January 20, 2009 –March 1, 2013
Jonathan Edward Favreau [1] ( / ˈ f æ v r oʊ / ; born June 2, 1981) [2] is an American political commentator, podcaster, and the former director of speechwriting for President Barack Obama . [3] [4] [5]
Kerry campaign, obama campaign, white house director of speechwriting (2009–2013), after the white house, controversies, personal life, external links.
After graduating from the College of the Holy Cross as valedictorian, [6] Favreau worked for the John Kerry presidential campaign in 2004, working to collect talk radio news for the campaign and was promoted to the role of Deputy Speechwriter. [7] Favreau first met Barack Obama, then a state senator from Illinois, while working on the Kerry campaign.
In 2005, Obama's communications director Robert Gibbs recommended Favreau to Obama as a speechwriter. [8] Favreau was hired as Obama's speechwriter shortly after Obama's election to the United States Senate . Obama and Favreau grew close, and Obama referred to him as his "mind reader". He went on the campaign trail with Obama during his successful presidential election campaign . In 2009, he was named to the White House staff as Director of Speechwriting. [9]
In January 2017, he co-founded liberal media company Crooked Media with fellow former Obama staffers Tommy Vietor and Jon Lovett , and began co-hosting the political podcast Pod Save America with Vietor, Lovett, and Dan Pfeiffer . [10]
Favreau was born at Winchester Hospital and raised in nearby North Reading, Massachusetts , [2] [11] the son of Lillian ( née DeMarkis), a schoolteacher, and Mark Favreau. His father is of French Canadian descent and his mother is of Greek descent . [12] His grandfather, Robert Favreau, was a member of the New Hampshire House of Representatives and described by Favreau as a " New England Republican ." [13] [14] Favreau graduated from the Jesuit College of the Holy Cross in 2003 as his class's valedictorian , [15] [16] with a degree in political science . [17]
At Holy Cross, he was treasurer and debate committee chairman for the College Democrats , and studied classical piano. [15] From 1999 to 2000, he served on the Welfare Solidarity Project, eventually becoming its director. In 2001, Favreau worked with Habitat for Humanity and a University of Massachusetts Amherst program to bring visitors to cancer patients.
In 2002, he became head of an initiative to help unemployed individuals improve their résumés and interview skills. He also earned a variety of honors in college, including the Vanicelli Award; being named the 2001 Charles A. Dana Scholar; memberships in the Political Science Honor Society, Pi Sigma Alpha , the College Honors Program, the Sociology Honor Society, Alpha Kappa Delta , and was awarded a Harry S. Truman Scholarship in 2002. [15] He was an editor on his college newspaper, and during summers in college, he earned extra income selling newspapers as a telemarketer, while also interning in John Kerry's offices. [18]
He joined Senator John Kerry 's 2004 presidential campaign soon after graduation from the College of the Holy Cross. [3] While working for the Kerry campaign, his job was to assemble audio clips of talk radio programs for the Kerry camp to review for the next day. When the Kerry campaign began to falter at one point, they found themselves without a speechwriter, and Favreau was promoted to the role of deputy speechwriter. Following Kerry's defeat, Favreau became dispirited with politics, and was uncertain if he would do such work again. [16] Favreau first met Obama (then an Illinois State Senator running for the U.S. Senate), while still working for Kerry, backstage at the 2004 Democratic National Convention as Obama was rehearsing his keynote address . Favreau, then 23 years old, interrupted Obama's rehearsal, advising the soon-to-be-elected Senator that a rewrite was needed because Kerry wanted to use one of the lines. [18]
Obama communications aide Robert Gibbs , who had worked for Kerry's campaign, recommended Favreau to Obama as an excellent writer, and in 2005 he began working for Barack Obama in his U.S. Senate office before joining his presidential campaign as chief speechwriter in 2006. [19] His interview with Obama was on the Senator's first day. Uninterested in Favreau's résumé, Obama instead questioned Favreau on what motivated him to work in politics and his theory of writing. [16] He described this theory to Obama as, "A speech can broaden the circle of people who care about this stuff. How do you say to the average person that's been hurting: 'I hear you, I'm there?' Even though you've been so disappointed and cynical about politics in the past, and with good reason, we can move in the right direction. Just give me a chance." [20]
Favreau led a speechwriting team for the campaign that included Ben Rhodes and Cody Keenan . [18] For his work with Obama in the campaign, he would wake as early as 5 a.m., and routinely stayed up until 3 a.m. working on speeches. [18] His leadership style among other Obama speechwriters was very informal. They would often meet in a small conference room, discussing their work late into the evening over takeout food. According to Rhodes, Favreau did not drive structured meetings with agendas. "If he had, we probably would have laughed at him," Rhodes said. Favreau was planning to hire more speechwriters to assist him, but conceded he was unsure of how to manage them. According to him, "My biggest strength isn't the organization thing." [20]
He has likened his position to " Ted Williams ' batting coach", because of Obama's celebrated abilities as a speaker and writer. Obama senior adviser David Axelrod said of Favreau, "Barack trusts him... And Barack doesn't trust too many folks with that—the notion of surrendering that much authority over his own words." [18] In Obama's own words, Favreau was his "mind reader". [21] He and Obama share a fierce sports rivalry between the Boston Red Sox , favored by Favreau, and the Chicago White Sox , favored by Obama. [2] When the White Sox defeated the Red Sox 3–0 in the 2005 American League playoffs , Obama swept off Favreau's desk with a small broom. [18] During the campaigns, he was obsessed with election tracking polls, jokingly referring to them as his "daily crack". At points during the campaign, he felt overwhelmed by his responsibilities and would turn to Axelrod and his friends for advice. [20]
Favreau has declared that the speeches of Robert F. Kennedy and Michael Gerson have influenced his work, [22] and has expressed admiration for Peggy Noonan 's speechwriting, citing a talk given by Ronald Reagan at Pointe du Hoc as his favorite Noonan speech. Gerson also admires Favreau's work, and sought him out at an Obama New Hampshire campaign rally to speak with the younger speechwriter. [23] Favreau was the primary writer of Obama's inauguration address of January 2009. The Guardian describes the process as follows:
"The inaugural speech has shuttled between them [Obama and Favreau] four or five times, following an initial hour-long meeting in which the President-elect spoke about his vision for the address, and Favreau took notes on his computer. Favreau then went away and spent weeks on research. His team interviewed historians and speechwriters, studied periods of crisis, and listened to past inaugural orations. When ready, he took up residence in a Starbucks in Washington and wrote the first draft." [21]
When President Obama assumed office in 2009, Favreau was appointed Assistant to the President and Director of Speechwriting. [3] He became the second-youngest chief White House speechwriter on record, after James Fallows . [19] His salary was $172,200 a year. [24]
Favreau has said his work with Obama will be his final job in the realm of politics, saying, "Anything else would be anticlimactic." [25] In regard to his post-political future, he said, "Maybe I'll write a screenplay, or maybe a fiction book based loosely on what all of this was like. You had a bunch of kids working on this campaign together, and it was such a mix of the serious and momentous and just the silly ways that we are. For people in my generation, it was an unbelievable way to grow up." [20]
In March 2013, Favreau left the White House, along with Tommy Vietor , to pursue a career in private sector consulting and screenwriting. [26] [22] Together, they founded the communications firm Fenway Strategies. From 2013 to 2016, Favreau wrote sporadically for the Daily Beast . [27] In 2016, after the November presidential election was won by Donald Trump , Favreau, Vietor and Jon Lovett founded Crooked Media . Favreau co-hosts Crooked's premier political podcast Pod Save America with Dan Pfeiffer , Vietor and Lovett. In the wake of the new Republican healthcare bill, the AHCA , he coined the term "Wealthcare".
He currently serves on the Board of Advisors of Let America Vote , a voting rights organization founded by fellow Crooked Media host Jason Kander . [28]
Favreau was named one of the "100 Most Influential People in the World" by Time magazine in 2009. [29] In the same year he was ranked 33rd in the GQ "50 Most Powerful in D.C." and featured in the Vanity Fair "Next Establishment" list. [30] [31] Favreau was one of several Obama administration members in the 2009 "World's Most Beautiful People" issue of People magazine. [32] Executive Producer for the podcast This Land , and was nominated for a 2021 Peabody Award .
On December 5, 2008, a picture of Favreau grabbing the breast of a cardboard cut-out of then-Senator Hillary Clinton was posted on Facebook. [33] Clinton had recently been announced as Obama's nominee for U.S. Secretary of State . [34] Favreau called Senator Clinton's staff to offer an apology. The senator's office responded by joking that "Senator Clinton is pleased to learn of Jon's obvious interest in the State Department, and is currently reviewing his application." [35] [36] [22]
In June 2010, the website FamousDC obtained a picture of Favreau along with Assistant White House Press Secretary Tommy Vietor, playing beer pong after taking off their shirts at a restaurant in the Georgetown neighborhood of Washington, D.C. [37] This event attracted criticism from the press because of its timing during the height of the Gulf of Mexico oil spill . [38] [39] [40]
He is the older brother of Andy Favreau, a professional TV and movie actor. [41] On May 23, 2014, Favreau was awarded an honorary Doctor of Public Service degree by his alma mater, Holy Cross, where he also gave the commencement address. [42] On June 17, 2017, Favreau married Emily Black, daughter of federal Judge Timothy Black , at her family's vacation home in Biddeford Pool , Maine . [43] Their son, Charlie, was born in August 2020. [44] [45] Jon and his wife have had their second son, Teddy, in December 2023. [46]
In the United States, a designated survivor is a person in the presidential line of succession who is kept distant from others in the line when they are gathered together, to reduce the chance that everyone in the line will be unable to take over the presidency in a catastrophic or mass-casualty event. The person is chosen to stay at an undisclosed secure location, away from such events such as State of the Union addresses and presidential inaugurations. The designation of a survivor is intended to prevent the decapitation of the government and to safeguard continuity in the presidency if the president, the vice president, and others in the presidential line of succession die. The procedure began in the 1950s, during the Cold War, with the idea that nuclear attack could kill government officials and the United States government would collapse.
The following is a timeline of major events leading up to and immediately following the United States presidential election of 2008. The election was the 56th quadrennial United States presidential election. It was held on November 4, 2008, but its significant events and background date back to about 2002. The Democratic Party nominee, Senator Barack Obama of Illinois, defeated the Republican Party's nominee, Senator John McCain of Arizona.
Kenneth S. Baer is an American political advisor and author who served as Associate Director for Communications and Strategic Planning and Senior Advisor for White House's Office of Management and Budget from 2009 to 2012. He is the founder and co-editor of Democracy: A Journal of Ideas . Baer is a former White House speechwriter, author, and analyst. And he is the CEO and Founder of the strategic communications firm, Crosscut Strategies.
Matthew N. Latimer is an American attorney, businessman, and former political speechwriter. Latimer is a founding partner of Javelin, a literary and creative agency located in Alexandria, Virginia that offers representation, digital, and public relations services. He also served in a variety of appointments during George W. Bush Administration.
" A More Perfect Union " is the title of a speech delivered by then-Senator Barack Obama on March 18, 2008, in the course of the contest for the 2008 Democratic Party presidential nomination. Speaking before an audience at the National Constitution Center in Philadelphia, Pennsylvania, Obama was responding to a spike in the attention paid to controversial remarks made by Jeremiah Wright, his former pastor and, until shortly before the speech, a participant in his campaign. Obama framed his response in terms of the broader issue of race in the United States. The speech's title was taken from the Preamble to the United States Constitution.
Barack Obama, then junior United States senator from Illinois, announced his candidacy for president of the United States on February 10, 2007, in Springfield, Illinois. After winning a majority of delegates in the Democratic primaries of 2008, on August 23, leading up to the convention, the campaign announced that Senator Joe Biden of Delaware would be the vice presidential nominee. At the 2008 Democratic National Convention on August 27, Barack Obama was formally selected as the Democratic Party nominee for president of the United States in 2008. He was the first African American in history to be nominated on a major party ticket. On November 4, 2008, Obama defeated the Republican nominee, Senator John McCain of Arizona, making him the president-elect and the first African American elected president.
Howard Daniel Pfeiffer is an American political advisor, author, and podcast host. He was senior advisor to President Barack Obama for strategy and communications from 2013 to 2015.
The keynote address at the 2004 Democratic National Convention (DNC) was given by the Illinois State Senator, United States senatorial candidate, and future President Barack Obama on the night of Tuesday, July 27, 2004, in Boston, Massachusetts. His unexpected landslide victory in the March 2004 Illinois U.S. Senate Democratic primary made him a rising star within the national Democratic Party overnight, and led to the reissue of his memoir, Dreams from My Father . His keynote address was well received, which further elevated his status within the Democratic Party and led to his reissued memoir becoming a bestseller.
Robert A. Lehrman is an American novelist, commentator, speechwriter, and teacher.
Benjamin J. Rhodes is an American writer, political commentator and former Deputy National Security Advisor for Strategic Communications and Speechwriting under President Barack Obama. With Jake Sullivan, he is the co-chair of National Security Action, a political NGO. He contributes to NBC News and MSNBC regularly as a political commentator. He is also a Crooked Media contributor, and co-host of the foreign policy podcast Pod Save the World .
Barack Obama served as the 44th President of the United States from 2009 to 2017. Before his presidency, he served in the Illinois Senate (1997–2004) and the United States Senate (2005–2008).
Cody Keenan is an American political advisor and speechwriter who served as the director of speechwriting for President Barack Obama. Keenan studied political science at Northwestern University. After graduation, he worked in the U.S. senate office of Ted Kennedy, before studying for a master's in public policy at the Harvard Kennedy School. After graduation, he took a full-time position on Barack Obama's presidential campaign in 2008. In 2009, he assumed the position of deputy director of speechwriting. After Jon Favreau left the White House in 2013, Keenan took over as director of speechwriting.
Sarah Hurwitz is an American speechwriter. A senior speechwriter for President Barack Obama in 2009 and 2010, and head speechwriter for First Lady Michelle Obama from 2010 to 2017, she was appointed to serve on the United States Holocaust Memorial Council by Barack Obama shortly before he left the White House.
Keepin' it 1600 was an American political podcast produced by The Ringer and hosted by former Barack Obama staffers Jon Favreau, Tommy Vietor, Jon Lovett, and Dan Pfeiffer. Its name is a reference to the saying " keep it one hundred " and the White House's address of 1600 Pennsylvania Avenue.
Jonathan Ira Lovett is an American podcaster, comedian, and former speechwriter. Lovett is a co-founder of Crooked Media, along with fellow former White House staffers during the Obama administration, Jon Favreau and Tommy Vietor. Lovett is a regular host of the Crooked Media podcasts Pod Save America and Lovett or Leave It . As a speechwriter, he worked for President Barack Obama as well as for Hillary Clinton when she was a United States senator and a 2008 presidential candidate. Lovett also co-created the NBC sitcom 1600 Penn , and was a writer and producer on the third season of HBO's The Newsroom .
Thomas Frederick Vietor IV is an American political commentator and podcaster. He was a spokesperson for President Barack Obama and the United States National Security Council from 2011 to 2012. He is a co-founder of Crooked Media with fellow former Obama staffers Jon Favreau and Jon Lovett, and co-hosts the podcasts Pod Save America and Pod Save the World .
Barack Obama's farewell address was the final public speech of Barack Obama as the 44th President of the United States, delivered on January 10, 2017 at 9:00 p.m. EST. The farewell address was broadcast on various television and radio stations and livestreamed online by the White House. An estimated 24 million people watched the address live on television.
The White House Director of Speechwriting is a role within the Executive Office of the President of the United States. The officeholder serves as senior advisor and chief speechwriter to the president of the United States. They are also responsible for managing the Office of Speechwriting within the Office of Communications.
Vinay Reddy is an American speechwriter and political advisor serving as the White House director of speechwriting. Reddy was chief speechwriter to Joe Biden during his second term as vice president. After the Obama administration, Reddy worked as vice president of strategic communications for the National Basketball Association.
Name | Term | Office | Name | Term | ||
2009–10 | 2009–10 | |||||
2010–11 | 2010–13 | |||||
2011–12 | 2013–17 | |||||
2012–13 | 2009–10 | |||||
2013–17 | 2010–13 | |||||
for Policy | 2009–11 | 2013–14 | ||||
2011–13 | 2015–17 | |||||
2013–15 | Dep. National Security Advisor, Homeland Security | 2009–13 | ||||
White House Deputy Chief of Staff for Operations | 2009–11 | 2013–17 | ||||
2011–14 | Dep. National Security Advisor, Iraq and Afghanistan | † | 2009–13 | |||
2014–17 | Dep. National Security Advisor, Strategic Comm. | 2009–17 | ||||
White House Deputy Chief of Staff for Planning | 2012–14 | Dep. National Security Advisor, Chief of Staff | 2009 | |||
2014–17 | 2009–10 | |||||
2011–13 | 2011–12 | |||||
2014–15 | 2009 | |||||
2009–11 | 2009 | |||||
2011–13 | 2009–13 | |||||
2013–15 | 2013–15 | |||||
2015–17 | 2015–17 | |||||
Senior Advisor to the President | 2009–10 | Deputy White House Communications Director | 2009–11 | |||
2015–17 | 2011–14 | |||||
Senior Advisor to the President and | 2009–17 | Amy Brundage | 2014–16 | |||
Assistant to the President for | Liz Allen | 2016–17 | ||||
Public Engagement and Intergovernmental Affairs | 2009–11 | |||||
Director, | 2009–11 | 2011–13 | ||||
Jon Carson | 2011–13 | 2013–17 | ||||
Paulette L. Aniskoff | 2013–17 | Deputy Press Secretary | 2009–11 | |||
Director, | 2009–12 | 2011–13 | ||||
David Agnew | 2012–14 | 2014–17 | ||||
2014–17 | Director of Special Projects | 2010–11 | ||||
Director, | 2009–10 | Director, Speechwriting | 2009–13 | |||
2011–14 | 2013–17 | |||||
2014–17 | Director, Digital Strategy | 2009–13 | ||||
Chair, | 2009–10 | Chief Digital Officer | Jason Goldman | 2015–17 | ||
2010–13 | Director, Legislative Affairs | 2009–11 | ||||
2013–17 | 2011–13 | |||||
Chair, | 2009–11 | 2013–16 | ||||
Chair, | 2011–13 | Miguel Rodriguez | 2016 | |||
Director, | 2009–12 | Amy Rosenbaum | 2016–17 | |||
2012–17 | Director, Political Affairs | 2009–11 | ||||
Director, | 2009–13 | 2011–16 | ||||
2013–17 | Director, Presidential Personnel | Nancy Hogan | 2009–13 | |||
Director, | 2009–11 | Johnathan D. McBride | 2013–14 | |||
Director, | 2009–11 | Valerie E. Green | 2014–15 | |||
Grant N. Colfax | 2011–13 | Rodin A. Mehrbani | 2016–17 | |||
Douglas M. Brooks | 2013–17 | 2009–11 | ||||
Director, | 2009–10 | 2011–12 | ||||
Racquel S. Russell | 2010–14 | Douglas Kramer | 2012–13 | |||
Roy Austin Jr. | 2014–17 | Joani Walsh | 2014–17 | |||
Director, | 2009–11 | Director, Management and Administration | Bradley J. Kiley | 2009–11 | ||
2009–10 | Katy A. Kale | 2011–15 | ||||
2010–11 | 2015–17 | |||||
2011–14 | Director, Scheduling and Advance | 2009–11 | ||||
2014–17 | Danielle Crutchfield | 2011–14 | ||||
2009–13 | Chase Cushman | 2014–17 | ||||
2013–14 | Director, White House Information Technology | 2015–17 | ||||
2014–17 | Director, | Cameron Moody | 2009–11 | |||
Personal Aide to the President | 2009–11 | Beth Jones | 2011–15 | |||
2011–12 | Cathy Solomon | 2015–17 | ||||
Marvin D. Nicholson | 2012–17 | Director, | 2009–17 | |||
Director, | 2012–17 | 2009–12 | ||||
2009–11 | 2012–14 | |||||
2011–14 | 2014–17 | |||||
2014–17 | Director, | 2009–10 | ||||
2009 | 2010–12 | |||||
2009–11 | 2012–13 | |||||
2011–17 | 2013–14 | |||||
2009–10 | 2014 | |||||
2010–11 | 2014–17 | |||||
2011–15 | 2009–11 | |||||
2015–17 | 2011–14 | |||||
2009–11 | Tony Scott | 2015–17 | ||||
2011–13 | 2009–13 | |||||
2013–17 | 2013–17 | |||||
† | 2009–11 | Director, | 2009–14 | |||
2011–17 | 2014–17 | |||||
Director, | George Mulligan | 2009–13 | Chair, | 2009–14 | ||
Emmett Beliveau | 2013–15 | Michael Boots | 2014–15 | |||
Dabney Kern | 2016–17 | 2015–17 |
Personalities | |
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Shows | |
6ft 0 (182.9 cm), peak height was 6ft ½ in (184.2 cm).
Heights are barefeet estimates , derived from quotations, official websites, agency resumes, in person encounters with actors at conventions and pictures/films. Other vital statistics like weight or shoe size measurements have been sourced from newspapers, books, resumes or social media. Celebrity Fan Photos and Agency Pictures of stars are © to their respective owners.
By Noah Weiland / Dec. 1, 2013, 8:11 p.m.
Jon Favreau left the White House earlier this year after serving as President Obama’s Director of Speechwriting since 2005. A member of the President’s closest group of advisors on the Hill and in the White House, Favreau was a fellow at the University of Chicago Institute of Politics last spring, and is currently building his own communications strategy firm, Fenway Strategies, in Washington. Favreau sat down with the Gate to talk about blacking out in front of then-Senator Obama, writing mechanics, and the famous campaign speech he wrote after throwing a house party.
The Gate: This is less of a question than a demand: Tell me your best Joe Biden story that’s under ten minutes-long.
Jon Favreau: [Laughs] My best Joe Biden story is when the President’s personal secretary, Katie Johnson, left the White House. She was thrown many parties…[and] Joe Biden was kind enough...he said, “I want you and ten of your closest friends to come to the Naval Observatory and have a barbeque. Jill isn’t home, I’m there by myself, and it’d be great to have all you guys over.” And so Joe Biden invites us all over to the Naval Observatory, and he has an entire barbeque in the backyard, by the pool. And it’s not one of those things where you...you have to think--if any kind of politician did something like this, and you have all these people over, you have like a drop by, where the politician comes in and says hi, greets everyone for a little while and then says “Have fun, I’m gonna go do whatever.” Joe Biden spent like three or four hours out in the backyard with all of us, sitting and eating with us, and he told so many stories. There were three or four tables set up, and there was about six of us at a table, and he told so many stories about Southern senators and his time in the Senate--amazing story after amazing story, and he just held court. He gives us an entire tour of the Naval Observatory, a personally-led tour. And he’s got his dog, and at one point we’re out on the front lawn and he’s got his golf club, and he whacks the ball and the dog runs after it. It was such a great moment because you get how the public persona of Joe Biden is very much like his private persona, both because he’s very animated and loves telling stories, but also because he’s just this warm, wonderful person who took all this time out of his very busy schedule to hang out with a bunch of people, he, you know, maybe kind of knew.
Gate: What were you first interactions with Obama like?
Favreau : I first met President Obama when I was backstage at the 2004 Democratic National Convention. My job was to make sure that all of the speeches that were being delivered at the convention were on message with the Kerry campaign. And so I get a call at one point from the road, where John Kerry was traveling and working on his convention speech, that one of the speakers, a young state senator from Illinois named Barack Obama, was giving the keynote address, and he had a line in his speech that John Kerry had in his speech. And they asked me to go and talk to Obama and ask him to remove this line. I figured this was some kind of sick hazing ritual. So I walk into the room where Obama is practicing his convention speech for the very first time, and I see Robert Gibbs, who I knew because he had been my boss in the Kerry campaign when I was an assistant. And I ask Gibbs if he can talk to Obama about this line. He said, “I’m not talking to him! You talk to him!” So I walk up to Obama and mumble what I have to say, and he kind of leans over me and looks down and says, “Are you telling me I have to take out my favorite line in this speech?” At that point I blacked out for a few seconds, and then all of a sudden I was out in the hallway with David Axelrod, who I had just met for the first time. Axe said, “Don’t worry about it; we’re just going to rewrite the line together. It’s going to be fine.” And that was it--I thought that’d be the last time that I ever saw Barack Obama.
Gate: How did you get Obama’s attention after that backstage incident?
Favreau : After the campaign ended, and John Kerry lost, Robert Gibbs emailed me and told me Obama’s looking for a speechwriter. He’s never had one before, but now he needs to learn to work with one because he’s going to be very busy. He asked if I would have breakfast with him in the Senate. It’s his first week there, and he’s just getting used to the place. So we all go to the Senate cafeteria, and there’s the senators-only dining room where all the big wigs are eating, and Barack Obama just grabs his tray, and we sit in the cafeteria next to all the cooks and the waiters. The three of us sit down for breakfast, and Obama just starts asking me about my life, my family, why I got into politics, what college was like. He completely put me at ease. At the end of the interview he said, “You know, I still don’t think I need a speechwriter, but you seem nice enough, so let’s give this a whirl.”
Gate: How improbable was it that someone with your background ended up writing for someone like Barack Obama?
Favreau : David Remnick asked me once, “So you’re a white, twenty-something year-old from a suburb of Boston. How do you identify with the first black president?” I said, you know, look: One of the reasons that any famous speaker--a politician, political leader, or cultural leader--can inspire a nation or the world, is because they tap into certain shared experiences that anyone can relate to. Martin Luther King is a civil rights hero, but he is remembered as an American hero, because “I Have a Dream” can speak to anyone, whether you’re black or white or rich or poor. And not to compare him to Martin Luther King, but what Obama did in that 2004 Convention speech was speak about his own story--the specifics of which are very foreign to most Americans, but the values and the common experiences he speaks about are something anyone can relate to. So I’m very conscious of that, that I’m writing for someone who is always seeking to appeal to anyone, no matter who you are or where you come from, or how you started out.
Gate: In college, or even while you were writing speeches for Kerry, did you ever see yourself as someone who could write speeches for a President? How did your academic experience, or your private reading and writing, influence that transition?
Favreau : I didn’t know specifically that I wanted to be a speechwriter. I’ve always loved writing. I loved writing in college--I was the opinions editor of the newspaper at Holy Cross. I did the same thing in high school, so I was involved in journalism and writing that way. I also, as I got more into politics in college, started writing opinion columns about political issues on campus, and national political issues. By junior or senior year in college I was very interested in political writing, which landed me in the press/communications area of politics, which is what I did for Kerry. But it wasn’t until I really sat down next to the Kerry campaign’s chief speechwriter that I really thought to myself, “I’d really love to be a speechwriter. This sounds like a cool job.”
Gate: How does reading influence speechwriting?
Favreau : It’s something that keeps you full of new ideas, keeps you up to date on what’s going on around you, what the news is, what the political climate is, what the environment is. What I’ve read primarily while I was a speechwriter was the news, because you don’t have time to read anything else. You’re not reading fiction. I kept up to speed on every single political news story there was out there, and I would also be heavily involved in reading the recent research we did for the speeches--speeches of past presidents, historical anecdotes, and research about the policy I was writing about. When there’s free time, and you read something that’s more than just a straight political news story, I try to read long-form pieces in The New Yorker or New York Magazine or The Atlantic . The President reads all of those as well. He’s quite a voracious reader, and he still has historical biographies on his desk that he tries to break into once in a while.
Gate: Where do you think Obama’s very literary voice comes from?
Favreau : It’s interesting: I don’t really know. He kind of wrote Dreams From My Father out of nowhere. As he talks about in Dreams From My Father- -throughout his childhood and early adulthood--he was on this very long journey to discover who he was, and where he fit in in the world around him. I think that journey raised a lot of questions in his own mind that he answered through his writing.
Gate: How did you and Obama use older Presidential speechwriting to guide your own work?
Favreau I read a lot of FDR, Kennedy, Robert F. Kennedy, who obviously wasn’t president but wrote some of the best speeches, in my opinion. Lyndon Johnson wrote really great speeches. And then especially Bush and Clinton, as far as what presidents did who sat here in modern times, and maybe had a similar event--how they dealt with it. So there’s two things we’re looking for in past speeches: One is how did a president deal with a specific issue or policy that’s similar to the one we’re dealing with. And two--what kind of inspiration can we gain from the way this president spoke about this issue.
Gate: How has speechmaking formed Obama’s political identity?
Favreau : I think it’s very rare that a single speech launches a politician’s career into the national spotlight. There are a couple speeches that launched his career: the 2002 speech announcing his opposition to the war in Iraq, which is a very powerful speech he gave in Chicago that kind of put him on the map. The 2004 convention speech continued that...What he has done differently is break free from the typical political rhetoric that has invaded most of our politics today. He’s authentic; he tries to speak in an authentic way; he tries to be honest about issues that people are usually afraid to be honest about; he’s not a cautious speaker--to the extent that he can, he says what’s on his mind. When you think about the race speech, the Cairo speech--he will tackle issues in an honest way that you don’t usually expect from politicians. Speeches for him are a way to communicate authentically in a way that some other politicians have been afraid to do.
Gate: Is the success of the speechwriter dependent on having the same ear as the person he or she is writing speeches for? Is it more a matter of language or personality?
Favreau : I think personality helps, for sure. There are a lot of us who have worked for President Obama, and we all have different personalities. I think that if you expect to capture someone’s voice, and do it well, you need to know that person. You don’t need to know them right at the outset, but you need to get to know that person really well. Part of that is reading everything they’ve written and said, but a lot of it is just spending time with them, and not only getting to know the rhythms of that person’s speaking style, but how that person thinks, and you can only get that through a closer relationship. I think that people who try to capture someone’s voice who do it through five different layers of advisors will ultimately fail.
Gate: But did you already have the right kind of ear? Or can you just train yourself to speak a certain way?
Favreau : I think about politics very similarly to the way the President thinks about politics. A number of us do that work for him, so I think that helps. If I came to politics from a different viewpoint, not just if I had different views on specific issues, but if I had just kind of thought about it in a more conventional way, in a more top-down way, in a more Washington-centric way than I do, then I think I would have a harder time working for the President. I think because I came from a background at Holy Cross where I did some community service work and community organizing, and I believe very much in the power of ordinary people being able to do extraordinary things. That was part of my real world experience in college, but that’s also what I learned through sociology and political science, what I learned from the professors I had in school. So I think in that way we’re similar.
Gate: How did being Obama’s speechwriter influence the way you followed and interpreted news? Did you always have to think about events in relation to however you were going to translate them into the language of speeches?
Favreau : I follow news to know what the narrative is, to know what’s on reporters’ minds. People write many different stories, but there’s usually one theme or narrative out of any week. As a president, I don’t think you want to be reactive or responsive to every single narrative that comes out of the press, because they change with the weather, and with every hour. But at the same time, if you completely ignore what’s going on there, that’s the filter by which you can communicate to the American people, primarily. So you have to know what that is and be able to at least act like you’re aware.
Gate: Were you always nervous when you were reading the news that you’d have to sit down soon after and write something about it in the form of a speech? Did that train your mind to always have to be in that mode?
Favreau : Yeah, it does train your mind. Part of it is that this is something happening in the press; this is what everyone’s talking about on TV. I have to figure out how much we’re going to respond to that or not respond to it. It’s not my job alone; it’s the job of the communications director, the senior advisor. Everyone talks about it. The president makes decisions about this as well. But when it actually comes to the words and the lines, part of this is figuring out how exactly you’re going to shape it.
Gate: Is part of the fun as a speechwriter telling stories for someone else?
Favreau : I think most people are reluctant to talk about themselves, to make everything about themselves...As a speechwriter you can help the person you’re writing for bring out personal stories. When I got to the White House, he had this rich array of stories in Dreams From My Father and other places in his life, that when it made sense to put them in speeches about relevant topics in policy areas, I make sure to do that. It’s not just a political thing. I think you are a better storyteller when you draw from your own experiences.
Gate: You wrote a first draft of the Second Inaugural Address in a room in your parents’ house. Did you often feel a serious disconnect between the settings in which you wrote and the significance of what you wrote?
Favreau : I find that I do better if I have a lot of different places to go to. There’s very few times when I’ve sat in one place and drafted an entire speech. I can’t do that. I’ve been to many Starbucks. If I was writing a speech here, I’d write part of it in this office, then go back to my apartment, then try to find a coffee shop, then go outside by the lake. For me I have to go to as many different locations as possible.
Gate: What is President Obama like to work with? What is he like as a writer and editor in that personal of an environment?
Favreau : He’s easy to work with. We obviously write under incredibly high-pressure situations, which I’m always aware of, but he doesn’t necessarily make you aware of that. We were working on the Nobel Peace Prize speech right up until the last second, and Ben Rhodes and I were completely crazed and worried that we weren’t going to make it and thinking horrible thoughts. The President was just completely calm and collected, not worried, as if he had weeks and weeks. He calms you. You don’t expect the president to be calming. As a writer and editor, his edits always add the truth to the speech that’s been missing, that kernel of something that you wouldn’t hear a normal politician say. That’s what he always adds to speeches, substantively. Rhetorically, he has a great ear for rhythm and for really nice words and phrases and imagery that you wouldn’t normally put into a speech, that aren’t cliché, but bring the words on the paper to life.
Gate: There are these well-known photos of drafts of his speeches with his pen marks and edits all across the page. Is there a point at which he’s more concerned with diction and syntax than how the paragraphs are working together?
Favreau : It’s always in two stages: the first stage of different drafts of the speeches are substance. He’s worried about getting the substance right. That’s when he’ll reorder speeches or tell you, “I want this argument first,” or, “You haven’t talked enough about this policy,” or, “I want to make sure I make this argument.” So we go through many drafts that way. Once that’s set, then the back and forth is him just line editing. He doesn’t take pen to paper at the beginning stages when we’re dealing with substantive edits. Those he’ll tell me about. He’ll write on a separate piece of paper some ideas for me. But when he actually gets to the point where he’s marking up the page--that is just line edits, words, rhetoric, all that stuff.
Gate: When and where does he often work on his edits?
Favreau : Always at night. On big speeches like the State of the Union and the inaugural addresses, he’ll do it during the day in the Oval Office if he has an hour. Usually the line editing he can do during the day if he has an hour in the Oval, because it isn’t as labor-intensive. But when he really needs to think about the substance of a speech, he’ll do it at like 1, 2, 3 in the morning when he’s up.
Gate: Did you just get used to sitting right next to the President in the Oval Office with both of you looking at your Macbook? Was that ever weird to you?
Favreau : It’s funny--as a child, especially when I started getting interested in politics, the White House was this dream of mine. I had never had a White House tour. I had never been there. But when I finally arrived there, and I walked into the Oval for the first time with Barack Obama, it was like, “Wow, look where Barack Obama and all of us got. Look where we are right now.” And not, “I’m in the White House with the President.” I knew him for a couple of years before he got to the White House, so I never see him as “Oh my god it’s the President, and I’m sitting with the President.” It’s Barack Obama, who I’ve known for a long time. But The White House to us was still just, “wow.”
Gate: What are the different ways you guys talk to each other?
Favreau : There are many different ways to communicate with the President. Since he works so late at night, he’ll have to call me, so I’ll have to be aware that if my phone rings and it’s a blocked or private number, then it’s probably the White House operator telling me that the President is on the phone. Or we’ll email back and forth about a speech when he has some edits, or when he just needs to see me up in the residence or in the Oval, when there’s time for edits. During the day it’s much easier; he’ll just call me at my desk and I’ll run upstairs, and we’ll talk that way.
Gate: Where does the perception of him being so aloof come from?
Favreau : I honestly think that the aloof characterization comes from a view of the presidency that a lot of folks have in Washington, where the President is king and has a magic wand and can make any problem go away. If he can’t make a problem go away, all he has to do to make a problem go away is twist some arms and bring folks up to Camp David for a drink. Magically, all they care about is being wooed by the President. They don’t actually have constituencies or politics to deal with. They’re just sitting there in Congress waiting to be stroked by the President of the United States. That’s all. So I think that’s where the aloof characterization comes from. The truth is that the President is a people person: he talks all the time to members of Congress; he golfs with Boehner; he does all this stuff. But he has a wife and kids he wants to spend time with, and he’d rather have dinner with them than go to a Washington cocktail party. If he thought that going to a Washington cocktail party would pass his bill, he would cocktail it up all day long. But I think he’s realistic about what needs to get done to get certain pieces of legislation passed.
Gate: Is there a serious or harmful divide between the idealism of his language and the bureaucracy of presidential politics?
Favreau : I don’t think so, because I think he’s very clear-eyed in knowing that the idealism of the speeches is just that--it’s something to strive for. He’s very realistic about what is . He knows that the bureaucracy can be a pain; he knows that Congress can be partisan and gridlocked; he knows all the things that are getting in the way of passing the legislation he wants to pass. But that’s no reason to him to not speak in idealistic language and say, “Let’s reach for that. Let’s do better.” His basic philosophy can be summed up as, “We’re not going to fix everything, and not everything can be fixed, but that doesn’t mean we shouldn’t try, and that doesn’t mean that if we chip away at some of these big problems, even if we don’t solve them, that’s progress.”
Gate: You were part of a White House staff that’s been frequently criticized as being too insular, too Chicago-oriented. Why does that perception exist?
Favreau : I think it persists because it’s been the perception of every president. Bush, it was that he had too much of an Austin crowd. Clinton, they were too Arkansas. Washington always tells people who come to Washington that they need more Washington people. The sheer number of former Clinton and Carter people the President has hired, people from academia, people from the business world: Tim Geithner was from the Federal Reserve, Larry Summers was a Clinton person. It’s a pretty non-Chicago crowd, actually. But whenever things are going wrong, the poll numbers are down; there are a few common tropes that Washington likes to talk about: One is, “He’s too aloof! Too insular! Need to bring in more people! Need to shake up the staff! Need to get out of Washington!”
Gate: I know you’re interested in writing screenplays. What’s so appealing about political television that would draw you away from Washington?
Favreau : So I don’t think there’s anything appealing about political TV per se. I think what’s appealing to me is that I’m always looking for ways to reach people, to inspire people about the possibilities of public service who might not necessarily be political junkies, and who might not feel that politics is for them, and who might think that the whole thing is just cynical garbage, and everyone’s in it for themselves. I think there’s many ways to do that. But one of the most interesting ways for me is entertainment and culture as a way of reaching out to people and saying, “You know what? There’s some value here, and there’s some good things being done." I was inspired by The West Wing when I was in college, and my buddy and I have thought for a long time that we’re due for a younger, campaign-related version of The West Wing that doesn’t have to do with the president and his top advisors, but has to do with all the other people, especially the young people that get involved with these things.
Gate: What was your Washington work routine like? Did you often have to stay late at the White House?
Favreau : In a lot of ways it’s just like college. When there’s a paper due, there’s nothing else you do but the paper, or a test. You lock yourself away, you procrastinate, and then suddenly you find yourself up all night. When that’s over and you don’t have anything to do the next couple days, you leave. Mine was not a job where you sat there and put in face time just because you needed to put in face time. You made sure that you did your work when there was work to do. In the White House, it was a little better than the campaign, because I had a bigger team. There were more people writing speeches, so we kind of gave each other a break when we could.
Gate: Do you have a good story about getting called back when you were out with your friends?
Favreau : [Laughs] So I was here in Chicago, and it was like two weeks before the Jefferson-Jackson Dinner, and I had been up multiple nights until two or three in the morning, myself, Adam Franklin, Ben Rhodes, trying to write the Jefferson-Jackson speech. Finally we put it away for a while. And we had this speech in South Carolina that was supposed to be a year before actual election day. So we did our latest version of the Jefferson-Jackson speech there, and he gives the speech during the day on Saturday and it’s great, everything’s fine. Then I get a call at 11:30 Saturday night from Axelrod. He said, “Hey, I just talked to the President. He loved the speech today, and he said that’s what he wants the Jefferson-Jackson speech to be, except it is twenty minutes and the J-J speech needs to be ten, so can you cut it down? And he wants it by tomorrow morning.” And I had just cracked open my beer for the night, and I have all these people in my apartment. And so I run out of the house, make a cup of coffee, and I walk down Michigan Avenue, went into my office at 12 or 1 AM and stayed up all night until 10 AM and rewrote the speech.
Gate: What inner qualities can speechwriting give you?
Favreau : One of the qualities that it has taught me most of all is empathy, which is a good quality in life. As a speechwriter you need to put yourself in other people’s shoes, because you need to know what the audience would want to hear; you want to know where they’re coming from and where they are. You’re always trying to meet people where they are. I think that’s a valuable lesson to learn about life, to not judge people right away, to figure out where they’re coming from. It helps you understand the people you’re working with, the people you’re living with. It’s a very valuable tool to have, and the President is very skilled at it, and I think the best speakers and the best leaders often are.
Gate: Do you see yourself ever being a speechwriter for someone else?
Favreau : I don’t. I worked for a candidate and president I could never have dreamed of being so inspiring to me, and such a wonderful boss, and a good man to work for. And now that I’ve done that, putting as much time and sweat and energy, and so much of my life into something like that again just doesn’t seem like it would be worth it to me. If someone comes along, like another Barack Obama, who knows? But for now, there’s so much of politics that I dislike, that I don’t see myself as a political lifer. I see myself as someone who really, truly admires Barack Obama and what he’s trying to do, and I’d do anything he asks me to do. Beyond that, I have very strong views about politics that I’ll continue to share, and it’s going to be hard to shake politics out of my system completely, but putting in the effort and the years with someone else would be tough.
This interview has been edited and condensed for this publication. The featured image above of Jon Favreau speaking with President Obama in the Oval Office can be found at the White House's official website . The image is an Official White House Photo by Pete Souza, taken on January 23, 2012. This third-party content is licensed under Creative Commons Attribution 3.0 License and is not copyright protected.
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It was April 2011, and the absurd controversy over President Obama ’s birthplace—was it Hawaii? Kenya???—was in full swing. At the insistence of a rowdy band of conspiracy theorists led by one Donald Trump, the White House released the president’s birth certificate just days before the annual White House Correspondents’ Dinner, where Obama was due to speak. Knowing Trump would be in attendance, Obama's aides, including head speechwriter Jon Favreau, decided to write in some digs at Trump’s expense.
“No one is happier about this than The Donald," Obama told the crowd. "Because he can finally get back to focusing on the issues that matter. Like, did we fake the moon landing? What really happened in Roswell? And where are Biggie and Tupac?"
Trump sat stone-faced, absorbing the waves of laughter with all the grace of a Tupac truther. It was then, some claim, that he decided to exact revenge on Obama, the bastards who penned the roast, the totally biased journalists laughing—and, really, the entire world—by running for president four years later.
On the popular Keepin’ It 1600 podcast , Favreau and co-host Dan Pfeiffer, another former Obama aide, do their best to make sense of the fallout of that night, otherwise known as the 2016 presidential election. Strewn with fucks , insanes , and *fucking insane!*s, the show is a glimpse into the Washington political scene after hours, a raucous happy hour where picklebacks are $5 and political chatter flows unfiltered. So is Favreau, the 35-year-old wunderkind who left the White House in 2013, to blame for unleashing Trump on American democracy? We go straight to the source.
GQ: You helped write President Obama’s 2011 White House Correspondents’ Dinner speech roasting Donald Trump, which some say goaded him into running for president. Are you responsible for giving us Trump? Jon Favreau: I don’t know if I should say you’re welcome, or sorry. [ laughs ] I don't think that [roast] was responsible for Trump. I think whether he was humiliated at that dinner or not, he would have been humiliated in other ways, which would have led him to run. But look, we had some fun with him at that dinner because the birther conspiracy that launched it all, that happened that week. So we decided to poke fun at it.
This whole cycle has been an endless series of “what the fuck is happening.” What has surprised you the most? That's a good question, because nothing surprises me anymore. [ laughs ] The depths to which Trump has sunk have surprised me. Every time he does something that seems completely offensive and disgraceful, there's always just one more rung in the ladder that he hasn't hit yet. [ laughs ] Particularly the attack on a Gold Star family , I think, was truly awful, and surprising even for Trump.
There was a lot of speculation, when that controversy persisted, that it would be his downfall. Do you think that's the case? It’s certainly affected his standing in the race, probably more than any other comment he’s made. It wasn't an attack on Hillary Clinton. It was an attack on an American. And a parent who lost a child who was serving this country honorably. So I think that did quite a bit.
Tell me about the story behind Keepin’ It 1600. How did it come about? I’ve known Bill Simmons for a while. We both went to Holy Cross and are from Boston. So we knew each other for a while. When I moved out to L.A., we kept in touch. And then one day he was like, "You've gotta come on the podcast." And I said sure. He also knew Pfeiffer from before, so he said, "Why don't you come on with Dan Pfeiffer, and we'll do an interview." So we did Bill Simmons's podcast. And he said, "We're starting The Ringer, what if you guys started your own podcast?" Aside from Simmons's podcast and maybe a few others, I didn't really listen to podcasts or understand them that much. And I didn't know if I'd be able to do one. But I said sure, because it sounded interesting and I love talking about politics. And so we decided to test it out. And we had a lot of fun and people seemed to like it, so we kept doing it.
What made you think, Okay, this is something I could do every week ? I've done cable-TV hits, and on television you get a few minutes to fit everything in at once. And on a podcast, you have a much longer period of time to just have an interesting conversation about politics. That's all we wanted to do. And every time we bring guests on, that's what we want to do. We think that a lot of commentary and punditry that you see on TV is neither informative nor entertaining, so we were like, "Why don't we just have the conversation that we have privately among our friends about politics with everyone else, and see if they're interested?" It's just a lot of talking, like Dan and I would talk if we were hanging out, seeing each other in person.
Do you think that's why it's caught on? That it's this missing element from the political conversation? I do. I think all these podcasts, a lot of great political podcasts that are out there right now, they share the same quality, which is there's an authenticity to the conversation that you don't always get in political commentary. And there's a deeper dive into certain issues and news events that you don't often have time for in other mediums.
What drew you back into politics? You left a couple of years ago. What made you want to get back into it? I've been bitten by the bug, and that doesn't go away. When I left the White House, I was pretty eager to step away from all of this, because I was just tired. But after about a year, I learned that I will probably never be able to give it up fully. I'll have other things that I do in life, other jobs, but I will always be fascinated with politics and want to talk about it, not just because it's interesting, but because I really care about all these issues. And I care about who wins, and I think it matters. And that's not something that goes away too easily.
“A lot of great political podcasts that are out there right now, they share the same quality, which is there's an authenticity to the conversation that you don't always get in political commentary.”
How has living in L.A., outside the Beltway, changed the way you look at politics now that you're back in it? Whether I ended up moving to L.A. or moving 10 miles out of D.C. in Virginia somewhere, there's a perspective you gain by being out of Washington and being out of politics in an official capacity, where you get more perspective and more context about what matters, what to worry about, what not to worry about. When you're in D.C., you can very easily get caught up in the insanity of the news cycle and think that every single little gaffe and development matters in a big way. And a lot of it doesn't.
You always have to be able to see the big picture. And you also have to be able to see politics from a vantage point of how other people see politics, who are not necessarily political nerds like we all are. You realize that other Americans consume the news sporadically, and if you start consuming the news more sporadically, or if you see how other people consume the news, it gives you perspective.
There’s been speculation as to whether Trump will actually do the debates, but let’s say they do happen. What do Clinton and Trump each need to do to make the best case for themselves? Hillary just needs to do two things. One, remind people of what her vision is for the country, and what her policy agenda is. And two, to remind people that Donald Trump is not qualified in any way to become president of the United States. He's not qualified to run for any office, let alone president of the United States. Those are her two main objectives in those debates.
Trump needs a personality transplant. [ laughs ] If he emerges in the debates as an entirely new personality, maybe he has a shot. He has to hope for a new personality and collective amnesia. Those are the two things he needs to have going for him, and he'll be all set.
What do you think is the funniest Trump joke that will always be funny, no matter what? His Twitter feed. I thought that Hillary's line at the convention, "A man you can bait with a tweet is not the man who should have nuclear weapons," is probably the most dead-on. If you're ever feeling down, scrolling through Donald Trump's Twitter feed will pick you right back up. [ laughs ]
You and Dan Pfeiffer, your co-host, joke a lot about the state of the election and seem generally confident that Hillary will come out on top. Do you ever despair that Trump will beat the odds and win this thing? Oh, yeah. You have to run scared. President Obama said that this week. There’s a balance between complacency and freaking out. And I think, on one hand, if you just follow the news and follow the punditry, you could be whipped back and forth in 20 different directions 20 times a day. You need to look at the fundamentals, you need to look at the data. Look at the overall indicators of where the race is going, and all the polls. So you comfort yourself with all of that, but then you think, nothing is certain. Everything depends on people showing up at the polls and voting. So you've gotta work your ass off and run scared that way.
How has it felt to be in the final year of Obama’s presidency? Is it emotional? Lot of nostalgia lately, as we're winding down these last couple months. I felt it at the convention when I saw everyone and I saw him again. There's a lot of pride in what he's accomplished, and there's a lot of nostalgia for how this all started, this very unlikely journey. It’s bittersweet.
Obama has given so many noteworthy speeches. Which do you think will be the most remembered a hundred years from now? I still think his 2004 convention speech that launched him onto the national stage will be a speech that people remember forever. It is one of the most patriotic American speeches that I've ever heard. And the reason it is is because of who he was, his unlikely story, and what it said about the possibilities of America. It's not about whether we reach the ideal that he laid out in his speech, it's about whether we're on the journey toward those ideals and whether we make progress in this country. That's what his presidency is about, and I think that's what we'll be talking about for quite some time.
This interview has been edited and condensed.
In our annual TIME 100 issue, we do the impossible: name the people who most affect our world
True, Favreau is only a speechwriter. But the President of the United States is once again the central mover and shaker in this country and the world. The man who wields the first and final pen helps determine American policy and its place in that world.
True, he is only one of several on the President's talented team and specializes in major domestic speeches. But having served with Obama since the President's first days in the U.S. Senate, Favreau is primus inter pares, consulted on every key pronouncement. Today, as the world depends on America's efforts to strengthen its economy and regain its senses, U.S. domestic policy affects everyone.
True, Favreau is only 27. But when I entered the White House at 32, I was thankful that I had the energy and idealism necessary to withstand the repeated crises, criticisms and lengthy late-night hours of emergency meetings.
And true, he has the good luck to work for a brilliant and articulate President (something I know a little bit about too). But every President particularly in today's complex world lacks the time to plan and draft with full consideration and information all the statements that his responsibilities require him to deliver virtually every day.
It is President Obama who is lucky to have found someone who shares his thinking and style of speaking as readily and congenially as Jon Favreau, and it is the nation that is lucky that those two found each other. Favreau's survival in the No. 1 position throughout all these years of testing and turmoil, believe me, is not merely a matter of luck.
Sorensen was speechwriter for President John F. Kennedy. His most recent book is Counselor: A Life at the Edge of History
Fast fact: Favreau wrote parts of Obama's Inaugural Address on his laptop in a Starbucks. He fuels himself on double espressos and Red Bull
Next Dambisa Moyo
Ari Shapiro
President Obama's biggest speeches have a musicality to them. That's not an accident. His speechwriters obsess over rhythm and cadence.
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Jonathan Edward Favreau[ 1] ( / ˈfævroʊ /; born June 2, 1981) [ 2] is an American political commentator and podcaster and the former director of speechwriting for President Barack Obama. [ 3][ 4][ 5] After graduating from the College of the Holy Cross as valedictorian, [ 6] Favreau worked for the John Kerry presidential campaign in 2004 ...
Here is Jon Favreau's Height, Weight, Age, Body Statistics, Spouse, Family, etc. His Height is 1.85 m and Weight is 89 kg. See his entire biography.
Jon Favreau. Producer: Wind of Change. Jon Favreau was born on 2 June 1981 in Winchester, Massachusetts, USA. He is a writer and producer, known for Wind of Change, Running with Beto (2019) and Will.i.am: Yes We Can (2008). He has been married to Emily Black since 17 June 2017. They have one child.
The man who has held perhaps the most prominent speechwriting job of the new millennium is Jon Favreau, a 31-year-old from Massachusetts who was President Obama's chief speechwriter until this ...
Favreau is credited as a screenwriter for the 2002 film The First $20 Million Is Always the Hardest . In the fall of 2003, he scored his first financial success as a director of the hit comedy Elf starring Will Ferrell, Zooey Deschanel, James Caan, and Peter Dinklage. Also in 2003, Favreau had a small part in Something's Gotta Give (a film ...
Jon Favreau has the world's best job. Meet Obama's 'mind reader', the 29-year-old, hot-desking, Facebooking frat boy charged with turning presidential policy into political poetry. Now the speech ...
Jon Favreau. Producer: Chef. Initially an indie film favorite, actor Jon Favreau has progressed to strong mainstream visibility into the millennium and, after nearly two decades in the business, is still enjoying character stardom as well as earning notice as a writer/producer/director. The amiable, husky-framed actor with the tight, crinkly hair was born in Queens, New York on October 19 ...
The baby-faced wunderkind who has written the first words Barack Obama will deliver as President is poised to make history as the youngest person ever to write an inaugural address.Jon Favreau, 27
By Alice Yoo on December 18, 2008. Hear the name Jon Favreau and you might think of Vince Vauhn's counterpart in the classic movie Swingers. But look a little closer and you'll instead find a 27 year old speechwriter who's words mean much more than yours or mine. As Obama's chief speechwriter he's in charge of crafting some of Obama's most ...
93K Followers, 537 Following, 456 Posts - Jon Favreau (@jfavs) on Instagram: "The Other One. Pod Save America, @crookedmedia, @votesaveamerica"
Favreau was the chief writer of Obama's inauguration speech, resulting in TIME magazine naming him one of the '100 Most Influential People in the World'.
We spoke to former Obama speechwriter Jon Favreau recently about his podcast, 'Keepin' It 1600,' and working with Hillary Clinton and Obama.
When Jon Favreau—director of speechwriting for President Barack Obama (2009-2013)—joined the White House at age 27, he became the second-youngest chief speechwriter in United States history. Sharing illuminating anecdotes from a career spent working alongside the Commander in Chief on the two most pivotal presidential campaigns in recent ...
Published Jan 12, 2016. Favreau working on a speech with President Barack Obama. (Photo: Everett Collection/Alamy) I started writing speeches for John Kerry when I was 21. And I basically only got ...
On March 1, White House wunderkind Jon Favreau will retire his position as President Obama's chief speechwriter. According to several outlets, the 31-year-old is planning to pack up his ...
Jon Favreau is a political commentator, podcaster and the former Director of Speechwriting for President Barack Obama. Favreau first began writing for Obama in 2005 during his first term as a US Senator and held the role as head speechwriter throughout the 2008 campaign and presidency, until 2013. During Obama's presidency, Favreau became the second-youngest chief White House speechwriter on ...
Jonathan Edward Favreau (/ˈfævroʊ/; born June 2, 1981) is an American political commentator, podcaster, and the former director of speechwriting for President Barack Obama. Jon Favreau (speechwriter) - WikiMili, The Best Wikipedia Reader
Jon Favreau height is 6ft ½ in or 184.2 cm tall. Discover more Celebrity Heights and Vote on how tall you think any Celebrity is!
When Jon Favreau—director of speechwriting for President Barack Obama (2009-2013)—joined the White House at age 27, he became the second-youngest chief speechwriter in United States history.
Jon Favreau left the White House earlier this year after serving as President Obama's Director of Speechwriting since 2005. A member of the President's closest group of advisors on the Hill and in the White House, Favreau was a fellow at the University of Chicago Institute of Politics last spring, and is currently building his own communications strategy firm, Fenway Strategies, in ...
Former Obama Speechwriter Jon Favreau on Trump, Hillary, and Becoming a Podcast Star An interview with the co-host of Keepin' It 1600, which might just be the best political podcast out there.
Jon Favreau. The life of a presidential speechwriter is not an easy one; take it from someone who knows. It's not just the hours and the stress — it's the odd way that in a circle of powerful people, the word "only" tends to get attached to your name. Jon Favreau, President Obama's head speechwriter, is learning about that.
SHAPIRO: This is Jon Favreau. He was Barack Obama's head speechwriter until a year ago, and he's talking about the victory speech Obama gave the night of the Iowa caucuses in January 2008.