“The Whale” is an abhorrent film, but it also features excellent performances.
It gawks at the grotesquerie of its central figure beneath the guise of sentimentality, but it also offers sharp exchanges between its characters that ring with bracing honesty.
It’s the kind of film you should probably see if only to have an informed, thoughtful discussion about it, but it’s also one you probably won’t want to watch.
This aligns it with Darren Aronofsky’s movies in general, which can often be a challenging sit. The director is notorious for putting his actors (and his audiences) through the wringer, whether it’s Jennifer Connolly’s drug addict in “ Requiem for a Dream ,” Mickey Rourke’s aging athlete in “ The Wrestler ,” Natalie Portman’s obsessed ballerina in “ Black Swan ,” or Jennifer Lawrence’s besieged wife in “mother!” (For the record, I’m a fan of Aronofsky’s work in general.)
But the difference between those films and “The Whale” is their intent, whether it’s the splendor of their artistry or the thrill of their provocation. There’s a verve to those movies, an unpredictability, an undeniable daring, and a virtuoso style. They feature images you’ve likely never seen before or since, but they’ll undoubtedly stay with you afterward.
“The Whale” may initially feel gentler, but its main point seems to be sticking the camera in front of Brendan Fraser , encased in a fat suit that makes him appear to weigh 600 pounds, and asking us to wallow in his deterioration. In theory, we are meant to pity him or at least find sympathy for his physical and psychological plight by the film’s conclusion. But in reality, the overall vibe is one of morbid fascination for this mountain of a man. Here he is, knocking over an end table as he struggles to get up from the couch; there he is, cramming candy bars in his mouth as he Googles “congestive heart failure.” We can tsk-tsk all we like between our mouthfuls of popcorn and Junior Mints while watching Fraser’s Charlie gobble greasy fried chicken straight from the bucket or inhale a giant meatball sub with such alacrity that he nearly chokes to death. The message “The Whale” sends us home with seems to be: Thank God that’s not us.
In working from Samuel D. Hunter’s script, based on Hunter’s stage play, Aronofsky doesn’t appear to be as interested in understanding these impulses and indulgences as much as pointing and staring at them. His depiction of Charlie’s isolation within his squalid Idaho apartment includes a scene of him masturbating to gay porn with such gusto that he almost has a heart attack, a moment made of equal parts shock value and shame. But then, in a jarring shift, the tone eventually turns maudlin with Charlie’s increasing martyrdom.
Within the extremes of this approach, Fraser brings more warmth and humanity to the role than he’s afforded on the page. We hear his voice first; Charlie is a college writing professor who teaches his students online from behind the safety of a black square. And it’s such a welcoming and resonant sound, full of decency and humor. Fraser’s been away for a while, but his contradictions have always made him an engaging screen presence—the contrast of his imposing physique and playful spirit. He does so much with his eyes here to give us a glimpse into Charlie’s sweet but tortured soul, and the subtlety he’s able to convey goes a long way toward making “The Whale” tolerable.
But he’s also saddled with a screenplay that spells out every emotion in ways that are so clunky as to be groan-inducing. At Charlie’s most desperate, panicky moments, he soothes himself by reading or reciting a student’s beloved essay on Moby Dick , which—in part—gives the film its title and will take on increasing significance. He describes the elusive white whale of Herman Melville’s novel as he stands up, shirtless, and lumbers across the living room, down the hall, and toward the bedroom with a walker. At this moment, you’re meant to marvel at the elaborate makeup and prosthetic work on display; you’re more likely to roll your eyes at the writing.
“He thinks his life will be better if he can just kill this whale, but in reality, it won’t help him at all,” he intones in a painfully obvious bit of symbolism. “This book made me think about my own life,” he adds as if we couldn’t figure that out for ourselves.
A few visitors interrupt the loneliness of his days, chiefly Hong Chau as his nurse and longtime friend, Liz. She’s deeply caring but also no-nonsense, providing a crucial spark to these otherwise dour proceedings. Aronofsky’s longtime cinematographer, the brilliant Matthew Libatique , has lit Charlie’s apartment in such a relentlessly dark and dim fashion to signify his sorrow that it’s oppressive. Once you realize the entirety of the film will take place within these cramped confines, it sends a shiver of dread. And the choice to tell this story in the boxy, 1.33 aspect ratio further heightens its sense of dour claustrophobia.
But then “Stranger Things” star Sadie Sink arrives as Charlie’s rebellious, estranged daughter, Ellie; her mom was married to Charlie before he came out as a gay man. While their first meeting in many years is laden with exposition about the pain and awkwardness of their time apart, the two eventually settle into an interesting, prickly rapport. Sink brings immediacy and accessibility to the role of the sullen but bright teenager, and her presence, like Chau’s, improves “The Whale” considerably. Her casting is also spot-on in her resemblance to Fraser, especially in her expressive eyes.
The arrival of yet another visitor—an earnest, insistent church missionary played by Ty Simpkins —feels like a total contrivance, however. Allowing him inside the apartment repeatedly makes zero sense, even within the context that Charlie believes he’s dying and wants to make amends. He even says to this sweet young man: “I’m not interested in being saved.” And yet, the exchanges between Sink and Simpkins provide some much-needed life and emotional truth. The subplot about their unlikely friendship feels like something from a totally different movie and a much more interesting one.
Instead, Aronofsky insists on veering between cruelty and melodrama, with Fraser stuck in the middle, a curiosity on display.
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Christy Lemire is a longtime film critic who has written for RogerEbert.com since 2013. Before that, she was the film critic for The Associated Press for nearly 15 years and co-hosted the public television series “Ebert Presents At the Movies” opposite Ignatiy Vishnevetsky, with Roger Ebert serving as managing editor. Read her answers to our Movie Love Questionnaire here .
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The director seamlessly adapts Samuel D. Hunter's play but can't transcend the play's problems.
By Owen Gleiberman
Chief Film Critic
Popular on variety.
“The Whale” is based on a stageplay by Samuel D. Hunter, who also wrote the script, and the entire film takes place in Charlie’s apartment, most of it unfolding in that seedy bookish living room. Aronofsky doesn’t necessarily “open up” the play, but working with the great cinematographer Matthew Libatique he doesn’t need to. Shot without flourishes, the movie has a plainspoken visual flow to it. And given what a sympathetic and fascinating character Fraser makes Charlie, we’re eager to settle in with him in that depressive lair, and to get to the bottom of the film’s inevitable two dramatic questions: How did Charlie get this way? And can he be saved?
In case there is any doubt he needs saving, “The Whale” quickly establishes that he’s an addict living a life of isolated misery and self-disgust, scarfing away his despair (at various points we see him going at a bucket of fried chicken, a drawer full of candy, and voluminous take-out pizzas from Gambino’s, all of which is rather sad to behold). Charlie teaches an expository writing seminar at an online college, doing it on Zoom, which looks very today (though the film, for no good reason, is set during the presidential primary season of 2016), with video images of the students surrounding a small black square at the center of the screen. That’s where Charlie should be; he tells the students his laptop camera isn’t working, which is his way of hiding his body and the shame he feels about it. But he’s a canny teacher who knows what good writing is, even if his lessons about structure and topic sentences fall on apathetic ears.
Charlie has a friend of sorts, Liz (Hong Chau), who happens to be a nurse, and when she comes over and learns that his blood pressure is in the 240/130 range, she declares it an emergency situation. He has congestive heart failure; with that kind of blood pressure, he’ll be dead in a week. But Charlie refuses to go the hospital, and will continue to do so. He’s got a handy excuse. With no health insurance, if he seeks medical care he’ll run up tens of thousands of dollars in bills. As Liz points out, it’s better to be in debt than dead. But Charlie’s resistance to healing himself bespeaks a deeper crisis. He doesn’t want help. If he dies (and that’s the film’s basic suspense), it will essentially be a suicide.
It’s hard not to notice that Liz, given how much she’s taking care of Charlie, has a spiky and rather abrasive personality. We think: Okay, that’s who she is. But a couple of other characters enter the movie — and when Ellie (Sadie Sink), Charlie’s 17-year-old daughter, shows up, we notice that she has a really spiky and abrasive personality. Does Charlie just happen to be surrounded by hellcats and cranks? Or is there something in Hunter’s dialogue that is simply, reflexively over-the-top in its theatrical hostility?
And what a rage it is! Sadie Sink, from “Stranger Things,” acts with a fire and directness that recalls the young Lindsay Lohan, but the volatile spitfire she’s playing is bitter — at her father, and at the world — in an absolutist way that rings absolutely false. Lots of teenagers are angry and alienated, but they’re not just angry and alienated. There are shades of vulnerability that come with being that age. We keep waiting for Ellie to show another side, to reflect the fact that the father she resents is still, on some level … her father.
“The Whale,” while it has a captivating character at its center, turns out to be equal parts sincerity and hokum. The movie carries us along, tethering the audience to Fraser’s intensely lived-in and touching performance, yet the more it goes on the more its drama is interlaced with nagging contrivances, like the whole issue of why this father and daughter were ever so separated from each other. We learn that after Charlie and Ellie’s mother, Mary (Samantha Morton), were divorced, Mary got full custody and cut Charlie off from Ellie. But they never stopped living in the same small town, and even single parents who don’t have custody are legally entitled to see their children. Charlie, we’re told, was eager to have kids; he lived with Ellie and her mother until the girl was eight. So why would he have just … let her go?
There’s one other major character, a lost young missionary for the New Life Church named Thomas, and though Ty Simpkins plays him appealingly, the way this cult-like church plays into the movie feels like one hard-to-swallow conceit too many. This matters a lot, because if we can’t totally buy what’s happening, we won’t be as moved by Charlie’s road to redemption. Near the end, there’s a very moving moment. It’s when Charlie is discussing the essay on “Moby Dick” he’s been reading pieces of throughout the film, and we learn where the essay comes from and why it means so much to him. If only the rest of the movie were that convincing! But most of “The Whale” simply isn’t as good as Brendan Fraser’s performance. For what he brings off, though, it deserves to be seen.
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Brendan Fraser plays an obese writing instructor reckoning with grief and regret in Darren Aronofsky’s latest film.
By A.O. Scott
Charlie is a college writing instructor who never leaves his apartment. He conducts his classes online, disabling his laptop camera so the students can’t see him. The movie camera, guided by Darren Aronofsky and his go-to cinematographer, Matthew Libatique, also stays indoors most of the time. Occasionally you get an exterior view of the drab low-rise building where Charlie lives, or a breath of fresh air on the landing outside his front door. But these respites only emphasize a pervasive sense of confinement.
Based on a play by Samuel D. Hunter (who wrote the script), “The Whale” is an exercise in claustrophobia. Rather than open up a stage-bound text, as a less confident film director might, Aronofsky intensifies the stasis, the calamitous sense of stuckness that defines Charlie’s existence. Charlie is trapped — in his rooms, in a life that has run off the rails, and above all in his own body. He was always a big guy, he says, but after the suicide of his lover, his eating “just got out of control.” Now his blood pressure is spiking, his heart is failing, and the simple physical exertions of standing up and sitting down require enormous effort and mechanical assistance.
Charlie’s size is the movie’s governing symbol and principal special effect. Encased in prosthetic flesh, Brendan Fraser, who plays Charlie, gives a performance that is sometimes disarmingly graceful. He uses his voice and his big, sad eyes to convey a delicacy at odds with the character’s corporeal grossness. But nearly everything about Charlie — the sound of his breathing, the way he eats, moves and perspires — underlines his abjection, to an extent that starts to feel cruel and voyeuristic.
“The Whale” unfolds over the course of a week, during which Charlie receives a series of visits: from his friend and informal caretaker, Liz (Hong Chau); from Thomas (Ty Simpkins), a young missionary who wants to save his soul; from his estranged teenage daughter, Ellie (Sadie Sink), and embittered ex-wife, Mary (Samantha Morton). There is also a pizza delivery guy (Sathya Sridharan), and a bird that occasionally shows up outside Charlie’s window. I’m not an ornithologist, but my guidebook identifies it as a Common Western Metaphor.
Speaking of which, Charlie is not the only whale in “The Whale.” His most prized possession is a student paper on “Moby-Dick,” the authorship of which is revealed at the movie’s end. It’s a fine piece of naïve literary criticism — maybe the best writing in the movie — about how Ishmael’s troubles compelled the author to think about “my own life.”
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The whale movie review: brendan fraser and hong chau deliver stellar performances in darren aronofsky's otherwise uneven drama, which feels very much like a stage enactment..
Darren Aronofsky 's The Whale is set over the crucial last days in the life of Charlie, an obese, reclusive professor, played by Brendan Fraser. Estranged from his ex-wife and daughter, his only human contact is Liz (Hong Chau), an overprotective friend, who is also a nurse. Teaching a writing course online, he doesn't show his face even to his students. (Also read: Brendan Fraser sobs as The Whale gets 6-min standing ovation at Venice Film Festival, Dwayne Johnson praises him. Watch )
Since the death of his boyfriend Alan, Charlie has been burying himself in grief and food. He has been suppressing his emotions at the cost of his health, and now finds himself at a precipice. Suffering from a severe risk of congestive heart failure and high blood pressure, he refuses to go to a hospital, and instead focuses on mending his relationship with his daughter Ellie (Sadie Sink).
But that is easier said than done as the resentful teenager hates his guts and only arrives to see her father upon the promise of money. While they try and fail to reconnect after eight years, Charlie struggles to make Ellie understand what she means to him. Meanwhile, Liz tries to protect Charlie from his worst instincts as he entertains a lost soul, a young missionary named Thomas (Ty Simpkins), alongside his meetings with Ellie.
Slowly, the screenwriter Samuel D Hunter reveals Charlie's painful past - his marriage to Mary (the excellent Samantha Morton), his love for Alan and his decline into his current state. Adapted from Hunter's own 2012 play of the same name, director Aronofsky restricts the main action to Charlie's small apartment. Like him, we are stuck in the dark, dreary claustrophobic space. But that also means, the feature film feels very much like a stage enactment most of the time.
The pace of the film feels sluggish at times and when the film moves away to the younger performers, it loses some of its more meaningful impact. Sink's Ellie is both petty and manipulative when dealing with people, and she often sees red when interacting with her father. But Ellie mostly felt like a cliché of a child of a divorce for me, despite Sink's portrayal. Her vulnerability in the film's final moments arrived too late in the story.
Fraser, as the self-deprecating but earnest Charlie, is astonishingly good in his Oscar-nominated 'comeback' film. Known mostly for his leading man and comedic roles in the past, he displays his dramatic abilities here. He leans into the physicality of the role, wearing prosthetics that show Charlie as a 600-pound man, with limited mobility. The actor has shown the unflattering side of Charlie's binge-eating and he doesn't hesitate to put it all out there.
Hong Chau as Liz matches Fraser in a moving performance. Her Oscar nomination for Best Supporting Actress is also richly deserved. After trying her utmost to help Charlie throughout the film, Liz tearfully states, "I don’t believe that anyone can save anyone." He has the most honest conversations about himself with both Liz and Mary as they bare it all out, knowing the end is not far.
Unfortunately, The Whale can't balance out the dark humour with the heavy emotional moments of the story. Moreover, the story feels a bit overdone, even as the main cast turn in masterful, emotional performances. The translation of the material from stage to feature film needed much more to be convincing. In some instances, the dialogues feel quite flat, while in others, they hit the mark. One can appreciate the actors' worthy performances in an otherwise uneven film.
The Whale is a one-room play adapted for the silver screen by Darren Aronofsky known for his surreal dramas which we do see a hint of in this film. It follows a week in Charlie’s life, a morbidly obese English teacher who realises he is dying after he refuses to go to the hospital when he gets congestive heart failure.
Instead, he tries to accept his fate, spends some time with his only friend Liz, has a discourse with a random missionary and reaches out to his angry teen daughter whom he abandoned when she was young.
As we enter the movie ready to bawl our eyes out from the very beginning, Brendan Fraser gives us his all as Charlie. This film is worth the hype purely for Brendan and Brendan only, as it pretty much secures his Oscar win. It deserves to be called the Brenaissance or his comeback or whatever he likes as he carries the whole movie on his capable and prosthetic back.
Along with watching it, the whole making of The Whale is an experience on another level as the movie used complicated prosthetics instead of taking the easy way out with CGI for Charlie’s body, earning an Oscar nomination for Makeup and Hair too. Of course, all of the technical aspects are top-notch as it all comes together neatly to give us a suspense drama in one location.
From the haunting music that reaches a crescendo and tight shots to verbalise Charlie’s emotions, to the dark but soothing colour grading that makes us feel like we are present in his tiny flat, The Whale does its best to keep us hooked. Its well-paced and tightly-edited structure keeps the interest going which could otherwise easily fail and get boring by giving us Thomas’ shocking and multiple reveals and Alan’s heartbreaking story.
Despite The Whale being about just one man, all of the other characters are also written well from Nurse Liz to the missionary Thomas and Charlie’s ex-wife Mary. But the constant anger they display in the face of Charlie’s optimism sometimes does feel overwhelming.
And unfortunately for promising child actress Sadie Sink who plays Charlie’s daughter Ellie, she has no character arc as she gives us an intense but one-note performance. Sure, the audience understands why Ellie is angry, but the scriptwriter should have worked hard on her redemption.
If the ex-wife could have a range in her character graph in one just one scene, so why can’t the daughter have an arc too? Just that one spark, at the end of the film, is not enough to forgive Ellie for how she was for the rest of the movie. Even if it is not realistic for a person to change in a week, how did they make it work with the wife?
Using Mary as a template, the writer should have tweaked the story or the other characters to make Ellie’s story work with the plot. If Charlie was not so optimistic, maybe her character would have worked. But with him continuously being positive and forgiving, it just makes her bad, she is not a grey character unlike Thomas, but a downright badly written character. This is a story about redemption, and everyone gets it except Ellie.
But that doesn’t overshadow the beautiful moments in the film from Charlie’s epiphany to his friendship with Liz. It also tells us the importance of love and how that is enough via some touching dialogues just like how Charlie gave Alan the maximum amount of love right when he needed it. And while Liz abandons Charlie as a friend because she tries to be selfish and avoid losing a loved one, she returns as a nurse because he needs her.
All in all, The Whale is an adequate adaption of a one-room play, using a cinematic format and exceeding the limitations of the stage while still being faithful to it. While it is not brilliant, from the talented cast to the plot, it does its job of telling us a bittersweet story.
Read More: The Whale Ending Explained
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Writing instructor Charlie (Brendan Fraser) is a middle-aged 600-pound (272 kg) man, whose obesity starts to pose a grave threat.
Charlie tries to reconnect with his 17-year-old daughter, Ellie (Sadie Sink), as the two grew apart after he abandoned his family for his late gay lover. He wants to rekindle the relationship as one last chance at redemption.
The Whale Movie Cast, Release Date, Trailer, Songs and Ratings
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I am certain that as is, The Whale (the film), struggles to say anything meaningful about people and oversells the characterizations and the relationships in a way that doesn’t feel natural.
Full Review | Original Score: 1.5/5 | Jul 26, 2024
...a project that, while certainly powerful at points, could have reached further heights if not for some very questionable calls.
Full Review | Original Score: 3/5 | Jul 17, 2024
However unsubtle with its messaging, “The Whale” is a devastating ode to the complexity of human beings, and the inner beauty one can find behind even the most destructive of feelings towards self and others.
Full Review | Jul 15, 2024
“The Whale” works because Fraser, particularly his eyes and voice, and the rest of the cast deliver performances that imbue their two-dimensional characters with enough presence and emotion that they feel three dimensional.
Full Review | Jun 8, 2024
Fraser keeps Charlie’s fully formed humanity at the forefront of The Whale, despite various filmmaking decisions that could flatten his character into a saccharine pity case.
Full Review | Jan 9, 2024
It’s Aronofsky’s most blunt and uninspired work yet— an indulgent and strident slice of misery porn that rides a wave of unearned emotion to its underwhelming conclusion.
Full Review | Nov 2, 2023
If I were to describe this film in one word, it would be melancholy; it is practically flawless, at least in my opinion, and conveys the notion that people are inherently kind...
Full Review | Sep 23, 2023
If you didn’t know that The Whale was based on a play, you’d work it out pretty quickly... The immediate distance that this initially creates soon evaporates, however, in no small part thanks to Fraser’s all-in performance.
Full Review | Sep 21, 2023
If it’s as sincere as it purports to be, this is one of the worst movies of recent years, and if it’s not — which is almost preferable — then it’s a landmark exercise in trolling.
Full Review | Aug 25, 2023
A morbidly obese man racked with self-loathing makes a desperate eleventh-hour attempt to reconnect with his estranged teenage daughter in the overstuffed but worthwhile drama, The Whale.
Full Review | Jul 26, 2023
Earns its place in the "most tearful films of the year" list as it moves slowly yet efficiently towards its overwhelmingly emotional ending, especially elevated by the most subtly powerful & irrefutably moving performance of Brendan Fraser's career.
Full Review | Original Score: B+ | Jul 25, 2023
A riveting character study of one broken man that transcends compassion, love, pain/regret. A masterpiece Sadie Sink/Hong Chau should be nominated & Brendan Fraser might have turned in one of the best performances of all time
Full Review | Jul 25, 2023
I just wished that the film overall was as strong as Brendan Fraser’s acting comeback.
Full Review | Original Score: C | Jul 22, 2023
Charlie [is] played brilliantly by Brendan Fraser...
Full Review | Jun 2, 2023
It has a more or less decent preamble that is propelled by an organic performance from Brendan Fraser on his return, but its psychological marrow is locked into a basic routine of trivial conversations and a lack of substance. [Full reveiw in Spanish]
Full Review | Original Score: 5/10 | Apr 19, 2023
A strangely hopeful story that manages to stay on the surface even as it seems to sink into mediocrity. [Full review in Spanish]
Full Review | Mar 29, 2023
One of the most deplorable elements of The Whale is its near celebration of defeat and resignation. The decision by Charlie to eat himself to death is treated as a meaningful act of self-sacrifice. Why would this possibly be so?
Full Review | Mar 24, 2023
All the weight of the story (metaphorically and literally) is carried by its tragic protagonist — the ailing Charlie, whom Brendan Fraser portrays with such depth, nuance, and wit. Nothing in the film's text matches this commitment, and that's a problem.
Full Review | Original Score: 3/5 | Mar 21, 2023
Two words - Brendan Fraser. He was born to play Charlie and his Oscar award is extremely well deserved.
Full Review | Original Score: 3.5/5 | Mar 21, 2023
Chamber settings, by their nature, let the acting echo out and Fraser’s central performance speaks volumes about his character’s history.
Full Review | Original Score: 3/5 | Mar 17, 2023
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A reclusive English teacher attempts to reconnect with his estranged teenage daughter.
Darren Aronofsky
Samuel D. Hunter
Brendan Fraser as Charlie
Sadie Sink as Ellie
Ty Simpkins as Thomas
Hong Chau as Liz
Samantha Morton as Mary
Sathya Sridharan as Dan the Pizza Man
-- Rotten Tomatoes: 66%
Metacritic: 62
VOD: Theaters
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Brendan Fraser stars as a recluse battling obesity in Darren Aronofsky's 'The Whale,' a powerfully affecting tale for our times.
The first thing you’ll notice in Darren Aronofsky’s The Whale is its unexpectedly compact format. With a screen ratio of 1.33:1, the frame is nearly square on all sides. Intriguingly, there won’t be any extra width for this story.
As the opening title credits began, seeing this already made me feel uneasy. I, like anyone who will be going into this movie, knew that the central character is an extremely obese man. How then, will he fit into this screen for the remainder of the film?
This (intentional) visual restriction immediately sets the stage for a story of discomfort, pain, and struggles to come. As soon as we see Charlie (Brendan Fraser)–by way of an uncomfortably shocking introduction (in many carnal ways)–we see how enormous, and helpless, a figure he is. We know instantly how impossible it must be for him to exist and fit into the world around him.
Except, we quickly see that he doesn’t actually exist in the world. Rather, as today’s 21st-century accommodations allow, he lives in his own reclusive world; inside, and alone. Teaching an online writing class (one in which his camera remains off), he spends his days either occupying the same flattened corner of his living room couch or traversing the path between his bedroom and bathroom, by way of a walker whose flimsy frame feels as if it could fold under his weight at any moment.
With over 600 pounds of body mass, Charlie is a sight to behold (I say this with no intention of sounding insensitive to the obese community). Yes, Charlie’s appearance is shocking, which the film presents starkly. Yet, the film as we see it is one of empathy. Director Darren Aronofsky’s singular achievement here is how he draws out the sweet, kind, and tender soul of the man underneath the heavy flesh.
Undergoing an immediate health complication that begins the film, Charlie’s nurse and friend Liz (Hong Chau) tells him that he’s in grave danger of dying. The episode brings about a forced introspection, one in which he decides to attempt to reconcile with the daughter he left behind years ago (you would be correct in remembering Aronokfsky’s other film about guilt by way of fatherly abandonment, 2008’s The Wrestler , here too).
We see each day of this final week, with title cards to count them down. Not coincidentally, this narrative structure should also recall the biblical story of creation, in which God created the universe in seven days (we all know what he did on the seventh). Religion and man’s relationship with it, and faith and higher powers at large, are always a preoccupation in Aronofsky’s films, as it is here too. The film confronts religion by way of a young door-to-door missionary (Ty Simpkins) who befriends Charlie and tries to save him by converting him before the rapturous end times (which are closer for Charlie than the young missionary knows).
The central story in The Whale is that of Charlie reconnecting with his daughter, Ellie (Sadie Sink), a high schooler whose troubling social media accounts reflect her raging, isolated nature. Drawing her to his home, Ellie sees her father for the first time in years–more enormous now than ever. Her moodiness and rage counter Charlie’s kindness and sincerity.
Each of these scenes–mostly exchanges between two characters–all start to take on a certain rhythm. If it all begins to feel like a play, it’s because the film is based on one. Screenwriter Samuel D. Hunter adapts his 2014 stageplay here for the film (which also lends itself to a COVID production).
For a film about a 600-pound man, I was very surprised to find how much I connected to it. Timely, issues that we experience now such as self-isolation, self-medication, grief, and shame, are all things that we can struggle with every day. In a post-COVID, mostly online world, I was taken aback to see how easy and dangerous it is to fall into our own worlds of isolation and despair that can grow from shutting oneself off from the rest of the world.
It’s a brave story to bring to the screen, and it’s Brendan Fraser who deserves every word of praise that his performance is getting. Incredibly moving, Fraser proves he’s a singular talent here, bringing a yearning presence to Charlie. Further, he brings all sides to this character suffering from grief and addiction. Communicating the pleasures of inhaling a bucket of chicken wings, meatball subs, or pizzas at any given moment, and then the physical stuntwork as well as emotional depth to convey pain inside a man who can barely move is a feat of acting and should be recognized as such.
Cinema rarely features people like this at the center of the frame, getting their own story. And Aronofsky and team, as well as the obese community, should be proud to see this character and story portrayed onscreen with such compassion and empathy, and heart.
The Whale is a transcendent film, as evidenced by its final shot. As Charlie has been saying to his daughter and students, “be honest.” By the time he reaches that pinnacle of truth himself, he is not bound by weight. He is freed by the screen ratio format and even the gravitational forces of this world. Lightness is that thing that exists within all of us if we just choose to lift that weight of despair.
1h 57m. Rated R for language, some drug use, and sexual content.
Ryan is the editorial manager of Cinemacy, which he co-runs with his older sister, Morgan. Ryan is a member of the Hollywood Critics Association. Ryan's favorite films include 2001: A Space Odyssey , The Social Network , and The Master .
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This image released by A24 shows Brendan Fraser in a scene from “The Whale.” (A24 via AP)
This image released by A24 shows Hong Chau in a scene from “The Whale.” (A24 via AP)
This image released by A24 shows Sadie Sink in a scene from “The Whale.” (A24 via AP)
Brendan Fraser poses for a portrait in Los Angeles on Friday, Nov. 18, 2022, to promote his film “The Whale.” (Photo by Rebecca Cabage/Invision/AP)
The center of gravity of “The Whale” is obviously the 600-pound man at its center. Look closely, though, and he’s the one with a soul as light as a feather.
Charlie is a reclusive, morbidly obese English literature teacher unable and unwilling to stop eating himself to death. As his health woes mount and his life expectancy is put at just a week, Charlie struggles to reacquaint himself with his estranged daughter. We meet him on Monday and the film goes day by day to Friday.
Charlie is a gentle giant, not raging at his fast approaching demise. He’s an optimist and a fierce believer in truth even though there is nothing in his world reinforcing either. “The Whale” is not always pleasant to watch but the payoff and performances make it an astounding film.
Stationary and wheezing on his couch, Charlie is repeatedly visited by a constellation of people — a friendly nurse, his teenage daughter and a young missionary from an apocalyptical church. They all need something from this well-meaning but broken man — spiritual, medical or familial. They are all broken, too.
The movie, based and adapted from the off-Broadway play of the same name by Samuel D. Hunter, is directed by Darren Aronofsky, who helmed such dark tales as “Requiem for a Dream” and “Black Swan.” Hunter’s depiction of the mortification of the flesh perfectly meets a director enamored by the grotesque.
Brendan Fraser has earned lots of Oscar buzz for playing Charlie, allowing his signature puppy dog face to remain despite a massive body suit and swelling prosthetics. And why not? It is one of the most moving performances in years, full of humanity and a redemptive triumph for an actor who hid his talent in quickly forgotten films like “Blast from the Past,” “Hair Brained” and “Airheads.”
The whole cast is perfect, from Sadie Sink as Charlie’s spiky daughter, Hong Chau as his foul-mouthed nursing angel, Ty Simpkins as the missionary with a hidden past and Samantha Morton as his ex-wife with simmering anger and yet still love. There are steady references to Herman Melville’s “Moby Dick,” which gives the film the title and its doomed vibe.
Charlie has ballooned ever since the death of his same-sex partner, who apparently willed himself to death by wasting away in starvation after their relationship was condemned by his church-leading father. Charlie has apparently decided to die the opposite way.
He is sadly apologetic to his nurse — “I’m sorry,” he says continually — and shuts the video camera on his laptop during his online classes. Even the pizza delivery man doesn’t know what he looks like. “Who would want me to be part of their life?” he asks.
There has been fear that the film might be fatphobic and it’s true that cinematographer Matthew Libatique often leans into unflattering ways to show Charlie, soaping in a shower, straining to stand up or touch the floor, covered in sweat and shoving pizza or fried chicken into his mouth. Maybe some of that could have been touched on instead of lingered on.
But body weight is not what the writer and director want to focus on here. It’s more the weight of guilt and love and faith. “I just want to know I did one good thing in my life!” Charlie shouts. One feels that the underlying issue in “The Whale” could have been obesity as easily as cancer or alcoholism or a blood disorder. Hunter is exploring salvation, redemption, determinism and family.
The play has been sharpened for the screen but there’s no escaping the fact that it is rooted inside Charlie’s Idaho apartment, which he shuffles about in on a walker or later a wheelchair. This doesn’t make for sweeping cinema. Sometimes the apartment feels confining like a ship, adding to the Melville theme.
Some of the filmic attempts are forced, like the symbolically heavy bird that Charlie feeds outside his window, the three times actors rush to leave the apartment only to stop and turn back, and the heavy rain that builds as the film’s climax nears. But this is a film that stays with you and changes you. It is heavy, indeed.
“The Whale,” a A24 release that is in movie theaters on Friday, is rated R for “language, some drug use and sexual content.” Running time: 117 minutes. Four stars out of four.
MPAA definition of R: Restricted. Under 17 requires accompanying parent or adult guardian.
Online: https://a24films.com/films/the-whale
Mark Kennedy is at http://twitter.com/KennedyTwits
Common Sense Media
Movie & TV reviews for parents
Compassionate, mature look at living with severe obesity.
Parents need to know that The Whale is a drama about a man (Brendan Fraser) who's living with severe obesity and trying to reconnect with his estranged daughter (Sadie Sink). Directed by Darren Aronofsky, it's a compassionate movie with mature, complex themes. Violence is described in dialogue, and there's…
A character masturbates, with his hand underneath sweatpants. A pornographic vid
Language includes "f--k," "bulls--t," "s--t," "a--hole," "f--got," "retarded," "
Teen vaping and smoking pot. A main character smokes cigarettes regularly. Dialo
Dialogue describing a horrible death (a bloated body washes up on shore, etc.).
Various snack foods and sodas on display: Pepsi, 3 Musketeers chocolate bar, Dr.
Thoughtful dialogue and discussions around love, literature, truth, and faith. M
Charlie is a smart, positive-thinking man who does everything he can to support
Movie approaches Charlie's experiences with obesity from a sympathetic place. He
A character masturbates, with his hand underneath sweatpants. A pornographic video plays on a laptop, with one person kissing and thrusting behind another. (No graphic nudity shown.) Charlie is shown shirtless in the shower. Strong sex-related dialogue.
Did you know you can flag iffy content? Adjust limits for Sex, Romance & Nudity in your kid's entertainment guide.
Language includes "f--k," "bulls--t," "s--t," "a--hole," "f--got," "retarded," "goddamn," "bitch," "hell," "idiot," "shut up," "stupid," "penis," "oh my God." "Jesus" and "oh Christ" as exclamations.
Did you know you can flag iffy content? Adjust limits for Language in your kid's entertainment guide.
Teen vaping and smoking pot. A main character smokes cigarettes regularly. Dialogue about teen smoking too much pot. Character drugged with Ambien. Dialogue about someone who drinks frequently. Dialogue about college students drinking alcohol.
Did you know you can flag iffy content? Adjust limits for Drinking, Drugs & Smoking in your kid's entertainment guide.
Dialogue describing a horrible death (a bloated body washes up on shore, etc.). Main character frequently in pain. Main character chokes on food. Binge-eating and vomiting. Violent dialogue about death, stabbing, rape, etc.
Did you know you can flag iffy content? Adjust limits for Violence & Scariness in your kid's entertainment guide.
Various snack foods and sodas on display: Pepsi, 3 Musketeers chocolate bar, Dr. Pepper, etc. Mentions of Walmart.
Thoughtful dialogue and discussions around love, literature, truth, and faith. Movie is also about dangers of pre-judging people. Promotes compassion.
Charlie is a smart, positive-thinking man who does everything he can to support his daughter, but he also has some major weaknesses. He lies to his students and keeps a big secret from his best friend, one that ends up hurting her. And he's forever apologizing for things, revealing a lack of confidence. In one sequence, after hearing bad news, he binge-eats and vomits. Liz, a nurse and Charlie's best friend, is selfless in her devotion to him, though she's often frustrated by him and sometimes even teases him. Some characters say cruel things about someone being overweight.
Movie approaches Charlie's experiences with obesity from a sympathetic place. He's also gay and mourning the loss of his true love. But the movie frames fatness -- and queerness -- as something shocking that needs to be "humanized" in the first place. Another major character is a strong, complex Asian woman (Vietnamese actor Hong Chau). Charlie's daughter, Ellie, is very smart, although she's also quite difficult and likes to make trouble; her mother is also a smart, three-dimensional woman. A South Asian supporting character shows kindness to Charlie. The only other character is Thomas, a White male missionary. Cruel language about a person being fat is heard.
Did we miss something on diversity? Suggest an update.
Parents need to know that The Whale is a drama about a man ( Brendan Fraser ) who's living with severe obesity and trying to reconnect with his estranged daughter ( Sadie Sink ). Directed by Darren Aronofsky , it's a compassionate movie with mature, complex themes. Violence is described in dialogue, and there's some unsettling imagery of things like binge-eating, vomiting, choking, etc. A man is shown masturbating (his hand is down his pants) and watching a pornographic video (one person kisses and thrusts behind another). The main character is also seen shirtless in the shower, and there's some strong sex-related dialogue. Language includes several uses of "f--k," "s--t," "a--hole," and more. Teens smoke pot and vape, a character is drugged with Ambien, and there's dialogue about smoking too much pot and drinking too much alcohol. To stay in the loop on more movies like this, you can sign up for weekly Family Movie Night emails .
Videos and photos.
Based on 6 parent reviews
“the truth will set you free “, what's the story.
In THE WHALE, Charlie ( Brendan Fraser ) teaches English classes online while living with severe obesity. He pretends that his laptop camera is broken so that his students can't see him. He never leaves his apartment, ordering all of his food delivered and getting occasional visits and care from his friend Liz ( Hong Chau ), a nurse. When Charlie learns that his blood pressure is potentially lethally high, he refuses to go to the hospital, instead devoting his energy to reconnecting with his brilliant, estranged, and deeply troubled teen daughter, Ellie ( Sadie Sink ). Meanwhile, a young missionary, Thomas (Ty Simpkins), happens upon Charlie and decides that he wants to help save his soul.
Like Darren Aronofsky 's other movies, this dark drama doesn't shy away from the realities of its main character's situation, but what lingers are its deep wells of compassion. The Whale launches with Charlie's masturbation being interrupted by crippling chest pains. This initially casts him in a pathetic light, but as the story progresses over the course of a week, viewers begin to see who Charlie really is: loving, intelligent, sensitive, and an undying optimist.
Fraser's work is unfailingly powerful, Charlie's bright eyes consistently gleaming with hope. Playing opposite him, Chau is equally brilliant. The screenplay by Samuel D. Hunter, adapted from his own play, is filled with discussions about love, literature, truth, and faith (Aronofsky has grappled with themes of faith in much of his work, especially Noah and Mother! ). Aronofsky's direction is skilled but not showy, closer to The Wrestler than his other movies and focused mainly on character and performance. The movie flows beautifully, even if it sometimes feels a little stage-bound and cutesy. (For a recluse, Charlie is never without someone to talk to.) Overall, it's a movie that twists preconceptions.
Families can talk about The Whale 's depiction of body image . How do you think the filmmakers intend you to see Charlie? What message is the movie saying about judging others?
Why is it so important to Charlie for people to "write the truth"?
Did you notice positive diverse representations in the film? Are stereotypes used, or avoided?
How are drugs, cigarettes, and alcohol depicted? Are they glamorized? Are there consequences? Why is that important?
How does the movie promote compassion ? Why is that an important character strength?
Research shows a connection between kids' healthy self-esteem and positive portrayals in media. That's why we've added a new "Diverse Representations" section to our reviews that will be rolling out on an ongoing basis. You can help us help kids by suggesting a diversity update.
What to watch next.
Drama movies that tug at the heartstrings, indie films, related topics.
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The Whale - Official Trailer
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The best things to do in NYC this week include Labor Day celebrations, the West Indian Day Parade, the U.S. Open, an Only Murders in the Buildings escape game.
If you’re looking for the best things to do in NYC this week, or even for today, there are tons of fun options, including Labor Day celebrations, the West Indian Day Parade, the U.S. Open, an Only Murders in the Buildings escape game and awesome free events in NYC! For more ideas, scroll down to see this week's best things to do in NYC.
RECOMMENDED: Full list of the best things to do in New York
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As a New Yorker, you may associate buses with rush-hour traffic or the tedious process of simply getting from point A to point B. But this summer, buses take on a whole new meaning, where New Yorkers can now time travel through over 90 years of New York City history. This September 8, the New York Transit Museum’s treasured Bus Festival returns, providing New Yorkers with the opportunity to board beloved vintage buses in Brooklyn at a free outdoor event. The Bus Festival includes photo ops, a chance to meet some of the bus drivers who keep our city running smoothly, and a scavenger hunt activity sheet that'll help you learn about these cool vehicles.
One of the most celebrated holidays in Italy, Ferragosto dates back to the Roman Empire. Originating from Feriae Augusti or the festival of Emperor Augustus, the month-long festivities honored fertility and the fruitful season with food, wine and religious celebrations. While Italy continues to celebrate the holiday (for one day instead of the whole month), the Bronx marks the day in its own way. Coming up the Sunday after Labor Day , The Ferragosto Festival is returning to the Bronx on Sunday, September 8, 2024. Taking place on Arthur Avenue between East 187th Street and Crescent Avenue, the day-long celebration highlights the area's rich Italian culture and tradition, featuring delicious food, live music, and tons of entertainment.
Any New Yorker who has melted their brain by watching daylong marathons of The Real Housewives , Below Deck and Vanderpump Rules (guilty!) has been waiting for this day: New York is finally getting a Bravo-inspired bar. From Friday, August 2 to Sunday, October 6 at Selene (11 Hanover Square), you can sip on a Mazel Mule, a Physically Shaking Margarita or a Pumptini—that Vanderpump classic—while you recreate memorable Bravo moments in photo opps, show off your Bravo knowledge in trivia games and peruse a historical archive of real-deal Bravo artifacts.
To make a theatrical production shine, it's not just about the actors delivering their lines perfectly. The lighting must work just right. The music must pair with each scene. And the costumes must complement each actor, whether they're in a baroque gown, a military uniform or streetwear.
The power of costumes will be in the spotlight at a new exhibit by The Public Theater. This free exhibit will be on view through Friday, August 30 in the theater’s Shiva Theater in Manhattan’s Noho neighborhood.
At The Public Theater's Costume Exhibit , see exquisite costumes spanning four decades of acclaimed Public Theater and Free Shakespeare in the Park productions. Expect to can see pieces from iconic shows like A Chorus Line and Hamilton and Delacorte Theater productions of Twelfth Night , Richard III , Mother Courage and On the Town .
The Standard, East Village is housing the L.A. eatery for a month-long pop-up this August. Held at the hotel’s NO BAR space ( 25 Cooper Square, New York), the Gjelina team will serve an abbreviated menu that mirrors its L.A. location. Since the space is lacking a wood-fired oven, the coming pop-up will not include its blistered pizzas.
Luckily, the team does know their way around a vegetable (charred romanesco and brussel sprouts, anyone?) and will be incorporating produce from Union Square Farmers Market. We suppose this pop-up will be enough to tide us over until the tentative opening in September of this year.
The legendary Shirley Chisholm is deservedly getting a major museum presentation courtesy of the Museum of the City of New York and the Shirley Chisholm Project at Brooklyn College. Running through July 20, 2025, Changing the Face of Democracy: Shirley Chisholm at 100 will delve into the life and legacy of the native New Yorker and barrier-breaking politician, who was the first Black woman elected to Congress and the first woman to run for president on a major party ticket.
Marking the centennial of the late Chisholm’s birth, her first major exhibition will take over the museum's second-floor North Gallery and tell the multi-dimensional story of the American icon in three sections—Brooklyn Life, Political Career, and Legacy—using historical artifacts, photographs, archival footage, and art pieces.
You might not know who Cellino and Barnes are, but you can definitely recite their law firm's phone number by heart.
Ross Cellino Jr. and Steve Barnes founded their personal injury law firm in Buffalo, New York back in 1998. The pair quickly rose to prominence after their distinctive jingle—"Cellino and Barnes, injury attorneys, call 1-800-888-8888"—basically turned them into Internet celebrities.
That history, including what led to the dissolution of the company, is the subject of the Off Broadway dark comedy Cellino V. Barnes , running at Asylum NYC (123 East 24th Street by Lexington Avenue) through October 13. Tickets for Cellino V. Barnes are available here .
A grove of citrus trees growing in Manhattan’s Meatpacking District would be unusual enough. But a grove of live citrus trees growing inside a Meatpacking District museum is even more surprising.
Astonishingly, 18 citrus trees are now in bloom inside the Whitney Museum of American Art , and you can walk through the grove on the museum’s eighth floor through January 1, 2025. The exhibition, “Survival Piece #5: Portable Orchard,” was conceived in 1972 by Helen Mayer Harrison and Newton Harrison. This groundbreaking eco-art project is on view at a museum for the first time since its debut more than 50 years ago.
Over the course of the exhibition, the living sculptures will change and grow harvestable fruit that will be used in public programs.
Smorgasburg , the food bazaar spectacular, is back for 2024 with dozens of great local vendors across four locations.
In fact, with more than 70 vendors, it's the largest Smorgasburg lineup since 2018! Vendors this year will serve up fragrant Ethiopian stews, Hawaii-style street comforts, explosive pani puri, potato puff poutine, and lots more.
Smorgasburg WTC runs on Fridays; Williamsburg is on Saturdays; and Prospect Park is on Sundays. Each location is open from 11am-6pm and operates weekly through October.
It might seem impossible to experience tranquility in the middle of hustling, bustling Manhattan, but Bryant Park’s free yoga series presented by CALIA is aiming to achieve just that. Outdoor classes will be held all summer long through September 25 with excellent instructors. These popular classes occur Tuesday mornings at 10am on the terrace and Wednesday afternoons at 6pm on the lawn.
Though the classes are free and open to the public, make sure to register in advance , and don't forget your yoga mat and water bottle!
Ocean noise, chemical pollution, climate change and sea level rise are words that often appear in the news. But these important concepts can be hard to make sense of—or to understand at all.
That's where artist Jenny Kendler comes in. Her new exhibit, Other of Pearl , confronts these pressing environmental issues in ways that feel more accessible with stirring whale songs, incredible pearl sculptures, a crystalline whale eye cast with human tears, and more. You can see these powerful works for free on Wednesdays-Sundays from 10am-5pm now through October on Governors Island.
Seven intimate, delicate works are displayed in the cavernous, subterranean magazine of historic Fort Jay, a star-shaped fortification built on Governors Island between 1775 and 1776.
One of our favorite seasonal traditions is seeing what over-the-top theme the Magic Hour Rooftop Bar & Lounge at the Moxy Times Square will take on next. F or summer, it’s cranking up those Cowboy Carter jams for a Magic Hour Surf Club takeover that combines beachy-cool breeziness with Wild West motifs.
All summer long, Magic Hour’s summer pop-up will be all done up in coastal cowgirl style. The rooftop’s east terrace will feature decorative surfboards, accents of sunflowers and seagrass, comfortable cabana seating and a neat-o vintage bus, to serve as a photo opp with the Empire State Building directly behind it.
To go along with that decor theme, the menu has been overhauled with themed food and drinks.
A new program series at the Brooklyn Botanic Garden seeks to shed light on the connections between plants and pollinators, underlying the latter's essentiality and calling on New Yorkers to protect them.
"Natural Attractions: a Plant-Pollinator Love Story" features a series of programs and exhibit, most on view now through October 20, that are free with general admission. Among the activations is a new pollinator lounge that was built specifically for the insects: 42 wood-carved "hotels" catering to native pollinators in New York are accessible by the general public.
It is absolutely scorching hot outside, so you might want to revisit every single item of clothing you've got in your closet—and there are no better places to go shopping than the best sample sales in NYC, where you can snag quality pieces for a fraction of their original prices.
Buy trendy shoes, top-notch clothes and beautiful furniture at a deep discount at the best sample sales in NYC this week.
Basically a massive maze made of ropes, this new exhibit allows attendees to jump inside, climb, relax and even get lost in the whole webbed arrangement that’s comprised of 80,000 feet of handwoven rope, which is part of a 400-square-foot interactive artwork created by Treenet Collective, a net expert company.
Find "The INTERnet" at INTER_ , the interactive art center at 415 Broadway by Canal Street in Soho.
The installation, which accommodates 15 people at once, boasts a variety of different weaving styles, each one creating a "setting" for folks to dive into, including the "quantum leap," where guests can play in mid-air, and the "social network," a more serene space that will feel like you are floating above everyone else.
Sometimes you’ll feel very tall, sometimes very small, and sometimes in awe of it all at this new New York Botanical Garden exhibit that celebrates the magic of Alice's Adventures in Wonderland . With a variety of botanical and artistic exhibitions throughout the Bronx garden’s 250 acres, “Wonderland: Curious Nature” encourages visitors to get “curiouser and curiouser” around every turn.
See a massive white (well, actually green) rabbit made entirely of plants; explore an enchanting English garden with delightfully weird flora; climb through a rabbit hole; hang out in a house made of mycelium bricks; and much more at this sprawling exhibition. Wonderland: Curious Nature runs through October 27, 2024, and will evolve with each season.
Though it's now more than 150 years since the first publication of Alice's Adventures in Wonderland, the delightful story with its heroic protagonist feels just as fresh as ever—especially at New York Botanical Garden with its enchanting scientific and artistic twist on the story.
Bryant Park's Picnic Performances will bring the best of NYC to the stage, including the New York City Opera, Jalopy Theatre, Carnegie Hall, the Harlem Chamber Players, and the American Symphony Orchestra.
Best of all, all 25 performances are free and open to the public. Many performances will be livestreamed for free on Bryant Park’s social media channels and website in case you can’t make it in person. Shows run through September 13.
The lineup includes The Late Show with Stephen Colbert bandleader Louis Cato; trumpeter Steven Bernstein playing the music of James Bond with Arturo O’Farrill and The Afro-Latin Jazz Orchestra; the NYC premiere of Ghanaian highlife band Gyedu-Bly Ambolley; Ronald K. Brown/EVIDENCE dance company; South African world pop star Thandiswa Mazwai and many more.
Most of the time, the HD TVs at Seven Sins (293 Third Avenue) are religiously tuned to sports channels but now the bar is clicking off those athletic pursuits for true-crime titillations.
Yes, if you’re warped like us and love hearing all about real-life mysteries, murders and misdeeds, check out the Gramercy watering hole's new summertime screening series, True Crime Tuesdays, starting at 7pm each week. And if the real stuff doesn't tickle your fancy, you can join in for scary movies every Sunday night or fictional murder mysteries on Mondays.
Little Island , the beautiful 2.4-acre elevated park that sits above the Hudson River on Manhattan's west side, is offering a lineup of star-studded performances this summer. Performances run through September 22, spanning the realms of music, dance, theater, opera, comedy, jazz, pop and funk.
Just as exciting is the debut of The Glade, a brand new cocktail lounge opening on the island that will be offering a selection of beers, wines, cocktails and mocktails to be enjoyed anywhere throughout the park.
You can learn more about Little Island's full summer programming and get advance tickets to the bigger performances on their website .
Ever wanted to touch one of the dresses at the Met? Or how about smell it? At last, now's your chance.
The museum's new exhibit, " Sleeping Beauties: Reawakening Fashion ," takes a multi-sensory approach allowing visitors to smell, touch, and hear the clothing, not just look at it. With more than 200 garments from the 1600s to today, the exhibition is the largest and most ambitious in the Costume Institute's history in terms of range and scope.
Here are five things to expect from the exhibit, which runs through September 2
If you know anything about hip-hop, then you understand that it’s not just a genre of music—it’s an entire lifestyle, complete with its own lexicon, fashion and accessories.
The American Museum of Natural History is going to pay homage to some of the most iconic custom-made jewelry in hip-hop history with its exhibit “ Ice Cold ,” which is now open in celebration of the genre’s 50th anniversary.
The exhibition will showcase jewelry from the 1980s until today and will include Slick Rick’s gem-encrusted crown, the Notorious B.I.G.’s gold ‘Jesus piece’, Nicki Minaj’s sparkling ‘Barbie’ pendant, and pieces from Erykah Badu, A$AP Rocky, Joey Bada$$, A$AP Ferg, and Tyler, the Creator, among many other legendary pieces of bling.
The glitz and glamour and hedonism and heartbreak of Moulin Rouge are coming to the Museum of Broadway for a special exhibit celebrating the 10-time Tony Award-winning Best Musical.
The new exhibit, created exclusively for The Museum of Broadway , invites fans to step into the glamorous underworld of Belle Époque Paris. “Moulin Rouge! The Musical: Spectacular, Spectacular” runs through September 8, 2024; it’s included with museum admission.
Expect to see dazzling costumes while learning how costumers transformed sketches and swatches into eye-catching gowns and bodices fit for the Sparkling Diamond herself. You'll also see set installations—and even get a chance to sit on Satine’s luxe chaise lounge. Before you go, leave your personal mark on a heart-themed wall.
Following a slew of pop-ups and stand-alone exhibits, elusive England-based street artist Banksy is getting the New York City museum treatment: The Banksy Museum is now open at 277 Canal Street by Broadway.
The space will display over 160 works by the artist—from his instantly recognizable street art to studio pieces, videos and animated visuals—making this "the largest display of Banksy work ever seen in a single setting."
Tickets for the museum, which will be open daily from 10am to 8pm, are available right here .
One of the most anticipated events at the Met is their annual Roof Garden Commission, an art series in which the New York institution chooses one artist to use the coveted space as their canvas.
This year’s commission, which was just unveiled today, sends a playful yet extremely poignant and timely message about children who find themselves in war zones. The exhibition, titled Abetare , is on view through October 27; it's included with general admission.
The artist, Petrit Halilaj , was born in war-torn Kosovo in 1986 and had to flee his home during the Yugoslav Wars in 1998. He lived with his family in a refugee camp in Serbia for a year, where he drew pictures of war scenes that he had witnessed back home. The sculptures on the roof were inspired by doodles Halilaj found at the school he attended in Runk, Kosovo before it was demolished in 2010.
Torch & Crown Brewing Company's summertime pop-up is back at Union Square Pavilion. This year it returns not only with locally brewed beers but also a slate of events and programming to the open-air NYC Parks’ concession venue in Union Square Park.
Take your movie-going experience to the next level this summer at Rooftop Cinema Club. The experience offers a chance to watch a movie on a Midtown rooftop with vegan popcorn, classic theater candy, and craft cocktails.
This season's rooftop movie schedule includes classics like When Harry Met Sally , Dirty Dancing , Grease , Mean Girls , Clueless , and so much more. Also expect special programming for Star Wars day, AAPI Heritage Month, Black Music Month, and Pride Month. Plus, it’s adding a Saturday Cereal Club and Mimosas & Muffins Sundays. Get tickets here.
Turns out, pickleball was not just a passing fad.
Doubling down on the popularity of the sport, Central Park is gearing up for the return of the 14-court pickleball installation via CityPickle that took over Wollman Rink last year. The experience offers players of all skill levels the chance to reserve courts or partake in open play sessions between 8am and 9pm daily.
Are you a preservationist nerd? (Guilty!) Then head to the Museum of the City of New York’s new exhibition, which offers a behind-the-scenes look at the conservation of one of the museum’s prized possessions: Samuel Bell Waugh’s monumental, 170-year-old painting, The Bay and Harbor of New York .
The exhibition explores the piece’s significance as one of the earliest depictions of immigration to the United States and welcomes the public to witness the preservation firsthand, gaining insight into the care and techniques needed to safeguard such a historical artifact. Conservator Gary McGowan will be on site, actively working on the painting in the gallery on Thursdays, Fridays, and Saturdays, and visitors themselves will get the chance to interact with a variety of hands-on activities. It's on view through October 13.
There’s only one constant in New York City: Change. A new exhibit at the New-York Historical Society explores the rapid development of the city and what’s been left behind.
The exhibit, titled Lost New York , transports viewers to a time when pigs roamed the streets, shopping was a radical act, and New Yorkers used to brave polluted waters for a swim. The exhibition also documents long-gone landmarks like the original Penn Station, Met Opera House, Chinese Theater, and Croton Reservoir. See it at the Upper West Side museum now through September 29.
Lost New York is included with museum admission ($24/adult). Or check it on during pay-as-you-wish Friday evenings , which will expand 5-8pm with live vintage music and specialty "lost" cocktails this summer.
Summer on the Hudson , a program run by the Riverside Park Conservancy and NYC Parks for the past two decades, is back and bigger than ever before, with new programming and more than 300 free events, including some in West Harlem and Washington Heights for the first time ever.
As usual, expect a ton of artists and musicians to participate in the extravaganza, which is free to the public and hinges heavily on all things wellness. Plus, silent disco sessions, movies under the stars, sunset yoga classes, and a Black Birders Week.
This year, Silent Disco sessions at Pier I in Riverside Park South, the Irish Dance Festival, the West Side County Fair and Movies Under the Stars will make a comeback while the uptown expansion will bring with it novel events. These include movie screenings on the Hudson waterfront at 145th Street every Thursday in August, sunset yoga classes and a Black Birders Week hosted alongside NYC Audubon.
Poster House, the country's first museum dedicated entirely to the global history of posters, turns its lens on its hometown for its latest exhibit. "Wonder City of the World: New York City Travel Posters," highlights 80 works that capture NYC's landmarks in vibrant color and detail.
The exhibit explores how New York City was represented to thousands of travelers, immigrants, and tourists during the 20th century. A 19th century marketing strategy coined the phrase "Wonder City," and it appeared in dozens of newspaper and magazine advertisements, as well as articles, postcards and souvenir booklets. New York’s massive growth during this time ultimately led to the creation of more travel posters than were designed for any other city in the world. The images included scenes of the city as seen from the water, from the ground, and, eventually, from the air.
Art nerds can’t wait until the Whitney Biennial, which happens every two years. It’s always a gigantic showcase of some of the coolest, newest, and most provocative art at a big New York City museum. It’s the Whitney Museum of American Art’s landmark exhibition series and the longest-running survey of American Art, on view through September 29.
This year, the Biennial is themed “ Even Better Than The Real Thing” and features the work of 71 artists and collectives. It does a lot in this iteration. T he survey examines rapidly advancing technologies and machine learning tools; t he body and subjectivity as it pertains to queer identity, body sovereignty, motherhood, the aging body, and the trans body; m aterial agency and the use of unstable media; and lots more.
Overarching is the focus on “the real,” an extremely present topic these days with the onslaught of incorrect ChatGPT answers, horrifying deep fakes and art made by AI.
After premiering at the Public Theatre in 2022, Suffs now marches to Broadway with its intrepid director, Leigh Silverman, still leading the way, and most of its principal cast intact. These performers’ individual charisma helps deepen our understanding of the tensions that threaten their characters’ political partnership.
Suffs is a full-throated musical call to action, and its message is neither subtle nor ambivalent: It wants to light a fire under you. But this unapologetic love letter to those who risked life and limb to get women a seat at the table is also heart-tugging, vibrant and charming. The combination is hard to resist. As our theater critic says, "It’s got my vote."
See it at the Music Box Theatre.
Digital art and poetry combine for a dive into Afrocentricity and Afrofuturism at this new immersive exhibit in Chelsea. See " Aṣẹ: Afro Frequencies " at ARTECHOUSE all summer.
The digital art exhibition promises a "vibrant reflection upon the past, present, and future of the Black experience." It's told through the perspective of London-based Afro-surrealist digital artist Vince Fraser alongside evocative poetry by ursula rucker.
Both artists worked to honor the legacy, struggles, and complexities of the Black experience in their work. Even the exhibition's title, "Aṣẹ" stems from a powerful mantra, affirmation, and philosophical belief held by the Yoruba people of West Africa, meaning "so will it be." (By the way, that's pronounced as AH-shay.)
“We choose to go to the Moon,” President John F. Kennedy’s voice booms through speakers welcoming visitors to the massive new Space Race-themed exhibit at the Intrepid Sea, Air & Space Museum . With archival speeches, historic documents, and incredible space equipment, the exhibit whisks visitors back to the 1960s, an era when humanity first ventured into the unknown.
" Apollo: When We Went to the Moon " is now open at the Intrepid Museum (that's the gigantic aircraft carrier in Hell's Kitchen along the Hudson River) and runs through September 2. At 9,000 square feet, it's the largest temporary exhibit in the museum's history. Tickets are included with museum admission.
If you're an up-and-coming comedian and want to try your luck, the comedy lottery hosted by Demetrius Fields and Austin Locke might just give you the platform you need—with a potentially big money prize attached. Every Monday at Flop House Comedy Club, hopeful comedians donate $1 to enter a lucky draw. Fifteen names are drawn and the comedian voted the best receives all the signup money plus half of ticket sales, which once added up to a whopping $238.
For more than a century, the Statue of Liberty has offered inspiration as a beacon of freedom, equality, and democracy. And for just as long, she has also served as an inspiration for tattoo artists.
A new exhibit at City Reliquary, a jewel box of a museum in Brooklyn's Williamsburg neighborhood, features vintage Statue of Liberty tattoos. As the first show devoted to Lady Liberty ink, it also traces tattooing history in NYC since the 1800s. " Liberty the Tattooed Lady: The Great Bartholdi Statue as Depicted in Tattooing " is now open through January 12, 2025.
The exhibition spotlights antique flash, vintage photographs, drawings, and other ephemera that show how Lady Liberty has been a popular subject in tattooing for as long as she’s stood in New York Harbor. You'll even get to see vintage tattoo art that's never been on display before.
See some of Broadway's most famous shows through fresh eyes at this new exhibit at the Library for the Performing Arts at Lincoln Center. The exhibition showcases lenticular prints, which appear to animate as you move around.
"Reanimating Theater: The Photography of Friedman-Abeles," is on view through September 25, 2024. It brings to life photographs by Friedman-Abeles Studio of some of Broadway's most beloved productions from 1954-1970, like West Side Story , Camelot , and Bye, Bye Birdie .
The rumors are true: David Adjmi's behind-the-music studio drama Stereophonic , which earned rave reviews Off Broadway last year, has opened at Broadway 's John Golden Theatre.
This is terrific news for fans of theater and rock alike. Although the show is not a musical , its intimate depiction of one band's creative journey includes a great deal of live music in its three engrossing hours.
You can buy tickets here . Visit the production's website for more information.
The Rubin Museum, that legendary building in Chelsea that has housed the largest collection of Himalayan art in the world for two decades, is permanently closing its physical space later this year. As sad as this is for New York’s culture scene, New Yorkers at least get to enjoy the museum until October, and you should definitely plan to make the most of it until then.
The museum’s last exhibit, “Reimagine: Himalayan Art Now , ” will be an appropriate, forward-looking nod to 32 contemporary artists from the Himalayas and the Asian diaspora whose work will be shown in dialogue with objects from the museum’s existing collection.
The exhibit is open through the museum's physical closing on October 6. Expect to see 32 new commissions and work across mediums, including painting, sculpture, sound, video, performance and more.
If you’re on Foodie-Tok, chances are that you’ve come across a video of The Lavaux , a romantic Swiss restaurant and wine bar in the West Village that has some of the best Swiss cheese offerings in the city. But recently, it’s gone viral on TikTok for its “Secret Message Party,” where they encourage strangers to send each other anonymous notes on Tuesday nights.
The note-passing party is the baby of general manager Christian Stemmer, who got the idea two years ago while traveling through his native Switzerland and ate at a restaurant where people were sending notes to other tables. He decided that something like that would probably do very well in New York, where most of us are starved for deeper human connection. “New Yorkers are all about new experiences,” Stemmer tells Time Out .
Lady Gaga’s family restaurant, Joanne Trattoria (a name made famous by the artist’s eponymous album), is bringing in sensational drag queens for free, “speakeasy” drag shows every Wednesday.
“Drag Me To Joanne’s,” which is hosted by Jupiter Genesis, features special guests. Of course, because it’s all set at Joanne’s, there will “be ample Lady Gaga action,” organizers say.
Produced exclusively by Jessee O of G L I T A NYC and co-produced by Jupiter Genesis, the show starts at 7pm. Joanne Trattoria’s full Italian menu will be available during performances. Additional tickets for the show aren’t needed, you just need or order a meal.
Every Monday at 7:30pm in the Parkside Lounge on East Houston Street, the NYC Talent Show highlights unconventional talent from the worlds of comedy, music, dance, spoken word, and more. Audience members are also welcome to show their talent if they choose to participate, creating an environment that feels truly dynamic and collaborative. Tickets are $45 with a 60% off early bird discount if you buy prior to midnight the Friday before the event with the promo code PHILOPYGUS.
At Sip & Stitch, create your very own custom handbag with the guidance of purse pro Anthony Luciano. As a longtime handbag artisan and a fashion expert, Luciano will share tips and tricks for making a handbag that's perfect for your personal style.
The lively workshops are held in Luciano’s Garment District studio, which is packed with vintage ephemera, beautiful decor, and plenty of purses to spark your inspiration. The class begins with a chance to pick a leather color and texture of your choosing—just nothing boring, as Luciano admonishes. Once that’s sorted, he’ll guide you through each step of the process, from cutting to gluing to making final touches. While the workshop is called Sip & Stitch, there’s technically no “stitching” involved, so don’t be intimidated. Even if you’re not a crafty person, Luciano and his team will make sure you leave with a handbag you’re proud to carry.
Several workshops fall under the Sip & Stitch umbrella, from a classic handbag to a unisex option. Prices range from $175 to $275, with adult beverages and snacks provided at the higher price point. The team plays pop and disco tunes in the background, making a fun and fashionable night for all.
Nicholas Sparks's bestselling 1996 novel, which inspired a popular 2004 movie, is now also the source of an original musical by indie singer-songwriter Ingrid Michaelson and playwright Bekah Brunstetter. The show charts a romance that begins in the 1940s, and the central is played—in different chapters of their story—by Maryann Plunkett, Dorian Harewood, Joy Woods, Ryan Vasquez, Jordan Tyson and John Cardoza; the supporting cast includes Andréa Burns.
The production, directed by Michael Greif and Schele Williams, arrives on Broadway after a well-received 2022 run at Chicago Shakespeare Theater.
Mercer Labs, Museum of Art and Technology , a new immersive museum is now open. It's the brainchild of Roy Nachum, the artist behind Rihanna’s famous 2016 “Anti” album cover, and his business partner Michael Cayre, a real estate developer.
The 36,000-square-foot space is located at 21 Dey Street, inside the bank building that used to be part of the now-nextdoor Century 21. It's filled with room after room of immersive fun.
The first of 15 experiences, for example, will take you through a giant room equipped with 26-foot-high projectors that blast a series of images all around that will have you feel like you've just taken a swim inside the sorts of motifs that Nachum explores throughout his work. You will quite literally land inside his art pieces.
In another room, which is being branded as one of only three 4D sound studios in the world, guests are asked to wear a blindfold and lay on the floor to properly enjoy the sounds blasting out of the 36 speakers that are embedded under the elevated floor.
If you're looking for some good laughs in Bushwick while sticking to a budget, then your best bet is to head to Starr Bar's free stand up comedy shows every Wednesday at 10pm. Hosts James Donlon, Aditya Mayya, and Paddy DeFino will showcase new sets of comedians every week with no cover charge, drink minimum or ticket fee.
There's a reason Chamber Magic has remained a staple in NYC's magic scene for more than two decades: It dazzles, show after show, with tricks that'll still leave you awestruck days later.
The charming Steve Cohen, billed as the Millionaires’ Magician, conjures high-class parlor magic in the marble-columned Madison Room at the swank Lotte New York Palace. Dress to be impressed (cocktail attire is required); tickets start at $125, with an option to pay more for meet-and-greet time and extra tricks with Cohen after the show. If you've come to see a classic-style magic act, you get what you pay for.
Sporting a tuxedo and bright rust hair, the magician delivers routines that he has buffed to a patent-leather gleam: In addition to his signature act—"Think-a-Drink," involving a kettle that pours liquids by request—highlights include a lulu of levitation trick and a card-trick finale that leaves you feeling like, well, a million bucks.
Support up-and-coming sketch comedians as they perform a medley of new sketches at this show at The PIT. The show's called "BoogieManja: A Sketch Comedy Collective" and it promises an hour of sketch comedy that changes every show.
BoogieManja performs on most Wednesdays. Performers include Nothing Bagel, Both Hands, The Right Stuff, Attainable Crush, EZ Pass, and Cliff Hanger.
A pastel-hued floral mural with a feminist message is the newest addition to the High Line. Titled “Thank You Darling,” this mural by Dutch artist Lily van der Stokker celebrates the playful, feminine realm often overlooked or derided in our culture.
"Van der Stokker’s work, which she has referred to as 'feminist conceptual pop art,' is undeniably joyful and positive. However, it often simultaneously speaks to weighty themes—aging, health, and, more generally, the lived experience of being a woman within patriarchal structures," a press release from High Line Art explains.
Her installation for the High Line continues this practice for a wide public audience, offering a sweet expression of gratitude to the millions of passersby and inhabitants of nearby buildings. Find the words THANK YOU DARLiNG (with that capitalization) on the side of a building adjacent to the High Line at 22nd Street.
With the word "darling" styled in bright yellow bubble letters, the mural seems to reach out to personally thank every single person who sees it. Check it out through November 2024.
Head to a beloved West Village music shop for a banging musical comedy blowout every Friday night. This variety show mixes music, comedy, and characters with appearances by Stephen Sihelnik (NY Comedy Festival), Natan Badalov (Adult Swim), Alexander Payne (Netflix), and surprise guests.
Fun fact: The event's set in New York's oldest continually-run music and record store, Music Inn World Instruments. It's been in operation since 1958 and has been heavily featured in the first two seasons of "The Marvelous Mrs. Maisel."
Show up early, save a seat and BYOB: You're in for a party.
Beneath the cobblestone streets of the Seaport, secrets hid underground for decades—until now, that is. A new walking tour led by the South Street Seaport Museum unearths the neighborhood's freaky and fascinating facts.
The museum's "Sinister Secrets of the Seaport" whisks visitors back in time for a 90-minute walking tour full of true crime tales about theft, organized crime, murder and even pirates. Tours are available for $30-$40/adult. Whether you're a true crime buff or you're just always in the Halloween spirit, these tours make for a memorable afternoon in a historic neighborhood.
The tour takes on the scandalous, dubious and sinister tales lurking throughout this historic district. While many stories come from the area's crime heyday in the 1800s, some stories stretch back to the 1790s and others up to the 1990s. It's grim subject matter, of course, but it's delivered in a lighthearted way. You'll never see the Seaport in the same way again.
Beautiful, buoyant, beguiling bubbles are back at the New York Hall of Science (NYSCI) in Queens. The beloved bubbles exhibit, which has been closed for five years, will return bigger, better and bubblier than ever.
The Big Bubble Experiment encourages kids of all ages to experiment and discover through the joy of playing with bubbles. That includes blowing, stretching, popping and looking closely to see what happens at each move.
The exhibit features 10 stations, each one with different tools and methods for exploring bubble solution.
Majestic, incredible elephants are getting the spotlight in a new exhibit at The American Museum of Natural History. "The Secret World of Elephants" showcases both modern and ancient elephants, offering visitors a chance to see a full-scale model of a woolly mammoth, learn about what elephants eat, touch an elephant's tooth, listen to elephant calls and more.
The exhibition is now open in the museum’s LeFrak Family Gallery. An additional ticket is required to visit the exhibit; museum members can visit for free.
Eighty years ago, as World War II raged on, Danish citizens worked together to ferry 7,000 Jewish people to safety, keeping them out of concentration camps.
Now, New York City’s Museum of Jewish Heritage - A Living Memorial to the Holocaust is commemorating that anniversary, known as one of the most effective examples of mass resistance in modern history. " Courage to Act: Rescue in Denmark ," the museum’s first exhibition developed for elementary-age students, is now open.
The exhibit focuses on themes of separation, bravery and resilience to help children ages 9+ reflect on the dangers of prejudice and on their own potential for courageous collective action.
In New York City, it can be hard to find an apartment with a nice bathtub you'd actually want to soak in. Heck, it can be hard to find an apartment where the shower isn't in a closet in the living room (ahem, this $1.25 million StreetEasy listing ).
But now cosmetics company LUSH is solving that very New York problem with a new book-a-bath service just launched this week. In addition to indulgent baths, LUSH Spa Lexington also offers massage treatments and facials, creating a calming oasis near hectic midtown. Find the newly opened spa on the Upper East Side at Lexington Avenue and East 61st Street.
Given the fact that LUSH invented the bath bomb, they’re pros when it comes to bathing. For the book-a-bath experience, head through the store and climb the stairs to the spa. Inside a petite pink-and-white bathroom, a clawfoot tub beckons. Before your bath, a staff member will prepare the water with a Snow Fairy bath bomb, which creates glittery pastel pink water. Plus, they’ll offer a fresh face mask tailored for your skin, a curated playlist and a cup of vegan hot chocolate.
Running every Monday since 2014 —which might make it the longest-running bar show in Brooklyn, but don’t quote them (except we just did)—Lobby Comedy brings together a curated and very funny lineup of international and national touring comedians as well as up-and-coming local acts.
Co-hosted by real-life BFFs and stand-up comics Matt Pavich and Dan Davies, the weekly series is currently held at Williamsburg’s Freehold bar. Grab a booth or a cozy armchair, enjoy the espresso martini that comes with every $10 ticket (and considering that espresso martinis alone are well worth more than $10, consider it a very good deal!) and sit back for 90 minutes of fresh comedy.
"All you have to do is show-up and laugh your *** off," organizers promise.
America’s first Black popular music icon is getting his due with a massive new center that houses a 60,000-piece collection and a venue for live music, lectures and screenings.
NYC’s Louis Armstrong House Museum has now opened its new facility, the Louis Armstrong Center—and it’s a big deal!
The space acts as a permanent home for the 60,000-piece Louis Armstrong Archive (the world’s largest for a jazz musician containing photos, recordings, manuscripts, letters & mementos) and a 75-seat venue for performances, lectures, films, and educational experiences, according to a release.
The Center and the historic house are now open to the public Thursdays through Saturdays. Tickets can be purchased at louisarmstronghouse.org. Tours have limited capacity, so book in advance.
On a typical visit to the Museum of Modern Art , crowds surround the most precious paintings, and it can be tough to squeeze your way in for a photo, let alone to admire the artwork’s brushstrokes. But now, thanks to these new exclusive tours by GetYourGuide , you can get in before the museum opens for a guided tour of amazing artwork.
The new MoMA Before Hours Tour with Art Expert is now available. Tickets are on sale here for $99/person. Few New York City experiences compare to the absolute thrill of gazing at famed works of art uninterrupted for as long as you like.
Many museums start with some kind of orientation, like a map or remarks from a docent. But not The House of Cannabis (a.k.a. THC NYC), the new weed museum now open in Soho. Instead, this museum starts, quite fittingly, with a trippy “Disorientation Room.”
While the museum boasts plenty of mind-bending multi-sensory bells and whistles, it also showcases art, highlights science and confronts the social justice issues baked into cannabis prosecution. The museum, the first of its kind at this scale, packs every inch of its four-story, 25,000-square-foot space at 427 Broadway with fascinating facts and delightful immersive experiences fit to entertain both tokers and non-smokers alike. Tickets ($45/adult) are on sale now .
Find your latest read at The Free Black Women’s Library , a new free library in Brooklyn's Bed-Stuy neighborhood, which also serves as a social art project, a reading room, a co-working space and a community gathering center. The library "celebrates the brilliance, diversity and imagination of Black women and Black non-binary authors." All 5,000 books in the library's collection are written by Black women and non-binary authors.
Here's how it works: Anybody can visit the space to read, work or hang out. If you want to take a book home, simply bring a book written by a Black woman or Black non-binary author, and you can trade. Whether you decide to bring the book back after you're done reading or keep it for your collection is up to you.
The library is currently open four days per week (Wednesday, Thursday, Saturday and Sunday) at 226 Marcus Garvey Boulevard. In addition to offering a space to read or work, the library has also hosts a book club, art shows and workshops on topics like writing, drawing, poetry, painting and sewing. All are welcome.
New York City is full of free outdoor art that you don't even have to go to a museum to see. Sculptures, murals and photographs can be found in its parks, sidewalks and on its buildings!
An outdoor artwalk makes for a perfect fall activity, and there's no shortage of art to check out right now. Best of all, it costs you nothing to pay a visit.
The name really says it all: Make bonsai in a bar! These teeny tiny trees are the definition of "happy little trees."
The pros from Bonsai Bar will teach you the fundamental skills and techniques behind the art of bonsai while you sip your drink and have some fun with your friends. The teachers will also help you as you pot, prune and design your very own bonsai tree.
Bonsai Bar events pop up all over the city at locations like Brooklyn Brewery, the Bronx Brewery and SingleCut Beersmiths Queens Taproom.
The New York Public Library dug through its expansive and centuries-spanning archive to stage an impressive free exhibition filled with cultural artifacts. " The Polonsky Exhibition of New York Public Library’s Treasures" spans 4,000 years of history and includes a wide range of history-making pieces, including the only surviving letter from Christoper Columbus announcing his “discovery” of the Americas to King Ferdinand’s court and the first Gutenberg Bible brought over to the Americas.
New treasures were just added to the exhibit this fall, including a signed, first edition copy of "Passing" by Nella Larsen, a selection of manuscript pages from "The Waste Land" by T.S. Eliot, and a miniature early 19th-century Qur’an, produced in Turkey.
Swingers NoMad , a "crazy mini-golf course" and entertainment complex straight from London, offers three nine-hole golf courses across 23,000 square feet under 20-foot-high ceilings.
"Crazy golf" is a British spin on mini-golf, but it's for a 21-and-over audience since craft cocktails are served by caddies on the course. Take your pick from six cocktail bars with signature classic cocktails, as well as 12 cocktails created specifically for Swingers NoMad. Plus, you can rent private rooms, check out an opulent clubhouse and enjoy four gourmet street food vendors—Sauce Pizzeria, Miznon, Fonda and Mah Ze Dahr Bakery.
For the holiday season, Swingers is offering a fun twist on the festivities: Spin a Naughty-or-Nice Prize Wheel to decide whether you're ordering the "Naughty" Sex on the Green shot or the "Nice" Festive Dessert. In addition to the game, there's also seasonal decor and even more holiday drinks.
Join Josh Johnson (Comedy Central's The Daily Show ), Lucas Connolly (Comedy Central), and Brittany Cardwell (Drule, New York Comedy Fest) for stacked lineups of top comics from NYC and beyond every Wednesday at 7:30pm.
Plus you can enjoy free beer from 7:30 to 8pm and there's a pizza raffle if you RSVP. What's not to love? Show up to Two Boots Williamsburg for the show.
Artshack Cafe offers everything on its menu on ceramic pieces made in-house. What’s more, according to an official statement by the cafe, patrons are asked to “help reduce waste by bringing their own cups.” Looking for a coffee to-go? Expect it served in a ceramic to-go cup. The cafe is part of Artshack Brooklyn , a community-based ceramics studio that offers both free and subsidized programming for adults and children alike. In addition to not using single-use products, standout features of the Bed-Stuy cafe at 1129 Bedford Avenue by Monroe Street include an anti-racism library and a number of chairs shaped like bunnies that will make anyone’s selected orders from chef Silvia Barban’s menu taste that much better.
Descend into The Django (l2 6th Avenue, The Roxy Hotel, Cellar Level) and you’ll feel like you’ve entered another world. The subterranean jazz club, with its vaulted ceilings and exposed brick walls, was modeled after the boîtes of Paris. The venue consists of two cocktail bars, an open dining space, and a stage for live performances with a state-of-the-art sound system. The Django offers a full dinner menu and handcrafted cocktails, all partnered with a brilliant entertainment lineup. Check out the schedule here .
Superstorm Sandy devastated New York City, destroying homes and businesses, but it also flooded the New York Aquarium so badly that parts of it have been closed to the public for the past decade. Now, after completely rebuilding these galleries with help from FEMA, New York State and New York City, NY Aquarium is open in full—you can see all of it—"Spineless," the PlayQuarium, "Ocean Wonders: Sharks!" Glover’s Reef, the Conservation Hall, the Sea Cliffs, the Aquatheater, the Seaside Café and more.
The Metropolitan Museum of Art 's "Date Nights" give visitors an opportunity to become acquainted with artwork with informal drop-in gallery chats, listen in on gorgeous live music and sip on yummy cocktails.
"Date Nights" are held every Friday and Saturday night in the American Wing Café from 5pm to 9pm. Make it a night out with The Met's buy-one-get-one drink special and snack on light bites in the American Wing Café. More details can be found at metmuseum.org/datenight .
There's literally no excuse not to go—the date nights come with museum admission, which is always pay-what-you-wish for New York State residents and NY, NJ, and CT students with valid ID . And this time, advance tickets are not required.
The luxurious Italian wellness spa QC NY has opened to the public, bringing the elegance and rejuvenation of a European spa to Governors Island, but with New York City flavor. It's immediately clear when you enter the spa that it was made to feel like home. From its cozy reception area decorated with custom-made furniture from Italy to its welcoming relaxation spaces with plush leather chairs and massive pillows you can sprawl out on, it feels like you're staying at a retreat with New York Harbor views. Since it's on the edge of the island, a short walk from Soissons Landing, looking out the windows offers gorgeous blue water views and glimpses of the city skyline. Because of its layout, the spa feels secluded from the rest of the island. Click through to read more about the new spa.
A new audio tour by the Brooklyn Public Library seeks to explore the lives of the characters and authors that call the borough home in fiction and in real life. From Patti Smith to Biggie Smalls, Howard Zinn to Tanwi Nandini Islam, the guide covers a total of 16 writers over eight miles of Brooklyn. You can also expect to stop at important public libraries the likes of Washington Irving and Clinton Hill, which, according to an official press release, "played an important role in the lives of the featured author[s]." Expect the entire tour, which can virtually start off from anywhere in Brooklyn, to take at least two hours to complete, depending on how many stops you wish to make along the way.
The best things to do in the winter in nyc.
The weather outside might be freezing, but the best things to do in winter in NYC will keep you cheery.
Want to know what’s happening in New York today, this weekend or in the coming months? Use our NYC events calendar for 2024 as your guide to find the best things to do around town.
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வெல்டன்! | The Whale Review: Brendan Fraser makes a strong comeback as an actor. SUBSCRIBE. SUBSCRIBE. Login. இதழ்கள். Vikatan Plus ... Tamil Movie Reviews; Television News; Tv Serial Latest News; Web Series News; Spiritual News; Temples Latest News Tamil; Festivals News Tamil; Today Rasipalan;
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The Whale is now streaming on OTT in India! PUBLISHED DATE : 16/Mar/2023. Hollywood actor Brendan Fraser made a comeback of the year in 2022 with the critically acclaimed psychological drama The Whale. Last weekend, Brendan went on to win an Oscar for Best Actor for his role as the morbidly obese reclusive protagonist, who is on a journey to ...
"The Whale" may initially feel gentler, but its main point seems to be sticking the camera in front of Brendan Fraser, encased in a fat suit that makes him appear to weigh 600 pounds, and asking us to wallow in his deterioration.In theory, we are meant to pity him or at least find sympathy for his physical and psychological plight by the film's conclusion.
The return of Brendan Fraser — not that he ever really went away — has been a reminder of how much affection so many of us had for him back in the '90s, when he had his moment in movies like ...
Nick Brendan Frasers performance is lives up to the hype. Rated 3.5/5 Stars • Rated 3.5 out of 5 stars 08/15/23 Full Review Jim P It was a great movie as far as the content.. We feel the ...
Fraser makes a bid to join their company — Chau is also excellent — but "The Whale," like some of Aronofsky's other projects, is swamped by its grand and vague ambitions. It's ...
The Whale movie review: Brendan Fraser and Hong Chau deliver stellar performances in Darren Aronofsky's otherwise uneven drama, which feels very much like a stage enactment.
The Whale might be the most schmaltzy of Aronofsky's films, but it's not the first time his central character has pushed himself/herself to their physical limits. The Whale movie cast: Brendan Fraser, Hong Chau, Sadie Sink, Ty Simpkins, Samantha Morton. The Whale movie director: Darren Aronofsky. The Whale movie rating: 2.5 stars.
#TheWhaleReview#TheWhaleReviewTamil#TheWhale2022#TheWhaleMovieReview#TheWhaleMovieReviewTamil#TheWhale#FilmicraftThe Whale is a 2022 American psychological d...
The Whale (2022) Movie Review - A one-room drama that Brendan Fraser carries on his capable back. 28 September 2023 11 February 2023 by Lopa K. ... Feel free to check out more of our movie reviews here! Verdict - 7.5/10. 7.5/10. 7.5/10. Categories Drama, films. Leave a comment. Comment.
The Whale Movie: Find The Whale movie release date, cast, trailer, review, critics rating, duration on Gadgets 360 ... New Tamil Movies; Upcoming Tamil Movies; New Telugu Movies; Upcoming Telugu Movies; ... TV & Movie Reviews . 5/10. Phir Aayi Hasseen Dillruba. Hindi 2024. 3/10. Bloody Ishq. Hindi 2024. 8/10. 36 Days. 2024. 8/10.
All the weight of the story (metaphorically and literally) is carried by its tragic protagonist — the ailing Charlie, whom Brendan Fraser portrays with such depth, nuance, and wit. Nothing in ...
Click here to see the rankings for every poll done. Summary: A reclusive English teacher attempts to reconnect with his estranged teenage daughter. Director: Darren Aronofsky. Writers: Samuel D. Hunter. Cast: Brendan Fraser as Charlie.
Hong Chau in 'The Whale,' a film by Darren Aronofsky. Photo courtesy of A24. With over 600 pounds of body mass, Charlie is a sight to behold (I say this with no intention of sounding insensitive to the obese community). Yes, Charlie's appearance is shocking, which the film presents starkly. Yet, the film as we see it is one of empathy.
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The movie, based and adapted from the off-Broadway play of the same name by Samuel D. Hunter, is directed by Darren Aronofsky, who helmed such dark tales as "Requiem for a Dream" and "Black Swan.". Hunter's depiction of the mortification of the flesh perfectly meets a director enamored by the grotesque.
Parents need to know that The Whale is a drama about a man (Brendan Fraser) who's living with severe obesity and trying to reconnect with his estranged daughter ().Directed by Darren Aronofsky, it's a compassionate movie with mature, complex themes.Violence is described in dialogue, and there's some unsettling imagery of things like binge-eating, vomiting, choking, etc.
The Whale Movie Review & Showtimes: Find details of The Whale along with its showtimes, movie review, trailer, teaser, full video songs, showtimes and cast. ... Tamil Movies 2024; Telugu Movies ...
Brendon fraser who suffers from obesity, cardiac, stress lives alone in his home, liz a nurse is taking care of him warns about his health condition since he...
How Whales Make Waves: Orca presents a compelling revenge narrative featuring a vengeful orca who seeks retribution for his mate's death at the hands of humans. This intense drama shifts the perspective, allowing audiences to empathize deeply with the whale's plight. The orca's intelligence and emotional depth drive the storyline, making it an essential watch for those interested in the ...
@edotmovies364 The Whale is a American psychological drama film directed by Darren Aronofsky and written by Samuel D. Hunter, based on his 2012 play of the s...
The best things to do in NYC this week include Labor Day celebrations, the West Indian Day Parade, the U.S. Open, an Only Murders in the Buildings escape game.