father essay in odia

ଶୁଭଦୃଷ୍ଟି - Shubhdristi

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ଦୁବ ଘାସ - ଗାୟତ୍ରୀ ବିଶ୍ବାଳ ନଭ ତଳେ ଦୁବ ଘାସ ମୁଁ କ୍ଷୁଦ୍ର ବୋଲି ଜଣା ନୁହେଁ ମୁଁ ଗଛରେ ଗଣା ମନେ ନାହିଁ ଊଣା ।୧। ବଡ଼ ବଡ଼ ବୃକ୍ଷେ ଲୁଚିଯାଏ ମୋ କ୍ଷୁଦ୍ର ଅବୟବ ତଥାପି ଆଶା ରେ ବଞ୍ଚେ ଏହି ମୋ…

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ନିର୍ଜନ ପଥେ, ବର୍ଣ୍ଣିବାର ଶକ୍ତି ନାହିଁ କାହାରେ, ତୁମେ, ଦକ୍ଷିଣ ଓ ଦକ୍ଷିଣ ପୂର୍ଵ ଏସୀୟ ସନାତନୀ ନଵଵର୍ଷ : ମହାଵିଷୁଵ ପଣା ସଂକ୍ରାନ୍ତି, କେବେଠାରୁ କବିତା, ଦମନ - ଏକ ଚିନ୍ତନ, ନାରୀ, shubhdristipublication.

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ଶୁଭଦୃଷ୍ଟି

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Essay on My Father for Students and Children

500+ words essay on my father.

Essay on My Father: Usually, people talk about a mother’s love and affection, in which a father’s love often gets ignored. A mother’s love is talked about repeatedly everywhere, in movies, in shows and more. Yet, what we fail to acknowledge is the strength of a father which often goes unnoticed. Father’s a blessing which not many people have in their lives. It would also be wrong to say that every father is the ideal hero for their kids because that is not the case. However, I can vouch for my father without any second thoughts when it comes to being an ideal person.

My Father is Different!

As everyone likes to believe that their father is different, so do I. Nonetheless, this conviction is not merely based on the love I have for him, but also because of his personality. My father owns a business and is quite disciplined in all aspects of life. He is the one who taught me to always practice discipline no matter what work I do.

Most importantly, he has a jovial nature and always makes my mother laugh with his silly antics even after 27 years of marriage. I completely adore this silly side of him when he is with his loved ones. He tries his best to fulfill all our wishes but also maintains the strictness when the need arises.

One of the best things I love about my father is that he has always kept a very safe and open home environment. For instance, my siblings and I can talk about anything with him without the fear of being scolded or judged. This has helped us not to lie, which I have often noticed with my friends.

In addition, my father has an undying love for animals which makes him very sympathetic towards them. He practices his religion devotedly and is very charitable too. I have never seen my father misbehave with his elders in my entire life which makes me want to be like him even more.

Get the huge list of more than 500 Essay Topics and Ideas

My Father is My Source of Inspiration

I can proudly say that it is my father who has been my source of inspiration from day one. In other words, his perspective and personality together have shaped me as a person. Similarly, he has a great impact on the world as well in his own little ways. He devotes his free time in taking care of stray animals which inspires me to do the same.

My father has taught me the meaning of love in the form of a rose he gifts to my mother daily without fail. This consistency and affection encourage all of us to treat them the same way. All my knowledge of sports and cars, I have derived from my father. It is one of the sole reasons why I aspire to be a cricket player in the future.

To sum it up, I believe that my father has it all what it takes to be called a real-life superhero. The way he manages things professionally and personally leaves me mesmerized every time. No matter how tough the times got, I watched my father become tougher. I certainly aspire to become like my father. If I could just inherit ten percent of what he is, I believe my life will be sorted.

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The Story Of How Braja Mohan Became Fakir Mohan Senapati; His Fight For Distinct Identity Of Odia

Bhubaneswar: Fakir Mohan Senapati was born at Mallikaspur in Odisha’s Balasore town on the day of Makar Sankranti in the year 1843. Makar Sankranti on his birth year, was January 13. 

Chief Minister Naveen Patnaik on Saturday paid tributes to Vyasa Kabi on his 179th birth anniversary.

ଓଡ଼ିଆ ସାହିତ୍ୟର କଥା ସମ୍ରାଟ, ମହାନ ଔପନ୍ଯାସିକ ବ୍ଯାସକବି ଫକୀର ମୋହନ ସେନାପତିଙ୍କ ଜୟନ୍ତୀରେ ମୋର ଶ୍ରଦ୍ଧାଞ୍ଜଳି ଜଣାଉଛି। ଓଡ଼ିଆ ଭାଷା ଓ ସାହିତ୍ୟକୁ ସମୃଦ୍ଧ କରିବା ସହ ନିଜ ସୃଜନସୃଷ୍ଟି ମାଧ୍ୟମରେ ସମାଜରେ ସକାରାତ୍ମକ ପରିବର୍ତ୍ତନ ଆଣିବା ଦିଗରେ ଅତୁଳନୀୟ ଅବଦାନ ପାଇଁ ସେ ସର୍ବଦା ପ୍ରେରଣାର ଉତ୍ସ। pic.twitter.com/yNLe3K9wCy — Naveen Patnaik (@Naveen_Odisha) January 13, 2024

Fakir Mohan Senapati, regarded as the father of modern Odia literature, dedicated his entire life for the progress of Odia language. He also played a leading role in establishing the distinct identity of Odia language and literature. So, it would not be wrong to say that the story of Fakir Mohan is indeed the story of the “renaissance” in Odia literature.

This line from his first original poem Utkal Bhraman (Tours of Orissa) “When there is the bustle of progress everywhere, will Utkal be still in slumber ?” resonates with Odia nationalism.

The story of how Braja Mohan became Fakir Mohan is quite intriguing. It is a story of faith, which is so relevant to the present times. Born in 1843 at Mallikashpur village of Balasore district, Fakir Mohan afflicted with an unknown disease when he was seven years old. His grandmother Kuchila Dei, prayed hard for his survival and she pledged in a Dargah that if he recovers from the ailment, the boy would be turned a “Fakir” (Muslim mendicant). Miraculously, Braja Mohan recovered and as pledged by his grandmother,  came to be known as Fakir Mohan. Thereafter, he was made a “Fakir” for eight days during Muharram of Ramzan month every year and offered “Simi” at Pir Dargah with whatever he received as alms during that period. He emerged as a novelist of rare calibre not only in Odia language but also in Indian literature.

Fakir Mohan’s formal education began only when he was nine years old at ‘Chatsali’ in his village and then moved on to a free Parsi school at Balasore, which had three Muslim teachers and an Odia Pundit who taught how to write letters to the relatives and petitions for submission to the courts . Since he could not afford education, he is said to have even worked at his teacher’s house to pay the fee. Later, he got admitted to Mission School at Barabati and went to become a teacher here till 1871.

Fakir Mohan remembers those days in his autobiography, “No printed books other than the Bible were available in Odia those days. The Mission Press at Cuttack was the only printing press in Orissa. The missionaries ran a school at Balasore, but only the Bible was taught there. No Hindu student went there for fear of ‘losing caste’ by reading printed books” (Story of My Life, p.10).

After this, he became headmaster of Christian Mission School where he got in touch with the Collector of Balasore, John Bims. Fakir taught him Odia.

During his tenure as headmaster in the Balasore Mission School, Fakir Mohan and five other friends including the poet Radhanath Ray founded an association for the development of Oriya literature and in 1868, with Fakir Mohan’s initiative, a printing press named P.M.Senapati & Co Utkal Press was set up at Balasore.

His organised defence of the distinct status of Odia language antagonised him to the Bengalis. As he recalls in his autobiography, “As a result of my public lectures, writing in the periodicals and my open criticism of these developments I became an arch enemy of the Bengali establishment. I aroused in them so much hatred that they would not mention me by name; instead they would refer to me as bastard ringleader” (Story of my Life, p.38). As a result of the tireless efforts of Fakir Mohan, the British government, on the recommendation of the Commissioner T E Ravenshaw, had to rescind its decision to withdraw Odia language from the schools.

With the introduction of Odia medium in the schools, there arose an urgent need for Oriya textbooks. Earlier, the missionaries had got a few Bengali textbooks translated into Odia. Fakir Mohan himself wrote a few school textbooks in Odia including a book on arithmetic, another on Odia grammar and two volumes on Indian history that were published by the Balasore Utkal Press in 1869-1870.

The most creative and eventful phase of Fakir Mohan’s life began after he settled down at Cuttack in 1896. He wrote most of his last poems during 1896-1905, published a translation of the Upanishads and ‘Rebati’, the first story in Odia language. He wrote two of his four novels- ‘Cha Mana Atha Guntha’ and ‘Lachama’ during this period.

In1905, Fakir Mohan returned to his native house at Mallikaspur of Balasore and lived there for the rest of his life. He set up a beautiful garden there and called it Shantikanan. During this last phase of his life, he wrote most of his short stories, the last two of his four novels, ‘Mamu’ and ‘Prayaschita’, and a long poem entitled ‘Boudhavatara’. He completed writing his autobiography, ‘Atma Jivan Charita’, in 1918 and it was published posthumously in 1927. This is not only the first Odia autobiography, but also a faithful document of the social and cultural ethos of his time.

Sadly, this man, known as the father of modern Odia literature has been neglected both by his people and the state. Nothing has been done to keep his memory alive. Looking back, it seems he had a premonition that he would be forgotten, perhaps that is why he built an idol of his own at Mallikashapur village square when he was still alive.

Writers today rue the fact that the man who changed the course of Odia literature has faded from our memory. Unlike Prem Chand and Rabindranath Tagore, his works have neither been promoted nor translated into English.

Calling for the preservation of his works, educationist Abhiram Biswal had said on Fakir Mohan’s 176th birth anniversary, “ He was a multi-tasker. Fakir Mohan worked as a child labourer. He ventured into wood and paper business. He worked in press and also as an editor. He was a teacher and served as a diwan. He had experience and expertise in many fields, those reflected in his writings. That’s why preservation of his writings is all-so important.”

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Divyadisha mohanty lifestyle, mahasweta ray odia actress.

Odia Literature: From The Beginning to Now

The language of Odisha that we call Odia has a long history and a rich legacy, spreading far and wide with the boundaries of Kalinga. Any study of Odia literature ( literature of Odisha ) is therefore going to be a daunting task filling thousands of pages. This article is not meant to be an exhaustive resource of Odia literature but more of an overview of its evolution from an early language now extinct to the modern Odia we find today.

We will go by chronological order with archaeological findings and documentary evidence to establish a plausible chain from the beginning to the present.

Ashokan Edicts & Hatigumpha Inscriptions

All writings discovered and preserved from this period are in the form of either stone inscriptions on rocks (Ashokan Edicts), cave walls (Hatigumpha cave in Udaygiri/Khandagiri caves) and temples; or copper plates (preserved at the Odisha State Museum). The edicts are basically descriptions of Ashoka’s beliefs on moral behaviour and the Hatigumpha inscription describes the reign of King Kharavela of Kalinga. The copper plates of this period were usually issued for grants by the regional kings. These inscriptions were later expanded upon by later rulers and range from the 4th century BC to about 12th century AD.

Written in Prakrit, these inscriptions are the earliest form of writing recovered from pre-medieval period. There are rock art and pictographs from prehistory that can be found in caves but they are not considered to be written language.

The Beginning of Odia Poetry

Around 7th century AD, Vajrayana Buddhist poets wrote  Charyapada  ( Caryagiti ) in a proto-Odia language that was the ancestor of other languages like Bengali and Assamese. This proto-language would be considered a derivative of Prakrit.

Wrapped in metaphors, this collection of poems was meant to be sung and counted poets like Luipa and Kanhupa, who were from Kalinga’s territory, among the contributors.

The  Charyapada  was a major influence in the literature of northeastern India from 10th to the 14th century. The tantra like imagery of the poems was so vivid that poets of the 16th to 19th century revived the style for their own poems.

Historians have classified the period from 10th century to the 14th century as the  Old Odia  period. This was the time Odia began to take shape as a distinct language.

Natha and Siddha Literature

Around 12th century AD,  Natha Dharma  began to rise under Matsyendranath and Gorekhnath and gave rise to literature of a religious nature. The major works of this period were  Sishuveda ,  Amara Kosha  and  Gorakha Samhita .  Sishuveda  is considered the last of the  Charya  style literature. Majority of the writings of this period are in Sanskrit and Prakrit.

However this era is considered notable because of the development of prose. Until now, all Odia literature was in the form of poetry. The earliest example would be the  Madala Panji , or the Palm Leaf Chronicles of Jagannath Temple which holds the history of the Gajapati kings of Puri as well as the Jagannath Temple. The next important work of prose would be the  Rudra Sudhanidhi .

This period is called the pre-Sarala period because of how influential Sarala Das would become with his writings.

Rise of The Odia Language

In the 15th century, Odia was the language of the commoners and the untouchables while the upper class patronized Sanskrit. Sarala Das broke the mould by translating the Mahabharata from Sanskrit to Odia. It was however more of a transcreation, an imitation in other words. This provided a window into Odia culture in the time period to later poets.

He was acclaimed as  Adikabi  (the First Poet) and was given the title  Shudramuni  or a seer from a backward caste. It was his work that characterizes Odia’s rise as the lingua franca of Odisha’s literature. He also wrote the  Chandi Purana  and the  Vilanka Ramayana .

It was in this period that Arjuna Das wrote the long poem  Rama-Bibha  in Odia.

However it was the Gajapati of Puri, Kapilendra Dev, who is to be credited with promoting Odia literature. The previous kings had favoured Sanskrit as the language of literature but he decided to give equal patronage to both Sanskrit and Odia which lead to the advancement of the Odia language.

Historians classify this time period (14th to 16th century) as  Early Medieval Odia .

The Panchsakha

In the late 15th and early 16th century five poets became influential for their school of  Utkaliya Vaishnavism . They were Balarama Das, Atibadi Jagannath Das, Achyutananda Das, Sishu Ananta Das, and Jasobanta Das, who came to be called as the Panchasakha. They believed in the  Gyana Mishra Bhakti Marga , the Buddhist philosophy espoused in the Charya literature as mentioned above.

Considered spiritual figures along with being poets the Panchasakha are considered to the most significant personalities in the development of the cultural landscape of Odisha.  They translated many ancient Hindu texts to Odia, making them available to the common masses.

Jagamohan Ramayan  written by Balaram Das is considered to the other pillar alongside Sarala Das’s Mahabharata to be the foundation on which Odia literature is built. On the other hand, Atibadi Jagannath Das’  Bhagabata  is considered the most influential on day to day Odia thought and philosophy. Ananta Das and Yashobanta Das have several  bhajans  to their name.

Of the five, Achyutananda Das is considered to be the most prolific writer and his works include not only books on philosophy but also yoga, Buddhist Tantra, Ayurveda, various sciences etc.

The qualities of the Panchasakha can be described in the following verses:

ଆଗମ୍ଯଭାବ ଜାଣେ ଜଶୋବନ୍ତ ଗାରକଟ୍ଟା ଯନ୍ତ୍ର ଜାଣେ ଅନନ୍ତ ଆଗତ ନାଗତ ଅଚ୍ଯୁତ ଭଣେ ବଲରାମ ଦାସ ତତ୍ତ୍ବ ବଖଣେ ଭକତିର ଭାବ ଜାଣେ ଜଗନ୍ନାଥ ପଂଚ ସଖା ଏ ଓଡିଆ ମାହାନ୍ତ

The above verses translate to:

Yasovanta knows the things beyond reach Yantras uses lines and figures known to Ananta Achyuta speaks the past, present and future Balarâma Dasa is fluent in tatwa (the ultimate meaning of anything) Ultimate feelings of devotion are known to Jagannâtha These five friends are my five mahantas.

The Panchasakha alongside another seer,  Raghu Arakshita  are called the  Sada-Goswami  (six Lords).

It was in this period that Madhavi Pattanayak or Madhavi Das became the first Odia woman to write poetry in the form of devotional songs for Lord Jagannath.

Imaginative Odia Literature

Considered by historians as the  Medieval Odia  period, from the 16th century onward,  Kaalpanika  (imaginary) and  Pauranika  (Puranic) poems grew to prominence and along with the later writings of the Panchasakha formed the foundation of the Riti Yuga which was to follow.

The body of odia literature in this period is extensive but falls outside the scope of this article so we’ll discuss this at a later time.

This period is named the Riti Yuga because of the  Reeti  style employed by the prominent poet of the era, Upendra Bhanja. This style is characterized by verbal tics, obscenity and eroticism. There were many poets in this era who employed this style, one of them being his grandfather Dhananjay Bhanja who was the king of Ghumusar.

This era is said to have begun in mid 17th century and carried on till mid 19th century AD. Historians classify the time period from 18th century to the end of this era as the  Late Medieval Odia  period.

Upendra Bhanja’s seminal work,  Baidehisha Bilasa , alongside his other works like  Rasika Harabali ,  Koti Brahmanda Sundari  and  Labanyabati  have led to him being conferred the title  Kabi Samrat . He has 52 books to his name of which only 25-26 have survived.

He also pioneered a new form of poetry called  Bandha Kabita , in which the poet wrote a poem on the frame of a picture made by him. His C hitrakavya Bandhodaya  was the first of its kind and has 84 pictorial poems.

The End of Riti Yuga

With the coming of the British, Riti Yuga came to an end. Towards the end four poets emerged with highly lyrical writings, These were Kabi Surya Baladeb Rath, Brajanath Badajena, Gopal Krushna Pattanaik and Bhima Bhoi. The scope of this article is too small for discussing the works of these poets and the ones that followed so we would cover them at a later date.

Rise of the Printing Press

Before the coming of the British, Odia literature was primarily recorded on dried palm leaves. In 1836, Christian missionaries printed the first book on paper. Thus began the  Age of Radhanath  and that of  Modern Odia Literature .

The first writings to be printed were periodicals, journals and books which soon became available to the common people. The first Odia newspaper to be published was  Utkala Deepika  1866. With many periodicals in print, Odia political thought began to develop a bend for freedom of expression, encouraging budding Odia writers and popularizing modern literature.

Into this era was born Radhanath Ray, the poet who defined the literature of the era. His  kavyas (long poems) had lots of Western influence and he inspired a lot of people with his writings. His works include Chandrabhaga, Nandikeshwari, Usha, Mahajatra, Darbar and Chilika.

A contemporary of Radhanath Ray would be Fakir Mohan Senapati, considered the father of modern Odia prose. His short story  Rebati  is considered widely to be the first Odia short story. His other writings include Patent Medicine, Dak Munshi, and Adharma Bitta. He is also known for his novel Chha Maana Atha Guntha. 

The Satyabadi Era

During the Radhanath Age, the literary world was divided into classicists and modernists. In this times of change Gopabandhu Das wrote a satirical poem in the classicist journal, the  Indradhanu , a bastion of tradition. He recognized that a society and its literature need a solid historical foundation of tradition. He was reprimanded by the Inspector of Schools for the poem but he refused to apologize.

He joined the Ravenshaw College after this incident and opened the  Kartavya Bodhini Samiti  (Duty Awakening Society) in college to encourage social responsibility among his friends. His tireless dedecation to social work earned him the name Utkalamani (Odisha’s Gem).

With the beginning of the freedom movement, Gopabandhu Das was influenced by the thoughts of Mahatma Gandhi and the rising nationalism and gave rise to the school of the Satyabadi. Other than Gopabandhu Das, the other writers influenced by this idealistic movement were Godabarisha Mishra, Nilakantha Dash, Harihara Acharya and Krupasinshu. They were called the Panchsakha in recognition of their similarity to the historical ones.

There were many more writers influenced by the Satyabadi Movement, one of them being Chintamani Das whose contributions include  Manishi Nilakantha ,  Bhala Manisa Hua ,  Usha ,  Barabati ,  Byasakabi Fakiramohan  and  Kabi Godabarisha .

The Progressives

Nabakrushna Choudhury, Bhagabati Panigrahi and Ananta Patnaik founded the Nabajuga Sahitya Sansad in 1935, a year before the National Progressive Writers Association was established by Munshi Prem Chand, Sajad Zaheer, Mulk Raj Anand and others. The Adhunika became the mouthpiece of the Nabajuga Sahitya Sansad and attracted many contemporary writers. It was was concieved, edited and mantained by Bhagabati Charan Panigrahi and Ananta Patnaik. This time period has been called the  Pragati Yuga .

The Age of Romanticism

In the 1930’s, when progressive Marxist thoughts dominated the literary landscape of Odisha, the writings of Rabindranth Tagore influenced Kalindi Charan Panigrahi (brother of Bhagabati Charan Panigrahi). He founded  Sabuja Samiti  with two of his writer friends Annada Shankar Ray and Baikuntha Patnaik. It was a shortlived period, with the school folded into Gandhism and Marxism. This however influenced K. C. Panigrahi’s famous novel  Matira Manisha .

The Post Colonial Era

This is a vast topic, a bit too big for this article. We will discuss post-colonial Odia literature in a later article.

The contribution of the writers of the Early Medieval to Late Medieval Odia provided a solid foundation on which modern Odia literature could stand. These writers have some renown but their works need to be publicized further, bringing them back into public consciousness.

The touch of Sarala Das, the Panchsakha, Upendra Bhanja and many others can be found in many modern literary works. The common Odia person should feel proud for being part of this sprawling and rich literary legacy.

We leave you with the promise that we would cover the above mentioned topics in more detail in later articles. See you soon. To learn more about Odisha literature follow up today.

Read more: Manoj Das : An Epitome of Odia Literature

Want to buy Odia literature books , visit OdishaShop.

• Odia Literature and its Great Legacy, The Nandi Ghosh Blog, April 2017
• The History of medieval Vaishnavism in Odisha . Chapter:  The Sidhacharyas in Odisha  Page 55 by Prabhat Mukherjee
• Palm Leaf Etchings of Orissa . Abhinav Publications. ISBN9788170172482 by Durga Prasad Patnaik
• In Translation – Reflections, Refractions, Transformations , Page 170-171 by Debendra K. Dash and Dipti R. Pattanaik, edited by Paul St-Pierre, Prafulla C. Kar
• Mahapurusa Panchasakha, Ananta Himalayas Blog, July 2012
• Upendra Bhanja Granthabali (Dutiya Khanda), edited by Bidyadhar Sahoo

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Short Essay on My Father [100, 200, 400 Words] With PDF

Essays on ‘Father’ is a very common English writing comprehension test for many exams. In this lesson today, I will discuss how to write short essays on one of the most important people of our life: Father. 

Short Essay on Father in 100 Words

My father is a kind and caring person. He is my hero. He works hard and takes care of our family. He always motivates me to study well, work hard and chase my dreams. Whenever I am sick, he stays beside me and takes care of me alongside my mother.

My father is a loving husband to my mother and a filial son to his parents. He helps my mother with the household chores and spends a lot of time with my grandparents. He has never differentiated between a son and a daughter and treats me and my sibling equally. On weekends, he takes us out for picnics, movies, and other fun activities. My father is a role model for me. 

Short Essay on Father in 200 Words

My father is an ideal man. He is kind and caring. He works hard and takes care of our family. He is a strong-willed person who doesn’t fear challenges and never gives up. He motivates me to study well and work hard towards my dreams. My father is my best friend. I share all my worries and problems with him and he always comes up with the best solutions. When I am sad, he comforts me and gives me strength. When I am sick, he stays beside me and takes care of me alongside my mother. 

My father is a loving husband and a filial son. He helps my mother with the household work and shares her load. He values her a lot and never fights with her. He also spends a lot of time with my grandparents and takes them to visit their old friends whenever he has time. He also takes us out for family picnics and outings on weekends.

My father has never differentiated between a son and a daughter and treats both me and my sibling equally. He has set an example for us by being an upright, compassionate and genuine human being. He has taught us to be honest, respectful, and kind. My father is my role model and I love him very much. 

Short Essay on Father in 400 Words

My father is the backbone of our family. He is a kind, caring and compassionate person. He is a teacher by profession and is well-respected by his students and colleagues. He works hard and takes care of our family. My father is strong-willed and optimistic. He is not afraid of facing challenges and doesn’t give up no matter how difficult a situation is.

He motivates me to study well and work hard towards my dreams. My father is also my best friend. He listens to whatever I have to say. I can share all my worries and problems with him and he always comes up with the best solutions. When I am not in a good mood, he comforts me. When I am sick, he takes care of me. Even when he returns home tired, he makes sure to sit with us and have a nice talk. 

My father is a generous person. Being a teacher, he has come across many students who want to learn but do not have the financial capacity to support their studies. For them, he has given lessons for free and even helped them financially.

He is very kind to the poor and needy. He helps them and does as much as possible to support them. My father is a helpful person and is always ready to extend a helping hand whenever our neighbours are in some kind of trouble. I am very proud of him. 

My father is an ideal husband and son. He helps my mother with the household chores and shares the load. He values her, listens to her thoughts, ideas and opinions and never fights with her. They always make sure that our home environment is peaceful and harmonious.

My father is also a filial son who spends a lot of time taking care of his parents. He takes my grandparents out to the park and to visit their old friends whenever he has time. On weekends, he takes us out for picnics, movies and other fun activities. When my sibling or I have exams, my father stays up at night to guide us and help us with our studies. 

My father has never differentiated between a son and a daughter and treats both me and my sibling equally. He has taught us to be upright, honest, respectful and kind. He leads by example and has shown us how to be selfless, brave and patient. My father is my role model and I love him dearly. 

Hopefully, from the session above, you have gotten a holistic idea of how you can write short essays on ‘Father’ in a concise form. In this lesson, I have adopted a simplistic approach and easy language to write these essays so that all kinds of students can understand those without any difficulties. If you still have any doubts regarding this session, kindly let me know through some quick comments. 

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Swami Vivekananda Vani O Rachana in Odia

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Translation of "father" into Oriya

ବାପା is the translation of "father" into Oriya. Sample translated sentence: Ajit Bajaj and his daughter became the first ever father-daughter duo to ascend Everest. ↔ କିନ୍ତୁ ଫେରିଲା ବେଳକୁ ସେମାନେ ନିଜ ସହ ବହୁ ମାତ୍ରାରେ ଅଳିଆ ଆବର୍ଜନା ଧରିଆସିଥିଲେ ।

A male who sires (and often raises) a child. [..]

English-Oriya dictionary

male parent [..]

Show algorithmically generated translations

Automatic translations of " father " into Oriya

Translations with alternative spelling

(Christianity) God, the father of Creation [..]

"Father" in English - Oriya dictionary

Currently we have no translations for Father in the dictionary, maybe you can add one? Make sure to check automatic translation, translation memory or indirect translations.

Images with "father"

Phrases similar to "father" with translations into oriya.

• father-in-law ଶ୍ୱଶୁର

Translations of "father" into Oriya in sentences, translation memory