The presentation of self in everyday life.

By erving goffman , 1st edition goffman , and e goffman.

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A notable contribution to our understanding of ourselves. This book explores the realm of human behavior in social situations and the way that we appear to others. Dr. Goffman uses the metaphor of theatrical performance as a framework. Each person in everyday social intercourse presents himself and his activity to others, attempts to guide and control the impressions they form of him, and employs certain techniques in order to sustain his performance, just as an actor presents a character to an audience. The discussions of these social techniques offered here are based upon detailed research and observation of social customs in many regions.

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The presentation of self in everyday life

von Erving Goffman (1956)*

  • Marie-Kristin Döbler 4  
  • First Online: 21 October 2022

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Zusammenfassung

Nach Hintergrundinformation zur Person Erving Goffmans und seiner soziohistorischen Einordnung, wird eines seiner zentralen Werke und theoretischen Konzepte vorgestellt. Anschließend wird „The presentation of self in everyday life“ zu Goffmans anderen Arbeiten in Bezug gesetzt, bevor abschließend Goffmans Rezeption skizziert und die Aktualität des dramaturgischen Modells diskutiert wird. Hierbei wird deutlich, dass sich die Selbstpräsentation in analogen und mediatisierten Kontexten vergleichsweise wenig unterscheiden, weshalb Goffman anschlussfähige Konzepte anbietet, die die kommunikationswissenschaftliche Forschung bereichern können. Seine Arbeiten zählen daher zu Recht zu den Schlüsselwerken der Kommunikationswissenschaft.

Schlüsselwörter

  • (digitale) Vorder-/Hinterbühne
  • Situationsdefinition
  • Interaktion
  • Kommunikation in Kopräsenz

*Erstauflage 1956. Der vorliegende Text bezieht sich auf die deutsche Ausgabe von 2003.

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Döbler, MK. (2022). The presentation of self in everyday life. In: Spiller, R., Rudeloff, C., Döbler, T. (eds) Schlüsselwerke: Theorien (in) der Kommunikationswissenschaft. Springer VS, Wiesbaden. https://doi.org/10.1007/978-3-658-37354-2_9

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    self in a particular way, but chiefly because the tradition of his group or social status require this kind of expression and not because of any particular response (other than vague accept­ ance or approval) that is likely to be evoked from those im­ pressed by the expression. Sometimes the traditions of an

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    definition and construction of the public self during social interaction. Goffman's approach to this topic is commonly de-scribed as dramaturgical-that is, Goffman views the self, social interaction, and life as dramatic or theatri-cal productions. Individuals are social actors who play different parts in the varied scenes of social life. Every

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    A notable contribution to our understanding of ourselves. This book explores the realm of human behavior in social situations and the way that we appear to others. Dr. Goffman uses the metaphor of theatrical performance as a framework. Each person in everyday social intercourse presents himself and his activity to others, attempts to guide and ...

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    Citation. Goffman, E. (1959). The presentation of self in everyday life. Doubleday. Abstract. A classic analysis of the processes by which persons manage their appearance and demanor so as to project an appropriate impression of themselves into social interactions.

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    This book explores the realm of human behavior in social situations and the way that we appear to others. Dr. Goffman uses the metaphor of theatrical performance as a framework. Each person in everyday social intercourse presents himself and his activity to others, attempts to guide and cotnrol the impressions they form of him, and employs ...

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    ISBN. 978--14-013571-8. OCLC. 59624504. The Presentation of Self in Everyday Life is a 1956 sociological book by Erving Goffman, in which the author uses the imagery of theatre to portray the importance of human social interaction. This approach became known as Goffman's dramaturgical analysis. Originally published in Scotland in 1956 and in ...

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    THE PRESENTATION OF SELF 1 IN EVERYDAY LIFE ERVING GOFFMAN University of Edinburgh Social Sciences Research Centre Price : Ten Shillings. INTRODUCTION When an individual enters the presence of others, they commonly seek to acquire information about him or to bring into play information about him already possessed. ...

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    Goffman, Erving - The Presentation of Self in Everyday Life - Free download as PDF File (.pdf), Text File (.txt) or view presentation slides online. A region may be defined as a place that is bounded to some degree by barriers to perception. In our anglo-american society a performance is usually given in a highly bounded region. The impression and understanding fostered by the performance will ...

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    I am, let us say, your guest. You do not know, you cannot determine scientifically, that I will not steal your money or your spoons. But inferentially I will not, and inferentially you have me as a guest.2 Let us now turn from the others to the point of view of the individual who presents himself before them.

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    Chapter PDF. Download to read the full chapter text Literatur. Hettlage, Robert/Lenz, Karl (Hg.): Erving Goffman. Ein soziologischer Klassiker der 2. ... Kreitz, D. (2016). Erving Goffman: The Presentation of Self in Everyday Life, Edinburgh: University of Edinburgh Social Science Research Centre 1956, 161 S. (dt. Wir alle spielen Theater. Die ...

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    In „The Presentation of Self in Everyday Life" bedient sich Goffmans dem Bild und Sprachrepertoire des Theaters. Für ihn sind wir alle Darsteller*innen im Schauspiel oder auf der Bühne des Lebens, das in der Regel in Form einer dramaturgisch gestalteten Inszenierung des Alltags dargeboten wird. Jede Interaktion stellt einen Akt in diesem ...

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    Erving Goffman's 1959 book The Presentation of Self in Everyday Life was an important attempt at explaining both apparent and hidden human behaviors across social and organizational settings. Through a comprehensive framework employing theater as a metaphor, he describes the roles of people as performers and members of an audience who try to shape the unfolding situation in ways suitable to ...

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