match what readers want to what writers want to write and what publishers are publishing.

It's also not a new thing. We've been categorizing literature like this for thousands of years. Some of the oldest forms of writing, including religious texts, were tied directly into this idea of genre.

For example, forty percent of the Old Testament in the Bible is actually poetry, one of the four essential literary genres. Much of the New Testament is in the form of epistle, a subgenre that's basically a public letter.

Genre matters, and by understanding how genre works, you not only can find more things you want to read, you can also better understand what the writer (or publisher) is trying to do.

Why Literary Genres Matter to Writers

Genre isn't just important to readers. It's extremely important to writers too.

In the same way the literary genres better help readers find things they want to read and better understand a writer's intentions, genres inform writers of readers' expectations and also help writers find an audience.

If you know that there are  a lot  of readers of satirical political punditry (e.g. The Onion ), then you can write more of that kind of writing and thus find more readers and hopefully make more money. Genre can help you find an audience.

At the same time, great writers have always played with and pressed the boundaries of genre, sometimes even subverting it for the sake of their art.

Another way to think about genre is a set of expectations from the reader. While it's important to meet  some  of those expectations, if you meet too many, the reader will get bored and feel like they know exactly what's going to happen next. So great writers will always play to the readers' expectations and then change a few things completely to give readers a sense of novelty in the midst of familiarity.

This is not unique to writers, by the way. The great apparel designer Virgil Abloh, who was an artistic director at Louis Vuitton until he passed away tragically in 2021, had a creative template called the “3% Rule,” where he would take an existing design, like a pair of Nike Air Jordans, and make a three percent change to it, transforming it into something completely new. His designs were incredibly successful, often selling for thousands of dollars.

This process of taking something familiar and turning it into something new with a slight change is something artists have done throughout history, including writers, and it's a great way to think about how to use genre for your own writing.

What Literary Genre is NOT: Story Type vs. Literary Genres

Before we talk more about the types of genre, let's discuss what genre is  not .

Genre is  not  the same as story type (or for nonfiction, types of nonfiction structure). There are ten (or so) types of stories, including adventure, love story, mystery, and coming of age, but there are hundreds, even thousands of genres.

Story type and nonfiction book structure are about how the work is structured.

Genre is about how the work is perceived and marketed.

These are related but  not  the same.

For example, one popular subgenre of literature is science fiction. Probably the most common type of science fiction story is adventure, but you can also have mystery sci-fi stories, love story sci-fi, and even morality sci-fi. Story type transcends genre.

You can learn more about this in my book  The Write Structure , which teaches writers the simple process to structure great stories. Click to check out  The Write Structure .

This is true for non-fiction as well in different ways. More on this in my post on the seven types of nonfiction books .

Now that we've addressed why genre matters and what genre doesn't  include, let's get into the different literary genres that exist (there are a lot of them!).

How Many Literary Genres Are There? The 4 Essential Genres, and 100+ Genres and Subgenres

Just as everyone has different tastes, so there are genres to fit every kind of specific reader.

There are four essential literary genres, and all are driven by essential questions. Then, within each of those essential genres are genres and subgenres. We will look at all of these in turn, below, as well as several examples of each.

An important note: There are individual works that fit within the gaps of these four essential genres or even cross over into multiple genres.

As with anything, the edges of these categories can become blurry, for example narrative poetry or fictional reference books.

A general rule: You know it when you see it (except, of course, when the author is trying to trick you!).

1. Nonfiction: Is it true?

The core question for nonfiction is, “Is it true?”

Nonfiction deals with facts, instruction, opinion/argument reference, narrative nonfiction, or a combination.

A few examples of nonfiction (more below): reference, news, memoir, manuals, religious inspirational books, self-help, business, and many more.

2. Fiction: Is it, at some level, imagined?

The core question for fiction is, “Is it, at some level, imagined?”

Fiction is almost always story or narrative. However, satire is a form of “fiction” that's structured like nonfiction opinion/essays or news. And one of the biggest insults you can give to a journalist, reporter, or academic researcher is to suggest that their work is “fiction.”

3. Drama: Is it performed?

Drama is a genre of literature that has some kind of performance component. This includes theater, film, and audio plays.

The core question that defines drama is, “Is it performed?”

As always, there are genres within this essential genre, including horror films, thrillers, true crime podcasts, and more.

4. Poetry: Is it verse?

Poetry is in some ways the most challenging literary genre to define because while poetry is usually based on form, i.e. lines intentionally broken into verse, sometimes including rhyme or other poetic devices, there are some “poems” that are written completely in prose called prose poetry. These are only considered poems because the author and/or literary scholars  said  they were poems.

To confuse things even more, you also have narrative poetry, which combines fiction and poetry, and song which combines poetry and performance (or drama) with music.

Which is all to say, poetry is challenging to classify, but again, you usually know it when you see it.

Next, let's talk about the genres and subgenres within those four essential literary genres.

The 100+ Literary Genres and Subgenres with Definitions

Genre is, at its core, subjective. It's literally based on the tastes of readers, tastes that change over time, within markets, and across cultures.

Thus, there are essentially an infinite number of genres.

Even more, genres are constantly shifting. What is considered contemporary fiction today will change a decade from now.

So take the lists below (and any  list of genres you see) as an incomplete, likely outdated, small sample size of genre with definitions.

1. Fiction Genres

Sorted alphabetically.

Action/Adventure. An action/adventure story has adventure elements in its plot line. This type of story often involves some kind of conflict between good and evil, and features characters who must overcome obstacles to achieve their goals .

Chick Lit. Chick Lit stories are usually written for women who interested in lighthearted stories that still have some depth. They often include romance, humor, and drama in their plots.

Comedy. This typically refers to historical stories and plays (e.g. Shakespeare, Greek Literature, etc) that contain a happy ending, often with a wedding.

Commercial. Commercial stories have been written for the sole purpose of making money, often in an attempt to cash in on the success of another book, film, or genre.

Crime/Police/Detective Fiction. Crime and police stories feature a detective, whether amateur or professional, who solves crimes using their wits and knowledge of criminal psychology.

Drama or Tragedy. This typically refers to historical stories or plays (e.g. Shakespeare, Greek Literature, etc) that contain a sad or tragic ending, often with one or more deaths.

Erotica. Erotic stories contain explicit sexual descriptions in their narratives.

Espionage. Espionage stories focus on international intrigue, usually involving governments, spies, secret agents, and/or terrorist organizations. They often involve political conflict, military action, sabotage, terrorism, assassination, kidnapping, and other forms of covert operations.

Family Saga. Family sagas focus on the lives of an extended family, sometimes over several generations. Rather than having an individual protagonist, the family saga tells the stories of multiple main characters or of the family as a whole.

Fantasy. Fantasy stories are set in imaginary worlds that often feature magic, mythical creatures, and fantastic elements. They may be based on mythology, folklore, religion, legend, history, or science fiction.

General Fiction. General fiction novels are those that deal with individuals and relationships in an ordinary setting. They may be set in any time period, but usually take place in modern times.

Graphic Novel. Graphic novels are a hybrid between comics and prose fiction that often includes elements of both.

Historical Fiction. Historical stories are written about imagined or actual events that occurred in history. They usually take place during specific periods of time and often include real or imaginary characters who lived at those times.

Horror Genre. Horror stories focus on the psychological terror experienced by their characters. They often feature supernatural elements, such as ghosts, vampires, werewolves, zombies, demons, monsters, and aliens.

Humor/Satire. This category includes stories that have been written using satire or contain comedic elements. Satirical novels tend to focus on some aspect of society in a critical way.

LGBTQ+. LGBTQ+ novels are those that feature characters who identify as lesbian, gay, bisexual, transgender, queer, or otherwise non-heterosexual.

Literary Fiction. Literary fiction novels or stories have a high degree of artistic merit, a unique or experimental style of writing , and often deal with serious themes.

Military. Military stories deal with war, conflict, combat, or similar themes and often have strong action elements. They may be set in a contemporary or a historical period.

Multicultural. Multicultural stories are written by and about people who have different cultural backgrounds, including those that may be considered ethnic minorities.

Mystery G enre. Mystery stories feature an investigation into a crime.

Offbeat/Quirky. An offbeat story has an unusual plot, characters, setting, style, tone, or point of view. Quirkiness can be found in any aspect of a story, but often comes into play when the author uses unexpected settings, time periods, or characters.

Picture Book. Picture book novels are usually written for children and feature simple plots and colorful illustrations . They often have a moral or educational purpose.

Religious/Inspirational. Religious/ inspirational stories describe events in the life of a person who was inspired by God or another supernatural being to do something extraordinary. They usually have a moral lesson at their core.

Romance Genre. Romance novels  or stories are those that focus on love between two people, often in an ideal setting. There are many subgenres in romance, including historical, contemporary, paranormal, and others.

Science Fiction. Science fiction stories are usually set in an imaginary future world, often involving advanced technology. They may be based on scientific facts but they are not always.

Short Story Collection . Short story collections contain several short stories written by the same or different authors.

Suspense or Thriller Genre. Thrillers/ suspense stories are usually about people in danger, often involving crimes, natural disasters, or terrorism.

Upmarket. Upmarket stories are often written for and/or focus on upper class people who live in an upscale environment.

Western Genre. Western stories are those that take place in the west during the late 19th century and early 20th century. Characters include cowboys, outlaws, native Americans, and settlers.

2. Nonfiction Genres

From the BISAC categories, a globally accepted system for coding and categorizing books by the Book Industry Standards And Communications group.

Antiques & Collectibles. Nonfiction books about antiques and collectibles include those that focus on topics such as collecting, appraising, restoring, and marketing antiques and collectibles. These books may be written for both collectors and dealers in antique and collectible items. They can range from how-to guides to detailed histories of specific types of objects.

Architecture. Architecture books focus on the design, construction, use, and history of buildings and structures. This includes the study of architecture in general, but also the specific designs of individual buildings or styles of architecture.

Art. Art books focus on visual arts, music, literature, dance, film, theater, architecture, design, fashion, food, and other art forms. They may include essays, memoirs, biographies, interviews, criticism, and reviews.

Bibles. Bibles are religious books, almost exclusively Christian, that contain the traditional Bible in various translations, often with commentary or historical context.

Biography & Autobiography. Biography is an account of a person's life, often a historical or otherwise famous person. Autobiographies are personal accounts of people's lives written by themselves.

Body, Mind & Spirt. These books focus on topics related to human health, wellness, nutrition, fitness, or spirituality.

Business & Economics. Business & economics books are about how businesses work. They tend to focus on topics that interest people who run their own companies, lead or manage others, or want to understand how the economy works.

Computers. The computer genre of nonfiction books includes any topics that deal with computers in some way. They can be about general use, about how they affect our lives, or about specific technical areas related to hardware or software.

Cooking. Cookbooks contain recipes or cooking techniques.

Crafts & Hobbies.  How-to guides for crafts and hobbies, including sewing, knitting, painting, baking, woodworking, jewelry making, scrapbooking, photography, gardening, home improvement projects, and others.

Design. Design books are written about topics that include design in some way. They can be about any aspect of design including graphic design, industrial design, product design, fashion, furniture, interior design, or others.

Education. Education books focus on topics related to teaching and learning in schools. They can be used for students or as a resource for teachers.

Family & Relationships. These books focus on family relationships, including parenting, marriage, divorce, adoption, and more.

Foreign Language Study. Books that act as a reference or guide to learning a foreign language.

Games & Activities. Games & activities books may be published for children or adults, may contain learning activities or entertaining word or puzzle games. They range from joke books to crossword puzzle books to coloring books and more.

Gardening. Gardening books include those that focus on aspects of gardening, how to prepare for and grow vegetables, fruits, herbs, flowers, trees, shrubs, grasses, and other plants in an indoor or outdoor garden setting.

Health & Fitness. Health and fitness books focus on topics like dieting, exercise, nutrition, weight loss, health issues, medical conditions, diseases, medications, herbs, supplements, vitamins, minerals, and more.

History. History books focus on historical events and people, and may be written for entertainment or educational purposes.

House & Home. House & home books focus on topics like interior design, decorating, entertaining, and DIY projects.

Humor. Humor books are contain humorous elements but do not have any fictional elements.

Juvenile Nonfiction. These are nonfiction books written for children between six and twelve years old.

Language Arts & Disciplines. These books focus on teaching language arts and disciplines. They may be used for elementary school students in grades K-5.

Law. Law books include legal treatises, casebooks, and collections of statutes.

Literary Criticism. Literary criticism books discuss literary works, primarily key works of fiction or memoir. They may include biographies of authors, critical essays on specific works, or studies of the history of literature.

Mathematics. Mathematics books either teach mathematical concepts and methods or explore the history of mathematics.

Medical. Medical books include textbooks, reference books, guides, encyclopedias, and handbooks that focus on fields of medicine, including general practice, internal medicine, surgery, pediatrics, obstetrics/gynecology, and more.

Music. Music books are books that focus on the history, culture, and development of music in various countries around the world. They often include biographies, interviews, reviews, essays, and other related material. However, they may also include sheet music or instruction on playing a specific instrument.

Nature. Nature books focus on the natural world or environment, including natural history, ecology, or natural experiences like hiking, bird watching, or conservation.

Performing Arts. Books about the performing arts in general, including specific types of performance art like dance, music, and theater.

Pets. Pet books include any book that deals with animals in some way, including dog training, cat care, animal behavior, pet nutrition, bird care, and more.

Philosophy. Philosophy books deal with philosophical issues, and may be written for a general audience or specifically for scholars.

Photography. Photography books use photographs as an essential part of their content. They may be about any subject.

Political Science. Political science books deal with politics in some way. They can be about current events, historical figures, or theoretical concepts.

Psychology. Psychology books are about the scientific study of mental processes, emotion, and behavior.

Reference. Reference books are about any subject, topic, or field and contain useful information about that subject, topic or field.

Religion. These books deal with religion in some way, including religious history, theology, philosophy, and spirituality.

Science. Science books focus on topics within scientific fields, including geology, biology, physics, and more.

Self-Help. Self-help books are written for people who want to improve their lives in some way. They may be about health, relationships, finances, career, parenting, spirituality, or any number of topics that can help readers achieve personal goals.

Social Science. Focus on social science topics.

Sports & Recreation. Sports & Recreation books focus on sports either from a reporting, historical, or instructional perspective.

Study Aids. Study aids are books that provide information about a particular subject area for students who want to learn more about that topic. These books can be used in conjunction with classroom instruction or on their own.

Technology & Engineering. Technology & engineering nonfiction books describe how technology has changed our lives and how we can use that knowledge to improve ourselves and society.

Transportation. Focus on transportation topics including those about vehicles, routes, or techniques.

Travel. Travel books are those that focus on travel experiences, whether from a guide perspective or from the author's personal experiences.

True Crime. True Crime books focus on true stories about crimes. These books may be about famous cases, unsolved crimes, or specific criminals.

Young Adult Nonfiction.  Young adult nonfiction books are written for children and teenagers.

3. Drama Genres

These include genres for theater, film, television serials, or audio plays.

As a writer, I find some of these genres particularly eye-roll worthy. And yet, this is the way most films, television shows, and even theater productions are classified.

Action. Action genre dramas involve fast-paced, high-energy sequences in which characters fight against each other. They often have large-scale battles, chase scenes, or other high-intensity, high-conflict scenes.

Horror.  Horror dramas focus on the psychological terror experienced by their characters. They often feature supernatural elements, such as ghosts, vampires, werewolves, zombies, demons, monsters, and aliens.

Adventure. Adventure films are movies that have an adventurous theme. They may be set in exotic locations, feature action sequences, and/or contain elements of fantasy.

Musicals (Dance). Musicals are dramas that use music in their plot and/or soundtrack. They may be comedies, dramas, or any combination.

Comedy (& Black Comedy). Comedy dramas feature humor in their plots, characters, dialogue, or situations. It sometimes refers to historical dramas (e.g. Shakespeare, Greek drama, etc) that contain a happy ending, often with a wedding.

Science Fiction. Science fiction dramas are usually set in an imaginary future world, often involving advanced technology. They may be based on scientific facts but do not have to be.

Crime & Gangster. Crime & Gangster dramas deal with criminals, detectives, or organized crime groups. They often feature action sequences, violence, and mystery elements.

War (Anti-War). War (or anti-war) dramas focus on contemporary or historical wars. They may also contain action, adventure, mystery, or romance elements.

Drama. Dramas focus on human emotions in conflict situations. They often have complex plots and characters, and deal with serious themes. This may also refer to historical stories (e.g. Shakespeare, Greek Literature, etc) that contain a sad or tragic ending, often with one or more deaths.

Westerns. Westerns are a genre of American film that originated in the early 20th century and take place in the west during the late 19th century and early 20th century. Characters include cowboys, outlaws, native Americans, and settlers.

Epics/Historical/Period. These are dramas based on historical events or periods but do not necessarily involve any real people.

Biographical (“Biopics”). Biopics films are movies that focus on real people in history.

Melodramas, Women's or “Weeper” Films, Tearjerkers. A type of narrative drama that focuses on emotional issues, usually involving love, loss, tragedy, and redemption.

“Chick” Flicks. Chick flicks usually feature romantic relationships and tend to be lighthearted and comedic in nature.

Road Stories. Dramas involving a journey of some kind, usually taking place in contemporary setting, and involving relationships between one or more people, not necessarily romantic.

Courtroom Dramas. Courtroom dramas depict legal cases set in courtrooms. They usually have a dramatic plot line with an interesting twist at the end.

Romance. Romance dramas feature love stories between two people. Romance dramas tend to be more serious, even tragic, in nature, while romantic comedies tend to be more lighthearted.

Detective & Mystery. These dramas feature amateur or professional investigators solving crimes and catching criminals.

Sports. Sports dramas focus on athletic competition in its many forms and usually involve some kind of climactic tournament or championship.

Disaster. Disaster dramas are adventure or action dramas that include natural disasters, usually involving earthquakes, floods, volcanoes, hurricanes, tornadoes, or other disasters.

Superhero. Superhero dramas are action/adventure dramas that feature characters with supernatural powers. They usually have an origin story, the rise of a villain, and a climactic battle at the end.

Fantasy. Fantasy dramas films are typically adventure dramas that feature fantastical elements in their plot or setting, whether magic, folklore, supernatural creatures, or other fantasy elements.

Supernatural. Supernatural dramas feature paranormal phenomena in their plots, including ghosts, mythical creatures, and mysterious or extraordinary elements. This genre may overlap with horror, fantasy, thriller, action and other genres.

Film Noir. Film noir refers to a style of American crime drama that emerged in the 1940s. These dramas often featured cynical characters who struggled, often fruitlessly, against corruption and injustice.

Thriller/Suspense. Thriller/suspense dramas have elements of suspense and mystery in their plot. They usually feature a character protagonist who must overcome obstacles while trying to solve a crime or prevent a catastrophe.

Guy Stories. Guy dramas feature men in various situations, usually humorous or comedic in nature.

Zombie . Zombie dramas are usually action/adventure dramas that involve zombies.

Animated Stories . Dramas that are depicted with drawings, photographs, stop-motion, CGI, or other animation techniques.

Documentary . Documentaries are non-fiction performances that attempt to describe actual events, topics, or people.

“Foreign.”  Any drama not in the language of or involving characters/topics in your country of origin. They can also have any of the other genres listed here.

Childrens – Kids – Family-Oriented . Dramas with children of various ages as the intended audience.

Sexual – Erotic . These dramas feature explicit sexual acts but also have some kind of plot or narrative (i.e. not pornography).

Classic . Classic dramas refer to dramas performed before 1950.

Silent . Silent dramas were an early form of film that used no recorded sound.

Cult . Cult dramas are usually small-scale, independent productions with an offbeat plot, unusual characters, and/or unconventional style that have nevertheless gained popularity among a specific audience.

4. Poetry Genres

This list is from Harvard's Glossary of Poetic Genres  who also has definitions for each genre.

Dramatic monologue

Epithalamion

Light verse

Occasional verse

Verse epistle

What Are the Components of Genre In Literature? The 7 Elements of Genre

Now that we've looked, somewhat exhaustively, at examples of literary genres, let's consider how these genres are created.

What are the elements of literary genre? How are they formed?

Here are seven components that make up genre.

• Form . Length is the main component of form (e.g. a novel is 200+ pages , films are at least an hour, serialized episodes are about 20 minutes, etc), but may also be determined by how many acts or plot lines they have. You might be asking, what about short stories? Short stories are a genre defined by their length but not their content.
• Intended Audience . Is the story meant for adults, children, teenagers, etc?
• Conventions and Tropes . Conventions and tropes describe patterns or predictable events that have developed within genres. For example, a sports story may have a big tournament at the climax, or a fantasy story may have a mentor character who instructs the protagonist on the use of their abilities.
• Characters and Archetypes. Genre will often have characters who serve similar functions, like the best friend sidekick, the evil villain , the anti-hero , and other character archetypes .
• Common Settings and Time Periods . Genre may be defined by the setting or time period. For example, stories set in the future tend to be labelled science fiction, stories involving the past tend to be labelled historical or period, etc.
• Common Story Arcs . While every story type may use each of the six main story arcs , genre tends to be defined by specific story arcs. For example, comedy almost always has a story arc that ends positively, same with kids or family genres. However, dramas often (and when referring to historical drama, always) have stories that end tragically.
• Common Elements (such as supernatural elements, technology, mythical creatures, monsters, etc) . Some genres center themselves on specific elements, like supernatural creatures, magic, monsters, gore, and so on. Genre can be determined by these common elements.

As you consider these elements, keep in mind that genre all comes back to taste, to what readers want to consume and how to match the unlimited variations of story with the infinite variety of tastes.

Read What You Want, Write What You Want

In the end, both readers and writers should use genre for what it is, a tool, not as something that defines you.

Writers can embrace genre, can use genre, without being controlled by it.

Readers can use genre to find stories or books they enjoy while also exploring works outside of that genre.

Genre can be incredibly fun! But only if you hold it in tension with your own work of telling (or finding) a great story.

What are your favorite genres to read in? to write in?  Let us know in the comments!

Now that we understand everything there is to know about literary genres, let's put our knowledge to use with an exercise. I have two variations for you today, one for readers and one for writers.

Readers : Think of one of your favorite stories. What is the literary genre of that story? Does it have multiple? What expectations do you have about stories within that genre? Finally, how does the author of your favorite story use those expectations, and how do they subvert them?

Writers : Choose a literary genre from the list above and spend fifteen minutes writing a story using the elements of genre: form, audience, conventions and tropes, characters and archetypes, setting and time periods, story arcs, and common elements.

When you’re finished, share your work in the Pro Practice Workshop here .  Not a member yet? Join us here !

Joe Bunting

Joe Bunting is an author and the leader of The Write Practice community. He is also the author of the new book Crowdsourcing Paris , a real life adventure story set in France. It was a #1 New Release on Amazon. Follow him on Instagram (@jhbunting).

Want best-seller coaching? Book Joe here.

So how big does an other-genre element need to get before you call your book “cross-genre”? Right now, I’m writing a superhero team saga (which is already a challenge for platforms that don’t recognize “superhero” as a genre, since my team’s powers lie in that fuzzy land where the distinction between science and magic gets more than a little blurry), so it obviously has action/adventure in it, but it’s also sprouting thriller and mystery elements. I’m wondering if they’re big enough to plug the series to those genres.

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Genres in Literature

• Ph.D., Rhetoric and English, University of Georgia
• M.A., Modern English and American Literature, University of Leicester
• B.A., English, State University of New York

In literature, every piece of writing falls under a general category, also known as a genre. We experience genres is other parts of our daily lives, such as movies and music, and in each case, the individual genres typically have distinctive styles in terms of how they are composed. At the most basic level, there are essentially three main genres for literature - poetry, prose and drama - and each can be broken down even further, resulting in dozens of subgenres for each. Some resources will cite only two genres: fiction and non-fiction, though many classics will argue that fiction and non-fiction can, and do, both fall under poetry, drama or prose.  

While there is much debate over what constitutes a genre in literature, for the purposes of this article, we will break down the classic three. From there, we will outline some of the subgenres for each, including those that some believe should be classified as main genres.

Poetry is a style of writing that tends to be written in verses, and typically employs a rhythmic and measured approach to composition. It characteristically is known for evoking emotional responses from readers through its melodic tone and use of creative language that is often imaginative and symbolic in nature. The word “poetry” comes from the Greek word “poiesis” which essentially means, making, which is translated into the making of poetry. Poetry is typically divided into two main subgenres, narrative and lyric, which each have additional types that fall under their respective umbrellas. For example, narrative poetry includes ballads and epic tales, while lyric poetry includes sonnets, psalms and even folk songs. Poetry can be fiction or nonfiction.

Prose is essentially identified as written text that aligns with the flow of conversation in sentence and paragraph form, as opposed to verses and stanzas in poetry . Writing of prose employs common grammatical structure and a natural flow of speech, not a specific tempo or rhythm as is seen in traditional poetry. Prose as a genre can be broken down into a number of subgenres including both fiction and non-fiction works. Examples of prose can range from news, biographies and essays to novels, short stories, plays and fables. The subject matter, if it is fiction versus nonfiction and length of the work, are not taken into consideration when classifying it as prose, but rather the style of writing that is conversational is what lands works in this genre.

Drama is defined as theatrical dialogue that is performed on stage and traditionally is comprised of five acts. It is generally broken down into four subgenres including comedy, melodrama, tragedy and farce. In many cases, dramas will actually overlap with poetry and prose, depending on the writing style of the author. Some dramatic pieces are written in a poetic style, while others employ a more casual writing style seen in prose, to better relate to the audience. Like both poetry and prose, dramas can be fiction or nonfiction, though most are fictional or inspired by real life, but not completely accurate.

The Genre and Subgenre Debate

Beyond these three basic genres, if you conduct an online search for “genres of literature,” you will find dozens of conflicting reports that claim any number of main genres that exist. There is often debate over what constitutes genre, but in most cases, there is a misunderstanding of the difference between genre and subject matter. It’s common for subject matter to be considered a genre in not only literature, but also in movies and even games, both of which are often based on or inspired by books . These subjects can include biography, business, fiction, history, mystery, comedy, romance and thrillers. Subjects may also include cooking, self help, diet and fitness, religion and many many more.  

Subjects and subgenres, however, can often be intermixed. Though, it can be a challenge to determine how many subgenres or subjects actually exist, as there are differing opinions on each, and new ones are created regularly. For example, young adult writing has become increasingly popular, and some would classify it as a subgenre of prose.

The difference between genre and subject is often blurred by the world around us. Think of a time when you last visited a bookstore or library. Most likely, the books were divided into sections - fiction and non-fiction for sure - and further categorized based on the type of books, such as self-help, historic, science fiction and others. Many people assume that these categorizations of subject matter are genre, and as a result, common language today has adopted a casual use of genre to mean subject.

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• My Storyboards

Literary Genres

Types of genres are categories of literature that are generally determined by technique, length, tone, and content. When we list literary forms in broader terms, they can be more abstract, flexible, and loosely defined. However, as we get more specific and into subcategories, the distinctions and rules of the genre become crystal clear.

What are the literature genres? Though we may think there are several types of written art forms, there are actually only 3 genres of literature. You may be wondering, what are the three genres of literature? Poetry, drama, and prose. That’s right. All the other genre types fit into one of these three categories. Students will typically encounter these narrative types of literature in English for most of what they read and write about in school. Therefore, they must be able to identify examples of literary artistic expressions, know their key characteristics, and list the genres of literature.

Keep reading to learn more about the different literary genres examples, along with ways for students and teachers to storyboard their forms of literature examples. In the genres of literature chart below, each of the storyboards and examples can be copied and used in an assignment with your students.

Literary Genres Examples

Here are some literary forms examples for you to check out. Different types of genres have different purposes. As you read through these examples, notice how the techniques, lengths, tones, and contents change.

Literary forms can be classified in many ways. In this section, we will take a closer look at 3 genres of literature: poetry, drama, and prose. Understanding the different classifications of literary expression in English will not only enhance your students’ reading experience but improve their writing skills too.

Types of Literary Genres

Poetry is a genre of literature that uses aesthetic and rhythmic qualities of language—such as phonaesthetics, sound symbolism, and metre — to evoke meanings in addition to, or in place of, the literal or mundane meaning. Poetry has a very long history, dating back to prehistoric times with the creation of hunting chants and burial songs.

Among the different genre examples, poetry is considered by many to be the most intense literature genre. It allows a writer to express their deepest emotions and thoughts in a very personal way. It relies heavily on figurative language, rhythm, and imagery to relay its message to readers. Poetic writing uses beautiful language to express deep thoughts and feelings. Poetic expressions can help you understand your emotions and thoughts better, and it also helps you learn how to write more expressively.

Sub-Genres of Poetry

• Songs and Ballads

Drama is a mode of fictional representation through dialogue and performance. It is one of the kinds of literature which includes epic poetry, lyric poetry, and novel. Aristotle’s Poetics defines drama as “a representation of an action that is whole and complete and has a beginning, a middle, and an end.”

Drama is often performed on stage in front of a live audience, but it can also be presented in other forms, such as radio, film, and television. It is usually written by a playwright, although it can be adapted from other sources, such as novels, short stories, poems, or even real-life events. Or it can be read silently by individuals.

It contains dialogue, and actors impersonate the characters. Imaginary characters are frequently introduced to its narratives, allowing the playwright to explore complex human emotions and conflicts through both real-life and fantastical figures. Characters often encounter conflict, whether internal or external, as it serves as a driving force for character development and narrative tension. It is usually divided into acts or scenes and relies on props or imaginative dialogue to create a visual experience for the audience. Dramatic literary works are a good place to start, as they are usually pretty easy to understand at face value and captivates the audience with cliffhangers and mind-capitulating events.

Sub-Genres of Drama

This form of literary expression has no formal metrical structure. It applies a natural flow of speech, and ordinary grammatical structure, rather than rhythmic structure, such as in the case of traditional poetry. Prose is an example of literary text that is typically written in paragraphs, although there are some exceptions, such as in the case of drama or fiction.

Prose can be found in books, magazines, newspapers, online articles, blogs, etc. It is the most common form of writing. Examples of famous works of prose include To Kill a Mockingbird by Harper Lee & Charlotte's Web by E.B. White. The prose is simple, straightforward language. It can be either fiction or nonfiction . The prose is typically divided into paragraphs, and it uses regular grammar. It can be either serious or funny.

Fiction is narrative writing that originates from the author’s imagination. It is designed to entertain, but it can also inspire, inform, or persuade.

Sub-Genres of Fiction

• Short Story
• Myths and Legends
• Historical Fiction

Nonfiction is writing that is based on true events, people, places, and facts. It is designed to inform, and sometimes to entertain.

Sub-Genres of Nonfiction

• Autobiography
• Diaries and Journals
• Narrative Nonfiction

What Are the Three Genres of Literature?

The main examples of genres in literature are poetry, drama, and prose. Poetry is a genre in literature that uses aesthetic and rhythmic qualities of language to evoke meanings in addition to, or in place of, the prosaic ostensible meaning. Drama is a mode of fictional representation through dialogue and performance. The prose is a form of language that has no formal metrical structure. It applies a natural flow of speech and ordinary grammatical structure, rather than rhythmic structure, such as in the case of traditional poetry. Genres of literature in English then fall into subcategories, which make up the three genres of literature.

Forms of literature examples are:

• Poetry: Ballads, Lyric, Epic, Dramatic, Narrative
• Drama: Tragedy, Comedy, History, Melodrama, Musical
• Prose: Fiction (Novel, Novella, Short Story), Nonfiction (Autobiography, Biography, Essay)

Genres of Literature Chart

A literature genres list would include categories like fiction, non-fiction, and folklore, but may also cover specialized types such as science fiction, romance, mystery, and historical fiction, offering a comprehensive overview of the literary landscape.

Genre types subcategories can be explained as the following:

Different types of literature being classified by genres and subgenres help people better understand the diversity of literary styles, themes, and techniques employed by authors. Each type has its own purpose and style. Whether you’re looking for a light read or something more heavy and informative, there’s definitely a literary genre out there for you.

A Note About Speeches...

While not one of the primary genres of literature, speeches are important historical documents or moments and literature, and they don’t always fit neatly into one of the three primary genre categories. A speech is a formal address given to an audience. Speeches can be found in prose, drama, and poetry, and their primary goals are to persuade, inform, demonstrate, or entertain a reader, an audience, or other characters. They can also be used in nonfiction or fiction, depending on their purpose and use.

Why Use Storyboarding to Learn About Literary Genres Types?

Storyboarding is the perfect way to learn and remember the different genres of literature. When you storyboard, you can visually see how each literary genre differs from the next. You can also track and compare the subcategories within genres, identify key characteristics of each, and even explore the relationships between genres. All of this will help you better understand and remember the genres of literature, making it easier to identify them when you encounter them in your reading.

How Can Storyboard That Enhance the Learning Experience of the Three Genres of Literature?

Storyboard That can help students better understand the three genres of literature by providing a visual representation of each one. By storyboarding, students can identify key characteristics of each genre and see how they differ from one another. Additionally, Storyboard That is a great way to compare and contrast genres, as well as explore the relationships between them. All of this will help students better remember the genres of literature and be able to identify them when they encounter them in their reading.

Looking to add a little creative flair to your literature class? Check out Storyboard That’s easy-to-use, online storyboard creator! With our drag-and-drop software, you can create engaging, visually appealing graphic organizers to help your students learn about the different genres of literature. Plus, our easy-to-use tools make it simple to add text, images, and multimedia content to your storyboards, so you can really bring your lessons to life.

Where to Start When Learning About Literary Genres

If you’re just starting to learn about literary narrative types, the best place to begin is with the three primary genres: prose, drama, and poetry. These genres are the foundation for all other types of literature, so it’s crucial to have a strong understanding of them before moving on to anything else. Each genre will approach plot development, conflict resolution, and the art of delivering a satisfying conclusion in unique and captivating ways, reflecting the rich tapestry of literary expression.

In terms of choosing between the three, poetry tends to be the most complicated to understand as it can go against the usual laws of grammar. There are a lot of deeper meanings within poetry, so it can be hard to break down as a newbie. Start with some short, simple prose articles such as newspaper pieces and short novels.

When you start to get the underlying meanings behind the prose, you can then start to dive into some simple drama. Look into Greek tragedies and Shakespearean plays, as they are a great starting point. These genres will give you a better understanding of the basics before progressing on to more.

When you’re ready to go deeper, poetry is the next stepping stone. Children’s poetry is a great starting point to give you a good foundation of poetic structure and meaning. Then you can go further into complicated poetry, such as that of the Elizabethans and Victorians.

Once you feel comfortable with the three primary genres, you can start exploring the many subgenres that exist within each one. There are endless possibilities when it comes to different types of narratives, so there’s no need to rush. If you enjoy literature with comedic elements, begin by exploring the comedy genre.

Related Activities

Reading Material to Start With

Start with article number one and work your way down the list. When you are happy you understand each article within the genre, move on to the next set of articles.

• A Washington Post Newspaper Report of Hurricane Ian
• The short story called "The Fall of the House of Usher" by Edgar Allan Poe
• The historical fiction novel by Christopher Paul Curtis: Bud, Not Buddy .
• "The Miracle Worker" by William Gibson
• The famous play by the one and only William Shakespeare, “Romeo & Juliet”
• "Death of a Salesman" by Arthur Miller
• "The Road Not Taken" by Robert Frost
• "A Poison Tree" by William Blake
• "Still I Rise" by Maya Angelou

How to Get a Deeper Understanding

To get a deeper meaning of each genre, get your pen and paper ready and start to highlight the key ideas throughout. It can help to get your understanding of the writings by doing a summary for each one. Once you have done this, start to think about the following key things for each genre:

• What is the author’s purpose?
• Who is the audience?
• What are the main ideas?
• How does the structure help to emphasize the purpose?
• What literary devices are used and why?
• How does the author’s style contribute to the meaning of the text?

Plays can be trickier as you cannot always rely on the written word to give you all the information. This is where watching a performance of the play can come in handy, as it will give you a much better understanding. In addition to the above, when watching a play, you should also be thinking about:

• How does the stagecraft contribute to the meaning of the play?
• What do the costumes and makeup tell us about the characters?
• How does the lighting help to create mood and atmosphere?
• What do the sound effects and music add to the play?

When reading poetry, it is essential to think about both the literal and figurative meanings of the words. This can be difficult at first, but there are some helpful strategies that you can use. For example, you can try reading the poem aloud or reading it multiple times. You can also look up words you don’t understand and try to break the poem down into smaller chunks. In addition to the above, when reading poetry, you should also be thinking about:

• What is the speaker’s tone?
• What is the poem's mood?
• What are the main themes of the poem?
• How does the poet use literary devices to create meaning?
• What is the poem’s form, and how does it contribute to the meaning?

Using a storyboard exercise like StoryBoard That can be helpful when trying to understand the genres. You can map out the key ideas and events for each one, as well as the literary devices that are used. This is a great way to see the genres side-by-side, compare and contrast them and visualize things better.

Related Resources

• Picture Encyclopedia of Literary Genres
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• Elements of an Epic
• The Five Act Play Structure

How To Incorporate Multicultural Perspectives Into The Study Of Literary Genres

Select texts from diverse authors and cultures.

Choose texts that represent a variety of cultures and perspectives, and that offer insights into different literary traditions and styles. This might involve reading and researching texts from authors and cultures that are different from your own and seeking out recommendations from colleagues, libraries, or online resources.

Discuss Cultural Context and Historical Background

Provide background information and historical context for each text, including information about the author and the cultural and historical context in which the text was written. This can help students understand the unique perspectives and literary traditions represented in each text.

Explore Themes and Literary Devices From Multicultural Perspectives

Encourage students to explore themes and literary devices from a variety of cultural perspectives, such as examining the role of family or community in different cultures, or analyzing how language and storytelling are used in different literary traditions.

Foster Discussion and Collaboration

Encourage open discussion and collaboration among students, and create opportunities for them to share their own perspectives and experiences. This can help students build empathy and understanding for different cultures and perspectives.

Encourage Independent Research and Exploration

Encourage students to research and explore additional texts and authors from different cultures and perspectives on their own. Provide resources and recommendations for students to pursue independent reading and research.

Integrate Multimedia and Other Resources

Integrate multimedia and other resources, such as videos, podcasts, or guest speakers, to enhance students' understanding of different cultures and perspectives. This can help bring the text to life and make it more relevant and engaging for students.

Frequently Asked Questions about Literary Genres

What is a literary genre.

A literary genre is a category or type of literature characterized by common themes, styles, and narrative conventions. It serves as a way to classify and categorize literary works based on shared characteristics and elements. Common literary forms include fiction, non-fiction, and various subgenres within these categories, such as science fiction, romance or love stories, mystery, and historical fiction. This literary genre definition encapsulates the essence of storytelling, providing a framework for understanding and appreciating the various forms, themes, and styles that contribute to the rich tapestry of literature.

What are some examples of different types of fiction genres?

Some well known types of fiction are: mystery, realistic fiction, historical fiction, fables and fairy tales, adventure, magical realism, and science fiction.

What are some examples of different types of nonfiction?

Some common types are biographies, autobiographies, speeches, letters, and informational texts.

What are the 3 forms of literature?

The three main forms of literature are prose, poetry, and drama. Prose encompasses written or spoken language without a metrical structure and includes written forms like novels, short stories, essays, and articles. Poetry employs heightened and imaginative language, often with rhyme and meter, to evoke emotions and convey complex ideas. Drama is written for performance and includes plays, scripts, and screenplays intended for actors to act out on stage or screen. These three forms represent the foundational structure of literary expression, offering diverse avenues for storytelling, creativity, and artistic communication.

What are the five main genres?

• Fiction: This genre includes works of imaginative storytelling that are not based on real events. It encompasses various subgenres such as science fiction, fantasy, historical fiction, and mystery.
• Non-fiction: Non-fiction literature is based on real events, facts, and information. This genre includes biographies, autobiographies, essays, memoirs, and other works that present factual content.
• Poetry: Poetry is a form of literary expression that uses rhythmic and metaphorical language to evoke emotions and convey ideas. It often relies on heightened language and various poetic devices.
• Drama: Drama involves the portrayal of characters in conflict, usually in a play format. It explores human emotions and relationships through dialogue and performance. Classic examples include works by playwrights like William Shakespeare.
• Mystery/Thriller: This genre revolves around suspenseful and puzzling narratives. Mystery literature often involves solving a crime or uncovering hidden truths, while thrillers aim to keep readers on the edge of their seats with tension and excitement.

What are the categories of literature?

Here are some common categories used to classify literature:

• Genre: Fiction: Includes novels, short stories, and novellas. This category encompasses a wide range of genres, such as science fiction, fantasy, romance, historical fiction, and more. Non-fiction: Involves works based on real events, facts, and information. This category includes biographies, autobiographies, essays, memoirs, and journalistic works.
• Form: Poetry: Characterized by the use of rhythmic and metaphorical language. Poetry often focuses on emotional expression and aesthetic qualities of language. Drama: Consists of plays and scripts written for performance. It includes tragedies, comedies, and other theatrical forms.
• Period or Movement: Classical Literature: Refers to works from ancient Greece and Rome. Medieval Literature: Covers works from the Middle Ages. Renaissance Literature: Encompasses the revival of arts and learning in Europe during the Renaissance. Modern Literature: Includes works from the late 19th century to the mid-20th century. Contemporary Literature: Encompasses works from the mid-20th century to the present.
• Nationality or Cultural Identity: American Literature, British Literature, World Literature: Literature can be classified based on the nationality or cultural identity of the author or the setting of the work.
• Literary Movements: Romanticism, Realism, Naturalism, Modernism, Postmodernism: Literature can be categorized based on the dominant artistic and intellectual movements of a particular time.
• Themes or Topics: Social Issues: Literature that addresses and explores societal problems, inequalities, and issues. Historical Fiction: Works set in a specific historical period, often incorporating historical events and figures.
• Age Group: Children's Literature, Young Adult Literature, Adult Literature: Works are sometimes categorized based on the target age group of the readers.

What are subgenres?

Subgenres in literature refer to more specific categories or classifications within the broader genres. They help to further define and categorize works based on shared characteristics, themes, or stylistic elements.

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literature , a body of written works. The name has traditionally been applied to those imaginative works of poetry and prose distinguished by the intentions of their authors and the perceived aesthetic excellence of their execution. Literature may be classified according to a variety of systems, including language , national origin, historical period, genre , and subject matter.

For historical treatment of various literatures within geographical regions, see such articles as African literature ; African theater ; Oceanic literature ; Western literature ; Central Asian arts ; South Asian arts ; and Southeast Asian arts . Some literatures are treated separately by language, by nation, or by special subject (e.g., Arabic literature , Celtic literature , Latin literature , French literature , Japanese literature , and biblical literature ).

Definitions of the word literature tend to be circular. The 11th edition of Merriam-Webster’s Collegiate Dictionary considers literature to be “writings having excellence of form or expression and expressing ideas of permanent or universal interest.” The 19th-century critic Walter Pater referred to “the matter of imaginative or artistic literature” as a “transcript, not of mere fact, but of fact in its infinitely varied forms.” But such definitions assume that the reader already knows what literature is. And indeed its central meaning, at least, is clear enough. Deriving from the Latin littera , “a letter of the alphabet,” literature is first and foremost humankind’s entire body of writing; after that it is the body of writing belonging to a given language or people; then it is individual pieces of writing.

But already it is necessary to qualify these statements. To use the word writing when describing literature is itself misleading, for one may speak of “oral literature” or “the literature of preliterate peoples.” The art of literature is not reducible to the words on the page; they are there solely because of the craft of writing. As an art, literature might be described as the organization of words to give pleasure. Yet through words literature elevates and transforms experience beyond “mere” pleasure. Literature also functions more broadly in society as a means of both criticizing and affirming cultural values.

The scope of literature

Literature is a form of human expression. But not everything expressed in words—even when organized and written down—is counted as literature. Those writings that are primarily informative—technical, scholarly, journalistic—would be excluded from the rank of literature by most, though not all, critics. Certain forms of writing, however, are universally regarded as belonging to literature as an art. Individual attempts within these forms are said to succeed if they possess something called artistic merit and to fail if they do not. The nature of artistic merit is less easy to define than to recognize. The writer need not even pursue it to attain it. On the contrary, a scientific exposition might be of great literary value and a pedestrian poem of none at all.

The purest (or, at least, the most intense) literary form is the lyric poem, and after it comes elegiac, epic , dramatic, narrative, and expository verse. Most theories of literary criticism base themselves on an analysis of poetry , because the aesthetic problems of literature are there presented in their simplest and purest form. Poetry that fails as literature is not called poetry at all but verse . Many novels —certainly all the world’s great novels—are literature, but there are thousands that are not so considered. Most great dramas are considered literature (although the Chinese , possessors of one of the world’s greatest dramatic traditions, consider their plays, with few exceptions, to possess no literary merit whatsoever).

The Greeks thought of history as one of the seven arts, inspired by a goddess, the muse Clio. All of the world’s classic surveys of history can stand as noble examples of the art of literature, but most historical works and studies today are not written primarily with literary excellence in mind, though they may possess it, as it were, by accident.

The essay was once written deliberately as a piece of literature: its subject matter was of comparatively minor importance. Today most essays are written as expository, informative journalism , although there are still essayists in the great tradition who think of themselves as artists. Now, as in the past, some of the greatest essayists are critics of literature, drama , and the arts.

Some personal documents ( autobiographies , diaries , memoirs , and letters ) rank among the world’s greatest literature. Some examples of this biographical literature were written with posterity in mind, others with no thought of their being read by anyone but the writer. Some are in a highly polished literary style; others, couched in a privately evolved language, win their standing as literature because of their cogency, insight, depth, and scope.

Many works of philosophy are classed as literature. The Dialogues of Plato (4th century bc ) are written with great narrative skill and in the finest prose; the Meditations of the 2nd-century Roman emperor Marcus Aurelius are a collection of apparently random thoughts, and the Greek in which they are written is eccentric . Yet both are classed as literature, while the speculations of other philosophers, ancient and modern, are not. Certain scientific works endure as literature long after their scientific content has become outdated. This is particularly true of books of natural history, where the element of personal observation is of special importance. An excellent example is Gilbert White’s Natural History and Antiquities of Selbourne (1789).

Oratory , the art of persuasion, was long considered a great literary art. The oratory of Native Americans, for instance, is famous, while in Classical Greece, Polymnia was the muse sacred to poetry and oratory. Rome’s great orator Cicero was to have a decisive influence on the development of English prose style. Abraham Lincoln ’s Gettysburg Address is known to every American schoolchild. Today, however, oratory is more usually thought of as a craft than as an art. Most critics would not admit advertising copywriting, purely commercial fiction , or cinema and television scripts as accepted forms of literary expression, although others would hotly dispute their exclusion. The test in individual cases would seem to be one of enduring satisfaction and, of course, truth. Indeed, it becomes more and more difficult to categorize literature, for in modern civilization words are everywhere. Humans are subject to a continuous flood of communication . Most of it is fugitive, but here and there—in high-level journalism, in television, in the cinema, in commercial fiction, in westerns and detective stories, and in plain, expository prose—some writing, almost by accident, achieves an aesthetic satisfaction, a depth and relevance that entitle it to stand with other examples of the art of literature.

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Folklife and Creative Writing: Resources in the American Folklife Center

Introduction.

• Cowboy poetry
• Veterans poetry
• Living Nations, Living Words
• Brazilian Chapbooks
• Veteran Memoirs
• Plays and Novels
• Non-Fiction
• Library Blog Posts and Podcasts
• Additional Resources
• Searching the Collection
• Maggie Jones,  Folklife Intern, American Folklife Center
• Melanie Kimball,  Folklife Intern, American Folklife Center
• Meg Nicholas, Folklife Specialist, American Folklife Center

Created:  June 13, 2024

Last Updated:  August 6, 2024

Ask a Librarian: American Folklife Center

American folklife center : ask a librarian.

Have a question? Need assistance? Use our online form to ask a librarian for help.

This guide provides an introduction to doing research on the topic of creative writing using American Folklife Center collections, and serves as a companion piece to an existing guide on Narrative and Verbal Arts in AFC collections. While the American Folklife Center archive contains primarily unpublished materials, in some cases a collection may include a manuscript or drafts of poems, essays or memoirs that were later published.

The Center's Collection Policy Statement lists nine areas of distinction for its collections, including "Narrative and Verbal Arts." The policy statement has this to say about this area of distinction:

Narrative and Verbal Arts encompass a wide range of genres including stories, myths, legends, jokes, fan literature, memes, proverbs, folk poetry, and cowboy poetry, as well as premier collections of American English regional dialects, plus collections of Gullah (Sea Islands Creole), Caribbean, and French-based Creole dialects.

For the purposes of this guide, "creative writing" encompasses examples of the written word found in AFC archival collections. This may refer to collections of materials written about AFC archival collections, or it may refer to a manuscript item that forms part of a donated collection. The items featured here often cross genres, including poetry, memoirs, and manuscripts for novels, essays and other non-fiction writing. To aid in navigation, collections have been grouped according to the following genres:

• Autobiography and Memoir
• Non-Fiction and Essays

Some collections may feature one creative writing style, while still others contain examples of multiple genres. In the latter case, the collection has been grouped according to the genre which best describes its contents.

In addition to these genre collections, the AFC archive also has items which pertain to the act of writing itself. These include interviews with notable authors which include descriptions of their writing process, as well as an exploration of writing for archival cataloguing.

Some of the collections and resources featured in this guide are available online. Others, including many non-digitized collections of note, require a visit to the American Folklife Center reading room. This guide is not intended to serve as a comprehensive record of all AFC archival collections relevant to this subject.

Writers Found in AFC Collections

• Maya Angelou
• Allen Ginsberg
• Stetson Kennedy
• Arthur Miller
• Toni Morrison
• Zora Neale Hurston

There is a digital presentation of this collection.

Creative Writing in the American Folklife Center

Richard Joseph Heh, author. "My Last Mission" poem written by Richard Joseph Heh. Richard Joseph Heh Collection (AFC 2001/001/87986), Veterans History Project, American Folklife Center, Library of Congress.

Lyntha Scott Eiler, photographer. John Russell, of Montcoal, reading a poem entitled "Keeper of the Forest" at the University of Charleston in Charleston, West Virginia. March 15, 1996. Coal River Folklife Collection (AFC 1999/008), American Folk

Alan Lomax, writer. Draft of unpublished scene from a play about the embodied characters Mind and Matter. Alan Lomax Collection (AFC 2004/004), American Folklife Center, Library of Congress.

Unrealeased outtake footage of an interview with poet Allen Ginsberg . Bruce Jackson and Diane Christian Collection (AFC 2011/009), American Folklife Center, Library of Congress.

Bess Lomax Hawes, writer. Bess's early writing, from 1930. Bess Lomax Hawes Collection (AFC 2014/008), American Folklife Center, Library of Congress

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• Last Updated: Aug 23, 2024 3:22 PM
• URL: https://guides.loc.gov/folklife-creative-writing