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20+ A-Level English Language Original Writing NEA Ideas

In A-Level by Think Student Editor May 11, 2024 Leave a Comment

The NEA or non-exam assessment for A-Level English Language is one of the most varied parts, especially when it comes to what you actually do based on your exam board. However, even within the same exam board, the level of independence means that what each person does can be incredibly different compared to what others, even people in the same class are doing.

This is what I personally loved about doing the NEA for A-Level English Language, particularly for the original writing or creative writing section that some exam boards do. However, while the extent of creative freedom was enjoyable, it could also be overwhelming trying to narrow down the many, many different things you could do within the guidelines into the 1 (or 2 depending on the exam board) final idea that was needed.

In this article, we’ll be getting you started in the right direction with some ideas that you can use for the A-Level English Language original writing NEA. This article will explain what the requirements are for this NEA and help you understand what makes a good idea.

Table of Contents

What is the A-Level English Language original writing NEA?

For A-Level English Language, the structure of the course, can vary greatly based on the exam board. This can be particularly clear when it comes to the NEA in comparison to exams.

For the original writing NEA, which may also be known as the creative writing NEA, the only exam boards that do this for A-Level English Language are AQA and Pearson Edexcel. The other exams boards instead do the language investigation NEA and the AQA exam board does both of these NEAs. If you would like to learn more about this NEA and to get some ideas for this instead, have a look at this Think Student article.

While only these 2 exam boards do the original/creative writing NEA, how they offer this form of coursework is still fairly different. This is especially as it is only half of the coursework requirements for the AQA exam board, but it is the whole of the coursework requirements for Pearson Edexcel.

Have a look at the following sections to see what the specific requirements are for this NEA for each exam board.

What is the A-Level English Language original writing NEA for AQA?

The AQA A-Level English Language original writing NEA is as previously mentioned, only half of the coursework that students need to do as a part of the course. In total, the coursework makes up 20% of the whole A-Level. However, this means that the original writing NEA only makes up 10% of the whole A-Level.

For the original writing NEA for AQA, student need to complete a piece of original writing based of a style model and then produce a commentary. This commentary will need to reflect on their choices in writing, the similarities and differences compared to the style model and how their writing fits into the genre and in the category of writing.

For the AQA exam board’s original writing NEA, by the category of writing, I’m referring to the 3 categories that AQA sets out for students to pick the original writing pieces within. There are 3 categories; these are the power of persuasion, the power of storytelling and the power of information.

The piece of original writing and the commentary are worth 25 marks each and should be around 750 words each with a maximum of 1,500 words together.

What is the A-Level English Language original writing NEA for Pearson Edexcel?

For the Pearson Edexcel A-Level English Language course, the creative writing is the only form of coursework that students will have to do. Due to this, for this creative writing NEA there is a bit more required than for the AQA one as it is worth the whole 20% of A-Level English Language coursework requirements.

Students will need to research a genre, complete 2 pieces of original writing and produce a commentary on these. The 2 pieces need to be in the same genre but need to differ due to the audience and/or the purpose of the piece. The commentary will need to delve into comparing these and the student’s choices as well as commenting on the research that the student did and how this applies to what they produced.

Altogether, the 2 pieces of writing need to be between 1,500 and 2,000 words long and the commentary needs to be 1,000 words on its own . All in all, this should come to 50 marks in total, with the original writing having 30 marks together and the commentary having 20 marks.

What makes a good A-Level English Language original writing NEA idea?

There are so many different ideas that you could choose for the A-Level English Language original writing NEA, that I couldn’t possibly go through all of them in this article. Due to this, it’s important to know what a good idea is and how to come up with one for yourself.

The main thing to consider when coming up with your original writing NEA idea is to make sure that it allows you to meet the requirements. These are of word count, having and being able to annotate your style guide and use it as a basis and being able to research into the genre to make sure your piece is assuredly a form of that kind of writing . Plus, for AQA, you will need to produce a form of writing that is in one of the categories: persuasion, storytelling or information.

Making sure that your idea is doable is the most thing for a good idea as regardless of the idea, you can elevate your writing using advanced technique and “sophisticated” vocabulary and writing devices.

A-Level English Language original writing NEA ideas

The following subsections will give you some ideas of the genres and writing types that you can do for your original writing NEA. These sections will explain how you can differentiate them, whether that’s from your style model to show off your own intentions in writing or between your 2 pieces for the Pearson Edexcel exam board.

1.Travel brochure

While a travel brochure may seem like a restrictive genre with little variation, there are a wide range of smaller ideas. You could diversify the purpose by picking either persuasion or information . Also, you could diversify the audience due to the place or type of travel you pick.

For example, you might want to write a brochure for a cruise holiday, which is more likely to appeal to a specific audience that will generally have savings and are normally older, or you could write a brochure for a known party destination, such as Ibiza or even Cancun to appeal to a specific audience that will generally be younger. I personally did this idea and went for a mythical destination, so the choice really is all yours.

2. Website page

A website page is a great option for your NEA as they already come with a limited number of words while still being made for specific purposes and aimed to appeal to specific audiences . The design isn’t actually as difficult as it seems, as you could use Word or PowerPoint to make your page look like an actual website.

You could write a donation page for a charity or you could even write the about page for an author or even the information page for a specific product. These all have very specific target audiences and very different purposes, so it would be fairly easy to diversify, even within these kinds of subcategory.

3. Sales email

This style of writing is very niche but if done well it could be an incredibly unique and creative idea. Sales emails are everywhere, and you could probably even find your style model by going through your own emails.

They have some very specific features, so it’s definitely possible to create a piece that looks exactly like a sales email, even if you decide to differ your piece from the style model . You may wish to write one for a restaurant or even some kind of subscription service.

4. Newsletter/ email newsletter

Something quite similar to the sales email is the email newsletter or a hard copy version. Newsletters are once again very common instead of being from businesses, they tend to be from bloggers and website, although the purpose will generally be to persuade you to buy something, it may also simply be to connect and to increase brand awareness.

Once again, they have some pretty distinctive features that you can replicate in your own piece(s) to make sure that the link to your style model/ the genre is clear. You may want to do a newsletter from an author’s personal website or even from a kind of blog, such as productivity or even food.

Speeches are great, particularly for the persuasion category, although they can also be a good option for the information category too. As you would have had to do a speech for GCSE English Language, you could even pick the same topic, although you would have to rewrite the speech to better fit the purpose and audience that you’ve chosen.

The great thing about speeches is that they’re easy to find to use one a style model, especially as there are many from political leaders and at many different events. You could even use the Queen’s/ King’s speeches as style models if you wish.

These can be done in a wide variety of topics, especially ones to do with social issues, such as climate change, racism, sexism and homophobia, but on you could do anything, even on food, sharks or your favourite film or TV show.

6. Persuasive letter

Letters are something of a lost art in this day and age, however, there are certain times where they are still quite commonly used. If you’re writing to your local council, an MP or someone else in a position of authority, about an issue that is important to you, a persuasive letter could be the way to go.

The difficulty with this one is that it could be a bit more difficult to find a style model, so you might want to find some kind of activist movement that writes to the council or MPs as they may publish these letters and the responses. Other than that, if your sixth form or college has written to the council, you may be able to ask them if you could use a copy of that letter, if it’s appropriate to do so.

7. Short story

When it comes to storytelling, often the first thing to think of is a book of some kind. For the NEA’s word count, doing a short story is probably the easiest way to do this. While a genre of their own, short stories come in their ow genres from horror to romance and many in between. You could write a short story about a haunted house or even one about the friendship between an elderly woman and a child that lives next door.

8. Extract from biography

While biographies are factual, they are often some of the most interesting stories to read. Many famous people and historical figures have biographies, so there are a range of texts you can use for your style model.

You could write an autobiography, a biography about someone you know, or even write a biography about a fictional character. If you need to write 2, you could write biographies with different purposes, such as to simply inform about the person, so you would want to focus solely on facts and description, and to entertain, so you might want to use humour and other techniques.

9. Extract from a novel

Once again, novels are a staple of storytelling. Obviously, the word count means that you can’t do the entirety of one, although you can write a chapter or maybe even just part of a chapter. Some ideas for this might be the opening or closing of the novel as they are often most engaging and need the least context, you might want to use this to introduce characters or maybe even portray a character’s death.

10. Blog post

There are such a vast range of blogs that you have a vast range of style models to choose from. Plus, it means you get to write about whatever you wish as there are blogs post on virtually everything. This can make it even easier to diversify, if needed from a blog post on social issues to spread awareness to a blog post about food trends to share your personal rating.

11. Extract from film script

If you’re interested in films and film writing, creating your own short film script or writing just a scene of a wider film could be a great idea. Films obviously come in many different genres and are made for many different audiences, from different ages groups to people from different countries and even to different interests. For example, you could write a film script for period drama, introducing the main characters but you could also write a short film script about a modern family on an emotional journey as they move away.

12. Dramatic monologue

If you have a flare for drama, this could be a great idea. You could change the genre and the function of this piece quite easily. You may want to make the monologue to introduce a new character through the eyes of another character or may instead want to portray the distress of a character in the midst of making a life-changing decision and there are so many other options for what you could do.

13. Feature article

Feature articles are longer and more in-depth than general news articles, plus they tend to appear in more than just newspaper, such as in magazines or on websites, allowing you to diversify the audience and function more easily. These kinds of articles allow you to talk about a vast range of different topics, such as a “how to” guide, a piece on fashion trends or even an in-depth piece about to do with technology, such as the features of a new phone or a certain kind of camera.

14. Travel writing

Travel writing can come in many different forms and can have its own subgenre, from writing an account to giving advice about travelling and even recommending or reviewing places or styles of travel. Y ou could aim this at different audiences by writing in these different ways, such as reviewing a tourist attraction compared to giving travelling advice, and/or writing about kinds of travel, such as a family holiday in comparison to a backpacking adventure.

There are many different kinds of poetry so this genre can provide you with lots of freedom and can make it easier when deciding on the purpose and audience of your poems. There are also loads of great examples that you can use for your style model.

Some forms of poetry that you might want to do are ballads, limericks, free verse poems and even nonsense poems. These can all easily be made for different age groups or even people from different countries, based on cultural references, if you need to differ these.

16. Children’s book

While a children’s book seems like a narrow and restrictive genre, there’s still plenty of ways of differentiating this. You can choose different age groups to aim the book at or even different purposes, such as informing or entertaining children through storytelling. Someone in my class did this option and they even went as far to design it as a children’s book would be with lots of illustrations and pictures, so it can be a great idea if you’re feeling creative.

17. Leaflet for a museum

Museums provide lots of information, even after people are already there. Creating an information leaflet about a museum and different artefacts there could be a great way to write in the category of information. Although if you’re doing the leaflet as a brochure, you could instead do it with the purpose of persuasion.

Brochures and leaflets can also be done in different formats, so they may only be focusing on certain exhibitions, which may even be focused on different age groups or people with different interests. For example, you might want to create a brochure for children about the fossils exhibition or you could instead write a leaflet focusing on an exhibition about historical fashion.

18. Scripted presentation

While a presentation can seem like a speech, these will often be more information based and would often use props and even things like a PowerPoint document. Due to this, you could either write it as a script or write it directly onto a PowerPoint document, making sure that you print this off in the correct format and may need to still transcribe it.

If you wanted, you could even do a presentation script for something like a YouTube video, or alternatively you could do one for something like a Ted Talk. Due to the nature of presentations, they will tend to have a specific audience and purpose, so these can easily be differentiated.

19. Interview

Interviews are a rather unique form of writing in that they are often found written out, despite literally being a conversation. There are lots of interviews to be found and you could choose to either transcribe one yourself to use as a style model or simply find one already in the right format.

You could differentiate this type of writing by simply choosing different people to interview, as different celebrities have different target audiences and you may even wish to do someone else, such as someone you know or even a fictional character in the same style. You might find it a bit tricky to differentiate the purpose, but this could be done by thinking of the actual contents of the interview and what’s being focused on.

20. News article

Unlike a feature article, a news article is simply about the facts, not the story behind it. You could think about a form of local news, even some from your sixth form or college or even something you’re willing to share about yourself for the topic of this article.

Alternatively, you could just make something up and put it into the style of a news article. While the purpose will generally be to inform, you could try to aim at different age groups or different kinds of readers. For example, you might want to do a tabloid piece and a broadsheet piece.

21. Investigative journalism

An investigative journalism article is a kind of feature article, however, it tends to be even more in-depth and is primarily based on providing information, although there is some storytelling involved. Investigative journalism articles once again have some very distinctive features.

Even if you do a topic that isn’t typically within the investigative journalism genre, you should be quite easily able to still write in this style, as long as you research properly and use the style model. If you have to do more than one piece, you can differentiate by audience, aiming at different age groups, or simply based on different interests.

*The information in this article is based off my own experience as a former A-Level English Language student as well as resources from the AQA and Pearson Edexcel exam boards. These are the specifications for the AQA, linked here , and the Pearson Edexcel, linked here , courses as well as the AQA NEA guidance document, linked here , and the Pearson Edexcel ‘Getting Started’ document, linked here .

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Isobel Woodger, OCR English Subject Advisor

Isobel Woodger

Here at OCR we’ve had lots of queries from centres in recent weeks about marking coursework, or non-exam assessment (NEA). For A Level English Language (H470), this means Component 3: Independent language research.

There have been questions about how to apply the mark scheme. This isn’t surprising as it hasn’t been assessed for two years, so a larger number of teachers than normal will be submitting marks for moderation for the first time. We’ve also had questions about administrative requirements, and most particularly about whether any allowances should be made when marking for the abnormal and difficult circumstances many students have had to contend with while completing their assignments. 

Regarding that last point, the JCQ (Joint Council for Qualifications) has recently released guidance , which makes it clear that all NEA must be marked in the same way as before the pandemic disruption. This is really important, as it will help ensure that all students’ work is marked to the same standards. 

As the JCQ guidance also says, the 2022 grading process that takes place after marking, when the grade boundaries are set, will provide a safety net. So please don’t think that by marking your students’ work to pre-pandemic standards this year, you are in any way doing them an injustice. (For more on 2022 grading, please see this Ofqual article from September last year.) 

In the light of that recent JCQ announcement, and the queries we’ve had from you, we thought it would be helpful to provide a quick summary of the support available to ensure that you are marking to the correct standard.

Guides to applying the mark scheme

There are several resources that will help you have confidence in your application of the mark scheme for H470:

  • A free on-line standardisation course is available on OCR Train . This can be completed in your own time and includes a series of tests designed to ensure that you are correctly allocating levels to pieces of work. 
  • We have our Teacher Guide for Independent investigation of language in use as well as a guide on the academic poster available on our Planning and Teaching page . 
  • Our examiners’ reports and candidate exemplars are available on our Assessment page , both of which contain helpful guidance in determining appropriate levels for investigations and academic posters. 
  • Each year we run CPD sessions on marking H470/03, which include additional exemplar scripts as well as advice and guidance. You can access the materials from past courses on the CPD section of our website .

Administrative points to remember

General information on NEA administration is available on our website . There is a candidate cover sheet on the Administration section of our English Language web page. 

For A Level English Language specifically please remember that all titles chosen by students entering H470 this summer needed to be formally approved by us (we ask you to submit them by 31 January). 

This is done by using the Task title proposal form on our website. If you are not sure whether you have approval for all your students’ titles this year, please email us at [email protected] and we’ll be happy to check!

Looking forward to next year’s cohort

We hope that your students enjoy researching and writing their investigations for H470. The language investigation remains an important part of A Level English Language, as it enables students to follow their own interests and develop important research, analysis and evaluation skills. Each year we’re really impressed to see the range and diversity of investigations submitted. 

Remember that we do have an overview guide for key terms and language theories , as well as to key theorists in the field , as well as some support for the use of quantitative data . 

Finally, we will, as always, be offering CPD on H470 in the next school year. Keep an eye on the Professional Development section of our website and be sure to have signed up for history updates (details below) to get details of when these become available.

Stay connected

If you have any questions, you can email us at [email protected] , call us on 01223 553998 or tweet us @OCR_ English . You can also sign up to subject updates and receive information about resources and support.

About the author

Isobel joined OCR as a member of the English subject team, with particular responsibility for A and AS Level English Literature and A and AS Level English Language and Literature (EMC).

She previously worked as a classroom teacher in a co-educational state secondary school, with three years as second-in-charge in English with responsibility for Key Stage 5. In addition to teaching all age groups from Key Stage 3 to 5, Isobel worked with the University of Cambridge’s Faculty of Education as a mentor to PGCE trainees. Prior to this, she studied for an MA in film, television and screen media with Birkbeck College, University of London while working as a learning support assistant at a large state comprehensive school.

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Original Writing and Commentary Example NEA

Original Writing and Commentary Example NEA

Subject: English

Age range: 16+

Resource type: Assessment and revision

A Level English Language Revision

Last updated

9 February 2024

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A Level English Language NEA A* Examples

Example coursework for both tasks in A Level English Language. Includes two full pieces of coursework & the data used to produce them. This language investigation & directed writing with commentary was submitted to AQA in summer 2017 and awarded an A*. This makes it the perfect example to show students what is required of them in the NEA. Why it works: * Shows how to use current A Level study as a toolkit to study language * Demonstrates how to organise & structure the write-up * Example of the level of analysis & interpretation needed for highest grades * Can be reworked as a template for *your* future (brilliant!) NEA Follow my twitter to stay updated with more essential free resources and news - @astarlevels [Check out my shop for more essays and revision resources!](https://www.tes.com/teaching-resources/shop/astarlevels)

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A-level English Language and Literature

  • Specification
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  • Introduction
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  • 3.1 Telling stories
  • 3.2 Exploring conflict
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Non-exam assessment administration

  • General administration

 Non-exam assessment administration

The non-exam assessment (NEA) for this specification is 'Making Connections', and consists of an investigation .

Visit aqa.org.uk/7707 for detailed information about all aspects of NEA administration.

The head of the school or college is responsible for making sure that NEA is conducted in line with our instructions and Joint Council for Qualifications (JCQ) instructions.

Supervising and authenticating

To meet Ofqual's qualification and subject criteria:

  • students must sign the Candidate record form to confirm that the work submitted is their own
  • all teachers who have marked a student’s work must sign the declaration of authentication on the Candidate record form. This is to confirm that the work is solely that of the student concerned and was conducted under the conditions laid down by this specification
  • teachers must ensure that a Candidate record form is attached to each student’s work.

Students must have sufficient direct supervision to ensure that the work submitted can be confidently authenticated as their own. This means that you must review the progress of the work during research, planning and throughout its production to see how it evolves.

You may provide guidance and support to students so that they are clear about the requirements of the task they need to undertake and the marking criteria on which the work will be judged. You may also provide guidance to students on the suitability of their proposed task, particularly if it means they will not meet the requirements of the marking criteria.

When checking drafts of a student’s work, you must not comment or provide suggestions on how they could improve it. However, you can ask questions about the way they are approaching their work and you can highlight the requirements of the marking criteria.

If a student receives any additional assistance which is acceptable within the further guidance that is provided for this specification, you should award a mark that represents the student’s unaided achievement. Please make a note of the support the student received on the Candidate record form. This will allow the moderator to see whether the student has been awarded an appropriate mark. Please note that you should sign the authentication statement on the Candidate record form. If the statement is not signed, we cannot accept the student’s work for assessment.

Once a student submits work for marking and it has been marked, you cannot return it to the student for improvement, even if they have not received any feedback or are unaware of the marks awarded.

Further guidance on setting, supervising, authenticating and marking work is available on the subject pages of our website and through teacher standardisation.

Avoiding malpractice

Please inform your students of the AQA regulations concerning malpractice. They must not:

  • submit work that is not their own
  • lend work to other students
  • allow other students access to, or use of, their own independently-sourced source material
  • include work copied directly from books, the Internet or other sources without acknowledgement
  • submit work that is word-processed by a third person without acknowledgement
  • include inappropriate, offensive or obscene material.

These actions constitute malpractice and a penalty will be given (for example, disqualification).

If you identify malpractice before the student signs the declaration of authentication, you don’t need to report it to us. Please deal with it in accordance with your school or college’s internal procedures. We expect schools and colleges to treat such cases very seriously.

If you identify malpractice after the student has signed the declaration of authentication, the head of your school or college must submit full details of the case to us at the earliest opportunity. Please complete the form JCQ/M1, available from the JCQ website at jcq.org.uk

You must record details of any work which is not the student’s own on the Candidate record form or other appropriate place.

You should consult your exams officer about these procedures.

Teacher standardisation

We will provide support for using the marking criteria and developing appropriate tasks through teacher standardisation.

For further information about teacher standardisation visit our website at aqa.org.uk/7707

In the following situations teacher standardisation is essential. We will send you an invitation to complete teacher standardisation if:

  • moderation from the previous year indicates a serious misinterpretation of the requirements
  • a significant adjustment was made to the marks in the previous year
  • your school or college is new to this specification.

For further support and advice please speak to your adviser. Email your subject team at [email protected] for details of your adviser.

Internal standardisation

You must ensure that you have consistent marking standards for all students. One person must manage this process and they must sign the Centre declaration sheet to confirm that internal standardisation has taken place.

Internal standardisation may involve:

  • all teachers marking some sample pieces of work to identify differences in marking standards
  • discussing any differences in marking at a training meeting for all teachers involved
  • referring to reference and archive material, such as previous work or examples from our teacher standardisation.

To meet Ofqual’s qualification and subject criteria, you must show clearly how marks have been awarded against the marking criteria in this specification.

Your annotation will help the moderator see, as precisely as possible, where you think the students have met the marking criteria.

Work can be annotated using either or both of the following methods:

  • flagging evidence in the margins or in the text
  • summative comments, referencing precise sections in the work.

Submitting marks

You should check that the correct marks for each of the marking criteria are written on the Candidate record form and that the total mark is correct.

The deadline for submitting the total mark for each student is given at aqa.org.uk/keydates

Factors affecting individual students

For advice and guidance about arrangements for any of your students, please email us as early as possible at [email protected]

Occasional absence: you should be able to accept the occasional absence of students by making sure they have the chance to make up what they have missed. You may organise an alternative supervised session for students who were absent at the time you originally arranged.

Lost work: if work is lost you must tell us how and when it was lost and who was responsible, using our special consideration online service at aqa.org.uk/eaqa

Special help: where students need special help which goes beyond normal learning support, please use the Candidate record form to tell us so that this help can be taken into account during moderation.

Students who move schools: students who move from one school or college to another during the course sometimes need additional help to meet the requirements. How you deal with this depends on when the move takes place. If it happens early in the course, the new school or college should be responsible for the work. If it happens late in the course, it may be possible to arrange for the moderator to assess the work as a student who was ‘Educated Elsewhere’.

Keeping students' work

Students’ work must be kept under secure conditions from the time that it is marked, with Candidate record forms attached. After the moderation period and the deadline for Enquiries about Results (or once any enquiry is resolved) you may return the work to students.

You must send all your students' marks to us by the date given at aqa.org.uk/deadlines . You will be asked to send a sample of your students' NEA evidence to your moderator.

You must show clearly how marks have been awarded against the assessment criteria in this specification. Your comments must help the moderator see, as precisely as possible, where you think the students have met the assessment criteria. You must:

  • record your comments on the Candidate Record Form (CRF)
  • check that the correct marks are written on the CRF and that the total is correct.

The moderator re-marks a sample of the evidence and compares this with the marks you have provided to check whether any changes are needed to bring the marking in line with our agreed standards. Any changes to marks will normally keep your rank order but, where major inconsistencies are found, we reserve the right to change the rank order.

After moderation

We will return your students’ work to you after the exams. You will also receive a report when the results are issued, which will give feedback on the appropriateness of the tasks set, interpretation of the marking criteria and how students performed in general.

We will give you the final marks when the results are issued.

To meet Ofqual requirements, as well as for awarding, archiving or standardisation purposes, we may need to keep some of your students’ work. We will let you know if we need to do this.

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COMMENTS

  1. AQA

    The non-exam assessment (NEA) for the A-level specification only is 'Language in Action', and consists of an investigation, original writing and a commentary. Visit aqa.org.uk/7702 for detailed information about all aspects of NEA administration. The head of the school or college is responsible for making sure that NEA is conducted in line with ...

  2. PDF Non-exam assessment (NEA) sample Language Investigation extract

    A-level English Language 7702 Non-exam assessment: Language in Action 7702/C For teaching from September 2015 . For assessment from June 2017 . Introduction There are many different approaches to the Language Investigation NEA task and no one-size-fits-all advice to be offered, but this sample Language Investigation extract offers some examples of

  3. 25+ A-Level English Language investigation NEA ideas

    How much of A-Level English Language is the investigation worth? For AQA, students have to complete a 2,000 word investigation and a piece of original writing and commentary for their NEA. Together, this coursework equates to 20% of the final A-Level English Language grade. However, this article only focuses on the investigation NEA.

  4. PDF Notes and guidance: NEA

    a language investigation (2,000 words, excluding data and quotations) a piece of original writing and commentary (750 words each, excluding quotations) Overall, the NEA forms 20% of the overall marks of the A-level. The language investigation is marked out of 50 and the original writing and commentary out of 50 (25 for each).

  5. PDF NEA Student response with commentary

    Making Connections focuses on language use in different types of text and requires students to make active connections between a literary text and some non-literary material. The NEA offers students the opportunity to undertake a small-scale research project in stylistics. It is designed to build on and extend skills and knowledge developed on ...

  6. 20+ A-Level English Language Original Writing NEA Ideas

    The AQA A-Level English Language original writing NEA is as previously mentioned, only half of the coursework that students need to do as a part of the course. In total, the coursework makes up 20% of the whole A-Level. However, this means that the original writing NEA only makes up 10% of the whole A-Level.

  7. PDF OxfordAQA International A-level English Language NEA guidance

    International A-level English Language NEA guidance . Language exploration . Non-exam assessment EN04B . For teaching from September 2017 onwards . ... However, students are not limited to topics studied as part of the course and could choose to explore any aspect of language that they find particularly interesting. For example, they may

  8. A Level English Language NEA A* Example Language Investigation

    A Level English Language NEA A* Examples. Example coursework for both tasks in A Level English Language. Includes two full pieces of coursework & the data used to produce them. This language investigation & directed writing with commentary was submitted to AQA in summer 2017 and awarded an A*. This makes it the perfect example to show students ...

  9. A Level: English Literature, English Language, English Language and

    The system is called the Learner Work Transfer (LWT). This means that coursework samples will be sent to us via this portal for all three A level English qualifications. There is no hard copy submission of coursework samples, all samples will be submitted digitally through the LWT portal. For detailed guidance demonstrating how users can ...

  10. English Language

    The aim of this area of study is to allow students to explore and analyse language data independently and develop and reflect upon their own writing expertise. It requires students to carry out two different kinds of individual research: a piece of original writing and commentary (750 words each). Students can choose to pursue a study of spoken ...

  11. AS and A-level

    Our AS and A-level exams in English include questions that allow students to demonstrate their ability to: draw together their knowledge, skills and understanding from across the full course of study. provide extended responses. All AS and A-level components offer only extended response questions. All materials are available in English only.

  12. A Level English Language NEA A* Examples

    Example coursework for both tasks in A Level English Language. Includes two full pieces of coursework & the data used to produce them. This language investigation & directed writing with commentary was submitted to AQA in summer 2017 and awarded an A*. This makes it the perfect example to show students what is required of them in the NEA.

  13. PDF Making Connections: non-exam assessment guidance

    Making Connections is the non-exam assessment (NEA) component of our A-level English Language and Literature specification. Making Connections focuses on language use in different types of text and requires students to make active connections between a literary text and some non-literary material. The NEA offers students the opportunity to ...

  14. PDF Candidate Style Answers with commentary ENGLISH LANGUAGE

    A Level English Language. CR 017. Summary of content of A Level English Language NEA. The aim of this component is to encourage independent research into language and present this research in two ways: 1. A report in to an investigation of an aspect of language that is of personal interest to the student. The report should be between 2000- 2500 ...

  15. PDF A Level English Language and Literature H474 NEA Guide

    Students produce a 1,000 to 1,200-word piece of original writing in a non-fiction form, thus extending the range of original writing produced in the A Level beyond the narrative piece produced for Component 3. The work should be preceded by a 150-word introduction, outlining some of the key choices of language, form, and structure.

  16. Summer 2022 NEA: A Level English Language

    Here at OCR we've had lots of queries from centres in recent weeks about marking coursework, or non-exam assessment (NEA). For A Level English Language (H470), this means Component 3: Independent language research. ... For A Level English Language specifically please remember that all titles chosen by students entering H470 this summer needed ...

  17. PDF Teaching guide: Non-exam assessment

    Theory and i ndependence. This resource provides guidance on the nonexam assessment - (NEA) requirements for A level English Literature B and should be read in conjunction with the NEA requirements set out in the specification. This teaching guide develops and exemplifies the NEA requirements is and wholly consistent with the specification .

  18. Original Writing and Commentary Example NEA

    A Level English Language NEA A* Examples. Example coursework for both tasks in A Level English Language. Includes two full pieces of coursework & the data used to produce them. This language investigation & directed writing with commentary was submitted to AQA in summer 2017 and awarded an A*. This makes it the perfect example to show students ...

  19. AS and A-level

    Non-exam assessment administration. The non-exam assessment (NEA) for this specification is 'Making Connections', and consists of an investigation. Visit aqa.org.uk/7707 for detailed information about all aspects of NEA administration. The head of the school or college is responsible for making sure that NEA is conducted in line with our ...

  20. PDF Teaching guide: Non-exam assessment (NEA)

    Independent critical study: Texts across time. This resource provides guidance on the non-exam assessment (NEA) requirements for A-level English Literature A and should be read in conjunction with the NEA requirements set out in the specification. Example student responses and detailed moderator commentaries accompany this guidance.